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In our mission to uncover antiques from around the globe, | 0:00:07 | 0:00:11 | |
we've come to the other side of the world, literally. | 0:00:11 | 0:00:15 | |
We're down under in Australia. Let's go bargain hunting, yeah! | 0:00:15 | 0:00:20 | |
We've left good old Blighty behind and we're delighted to be down under. | 0:00:44 | 0:00:48 | |
From the hustle and bustle of central Melbourne, we've taken a short tram ride | 0:00:48 | 0:00:53 | |
to the upmarket district of Armadale. | 0:00:53 | 0:00:56 | |
In England, Malvern is famous for its water, but here at the Malvern Antique Market, we want bargains. | 0:00:56 | 0:01:03 | |
So it's here we've brought our Australian Reds and Blues. | 0:01:03 | 0:01:07 | |
Here's a quick peek as to what to expect. | 0:01:09 | 0:01:12 | |
For the Reds, it's all about the money. | 0:01:12 | 0:01:15 | |
-We might make a few dollars on it. It depends on what you get it for. -20 bucks? | 0:01:15 | 0:01:20 | |
-I think 50 would be good for the three bits. -That sounds like an offer. | 0:01:20 | 0:01:24 | |
The Blues are after something blue. | 0:01:24 | 0:01:27 | |
-The pleasure of that box has gone because we're missing the erotic scene. -Indeed. | 0:01:27 | 0:01:32 | |
-But not everything will be to their expert's taste. -..saleability, wouldn't it? | 0:01:32 | 0:01:38 | |
Before we meet the teams, let me quickly explain the rules. | 0:01:39 | 0:01:43 | |
They get 500 Australian dollars and an hour to shop for three items | 0:01:43 | 0:01:47 | |
which hopefully, they take away and sell for a profit. | 0:01:47 | 0:01:51 | |
The team that wins makes the most profits or the least losses. | 0:01:51 | 0:01:55 | |
Easy, innit, Sheila? | 0:01:55 | 0:01:58 | |
Let's go and meet today's teams. | 0:01:58 | 0:02:00 | |
Well, how lovely is this to be on the rooftop of Melbourne with our teams! | 0:02:02 | 0:02:07 | |
For the Reds, friends Brian and Bruce. Hi, guys. | 0:02:07 | 0:02:10 | |
-Hello. -And Trish and Russell, our married couple for the Blues. | 0:02:10 | 0:02:15 | |
-Brian, how did you two become friends? -I met Bruce at kindergarten when I was five. | 0:02:15 | 0:02:20 | |
We've just been friends ever since. | 0:02:20 | 0:02:22 | |
-What do you do for a living, mate? -Right now, I'm detailing boats. | 0:02:22 | 0:02:27 | |
You get on the boat and you clean it from top to toe, inside, out, backwards and forwards. | 0:02:27 | 0:02:32 | |
-Like boat valeting? -Exactly, yeah. -Now I'm with you. | 0:02:32 | 0:02:35 | |
I'm caring for my father, so I'm a full-time carer. My father's 91. | 0:02:35 | 0:02:40 | |
-Is he? -Yeah. -Bless his cotton socks! -He's a lovely man, British man. | 0:02:40 | 0:02:44 | |
Your British ancestors, there's quite a connection to Australia? | 0:02:44 | 0:02:49 | |
There is a strong connection, yeah. | 0:02:49 | 0:02:51 | |
In fact, we have a clock which came out on the first fleet with Governor King, his name was. | 0:02:51 | 0:02:57 | |
Governor Gidley King. | 0:02:57 | 0:02:59 | |
I'm one of the great-great-great-great descendants of him. | 0:02:59 | 0:03:03 | |
-One of the great-great Gidley Kings? -I'm a Gidley King, that's right. | 0:03:03 | 0:03:08 | |
And he was asked by the King to bring beer to Australia. | 0:03:08 | 0:03:12 | |
-That's quite an accolade cos you Australians like a drop. -We do. | 0:03:12 | 0:03:17 | |
Brucie, tell us what you do for earning a buck. | 0:03:17 | 0:03:20 | |
I work at Sydney Airport and I have done for the last 30 years. | 0:03:20 | 0:03:24 | |
I have a passion for fixing things. | 0:03:24 | 0:03:26 | |
-Has it always been with you tick-tock with the mechanicals? -Yes. | 0:03:26 | 0:03:30 | |
Ever since a boy, I was pulling the lawn mower and cars apart. | 0:03:30 | 0:03:34 | |
-Can you put it back together again? -Absolutely. -That's OK then. | 0:03:34 | 0:03:38 | |
-You're also a very keen sportsman. -I am. -Tell us about that. | 0:03:38 | 0:03:42 | |
I love water-skiing. I just absolutely love the sport. | 0:03:42 | 0:03:46 | |
-Can you get up on one ski? -I can get up on barefoot. -You never can? | 0:03:46 | 0:03:50 | |
-Barefoot? -Yes. -That is something else. | 0:03:50 | 0:03:53 | |
-Are you looking forward to shopping on Bargain Hunt today? -Very much. | 0:03:53 | 0:03:57 | |
We've got a few secret strategies. | 0:03:57 | 0:04:00 | |
-Are you prepared to share the secret strategies with us? -No. | 0:04:00 | 0:04:04 | |
-Not here. -Not in a public place? -Yes... -Well, not in front of them? | 0:04:04 | 0:04:09 | |
-It's a bit secret. -I love this, don't you? Very good luck with that, chaps. -Thank you. | 0:04:09 | 0:04:14 | |
Now, Trish, tell us about your earlies. | 0:04:14 | 0:04:18 | |
Well, I'm a fifth direct descendant from John Small and Mary Parker | 0:04:18 | 0:04:22 | |
-that came out on the first fleet and they later married when they settled in the colony. -Right. | 0:04:22 | 0:04:28 | |
John Small came out on the Charlotte and Mary Parker on the Lady Penrhyn. | 0:04:28 | 0:04:33 | |
-Were they technically convicts? -They were convicts. They did seven years each. | 0:04:33 | 0:04:38 | |
-Then they settled down? -They settled down. -They were good breeders? | 0:04:38 | 0:04:42 | |
They were very prolific breeders, yes. | 0:04:42 | 0:04:45 | |
The Small family is the largest convict family in Australia. | 0:04:45 | 0:04:49 | |
-That's wonderful. What do you collect? -Teapots. | 0:04:49 | 0:04:53 | |
I love antiques of any description, including Russell. | 0:04:53 | 0:04:57 | |
Oh, poor old Russ! | 0:04:57 | 0:05:00 | |
-Will you be buying a teapot on Bargain Hunt today to make a profit out of? -Hopefully, yes. | 0:05:00 | 0:05:05 | |
-Russell, what do you collect? -The receipts of Patricia's purchases of teapots! | 0:05:05 | 0:05:10 | |
I used to be with Coca-Cola, so I have a very, very broad range of Coca-Cola memorabilia. | 0:05:10 | 0:05:17 | |
I also have a model railway set. It's an N-gauge set and it was modelled on the Cotswolds. | 0:05:17 | 0:05:23 | |
