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Today we're in Lewes, in East Sussex, once the site of a mint, | 0:00:02 | 0:00:08 | |
but will anybody be making money today? | 0:00:08 | 0:00:11 | |
There's only one way to find out. Let's go bargain hunting, yeah! | 0:00:11 | 0:00:16 | |
Coins were minted here in Lewes from Anglo-Saxon to Norman times, | 0:00:43 | 0:00:49 | |
as the town increased in size and commerce. | 0:00:49 | 0:00:51 | |
Today, our teams are going to be hitting the antique centres, | 0:00:53 | 0:00:58 | |
but the big question is, will they come back with any change? | 0:00:58 | 0:01:01 | |
'And on today's show, the Reds are on a mission.' | 0:01:05 | 0:01:08 | |
How much would you pay for that? | 0:01:08 | 0:01:09 | |
35, and I'd sell it for 160. | 0:01:09 | 0:01:11 | |
She's hot, this girl! | 0:01:11 | 0:01:13 | |
'The Blues drive Mark to distraction.' | 0:01:13 | 0:01:17 | |
It's 145. | 0:01:17 | 0:01:18 | |
-It's a lot, isn't it? -We can keep saying that. | 0:01:18 | 0:01:20 | |
-I know, I know, I know. -The time is running out! | 0:01:20 | 0:01:22 | |
-I know! -'And someone's in for a lucky day.' | 0:01:22 | 0:01:25 | |
Yes. Well done. | 0:01:27 | 0:01:28 | |
-Wow! -Yes! | 0:01:28 | 0:01:30 | |
'So let's go and meet the teams.' | 0:01:30 | 0:01:33 | |
Well, today we've got two teams of chums. | 0:01:33 | 0:01:36 | |
For the Reds, we've got Hazel and Ann, | 0:01:36 | 0:01:39 | |
and for the Blues, we've got Cheryl and Ailsa. Welcome, everybody. | 0:01:39 | 0:01:42 | |
Thank you. | 0:01:42 | 0:01:43 | |
Now, Hazel, how did you two meet? | 0:01:43 | 0:01:45 | |
We've got daughters the same age, | 0:01:45 | 0:01:46 | |
so we met at the school gate five years ago. | 0:01:46 | 0:01:48 | |
-Did you? -Yes. -And immediately bonded up? | 0:01:48 | 0:01:50 | |
Immediately. | 0:01:50 | 0:01:51 | |
Now, you are an interior designer, aren't you? | 0:01:51 | 0:01:53 | |
I have done interiors, and I'm training. | 0:01:53 | 0:01:55 | |
I'm on a City and Guilds, doing Interior Design at the moment. | 0:01:55 | 0:01:58 | |
And do you take your passion home with you? | 0:01:58 | 0:02:02 | |
I restore old chairs, recover them. | 0:02:02 | 0:02:04 | |
I don't like to see anything thrown away, | 0:02:04 | 0:02:06 | |
so I'll take old bits of furniture and repaint them or strip them | 0:02:06 | 0:02:09 | |
back to their original sitting, or turn them into little window seats. | 0:02:09 | 0:02:12 | |
You know how they say that antiques are green, | 0:02:12 | 0:02:14 | |
because there's so much recycling that goes on? | 0:02:14 | 0:02:17 | |
-It is true, though, isn't it? -Yes, and I like to restore things | 0:02:17 | 0:02:19 | |
and keep things going for as long as they can. | 0:02:19 | 0:02:21 | |
Now, Ann, it says here that you're currently on maternity leave. | 0:02:21 | 0:02:24 | |
-I am, yes. -So who's looking after your little stinker today? | 0:02:24 | 0:02:27 | |
My husband, hopefully, yes. With the help of a friend. | 0:02:27 | 0:02:29 | |
Has he done that often? | 0:02:29 | 0:02:31 | |
-He's not too bad, yes. -Really? | 0:02:31 | 0:02:33 | |
-Yeah, not too bad. -How many texts have you had so far today? | 0:02:33 | 0:02:35 | |
Quite a few. | 0:02:35 | 0:02:37 | |
"How do I feed it?," and all that kind of thing? | 0:02:37 | 0:02:39 | |
Yes. "It's crying. What do I do?" | 0:02:39 | 0:02:41 | |
-But you work in recruitment. -I do. | 0:02:41 | 0:02:43 | |
What's the difference between recruitment and headhunting? | 0:02:43 | 0:02:46 | |
It sounds harsh, doesn't it, headhunting? | 0:02:46 | 0:02:48 | |
I suppose it would do if you were in some African village. | 0:02:48 | 0:02:50 | |
In the wild. | 0:02:50 | 0:02:51 | |
-I wouldn't want to come across too many head-hunters! -Slightly different. | 0:02:51 | 0:02:54 | |
-But I would think in Sussex you're probably quite safe. -Yes. | 0:02:54 | 0:02:57 | |
You're quite adventurous - you've been up Kilimanjaro. | 0:02:57 | 0:02:59 | |
I did, yes. At the end of 2010. | 0:02:59 | 0:03:03 | |
-We did it for charity, for Macmillan nurses. -Oh, well done. | 0:03:03 | 0:03:06 | |
We raised quite a bit of money. | 0:03:06 | 0:03:07 | |
The big question today, of course, is, what do you know about antiques? | 0:03:07 | 0:03:11 | |
That's a very good question! | 0:03:11 | 0:03:12 | |
Very little! | 0:03:12 | 0:03:13 | |
-I like looking at them. -Yes. Well, there we go. | 0:03:13 | 0:03:16 | |
We're going to have a great show today, I tell you. Very good luck. | 0:03:16 | 0:03:20 | |
Now, Cheryl. You've been friends with Ailsa for years. | 0:03:20 | 0:03:22 | |
Yes, 20-odd years. | 0:03:22 | 0:03:23 | |
-20 years? -Yeah. | 0:03:23 | 0:03:25 | |
We met at work 20 years ago, | 0:03:25 | 0:03:28 | |
and have grown up together in our families, | 0:03:28 | 0:03:30 | |
had our daughters the same year. They're now best of friends. | 0:03:30 | 0:03:33 | |
Married the same year. Not to each other, obviously! | 0:03:33 | 0:03:35 | |
Well... | 0:03:35 | 0:03:37 | |
Very careful with what one says, when presented with that kind of thing! | 0:03:38 | 0:03:43 | |
Thank you, Ailsa. What do you like to get up to in your spare time? | 0:03:43 | 0:03:46 | |
In my spare time I'm a member of Rock Choir, which I absolutely love. | 0:03:46 | 0:03:50 | |
We meet once a week and the choir's about 150 that I'm in, | 0:03:50 | 0:03:53 | |
so it's an amazing sound when you get all the harmonies together. | 0:03:53 | 0:03:57 | |
Yes. | 0:03:57 | 0:03:58 | |
And later this year, we're going for a world record. | 0:03:58 | 0:04:01 | |
We're going for a massive flashmob. | 0:04:01 | 0:04:03 | |
I beg your pardon? | 0:04:03 | 0:04:04 | |
Flashmob! | 0:04:04 | 0:04:05 | |
What exactly is a flashmob? | 0:04:05 | 0:04:07 | |
It's where people come out of crowds, | 0:04:07 | 0:04:08 | |
and all of a sudden start singing and dancing together. | 0:04:08 | 0:04:11 | |
How lovely is that? Where are you going to do it? | 0:04:11 | 0:04:13 | |
Hopefully Gatwick Airport, but all the rock choirs in the country will be doing it at the same time. | 0:04:13 | 0:04:18 | |
-How many are there in the country? -There's about 5,000 members. | 0:04:18 | 0:04:21 | |
-Ailsa, it says here that you're a freelance writer on pharmacy-related issues. -That's right. | 0:04:21 | 0:04:25 | |
-But you're also a linguist. -I am. | 0:04:25 | 0:04:27 | |
How many languages? | 0:04:27 | 0:04:28 | |
I speak seven languages, but some better than others. | 0:04:28 | 0:04:32 | |
And I'm counting English in that! | 0:04:33 | 0:04:35 | |
Well, I'm struggling along with English. Seven languages! | 0:04:35 | 0:04:38 | |
How did you clock that lot? | 0:04:38 | 0:04:39 | |
Well, some of them were a necessity, because I have lived abroad, | 0:04:39 | 0:04:44 | |
and you have to speak the language a bit sometimes to get along. | 0:04:44 | 0:04:47 | |
And which ones are those? | 0:04:47 | 0:04:49 | |
-Japanese. -Japanese. | 0:04:49 | 0:04:50 | |
Yeah. I can speak Russian. I speak Swedish. | 0:04:50 | 0:04:53 | |
-Do you? -I do. | 0:04:53 | 0:04:55 | |
I speak some Spanish, and I speak German. | 0:04:55 | 0:04:59 | |
Well, that is quite a recipe of languages, isn't it? | 0:04:59 | 0:05:02 | |
I congratulate you. | 0:05:02 | 0:05:03 | |
-I don't say no in any of them! -No, no, quite! | 0:05:03 | 0:05:05 | |
"Fill up my glass, I'll have another." | 0:05:05 | 0:05:08 | |
Now, Ailsa, it says that you collect, but Cheryl doesn't. | 0:05:08 | 0:05:12 | |
-That's right. -What does that mean? | 0:05:12 | 0:05:14 | |
It means Cheryl has a tidy house, and I don't. | 0:05:14 | 0:05:16 | |
Full of clutter. | 0:05:16 | 0:05:17 | |
-Yeah, and dust. -And dust. | 0:05:17 | 0:05:19 | |
