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Ooh, hello. It's that time of day again. | 0:00:03 | 0:00:06 | |
Pull up a chair and relax. And let's go bargain hunting! Yeah! | 0:00:06 | 0:00:12 | |
We've got an international flavour today. | 0:00:40 | 0:00:43 | |
Appropriately, because we're at an international antiques | 0:00:43 | 0:00:46 | |
and collectors fair at Detling in Kent. | 0:00:46 | 0:00:49 | |
We've got teams from South Africa and from America, | 0:00:49 | 0:00:53 | |
so there's going to be a degree of global competition. | 0:00:53 | 0:00:57 | |
Oh, yes, what fun. Anyway, let's have a look at what's coming up. | 0:00:57 | 0:01:00 | |
-WHISTLING -You after me? Oh, no. | 0:01:00 | 0:01:03 | |
'What's this? Have the blue team lost their expert?' | 0:01:04 | 0:01:07 | |
Where's Phil? | 0:01:07 | 0:01:09 | |
'Now it seems the reds have lost the power of speech.' | 0:01:09 | 0:01:13 | |
Now for a few words of wisdom. | 0:01:14 | 0:01:17 | |
The rules - each team gets £300 | 0:01:17 | 0:01:19 | |
and an hour to shop for three items which they sell later at auction | 0:01:19 | 0:01:23 | |
and the teams wins that makes the biggest profit or the smallest loss. | 0:01:23 | 0:01:28 | |
Got it? Right, let's go and meet today's teams. | 0:01:28 | 0:01:33 | |
On Bargain Hunt today, flying the flag for America, are the reds - | 0:01:37 | 0:01:43 | |
Matt and Erin. Welcome. | 0:01:43 | 0:01:45 | |
And supporting South Africa | 0:01:45 | 0:01:48 | |
are Kerry and Gavin. Hi. | 0:01:48 | 0:01:50 | |
Lovely to see you. So, | 0:01:50 | 0:01:52 | |
-you both come from Alaska? -That's correct. | 0:01:52 | 0:01:55 | |
What brought you to Britain? | 0:01:55 | 0:01:56 | |
We went on a vacation after I graduated university | 0:01:56 | 0:01:59 | |
and we visited London. And we went to the Tower of London, didn't we? | 0:01:59 | 0:02:04 | |
Yeah, fell in love with it and moved over the following year. | 0:02:04 | 0:02:09 | |
And how long have you been here for now? | 0:02:09 | 0:02:12 | |
-Erm, six years? -Six years now, yes. | 0:02:12 | 0:02:14 | |
-Matt, Alaska is famous for its grizzly bears. -That's right. | 0:02:14 | 0:02:18 | |
Have you had any encounters? | 0:02:18 | 0:02:20 | |
I've had a few close encounters. | 0:02:20 | 0:02:22 | |
I've walked up on a few from time to time. | 0:02:22 | 0:02:25 | |
I had a friend who was bit by a bear. | 0:02:25 | 0:02:28 | |
She survived, luckily. | 0:02:28 | 0:02:30 | |
She was carrying home for dinner a cooked leg of lamb. | 0:02:30 | 0:02:33 | |
The bear wanted it and a bit of her. | 0:02:33 | 0:02:36 | |
Well, you can't blame the old fellow really! | 0:02:36 | 0:02:39 | |
And what do you do for a living? | 0:02:39 | 0:02:42 | |
I'm doing some technical consulting work on offshore renewable energy. | 0:02:42 | 0:02:47 | |
So renewable's one of your things? | 0:02:47 | 0:02:49 | |
Yes, I worked in the oil industry for a few years, it wasn't for me, | 0:02:49 | 0:02:54 | |
so I decided to go into offshore renewables instead. | 0:02:54 | 0:02:57 | |
Alongside the pet business. | 0:02:57 | 0:02:59 | |
We always struggled to find suitable accommodation for our pets | 0:02:59 | 0:03:03 | |
when we go on holiday, decided to try a few pet sitters | 0:03:03 | 0:03:07 | |
but they were never good enough. | 0:03:07 | 0:03:09 | |
So we decided to launch our own pet-sitting, dog-walking business | 0:03:09 | 0:03:14 | |
with a technological edge. | 0:03:14 | 0:03:16 | |
So we do blogs for our pets, | 0:03:16 | 0:03:19 | |
with pictures and videos. For our dog-walking clients, | 0:03:19 | 0:03:22 | |
we do GPS-tracked walking maps so our clients can watch their dog. | 0:03:22 | 0:03:28 | |
That's very clever and entrepreneurial! | 0:03:28 | 0:03:30 | |
Erin, what do you do to earn a buck? | 0:03:30 | 0:03:34 | |
I teach art at a local grammar school for boys - Oakley Park - | 0:03:34 | 0:03:39 | |
Are you from | 0:03:39 | 0:03:40 | |
-an artistic background? -Yes, I studied ceramics | 0:03:40 | 0:03:43 | |
at university | 0:03:43 | 0:03:45 | |
and I've always loved to draw and art and art history. | 0:03:45 | 0:03:50 | |
Lovely to be able to teach it. | 0:03:50 | 0:03:52 | |
Yeah, it's a great profession. | 0:03:52 | 0:03:54 | |
Thank you very much for joining us. Now, down to South Africa! | 0:03:54 | 0:04:00 | |
-How are you both? -Good. -Well, thanks. | 0:04:00 | 0:04:02 | |
How did you meet? | 0:04:02 | 0:04:04 | |
We knew each other since we were 13, 14, through school. | 0:04:04 | 0:04:08 | |
We were in the same group of friends... | 0:04:08 | 0:04:12 | |
Which is your town? | 0:04:12 | 0:04:14 | |
We are from just outside Durban, on the east coast. | 0:04:14 | 0:04:17 | |
-You went to private school and he went public? -Yes! | 0:04:17 | 0:04:21 | |
-Was that ever a bit of tension between you? -No! | 0:04:21 | 0:04:24 | |
-I married up! -Do you regard her | 0:04:24 | 0:04:27 | |
-as a bit of posh totty? -Yeah! -Is that how it works in South Africa?! | 0:04:27 | 0:04:31 | |
What did you see in this creature from the scallywags' school? | 0:04:31 | 0:04:36 | |
He's just too charming! | 0:04:36 | 0:04:38 | |
I think this is true love actually. | 0:04:38 | 0:04:41 | |
-Yes. -And what do you do for a living, Gavin? | 0:04:41 | 0:04:44 | |
I'm an FX trader, so I trade currency. | 0:04:44 | 0:04:47 | |
I work for myself from home. | 0:04:47 | 0:04:50 | |
-What sort of hobbies have you got? -We both enjoy mountain biking | 0:04:50 | 0:04:54 | |
and photography, | 0:04:54 | 0:04:56 | |
squeeze some golf in, try and play squash a couple of times a week. | 0:04:56 | 0:05:01 | |
-Enough to keep us out of mischief. -Kerry, what do you like collecting? | 0:05:01 | 0:05:06 | |
We try to collect antique furniture | 0:05:06 | 0:05:08 | |
and we've got a sculpture of Joan of Arc, | 0:05:08 | 0:05:11 | |
we've got some really old maps that we love, | 0:05:11 | 0:05:15 | |
we like mahogany furniture, the old ball and claw... | 0:05:15 | 0:05:19 | |
Are you well qualified as bargain hunters? | 0:05:19 | 0:05:22 | |
We can find a bargain, but whether we can do it today - not sure! | 0:05:22 | 0:05:26 | |
