Browse content similar to Derby 32. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Yes, it's that time of day again. | 0:00:04 | 0:00:07 | |
In fact, it's a delightful day here in Derby. | 0:00:07 | 0:00:11 | |
We're going full steam ahead, so let's go bargain hunting! Yeah! | 0:00:11 | 0:00:16 | |
We're at an antiques and collectors' fair | 0:00:43 | 0:00:46 | |
in a space that was once a railway roundhouse. | 0:00:46 | 0:00:50 | |
We're hoping that our teams today will be able to turn in a decent profit. | 0:00:50 | 0:00:55 | |
Right now, though, let's have a quick peek at what's coming up. | 0:00:55 | 0:00:59 | |
'There'll be some shocking items. ' | 0:00:59 | 0:01:02 | |
Human hair. Real human hair. | 0:01:02 | 0:01:04 | |
'And some equally shocking jokes.' | 0:01:06 | 0:01:09 | |
MIMICS TOMMY COOPER: My mate bought a greyhound. | 0:01:09 | 0:01:11 | |
I said, "What are you going to do with it?" He said, "Race it." | 0:01:11 | 0:01:14 | |
-I said, "By the look of it, you'll beat it!" -COMEDY CYMBALS | 0:01:14 | 0:01:17 | |
'Just like that! That's all coming up.' | 0:01:17 | 0:01:20 | |
Now, let's meet today's teams. | 0:01:20 | 0:01:24 | |
Today it's a family show, with two teams, | 0:01:27 | 0:01:30 | |
each with a father and daughter combo from heaven. | 0:01:30 | 0:01:34 | |
-For the Reds, it's Dave and Kelly. Hello. -Hello. | 0:01:34 | 0:01:38 | |
And for the Blues, it's Gary and Zoe. Hello, everyone. | 0:01:38 | 0:01:41 | |
Great to see you. Now, Dave, what is it you do for a living? | 0:01:41 | 0:01:44 | |
I'm a shipping agent, Tim, which basically means I ship things abroad for people. | 0:01:44 | 0:01:48 | |
And it can be anything from excavators to drawing pins, | 0:01:48 | 0:01:52 | |
and it's the paperwork side of things, really. | 0:01:52 | 0:01:54 | |
Now, tell us about your love of football. | 0:01:54 | 0:01:57 | |
Well, when I was 16 or 17, I signed on for Leicester City. | 0:01:57 | 0:02:00 | |
-Did you? -In those days, they called it schoolboy terms. | 0:02:00 | 0:02:04 | |
And I was a goalkeeper. | 0:02:04 | 0:02:06 | |
The downside was the first team goalkeeper was a guy called Gordon Banks. | 0:02:06 | 0:02:10 | |
-A-ha. -The second team goalkeeper was a guy called Peter Shilton. | 0:02:10 | 0:02:14 | |
-A-ha! -And both of them went on to be two of the best goalkeepers England have ever had. -Yeah. | 0:02:14 | 0:02:20 | |
-So when I went training, I was able to train with these two guys. -Yeah. | 0:02:20 | 0:02:23 | |
-And it was absolutely unbelievable. -I bet it was. | 0:02:23 | 0:02:26 | |
And they were really nice. It was fantastic. | 0:02:26 | 0:02:28 | |
Kelly, what do you do to earn you crust, darling? | 0:02:28 | 0:02:30 | |
I'm a self-employed singer and a dancer. So trained in it for three years. | 0:02:30 | 0:02:35 | |
And loads of different jobs and gigs throughout the year | 0:02:35 | 0:02:37 | |
but my main income is from an ABBA tribute band that I sing with. | 0:02:37 | 0:02:40 | |
-Oh, right. -I play the blonde one, I wear a wig. -Right. -Agnetha. | 0:02:40 | 0:02:44 | |
We do loads of gigs nationally, internationally, | 0:02:44 | 0:02:47 | |
-we've been as far as South Korea. -Have you? -We do a lot of European... | 0:02:47 | 0:02:51 | |
-Do South Koreans, are they into ABBA? -Apparently so. Who knew? | 0:02:51 | 0:02:55 | |
Well, we know that now. That must be quite fun. | 0:02:55 | 0:02:58 | |
Yeah, it is fun. No two weeks are the same. | 0:02:58 | 0:03:01 | |
-And that's what I like about it. -Yes. -It is good. | 0:03:01 | 0:03:03 | |
-Very glamorous and great fun. -Good fun. -Good luck today on Bargain Hunt. | 0:03:03 | 0:03:08 | |