OK, fine. Well, we seem to have the yin and yang here, don't we? | 0:05:19 | 0:05:22 | |
-We do. We are yin and yang. -Interesting. | 0:05:22 | 0:05:25 | |
Well, we're longing to see quite how it turns out for you two. | 0:05:25 | 0:05:28 | |
Anyway, now, the money moment. £300 apiece. | 0:05:28 | 0:05:30 | |
You know the rules, your experts await, and off you go, | 0:05:30 | 0:05:32 | |
and very, very good luck. | 0:05:32 | 0:05:34 | |
'Taking the Reds for a spin today is Catherine Southon.' | 0:05:35 | 0:05:38 | |
'Helping the Blues punch above their weight is Mark Stacey.' | 0:05:38 | 0:05:42 | |
I'm going to let them explain to you the rules. | 0:05:42 | 0:05:45 | |
Cue Catherine! | 0:05:45 | 0:05:47 | |
Each team has £300 and one hour to buy three bargains which will | 0:05:48 | 0:05:53 | |
then be sold at auction. | 0:05:53 | 0:05:55 | |
The winning team is the one that makes the most profit | 0:05:55 | 0:05:58 | |
or the least loss. | 0:05:58 | 0:06:00 | |
Hazel and Ann, this is terribly exciting. | 0:06:00 | 0:06:03 | |
-Yeah, really exciting. -Bargain hunting. | 0:06:03 | 0:06:05 | |
What's our strategy for today, then? | 0:06:05 | 0:06:07 | |
Well, high value. | 0:06:07 | 0:06:09 | |
-High value. -Hopefully going away with a few pennies. | 0:06:09 | 0:06:11 | |
Yeah. | 0:06:11 | 0:06:12 | |
What are we going to buy? Are we going to spend a lot of money? | 0:06:12 | 0:06:15 | |
All the money. Give you £5 at the end of it. | 0:06:15 | 0:06:18 | |
We think you'll be better with the fiver than us, so... | 0:06:18 | 0:06:21 | |
I'm not quite sure what to read into that, | 0:06:21 | 0:06:22 | |
but I think we'd better get on and start spending, don't you? | 0:06:22 | 0:06:25 | |
-Sounds good. -Come on, then. | 0:06:25 | 0:06:26 | |
We are girls, after all. We've got to spend big. | 0:06:26 | 0:06:29 | |
That's what we said on the way here. | 0:06:29 | 0:06:31 | |
£300, get to spend lots of money shopping. | 0:06:31 | 0:06:34 | |
-It's the perfect day, isn't it? -I like your way of thinking, ladies. | 0:06:34 | 0:06:38 | |
OK, after you, ladies. | 0:06:42 | 0:06:43 | |
'There are shed loads of antique shops in Lewes, | 0:06:43 | 0:06:46 | |
'and the girls are diving right in.' | 0:06:46 | 0:06:49 | |
Is there anything you're particularly interested in buying? | 0:06:50 | 0:06:54 | |
Is there anything you think you've got your... | 0:06:54 | 0:06:56 | |
Because you're interior, aren't you? Interior designer. | 0:06:56 | 0:06:59 | |
Yeah, I like furniture, but we were thinking glass, and Deco. | 0:06:59 | 0:07:02 | |
-We love Art Deco. -Do you? -Yeah. | 0:07:02 | 0:07:04 | |
Do you know, I think sometimes it's a good idea, | 0:07:04 | 0:07:06 | |
because you can come into somewhere like this and get | 0:07:06 | 0:07:09 | |
swamped by things, and think, "Where do we start?" | 0:07:09 | 0:07:12 | |
Sometimes, it's a good idea to find a cabinet | 0:07:12 | 0:07:14 | |
and just have a look in there. | 0:07:14 | 0:07:16 | |
Do you know, I quite like that. | 0:07:16 | 0:07:17 | |
Oh, Murano glass, isn't it? | 0:07:17 | 0:07:19 | |
No. | 0:07:19 | 0:07:21 | |
It's a bit naff! | 0:07:21 | 0:07:22 | |
-I like it. -Do you? | 0:07:22 | 0:07:24 | |
-Yeah, I do. -I'm really surprised. | 0:07:24 | 0:07:26 | |
'And talking of naff, | 0:07:27 | 0:07:30 | |
'the Blues aren't off to a much better start themselves.' | 0:07:30 | 0:07:32 | |
What do you think about it now we've got it out? | 0:07:32 | 0:07:35 | |
I'm not sure about it, really. | 0:07:35 | 0:07:37 | |
No, it's not quite as nice as it was in the cabinet, unfortunately. | 0:07:37 | 0:07:40 | |
And there's not many Swiss chalets in Sussex either. | 0:07:42 | 0:07:44 | |
I think it's the lacquer look for me that... | 0:07:44 | 0:07:46 | |
-The lacquer look? -The lacquer look. | 0:07:46 | 0:07:48 | |
Oh, I like it. I'm going to be using that again. | 0:07:48 | 0:07:50 | |
You know that, don't you? The lacquer look. | 0:07:50 | 0:07:53 | |
'Well, it's definitely got a lack-a something!' | 0:07:53 | 0:07:56 | |
-Let's carry on, shall we? -Right. -OK. | 0:07:56 | 0:07:58 | |
'Come on, Blues. Time to get cracking.' | 0:07:58 | 0:08:00 | |
I just like the look of that watch. | 0:08:01 | 0:08:03 | |
'The Reds have something, and it's about time.' | 0:08:03 | 0:08:06 | |
-It's really pretty. -OK, let's have a look. | 0:08:06 | 0:08:08 | |
The hands are very pretty, aren't they? Like little sort of hands. | 0:08:09 | 0:08:12 | |
But if you open it up, you can see 935, | 0:08:12 | 0:08:17 | |
which tells us that it is silver, but it's not English silver. | 0:08:17 | 0:08:20 | |
It's going to be probably continental, | 0:08:20 | 0:08:23 | |
but it is quite nicely engraved on the back and around the sides, | 0:08:23 | 0:08:26 | |
and you've got a little cartouche there for the lady's initials. | 0:08:26 | 0:08:29 | |
-How much would that be? -45. | 0:08:29 | 0:08:32 | |
-I don't think it's a bad price, is it? -No, no. | 0:08:32 | 0:08:34 | |
The question is, is it in working condition? | 0:08:34 | 0:08:37 | |
Can we ask you about this little watch here? | 0:08:37 | 0:08:39 | |
Do we know if this is in working condition? | 0:08:39 | 0:08:42 | |
-Probably not. -No. | 0:08:42 | 0:08:44 | |
It's because it's pretty. | 0:08:44 | 0:08:45 | |
I mean, you never know how much it can to cost to repair a watch. | 0:08:45 | 0:08:48 | |
It could just need cleaning, or it could be overwound | 0:08:48 | 0:08:51 | |
and the spring's gone. | 0:08:51 | 0:08:52 | |
This is the problem with this. | 0:08:52 | 0:08:54 | |
Bit of a risk, isn't it? | 0:08:54 | 0:08:55 | |
I mean, what would be the best price on that? | 0:08:55 | 0:08:57 | |
40 is a trade, but 38 would be OK. | 0:08:57 | 0:09:00 | |
Not working 30? | 0:09:00 | 0:09:01 | |
We could squeeze to 35, but silver and gold are so high at the moment, | 0:09:01 | 0:09:05 | |
it's probably scratched to about 30. | 0:09:05 | 0:09:07 | |
It might be worth a gamble, but have you noticed | 0:09:07 | 0:09:10 | |
that there are a few chips on the actual glass on the top? | 0:09:10 | 0:09:12 | |
-30, and then we might buy something else here. -OK. -Are you happy with that? | 0:09:12 | 0:09:15 | |
-30, yes. -We're going to take a gamble on the ladies' watch. | 0:09:15 | 0:09:18 | |
Michelle, thank you very much indeed. | 0:09:18 | 0:09:20 | |
You're welcome. | 0:09:20 | 0:09:22 | |
First piece! | 0:09:22 | 0:09:23 | |
Yay! | 0:09:23 | 0:09:25 | |
'Well done, girls. Good negotiating skills.' | 0:09:25 | 0:09:28 | |
'You really wound her down on that one. Now for the Blues. Tick tock!' | 0:09:28 | 0:09:32 | |
These look quite interesting. Pairs of things. | 0:09:34 | 0:09:37 | |
Yes. I mean, the first thing to look at with those is, first of all, | 0:09:37 | 0:09:40 | |
the quality. | 0:09:40 | 0:09:41 | |
-Can you see there's not much quality in the casting? -Mmm. | 0:09:41 | 0:09:43 | |
And what do you think they belonged with? | 0:09:43 | 0:09:46 | |
I don't know. They look like they would go on a mantelpiece. | 0:09:46 | 0:09:48 | |
But can you imagine a clock in the middle of them? | 0:09:48 | 0:09:51 | |
-OK. -So you would have a clock with a similar porcelain | 0:09:51 | 0:09:53 | |
decoration in the middle, and then those would be the garnishes. | 0:09:53 | 0:09:56 | |
-We'll keep them in mind. -OK, all right. -OK. | 0:09:56 | 0:09:58 | |
So we'll keep looking around | 0:09:58 | 0:10:00 | |
and see if there's anything else that grabs us. | 0:10:00 | 0:10:02 | |
Look at that! | 0:10:02 | 0:10:03 | |
'What a lot of old bull!' | 0:10:05 | 0:10:06 | |
That any good for us? | 0:10:06 | 0:10:08 | |
I think that's horrible! | 0:10:08 | 0:10:10 | |
Time to give the Reds a tinkle. | 0:10:10 | 0:10:12 | |
-I love them. I'd have that in my house. -Would you? | 0:10:13 | 0:10:16 | |