I should think these reds are going to be absolutely scared witless! | 0:05:26 | 0:05:31 | |
I mean, you've heard all this - ball and claw... | 0:05:31 | 0:05:35 | |
They've got GPS! | 0:05:35 | 0:05:36 | |
THEY ALL LAUGH | 0:05:36 | 0:05:38 | |
We're going to have some fun! Now, the money moment. £300 apiece. | 0:05:38 | 0:05:43 | |
You know the rules, your experts await. Off you go! | 0:05:43 | 0:05:47 | |
Very good luck. | 0:05:47 | 0:05:49 | |
So who's your money on? America or South Africa? | 0:05:49 | 0:05:53 | |
'Flying the flag for the UK with the reds, it's David Barby!' | 0:05:59 | 0:06:03 | |
'And for the blues, international gymnast Philip Serrell.' | 0:06:04 | 0:06:08 | |
Oh, no! | 0:06:08 | 0:06:10 | |
Is there a plan? Do we have a plan? | 0:06:10 | 0:06:13 | |
-Following you. -Following you! -That's not a plan, that's desperation. | 0:06:13 | 0:06:17 | |
-You're both from Alaska? -That's right. | 0:06:17 | 0:06:20 | |
So what are you looking for - Eskimo carvings or something? | 0:06:20 | 0:06:23 | |
That would be great to find something like that in England. | 0:06:23 | 0:06:27 | |
-I want you to buy what you want to buy. Go for quirky. -Let's do that. | 0:06:27 | 0:06:33 | |
-You're into ceramic arts? -Definitely. | 0:06:33 | 0:06:36 | |
-What, studio pottery? -Yeah. | 0:06:36 | 0:06:39 | |
Go on. | 0:06:39 | 0:06:40 | |
Let's look at studio pottery, over there. | 0:06:40 | 0:06:43 | |
'Erin's a woman after David's heart.' | 0:06:43 | 0:06:46 | |
Look at anything that takes your eye. | 0:06:48 | 0:06:51 | |
What's this, money never sleeps, time never sleeps? | 0:06:51 | 0:06:55 | |
Oh, is it an inkwell? How strange. | 0:06:55 | 0:06:59 | |
That's bizarre. | 0:06:59 | 0:07:01 | |
-Can't have that. -No. Swiftly moving on. | 0:07:01 | 0:07:05 | |
There's a Native American plate. | 0:07:05 | 0:07:07 | |
It's a bit vibrant compared to what we're probably looking for. | 0:07:07 | 0:07:11 | |
I think you've summed it up there. | 0:07:11 | 0:07:14 | |
-HE RINGS BELL -Sorry! | 0:07:14 | 0:07:17 | |
'Both teams are getting stuck in. But who's going to buy first?' | 0:07:17 | 0:07:21 | |
-Oh, they're silly. -So what do we know about them? | 0:07:21 | 0:07:25 | |
Well, Murano glasses were made within the last couple of years, | 0:07:25 | 0:07:29 | |
but Murano glass where they make these | 0:07:29 | 0:07:32 | |
"freefall" type glass, it's modern glass, | 0:07:32 | 0:07:36 | |
and they model it and it's quite nice. What I like | 0:07:36 | 0:07:40 | |
is the combination of the red glass, then clear glass, | 0:07:40 | 0:07:43 | |
then this white opaque glass. | 0:07:43 | 0:07:46 | |
-and they're made for Christmas trees. -They're very whimsical. | 0:07:46 | 0:07:50 | |
Yes, quirky. | 0:07:50 | 0:07:51 | |
'Quirky? That's the blues' plan!' | 0:07:51 | 0:07:55 | |
-They're quite nice. -They're so silly. | 0:07:55 | 0:07:58 | |
-I'd put them on our Christmas tree. -Would you regret buying these | 0:07:58 | 0:08:02 | |
without looking at other things? | 0:08:02 | 0:08:04 | |
I'd quite like to get our first item in the bag. | 0:08:04 | 0:08:08 | |
-Are these your first objects? -I think so. | 0:08:08 | 0:08:11 | |
I think they may be. Shall we do it? | 0:08:11 | 0:08:14 | |
I have a good feeling about these! | 0:08:14 | 0:08:17 | |
That's because they give you that Christmas feeling! | 0:08:17 | 0:08:20 | |
And you think of happy things at Christmas time. | 0:08:20 | 0:08:23 | |
OK. Excuse me, madam. We're interested in those | 0:08:23 | 0:08:28 | |
because we're the red team. We've got red figures there. | 0:08:28 | 0:08:31 | |
Could you do those at £5 each, please? Please? | 0:08:31 | 0:08:36 | |
24. That is | 0:08:36 | 0:08:39 | |
my rock bottom. | 0:08:39 | 0:08:40 | |
22? | 0:08:40 | 0:08:43 | |
-Ooh, you naughty boy. Go on, then. -£22. | 0:08:43 | 0:08:45 | |
22. Yeah, I think so. > | 0:08:45 | 0:08:48 | |
I think there's a profit margin | 0:08:48 | 0:08:50 | |
and you've got three red figures, running in the winning direction! | 0:08:50 | 0:08:54 | |
I think those are good. I think they're fun. OK, let's go for them. | 0:08:54 | 0:08:59 | |
'A jolly start for the reds | 0:08:59 | 0:09:02 | |
'with their festive first purchase at £22.' | 0:09:02 | 0:09:05 | |
'But the blues seem to be rapidly going down the pan.' | 0:09:06 | 0:09:10 | |
-You haven't got any gloves, have you? -No, not handy! | 0:09:10 | 0:09:14 | |
I'm feeling a bit flush! | 0:09:14 | 0:09:16 | |
'No potty luck so far | 0:09:20 | 0:09:22 | |
'for the reds.' | 0:09:22 | 0:09:24 | |
'On the hunt for the quirky, | 0:09:24 | 0:09:26 | |
'the blues are being drawn to some weird copper gadgets.' | 0:09:26 | 0:09:30 | |
-Oh, yeah, it's solid copper. -It's lovely and dinged. | 0:09:30 | 0:09:33 | |
It's got, uh, | 0:09:33 | 0:09:36 | |
pipes on there that you fit | 0:09:36 | 0:09:38 | |
onto the cows' bits. | 0:09:38 | 0:09:40 | |
OK... Well, I didn't want to be as graphic as that. | 0:09:40 | 0:09:45 | |
'So, it's a fancy milk bucket.' | 0:09:45 | 0:09:48 | |
-I think that's quite fun. -I really like it. | 0:09:48 | 0:09:51 | |
-We've got to buy something. -How's our time? | 0:09:51 | 0:09:55 | |
-That's also a concern. -Do you like it? | 0:09:55 | 0:09:57 | |
-I do. -Do you like that? -I do. | 0:09:57 | 0:09:59 | |
But I'm worried about the colour. | 0:09:59 | 0:10:02 | |
-The colour? -Yeah, do people have this in their homes? | 0:10:02 | 0:10:05 | |
Yeah, the issue is that copper and brass has come down in price. | 0:10:05 | 0:10:09 | |
Is there any way you can help us more on price, my love? | 0:10:09 | 0:10:13 | |
I can't. 70 is the best on that, I'm sorry. | 0:10:13 | 0:10:16 | |
Could you meet us at 60? | 0:10:16 | 0:10:19 | |
I'll split the difference. 65. | 0:10:19 | 0:10:21 | |
-I think that's fair. -Do you both like it? | 0:10:21 | 0:10:24 | |
-Yes. -Yeah. -Go on, then. | 0:10:24 | 0:10:27 | |
Thank you very much. OK, thank you. | 0:10:27 | 0:10:30 | |
-Thank you. -Ooh, if there's handshakes going round... | 0:10:30 | 0:10:34 | |
'Quick work, blues. But will the fancy milk bucket "pail" | 0:10:34 | 0:10:39 | |
'into insignificance at auction?' | 0:10:39 | 0:10:41 | |
Yeah, bit out of our price range. | 0:10:41 | 0:10:44 | |