-Thank you. -Very, very nice to meet you. | 0:03:08 | 0:03:10 | |
Well, actually, for the Blues, we've got some more performing talent, haven't we? | 0:03:10 | 0:03:14 | |
Gary, tell me about the business you run with Zo-Zo. | 0:03:14 | 0:03:17 | |
-Er, we were fortunate enough to buy a club nine years ago in Sutton-in-Ashfield. -Oh, yes. | 0:03:17 | 0:03:23 | |
It's from the late 1950s. | 0:03:23 | 0:03:25 | |
It's been a live music venue. | 0:03:25 | 0:03:28 | |
I bought it nine years ago when it was on its heels a little bit. | 0:03:28 | 0:03:31 | |
And we've brought it back up to scratch where we get now full houses. | 0:03:31 | 0:03:34 | |
But you do a bit of singing yourself, don't you? | 0:03:34 | 0:03:37 | |
-I was on the road for 25 years as a pro. -Were you? -Yeah. | 0:03:37 | 0:03:39 | |
I must admit. So we've a lot in common, actually. | 0:03:39 | 0:03:42 | |
So when you perform, you do your gigs in your own club, what sort of things do you get up to? | 0:03:42 | 0:03:47 | |
At the moment, into the rock thing, bit of Free and Bad Company, that kind of thing. | 0:03:47 | 0:03:51 | |
Prior to that, on my cabaret shows | 0:03:51 | 0:03:54 | |
it was more Tom Jonesy, Neil Diamond, Elvis. | 0:03:54 | 0:03:56 | |
Are you feeling in good voice this morning? | 0:03:56 | 0:03:59 | |
This morning? We had a late night last night. | 0:03:59 | 0:04:01 | |
We had a Madness tribute on at the club. | 0:04:01 | 0:04:03 | |
We were still there till four, I'm now here at eight o'clock in the morning. | 0:04:03 | 0:04:06 | |
You're not going to give us the voice? | 0:04:06 | 0:04:08 | |
# I saw the light on the night that had passed by the window # | 0:04:08 | 0:04:12 | |
-Oh, I'm with it. -HE LAUGHS | 0:04:12 | 0:04:14 | |
-I should stop while you're ahead. -Exactly. -So what's it like working with your dad? | 0:04:14 | 0:04:19 | |
Er, brilliant. We get on really well. | 0:04:19 | 0:04:21 | |
We've sort of got, erm, with booking the bands, | 0:04:21 | 0:04:24 | |
Dad's sort of the 60s, 70s, I'm more of the 80s kind of bands, and we work well together. | 0:04:24 | 0:04:30 | |
It seems to me that your dad has passed on his love of music to you, girl. | 0:04:30 | 0:04:34 | |
Absolutely. Yeah. I've always been a lover of great music anyway. | 0:04:34 | 0:04:37 | |
I can remember from being a young age | 0:04:37 | 0:04:40 | |
being brought up on bands like The Beatles, Led Zeppelin, | 0:04:40 | 0:04:42 | |
Billy Joel, The Stones. I just love all that kind of music. | 0:04:42 | 0:04:46 | |
-It's pulsing round your blood stream, isn't it? -Absolutely. Absolutely. | 0:04:46 | 0:04:49 | |
What are your tactics going to be today to beat the Reds? | 0:04:49 | 0:04:52 | |
-Quality. -Is it? -Quality. -Spend everything? | 0:04:52 | 0:04:56 | |
-We're going to do our best. -Speculate? -Yes. -Yes. -And spend a lot of money. -Indeed. | 0:04:56 | 0:05:00 | |
Well, it'll be interesting to see what you actually do in a minute. | 0:05:00 | 0:05:03 | |
Anyway, here we go, here's the money, £300 a piece. | 0:05:03 | 0:05:05 | |
You know the rules. Your experts await. Off you go! | 0:05:05 | 0:05:08 | |
And very, very, very good luck. I feel like bursting into song. | 0:05:08 | 0:05:12 | |
But I won't. | 0:05:12 | 0:05:13 | |
'In reflective mood today, Thomas Plant will be assisting the Reds. | 0:05:13 | 0:05:18 | |
'Whilst happy snapper David Harper | 0:05:18 | 0:05:20 | |
'will be focusing on capturing cheesy moments with the Blues.' | 0:05:20 | 0:05:25 | |
Right, come on, you two. What are we going to be looking for? | 0:05:25 | 0:05:28 | |
-Well, I think we're going for quality today. -Quality? | 0:05:28 | 0:05:32 | |