-Yeah. -And how much would you pay to have that in your house? | 0:10:16 | 0:10:18 | |
Well, 35, and I'd sell it for 160. | 0:10:18 | 0:10:20 | |
She's hot, this girl! She is really hot! | 0:10:22 | 0:10:25 | |
'Red hot!' | 0:10:25 | 0:10:28 | |
You could spend hours. | 0:10:28 | 0:10:29 | |
Of course, if we were shopping normally, we would, | 0:10:29 | 0:10:31 | |
-we'd spend hours looking at this, wouldn't we? -I know. | 0:10:31 | 0:10:33 | |
Pop for a cup of tea, and then pop back in. | 0:10:33 | 0:10:35 | |
Absolutely. Sit down on that stool and have a glass of wine. | 0:10:35 | 0:10:38 | |
Actually, that's not a bad idea! | 0:10:38 | 0:10:40 | |
Is it too early? | 0:10:40 | 0:10:41 | |
-No, it's never too early for wine! -Never too early. | 0:10:41 | 0:10:44 | |
What about this? | 0:10:44 | 0:10:46 | |
What's that? | 0:10:46 | 0:10:47 | |
That's quite nice, isn't it? It's Art Nouveau. | 0:10:47 | 0:10:49 | |
Thank you very much. | 0:10:49 | 0:10:51 | |
Now, is it marked? | 0:10:51 | 0:10:53 | |
It's just got those little numbers, | 0:10:53 | 0:10:54 | |
which would probably be the shape number. | 0:10:54 | 0:10:57 | |
-Oh, right. -It is pewter, but it is actually quite stylish, isn't it? | 0:10:57 | 0:11:00 | |
Mmm. | 0:11:00 | 0:11:01 | |
You've got a sort of... I suppose it's a heron, | 0:11:01 | 0:11:03 | |
or something like that, isn't it? | 0:11:03 | 0:11:05 | |
I mean, I think it probably dates to the Art Nouveau period, | 0:11:05 | 0:11:09 | |
so we're looking at the end of the 19th century, | 0:11:09 | 0:11:13 | |
beginning of the 20th century. | 0:11:13 | 0:11:14 | |
I think it's probably German or Austrian. | 0:11:14 | 0:11:17 | |
I think it's got a Germanic look. | 0:11:17 | 0:11:18 | |
Yes, it has, but I really like it, I think it's very stylish. | 0:11:18 | 0:11:22 | |
And £28 isn't too bad, is it? | 0:11:22 | 0:11:25 | |
-What do you think? -Yeah, I like it. | 0:11:25 | 0:11:27 | |
So shall we see what we can get it for? | 0:11:27 | 0:11:29 | |
Let's give it a go. We're just wondering what you could do for us. | 0:11:29 | 0:11:32 | |
20. | 0:11:32 | 0:11:33 | |
20? Oh, gosh. Well... | 0:11:33 | 0:11:35 | |
Certainly, an auction estimate, if this helps you. | 0:11:35 | 0:11:38 | |
I can't believe they'd put less than £20 to £30 on it. | 0:11:38 | 0:11:41 | |
-OK. -And it is very stylish. | 0:11:41 | 0:11:43 | |
OK. Let's give it a go. Thank you. | 0:11:43 | 0:11:45 | |
Thank you. | 0:11:45 | 0:11:46 | |
We'll take it. Thank you very much. | 0:11:46 | 0:11:49 | |
That's great. We've got our first item. Well done! | 0:11:49 | 0:11:51 | |
But we've still got two more to find. | 0:11:51 | 0:11:53 | |
'Served up on a plate. You go, girls!' | 0:11:54 | 0:11:58 | |
Oh, what a gorgeous dog! | 0:11:58 | 0:12:01 | |
'Surely it's not time for drinks already?' | 0:12:01 | 0:12:04 | |
What about this? Bit of fun. Little miniature cocktail shaker. | 0:12:06 | 0:12:11 | |
It's so sweet. | 0:12:11 | 0:12:13 | |
And it's got a nice little look about it. Hold the top there. | 0:12:13 | 0:12:15 | |
We've got a semi-precious stone, and then these little cherry picks. | 0:12:15 | 0:12:18 | |
Does it have a mark? | 0:12:18 | 0:12:20 | |
Yes, it's got a maker's initials, there, PHV & Co. | 0:12:20 | 0:12:23 | |
Maker, retailer, I don't know, but it's E-P-N-S, | 0:12:23 | 0:12:26 | |
so it's electro-plated nickel silver, so we know that it's plated, | 0:12:26 | 0:12:30 | |
and it's lovely quality, actually. It's nicely made, isn't it? | 0:12:30 | 0:12:33 | |
-Oh, absolutely. -It is. | 0:12:33 | 0:12:34 | |
-Very nice for your dinner parties. -Yes. | 0:12:34 | 0:12:36 | |
-Put in your cocktails. -It's fun. -Very nice. | 0:12:36 | 0:12:39 | |
I don't think it's very old. What have they put on? | 0:12:39 | 0:12:42 | |
68. That's it. That's pretty high, isn't it? | 0:12:42 | 0:12:44 | |
Yeah, that is quite a lot. | 0:12:44 | 0:12:45 | |
What do you think? | 0:12:45 | 0:12:47 | |
I think we ask. | 0:12:47 | 0:12:48 | |
Best price. | 0:12:48 | 0:12:49 | |
The very, very, very best price! | 0:12:49 | 0:12:53 | |
I mean, that needs to go for 30. And I know that's ambitious. | 0:12:53 | 0:12:56 | |
-Shall I have a go on this one? -Yes. | 0:12:56 | 0:12:57 | |
-I think we need the expert. -Try and get the price down. | 0:12:57 | 0:13:00 | |
-OK. I'll see what I can do. -Good luck. | 0:13:00 | 0:13:02 | |
OK. £40. | 0:13:05 | 0:13:08 | |
From 68. | 0:13:08 | 0:13:09 | |
Not bad. | 0:13:09 | 0:13:10 | |
-I think we go for that. -Shall we go for it? | 0:13:10 | 0:13:12 | |
-Second item. -Yeah! | 0:13:12 | 0:13:14 | |
Second item in the bag! | 0:13:14 | 0:13:16 | |
If not, actually, if it goes wrong, you can blame me for this one. | 0:13:16 | 0:13:19 | |
Great. | 0:13:19 | 0:13:20 | |
-We'll remember that! -And if it goes right, we say we chose it. | 0:13:20 | 0:13:23 | |
Yes! | 0:13:23 | 0:13:24 | |
'Two down for the Reds. These girls sure do know how to have fun.' | 0:13:25 | 0:13:30 | |
'With less than 20 minutes to go and only one item bought, | 0:13:33 | 0:13:36 | |
'our Blue birds aren't having such a good time.' | 0:13:36 | 0:13:38 | |
Now, have a guess what that is. | 0:13:38 | 0:13:41 | |
Looks like something you might bury your pet in. | 0:13:41 | 0:13:44 | |
See, it's beautiful, isn't it, but it's just dear. That's 375. | 0:13:45 | 0:13:49 | |
That's dear, too, isn't it? | 0:13:49 | 0:13:51 | |
There's another piece there, a book slide. | 0:13:51 | 0:13:53 | |
-Oh, that's quite nice. -But it's 145. | 0:13:53 | 0:13:55 | |
-That's a lot, isn't it? -Yeah. | 0:13:55 | 0:13:57 | |
We can keep saying that, but the time is running out. | 0:13:57 | 0:14:00 | |
I know. | 0:14:00 | 0:14:01 | |
You wanted to spend a lot of money on this. | 0:14:01 | 0:14:03 | |
-We do. -Yes. | 0:14:03 | 0:14:04 | |
But you don't, because every time I say something, you say no! | 0:14:04 | 0:14:07 | |
-I know, but I think it won't make that money at auction. -Fine. | 0:14:07 | 0:14:10 | |
I'm not worried about spending. It's the money it makes. | 0:14:10 | 0:14:13 | |
That's the problem. | 0:14:13 | 0:14:14 | |
I don't think we're going to... | 0:14:14 | 0:14:16 | |
'Is that a bit of a hissy fit, Mark? | 0:14:16 | 0:14:19 | |
'You're supposed to be shopping, not stropping!' | 0:14:19 | 0:14:22 | |
We've got 15 minutes left, so let's just close that a sec, and start. | 0:14:23 | 0:14:27 | |
-I think we need to do a bit of sprinting, actually. -OK. | 0:14:27 | 0:14:30 | |
Let's find something else. | 0:14:30 | 0:14:31 | |
After you, ladies. | 0:14:31 | 0:14:33 | |
Thank you. | 0:14:33 | 0:14:35 | |
That's quite nice. | 0:14:35 | 0:14:36 | |
It's a walking cane, with, I think, what is a silver top. | 0:14:36 | 0:14:39 | |
I can't see any marks on it. | 0:14:39 | 0:14:42 | |
But it does say silver topped. | 0:14:42 | 0:14:44 | |
Has that got a mark? | 0:14:44 | 0:14:45 | |
Oh, yes. Well spotted. | 0:14:45 | 0:14:47 | |
What do you think of that? | 0:14:47 | 0:14:49 | |
I think it's nice. | 0:14:49 | 0:14:50 | |
It's got plenty of character about it, hasn't it? | 0:14:50 | 0:14:53 | |
-Exactly. -Walking canes are quite commercial. | 0:14:53 | 0:14:56 | |
I mean, this one, certainly, I would date to the end of | 0:14:56 | 0:15:00 | |
the 19th century, beginning of the 20th century. | 0:15:00 | 0:15:03 | |
£65. Well, you might get it for 55, I suppose. | 0:15:03 | 0:15:07 | |
Or 50 would be much better. | 0:15:07 | 0:15:10 | |
And I would probably estimate that at, sort of, 40 to 60, | 0:15:10 | 0:15:14 | |
so we're on board. | 0:15:14 | 0:15:15 | |
It's not the big item you wanted, but we are running out of time. | 0:15:15 | 0:15:18 | |
