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Hello! Today we're at Alexandra Palace, | 0:00:04 | 0:00:08 | |
once home to the BBC as its main transmitting centre. | 0:00:08 | 0:00:13 | |
Today, this place is home to over 600 antique dealers. | 0:00:13 | 0:00:18 | |
So, what are we waiting for? Let's go bargain hunting! | 0:00:18 | 0:00:22 | |
Alexandra Palace first opened its doors in 1873 | 0:00:51 | 0:00:55 | |
as the People's Palace. | 0:00:55 | 0:00:59 | |
Today, 140 years later, | 0:00:59 | 0:01:02 | |
the public are still flocking through its doors. | 0:01:02 | 0:01:05 | |
Joining them today are our Red and Blue teams, | 0:01:05 | 0:01:07 | |
on the hunt for antiques, so let's have a look at what's coming up | 0:01:07 | 0:01:11 | |
a little bit later in the programme. | 0:01:11 | 0:01:13 | |
The Reds get confused not once... | 0:01:15 | 0:01:17 | |
-Oh, no - it says 275, I thought it said 175! -Oh! | 0:01:17 | 0:01:24 | |
..But twice. | 0:01:24 | 0:01:25 | |
-Is that a toolbox? -It's a sewing box. | 0:01:25 | 0:01:29 | |
-Oh, so you can't put your tools in? -Well, why not? -You could do. | 0:01:29 | 0:01:33 | |
And watch out for the Blues, you might want subtitles. | 0:01:34 | 0:01:38 | |
Say that again to me. | 0:01:38 | 0:01:40 | |
HE SPEAKS IN CANTONESE | 0:01:40 | 0:01:43 | |
-I'll leave that one to you. -Yes! | 0:01:43 | 0:01:46 | |
On Bargain Hunt today, we've got, for the Reds, friends Ryan | 0:01:47 | 0:01:51 | |
and Kyle and for the Blues, | 0:01:51 | 0:01:53 | |
a married couple, Jack and Sam. Hello, everybody. | 0:01:53 | 0:01:57 | |
-ALL: -Hello. -Very nice to see you. So, Ryan, how did you two meet? | 0:01:57 | 0:02:01 | |
I auditioned for a film of Kyle's that Kyle was directing. | 0:02:01 | 0:02:05 | |
Unfortunately, I didn't get the part, because I'm not that good, | 0:02:05 | 0:02:09 | |
so we just ended up being friends from then on. | 0:02:09 | 0:02:12 | |
So you like to do a bit of acting, do you? | 0:02:12 | 0:02:15 | |
I'm in a dance troupe theatre company called Figs In Wigs. | 0:02:15 | 0:02:17 | |
-Does that mean you wear fig leaves and only wigs? -No! | 0:02:17 | 0:02:20 | |
-It's not one of those raunchy ones, then? -No! | 0:02:20 | 0:02:24 | |
-We wear wigs, but not figs. -Not figs. | 0:02:24 | 0:02:26 | |
-No. -We're not very good at dancing, any of us. | 0:02:26 | 0:02:29 | |
-We've gone up to Edinburgh a couple of times. -Done the fringe? | 0:02:29 | 0:02:32 | |
Oh, very good. Well done for that. | 0:02:32 | 0:02:34 | |
-And Kyle, you've just graduated from university? -Yes. -Tell us about that. | 0:02:34 | 0:02:38 | |
Well, I studied film for three years, and managed to do quite a few short films, | 0:02:38 | 0:02:43 | |
one about a deranged postman. | 0:02:43 | 0:02:45 | |
-Is that the one that you wanted Ryan to be in? -Sadly, yeah. | 0:02:45 | 0:02:48 | |
-He didn't get the part. -Not mad enough, perhaps. | 0:02:48 | 0:02:52 | |
-So, have you had any luck with your short films? -We have indeed. | 0:02:52 | 0:02:55 | |
-It was shown at the BFI. -Which is? -The British film Institute. -Nowhere better than that. Congratulations. | 0:02:55 | 0:03:01 | |
-How do you think you'll get on today? -Oh, I don't know. | 0:03:01 | 0:03:03 | |
We've seen many shows where people say, | 0:03:03 | 0:03:05 | |
"I want something quirky and silver", so we won't go for silver. | 0:03:05 | 0:03:08 | |
-Definitely? -Definitely. -Not going to go for quirky? | 0:03:08 | 0:03:12 | |
Are you going to spend all the money or part of it? | 0:03:12 | 0:03:15 | |
I think that's why it's there, you know, if we can spend it all. | 0:03:15 | 0:03:19 | |
-We'll see how it goes. -It often doesn't work out like that, but we shall see. | 0:03:19 | 0:03:23 | |
Anyway, welcome to the show and very good luck. | 0:03:23 | 0:03:26 | |
Now, you lovely married couple, you. Jack, how did you two meet? | 0:03:26 | 0:03:29 | |
We originally met in Hong Kong - Sam and I were doing a panto | 0:03:29 | 0:03:34 | |
and we met in the back stage as we were doing a bit of backstage work. | 0:03:34 | 0:03:41 | |
-So you had this peculiar encounter backstage and then it was wham? -Yes, | 0:03:41 | 0:03:45 | |
and then we went out for a good long time | 0:03:45 | 0:03:47 | |
-and then we parted our separate ways. -Trial separation? | 0:03:47 | 0:03:52 | |
-He married somebody else. -Oh, I see! | 0:03:52 | 0:03:55 | |
And then about 20 years later... | 0:03:55 | 0:03:59 | |
-School reunion. -Gosh, this IS a story, isn't it? | 0:03:59 | 0:04:02 | |
-This could take up most of the programme. -It could. -So what were you doing in Hong Kong? | 0:04:02 | 0:04:07 | |
I was actually born there, my parents were married in Shanghai | 0:04:07 | 0:04:11 | |
and came over during the cultural revolution of Hong Kong | 0:04:11 | 0:04:14 | |
-and that's where I grew up. -So what brought you back to Blighty from Hong Kong? -Sam. -Oh, was it? | 0:04:14 | 0:04:20 | |
-Sam, what do you do? -I'm a hearing aid audiologist. | 0:04:20 | 0:04:23 | |
Well, that's marvellous, isn't it? So you put the cans on the characters and go beep, beep, beep. | 0:04:23 | 0:04:28 | |
-That's correct, yes. -What do you like to collect, Sam? | 0:04:28 | 0:04:32 | |
-Antique hearing aids. -Oh, do you?! -Yes! -Have you got a trumpet? | 0:04:32 | 0:04:35 | |
-I do, yes, I've got one going back to 1817. -It's amazing how they work. | 0:04:35 | 0:04:40 | |
You get up to 20 to 30 decibels' gain from the trumpet | 0:04:40 | 0:04:43 | |
and it's very directional. They do work. | 0:04:43 | 0:04:46 | |
How do you think you are going to get on today on Bargain Hunt? | 0:04:46 | 0:04:49 | |
A bit of either crash and burn, or rise like a phoenix out of the ashes. | 0:04:49 | 0:04:53 | |
We've got a prediction now. The boys will be quaking in their boots. | 0:04:53 | 0:04:58 | |
Anyway, the money moment. £300 apiece. There's your £300. | 0:04:58 | 0:05:01 | |
You know the rules, your experts await, and off you go. | 0:05:01 | 0:05:04 | |
And very, very, very good luck. | 0:05:04 | 0:05:06 | |
Today, providing sparkling advice for the Reds, | 0:05:06 | 0:05:09 | |
is expert Anita Manning. | 0:05:09 | 0:05:11 | |
Hoping to enlighten the Blues is the inimitable Charles Hanson. | 0:05:11 | 0:05:15 | |
And they're off. Shopping time starts now. | 0:05:15 | 0:05:18 | |
Guys, we've got 300 smackeroos to spend, | 0:05:21 | 0:05:25 | |
what do we want to spend it on? | 0:05:25 | 0:05:27 | |
-We don't want to buy anything silver, Anita. -Oh, right, no silver? OK. | 0:05:27 | 0:05:31 | |
-Something in pairs. -Something in pairs? | 0:05:31 | 0:05:34 | |
