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Today, we've swapped pounds for dollars, Australian dollars, | 0:00:09 | 0:00:13 | |
because we're in Sydney. | 0:00:13 | 0:00:15 | |
So, let's go bargain hunting. Yeah! | 0:00:15 | 0:00:18 | |
MUSIC: "South Australia" | 0:00:38 | 0:00:42 | |
G'day! | 0:00:46 | 0:00:48 | |
We've travelled round the globe to Sydney, the largest city Down Under. | 0:00:48 | 0:00:53 | |
But I'm not here for the sun and surf, | 0:00:53 | 0:00:55 | |
I'm here on the hunt for Aussie bargains. | 0:00:55 | 0:00:59 | |
Well, we've changed countries, but we haven't changed the rules. | 0:00:59 | 0:01:03 | |
Each team still gets £300, so that's 500 Australian dollars, | 0:01:03 | 0:01:07 | |
and an hour to buy three items. | 0:01:07 | 0:01:09 | |
Shall we have a sneak preview as to how they got on? | 0:01:09 | 0:01:13 | |
Our host today is the Sydney Antiques Centre, | 0:01:16 | 0:01:20 | |
two huge floors cram-packed with Australiana and old-world antiques | 0:01:20 | 0:01:24 | |
for our Aussie bargain-hunting teams to explore. | 0:01:24 | 0:01:28 | |
The Reds start off in smashing style. | 0:01:30 | 0:01:33 | |
ITEM CLATTERS | 0:01:33 | 0:01:36 | |
Panic, panic. It's a team effort now. | 0:01:36 | 0:01:39 | |
And it's hats off to the Blues. | 0:01:39 | 0:01:41 | |
That is stunning. That is stunning. You look like some movie star. | 0:01:41 | 0:01:46 | |
But who will come out on top with their items when they go to auction? | 0:01:46 | 0:01:50 | |
-Go on, go, go. -Well done. | 0:01:50 | 0:01:51 | |
Yes! | 0:01:51 | 0:01:53 | |
Welcome to a very special edition of Bargain Hunt. | 0:01:58 | 0:02:02 | |
For the Reds, we've got husband and wife Narelle and Mark, | 0:02:02 | 0:02:07 | |
and for the Blues, we've got Ian and Beck, who are just good friends. | 0:02:07 | 0:02:10 | |
-Now, Narelle. You've been married for 15 years? -That's correct. | 0:02:10 | 0:02:14 | |
And it don't seem a day too long, right? Is that right? | 0:02:14 | 0:02:17 | |
-That's right, yes. -And how did you two meet? | 0:02:17 | 0:02:19 | |
We met through friends. | 0:02:19 | 0:02:21 | |
Mark was sitting at one end of the table and I was at the other, | 0:02:21 | 0:02:24 | |
and I liked the look of him, | 0:02:24 | 0:02:25 | |
so I thought I'd better move to where he was sitting, | 0:02:25 | 0:02:28 | |
and ten months later, we were married. | 0:02:28 | 0:02:30 | |
So, was it before the dessert course that you moved up? | 0:02:30 | 0:02:32 | |
Did you allow him to have the main course alone | 0:02:32 | 0:02:35 | |
and then you nabbed him? | 0:02:35 | 0:02:36 | |
-I think I moved before the entree. -Did you? -Oh, yeah. | 0:02:36 | 0:02:39 | |
You're a fast worker, then, girl, aren't you? | 0:02:39 | 0:02:42 | |
Now, you live in Sydney, but you've got a very responsible job. | 0:02:42 | 0:02:45 | |
-Tell me about that. -I do, I work for corrective services | 0:02:45 | 0:02:48 | |
and I do all the paperwork for inmate transfers. | 0:02:48 | 0:02:50 | |
We'd better, for the UK audience, | 0:02:50 | 0:02:53 | |
define exactly what corrective services are. | 0:02:53 | 0:02:56 | |
-The jails. -The jails? -The Department of Corrective Services. -Oh, right. | 0:02:56 | 0:03:00 | |
So, is it true then, Mark, | 0:03:00 | 0:03:02 | |
that you saw Narelle having such a great time in her job | 0:03:02 | 0:03:05 | |
that you decided to join her? | 0:03:05 | 0:03:06 | |
You probably could say that. I was in the corporate world before. | 0:03:06 | 0:03:09 | |
I'd had enough of the corporate marketing world | 0:03:09 | 0:03:12 | |
and decided to go for something completely left-field. | 0:03:12 | 0:03:15 | |
-Yeah? Finished up in prison too? -Yep, finished up in prison. | 0:03:15 | 0:03:19 | |
-Been a prison officer for ten years, now. -Have you? -Yeah. | 0:03:19 | 0:03:22 | |
And what's the best part of the job? | 0:03:22 | 0:03:24 | |
-Uh...the money? -Is it? Oh, good. | 0:03:24 | 0:03:26 | |
That's perfectly honest, then, isn't it? | 0:03:26 | 0:03:29 | |
Brilliant. Anyway, very good luck. | 0:03:29 | 0:03:31 | |
Now, for the Blues. Ian, tell me how you two met. | 0:03:31 | 0:03:35 | |
Um, I met Beck about 10 years ago, | 0:03:35 | 0:03:36 | |
and that's when I came across from Auckland in New Zealand to... | 0:03:36 | 0:03:40 | |
-So you're not an Aussie, then? -Well, I am now. -Oh, you are now. | 0:03:40 | 0:03:43 | |
-I became and Aussie in 2007 but, you know, a Kiwi as well. -Yes. | 0:03:43 | 0:03:48 | |
So, you're well prepped for this Bargain Hunt deal | 0:03:48 | 0:03:51 | |
that we've got in front of us today, yes, Beck? | 0:03:51 | 0:03:53 | |
Yes, I think so. My life has been surrounded by antiques and art, so... | 0:03:53 | 0:03:59 | |
What, from your parents? | 0:03:59 | 0:04:00 | |
Yes, yep. They were very passionate about collecting things. | 0:04:00 | 0:04:03 | |
Yes? What sort of things? | 0:04:03 | 0:04:05 | |
Um...marbles, pie funnels, pudding dolls. | 0:04:05 | 0:04:09 | |
-They're serious. -Their house is like a phone box. | 0:04:09 | 0:04:13 | |
They keep bringing more stuff, and the house is just getting smaller. | 0:04:13 | 0:04:16 | |
-They're not antique dealers? -No, but they should get involved. | 0:04:16 | 0:04:19 | |
They've got enough stock to have a shop, yeah. | 0:04:19 | 0:04:22 | |
Ian, you're a bit of an adrenalin junkie, tell us a bit about that. | 0:04:22 | 0:04:25 | |
I love it. I did my first bungee jump at 12 with my family in Taupo | 0:04:25 | 0:04:29 | |
in New Zealand and ever since that moment, I've just got the bug. | 0:04:29 | 0:04:33 | |
Don't you worry when you jump off on that rubber band | 0:04:33 | 0:04:35 | |
that it might break? | 0:04:35 | 0:04:36 | |
That's the whole thrill of it. You know, adds more flavour to it. | 0:04:36 | 0:04:40 | |
Anyway, what is your strategy between you? | 0:04:40 | 0:04:42 | |
What are you going to go for today? | 0:04:42 | 0:04:44 | |
Well, I like the low-spend strategy, | 0:04:44 | 0:04:46 | |
but we're in a very challenging venue. | 0:04:46 | 0:04:48 | |
-Yes. You think it's going to be pricey today? -I have a feeling, yes. | 0:04:48 | 0:04:51 | |
OK, well, that leads us perfectly neatly to the money moment. | 0:04:51 | 0:04:55 | |
Here are your A500 | 0:04:55 | 0:04:57 | |
to trot off with, all right? | 0:04:57 | 0:05:00 | |
You know the rules, your experts await, and off you go, | 0:05:00 | 0:05:03 | |
and very, very good luck! | 0:05:03 | 0:05:05 | |