Is this something you think we want to negotiate on? | 0:15:18 | 0:15:21 | |
OK, yes. | 0:15:21 | 0:15:22 | |
Do you want to go and have a go and see what you can do? | 0:15:22 | 0:15:24 | |
Go on. | 0:15:24 | 0:15:26 | |
Hi. Just wondering if there's any movement on this? | 0:15:26 | 0:15:29 | |
We can do £55. | 0:15:31 | 0:15:33 | |
55. What do you think, Ailsa? | 0:15:33 | 0:15:35 | |
Any chance of 50? | 0:15:35 | 0:15:36 | |
50, great, then. £50 bottom. | 0:15:38 | 0:15:39 | |
Super. Thank you very much. | 0:15:39 | 0:15:40 | |
-Thank you. -Perfect. | 0:15:40 | 0:15:42 | |
Done. | 0:15:42 | 0:15:43 | |
Here you go, Mark. | 0:15:43 | 0:15:44 | |
-How did you get on? -£50. | 0:15:44 | 0:15:46 | |
Gosh! What did you do? Put the thumb squeeze on them? | 0:15:46 | 0:15:49 | |
Nice man. Gave him a nice smile. | 0:15:49 | 0:15:51 | |
Oh, dear. Really? | 0:15:51 | 0:15:52 | |
OK. | 0:15:52 | 0:15:54 | |
Well, I think you've done remarkably well. Well done. | 0:15:54 | 0:15:57 | |
That's a really good price for your second item, | 0:15:57 | 0:16:00 | |
and you've now only spent £70. | 0:16:00 | 0:16:01 | |
I know. This is not going according to plan, is it? | 0:16:01 | 0:16:04 | |
-Shall we try and find another big item? -OK. | 0:16:04 | 0:16:06 | |
'After a slow start, | 0:16:06 | 0:16:08 | |
'Cheryl and Ailsa are really sticking it to those Reds, | 0:16:08 | 0:16:12 | |
'but who will be first to find their final item? | 0:16:12 | 0:16:17 | |
'Ann's got her eye on some Keith Murray, a favourite of mine.' | 0:16:17 | 0:16:20 | |
Can I be honest? I think it's yellow and dull. | 0:16:20 | 0:16:24 | |
But if you like it, that's fine. | 0:16:24 | 0:16:26 | |
-He was slightly ahead of his time, wasn't he? -He was. | 0:16:26 | 0:16:29 | |
And he did these nice sort of simple designs, | 0:16:29 | 0:16:32 | |
but now very collectable. | 0:16:32 | 0:16:33 | |
£38? | 0:16:34 | 0:16:36 | |
£38. That seems quite reasonable. | 0:16:36 | 0:16:38 | |
I mean, I get where you're coming from, | 0:16:38 | 0:16:40 | |
-because it's not terribly inspiring, is it? -It doesn't scream at you. | 0:16:40 | 0:16:43 | |
No. It doesn't excite you, but it's a good name, | 0:16:43 | 0:16:46 | |
and I think it's a lovely condition. | 0:16:46 | 0:16:48 | |
There's no cracks, chips or anything. | 0:16:49 | 0:16:51 | |
Do you want to get it down slightly? | 0:16:51 | 0:16:53 | |
And then I think there is a bit of a profit there, a bit of a margin. | 0:16:53 | 0:16:56 | |
Do you mind if we have a look at this? Because I do like this as well. | 0:16:56 | 0:17:00 | |
It's just so different, it's pretty. | 0:17:00 | 0:17:02 | |
Hornsea, John Clappison. | 0:17:02 | 0:17:04 | |
It is absolutely beautiful. | 0:17:04 | 0:17:06 | |
It is very pretty. | 0:17:06 | 0:17:08 | |
I love the blue interior. | 0:17:08 | 0:17:10 | |
Yeah, but is it collectable? I've not heard much about it. | 0:17:10 | 0:17:12 | |
No, I'm afraid I'm not that familiar with this. | 0:17:12 | 0:17:15 | |
So this would be a risky buy? | 0:17:15 | 0:17:16 | |
£195. | 0:17:16 | 0:17:19 | |
I really do like this. | 0:17:19 | 0:17:20 | |
I am worried about the price, and I think we might make a loss on it. | 0:17:20 | 0:17:23 | |
If we can get the best price on these three and the Keith Murray... | 0:17:23 | 0:17:26 | |
My mug. My very plain mug, but I love my mug! | 0:17:26 | 0:17:29 | |
Could we have a quick look around the back? We've got about ten minutes. | 0:17:30 | 0:17:34 | |
Right, OK. | 0:17:34 | 0:17:35 | |
Shall we start upstairs and work down? | 0:17:35 | 0:17:38 | |
-OK. -Ten minutes. | 0:17:38 | 0:17:39 | |
I do want you to try and have a chance | 0:17:39 | 0:17:41 | |
of finding something suitable, do you know what I mean? | 0:17:41 | 0:17:44 | |
Rather than just rushing into something that you might hate. | 0:17:44 | 0:17:47 | |
What about this grandfather clock? | 0:17:49 | 0:17:50 | |
-Does it look old? -No. -No. | 0:17:50 | 0:17:52 | |
OK. Great. What do I know? | 0:17:52 | 0:17:56 | |
Gosh, this is harder than I thought it would be today. | 0:17:59 | 0:18:01 | |
'While the Blues are beating about the bush, | 0:18:03 | 0:18:05 | |
'Ann's hard at work beating down the price on the pottery.' | 0:18:05 | 0:18:10 | |
195 is the best on that. | 0:18:10 | 0:18:12 | |
One and a half. | 0:18:12 | 0:18:14 | |
The Keith Murray, what can you do on that? | 0:18:14 | 0:18:16 | |
25, OK. | 0:18:16 | 0:18:18 | |
Would he take 20? | 0:18:18 | 0:18:19 | |
'Five minutes left. Skates on, girls.' | 0:18:24 | 0:18:27 | |
What's this, Mark? Looks quite interesting. | 0:18:27 | 0:18:29 | |
Well, it's a little miniature bench. | 0:18:29 | 0:18:31 | |
Cheryl. | 0:18:33 | 0:18:34 | |
A dust collector, I would say. | 0:18:34 | 0:18:36 | |
I think herbs and spices could go there. Do you see it in the kitchen? | 0:18:36 | 0:18:39 | |
Date-wise, it's going to be, I suppose, | 0:18:39 | 0:18:41 | |
the early part of the 20th century. | 0:18:41 | 0:18:43 | |
It's a slightly continental shape, | 0:18:43 | 0:18:46 | |
but there's a lot of turn in there, in the decoration. | 0:18:46 | 0:18:48 | |
I could see that up on the wall, actually. | 0:18:48 | 0:18:51 | |
You could put a little tray in there, | 0:18:51 | 0:18:53 | |
and as you say, keep your salt or something in it. | 0:18:53 | 0:18:55 | |
Alternatively, if you got a nice country dresser, | 0:18:56 | 0:18:59 | |
it would sit just nicely on the dresser. | 0:18:59 | 0:19:01 | |
I was thinking a Welsh dresser. | 0:19:01 | 0:19:02 | |
It's only 45. | 0:19:02 | 0:19:04 | |
I think it needs to come down to 30, maybe, though. | 0:19:04 | 0:19:06 | |
Do you know why I think you should get that? | 0:19:06 | 0:19:09 | |
Because we're running out of time? | 0:19:09 | 0:19:11 | |
That's a pretty good motive, but my main reason is | 0:19:11 | 0:19:15 | |
because you've gone against everything you stated this morning. | 0:19:15 | 0:19:18 | |
You wanted three items, at least £80 each, | 0:19:18 | 0:19:21 | |
and if you get this, you failed on every single challenge! | 0:19:21 | 0:19:24 | |
Perfect! That's a recipe for success. | 0:19:25 | 0:19:28 | |
It is. Now, go and sort it out for me, girls. | 0:19:28 | 0:19:31 | |
Right. I need to go. | 0:19:31 | 0:19:33 | |
And you go. Come on. She needs moral support. And I need to sit down. | 0:19:33 | 0:19:38 | |
'Oh, poor old Mark. Don't worry. It'll all be over soon, dear.' | 0:19:38 | 0:19:41 | |
Exhausted, quite honestly. | 0:19:45 | 0:19:46 | |
I mean, they're lovely, and we could talk for hours, | 0:19:46 | 0:19:51 | |
but either everything I say is too expensive, or it's not interesting. | 0:19:51 | 0:19:56 | |
Everything they pick up is too expensive and not interesting, | 0:19:56 | 0:20:01 | |
so it's a recipe for disaster, but we have managed it. | 0:20:01 | 0:20:03 | |
I think, if they can get that for 35 or less, we'll call it a day, | 0:20:03 | 0:20:07 | |
and I just hope that I can find something decent | 0:20:07 | 0:20:10 | |
for the rest of the money. | 0:20:10 | 0:20:11 | |
'Cup of tea, and he'll be a new man in no time.' | 0:20:12 | 0:20:16 | |
OK, ladies, it's decision time, | 0:20:16 | 0:20:18 | |
because we have literally a few minutes left. | 0:20:18 | 0:20:20 | |
So, we could go for 140 on the Hornsea, | 0:20:20 | 0:20:22 | |
or we could go for 22 on the Keith Murray and play it safe. | 0:20:22 | 0:20:26 | |
-Shall we just risk it? -Yes. | 0:20:26 | 0:20:27 | |
-Shall we? -Yes. | 0:20:27 | 0:20:28 | |
-Shall we? -Yes. -Yes! | 0:20:28 | 0:20:30 | |
How much did we say? £140? | 0:20:32 | 0:20:33 | |
140. | 0:20:33 | 0:20:35 | |
Look at you! | 0:20:40 | 0:20:41 | |
We're doing all the work. What are you doing? | 0:20:41 | 0:20:44 | |
Please, please, bring me good news! | 0:20:44 | 0:20:46 | |