-And a nice, big piece of furniture. -You want something big? -Yeah! | 0:05:34 | 0:05:38 | |
Oh, I love you! Look, let's go. | 0:05:38 | 0:05:42 | |
Anita and the Reds are thinking big. What are the Blues' tactics? | 0:05:42 | 0:05:47 | |
-You speak Cantonese, don't you? -Yes. | 0:05:47 | 0:05:49 | |
And the market is so buoyant in all things Chinese, | 0:05:49 | 0:05:53 | |
if we can do a deal in Cantonese, it might really help give us that professional feel. | 0:05:53 | 0:05:58 | |
-Yes, it would be cool. -So if I said what is your best price in Cantonese, | 0:05:58 | 0:06:01 | |
for a Chinese pot, how do I say it? | 0:06:01 | 0:06:03 | |
Er... | 0:06:03 | 0:06:04 | |
HE SPEAKS CANTONESE | 0:06:04 | 0:06:06 | |
Say that again to me. | 0:06:09 | 0:06:10 | |
HE REPEATS IT | 0:06:10 | 0:06:12 | |
-I'll leave that one to you. -Yes! | 0:06:14 | 0:06:17 | |
-That's Charles told. -Can we go to any stall? -Go anywhere you like. -OK. | 0:06:17 | 0:06:23 | |
That turquoise stone and scroll brooch there, is that hallmarked? | 0:06:27 | 0:06:30 | |
-Yeah, that one there. -This one? -Just in front. Like it? | 0:06:30 | 0:06:33 | |
It's pretty, but it's not something I would wear. | 0:06:33 | 0:06:36 | |
Beauty isn't liking it, beauty is in the profit. | 0:06:36 | 0:06:39 | |
-Out of interest, how much? -I'll give you a special price. | 0:06:39 | 0:06:42 | |
-Oh, you're a good lady! We like that! -50. -£15! -50. | 0:06:42 | 0:06:47 | |
-I said 50. -Sorry! I thought you said 15, sorry about that. | 0:06:47 | 0:06:52 | |
-At 15, I like it more. -What is it in Mandarin? | 0:06:52 | 0:06:54 | |
-Not Mandarin, Cantonese. -Sorry, Cantonese. | 0:06:54 | 0:06:56 | |
THEY SPEAK CANTONESE | 0:06:56 | 0:06:58 | |
I'll think about it. | 0:06:58 | 0:07:00 | |
OK! | 0:07:00 | 0:07:01 | |
THEY LAUGH | 0:07:01 | 0:07:03 | |
Looks like you're getting the hang of the lingo, Charles. Well done. | 0:07:03 | 0:07:09 | |
See, I really like this one. It's really nice. | 0:07:10 | 0:07:13 | |
-What have you got there, boys? -I don't know, we found the decanter and it looks really nice. | 0:07:13 | 0:07:18 | |
-Tell me why you like it. -I don't know! | 0:07:18 | 0:07:20 | |
-You said young 'uns like the Art Deco stuff and I think it's really nice. -Got a full set there. | 0:07:20 | 0:07:25 | |
It is a lemonade set, so it's the type of thing that a stylish group | 0:07:25 | 0:07:31 | |
of people would have in the summertime to take out onto the patio. | 0:07:31 | 0:07:36 | |
It's funny, because you thought you would like traditional stuff, and what happened? | 0:07:36 | 0:07:41 | |
-You went straight into 20th century design! -We're classy guys! | 0:07:41 | 0:07:45 | |
-We've got classy taste. -Stylish guys. | 0:07:45 | 0:07:49 | |
-There's a bit of marking. Would that affect it? -Yes, the gilt has rubbed off a wee bit on here. | 0:07:49 | 0:07:54 | |
Let's go right round. It would be better if it was 100%. | 0:07:54 | 0:07:58 | |
-But are there any chips or cracks? -No. -It's at 85. | 0:07:58 | 0:08:02 | |
It says 85 on the bottom. What's the best you can do on this? | 0:08:02 | 0:08:07 | |
Um... | 0:08:07 | 0:08:09 | |
85... | 0:08:09 | 0:08:12 | |
-65? -65. | 0:08:12 | 0:08:15 | |
-So could we get it for 60? -There is a bit of damage on it. | 0:08:15 | 0:08:19 | |
It's a bit rubbed on there, isn't it? Yes, 60. | 0:08:19 | 0:08:23 | |
-60. Is that the very...? -That's the very best. -Uh-huh. | 0:08:23 | 0:08:28 | |
Tell me why you like it, cos you seem quite enthusiastic as well. | 0:08:28 | 0:08:32 | |
Yeah, I figured it's very classy, and I think it has a set as well | 0:08:32 | 0:08:35 | |
-and I think we can get a good deal for that. -I think we should get it. -60, is it, OK? | 0:08:35 | 0:08:41 | |
Hope you do well with it! | 0:08:41 | 0:08:43 | |
Well, that is what I like about these boys - it's a done deal before I'm even there! | 0:08:43 | 0:08:48 | |
One down for the decisive Reds. The lads are off to a great start. | 0:08:50 | 0:08:56 | |
Charles, I quite like this. | 0:08:57 | 0:09:00 | |
It's a guy called Sam Hall, who was born the same year as me, that's why I like it. | 0:09:00 | 0:09:03 | |
-What year? -1967. -What a wacky vase, though, isn't it? -Absolutely beautiful. | 0:09:03 | 0:09:07 | |
-How much is it? -£600. -How much? | 0:09:07 | 0:09:09 | |
-600, so we can't afford it. -Can we knock it down? | 0:09:09 | 0:09:12 | |
-I don't think we'll get that much off! -Guys, we've had ten minutes already. | 0:09:12 | 0:09:17 | |
How much? | 0:09:18 | 0:09:20 | |
Those Reds aren't wasting any time, but do they know what they're talking about? | 0:09:21 | 0:09:25 | |
You can imagine having a hard day's graft, put your tools in this. | 0:09:25 | 0:09:30 | |
-Is it a toolbox or a sewing box? -It's a sewing box. | 0:09:30 | 0:09:33 | |
-Oh, so you can't put your tools in. -Well, why not? -You could do. | 0:09:33 | 0:09:37 | |
-Does that put you off? -No, not at all. | 0:09:37 | 0:09:40 | |
Put it together again and show me it all coming out. | 0:09:40 | 0:09:43 | |
-I just think it's cool. -It's a concertina effect, isn't it? | 0:09:43 | 0:09:47 | |
I can just imagine walking down, carrying it. | 0:09:49 | 0:09:52 | |
-And then you open it up, so it's... -OK, pull it out, all right. | 0:09:52 | 0:09:57 | |
And it's got a little label there, for Needles. | 0:09:57 | 0:10:00 | |
-There's one missing here. -And there's one missing here. | 0:10:00 | 0:10:03 | |
So you've got to think about that. | 0:10:03 | 0:10:04 | |
It's made of oak and is probably from the 1930s - it's got a kind of Art Deco look about it. | 0:10:04 | 0:10:09 | |
-It's very nice. -What's the best you can do on this? | 0:10:09 | 0:10:13 | |
Let's have a look. | 0:10:13 | 0:10:14 | |
I'm asking 45, so for you, because you're the Reds, 30. | 0:10:14 | 0:10:19 | |
No! | 0:10:22 | 0:10:24 | |
'Nice try, Anita!' | 0:10:24 | 0:10:26 | |
-I've got to make £5 profit. -28? | 0:10:26 | 0:10:28 | |
-No, 30 is a fair price. -Thank you very much. | 0:10:28 | 0:10:32 | |
-OK, are these boys not so decisive? -They're great. | 0:10:32 | 0:10:35 | |
They don't need me here. | 0:10:38 | 0:10:39 | |
Anita, those boys may live to regret going it alone. | 0:10:41 | 0:10:44 | |
They bought two items in 20 minutes, | 0:10:44 | 0:10:47 | |
but the Blues haven't bought a thing. | 0:10:47 | 0:10:50 | |
-I like the lamp. -Is it a period deco lamp? -Yes. | 0:10:52 | 0:10:56 | |
-Look at that, Sam. -That's beautiful. -Is that doing it for you? | 0:10:56 | 0:11:00 | |
-Yes, very much. -Tell me why. -Um, I've just bought a new desk, so...! | 0:11:00 | 0:11:04 | |
