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Oh! Is it that time already? | 0:00:06 | 0:00:09 | |
Well, let's get on with it, and let's go bargain hunting! Yeah! | 0:00:09 | 0:00:14 | |
Peterborough is the burial place of two queens - the first, | 0:00:40 | 0:00:44 | |
Queen Catherine of Aragon, who was married to Henry VIII, | 0:00:44 | 0:00:48 | |
the second, Queen Mary of Scots, who was executed | 0:00:48 | 0:00:51 | |
at Fotheringhay Castle, close by, for treason. | 0:00:51 | 0:00:55 | |
Hopefully, today, our teams are going to be making history | 0:00:55 | 0:00:58 | |
by making stellar profits without too many deaths. | 0:00:58 | 0:01:03 | |
Here's a quick peek at what's coming up. | 0:01:03 | 0:01:05 | |
Today, our search for spiritual enlightenment hits some turbulence. | 0:01:07 | 0:01:12 | |
Oh! | 0:01:12 | 0:01:15 | |
And they may have to make some sacrifices. | 0:01:15 | 0:01:17 | |
Big purchase, big risk. | 0:01:17 | 0:01:19 | |
We should all know the rulebook by now. | 0:01:23 | 0:01:25 | |
Each team gets £300 and an hour to shop for three items, | 0:01:25 | 0:01:28 | |
which they sell later at auction. | 0:01:28 | 0:01:30 | |
The team wins that makes the most profit or the least loss. | 0:01:30 | 0:01:33 | |
Got it? | 0:01:33 | 0:01:35 | |
Before all of that, let's meet the teams. | 0:01:35 | 0:01:38 | |
Today, we've got two teams of pals. Well, they are pals at the moment. | 0:01:40 | 0:01:44 | |
For the Reds, we've got Karen and Emma. | 0:01:44 | 0:01:47 | |
And for the Blues, we've got Paul and Chris. Welcome and hello. | 0:01:47 | 0:01:50 | |
-Hello. -Hello. -Very nice to see you. | 0:01:50 | 0:01:52 | |
-So, Karen, where did you two girls meet? -We met at a party | 0:01:52 | 0:01:55 | |
about 13 years ago. | 0:01:55 | 0:01:56 | |
And we have just been laughing and giggling ever since. | 0:01:56 | 0:01:59 | |
-Must have been a heck of a good party. -It was. -Lovely. | 0:01:59 | 0:02:03 | |
-And your into genealogy? -Yes. Big-time. | 0:02:03 | 0:02:05 | |
-Tell us about that. -I have been into it for about 25 years. | 0:02:05 | 0:02:08 | |
When I started, it was all, you had to write letters, | 0:02:08 | 0:02:11 | |
it wasn't on the Internet. | 0:02:11 | 0:02:12 | |
-Yes, go to the County records office, all that boring stuff. -Yeah. | 0:02:12 | 0:02:16 | |
-But now you can find it out easily. -Yeah, ten minutes. -Yeah. | 0:02:16 | 0:02:20 | |
-What have you found out? -I've got Ozzy Osbourne in my tree. | 0:02:20 | 0:02:23 | |
-Have you? -Yes. -Have you really? -Really. | 0:02:23 | 0:02:25 | |
So, how close a relation is Ozzy Osbourne? | 0:02:25 | 0:02:28 | |
He's... My grandad's great uncle married Ozzy's granny's sister. | 0:02:28 | 0:02:32 | |
-Never! -Really. | 0:02:32 | 0:02:33 | |
And do you think you've picked up many of your traits through this? | 0:02:33 | 0:02:37 | |
-Bats. -You like bats? -I love bats. -Do you? | 0:02:37 | 0:02:40 | |
-Do you ever go round the belfries looking for bats? -No. | 0:02:40 | 0:02:43 | |
-Do you go out at night looking for them swooping around? -No. | 0:02:43 | 0:02:47 | |
-It says hear you like Gothic fashion and you like music. -Yeah. | 0:02:47 | 0:02:50 | |
It starts really with the music, and then you get into the fashion, | 0:02:50 | 0:02:54 | |
the lifestyle and everything that goes with it, really. | 0:02:54 | 0:02:58 | |
So, what will you girls be looking out for today? | 0:02:58 | 0:03:00 | |
I think we're going to go for a bit of Art Deco, Art Nouveau. | 0:03:00 | 0:03:03 | |
A bit of silver. Anything a bit weird. | 0:03:03 | 0:03:05 | |
-Are you going to blow the lot? -Yeah. -Of course. -Every single penny? | 0:03:05 | 0:03:08 | |
We'll leave him a little bit. | 0:03:08 | 0:03:10 | |
OK, well, good fun and very nice to talk to you. | 0:03:10 | 0:03:12 | |
Now, boys, you'll be quaking in your boots | 0:03:12 | 0:03:14 | |
with all this Gothicism going on. | 0:03:14 | 0:03:16 | |
-Yeah. -So, where did you two meet? | 0:03:16 | 0:03:19 | |
We're both in the control tower at RAF Coningsby. | 0:03:19 | 0:03:22 | |
But are in the RAF or are you not in the RAF? | 0:03:22 | 0:03:25 | |
No, I was in the RAF for 25 years. | 0:03:25 | 0:03:28 | |
And I've now left. I'm a civil servant and I work for the RAF now, | 0:03:28 | 0:03:31 | |
-doing the same sort of job. -Doing the same sort of thing. | 0:03:31 | 0:03:34 | |
Well, it's always incredibly reassuring for us whizzing along | 0:03:34 | 0:03:37 | |
in the air to know that you're down there, somebody is down there. | 0:03:37 | 0:03:40 | |
-Hopefully, paying attention. -Yeah, quite. And, Chris, | 0:03:40 | 0:03:43 | |
-what is your nickname at work, then? -Civisure. -Civisure? | 0:03:43 | 0:03:48 | |
-You've never been in the RAF? -No, I haven't. | 0:03:48 | 0:03:50 | |
-So, you're always then a civi. -Yes. | 0:03:50 | 0:03:52 | |
Chris, I understand you like looking for bargains. | 0:03:52 | 0:03:55 | |
Yeah, I like looking around car boots. | 0:03:55 | 0:03:57 | |
What sort of things do you go for when you go on shopping expeditions? | 0:03:57 | 0:04:01 | |
Look for silver stuff, gold stuff, jewellery, | 0:04:01 | 0:04:04 | |
a little bit of Moorcroft. | 0:04:04 | 0:04:07 | |
Oh, dear, the Goths here aren't liking the sound of this | 0:04:07 | 0:04:09 | |
one little bit. | 0:04:09 | 0:04:11 | |
They have nothing to worry about, don't worry. | 0:04:11 | 0:04:14 | |
-Nothing Gothic, though? -Not yet, no. | 0:04:14 | 0:04:18 | |
-What are the tactics going to be, then? -To win. -Buy cheap, sell high. | 0:04:18 | 0:04:23 | |
Ah, there we are! You've watched the programme before! | 0:04:23 | 0:04:26 | |
-£300. -Thank you. -Your money moment. | 0:04:26 | 0:04:29 | |
You know the rules, your experts await. And, off you go! | 0:04:29 | 0:04:32 | |
And very, very, very good luck. Gosh, what lovely teams. | 0:04:32 | 0:04:37 | |
So, who will be helping our teams today? | 0:04:37 | 0:04:40 | |
On the look-out for the Reds is Thomas Plant. | 0:04:40 | 0:04:43 | |
Whilst Charlie Ross tries to herald in the profits for the Blues. | 0:04:44 | 0:04:49 | |
This way for mega-profits! | 0:04:49 | 0:04:53 | |
OK, teams, time to get shopping! | 0:04:53 | 0:04:56 | |
I know you two are sort of purveyors of the dark arts, are you? | 0:04:56 | 0:05:01 | |
The dark side, yes. | 0:05:01 | 0:05:03 | |
-What do you do? -We work in air traffic. | 0:05:03 | 0:05:06 | |
Air traffic! And here you are looking for antiques. | 0:05:06 | 0:05:09 | |
We like it, we think other people will like it. | 0:05:09 | 0:05:11 | |
Things a bit off the wall, a bit strange. | 0:05:11 | 0:05:13 | |
There are other strange people. | 0:05:13 | 0:05:15 | |
-We've got 300 quid. -Yeah, and three items we need to get | 0:05:15 | 0:05:17 | |