We know you specialise in jewellery so we thought we'd go for a bit of jewellery, | 0:05:32 | 0:05:36 | |
make all the money on that, and then see what happens after that. | 0:05:36 | 0:05:39 | |
And I've got to say, that is worrying me deeply. | 0:05:39 | 0:05:42 | |
-This is going to be the answer to our prayers. -Seriously? | 0:05:42 | 0:05:46 | |
-Definitely. -I've been looking for that answer for a long time. | 0:05:46 | 0:05:49 | |
-MIMICS TOMMY COOPER: I've only to do that, and I'll make some money. -Oh, my Lord. Let's rock and roll, guys. | 0:05:49 | 0:05:53 | |
-Let's go for it. -Let's do it. -OK. | 0:05:53 | 0:05:55 | |
-Good morning. -Morning. | 0:05:55 | 0:05:58 | |
Do you like the old charm bracelets, Zoe? | 0:06:03 | 0:06:06 | |
I think it's decorative and it would appeal to somebody, | 0:06:06 | 0:06:09 | |
because it's got the car, the cat... | 0:06:09 | 0:06:12 | |
-Are they all silver? -All silver, yes. | 0:06:12 | 0:06:14 | |
The lowest I could go, and really the lowest, is 100. | 0:06:14 | 0:06:17 | |
-100. Yeah. -What about if I make you laugh, would you take £10 off? -No. | 0:06:17 | 0:06:21 | |
-THEY LAUGH -You'd make me cry. | 0:06:21 | 0:06:23 | |
MIMICS TOMMY COOPER: Thank you very much. I'll come back to that one. | 0:06:23 | 0:06:27 | |
-It's still 100. -I think we'll come back to that. -OK. | 0:06:27 | 0:06:31 | |
'Aye, aye. I think we've got a bit of a joker on our hands. | 0:06:31 | 0:06:34 | |
'He thinks he's Tommy Cooper.' | 0:06:34 | 0:06:36 | |
-MIMICS TOMMY COOPER: What time is it? -THEY LAUGH | 0:06:36 | 0:06:38 | |
'And I think Zoe's heard these gags before. | 0:06:38 | 0:06:42 | |
'Looks like the Blues aren't the only jokers around today. | 0:06:42 | 0:06:46 | |
'Preparing for battle, Dave?' | 0:06:46 | 0:06:48 | |
That's rather fun, isn't it? The military badge. | 0:06:55 | 0:06:58 | |
-Those are always lovely. -We're interested in military things. -Always lovely, those things. | 0:06:58 | 0:07:02 | |
So what exactly is that, Tom? | 0:07:02 | 0:07:04 | |
This is an Artillery Corps World War I sweetheart brooch. | 0:07:04 | 0:07:07 | |
Think of this poor woman who wore this brooch | 0:07:07 | 0:07:10 | |
as her chap was there in the mud, in the theatre of war. | 0:07:10 | 0:07:13 | |
You know, the grimness, the noise, the death. | 0:07:13 | 0:07:17 | |
And actually, you evoke all of that, | 0:07:17 | 0:07:19 | |
you think, actually, this has got a lot of history to it. | 0:07:19 | 0:07:21 | |
And it's actually assayed for London 1917. | 0:07:21 | 0:07:24 | |
-Yeah, OK. -Yeah. By Collett & Anderson. That's actually quite a sweet thing. | 0:07:24 | 0:07:28 | |
-I quite like that, actually. -What's the price on that, then? | 0:07:28 | 0:07:31 | |
-It's £45. What's your very best on that? -I can do 40 on it. | 0:07:31 | 0:07:35 | |
Can you do a bit more? | 0:07:35 | 0:07:37 | |
-I'd like a bit more. -You'd like a bit more? -30? -Can't do 30. | 0:07:37 | 0:07:40 | |
-I can do 38. -35? | 0:07:40 | 0:07:43 | |
-It's got to be 35. -38. | 0:07:43 | 0:07:46 | |
38, it's the death, she said 38. | 0:07:46 | 0:07:48 | |
I think we've sort of... You have to draw a line somewhere. | 0:07:48 | 0:07:52 | |
-Yeah, 38, that's... -It's a fair price. -You're too soft, Kelly. | 0:07:52 | 0:07:55 | |
I'm just trying to be fair. I think that... | 0:07:55 | 0:07:58 | |
I can see a bit of bickering going to happen today. | 0:07:58 | 0:08:00 | |
It's worth a punt at £38, and it doesn't seem... | 0:08:00 | 0:08:04 | |
-If you're happy, you're happy... -I'm happy. Yeah. Are you happy? | 0:08:04 | 0:08:08 | |
-Of course I am. -We're all happy. | 0:08:08 | 0:08:10 | |
-Are you happy? -I'm happy. -Well, that's fine. | 0:08:10 | 0:08:12 | |
