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What do you do when you're in | 0:00:04 | 0:00:06 | |
one of the world's most famous antique markets? | 0:00:06 | 0:00:09 | |
What you do is, go bargain hunting! That's what you do. | 0:00:09 | 0:00:13 | |
Today, we're in west London | 0:00:41 | 0:00:44 | |
with our Red and Blue teams, | 0:00:44 | 0:00:46 | |
who are about to do battle with these massive crowds, | 0:00:46 | 0:00:50 | |
here at Portobello Road. | 0:00:50 | 0:00:53 | |
So, stand by, and let's see what's coming up. | 0:00:53 | 0:00:56 | |
The glamorous Reds are hard to please. | 0:00:58 | 0:01:01 | |
-OK! -Next. -Not us. | 0:01:01 | 0:01:04 | |
Anything catching your eyes here, girls? | 0:01:06 | 0:01:09 | |
-No, not me. You? -No. | 0:01:09 | 0:01:11 | |
No? Come on, then. | 0:01:11 | 0:01:13 | |
I really don't know which direction to point them in. | 0:01:14 | 0:01:17 | |
They know what they want, and they can't see it. | 0:01:17 | 0:01:20 | |
The Blues get in a spin as time runs out. | 0:01:20 | 0:01:23 | |
-Was it that way? -Was it this way? -This way. -Was it? | 0:01:23 | 0:01:26 | |
-We've got five minutes. -I know. We are truly panicking now! | 0:01:29 | 0:01:32 | |
-Woah! -Watch the cars. | 0:01:32 | 0:01:34 | |
But that is all to come. First, I must remind you of the rules. | 0:01:37 | 0:01:41 | |
Each team gets £300, and an hour to shop for three objects, | 0:01:41 | 0:01:44 | |
which they sell later at auction. | 0:01:44 | 0:01:45 | |
The team wins that makes the biggest profit. Got it? | 0:01:45 | 0:01:48 | |
Right. Let's go and meet today's teams. | 0:01:48 | 0:01:51 | |
I feel a bit of a vintage retro feel coming on. | 0:01:57 | 0:02:01 | |
Because for the Reds today, we have friends Harriet and Amy. | 0:02:01 | 0:02:07 | |
For the Blues, we have Janeka and Duncan. Welcome! | 0:02:07 | 0:02:09 | |
-ALL: Hello! -Lovely to see you guys, and girls. | 0:02:09 | 0:02:12 | |
-Harriet, how did you two meet? -On the first day of university, I spotted her in vintage clothes, | 0:02:12 | 0:02:18 | |
and thought, "We have to be friends". | 0:02:18 | 0:02:20 | |
Were you wearing vintage clothes? | 0:02:20 | 0:02:22 | |
I was. I marched over, and was like, | 0:02:22 | 0:02:24 | |
-"I like your bag." -What did she say? "I like your hat"? -Something along those lines. | 0:02:24 | 0:02:28 | |
It's been a mutual admiration society ever since? | 0:02:28 | 0:02:31 | |
It has. We started a blog. We write together, do everything together. | 0:02:31 | 0:02:36 | |
So, Harriet, | 0:02:36 | 0:02:37 | |
when you're not blogging with Amy, what do you get up to? | 0:02:37 | 0:02:40 | |
Recently started working | 0:02:40 | 0:02:42 | |
as a freelance seamstress. | 0:02:42 | 0:02:44 | |
If you're keen on retro clothing, | 0:02:44 | 0:02:46 | |
being able to sew is jolly good, isn't it? | 0:02:46 | 0:02:49 | |
Cos you can do your own alterations. | 0:02:49 | 0:02:51 | |
It is VERY handy. | 0:02:51 | 0:02:52 | |
You end up finding a hole, or ripping a seam every time you wear something, | 0:02:52 | 0:02:56 | |
so it's very handy to be able to fix it yourself. | 0:02:56 | 0:02:58 | |
-I think you look marvellous. -Thanks! | 0:02:58 | 0:03:00 | |
-Amy, what do you do with yourself? -I'm a keen swing dancer. | 0:03:00 | 0:03:03 | |
-Is this Glenn Miller, and that kind of thing? -Yeah, the jazz era. | 0:03:03 | 0:03:07 | |
-Are you studying at the moment? -Literature and creative writing. | 0:03:07 | 0:03:10 | |
When you're not studying, what do you get up to? | 0:03:10 | 0:03:13 | |
I also work as a corsetry assistant, | 0:03:13 | 0:03:16 | |
and I spend my time taking inches off many attractive ladies. | 0:03:16 | 0:03:20 | |
You're giving them the squeeze? | 0:03:20 | 0:03:22 | |
Literally taking about four inches off their waist, | 0:03:22 | 0:03:25 | |
maybe anything up to eight. | 0:03:25 | 0:03:26 | |
That's interesting. What about your strategy? | 0:03:26 | 0:03:30 | |
-Are you going to buy just vintage, retro items? -The strategy is, | 0:03:30 | 0:03:33 | |
we want to get something macabre and creepy. | 0:03:33 | 0:03:35 | |
Oh, do you? | 0:03:35 | 0:03:36 | |
Yes. Then something quite glamorous. | 0:03:36 | 0:03:39 | |
The third item will be random, whatever we see. | 0:03:39 | 0:03:42 | |
-Good luck with that. -BOTH: Thank you! | 0:03:42 | 0:03:45 | |
So, you two. How did YOU meet, then? | 0:03:45 | 0:03:47 | |
We met on the dancefloor, of swing dancing. | 0:03:47 | 0:03:52 | |
-Don't tell me you're swingers too?! -We're all swingers here. | 0:03:52 | 0:03:55 | |
I don't believe it! | 0:03:55 | 0:03:57 | |
-Have you met each other before today? -No. -No. | 0:03:57 | 0:04:01 | |
So, you met when dancing? | 0:04:01 | 0:04:03 | |
-Yes. -Did he take you in his arms, | 0:04:03 | 0:04:05 | |
and that was it, "Caramba!", Janeka? | 0:04:05 | 0:04:10 | |
No. Our paths just kept crossing, on the swing dancing scene, | 0:04:10 | 0:04:15 | |
and eventually, he wore me down, I guess. | 0:04:15 | 0:04:18 | |
-HE LAUGHS -I'm only kidding. Of course not. | 0:04:18 | 0:04:21 | |
-Many a dance partner's said that to me before. -That's sweet. | 0:04:21 | 0:04:24 | |
What do you collect, old fruit? | 0:04:24 | 0:04:27 | |
Apart from my vintage 1930s and '40s men's clothing, | 0:04:27 | 0:04:30 | |
I have an extensive collection of 78rpm shellac records | 0:04:30 | 0:04:34 | |
of the late '20s | 0:04:34 | 0:04:36 | |
to the early '40s. | 0:04:36 | 0:04:38 | |
So, Janeka, you're obviously a vintage fan too? | 0:04:38 | 0:04:40 | |
I am a HUGE vintage fan. | 0:04:40 | 0:04:42 | |
Apart from dressing up in old clothes, | 0:04:42 | 0:04:44 | |
what do you do for a living? | 0:04:44 | 0:04:45 | |
I'm A PA in a property company, in London. | 0:04:45 | 0:04:48 | |
Do you wear your vintage clothes to work? | 0:04:48 | 0:04:50 | |
No. I think that might raise some eyebrows. | 0:04:50 | 0:04:53 | |
How do you two think you'll perform today | 0:04:53 | 0:04:56 | |
against our dynamic duo of the Reds? Are you scared? | 0:04:56 | 0:04:59 | |
-We ARE a bit scared. -Shaking in your boots? -A little bit. | 0:04:59 | 0:05:02 | |
They look quite intimidating there, don't they, | 0:05:02 | 0:05:05 | |
these kids? | 0:05:05 | 0:05:07 | |
Next up is the money moment. Here's your £300 apiece. | 0:05:07 | 0:05:10 | |
Thank you very much. | 0:05:10 | 0:05:11 | |
You know the rules. Your experts await. | 0:05:11 | 0:05:13 | |
Off you go! Very, very, very good luck! | 0:05:13 | 0:05:16 | |
We are going to have a dynamic day today, I tell you! | 0:05:16 | 0:05:20 | |
Today, the Reds receive expert advice | 0:05:20 | 0:05:23 | |
from the queen of bling herself, | 0:05:23 | 0:05:25 | |
Anita Manning. | 0:05:25 | 0:05:27 | |
And who's this? | 0:05:27 | 0:05:29 | |
The king of swing. | 0:05:29 | 0:05:31 | |
The inimitable Mr Charles Hanson. | 0:05:31 | 0:05:33 | |
The original Jive Bunny will be sharing his expert moves and advice | 0:05:33 | 0:05:37 | |
with today's Blues. | 0:05:37 | 0:05:39 | |
Ooh. | 0:05:39 | 0:05:40 | |
What lovely movers! | 0:05:40 | 0:05:42 | |
What's the plan, then? What are you after? | 0:05:47 | 0:05:49 | |
-Something really stylish. -Something interesting. | 0:05:49 | 0:05:52 | |