-Desk furniture is in my head. -Is this personal shopping now? | 0:11:05 | 0:11:09 | |
I would personally buy this, yes. | 0:11:09 | 0:11:11 | |
We'd have to get it down a little, as it says 245 on it. | 0:11:11 | 0:11:14 | |
-Jack, do you like it? -It's quite nice, but I've seen a couple of other | 0:11:14 | 0:11:18 | |
items on the same stand that catch my fancy as well. | 0:11:18 | 0:11:20 | |
-We might have a double deal, then. -Think of those great skyscrapers of the '30s going up, | 0:11:20 | 0:11:25 | |
think of New York at that time. | 0:11:25 | 0:11:27 | |
It's got that great feel, hasn't it? It's so striking. | 0:11:27 | 0:11:30 | |
-What's the best you can do? -You want me to give you a Bargain Hunt price? | 0:11:30 | 0:11:33 | |
-Oh, yes, please. We could use one. -It's our first purchase. -195. | 0:11:33 | 0:11:38 | |
BOTH: 195. Looking longingly up here for support! | 0:11:38 | 0:11:42 | |
-I like it. -Is it a risk? -It's a risk at auction. | 0:11:42 | 0:11:45 | |
In the right specialised sale, it could make 200, 250. | 0:11:45 | 0:11:49 | |
-In a more parochial country auction, it could make £30. -Ah. | 0:11:49 | 0:11:54 | |
-It's a complete gamble. -I like it. | 0:11:54 | 0:11:57 | |
Charles isn't convinced. And Anita is having doubts about her boys. | 0:11:57 | 0:12:03 | |
I think they wanted to buy traditional antique items | 0:12:03 | 0:12:06 | |
and the first thing they went for was a 1950s lemonade set because | 0:12:06 | 0:12:10 | |
it was glittery and they liked it and it captured their imagination. | 0:12:10 | 0:12:15 | |
And then they bought a sewing box! They thought it was a toolbox! | 0:12:15 | 0:12:19 | |
I'm probably the biggest tool you know anyway, for thinking that, so. | 0:12:21 | 0:12:25 | |
-Shows how much we know about antiques! -Yeah! | 0:12:25 | 0:12:28 | |
-They might even make a profit on it! -As you know, you can never tell. | 0:12:28 | 0:12:33 | |
All will be revealed at the auction. | 0:12:34 | 0:12:36 | |
It's got a great style, where were you in the '30s? | 0:12:36 | 0:12:39 | |
That's a bit of a personal question! | 0:12:40 | 0:12:43 | |
I'd have to say that these two didn't exist in the 1930s, thank you very much. | 0:12:43 | 0:12:48 | |
I mean, we're children of the '60s, right? | 0:12:48 | 0:12:53 | |
Do you rate that? | 0:12:53 | 0:12:55 | |
I think it's got great style, which in the right high-living home | 0:12:55 | 0:12:59 | |
will take pride of place, but going to auction is a bit of a gamble. | 0:12:59 | 0:13:02 | |
-But we like it. -Is it 1950s, then? | 0:13:02 | 0:13:04 | |
Well, we've been told Deco in style, '30s, '50s is maybe its age range. | 0:13:04 | 0:13:10 | |
-And is it £60? -We wish it was, Tim. -How much is it? -It's on at 195. | 0:13:10 | 0:13:14 | |
-How much? -245. | 0:13:14 | 0:13:16 | |
245 on, but you know, Tim, when your lady loves something, | 0:13:16 | 0:13:19 | |
you've got to go with it and salute her. | 0:13:19 | 0:13:22 | |
I can't influence you in any way, shape or form | 0:13:22 | 0:13:25 | |
and if that is the light of your life, darling, then you have to turn it on, right, Charles? | 0:13:25 | 0:13:29 | |
-Tim, you need to ignite it. -Ignite, that's it. | 0:13:29 | 0:13:32 | |
-I think you're well and truly ignited. -We shall be glowing. | 0:13:32 | 0:13:36 | |
Seems like they've won Charles over, but I'm not so sure. | 0:13:36 | 0:13:40 | |
After a bold start, our decisive Reds can have some fun browsing. | 0:13:40 | 0:13:45 | |
Nice examples of what they are, | 0:13:45 | 0:13:47 | |
but they haven't got that wee bit of krrrrk! | 0:13:47 | 0:13:50 | |
-Yes. -That's a technical term. -LAUGHTER | 0:13:50 | 0:13:53 | |
It's all good fun and colourful pottery, this, | 0:13:58 | 0:14:00 | |
-isn't it? -Yeah. -I don't know, though. -Is it not your bag? | 0:14:00 | 0:14:04 | |
It's not turning them on! | 0:14:04 | 0:14:06 | |
-1,195. -Yeah. -No, we can't afford that, mate. Shall we go? | 0:14:10 | 0:14:16 | |
-I like the birdcage, me. -You like the birdcage? | 0:14:17 | 0:14:21 | |
-No-one would buy that though, would they? -Somebody will buy it. | 0:14:21 | 0:14:24 | |
Those indecisive Blues are still considering that lamp. | 0:14:25 | 0:14:29 | |
-What did I say, 195? -Look at me. | 0:14:29 | 0:14:33 | |
-How about me? -180. -Oh, my god, 180. -180. -180. | 0:14:34 | 0:14:38 | |
-I can't do any more than that. -Up to you. -I think I'd like the light. | 0:14:38 | 0:14:42 | |
-180, done. -180 - thank you very much. -Are you buying it? -BOTH: Yes! | 0:14:42 | 0:14:47 | |
-You've bought it. She's bought it. -Well, you wanted decisive! | 0:14:47 | 0:14:52 | |
Yes, good work, team. | 0:14:52 | 0:14:54 | |
-Thank you. -They bought it. Finally - a decision after 40 minutes. | 0:14:55 | 0:15:00 | |
Let's hope it's a good one. | 0:15:00 | 0:15:02 | |
It's all scratched. | 0:15:02 | 0:15:04 | |
-It's a bit... -Ah, but it's not, it's not broken or anything, | 0:15:07 | 0:15:10 | |
and how much have we got left? | 0:15:10 | 0:15:12 | |
-210. -210. -And we need to leave you at least a quid. -At least. | 0:15:12 | 0:15:16 | |
You can leave me a pound and I'll get something. Don't worry. | 0:15:16 | 0:15:21 | |
Anita, can you really buy something for a pound? | 0:15:21 | 0:15:24 | |
You know you like photography? It's photographic tints. | 0:15:24 | 0:15:28 | |
A little mixing thing for photos, colouring postcards, prints | 0:15:28 | 0:15:31 | |
-and lantern slides. I quite like that. Charles? -Yes? -Are the tints still in there? | 0:15:31 | 0:15:37 | |
-Jack's a keen photographer and this is... -A tinting kit. | 0:15:37 | 0:15:41 | |
I thought if somebody collected those old lanterns, | 0:15:41 | 0:15:45 | |
this might just finish off their collection. It's £15. | 0:15:45 | 0:15:48 | |
So, what would its purpose be? | 0:15:48 | 0:15:51 | |
-Just to colourise black and white pictures. -So you're tinting them? | 0:15:51 | 0:15:55 | |
OK, fine. You can see here that you've got the blues and the browns | 0:15:55 | 0:15:59 | |
and the crimsons and the yellows. | 0:15:59 | 0:16:01 | |
-I've never seen one before. -Neither have I, and I like it. | 0:16:01 | 0:16:04 | |
-How early is it, madam? -I'm not quite sure. | 0:16:04 | 0:16:07 | |
-I think it looks to be what, 1930s? -Yes. -How sweet, look at that. | 0:16:07 | 0:16:13 | |
-The original case. That's nice. -Is 15 the best? -Yes. Absolutely. | 0:16:13 | 0:16:18 | |
That, to me, is very reasonable for what it is, | 0:16:18 | 0:16:21 | |
because it's got the instructions and everything. | 0:16:21 | 0:16:25 | |