What do you think? | 0:20:46 | 0:20:48 | |
35. | 0:20:48 | 0:20:49 | |
Lower. | 0:20:49 | 0:20:51 | |
32. | 0:20:51 | 0:20:52 | |
Lower. | 0:20:52 | 0:20:53 | |
30. | 0:20:53 | 0:20:54 | |
30. | 0:20:54 | 0:20:55 | |
Are we good girls now? | 0:20:55 | 0:20:56 | |
You're very good girls! | 0:20:56 | 0:20:58 | |
Are we good girls now? | 0:20:58 | 0:20:59 | |
You're very good girls. I'm thrilled with you. | 0:20:59 | 0:21:01 | |
And do you know what? We've given you loads of money. | 0:21:01 | 0:21:04 | |
You have. Now, could you get me a nice cup of tea, | 0:21:04 | 0:21:06 | |
quite strong, with one sugar? | 0:21:06 | 0:21:08 | |
No problem. | 0:21:08 | 0:21:09 | |
Time's up. | 0:21:12 | 0:21:14 | |
Cor, doesn't time fly when you're having fun? | 0:21:14 | 0:21:16 | |
Or, as they say in Latin, tempus fugit. | 0:21:16 | 0:21:18 | |
Let's check out what the Red team bought, eh? | 0:21:18 | 0:21:22 | |
'The girls didn't waste any time | 0:21:23 | 0:21:25 | |
'in buying the pretty Swiss watch for £30. | 0:21:25 | 0:21:28 | |
'They were shaken and stirred by the miniature cocktail set. £40 paid. | 0:21:29 | 0:21:32 | |
'And finally, they lost their hearts to the retro Hornsea trio, | 0:21:34 | 0:21:39 | |
'but paid a hefty £140 for the pleasure.' | 0:21:39 | 0:21:43 | |
I know you've just finished your shopping, and you're incredibly | 0:21:43 | 0:21:46 | |
excited about this, but there's a few things I need to ask you. | 0:21:46 | 0:21:48 | |
Like, Ann, which is your favourite piece? | 0:21:48 | 0:21:50 | |
I think the Hornsea pottery. | 0:21:50 | 0:21:52 | |
The Hornsea pottery is your personal favourite. What about you, Haze? | 0:21:52 | 0:21:55 | |
Me too, but I do like our little watch. | 0:21:55 | 0:21:57 | |
It's got the shine. Do you agree with that, Ann, or not? | 0:21:57 | 0:21:59 | |
I would say the pottery, actually, yeah. | 0:21:59 | 0:22:01 | |
-And what did you spend all round? -210. | 0:22:01 | 0:22:04 | |
£90 leftover money, then, please. You got that? Oh, that's hot! | 0:22:04 | 0:22:07 | |
Been in your pocket. £90, there we go. | 0:22:07 | 0:22:09 | |
Thank you so much. | 0:22:09 | 0:22:11 | |
What do you think about that, then, Catherine? | 0:22:11 | 0:22:13 | |
I think I'm going to buy something beautiful, like these ladies. | 0:22:13 | 0:22:16 | |
Oh, you are such a flatterer. | 0:22:16 | 0:22:18 | |
But for a change, you're absolutely right. | 0:22:18 | 0:22:20 | |
Anyway, on that happy note, | 0:22:20 | 0:22:22 | |
why don't we check out what the Blue team bought, eh? | 0:22:22 | 0:22:26 | |
'Cheryl spotted the stylish Art Nouveau dish with the stork design. | 0:22:26 | 0:22:31 | |
'It should deliver for the £20 paid. | 0:22:31 | 0:22:34 | |
'The girls also bought | 0:22:34 | 0:22:35 | |
'the smart ebony and silver walking cane for £50. | 0:22:35 | 0:22:38 | |
'And finally, they settled on the sweet miniature settle. | 0:22:39 | 0:22:43 | |
'A nice thing, and a nice price at £30.' | 0:22:43 | 0:22:47 | |
The big question is, how much did you spend all round? | 0:22:47 | 0:22:50 | |
£100. A recession-busting spend, I think. | 0:22:50 | 0:22:53 | |
-What, on all three items? -Absolutely. | 0:22:53 | 0:22:55 | |
£100? Really? | 0:22:55 | 0:22:57 | |
-Yeah. -Don't know how that happened. | 0:22:57 | 0:22:59 | |
What's your favourite piece? | 0:22:59 | 0:23:01 | |
The pewter plate. | 0:23:01 | 0:23:03 | |
Do you agree with that, Ailsa? | 0:23:03 | 0:23:04 | |
It's really nice, yeah. | 0:23:04 | 0:23:05 | |
Dear, oh, dear. OK, that's lovely, then. | 0:23:05 | 0:23:07 | |
-I'd better have the £200, I guess. -There you go. | 0:23:07 | 0:23:10 | |
Thank you. £200. There you go, Mark. That's a lot of cash, isn't it? | 0:23:10 | 0:23:12 | |
-A lot of money. -What are you going to do with it? | 0:23:12 | 0:23:15 | |
Well, try and find something... | 0:23:15 | 0:23:17 | |
Try and find something big and something important. | 0:23:17 | 0:23:20 | |
And to spend a lot. | 0:23:20 | 0:23:21 | |
Every last penny. | 0:23:21 | 0:23:22 | |
They don't want you doing that. | 0:23:22 | 0:23:24 | |
Are you sure, Mark? | 0:23:24 | 0:23:25 | |
I'm going to try. I'm going to try. | 0:23:25 | 0:23:27 | |
Well, you can be very trying! | 0:23:27 | 0:23:28 | |
On that happy note, we're shoving off to the sunny Surrey hills, | 0:23:30 | 0:23:34 | |
to a lovely house called Polesden Lacey. | 0:23:34 | 0:23:36 | |
Ever heard of it? Well, you're about to find out more than you know. | 0:23:36 | 0:23:39 | |
Polesden Lacey in Surrey is a stunning Edwardian house. | 0:23:45 | 0:23:48 | |
For more than 30 years, it was the country home | 0:23:49 | 0:23:52 | |
of Mrs Margaret Greville, a wealthy widow who really lived in style, | 0:23:52 | 0:23:57 | |
and she liked to spend money on a large scale. | 0:23:57 | 0:24:01 | |
What about this vast cathedral-like space? | 0:24:06 | 0:24:10 | |
Mrs Greville used the decorators White Allom and Co | 0:24:12 | 0:24:18 | |
between about 1906 and 1909 to fit out this space, | 0:24:18 | 0:24:24 | |
and the focal point is, of course, the fireplace. | 0:24:24 | 0:24:29 | |
Now, the fireplace bit is this little chunk, | 0:24:29 | 0:24:33 | |
but the fire surround is absolutely vast. | 0:24:33 | 0:24:38 | |
Of course, the secret is here that this fire surround wasn't | 0:24:38 | 0:24:42 | |
originally made as a fire surround. | 0:24:42 | 0:24:45 | |
It was made as a reredos. | 0:24:45 | 0:24:47 | |
That's the back panelling behind the altarpiece | 0:24:47 | 0:24:51 | |
in one of Sir Christopher Wren's churches, built in the 17th century, | 0:24:51 | 0:24:57 | |
and St Matthew's Church in Friday Street contained this reredos. | 0:24:57 | 0:25:03 | |
St Matthew's Church was demolished in 1885, | 0:25:03 | 0:25:08 | |
and Mrs Greville simply subsequently bought this panelling | 0:25:08 | 0:25:12 | |
and this architectural detail and had it fitted here. | 0:25:12 | 0:25:16 | |
The carving and detail is typical of the 1680s. | 0:25:16 | 0:25:20 | |
Edward Pearce was employed by Wren to do such work, | 0:25:20 | 0:25:27 | |
and it's thought that this reredos is his carving. | 0:25:27 | 0:25:29 | |
He specialised in cherubic masks, and there, | 0:25:29 | 0:25:33 | |
in the centre of the centre panel, we have a splendid example. | 0:25:33 | 0:25:38 | |
The arch top panels underneath would have contained oil paintings | 0:25:39 | 0:25:44 | |
showing the Ten Commandments, but it's the architectural | 0:25:44 | 0:25:48 | |
monumentality of the thing that impresses me, | 0:25:48 | 0:25:51 | |
and what a wonderful way of showing off your central entrance hall. | 0:25:51 | 0:25:57 | |
But it wasn't the only thing to show off in this space. | 0:25:57 | 0:26:01 | |
On the other side of the hall, | 0:26:01 | 0:26:03 | |
just a few short steps en route up the staircase, is a vitrine | 0:26:03 | 0:26:09 | |
full of the most precious early ceramics that you could imagine. | 0:26:09 | 0:26:14 | |
Tin-glazed earthenware, sometimes called majolica. | 0:26:14 | 0:26:19 | |
Just look at this lot. I mean, the vibrancy of the colour. | 0:26:19 | 0:26:24 | |
Unlike paintings or any other artistic medium, | 0:26:24 | 0:26:27 | |
the glaze protects the colours. | 0:26:27 | 0:26:31 | |
The colours remain as bright and vibrant as when they were painted. | 0:26:31 | 0:26:35 | |
This is the earliest piece of majolica, and it dates from | 0:26:35 | 0:26:40 | |
around 1500, having been made in Deruta, in Italy. | 0:26:40 | 0:26:45 | |
That's 500 years ago. | 0:26:45 | 0:26:49 | |
Which fair takes my breath away, I have to tell you. | 0:26:49 | 0:26:52 | |
Now, to decorate majolica is difficult, | 0:26:52 | 0:26:56 | |
because, having got the pottery part, you cover it in tin glaze, | 0:26:56 | 0:27:00 | |