-£38. -38. -Thank you very much. -Thank you very much. | 0:08:12 | 0:08:16 | |
'# I'm HAPPY, I'm HAPPY # | 0:08:16 | 0:08:20 | |
'So, it's smiles all round as the Reds make their first purchase. Well done!' | 0:08:20 | 0:08:24 | |
That's a bit funky. | 0:08:24 | 0:08:26 | |
-You'd have to have the house for it, if you know what I mean. -Yes. Absolutely. | 0:08:26 | 0:08:29 | |
You're going to have someone who's interested in boats, | 0:08:29 | 0:08:32 | |
someone who's interested in the Art Deco period. I think it's a bit funky. | 0:08:32 | 0:08:36 | |
I... You know, it's a bit rock and roll, baby. | 0:08:36 | 0:08:38 | |
-Do you think it would sell well at auction? -I do think it would sell well at auction. | 0:08:38 | 0:08:42 | |
I just like it. But I might be completely wrong. | 0:08:42 | 0:08:46 | |
It has been known before for me to be completely wrong. | 0:08:46 | 0:08:50 | |
-Yes, I've been watching the programme. -Yes, you have seen the programme. -Watch it every day. | 0:08:50 | 0:08:54 | |
Shall we see if we can do a deal or not? | 0:08:54 | 0:08:56 | |
-I think get the hat on, don't you? -I think we're going to do it. -OK. | 0:08:56 | 0:08:59 | |
-Can you help me with that, on a price? -I can do it for 65. | 0:08:59 | 0:09:04 | |
Hang on a minute. If he makes you laugh... Don't look! | 0:09:04 | 0:09:06 | |
If he makes you laugh, can you do it for 55? | 0:09:06 | 0:09:09 | |
-'Uh-oh. Here we go.' -Yep? Three, two, one. | 0:09:09 | 0:09:14 | |
MIMICS TOMMY COOPER: Excuse me. I'll tell you a joke. | 0:09:15 | 0:09:19 | |
My mate bought a greyhound yesterday. I said, "What are you going to do with it?" | 0:09:19 | 0:09:22 | |
He said, "I'm going to race it." I said, "By the look of it, you'll beat it." | 0:09:22 | 0:09:26 | |
COMEDY CYMBALS | 0:09:26 | 0:09:27 | |
-Looks like it's 65. -I can't believe it! | 0:09:27 | 0:09:30 | |
Do you know what, I was never a great Tommy Cooper fan. | 0:09:30 | 0:09:33 | |
'Oh, dear.' | 0:09:33 | 0:09:35 | |
Can we do it for 60, love? And it's a deal. | 0:09:35 | 0:09:38 | |
He's a rubbish comedian, but he's not a bad negotiator. | 0:09:38 | 0:09:41 | |
-I'll buy you a pint later. -I don't drink. Go on, then. | 0:09:41 | 0:09:46 | |
-THEY LAUGH -Sorted. All I've got to say is... | 0:09:46 | 0:09:48 | |
MIMICS TOMMY COOPER: Thank you very much. | 0:09:48 | 0:09:50 | |
'Surprisingly, this so-called comedy tactic seems to be working. | 0:09:50 | 0:09:55 | |
'The Blues have now bought their first item only ten minutes into the shop.' | 0:09:55 | 0:09:59 | |
It's going really well, and I've got to say, | 0:10:00 | 0:10:02 | |
I'm loving Gary's negotiating techniques. | 0:10:02 | 0:10:04 | |
It's absolutely ridiculous, the fact that he's getting discounts for telling rubbish jokes. | 0:10:04 | 0:10:10 | |
It's fantastic! I've never experienced anything like it before. | 0:10:10 | 0:10:13 | |
I'm going to start doing it. | 0:10:13 | 0:10:15 | |
'Mm. I hope you don't, David. I've heard some of your jokes before.' | 0:10:15 | 0:10:19 | |
I've seen something that you might not like. | 0:10:19 | 0:10:23 | |
-It's a watch chain. -OK. -But what do you think it's made out of? | 0:10:23 | 0:10:26 | |
-Wire. -No. -Rope. -No. | 0:10:28 | 0:10:31 | |
Hair. Human hair. Real human hair. | 0:10:31 | 0:10:36 | |
Just like your hair there, snipped off when you have it cut, | 0:10:36 | 0:10:39 | |
and it's been plaited into a watch chain. | 0:10:39 | 0:10:42 | |
In the 19th century, obviously, | 0:10:42 | 0:10:45 | |
-there was a lot of jewellery made out of this. -Right. | 0:10:45 | 0:10:48 | |
For mourning jewellery, but also... | 0:10:48 | 0:10:50 | |