-A decent amount of money. -Yeah. -Leave you a little bit at the end. | 0:05:52 | 0:05:55 | |
I thought we'd get things which are quite stunning. | 0:05:55 | 0:05:58 | |
-So, we're going retro? -Oh, definitely! | 0:05:58 | 0:06:01 | |
So, the Blues are going retro. | 0:06:01 | 0:06:03 | |
Surprise, surprise(!) | 0:06:03 | 0:06:04 | |
We're being timed. Come on, guys! | 0:06:04 | 0:06:07 | |
Whereas the Reds aren't going anywhere. | 0:06:07 | 0:06:09 | |
It's packed! Elbows out, lads! | 0:06:09 | 0:06:11 | |
Cameras were the essence of what, the '40s, '30s? | 0:06:11 | 0:06:14 | |
-Yeah! -Some of these hand-held bellows cameras, | 0:06:14 | 0:06:18 | |
I think these are really collectible. | 0:06:18 | 0:06:20 | |
They're reasonably priced, between £30 and £45. | 0:06:20 | 0:06:23 | |
Is it worth a go, Duncan? Look at me! | 0:06:23 | 0:06:25 | |
Straight in the eyes, I'd say no. | 0:06:25 | 0:06:29 | |
-I think let's keep hunting, OK? -OK. -I think so. | 0:06:29 | 0:06:31 | |
Let's just go round here. | 0:06:34 | 0:06:38 | |
-OK. -Round the bend? | 0:06:38 | 0:06:40 | |
I'm already round the bend! | 0:06:40 | 0:06:42 | |
Do you mind if I...? | 0:06:46 | 0:06:48 | |
There's something I've never seen before. What would it be used for? | 0:06:48 | 0:06:51 | |
VENDOR: It's a silver purse. | 0:06:51 | 0:06:53 | |
Oh, right! There's leather on the inside. | 0:06:53 | 0:06:56 | |
-That's lovely, isn't it? -Yeah. | 0:06:56 | 0:06:58 | |
-Do you think that leatherwork's original? -Absolutely! | 0:06:58 | 0:07:01 | |
You can see the old dirt, where fingers have taken out money, | 0:07:01 | 0:07:04 | |
or a note, or a card. | 0:07:04 | 0:07:06 | |
-It's in really nice condition. -Solid silver? | 0:07:06 | 0:07:09 | |
There's your all-important hallmark. | 0:07:09 | 0:07:11 | |
That's the lion passant, facing left, | 0:07:11 | 0:07:13 | |
-so we know it's sterling silver. -OK. -So, it's 92.5% pure. | 0:07:13 | 0:07:17 | |
On the other side it might tell you... | 0:07:17 | 0:07:20 | |
It's probably Edwardian, or 1915, the date. | 0:07:20 | 0:07:22 | |
It's a good hallmark, as Chester now don't hallmark silver. | 0:07:22 | 0:07:26 | |
It has added silver value. | 0:07:26 | 0:07:27 | |
-What do you think? -I like it. | 0:07:27 | 0:07:29 | |
A small indentation. Look at the condition, OK? | 0:07:29 | 0:07:33 | |
How much is it? | 0:07:33 | 0:07:34 | |
It's on at... What's your best offer on it? | 0:07:34 | 0:07:37 | |
What's on the ticket price? | 0:07:38 | 0:07:40 | |
95. | 0:07:40 | 0:07:42 | |
I could probably do a bit better | 0:07:43 | 0:07:46 | |
-Could you do 75? -No. | 0:07:46 | 0:07:50 | |
THEY LAUGH What about 80? | 0:07:50 | 0:07:52 | |
-I'd take 80, yeah. -You would? -Yeah. | 0:07:52 | 0:07:54 | |
-That would be good. -What do you think? | 0:07:54 | 0:07:57 | |
You ARE dressed to impress. | 0:07:57 | 0:07:58 | |
Would this purse satisfy you, as an accessory, at £80? | 0:07:58 | 0:08:01 | |
-It would satisfy ME at £80. -Really? -Yes. | 0:08:01 | 0:08:04 | |
I think we should do it. | 0:08:04 | 0:08:06 | |
£2 off? | 0:08:06 | 0:08:07 | |
£80. | 0:08:07 | 0:08:09 | |
-78, now, cash. -Cash. | 0:08:09 | 0:08:10 | |
-It WILL be cash. -It will be. | 0:08:10 | 0:08:12 | |
-78? -I think it's a great accessory. I think it's a wonderful thing. | 0:08:12 | 0:08:17 | |
To buy a silver purse in London, at £78, | 0:08:17 | 0:08:20 | |
today, or back in 1915, isn't a bad price. | 0:08:20 | 0:08:24 | |
I think it's very good. | 0:08:24 | 0:08:25 | |
-Thank you very much. -Deal. Thank you. | 0:08:25 | 0:08:28 | |
The Blues are off the mark with a stylish accessory. | 0:08:28 | 0:08:31 | |
Talking of style, how are the Reds getting on? | 0:08:31 | 0:08:34 | |
Oh, the silhouettes, Amy. | 0:08:34 | 0:08:36 | |
-Yeah, I love silhouettes. -Those are lovely. | 0:08:36 | 0:08:39 | |
-£80 a pair. -For the pair? | 0:08:39 | 0:08:41 | |
I don't know. Maybe we should ask Anita. | 0:08:41 | 0:08:43 | |
BOTH: Anita! | 0:08:43 | 0:08:45 | |
-What do you think of these? -Oh, miniatures! | 0:08:48 | 0:08:50 | |
You like those? | 0:08:50 | 0:08:52 | |
We're making ones of us at the moment, so they're quite fitting. | 0:08:52 | 0:08:55 | |
Are they as good as these, or are these as good as yours? | 0:08:55 | 0:08:59 | |
These are probably better. | 0:08:59 | 0:09:01 | |
Before the time of photography, | 0:09:01 | 0:09:02 | |
people could only look at drawn images, | 0:09:02 | 0:09:06 | |
or drawn portraits of their friends and families. | 0:09:06 | 0:09:09 | |
These are cut-outs, from an image. | 0:09:09 | 0:09:11 | |
They probably will be | 0:09:11 | 0:09:13 | |
mid to late 19th century. | 0:09:13 | 0:09:16 | |
Now, that type of thing is still popular, | 0:09:16 | 0:09:19 | |
so I think you've made quite a nice choice, | 0:09:19 | 0:09:22 | |
but I want you to tell me why YOU like them. | 0:09:22 | 0:09:24 | |
They're quite creepy. | 0:09:24 | 0:09:26 | |
You like them because they're creepy?! | 0:09:26 | 0:09:28 | |
-Yeah! -So, we've got macabre. | 0:09:28 | 0:09:30 | |
They're also nice and hand-made as well, | 0:09:30 | 0:09:34 | |
-and we're into things like crafting. -Crafting, yeah. | 0:09:34 | 0:09:37 | |
I really like them, but I'm worried about the price. | 0:09:37 | 0:09:39 | |
-Have you spoken to the...? -We have not! | 0:09:39 | 0:09:42 | |
< You can get them for 70. | 0:09:42 | 0:09:43 | |
-BOTH: -70? | 0:09:43 | 0:09:44 | |
What d'you think? | 0:09:44 | 0:09:46 | |
These are collectible, and I think they're a good choice. | 0:09:46 | 0:09:50 | |
They're not too dear at £80 for two. | 0:09:50 | 0:09:53 | |
-Could we go to 60 for the two? -VENDOR: 65? | 0:09:53 | 0:09:55 | |
Let's take them for £65. | 0:09:55 | 0:09:57 | |
Do you realise you were supposed to have said, "How about £62?" | 0:09:57 | 0:10:00 | |
SHE LAUGHS | 0:10:00 | 0:10:02 | |
We're not THAT mean. We know a fair price when we see it. | 0:10:02 | 0:10:05 | |
It may be a fair price, | 0:10:05 | 0:10:08 | |
but will it be a winning price? | 0:10:08 | 0:10:10 | |
Only time will tell. | 0:10:10 | 0:10:11 | |
So, guys, there's all sorts here. | 0:10:14 | 0:10:16 | |
-Some glassware. -There's even some records, shaped into bowls. | 0:10:16 | 0:10:20 | |
As a record collector, I don't like to see that. | 0:10:20 | 0:10:24 | |
You could say no record should go to waste. | 0:10:24 | 0:10:27 | |
It must be bad music, when they do that to it. | 0:10:27 | 0:10:29 | |
It's probably Vera Lynn or something. | 0:10:29 | 0:10:31 | |
THEY LAUGH | 0:10:31 | 0:10:33 | |
I love Vera Lynn! That's typically 1940s, isn't it, Janeka? | 0:10:33 | 0:10:36 | |
That's outrageous! | 0:10:36 | 0:10:38 | |
It's a slur on great music, I know. | 0:10:38 | 0:10:40 | |
But I had to say it! | 0:10:40 | 0:10:42 | |
Come on! | 0:10:42 | 0:10:44 | |
Hey, leave our Dame Vera alone. | 0:10:44 | 0:10:46 | |
She's a national treasure, you know! | 0:10:46 | 0:10:48 | |
-OK! -Next. -Not us! | 0:10:48 | 0:10:51 | |
Is there an "us" on here? | 0:10:51 | 0:10:53 | |
BOTH: No. | 0:10:53 | 0:10:55 | |
We're very particular. We know what we like. | 0:10:55 | 0:10:58 | |
Anything that's catching your eyes here, girls? | 0:10:58 | 0:11:02 | |
-Not, not me. You? -No. | 0:11:02 | 0:11:05 | |