What about that, then? | 0:10:44 | 0:10:47 | |
-SHE LAUGHS -I'm not sure about that really. | 0:10:47 | 0:10:51 | |
-That's so funny! -That'd make me about five inches taller! | 0:10:51 | 0:10:56 | |
'You're out on a limb, blues.' | 0:10:56 | 0:10:59 | |
'Two more buys before you can leg it.' | 0:10:59 | 0:11:02 | |
We're close. We're gonna find something. | 0:11:02 | 0:11:05 | |
'The reds are still | 0:11:05 | 0:11:07 | |
'driving themselves potty. Ah, but what's this?' | 0:11:07 | 0:11:10 | |
-Charlotte Rhead. -Charlotte Rhead was a good maker in the 1930s. | 0:11:10 | 0:11:15 | |
-And it's all tube-lined. -Yeah. Mm-hm. | 0:11:15 | 0:11:19 | |
Do you like this? This is your studio ceramics. | 0:11:19 | 0:11:22 | |
Yeah, I do. I think the colours are quite modern | 0:11:22 | 0:11:26 | |
-for it being 1930s. -Is there any damage? | 0:11:26 | 0:11:30 | |
Or is it...? | 0:11:30 | 0:11:32 | |
It's obviously been used. | 0:11:32 | 0:11:34 | |
It's got some nice little... designs. | 0:11:34 | 0:11:38 | |
I think 170 | 0:11:38 | 0:11:40 | |
-is a little too high. -Shall we go for it? | 0:11:40 | 0:11:43 | |
-Yeah. -Give it a shot? | 0:11:43 | 0:11:45 | |
OK. 170. | 0:11:45 | 0:11:47 | |
'Down to business.' | 0:11:47 | 0:11:50 | |
Can we split 160 and you've got a deal? | 0:11:50 | 0:11:54 | |
-Gives you a profit margin. -OK. | 0:11:56 | 0:11:58 | |
-160. -Wow, OK. | 0:11:58 | 0:12:00 | |
-Thank you. -They do go together, don't they? | 0:12:00 | 0:12:03 | |
< They do. | 0:12:03 | 0:12:05 | |
OK. Thank you very much. | 0:12:05 | 0:12:08 | |
'The reds have cracked it. A studio pottery bowl | 0:12:08 | 0:12:11 | |
'and a jug. But these pot lovers have paid a hefty price - | 0:12:11 | 0:12:16 | |
'a whopping £160. Wow.' | 0:12:16 | 0:12:19 | |
Imagine you're visiting your great-aunt Agatha | 0:12:21 | 0:12:24 | |
in the 19th century | 0:12:24 | 0:12:26 | |
and are sitting at her enormous Victorian dining table - | 0:12:26 | 0:12:30 | |
round about 1850, 1860. | 0:12:30 | 0:12:32 | |
If you were, then, this | 0:12:32 | 0:12:35 | |
might be sitting beside you. Isn't that fun? | 0:12:35 | 0:12:39 | |
It's a novelty condiment. | 0:12:39 | 0:12:42 | |
Two bottles. One here for mustard - | 0:12:42 | 0:12:45 | |
cut glass, look, with a hinged top. | 0:12:45 | 0:12:48 | |
This one for pepper. | 0:12:48 | 0:12:50 | |
And they sit astride the back of this donkey | 0:12:50 | 0:12:53 | |
in a pannier-type frame. | 0:12:53 | 0:12:56 | |
And in front, the donkey appears to be | 0:12:56 | 0:12:59 | |
eating something out of a trough, | 0:12:59 | 0:13:02 | |
but if you look inside the trough, it's lined with gold. | 0:13:02 | 0:13:06 | |
Now, there is a hidden secret with it. | 0:13:06 | 0:13:09 | |
If I undo the threaded terminal on top of the pannier, | 0:13:09 | 0:13:12 | |
you can see, if you look carefully, | 0:13:12 | 0:13:16 | |
a tiny little lozenge mark on the side of the saddle of the pannier. | 0:13:16 | 0:13:21 | |
That lozenge mark is a design-registration mark | 0:13:21 | 0:13:25 | |
and if you took the trouble, | 0:13:25 | 0:13:27 | |
you could decode the date letters and hieroglyphics on that | 0:13:27 | 0:13:31 | |
and decode when the design of this donkey | 0:13:31 | 0:13:35 | |
was actually registered with the design office. | 0:13:35 | 0:13:39 | |
What's it worth? Well, | 0:13:39 | 0:13:41 | |
it could be yours from the dealer here at Detling for £100. | 0:13:41 | 0:13:46 | |
On another day in another place, | 0:13:46 | 0:13:48 | |
I've seen these bring between £200 and £250. | 0:13:48 | 0:13:52 | |
So all I can say to you, old donk, is "Ee-yore!" | 0:13:52 | 0:13:57 | |
'How are the teams getting on?' | 0:13:57 | 0:14:00 | |
'The blues are larking about. Don't they know this is a competition?' | 0:14:00 | 0:14:04 | |
It fits me! | 0:14:04 | 0:14:08 | |
'Hang on. They've found something to make them feel right at home.' | 0:14:14 | 0:14:19 | |
These have probably come off another piece of furniture | 0:14:19 | 0:14:23 | |
or even a piano. | 0:14:23 | 0:14:25 | |
But what someone would buy them for is you put the two | 0:14:25 | 0:14:29 | |
and use them as brackets for a shelf or whatever. | 0:14:29 | 0:14:32 | |
-I like them. -I think they're nice, but at auction, | 0:14:32 | 0:14:36 | |
I think they're £40-60 worth. That's the problem. | 0:14:36 | 0:14:39 | |
I think we're too far away on price. | 0:14:39 | 0:14:42 | |
'The reds have two items, but David is having an attack of conscience.' | 0:14:44 | 0:14:49 | |
Erin and Matt are delightful. They've got very good taste | 0:14:49 | 0:14:53 | |
and strong opinions of what they want to buy. | 0:14:53 | 0:14:57 | |
I feel guilty that I can't do better for them. | 0:14:57 | 0:15:02 | |
'It's OK, David. At least the Americans | 0:15:02 | 0:15:04 | |
'have got two items - how are the South Africans BEARING up?' | 0:15:04 | 0:15:09 | |
Oh, look at him. | 0:15:09 | 0:15:11 | |
£2.50. I guess he's not big enough. | 0:15:11 | 0:15:14 | |
-It's a little bear. -At £2.50, we'll take it. | 0:15:14 | 0:15:17 | |
What did you say to me down there? | 0:15:17 | 0:15:20 | |
"Hurry up a bit" - is that what you said? | 0:15:20 | 0:15:24 | |
-OK, I'm coming. -She loves teddy bears. | 0:15:24 | 0:15:27 | |
How much is that, 2.50? | 0:15:27 | 0:15:29 | |
'Shake a leg, blues. No time for window shopping.' | 0:15:29 | 0:15:32 | |
A bit panicky now we only have a few minutes left. | 0:15:35 | 0:15:38 | |
Yeah, we've only got two items and 11 minutes left. | 0:15:38 | 0:15:42 | |
'You're obviously getting your eye in, blues.' | 0:15:42 | 0:15:46 | |
Phil? Where's Phil? | 0:15:46 | 0:15:49 | |
SHE LAUGHS | 0:15:49 | 0:15:51 | |
Yes? No? Maybe? | 0:15:51 | 0:15:53 | |
-It's all down to price, isn't it? -18? | 0:15:53 | 0:15:56 | |
-In the case. -How much are they? -18. | 0:15:56 | 0:16:01 | |
I like those. I really do. | 0:16:05 | 0:16:07 | |
I think you've done well there. | 0:16:07 | 0:16:10 | |
We'll get that in the wife's hat. | 0:16:10 | 0:16:12 | |
Yeah. Where's the damage, my dear? | 0:16:12 | 0:16:15 | |
I don't know, actually. The stall owner's gone and I'm helping out. | 0:16:15 | 0:16:19 | |