..just for the sake of having a memory of somebody, you know, on your person. | 0:10:52 | 0:10:57 | |
It's £48. | 0:10:57 | 0:10:59 | |
As much as I really don't like it and would never think of buying it, | 0:10:59 | 0:11:03 | |
I can imagine it selling, I suppose, if it's collectable. | 0:11:03 | 0:11:08 | |
-What do you think? -It's your turn to negotiate. | 0:11:08 | 0:11:12 | |
-Oh, God. -Are you going to negotiate? -I'm not... | 0:11:12 | 0:11:16 | |
I don't think I'm going to be any good. | 0:11:16 | 0:11:19 | |
Do you want me to do this for you? Do you want me to have a chat? | 0:11:19 | 0:11:21 | |
-Yes, please, I'd love that. -Would you? -Yeah. | 0:11:21 | 0:11:23 | |
-Yeah, go for it. -I'll have a quick chin wag and then I'll come back and report. | 0:11:23 | 0:11:27 | |
I promise you I won't do anything rash. Although I'm quite tempted, David. | 0:11:27 | 0:11:32 | |
'Ah, what a gentleman.' | 0:11:32 | 0:11:35 | |
1929, it's good quality, it's all hallmarked. | 0:11:36 | 0:11:39 | |
I think it's really cute, as well. It's got, erm... Is that salt? | 0:11:39 | 0:11:44 | |
Let's have a look. That will be for pepper. | 0:11:44 | 0:11:47 | |
-Right, OK. -Because your salt is that one. | 0:11:47 | 0:11:51 | |
The little bucket with the blue liner, the spoon. | 0:11:51 | 0:11:54 | |
Yeah? So that's how you dish your salt out, and then this one is your mustard. | 0:11:54 | 0:11:58 | |
-OK. -Isn't that lovely? | 0:11:58 | 0:12:01 | |
-With this mix spoon. -Mix spoon. -Yeah. | 0:12:01 | 0:12:03 | |
Now, silver's very soft so it's prone to denting. | 0:12:03 | 0:12:06 | |
-So look out for little dings and dents. There are a few here and there. -I like that. | 0:12:06 | 0:12:11 | |
I really like that. I said we'd get something silver. | 0:12:11 | 0:12:13 | |
I like that, it's about the price, really. | 0:12:13 | 0:12:16 | |
-125? -No, you should've said 80. | 0:12:16 | 0:12:19 | |
-To give you a chance. -Give us a chance. -95. -95. -95. Well. | 0:12:19 | 0:12:23 | |
-90? -95. -I think that is a great price, genuinely, I do. | 0:12:23 | 0:12:28 | |
It's a good thing. However, I've got a bit of a challenge for you. | 0:12:28 | 0:12:31 | |
-Go on. -This is the challenge. Right? | 0:12:31 | 0:12:35 | |
-If this gentleman here can make you laugh... -Mm-hm. | 0:12:35 | 0:12:38 | |
..£85. | 0:12:38 | 0:12:40 | |
-If he doesn't make you laugh, 95. -'Oh, here we go again.' | 0:12:40 | 0:12:46 | |
-Go on, then. -OK. Are you ready for it? | 0:12:46 | 0:12:48 | |
-I'm ready for it. -Because he never fails. He's so good. | 0:12:48 | 0:12:51 | |
-Right, we'll try. -OK. Three, two, one, go, Gary! | 0:12:51 | 0:12:55 | |
MIMICS TOMMY COOPER: Thank you very much. | 0:12:55 | 0:12:57 | |
The wife rang me the other day, she said, "I've got water in the carburettor." | 0:12:57 | 0:13:00 | |
-I said, "Really? Where are you?" She said, "I'm in the river." -COMEDY CYMBALS | 0:13:00 | 0:13:04 | |
-Oh! Oh! Oh! -Nothing. -Oh! | 0:13:04 | 0:13:07 | |
I'll do it for 90, just for the effort. | 0:13:07 | 0:13:10 | |
Good man! Thank you very much. | 0:13:10 | 0:13:13 | |
'This is extraordinary. Gary's tactic is working again. | 0:13:13 | 0:13:16 | |
'Meanwhile, I wonder if Thomas is having any luck striking a deal.' | 0:13:16 | 0:13:19 | |
-So, £30. -Right. And is that... Do you think that's OK? | 0:13:19 | 0:13:22 | |
I don't think that's too bad. | 0:13:22 | 0:13:24 | |
-Really? -I don't think that's bad. -Not bad at all. | 0:13:24 | 0:13:26 | |
I mean, I know you've negotiated, but, | 0:13:26 | 0:13:28 | |
excuse me, could you do it for 29? | 0:13:28 | 0:13:31 | |
It's just that at an auction it goes up in tens, doesn't it? | 0:13:31 | 0:13:35 | |
