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Today, we're in Edinburgh, | 0:00:05 | 0:00:08 | |
one of the historic centres of the Enlightenment, | 0:00:08 | 0:00:12 | |
a movement designed to increase knowledge | 0:00:12 | 0:00:16 | |
and the power of reason for the benefit of society. | 0:00:16 | 0:00:20 | |
Today, our teams are going to have to use their powers of reasoning | 0:00:20 | 0:00:25 | |
in order to make informed choices. So, what are we waiting for? | 0:00:25 | 0:00:30 | |
Let's go bargain hunting, yeah! | 0:00:30 | 0:00:33 | |
Welcome to the Edinburgh Antiques And Collectors fair. | 0:00:56 | 0:01:01 | |
And continuing the theme of intellectual advancement, | 0:01:01 | 0:01:05 | |
I have to tell you that each team gets £300 | 0:01:05 | 0:01:07 | |
and an hour to shop for three items. | 0:01:07 | 0:01:10 | |
What they choose to do with this pearl of knowledge, | 0:01:10 | 0:01:13 | |
though, is entirely up to them. | 0:01:13 | 0:01:15 | |
And in today's show, the Reds decide to trade on their charms. | 0:01:17 | 0:01:21 | |
-Follow me, come on. -Yeah! | 0:01:21 | 0:01:23 | |
-Look at me. Look at us. -I'll give you a really big hug. | 0:01:23 | 0:01:27 | |
-Whereas the Blues' negotiations... -Come on, let's go. | 0:01:27 | 0:01:30 | |
Let's have a wee look. | 0:01:30 | 0:01:31 | |
-14 and a kiss. -£13.50 and a kiss. | 0:01:31 | 0:01:35 | |
-..get physical. -I'll have to make something on it. | 0:01:35 | 0:01:37 | |
-OK. -Hey, there you go! | 0:01:37 | 0:01:41 | |
Let's go meet these naughty teams. | 0:01:41 | 0:01:43 | |
Follow me. So, with any shiny object... | 0:01:43 | 0:01:45 | |
Well, today for the Reds, we've got Allen and Lori. | 0:01:47 | 0:01:51 | |
And for the Blues, we've got Jackie and Abby. Welcome. | 0:01:51 | 0:01:55 | |
-Hi, how are you? -Lovely to see you. | 0:01:55 | 0:01:56 | |
Now, Lori, how did you become friends? | 0:01:56 | 0:01:59 | |
We met in school, from early on, on the football pitch, | 0:01:59 | 0:02:03 | |
having fun together and just having a good laugh. | 0:02:03 | 0:02:05 | |
Good. And what did you study at the University? | 0:02:05 | 0:02:07 | |
-I'm still there. -I'm doing English Literature History of Art. | 0:02:07 | 0:02:10 | |
-Is this at Edinburgh University? -Yeah, at Edinburgh. | 0:02:10 | 0:02:13 | |
-Having a good time. -I bet you are. | 0:02:13 | 0:02:15 | |
-So, Allen, you are at a different university, is that right? -Yeah, | 0:02:15 | 0:02:18 | |
West of Scotland, Hamilton and Paisley. | 0:02:18 | 0:02:20 | |
It says here, you're keen on football. | 0:02:20 | 0:02:22 | |
Yeah, pretty much. But I'm a utility man. | 0:02:22 | 0:02:25 | |
Yeah, utility. | 0:02:25 | 0:02:26 | |
-What you call handy. -Yeah, handyman. | 0:02:26 | 0:02:29 | |
So, do either of you know anything about antiques? | 0:02:29 | 0:02:32 | |
I know a wee bit. My Gran has kind of drummed it into me. | 0:02:32 | 0:02:35 | |
My dad is a jeweller, as well. He owned his own shop in Glasgow. | 0:02:35 | 0:02:38 | |
So, from then on, I was playing about with silver and diamonds... | 0:02:38 | 0:02:41 | |
Losing them. I don't think he knows yet. | 0:02:41 | 0:02:43 | |
-I am very impressed by this. So, you looking forward to it anyway? -Yeah. | 0:02:43 | 0:02:46 | |
-It's lovely to have you on the show and very good luck. -Thanks. | 0:02:46 | 0:02:49 | |
Now, turning to the girls. Jackie, how did you two meet? | 0:02:49 | 0:02:52 | |
We worked together in Spain in a restaurant. | 0:02:52 | 0:02:54 | |
About six years ago. | 0:02:54 | 0:02:57 | |
You've been doing a certain amount of travelling. | 0:02:57 | 0:02:59 | |
Yeah, we like to sail quite a lot. | 0:02:59 | 0:03:01 | |
And we did some backpacking for about a year around South America | 0:03:01 | 0:03:04 | |
and then went sailing for ten months in Mexico. | 0:03:04 | 0:03:06 | |
It was good, good fun. A lot of experiences. | 0:03:06 | 0:03:09 | |
-The odd earthquake and hurricane. -Really? -Yeah. | 0:03:09 | 0:03:11 | |
-What do you do now? -I work in a retail environment. | 0:03:11 | 0:03:13 | |
Right, in a shop that you can't mention. | 0:03:13 | 0:03:16 | |
Yes, but they do a wonderful dine in for two. | 0:03:16 | 0:03:19 | |
HE LAUGHS | 0:03:19 | 0:03:20 | |
Well, then. So, Abby, what do you do for living? | 0:03:20 | 0:03:22 | |
I work in a high street bakers. | 0:03:22 | 0:03:26 | |
-Do you? -Yes. | 0:03:26 | 0:03:28 | |
-That also can't be mentioned. -That can't be mentioned. | 0:03:28 | 0:03:30 | |
I've only worked there for three weeks now. | 0:03:30 | 0:03:32 | |
-Yeah. And it says here that you can speak fluently backwards. -Yes. | 0:03:32 | 0:03:36 | |
It sounds like Klingon. It's nonsense. | 0:03:36 | 0:03:39 | |
-Can you give us "let's go bargain hunting" backwards? -I can. It's... | 0:03:39 | 0:03:42 | |
Stel og niagrab gnitnuh. | 0:03:42 | 0:03:44 | |
THEY LAUGH | 0:03:44 | 0:03:46 | |
I love it, don't you? Stel nob... I can't do it. | 0:03:46 | 0:03:50 | |
-No, no. -Anyway, well done. -If you write it down, it's right. | 0:03:50 | 0:03:54 | |
I believe you. Now the money moment. £300 apiece. | 0:03:54 | 0:03:56 | |
There goes. £300. You know the rules. Your experts await, | 0:03:56 | 0:03:59 | |
and off you go! Very, very, very good luck. | 0:03:59 | 0:04:03 | |
I can hardly say "let's go bargain hunting" frontwards, | 0:04:03 | 0:04:05 | |
leave alone backwards. | 0:04:05 | 0:04:07 | |
But to guide our teams in the right direction, we need experts. | 0:04:10 | 0:04:13 | |
Weighing in to captain the Blue Team | 0:04:13 | 0:04:16 | |
is antique's heavyweight Paul Laidlaw. | 0:04:16 | 0:04:19 | |
And ready to show off our footballers in red | 0:04:19 | 0:04:21 | |
some fancy footwork of his own is Charles "Twinkle Toes" Hanson. | 0:04:21 | 0:04:26 | |
-You guys are sailors. Bargains ahoy? -Well, hopefully. Hopefully. | 0:04:26 | 0:04:31 | |
THEY LAUGH | 0:04:31 | 0:04:33 | |
-OK, guys, feeling keen? -Yeah, getting into it. | 0:04:33 | 0:04:36 | |
Feeling mean, Lori? | 0:04:36 | 0:04:37 | |
-Let's go. -Let's have a wee look. | 0:04:37 | 0:04:39 | |
-Follow me. -Yeah! | 0:04:39 | 0:04:41 | |
So, it's all hands on deck. | 0:04:41 | 0:04:42 | |
But will it be our footballers who set the pace? | 0:04:42 | 0:04:45 | |
Now, watch out, Charles is about to dazzle us with his expertise. | 0:04:55 | 0:04:59 | |
-That's quite nice, isn't it? -Yeah, I like the colour. | 0:04:59 | 0:05:02 | |
It's, um, it's a vase. | 0:05:02 | 0:05:04 | |
-Isn't it? -Do you like it? -No. | 0:05:06 | 0:05:07 | |
-What do you think? -I think it's all right. -Why? -What is it? | 0:05:07 | 0:05:10 | |
It's a vase, OK? It's a vase. | 0:05:10 | 0:05:13 | |
What we've got here is a tube-lined vase. You've heard of Art Nouveau? | 0:05:13 | 0:05:17 | |