-I also have a 1968 Morris Cooper S... -Lovely. -..which Trisha just bought me for my birthday. | 0:05:23 | 0:05:29 | |
-How sweet! Is it in good nick? -Wonderful. -What sort of things will you buy today? | 0:05:29 | 0:05:34 | |
Whatever makes us a profit. | 0:05:34 | 0:05:37 | |
-Are you going to take the advice of your expert? -Yes. -Yes. -That could be your first big mistake! | 0:05:37 | 0:05:44 | |
Anyway, moving on quickly, here's 500 bucks apiece. | 0:05:44 | 0:05:48 | |
You know the rules, your experts await and off you go and very, very good luck! | 0:05:48 | 0:05:53 | |
Our Aussie teams are going to need some help from our experts, | 0:05:55 | 0:05:59 | |
so joining me from Great Britain | 0:05:59 | 0:06:02 | |
is Paul Laidlaw who will be assisting the Reds | 0:06:02 | 0:06:05 | |
and David Barby who will be steering the Blues in the right direction. | 0:06:05 | 0:06:09 | |
All right, teams, you're on starter's orders. | 0:06:09 | 0:06:12 | |
We might be in a different time zone, but you still have just 60 minutes and that time starts now. | 0:06:12 | 0:06:18 | |
-There's too many things to pick from. -It's mind-blowing, absolutely mind-blowing. | 0:06:18 | 0:06:24 | |
-What are we shopping for? -Something nautical, I think. -Are we? -Yes. | 0:06:24 | 0:06:28 | |
A nautical plan? Let's hope the Reds don't end up all at sea! | 0:06:28 | 0:06:32 | |
That's a nice box. That would contain sweeties. | 0:06:33 | 0:06:36 | |
There was a picture or something under the lid? | 0:06:36 | 0:06:39 | |
Yes, it may well have been an erotic scene and that's been torn out. | 0:06:39 | 0:06:45 | |
-The pleasure of that box has gone because we're missing the interior erotic scene. -Indeed. | 0:06:45 | 0:06:51 | |
Oh, David, how disappointing! | 0:06:51 | 0:06:54 | |
-What do you think of that? -"Spyglass" is the tag. | 0:06:54 | 0:06:58 | |
Late 19th, early 20th century. It's 100 years younger than I think it wants to be | 0:06:58 | 0:07:03 | |
and not much use aboard ship! | 0:07:03 | 0:07:05 | |
No, not really, is it, no! | 0:07:05 | 0:07:07 | |
-Maybe a pond yacht. -A pond yacht! | 0:07:07 | 0:07:10 | |
No profit to be seen there then! | 0:07:10 | 0:07:12 | |
The Blues haven't moved very far. They're still at the same cabinet, actually. | 0:07:12 | 0:07:17 | |
Is David about to go out with a bang? | 0:07:17 | 0:07:20 | |
-It's a model of a mortar, as a string ball. -Yes. | 0:07:20 | 0:07:24 | |
-I like that. -If it was a real mortar, you'd pull it out and fire the gun. | 0:07:24 | 0:07:30 | |
-That is quite nice. I like that. -And quirky. | 0:07:30 | 0:07:33 | |
-It's quirky as well. -Hmm. | 0:07:33 | 0:07:35 | |
That's where your string goes. | 0:07:35 | 0:07:38 | |
-That's in pretty good condition. -I think that is quite good. | 0:07:38 | 0:07:43 | |
-What do you think? An interesting piece of treen, that. -I like that. | 0:07:45 | 0:07:49 | |
-I do. -That was quite decisive. | 0:07:49 | 0:07:52 | |
-I like it. -What about these few marks on there? -Well, it's aged. | 0:07:52 | 0:07:57 | |
Yeah, I think there might have been a little stud on the side there which has gone. | 0:07:57 | 0:08:02 | |
-What's its age there? -This should be sort of mid-19th century. | 0:08:02 | 0:08:06 | |
"Victorian boxwood, shop string barrel." This is not a shop string barrel. This was used in the house. | 0:08:06 | 0:08:13 | |
-I think this is quite nice. -I like it. -It's a quirky object. 155... | 0:08:13 | 0:08:17 | |
-I'm going to find the owner and see what we can do. -I like that. | 0:08:17 | 0:08:21 | |
That's a good choice. | 0:08:21 | 0:08:23 | |
It's a mad door stop, some sort of lizard. What's the price tag on it? | 0:08:26 | 0:08:31 | |
-250. -Where do you go with that? | 0:08:31 | 0:08:34 | |
If you took the 2 off, I'd be interested in having a conversation. | 0:08:34 | 0:08:38 | |
Paul, you chat to the lizard, but hopefully, David had more success talking to the man in charge. | 0:08:38 | 0:08:44 | |
-And he'll do it for 60 dollars. -OK. -OK. | 0:08:44 | 0:08:47 | |
-Do you like it enough for 60 dollars? -Yeah. -Yes. -I do. I do. Very much. | 0:08:47 | 0:08:53 | |
-So, 60 dollars, how many pounds is that? About £40. -Yeah. | 0:08:53 | 0:08:56 | |
-That's quite good. I like that. -Yeah. -OK, shall we go for it? | 0:08:56 | 0:09:00 | |
-I think so. -That's one in the basket for the Blues. Good haggling, David. | 0:09:00 | 0:09:05 | |
-Well done. -Thank you. -That's only taken ten minutes. -Well done. That's very good. | 0:09:05 | 0:09:10 | |
Whoa, got things in our hand! | 0:09:13 | 0:09:15 | |
I don't know. For...? | 0:09:15 | 0:09:18 | |
-For custard maybe? -Yes. -Cream? | 0:09:18 | 0:09:21 | |
Do you like it by the gallon?! | 0:09:21 | 0:09:23 | |
I hardly know you from Adam, but I wouldn't have placed that in your camp. | 0:09:25 | 0:09:29 | |
-No, but I really think it's sweet. -I'm seeing a whole new side of you. | 0:09:29 | 0:09:34 | |
-There you go, Paul. -I'm loving it. -LAUGHTER | 0:09:34 | 0:09:37 | |
Very interesting ceramics. | 0:09:42 | 0:09:44 | |
-We've got a dish. -Unusual bowl. | 0:09:44 | 0:09:46 | |
Unusual pottery. With a kookaburra, so that relates to Australia. | 0:09:46 | 0:09:51 | |
-What about that little silver brooch? -That's nice. I like that. | 0:09:51 | 0:09:56 | |
It says War Widows. What does it mean? | 0:09:56 | 0:09:59 | |
-I don't know. -I do not know. | 0:09:59 | 0:10:01 | |
That's silver and they've got it priced at 125. | 0:10:01 | 0:10:05 | |
-I rather like that, don't you? -It's different, isn't it? -It is. | 0:10:05 | 0:10:09 | |
-Would you like to handle it? -Yes, I think so. | 0:10:09 | 0:10:12 | |
It's Australian and it looks like there's some history behind it. Could they be on to a winner? | 0:10:12 | 0:10:18 | |
-We've spent a third of our hour. We should have bought something by now. -We should have. | 0:10:18 | 0:10:24 | |
Look, it's here, it's here. Where on earth is it? | 0:10:24 | 0:10:27 | |
Keep looking, Reds. Stay focused. How are those Blues getting on with that brooch? | 0:10:27 | 0:10:32 | |
Oh! | 0:10:37 | 0:10:39 | |
That is lovely. | 0:10:39 | 0:10:41 | |