What is going to happen with our cobbers today? | 0:05:05 | 0:05:07 | |
Well, I don't know. But they're going to need some expert help, | 0:05:07 | 0:05:11 | |
so we've brought two of our best. | 0:05:11 | 0:05:13 | |
Paul Laidlaw's mucking in with the Reds. | 0:05:13 | 0:05:17 | |
David Barby's lending a hand to the Blues. | 0:05:17 | 0:05:20 | |
Oh, wait a minute. So you don't bring a second. | 0:05:22 | 0:05:27 | |
LAUGHTER | 0:05:27 | 0:05:29 | |
So, everyone's in high spirits. Let's get this Aussie shop underway. | 0:05:30 | 0:05:35 | |
Ooh, ooh, we're on the clock. | 0:05:36 | 0:05:37 | |
-Right, let's go and have a look at this stand over here. -OK. | 0:05:37 | 0:05:40 | |
Spoilt for choice, which is good! You're the bosses. | 0:05:40 | 0:05:46 | |
They may be the bosses, but you're the experts. | 0:05:46 | 0:05:49 | |
I hope you and David have done your research | 0:05:49 | 0:05:51 | |
into what sells well Down Under. | 0:05:51 | 0:05:53 | |
So, how do you know this is Australian? | 0:05:53 | 0:05:56 | |
I think it's got the classic glaze | 0:05:56 | 0:06:00 | |
and the matte, and it sings landscape, | 0:06:00 | 0:06:05 | |
which is very Australian. | 0:06:05 | 0:06:07 | |
-Cos I see sunspots in it. -Definitely. I see trees. -Yeah. | 0:06:07 | 0:06:11 | |
Nice eucalyptus up here, just beautiful. | 0:06:11 | 0:06:14 | |
The Olgas and the outback, I think it's just really beautiful. | 0:06:14 | 0:06:17 | |
-It's very heavy. -A little koala in the bottom corner. | 0:06:17 | 0:06:19 | |
-Look really closely. -You have such a vivid imagination. | 0:06:19 | 0:06:22 | |
You are a dreamer. | 0:06:22 | 0:06:24 | |
Well, I think this is what you look at a piece of art pottery. | 0:06:24 | 0:06:27 | |
You explore it and you use your own imagination. | 0:06:27 | 0:06:30 | |
Just let's turn it over and explore it a little bit more, if we can. | 0:06:30 | 0:06:34 | |
-Ooh, gosh, that is heavy! -The muscle man! Come on! | 0:06:34 | 0:06:36 | |
-Show us your muscles. -Looks better on this side, actually. | 0:06:36 | 0:06:39 | |
-Oh, it's stunning. -Well, what I like is the fact | 0:06:39 | 0:06:42 | |
that you can see it's been turned on the wheel. | 0:06:42 | 0:06:44 | |
And that's where it's been cut off the wheel, | 0:06:44 | 0:06:47 | |
that small blobule of clay, there. | 0:06:47 | 0:06:50 | |
-I like this. What's it say there? -I don't know. It is a signature. | 0:06:50 | 0:06:54 | |
-Robinson. -Robinson, and it's, what, 85? -85. -You have si... Ooh. | 0:06:54 | 0:06:59 | |
Gosh, it's heavy, isn't it? | 0:06:59 | 0:07:01 | |
You have a similar type of pottery in England as well, | 0:07:01 | 0:07:04 | |
but I think this is very striking. | 0:07:04 | 0:07:07 | |
Let's see where the owner of this stand is. | 0:07:07 | 0:07:10 | |
Could we just chat about this particular pot? | 0:07:10 | 0:07:13 | |
-What's the price on this, please? -80. -80? -Mm-hm. | 0:07:13 | 0:07:17 | |
-Is that the very, very best you can do? -Um... | 0:07:17 | 0:07:22 | |
I can go down a little bit. 60? | 0:07:22 | 0:07:24 | |
-Come on, help me out here. -I don't know, I don't know. | 0:07:24 | 0:07:27 | |
Is that really the very best you can do? | 0:07:27 | 0:07:30 | |
-I wonder where he's got that from. -I'm thinking... | 0:07:30 | 0:07:34 | |
-I'm thinking, maybe, 40. I don't know. -Deal. -Yeah? Oh! | 0:07:34 | 0:07:39 | |
That's too eager, we might have got it for 20! | 0:07:39 | 0:07:44 | |
Well done, Blues. Let's hope the rest of your shop is as easy. | 0:07:44 | 0:07:49 | |
Narelle and Mark, how are you getting on? | 0:07:52 | 0:07:54 | |
-So, we're on a mission to make some dollars. -Serious coin, yep. | 0:07:54 | 0:08:02 | |
-How are we going to do that? -Open mind. Just... -Open mind. | 0:08:02 | 0:08:06 | |
Just see something that looks all right, just grab it. | 0:08:06 | 0:08:09 | |
Liking your style. That so works for me, because we've... | 0:08:09 | 0:08:12 | |
-What does that mean? We've no blinkers on, have we? -Nope. | 0:08:12 | 0:08:15 | |
-Yes, but no direction either, Paul. -What've we got... | 0:08:15 | 0:08:19 | |
She'll probably spot something first. | 0:08:19 | 0:08:23 | |
Reds, it all seems a bit relaxed to me. | 0:08:23 | 0:08:25 | |
What about this? | 0:08:25 | 0:08:28 | |
I think that's nice. So what period is that? That Audrey Hepburn type. | 0:08:28 | 0:08:31 | |
-Yeah, it is. It's...'50s? -And that would fit you, wouldn't it? | 0:08:31 | 0:08:36 | |
Well, I don't know. My waist size doesn't fit with the '50s waist. | 0:08:36 | 0:08:40 | |
-Does it not? -I've tried so many '50s dresses. | 0:08:40 | 0:08:42 | |
-Because after the war, after the war, people were on ration. -Yes. | 0:08:42 | 0:08:47 | |
-It's true. It was the healthiest type for them. -I'm not. I'm on... | 0:08:47 | 0:08:51 | |
-And they were very, sort of, stick-like. -..good living. | 0:08:51 | 0:08:54 | |
Shall we not go into that, please. | 0:08:54 | 0:08:56 | |
Let's have a look at the hats, since you're so keen on the hats. | 0:08:56 | 0:08:59 | |
That's right, David. Move on, boy. | 0:08:59 | 0:09:02 | |
-What do you feel, Narelle? -Nothing yet. | 0:09:09 | 0:09:12 | |
-We'll find something. -Just looking... | 0:09:12 | 0:09:16 | |
looking... | 0:09:16 | 0:09:18 | |
It's all very well looking, looking. | 0:09:18 | 0:09:22 | |
You need to start buying, buying! | 0:09:22 | 0:09:25 | |
Looking... | 0:09:25 | 0:09:27 | |
looking... | 0:09:27 | 0:09:29 | |
Hmm... | 0:09:31 | 0:09:34 | |
Ooh! Book ends! | 0:09:34 | 0:09:37 | |
-Oh, no. Cats. -Oh, they're cats, they're cats. Oh! | 0:09:37 | 0:09:39 | |
-ITEM CLATTERS -Panic, panic. | 0:09:39 | 0:09:42 | |
It's a team effort now. | 0:09:42 | 0:09:44 | |
It's a pincer action. | 0:09:44 | 0:09:47 | |
Oh dear, oh dear. Pull yourselves together, Reds. | 0:09:47 | 0:09:50 | |
-I think that's lovely on you. -It's lovely, isn't it? | 0:09:50 | 0:09:54 | |
-Uh, it's your colour. -It brings out your eyes. | 0:09:54 | 0:09:57 | |
Mmm. Big eyes. | 0:09:57 | 0:10:00 | |
-Would you like to try? -No, I would not! | 0:10:00 | 0:10:04 | |
You know, us Aussies, we love to dress up. | 0:10:04 | 0:10:06 | |
No kidding. | 0:10:06 | 0:10:07 | |
-Oh, that looks good. -Yeah. -That looks good. | 0:10:11 | 0:10:14 | |
-No, you look like one of the Diddy Men. -Coneheads. -Coneheads. -Yeah. | 0:10:14 | 0:10:18 | |
-That's... You can't tell the difference. -No. | 0:10:18 | 0:10:20 | |