Come on, then. | 0:11:05 | 0:11:07 | |
That old cake stand is nice. | 0:11:08 | 0:11:11 | |
Beautiful, but who needs cake stands now, apart from us? | 0:11:11 | 0:11:14 | |
-People who eat cakes. -Let's move on. Go, go, go, go, go! | 0:11:14 | 0:11:18 | |
Anita has her hands full with those Reds. | 0:11:18 | 0:11:20 | |
They've got high standards. | 0:11:20 | 0:11:21 | |
How's young Charles going? | 0:11:21 | 0:11:24 | |
We're switched on. We're firing on cylinders. | 0:11:24 | 0:11:27 | |
I have a team who are madly passionate about 1930s, '40s. | 0:11:27 | 0:11:29 | |
I am as well. I'm feeling really confident. | 0:11:29 | 0:11:33 | |
There are some wonderful things you can still discover | 0:11:35 | 0:11:39 | |
at Portobello. | 0:11:39 | 0:11:41 | |
Take these little fellas, for example. | 0:11:41 | 0:11:43 | |
Looks bit like a pair of scissors, don't they? | 0:11:43 | 0:11:47 | |
And it does have a scissor action. | 0:11:47 | 0:11:49 | |
Indeed, the design includes | 0:11:49 | 0:11:51 | |
two loops of solid silver | 0:11:51 | 0:11:54 | |
applied onto a plated base. | 0:11:54 | 0:11:57 | |
Those loops have been finely reeded | 0:11:57 | 0:11:59 | |
and are reminiscent of the work of the Birmingham silversmith, | 0:11:59 | 0:12:02 | |
Matthew Boulton. | 0:12:02 | 0:12:03 | |
The two loops are conjoined at a wee disc, | 0:12:03 | 0:12:06 | |
which is also solid silver, | 0:12:06 | 0:12:08 | |
and that's been engraved with an armorial device. | 0:12:08 | 0:12:11 | |
In front of that, we've got a domed, coffin-like box. | 0:12:11 | 0:12:14 | |
And in front of that, a pointy bit. | 0:12:14 | 0:12:17 | |
Because this thing is a pair of candle snuffers. | 0:12:17 | 0:12:20 | |
In the 18th century, if you were burning a candle, | 0:12:20 | 0:12:22 | |
it would tend to "gutter", | 0:12:22 | 0:12:24 | |
which means that the wick in the candle | 0:12:24 | 0:12:27 | |
didn't naturally disappear, | 0:12:27 | 0:12:30 | |
which is what a modern candle would do. | 0:12:30 | 0:12:33 | |
It hung around | 0:12:33 | 0:12:35 | |
and needed trimming. | 0:12:35 | 0:12:37 | |
Which is where this thing is so clever. | 0:12:37 | 0:12:39 | |
If I open up the scissor action, | 0:12:39 | 0:12:41 | |
you can see the snuffer arm comes out, like that, | 0:12:41 | 0:12:45 | |
until you hear a click. | 0:12:45 | 0:12:48 | |
Then when I close the scissor action, | 0:12:48 | 0:12:51 | |
a curious guillotine plate rises up, | 0:12:51 | 0:12:54 | |
until we've trapped the wick inside that plate, | 0:12:54 | 0:12:58 | |
and a little bit further it goes... | 0:12:58 | 0:13:01 | |
The guillotine falls. | 0:13:01 | 0:13:02 | |
It exactly trims the wick | 0:13:02 | 0:13:05 | |
in the correct position. | 0:13:05 | 0:13:07 | |
Then you take it away from the candle | 0:13:07 | 0:13:10 | |
and can use the pointy bit | 0:13:10 | 0:13:11 | |
to straighten up the remnants of the wick, | 0:13:11 | 0:13:14 | |
ready for it to be lit again. | 0:13:14 | 0:13:17 | |
Clever, hey? What's the thing worth? | 0:13:17 | 0:13:19 | |
Well, it could be yours today, here, at Portobello, for £60. | 0:13:19 | 0:13:24 | |
Is that expensive? Not really. | 0:13:24 | 0:13:26 | |
£100 to £150 in a specialist silver sale, | 0:13:26 | 0:13:30 | |
easy. | 0:13:30 | 0:13:32 | |
Time's marching on, but the Reds seem relaxed. | 0:13:32 | 0:13:36 | |
I wish I could say the same for Anita. | 0:13:36 | 0:13:38 | |
We don't know what we want to buy. | 0:13:38 | 0:13:40 | |
-We need to head down and look at some more stalls. When we see it, we'll know. -Definitely. | 0:13:40 | 0:13:44 | |
I really don't know which direction to point them in | 0:13:47 | 0:13:50 | |
because they know what they want and they can't see it. | 0:13:50 | 0:13:53 | |
We're going to have to carry on. | 0:13:53 | 0:13:55 | |
Only 25, 30 minutes left. | 0:13:55 | 0:13:57 | |
Got to go. Got to help them. | 0:13:57 | 0:14:00 | |
You get to it, girl. Go rescue those Reds, Anita. | 0:14:00 | 0:14:03 | |
You need to tell them it's a competition. | 0:14:03 | 0:14:06 | |
-Cufflinks and jewellery things here. -They're quite nice, aren't they? | 0:14:06 | 0:14:10 | |
-May I look at... -Those? -Yes, those. | 0:14:10 | 0:14:13 | |
Nice box. | 0:14:13 | 0:14:15 | |
-The box is from Winchester. -There's a mark. | 0:14:15 | 0:14:17 | |
-There IS a mark there. -Where's my eyeglass? -You're going to need it. | 0:14:17 | 0:14:21 | |
-They're nice, aren't they? They're Birmingham. -Lovely. | 0:14:23 | 0:14:26 | |
And they would date to around 1900, aren't they? | 0:14:26 | 0:14:30 | |
About 1885, 1890. | 0:14:30 | 0:14:32 | |
I quite like them. I like their box especially. | 0:14:32 | 0:14:36 | |
-Look at that lovely, chaste ornament, Janeka. -That IS nice. But what about this? | 0:14:36 | 0:14:40 | |
-Is that mother-of-pearl? -That's mother-of-pearl. | 0:14:40 | 0:14:43 | |
With a tiny lapis lazuli, or little sapphire style of droplets. | 0:14:43 | 0:14:48 | |
They're really stylish cufflinks. | 0:14:48 | 0:14:50 | |
They're nice. | 0:14:50 | 0:14:52 | |
-How much are they, madam? -The best? -Yeah. | 0:14:52 | 0:14:54 | |
-The best? -The best. | 0:14:54 | 0:14:56 | |
75. | 0:14:56 | 0:14:57 | |
I think that's quite good. | 0:14:57 | 0:14:59 | |
I would guide them between 40 and 60, | 0:14:59 | 0:15:01 | |
and hopefully they might make 80 or 90. | 0:15:01 | 0:15:03 | |
-So, it would be a bit of a risk? -Yes, it would be. | 0:15:03 | 0:15:06 | |
Name your very, very best price, madam. | 0:15:06 | 0:15:09 | |
70. | 0:15:09 | 0:15:10 | |
-BOTH: -70? -No less. | 0:15:10 | 0:15:12 | |
I think they're beautiful and I would pay that, | 0:15:12 | 0:15:16 | |
but at £70? This is the thing. | 0:15:16 | 0:15:18 | |
Are we in it to win it? | 0:15:18 | 0:15:21 | |
-Guys, think about it. -Yeah. -I gave you my thoughts. | 0:15:21 | 0:15:24 | |
-Thank you. -I'm over here, OK? Think about it. -OK. | 0:15:24 | 0:15:26 | |
So, the Blues are in it to win it. | 0:15:26 | 0:15:30 | |
They've rejected the cufflinks. They want retro. | 0:15:30 | 0:15:34 | |
They're pourers as well. | 0:15:34 | 0:15:36 | |
-You put this into the bottle. -Absolutely. -Take this off when you pour. | 0:15:36 | 0:15:40 | |
-They're really bold, aren't they? -They really are. | 0:15:40 | 0:15:42 | |
-What, 19...? -'50s. | 0:15:42 | 0:15:44 | |
-Looks like '50s. -The colours are the '50s, aren't they? | 0:15:44 | 0:15:47 | |
Are they Bakelite, or are they enamel? | 0:15:47 | 0:15:51 | |
Give them a little chew. Are they quite hard? | 0:15:51 | 0:15:54 | |
-Feels almost glass-like. -Yeah, enamel on porcelain. | 0:15:54 | 0:15:57 | |
Wonderful. What are they? Just purely stoppers? | 0:15:57 | 0:16:00 | |
And pourers. See? You take this top off. | 0:16:00 | 0:16:04 | |
-And then you can pour through the... -I never knew that! -They're fantastic. | 0:16:04 | 0:16:08 | |
-I've never seen anything like that. -They're neat. | 0:16:08 | 0:16:11 | |
I think they're what we're after. | 0:16:11 | 0:16:12 | |
They're a bit quirky. They're of an era we know about. | 0:16:12 | 0:16:15 | |
-They're bold. -Very bold. | 0:16:15 | 0:16:17 | |
And they're houseware, which we we're quite interested in. | 0:16:17 | 0:16:20 | |
Something people used regularly in the cocktail cabinet, in the '50s. | 0:16:20 | 0:16:23 | |