-What you think, honey? -I think it's worth a punt, actually. | 0:16:25 | 0:16:28 | |
-It's your sort of thing, isn't it? -Yes, but it's also kind of specialised, isn't it? | 0:16:28 | 0:16:33 | |
But it could finish off a collection, someone that collects postcards. | 0:16:33 | 0:16:37 | |
You're very clever, because there's a huge market for postcards | 0:16:37 | 0:16:40 | |
and such cards and if you say to a collector who wants to add | 0:16:40 | 0:16:45 | |
a bit of interest, for £15, I've never seen one before. | 0:16:45 | 0:16:49 | |
For £15, you can't go wrong. Between friends, madam, the best price is? | 0:16:49 | 0:16:53 | |
-£15! -£15. Going. -Going. -Gone. -We'll take it. | 0:16:53 | 0:16:59 | |
The Blues are developing nicely. That's a second purchase. | 0:17:00 | 0:17:04 | |
-15 minutes, 15 minutes. -Come on. -You heard her, chaps. You need to press on. | 0:17:04 | 0:17:11 | |
Are those Blues regretting not paying enough attention to their expert, Charles? | 0:17:11 | 0:17:15 | |
I think we're going to have to take a lot more of what he says | 0:17:15 | 0:17:19 | |
on board and I won't just go straight for the heart. | 0:17:19 | 0:17:22 | |
Listen to his advice. | 0:17:22 | 0:17:24 | |
Maybe I ought to be more tough, but it doesn't matter. | 0:17:24 | 0:17:26 | |
Two items down, our second one is very good, | 0:17:26 | 0:17:30 | |
but now we're looking for the big third. The big finale, the big win. | 0:17:30 | 0:17:34 | |
Fighting talk, Carlos. | 0:17:34 | 0:17:35 | |
-How much are they? -£85. -Round about there? Uh-huh. | 0:17:37 | 0:17:42 | |
-What do you think about them, guys? -I like them, but we found this clock. | 0:17:42 | 0:17:46 | |
-Oh, I love your decisiveness, boys. -It's only 175. | 0:17:46 | 0:17:50 | |
That the Empire State Building, isn't it? | 0:17:50 | 0:17:54 | |
-I think it's French, though. -I like it. -I think it's really good. | 0:17:54 | 0:17:57 | |
What drew you to that? | 0:17:57 | 0:18:00 | |
-It's got style, it's big as well. -They wanted a big bit. | 0:18:00 | 0:18:05 | |
-They wanted something big. -It's going to be too expensive. | 0:18:05 | 0:18:09 | |
-What's the best you can do for it? -I suppose 220, really. -It says... | 0:18:09 | 0:18:13 | |
Oh no, it says 275. I thought it said 175. Oh! | 0:18:13 | 0:18:18 | |
Oh, no! | 0:18:18 | 0:18:20 | |
-What are we going to do? -How much have we got left? | 0:18:20 | 0:18:24 | |
-210, we've got left. -And you need to leave me a pound at least. -At least. | 0:18:24 | 0:18:29 | |
-Give me the 210 if it's cash and I'll give you a pound back. -Yes? | 0:18:29 | 0:18:33 | |
-Is that all right? Are you happy with that? -Fantastic, that'd be incredible. | 0:18:33 | 0:18:36 | |
Boys you have one wonderful deal here, because that is a clock of great style, isn't it? | 0:18:36 | 0:18:43 | |
Well, it's the case that's worth the money, really. | 0:18:43 | 0:18:45 | |
-That's a beautiful, it's a burr walnut. -Thank you very much. | 0:18:45 | 0:18:49 | |
-Thank you. -You've made these two laddies happy! | 0:18:49 | 0:18:53 | |
I'm sorry not to leave you much money! | 0:18:53 | 0:18:55 | |
The Reds finish with a big buy and not a lot of change for Anita. | 0:18:55 | 0:19:01 | |
With ten minutes to go, the Blues are cutting it fine. | 0:19:01 | 0:19:05 | |
That's a really nice cane, actually. | 0:19:05 | 0:19:07 | |
Bronze mounted cane, for you guys, I could do it for 45. | 0:19:07 | 0:19:10 | |
-Is it a marriage? -Yes, I wonder, the actual mount. | 0:19:10 | 0:19:14 | |
I wonder whether it's always been together. | 0:19:14 | 0:19:16 | |
Obviously, time is running out now, we've got ten minutes. | 0:19:16 | 0:19:20 | |
-What do you think? -I've got to think about that one. Don't look at me. | 0:19:20 | 0:19:24 | |
-What's the best on this little cane here? Madam? -That was my best. | 0:19:24 | 0:19:29 | |
-I'll give you puppy eyes. -Puppy eyes! I want little beggy puppy. | 0:19:29 | 0:19:33 | |
40 for little beggy puppy. | 0:19:33 | 0:19:35 | |
40? All right, 40. Do you think that would be a workable deal with 40? | 0:19:35 | 0:19:40 | |
-Provenance pedigree is always important. -Pedigree? | 0:19:40 | 0:19:43 | |
-It's a retriever. -LAUGHTER | 0:19:43 | 0:19:45 | |
-Where did it come from, madam? -From a gentleman's house. | 0:19:45 | 0:19:48 | |
If it comes from a gentleman's residence, you think, well, | 0:19:48 | 0:19:51 | |
it's got good pedigree. Time is the essence. | 0:19:51 | 0:19:54 | |
I would value this at auction between 30 and 50, but I think it's got legs. | 0:19:54 | 0:19:58 | |
-What do you think, Jack? -Let's speculate and accumulate. | 0:19:58 | 0:20:01 | |
-And the very best, madam? -I'll do 40, but that's it. | 0:20:01 | 0:20:03 | |
Eight minutes to go. Jack, pressure's on. Four minutes to go. | 0:20:03 | 0:20:09 | |
-You're a newly married couple, let's see some love now. -OK, 40. | 0:20:09 | 0:20:14 | |
At last, the Blues make their final purchase and I'm calling, "time's up"! | 0:20:16 | 0:20:20 | |
So let's remind ourselves what the Red team bought. | 0:20:20 | 0:20:23 | |
They spent £60 on a 1950s lemonade set. | 0:20:26 | 0:20:29 | |
They're pinning their hopes on an oak sewing box, picked up for £30. | 0:20:32 | 0:20:37 | |
And finally, an Art Deco wall clock that set them back £209. Wow. | 0:20:37 | 0:20:44 | |
-Now, is it true what I hear, that you spent the whole lot? -Yeah! | 0:20:45 | 0:20:49 | |
All bar what? One pound coin! | 0:20:49 | 0:20:53 | |
Now, this is not going to be easy for Anita to go out | 0:20:53 | 0:20:56 | |
and find you a one-pound Leftover Lolly item. | 0:20:56 | 0:20:59 | |
Anita, I don't know what you're going to do, darling. | 0:20:59 | 0:21:03 | |
-I'm going have a cup of tea, first. -Is that what you're going to do? | 0:21:03 | 0:21:06 | |
There is not enough there for the cup of tea! Good luck. | 0:21:06 | 0:21:09 | |
Well done, boys. Meanwhile, why don't we remind ourselves what the blue team bought, eh? | 0:21:09 | 0:21:13 | |
They were turned on by an Art Deco style chrome plated desk lamp | 0:21:13 | 0:21:17 | |
that cost them an eye-watering £180! Ouch! | 0:21:17 | 0:21:22 | |
The 1930's photographic hand tinting set was acquired for £15. | 0:21:23 | 0:21:29 | |
And this rosewood cane set them back £40. | 0:21:29 | 0:21:32 | |
-How much did you spend all round? -235. | 0:21:32 | 0:21:35 | |
235, please may I have £65 of Leftover Lolly. Jack is the man. | 0:21:35 | 0:21:40 | |
Well done, Jack Sprat. | 0:21:40 | 0:21:41 | |
-Thank you. £65 and that goes straight across to Charles Hanson. -Thanks, Tim. | 0:21:41 | 0:21:46 | |