-It does look like a toupee, doesn't it? -It just blends. | 0:10:20 | 0:10:23 | |
You actually remind me of my mother. | 0:10:23 | 0:10:26 | |
let's have a look. That is stunning. That is stunning. | 0:10:30 | 0:10:34 | |
You look like some movie star. | 0:10:34 | 0:10:36 | |
-And that little bling-bling BH. -Yes. | 0:10:36 | 0:10:39 | |
Some nice ties in there. | 0:10:46 | 0:10:48 | |
I've got to be honest with you, Narelle, this is a boy's toy. | 0:10:50 | 0:10:53 | |
What are we looking at? A little desk ornament, | 0:10:53 | 0:10:55 | |
and I'm going to be honest with you, this is tourist fodder. | 0:10:55 | 0:10:58 | |
This was a tourist piece, probably bought in France, | 0:10:58 | 0:11:01 | |
possibly during the First World War, but as likely in the '20s | 0:11:01 | 0:11:04 | |
when there was a lot of touring of the Flanders and French battlefields. | 0:11:04 | 0:11:10 | |
Does this little ammunition box do anything? It carried... | 0:11:10 | 0:11:14 | |
-What do you think went in there? -Ink. -Ink. | 0:11:14 | 0:11:16 | |
Absolutely. There you have, we know for sure, it's an inkstand dish. | 0:11:16 | 0:11:20 | |
Um... Given that, I said earlier on, it's tourist fodder - | 0:11:20 | 0:11:25 | |
it's not fine art, it's nothing spectacular - | 0:11:25 | 0:11:28 | |
does it have a fine art price or does it have a price commensurate | 0:11:28 | 0:11:33 | |
with its humble origins? And I would need this to be... | 0:11:33 | 0:11:36 | |
A very humble price. | 0:11:36 | 0:11:38 | |
-..a double-digit price, yeah. -Ooh. Could we go to a hundred? | 0:11:38 | 0:11:42 | |
Look, can I just be really cheeky? | 0:11:42 | 0:11:44 | |
Maybe we can leave open this and see if we add to it, | 0:11:44 | 0:11:48 | |
and then, all of a sudden, things start to work for both of us? | 0:11:48 | 0:11:51 | |
-That would be fine. -Right, OK. | 0:11:51 | 0:11:52 | |
I'll give you that back. Don't put it back in the cabinet, | 0:11:52 | 0:11:55 | |
let's hope it goes that way, and let's see what else we find? | 0:11:55 | 0:11:58 | |
-Yep. -OK. -Good lad. -Excellent. Happy hunting! -Thank you! | 0:11:58 | 0:12:02 | |
Well, I suppose that's some sort of progress. | 0:12:02 | 0:12:05 | |
Blues. What have you found, now? | 0:12:07 | 0:12:09 | |
-I just want to know why on earth you like these? -Me, too. | 0:12:09 | 0:12:12 | |
They're just...hideously ugly but stunning. I've got the wrong one. | 0:12:12 | 0:12:17 | |
-OK. Here... I better not... I'll try not to speak. -Speak no evil. -Yes. | 0:12:19 | 0:12:24 | |
-Hear no evil. -And then see no evil. | 0:12:24 | 0:12:27 | |
-I think they're appropriate for the three of us. -Do you think so? | 0:12:27 | 0:12:30 | |
-Well, they were made yesterday. -Were they? | 0:12:30 | 0:12:34 | |
Taiwan or somewhere like that. Far East. | 0:12:34 | 0:12:37 | |
-Let's not risk it. -No. | 0:12:37 | 0:12:40 | |
Well done, Barby. Reds, have you made a decision on the inkstand yet? | 0:12:40 | 0:12:44 | |
Do you want to take the reins? Do you want to try and...? | 0:12:46 | 0:12:49 | |
-Narelle, are you comfy? -Cool, I'll try it. -Yeah, off you go. | 0:12:49 | 0:12:52 | |
-Yeah? Do think we should try and buy it? -Yeah, yeah. | 0:12:52 | 0:12:55 | |
-Good luck, my man, yeah? We'll just mill. -Yep. -Yeah. | 0:12:55 | 0:12:59 | |
Right, Mark. Go in all guns blazing, mate. | 0:12:59 | 0:13:03 | |
-No word of a lie, I do like that. -OK. | 0:13:03 | 0:13:06 | |
But I don't want to pay any more than 75. | 0:13:08 | 0:13:13 | |
-Wow. That is blazing. -I'll see what I can do for you. | 0:13:13 | 0:13:20 | |
Right, now...finish her off. | 0:13:20 | 0:13:23 | |
It's our first item we're buying. | 0:13:25 | 0:13:27 | |
-All right. -All right? 75? -75. -Done deal. Excellent. Done deal. | 0:13:27 | 0:13:32 | |
-You're up and running. -First item bought. | 0:13:32 | 0:13:34 | |
-Yes. -Yay! -First one bought. -Feeling good. -Well done. | 0:13:34 | 0:13:38 | |
Excellent. Each team is neck and neck, | 0:13:38 | 0:13:41 | |
and now it's my chance to check out what's on offer. | 0:13:41 | 0:13:45 | |
There you go, look. Twinkling Eyes. | 0:13:46 | 0:13:50 | |
But what's inside? Something to do with twinkling eyes, methinks. | 0:13:50 | 0:13:54 | |
And, yes. Inside the box, we have got a pair of specs. | 0:13:54 | 0:14:00 | |
Now, if there's one question | 0:14:00 | 0:14:02 | |
that I am asked more often than any other question, it's, | 0:14:02 | 0:14:06 | |
"Tim, how many pairs of spectacles have you got?" | 0:14:06 | 0:14:09 | |
And the classic reply to that is, "Quite a few." | 0:14:09 | 0:14:12 | |
Well, I've just acquired another pair of spectacles. | 0:14:12 | 0:14:15 | |
What do you think about these babies? | 0:14:15 | 0:14:17 | |
Aren't they fun? This thing was simply a toy | 0:14:17 | 0:14:21 | |
made for children in the 1940s or early 1950s, | 0:14:21 | 0:14:26 | |
but what I like about these things is that they're such fun. | 0:14:26 | 0:14:29 | |
Now, are you getting the winky-eye method? | 0:14:29 | 0:14:35 | |
Is that fun or is it fun? | 0:14:35 | 0:14:38 | |
I think they're great. | 0:14:38 | 0:14:40 | |
What will they cost you? Here in Australia, 22 dollars. | 0:14:40 | 0:14:45 | |
Multiply by 6. That's about £12. What might they be worth? | 0:14:45 | 0:14:51 | |
Look it up on the internet | 0:14:51 | 0:14:53 | |
and you'll find that some pairs can make 20 more. | 0:14:53 | 0:14:59 | |
So, there's not a lot of profit in it but a lot of fun! | 0:14:59 | 0:15:04 | |
You said you liked sailing ships. | 0:15:11 | 0:15:16 | |
Wow, a lantern. Isn't that great? | 0:15:16 | 0:15:20 | |
-David, that's fantastic. -Do you like that? -Yeah. | 0:15:20 | 0:15:24 | |
-That's moulded glass. -And look at the fish on the bottom. I do like that. | 0:15:24 | 0:15:29 | |
I can see that in one of those houses with a wrought-iron balconies at the front. | 0:15:29 | 0:15:34 | |
-Yes. -Nice spotting. -David, what are we looking at? | 0:15:34 | 0:15:39 | |
Well, we are looking at the lantern. It's 169. | 0:15:39 | 0:15:43 | |
-What's the very best you could do on that? -We could make that 120. | 0:15:43 | 0:15:48 | |
-I'd like it tucked under 100. -Oh! | 0:15:48 | 0:15:50 | |
-Please! -Starting with 99. -It ought to be around 80. | 0:15:50 | 0:15:56 | |
-Please? -90. -80. 90. 85. | 0:15:56 | 0:15:59 | |
-All right, 85! -85! I think that's good. | 0:15:59 | 0:16:05 | |
-58? -No! | 0:16:05 | 0:16:08 | |
-You're very good at this! -85! -And cheeky! | 0:16:08 | 0:16:13 | |