-Yeah. -What's your best price on them? | 0:16:23 | 0:16:25 | |
Best on them would be £60. | 0:16:25 | 0:16:27 | |
-60? -Yeah. | 0:16:27 | 0:16:28 | |
-And your very, very best? -It IS the very, very best. | 0:16:28 | 0:16:31 | |
-I think they're great, and they're bold. Be bold. -Yeah! | 0:16:31 | 0:16:36 | |
It'll be a real chance, | 0:16:36 | 0:16:38 | |
but if you really want them, go for it. | 0:16:38 | 0:16:40 | |
-It'll be nice to see if anyone else likes them too. -Let's do it. | 0:16:40 | 0:16:43 | |
-Your buy? -Yes. -Your choice. -Let's do it. -Thank you, sir. | 0:16:43 | 0:16:47 | |
Just ten minutes left. | 0:16:47 | 0:16:50 | |
Anita needs to get those girls buying! | 0:16:50 | 0:16:52 | |
Anita, I love these dolls. | 0:16:52 | 0:16:55 | |
-Oh, my God! That one's so creepy! -Yeah! | 0:16:55 | 0:16:57 | |
The dolls are a wee bit scary. | 0:16:57 | 0:17:00 | |
-We love dolls. -Yeah, we love those. Those are brilliant. | 0:17:00 | 0:17:03 | |
-Harriet has a big collection. -A collection? -I want them for myself. | 0:17:03 | 0:17:08 | |
Are there any there which terrify you? | 0:17:08 | 0:17:11 | |
-No. We want one with a pretty porcelain face. -Give us that one out. | 0:17:11 | 0:17:14 | |
-She's VERY expensive. -This is a German doll. | 0:17:14 | 0:17:16 | |
The Germans were great doll makers. | 0:17:16 | 0:17:19 | |
-Oh, I love her. She's a flapper. -Look how scary she is. | 0:17:19 | 0:17:22 | |
-She's a slapper?! -BOTH: She's a flapper! | 0:17:22 | 0:17:26 | |
220, though. | 0:17:26 | 0:17:28 | |
This is the one the girls like the best. | 0:17:28 | 0:17:30 | |
-But they can't afford that one. -We could come down in price. | 0:17:30 | 0:17:34 | |
How much is it marked? | 0:17:34 | 0:17:37 | |
You've got "£220" written. We haven't got a lot of money. | 0:17:37 | 0:17:40 | |
This is only our second buy. | 0:17:40 | 0:17:42 | |
I can come down to... | 0:17:42 | 0:17:44 | |
160...160? | 0:17:44 | 0:17:46 | |
-What do you think of the doll, Harriet? -I love her. | 0:17:46 | 0:17:50 | |
-I'm just worried about the price. -She's so beautiful. | 0:17:50 | 0:17:53 | |
-We'll leave that. We know that we do like that one. -We do like her. | 0:17:53 | 0:17:56 | |
-But it's maybe too dear at 160. -Mm-hm. | 0:17:56 | 0:17:59 | |
I like the one over there in the paisley print dress. | 0:17:59 | 0:18:04 | |
-She's lovely! -She is! -Tell me why you like her. | 0:18:04 | 0:18:08 | |
Her dress. I want it! | 0:18:08 | 0:18:10 | |
-Have a look at her knees! -So, she moves! | 0:18:10 | 0:18:14 | |
It's made of leather. | 0:18:14 | 0:18:15 | |
She's even more expensive than this one. | 0:18:15 | 0:18:17 | |
Yes. 230. | 0:18:17 | 0:18:19 | |
See this one here? | 0:18:19 | 0:18:21 | |
Could you come to round about 130 on that? | 0:18:21 | 0:18:24 | |
Can you go 150, or no? | 0:18:24 | 0:18:26 | |
140? All right. I'll do that. | 0:18:26 | 0:18:29 | |
-Shall we take her for 140? -Yeah. | 0:18:29 | 0:18:31 | |
-Do you love her? -BOTH: We love her! -Let's go for it. | 0:18:31 | 0:18:34 | |
Maybe if we present them at the auction, | 0:18:34 | 0:18:36 | |
-somebody will buy it! -Buy it, yeah! | 0:18:36 | 0:18:38 | |
-Do a little dance! -Yeah. | 0:18:38 | 0:18:41 | |
A German doll makes it two for the Reds. | 0:18:41 | 0:18:44 | |
Not much time left. Get your skates on, Blues! | 0:18:44 | 0:18:47 | |
But no panic buy. | 0:18:47 | 0:18:48 | |
The cufflinks are back in the fray. | 0:18:48 | 0:18:50 | |
Which one of these ladies was selling the cufflinks? | 0:18:50 | 0:18:53 | |
-It was one of those. -We need to know which one. | 0:18:53 | 0:18:56 | |
-It's that lady there. -Yeah. | 0:18:56 | 0:18:58 | |
-We've got five minutes. -I know. | 0:18:58 | 0:18:59 | |
-We are truly panicking now. -Watch the cars. | 0:18:59 | 0:19:02 | |
Don't panic, Mainwaring! | 0:19:02 | 0:19:04 | |
Focus. Focus. | 0:19:04 | 0:19:07 | |
We don't have an awful lot of time. | 0:19:07 | 0:19:09 | |
Is there anything that you can see, girls? | 0:19:09 | 0:19:12 | |
I just noticed this compact in here. | 0:19:12 | 0:19:15 | |
Could we have a look, please? Thank you. | 0:19:15 | 0:19:17 | |
The person who sold it to me said it was tortoiseshell, | 0:19:17 | 0:19:21 | |
but I think you're right, it's only plastic. | 0:19:21 | 0:19:24 | |
Yeah. Maybe it smells of formulide. | 0:19:24 | 0:19:27 | |
Give it a rub with your thumb. | 0:19:27 | 0:19:30 | |
-It's an early plastic... -BOTH: That's Bakelite. | 0:19:30 | 0:19:33 | |
-Isn't that super? -I love it. | 0:19:33 | 0:19:35 | |
I think old plastics are in vogue. It's a shame it's a bit damaged. | 0:19:35 | 0:19:39 | |
Try the different things, see if they all open. | 0:19:39 | 0:19:42 | |
It's £48 at the moment, but the lady priced it up as tortoiseshell. | 0:19:42 | 0:19:47 | |
-OK. -So... I'll take it down to 38. | 0:19:47 | 0:19:49 | |
You can do 38? Yes. | 0:19:49 | 0:19:50 | |
What d'you think? | 0:19:50 | 0:19:52 | |
If it was in perfect condition, but because it's damaged... | 0:19:52 | 0:19:55 | |
It's not damaged, so much as it's need of some repair. | 0:19:55 | 0:19:59 | |
Tender loving care. | 0:19:59 | 0:20:01 | |
-I'll go for 30, then. -I think for 30, it looks good. | 0:20:01 | 0:20:03 | |
What do you think, Anita? | 0:20:03 | 0:20:05 | |
-I think that that is just you. -Yeah. | 0:20:05 | 0:20:09 | |
We've got the macabre, and I think that that's the glamour. | 0:20:09 | 0:20:12 | |
-Right, OK. -That means we have fulfilled... | 0:20:12 | 0:20:15 | |
We've fulfilled our purpose. | 0:20:15 | 0:20:18 | |
All the goals. | 0:20:18 | 0:20:19 | |
So, who'd have thought it? | 0:20:19 | 0:20:21 | |
That's all three items purchased for the Reds and they've finished shopping. | 0:20:21 | 0:20:25 | |
But the Blues are still trying to find the cufflink stall. | 0:20:25 | 0:20:29 | |
-Where has she gone? -With a case and cufflinks. Was it that way? -Or was it this way? | 0:20:29 | 0:20:34 | |
The serene Reds have been skilfully steered across the finish line | 0:20:34 | 0:20:38 | |
by Anita, but those Blues are still hopping around. | 0:20:38 | 0:20:40 | |
We are still interested in those mother of pearl silver earrings. | 0:20:40 | 0:20:44 | |
-Earrings? -Cufflinks! -You don't even know what it is! | 0:20:44 | 0:20:48 | |
-We'd only be able to offer 65? -I can't. £70? | 0:20:48 | 0:20:54 | |
THEY LAUGH | 0:20:54 | 0:20:55 | |
You are a hard woman! | 0:20:55 | 0:20:57 | |
-I think we've met our match. -I think we have! | 0:20:57 | 0:21:01 | |
In a sale room they could make £100. It's a real gamble, but don't worry. | 0:21:01 | 0:21:05 | |
Leave me all that leftover money and I'll make your day. | 0:21:05 | 0:21:08 | |
-You'll make it up? -We need you to rescue us if need be. | 0:21:08 | 0:21:11 | |
Yes, absolutely, but these are great. It's up to you. | 0:21:11 | 0:21:14 | |
-I think we should do it. -I think we should just do it, too. | 0:21:14 | 0:21:18 | |
-OK. We'll take them, thank you. -Thank you. | 0:21:18 | 0:21:20 | |
Right, time's up | 0:21:20 | 0:21:22 | |
and the missing link proves to be a final purchase for the Blues. | 0:21:22 | 0:21:27 | |
With the shopping time over, here's a brief reminder of what the Red team bought. | 0:21:27 | 0:21:31 | |