So, if you get, you know... We're after the Golden Gavel. | 0:13:35 | 0:13:38 | |
-David! -That extra pound can make all the difference. -She said yes. | 0:13:38 | 0:13:42 | |
David, David, David, David. You need to quit while you're ahead, | 0:13:42 | 0:13:46 | |
-otherwise they start putting it up again. -OK. | 0:13:46 | 0:13:49 | |
-Thank you very much. -We'll go for that? -Yes. | 0:13:49 | 0:13:51 | |
-I think I need to zip you up sometimes. -You do. -Zip! | 0:13:51 | 0:13:55 | |
'Now, that's two items in the bag for the Reds, | 0:13:55 | 0:13:57 | |
'and they're halfway through their time. | 0:13:57 | 0:14:00 | |
'But it's not just jewellery that can pull at the heart strings. | 0:14:00 | 0:14:03 | |
'Take a look at what I found.' | 0:14:03 | 0:14:05 | |
Some of the pieces you find in these antique fairs | 0:14:05 | 0:14:09 | |
are poignant and moving. | 0:14:09 | 0:14:11 | |
Take this little group. The key sits with this dog tag, | 0:14:11 | 0:14:16 | |
so called because for members of the armed services | 0:14:16 | 0:14:21 | |
who were issued with two like this | 0:14:21 | 0:14:23 | |
in the First World War, | 0:14:23 | 0:14:25 | |
they were attached to you by a cord | 0:14:25 | 0:14:28 | |
and the troops regarded them, rather like a dog would wear a tag, | 0:14:28 | 0:14:32 | |
as dog tags, and they have become known as dog tags. | 0:14:32 | 0:14:37 | |
This one is particularly nice. | 0:14:37 | 0:14:39 | |
It's a piece of stamped card and you can see the recipient's name, | 0:14:39 | 0:14:44 | |
Ball, at the top, | 0:14:44 | 0:14:47 | |
and then underneath that, the long military number. | 0:14:47 | 0:14:49 | |
And the dealer who's selling this | 0:14:49 | 0:14:54 | |
cleared a house and found, in the same drawer as the dog tag, | 0:14:54 | 0:14:58 | |
these three spent bullet ends | 0:14:58 | 0:15:01 | |
and a lead crucifix. | 0:15:01 | 0:15:03 | |
And that would give him protection, perhaps, from a German bullet. | 0:15:03 | 0:15:07 | |
Now, this is not my subject, | 0:15:07 | 0:15:10 | |
so I've consulted a specialist dealer here at the fair | 0:15:10 | 0:15:13 | |
and he tells me that this little group | 0:15:13 | 0:15:15 | |
is worth about £30. | 0:15:15 | 0:15:18 | |
All that history. Sad, isn't it? | 0:15:18 | 0:15:21 | |
But very interesting. | 0:15:21 | 0:15:24 | |
'Back to the shopping. It's two-all, and the Blues are talking tactics.' | 0:15:25 | 0:15:30 | |
I'm just thinking probably something that appeals to animal lovers, | 0:15:30 | 0:15:33 | |
maybe something that's... | 0:15:33 | 0:15:36 | |
Well, this is an interesting tactic. Where has this come from? | 0:15:36 | 0:15:39 | |
They're collectable and people love their pets and stuff like that. | 0:15:39 | 0:15:42 | |
So anything that's sort of appealing on the animal side of it. | 0:15:42 | 0:15:45 | |
-What about owls? Owls is good. -Owls? -I like owls. That always sells well. | 0:15:45 | 0:15:49 | |
'From comic turns to owls, eh? What a hoot. | 0:15:50 | 0:15:53 | |
'But whilst the Blues start to look for animals, the Reds have homed in on a silver dish.' | 0:15:53 | 0:15:59 | |
-What are you looking at now? -Either one or t'other, really. | 0:15:59 | 0:16:02 | |
-It's pretty. -Yeah. -It would appeal to people. | 0:16:02 | 0:16:06 | |
It's functional, I suppose, isn't it? It could be on somebody's table. | 0:16:06 | 0:16:10 | |
-I like it. -Yeah. | 0:16:10 | 0:16:14 | |
But I'm not taken with it. | 0:16:14 | 0:16:16 | |
-Shall we carry on? -Let's go and have a look, yeah. | 0:16:16 | 0:16:20 | |
'Let's hope it doesn't get sold, then. Now, what have the Blues found?' | 0:16:20 | 0:16:24 | |