Can we negotiate with you? Well, I'll try. | 0:16:19 | 0:16:22 | |
You can just leave... She might kill me! | 0:16:22 | 0:16:25 | |
Don't worry about that. You only die once anyway. | 0:16:25 | 0:16:28 | |
-It says there "opera glasses..." -"And damaged leather case." | 0:16:28 | 0:16:33 | |
-Oh, right, that's damaged. OK. -< What does she want for them? | 0:16:33 | 0:16:37 | |
£1.80. | 0:16:37 | 0:16:40 | |
-Oh, £18. -Oh, sorry, my mistake. | 0:16:40 | 0:16:42 | |
Oh, close! | 0:16:42 | 0:16:44 | |
18? | 0:16:44 | 0:16:46 | |
That's not a discount, my love, that's the same! | 0:16:46 | 0:16:50 | |
You can't go for 10? I know it's low, | 0:16:51 | 0:16:54 | |
-No, I know I can't go to 10. -12 quid. | 0:16:54 | 0:16:57 | |
Her biggest discount is 10 per cent. | 0:16:57 | 0:16:59 | |
< So 16. I can go 16, you can have them for. | 0:16:59 | 0:17:05 | |
They'll make £15 to £25 at auction. | 0:17:05 | 0:17:07 | |
-Get them for 15, that'll be great. -Go on, I'll take the risk. | 0:17:07 | 0:17:11 | |
-Go on, then. -All right. | 0:17:11 | 0:17:14 | |
-You've done all right there. -And we'll take the case! | 0:17:14 | 0:17:18 | |
'Two quirky buys in the bag for the blues. And time is marching on.' | 0:17:18 | 0:17:23 | |
What I like is they've got their own mind. | 0:17:23 | 0:17:26 | |
I had nothing to do with those opera glasses and they'll do well. | 0:17:26 | 0:17:30 | |
'Hang on. What's David spied with his beady eye?' | 0:17:30 | 0:17:34 | |
What's that storage jar there? | 0:17:34 | 0:17:36 | |
-The one sitting down, shall we look at it? -Let's have a look. | 0:17:38 | 0:17:42 | |
Oh, it's nice. I like it. | 0:17:42 | 0:17:46 | |
-Is it stoneware? -Stoneware, hand-thrown. | 0:17:46 | 0:17:49 | |
165. | 0:17:50 | 0:17:52 | |
-165. -If you hold that one... | 0:17:52 | 0:17:55 | |
Unsigned. Just your typical piece, I guess. | 0:17:57 | 0:18:02 | |
Large studio lidded jar. | 0:18:02 | 0:18:04 | |
165. Just let's check. | 0:18:04 | 0:18:07 | |
What is your best on this? | 0:18:07 | 0:18:09 | |
This lady is in ceramics as part of her profession. | 0:18:09 | 0:18:13 | |
She likes, sort of... Amongst other things as well. | 0:18:13 | 0:18:17 | |
-She likes hand-thrown ceramics. -It's a stunning piece. -It is. | 0:18:17 | 0:18:21 | |
But it's not a named piece, that's the problem. | 0:18:21 | 0:18:25 | |
Some of the best didn't mark them because they didn't need to. | 0:18:25 | 0:18:29 | |
I think we're looking probably round about the 1980s on this one, | 0:18:29 | 0:18:34 | |
1990s for the design. | 0:18:34 | 0:18:37 | |
-I quite like it. -Do you like it? | 0:18:37 | 0:18:39 | |
-Would you pay £90 for it? -If I had £90 to pay, | 0:18:39 | 0:18:43 | |
-I probably would. -Shall we do it? -Yeah, I think so. | 0:18:43 | 0:18:47 | |
OK, it's £90. Is that your best? Please? Give us some... | 0:18:47 | 0:18:51 | |
-85. -80? | 0:18:51 | 0:18:54 | |
-Go on, then. -£80. | 0:18:54 | 0:18:56 | |
-Thank you. -That leaves me something to deal with. | 0:18:56 | 0:18:59 | |
All right. Thank you very much. | 0:18:59 | 0:19:02 | |
-Thank you. -I think that's quite smart. -I do too. | 0:19:02 | 0:19:06 | |
'Some hard bargaining, but the reds are done.' | 0:19:06 | 0:19:10 | |
'The blues need a sprint finish.' | 0:19:10 | 0:19:12 | |
This is panic time, isn't it? | 0:19:12 | 0:19:15 | |
Right, decision time. | 0:19:16 | 0:19:18 | |
Have you seen anything you like? The teddy bear's not a big enough punt. | 0:19:18 | 0:19:23 | |
-No. -So you want to buy this sign? | 0:19:23 | 0:19:27 | |
Erm, I'd say between that and the griffins, | 0:19:27 | 0:19:30 | |
-but you said a key word - modern brewer's sign. -Let's have a look. | 0:19:30 | 0:19:35 | |
I think that's truly awful. | 0:19:41 | 0:19:43 | |
-I agree. -I think that is awful. | 0:19:43 | 0:19:46 | |
But would somebody want it? | 0:19:46 | 0:19:48 | |
They might, but I think it's bad beyond all belief. | 0:19:48 | 0:19:52 | |
-What about the bucket? -I like the bucket. | 0:19:52 | 0:19:56 | |
'Another bucket, blues?' | 0:19:56 | 0:19:59 | |
Excuse me, how much can that be? | 0:19:59 | 0:20:01 | |
-< Sorry, sir? -How much can that be? | 0:20:01 | 0:20:04 | |
With the diff on it? £35. | 0:20:04 | 0:20:07 | |
-No, it's still breathing. -I know, so am I. | 0:20:07 | 0:20:11 | |
-But what's the... What's... -25 quid. | 0:20:11 | 0:20:15 | |
-< That's it. -I think we've got two minutes left | 0:20:15 | 0:20:18 | |
and I think that's a better buy than anything else we've seen. | 0:20:18 | 0:20:22 | |
Other than the teddy bear, but we're too far away now. | 0:20:22 | 0:20:25 | |
-OK, are we going with that? -I don't think we've got any option. -OK. | 0:20:25 | 0:20:29 | |
OK. Phew! | 0:20:29 | 0:20:31 | |
'A pressurised finish for the blues | 0:20:31 | 0:20:35 | |
'means they're off to auction with not one, but two buckets.' | 0:20:35 | 0:20:39 | |
Tick tock. Time's up. | 0:20:39 | 0:20:41 | |
'Shopping done, | 0:20:41 | 0:20:43 | |
'let's see what the reds bought.' | 0:20:43 | 0:20:45 | |
'They got into their stride | 0:20:45 | 0:20:47 | |
'with some Murano glass Father Christmasses at £22.' | 0:20:47 | 0:20:51 | |
'Persistence paid off | 0:20:51 | 0:20:53 | |
'when they bought a Charlotte Rhead bowl and jug for £160.' | 0:20:53 | 0:20:58 | |
'And the pot theme continued | 0:20:58 | 0:21:00 | |
'with a stoneware jar for £80.' | 0:21:00 | 0:21:02 | |
'Let's hope we have some other pot-oholics in the sale room.' | 0:21:02 | 0:21:07 | |
Do you find that David Barby gets excited quite easily? | 0:21:07 | 0:21:12 | |
Quite exuberant! THEY LAUGH | 0:21:12 | 0:21:15 | |
-Did you have a nice time? -Brilliant time. -Yeah, it was very good. | 0:21:15 | 0:21:19 | |
Oh, brilliant. And the total was, again... | 0:21:19 | 0:21:23 | |
-262 total. -262. | 0:21:23 | 0:21:26 | |
So I'd like £38 of leftover lolly. | 0:21:26 | 0:21:29 | |
So which is your favourite piece, Erin? | 0:21:29 | 0:21:31 | |
I have to say my favourite piece | 0:21:31 | 0:21:34 | |
is the glass Murano Santas. | 0:21:34 | 0:21:38 | |
The four little Santas. | 0:21:38 | 0:21:40 | |
-Right. What about you, Matthew? -I think I have to agree. | 0:21:40 | 0:21:44 | |
The little ornaments. | 0:21:44 | 0:21:46 | |