-Yeah. -It happened in Glasgow. It happened in Paris. | 0:05:17 | 0:05:21 | |
And it was the dawn of the 20th century. | 0:05:21 | 0:05:23 | |
And this vase really encapsulates that great dawn of the new age. | 0:05:23 | 0:05:27 | |
The way this almost femme fatale and foliage... | 0:05:27 | 0:05:30 | |
-Is it oozing enthusiasm to you? -I quite like the face on it. | 0:05:30 | 0:05:33 | |
-The vase... It's really well gilt. -That's a chip there. | 0:05:33 | 0:05:38 | |
-Well spotted. -Good save, Lori. | 0:05:38 | 0:05:41 | |
-Is that crack coming off it, as well? -Yes, it's chipped. | 0:05:41 | 0:05:44 | |
Yeah, it's chipped. | 0:05:44 | 0:05:46 | |
-I think we should stay away from damaged items. -I think so. | 0:05:46 | 0:05:49 | |
-The hour is so young, isn't it? -Yeah. -Shall we leave it for a while? | 0:05:49 | 0:05:52 | |
We can always come back, can't we? | 0:05:52 | 0:05:54 | |
-Yeah. -OK, let's go. | 0:05:54 | 0:05:56 | |
Someone's happy about that. | 0:05:56 | 0:05:58 | |
-Are you looking at that? -Yeah. | 0:06:02 | 0:06:04 | |
A letter knife. It's rather nice, isn't it? | 0:06:04 | 0:06:06 | |
A Japanese-Chinese thing, is it? | 0:06:06 | 0:06:08 | |
You know, everyone's speculating on anything Oriental at the moment. | 0:06:08 | 0:06:11 | |
There you go. You see the visage? It's a dragon or a lion. A lion. | 0:06:11 | 0:06:15 | |
-Yeah. -It's rather nice. I mean, it's a sweet thing, but what is it worth? | 0:06:15 | 0:06:20 | |
20 to 30 quid. It could be a wee gift. | 0:06:20 | 0:06:23 | |
-What's it selling for today? -15. -13. | 0:06:23 | 0:06:26 | |
13 and I will give you a wee kiss on the cheek. | 0:06:26 | 0:06:28 | |
-That is an unlucky number. -And a kiss on the cheek. -14 and a kiss. | 0:06:28 | 0:06:33 | |
-£13.50 and a kiss. -OK. | 0:06:33 | 0:06:36 | |
-There you go, done. -Whatever it takes, loving your work. | 0:06:36 | 0:06:39 | |
I admire your persistence. | 0:06:39 | 0:06:42 | |
Good work, Jackie. That's the first haul for the Blues. | 0:06:42 | 0:06:46 | |
Now it is Lori's turn to show us his skills. | 0:06:50 | 0:06:53 | |
So, Lori, come over here and tell us about it. | 0:06:53 | 0:06:55 | |
-It's a silver teapot. -Is it silver, though? -Uh, yes. | 0:06:55 | 0:06:59 | |
-What do you look for? -Hallmarks at the bottom. -Absolutely. | 0:06:59 | 0:07:02 | |
-Do you have an eye glass? Can I use it? -Yeah, yeah. | 0:07:02 | 0:07:04 | |
What are the telltale signs of a hallmark? What do you need? | 0:07:04 | 0:07:08 | |
Well, you've usually got one that is a design | 0:07:08 | 0:07:10 | |
and it'll give you the date of it, as well. | 0:07:10 | 0:07:12 | |
-Yeah. -And it also tells you where it is made. | 0:07:12 | 0:07:16 | |
You need the all-important lion. | 0:07:16 | 0:07:18 | |
Al, the lion that will roar away is the assay mark for silver, | 0:07:18 | 0:07:22 | |
and that's the mark for sterling silver. | 0:07:22 | 0:07:24 | |
I think that is the maker's mark. | 0:07:24 | 0:07:27 | |
-Has it got EPBM or EPM on the base there? -It that a G? A G... | 0:07:27 | 0:07:31 | |
Put it this way, if it were silver, it'll be about £300, | 0:07:31 | 0:07:36 | |
how much is it? | 0:07:36 | 0:07:37 | |
-£300. -Is it really? -Oh, it's £30. | 0:07:37 | 0:07:42 | |
-So it must be... -Silver-plated. | 0:07:42 | 0:07:45 | |
-Sorry? -Is it plated? -Yes. -Yeah, plated. | 0:07:45 | 0:07:48 | |
What you'll do, big Al, on the bottom there, | 0:07:48 | 0:07:51 | |
just hidden away, can you see? | 0:07:51 | 0:07:53 | |
It has got EPBM. | 0:07:53 | 0:07:55 | |
-Electroplated Britannia metal. So it is plated. -I feel really stupid now. | 0:07:55 | 0:08:01 | |
-Big Al, comments? -I'm going to say no. | 0:08:01 | 0:08:05 | |
-Why not? Look at me, why not? -Electromagnetic, that's why. | 0:08:05 | 0:08:10 | |
Well, it caught him out. It magnetised him. | 0:08:12 | 0:08:15 | |
-Put it back. Thank you. -Thanks very much. | 0:08:15 | 0:08:19 | |
I think that is what you call a own goal. | 0:08:19 | 0:08:21 | |
The Blues haven't moved very far. | 0:08:25 | 0:08:28 | |
May I just have a quick look at one of these watches here? | 0:08:28 | 0:08:30 | |
-Yeah, which one? -This one here. That makes it very elegant. -Nice. | 0:08:30 | 0:08:35 | |
It is a mid-20th-century shape that the military sometimes used. | 0:08:35 | 0:08:39 | |
There's nothing much the matter with that. | 0:08:39 | 0:08:41 | |
-Is your Omega expensive? -It's £80. | 0:08:41 | 0:08:44 | |
Maybe a wee bit too much. What about your Jaeger? | 0:08:44 | 0:08:47 | |
Jaeger-LeCoultre. | 0:08:47 | 0:08:49 | |
-It's... -Now. It is. | 0:08:49 | 0:08:53 | |
-Price? -Price? | 0:08:53 | 0:08:57 | |
-120. -He's still got another cheek to kiss. | 0:08:57 | 0:09:02 | |
So, we've picked up on this, Jaeger-LeCoultre, | 0:09:02 | 0:09:05 | |
up there with any horological name you can mention. | 0:09:05 | 0:09:08 | |
This particular one was bought by | 0:09:08 | 0:09:12 | |
the British military during the Second World War. | 0:09:12 | 0:09:14 | |
But it's too expensive. I need that for a double-digit sum. | 0:09:14 | 0:09:17 | |
My very bottom on that is 90. | 0:09:17 | 0:09:20 | |
50. | 0:09:20 | 0:09:22 | |
-50 and a kiss on the other cheek. -I have to make something on it. | 0:09:22 | 0:09:25 | |
50 and a Frenchy, not from me. | 0:09:25 | 0:09:28 | |
Gosh, this is getting a bit fruity. | 0:09:31 | 0:09:33 | |
Not on my watch, eh, Paul! | 0:09:33 | 0:09:35 | |
What did you say was on the Omega? | 0:09:35 | 0:09:38 | |
I said 80. | 0:09:38 | 0:09:40 | |
-What's on the two? -150. | 0:09:40 | 0:09:43 | |
-Where do we get from 100? -140. | 0:09:43 | 0:09:46 | |
These increments are small. 120. | 0:09:46 | 0:09:50 | |
I would be giving one of them away. | 0:09:50 | 0:09:52 | |
But you'd get a kiss on the other cheek. | 0:09:52 | 0:09:54 | |
THEY LAUGH | 0:09:54 | 0:09:57 | |
-130, are we offering 130? -All right, just to get rid of you. | 0:09:57 | 0:10:01 | |
THEY LAUGH | 0:10:01 | 0:10:03 | |
-That's the spirit! -I appreciate that. | 0:10:03 | 0:10:06 | |
-Girls...? -Can I get that kiss, dear? -OK. | 0:10:06 | 0:10:09 | |
There you go! | 0:10:09 | 0:10:11 | |
It is two-nil to the Blues. The trailing Reds have yet to score. | 0:10:11 | 0:10:16 | |
I'm actually very nervous. We've had half an hour so far. | 0:10:16 | 0:10:19 | |
And I don't quite know where the other half hour is going to go. | 0:10:19 | 0:10:22 | |
I have no idea. | 0:10:22 | 0:10:23 | |
-I think Charles might be getting a bit anxious. -Yeah, I know, | 0:10:23 | 0:10:26 | |
I think is worrying a tad, as well. | 0:10:26 | 0:10:27 | |
-He's with two very picky buyers that won't buy much. -Yeah. | 0:10:27 | 0:10:30 | |
-"No, don't get it." -"No, I don't want it." -It needs to be the best. | 0:10:30 | 0:10:33 | |