and then you have to draw your design over the dry tin glaze. | 0:27:00 | 0:27:06 | |
It's a bit like drawing on blotting paper, | 0:27:06 | 0:27:09 | |
and there's no room for error. | 0:27:09 | 0:27:11 | |
Most of the dishes in the vitrine | 0:27:11 | 0:27:13 | |
are what are called istoriato plates. | 0:27:13 | 0:27:16 | |
In other words, they tell a story. | 0:27:16 | 0:27:19 | |
This one shows the scene of the Judgement of Paris. | 0:27:19 | 0:27:24 | |
Paris, effectively, had to judge which was the most beautiful | 0:27:24 | 0:27:29 | |
goddess, and you see Paris here, holding the prize, the golden apple. | 0:27:29 | 0:27:35 | |
Isn't that lovely? | 0:27:35 | 0:27:37 | |
Almost as lovely as it would be for me | 0:27:37 | 0:27:40 | |
today to present a golden gavel or two, perhaps, over at the auction. | 0:27:40 | 0:27:46 | |
Well, it's been a pleasant hop across Sussex, | 0:27:57 | 0:28:00 | |
almost from east to west, to Wisborough Green. | 0:28:00 | 0:28:04 | |
Jonathan Pratt is our man of the moment. JP. | 0:28:04 | 0:28:07 | |
Good morning, Tim. | 0:28:07 | 0:28:09 | |
-How are you? -I'm marvellous. | 0:28:09 | 0:28:11 | |
Well, we're very happy to be here, I tell you. | 0:28:11 | 0:28:14 | |
Their first item is this little Swiss silver-cased wristwatch. | 0:28:14 | 0:28:17 | |
We sell them reasonably frequently. I think the condition is fair, | 0:28:17 | 0:28:20 | |
I suppose it's a little cabinet piece, or whatever. | 0:28:20 | 0:28:22 | |
-Are they saleable, Jonathan? -They're saleable enough. | 0:28:22 | 0:28:25 | |
I would say £40 to £60. | 0:28:25 | 0:28:27 | |
-£30 paid. -That's good. | 0:28:27 | 0:28:29 | |
-That is very good. Hazel will be over the moon about that. -Good. | 0:28:29 | 0:28:32 | |
Anyway, moving on, we've got the cocktail stick pick holder, | 0:28:32 | 0:28:36 | |
with the maraschino fake cherry on the end. | 0:28:36 | 0:28:40 | |
-No age to that. -Not particularly, but novelty. | 0:28:40 | 0:28:42 | |
Novelty sells, and it's a cocktail shaker, | 0:28:42 | 0:28:44 | |
and that's kind of what's going on. | 0:28:44 | 0:28:46 | |
I think beer's out and cocktails are in. | 0:28:46 | 0:28:48 | |
-How much? -I thought about £50, £70. | 0:28:48 | 0:28:50 | |
-Did you? -Yeah. -£40 paid. | 0:28:50 | 0:28:52 | |
This is our second winner here, | 0:28:52 | 0:28:54 | |
in terms of the Jonathan Pratt estimating machine. | 0:28:54 | 0:28:57 | |
It's a good day for me, I think. I'm being very generous. | 0:28:57 | 0:29:00 | |
Moving on quickly, then. Hornsea pottery. There it is. What's your estimate? | 0:29:00 | 0:29:04 | |
I thought about £40 to £60. | 0:29:04 | 0:29:05 | |
What did you say? | 0:29:05 | 0:29:06 | |
Am I being quite mean? | 0:29:06 | 0:29:09 | |
-I don't know. Say it again. -£40 to £60. | 0:29:09 | 0:29:11 | |
You are being quite mean. £140, these girls paid. | 0:29:11 | 0:29:14 | |
Well, the thing is, you know, internet bidding, it could run away, | 0:29:14 | 0:29:18 | |
it's the style, but I never would have put that sort of money on it. | 0:29:18 | 0:29:21 | |
It needs to canter away, not just run! | 0:29:21 | 0:29:23 | |
Such a stride, though. | 0:29:23 | 0:29:24 | |
You're predicting profits on the first two, but not on the third. | 0:29:24 | 0:29:28 | |
We shall see what happens. | 0:29:28 | 0:29:29 | |
If it all goes badly, they'll need their bonus buy, | 0:29:29 | 0:29:31 | |
so let's have a look at it. | 0:29:31 | 0:29:33 | |
Now, Hazel, Ann, how are you, my darlings? | 0:29:34 | 0:29:36 | |
-Very well, thank you. -Good. | 0:29:36 | 0:29:38 | |
You spent £210, which is really fab, and you gave 90 to Catherine. | 0:29:38 | 0:29:42 | |
Yes. | 0:29:42 | 0:29:43 | |
And what did Catherine spend it on? | 0:29:43 | 0:29:45 | |
Well, Catherine spent it on... | 0:29:45 | 0:29:47 | |
Keith Murray! | 0:29:48 | 0:29:50 | |
Ah, I like Keith Murray! | 0:29:50 | 0:29:52 | |
Whilst we were walking around, | 0:29:52 | 0:29:53 | |
you will remember we picked up a Keith Murray mug and deliberated. | 0:29:53 | 0:29:57 | |
It wasn't this one. | 0:29:57 | 0:29:59 | |
I found you this one, and this is a Moonstone, | 0:29:59 | 0:30:01 | |
which is a sort of matte, creamy white colour. | 0:30:01 | 0:30:06 | |
I paid £18 for that, and I thought it's cheap. | 0:30:06 | 0:30:08 | |
It's the Moonstone colour, which I think is slightly more desirable | 0:30:08 | 0:30:12 | |
than that yellowy colour. | 0:30:12 | 0:30:14 | |
That was a bit off, wasn't it? | 0:30:14 | 0:30:16 | |
-It's good, isn't it? Do you like it, Ann? -I do like it. Yes, I do. | 0:30:16 | 0:30:19 | |
-It's got the look, hasn't it? -It has. -Thank you, well done. | 0:30:19 | 0:30:22 | |
Thanks, girls. | 0:30:22 | 0:30:23 | |
So, prospectively, it might make £20 or £30? | 0:30:23 | 0:30:26 | |
I think it should make £30. | 0:30:26 | 0:30:28 | |
-Do you think? -Yeah. | 0:30:28 | 0:30:29 | |
-Good. Are you happy? -Yes. -Super. | 0:30:29 | 0:30:32 | |
Well, on that basis, we'll check out now, for the audience at home, | 0:30:32 | 0:30:35 | |
what the auctioneer thinks about Catherine's mug. | 0:30:35 | 0:30:37 | |
OK, Jonathan. Mine's a pint. | 0:30:37 | 0:30:39 | |
Lovely. | 0:30:39 | 0:30:40 | |
I really rate this Wedgwood body. | 0:30:40 | 0:30:43 | |
I like it in blue, I like it in turquoise, I like it in what | 0:30:43 | 0:30:46 | |
they call Moonstone, which is that whitish colour. | 0:30:46 | 0:30:48 | |
So, you've got a house full of jasper and things like that, do you? | 0:30:48 | 0:30:51 | |
No. That particular Keith Murray is, I think, just the business. | 0:30:51 | 0:30:53 | |
I mean, it's not high value, but it's very clean and wholesome. | 0:30:53 | 0:30:57 | |
Bit like you, Jonathan. | 0:30:57 | 0:30:59 | |
I like to think I'm valuable, too. | 0:30:59 | 0:31:02 | |
Well, tell me, how valuable are you? | 0:31:02 | 0:31:04 | |
I thought about £20 to £30. | 0:31:04 | 0:31:05 | |
Did you really? | 0:31:05 | 0:31:06 | |
Well, I tell you, Catherine Southon will cover you in kisses, | 0:31:06 | 0:31:09 | |
because she only paid £18 for it, and if you get £20 to £30, | 0:31:09 | 0:31:12 | |
and they select it, everybody will be just stinking of roses. | 0:31:12 | 0:31:16 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:31:18 | 0:31:20 | |
First up for them is this rather queer-looking pewter dish. | 0:31:20 | 0:31:24 | |
It is rather queer, isn't it? I mean, it's a very odd shape. | 0:31:24 | 0:31:28 | |
I quite like the handle with the birds motif, | 0:31:28 | 0:31:30 | |
and the wings then coming, but I'm not really that taken by it. | 0:31:30 | 0:31:33 | |
Are you not? | 0:31:33 | 0:31:34 | |
If it were polished bright, you know, it might be more interesting. | 0:31:34 | 0:31:37 | |
Nonetheless, £30 to £40. | 0:31:37 | 0:31:38 | |
That's perfect. £20, they paid. | 0:31:38 | 0:31:40 | |
So, that is, actually, don't you think, | 0:31:40 | 0:31:42 | |
inexpensive in a retail environment. | 0:31:42 | 0:31:44 | |
£20. I mean, that's a pretty good price, really. | 0:31:44 | 0:31:47 | |
Next is the walking stick with the silver top, | 0:31:47 | 0:31:50 | |
painted black rather than ebony, right? | 0:31:50 | 0:31:52 | |
Well, there's a hue of brown showing through, | 0:31:52 | 0:31:55 | |
but you do get a grainy bit of a lighter wood in there. | 0:31:55 | 0:31:57 | |
I love the hue of Brown. | 0:31:57 | 0:31:59 | |
"When I was in Honduras!" | 0:31:59 | 0:32:01 | |
Well, he got replaced by Cameron, so there's no more hue of Brown. | 0:32:01 | 0:32:04 | |
What is your estimate? | 0:32:04 | 0:32:06 | |
I would have thought £50 to £70. | 0:32:06 | 0:32:08 | |
If you get £50 to £70, they're going to be so pleased with you, JP. | 0:32:08 | 0:32:12 | |