It's a Chinese boy, it's a Chinese peasant riding a water buffalo. | 0:16:24 | 0:16:28 | |
-So it's made out of boxwood, probably. -Right. | 0:16:28 | 0:16:30 | |
But, look, you've got silver inlay there. | 0:16:30 | 0:16:33 | |
-Can you see these little silver inlays? -Yeah. Yeah. | 0:16:33 | 0:16:36 | |
And look at his gorgeous face. He's got a real, kind of, twisted face. | 0:16:36 | 0:16:40 | |
-I just think it's nice. -Do you think it's worth 15 quid? | 0:16:40 | 0:16:44 | |
-Maybe might knock a few quid off with a gag. -With a gag? | 0:16:44 | 0:16:47 | |
What shall we offer him? | 0:16:47 | 0:16:49 | |
If you can make me laugh, we'll do the ten. And if you don't, I want the 20. | 0:16:49 | 0:16:55 | |
'Here's a setup, if ever there was one.' | 0:16:55 | 0:16:58 | |
I'm up for that challenge. Are you up for it? | 0:16:58 | 0:17:00 | |
Will you try and be a bit better this time? | 0:17:00 | 0:17:03 | |
-I'll do my best. -Oh, right. OK. Are you ready? | 0:17:03 | 0:17:05 | |
He's going to come round. Zoe. | 0:17:05 | 0:17:08 | |
Be warned. You've been warned. | 0:17:08 | 0:17:11 | |
MIMICS TOMMY COOPER: I went to the pet shop yesterday, | 0:17:11 | 0:17:13 | |
I walked in like that, well, it might have been like that, I think it was like that, | 0:17:13 | 0:17:16 | |
and I said, "I want to buy a wasp." He said, "We don't do wasps." | 0:17:16 | 0:17:20 | |
-I said, "Well, you've got two in the window." -COMEDY CYMBALS | 0:17:20 | 0:17:22 | |
-Are you struggling inside? -'If you're not, we are.' | 0:17:22 | 0:17:27 | |
-I struggle with the word comedian. -Right. | 0:17:27 | 0:17:29 | |
OK. Er, Gary, I think you do have some issues, my friend. | 0:17:29 | 0:17:33 | |
-Yeah. -Yeah, I think... -And the biggest issue is that's just cost you 20 quid. Shake his hand. | 0:17:33 | 0:17:39 | |
'Thank heavens we don't have to hear any more corny comedy. | 0:17:39 | 0:17:42 | |
'As the axe falls on Gary's final gag, that's the Blues done | 0:17:42 | 0:17:46 | |
'with all three purchases made. | 0:17:46 | 0:17:48 | |
'However, with ten minutes to go, the Reds need to find their final item.' | 0:17:50 | 0:17:54 | |
We've got a couple of unusual items, but mainly jewellery, | 0:17:54 | 0:17:58 | |
so let's just try and find something slightly different. | 0:17:58 | 0:18:01 | |
'What's this, then? Another love-related item?' | 0:18:03 | 0:18:07 | |
Well, it's a little box for your dressing table to put your rings in or something. | 0:18:07 | 0:18:12 | |
It's Victorian, Chester, | 0:18:12 | 0:18:15 | |
and it's sort of a similar price as to... | 0:18:15 | 0:18:18 | |
-..as to the bowl. -Right. -OK. | 0:18:19 | 0:18:21 | |
That's better quality silver. | 0:18:21 | 0:18:24 | |
-It is English silver. -English silver, yeah. | 0:18:24 | 0:18:26 | |
-Absolutely English silver. -Ooh, I like that better. | 0:18:26 | 0:18:30 | |
-What, this? -Mm-hm. -What's the very best on the box? | 0:18:30 | 0:18:33 | |
Very best, 110. | 0:18:33 | 0:18:35 | |
Personally, I prefer that. I think it's more useful and more... | 0:18:35 | 0:18:40 | |
..commercially attractive. | 0:18:40 | 0:18:43 | |
-It will appeal to females in the audience. -Right. 105? | 0:18:43 | 0:18:48 | |
105 would be the absolute minimum. I couldn't budge below that. | 0:18:48 | 0:18:52 | |
-You're happy with that? -Yeah. -I think so. -Are you sure? | 0:18:52 | 0:18:54 | |
-Let's do it. -No, but let's do it. -No, let's do it. | 0:18:54 | 0:18:56 | |
-Yes. -Deal. | 0:18:56 | 0:18:58 | |
'Feeling the lurve, the Reds have now also found all three of their items.' | 0:18:58 | 0:19:04 | |
Right! That's it. Shopping time's over. | 0:19:04 | 0:19:07 | |
Let's remind ourselves what the Reds bought, eh? | 0:19:07 | 0:19:10 | |