The Reds spent £65 on a pair of Victorian silhouettes | 0:21:31 | 0:21:33 | |
in original frames. | 0:21:33 | 0:21:36 | |
They forked out £140 on a 1920s French porcelain doll. | 0:21:38 | 0:21:43 | |
And finally, for a faux tortoiseshell compact case, | 0:21:45 | 0:21:49 | |
they paid a compact £30. | 0:21:49 | 0:21:51 | |
-OK, how much did you spend all round? -235. | 0:21:52 | 0:21:56 | |
235 you spent, so please may I have £65 of leftover lolly? Thank you. | 0:21:56 | 0:22:00 | |
£65, that's good, check, check, check. | 0:22:00 | 0:22:03 | |
Straight across to the lovely Anita. What are you going to spend the £65 on? | 0:22:03 | 0:22:07 | |
Well, I think it's going to have to be something glamorous. | 0:22:07 | 0:22:10 | |
Well, anything selected by you, I am sure, will be perfect. | 0:22:10 | 0:22:14 | |
Anyway, good luck with that, Anita. Meanwhile, | 0:22:14 | 0:22:16 | |
why don't we check out what the Blue team bought, eh? | 0:22:16 | 0:22:19 | |
A George V silver purse set them back £78. | 0:22:21 | 0:22:25 | |
They paid £60 for a set of 1950s bottle stoppers. | 0:22:25 | 0:22:30 | |
This pair of Victorian silver cufflinks cost them £70. | 0:22:33 | 0:22:36 | |
-Now, how much did you spend over all? -£208. | 0:22:39 | 0:22:42 | |
That's a very mature amount of money. So I would like, please, £92 | 0:22:42 | 0:22:46 | |
-of leftover lolly. -There we go, sir. -£92 which goes straight across to young Charles here. | 0:22:46 | 0:22:53 | |
Thank you very much. Tim, we really bought with passion, | 0:22:53 | 0:22:56 | |
romance. We bought what my team are all about - a style and period. | 0:22:56 | 0:23:00 | |
-So I'll continue in that vein and go floral and chintzy. -Are you? | 0:23:00 | 0:23:05 | |
-Yes. -Sound good to me! | 0:23:05 | 0:23:07 | |
Well, that will suit you down to the ground then, Charles! | 0:23:07 | 0:23:09 | |
Anyway, good luck, good luck! Meanwhile, we are heading off somewhere divine. | 0:23:09 | 0:23:13 | |
It's called Fenton House and it's not too far from here. | 0:23:13 | 0:23:17 | |
I'm on the balcony at Fenton House in Hampstead | 0:23:26 | 0:23:31 | |
where you get the most beautiful view of London. | 0:23:31 | 0:23:35 | |
Isn't that beautiful? Framed by the simplicity and elegance of trees. | 0:23:35 | 0:23:42 | |
And it's the product of trees that I'm going to talk to you about | 0:23:42 | 0:23:45 | |
in the house today. Wooden musical instruments. | 0:23:45 | 0:23:50 | |
Ha-ha! Well, if that strikes the right chord, then follow me. | 0:23:50 | 0:23:55 | |
Fenton House has an amazing collection of early keyboard instruments. | 0:23:57 | 0:24:02 | |
It was put together by George Henry Benton Fletcher | 0:24:02 | 0:24:06 | |
in the early 20th century. | 0:24:06 | 0:24:08 | |
Very little of the provenance of these instruments is documented, | 0:24:08 | 0:24:12 | |
but most were probably acquired at auction. No receipts survive, | 0:24:12 | 0:24:15 | |
but it is said that he never paid any more than £20 for an instrument. | 0:24:15 | 0:24:19 | |
Now, one of the rarest and certainly the earliest English stringed | 0:24:21 | 0:24:26 | |
instrument in the collection is this fellow. | 0:24:26 | 0:24:29 | |
Which, on the face of it, looks like a bit of a boring, | 0:24:29 | 0:24:32 | |
coffin-like, sombre box. | 0:24:32 | 0:24:36 | |
But if I open up these hasps, and I have to do this pretty carefully, | 0:24:36 | 0:24:42 | |
because the interior really is spectacular. | 0:24:42 | 0:24:46 | |
We lower that front board to reveal a painted surface. | 0:24:46 | 0:24:52 | |
And then carefully lift up the lid, | 0:24:52 | 0:24:57 | |
which once upon a time was coffered and curved | 0:24:57 | 0:25:01 | |
to reveal a stringed instrument, known as a set of virginals. | 0:25:01 | 0:25:06 | |
For a kick-off, the inside is painted, naively, | 0:25:06 | 0:25:11 | |
with an elaborate landscape, and because the lid has been reduced | 0:25:11 | 0:25:15 | |
from a curved surface to a flat surface, | 0:25:15 | 0:25:19 | |
slivers of timber have been lost | 0:25:19 | 0:25:22 | |
and, for example, that horseman has lost a slice of his head. | 0:25:22 | 0:25:27 | |
All of which adds to its charm. | 0:25:27 | 0:25:29 | |
On the jack rail here, you can see it's inscribed, | 0:25:29 | 0:25:33 | |
"Robertus," Robert, "Hatley, Londini," London, | 0:25:33 | 0:25:38 | |
"fecit," made, "1664." | 0:25:38 | 0:25:42 | |
Now, if I remove the jack rail, | 0:25:42 | 0:25:45 | |
we can see the end of all these little fellows called jacks. | 0:25:45 | 0:25:50 | |
Now, if I play a note, and depress a key, | 0:25:50 | 0:25:54 | |
that little jack pops up and makes a noise. | 0:25:54 | 0:25:57 | |
He makes a noise by plucking a string. | 0:25:59 | 0:26:03 | |
And having raised the jack, if I take it out, | 0:26:03 | 0:26:07 | |
you can see that the jack is simply made of a thin piece of wood | 0:26:07 | 0:26:12 | |
and inside that is a white piece of wood, | 0:26:12 | 0:26:15 | |
which is probably holly, | 0:26:15 | 0:26:17 | |
and attached to the holly is that little black tooth-like thing, | 0:26:17 | 0:26:23 | |
which is part of the spine of the quill of a feather, | 0:26:23 | 0:26:27 | |
and that little piece of quill | 0:26:27 | 0:26:31 | |
is the piece that plucks the string. | 0:26:31 | 0:26:33 | |
But the clever bit is, to keep that perfectly pert | 0:26:33 | 0:26:38 | |
and in position to pluck, | 0:26:38 | 0:26:41 | |
on the back of the piece of holly is another filament, | 0:26:41 | 0:26:46 | |
and that is a bit of bristle from a boar's back. | 0:26:46 | 0:26:50 | |
Ha! | 0:26:50 | 0:26:51 | |
And that little bit of bristle is the spring, | 0:26:51 | 0:26:53 | |
if you like, that keeps the piece of holly vertical, | 0:26:53 | 0:26:57 | |
in the right place for that little pluck to happen. | 0:26:57 | 0:27:00 | |
This is what you call marvellous. | 0:27:00 | 0:27:03 | |
Now, time to find out | 0:27:07 | 0:27:09 | |
whether the auction can string some profits together for today's teams. | 0:27:09 | 0:27:13 | |
We're in the company of Stephen Hearn | 0:27:13 | 0:27:15 | |
at Tring market auctions. | 0:27:15 | 0:27:18 | |
-Good morning, Steve. -Good morning. | 0:27:18 | 0:27:20 | |
Great pleasure to be in Tring. | 0:27:20 | 0:27:22 | |
Now, for the Red team, their first item are these two cut-out silhouettes. | 0:27:22 | 0:27:26 | |
-How do you rate those? -Not too well. | 0:27:26 | 0:27:29 | |
The condition is a little bit untidy. | 0:27:29 | 0:27:31 | |
-If they had been painted, different story altogether. -Yes. | 0:27:31 | 0:27:34 | |
-How much, then? -40 or £50. | 0:27:34 | 0:27:37 | |
They paid 65. That's a bit tight, isn't it? | 0:27:37 | 0:27:39 | |
Well, moving on neatly, then, to the old doll. | 0:27:39 | 0:27:42 | |
They have to be pretty special when it comes to the condition | 0:27:42 | 0:27:46 | |
-and the original manufacturer, don't they? -Yes, a little bit grubby. | 0:27:46 | 0:27:49 | |
OK, so what sort of estimate are we likely to have for that? | 0:27:49 | 0:27:52 | |
Well, I would like to have said 120, 150, | 0:27:52 | 0:27:54 | |
-but I'm going to say 90-120. -OK, because the team paid £140 | 0:27:54 | 0:27:59 | |