We are not shopping properly. Come on, Charles, get to grips, | 0:10:33 | 0:10:36 | |
let's find these bargains. | 0:10:36 | 0:10:37 | |
Let's go buy! | 0:10:37 | 0:10:39 | |
So, will the halftime pep talk rally the team? | 0:10:39 | 0:10:42 | |
-What is that there? -It's a rifle bullet. -Yeah. | 0:10:47 | 0:10:49 | |
That's what it started life as. Do you want to know what it really is? | 0:10:49 | 0:10:52 | |
-A pen. -You're good! | 0:10:52 | 0:10:55 | |
You're good, but it's a very special pen. | 0:10:55 | 0:10:58 | |
It's not actually a pen, it's a pencil. | 0:10:58 | 0:11:00 | |
But, oh! What is that on there? | 0:11:00 | 0:11:03 | |
It looks like an M. | 0:11:03 | 0:11:05 | |
-Princess Mary. -Really? | 0:11:05 | 0:11:08 | |
Daughter of King George V and Queen Mary. | 0:11:08 | 0:11:11 | |
-This is silver. -That's fantastic. -That is very good. | 0:11:11 | 0:11:15 | |
In 1914, Princess Mary gifted the troops | 0:11:15 | 0:11:22 | |
at Christmas and New Year a present. | 0:11:22 | 0:11:25 | |
And it was a brass tin, and these are quite common, | 0:11:25 | 0:11:28 | |
and inside that tin, could be cigarettes, tobacco, a card | 0:11:28 | 0:11:31 | |
or a photograph of her. | 0:11:31 | 0:11:33 | |
But there was another component that was an option. | 0:11:33 | 0:11:36 | |
It was what's called the bullet pencil. | 0:11:36 | 0:11:39 | |
-That's one of them. -Are these quite rare now? | 0:11:39 | 0:11:42 | |
-They're... They're scarce. -Right. | 0:11:42 | 0:11:44 | |
They make about £30 at auction. | 0:11:44 | 0:11:47 | |
-You can always come back on it. -Could you hold onto that for us? | 0:11:47 | 0:11:50 | |
-Give us an option on it? -Absolutely. The price goes up, but never mind. | 0:11:50 | 0:11:54 | |
Storage fee. Thanks very much. Thank you. | 0:11:54 | 0:11:58 | |
Always good to have an item in reserve. | 0:11:58 | 0:12:01 | |
Are the boys going for a bit of tick-tock, too? | 0:12:06 | 0:12:09 | |
This little pocket watch down here, tell me about it. | 0:12:09 | 0:12:12 | |
-It's a chronograph watch, it's brass-plated. -How much? | 0:12:12 | 0:12:16 | |
I've got 55 on it. | 0:12:16 | 0:12:18 | |
-Did Big Al spot this? -Yeah. -Al, tell me about it. | 0:12:18 | 0:12:23 | |
What's the origin on it? Is it Swiss? | 0:12:23 | 0:12:25 | |
It's Swiss made. | 0:12:25 | 0:12:27 | |
1910? Yes, and circa 1910, 1900. | 0:12:27 | 0:12:32 | |
-That sounds good. -Yeah, it's quite nice. | 0:12:32 | 0:12:34 | |
-Is it in working order? -Yes. | 0:12:34 | 0:12:37 | |
There we go, there's your backplate. | 0:12:37 | 0:12:39 | |
-Does that backplate open? -Yeah, it should. There we are. | 0:12:39 | 0:12:41 | |
There's your movement, guys. It's quite a plain movement. | 0:12:41 | 0:12:44 | |
It's not overly sophisticated, but it is what it is. | 0:12:44 | 0:12:47 | |
It's a small, gilt brass chronograph. | 0:12:47 | 0:12:49 | |
£55 isn't expensive, really. | 0:12:49 | 0:12:52 | |
Could we haggle on the price, as well? Would that be possible? | 0:12:52 | 0:12:54 | |
45. I'll give you a chance at 45. | 0:12:54 | 0:12:56 | |
It's nice. At auction, I would guide it between £40 and £60. | 0:12:56 | 0:13:02 | |
So, if we could acquire it for a bit less, I think it is worthy. | 0:13:02 | 0:13:05 | |
-Could we get...? 35? -I'll meet you halfway at 40. | 0:13:05 | 0:13:11 | |
I'll meet you halfway again, 38? | 0:13:11 | 0:13:13 | |
37? | 0:13:13 | 0:13:15 | |
Can I get beans with toast every night? 38, OK, 38. | 0:13:15 | 0:13:18 | |
I think, guys, let's get the show on the road. Do you agree? | 0:13:18 | 0:13:22 | |
-Yeah! -Let's do it. Yes? -38. -We'll take it. | 0:13:22 | 0:13:26 | |
-Thanks ever so much. -No problem. | 0:13:26 | 0:13:28 | |
Back of the net! And about time. | 0:13:28 | 0:13:31 | |
Now, with ten minutes left, what has Paul found for his cabin crew? | 0:13:34 | 0:13:39 | |
Is your telescope an expensive one? | 0:13:39 | 0:13:42 | |
-I can go for 30. -30. -£30. | 0:13:42 | 0:13:46 | |
I'm just going to... | 0:13:46 | 0:13:47 | |
I know I'm looking down there the wrong way here, but this is the easiest way to test the optics. | 0:13:47 | 0:13:52 | |
-All right. -You've got at least dirty lenses there. | 0:13:52 | 0:13:55 | |
Everything becomes apparent when you look the wrong way down a telescope. | 0:13:55 | 0:14:00 | |
But, importantly, the optics are complete and they focus. | 0:14:02 | 0:14:06 | |
-Right. -We are missing a baffle. | 0:14:06 | 0:14:10 | |
-Right. -A sleeve here that would draw forward | 0:14:10 | 0:14:13 | |
to shade this objective lens. | 0:14:13 | 0:14:16 | |
But the leather is intact. It is a splendid marine - | 0:14:16 | 0:14:22 | |
marine, nautical - | 0:14:22 | 0:14:23 | |
-single-draw telescope. -What is this? | 0:14:23 | 0:14:27 | |
This is the bit that works! | 0:14:27 | 0:14:30 | |
Because...it is by... Crichton of London. | 0:14:30 | 0:14:35 | |
-I've heard of that. -Sold by Fife of Greenock. -There you go. | 0:14:35 | 0:14:40 | |
You're Scottish. Marine. Scottish. Date-wise... | 0:14:40 | 0:14:44 | |
Third-quarter 19th century. | 0:14:44 | 0:14:47 | |
I mean, it's got to be worth 40 to 60 any day of the week. | 0:14:47 | 0:14:50 | |
-Yes. -It's got legs. -Hiya. | 0:14:50 | 0:14:52 | |
-You said £30 was your price for this? -Yes. | 0:14:52 | 0:14:55 | |
-Is that the best price you can do for it? -That's the best. | 0:14:55 | 0:14:58 | |
-Cos it is missing a big piece of it. -Yeah. | 0:14:58 | 0:15:00 | |
The cover for the top, you know, for shading it. | 0:15:00 | 0:15:02 | |
-It depends how much you expect for it. -I was looking at | 0:15:02 | 0:15:04 | |
round about ten for this. | 0:15:04 | 0:15:06 | |
This girl has got gumption. | 0:15:06 | 0:15:08 | |
You know, a cover, for looking through, for the sun. | 0:15:08 | 0:15:10 | |
If you can go to an auction and buy it for ten pound, | 0:15:10 | 0:15:12 | |
I'll take it from you. | 0:15:12 | 0:15:14 | |
-The man has got a point. -Right. Well, what do you think, Paul? | 0:15:14 | 0:15:17 | |
Cos I thought... Can we get you down to 25? | 0:15:17 | 0:15:20 | |
Give us a wee chance? | 0:15:20 | 0:15:22 | |
My hair is grey, you've got me turning pale. | 0:15:22 | 0:15:24 | |
25? Thank you. | 0:15:24 | 0:15:27 | |
Five pound for the carrier bag. | 0:15:27 | 0:15:28 | |
We don't need one, Paul is going to take it. | 0:15:28 | 0:15:31 | |
-Well done there. -Excellent. That's our three pieces. -Smashing. | 0:15:31 | 0:15:36 | |
-Happy. -I spy...top drawer. | 0:15:36 | 0:15:39 | |
So, the Blues can drop anchor and relax. | 0:15:39 | 0:15:43 | |
Unlike the Reds who have two to go and only six minutes left. | 0:15:43 | 0:15:48 | |
We've got to dig deep, we've got to just... | 0:15:48 | 0:15:50 | |