and we'll leave you a fiver to buy something good at the end. | 0:05:17 | 0:05:21 | |
Well, come on, let's go to it and let's try and find | 0:05:21 | 0:05:24 | |
something wonderful. | 0:05:24 | 0:05:25 | |
I think we need to get buying. Come on, chocks away! | 0:05:25 | 0:05:28 | |
That's lift off! | 0:05:28 | 0:05:30 | |
Time to give the throttle some welling. In no time at all, | 0:05:30 | 0:05:34 | |
the Blues have gone supersonic! | 0:05:34 | 0:05:37 | |
Here we go, guys. | 0:05:37 | 0:05:38 | |
-Ever have one of those at Coningsby? -No! -No, no. | 0:05:40 | 0:05:43 | |
I think that's a fantastic bit of kit, isn't it? | 0:05:43 | 0:05:46 | |
-I take it is a Concorde. -It is. -Yes. -Is that nose the way it should be? | 0:05:46 | 0:05:51 | |
Yeah. During flight, it was ported up and as it came in or slowed down, | 0:05:51 | 0:05:56 | |
-it would drop down for the landing. -I see. | 0:05:56 | 0:05:58 | |
-That's got no price on it at all. -No, we need to know, don't we? | 0:05:58 | 0:06:01 | |
Excuse me, madam. | 0:06:01 | 0:06:03 | |
-How much is your Concorde? -105. -That's a bit steep. | 0:06:03 | 0:06:06 | |
-Yeah, it's a third of our budget... -Yeah, that's a lot. -..on one item. | 0:06:06 | 0:06:10 | |
I'll tell you what we'll do, | 0:06:10 | 0:06:12 | |
shall we send Chris over to have a word with the owner? | 0:06:12 | 0:06:15 | |
Chris, you go off and have a quiet word with the owner | 0:06:15 | 0:06:17 | |
and come back with what you can do. See what you can do. | 0:06:17 | 0:06:20 | |
-Right, leave it with me. -See you in a minute. -Keep it hush-hush, eh? | 0:06:20 | 0:06:24 | |
Do you bring good tidings? | 0:06:24 | 0:06:26 | |
Well, the lady is waiting for her husband at the moment, | 0:06:26 | 0:06:29 | |
whose vehicle's broke down. So, she wants to have a word with him first. | 0:06:29 | 0:06:33 | |
Perhaps if we mended his car for nothing, | 0:06:33 | 0:06:36 | |
we could have the plane free? | 0:06:36 | 0:06:38 | |
The fan belt is gone. So, have you got a pair of tights on you? | 0:06:38 | 0:06:41 | |
-We could make a temporary one. -Has he got a pair of tights? | 0:06:41 | 0:06:44 | |
-You hadn't told me about this. Shall we pop back in a minute? -I think so. | 0:06:44 | 0:06:47 | |
I like that, good. | 0:06:47 | 0:06:49 | |
Come on, Carlota, | 0:06:49 | 0:06:50 | |
I can see you in a pair of fishnets. | 0:06:50 | 0:06:53 | |
So, while the chaps have a good line of sight, | 0:06:53 | 0:06:57 | |
the girls are heading for the dark side. | 0:06:57 | 0:06:59 | |
-Black jewellery to reflect your... The blacker the better? -Yes. | 0:07:01 | 0:07:05 | |
-So, this is a piece of pressed horn. -How would they make that? | 0:07:11 | 0:07:16 | |
Cattle horn or sheep horn. | 0:07:16 | 0:07:18 | |
It can be heated up and then it is pressed into a mould. | 0:07:18 | 0:07:21 | |
Of course, it's a hand with a swag of roses. Look at the fingernail, | 0:07:21 | 0:07:27 | |
-beautifully done, on this lace cuff. -Would that be English? | 0:07:27 | 0:07:33 | |
-Most definitely. For our market. -That is impressive. -Yeah. | 0:07:33 | 0:07:37 | |
This is a watch chain, which a gentleman | 0:07:37 | 0:07:40 | |
-would have worn in mourning. -That's lovely. -That is pretty. | 0:07:40 | 0:07:42 | |
This is going to be a bog oak, this one here. These bits carved. | 0:07:42 | 0:07:46 | |
So, that would be carved out of the wood? | 0:07:46 | 0:07:48 | |
Yes, this is carved out of wood. | 0:07:48 | 0:07:50 | |
And then these are metal beads, steel beads. | 0:07:50 | 0:07:53 | |
And then you've got the piece again carved. This is jet, this one here. | 0:07:53 | 0:07:58 | |
And how old would that be? | 0:07:58 | 0:08:00 | |
-It's going to be 1860s. -I like the watchband. -Yeah. | 0:08:00 | 0:08:04 | |
I like the brooch, though, as well. | 0:08:04 | 0:08:06 | |
-It's beautiful. -None of them are marked as for prices. -Yeah. | 0:08:06 | 0:08:10 | |
-That's so I can... -Make it up as he goes along. | 0:08:10 | 0:08:16 | |
£40, £60, 125. | 0:08:16 | 0:08:20 | |
-OK. -Oh! | 0:08:20 | 0:08:22 | |
-60, 40, 125. And your very best is those prices or...? -Yeah. | 0:08:22 | 0:08:27 | |
-Go on, we like Whittinger and we like black stuff. -Look at them. | 0:08:27 | 0:08:33 | |
35, 50, 115. I can't go below that. 115. | 0:08:33 | 0:08:38 | |
-In... -I think the brooch would do quite well. -Yeah. | 0:08:38 | 0:08:41 | |
-At 45, I'd... -No. | 0:08:41 | 0:08:44 | |
-Really? -Really, yeah. | 0:08:45 | 0:08:48 | |
-Girls, does that fulfil your wish? -Yes. -I absolutely love it. | 0:08:48 | 0:08:51 | |
-And if we buy it for greed, it's good. -How much is it again? £50. | 0:08:51 | 0:08:55 | |
-I would take it. -Yeah. -I think we'll have that. | 0:08:55 | 0:08:59 | |
50 nicker! | 0:08:59 | 0:09:02 | |
Rock on, Reds! But the Blues seem to be deviating somewhat. | 0:09:02 | 0:09:06 | |
-Here we are, lots of swords, guns. -Yeah. Fantastic. | 0:09:06 | 0:09:10 | |
There's a nice box there on top of that table. | 0:09:10 | 0:09:12 | |
-A little writing slope? -Yeah. -Yeah. | 0:09:12 | 0:09:15 | |
The pen is mightier than the sword. | 0:09:15 | 0:09:19 | |
-You've spotted that, chaps, what can you tell me about it? -It looks nice. | 0:09:19 | 0:09:24 | |
-Yep. What date is it? -I don't know. | 0:09:24 | 0:09:27 | |
-It's Victorian. -Victorian? -Yep. | 0:09:27 | 0:09:30 | |
It's probably 1870, 1880. | 0:09:30 | 0:09:32 | |
-Right. -This is walnut. -Right. | 0:09:32 | 0:09:35 | |
And it's inlayed with all sorts of woods. | 0:09:35 | 0:09:38 | |
The greenish wood is olive wood. | 0:09:38 | 0:09:39 | |
The black is ebony. | 0:09:39 | 0:09:41 | |
And it's boxwood strung with boxwood. | 0:09:41 | 0:09:44 | |
It's got all sorts of specimen woods in there, | 0:09:44 | 0:09:46 | |
which makes it particularly nice. | 0:09:46 | 0:09:48 | |
What would it make at auction? | 0:09:48 | 0:09:50 | |
Because it's got a nice top, in that condition, | 0:09:50 | 0:09:53 | |
it probably, at auction, on a good day, 30 quid, probably. | 0:09:53 | 0:09:56 | |
It's 30. | 0:09:56 | 0:09:57 | |
That's put us right in a dilemma, hasn't it? | 0:09:57 | 0:10:00 | |
I don't think it's an untoward price to be asking. | 0:10:00 | 0:10:03 | |
I think the gentleman is being very fair with it, | 0:10:03 | 0:10:05 | |
but are we going to see a profit in it? Marginal. | 0:10:05 | 0:10:08 | |
It will always make 20 and it will usually make 25. | 0:10:08 | 0:10:12 | |
It could make 40, but I don't think there's much above that. | 0:10:12 | 0:10:16 | |
Worth just bearing it in mind? | 0:10:16 | 0:10:19 | |
-Is there any movement at all? -25, that's it. -Oh! | 0:10:19 | 0:10:23 | |
-Then that's it. -Yeah, I think so. | 0:10:23 | 0:10:26 | |
-25. -Do you want to buy it, guys? -I do. -I think so. | 0:10:26 | 0:10:28 | |