-This is a nice moment for you, Charles. -It is. | 0:21:46 | 0:21:48 | |
And Jack really is a man because he speaks fluent Cantonese. | 0:21:48 | 0:21:51 | |
So I'm determined to buy a Chinese vase. | 0:21:51 | 0:21:54 | |
-Well, as they say in Cantonese, "yeh lau". -I beg your pardon? | 0:21:54 | 0:21:58 | |
Which is "fabulous". "Yeh lau". | 0:21:58 | 0:22:01 | |
Well, thank you and enjoy your tea. | 0:22:01 | 0:22:03 | |
Meanwhile, we are heading off to Fenton House in Hampstead and it is super. | 0:22:03 | 0:22:07 | |
Fenton House, here in north London, | 0:22:15 | 0:22:19 | |
is a treasure trove of a variety of collections. | 0:22:19 | 0:22:23 | |
It is one of the oldest and grandest and largest houses in Hampstead. | 0:22:23 | 0:22:29 | |
And today, I am here to look at an extraordinary group of ceramics. | 0:22:29 | 0:22:35 | |
In fact, Fenton House is stuffed full of precious porcelain, | 0:22:45 | 0:22:51 | |
largely protected in glazed cabinets. | 0:22:51 | 0:22:54 | |
Which is necessary, because this is delicate stuff and as I say, precious. | 0:22:54 | 0:23:00 | |
But I persuaded the powers that be to let us have a little meander. | 0:23:00 | 0:23:05 | |
And the first bit of my selection is a teapot. | 0:23:05 | 0:23:09 | |
But a teapot that does not look quite like many teapots. | 0:23:09 | 0:23:13 | |
It is Meissen, it dates from around 1720, | 0:23:13 | 0:23:16 | |
and was modelled by a man called Kirchner. | 0:23:16 | 0:23:20 | |
What is going on here? OK, fine. Porcelain came from the East. | 0:23:20 | 0:23:23 | |
So, for Kirchner to model this teapot | 0:23:23 | 0:23:27 | |
on his perception of a Chinaman is something to do. | 0:23:27 | 0:23:31 | |
Because this plump gentleman is squatting, | 0:23:31 | 0:23:35 | |
with his toe-toes coming from underneath some sort of kimono. | 0:23:35 | 0:23:39 | |
He is standing on a shell | 0:23:39 | 0:23:41 | |
and the spout of the teapot is in the form of a beaked animal. | 0:23:41 | 0:23:46 | |
Behind his head is a mythical creature, | 0:23:46 | 0:23:50 | |
some sort of female satyr. And of course he is wearing a hat | 0:23:50 | 0:23:53 | |
and on top of the hat is a frog. So, you see, | 0:23:53 | 0:23:56 | |
this is seriously weird. | 0:23:56 | 0:23:59 | |
Next door, we have something that is simply luxury. | 0:23:59 | 0:24:03 | |
Here we have got a parrot modelled by Kaendler in Meissen, | 0:24:03 | 0:24:08 | |
around about 1740 or so, standing on a rocky outcrop. | 0:24:08 | 0:24:12 | |
And so precious was this piece of porcelain, that round about 1750, | 0:24:12 | 0:24:18 | |
they decided to protect it with some ormolu mounts. | 0:24:18 | 0:24:22 | |
Now, the mounts, these scrolly gilded bits at the bottom, | 0:24:22 | 0:24:26 | |
are supposed to represent gold. | 0:24:26 | 0:24:28 | |
They are not actually solid gold, | 0:24:28 | 0:24:30 | |
they are cast bronze which has then been fired with a gold mixture, | 0:24:30 | 0:24:34 | |
the "or"-molu, which gives it this incredibly rich colour. | 0:24:34 | 0:24:40 | |
They form the base that the parrot is attached to. | 0:24:40 | 0:24:43 | |
And then it sits in arrangement called a bocage. | 0:24:43 | 0:24:47 | |
Which is a fake clump. | 0:24:47 | 0:24:50 | |
Half the clump is made of gilt-bronze, | 0:24:50 | 0:24:52 | |
and the other half of the clump is made of porcelain flower heads. | 0:24:52 | 0:24:56 | |
Each of the flower heads represent a carnation. | 0:24:56 | 0:25:00 | |
How does a person create, out of this insubstantial substance, | 0:25:00 | 0:25:05 | |
all these intricate little parts | 0:25:05 | 0:25:07 | |
to give you the perfect representation of a flower head? | 0:25:07 | 0:25:10 | |
And then colour it and fire it in such a wonderful way? | 0:25:10 | 0:25:13 | |
I mean, that is just so clever. | 0:25:13 | 0:25:18 | |
But the story of the porcelain at Fenton House is not all German-related. | 0:25:18 | 0:25:22 | |
Because if I pick up this little fellow, | 0:25:22 | 0:25:25 | |
you will see as rare a treat | 0:25:25 | 0:25:27 | |
as you're ever likely to encounter in porcelain. | 0:25:27 | 0:25:31 | |
We have got a crowd of kids, and the centre of the attention | 0:25:31 | 0:25:35 | |
is a little brown box with a screen on it. | 0:25:35 | 0:25:39 | |
And no, it is not a telly. | 0:25:39 | 0:25:41 | |
Because this thing was made in the factory at Chelsea in around 1755. | 0:25:41 | 0:25:47 | |
And it shows three children being riveted by a peepshow. | 0:25:47 | 0:25:52 | |
In the 18th century, these boxes had printed images put inside them | 0:25:52 | 0:25:57 | |
and to entertain yourself, | 0:25:57 | 0:25:59 | |
you looked through the lens at the front. | 0:25:59 | 0:26:01 | |
And the girl, well, she just can't get away | 0:26:01 | 0:26:04 | |
from the peepshow. | 0:26:04 | 0:26:06 | |
But look at her dress - the detail. | 0:26:06 | 0:26:08 | |
Those little spots, all of which represent silk brocade. | 0:26:08 | 0:26:12 | |
And if I turn it upside down, you can see there is a solid gold frame | 0:26:12 | 0:26:17 | |
and the bottom is a piece of agate. | 0:26:17 | 0:26:19 | |
This object is called a bonbonniere. | 0:26:19 | 0:26:22 | |
Which is a kind of fancy French word for a sweetie box. | 0:26:22 | 0:26:25 | |
Because if I pull gently at the mount, the agate panel opens | 0:26:25 | 0:26:31 | |
and reveals an enamelled interior | 0:26:31 | 0:26:33 | |
into which you'd have a delicious little piece | 0:26:33 | 0:26:36 | |
of candy, or orange peel to suck on | 0:26:36 | 0:26:39 | |
while you are amused by these happy little children on the top. | 0:26:39 | 0:26:44 | |
What could be more perfect than that? | 0:26:44 | 0:26:46 | |
Well, you never know. | 0:26:46 | 0:26:48 | |
Perhaps we will find something more perfect today over at the auction with our teams. | 0:26:48 | 0:26:55 | |
Maybe! | 0:26:55 | 0:26:57 | |
Well, we have trotted out from Ally Pally to Tring, | 0:27:07 | 0:27:10 | |
to Tring Market Auctions | 0:27:10 | 0:27:12 | |
where our auctioneer today is Stephen Hearn. | 0:27:12 | 0:27:16 | |
-Stephen, hello. -Good morning, Tim. -Lovely to be here. | 0:27:16 | 0:27:18 | |
The first item is the lemonade set, straight from Woolworth, 1955. | 0:27:18 | 0:27:23 | |
How do you rate that? | 0:27:23 | 0:27:25 | |
Well, I think probably costing between £2 in 1955, | 0:27:25 | 0:27:29 | |
we have moved on to nearer £50. | 0:27:29 | 0:27:31 | |
That's not bad, is it? No, because we have the six glasses and the jug. | 0:27:31 | 0:27:35 | |
All are in pretty good nick. | 0:27:35 | 0:27:37 | |
-Yes, a little bit of gilding missing off the jug. -Anyway £50, you reckon. | 0:27:37 | 0:27:41 | |