I know, we've got to get something quick. | 0:15:50 | 0:15:51 | |
Spy out the bargains, don't we? | 0:15:51 | 0:15:54 | |
Here's a nice stand. Look at this. Now we're talking. I'm feeling... | 0:15:54 | 0:15:59 | |
-Your little mantel clock, madam? -It has some damage to the enamel. | 0:15:59 | 0:16:02 | |
-Is it an early one? -Well, 1920s. It's gorgeous. -How much? | 0:16:02 | 0:16:06 | |
-135, but I would... -And between friends? -100. | 0:16:06 | 0:16:12 | |
-I love that. -That's nice. -It works perfectly. | 0:16:12 | 0:16:15 | |
I love that. Look at that, guys. | 0:16:15 | 0:16:17 | |
You know what? The problem is, this is champleve enamel, | 0:16:17 | 0:16:20 | |
which is inset or dripped in. And its wonderful engine turning... | 0:16:20 | 0:16:23 | |
has had some damage there, can you see? I love that. | 0:16:23 | 0:16:27 | |
Although, as Mr Wonnacott says, and I can hear his voice now... | 0:16:27 | 0:16:30 | |
Oh, yes. | 0:16:30 | 0:16:31 | |
"Stay away from damaged goods, Charles, it's your downfall." | 0:16:31 | 0:16:34 | |
And we must, because it's damaged. | 0:16:34 | 0:16:37 | |
I'm glad you have been listening, Charles. | 0:16:37 | 0:16:40 | |
Look at that. Austrian, silver and enamel, little cigarette case. | 0:16:42 | 0:16:46 | |
The best price on your silver | 0:16:46 | 0:16:48 | |
cigarette case would be how much, please? | 0:16:48 | 0:16:50 | |
-Guys, we've got five minutes to go. -How much? -75? | 0:16:50 | 0:16:54 | |
-We've got five minutes, guys. -Would you do it for 50? | 0:16:54 | 0:16:58 | |
Since red is my favourite colour, I'll do it for 55. | 0:16:58 | 0:17:02 | |
Time is of the essence. How about...? | 0:17:02 | 0:17:05 | |
Your best price on the blue enamel mantel clock? | 0:17:05 | 0:17:08 | |
Well, I've already said £100 and it was 135. | 0:17:08 | 0:17:12 | |
-Yeah, so no less than that. -95. | 0:17:12 | 0:17:14 | |
Oh, look at me. | 0:17:14 | 0:17:16 | |
Look at me. Look at me. 95? | 0:17:16 | 0:17:19 | |
-Look at me. Look at us. -I'll give you a really big hug. | 0:17:19 | 0:17:23 | |
-95 is good. -£95, OK. We've got 180 seconds. | 0:17:23 | 0:17:28 | |
I think we ought to buy, my opinion, is the canary yellow, ground... | 0:17:28 | 0:17:32 | |
May I come behind here, madam, have a look behind here? | 0:17:32 | 0:17:35 | |
-Of course you can. -Thank you. Guys, I think... Thank you. Sorry. | 0:17:35 | 0:17:38 | |
-I think we ought to buy that, first of all. And that's good. -Yeah. | 0:17:38 | 0:17:42 | |
-What's your best price? -It was 50? -55. | 0:17:42 | 0:17:46 | |
Would you take 50 for it? | 0:17:46 | 0:17:48 | |
-Would you take 50? -54. -OK. -OK. | 0:17:48 | 0:17:50 | |
-Look at this, that's gorgeous. -That's nice. Is that English? | 0:17:50 | 0:17:53 | |
-We'll have it. -Yes, it is. -How much is that? -200. | 0:17:53 | 0:17:56 | |
That's a gorgeous box, guys. Best on that? | 0:17:56 | 0:17:59 | |
-I would do it at 175. -Guys, I really rate this box. | 0:17:59 | 0:18:02 | |
This is a George V silver and agate hard stone rectangular silver box. | 0:18:02 | 0:18:07 | |
And I would guide that at auction between 150 and 200. | 0:18:07 | 0:18:09 | |
So, at 175, it's got a good chance. | 0:18:09 | 0:18:12 | |
-If that's 55, could we do...? -200? | 0:18:12 | 0:18:17 | |
-200 for the both? -No. | 0:18:17 | 0:18:19 | |
-Look at me. -No! | 0:18:19 | 0:18:20 | |
-No! -Look at me, look at me! | 0:18:20 | 0:18:22 | |
-215? -No, 220, I'll do. -217. | 0:18:22 | 0:18:26 | |
-Yes. -Guys, these are great items. | 0:18:26 | 0:18:30 | |
I kid you not. These are quality. | 0:18:30 | 0:18:32 | |
-217 then. -217? -Deal. -Deal, deal. | 0:18:32 | 0:18:36 | |
And with that frantic goalmouth scrabble, | 0:18:36 | 0:18:38 | |
the boys finally have their hat trick. | 0:18:38 | 0:18:41 | |
Group hug? Yeah! | 0:18:41 | 0:18:44 | |
-What are we going to do now? -A milkshake, I guess? | 0:18:44 | 0:18:47 | |
-Something stronger, man. -Yeah! -Milkshake? Milkshake? | 0:18:47 | 0:18:50 | |
So, without further ado, | 0:18:50 | 0:18:52 | |
let's remind ourselves what the Reds bought. | 0:18:52 | 0:18:55 | |
The boys finally got their show on the road with a fob watch for £38. | 0:18:57 | 0:19:02 | |
Then, after lots of umming and ahhing, | 0:19:02 | 0:19:04 | |
they did a deal on two items. | 0:19:04 | 0:19:06 | |
The cigarette case worked out at £52. | 0:19:06 | 0:19:09 | |
And the silver snuff box, which appeared from left field | 0:19:09 | 0:19:12 | |
in the last seconds, cost them £165. | 0:19:12 | 0:19:17 | |
Somehow I think we achieved the great escape, the unbelievable. | 0:19:17 | 0:19:20 | |
In fact, I think we'll win. | 0:19:20 | 0:19:22 | |
Are you trying to give us all a heart attack? | 0:19:22 | 0:19:24 | |
I mean, that was just ridiculous, that last-minute pace. | 0:19:24 | 0:19:27 | |
-How much did you spend all round? -255. | 0:19:27 | 0:19:30 | |
Well, that's OK. £45 of leftover lolly. | 0:19:30 | 0:19:32 | |
What are you going to do with that? | 0:19:32 | 0:19:34 | |
45 isn't a great deal, Tim, but they keep saying, | 0:19:34 | 0:19:36 | |
"Charles, something shiny." | 0:19:36 | 0:19:37 | |
Good ole Charles, he follows instructions. Go and have | 0:19:37 | 0:19:40 | |
a nice cup of tea, chaps. | 0:19:40 | 0:19:41 | |
Meanwhile, why don't we check out what the Blue Team bought, eh? | 0:19:41 | 0:19:45 | |
The Blues opened their shop | 0:19:45 | 0:19:47 | |
with a letter knife, | 0:19:47 | 0:19:48 | |
which cost them £13.50 and a kiss on the cheek. | 0:19:48 | 0:19:51 | |
The same lucky store holder got another kiss | 0:19:53 | 0:19:55 | |
and £135 for the military pocket watch and gent's wristwatch. | 0:19:55 | 0:19:59 | |
Omega, Jaeger, military timepieces - | 0:20:01 | 0:20:04 | |
no-brainer, big bucks. | 0:20:04 | 0:20:06 | |
And finally, they are hoping for a safe harbour at auction | 0:20:06 | 0:20:09 | |
with a marine brass telescope for £25. | 0:20:09 | 0:20:13 | |
The other team are going to have to do something to beat us | 0:20:13 | 0:20:15 | |
with this one. | 0:20:15 | 0:20:16 | |
-It's not that bad, really, is it? Hiya. -Can I spy a profit? | 0:20:18 | 0:20:22 | |
-Well, we're kind of hoping. -Is that your favourite item? | 0:20:22 | 0:20:24 | |
Actually, it's between that and the two watches. | 0:20:24 | 0:20:27 | |
We've got two watches, too. | 0:20:27 | 0:20:28 | |
-So, what did you spend all round? -We spent £268.50. | 0:20:28 | 0:20:32 | |
Please, may I have £131.50 of leftover lolly? | 0:20:32 | 0:20:36 | |
-There it is. -Thank you very much, that's lovely. Which goes | 0:20:36 | 0:20:38 | |
straight over to the maestro. | 0:20:38 | 0:20:40 | |
What are you going to spend it on, Paul? | 0:20:40 | 0:20:41 | |
You know what? I have no idea. The Ides today are feeling good. | 0:20:41 | 0:20:45 | |