You've done the business. You've seen it, we've bought it. | 0:10:28 | 0:10:32 | |
Nothing can go wrong! | 0:10:32 | 0:10:33 | |
Let's hope that doesn't come back to bite you on the derriere. | 0:10:33 | 0:10:38 | |
So, we're 20 minutes in | 0:10:38 | 0:10:41 | |
and time Thomas gave the whole Goth thing a whirl. | 0:10:41 | 0:10:44 | |
-Nice. -No? | 0:10:45 | 0:10:47 | |
What about this rather attractive '60s sort of smoking jacket? | 0:10:47 | 0:10:52 | |
Yes, Tom, definitely more your style. | 0:10:52 | 0:10:54 | |
-I can imagine myself in my boudoir. -Yeah. -You'd have to be quite skinny. | 0:10:54 | 0:10:58 | |
Well, all right, don't rub it in. | 0:10:58 | 0:11:02 | |
Let's not mention that again. | 0:11:02 | 0:11:04 | |
I try my best. | 0:11:04 | 0:11:07 | |
These experts, what are they like! | 0:11:07 | 0:11:09 | |
He keeps getting accosted. He's very famous, you know. | 0:11:09 | 0:11:13 | |
Wait, fellas! Wait! Wait! | 0:11:13 | 0:11:17 | |
Come on, chaps, now is not the time to be breaking formation. | 0:11:17 | 0:11:21 | |
-Well. -What about these? -No. | 0:11:21 | 0:11:24 | |
If you want to go for cocktails, girls, if you like cocktails... | 0:11:24 | 0:11:28 | |
Yeah, I looked at that. I like mixology. | 0:11:28 | 0:11:31 | |
There you are. This is the height of the cocktail period. It's 1950s. | 0:11:31 | 0:11:37 | |
-Oh, it's funny, it's by Gucci. -Really? | 0:11:37 | 0:11:38 | |
It's a Gucci! That is so cool. | 0:11:38 | 0:11:41 | |
The only thing I don't like about it are the tongs. | 0:11:41 | 0:11:44 | |
I can't see them being part of it. | 0:11:44 | 0:11:48 | |
Everything else, I can. | 0:11:48 | 0:11:50 | |
It's dead cool, it's dead funny. It's very London. | 0:11:50 | 0:11:53 | |
Oh, look at these cherries. And they're red! | 0:11:53 | 0:11:56 | |
-Do you like that? -I do like it, yeah. | 0:11:56 | 0:11:59 | |
Girls, I'll let you into a secret, I'm a martini drinker, what are you? | 0:11:59 | 0:12:02 | |
BOTH: Cosmopolitan. | 0:12:02 | 0:12:04 | |
-Both of you. Who's the mixer? -It's me! -Are you good? | 0:12:04 | 0:12:08 | |
I love my mixology, yeah. I'd like to do a course in it, really. | 0:12:08 | 0:12:11 | |
From the items we bought on Bargain Hunt, | 0:12:11 | 0:12:13 | |
-maybe you can invest in a course. -Maybe I could. | 0:12:13 | 0:12:15 | |
It's £95, do you want me to have a conversation? | 0:12:15 | 0:12:18 | |
-Yeah. Should we? -Yes. | 0:12:18 | 0:12:20 | |
These don't really... These are a sort of marriage, aren't they? | 0:12:20 | 0:12:24 | |
-Yeah, the tongs are. -The tongs are the only marriage. -Yes. | 0:12:24 | 0:12:27 | |
-What can you do? -75. | 0:12:27 | 0:12:31 | |
75. | 0:12:33 | 0:12:35 | |
-Could you do a bit more? -I'll go to 70. I can't go less than 70. | 0:12:35 | 0:12:38 | |
You can't do 60? | 0:12:38 | 0:12:40 | |
-Are you sure it can't be 65? -No. | 0:12:40 | 0:12:43 | |
-70. -£70? -Yeah. -What do you think? | 0:12:43 | 0:12:45 | |
-I like it. -I like it. -It's a deal, then. -OK. | 0:12:45 | 0:12:50 | |
-Thank you very much. -You're welcome. | 0:12:50 | 0:12:52 | |
Well done, Reds. | 0:12:52 | 0:12:53 | |
I'm sure you could mix up something bewitching with those. | 0:12:53 | 0:12:57 | |
Do you know? I reckon, looking at her, if we had had her, | 0:12:58 | 0:13:00 | |
we'd have won the war by about 1942, frankly. | 0:13:00 | 0:13:04 | |
Cool down, chaps! And they're not the only ones needing refreshment. | 0:13:04 | 0:13:08 | |
I think we could do with a Cosmopolitan. | 0:13:08 | 0:13:10 | |
-Yes, definitely! -Yes. | 0:13:10 | 0:13:12 | |
Items still need to be truffled out. | 0:13:12 | 0:13:13 | |
Good job, the Blues are going for the jugular. | 0:13:13 | 0:13:17 | |
This is the cranberry glass jug. | 0:13:17 | 0:13:20 | |
Now, I suspect it is quite a lot of money | 0:13:20 | 0:13:22 | |
because it's a particularly nice thing with a silver-plated top. | 0:13:22 | 0:13:26 | |
I would be very surprised if it's not £150, really. | 0:13:26 | 0:13:30 | |
I mean, if you bought that for very little, | 0:13:30 | 0:13:33 | |
I would be all for buying it. | 0:13:33 | 0:13:35 | |
-Worth asking? -We'll see how we get. I love this. His trademark. | 0:13:35 | 0:13:40 | |
"Leave it with me, guv'nor." | 0:13:40 | 0:13:42 | |
Yeah, see what you can do, Christophe. | 0:13:42 | 0:13:45 | |
What's the verdict? | 0:13:45 | 0:13:46 | |
He had it for 85, got him down to 65, and that is his absolute best. | 0:13:46 | 0:13:51 | |
I can tell by your reaction, that must be a good buy, then. | 0:13:51 | 0:13:54 | |
-What do you reckon? -Give him the 65 quid. -Right. -Well done! | 0:13:54 | 0:13:57 | |
We got an antique! | 0:13:57 | 0:14:00 | |
And I'm an antique, too! | 0:14:00 | 0:14:03 | |
Great! That leaves both teams with only one item left to buy, | 0:14:03 | 0:14:08 | |
but they better get a shufty on as there are only 15 minutes left. | 0:14:08 | 0:14:12 | |
Wait a minute, have those Goths seen the light? | 0:14:12 | 0:14:15 | |
-That's different. -It is. Look how it catches the light. | 0:14:15 | 0:14:18 | |
It does. Mother of pearl really does catch the light very well. | 0:14:18 | 0:14:21 | |
£26, bit of a bargain, really. | 0:14:21 | 0:14:24 | |
-But I don't think it'll make much at the auction. -No. | 0:14:24 | 0:14:27 | |
-It's quite nice, though. -Hey! | 0:14:27 | 0:14:29 | |
Can I just borrow that for a mo? I think I might need it. | 0:14:29 | 0:14:32 | |
Gosh, how scary is this? | 0:14:32 | 0:14:38 | |
Look at that carved mask. | 0:14:38 | 0:14:40 | |
And those staring eyes | 0:14:40 | 0:14:43 | |
and the odd-ball incrustations of muck | 0:14:43 | 0:14:49 | |
all the way around this wood carving. | 0:14:49 | 0:14:53 | |
It's got a wee label on the back that says tete Bulu. | 0:14:53 | 0:14:57 | |
That's because the Bulu are a West African tribe | 0:14:57 | 0:15:01 | |
in a French-speaking territory. | 0:15:01 | 0:15:03 | |
This is called a fetish head. | 0:15:03 | 0:15:06 | |
They believe that the gorilla and the chimpanzee can be inhabited | 0:15:06 | 0:15:12 | |
by the spirit of their human ancestors. | 0:15:12 | 0:15:16 | |
And in a Bulu ceremony, | 0:15:16 | 0:15:18 | |
it's an object that could have all sorts of substances applied to it. | 0:15:18 | 0:15:24 | |
It's been around, perhaps, for 100 years plus. | 0:15:24 | 0:15:28 | |
What's it worth? | 0:15:28 | 0:15:30 | |
Well, today, on a stall here in Peterborough, | 0:15:30 | 0:15:33 | |
it could be yours for £200. | 0:15:33 | 0:15:36 | |
What might it be worth in an ethnographic sale? | 0:15:36 | 0:15:41 | |
I see it making the top end of £800 to £1,000. | 0:15:41 | 0:15:46 | |
Wow! | 0:15:48 | 0:15:49 | |
Although The Enlightened One might find making such large | 0:15:49 | 0:15:53 | |
profits somewhat questionable. | 0:15:53 | 0:15:56 | |