and they hope to get a result on that. | 0:27:59 | 0:28:01 | |
Anyway, lastly for this faux tortoiseshell make-up cabinet. | 0:28:01 | 0:28:06 | |
-Yes, faux, plastic. -Yes, nice work for plastic. -Plastic. | 0:28:06 | 0:28:09 | |
The hinge has got problems, too. | 0:28:09 | 0:28:11 | |
-Otherwise, you know, it's a period piece, isn't it? -Of course it is. | 0:28:11 | 0:28:14 | |
And if you were obsessed with the 1930s and 1940s, | 0:28:14 | 0:28:18 | |
-it's a must-have object. -Must have for young ladies. | 0:28:18 | 0:28:21 | |
It won't be any good to you and me unless we take up make-up. | 0:28:21 | 0:28:25 | |
Anyway, overall, I fancy if the doll doesn't do what it's supposed to do, | 0:28:25 | 0:28:28 | |
they're going to need their bonus buy, so let's go and have a look at it. | 0:28:28 | 0:28:32 | |
Now, Harriet, Amy. Gosh, you're looking gorgeous. | 0:28:33 | 0:28:36 | |
You've changed your entire style. Where did you get that cloche hat? | 0:28:36 | 0:28:39 | |
-From a charity shop. -Charity shop. | 0:28:39 | 0:28:42 | |
-And how much did you spend in the charity shop? -I paid £17 for it. | 0:28:42 | 0:28:46 | |
-Do you think you'd get a profit on it? -I'd never sell it. | 0:28:46 | 0:28:49 | |
-You'd never sell it? -No, it's my favourite one. | 0:28:49 | 0:28:51 | |
That is your loyalty to vintage clothing indeed. Anyway, you two petals, | 0:28:51 | 0:28:56 | |
you spent £235 and you gave the lovely Anita 65 smackers. | 0:28:56 | 0:29:01 | |
-Anita, what did you spend it on? -When I saw this little item, | 0:29:01 | 0:29:05 | |
-I just couldn't resist it. -How about that! | 0:29:05 | 0:29:09 | |
I have a blonde and a brunette, | 0:29:09 | 0:29:11 | |
and it did remind me of Harriet and Amy. | 0:29:11 | 0:29:15 | |
-I love it. -Me too. It's pretty perfect. | 0:29:15 | 0:29:18 | |
It's from between 1930 and 1937. | 0:29:18 | 0:29:21 | |
It was made by Crown Devon. | 0:29:21 | 0:29:24 | |
And it has this cellulose finish, which, at that time, | 0:29:24 | 0:29:29 | |
was a very shiny finish, meant to look like the finish on a motor car. | 0:29:29 | 0:29:34 | |
-Do you like it? -I love it. -It's brilliant. -It's pretty us. | 0:29:34 | 0:29:38 | |
That's what I thought. | 0:29:38 | 0:29:40 | |
It was just you. | 0:29:40 | 0:29:41 | |
And I paid £65 for it. | 0:29:41 | 0:29:43 | |
(Ask her how much she thinks it'll bring.) | 0:29:43 | 0:29:45 | |
How much is it going to bring? | 0:29:45 | 0:29:47 | |
I think it could do around about 80. | 0:29:47 | 0:29:50 | |
We CAN make a profit on it. | 0:29:50 | 0:29:52 | |
I think you deserve a prize for finding something so appropriate for our two lovely girls. | 0:29:52 | 0:29:57 | |
Anyway, for the audience at home, | 0:29:57 | 0:29:58 | |
let's find out what the auctioneer thinks about Anita's group. | 0:29:58 | 0:30:03 | |
How about that? | 0:30:03 | 0:30:05 | |
Can you smell 40 fags a day being smoked | 0:30:05 | 0:30:07 | |
in the vicinity of this thing? | 0:30:07 | 0:30:09 | |
-Perhaps a few more. -All that orange stuff is fag smoke, isn't it? | 0:30:09 | 0:30:13 | |
Yes, it's been discoloured by the nicotine, but, again, | 0:30:13 | 0:30:17 | |
this is representative of the '30s, isn't it? | 0:30:17 | 0:30:20 | |
-Possibly purchased by someone who had limited resources at the time. -Yes. | 0:30:20 | 0:30:23 | |
We've still got the original label on the bottom of it. | 0:30:23 | 0:30:26 | |
-We haven't got any damage as such, but... -Evocative of the period. | 0:30:26 | 0:30:30 | |
-As I describe, a good windowsill piece. -Yes, good windowsill... | 0:30:30 | 0:30:33 | |
That's a nice description. I must hang onto that one. | 0:30:33 | 0:30:36 | |
-Anyway, what do you think, as a bonus buy, it might make? -£40-£60. | 0:30:36 | 0:30:41 | |
-Or even 50 to 80? -Well, yes, yes. -£65 was paid by Anita. | 0:30:41 | 0:30:46 | |
-Well, let's be hopeful for Anita, then. -OK, that's it for the Reds. | 0:30:46 | 0:30:49 | |
Now for the Blues. | 0:30:49 | 0:30:51 | |
First up for them is a pretty traditional piece of silver - | 0:30:51 | 0:30:55 | |
-the purse. -Well, yes, it's going to benefit from the silver trade. | 0:30:55 | 0:30:58 | |
It looks as though it's had a violent clean. | 0:30:58 | 0:31:01 | |
-You've got a big dink on the bottom of it as well. -Yes. | 0:31:01 | 0:31:03 | |
And when you do open that purse, it's a little bit scruffy inside. | 0:31:03 | 0:31:08 | |
What do you think it might bring? | 0:31:08 | 0:31:09 | |
-Close to 100 but possibly £80 or £90. -Very good. | 0:31:09 | 0:31:12 | |
Well, Duncan and Janeka only paid £78, | 0:31:12 | 0:31:16 | |
so they'll be delighted with any upside you can produce. | 0:31:16 | 0:31:20 | |
Next up is the bottle stoppers in their original box, | 0:31:20 | 0:31:23 | |
so how do you rate those? Difficult to value, aren't they? | 0:31:23 | 0:31:27 | |
-We might get a little more interest than expected on those. -Right, but your estimate is £30-£40. | 0:31:27 | 0:31:31 | |
Do you think they might get towards 50? | 0:31:31 | 0:31:33 | |
-Yes, I wasn't being very generous. -Don't let me put words in your mouth. | 0:31:33 | 0:31:37 | |
I think they could go over £50. | 0:31:37 | 0:31:39 | |
They paid 60, actually, so even at £50, they're making a loss. | 0:31:39 | 0:31:43 | |
Still, we'll see what happens. | 0:31:43 | 0:31:45 | |
And their last item for Duncan and Janeka are these cufflinks. | 0:31:45 | 0:31:48 | |
-They would fit in well with modern costume. -They would. | 0:31:48 | 0:31:52 | |
And if a cufflink can be attractive, they are, | 0:31:52 | 0:31:54 | |
and I think if you're talking value on them, we could be £80, possibly, for them. | 0:31:54 | 0:31:59 | |
Well, they paid 70. | 0:31:59 | 0:32:00 | |
I don't think they're going to need their bonus buy | 0:32:00 | 0:32:03 | |
but let's go and have a look at it anyway. | 0:32:03 | 0:32:06 | |
-Now, Duncan, Janeka, how are you, all right? -Yes. | 0:32:06 | 0:32:08 | |
-Great. -Now, are you excited about this? -Yeah. | 0:32:08 | 0:32:11 | |
What could Charles Hanson possibly have spent your £92 leftover lolly on? | 0:32:11 | 0:32:16 | |
Just look at this. | 0:32:16 | 0:32:18 | |
-That really is nice. -Do you like it? -I love it. | 0:32:18 | 0:32:20 | |
-I really like it. -What we've got here is only part of the ensemble. | 0:32:20 | 0:32:24 | |
Namely, we have 16 parts making up this wonderful little tea set. | 0:32:24 | 0:32:28 | |
I think it's wonderful because it's laborious, it's hand-painted, | 0:32:28 | 0:32:33 | |
its Japanese, and it's about 120 years old, | 0:32:33 | 0:32:37 | |
and what you get for your money in terms of quality, this is it. | 0:32:37 | 0:32:40 | |
-Have a handle. -That's really nice, what do you think? -I really like it. | 0:32:40 | 0:32:44 | |
-I love the two-tone effect, and this is actually handpainted? -It is. | 0:32:44 | 0:32:47 | |
We have five cups and saucers, | 0:32:47 | 0:32:49 | |
sugar bowl and cover, | 0:32:49 | 0:32:51 | |
and a small little milk jug, and this wonderful coffee or teapot. | 0:32:51 | 0:32:55 | |
-It's wonderful. What did you pay for it? -Well, we have no change. | 0:32:55 | 0:32:58 | |
It was my license to thrill you, and I spent the entire lot. | 0:32:58 | 0:33:03 | |