Look at that! | 0:10:41 | 0:10:44 | |
"War Widows Guild." | 0:10:44 | 0:10:46 | |
-It's dated 1951. -Really? -So would that be after Korea? -After Korea. -Yeah. | 0:10:46 | 0:10:52 | |
It says, "Finches, London." | 0:10:52 | 0:10:55 | |
-Really? -Really? -Yes. | 0:10:55 | 0:10:57 | |
-So that was produced... -In London for the Guild... -Of War Widows. | 0:10:57 | 0:11:03 | |
-To have come all the way out here... -Yeah. | 0:11:04 | 0:11:07 | |
I think this was applicable to Australian war widows | 0:11:07 | 0:11:11 | |
because of the kookaburra. | 0:11:11 | 0:11:13 | |
-Why have a kookaburra on a brooch or a medal in London? -Indeed. -You know? | 0:11:13 | 0:11:18 | |
Now, it says "silver". I can't see any silver mark on it. | 0:11:18 | 0:11:22 | |
I think this is a cast metal. I don't think it's silver. | 0:11:22 | 0:11:27 | |
Time to haggle, David. | 0:11:27 | 0:11:29 | |
125? What's the best? It's not silver. | 0:11:29 | 0:11:32 | |
Um... | 0:11:32 | 0:11:34 | |
It is an unusual item. | 0:11:34 | 0:11:36 | |
70 dollars. | 0:11:36 | 0:11:38 | |
Would you do it at 60? | 0:11:39 | 0:11:41 | |
-OK. Yeah. -OK. | 0:11:41 | 0:11:44 | |
That's 60 dollars. | 0:11:44 | 0:11:46 | |
I think that's quite good. I love the kookaburra. | 0:11:46 | 0:11:50 | |
-I like the history. -Indeed. -I like the history behind that. -Hmm. | 0:11:50 | 0:11:54 | |
-I do. I think we should go for it. -I think so. -At 60? -Yes. | 0:11:54 | 0:11:58 | |
So that's two up for the Blues. | 0:11:58 | 0:12:01 | |
Meanwhile, our nautical-themed Reds have found some men in uniform. | 0:12:01 | 0:12:05 | |
Little sailor boy there. | 0:12:06 | 0:12:08 | |
Frumpy-looking little guy, but look, we have his buddy, | 0:12:08 | 0:12:12 | |
an army chap. | 0:12:12 | 0:12:14 | |
They are novelty pepperettes, for salt and pepper. | 0:12:14 | 0:12:19 | |
And they originate... | 0:12:19 | 0:12:21 | |
..in Japan. | 0:12:22 | 0:12:24 | |
The dating too... | 0:12:24 | 0:12:26 | |
-the inter-war years. -Right. | 0:12:26 | 0:12:29 | |
-Uniform-wise, that tallies entirely and aesthetic-wise, it ties in at 1920s. -OK. | 0:12:29 | 0:12:35 | |
I find those...charming. | 0:12:35 | 0:12:39 | |
-Mm-hm. -But it's a niche market. | 0:12:39 | 0:12:41 | |
-These are uncommon and with that military flavour and nautical flavour, I see an opening. -Right. | 0:12:41 | 0:12:48 | |
-Immediate reaction, guys? -You might make a few dollars. It depends on what you get it for. | 0:12:48 | 0:12:54 | |
-I mean, they're nice. -There's a napkin ring there. Come round, guys. Look. | 0:12:54 | 0:12:59 | |
-Mesopotamia... -Yeah. -..which is Iraq. 1916. | 0:12:59 | 0:13:04 | |
The tag says, "World War One, souvenir silver napkin ring." | 0:13:04 | 0:13:08 | |
The legend and the depiction of the camels is in black against the silver. | 0:13:08 | 0:13:13 | |
-I see. -Niello is the technique, niello work, Nielloware. | 0:13:13 | 0:13:17 | |
-I like that. -Right. -In terms of rarity and novelty, | 0:13:17 | 0:13:21 | |
what's that doing for you? | 0:13:21 | 0:13:23 | |
At the price, it could be right, if we get it down a bit. | 0:13:23 | 0:13:27 | |
-We've found two things in one cabinet. Why don't we get the man with the key? -That's a good idea. | 0:13:27 | 0:13:33 | |
I'm going to talk to the man about Cabinet 31. | 0:13:33 | 0:13:36 | |
Remember, Paul, camel humps go up and down, a bit like exchange rates and auction prices. | 0:13:36 | 0:13:43 | |
-It looks to be a working one because the thread's going through. -There's no handle on that one. | 0:13:43 | 0:13:49 | |
-There's a little screw at the side there. -I see, yes. | 0:13:49 | 0:13:52 | |
-You're missing the handle to go round. -Absolutely. -So we'll leave that. | 0:13:52 | 0:13:57 | |
-That's Wedgwood. -It's 395. Unfortunately, the dealer will not come down more than 10%. | 0:14:01 | 0:14:07 | |
Nothing like an expensive bull in a china shop! | 0:14:07 | 0:14:11 | |
The Reds have got their hands full and are ready to talk money. | 0:14:12 | 0:14:16 | |
Can I cut to the chase? They're worth 30, 40 bucks at auction. | 0:14:16 | 0:14:20 | |
Can they be bought for a price in that ballpark? | 0:14:20 | 0:14:23 | |
How about 45? | 0:14:23 | 0:14:25 | |
PAUL SIGHS | 0:14:26 | 0:14:29 | |
It's a good move. | 0:14:29 | 0:14:31 | |
-But is it good enough? -Well, look, I'll throw another thing in. | 0:14:31 | 0:14:35 | |
We spotted this. It got better when it came out. | 0:14:35 | 0:14:38 | |
We saw a niello-worked white metal. | 0:14:38 | 0:14:42 | |
We've got to assume this is silver and that's an assumption. | 0:14:42 | 0:14:46 | |
-I thought, "Oh, my word! What did I pass there?" Royal Army Medical Corps device. -Right. | 0:14:46 | 0:14:53 | |
So this was targeted at the Medical Corps guy | 0:14:53 | 0:14:57 | |
that was in Iraq or Mesopotamia then. | 0:14:57 | 0:15:00 | |
And the workmanship is good. | 0:15:00 | 0:15:03 | |
-I like that. It's a better thing than we have here. -Sure. | 0:15:03 | 0:15:07 | |
These are priced... This is priced up at 48 and a half. | 0:15:07 | 0:15:12 | |
Is there any way it's 50 bucks for the three pieces? | 0:15:12 | 0:15:15 | |
55. | 0:15:15 | 0:15:16 | |
-Are we interested in these? -I think 50 would be good for the three bits. | 0:15:16 | 0:15:21 | |
-That sounds like an offer to me. Are we making this offer? -Yeah, 50. | 0:15:21 | 0:15:26 | |
-Right, OK. -Job done? -Yeah, job done. -Thanks for that. Good work. | 0:15:26 | 0:15:30 | |
-Good work, guys. -Thank you very much. | 0:15:30 | 0:15:33 | |
Well done, Reds. That's two items bought at 25 bucks each. | 0:15:33 | 0:15:37 | |
-We were behind schedule. -Right. -No longer because we nailed two purchases in a oner. | 0:15:37 | 0:15:42 | |
-Excellent. -Get in there! -Fantastic. All right! | 0:15:42 | 0:15:46 | |
Those Reds are on form. | 0:15:46 | 0:15:49 | |
Both teams have one more item to find | 0:15:49 | 0:15:52 | |
and the Barby has spotted something interesting. | 0:15:52 | 0:15:55 | |
-Do you know what that is? -No. -No. | 0:15:56 | 0:15:59 | |