-Will they bring the biggest price? -The biggest profit perhaps. | 0:21:46 | 0:21:50 | |
-For a profit margin. -We did get quite a bargain on them. | 0:21:50 | 0:21:55 | |
I can tell that David is full of enthusiasm for these little fellows. | 0:21:55 | 0:22:00 | |
If you could've seen his face while you were talking. It fell a mile. | 0:22:00 | 0:22:04 | |
I'm just surprised that you thought those little creatures | 0:22:04 | 0:22:08 | |
would make the highest profit. | 0:22:08 | 0:22:10 | |
Well, we'll see. Surprises happen. | 0:22:10 | 0:22:13 | |
Anyway, your £38, old fruit. Got anything in mind? | 0:22:13 | 0:22:16 | |
-I've seen one or two things, yes. -Great fair, isn't it? | 0:22:16 | 0:22:20 | |
-Easily get lost here. -No, don't get lost. We want you back. | 0:22:20 | 0:22:24 | |
Good luck, team. Why don't we check out how the blue team got on? | 0:22:24 | 0:22:30 | |
'The blues went bucket crazy - starting with | 0:22:30 | 0:22:33 | |
'this 19th century high-tech copper milk pail.' | 0:22:33 | 0:22:37 | |
'They also spied a set of opera glasses | 0:22:37 | 0:22:40 | |
which they bought for a modest £15.' | 0:22:40 | 0:22:44 | |
'A last-minute dash bought them a coopered wooden bucket for £25.' | 0:22:44 | 0:22:49 | |
'But will they make a bucketload of cash at auction?' | 0:22:49 | 0:22:53 | |
Right, you lovely Springboks, | 0:22:53 | 0:22:55 | |
have you been springing into action today? You jolly well have. | 0:22:55 | 0:22:59 | |
We have, yes. | 0:22:59 | 0:23:01 | |
Which is your favourite piece, mate? | 0:23:01 | 0:23:03 | |
Erm... It must be the cooper milk churn. | 0:23:03 | 0:23:07 | |
-You agree, Kerry? -Very much so. | 0:23:07 | 0:23:09 | |
-You love it. -It's beautiful. -Will it bring the biggest profit? | 0:23:09 | 0:23:13 | |
-I think so. -Yeah? -More than the bucket. | 0:23:13 | 0:23:17 | |
We don't want you kicking the bucket! No, lovely. | 0:23:17 | 0:23:21 | |
-And you spent nearly £300. -Nearly, very close. -How much? -105. | 0:23:21 | 0:23:27 | |
Oh, my Lord, is that all?! | 0:23:27 | 0:23:29 | |
£195 of leftover lolly, please. | 0:23:29 | 0:23:32 | |
-There you go. -OK, right. | 0:23:32 | 0:23:35 | |
P Serrell can buy half the fair! More than your housekeeping! | 0:23:35 | 0:23:39 | |
Er, biltong! | 0:23:39 | 0:23:41 | |
-Biltong! -Good choice! Don't know how much it'd fetch at auction! | 0:23:41 | 0:23:46 | |
Give him something to chew on! Good luck. Have a cup of tea. | 0:23:46 | 0:23:50 | |
We're heading off to the most divine castle just down the road | 0:23:50 | 0:23:54 | |
called Chiddingstone. | 0:23:54 | 0:23:56 | |
During the Great Depression of the late 1920s and early 1930s, | 0:24:06 | 0:24:11 | |
there was a great opportunity for collectors | 0:24:11 | 0:24:14 | |
because collections were being broken up | 0:24:14 | 0:24:18 | |
and cash was short. | 0:24:18 | 0:24:20 | |
And one of the people who benefited particularly at that time | 0:24:20 | 0:24:24 | |
was a geezer called Dennis Eyre Bower. | 0:24:24 | 0:24:28 | |
'Home for the last 20 years of his life was Chiddingstone Castle.' | 0:24:28 | 0:24:33 | |
'But from his earliest years, Bower was passionate | 0:24:33 | 0:24:37 | |
'about Oriental, Egyptian and Jacobite antiques | 0:24:37 | 0:24:40 | |
'and he managed to amass some fine pieces.' | 0:24:40 | 0:24:44 | |
'Among his many treasures is a superb collection | 0:24:44 | 0:24:48 | |
'of Japanese lacquer, put together, | 0:24:48 | 0:24:51 | |
'on a limited budget, with no specialist knowledge.' | 0:24:51 | 0:24:54 | |
'What Bower did have though | 0:24:54 | 0:24:56 | |
'was an excellent eye for a quality item.' | 0:24:56 | 0:25:00 | |
'I've had a closer look at a couple of pieces.' | 0:25:00 | 0:25:03 | |
Firstly, this piece, which I think has the most extraordinary function. | 0:25:03 | 0:25:08 | |
Can you guess what it is? | 0:25:08 | 0:25:10 | |
Well, it looks a bit like a brick, this, doesn't it? | 0:25:10 | 0:25:15 | |
A rectangular brick | 0:25:15 | 0:25:17 | |
that's pierced on the sides and top | 0:25:17 | 0:25:20 | |
and, of course, exquisitely lacquered. | 0:25:20 | 0:25:24 | |
It's got an end drawer with a ring terminal | 0:25:24 | 0:25:27 | |
that opens like that and originally there would have been | 0:25:27 | 0:25:30 | |
an incense burner in here. | 0:25:30 | 0:25:34 | |
What this is is a scented incense pillow. | 0:25:35 | 0:25:40 | |
Because in the late 17th and early 18th century, | 0:25:40 | 0:25:44 | |
a really well-born Japanese lady would sleep | 0:25:44 | 0:25:49 | |
on a padded mattress | 0:25:49 | 0:25:51 | |
and her neck would be supported on this slight convex surface | 0:25:51 | 0:25:56 | |
so that her elaborate hairdo beyond would not be disturbed. | 0:25:56 | 0:26:01 | |
While she's having her kip, | 0:26:01 | 0:26:03 | |
the lovely smell from the incense would permeate her hair. | 0:26:03 | 0:26:08 | |
How super is that? | 0:26:08 | 0:26:11 | |
1680 to 1720, | 0:26:11 | 0:26:13 | |
that sort of dateline, | 0:26:13 | 0:26:15 | |
is what this scented incense pillow dates from. | 0:26:15 | 0:26:20 | |
The material itself | 0:26:20 | 0:26:22 | |
is difficult to produce. | 0:26:22 | 0:26:25 | |
It's lacquer. This is literally, sometimes, a build-up | 0:26:25 | 0:26:30 | |
of hundreds of thin layers of varnish and then decorated | 0:26:30 | 0:26:35 | |
in gilt, which is what's happened here. | 0:26:35 | 0:26:38 | |
The next piece is, | 0:26:38 | 0:26:40 | |
as they say, completely different. | 0:26:40 | 0:26:42 | |
This is a piece of what is called Shibayama. | 0:26:42 | 0:26:47 | |
And Shibayama is a late 18th century technique | 0:26:47 | 0:26:51 | |
where, on lacquered panels, incredibly elaborate encrustations | 0:26:51 | 0:26:56 | |
of semi-precious materials | 0:26:56 | 0:26:59 | |
are inlaid and carved. | 0:26:59 | 0:27:02 | |
The whole thing is in a vessel | 0:27:02 | 0:27:05 | |
that is completely wacky. | 0:27:05 | 0:27:07 | |
It's lobed and ovoid, | 0:27:07 | 0:27:09 | |
but if you look at the pretend spout - it's not real, | 0:27:09 | 0:27:13 | |
it's a pretend spout in the form, if you like, of half a cockerel. | 0:27:13 | 0:27:17 | |