-£92? -Correct. -The whole lot, Charles? -The whole lot. | 0:33:03 | 0:33:06 | |
-Now, that's called Satsuma, isn't it? -It is. | 0:33:06 | 0:33:09 | |
-Nothing to do with the oranges. -OK. -A description of the earthenware type and this elaborate decoration. | 0:33:09 | 0:33:14 | |
Very often very elaborately decorated, isn't it, Charles? | 0:33:14 | 0:33:18 | |
There were some wonderful artists. | 0:33:18 | 0:33:19 | |
Yabu Meizan, Kinkozan, important names that can fetch many thousands, but this is more middle rate, | 0:33:19 | 0:33:25 | |
but the quality and the attention to detail | 0:33:25 | 0:33:28 | |
really puts it at a fine level. | 0:33:28 | 0:33:30 | |
I would guide it happily between... | 0:33:30 | 0:33:34 | |
80 and 120. | 0:33:34 | 0:33:35 | |
And with the wind blowing, I feel that's a fairly realistic guide. | 0:33:35 | 0:33:40 | |
-We'll see, won't we? -Anyway, | 0:33:40 | 0:33:42 | |
we have two extremely stylish contestants in the Blue team today | 0:33:42 | 0:33:46 | |
who are clearly intrigued by a stylish object | 0:33:46 | 0:33:49 | |
-produced by Charles, so that's all a very successful package. -I hope so too. -Congratulations on that so far. | 0:33:49 | 0:33:55 | |
But for the viewers at home, let's find out what the auctioneer thinks about Charles' coffee set. | 0:33:55 | 0:34:00 | |
Well, they're colourful, aren't they? | 0:34:00 | 0:34:02 | |
-This is just three bits of the 16 in the set. -It's a nice set. | 0:34:02 | 0:34:07 | |
Good dense decoration to them and the quality is good. | 0:34:07 | 0:34:11 | |
The gilding is good. There's little rubbing on it | 0:34:11 | 0:34:13 | |
and they are of the quality where they could be split | 0:34:13 | 0:34:17 | |
and this one will split into different lots, | 0:34:17 | 0:34:19 | |
which is going to help with its value. | 0:34:19 | 0:34:21 | |
Well, what's your estimate? | 0:34:21 | 0:34:23 | |
Well, I would be very disappointed | 0:34:23 | 0:34:25 | |
-if I don't go over the top of 120, possibly over 150 for it. -Really? | 0:34:25 | 0:34:30 | |
Because the clever Charles Hanson only paid £92 for it, | 0:34:30 | 0:34:34 | |
-which is cool, isn't it? -Very good. -I mean, really cool. | 0:34:34 | 0:34:37 | |
There's a potential there for a considerable profit | 0:34:37 | 0:34:40 | |
if the team go with it. Are you taking the auction today? | 0:34:40 | 0:34:42 | |
-I will be, yes. -Jolly good, we're in safe hands. | 0:34:42 | 0:34:45 | |
At 30 I bid, at 40 now. | 0:34:48 | 0:34:49 | |
Now, Harriet and Amy, how are you feeling? | 0:34:51 | 0:34:53 | |
Excited. | 0:34:53 | 0:34:54 | |
Not nervous at all, are you? | 0:34:54 | 0:34:55 | |
-Er, a little bit! -Little bit. | 0:34:55 | 0:34:58 | |
Ah. Is there any piece you wish you hadn't bought? | 0:34:58 | 0:35:01 | |
We wish we didn't buy the doll because we love it so much. | 0:35:01 | 0:35:04 | |
We don't want to sell it. | 0:35:04 | 0:35:05 | |
You're not worried about the price at all? | 0:35:05 | 0:35:07 | |
We're worried about all the prices. It's too late for that. | 0:35:07 | 0:35:10 | |
Anyway, first up are the silhouettes, and here they come. | 0:35:10 | 0:35:13 | |
Little silhouettes, little cut-out ones, | 0:35:13 | 0:35:16 | |
you'll find a little place for those somewhere next to that fireplace. | 0:35:16 | 0:35:19 | |
There you go, what about £50 for them? | 0:35:19 | 0:35:21 | |
30? Are you 20? | 0:35:21 | 0:35:23 | |
Go on! | 0:35:23 | 0:35:24 | |
15 I'm bid? 18? Are you 20? I'm bid. | 0:35:24 | 0:35:27 | |
Five I've got, it's two of you. | 0:35:27 | 0:35:29 | |
30 at the very back. 30 we're bid. | 0:35:29 | 0:35:31 | |
Five now then, Madam? No? | 0:35:31 | 0:35:33 | |
At £30 then I shall sell them. | 0:35:33 | 0:35:35 | |
-Oh no. -Boo! | 0:35:35 | 0:35:37 | |
£30 then. | 0:35:37 | 0:35:39 | |
£30 sold. I think £30. £30 is minus £35. That's not so hot, is it. | 0:35:39 | 0:35:44 | |
Oh dear, cherubs. | 0:35:44 | 0:35:46 | |
We have the little French dolly, there it is. | 0:35:46 | 0:35:49 | |
What about that? Rather nice little Paris doll there. | 0:35:49 | 0:35:52 | |
Will we pay £100 for her? | 0:35:52 | 0:35:54 | |
I would've thought so. £100 for her, or £50. I have 50 for her. | 0:35:54 | 0:35:58 | |
This is going to have to... | 0:35:58 | 0:35:59 | |
60 I am bid. 70 bid. 80 bid. | 0:35:59 | 0:36:01 | |
Are you 90? At £80? | 0:36:01 | 0:36:03 | |
Go on! | 0:36:03 | 0:36:04 | |
90 anywhere? | 0:36:04 | 0:36:05 | |
She's beautiful! | 0:36:05 | 0:36:07 | |
£80. At 80. That's it I do believe at £80. | 0:36:07 | 0:36:10 | |
I don't like the look of this, girls. | 0:36:10 | 0:36:13 | |
£80. Thank you very much. | 0:36:13 | 0:36:15 | |
Oh no. £80. That's minus £60. | 0:36:15 | 0:36:19 | |
Minus 95. | 0:36:19 | 0:36:20 | |
LAUGHTER | 0:36:20 | 0:36:22 | |
One for the ladies. Well, I don't know these days. | 0:36:22 | 0:36:26 | |
The faux tortoise shell compact, nice little one for someone. | 0:36:26 | 0:36:30 | |
£30 for someone. Are you giving me 20 for it? | 0:36:30 | 0:36:32 | |
£20 now I'm bid 20, and five now. | 0:36:32 | 0:36:35 | |
Those estimates, 40 to 60. | 0:36:35 | 0:36:37 | |
Yes, sir. At £20. Thank you very much. | 0:36:37 | 0:36:39 | |
Minus £10. That means overall you're minus 105. | 0:36:41 | 0:36:44 | |
Amazing. | 0:36:44 | 0:36:45 | |
That is quite a disaster, isn't it. | 0:36:45 | 0:36:47 | |
But Tim, the girls bought things that they loved. | 0:36:47 | 0:36:50 | |
-Yeah. -That's true, and I love them too. | 0:36:50 | 0:36:53 | |
You'd never make any money on Portobello Road, come on now. | 0:36:53 | 0:36:56 | |
LAUGHTER | 0:36:56 | 0:36:57 | |
What are you going to do about this Crown Devon deco figure? | 0:36:57 | 0:37:01 | |
-Let's go for it! -We'll go for it. | 0:37:01 | 0:37:03 | |
We can't get any worse! | 0:37:03 | 0:37:04 | |
You're a couple of punters! So we're going to go with the bonus buy? | 0:37:04 | 0:37:07 | |
-Yeah! -We're going with the balloon girls. | 0:37:07 | 0:37:09 | |
Now we go back to Crown Devon, a little piece of Crown Devon. | 0:37:09 | 0:37:13 | |
There it is, typifies the 1930s, doesn't it? | 0:37:13 | 0:37:18 | |
Interesting figure, that one. I should think possibly £50 for it. | 0:37:18 | 0:37:21 | |
What about 30? 20 for it? | 0:37:21 | 0:37:24 | |
That's a start. 25, 30. I'm bid. 40 I'm bid. | 0:37:24 | 0:37:27 | |
50. And 60. | 0:37:27 | 0:37:28 | |
Are you sure? I'll take a fiver. | 0:37:29 | 0:37:31 | |
I'll take a fiver. | 0:37:31 | 0:37:32 | |
Go on! | 0:37:32 | 0:37:33 | |
60 on my left then! Are you five? | 0:37:33 | 0:37:36 | |
No! Oh dear. | 0:37:36 | 0:37:37 | |
Oh, come on! | 0:37:37 | 0:37:39 | |
£60 then, it's yours. | 0:37:39 | 0:37:40 | |
For £60. Thank you very much, sir. | 0:37:40 | 0:37:43 | |
605. | 0:37:43 | 0:37:44 | |
Bad luck. | 0:37:44 | 0:37:45 | |
It certainly is. | 0:37:45 | 0:37:47 | |
You came through for us the most though! | 0:37:47 | 0:37:49 | |
-It hasn't been your day today, has it? -Not today. | 0:37:49 | 0:37:51 | |
Anyway, that is minus £165. | 0:37:51 | 0:37:54 | |
And that's us! | 0:37:55 | 0:37:57 | |
Doesn't sound so much when you say it quick. | 0:37:57 | 0:38:00 | |
Now the big secret is don't say a word to the Blues, all right? | 0:38:00 | 0:38:03 | |
OK. Try our best. | 0:38:03 | 0:38:04 | |