That is quite a rare little item and it is a whistle for the end of a speaking tube. | 0:15:59 | 0:16:06 | |
-Really? -So in large houses in Melbourne, in these posh houses, round about 1870, | 0:16:06 | 0:16:12 | |
they didn't have telephones, but they had speaking tubes. | 0:16:12 | 0:16:16 | |
That's good social history. I think we ought to have a look at that. | 0:16:16 | 0:16:20 | |
Go on, wet your whistle, David! It looks like Paul is turning up the heat with the Reds. | 0:16:20 | 0:16:26 | |
That is a screen. It would shield a lady's face from the heat of the fire to stop the make-up running. | 0:16:26 | 0:16:32 | |
-OK. -Dating 1860, mid-19th century? | 0:16:32 | 0:16:36 | |
Turned black lacquer, gilt, abalone, mother-of-pearl inlay. | 0:16:36 | 0:16:41 | |
-But look, can't forgive it this. -No. | 0:16:41 | 0:16:43 | |
Priced appropriately, 85 bucks, but we're not buying anything we're going to have to apologise for. | 0:16:43 | 0:16:50 | |
I'm extremely sorry to hear that, Paul. | 0:16:50 | 0:16:54 | |
Come in, David. Are you receiving me? | 0:16:54 | 0:16:57 | |
Come in, number one. That would be for the servant on the top floor | 0:16:57 | 0:17:02 | |
-or it could have been on a boat. -It could very well. -It should whistle. | 0:17:02 | 0:17:06 | |
BLOWING SOUND | 0:17:06 | 0:17:09 | |
If there was a whistle, that would affect its saleability, wouldn't it? | 0:17:09 | 0:17:13 | |
-LAUGHTER -Not tasty, I can see. -No. | 0:17:13 | 0:17:16 | |
But a good piece of social history. There's no price on it. | 0:17:16 | 0:17:20 | |
-We can work out something with it. -What, 20 dollars? | 0:17:20 | 0:17:23 | |
-Uh... -Ten? | 0:17:23 | 0:17:26 | |
Uh...I'll do it for 20. | 0:17:26 | 0:17:29 | |
Allowing for one or two nicks on it, it's such an interesting piece. | 0:17:29 | 0:17:33 | |
I think we should go with it because we've gone back to quirky. | 0:17:33 | 0:17:38 | |
This is quirky to Patricia and I because frankly, we've never seen it before. | 0:17:38 | 0:17:43 | |
-Interesting social history point of view. I think this is good. -Indeed. | 0:17:43 | 0:17:47 | |
-Sir, you have a sale. -OK. -Reluctantly at 20 dollars. | 0:17:47 | 0:17:51 | |
Thank you very much indeed. | 0:17:51 | 0:17:53 | |
So shopping is over for the Blues, but the pressure is still on for the Reds. | 0:17:53 | 0:17:59 | |
Guys... Da-da-da-daah! | 0:18:01 | 0:18:04 | |
-Oomph! -Wow! | 0:18:04 | 0:18:06 | |
-"Wow" was good. -Interesting. -Doing anything for you beyond interesting? | 0:18:06 | 0:18:10 | |
It looks like a Viking helmet upside down. | 0:18:10 | 0:18:13 | |
That's not helping me because it's not, but the British Museum would be very interested if it was. | 0:18:13 | 0:18:19 | |
What's it made out of? | 0:18:19 | 0:18:22 | |
-Pewter. -And these little coloured bits, what are they? | 0:18:22 | 0:18:26 | |
-It looks like turquoise, but it's... -It's glass enamel. | 0:18:26 | 0:18:30 | |
-Absolutely. -Yeah. -It's a striking form. -Yes, it is. | 0:18:30 | 0:18:34 | |
-It's Tudric... -Tudric? | 0:18:34 | 0:18:36 | |
Liberty retailed, but there's a problem. | 0:18:36 | 0:18:40 | |
-It's damaged to the enamel. -Yeah, there's quite a bit of damage. -There is damage to the enamel. | 0:18:40 | 0:18:45 | |
-But we can forgive it a certain amount of damage if it transpires that it's a good thing. -Sure. | 0:18:45 | 0:18:51 | |
-It is. I'm liking this. -Right. | 0:18:51 | 0:18:54 | |
-What sort of year do you think it would be? -That's very early 20th century. 1910? -1910, yeah. | 0:18:54 | 0:19:00 | |
145... | 0:19:00 | 0:19:02 | |
I think if I could buy that for 60 dollars, there's a profit in it, and if we're lucky, a big profit. | 0:19:02 | 0:19:09 | |
-Um... -I like it. -You like it? -Hmm. -All right, then we can do it. | 0:19:09 | 0:19:14 | |
-Better have a word with the boss then. -20 bucks? | 0:19:14 | 0:19:18 | |
I personally think around about 40, 50 dollars. | 0:19:18 | 0:19:22 | |
When you say 40, 50, I only hear one number. | 0:19:22 | 0:19:26 | |
-OK. -Guess which one that was? | 0:19:26 | 0:19:29 | |
-I'll meet you in the middle. We'll shake hands? -Yeah, make it 30 and we've got a deal. | 0:19:30 | 0:19:35 | |
-Wonderful. Thank you very much. Thank the man. -Thank you very much. | 0:19:35 | 0:19:39 | |
Wow, that's a cheeky offer! What a bargain! | 0:19:39 | 0:19:43 | |
Australia, your time is up. | 0:19:43 | 0:19:46 | |
Let's remind ourselves of what the Red Team bought. | 0:19:46 | 0:19:50 | |
A set of Japanese novelty salt and pepper pots were picked up | 0:19:50 | 0:19:53 | |
for a well-seasoned 25 Australian dollars. | 0:19:53 | 0:19:57 | |
A First World War silver napkin ring was acquired for another 25 bucks. | 0:19:57 | 0:20:03 | |
And finally, a Liberty, enamel, pewter vase set them back only 30. | 0:20:04 | 0:20:10 | |
-So how much did you spend then? -80 dollars. -80 dollars?! | 0:20:12 | 0:20:16 | |
-I mean, this is a joke, isn't it? -We're on a tight budget(!) | 0:20:16 | 0:20:20 | |
500 Australian dollars, all this conversion business from sterling into dollars and you spend 80?! | 0:20:20 | 0:20:26 | |
That's due to our great haggling skills, Tim. | 0:20:26 | 0:20:29 | |
It's what I call tight. That's what I call it. I don't know about haggling. | 0:20:29 | 0:20:34 | |
I'll have 420 dollars then. Thank you very much. | 0:20:34 | 0:20:38 | |
With that lot, Paul, you could buy half this store. | 0:20:38 | 0:20:41 | |
Indeed I could. | 0:20:41 | 0:20:43 | |
Right now I am so happy with our last purchase, the you-know-what, Ernie the urn, | 0:20:43 | 0:20:49 | |
that I'm thinking, "How on earth can I keep up that standard of luck?" | 0:20:49 | 0:20:54 | |
LAUGHTER | 0:20:54 | 0:20:56 | |
I think he really is pleased with the Liberty piece, I tell you! | 0:20:56 | 0:21:00 | |
Why don't we remind ourselves of what the Blue Team bought, eh? | 0:21:00 | 0:21:04 | |
60 bucks was forked out for a Victorian string ball holder, | 0:21:04 | 0:21:09 | |
modelled as a mortar in treen. | 0:21:09 | 0:21:11 | |
A Korea campaign War Widows Guild badge cost them 60 dollars | 0:21:11 | 0:21:16 | |