The top and bottom parts | 0:27:17 | 0:27:19 | |
are made of silver. They don't look it | 0:27:19 | 0:27:22 | |
because it's grey and tarnished, | 0:27:22 | 0:27:24 | |
but they are solid silver. And then, applied to the surface | 0:27:24 | 0:27:29 | |
is all this cloisonne work. | 0:27:29 | 0:27:31 | |
As a magee, or late 19th century piece, | 0:27:31 | 0:27:35 | |
this is beyond compare. | 0:27:35 | 0:27:37 | |
The big question today | 0:27:37 | 0:27:40 | |
is, for our teams at the auction, | 0:27:40 | 0:27:42 | |
will their choices prove to be profitable? | 0:27:42 | 0:27:46 | |
Michael Roberts is our auctioneer today | 0:28:02 | 0:28:05 | |
at the Canterbury Auction Rooms in Canterbury. Hello, Michael. | 0:28:05 | 0:28:10 | |
Lovely to be here. First up for the reds | 0:28:10 | 0:28:13 | |
-are the four Father Christmasses in glass. -They're quite good. | 0:28:13 | 0:28:17 | |
Quite fun. Not badly made. | 0:28:17 | 0:28:19 | |
There are little loops on the top of their heads to hang them up. | 0:28:19 | 0:28:23 | |
I guess they must be | 0:28:23 | 0:28:25 | |
perhaps 20 years old. They're not particularly old. | 0:28:25 | 0:28:28 | |
-What are they worth, do you think? -Our estimate is £20-30. | 0:28:28 | 0:28:32 | |
-Matthew paid £22. -Oh, OK. | 0:28:32 | 0:28:34 | |
If you can get him £22 back, they'll be jumping for joy. | 0:28:34 | 0:28:38 | |
Next is the Charlotte Rhead combo - the lovely jug | 0:28:38 | 0:28:43 | |
and base set. People who are fans of this stuff | 0:28:43 | 0:28:47 | |
-will love this, won't they? -Absolutely, there's a big following | 0:28:47 | 0:28:52 | |
because it is really nicely made - | 0:28:52 | 0:28:54 | |
the tube-line decoration is quite substantial and it's also | 0:28:54 | 0:28:59 | |
an affordable type of this ware. Clarice Cliff is very expensive now | 0:28:59 | 0:29:04 | |
but this is still quite affordable. | 0:29:04 | 0:29:06 | |
So it's a nice... Well, I was going to say set, but, sadly, | 0:29:06 | 0:29:11 | |
-the things are simliar but not matching. -Really? -In pattern. | 0:29:11 | 0:29:16 | |
-That'll devalue it somewhat. -I think David Barby may have made a mistake, | 0:29:16 | 0:29:21 | |
-because he paid £160 and it won't be worth that. -Certainly not. | 0:29:21 | 0:29:25 | |
-Oh, dear. What's your estimate, then, as a combo? -Our estimate | 0:29:25 | 0:29:30 | |
-is £30-40. -I'll explain it to David because he won't be pleased. | 0:29:30 | 0:29:36 | |
Their last item is this handsome stoneware pot. | 0:29:36 | 0:29:39 | |
It is a handsome pot, it's a useful pot. It's in the style | 0:29:39 | 0:29:43 | |
of the famous studio potter Michael Casson. | 0:29:43 | 0:29:47 | |
-Right. -And there's no obvious damage to it, but being unmarked, | 0:29:47 | 0:29:52 | |
-it is one of several studio pottery things that are... -Knocking about. | 0:29:52 | 0:29:57 | |
OK. Well, what's your estimate? | 0:29:57 | 0:30:00 | |
-Well, we don't know who it's by - £30-40. -OK, £80 paid. | 0:30:00 | 0:30:03 | |
I think they'll need their bonus buy, let's look at it. | 0:30:03 | 0:30:07 | |
Now, Matthew, Erin, you spent so well at the fair - so proud of you! | 0:30:07 | 0:30:11 | |
Only £38 went to David Barby, so he's had a challenge. David? | 0:30:11 | 0:30:16 | |
-I spent the lot! Can you whip that thing off? -OK. | 0:30:16 | 0:30:19 | |
-Ooh! -Thank goodness for iPods cos I couldn't carry that around! | 0:30:19 | 0:30:25 | |
But this is a lovely little piece of | 0:30:25 | 0:30:29 | |
1940s, '50s radio equipment. | 0:30:29 | 0:30:31 | |
It's such a nice shape. Very "Odeon-esque", | 0:30:31 | 0:30:35 | |
rather like the cinemas of the period - 1930s, '40s. | 0:30:35 | 0:30:39 | |
I like this. £38. | 0:30:39 | 0:30:41 | |
And you think it might be worth...? | 0:30:41 | 0:30:44 | |
I have seen these go up to £60 plus | 0:30:44 | 0:30:46 | |
-at auction. -Do you like it, Erin? -I really do. | 0:30:46 | 0:30:49 | |
-I love the style. -You've got the gen on it. You don't need to decide | 0:30:49 | 0:30:54 | |
until after the sale of your first three items. | 0:30:54 | 0:30:57 | |
But for the viewers, let's find out what the auctioneer thought of this. | 0:30:57 | 0:31:02 | |
-Right, then. There we go. -It is an interesting thing in its own right. | 0:31:02 | 0:31:08 | |
It's a brown Bakelite radio. The serial number on the bottom | 0:31:08 | 0:31:12 | |
is DAC 10. It's by Bush | 0:31:12 | 0:31:14 | |
-and apparently it was issued in 1950. -Right. | 0:31:14 | 0:31:18 | |
That pinpoints it pretty accurately. | 0:31:18 | 0:31:21 | |
-It does. -It's a marvellous piece of social history. -Well, it is. | 0:31:21 | 0:31:26 | |
The design of it as well - it is interesting from that point of view. | 0:31:26 | 0:31:30 | |
-So what's your guesstimate? -£10-15. | 0:31:30 | 0:31:34 | |
-Oh, right. £38 paid by David Barby. -Right! | 0:31:34 | 0:31:37 | |
I don't think he is renowned for his knowledge of mains radio sets, | 0:31:37 | 0:31:41 | |
but we'll see what happens. | 0:31:41 | 0:31:44 | |
First up for the blues is this copper milking pail jobby, | 0:31:44 | 0:31:48 | |
which I suppose is very early milking-machine stuff, isn't it, | 0:31:48 | 0:31:53 | |
with the suction system? | 0:31:53 | 0:31:56 | |
Absolutely. Sadly, it looks like it's fallen off the wagon. | 0:31:56 | 0:32:00 | |
-It's been kicked over by some old cow! -Yeah, kicked in the dairy. | 0:32:00 | 0:32:04 | |
What's it worth? | 0:32:04 | 0:32:06 | |
-Because of the condition, £10-15. -Oh, dear. £65 he paid. | 0:32:06 | 0:32:10 | |
-I think we'll move on. -Oh, dear. | 0:32:10 | 0:32:12 | |
-The nickel and leather binoculars. -They're in quite good condition. | 0:32:12 | 0:32:18 | |
And the great thing is they still work, you can see through them. | 0:32:18 | 0:32:22 | |
Bit of scuffing to the leather, and the chroming is still there, | 0:32:22 | 0:32:25 | |
so I think they're OK. | 0:32:25 | 0:32:28 | |
-The case is a bit worn out. -Yes. They paid £15 for them. | 0:32:28 | 0:32:32 | |
-Do you think they'll get a profit? -Well, 10-15 is our estimate, | 0:32:32 | 0:32:36 | |
so we're about on the money. | 0:32:36 | 0:32:39 | |
Yeah, they'll get something out of it. Now, what about | 0:32:39 | 0:32:42 | |