They paid £60. So they are not far off. | 0:27:41 | 0:27:44 | |
Ryan and Kyle are a couple of punters. They went with this, | 0:27:44 | 0:27:48 | |
which is, in engineering terms, quite a feat in its own right. | 0:27:48 | 0:27:52 | |
Well, it is very simple in design but doesn't it work well! | 0:27:52 | 0:27:55 | |
Doesn't it? The volume of little bits and pieces that you could house | 0:27:55 | 0:27:59 | |
in this thing is considerable. | 0:27:59 | 0:28:02 | |
There we go, perfect. I think it's absolutely gorgeous. | 0:28:02 | 0:28:04 | |
Gorgeous, but not easy to get a good price for. | 0:28:04 | 0:28:08 | |
-What sort of price do you think you might get for it? -A jolly good price would be £50. | 0:28:08 | 0:28:13 | |
-Well, they only paid 30. -Let's hope we get a jolly good price. | 0:28:13 | 0:28:17 | |
Well, let's hope so. | 0:28:17 | 0:28:19 | |
And the last item, Stephen, certainly isn't a country piece | 0:28:19 | 0:28:22 | |
because this is incredibly evocative of the 1930s, isn't it? | 0:28:22 | 0:28:26 | |
-It certainly is. -What a wall clock. | 0:28:26 | 0:28:28 | |
You have got the mirror for the morning duties, looking at the tie. | 0:28:28 | 0:28:31 | |
It is definitely commuter land, isn't it? | 0:28:31 | 0:28:34 | |
-It is, in Betjeman terms, Metro Land. -Metro Land clock. | 0:28:34 | 0:28:39 | |
Which is going to be quite difficult to get a good price for it. | 0:28:39 | 0:28:42 | |
-Do you? -Yes, I think the size is going to let it down. | 0:28:42 | 0:28:45 | |
Great walnut burl, though. | 0:28:45 | 0:28:47 | |
It's a lovely clock. | 0:28:47 | 0:28:48 | |
There's nothing wrong with it, it's just on the large side. | 0:28:48 | 0:28:51 | |
-OK, what estimate would you put on it? -I would put on £120, | 0:28:51 | 0:28:54 | |
-£150. -£209 they paid. | 0:28:54 | 0:28:57 | |
-Going to be a struggle. -When hasn't it always been a struggle? | 0:28:57 | 0:29:01 | |
-Life is a struggle, Tim. -That is very, very true. | 0:29:01 | 0:29:04 | |
And on that basis, we had better nip off quick | 0:29:04 | 0:29:06 | |
and have a look at their bonus buy. | 0:29:06 | 0:29:08 | |
Now, you naughty...! I mean I honestly, you two! | 0:29:09 | 0:29:13 | |
You've done this deliberately to wind poor Anita up. | 0:29:13 | 0:29:16 | |
You spent £299, you gave her a miserable pound. | 0:29:16 | 0:29:19 | |
-What has she come up with? -What is that? | 0:29:19 | 0:29:21 | |
Is that a poodle? | 0:29:21 | 0:29:23 | |
What we have here is little glass animals, a chic Parisian poodle. | 0:29:23 | 0:29:28 | |
And two wee doggies. | 0:29:28 | 0:29:29 | |
HE LAUGHS | 0:29:29 | 0:29:31 | |
It is very difficult to find something for £1! | 0:29:31 | 0:29:33 | |
I just approached the dealers and said, "Anything for £1?" | 0:29:33 | 0:29:38 | |
And eventually, some nice trader sold me these. | 0:29:38 | 0:29:42 | |
-Do you mind if we have a look? -Certainly. | 0:29:42 | 0:29:44 | |
-Are you underwhelmed by these? -Yes, totally underwhelmed. Um... | 0:29:44 | 0:29:48 | |
Have you got any change? | 0:29:48 | 0:29:51 | |
It looks like you got them in a Christmas cracker. | 0:29:51 | 0:29:54 | |
You hang on to the poodle and I've got the babies. | 0:29:54 | 0:29:58 | |
They've got black eyes on white blobs and green bodies. | 0:29:58 | 0:30:02 | |
And you have got a clear body with white details and then black eyes. | 0:30:02 | 0:30:07 | |
-That is quite a glass-making tour de force. -They are possibly Italian | 0:30:07 | 0:30:10 | |
and these would have been made out of coloured rods | 0:30:10 | 0:30:13 | |
and a great deal of skill is involved | 0:30:13 | 0:30:15 | |
-in making this type of thing. -I like them. | 0:30:15 | 0:30:18 | |
-Do you? I don't know. -Come on, credit where credit is due. | 0:30:18 | 0:30:22 | |
The girl has done well. | 0:30:22 | 0:30:24 | |
I enjoyed the challenge and I enjoyed you guys spending all that money. | 0:30:24 | 0:30:29 | |
But for the audience at home, | 0:30:29 | 0:30:31 | |
let's find out what the auctioneer thinks about the little dogs. | 0:30:31 | 0:30:36 | |
Now, Stephen, I must explain that Anita Manning only had £1 to go out | 0:30:37 | 0:30:42 | |
and spend on her bonus buy, and she found the poodle and the pups. | 0:30:42 | 0:30:47 | |
I think we can send Anita out every day | 0:30:47 | 0:30:50 | |
if she comes back with this for £1! | 0:30:50 | 0:30:52 | |
Would it be Murano then, do you think? | 0:30:52 | 0:30:54 | |
Almost certainly Murano, possibly of the '50s. | 0:30:54 | 0:30:58 | |
But for £1, I think she has done extremely well. | 0:30:58 | 0:31:01 | |
-£1 well spent, methinks. -Certainly was. | 0:31:01 | 0:31:02 | |
How much might you get for this lot? | 0:31:02 | 0:31:05 | |
Well, I think that £1 is going to result in something nearer to £40. | 0:31:05 | 0:31:09 | |
-Never! -I think it will. -Wow, that is amazing. | 0:31:09 | 0:31:13 | |
Of course, it will all depend on whether the team | 0:31:13 | 0:31:15 | |
take Anita's advice and go with it. | 0:31:15 | 0:31:17 | |
Anyway, that is it for the Reds. | 0:31:17 | 0:31:19 | |
Now for the Blues and the first item is the desk lamp. | 0:31:19 | 0:31:22 | |
-Yes, this one is in good order. -Not old, is it? -No, it's not old. | 0:31:22 | 0:31:27 | |
It is a copy of something from the 1930s. | 0:31:27 | 0:31:29 | |
-It is not a bad-looking piece. -Any idea of price level? | 0:31:29 | 0:31:33 | |
-Close to £50 or £60. -How much? -£50 or £60. | 0:31:33 | 0:31:37 | |
-£180, they paid. -I don't know quite how I could get to that figure! | 0:31:37 | 0:31:41 | |
Well, when I saw them about to buy, | 0:31:41 | 0:31:43 | |
I think I said it might bring about £60. | 0:31:43 | 0:31:46 | |
And I was feeling quite optimistic. | 0:31:46 | 0:31:48 | |
-Well, I'm glad you agree. -I agree with you. Absolutely spot on with you. | 0:31:48 | 0:31:52 | |
I would love it to get £180. But because it's not old, it is very unlikely. | 0:31:52 | 0:31:57 | |
Now, moving on. We have the photograph tinting set. | 0:31:57 | 0:32:00 | |
You've got to be a photographic nut to want this, haven't you? | 0:32:00 | 0:32:04 | |
-It was a very desirable piece in the 1920s. -Yes, when all you have was black and white | 0:32:04 | 0:32:09 | |
you were desperate to give Gran a bit of a flush. | 0:32:09 | 0:32:13 | |
-Nice rosy cheeks. -Nice rosy cheeks. -I don't think | 0:32:13 | 0:32:15 | |
-it has been used. -No, brilliant. | 0:32:15 | 0:32:18 | |
Well, I suppose it's worth something. Not quite sure what. | 0:32:18 | 0:32:21 | |
-It is worth £40. -Is it? Is it, really? | 0:32:21 | 0:32:23 | |