and lastly, a late 19th century speaking tube mouthpiece and whistle | 0:21:16 | 0:21:21 | |
cost them 20 dollars. What a mixture! | 0:21:21 | 0:21:24 | |
-So how much did you spend all round? -We spent 140 dollars. | 0:21:26 | 0:21:29 | |
140. I would like 360 dollars of leftover lolly. | 0:21:29 | 0:21:34 | |
Thank you. 360 dollars. Yet another fortune going across to Mr Barby. | 0:21:34 | 0:21:38 | |
It is a fortune. Such a responsibility as well! | 0:21:38 | 0:21:41 | |
-We have confidence. -Every confidence. -Thanks. Sounds like a cue for a song! -We believe! | 0:21:41 | 0:21:46 | |
Good luck, David. Good luck, team. | 0:21:46 | 0:21:49 | |
Meanwhile, we're heading out of Melbourne to the south, | 0:21:49 | 0:21:53 | |
to the Mornington Peninsula, to a property called The Briars. | 0:21:53 | 0:21:57 | |
Tucked away in this delightful bit of countryside about an hour south of Melbourne | 0:22:03 | 0:22:09 | |
is this delicious property, The Briars, | 0:22:09 | 0:22:13 | |
home to the Balcombe family for over 130 years | 0:22:13 | 0:22:17 | |
until it became state property in the 1970s. | 0:22:17 | 0:22:21 | |
It's interesting historically partly because of its architectural peculiarities | 0:22:22 | 0:22:29 | |
and also because it's home to a group of artefacts, | 0:22:29 | 0:22:32 | |
associated with one of France's most historic characters. | 0:22:32 | 0:22:37 | |
The story of The Briars in Australia actually starts here at The Briars on St Helena, | 0:22:39 | 0:22:45 | |
the island in the middle of the South Atlantic Ocean | 0:22:45 | 0:22:49 | |
to which Napoleon was exiled in 1815. | 0:22:49 | 0:22:52 | |
He initially lived in this guest pavilion | 0:22:52 | 0:22:55 | |
in the garden of The Briars owned by William Balcombe, | 0:22:55 | 0:22:58 | |
an English East India Company agent. | 0:22:58 | 0:23:01 | |
Both he and his family gave Napoleon a warm welcome for which the former emperor was very grateful. | 0:23:01 | 0:23:08 | |
He gave them a number of small personal possessions | 0:23:08 | 0:23:11 | |
which they have treasured as a family for ever thereafter. | 0:23:11 | 0:23:16 | |
In particular, he had an attachment | 0:23:16 | 0:23:19 | |
with Balcombe's youngest daughter Betsy. | 0:23:19 | 0:23:23 | |
Later, in 1844, | 0:23:23 | 0:23:26 | |
she wrote this book which is entitled Recollections Of The Emperor Napoleon. | 0:23:26 | 0:23:32 | |
And in it, she describes their house on St Helena. | 0:23:32 | 0:23:37 | |
"Our cottage was built in the style of the bungalows in India." | 0:23:37 | 0:23:41 | |
And you can see here in the illustration in the book The Briars on St Helena | 0:23:41 | 0:23:47 | |
with its long veranda. | 0:23:47 | 0:23:49 | |
It looks very much like The Briars here in Australia. | 0:23:49 | 0:23:53 | |
She says, "It was very low, the rooms being chiefly on one floor | 0:23:53 | 0:23:58 | |
"and, had it not been for its situation, would not have been thought so pretty." | 0:23:58 | 0:24:04 | |
The Napoleonic collection here is quite diverse | 0:24:04 | 0:24:07 | |
and offers the visitor a terrific insight to this great French figure. | 0:24:07 | 0:24:12 | |
In 1823, Balcombe was appointed Colonial Treasurer to New South Wales. | 0:24:12 | 0:24:18 | |
He moved to Australia | 0:24:18 | 0:24:21 | |
and he brought his furniture, possessions and precious Napoleonic objects with him, | 0:24:21 | 0:24:26 | |
which included, amazingly, | 0:24:26 | 0:24:29 | |
this guitar. | 0:24:29 | 0:24:31 | |
In 1816, Napoleon played the guitar with his friend, Betsy Balcombe. | 0:24:31 | 0:24:37 | |
She sang. | 0:24:37 | 0:24:39 | |
Sometimes Napoleon sang and Betsy played, | 0:24:39 | 0:24:43 | |
but Betsy said that the Emperor Napoleon couldn't hold a tune for toffee nuts. | 0:24:43 | 0:24:49 | |
When William Balcombe moved to Australia, he named his estate near Canberra The Briars. | 0:24:56 | 0:25:02 | |
When his son moved here just outside Melbourne in 1846, | 0:25:02 | 0:25:08 | |
he renamed this property The Briars also, | 0:25:08 | 0:25:11 | |
thus keeping the St Helena name and connection alive. | 0:25:11 | 0:25:16 | |
The oldest part of this building is made from a pre-fabricated structure imported from Britain. | 0:25:16 | 0:25:23 | |
When Alexander Balcombe first moved here in the mid-19th century, | 0:25:23 | 0:25:28 | |
there weren't any raw materials available in the colony to provide basic shelter, | 0:25:28 | 0:25:34 | |
so if you didn't want to live in a pre-fab, you'd stay in a tent | 0:25:34 | 0:25:38 | |
and, believe you me, living in a tent round here | 0:25:38 | 0:25:42 | |
with all those snakes and creepy-crawlies would not be funny. | 0:25:42 | 0:25:46 | |
This room is thought to have been their bedroom. | 0:25:48 | 0:25:51 | |
Now, to our eye today, this does look a bit utility. | 0:25:51 | 0:25:55 | |
OK, fine, it hasn't been furnished, | 0:25:55 | 0:25:58 | |
but believe you me, in 1846, | 0:25:58 | 0:26:01 | |
to have a space that's lined with tongued-and-grooved boards, | 0:26:01 | 0:26:05 | |
effectively providing a hermetic seal, | 0:26:05 | 0:26:09 | |
would be thought to be jolly nice, | 0:26:09 | 0:26:11 | |
plus you've got a fireplace, so you'd have a degree of warmth and comfort. | 0:26:11 | 0:26:16 | |
Next door is the living room. | 0:26:17 | 0:26:20 | |
Goodness only knows how many hundreds of thousands of these structures | 0:26:21 | 0:26:27 | |
were exported around the world in pre-fabricated form, | 0:26:27 | 0:26:31 | |
but most of them have disappeared, | 0:26:31 | 0:26:33 | |
gobbled up by the white ant and the termite. | 0:26:33 | 0:26:37 | |
But this one has survived OK and it's a real thrill to be able to see it. | 0:26:37 | 0:26:42 | |
The big question today, of course, is over at the auction. | 0:26:42 | 0:26:46 | |
Is it going to be all thrills or spills for our teams? | 0:26:46 | 0:26:49 | |
Time to head north to Sydney, for it's at Lawsons Saleroom | 0:26:49 | 0:26:54 | |
that we'll be selling our Australian teams' items. | 0:26:54 | 0:26:58 | |
Today, we're in the safe hands of auctioneer Luke Jones. | 0:26:58 | 0:27:02 | |