Not a word. | 0:38:04 | 0:38:05 | |
The tears might give it away. | 0:38:05 | 0:38:07 | |
LAUGHTER | 0:38:07 | 0:38:08 | |
Going to be sold, you're out! | 0:38:12 | 0:38:13 | |
Now, Duncan and Janeka. Are you excited? | 0:38:17 | 0:38:21 | |
-Yes. -Yes. | 0:38:21 | 0:38:22 | |
Do you know how the Reds got on? | 0:38:22 | 0:38:23 | |
No. | 0:38:23 | 0:38:25 | |
No, good. You don't want to. Your silver purse. 1912. You paid £78. | 0:38:25 | 0:38:29 | |
The auctioneers put 80 to £100, which is lovely, isn't it? | 0:38:29 | 0:38:32 | |
Oh, yes. | 0:38:32 | 0:38:33 | |
He rates it. He says silver's up. | 0:38:33 | 0:38:35 | |
Just the job for tripping out in Tring of an evening. | 0:38:35 | 0:38:38 | |
First up then is the silver purse and here it comes. | 0:38:38 | 0:38:41 | |
There we are, one for the girls. A nice silver purse. | 0:38:41 | 0:38:44 | |
I believe that one is George V. What about that? | 0:38:44 | 0:38:47 | |
I think possibly £80 for it. | 0:38:47 | 0:38:48 | |
Come on! | 0:38:48 | 0:38:49 | |
£50 for it. 40 I've got. | 0:38:49 | 0:38:51 | |
And five. There's two of you - five. | 0:38:51 | 0:38:53 | |
There's three of you. 60. And five. | 0:38:53 | 0:38:55 | |
70 and five. 80! | 0:38:55 | 0:38:57 | |
Yes! It's a proper... | 0:38:57 | 0:39:00 | |
£80, and five now then. | 0:39:00 | 0:39:02 | |
£80. Another fiver in the corner. | 0:39:02 | 0:39:03 | |
No? He's hiding. It's going down then for £80. Thank you. | 0:39:03 | 0:39:08 | |
£80 is plus £2. | 0:39:08 | 0:39:10 | |
That's OK. | 0:39:10 | 0:39:11 | |
Yeah. No point in looking too happy for it. | 0:39:11 | 0:39:14 | |
OK, next - the bottle stoppers. | 0:39:14 | 0:39:16 | |
How about that? Interesting, aren't they? | 0:39:16 | 0:39:19 | |
£40 for those. 30. 20. | 0:39:19 | 0:39:21 | |
Five. 30. Five. 40. | 0:39:21 | 0:39:23 | |
Yes. Come on! | 0:39:23 | 0:39:26 | |
-Go on! -Are you going to give me 50? | 0:39:26 | 0:39:28 | |
Yes. 50 I'm bid. Five. | 0:39:28 | 0:39:29 | |
Yes! | 0:39:29 | 0:39:31 | |
You're out? Yes, you are. It's going down then for £50. | 0:39:31 | 0:39:33 | |
Thank you. | 0:39:33 | 0:39:35 | |
Yes! | 0:39:35 | 0:39:36 | |
Only minus ten. | 0:39:36 | 0:39:37 | |
That's a surprise. | 0:39:37 | 0:39:39 | |
-A damn sight better than we thought. -Yes, it is. | 0:39:39 | 0:39:41 | |
Yeah. | 0:39:41 | 0:39:42 | |
Look out. Now. Cufflinks. Lovely. Marvellous. | 0:39:42 | 0:39:46 | |
The cufflinks with mother of pearl and a little blue stone centre. | 0:39:46 | 0:39:49 | |
Nice ones, those are. What about £80? | 0:39:49 | 0:39:52 | |
Or £50? £40? Yes, and five. £50? | 0:39:52 | 0:39:55 | |
And five. 60. Five. Two of you. 70. Five? | 0:39:55 | 0:39:59 | |
80, is it. | 0:39:59 | 0:40:00 | |
No? 75 for Madam? 80 anywhere? | 0:40:02 | 0:40:04 | |
75, 80, is it? | 0:40:04 | 0:40:07 | |
Yes, I've got me 80. Anywhere? | 0:40:07 | 0:40:08 | |
Yes! 80! | 0:40:08 | 0:40:10 | |
And 90, is it? | 0:40:10 | 0:40:11 | |
85. Are you thinking? You've lost them. | 0:40:11 | 0:40:14 | |
They're going to Madam then for £85. | 0:40:14 | 0:40:16 | |
Well done, Madam. That's very good. | 0:40:16 | 0:40:19 | |
Plus 15, which is absolutely marvellous, | 0:40:19 | 0:40:22 | |
so you are overall plus £7. | 0:40:22 | 0:40:24 | |
Yes! | 0:40:24 | 0:40:26 | |
So you are plus £7. Who would've thought that? | 0:40:27 | 0:40:30 | |
Yeah! | 0:40:30 | 0:40:31 | |
Based on those estimates, which were pretty rotten, | 0:40:31 | 0:40:34 | |
you were down the proverbial, weren't you? | 0:40:34 | 0:40:36 | |
As it is, you have £7 to take home. | 0:40:36 | 0:40:38 | |
What are you going to do about the Satsuma? | 0:40:38 | 0:40:41 | |
-We've got to go for it. -Yeah. | 0:40:41 | 0:40:42 | |
We love it and we think it could do well. | 0:40:42 | 0:40:45 | |
OK, you're going with the bonus buy and here it is. | 0:40:45 | 0:40:48 | |
Now we have a Japanese Satsuma part tea set. | 0:40:48 | 0:40:51 | |
These are rather nice. | 0:40:51 | 0:40:53 | |
Look at that lovely dense chrysanthemum decoration. | 0:40:53 | 0:40:55 | |
That one would split nicely, wouldn't it? | 0:40:55 | 0:40:57 | |
I think £150 for that one. | 0:40:57 | 0:40:59 | |
Oh, yeah. | 0:40:59 | 0:41:00 | |
Do we say 150 or do we say 100? We say 80. Yes, we do. | 0:41:00 | 0:41:03 | |
80 I have it then. | 0:41:03 | 0:41:05 | |
80, I'm bid for that one. | 0:41:05 | 0:41:06 | |
90, I've got it. Are you 100? | 0:41:06 | 0:41:08 | |
-Come on! -Ten, 20! | 0:41:08 | 0:41:09 | |
Yes! | 0:41:09 | 0:41:10 | |
30 I'm bid, at £40. | 0:41:10 | 0:41:12 | |
No more? £140 then it is. | 0:41:12 | 0:41:15 | |
One more! | 0:41:15 | 0:41:16 | |
Don't be greedy, Charles. | 0:41:16 | 0:41:18 | |
140 has it! 50 now then. | 0:41:18 | 0:41:21 | |
You've all gone quiet. I sell at £140. Thank you. | 0:41:21 | 0:41:25 | |
£140, that's very good. | 0:41:25 | 0:41:27 | |
Plus 48, yes, on that. | 0:41:27 | 0:41:30 | |
That means you are plus £55. | 0:41:30 | 0:41:33 | |
I tell you guys, we're going to have this folding money. | 0:41:33 | 0:41:37 | |
How lovely is that? | 0:41:37 | 0:41:38 | |
It's good, isn't it! | 0:41:38 | 0:41:40 | |
Yes. It's marvellous. | 0:41:40 | 0:41:42 | |
Listen, the big thing now is don't say a word to the Reds. | 0:41:42 | 0:41:44 | |
-No. -Absolutely not. | 0:41:44 | 0:41:46 | |
No point in spoiling their day. | 0:41:46 | 0:41:49 | |
Two of you! 30 at the very back. | 0:41:49 | 0:41:51 | |
Well, it's been...interesting. | 0:41:57 | 0:42:00 | |
Have you kids been talking to one another about scores? | 0:42:00 | 0:42:04 | |
-No. -No idea. -No. | 0:42:04 | 0:42:06 | |
As you know on Bargain Hunt, we don't have losers now. | 0:42:06 | 0:42:08 | |
We only have runners-up and the runners-up today, | 0:42:08 | 0:42:11 | |
by a considerable margin are... the Reds. | 0:42:11 | 0:42:14 | |
Yeah! Oh, well! | 0:42:14 | 0:42:15 | |
It just never went your way! | 0:42:15 | 0:42:17 | |
No. | 0:42:17 | 0:42:18 | |
Tring is not attuned to your taste. | 0:42:18 | 0:42:21 | |
I don't think so, no. | 0:42:21 | 0:42:22 | |
I don't think it is. So we won't dwell on it, really. | 0:42:22 | 0:42:24 | |
Amy, I want to know whether you had a nice time. | 0:42:24 | 0:42:26 | |
I've had a lovely time. | 0:42:26 | 0:42:28 | |
Harriet? | 0:42:28 | 0:42:29 | |
Yeah, it was wonderful. | 0:42:29 | 0:42:30 | |
Thanks for brightening up our lives. | 0:42:30 | 0:42:32 | |
But the winners today, | 0:42:32 | 0:42:34 | |
who go home with a resounding £55 worth of smackers... | 0:42:34 | 0:42:38 | |
Yay! | 0:42:38 | 0:42:40 | |
Whoo! | 0:42:40 | 0:42:41 | |
..in cash, which is quite remarkable, | 0:42:41 | 0:42:44 | |
and I do congratulate you. | 0:42:44 | 0:42:45 | |
To come out of central London and make money in Tring, | 0:42:45 | 0:42:49 | |
out of your purchased items, I think is a real achievement. | 0:42:49 | 0:42:52 | |
-Are you happy about that? -Really happy! | 0:42:52 | 0:42:54 | |
Very good. Well done, Duncan. | 0:42:54 | 0:42:55 | |
Delighted with that. | 0:42:55 | 0:42:56 | |
Extremely nice to have met you. Well done, Charlie! | 0:42:56 | 0:42:59 | |
Join us soon for some more bargain hunting! Yes? | 0:42:59 | 0:43:01 | |
ALL: Yes! | 0:43:01 | 0:43:02 | |
Subtitles by Red Bee Media Ltd | 0:43:23 | 0:43:27 |