-It certainly is. -£15 they paid. -Well, they did well. | 0:32:23 | 0:32:28 | |
-Now, last up is their walking stick. -The cane itself is Victorian. | 0:32:28 | 0:32:32 | |
But it is probably a late-20th century handle. | 0:32:32 | 0:32:36 | |
Yeah, that is the most charitable thing you can say about it. | 0:32:36 | 0:32:39 | |
What's the estimate? £20? | 0:32:39 | 0:32:41 | |
-It'd do 20. -Might it do £40? -I doubt it. -There we go. | 0:32:41 | 0:32:45 | |
They paid £40. That could be the problem. In which case, they need their bonus buy. | 0:32:45 | 0:32:49 | |
So let's go and have a look at it. | 0:32:49 | 0:32:52 | |
-Now, Sam. Jack. Happy? -Yes. -Absolutely. | 0:32:52 | 0:32:56 | |
You spent, my darlings, £235. You gave Charles Hanson £65. | 0:32:56 | 0:33:02 | |
-Charles, what did you spend it on? -I found this. -Ooh, that is nice. | 0:33:02 | 0:33:05 | |
What we have got is a very, very fine double-ended scent bottle. | 0:33:05 | 0:33:09 | |
Circa 1880, give or take 10 years, roll-crested at either end. | 0:33:09 | 0:33:14 | |
And it just oozes Victorian etiquette. | 0:33:14 | 0:33:18 | |
-Not hallmarked, so we would call it white metal. But I quite like it. -It's lovely. | 0:33:18 | 0:33:22 | |
-Is that crystal, or is it glass? -It is a faceted lead glass. | 0:33:22 | 0:33:26 | |
Often, glass cut like that is called crystal, | 0:33:26 | 0:33:29 | |
but it is a misnomer really. | 0:33:29 | 0:33:30 | |
Crystal glass is a sort of term for cut class that shines. | 0:33:30 | 0:33:33 | |
-Sparkles, which it does. -Yes. -And it's lovely. -It's lovely. | 0:33:33 | 0:33:37 | |
-You like it? -I do. -Do you like it, Jack? -Absolutely. | 0:33:37 | 0:33:40 | |
How much did you pay for it? How secure is it? | 0:33:40 | 0:33:43 | |
It would happily make between 50 and £80 | 0:33:43 | 0:33:45 | |
-on the right day and it cost me £38. -Wow! | 0:33:45 | 0:33:49 | |
-That's great. -Yeah. -Sam likes it, which is lovely. | 0:33:49 | 0:33:52 | |
Jack likes it, which is great. I like it, | 0:33:52 | 0:33:55 | |
and millions of people out there like it, but the big question is, | 0:33:55 | 0:33:58 | |
will the auctioneer - for the viewers at home - like it, too? | 0:33:58 | 0:34:03 | |
-That's a nice looking thing, isn't it, Stephen? -Yes, it's in nice order, isn't it? | 0:34:03 | 0:34:07 | |
It would be nicer if they had been silver at the ends, wouldn't it? | 0:34:07 | 0:34:10 | |
-But I don't think it is. -Not marked, anyway. | 0:34:10 | 0:34:13 | |
No, it is unmarked but we have a coronet inscribed to the top of it on there. | 0:34:13 | 0:34:18 | |
-Yeah. -Just one minor chip on it. | 0:34:18 | 0:34:20 | |
So you shove your eau de Cologne up one end, and your aftershave down the other, I suppose? | 0:34:20 | 0:34:26 | |
Well, that's a way to put it, isn't it? | 0:34:26 | 0:34:28 | |
And I think, at the end of the day, if we get £40 or £50 for it... | 0:34:28 | 0:34:32 | |
Charles Hanson will be very pleased. | 0:34:32 | 0:34:34 | |
His bonus buy cost him £38. And he really rates it. | 0:34:34 | 0:34:37 | |
I think we are in for an exciting ride. Don't you, Stephen? | 0:34:37 | 0:34:40 | |
-Well, we will give it a good go. -Give it a good go. | 0:34:40 | 0:34:43 | |
Going to be sold! You're out. | 0:34:47 | 0:34:49 | |
-Ryan, Kyle, excited? -Yes. -Can't wait. | 0:34:49 | 0:34:52 | |
This is the business, isn't it? Now what is going to happen? | 0:34:52 | 0:34:55 | |
-You paid £60 for the lemonade set. -Yes. -The auctioneer loved it. | 0:34:55 | 0:34:58 | |
He thought that is the look of the moment. He has put £40 to £50 on it. | 0:34:58 | 0:35:02 | |
-That's OK. -He said it is very Tring. And here it comes. | 0:35:02 | 0:35:05 | |
Lemonade jug and six glasses. | 0:35:05 | 0:35:07 | |
That's a nice little set for someone, isn't it? What about these? | 0:35:07 | 0:35:11 | |
I possibly think £50 for them. What about £30, or £20? We are in at £20. | 0:35:11 | 0:35:16 | |
Thank you, that's the way. | 0:35:16 | 0:35:18 | |
Neat and tidy for £20. My goodness. | 0:35:18 | 0:35:20 | |
£25. 30. | 0:35:20 | 0:35:22 | |
5. 40. 5. | 0:35:22 | 0:35:25 | |
45 has them then, 50 now. I shall sell those, | 0:35:27 | 0:35:31 | |
they are going down for the £45. | 0:35:31 | 0:35:32 | |
BANGS GAVEL | 0:35:32 | 0:35:34 | |
-£45. Bad luck. That's minus £15. -That's all right. | 0:35:34 | 0:35:37 | |
Now the sewing box. | 0:35:37 | 0:35:38 | |
It's that time of year, when you needed a sewing box, isn't it? | 0:35:38 | 0:35:42 | |
There you are, one good sewing box. | 0:35:42 | 0:35:44 | |
I should think we might get £50 for the sewing box. | 0:35:44 | 0:35:47 | |
There you are, £50 for it. £30 bid. £30 I'm bid for the sewing box. | 0:35:47 | 0:35:52 | |
Yes, £30, sir. And £35. The two of you want it. And £40. And 5. | 0:35:52 | 0:35:57 | |
50 I'm bid for it. Are you 5? | 0:35:57 | 0:36:01 | |
Are you sure? 50 I am bid, then, for the sewing box. | 0:36:01 | 0:36:04 | |
I am going to have to sell it. No further bid, you are down, sir. £50. | 0:36:04 | 0:36:08 | |
-Well done, that is plus £20. Yes, plus 20. -£60. | 0:36:08 | 0:36:12 | |
-No, £50 he paid. His number is 65. -Oh! | 0:36:12 | 0:36:14 | |
Plus £20, which means overall, you are up plus £5. | 0:36:14 | 0:36:22 | |
Now here comes the high-risk baby. | 0:36:22 | 0:36:24 | |
Now that rather grand clock. | 0:36:24 | 0:36:25 | |
What about £150 for it? 100 for it, 80 for it? Yes, 90 for it? 100 bid? | 0:36:25 | 0:36:31 | |
You are going well. Would you like to bid 10? I am bid £110 for it. | 0:36:31 | 0:36:35 | |
Now 20. | 0:36:35 | 0:36:36 | |
-Surely there's another one in it? 120 anywhere? -Come on. | 0:36:36 | 0:36:39 | |
If there is no further bid, then I am... Yes, it is yours, sir. | 0:36:39 | 0:36:43 | |
It's going, and you're out. It's going then for 100 and £10. | 0:36:43 | 0:36:48 | |
Thank you very much. BANGS GAVEL | 0:36:48 | 0:36:50 | |
£110. That is minus £99. | 0:36:50 | 0:36:53 | |
Torpedoes the prospects, I'm afraid. | 0:36:53 | 0:36:56 | |
Which means, overall, you are minus £94. | 0:36:56 | 0:37:01 | |
Minus 94 is your number. | 0:37:01 | 0:37:04 | |
-Are you going to go with the bonus buy? -Yes, we believe in Anita. | 0:37:04 | 0:37:07 | |
-Thank you. -I believe in Anita. | 0:37:07 | 0:37:09 | |
Anyway, we are going with the £1 bonus buy, aren't we? Very good. | 0:37:09 | 0:37:13 | |
There you are, poodle with her pups. No doubt they are Murano. | 0:37:13 | 0:37:17 | |
How about those? What about £40 for them? £40 for a poodle and pups? | 0:37:17 | 0:37:21 | |
£20? | 0:37:21 | 0:37:23 | |
Yes, I have £20. £20 I'm bid for those. Are you 2? | 0:37:23 | 0:37:28 | |