-Good morning, Luke. -Good morning, Tim. | 0:27:02 | 0:27:04 | |
Now, Bruce and Brian, the dynamic duo, | 0:27:04 | 0:27:08 | |
have gone with these Japanese novelty salt and pepper pots. | 0:27:08 | 0:27:12 | |
How do you rate these, Luke? | 0:27:12 | 0:27:15 | |
They are a bit of fun. Would've been popular back in the day, straight after the war, 1920s. | 0:27:15 | 0:27:21 | |
These days, as a Japanese kitsch item, | 0:27:21 | 0:27:25 | |
they would be collectable again. | 0:27:25 | 0:27:27 | |
-Not a huge amount, though. -No. Like how much? | 0:27:27 | 0:27:31 | |
-About 5 to 10. -Oh, dear. 25 dollars they paid. That's not so swift. | 0:27:31 | 0:27:35 | |
-Next up is this charming little serviette ring. -Yes. | 0:27:35 | 0:27:39 | |
That's a jolly nice thing. | 0:27:39 | 0:27:41 | |
It is silver and niello, another very collectable piece. | 0:27:41 | 0:27:45 | |
You've got the silver collectors there, the war collectors there. | 0:27:45 | 0:27:49 | |
I would be thinking around the 40 to 60 mark. | 0:27:49 | 0:27:52 | |
Jolly good. 25 dollars they paid. | 0:27:52 | 0:27:54 | |
What about this spectacular, final pewter item? | 0:27:54 | 0:27:59 | |
Well, a very collectable piece there. | 0:27:59 | 0:28:01 | |
Unfortunately, it has seen better days. | 0:28:01 | 0:28:05 | |
What we've got here is a genuine piece of Liberty's pewter, | 0:28:05 | 0:28:09 | |
stamped "Tudric", so that means it was made by Liberty's | 0:28:09 | 0:28:14 | |
at the important period, around about 1900, 1910, | 0:28:14 | 0:28:18 | |
and the designer is Archibald Knox. | 0:28:18 | 0:28:21 | |
-Yes, a very well-known designer. -So great ingredients wrapped up in this pot. | 0:28:21 | 0:28:26 | |
-I'd be thinking around 80 to 120. -That's brilliant. | 0:28:26 | 0:28:29 | |
-That cunning fox Paul Laidlaw only paid 30 dollars for it. -He did very well. | 0:28:29 | 0:28:35 | |
I mean, this thing, if it was in good condition, would be worth 600 to 800 dollars at least. | 0:28:35 | 0:28:41 | |
-That's right, yeah. -So for him to find it for 30 is very clever. -Yes. | 0:28:41 | 0:28:46 | |
Overall, depending on how Archibald Knox gets on, | 0:28:46 | 0:28:49 | |
they won't need their bonus buy, but let's have a look at it anyway. | 0:28:49 | 0:28:54 | |
OK, BB, | 0:28:54 | 0:28:56 | |
80 dollars spent - pathetic! | 0:28:56 | 0:28:59 | |
420 dollars across to the man for your bonus buy. | 0:28:59 | 0:29:03 | |
-Paul, what did you spend? -Guys, we were looking for something nautical or marine. | 0:29:03 | 0:29:08 | |
Believe it or not, these fit the bill. | 0:29:08 | 0:29:10 | |
-Crikey! -Exactly. Let me tell you what they are - | 0:29:10 | 0:29:13 | |
Admiralty Pattern 12115, Second World War, | 0:29:13 | 0:29:18 | |
-specially designed binoculars for Combined Operations, Commando use. -Wow! | 0:29:18 | 0:29:23 | |
-Rather advanced and lightweight. Plastic construction, plastic lenses. -Wow! -Rare beasties. | 0:29:23 | 0:29:30 | |
-Wow, look at that! -When you first revealed it, I thought they were egg cups. | 0:29:30 | 0:29:35 | |
On the field, they used to use it for egg cups and binoculars, so dual purpose. | 0:29:37 | 0:29:43 | |
Oh, my word! Can I see? | 0:29:43 | 0:29:46 | |
-Don't drop 'em. -No, I won't. | 0:29:46 | 0:29:48 | |
-Wow! -Do you see any ships? | 0:29:48 | 0:29:51 | |
I do, lots of ships. Strewth, that's a bonzer ripper of a buy! | 0:29:51 | 0:29:55 | |
-That translated means it's quite a good one. -We think so. | 0:29:55 | 0:29:59 | |
It cost me 35 dollars. | 0:29:59 | 0:30:02 | |
-Oh! -Worth at auction 50 to 100 dollars. | 0:30:02 | 0:30:05 | |
50 to 100? Oh, Paul, you've done us proud. | 0:30:05 | 0:30:08 | |
-It's marvellous. -It's a bargain. -You don't have to choose until after the sale of your first three items. | 0:30:08 | 0:30:15 | |
But let's find out what the auctioneer thinks about the binocs. | 0:30:15 | 0:30:19 | |
Right then, Luke, a little test for Second World War equipment. | 0:30:20 | 0:30:24 | |
Second World War Combined Operations. | 0:30:24 | 0:30:27 | |
It's seen a few things, it's had a few stories to tell. Anything war-related is very collectable. | 0:30:27 | 0:30:33 | |
I would be thinking around 30 to 50. | 0:30:33 | 0:30:35 | |
OK, 35 dollars for Mr Laidlaw, but he really rates these | 0:30:35 | 0:30:39 | |
cos he likes the Commando, the Special Boat Squadron connection, | 0:30:39 | 0:30:45 | |
-the Cockleshell Heroes, all those wonderful people who were issued bits of equipment like this. -Mm-hm. | 0:30:45 | 0:30:52 | |
I think they're pretty rare. That's it for the Reds. | 0:30:52 | 0:30:55 | |
Now for the Blues. | 0:30:55 | 0:30:58 | |
First up is the treen, mortar string box, which is really strange, isn't it? | 0:30:58 | 0:31:04 | |
It's a bit of fun for the desk. | 0:31:04 | 0:31:07 | |
-What do you think it's worth? -Around the 30-dollar mark. 20 to 30. | 0:31:07 | 0:31:11 | |
20 to 30 dollars. They paid 60. | 0:31:11 | 0:31:13 | |
Maybe they paid too much for it, but I can quite understand because it's an attractive object. | 0:31:13 | 0:31:20 | |
Next is the War Widows brooch. What have you found out about that, Luke? | 0:31:20 | 0:31:24 | |
He is a well-known maker, the badge maker, Hungarian, Andor Meszaros. | 0:31:24 | 0:31:30 | |
And it's a Korean War badge, 1951. | 0:31:30 | 0:31:33 | |
Possibly silver. No marking, but it has the look and the feel. | 0:31:33 | 0:31:37 | |
You've got the kookaburra there, very collectable. We'd be thinking around the 20 to 30 mark again. | 0:31:37 | 0:31:43 | |
-60 dollars they paid. -We've had a lot of queries about it, so we could get a little surprise there. | 0:31:43 | 0:31:49 | |
-There we go. 20 to 30 dollars is not a lot, is it? -No. | 0:31:49 | 0:31:52 | |
What about the speaking tube orifice? | 0:31:52 | 0:31:56 | |
Again a novelty piece. Was practical back in the day. Not much use for it any more. | 0:31:56 | 0:32:01 | |
-No, most people would use a telephone. -It's a talking point, sitting there on the mantelpiece. | 0:32:01 | 0:32:08 | |
-Blow a raspberry down it. How much? -I'd be thinking 30 to 40. | 0:32:08 | 0:32:12 | |