Oh, Lordy. Look out, store holders. Lookout, team. | 0:20:45 | 0:20:49 | |
Meanwhile, we are heading off somewhere delightful. | 0:20:49 | 0:20:51 | |
We're going to go to Pollok House, that's spelled with a P. | 0:20:51 | 0:20:54 | |
Located just southwest of Glasgow, Pollok House is the ancestral home | 0:21:03 | 0:21:07 | |
of the Maxwell family. | 0:21:07 | 0:21:10 | |
Handed down through the generations, | 0:21:13 | 0:21:16 | |
the estate was inherited by Sir William Stirling Maxwell in 1865. | 0:21:16 | 0:21:22 | |
He was an art connoisseur and great traveller. | 0:21:22 | 0:21:26 | |
But when he got to Spain, he found his real inspiration. | 0:21:26 | 0:21:31 | |
He fell in love both with the country and its art. | 0:21:31 | 0:21:35 | |
And it's thanks to him that Pollok House today contains | 0:21:35 | 0:21:39 | |
one of the greatest collections of Spanish art anywhere in Britain. | 0:21:39 | 0:21:44 | |
A Palladian mansion dating from 1750, the house Sir William | 0:21:48 | 0:21:53 | |
inherited certainly provides a fit setting for all his paintings. | 0:21:53 | 0:21:58 | |
By the 19th century, | 0:22:01 | 0:22:03 | |
Spanish art was either ignored or forgotten largely throughout Europe. | 0:22:03 | 0:22:08 | |
But Sir William really bucked it up, owing to his writing and collecting. | 0:22:08 | 0:22:14 | |
In effect, he reintroduced Spanish art to Britain. | 0:22:14 | 0:22:18 | |
And what a collection he formed! | 0:22:18 | 0:22:21 | |
Perhaps, the most iconic image in the portraits is this, | 0:22:21 | 0:22:25 | |
of King Philip the second of Spain, | 0:22:25 | 0:22:28 | |
which was painted by his favourite artist, Coello, around about 1565. | 0:22:28 | 0:22:35 | |
Philip was the second Habsburg ruler of the Spanish Empire, | 0:22:35 | 0:22:41 | |
and he ruled between 1556 and 1598. | 0:22:41 | 0:22:45 | |
At that moment in time, Spain had the largest | 0:22:45 | 0:22:49 | |
and most powerful empire in the world. | 0:22:49 | 0:22:53 | |
But within 100 years of the date of the painting of this portrait, | 0:22:53 | 0:22:57 | |
Philip's family, despite their great power, | 0:22:57 | 0:23:01 | |
were in crisis. | 0:23:01 | 0:23:03 | |
Sir William was interested in portraits | 0:23:07 | 0:23:10 | |
for their historical relevance. | 0:23:10 | 0:23:13 | |
And if we scroll forward 100 years in the Habsburg rule in Spain, | 0:23:13 | 0:23:19 | |
we come to this character, King Charles II, | 0:23:19 | 0:23:23 | |
who reigned in Spain between 1665 and 1700. | 0:23:23 | 0:23:28 | |
And the contrast between the robust warrior-like figure of Philip II | 0:23:28 | 0:23:35 | |
and this little fellow is extreme. | 0:23:35 | 0:23:38 | |
In fairness to him, he is only aged about 12 at this moment. | 0:23:38 | 0:23:44 | |
But in the intervening century, | 0:23:44 | 0:23:46 | |
there had been an incredible amount of intermarrying. | 0:23:46 | 0:23:50 | |
They were determined to hang on to the purity of the Habsburgs | 0:23:50 | 0:23:55 | |
and, as a result, | 0:23:55 | 0:23:56 | |
he was produced from the union of three previous uncle to nieces - | 0:23:56 | 0:24:03 | |
which is far too close an arrangement. | 0:24:03 | 0:24:07 | |
You can see it in his chin, the pronounced overbite. | 0:24:07 | 0:24:12 | |
The Habsburg chin is, in him, personified. | 0:24:12 | 0:24:17 | |
He couldn't chew properly, he couldn't speak properly, | 0:24:17 | 0:24:20 | |
he dribbled a lot. | 0:24:20 | 0:24:22 | |
His mental faculties were not brilliant. | 0:24:22 | 0:24:26 | |
He couldn't breed. He married twice and produced no offspring. | 0:24:26 | 0:24:33 | |
There is a crisis at the end of his reign. | 0:24:33 | 0:24:35 | |
And when he died, it set in train a horrible series of wars | 0:24:35 | 0:24:38 | |
known as the Wars Of The Spanish Succession. | 0:24:38 | 0:24:43 | |
I am glad to say, though, that the collection does have some contrasts. | 0:24:43 | 0:24:47 | |
You could say, from the beast to the beauty. | 0:24:47 | 0:24:50 | |
She is absolutely gorgeous, isn't she? | 0:24:55 | 0:24:58 | |
She is referred to as the Lady In The Fur Wrap. | 0:24:58 | 0:25:02 | |
And she was painted around about 1577 by the Spanish artist El Greco. | 0:25:02 | 0:25:09 | |
And like so many of these great portraits of women, | 0:25:09 | 0:25:14 | |
they are enigmatic on two fronts. | 0:25:14 | 0:25:16 | |
When you look at her face, | 0:25:16 | 0:25:18 | |
what is she thinking? What has she just said? | 0:25:18 | 0:25:22 | |
And the second question is, who was she? | 0:25:22 | 0:25:25 | |
Some would say that she resembles the Philip II's daughter, | 0:25:25 | 0:25:31 | |
Catalina. | 0:25:31 | 0:25:32 | |
Some would say that she actually was El Greco's mistress. | 0:25:32 | 0:25:38 | |
We will never know, perhaps, but if you look at her very closely, | 0:25:38 | 0:25:43 | |
she seems to me to be asking a question. | 0:25:43 | 0:25:46 | |
And that question is, | 0:25:46 | 0:25:49 | |
are the teams likely to make a profit today | 0:25:49 | 0:25:51 | |
over at the auction? | 0:25:51 | 0:25:53 | |
90. | 0:25:57 | 0:25:58 | |
100. 110. | 0:25:58 | 0:26:00 | |
Nope. 130. All done at 130? 130... | 0:26:00 | 0:26:05 | |
We're staying in Scotland today, | 0:26:06 | 0:26:08 | |
we've just shifted to Glasgow, that's all. | 0:26:08 | 0:26:10 | |
To Great Western Auctions to be with the lovely Anita Manning. | 0:26:10 | 0:26:13 | |
-Good morning, Anita. -Good morning, Tim. | 0:26:13 | 0:26:15 | |
You've got some activity already in your sale room, | 0:26:15 | 0:26:17 | |
which I'm not surprised to see. | 0:26:17 | 0:26:19 | |
-It's always encouraging, isn't it? -It is indeed. | 0:26:19 | 0:26:22 | |
First up, for the Reds, we've got this brass-cased, open-faced watch. | 0:26:22 | 0:26:26 | |
-Is this any good? -Late 19th century. | 0:26:26 | 0:26:29 | |
It is brass-cased and not silver-cased. | 0:26:29 | 0:26:32 | |
I would have preferred to have seen a silver case. | 0:26:32 | 0:26:35 | |
-But it's in working order. It's a nice, clean watch. -Yes. | 0:26:35 | 0:26:38 | |
25 to 40? | 0:26:38 | 0:26:40 | |
OK, well, we're just in estimate. They paid £38. | 0:26:40 | 0:26:44 | |
They may be lucky there. | 0:26:44 | 0:26:45 | |
Are they going to be lucky with their yellow Viennese case? | 0:26:45 | 0:26:48 | |
Yellow is a good colour, isn't it? | 0:26:48 | 0:26:50 | |
Well, the most attractive thing about this is the colour. | 0:26:50 | 0:26:54 | |
It's very vibrant, I absolutely love it. | 0:26:54 | 0:26:58 | |
Not for fags any more, probably, | 0:26:58 | 0:27:00 | |
but more for, perhaps, a little photograph of a loved one. | 0:27:00 | 0:27:04 | |
It's me being romantic again. You're normally the romantic one. | 0:27:04 | 0:27:08 | |