I was in a generous mood that day. I'm not in such a generous mood any more. | 0:32:12 | 0:32:15 | |
Lastly, we've got this little settee job, which is fun, isn't it? | 0:32:15 | 0:32:18 | |
Look at that. All those little turn, finial, blibbly-blobblies. | 0:32:18 | 0:32:23 | |
Yeah, you could sit your dollies on there. | 0:32:23 | 0:32:25 | |
You could use it as a little glove box, or for candles. | 0:32:25 | 0:32:28 | |
Fan mail! | 0:32:28 | 0:32:29 | |
The daily crop! So, what do you think, then? | 0:32:29 | 0:32:32 | |
£20 to £30. | 0:32:32 | 0:32:33 | |
OK. They paid £30. | 0:32:33 | 0:32:35 | |
-We'll see. This is what's so exciting about the auction. -Absolutely. | 0:32:35 | 0:32:38 | |
Well, if it all goes wrong, we're going to need the bonus buy, | 0:32:38 | 0:32:41 | |
so let's go and have a look at it anyway. | 0:32:41 | 0:32:43 | |
Now, Ailsa, Cheryl, you naughty girls, you only spent £100. | 0:32:45 | 0:32:48 | |
-I know, terrible! -Disgraceful. | 0:32:48 | 0:32:50 | |
Anyway, you gave Mark £200. Mark, what did you do? | 0:32:50 | 0:32:54 | |
Something underneath these. | 0:32:54 | 0:32:55 | |
-It is. -What have you done, Mark? -Ready? | 0:32:55 | 0:32:58 | |
That's a lovely pair! | 0:33:00 | 0:33:01 | |
-Well, shall I tell you what they are? -Yes. | 0:33:01 | 0:33:04 | |
They're a pair of cast-iron finials. | 0:33:04 | 0:33:06 | |
-They're acorns. -They could be an acorn. | 0:33:06 | 0:33:08 | |
More likely a pinecone. | 0:33:08 | 0:33:10 | |
But they're meant, I think, to go on the garden gates, or something like that. | 0:33:10 | 0:33:13 | |
I think they're rather funky. | 0:33:13 | 0:33:15 | |
-They're quite Brighton, aren't they? -Very Brighton. | 0:33:15 | 0:33:18 | |
But we're not in Brighton. | 0:33:18 | 0:33:20 | |
I was keen to say we're not in Brighton! | 0:33:20 | 0:33:22 | |
-We're not far away. -Just down the road. | 0:33:22 | 0:33:24 | |
Where do you come from, Mark? | 0:33:24 | 0:33:25 | |
I live in Brighton, funnily enough! | 0:33:25 | 0:33:27 | |
Funny that, isn't it, really! | 0:33:27 | 0:33:30 | |
What did you pay? | 0:33:30 | 0:33:31 | |
Oh, I paid an awful lot of money for them. £180. | 0:33:31 | 0:33:35 | |
They could be 1880, they could be as late as 1940, but no later than that. | 0:33:35 | 0:33:39 | |
No, no, no later than that. | 0:33:39 | 0:33:40 | |
-If the right people are there, they'll be picked up. -OK. | 0:33:40 | 0:33:44 | |
Well, you've got some recommendation. | 0:33:44 | 0:33:45 | |
It's nice, isn't it, to have the reassurance of the man beside you. | 0:33:45 | 0:33:49 | |
Absolutely. He's within hitting distance! | 0:33:49 | 0:33:51 | |
OK, then. Well, that's it. | 0:33:53 | 0:33:54 | |
You can decide after the sale of your first three items, | 0:33:54 | 0:33:57 | |
but for the audience at home, | 0:33:57 | 0:33:58 | |
let's find out what the auctioneer thinks about Mark's nuts! | 0:33:58 | 0:34:01 | |
Ta-dah! | 0:34:05 | 0:34:07 | |
There's a couple of cones. | 0:34:07 | 0:34:09 | |
Absolutely, yeah. | 0:34:09 | 0:34:10 | |
I like these sorts of things. | 0:34:10 | 0:34:12 | |
We sell lots of garden ornaments, | 0:34:12 | 0:34:13 | |
and we had 130 lots of garden ornaments in this current sale, | 0:34:13 | 0:34:17 | |
you know, on view, so people will have seen these. | 0:34:17 | 0:34:20 | |
Yeah. Well, they are pretty spectacular, aren't they? | 0:34:20 | 0:34:22 | |
And I suppose the big question is, what are they worth? | 0:34:22 | 0:34:25 | |
Well, I've been, possibly, a little on the mean side, | 0:34:25 | 0:34:28 | |
in that I think that the estimate will encourage bidding. | 0:34:28 | 0:34:31 | |
£80 to £120, and I feel that's realistic, | 0:34:31 | 0:34:33 | |
but a private buyer might take it and run with it. | 0:34:33 | 0:34:35 | |
Well, Mark's going to hope that they're going to canter at it, | 0:34:35 | 0:34:38 | |
because he paid 180. | 0:34:38 | 0:34:39 | |
That is quite a lot of money. | 0:34:39 | 0:34:40 | |
Yes. You taking a sale today? | 0:34:40 | 0:34:42 | |
I am, yeah. | 0:34:42 | 0:34:43 | |
Thank goodness for that. | 0:34:43 | 0:34:45 | |
£30. Straight in at 30. Looking for five. 35. 40. | 0:34:45 | 0:34:48 | |
45. 50. £55. On the net now at £55. Do I see 60? | 0:34:48 | 0:34:52 | |
Hazel, Ann, how are you feeling? | 0:34:55 | 0:34:56 | |
-Excited. -Nervous. | 0:34:56 | 0:34:58 | |
-Slightly nervous, are you? -Might be! | 0:34:58 | 0:35:00 | |
What do you mean? But not saying, right? | 0:35:00 | 0:35:03 | |
-Yes, keeping it to ourselves. -We're excited. | 0:35:03 | 0:35:05 | |
I'll run through what the auctioneer thinks about your lot. | 0:35:05 | 0:35:08 | |
-The Hornsea trio. -Yes. | 0:35:08 | 0:35:09 | |
In terms of the estimate, it's not looking pretty, I'm afraid, | 0:35:09 | 0:35:12 | |
because he's put £40 to £60 on that, and you paid 140. | 0:35:12 | 0:35:15 | |
He could be wrong. Let us hope so. | 0:35:15 | 0:35:18 | |
Oh, yes, absolutely! | 0:35:18 | 0:35:20 | |
Because we are the experts, of course, aren't we? | 0:35:20 | 0:35:22 | |
First up, your Swiss silver-cased watch. Here it comes. | 0:35:22 | 0:35:26 | |
Someone start me at £20 for this. £20. | 0:35:26 | 0:35:29 | |
-Surely worth 20? -Come on! | 0:35:30 | 0:35:31 | |
-Oh, dear. -Ten, then? | 0:35:31 | 0:35:33 | |
£10 is bid. | 0:35:34 | 0:35:35 | |
-To my left at ten. Let's go up. 15 on the net. -15 on the net. | 0:35:35 | 0:35:38 | |
Jill? | 0:35:38 | 0:35:41 | |
20, she says yes. 20, very generous, Jill. £20 to my left. | 0:35:41 | 0:35:44 | |
-Any more at £20? -Oh, come on! | 0:35:44 | 0:35:46 | |
At £20, come on. At £20. Any more? | 0:35:46 | 0:35:48 | |
Last chance at £20. All done. | 0:35:48 | 0:35:50 | |
£20. That was your banker, that one was. Minus £10. | 0:35:52 | 0:35:55 | |
Right, OK, now. The pick container. This has got do better than that. | 0:35:55 | 0:35:59 | |
Yes. | 0:35:59 | 0:36:00 | |
Start me at 50 for this. | 0:36:00 | 0:36:02 | |
£50? | 0:36:02 | 0:36:03 | |
20, then. | 0:36:03 | 0:36:05 | |
It's all gone very quiet. | 0:36:05 | 0:36:07 | |
Everyone's looking away. | 0:36:08 | 0:36:10 | |
£10, then, is bid at ten. £10 is bid. | 0:36:10 | 0:36:13 | |
£10. | 0:36:13 | 0:36:15 | |
This is not looking so pretty, girls. | 0:36:15 | 0:36:17 | |
It's shocking. | 0:36:17 | 0:36:19 | |
£10. 15 on the internet. | 0:36:19 | 0:36:20 | |
She shakes her head. It's a 15 internet bid now. Any more at £15? | 0:36:20 | 0:36:24 | |
-I don't like the sound of this. -All done at £15. | 0:36:24 | 0:36:26 | |
Oh. Minus £25. | 0:36:28 | 0:36:30 | |
And they were supposed to be good, those two. | 0:36:30 | 0:36:32 | |
-The best of them. -So now... | 0:36:32 | 0:36:34 | |
You watch. It's Hornsea coming up now. You watch. | 0:36:34 | 0:36:37 | |
Hornsea. | 0:36:37 | 0:36:38 | |
Pretty lot this, very collectable. Start me at £20 for this. | 0:36:38 | 0:36:42 | |
Oh, dear. | 0:36:42 | 0:36:43 | |
Jonathan, please, no. | 0:36:43 | 0:36:45 | |
Ten, then. £10. | 0:36:45 | 0:36:47 | |
Jill, surely £10. No, she shakes her head. £10. | 0:36:47 | 0:36:51 | |
Flog it for 150. | 0:36:52 | 0:36:54 | |
Clearly popular. | 0:36:54 | 0:36:55 | |
Who's going to say yes? | 0:36:55 | 0:36:57 | |
Is that yes? | 0:36:57 | 0:36:59 | |
No. Fiver, then. | 0:36:59 | 0:37:00 | |
I'm absolutely shocked. | 0:37:00 | 0:37:02 | |
Five. Does it go down this low on the internet? | 0:37:02 | 0:37:04 | |
£5 internet, please. | 0:37:04 | 0:37:05 | |
Surely worth a fiver. | 0:37:05 | 0:37:07 | |
-All those Hornsea collectors out there, are you worth £5? -No! | 0:37:07 | 0:37:10 | |
£5. Five at the back, thank you. At £5. | 0:37:10 | 0:37:12 | |
£5 in the back of the room. | 0:37:12 | 0:37:15 | |
It's supposed to be the most popular design. | 0:37:15 | 0:37:18 | |