-this coopered bucket, which is a repro, isn't it? -It is, it's '60s, | 0:32:42 | 0:32:48 | |
it's very much repro. We have the mark, it's by a firm called | 0:32:48 | 0:32:52 | |
Lister Woodcraft. It's in the 19th century style, the liner is with it, | 0:32:52 | 0:32:56 | |
so unlike this pail, you could actually use that | 0:32:56 | 0:33:00 | |
for your logs or your coal. | 0:33:00 | 0:33:02 | |
-Yes, it's got a galvanised liner. -Yeah, it's useable | 0:33:02 | 0:33:07 | |
-and ready to go. -What's the estimate? -40-60. | 0:33:07 | 0:33:09 | |
That's extraordinary. They paid £25. On that happy note, | 0:33:09 | 0:33:14 | |
they might not need their bonus buy, but I have a feeling they will. | 0:33:14 | 0:33:19 | |
Right, then, £105 was spent. | 0:33:19 | 0:33:22 | |
You left him with £195. | 0:33:22 | 0:33:25 | |
A magnificent total for him to find something that's cutting edge | 0:33:25 | 0:33:29 | |
and at the top of market. Phil, what did you find? | 0:33:29 | 0:33:32 | |
-Well... -SHE GASPS You didn't! | 0:33:32 | 0:33:36 | |
-I did, I did! -Can I keep him? -No. | 0:33:36 | 0:33:39 | |
What's going on, please? | 0:33:39 | 0:33:41 | |
-Well, you loved him. -It's what we wanted but we ran out of time. | 0:33:41 | 0:33:45 | |
No, WE didn't want to get it at all. WE didn't at all. | 0:33:45 | 0:33:49 | |
He was £20. | 0:33:49 | 0:33:52 | |
So she charged you 20? | 0:33:52 | 0:33:54 | |
-Yeah. -And what do you think we'll eke out of that? | 0:33:54 | 0:33:58 | |
Actually, I think he'll make 30-50 quid. | 0:33:58 | 0:34:01 | |
-He's beautiful. -Can you bear to sell him? -No. | 0:34:01 | 0:34:04 | |
Well, you have to. And you can't buy him in the auction. | 0:34:04 | 0:34:09 | |
You'll have to find another bear to hug. Anyway, good on you, Phil. | 0:34:09 | 0:34:13 | |
Let's find out right now what the auctioneer thinks about Phil's bear. | 0:34:13 | 0:34:18 | |
There we go, Michael. Still got yours? | 0:34:18 | 0:34:21 | |
Long gone, sadly. The expression here is "well loved". | 0:34:21 | 0:34:24 | |
He's gone bald. | 0:34:24 | 0:34:26 | |
Yeah, especially to the top. | 0:34:26 | 0:34:29 | |
-We've got a bell inside so added extra there. -BELL RINGS | 0:34:29 | 0:34:33 | |
-I don't fancy there's any straw in there. -Yeah, it's synthetic. | 0:34:33 | 0:34:38 | |
-But it's got a full stomach... -BEAR PARPS | 0:34:38 | 0:34:41 | |
-Indigestion as well! -It's a growler! -Right, OK, there we are. | 0:34:41 | 0:34:44 | |
Give it a belt and it makes a grunt! | 0:34:44 | 0:34:47 | |
That's bears for you! | 0:34:47 | 0:34:50 | |
-What's it worth? -Our estimate is £20-30. -A generous firm | 0:34:50 | 0:34:54 | |
here at Canterbury Auctions. Anyway, £20 was paid. | 0:34:54 | 0:34:57 | |
-Right. -Actually, it looks a bit like him! No! I never said it! | 0:34:57 | 0:35:03 | |
-Are you taking the sale today? -I am. -Gosh. Good luck. | 0:35:03 | 0:35:07 | |
10. 20, sir. 30. | 0:35:10 | 0:35:13 | |
Matthew, Erin, how are you feeling? | 0:35:16 | 0:35:19 | |
-Quietly confident, I suppose. -I'm all right. | 0:35:19 | 0:35:22 | |
What do you mean, "all right"? | 0:35:22 | 0:35:25 | |
-I'm a little nervous about some of it. -Are you?! | 0:35:25 | 0:35:29 | |
How can that possibly be?! Anything in particular, sweetpea? | 0:35:29 | 0:35:33 | |
Um, the Charlotte Rhead purchase. | 0:35:33 | 0:35:36 | |
I think we may have paid a bit too much. | 0:35:36 | 0:35:40 | |
First up are your Christmas-tree ornaments. | 0:35:40 | 0:35:43 | |
64 are the set of four Murano glass Christmas-tree ornaments. | 0:35:43 | 0:35:48 | |
Who's going to start me at £10? £10 where? | 0:35:48 | 0:35:51 | |
10 at various places. | 0:35:51 | 0:35:54 | |
10, 20, 30, | 0:35:54 | 0:35:56 | |
40, 40, | 0:35:56 | 0:35:58 | |
50, 60... No. | 0:35:58 | 0:36:01 | |
50. Who's £60? | 0:36:01 | 0:36:03 | |
60, 70. | 0:36:03 | 0:36:05 | |
70 in the doorway? | 0:36:05 | 0:36:08 | |
Do you want these? Looking for 70. | 0:36:08 | 0:36:10 | |
They will sell at 60. | 0:36:10 | 0:36:12 | |
60 and selling. | 0:36:12 | 0:36:14 | |
That's 8 to 30, that would be plus 38! | 0:36:14 | 0:36:17 | |
That was well spritey. That was your horse. | 0:36:17 | 0:36:20 | |
Good Lord. Now, stand by for the Charlotte Rhead. | 0:36:20 | 0:36:24 | |
Sadly not matching, but still in good condition. Who's starting me | 0:36:24 | 0:36:28 | |
at £30 on commission? | 0:36:28 | 0:36:30 | |
40 now. Useful jug and bowl. | 0:36:30 | 0:36:33 | |
£40? Perhaps you could find the matching pieces for each item? | 0:36:33 | 0:36:38 | |
£40 where? Anyone? Any further bids? | 0:36:38 | 0:36:40 | |
40, 50, Tony. 60. | 0:36:40 | 0:36:43 | |
No. 50 on commission. Any more? 50 and selling, then. | 0:36:43 | 0:36:47 | |
Oh, £50 is -110. I can't bear this! | 0:36:47 | 0:36:52 | |
-How much? --110. Here comes the stoneware jar. | 0:36:52 | 0:36:56 | |
66 is the brown-glazed studio pottery three-handled jar and cover. | 0:36:56 | 0:37:01 | |
Imposing thing. | 0:37:01 | 0:37:03 | |
£20. £20, someone? | 0:37:03 | 0:37:06 | |
-Anyone? -Oh, no! | 0:37:06 | 0:37:08 | |
30. A phone bidder. 30. | 0:37:08 | 0:37:11 | |
40... 40. | 0:37:11 | 0:37:14 | |
50... | 0:37:14 | 0:37:17 | |
No? At £40, looking for 50... | 0:37:17 | 0:37:20 | |
Any more? At 40 and selling, then... 208, thank you. | 0:37:20 | 0:37:24 | |
Selling at £40 only, I can't believe that. That's -£40. | 0:37:24 | 0:37:28 | |
You were 72 before, you're now -112. | 0:37:28 | 0:37:32 | |
-Ooh. -So what shall we do about the radio set? Are we going to do it? | 0:37:32 | 0:37:37 | |
-Yeah. -I think we have to. Nothing to lose. | 0:37:37 | 0:37:40 | |
Well, I think it's a fine object. | 0:37:40 | 0:37:43 | |
We're going with the bonus buy. | 0:37:43 | 0:37:45 | |
And rest assured, | 0:37:45 | 0:37:47 | |
if you do buy it, you don't have to listen to just vintage broadcasting. | 0:37:47 | 0:37:52 | |
Who's going to start me at £20 on commission? Who's 30 now, then? | 0:37:52 | 0:37:57 | |
Doorway. 40? £30. 40 where? | 0:37:57 | 0:38:00 | |
Anybody else for 40? Anyone else? | 0:38:00 | 0:38:02 | |
-40, 50, 60... -Yes, well done, David. | 0:38:02 | 0:38:05 | |
40, 50. Who's 60 now, then? | 0:38:05 | 0:38:08 | |