-The four faces of Buddha. -Oh, right. | 0:15:56 | 0:15:58 | |
Or is it the four faces of my opponent? | 0:15:58 | 0:16:03 | |
Do you think it could be? | 0:16:03 | 0:16:05 | |
It would be insulting to offer you £70 for this, wouldn't it? | 0:16:05 | 0:16:08 | |
You would probably hit me. | 0:16:08 | 0:16:09 | |
No, I wouldn't hit you. I'd ask you for 95. | 0:16:09 | 0:16:11 | |
Oh! Oh! | 0:16:11 | 0:16:15 | |
My joystick was wobbling there. | 0:16:15 | 0:16:17 | |
Gosh, that is so tempting. | 0:16:17 | 0:16:20 | |
See if you can get it for 75 quid. Go on, off you go. | 0:16:20 | 0:16:25 | |
I will try. | 0:16:25 | 0:16:26 | |
I noticed it's got some edge. It's 20th century. | 0:16:26 | 0:16:29 | |
-No less than that? -I've gone from 145 to 95, so... | 0:16:29 | 0:16:33 | |
Have you done the deal with that delightful lady? | 0:16:33 | 0:16:35 | |
Look, she's smiling at me! | 0:16:35 | 0:16:37 | |
-I haven't done any deal. -No, but what have you...? -95. | 0:16:37 | 0:16:41 | |
She can't go any lower than 95. | 0:16:41 | 0:16:43 | |
-She's already dropped it 40 quid. -I'll tell you what, guys. | 0:16:43 | 0:16:46 | |
Put it back on the shelf and we'll have a look at the Concorde. | 0:16:46 | 0:16:48 | |
That's well worth thinking about if we can't get the right price | 0:16:48 | 0:16:51 | |
on the Concorde. How far is the Concorde away? | 0:16:51 | 0:16:53 | |
-Is it about a two-minute sprint? -Yes. | 0:16:53 | 0:16:55 | |
-So, we could have a zippy finish. -We have time. | 0:16:55 | 0:16:58 | |
My darling, I love that. | 0:16:58 | 0:17:00 | |
You know where I want to be on that and we're nearly there, | 0:17:00 | 0:17:04 | |
but I might see you later. | 0:17:04 | 0:17:06 | |
We know, mum's the word. | 0:17:08 | 0:17:11 | |
But you better fly like the wind, there're less than ten minutes left. | 0:17:11 | 0:17:14 | |
-What did the lady say originally, 100 quid? -105. | 0:17:14 | 0:17:18 | |
-One item. -Big rush. -Big rush. Let's get looking. | 0:17:18 | 0:17:22 | |
Thomas, this might be a good time to appeal to the girls' softer sides. | 0:17:22 | 0:17:28 | |
Girls, those Doulton pieces are lovely. | 0:17:28 | 0:17:31 | |
-They're vases. -These ones? -No, these here. | 0:17:31 | 0:17:34 | |
-Gorgeous bits of Art Nouveau. -They're nice. -They're different. | 0:17:34 | 0:17:37 | |
-Nice colour. -Really nice, aren't they? | 0:17:37 | 0:17:39 | |
But they're £170 the pair. | 0:17:39 | 0:17:42 | |
-Oh! Ouch. -But they're perfect. | 0:17:42 | 0:17:44 | |
-Are they collectible? -They are quite collectible. | 0:17:44 | 0:17:46 | |
They're rather attractive with that sort of floral design. | 0:17:46 | 0:17:50 | |
-They would look nice anywhere, even today, wouldn't they? -Yeah. | 0:17:50 | 0:17:53 | |
-I really like them. -I do. I love the pattern. | 0:17:53 | 0:17:56 | |
I like the colours. | 0:17:56 | 0:17:58 | |
This mottling here is the glaze, the mixture of the green... | 0:17:58 | 0:18:01 | |
This would be mainly an ash glaze because of the green in it. | 0:18:01 | 0:18:04 | |
Then you've got this brown, which is going to be an iron glaze. | 0:18:04 | 0:18:07 | |
And these stylized flower heads with these little leaves. | 0:18:07 | 0:18:11 | |
It's just absolutely so Art Nouveau. | 0:18:11 | 0:18:13 | |
-Are they honesty flowers? -Could be. You certainly see those. | 0:18:13 | 0:18:15 | |
You're good on your flowers, aren't you? | 0:18:15 | 0:18:17 | |
-What would you take? -150. | 0:18:17 | 0:18:20 | |
-Go on, a little bit less. -I'll go to 145. | 0:18:20 | 0:18:24 | |
Big purchase, big risk, we've got no time left. They're good, clean bits. | 0:18:24 | 0:18:30 | |
-I think they're beautiful. -We would make | 0:18:30 | 0:18:31 | |
-a profit on those? -You've got a good chance. | 0:18:31 | 0:18:33 | |
They're perfect, they're Doulton and Art Nouveau. | 0:18:33 | 0:18:36 | |
I think we might go for them. | 0:18:36 | 0:18:37 | |
-OK. -Is that all right? -Yep. 145. -145? -Yep. Sold. | 0:18:37 | 0:18:40 | |
-You're a star, an absolute star. -Beautiful! | 0:18:40 | 0:18:44 | |
-You spent all your money, that's your three items! -Yay! | 0:18:44 | 0:18:48 | |
Yes, well done! No shrinking violets here. | 0:18:48 | 0:18:52 | |
But now we're into the final countdown. | 0:18:52 | 0:18:54 | |
Can this aviation nut find another chance to make a profit? | 0:18:54 | 0:18:58 | |
All right, guys, it's still there. | 0:18:58 | 0:19:00 | |
-Could you do that for £75? -I wouldn't like to do it for that. | 0:19:00 | 0:19:04 | |
-We need them to get together, really. -We could come together. | 0:19:04 | 0:19:07 | |
75 sounds a nice, sort of Scottish figure, really. | 0:19:07 | 0:19:09 | |
-I'll do £80 and that's it. -£80? | 0:19:09 | 0:19:12 | |
-All right. -What do you think? -I'm now stepping out of this. | 0:19:12 | 0:19:15 | |
-That's a bit different, isn't it? -It's an eye-catcher. -It is. | 0:19:15 | 0:19:20 | |
-Yeah, £80? -Yeah. -Yeah? -Well done, guys! | 0:19:20 | 0:19:25 | |
I'm glad you took the decision out of my hands | 0:19:25 | 0:19:28 | |
because I did not know what to do. So, if that makes 30 quid, | 0:19:28 | 0:19:31 | |
I can say, "You should have bought the Buddha." If it makes 200 quid, | 0:19:31 | 0:19:34 | |
I'll say, "I told you so." | 0:19:34 | 0:19:36 | |
-Win-win situation. -Win-win. Brilliant! | 0:19:36 | 0:19:38 | |
Well, let's go and see what old Thomas has bought, shall we? | 0:19:38 | 0:19:41 | |
-Great. Come on. -Thank you. -Thank you, sir. | 0:19:41 | 0:19:42 | |
Glad to see you're not shirking your responsibilities, Charles, | 0:19:42 | 0:19:47 | |
and stop stealing my lines. | 0:19:47 | 0:19:50 | |
# Let's fly, let's fly... # | 0:19:50 | 0:19:52 | |
That's it, time's up. | 0:19:52 | 0:19:54 | |
But before we cut off their purchases, | 0:19:54 | 0:19:57 | |
let's check out what the Red Team bought. | 0:19:57 | 0:20:00 | |
Karen and Emma looked to the dark side for inspiration | 0:20:00 | 0:20:04 | |
and fell under the spell of this black brooch for £50. | 0:20:04 | 0:20:07 | |
Then, they were shaken and stirred by this 1950s | 0:20:09 | 0:20:12 | |
silver-plated cocktail set, £70 paid. | 0:20:12 | 0:20:16 | |
And in the final moments, they settled for these Edwardian | 0:20:16 | 0:20:19 | |
Royal Doulton vases, lavishing £145 on them. | 0:20:19 | 0:20:24 | |
There's a lot of giggling going on here. Loads of giggling. | 0:20:28 | 0:20:33 | |
-Don't tell me you've finished? -We have. -You never have! -Yes. | 0:20:33 | 0:20:36 | |
-And we spent it all. Have you? -No. | 0:20:36 | 0:20:38 | |
What have you spent? | 0:20:38 | 0:20:40 | |
-Right. 145. -145. -50. -And 50, that's 195. | 0:20:40 | 0:20:44 | |
-And 70. -Yeah, 70. | 0:20:44 | 0:20:46 | |
Did I say 195? And 70, 265. I want £35 of leftover lolly, please. | 0:20:46 | 0:20:52 | |