Excellent! Item number two. | 0:16:13 | 0:16:15 | |
Whilst you're doing that, could we have a look in the far cabinet? | 0:16:15 | 0:16:20 | |
-Of course. -There's a pair of earrings. | 0:16:20 | 0:16:24 | |
Oh! And a third may not be far away. | 0:16:24 | 0:16:26 | |
-Two thirds of the shopping is done. -Anything you see, woman? | 0:16:26 | 0:16:30 | |
Reds, is that the scent of panic in the air? | 0:16:30 | 0:16:34 | |
I don't know. It's too much. | 0:16:34 | 0:16:38 | |
I'm worried about the time - we're dawdling. Dawdling! | 0:16:38 | 0:16:42 | |
-You find something. You lead the way. -I'm trying. | 0:16:42 | 0:16:45 | |
-You've lost your marbles? -No, one's missing! | 0:16:47 | 0:16:51 | |
We're looking at the solitaire set, are we? | 0:16:51 | 0:16:56 | |
There needs to be one missing, because... | 0:16:56 | 0:17:00 | |
Because! LAUGHTER | 0:17:00 | 0:17:02 | |
Kind of a frustrating game. | 0:17:02 | 0:17:05 | |
So, look, | 0:17:05 | 0:17:08 | |
we know what we've got. | 0:17:08 | 0:17:10 | |
I'm going to cut straight to the chase here. | 0:17:10 | 0:17:13 | |
The prices are frightening me, as is your mania | 0:17:13 | 0:17:16 | |
for breaking the place up! | 0:17:16 | 0:17:19 | |
LAUGHTER | 0:17:19 | 0:17:22 | |
180, £120! | 0:17:22 | 0:17:25 | |
Worth £120, you know. The marble collectors like them. | 0:17:27 | 0:17:30 | |
I don't see rare glass marbles. | 0:17:30 | 0:17:33 | |
But I do like... | 0:17:33 | 0:17:34 | |
You see all these little marks of age here? All these cracks. | 0:17:34 | 0:17:39 | |
I think it's a 120-140 year old. I think it could easily be. | 0:17:39 | 0:17:43 | |
-Right, the clock's ticking. Do we send the missionary off here? -Yep, and we'll go cruising. | 0:17:43 | 0:17:48 | |
And we'll keep looking. And we want to pay £40 or £60. | 0:17:48 | 0:17:54 | |
If you can get down to that, I think it's worth a punt. See what you can do. | 0:17:54 | 0:17:58 | |
We'll fall for your mission. | 0:17:58 | 0:18:01 | |
You've got to take the reins sometimes. | 0:18:01 | 0:18:05 | |
Well, someone needs to, because the Blues are nearing the finish. | 0:18:05 | 0:18:09 | |
-I think those are stunning. -They need a bit of shine to them. | 0:18:09 | 0:18:13 | |
-What about the backing? -I think the backing's OK. Sterling standard. | 0:18:13 | 0:18:19 | |
It's got that bit of gold colouring. | 0:18:19 | 0:18:24 | |
I like the fact it's got the amethyst-type stone. | 0:18:24 | 0:18:28 | |
Right, let me go and find the dealer and come back. Do you like those? | 0:18:28 | 0:18:35 | |
-Yes. Do you like these? -I do. I think they're cute. | 0:18:35 | 0:18:38 | |
-Do you think that would have an appeal in an auction? -Hold on to that, please. | 0:18:38 | 0:18:44 | |
-I feel comfortable in 60. -60? That's less than half price! | 0:18:48 | 0:18:53 | |
-Yes, we are looking for a bargain. -You sure are. | 0:18:53 | 0:18:57 | |
-Erm... -It's cold cash. | 0:18:57 | 0:19:02 | |
It could be sitting there for another month or two. | 0:19:02 | 0:19:05 | |
Probably could be. OK, I'll do 60. | 0:19:05 | 0:19:08 | |
60? Cool, sweet. Deal done. | 0:19:08 | 0:19:11 | |
-OK. -Thank you. | 0:19:11 | 0:19:13 | |
Crikey, Mark, you Aussies are amazing hagglers. | 0:19:13 | 0:19:17 | |
-How did you go? What did you get it for? -60. -Well done. | 0:19:17 | 0:19:21 | |
Get in! | 0:19:21 | 0:19:22 | |
LAUGHTER | 0:19:22 | 0:19:23 | |
-Is there a dead body round there? -Yeah! Got it for 60. | 0:19:23 | 0:19:28 | |
-Well done. -I've got a good feeling about this! | 0:19:28 | 0:19:31 | |
-Get in! -Your turn next. -I'm not negotiating! | 0:19:31 | 0:19:36 | |
Now, Reds, don't count your chickens. | 0:19:37 | 0:19:40 | |
You're into the final minutes and you still need to find another item. | 0:19:40 | 0:19:44 | |
I have Don here, and he says 45 on the silver earrings. | 0:19:44 | 0:19:51 | |
Is it 45 and an even hundred for the lamp as well? | 0:19:51 | 0:19:55 | |
Ian, you cunning monkey! | 0:19:55 | 0:19:56 | |
-100 for the two would be really... -We'll do 100 for the two. -All right! | 0:19:56 | 0:20:02 | |
We'll do the lamp for 60 and the earrings for 40. | 0:20:02 | 0:20:05 | |
-Excellent. -Excellent. Good man! | 0:20:05 | 0:20:09 | |
Cracking finish, Ian. | 0:20:09 | 0:20:10 | |
That's another 25 off the lamp. Reds, are you panicking yet? | 0:20:10 | 0:20:15 | |
Quickly, folks, four minutes, three minutes, I don't know. | 0:20:15 | 0:20:18 | |
Those glasses that you spotted. | 0:20:18 | 0:20:21 | |
-What about this? -What, what, what? | 0:20:22 | 0:20:24 | |
-She's off in the wrong direction. -Oh, no, it's 245! | 0:20:24 | 0:20:27 | |
-Just pick something, Narelle. -I don't know! | 0:20:27 | 0:20:30 | |
This is typically Finnish. You can still buy good glass like this. | 0:20:33 | 0:20:38 | |
There's nothing to suggest... It could be... | 0:20:38 | 0:20:41 | |
Oh, there's another... | 0:20:41 | 0:20:44 | |
Sorry, sorry, sorry. | 0:20:44 | 0:20:46 | |
There's a wee imperfection. There's nothing... | 0:20:46 | 0:20:50 | |
The could be 1960s, but they could be 2010 as well. | 0:20:50 | 0:20:54 | |
That can be a problem. 20th century is such a problem in that respect. | 0:20:54 | 0:20:59 | |
How much were they going to be? | 0:20:59 | 0:21:01 | |
We can do those ones for... | 0:21:01 | 0:21:04 | |
You could give us a gift price given there is five and a chipped one. | 0:21:04 | 0:21:08 | |
40. | 0:21:08 | 0:21:10 | |
We'll do them. | 0:21:10 | 0:21:12 | |
Unless... With that chip, about 30? | 0:21:12 | 0:21:16 | |
-30? -30 with the chip, done. -Done. -What did we buy?! | 0:21:16 | 0:21:20 | |
LAUGHTER | 0:21:20 | 0:21:21 | |
Thanks! | 0:21:24 | 0:21:25 | |
Well, time's flown by. | 0:21:29 | 0:21:31 | |
Mark and Narelle certainly have taken it to the wire, and time's up! | 0:21:32 | 0:21:36 | |
Now, what did they settle on in the end? | 0:21:38 | 0:21:41 | |
The boys agreed the novelty inkwell was worth a shot at 75. | 0:21:41 | 0:21:45 | |
If anything, I feel I steered that, it is my penchant, but at least | 0:21:45 | 0:21:49 | |
I knew Mark was going to like it, | 0:21:49 | 0:21:51 | |
and Narelle, I think she saw the sense in the purchase, so get in. | 0:21:51 | 0:21:54 | |
The mahogany solitaire set became item number two. | 0:21:54 | 0:21:58 | |
-30. -30 with a chip. -Done. -What did we buy?! | 0:21:58 | 0:22:02 | |
And for the finish, they panic-bought six Finnish glasses. | 0:22:02 | 0:22:07 | |