Yes, you are. You're 5. | 0:37:28 | 0:37:30 | |
You're 5, you're 8, you're 30, you're 2, you're 5, are you 8? | 0:37:30 | 0:37:34 | |
-You're 40. -£40. -38 for madam. £40, sir? | 0:37:34 | 0:37:37 | |
At £38, for the poodle and the pups, I shall sell them now. Yes sir, | 0:37:37 | 0:37:42 | |
yours for £38. | 0:37:42 | 0:37:44 | |
I don't believe it! | 0:37:44 | 0:37:45 | |
Come here, girl! | 0:37:45 | 0:37:47 | |
Oh, yes! | 0:37:47 | 0:37:50 | |
That... | 0:37:50 | 0:37:52 | |
-is the business. -It's a miracle. -It's a miracle. | 0:37:52 | 0:37:55 | |
I told you she was going to do it. That is plus £37. | 0:37:55 | 0:38:01 | |
Can you believe that? That is £57. | 0:38:01 | 0:38:04 | |
It takes your minus £94 to minus £57. | 0:38:04 | 0:38:09 | |
Which is perfectly respectable. And it could be a winning score. | 0:38:09 | 0:38:13 | |
It could be, seriously. Don't say a word to the Blues, all right? | 0:38:13 | 0:38:16 | |
-And well done, Anita. -That was fun, wasn't it? -Well done. | 0:38:16 | 0:38:21 | |
30 I am bid, and 40 now. | 0:38:21 | 0:38:22 | |
-Now, Jack and Sam. -Yes. -Do you know how the Reds got on? -No. -No. | 0:38:28 | 0:38:33 | |
We don't want you to, either. First up is your deco lamp on marble base. | 0:38:33 | 0:38:38 | |
There's been some controversy about this. | 0:38:38 | 0:38:41 | |
-Because you have looked it up a bit. -Yes, I have. | 0:38:41 | 0:38:44 | |
-I've seen them on the internet for 295-400 in Europe. We'll see. -50-60. | 0:38:44 | 0:38:51 | |
You have to respect the auctioneer in this because he has to give a guarantee with his description | 0:38:51 | 0:38:56 | |
and if he's not certain, because he thinks the marble is modern | 0:38:56 | 0:39:00 | |
or the thing has been re-plated... It has definitely been rewired. | 0:39:00 | 0:39:05 | |
Very easy to be wise after the event. | 0:39:05 | 0:39:06 | |
-Yes. -£180 you paid, you loved it to bits | 0:39:06 | 0:39:09 | |
and he estimated it at 50-60. | 0:39:09 | 0:39:11 | |
If the value is there, I'm quite sure the crowd here in Tring will bid it up. | 0:39:11 | 0:39:14 | |
-And here it comes. -Now we have this Art Deco desk lamp. | 0:39:14 | 0:39:18 | |
A rather nice one with a marble base on it. | 0:39:18 | 0:39:21 | |
Joints good and firm. | 0:39:21 | 0:39:22 | |
What about £100 to start me for it? £100? £50, yes? | 0:39:22 | 0:39:27 | |
50 we are bid for it, then? 50 I'm bid for it. Are you 5? Are you 60? | 0:39:27 | 0:39:31 | |
Are you 5, sir? 70, now. £70 and 5 is in. 75 I'm bid for it. | 0:39:31 | 0:39:37 | |
£80 now. 75 on my right. Surely one more. At £75, then, 80 anywhere? | 0:39:37 | 0:39:44 | |
I'm sorry, it's going, sir. | 0:39:44 | 0:39:48 | |
No, yours, madam. 75. | 0:39:48 | 0:39:50 | |
£75 is minus 105. Oh, dear. | 0:39:50 | 0:39:54 | |
OK, next. The tinting set. | 0:39:55 | 0:39:58 | |
There we are, what about that, that boxful. | 0:39:58 | 0:40:00 | |
Photo tints, put a gloss on Aunty with those, can't you? | 0:40:00 | 0:40:04 | |
£30 for them. 20, 10, 12? 15, 18, 20, 22, 5, are you 8? | 0:40:04 | 0:40:10 | |
Yes, you are. 28. 30 now. You will lose them. 30 I am bid now. | 0:40:10 | 0:40:15 | |
And 2 is in. £30, yes, you have got them. They are going for £30. | 0:40:15 | 0:40:18 | |
-Thank you very much. -Brilliant, wasn't it? For £30. | 0:40:18 | 0:40:22 | |
Plus 15 means overall, you are minus 90. | 0:40:22 | 0:40:25 | |
We are creeping away at it. | 0:40:25 | 0:40:28 | |
We have the painted bamboo walking cane with a dog head handle. | 0:40:28 | 0:40:31 | |
A bit of a combination. There you are, £30 for that one. | 0:40:31 | 0:40:34 | |
-Who has got 20? You have. 25, 35, 45, 50, 50, 55! -Keep going. | 0:40:34 | 0:40:41 | |
-And 65 and 75 and 80... -Yes! -It's the dog head at £75. | 0:40:41 | 0:40:47 | |
-He wants the dog head. It is going down at £75. -Yes! | 0:40:47 | 0:40:52 | |
-75. -Well done, team. -Plus £35. Now, whoever would have thought that? | 0:40:53 | 0:40:59 | |
-£35. -No, that is good. -Well, that is brilliant. -Eating away. -Minus £55. | 0:40:59 | 0:41:03 | |
Now, what are you going to do about the scent bottle? | 0:41:03 | 0:41:05 | |
-Are you going with it? -Trust Charles. -Yeah, got to go for it. -We liked it. | 0:41:05 | 0:41:09 | |
You liked it, he liked it, we all liked it. | 0:41:09 | 0:41:11 | |
-Yes, you are going to go with it. -Absolutely. -£38, Charles Hanson paid for that. | 0:41:11 | 0:41:15 | |
-And the auctioneer has estimated £40 to £50. -Great. | 0:41:15 | 0:41:19 | |
-That's good. -Good, isn't it? -Yeah. -Anyway, we haven't made a profit until we have made the profit... | 0:41:19 | 0:41:24 | |
-No. -Bonus buy is coming up now. Here we go. -Good luck, team. | 0:41:24 | 0:41:27 | |
We have a double-ended scent bottle now. | 0:41:27 | 0:41:29 | |
If only it had been a silver one. £50 for it? £40? 35, 40? | 0:41:29 | 0:41:34 | |
Not a lot for this, £40. And 5? No more, £40 has it. | 0:41:34 | 0:41:39 | |
And 5 now. Yes or no, sir? | 0:41:39 | 0:41:41 | |
No. 5? No? At £40 then, thank you. | 0:41:41 | 0:41:45 | |
£40 is a £2 profit. | 0:41:45 | 0:41:47 | |
-I don't care, a profit is a profit! -It is a profit. | 0:41:47 | 0:41:51 | |
That is minus £53 overall. Now, but could be a winning score. | 0:41:51 | 0:41:55 | |
Depends on the Reds. All will be revealed in a moment. | 0:41:55 | 0:42:00 | |
Two of them. 90. £100. | 0:42:03 | 0:42:04 | |
Well, well, well, well! What an exciting show we have had today. | 0:42:09 | 0:42:13 | |
Not because we have made dramatic profit, in fact, | 0:42:13 | 0:42:16 | |
it is no secret between the teams they have made absolutely nothing at all, either of them, | 0:42:16 | 0:42:20 | |
out of today's show. It is just a question of the scale of the losses. | 0:42:20 | 0:42:24 | |
-And it is incredibly close. -Ooh! | 0:42:24 | 0:42:28 | |
In fact, there is only £4 between the teams today. How about that? | 0:42:28 | 0:42:33 | |
-And the runners-up today are...the Reds. -Ah! -No! No! | 0:42:33 | 0:42:39 | |
Who have managed to lose by only losing £57. | 0:42:39 | 0:42:46 | |
But gosh, it was close. | 0:42:46 | 0:42:48 | |
Because you guys, with only minus 53, | 0:42:48 | 0:42:51 | |
and had the desk lamp not let you down so badly, | 0:42:51 | 0:42:54 | |
you would have steamed ahead with real cash in your pockets. | 0:42:54 | 0:42:57 | |
But all round, it has been a great show. In fact, so great, we'd like you to join us soon | 0:42:57 | 0:43:01 | |
for some more bargain hunting. | 0:43:01 | 0:43:03 | |
-Yes? -Yes! | 0:43:03 | 0:43:04 | |
Subtitles by Red Bee Media Ltd | 0:43:25 | 0:43:27 |