I'll take that from you. £35. Because that goes to T Plant. | 0:20:52 | 0:20:57 | |
-£35. Which thing is going to bring the biggest profit? -Those. | 0:20:57 | 0:21:00 | |
The brooch. | 0:21:00 | 0:21:01 | |
The brooch. We have a disagreement. | 0:21:01 | 0:21:04 | |
-We'll find out in a minute, won't we? -Yes. | 0:21:04 | 0:21:06 | |
Now, let's check out what the Blue Team bought, eh? | 0:21:06 | 0:21:10 | |
Paulo and Christophe spotted this Victorian writing slope | 0:21:11 | 0:21:15 | |
and, with a nudge, paid £25 for it. | 0:21:15 | 0:21:17 | |
Charlie twisted their arm into buying | 0:21:19 | 0:21:22 | |
this Victorian claret jug, which they poured £65 into. | 0:21:22 | 0:21:25 | |
We'll see how we go. I love this, it's his trademark. | 0:21:25 | 0:21:29 | |
Finally, with no waste of time, they landed this model Concorde. | 0:21:29 | 0:21:33 | |
Let's hope it soars above the £80 paid. | 0:21:33 | 0:21:36 | |
-Nobody went by plane, did they? -No. -Very sensible. | 0:21:38 | 0:21:42 | |
-So, had a good time then? -Brilliant. -Is he not an amusing man? | 0:21:42 | 0:21:47 | |
-Very amusing. -Very off the wall and droll, I'd say. | 0:21:47 | 0:21:51 | |
Fitting in a treat. Anyway, which is your favourite piece, Chris? | 0:21:51 | 0:21:55 | |
The cranberry jug. | 0:21:55 | 0:21:57 | |
Would you agree with that, Paul? | 0:21:57 | 0:21:59 | |
No, I quite like the Concorde that we bought. | 0:21:59 | 0:22:01 | |
I think that's going to go well. | 0:22:01 | 0:22:03 | |
I can't imagine why. | 0:22:03 | 0:22:04 | |
I suppose because it's Mach 2 or something like that. | 0:22:04 | 0:22:08 | |
-So, what did you spend overall? -170. | 0:22:08 | 0:22:12 | |
170, so you've got 130 about your person? | 0:22:12 | 0:22:15 | |
Somewhere? You don't like handing this over, | 0:22:15 | 0:22:17 | |
do you, Chris? Not one little bit. | 0:22:17 | 0:22:19 | |
£130 goes straight over to Carlota. | 0:22:19 | 0:22:21 | |
-Thank you very much. -Good luck, chaps. | 0:22:21 | 0:22:24 | |
Meanwhile, I'm heading off to Exeter, to Exeter Museum. | 0:22:24 | 0:22:27 | |
Can you imagine what bliss? | 0:22:27 | 0:22:31 | |
The Royal Albert Memorial Museum, in Exeter, | 0:22:34 | 0:22:37 | |
attracts thousands of visitors every year from all over the globe. | 0:22:37 | 0:22:41 | |
And located as it is in the heart of the West Country, | 0:22:41 | 0:22:44 | |
the museum doesn't ignore the local naval heritage from the days | 0:22:44 | 0:22:47 | |
when British ships travelled to new and faraway lands. | 0:22:47 | 0:22:53 | |
This part of the museum celebrates the diversity of the world cultures, | 0:22:54 | 0:23:00 | |
with amazing exhibits, some of which come from West Country donors. | 0:23:00 | 0:23:05 | |
Extraordinary. Some of the exhibits are quite innocuous looking. | 0:23:17 | 0:23:22 | |
Take this little section of metal. | 0:23:22 | 0:23:25 | |
It is a thin piece of copper sheathing. | 0:23:25 | 0:23:30 | |
An interesting thing is the paper label on it, written in pen and ink. | 0:23:30 | 0:23:34 | |
Look, it says Pitcairn Isle copper from the old Bounty. | 0:23:34 | 0:23:39 | |
Now, we have all seen the movie, you know how it worked. | 0:23:39 | 0:23:42 | |
Captain Bligh, HMS Bounty, | 0:23:42 | 0:23:45 | |
the fact that he got kicked out with some loyal, old crew members | 0:23:45 | 0:23:50 | |
and the vessel eventually was destroyed | 0:23:50 | 0:23:53 | |
at the Island of Pitcairn by the mutineers. | 0:23:53 | 0:23:55 | |
But look at this, | 0:23:55 | 0:23:57 | |
this is a piece of the copper that wrapped the bottom of that vessel. | 0:23:57 | 0:24:02 | |
That piece of copper came off Captain Bligh's ship. | 0:24:02 | 0:24:06 | |
This display, | 0:24:06 | 0:24:07 | |
including an extraordinary Tahitian funerary garb, | 0:24:07 | 0:24:12 | |
came from Bligh's next voyage, | 0:24:12 | 0:24:16 | |
where his nephew, a Lieutenant Bond, | 0:24:16 | 0:24:19 | |
was presented with this mourning garb by the islanders. | 0:24:19 | 0:24:24 | |
It was a mark of prestige. | 0:24:24 | 0:24:27 | |
And this thing would be worn by the chief mourner at a funeral. | 0:24:27 | 0:24:32 | |
What I like is this string vest. Look at that. | 0:24:32 | 0:24:36 | |
It is made up of thousands of little shards of mother of pearl | 0:24:36 | 0:24:40 | |
that have been cut and strung, | 0:24:40 | 0:24:42 | |
so that they move every time the human inside | 0:24:42 | 0:24:46 | |
does a bit of a jink. And in the brilliant sunshine, | 0:24:46 | 0:24:49 | |
would have been seriously dazzling. | 0:24:49 | 0:24:52 | |
Take that headdress. | 0:24:52 | 0:24:54 | |
That's a peacock-type rather, I mean, and avian feather. | 0:24:54 | 0:24:58 | |
That is seriously weird. | 0:24:58 | 0:25:01 | |
Another West Country mariner who endowed the collections here | 0:25:06 | 0:25:12 | |
was one James Woodward Scott, | 0:25:12 | 0:25:15 | |
who set off as an 11-year-old midshipman on HMS Discovery | 0:25:15 | 0:25:21 | |
in 1791. | 0:25:21 | 0:25:23 | |
And in his travels up the West American | 0:25:23 | 0:25:27 | |
and Canadian coast, | 0:25:27 | 0:25:28 | |
all the way up to Alaska, he started to collect native objects, | 0:25:28 | 0:25:33 | |
as an 11-year-old, which is extraordinary. | 0:25:33 | 0:25:36 | |
These two teeth come from a bear. | 0:25:36 | 0:25:40 | |
We have heard about the rarity of hens' teeth. | 0:25:40 | 0:25:44 | |
Well, here we've got bears' teeth. | 0:25:44 | 0:25:46 | |
This one is carved with a wolf, which was important ceremonially | 0:25:46 | 0:25:51 | |
in terms of winter festivities and also to assist healing. | 0:25:51 | 0:25:56 | |
Amazing, isn't it? From an 11-year-old. | 0:25:56 | 0:25:59 | |
Of course, they never found the Northwest passage. | 0:25:59 | 0:26:03 | |
Which reminds me, | 0:26:03 | 0:26:05 | |
are our teams today going to find their passage to the auction room? | 0:26:05 | 0:26:09 | |
Well, we have crossed the County line from Cambridgeshire to Essex, | 0:26:16 | 0:26:19 | |
at Sworders Sale Room with John Black, | 0:26:19 | 0:26:22 | |
our auctioneer today. John. For Karen and Emma today, | 0:26:22 | 0:26:25 | |
they are so excited about their pressed horn Victorian brooch. | 0:26:25 | 0:26:29 | |
What do you make of that? | 0:26:29 | 0:26:31 | |
It is a charming brooch of a hand clutching some flowers, | 0:26:31 | 0:26:35 | |
-but I don't think it is pressed horn. It's probably vulcanite. -Oh! | 0:26:35 | 0:26:40 | |
-And vulcanite is a sort of plastic? -It is a rubber composite, yes. | 0:26:40 | 0:26:46 | |
-Which is a nice way of saying a type of plastic. -That's right. | 0:26:46 | 0:26:48 | |
-And they would be worth ten to £15. -Each? -Yes. | 0:26:48 | 0:26:54 | |
On a good day. £50 paid on that. | 0:26:54 | 0:26:57 | |