50 and selling... | 0:38:08 | 0:38:10 | |
50 plus 12. | 0:38:10 | 0:38:13 | |
You've got the £12 back, brilliant, | 0:38:13 | 0:38:15 | |
which has rounded it down to the ton. | 0:38:15 | 0:38:19 | |
-Not bad. --£100. There is a sort of synergy to -£100. | 0:38:19 | 0:38:24 | |
It's a properly Chinese round number. | 0:38:24 | 0:38:27 | |
-Yeah. -And you're looking pleased about it. Marvellous. | 0:38:27 | 0:38:31 | |
It might be a winning score. | 0:38:31 | 0:38:33 | |
-You never know. -If it's disastrous for the blues. | 0:38:33 | 0:38:37 | |
Don't say a word to them, all right? | 0:38:37 | 0:38:40 | |
-Now, do you know how the reds got on? -No. | 0:38:45 | 0:38:48 | |
Good. We don't want you to. Are you feeling excited? | 0:38:48 | 0:38:51 | |
-Can you tell? -Yeah... | 0:38:51 | 0:38:54 | |
You South Africans are always known to be excitable, | 0:38:54 | 0:38:57 | |
but this is a living embodiment of excitement. | 0:38:57 | 0:39:01 | |
First up is the copper milk pail | 0:39:01 | 0:39:04 | |
-and it is coming up right now. -Fresh from the dairy, | 0:39:04 | 0:39:08 | |
lot 86. | 0:39:08 | 0:39:10 | |
Who's going to start me at £10? | 0:39:10 | 0:39:13 | |
£10 I'm bid. Who's 20? | 0:39:13 | 0:39:15 | |
Right at the back, 20. 30, madam. | 0:39:15 | 0:39:18 | |
40 at the back. | 0:39:18 | 0:39:20 | |
No. With you at 30. Who's £40? | 0:39:20 | 0:39:23 | |
-Anybody else? -I've got a horrible feeling here. | 0:39:23 | 0:39:27 | |
£30. Selling, then. I will sell at 30. | 0:39:27 | 0:39:30 | |
You're getting milked. £30. -35. | 0:39:30 | 0:39:35 | |
Now, the opera glasses, let's be positive. | 0:39:35 | 0:39:38 | |
Who's going to start me now at £10? They do work. | 0:39:38 | 0:39:42 | |
£10 I'm bid. | 0:39:42 | 0:39:44 | |
Who's 20? 30, 40. | 0:39:44 | 0:39:48 | |
-No. -Open your eyes. | 0:39:48 | 0:39:50 | |
£40 where? £40 where? You can see ships with these. | 0:39:50 | 0:39:54 | |
30 and selling in the doorway. | 0:39:54 | 0:39:56 | |
That was quick too. £30, you're plus 15. | 0:39:56 | 0:39:59 | |
That's taken you down to -20. | 0:39:59 | 0:40:02 | |
Now your bucket. This'll do it for you. | 0:40:02 | 0:40:05 | |
Useful log box, this. | 0:40:05 | 0:40:07 | |
Start £40 on commission. Who's 50 now, then? | 0:40:07 | 0:40:10 | |
£50 where? Useful bucket. Put something in this. | 0:40:10 | 0:40:14 | |
£50 where? Any more? | 0:40:14 | 0:40:16 | |
40 on commission, I will sell | 0:40:16 | 0:40:18 | |
at £40. | 0:40:18 | 0:40:20 | |
That's very quick. £40, | 0:40:20 | 0:40:22 | |
which is plus £15, which means overall you're -£5. How ridiculous. | 0:40:22 | 0:40:27 | |
That is so close, isn't it? | 0:40:27 | 0:40:29 | |
Could be a winning score, -£5, very easily. | 0:40:29 | 0:40:33 | |
-Are you going to have a punt with the teddy? -For sure. | 0:40:33 | 0:40:36 | |
We should play our joker and go with Barby, shouldn't we?! | 0:40:36 | 0:40:40 | |
-It does look like him. -He's definitely the joker, Barby. | 0:40:40 | 0:40:43 | |
-You're going with it? -For sure. | 0:40:43 | 0:40:45 | |
You're going with your Barby... I mean your teddy. Here it comes. | 0:40:45 | 0:40:49 | |
If you feel it in your heart to give this bear a home, who'll bid me £10? | 0:40:49 | 0:40:54 | |
£10, several places. 10. | 0:40:54 | 0:40:57 | |
20, sir. 30. | 0:40:57 | 0:40:59 | |
40, 50, 60. | 0:40:59 | 0:41:02 | |
£50. Who's 60 now? Go on. | 0:41:02 | 0:41:05 | |
-Any more? -Good old Barby! -Are you sure? | 0:41:05 | 0:41:09 | |
At 50 and selling, then. It's yours. | 0:41:09 | 0:41:12 | |
Yes, that's so good! | 0:41:12 | 0:41:14 | |
That is plus 30. Is that not good? That's good. | 0:41:14 | 0:41:17 | |
Overall, you are plus £25. | 0:41:17 | 0:41:19 | |
The man, the legend. | 0:41:19 | 0:41:21 | |
-Come on, Uncle Phil! -He knows a teddy bear when he sees one. | 0:41:21 | 0:41:25 | |
That's great. Plus £25. | 0:41:25 | 0:41:27 | |
That could be a winning score. Don't tell the reds. Thank you. | 0:41:27 | 0:41:31 | |
Well, some days is good days and some days is bad days | 0:41:36 | 0:41:40 | |
and today,... the day is very bad... | 0:41:40 | 0:41:43 | |
for the reds. | 0:41:43 | 0:41:45 | |
Never buy Charlotte Rhead | 0:41:45 | 0:41:48 | |
that doesn't match - that's what I've learnt today. Ohhh. | 0:41:48 | 0:41:53 | |
It's enough to make you weep. | 0:41:53 | 0:41:55 | |
Yeah? £38 profit on those little Christmas johnnies, right? | 0:41:55 | 0:42:00 | |
That was such a good beginning, | 0:42:00 | 0:42:03 | |
then it went down the lavatory | 0:42:03 | 0:42:05 | |
until you got to the mains electric | 0:42:05 | 0:42:08 | |
radio set, which made you a profit of £12. | 0:42:08 | 0:42:12 | |
So there were high points, but Charlotte Rhead was appalling. | 0:42:12 | 0:42:16 | |
As a result, you're -£100. | 0:42:16 | 0:42:19 | |
-THEY LAUGH -Anyway, lovely to see you. | 0:42:19 | 0:42:22 | |
You've been great contestants. | 0:42:22 | 0:42:24 | |
But the victors today are going home with folding money - £25 of it! | 0:42:24 | 0:42:29 | |
-Look at that! -Thank you. | 0:42:29 | 0:42:31 | |
How much is that in rands? | 0:42:31 | 0:42:33 | |
-Lots and lots of rands. -300. -300. | 0:42:33 | 0:42:37 | |
Sounds so much better, going home with 300 rand. | 0:42:37 | 0:42:40 | |
£30 profit on the straw bear | 0:42:40 | 0:42:42 | |
really saved it, didn't it? | 0:42:42 | 0:42:45 | |
-Do you know what they call that bear? -What? -Barby. | 0:42:45 | 0:42:48 | |
< Out of affection, I feel certain. | 0:42:48 | 0:42:50 | |
They don't call it Ken, they call it Barby, which is lovely. | 0:42:50 | 0:42:54 | |
-Had a good time? -Fantastic. | 0:42:54 | 0:42:57 | |
Well, nice to see you, Gav, good man. | 0:42:57 | 0:43:00 | |
Keep your chins up. Good luck. | 0:43:00 | 0:43:02 | |
-Join us soon for some more bargain hunting, yes? -Yes! | 0:43:02 | 0:43:06 | |
'I know, you're thinking "I could've done better than that!"' | 0:43:09 | 0:43:13 | |
'Well, what's stopping you?' | 0:43:13 | 0:43:15 | |
'If you think you can spot a bargain, | 0:43:15 | 0:43:18 | |
go to our BBC website and apply - it'll be splendid to see you!' | 0:43:18 | 0:43:22 | |
Subtitles by Red Bee Media Ltd | 0:43:26 | 0:43:30 |