-Be romantic with me with the price, how much? -60 to 80? | 0:27:08 | 0:27:11 | |
That's romantic enough. Quite flirtatious, actually. | 0:27:11 | 0:27:15 | |
£52 paid. | 0:27:15 | 0:27:17 | |
-So, that's good. -Hopefully, they'll make a profit. | 0:27:17 | 0:27:20 | |
And they got box-centric here | 0:27:20 | 0:27:22 | |
because we've got this other fellow to follow with. | 0:27:22 | 0:27:25 | |
And the best feature of this, of course, | 0:27:25 | 0:27:27 | |
is the fact that it's got this panel of polished onyx | 0:27:27 | 0:27:31 | |
in the top and bottom. | 0:27:31 | 0:27:32 | |
That's a really nice feature, isn't it? | 0:27:32 | 0:27:34 | |
It's a lovely little box. It's absolutely lovely. | 0:27:34 | 0:27:37 | |
It's well made, it's a quality item. | 0:27:37 | 0:27:40 | |
-What do you think it's going to bring? -100 to 200. | 0:27:40 | 0:27:43 | |
I've made the estimate really quite wide | 0:27:43 | 0:27:46 | |
-to invite the bidders. -OK, fine. | 0:27:46 | 0:27:48 | |
Well, they paid 165, | 0:27:48 | 0:27:49 | |
so they are about in the middle. | 0:27:49 | 0:27:51 | |
That's fair enough, which is exciting. | 0:27:51 | 0:27:53 | |
That will determine whether they go with the bonus buy or not, | 0:27:53 | 0:27:56 | |
so let's go and have a look at it. | 0:27:56 | 0:27:58 | |
Now then, Lori. You naughty boys, | 0:28:00 | 0:28:02 | |
you spent £255, which is a magnificent total, | 0:28:02 | 0:28:06 | |
-giving Charles Hanson only £45 to spend. -Yes. | 0:28:06 | 0:28:09 | |
-What did you spend it on? -I'll give you a clue. | 0:28:09 | 0:28:11 | |
It might be a furry thing, OK? | 0:28:11 | 0:28:14 | |
-An animal! -It's not alive, but you're almost there. | 0:28:14 | 0:28:16 | |
-Because it's an owl. -Oh. | 0:28:16 | 0:28:18 | |
-Look at that. Look at those eyes. -That's so cool! | 0:28:18 | 0:28:22 | |
OK? Look at those eyes. | 0:28:22 | 0:28:23 | |
He's bronzed, he's gilded, he's got some wear and tear, | 0:28:23 | 0:28:27 | |
but there are a huge pool of owl collectors. | 0:28:27 | 0:28:30 | |
You know, he's quite unusual with these big, | 0:28:30 | 0:28:32 | |
bulbous bulb eyes. | 0:28:32 | 0:28:34 | |
It's a bedside light. He must be, I suppose, | 0:28:34 | 0:28:37 | |
70 or 80 years old. | 0:28:37 | 0:28:39 | |
-Quite novel, isn't it? -Exactly, you hit it on the head. | 0:28:39 | 0:28:42 | |
It's novel, and that is the all-important factor. | 0:28:42 | 0:28:45 | |
How many people have a novel owl lying by their bedside? | 0:28:45 | 0:28:48 | |
I prefer not to, I would think. | 0:28:48 | 0:28:51 | |
You could start off a new fetish here. | 0:28:51 | 0:28:54 | |
-What is he worth to you as young collectors? -30 quid? | 0:28:54 | 0:28:58 | |
-35? -He cost us £25. | 0:28:58 | 0:29:02 | |
I feel, with the novelty value, he might make £40, £50. | 0:29:02 | 0:29:06 | |
-No guarantee, though. -No, no, naturally. | 0:29:06 | 0:29:10 | |
So, we got a prediction there, chaps, right? Maybe £40, £50. | 0:29:10 | 0:29:13 | |
£25 spent. | 0:29:13 | 0:29:14 | |
Just think about that. You don't pick it now. | 0:29:14 | 0:29:17 | |
But for the audience at home, let's find out | 0:29:17 | 0:29:18 | |
what the auctioneer thinks about Charles's twit twoo. | 0:29:18 | 0:29:22 | |
THEY LAUGH | 0:29:22 | 0:29:24 | |
Well, Anita, there's something to entertain you. Isn't he sweet?! | 0:29:24 | 0:29:28 | |
He's absolutely lovely. | 0:29:28 | 0:29:30 | |
A little child's bedside lamp. | 0:29:30 | 0:29:33 | |
And look at these wonderful eyes, | 0:29:33 | 0:29:35 | |
they're little bulbs, which would glow out in the dark. | 0:29:35 | 0:29:38 | |
It will bring a smile to the buyers. | 0:29:38 | 0:29:40 | |
-How much do you think? -20 to 40. | 0:29:40 | 0:29:42 | |
Again, I've made the estimate wide. | 0:29:42 | 0:29:44 | |
Very difficult to estimate. | 0:29:44 | 0:29:46 | |
-Anyway, our young Charles, he invested £25. -Yes. | 0:29:46 | 0:29:48 | |
-So, I think he's done the right thing. -It deserves that. | 0:29:48 | 0:29:51 | |
Yeah, perfect. Good. | 0:29:51 | 0:29:53 | |
That's it for the Reds, now for the Blues. | 0:29:53 | 0:29:55 | |
Their first item is the Japanese letter opener, | 0:29:55 | 0:29:59 | |
which I have to say is one of the worst examples | 0:29:59 | 0:30:01 | |
I think I've ever seen. | 0:30:01 | 0:30:03 | |
It doesn't have any quality. | 0:30:03 | 0:30:05 | |
The blade is thin and bent and there is no decoration on that. | 0:30:05 | 0:30:10 | |
So, how much? | 0:30:10 | 0:30:12 | |
-15 to 25? -OK, great. | 0:30:12 | 0:30:14 | |
£13.50 paid. That should be a sure-fire profit. Just a wee one. | 0:30:14 | 0:30:19 | |
Next, Mr Laidlaw's speciality - things connected with the military. | 0:30:19 | 0:30:24 | |
We've got the two watches. | 0:30:24 | 0:30:25 | |
Well, he has bought two quality names here. | 0:30:25 | 0:30:28 | |
We've got Jaeger-LeCoultre and Omega. | 0:30:28 | 0:30:31 | |
They will appeal to the watch buyers, | 0:30:31 | 0:30:33 | |
but they will also appeal to the military buyers, | 0:30:33 | 0:30:36 | |
because the Jaeger-LeCoultre is a military watch. | 0:30:36 | 0:30:39 | |
-He paid 130, what's your estimate? -100 to 200. -Well, there we go. | 0:30:39 | 0:30:43 | |
He's in the early part of that, and knowing his luck | 0:30:43 | 0:30:46 | |
and your skills, we'll be OK. | 0:30:46 | 0:30:49 | |
Now, the last item I really rate, I have to say. | 0:30:49 | 0:30:51 | |
I think that's a beautiful telescope. How do you rate it? | 0:30:51 | 0:30:56 | |
I love it. I think it's a wonderful thing. | 0:30:56 | 0:30:58 | |
A good London maker, but it has the added advantage of being | 0:30:58 | 0:31:03 | |
retailed by a Greenock retailer. | 0:31:03 | 0:31:07 | |
So, I think it will appeal to the Scottish buyers. | 0:31:07 | 0:31:09 | |
What sort of profit to you spy? | 0:31:09 | 0:31:12 | |
-40 to 60 is the estimate on it. -Is it? £25 paid. | 0:31:12 | 0:31:16 | |
-I think that was a good buy. -I mean, unbelievable buy! | 0:31:16 | 0:31:19 | |
If I'm wrong, they're going to need the bonus buy, | 0:31:19 | 0:31:21 | |
so let's go and have a look at it. | 0:31:21 | 0:31:24 | |
Very good, girls. Now, you spent £168.50. | 0:31:24 | 0:31:27 | |
We had 131.50 to give to Paul Laidlaw. | 0:31:27 | 0:31:31 | |
With all that money, Paul, what did you decide to go and buy? | 0:31:31 | 0:31:35 | |
I don't know whether you've ever seen one of these before. | 0:31:35 | 0:31:38 | |
THEY LAUGH | 0:31:38 | 0:31:41 | |
We have. | 0:31:41 | 0:31:43 | |
-I had to go back and buy it. -I love it. -Smashing. | 0:31:43 | 0:31:45 | |
-You did, didn't you? -Yeah. We absolutely loved it. | 0:31:45 | 0:31:48 | |
It works for me all day long. | 0:31:48 | 0:31:52 | |