-How do you rate Gucci here? -We rate Gucci if it's Italian. | 0:26:57 | 0:27:02 | |
-This, unfortunately, is made in England. -No! | 0:27:02 | 0:27:05 | |
-Hm-mm. -Really? -Yes. -Well, they've had a good go, haven't they? | 0:27:05 | 0:27:08 | |
-There are lots of bits there. -That's right. £80 to £100. | 0:27:08 | 0:27:10 | |
We think it is useful. | 0:27:10 | 0:27:12 | |
Yeah, good. That's a very nice estimate. Thank you. Very positive. | 0:27:12 | 0:27:15 | |
£70 paid. | 0:27:15 | 0:27:17 | |
-Good. -So, we're happy with that. | 0:27:17 | 0:27:19 | |
Next is the staple of the sale room, a pair of Doulton vases. | 0:27:19 | 0:27:22 | |
There we go, John. Something for you to get your teeth into. | 0:27:22 | 0:27:24 | |
That's right. They are decorative stoneware. We see them a lot. | 0:27:24 | 0:27:28 | |
-£50 to £100. -How much? | 0:27:28 | 0:27:30 | |
-£50 to £100. -That is what I thought you said. | 0:27:30 | 0:27:32 | |
Our team invested £145. Oh, dear. | 0:27:32 | 0:27:36 | |
Well, out of this double tragedy today, | 0:27:36 | 0:27:39 | |
we're going to need the bonus buy. Let's go and have a look at it. | 0:27:39 | 0:27:43 | |
-Now, Karen, Ems, how are you, girls? -We're fine, thank you. -Are you? | 0:27:43 | 0:27:46 | |
£265 you've spent. I'm so proud of you girls! | 0:27:46 | 0:27:52 | |
£35 only went to Tom. Tom, what did you find? | 0:27:52 | 0:27:57 | |
-Well, I got something to reflect you two. -BOTH: Oh! | 0:27:57 | 0:27:59 | |
I thought you would like these. It's not the oldest thing | 0:27:59 | 0:28:02 | |
in the world. But I quite liked it | 0:28:02 | 0:28:05 | |
because I like the chain to it and the ankh. | 0:28:05 | 0:28:08 | |
I think that's like an Egyptian ankh, isn't it? | 0:28:08 | 0:28:10 | |
What is it made out of? | 0:28:10 | 0:28:12 | |
I wouldn't sort of dwell on that one, probably. | 0:28:12 | 0:28:16 | |
-How much? -I spent it all. | 0:28:16 | 0:28:18 | |
It was marked at a lot more. | 0:28:18 | 0:28:20 | |
So, how well do you think it will do? | 0:28:20 | 0:28:22 | |
Well, maybe it's something which reflected you | 0:28:22 | 0:28:26 | |
and I just thought it would make you feel happy at the auction and maybe | 0:28:26 | 0:28:29 | |
it might make a small profit if there are other Goths in the room. | 0:28:29 | 0:28:33 | |
That's what you are banking on? | 0:28:33 | 0:28:34 | |
Well, that's what I'm banking on. But also, it is quite fashionable. | 0:28:34 | 0:28:37 | |
-Would you wear that? -Yeah. | 0:28:37 | 0:28:39 | |
-You would? -Yeah, that is pretty cool. | 0:28:39 | 0:28:41 | |
He's not predicting a big profit and, of course, | 0:28:41 | 0:28:43 | |
you don't have to take it. | 0:28:43 | 0:28:45 | |
It all depends on how you get on with your first three items. | 0:28:45 | 0:28:47 | |
But for the viewers at home, | 0:28:47 | 0:28:49 | |
let's find out what they auctioneer thinks about Tom's bit of jewellery. | 0:28:49 | 0:28:52 | |
Well, John, carrying on the jolly theme. | 0:28:54 | 0:28:58 | |
Thomas Plant has come up with something really tasty. | 0:28:58 | 0:29:01 | |
Yes. | 0:29:01 | 0:29:03 | |
A plastic Coptic cross. | 0:29:03 | 0:29:06 | |
-Not vulcanite? -It isn't. | 0:29:06 | 0:29:09 | |
Unfortunately, it's just plastic this time. | 0:29:09 | 0:29:12 | |
And worth very, very little. | 0:29:12 | 0:29:14 | |
-Gosh. -We have given this a very good estimate of £10 to £15. | 0:29:14 | 0:29:20 | |
Which means, if it doesn't go well, you'll be lucky | 0:29:20 | 0:29:23 | |
-if you get a pound for it. -Exactly. | 0:29:23 | 0:29:25 | |
I know that translation. Well, I'll tell you what I'm going to do. | 0:29:25 | 0:29:29 | |
I'm going to put it around our in memoriam Victorian brooch | 0:29:29 | 0:29:34 | |
and that makes a bit of a set, doesn't it? | 0:29:34 | 0:29:36 | |
That is it for the Reds. Now, for the Blues. | 0:29:36 | 0:29:40 | |
And our first item in this extraordinary mixture | 0:29:40 | 0:29:44 | |
is the Tunbridge ware writing slope. | 0:29:44 | 0:29:46 | |
-Which is another staple, isn't it? -It is, Tim. | 0:29:46 | 0:29:51 | |
£30 to £40 is all we have put. | 0:29:51 | 0:29:53 | |
It's...it's not in the best condition. | 0:29:53 | 0:29:56 | |
If you open it up, the writing slope is gone, it's loose. | 0:29:56 | 0:30:00 | |
It's hanging free. So, unfortunately, | 0:30:00 | 0:30:03 | |
that's why it's so little. | 0:30:03 | 0:30:05 | |
Well, don't despair, they only pay £25. | 0:30:05 | 0:30:09 | |
Thank goodness it's not made of vulcanite. | 0:30:09 | 0:30:12 | |
Next is the cranberry Victorian spiral-mounted...claret jug? | 0:30:12 | 0:30:17 | |
I think it is a claret jug. | 0:30:17 | 0:30:19 | |
-It is not in the greatest condition. This is lose here. -Oh, yes. | 0:30:19 | 0:30:25 | |
But we've thought about it long and hard | 0:30:25 | 0:30:28 | |
and given it an estimate of £35 to £45. | 0:30:28 | 0:30:32 | |
-Well, £65 paid. -OK. -So, that's on the edge of edge. -It is. | 0:30:32 | 0:30:38 | |
Now, prepare for takeoff with Concorde. | 0:30:38 | 0:30:41 | |
£20 to £30. You get the plaque, as well. | 0:30:41 | 0:30:44 | |
I don't do casting myself, but if I did, | 0:30:44 | 0:30:47 | |
-I think I could do a better job than this. -Hm-mm. | 0:30:47 | 0:30:50 | |
-Anyway, your estimate is how much again? -20 to 30. -They paid 80. | 0:30:50 | 0:30:55 | |
HE WHISTLES | 0:30:55 | 0:30:56 | |
OK. Well, on that happy note, we're going to go and look | 0:30:56 | 0:30:59 | |
at the bonus by, because, by Jingo, they're going to need it. | 0:30:59 | 0:31:02 | |
Paul, Christophe, this is the moment you've been waiting for. | 0:31:03 | 0:31:07 | |
£130 went Carlos Ross. And, Carlos, what did you spend it on? | 0:31:07 | 0:31:12 | |
-Blow the lot? -I spent a huge amount of money on this, boys. | 0:31:12 | 0:31:16 | |
I am passionate about this object. | 0:31:16 | 0:31:18 | |
THEY LAUGH | 0:31:18 | 0:31:21 | |
-Right. -You are not passionate about this object, but trust me, chaps, | 0:31:21 | 0:31:25 | |
this is the arts and crafts movement at its best. | 0:31:25 | 0:31:28 | |
This actually is a toffee tin for Bassett's Toffees. Stop it! | 0:31:28 | 0:31:34 | |
A toffee tin. | 0:31:34 | 0:31:35 | |
But it has got all the hallmarks of Archibald Knox, has it not? | 0:31:35 | 0:31:40 | |
-Oh, yes. Looks rusty to me. -Wonderful hinges. | 0:31:40 | 0:31:43 | |
Enamelling here. Not real, | 0:31:43 | 0:31:48 | |
but simulating something that was absolutely wonderful. | 0:31:48 | 0:31:51 | |
And to think that you got this free with your toffees! | 0:31:51 | 0:31:54 | |
-And you just paid for it. -How much did you spend? | 0:31:54 | 0:31:58 | |
-Give him a break. -What is it worth, chaps? | 0:31:58 | 0:32:01 | |
-£30. -£30. -15 quid. | 0:32:01 | 0:32:05 | |
-Well, there you go. -So there! | 0:32:05 | 0:32:07 | |