Very good man. 20 dollars they paid. | 0:32:12 | 0:32:14 | |
Depending on how you get on with a War Widows Guild pin, they may or may not need their bonus buy, | 0:32:14 | 0:32:20 | |
but let's have a look at it anyway. | 0:32:20 | 0:32:22 | |
-So, Trish, Russ, how are you feeling? -Very well, thank you. -Very well, thank you. | 0:32:23 | 0:32:29 | |
You spent 140 dollars. You gave that David Barby, that naughty David Barby 360 dollars. | 0:32:29 | 0:32:35 | |
-What did you spend it on, Dave? -Something absolutely brilliant. -Oh! -It's Lladro. | 0:32:35 | 0:32:40 | |
If you think of Spanish pottery after the Second World War, | 0:32:40 | 0:32:44 | |
you think of Lladro and this is an early piece, so we're looking at '50s, '60s. | 0:32:44 | 0:32:49 | |
It's an Eskimo group and it's a large, heavy piece of ceramic art. | 0:32:49 | 0:32:55 | |
-What do you think? -I like it. | 0:32:55 | 0:32:57 | |
-Just hold it. Cuddle it! -Oh, yes, OK. | 0:32:57 | 0:33:01 | |
-You've got to be quite strong. -It's heavy. -I'm not allowed to hold things until I know the price. | 0:33:01 | 0:33:07 | |
-Well, I spent the whole lot, 360 dollars. -You blew the lot? -I blew the lot. | 0:33:07 | 0:33:12 | |
-You are such a punter, David Barby. -I think so. It was my last flourish of buying. | 0:33:12 | 0:33:17 | |
But Lladro is very popular, so we should do well. | 0:33:17 | 0:33:21 | |
I would guess that of all the second half of the 20th century ceramic factories, | 0:33:21 | 0:33:27 | |
-Lladro has been the most successful worldwide. -Indeed so, indeed so. | 0:33:27 | 0:33:31 | |
Those look lovely and there's so much weight to it. | 0:33:31 | 0:33:35 | |
Right now, you relax because you pick it after the sale of your first three items, | 0:33:35 | 0:33:40 | |
but for the viewers at home, let's find out what the auctioneer thinks about David's Lladro. | 0:33:40 | 0:33:46 | |
-Here we go, a couple of Eskimos for you. -Wow! | 0:33:46 | 0:33:50 | |
-No igloo. -Lladro, a big piece. Smaller pieces generally come through most weeks. | 0:33:50 | 0:33:56 | |
A smaller piece would be around the 70-dollar mark. | 0:33:56 | 0:33:59 | |
-A piece like this, I'd be thinking around 200 to 250. -200 to 250? Right. | 0:33:59 | 0:34:05 | |
360 dollars Mr Barby paid. It's supposed to be a bonus buy to earn them some profits. | 0:34:05 | 0:34:11 | |
-We could be struggling. -He could be out in the cold, like those Eskimos. Thank you very much. -Thank you. | 0:34:11 | 0:34:18 | |
-So how are you feeling, Trish? -Excited. -Are you? -Busting. | 0:34:25 | 0:34:29 | |
-Absolutely busting. -Busting what? | 0:34:29 | 0:34:32 | |
-Busting. -That's a new one on me. That's presumably very excited? | 0:34:32 | 0:34:36 | |
-Overflowing. Overflowing with exuberance. -Oh, busting? -Busting. -Brilliant. What about you, Russ? | 0:34:36 | 0:34:43 | |
-I'm absolutely just stoked. It's great. -Good. -Tremendous. Thank you. | 0:34:43 | 0:34:48 | |
First up is the treen mortar and here it comes. | 0:34:48 | 0:34:51 | |
Lot number 133 | 0:34:51 | 0:34:53 | |
is the mid-19th century, treen, model mortar. | 0:34:53 | 0:34:57 | |
-Look at that! -Great fun, this one, and it starts with me at 20. | 0:34:57 | 0:35:02 | |
-A low 20. At 20 here. -20? -25, I'm out already. At 25. 30. | 0:35:02 | 0:35:07 | |
5. 40. 5. | 0:35:07 | 0:35:10 | |
-50. -Go on! -Come on! -50 now seated. | 0:35:10 | 0:35:15 | |
With madam at 50. Are you sure...? | 0:35:15 | 0:35:17 | |
GAVEL BANGS 50 it is. | 0:35:17 | 0:35:20 | |
-50 is minus 10. Disappointing. -Yeah. -Now... | 0:35:20 | 0:35:24 | |
The Korea campaign, cupronickel War Widows badge | 0:35:24 | 0:35:27 | |
by Andor Meszaros. | 0:35:27 | 0:35:30 | |
A bit of interest starts it away at 80 with me. | 0:35:30 | 0:35:33 | |
At 80. 90. 100. | 0:35:33 | 0:35:36 | |
100 now with me. At 100. Anyone else? Are we done? | 0:35:36 | 0:35:41 | |
Very, very quick on that - 100. | 0:35:42 | 0:35:45 | |
Plus 40. There's nothing the matter with that, kids. | 0:35:45 | 0:35:49 | |
Lot number 135, the late 19th century, lignum vitae speaking tube, | 0:35:49 | 0:35:53 | |
mouthpiece and whistle. | 0:35:53 | 0:35:55 | |
-This has to sell. -I have interest with me. | 0:35:55 | 0:35:58 | |
It starts away at 60 here. At 60 this time. | 0:35:58 | 0:36:01 | |
60 now with me. No-one else? | 0:36:01 | 0:36:04 | |
60, lonely absentee bidder. Sure at 60? Last chance? | 0:36:04 | 0:36:08 | |
-Such a pity. -Still... -60 is plus 40 again. | 0:36:08 | 0:36:12 | |
You had plus 30 before. You've now got plus 70. | 0:36:12 | 0:36:16 | |
-Nothing the matter with that, a 70 profit. -Indeed. | 0:36:16 | 0:36:20 | |
-What are you going to do about these Eskimos? -We have to go with them. -They're beautiful. | 0:36:20 | 0:36:25 | |
-Do you? -Oh, yes. -It's a 360 investment and you already have a profit of 70. | 0:36:25 | 0:36:31 | |
-Positive. -Trish has been with Eskimos, the real ones. -In Alaska. -And she feels confident. | 0:36:31 | 0:36:37 | |
-Have you been making any calls to the Eskimos? -I haven't made any calls. -I'd have made a few calls. | 0:36:37 | 0:36:43 | |
-I was there three years ago. -Are we going to go with the Lladro? -Yes. -We'll go with the Lladro. | 0:36:43 | 0:36:49 | |
-I have every confidence. -I have to tell you that the auctioneer's estimate is 200 to 250. | 0:36:49 | 0:36:55 | |
-He's wrong. -All right. | 0:36:55 | 0:36:57 | |
Lot number 139 is the large Lladro, Eskimo figure group. | 0:36:57 | 0:37:02 | |
Again with interest, it starts away here at 300. | 0:37:02 | 0:37:06 | |
-300. -That's a good start. | 0:37:06 | 0:37:08 | |
325. 350. 75, I'm out. | 0:37:08 | 0:37:11 | |
-We're in profit. -At 375. | 0:37:11 | 0:37:13 | |
-400. -Well done, David. | 0:37:13 | 0:37:16 | |
-425. -425. -425. -That's very good. | 0:37:16 | 0:37:19 | |
At 425, with sir. Anyone else? | 0:37:19 | 0:37:22 | |
-Where's 450? -Yes... | 0:37:22 | 0:37:25 | |
-425. -Well done, David. That is a lovely profit of 65. | 0:37:25 | 0:37:30 | |
-That's great. -65 on top of your 70, right, | 0:37:30 | 0:37:34 | |