And I'm pretty sure you're going to do well with that. | 0:31:52 | 0:31:56 | |
I couldn't get the price down more, we know it was ticketed at 12. | 0:31:56 | 0:31:59 | |
-I think that will do well anyway. -Smart money, know what that is, | 0:31:59 | 0:32:01 | |
you're going to do well. | 0:32:01 | 0:32:03 | |
-Yay! -Can we just buy it? | 0:32:03 | 0:32:06 | |
Good. Well, there we are. | 0:32:06 | 0:32:08 | |
It gives you the choice | 0:32:08 | 0:32:10 | |
to decide whether you go with Paul's bullet or not. | 0:32:10 | 0:32:12 | |
Anyway, right now, for the audience at home, let's find out | 0:32:12 | 0:32:15 | |
what the auctioneer thinks about it. The bullet, I mean. | 0:32:15 | 0:32:18 | |
It's slightly insensitive, don't you think, to be sending to troops | 0:32:20 | 0:32:24 | |
who are in the trenches in their little Christmas box a bullet. | 0:32:24 | 0:32:28 | |
-I know. -I mean... | 0:32:28 | 0:32:30 | |
Maybe she hoped that these were the only bullets they would receive. | 0:32:30 | 0:32:34 | |
Well, that's true, isn't it? | 0:32:34 | 0:32:35 | |
But I would estimate that at £20 to £30. | 0:32:35 | 0:32:38 | |
Very good. Well, Mr Laidlaw, who is as canny as you are, only paid £12, | 0:32:38 | 0:32:44 | |
so we should get a profit there if the teams decide to go with it. | 0:32:44 | 0:32:48 | |
And that's a big question. Anyway, very good luck. Thank you. | 0:32:48 | 0:32:52 | |
45. 50. 50 for the first time. | 0:32:53 | 0:32:55 | |
Anyone over 50 pounds? 50 pounds... | 0:32:55 | 0:33:00 | |
-Now, Allen and Lori, how are you feeling? -Nervous. -Are you? -Yeah. | 0:33:01 | 0:33:04 | |
-I'm shaking. -Anticipation. | 0:33:04 | 0:33:07 | |
I don't know how many adjectives I can come up with. | 0:33:07 | 0:33:09 | |
Well, you being a university educated man, probably plenty. | 0:33:09 | 0:33:13 | |
Edinburg University taught you how to describe things, right? | 0:33:13 | 0:33:17 | |
-Well, they're trying. -Yes. Of course, you are still in it, yeah. | 0:33:17 | 0:33:20 | |
So, first up is your open-faced chronograph, and here it comes, chaps. | 0:33:20 | 0:33:24 | |
-Here we go, guys, good luck. -Come on. | 0:33:24 | 0:33:26 | |
Lot 95 | 0:33:26 | 0:33:28 | |
is this early 20th-century chronograph pocket-stopwatch. | 0:33:28 | 0:33:33 | |
Start me at £30. 30 bid. | 0:33:33 | 0:33:36 | |
-Yes! 30. -30 bid. | 0:33:36 | 0:33:37 | |
Any advance on 30? | 0:33:37 | 0:33:39 | |
-Any advance at £30? -Come on! -40. | 0:33:39 | 0:33:43 | |
With the lady, at 40. | 0:33:43 | 0:33:46 | |
Any advance on 40? | 0:33:46 | 0:33:48 | |
-I'll take five. 45. -Yes! | 0:33:48 | 0:33:51 | |
50. 50. Any advance on 50? | 0:33:51 | 0:33:55 | |
-Him! -All done at 50? 50? 55. | 0:33:55 | 0:33:59 | |
Fresh bidder at 55. | 0:33:59 | 0:34:02 | |
-Are you sure? -One more! | 0:34:03 | 0:34:04 | |
-She's standing up. It's always a good sign when she stands up. -55. | 0:34:04 | 0:34:07 | |
In the last minute, at 55. | 0:34:07 | 0:34:09 | |
With you, sir, at 55. 55... | 0:34:09 | 0:34:12 | |
Yes! | 0:34:12 | 0:34:14 | |
55 is plus £17, chaps. | 0:34:14 | 0:34:17 | |
-I'm sweating. -£17... Yeah, I know. | 0:34:17 | 0:34:20 | |
It's getting a bit sweaty Betty, isn't it? | 0:34:20 | 0:34:22 | |
Lot 96. | 0:34:22 | 0:34:24 | |
Isn't that a beautiful yellow enamel, ladies and gentleman? | 0:34:24 | 0:34:28 | |
Isn't that absolutely lovely? | 0:34:28 | 0:34:30 | |
Start me at £50. | 0:34:30 | 0:34:32 | |
50, come on! | 0:34:32 | 0:34:34 | |
-50 bid. -Come on! | 0:34:34 | 0:34:36 | |
With you, sir, at £50. | 0:34:36 | 0:34:38 | |
At 60. | 0:34:38 | 0:34:41 | |
-Yes! -With you, madam, at £60. | 0:34:41 | 0:34:44 | |
65, I'll take 65. | 0:34:44 | 0:34:47 | |
70. 75. | 0:34:47 | 0:34:49 | |
-Yes! -75. | 0:34:49 | 0:34:52 | |
With you, sir, at 75. Any advance? | 0:34:52 | 0:34:56 | |
-80. -Yes! -All done at £80? | 0:34:56 | 0:35:00 | |
-All done at £80. £80. -£80. | 0:35:00 | 0:35:03 | |
Well, that would be plus 26, then. | 0:35:03 | 0:35:05 | |
That will be plus 28! | 0:35:05 | 0:35:06 | |
Fantastic, guys. | 0:35:06 | 0:35:07 | |
50, 60... Yeah, plus 28. | 0:35:07 | 0:35:10 | |
So, 17, 28, 38... | 0:35:10 | 0:35:13 | |
You are plus 45, lads, overall. | 0:35:13 | 0:35:15 | |
Lot 97. | 0:35:15 | 0:35:17 | |
This is a George V silver and agate snuffbox. | 0:35:17 | 0:35:22 | |
100 bid. 100 bid. | 0:35:22 | 0:35:24 | |
Any advance on £100? | 0:35:24 | 0:35:27 | |
110. 120, sir? 120. | 0:35:27 | 0:35:30 | |
-Crack on. -Come on. | 0:35:30 | 0:35:32 | |
130. Any advance on 130? | 0:35:32 | 0:35:37 | |
140. Back in, 140. | 0:35:37 | 0:35:39 | |
150. | 0:35:39 | 0:35:41 | |
£150. | 0:35:41 | 0:35:43 | |
-Go on! -Keep going. | 0:35:43 | 0:35:45 | |
It's only a tenner. | 0:35:45 | 0:35:47 | |
150 for this superb box. | 0:35:47 | 0:35:49 | |
-150. 160. -Yes! | 0:35:49 | 0:35:51 | |
-That's what we need! -One more! | 0:35:51 | 0:35:53 | |
170. Go on, go on! | 0:35:53 | 0:35:56 | |
-160. -Go on, crack it! | 0:35:56 | 0:35:58 | |
-Come on! -Any adva...? 170. -Yeah! | 0:35:58 | 0:36:01 | |
He's back in again. £170. | 0:36:01 | 0:36:05 | |
Any advance on 170? | 0:36:05 | 0:36:08 | |
Any advance on 170? | 0:36:08 | 0:36:10 | |
170... | 0:36:10 | 0:36:12 | |
Yes! Good girl, Anita. | 0:36:12 | 0:36:14 | |
£170, that's what we like. | 0:36:14 | 0:36:17 | |
Plus a fiver, which means, | 0:36:17 | 0:36:19 | |
overall, you are plus 50. | 0:36:19 | 0:36:21 | |
50 quid! | 0:36:21 | 0:36:23 | |
10 pints. | 0:36:23 | 0:36:25 | |
You can't translate everything into beer. | 0:36:25 | 0:36:29 | |
It's a nice way to think of it. | 0:36:29 | 0:36:33 | |
Now, what about this bedside lamp? Are you going for the owl? | 0:36:33 | 0:36:37 | |
-We trust you. -We've got a profit, we're going to go for it. -Are you? | 0:36:37 | 0:36:40 | |
-Yeah. -We're only here once. -You live once, don't you, Charles? | 0:36:40 | 0:36:42 | |
-Live the dream, OK? -I believe in the owl. | 0:36:42 | 0:36:45 | |
OK, fine. They're going with the wise old owl. | 0:36:45 | 0:36:48 | |
-Here it comes. Here comes the owl. -Come on! | 0:36:48 | 0:36:50 | |
And, ladies and gentlemen, | 0:36:50 | 0:36:51 | |
-I'm holding bids on the book. -Yes! | 0:36:51 | 0:36:55 | |
-And I can start the bidding at £20. -There you go. | 0:36:55 | 0:36:59 | |
That's OK, we're in. | 0:36:59 | 0:37:00 | |
With me at 20. | 0:37:00 | 0:37:02 | |
£30. | 0:37:02 | 0:37:04 | |
£40. | 0:37:04 | 0:37:05 | |
£50. | 0:37:05 | 0:37:07 | |
Come on, you want it, go on! | 0:37:07 | 0:37:09 | |
60. It's with you, sir, at £60. | 0:37:09 | 0:37:12 | |
Any advance on £60? £60? | 0:37:12 | 0:37:16 | |
-Well done. -Yeah! | 0:37:16 | 0:37:18 | |
Well, that is plus £35. | 0:37:18 | 0:37:20 | |
-That is plus 35. That's pretty good, isn't it? -It's not bad. | 0:37:22 | 0:37:25 | |