-Double your money time. -Can I have a look? -You may. -Thank you. | 0:32:07 | 0:32:12 | |
-So, the big thing is, Charlie. -Yeah. | 0:32:12 | 0:32:15 | |
In the world of tins, there's an infinite variety | 0:32:15 | 0:32:18 | |
and there are hundreds of pounds spent on certain rarities. | 0:32:18 | 0:32:22 | |
Oh, yeah. If that was in super condition, | 0:32:22 | 0:32:25 | |
and I don't pretend it is, | 0:32:25 | 0:32:27 | |
I think it would be worth the best part of £200. | 0:32:27 | 0:32:30 | |
-Well, it's not dented, is it? -No. -It's just a little... | 0:32:30 | 0:32:33 | |
Just a little rusted. | 0:32:33 | 0:32:35 | |
Anyway, let's find out what the auctioneer thinks | 0:32:35 | 0:32:38 | |
about Carlos's tin. | 0:32:38 | 0:32:40 | |
-Right, John, you're an arts and crafts man. -Hm-mm. | 0:32:40 | 0:32:43 | |
How would you date that casket? | 0:32:43 | 0:32:45 | |
That would be around 1900, 1910. | 0:32:45 | 0:32:48 | |
-And would they be very nice Ruskin porcelain plaques? -They wouldn't. | 0:32:48 | 0:32:54 | |
-They'd be gobstopper-type liquorice allsorts. -Oh, right. | 0:32:54 | 0:32:58 | |
-Because that's what it held? -That's right. A few little dinks and nicks. | 0:32:58 | 0:33:01 | |
The finish is nearly gone, as well, on this. | 0:33:01 | 0:33:05 | |
But £30 to £40 we've put on it. | 0:33:05 | 0:33:07 | |
Well, that genius Charlie Ross only paid £15. | 0:33:07 | 0:33:10 | |
So, if they go for the bonus buy, they could double their money. | 0:33:10 | 0:33:13 | |
And looking at Concorde, they're going to need to do it. | 0:33:13 | 0:33:16 | |
Anyway, we'll find out in a minute, won't we? | 0:33:16 | 0:33:19 | |
Now, Karen, Emma, you're on the edge, how does it feel? | 0:33:24 | 0:33:27 | |
-Nervous. -Nerve-racking. | 0:33:27 | 0:33:28 | |
What are you nervous about particularly, Karen? | 0:33:28 | 0:33:30 | |
-I like losing money. -You like losing money? | 0:33:30 | 0:33:33 | |
And that makes you feel nervous? | 0:33:33 | 0:33:35 | |
-I'm a bit nervous because it's an auction. -Yeah. | 0:33:35 | 0:33:38 | |
The cold, steely hand of reality is about to grip, | 0:33:38 | 0:33:42 | |
because your first item is the brooch, and here it comes. | 0:33:42 | 0:33:46 | |
There we are. Vulcanite brooch. | 0:33:46 | 0:33:48 | |
We'll start the bidding here at £10, then. | 0:33:48 | 0:33:51 | |
At £10. | 0:33:51 | 0:33:52 | |
-This is tough. -Victorian memorial brooch. Vulcanite brooch there. | 0:33:52 | 0:33:56 | |
-£5 is bid, thank you. -£5? | 0:33:56 | 0:33:59 | |
Any advance at £5? | 0:33:59 | 0:34:01 | |
-Six, seven, eight. -It's going. -At £8, then. | 0:34:01 | 0:34:05 | |
Are we all done at £8? | 0:34:05 | 0:34:08 | |
Lady's bid again at £8. | 0:34:08 | 0:34:10 | |
All done, and I'm going to sell. | 0:34:10 | 0:34:12 | |
£8. Minus £42. | 0:34:12 | 0:34:16 | |
That's good. | 0:34:16 | 0:34:18 | |
Let's hope we make it up with the... | 0:34:18 | 0:34:20 | |
Cocktail set. | 0:34:20 | 0:34:21 | |
95. We have the 1950s silver-plated cocktail set. It is marked Gucci. | 0:34:21 | 0:34:26 | |
But it is made in England. Who would like to bid £50 for it? | 0:34:26 | 0:34:31 | |
Man or lady who has everything? Cocktail set? 20 is bid, thank you. | 0:34:33 | 0:34:37 | |
At 22. 25. | 0:34:37 | 0:34:39 | |
28. 30. 32. | 0:34:39 | 0:34:41 | |
-35. 38. -Good. -40. | 0:34:41 | 0:34:44 | |
45. 50. Five. | 0:34:44 | 0:34:46 | |
60. | 0:34:46 | 0:34:47 | |
-Five. -Yes! -70. 80. | 0:34:47 | 0:34:50 | |
90. 100. And ten. 120. | 0:34:50 | 0:34:55 | |
That's cool! | 0:34:55 | 0:34:57 | |
120. Gentleman's bid standing. | 0:34:57 | 0:35:00 | |
£120. Are you sure? 130, sir? | 0:35:00 | 0:35:05 | |
-Is he finished? -He looks again. No? | 0:35:05 | 0:35:07 | |
120, I'm going to sell. Standing there at 120. | 0:35:07 | 0:35:11 | |
Yes! Look how good that did! | 0:35:11 | 0:35:13 | |
That is brilliant. £120 is plus 50. | 0:35:13 | 0:35:17 | |
You were minus 42. You are back in the game with plus £8. | 0:35:17 | 0:35:21 | |
Now, your vases. | 0:35:21 | 0:35:23 | |
Hold on a minute, | 0:35:23 | 0:35:24 | |
-this has been placed on my... front of my feet. -Anyway, | 0:35:24 | 0:35:28 | |
-here they come. -They're Doulton, they're perfect. | 0:35:28 | 0:35:30 | |
Lot 96. | 0:35:30 | 0:35:31 | |
A pair of good Royal Doulton vases. £30 is the bid, sir. | 0:35:31 | 0:35:34 | |
-30. -If you wish to bid. £30. Thank you, madam. | 0:35:34 | 0:35:37 | |
At 32. | 0:35:37 | 0:35:38 | |
35. 38. 40. 42. 45. | 0:35:38 | 0:35:42 | |
48. 50. | 0:35:42 | 0:35:45 | |
Five. 60. Five. | 0:35:45 | 0:35:47 | |
70. Five. 80. | 0:35:47 | 0:35:50 | |
£80. 85, sir? | 0:35:50 | 0:35:52 | |
-Would you like to come in now? -Oh, no! Come on! | 0:35:52 | 0:35:56 | |
Lady's bid at £80. Are we all done now? | 0:35:56 | 0:35:58 | |
Selling at £80. | 0:35:58 | 0:36:01 | |
£80 is minus 65, which is not so bad if you say it quickly. | 0:36:01 | 0:36:07 | |
-Which means, overall, you are minus 57. -All right. | 0:36:07 | 0:36:13 | |
-I feel so responsible. -What are we going to do about the old necklace? | 0:36:13 | 0:36:17 | |
We're going to go for it. Even for a penny, | 0:36:17 | 0:36:19 | |
-even for a pound. -Just because it's black? -Yes. | 0:36:19 | 0:36:22 | |
Well, all I can say is things are looking rather black at the moment. | 0:36:22 | 0:36:25 | |
-You are determined to do it? -Yes. | 0:36:25 | 0:36:27 | |
We're going with the bonus buy, and here it comes. | 0:36:27 | 0:36:29 | |
Lot 100. The black plastic Coptic cross. | 0:36:29 | 0:36:34 | |
It is only black plastic, I'm afraid. | 0:36:34 | 0:36:37 | |
So, who would like to start the bidding here | 0:36:37 | 0:36:40 | |
at a generous £5? | 0:36:40 | 0:36:42 | |
-Generous? -Generous five. -Any bids now? | 0:36:42 | 0:36:45 | |
£5. It is on the counter. £5, thank you. | 0:36:45 | 0:36:48 | |
Another lady there. At £5. Would you like to bid six? | 0:36:48 | 0:36:52 | |
-Yes, she would. -In the lovely coral necklace? | 0:36:52 | 0:36:55 | |
£6 is bid. Thank you very much. | 0:36:55 | 0:36:58 | |
Standby. Stand by your bids. | 0:36:58 | 0:37:01 | |
It is your big, madam. At £6. | 0:37:01 | 0:37:04 | |
The black plastic cross on the chain at £6, and I'm selling. | 0:37:04 | 0:37:08 | |
-£6 is minus £29. That's minus 86, girls. -Oh! | 0:37:08 | 0:37:13 | |
Well, you said you got a thrill from losing money. | 0:37:14 | 0:37:17 | |
I think you have had a cheap thrill today. | 0:37:17 | 0:37:19 | |
I have had a very cheap thrill. | 0:37:19 | 0:37:20 | |
Anyway, the fact of the matter is it could be a winning score, | 0:37:20 | 0:37:23 | |
-so say not a word to the Blues. -We won't. | 0:37:23 | 0:37:25 | |
-Lips are sealed. -Lips are sealed. -Well done, girls. | 0:37:25 | 0:37:28 | |