means that you are plus 135. | 0:37:34 | 0:37:38 | |
-Right. -Which could be a winning score. This is going to be an exciting finish. | 0:37:38 | 0:37:43 | |
-Don't say a word to the Reds. -We'll say "ssh". -Ssh! All will be revealed in a moment. | 0:37:43 | 0:37:48 | |
-Bruce and Brian, two legends... -Legends. -..of the Australian scene. | 0:37:56 | 0:38:01 | |
-How are you feeling? -I'm feeling absolutely great. | 0:38:01 | 0:38:05 | |
-What about you, Brucie? -Confident. Very confident. -Lovely. | 0:38:05 | 0:38:09 | |
As you spent such a miserable amount of money, I suppose you can only be confident. | 0:38:09 | 0:38:14 | |
It's a record. | 0:38:14 | 0:38:16 | |
First up are the salt and pepper shakers. | 0:38:16 | 0:38:20 | |
Lot number 120 is the Japanese, 1920s, novelty salt and pepper pots. | 0:38:20 | 0:38:25 | |
Great little things. Where do we start these? 50? | 0:38:25 | 0:38:28 | |
50? 30 then surely now? | 0:38:28 | 0:38:31 | |
-Come on. -30? 30 up back. At 30 now way up back. | 0:38:31 | 0:38:35 | |
At 30. 35. | 0:38:35 | 0:38:38 | |
At 35 in front. Again? 40? | 0:38:38 | 0:38:41 | |
Shake of the head in front. | 0:38:41 | 0:38:44 | |
At 40. I'll leave it open to the room. Anyone else? | 0:38:44 | 0:38:47 | |
-Oh, yes, 40. -Finished and done at 40...? 40. | 0:38:47 | 0:38:51 | |
40 is plus 15. We love that, lads. | 0:38:51 | 0:38:53 | |
-We do. -That's a drink. -A big night there! | 0:38:53 | 0:38:57 | |
Lot number 121, the silver and niello World War One napkin ring. | 0:38:57 | 0:39:02 | |
I have a bid here of 30 now with me. | 0:39:02 | 0:39:05 | |
-At 35. 40. -We're already in profit. -5. 50. | 0:39:05 | 0:39:08 | |
-50 with me now. -Doubled your money. -Seems awfully low at 50. | 0:39:08 | 0:39:13 | |
60, new bidder. 60 now seated. | 0:39:13 | 0:39:16 | |
60 now, are we sure? Over and finished at 60...? | 0:39:16 | 0:39:20 | |
-Hey! -GAVEL BANGS | 0:39:20 | 0:39:23 | |
60, you are the champions, aren't you? | 0:39:23 | 0:39:26 | |
That gives you 25... That gives you plus 35 on that. | 0:39:26 | 0:39:30 | |
-Now the exciting item. Here it comes. -This is the one. | 0:39:30 | 0:39:34 | |
Lot number 122 is the Liberty Tudric, enamelled "mortar" vase. | 0:39:34 | 0:39:40 | |
Again I have interest at 50 now with me, straight away. | 0:39:40 | 0:39:44 | |
60. 70. 80. 90. | 0:39:44 | 0:39:46 | |
100, I'm out. 100 now in the room. | 0:39:46 | 0:39:49 | |
-100 now. Anyone else? -Come on. -Are we done at 100? | 0:39:49 | 0:39:53 | |
-Sure? -Oh, no. -Surely more? What? What? | 0:39:53 | 0:39:57 | |
It's a profit of plus 70. You had 50 before. You've just made 70. | 0:39:57 | 0:40:01 | |
You are 120 up | 0:40:01 | 0:40:04 | |
-which is... -A clean sweep of profits. -..pretty good. | 0:40:04 | 0:40:08 | |
You have a profit on each item which is always nice. | 0:40:08 | 0:40:12 | |
Are you going to go with the Admiralty Pattern fellow? | 0:40:12 | 0:40:16 | |
-We should definitely go with the bonus buy. -OK. -Are you going to do it? | 0:40:16 | 0:40:21 | |
-Yeah. -All right. -They're very good. | 0:40:21 | 0:40:23 | |
-You've done well so far. -We're going with the bonus buy and here they come. | 0:40:23 | 0:40:28 | |
Lot 126, the World War Two Combined Operations and Airborne binoculars. | 0:40:28 | 0:40:34 | |
50? 50 surely? | 0:40:34 | 0:40:36 | |
30 then to start it? 30 now. | 0:40:36 | 0:40:39 | |
At 30 now with sir. 35 behind. 40. 5. | 0:40:39 | 0:40:43 | |
50. 60. 70. | 0:40:43 | 0:40:46 | |
At 70 now, with the first bidder at 70. Anyone else? Are we done? | 0:40:46 | 0:40:50 | |
At 70, last chance...? | 0:40:50 | 0:40:53 | |
-Well done, Paul. -Great. -70, 70... -Well done. | 0:40:53 | 0:40:57 | |
-It's a profit of 35. -Excellent. -We like the 35 profit there. | 0:40:57 | 0:41:02 | |
-That is a ripper! -Which means overall, you are 155 up! -Wow! | 0:41:02 | 0:41:07 | |
-That's terrific. -Isn't it terrific? -Brilliant. -It really is terrific. | 0:41:07 | 0:41:11 | |
The only problem is, you're going to have to keep quiet about it. | 0:41:11 | 0:41:16 | |
-I will. -Are you going to be able to stay mum? -Absolutely, poker face. | 0:41:16 | 0:41:20 | |
-Not a word. -Don't say anything to the Blues, all right? Lovely. | 0:41:20 | 0:41:24 | |
-All will be revealed in a moment. Thank you very much. -Thank you. | 0:41:24 | 0:41:28 | |
-Have you been chatting about your individual scores? -No. -You haven't? | 0:41:36 | 0:41:41 | |
Well, they're massive. That's all I can say. | 0:41:41 | 0:41:44 | |
It's a tribute to Australia, these massive profits on Bargain Hunt. | 0:41:44 | 0:41:50 | |
And the team that has done extremely well, | 0:41:50 | 0:41:53 | |
but nevertheless is the runner-up today, are the Blues. | 0:41:53 | 0:41:57 | |
BLUE TEAM: Aw! | 0:41:57 | 0:41:59 | |
It's never right, is it really? | 0:41:59 | 0:42:01 | |
Can we go home now? | 0:42:01 | 0:42:03 | |
You've made profits, substantial profits, | 0:42:03 | 0:42:07 | |
and I'm going to dole out 135 to you fellas. | 0:42:07 | 0:42:11 | |
135, which is a substantial lump. Good luck, you two. We've loved having you on the programme. | 0:42:11 | 0:42:17 | |
But the victors today who are going home with 155... | 0:42:17 | 0:42:22 | |
-Yeah! -155, pretty good, isn't it? | 0:42:22 | 0:42:26 | |
-It's a ripper! -In fact, so many profits on your items | 0:42:26 | 0:42:29 | |
that you're entitled to the golden gavel! | 0:42:29 | 0:42:32 | |
Ohh! | 0:42:32 | 0:42:35 | |
These don't get doshed out very often. There we go, three of 'em. | 0:42:35 | 0:42:39 | |
-That one's for you, Brucie. -Thank you. -There you go, Brian. That's yours. -Thank you very much. | 0:42:39 | 0:42:45 | |
-And one for Mr Laidlaw. -Thank you. -To get a profit on all three items is rare and I congratulate you. | 0:42:45 | 0:42:51 | |
We have had a "splendido" day. | 0:42:51 | 0:42:54 | |
We need to invite you to join us soon for some more bargain hunting. | 0:42:54 | 0:42:58 | |
-Yes? -Yes! | 0:42:58 | 0:43:00 | |
Subtitles by Subtext for Red Bee Media Ltd 2012 | 0:43:16 | 0:43:20 | |
Email [email protected] | 0:43:20 | 0:43:24 |