I'd like 335, please. 335, yes? That's very nice. | 0:22:07 | 0:22:12 | |
That goes straight across to the Laidlaw. | 0:22:12 | 0:22:15 | |
There you go, Paul. | 0:22:15 | 0:22:16 | |
Have you any idea what you are going to spend your 335 on? | 0:22:16 | 0:22:19 | |
Um...no! | 0:22:19 | 0:22:21 | |
Tim, have no idea where I am or what time of day it is. | 0:22:23 | 0:22:26 | |
Well, we will know that feeling. But knowing you, | 0:22:26 | 0:22:29 | |
you'll truffle around and come up with something lovely. | 0:22:29 | 0:22:32 | |
Anyway, go and have a cup of tea and good luck, Paul, with your search. | 0:22:32 | 0:22:35 | |
Meanwhile, why don't we check out what the Blues bought? | 0:22:35 | 0:22:38 | |
The Australian charger got them going for 40. | 0:22:38 | 0:22:42 | |
You imagine that on a low level sideboard from the '50s or '60s, | 0:22:42 | 0:22:45 | |
on a stand, it will look stunning. A good piece of artwork. | 0:22:45 | 0:22:49 | |
Then Ian negotiated hard | 0:22:49 | 0:22:51 | |
and eventually got the 1930s lamp for 60. | 0:22:51 | 0:22:54 | |
And they finally walked off | 0:22:55 | 0:22:57 | |
with a pair of 1980s sterling silver earrings. | 0:22:57 | 0:23:01 | |
40, that was a ridiculous price to pay. | 0:23:01 | 0:23:03 | |
Sterling silver 40, they will make a profit. | 0:23:03 | 0:23:06 | |
I think they might end up with... | 0:23:06 | 0:23:09 | |
a golden pin. | 0:23:09 | 0:23:11 | |
Steady on, Barby, don't let yourself get too carried away, boy. | 0:23:11 | 0:23:15 | |
-I want 360, please. Thank you very much. -Count it. | 0:23:17 | 0:23:21 | |
Don't worry, I trust him. Millions wouldn't, but I do. | 0:23:21 | 0:23:26 | |
-£360 with your own personal challenge. -Yes. | 0:23:26 | 0:23:31 | |
Have you seen anything you might pounce on? | 0:23:31 | 0:23:34 | |
-Yes, it's got to be bling, bling, bling. -Has it? -Yes. | 0:23:34 | 0:23:37 | |
-And cheap, cheap, cheap. -Absolutely. -For you! | 0:23:37 | 0:23:40 | |
Anyway, good luck, guys. | 0:23:40 | 0:23:41 | |
Good luck, David. Meanwhile, I'm heading off to Government House. | 0:23:41 | 0:23:45 | |
How grand can you be? | 0:23:45 | 0:23:47 | |
Government House sits within the Botanic Gardens in the heart of the city. | 0:23:49 | 0:23:55 | |
It's 1834. | 0:23:59 | 0:24:01 | |
You're the governor of a fledgling colony 10,500 miles from home | 0:24:01 | 0:24:08 | |
and you want to put your colony on the map. | 0:24:08 | 0:24:11 | |
What do you do? | 0:24:11 | 0:24:12 | |
Well, you commission architect Edward Blore, | 0:24:12 | 0:24:16 | |
architect to King William IV, to design you a house. | 0:24:16 | 0:24:21 | |
Not some ordinary house, though - | 0:24:21 | 0:24:25 | |
this house! Government House! | 0:24:25 | 0:24:29 | |
Oh, yes. | 0:24:29 | 0:24:30 | |
Conceived here in Australia, designed in England | 0:24:33 | 0:24:36 | |
and built using local materials, | 0:24:36 | 0:24:38 | |
this Government House superseded two predecessors. | 0:24:38 | 0:24:44 | |
Captain Arthur Phillip first erected a canvas and timber structure | 0:24:44 | 0:24:47 | |
when he landed in January 1788, | 0:24:47 | 0:24:50 | |
but he quickly replaced this with a two-storey brick building | 0:24:50 | 0:24:54 | |
later that year. | 0:24:54 | 0:24:55 | |
It became the first Government House of the new colony. | 0:24:55 | 0:25:00 | |
But after nearly 50 years, they wanted something grander. | 0:25:00 | 0:25:03 | |
New Government House was designed to send a message across the globe | 0:25:03 | 0:25:09 | |
as to how far Sydney Cove had come in the 50 years | 0:25:09 | 0:25:14 | |
since the arrival of the First Fleet. | 0:25:14 | 0:25:17 | |
Sydney was now most definitely on the map. | 0:25:17 | 0:25:21 | |
Wow! | 0:25:26 | 0:25:29 | |
Just look at this! It is grand, isn't it? | 0:25:29 | 0:25:33 | |
It very much has the feel, to me, of that Scottish gothic baronial. | 0:25:33 | 0:25:39 | |
The plans arrived in 1834-5. | 0:25:39 | 0:25:42 | |
Works started pretty soon after that and went on for a decade | 0:25:42 | 0:25:47 | |
until the mid 1840s. | 0:25:47 | 0:25:49 | |
And the cost? | 0:25:49 | 0:25:51 | |
Well, it was astronomic. | 0:25:51 | 0:25:53 | |
Some £46,000 and that was without the furnishings. | 0:25:53 | 0:25:58 | |
One of the obvious furnishings from the period in this, | 0:26:05 | 0:26:09 | |
the drawing room, is the gasolier. | 0:26:09 | 0:26:12 | |
In the 1850s, this was connected to Sydney's main gas supply, | 0:26:12 | 0:26:18 | |
and each of those globes would have had within it | 0:26:18 | 0:26:21 | |
an incandescent mantle that would have illuminated the room | 0:26:21 | 0:26:26 | |
for grand receptions with a hard, white light. | 0:26:26 | 0:26:31 | |
Out of the furnishings in this room that date from the 1840s, | 0:26:31 | 0:26:35 | |
Governor George Gipps commissioned a suite of handsome rosewood furniture, | 0:26:35 | 0:26:41 | |
and this looks very typically high Victorian. | 0:26:41 | 0:26:45 | |
But there are one or two tell-tales that tell you that this table | 0:26:45 | 0:26:50 | |
comes from the Antipodes. | 0:26:50 | 0:26:52 | |
The timber is not much help, because this is Brazilian rosewood. | 0:26:52 | 0:26:57 | |
But it has been most beautifully veneered | 0:26:57 | 0:27:00 | |
and applied to the carcass, so that it shows off the lovely | 0:27:00 | 0:27:04 | |
black styrations on this gorgeous, almost red-brown colour. | 0:27:04 | 0:27:10 | |
The drawer itself is concealed within the frieze, | 0:27:10 | 0:27:13 | |
and if I take it out, | 0:27:13 | 0:27:14 | |
you can see that the lining is in an unusual timber. | 0:27:14 | 0:27:18 | |
If this had been made in Europe, | 0:27:18 | 0:27:20 | |
it undoubtedly would have been in oak, if it was a top quality piece, | 0:27:20 | 0:27:25 | |
or in deal or pine for a junior quality piece. | 0:27:25 | 0:27:30 | |
But this is in Australian cedar. | 0:27:30 | 0:27:33 | |
But the true giveaway is this label inside. | 0:27:33 | 0:27:37 | |
Now, this is a very nice thing to find, | 0:27:37 | 0:27:39 | |
because it absolutely identifies the maker, Andrew Lenehan, | 0:27:39 | 0:27:44 | |
who was an Irishman who came to work here in Sydney | 0:27:44 | 0:27:48 | |
between about 1830 and 1860. | 0:27:48 | 0:27:51 | |
I love these labels for all the information that they give you, | 0:27:51 | 0:27:56 | |
because not only did this man make exquisite pieces of furniture, | 0:27:56 | 0:28:00 | |