Carlos, you're been in the auction business for years. | 0:37:34 | 0:37:36 | |
You've seen some strange things happen in your time. | 0:37:36 | 0:37:39 | |
A lot of strange things. | 0:37:39 | 0:37:40 | |
Things like Concordes that you put £20 to £30 on. | 0:37:40 | 0:37:43 | |
And end up at 360 on the net. | 0:37:43 | 0:37:46 | |
I've yet to find anybody who rates that, I have to say. | 0:37:46 | 0:37:49 | |
He has put 20 to 30 on that | 0:37:49 | 0:37:52 | |
and £80 was paid. Well, good luck. | 0:37:52 | 0:37:54 | |
Now, team, first up is your Tunbridge writing slope, | 0:37:54 | 0:37:57 | |
and here it comes. | 0:37:57 | 0:37:58 | |
We move on to this Victorian walnut | 0:37:58 | 0:38:01 | |
writing slope with a Tunbridge inlaid band across the top. | 0:38:01 | 0:38:04 | |
We will start the bidding here at £20. It is a low start. | 0:38:04 | 0:38:07 | |
At £20 now. Any advance? £20. | 0:38:07 | 0:38:11 | |
-I'll take 22. -Come on. -25. | 0:38:11 | 0:38:14 | |
28. Lady's bid at the back there. | 0:38:14 | 0:38:17 | |
At £28. 30 if you wish. Anywhere else? | 0:38:17 | 0:38:20 | |
-You're in profit. -It's the lady's bid. | 0:38:20 | 0:38:22 | |
-£28. -What's with all these women going for it? | 0:38:22 | 0:38:24 | |
Make no mistake, £28. | 0:38:24 | 0:38:27 | |
£28. Well done, chaps. £28 is plus £3. | 0:38:27 | 0:38:32 | |
Better than a kick. | 0:38:32 | 0:38:33 | |
Now, here we go with the claret jug. | 0:38:33 | 0:38:36 | |
Another good lot behind the counter. | 0:38:36 | 0:38:37 | |
-I think I steered you into this. -..claret jug. | 0:38:37 | 0:38:40 | |
Late Victorian, there. | 0:38:40 | 0:38:42 | |
We can start the bidding here at £30. | 0:38:42 | 0:38:46 | |
Again, it's a low start. At £30. | 0:38:46 | 0:38:48 | |
Any advance? | 0:38:48 | 0:38:50 | |
You need a bit of glue there, somewhere. | 0:38:50 | 0:38:52 | |
32, thank you. 35. 38. | 0:38:52 | 0:38:55 | |
40. | 0:38:55 | 0:38:57 | |
42. £42 right at the back of the room. At £42. | 0:38:57 | 0:39:01 | |
-Are we all done? -Come on! | 0:39:01 | 0:39:03 | |
45, thank you. 48. | 0:39:03 | 0:39:06 | |
£48. Far off there. | 0:39:06 | 0:39:09 | |
At £48, and I'll sell. | 0:39:09 | 0:39:11 | |
£48, two off 50, which means it's minus 17. | 0:39:11 | 0:39:17 | |
Which means overall you're minus 14. | 0:39:17 | 0:39:19 | |
And here we come with Concorde. | 0:39:19 | 0:39:22 | |
Moving on to the illustrious model of Concorde, there we are. | 0:39:22 | 0:39:25 | |
We can start the bidding at £35. | 0:39:25 | 0:39:30 | |
£35, straight in there. | 0:39:30 | 0:39:33 | |
In the room with Amy. At 35. 38. 40. | 0:39:33 | 0:39:37 | |
-I knew it would be good. -42. 45. 48. | 0:39:37 | 0:39:40 | |
£48 there. 50. | 0:39:40 | 0:39:43 | |
At £50 now. Still with us here. At £50. | 0:39:43 | 0:39:46 | |
On commission now. Against you, sir, in the room. | 0:39:46 | 0:39:49 | |
Do you want to bid 52? Where are you? | 0:39:49 | 0:39:51 | |
Ducked away? At £50 then. | 0:39:51 | 0:39:55 | |
52. 55. One more, madam? | 0:39:55 | 0:39:58 | |
£58. | 0:39:58 | 0:40:01 | |
Yes? £58. There we are, commission is out. It's your bid. | 0:40:01 | 0:40:05 | |
At £58. And we'll sell. | 0:40:05 | 0:40:08 | |
22. 32. Minus 36. OK? | 0:40:09 | 0:40:11 | |
Minus £36. | 0:40:11 | 0:40:13 | |
Bearing in mind how flat as a pancake this has been, | 0:40:13 | 0:40:16 | |
-that's not too bad. -No, not really. | 0:40:16 | 0:40:18 | |
So, what are you going to do about the toffee tin? | 0:40:18 | 0:40:20 | |
-We all fancy it. -We liked it from the beginning. | 0:40:20 | 0:40:25 | |
-You liar! -We said we were going to go with it. | 0:40:25 | 0:40:28 | |
Well, that's great, isn't it? The decision is made. | 0:40:28 | 0:40:31 | |
Now that you've decided, | 0:40:31 | 0:40:32 | |
I can tell you what the auctioneer has put on it. | 0:40:32 | 0:40:34 | |
He think it is a fab little tin and he has put £30 to £40. | 0:40:34 | 0:40:37 | |
-Really? -So, in his view, you'll double your money. | 0:40:37 | 0:40:40 | |
Who would like to start the bidding here at £30. | 0:40:40 | 0:40:43 | |
£30 for this. 20, then? | 0:40:43 | 0:40:47 | |
Anywhere? Ten now? | 0:40:47 | 0:40:50 | |
We crawl it down to £10. Thank you, madam, at ten. | 0:40:50 | 0:40:54 | |
Is bid here, on my left. At £10 now. 12 there? 12. | 0:40:54 | 0:40:58 | |
14. 16. 18. At £18 now. | 0:40:58 | 0:41:03 | |
-Come on, keep going. -Just. -Tight. -We all done now? At £18... | 0:41:03 | 0:41:07 | |
It is your bid, madam. | 0:41:08 | 0:41:09 | |
I'm going to sell. We are all done at £18. | 0:41:09 | 0:41:13 | |
£18. Well, that is very good. | 0:41:13 | 0:41:15 | |
-Plus £3. That's very good. -Well done. | 0:41:15 | 0:41:18 | |
Not as good as his estimate, though. | 0:41:18 | 0:41:20 | |
I have to say. If he had made his 30 to 40, you'd be really smiling. | 0:41:20 | 0:41:23 | |
Anyway, it is plus three, no harm with that. | 0:41:23 | 0:41:25 | |
You are minus £33 as a result, and that could be a winning score. | 0:41:25 | 0:41:29 | |
Don't talk to the Reds and all will be revealed in a moment. | 0:41:29 | 0:41:33 | |
Been chatting at all between you? | 0:41:40 | 0:41:42 | |
No, not a word? Just as well, really. | 0:41:42 | 0:41:44 | |
We have had a whopping series of disasters and the team that | 0:41:44 | 0:41:50 | |
has had more disasters than anybody else are the Reds. | 0:41:50 | 0:41:53 | |
Yes! | 0:41:53 | 0:41:55 | |
-You also made the biggest profit, but the biggest losses. -Yes! | 0:41:56 | 0:41:59 | |
They made a profit of £50 on their Gucci silver cocktail set. | 0:41:59 | 0:42:05 | |
-Which was good, wasn't it? -Very good. | 0:42:05 | 0:42:07 | |
We had such great expectations as a result. | 0:42:07 | 0:42:10 | |
But sadly, they came to nought. They came to minus 86, actually. | 0:42:10 | 0:42:14 | |
Which is quite a whopper, isn't it? All in the name of good fun. | 0:42:14 | 0:42:19 | |
But the victors today, who win by only losing £33, | 0:42:19 | 0:42:22 | |
which is nothing to be too proud of, are the Blues. | 0:42:22 | 0:42:25 | |
Congratulations, chaps. | 0:42:25 | 0:42:27 | |
-Thank you. -Your maximum profit was £3, | 0:42:27 | 0:42:30 | |
which you scored twice - | 0:42:30 | 0:42:33 | |
on the writing slope and that excellent toffee tin, Carlos, | 0:42:33 | 0:42:36 | |
which you can be very proud of. | 0:42:36 | 0:42:39 | |
Another three pound profit on that. | 0:42:39 | 0:42:41 | |
Old sticky fingers, you see. | 0:42:41 | 0:42:44 | |
-Anyway, had a good time? -Fantastic. -Very good. | 0:42:44 | 0:42:46 | |
Thank you very much for coming on the show. | 0:42:46 | 0:42:48 | |
Congratulations for winning. | 0:42:48 | 0:42:49 | |
In fact, join us soon for some more bargain hunting, yes? | 0:42:49 | 0:42:52 | |
ALL: Yes! | 0:42:52 | 0:42:54 | |
Subtitles by Red Bee Media Ltd | 0:42:54 | 0:42:56 |