Overall, you have £85 to go off with. | 0:37:25 | 0:37:30 | |
-And not a blast penny more. -Not a blast penny more. | 0:37:30 | 0:37:32 | |
Anyway, the big thing now is, when you see the Blues, | 0:37:32 | 0:37:35 | |
look a bit miserable, all right? | 0:37:35 | 0:37:37 | |
Don't talk to them at all. | 0:37:37 | 0:37:39 | |
The tears...tears wailing already. | 0:37:39 | 0:37:41 | |
OK, Jacks, Abs, how are you feeling, kids? | 0:37:48 | 0:37:50 | |
-Excited. -I'm excited. | 0:37:50 | 0:37:53 | |
-Confident. -You're confident? -Confident? -Yeah. | 0:37:53 | 0:37:57 | |
-You haven't been chatting to those Reds, have you? -No, not at all. | 0:37:57 | 0:38:00 | |
That's just as well. | 0:38:00 | 0:38:01 | |
Anyway, first up is the paper knife. | 0:38:01 | 0:38:03 | |
Don't look so worried, it'll be all right. | 0:38:03 | 0:38:05 | |
First up is the paper knife, and here it comes. | 0:38:05 | 0:38:08 | |
Lot 117 is | 0:38:08 | 0:38:11 | |
the Japanese Meiji period bronzed letter knife, page turner. | 0:38:11 | 0:38:16 | |
Can we start the bidding at 50? 30? | 0:38:16 | 0:38:19 | |
£20? | 0:38:19 | 0:38:21 | |
£20 for the knife turner? | 0:38:21 | 0:38:24 | |
20 bid. | 0:38:24 | 0:38:25 | |
25. 30. | 0:38:25 | 0:38:27 | |
-Girls... -35. 45, fresh bidder. 45. | 0:38:27 | 0:38:32 | |
Any advance on 45? | 0:38:33 | 0:38:35 | |
All done at 45? 45... | 0:38:35 | 0:38:38 | |
£45 less £13.50... | 0:38:38 | 0:38:41 | |
Next up is | 0:38:41 | 0:38:42 | |
the lot of watches, here we go. | 0:38:42 | 0:38:44 | |
Two per lot here, ladies and gentlemen. | 0:38:44 | 0:38:46 | |
We have the World War II military Jaeger-LeCoultre | 0:38:46 | 0:38:50 | |
and a 1940s Omega wristwatch. | 0:38:50 | 0:38:55 | |
Start me at £100. | 0:38:55 | 0:38:57 | |
100 bid. | 0:38:57 | 0:39:00 | |
100 bid. 110. 120. | 0:39:00 | 0:39:03 | |
130. 140. | 0:39:03 | 0:39:05 | |
150. 160. 160. | 0:39:05 | 0:39:09 | |
170. | 0:39:09 | 0:39:11 | |
180. 190. | 0:39:11 | 0:39:14 | |
£190, and I'm also out. | 0:39:14 | 0:39:18 | |
Any advance on 190? All done at 190. 190... | 0:39:18 | 0:39:22 | |
Yes! That is plus another 60. | 0:39:22 | 0:39:25 | |
-Not too shabby, is it? -Plus 60 | 0:39:25 | 0:39:26 | |
means you are £91.50 up. | 0:39:26 | 0:39:31 | |
Lot 119 | 0:39:31 | 0:39:33 | |
is a mid 19th-century Marine brass | 0:39:33 | 0:39:36 | |
and leather-bound single-draw telescope. | 0:39:36 | 0:39:39 | |
Can we see £150? | 0:39:39 | 0:39:42 | |
150. 100. | 0:39:42 | 0:39:44 | |
Start me at 50. | 0:39:44 | 0:39:45 | |
£50. 50. | 0:39:45 | 0:39:48 | |
50 bid. | 0:39:48 | 0:39:49 | |
-Yes! -You've doubled your money. | 0:39:49 | 0:39:51 | |
With you, sir, at 50. | 0:39:51 | 0:39:52 | |
Any advance on £50? | 0:39:52 | 0:39:55 | |
Any advance on £50? | 0:39:55 | 0:39:57 | |
With you, sir, at £50. | 0:39:57 | 0:40:00 | |
-£50. -That's great. -Thank you very much. | 0:40:00 | 0:40:02 | |
Doubled your money. Plus 25. | 0:40:02 | 0:40:05 | |
£116.50 is the worth of profits. | 0:40:05 | 0:40:09 | |
I congratulate you, the three of you. That is phenomenal. | 0:40:09 | 0:40:12 | |
What will you do about the bullet pencil? You'll have it, won't you? | 0:40:12 | 0:40:15 | |
-We're going to have it, we love it. -Support the man with that. | 0:40:15 | 0:40:18 | |
-£12 paid. Yes? -Definitely. | 0:40:18 | 0:40:19 | |
Well, we can move quickly on with that. No doubt. | 0:40:19 | 0:40:22 | |
And here it comes. | 0:40:22 | 0:40:23 | |
Lot 123, ladies and gentlemen. | 0:40:23 | 0:40:25 | |
It is a First World War silver bullet pencil. £50. | 0:40:25 | 0:40:30 | |
50. | 0:40:30 | 0:40:31 | |
40? | 0:40:31 | 0:40:33 | |
Start me a £20. | 0:40:33 | 0:40:35 | |
20 bid. | 0:40:35 | 0:40:36 | |
30. 40. | 0:40:36 | 0:40:39 | |
50. £50. | 0:40:39 | 0:40:42 | |
With the lady at £50. | 0:40:42 | 0:40:45 | |
Any advance on £50? | 0:40:45 | 0:40:48 | |
All done at £50? £50... | 0:40:48 | 0:40:51 | |
-£38. -Yes! | 0:40:51 | 0:40:53 | |
That's four for four. | 0:40:53 | 0:40:55 | |
That, my dear girls, is | 0:40:55 | 0:40:57 | |
plus £154.50. | 0:40:57 | 0:41:00 | |
-Yes. -£154.50. | 0:41:00 | 0:41:02 | |
Thanks to our hero, Paul Laidlaw. | 0:41:02 | 0:41:05 | |
£154.50 is a very, very good score. | 0:41:05 | 0:41:08 | |
So, I commend you. | 0:41:08 | 0:41:09 | |
-Thank you. -Don't talk to the Reds until we do our review. | 0:41:09 | 0:41:13 | |
-Lips are sealed? -Totally. -Thank you very much. Excellent. | 0:41:13 | 0:41:16 | |
Well, what excitement we've had today. | 0:41:24 | 0:41:26 | |
You been chatting between the teams at all? | 0:41:26 | 0:41:28 | |
-ALL: No. -No communication? | 0:41:28 | 0:41:30 | |
I think it's fair to say, | 0:41:30 | 0:41:32 | |
there is a buzz of excitement between these two teams. | 0:41:32 | 0:41:36 | |
I guess both teams are feeling pretty cocky | 0:41:36 | 0:41:38 | |
because they both got profits. | 0:41:38 | 0:41:40 | |
-Oh! -And I don't think I'd be giving anything away | 0:41:40 | 0:41:44 | |
if I handed out a small black pad | 0:41:44 | 0:41:49 | |
on my right to these guys, | 0:41:49 | 0:41:51 | |
who have each made a profit | 0:41:51 | 0:41:54 | |
and therefore are entitled to the golden gavel. | 0:41:54 | 0:41:57 | |
Nor would I be giving anything away | 0:41:57 | 0:42:01 | |
to take a black pad out and reveal | 0:42:01 | 0:42:06 | |
to the girls that they, too, are entitled to a golden gavel, | 0:42:06 | 0:42:11 | |
because they, too, have made a stellar profit on all three items. | 0:42:11 | 0:42:17 | |
It's simply a question today | 0:42:17 | 0:42:21 | |
of the scale of the winnings. | 0:42:21 | 0:42:24 | |
I don't want to tease this to death, | 0:42:24 | 0:42:26 | |
but it is my duty to reveal today | 0:42:26 | 0:42:30 | |
that the team that are the runners-up are...the Reds. | 0:42:30 | 0:42:34 | |
-Oh! -Yes! | 0:42:34 | 0:42:36 | |
-Oh, no! -I'm sorry, lads. | 0:42:36 | 0:42:39 | |
You have made a profit of every single item. | 0:42:40 | 0:42:44 | |
A grand total of plus £85, I'm going to give you now. | 0:42:44 | 0:42:48 | |
-We're delighted. -£85, there you go. | 0:42:48 | 0:42:50 | |
But, sadly, it was not sufficient to stunt the flow of profits going | 0:42:50 | 0:42:55 | |
for these Blue girls, | 0:42:55 | 0:42:57 | |
-who made twice as much. -No way! | 0:42:57 | 0:43:00 | |
They're going home with profits of £154... | 0:43:02 | 0:43:07 | |
..and 50p! | 0:43:08 | 0:43:10 | |
There's all your change, all right? | 0:43:10 | 0:43:12 | |
Very, very well done, girls. That is just phenomenal, isn't it? | 0:43:12 | 0:43:16 | |
In fact, we've had so much fun, | 0:43:16 | 0:43:18 | |
join us soon for some more bargain-hunting, yes? | 0:43:18 | 0:43:20 | |
ALL: Yes! | 0:43:20 | 0:43:21 | |
Subtitles by Red Bee Media Ltd | 0:43:41 | 0:43:45 |