No further bidding at five. | 0:37:18 | 0:37:21 | |
That's minus £135. | 0:37:21 | 0:37:22 | |
Rubbish! | 0:37:22 | 0:37:24 | |
To add to the other minus 35 is minus 170, girls. | 0:37:24 | 0:37:28 | |
Yes! | 0:37:28 | 0:37:30 | |
I mean, really, your two bankers, to do so badly... | 0:37:30 | 0:37:33 | |
Well, I don't know what's going on. | 0:37:33 | 0:37:34 | |
Someone's got bargains. | 0:37:34 | 0:37:36 | |
What are we going to do about this Moonstone mug? | 0:37:36 | 0:37:38 | |
I think it's a no-brainer, don't you? | 0:37:38 | 0:37:39 | |
-In for a penny, in for a pound. -Absolutely. | 0:37:39 | 0:37:41 | |
I don't know about anything any more, Tim. | 0:37:41 | 0:37:43 | |
I don't think anyone's going to buy the mug, but let's go for it anyway. | 0:37:43 | 0:37:47 | |
I think we have to. | 0:37:47 | 0:37:49 | |
I think you'd be mugs not to! | 0:37:49 | 0:37:50 | |
A Keith Murray Moonstone jug. Wedgwood, 1950s. | 0:37:51 | 0:37:56 | |
It's a jug, not a mug. | 0:37:56 | 0:37:57 | |
I mean, it's a mug, not a jug! | 0:37:57 | 0:38:00 | |
I have £10. I'll take 15 now. | 0:38:00 | 0:38:01 | |
-15. 20 with me. -You're into profit. | 0:38:01 | 0:38:04 | |
25? No, £20 with me. | 0:38:05 | 0:38:07 | |
Looking for five now. | 0:38:07 | 0:38:08 | |
Oh, come on. That's £2 profit. We need more than that, Jonathan. | 0:38:08 | 0:38:11 | |
Fair warning, selling 20. | 0:38:11 | 0:38:13 | |
Yes, he's done it. You've made a profit. | 0:38:15 | 0:38:17 | |
Well done. | 0:38:17 | 0:38:18 | |
Plus £2. Well done, Catherine. | 0:38:18 | 0:38:20 | |
Now, that means, overall, you're only minus 168. | 0:38:20 | 0:38:22 | |
Which doesn't sound so bad if you say it quickly! | 0:38:22 | 0:38:25 | |
No. | 0:38:25 | 0:38:26 | |
Now, Cheryl, Ailsa, you all right? | 0:38:34 | 0:38:36 | |
Yeah. | 0:38:36 | 0:38:37 | |
Do you know how the Reds got on? | 0:38:37 | 0:38:39 | |
No. | 0:38:39 | 0:38:40 | |
No, you don't want to know, either, I tell you. | 0:38:40 | 0:38:42 | |
Right. First up, then, is your pewter dish, and here it comes. | 0:38:42 | 0:38:46 | |
I have bids at 20, 25, £30. | 0:38:46 | 0:38:49 | |
Look at that! | 0:38:49 | 0:38:50 | |
-Straight in at 30. Looking for five now. 35 and 40. -Look at this. | 0:38:50 | 0:38:54 | |
45, 50. 55 internet bid clears the commission at 55. | 0:38:54 | 0:38:58 | |
Come on! | 0:38:58 | 0:39:00 | |
£55, do I see 60? | 0:39:00 | 0:39:01 | |
Last chance, internet bid at £55. | 0:39:01 | 0:39:04 | |
You are plus £35, you girls, without even winking. Here comes your cane. | 0:39:04 | 0:39:10 | |
Bids on the book. | 0:39:10 | 0:39:12 | |
40, 50, 60, 65, straight in at £65. | 0:39:12 | 0:39:15 | |
£65. I'll take 70. 70 on the internet. 75 commission bid. | 0:39:15 | 0:39:21 | |
-£80 commission. -Nice auctioneer. | 0:39:21 | 0:39:23 | |
£80 on the internet. Any more at £80, then? | 0:39:23 | 0:39:26 | |
-Come on! -Selling, £80. | 0:39:26 | 0:39:28 | |
So good. That is plus £30 on that. You are £65 up. | 0:39:30 | 0:39:34 | |
Now, is he right or is he wrong about this settle? Here it comes. | 0:39:34 | 0:39:38 | |
Rather fun little lot, this, with a little lift-up seat, | 0:39:38 | 0:39:41 | |
and I'll start straight in at £35. | 0:39:41 | 0:39:43 | |
Wow! | 0:39:43 | 0:39:45 | |
So we're straight into profit. | 0:39:45 | 0:39:46 | |
I've got £55, commission bid. 60. I've got 65. No, I've got 65. | 0:39:49 | 0:39:54 | |
Do you want to go 70, internet? | 0:39:54 | 0:39:55 | |
70, internet bid. | 0:39:55 | 0:39:56 | |
I think we were right. | 0:39:56 | 0:39:58 | |
£75 internet bid, then, and selling. | 0:39:58 | 0:40:01 | |
That is plus £110 profit on your £100 investment. That is phenomenal. | 0:40:02 | 0:40:09 | |
So, what are you going to do about these pinecones? | 0:40:09 | 0:40:11 | |
Bird in the hand. | 0:40:11 | 0:40:13 | |
Are you going to risk £180? | 0:40:13 | 0:40:15 | |
Bird in hand, I think, Mark. | 0:40:15 | 0:40:17 | |
No, I think we're going to stick. | 0:40:17 | 0:40:19 | |
No offence, Mark. They're lovely. | 0:40:19 | 0:40:22 | |
None taken. | 0:40:22 | 0:40:23 | |
£110 is in my pocket. | 0:40:23 | 0:40:24 | |
Real money. | 0:40:24 | 0:40:26 | |
They seem cemented in, these two. They're not going to do it. | 0:40:26 | 0:40:29 | |
And now you've decided, I can reveal what the auctioneer's estimate | 0:40:29 | 0:40:32 | |
is on them, which is £80 to £120, so you may have made the right | 0:40:32 | 0:40:35 | |
decision, but we're going to sell them anyway, and here they come. | 0:40:35 | 0:40:39 | |
I've got lots of interest on this lot, | 0:40:39 | 0:40:41 | |
and I can go 70, 90, 110, £130 with me, straight in at £130. | 0:40:41 | 0:40:46 | |
Looking for 140 now. | 0:40:47 | 0:40:49 | |
£130 with me. 140 on the net. 150. | 0:40:49 | 0:40:51 | |
At £150. Any interest in the room? It's £150 commission bid. | 0:40:51 | 0:40:54 | |
I'll sell at 150, all done. | 0:40:54 | 0:40:57 | |
Well done, girls. An impeccable performance. | 0:40:57 | 0:41:00 | |
-Nearly. -Close, close. | 0:41:00 | 0:41:01 | |
Minus 30 on that, but you didn't go with the bonus buy, | 0:41:01 | 0:41:04 | |
so you reserved your £110 of profit, which is phenomenal. | 0:41:04 | 0:41:09 | |
-Yay! Well done, Mark. -Well done. -Brilliant. | 0:41:09 | 0:41:12 | |
I think you girls should give up your day jobs. | 0:41:12 | 0:41:15 | |
And I have 100, 110. 110, 120. All done at 120. | 0:41:15 | 0:41:21 | |
Well, we do have some strange results on Bargain Hunt, | 0:41:26 | 0:41:29 | |
but not very often do we have teams that are quite so poles apart, | 0:41:29 | 0:41:34 | |
and the runners-up today by a considerable margin are the Reds. | 0:41:34 | 0:41:38 | |
Bad luck, girls. I mean, minus 168 is not a great score, is it? | 0:41:40 | 0:41:44 | |
When you compare that with the plus score on the other side of plus 110. | 0:41:44 | 0:41:49 | |
You get to see the contrast between the two teams today. | 0:41:49 | 0:41:54 | |
Same auction, same teams, all girls, my favourite, but poles apart. | 0:41:54 | 0:42:00 | |
It could have been, I suppose, so much worse. | 0:42:00 | 0:42:03 | |
Could it? No. | 0:42:03 | 0:42:05 | |
It couldn't have been any worse. | 0:42:05 | 0:42:07 | |
Anyway, thank you very much for coming. | 0:42:07 | 0:42:09 | |
You've been absolutely F-A-B. | 0:42:09 | 0:42:10 | |
But I've revealed already, girls, £110 up. | 0:42:10 | 0:42:13 | |
This is your pile of dosh coming over, which is super, | 0:42:13 | 0:42:17 | |
and because you've made a profit on all three items, | 0:42:17 | 0:42:20 | |
you're entitled to join the venerable and ancient order | 0:42:20 | 0:42:24 | |
of the golden gavel. | 0:42:24 | 0:42:26 | |
So, what about that? Now, you have to go with that, then, Cheryl. | 0:42:26 | 0:42:31 | |
-It's for your own bosom. -Thank you. | 0:42:31 | 0:42:33 | |
-And this is for you, Ailsa. -Thank you. | 0:42:33 | 0:42:35 | |
And Mark, one to add to your collection. | 0:42:35 | 0:42:36 | |
-Thank you, Tim. -There we go. | 0:42:36 | 0:42:38 | |
Wear it with pride in your high street, | 0:42:38 | 0:42:41 | |
and people will come up and say, "You didn't do it, did you?" | 0:42:41 | 0:42:44 | |
And you can say, "Yes, we did." | 0:42:44 | 0:42:45 | |
You didn't go with the bonus buy. | 0:42:45 | 0:42:47 | |
-We didn't. -And you therefore preserved your £110. -We did. | 0:42:47 | 0:42:50 | |
Which is very wise. | 0:42:50 | 0:42:52 | |
In fact, you've been thoroughly savvy throughout, | 0:42:52 | 0:42:54 | |
-you two, and I have to congratulate you. -Thank you. | 0:42:54 | 0:42:56 | |
Great team. | 0:42:56 | 0:42:58 | |
We've had so much fun. Join us soon for some more bargain hunting, yes? | 0:42:58 | 0:43:01 | |
ALL: Yes! | 0:43:01 | 0:43:02 | |
Subtitles by Red Bee Media Ltd | 0:43:22 | 0:43:26 |