he also supplied hair mattresses, feather pillows and floor cloths. | 0:28:00 | 0:28:05 | |
And also, here, it says, "Sprung vans on hire." | 0:28:05 | 0:28:10 | |
Special suspension so your goods wouldn't be damaged | 0:28:10 | 0:28:13 | |
in the pot holes in the Sydney streets. | 0:28:13 | 0:28:17 | |
The big question today is, of course, | 0:28:17 | 0:28:19 | |
over in Lawsons Auctions in Sydney, | 0:28:19 | 0:28:21 | |
are our teams going to have a bumpy ride? | 0:28:21 | 0:28:24 | |
That depends on whether our experts have done their homework | 0:28:24 | 0:28:27 | |
on what sells well Down Under. | 0:28:27 | 0:28:30 | |
We've headed across town to Annandale | 0:28:30 | 0:28:32 | |
where auctioneer Martin Farrar | 0:28:32 | 0:28:34 | |
awaits us at Lawsons Auctions. | 0:28:34 | 0:28:36 | |
-Martin, good morning. -Good morning and welcome. -Thank you. | 0:28:38 | 0:28:40 | |
First up for Narelle and Mark | 0:28:40 | 0:28:43 | |
is this machine gun in gilt spelter, | 0:28:43 | 0:28:46 | |
which is a bit of a wacky one, isn't it? | 0:28:46 | 0:28:48 | |
It is very wacky. I would classify it as deskenalia. | 0:28:48 | 0:28:52 | |
I don't know if that is a proper word, but we use it here. | 0:28:52 | 0:28:55 | |
We made it up ourselves. | 0:28:55 | 0:28:56 | |
I'll have to take that one home, because I've never heard of it! | 0:28:56 | 0:28:59 | |
Deskenalia, that's brilliant! | 0:28:59 | 0:29:01 | |
-What sort of estimate would you put on that? -40-60. | 0:29:01 | 0:29:04 | |
-Is that all? -Mm. | 0:29:04 | 0:29:07 | |
75 paid. | 0:29:07 | 0:29:09 | |
Well, you never know. These things can come good, can't they? | 0:29:09 | 0:29:13 | |
-They can indeed. -Moving on, then, it's the little solitaire board. -Mm. | 0:29:13 | 0:29:18 | |
The big question is, have you lost any of your marbles? | 0:29:18 | 0:29:21 | |
No, but we have here. | 0:29:21 | 0:29:22 | |
Yes. What you'd like is a matching set of marbles, right? | 0:29:22 | 0:29:26 | |
That would be beneficial. | 0:29:26 | 0:29:28 | |
And you'd like Victorian marbles to go on the board. | 0:29:28 | 0:29:30 | |
-Exactly. -And if you had all of that, | 0:29:30 | 0:29:33 | |
you might be boosting up the price a bit. | 0:29:33 | 0:29:36 | |
You might. I've, er...I suggest 20-40. | 0:29:36 | 0:29:40 | |
Really? They paid 60. | 0:29:40 | 0:29:42 | |
This is two not looking so happy. | 0:29:42 | 0:29:46 | |
And I regret to say, we've had a bit of a disaster | 0:29:46 | 0:29:48 | |
in the transportation department, | 0:29:48 | 0:29:51 | |
carting these glasses across the city. | 0:29:51 | 0:29:54 | |
-Because once upon a time, they bought six of these babies. -Ah! | 0:29:54 | 0:29:57 | |
And one, I'm afraid, is no longer with us. | 0:29:57 | 0:30:00 | |
So the only way I can sort this out fairly for the team | 0:30:00 | 0:30:04 | |
is to ask you, what would this set of glasses | 0:30:04 | 0:30:08 | |
be likely to bring at the auction | 0:30:08 | 0:30:11 | |
if it was complete and a set of six? | 0:30:11 | 0:30:14 | |
I think 80-100, 100-120. | 0:30:14 | 0:30:17 | |
OK. So if we took the mid point there | 0:30:17 | 0:30:20 | |
-and called it 100 as an estimate for the six perfect... -Yeah. | 0:30:20 | 0:30:25 | |
We've got five, what are they going to bring, do you think? | 0:30:25 | 0:30:28 | |
-I think 50-80. -Right. | 0:30:28 | 0:30:31 | |
We are 50 light by virtue of losing one of the set. | 0:30:31 | 0:30:36 | |
We will have to compensate our contestants | 0:30:36 | 0:30:40 | |
to the tune of 50. | 0:30:40 | 0:30:42 | |
It looks as if they may not need the bonus buy, | 0:30:42 | 0:30:44 | |
but let's go have a look at it, anyway. | 0:30:44 | 0:30:46 | |
You spent 165, | 0:30:47 | 0:30:51 | |
you gave the man 335. | 0:30:51 | 0:30:53 | |
Paul, what did you spend it on? | 0:30:53 | 0:30:55 | |
-Well, we were looking for good glass to suit your taste. -We were. | 0:30:55 | 0:30:59 | |
-Does that do anything for you? -Yeah. | 0:30:59 | 0:31:02 | |
-Heavy, solid, fancy. -It is. | 0:31:02 | 0:31:05 | |
And more than that, it's got a name. Whitefriars. | 0:31:05 | 0:31:09 | |
Perhaps THE name in English glassmaking in the 20th century. | 0:31:09 | 0:31:13 | |
This piece here, circa late '40s. | 0:31:13 | 0:31:17 | |
Designed by one of the greats | 0:31:17 | 0:31:20 | |
within Whitefriars in the 20th century, James Hogan. | 0:31:20 | 0:31:23 | |
And for my money, I think it's timeless. | 0:31:23 | 0:31:27 | |
-It looks good. -Can I sell it to you? | 0:31:27 | 0:31:29 | |
-Yep. How much did you pay for it? -The nitty-gritty. | 0:31:29 | 0:31:32 | |
-40. -Well done. -Wow! Excellent! | 0:31:32 | 0:31:35 | |
-We're on to a winner here. -I hope so. -Definitely on to a winner. | 0:31:35 | 0:31:38 | |
Anyway, there we go. Thank you very much, Paul. | 0:31:38 | 0:31:42 | |
He rates it, you saw his lips, but for the audience at home, | 0:31:42 | 0:31:46 | |
let's find out what the auctioneer thinks about Paul's glass vase. | 0:31:46 | 0:31:51 | |
-That's a lump. -It's a heavy piece. | 0:31:51 | 0:31:53 | |
Well, it's mid 20th-century design and it's very popular at the moment. | 0:31:53 | 0:31:57 | |
Whitefriars. English. It must be good. | 0:31:57 | 0:32:00 | |
That's what you say to all the visitors! | 0:32:00 | 0:32:02 | |
-Now, what's your estimate on that? -I think 30-50. | 0:32:02 | 0:32:06 | |
Well, Paul paid 40, so that's a modest, in-the-middle piece. | 0:32:06 | 0:32:11 | |
And who knows, he might make a small profit, which would be lovely. | 0:32:11 | 0:32:16 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:32:16 | 0:32:20 | |
And they kick on with this monster of a charger. | 0:32:20 | 0:32:25 | |
-Does that float your boat? -Not yet. | 0:32:25 | 0:32:28 | |
-Sink your boat? -It's growing on me. | 0:32:28 | 0:32:31 | |
I mean, it's got kind of like spinach, drizzles of spinach, | 0:32:31 | 0:32:35 | |
over a kind of custard splodge. | 0:32:35 | 0:32:38 | |
It's an interpretation of an Australian landscape. | 0:32:38 | 0:32:42 | |
-Is it? -I haven't been there, but... | 0:32:42 | 0:32:44 | |
OK, then, Martin, how much? | 0:32:44 | 0:32:46 | |
60-80. | 0:32:46 | 0:32:48 | |
Really? 40 is all they paid. | 0:32:48 | 0:32:51 | |
That's a miracle. That's a very nice start. Thank you very much. | 0:32:51 | 0:32:55 | |
What about this so-called nautical lantern. Have you got any age? | 0:32:55 | 0:32:58 | |
1930s is what we've been told. | 0:32:58 | 0:33:02 | |
But nautical is popular in Sydney. | 0:33:02 | 0:33:04 | |
With your marvellous harbour, yes, of course. | 0:33:04 | 0:33:06 | |
How much do you think it's worth? | 0:33:06 | 0:33:09 | |
30-50. | 0:33:09 | 0:33:11 | |
60 they paid. | 0:33:11 | 0:33:13 | |
So what they've perhaps gained on the Australian landscape, | 0:33:13 | 0:33:17 | |
they're about to lose on the nautical lamp, | 0:33:17 | 0:33:21 | |
which leaves them with these earrings. | 0:33:21 | 0:33:24 | |
-They're quite chunky. -Mm. | 0:33:24 | 0:33:26 | |
Not to everybody's taste, but there we go. | 0:33:26 | 0:33:29 | |
Contemporary-looking, anyway. So, how much? | 0:33:29 | 0:33:32 | |
-20-30. -40. | 0:33:32 | 0:33:35 | |
We've got one or two problems. I think they'll need their bonus buy. | 0:33:35 | 0:33:38 | |
Let us go and have a look at it! | 0:33:38 | 0:33:40 | |
360 worth went to David. What did you spend it on? | 0:33:42 | 0:33:46 | |
I didn't spend the whole lot, but I wanted to buy something Chinese. | 0:33:46 | 0:33:50 | |
So I bought this rather attractive bowl. | 0:33:50 | 0:33:54 | |
Now, the mark on the back is from the Ming dynasty. | 0:33:54 | 0:33:57 | |
But I don't think this is a Ming piece. This is later. | 0:33:57 | 0:34:01 | |
So we're looking at 19th, 20th century for this piece. | 0:34:01 | 0:34:04 | |
Apparently, there's a great demand for Chinese ceramics. | 0:34:04 | 0:34:08 | |
Whether there's going to be a great demand for this particular piece, | 0:34:08 | 0:34:11 | |
because I paid 225 for it, I don't know. | 0:34:11 | 0:34:15 | |
But I think I got somewhat carried away at the Sydney Antiques Centre, | 0:34:15 | 0:34:19 | |
where there are some wonderful Oriental ceramics. | 0:34:19 | 0:34:21 | |
How much do you think it would make? | 0:34:21 | 0:34:24 | |
Gosh, it all depends on the day, doesn't it? | 0:34:24 | 0:34:26 | |
And who's going to buy Chinese ceramics at that particular sale. | 0:34:26 | 0:34:30 | |
You have to decide, depending on where you are at that moment. | 0:34:30 | 0:34:33 | |
Well, fingers crossed, we'll be very ahead. | 0:34:33 | 0:34:36 | |
-You'll have so much profit, you may not even need to sniff it. -Yes. | 0:34:36 | 0:34:39 | |
Anyway, for the audience at home, | 0:34:39 | 0:34:41 | |
let's find out what the auctioneer thinks about David's Chinese bowl. | 0:34:41 | 0:34:45 | |
-Heavy, isn't it? -It is, it is. | 0:34:47 | 0:34:49 | |
It's got the Ming mark on the back. | 0:34:49 | 0:34:51 | |
And it's certainly not Ming. I can tell you that straightaway. | 0:34:51 | 0:34:55 | |
But these things are very popular. The reproduction market is very strong. | 0:34:55 | 0:34:59 | |
So if you had to have a guess at it, even though it's not very old | 0:34:59 | 0:35:03 | |
but is nevertheless decorative, how much do you think? | 0:35:03 | 0:35:06 | |
I'll be very conservative and say 80-120. | 0:35:06 | 0:35:09 | |
Oh, right. That's very conservative. | 0:35:09 | 0:35:11 | |
So, there is some hope for David, | 0:35:11 | 0:35:14 | |
-with his purchase price of 225. -Absolutely. | 0:35:14 | 0:35:18 | |
-He might get there. -He might. | 0:35:18 | 0:35:20 | |
-Are you taking the sale today? -I am indeed. | 0:35:20 | 0:35:22 | |
We're in safe hands. | 0:35:22 | 0:35:24 | |
We have a problem with the glasses. | 0:35:28 | 0:35:30 | |
You started off with six of these glasses, | 0:35:30 | 0:35:33 | |
and our carrier has managed rather brilliantly | 0:35:33 | 0:35:36 | |
to smash one of them, so now you're down to five. | 0:35:36 | 0:35:39 | |
Now, forget the fact you paid only 30. | 0:35:39 | 0:35:41 | |
We are 50 light in the auctioneer's opinion | 0:35:41 | 0:35:45 | |
and will top up whatever you get by 50. | 0:35:45 | 0:35:48 | |
-OK. -The first lot up | 0:35:48 | 0:35:50 | |
is your World War I machine gun emplacement inkwell. | 0:35:50 | 0:35:55 | |
And here it comes. | 0:35:55 | 0:35:57 | |
I must start the bidding here with me at 20, 30, 40. At 40. 50. | 0:35:57 | 0:36:02 | |
60. 70, 80. | 0:36:02 | 0:36:04 | |
-90. -You're in profit. -100. 100, 110. | 0:36:04 | 0:36:07 | |
120. 130. | 0:36:07 | 0:36:10 | |
-140, the bid. 150, the bid now. -Look at this! | 0:36:10 | 0:36:15 | |
-You've doubled your money, mate! -The bid is here with madam at 150. | 0:36:15 | 0:36:19 | |
At 150, I will sell. | 0:36:19 | 0:36:21 | |
150. That is plus 75. Well done, lads. | 0:36:21 | 0:36:26 | |
Next up is the solitaire set, here we go. | 0:36:26 | 0:36:29 | |
Bidding starts with me at 20, 30 only, the bid. 30. | 0:36:29 | 0:36:33 | |
Plenty of room left in that one, 30 the bid now. At 30, the bid. | 0:36:33 | 0:36:36 | |
40, the bid. 50. | 0:36:36 | 0:36:38 | |
-Good girl! -Madam's bid at 50. 60, the bid. | 0:36:38 | 0:36:42 | |
All done at 60, are you sure, you done? And... | 0:36:43 | 0:36:47 | |
Yes, wiped its face. Lovely. Smashing job. | 0:36:47 | 0:36:50 | |
Now...the glasses, the fated glasses. | 0:36:50 | 0:36:53 | |
Here they come, all five of them. | 0:36:53 | 0:36:55 | |
Nice little set, I've got an interesting bid to start me away. | 0:36:55 | 0:36:59 | |
27.5, which I'll raise up to 30. At 30, the bid, 30, the bid, now. | 0:36:59 | 0:37:04 | |
-At 30, bid only. Where do we go now? 30 bid. -Come on! | 0:37:04 | 0:37:08 | |
At 30. At 30. All done? | 0:37:08 | 0:37:11 | |
-All finished at 30? -Tenner! Come on! | 0:37:11 | 0:37:14 | |
You got your 30. | 0:37:14 | 0:37:16 | |
So, technically, you wiped your face, | 0:37:16 | 0:37:18 | |
but you've got your credit of 50 for that, | 0:37:18 | 0:37:20 | |
because we know that he would have done better if he'd got the six. | 0:37:20 | 0:37:25 | |
So you've got plus 50 there, you are plus 125 without a cough. | 0:37:25 | 0:37:30 | |
Now, what are you going to do about the bonus buy? | 0:37:30 | 0:37:32 | |
-We're going with the bonus buy. -What do you mean?! | 0:37:32 | 0:37:35 | |
-We're going with it. -It would be an insult to the man not to take it. | 0:37:35 | 0:37:39 | |
-He doesn't mind being insulted, do you, Paul? -All the time! | 0:37:39 | 0:37:43 | |
He gets insulted and abused all the time. | 0:37:43 | 0:37:45 | |
They are so gentlemanly here in Australia. | 0:37:45 | 0:37:47 | |
-Here comes the Whitefriars. -I'll start the bidding on this one. | 0:37:47 | 0:37:51 | |
At a very respectable 20 only, at 20 the bid. | 0:37:51 | 0:37:54 | |
At 20, 30, 40 on my absentee. 40, the bid. No money at all. | 0:37:54 | 0:37:58 | |
-Come on! It's cheap! -No, all done. | 0:37:58 | 0:38:02 | |
At 40, any further bidding? Any more? | 0:38:02 | 0:38:04 | |
Bad luck, Paul. No shame. No pain. | 0:38:05 | 0:38:08 | |
Anyway, overall, you are plus 125. | 0:38:08 | 0:38:12 | |
The next thing is, don't say a thing to the Blues. Not a word, zip it. | 0:38:12 | 0:38:15 | |
-Yep. -Lovely. -OK, cool! | 0:38:15 | 0:38:18 | |
-So how are you feeling, then, Becks! -Oh, I'm not sure, yet. | 0:38:22 | 0:38:27 | |
We're just going to have to wait and see. | 0:38:27 | 0:38:29 | |
-What do you mean, you're not sure? You were so confident! -I know! | 0:38:29 | 0:38:33 | |
-So bullish! -I know, I know! | 0:38:33 | 0:38:34 | |
First up is the thumping great charger, and here it comes. | 0:38:34 | 0:38:38 | |
Who's got 50 for it? 50 I bid to start, 50 now bid. | 0:38:38 | 0:38:43 | |
-At 50, the bid, only. 60? -60! -Very much just warming up here. | 0:38:43 | 0:38:47 | |
70 the bid, at 70. | 0:38:47 | 0:38:49 | |
80, 80 the bid. 90 the bid, new bidder at 90. 90. | 0:38:49 | 0:38:53 | |
At 90. At 90, all done, then? | 0:38:53 | 0:38:57 | |
Last chance, madam, at 90? At 90? | 0:38:57 | 0:39:00 | |
-Come on, one more bid. -One more bid. 100, the bid. | 0:39:00 | 0:39:03 | |
-100. -Yes! | 0:39:03 | 0:39:05 | |
-At 110. 120, here we go, 120 the bid. -Dear, oh dear! | 0:39:05 | 0:39:09 | |
-Yes! -130. 140, the bid. 150. | 0:39:09 | 0:39:12 | |
160. 170. | 0:39:12 | 0:39:14 | |
-Come on, come on! -At 170. -It's worth more than that. | 0:39:14 | 0:39:17 | |
At 170, any more? 170 is there. Quickly, 180 the bid. | 0:39:17 | 0:39:22 | |
-Yes! -200. 200. | 0:39:22 | 0:39:24 | |
-Has he got 200? -200, the bid. | 0:39:24 | 0:39:26 | |
At 200, any further bidding now? Are we done at 200? | 0:39:26 | 0:39:31 | |
Done? Sure? Congratulations. | 0:39:31 | 0:39:33 | |
Is that 200? Woo-hoo! | 0:39:33 | 0:39:36 | |
OK, that's 200, that's very nice. Plus 160. | 0:39:36 | 0:39:39 | |
Dear, oh dear! Now, here comes the lantern. | 0:39:39 | 0:39:42 | |
30 to start me away. 30, the bid. | 0:39:43 | 0:39:46 | |
40, the bid. At 40, now 50. Another one? No? 50, the bid. | 0:39:46 | 0:39:50 | |
-Who else? 60, I'm bid now. -60! | 0:39:50 | 0:39:53 | |
At 60. At 60. At the back, 60, the bid. | 0:39:53 | 0:39:57 | |
At 60? Are you sure? | 0:39:57 | 0:40:00 | |
-And sold. -There we go, look. Wiped its face. We can't be greedy. | 0:40:01 | 0:40:05 | |
Yes, yes. | 0:40:05 | 0:40:07 | |
Sterling silver and garnet pair of triangular earrings, | 0:40:07 | 0:40:10 | |
lot 26 in your catalogue, 100 for the pair. | 0:40:10 | 0:40:12 | |
50 for the pair, I bid. | 0:40:12 | 0:40:14 | |
I am bid 50 for the pair, off we go. 60. At 60. | 0:40:14 | 0:40:19 | |
70, the bid. At 70, 80 the bid, now. Quickly. | 0:40:19 | 0:40:22 | |
At 80, anyone else? At 80. | 0:40:22 | 0:40:25 | |
-90, the bid. -90! -Oh, wow! | 0:40:25 | 0:40:29 | |
90. At 90. All done? | 0:40:29 | 0:40:32 | |
-Finish at 90. -Look at that! | 0:40:32 | 0:40:34 | |
-Whoo! -Plus 50. That is plus 50. -We're not going with the bonus buy! | 0:40:34 | 0:40:38 | |
-Now, listen, girls and boys. We have plus 210 here. -How much? | 0:40:38 | 0:40:43 | |
210. 210 up. What are you going to do about the old Ming job? | 0:40:43 | 0:40:48 | |
I think we're just going to leave it to Ming over there. | 0:40:48 | 0:40:51 | |
-It might be a bit minging! -Minging? Where did you pick that up from? | 0:40:51 | 0:40:55 | |
-It's Aussie slang. -Don't worry, it's slang for us too. | 0:40:55 | 0:40:58 | |
I thought you said minging! That's rather clever on a Ming bowl. | 0:40:58 | 0:41:01 | |
Let's leave it to Ming over there. | 0:41:01 | 0:41:03 | |
-Really? -I think so. | 0:41:03 | 0:41:05 | |
But we're going to sell the Ming vase whether it's minging or not. | 0:41:05 | 0:41:10 | |
-Here it comes. -Plenty of interest in this, 110, 120, 130, 140 I bid. | 0:41:10 | 0:41:14 | |
At 140, the absentee starts, 150, 160. 160 here. | 0:41:14 | 0:41:17 | |
160. 170, 180 the bid there. | 0:41:18 | 0:41:21 | |
190, 200. 200 with the absentee. | 0:41:21 | 0:41:24 | |
At 200 I wait now, 220 the bid. | 0:41:24 | 0:41:27 | |
Lost my bid, at 220, it's on the floor. | 0:41:27 | 0:41:29 | |
Any further bidding now? 220. | 0:41:29 | 0:41:32 | |
-It's done, 220. -You made the right decision. | 0:41:33 | 0:41:36 | |
I know, it's great fun, though, isn't it? | 0:41:36 | 0:41:39 | |
-Well done, David Barby. Well spotted. -Beautiful bowl. | 0:41:39 | 0:41:42 | |
220, it's minus 5. You've made the right decision. | 0:41:42 | 0:41:47 | |
-210, but don't say a word to the Reds, all right? -Poker face. | 0:41:47 | 0:41:51 | |
-Good luck! -Thank you. | 0:41:51 | 0:41:53 | |
Well, both teams know that they've made substantial profits. | 0:41:56 | 0:42:01 | |
CHEERING | 0:42:01 | 0:42:03 | |
-Well done. -But which team is ahead? | 0:42:03 | 0:42:07 | |
We can only have one winner and we can only have one runner-up, | 0:42:07 | 0:42:10 | |
and the runners-up today are... | 0:42:10 | 0:42:14 | |
the Reds. | 0:42:14 | 0:42:15 | |
THEY CHEER | 0:42:15 | 0:42:16 | |
LAUGHTER | 0:42:16 | 0:42:19 | |
What a dirty shame. | 0:42:19 | 0:42:21 | |
Plus 125 is really super. Are you happy with that? | 0:42:21 | 0:42:26 | |
-Excellent. -125 going safely to Narelle. | 0:42:26 | 0:42:29 | |
-There you go, darling. -Thank you. | 0:42:29 | 0:42:32 | |
-Don't forget to share it with the old man, will you? -OK! | 0:42:32 | 0:42:35 | |
-Have you had a nice time? -Yeah, we've had a great time. | 0:42:35 | 0:42:38 | |
We've loved having you on the programme. | 0:42:38 | 0:42:40 | |
But the winners today who win by a substantial margin, | 0:42:40 | 0:42:44 | |
that is plus 210. | 0:42:44 | 0:42:46 | |
-Thank you! -210, I tell you! | 0:42:46 | 0:42:49 | |
-210 is a substantial wodge, isn't it? -Yes. | 0:42:49 | 0:42:52 | |
-Are you pleased about that? -Absolutely. -Very, very impressed. | 0:42:52 | 0:42:56 | |
-You're impressed with yourself? -Yes! | 0:42:56 | 0:42:58 | |
-And modest with it! No, a fantastic outing. -All Aussies are! | 0:42:58 | 0:43:03 | |
And I do congratulate you. | 0:43:03 | 0:43:05 | |
I congratulate both teams, because we've had a lovely programme. | 0:43:05 | 0:43:07 | |
Such a lovely programme that indeed you should join us soon | 0:43:07 | 0:43:11 | |
-for some more bargain hunting, yes? -ALL: Yes! | 0:43:11 | 0:43:14 | |
Subtitles by Red Bee Media Ltd | 0:43:26 | 0:43:29 | |
E-mail [email protected] | 0:43:29 | 0:43:31 |