'All three purchases follow a theme of love and romance. | 0:19:10 | 0:19:13 | |
'First up, for the sum of £38, | 0:19:13 | 0:19:16 | |
'they're pinning their hopes on a silver and tortoiseshell brooch. | 0:19:16 | 0:19:19 | |
'A former love token, this rolled gold and plaited hair watch chain | 0:19:20 | 0:19:24 | |
'was purchased for a trim £29. | 0:19:24 | 0:19:27 | |
'And finally, they paid £105 | 0:19:29 | 0:19:31 | |
'for a Victorian silver heart-shaped box. | 0:19:31 | 0:19:34 | |
'Ahh. How sweet.' | 0:19:34 | 0:19:37 | |
Hello, hello. What's all this to do with love, then? What's going on? | 0:19:38 | 0:19:42 | |
Pure coincidence, Tim. What we've bought is pure coincidence. | 0:19:42 | 0:19:45 | |
I think David is revealing his true, female, sympathetic ways. | 0:19:45 | 0:19:51 | |
-Is he known for this, Kelly? -He's not known for it, no. -No. All right. OK. | 0:19:51 | 0:19:55 | |
It's going to be embarrassing down in the pub, isn't it? Just a tad. | 0:19:55 | 0:19:58 | |
Now, without dwelling on that, how much did you spend? | 0:19:58 | 0:20:01 | |
-172. -172. Then I would like £128, please. Who's got that? | 0:20:01 | 0:20:07 | |
-I've got it. -Thank you very much, Kelly. Thank you. 128. | 0:20:07 | 0:20:10 | |
Which is your favourite piece, Dave? | 0:20:10 | 0:20:12 | |
I like the hair bracelet pocket watch. I thought that was quite nice. | 0:20:12 | 0:20:18 | |
-Yeah. -Unusual. -Do you agree with that, Kel? | 0:20:18 | 0:20:20 | |
That's not my favourite piece, no. | 0:20:20 | 0:20:22 | |
I liked the first one we bought, the sweetheart brooch. | 0:20:22 | 0:20:25 | |
-All right. -That's my favourite. -Lovely. | 0:20:25 | 0:20:27 | |
And is that going to bring the biggest profit? | 0:20:27 | 0:20:29 | |
Do you know, I think it might do. | 0:20:29 | 0:20:32 | |
We got quite a good price on it, didn't we? | 0:20:32 | 0:20:34 | |
And I think it's collectable, people will like it. | 0:20:34 | 0:20:36 | |
-You agree with that, Dave? -No. I think it will be the hair thing, again. | 0:20:36 | 0:20:40 | |
You're going to stick with that. All right. Fine. | 0:20:40 | 0:20:42 | |
OK, Tom, are you going to find something lurverly with that? | 0:20:42 | 0:20:45 | |
-Yes, I am. I see what you've done there! -Anyway, have a nice cup of tea, you lot. | 0:20:45 | 0:20:49 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:20:49 | 0:20:52 | |
'The Blues set sail with their first purchase, | 0:20:52 | 0:20:55 | |
'a French Art Deco brass yacht, | 0:20:55 | 0:20:57 | |
'picked up for £60. | 0:20:57 | 0:20:59 | |
'They forked out £90 for their cruet set. | 0:20:59 | 0:21:03 | |
'And finally, they whittled £20 out of their budget | 0:21:04 | 0:21:08 | |
'for a Chinese boxwood carving.' | 0:21:08 | 0:21:10 | |
-They've got no sense of humour. -No sense of humour. | 0:21:12 | 0:21:15 | |
No sense of humour? What, the folk in Derby? | 0:21:15 | 0:21:18 | |
-The stallholders. -Oh, the stallholders. OK. Fine. | 0:21:18 | 0:21:20 | |
I tried it on them all, it didn't happen. | 0:21:20 | 0:21:22 | |
No. How did you get on with your shopping, though? | 0:21:22 | 0:21:25 | |
-Which is your favourite piece? -The shopping was fantastic. | 0:21:25 | 0:21:28 | |
-Zoe picked... -The silver cruet set. | 0:21:28 | 0:21:30 | |
-That's your favourite? -Fell in love with it. | 0:21:30 | 0:21:32 | |
-Is that your favourite, too? -Yeah. -That's good, Zo-Zo. | 0:21:32 | 0:21:35 | |
-And is that going to bring the biggest profit? -I think so, yes. -You do? -Definitely. | 0:21:35 | 0:21:39 | |
-All right. Fine. You agree with that, Dad? -I actually do, yeah. | 0:21:39 | 0:21:41 | |
Lovely. We've got total agreement. Super. | 0:21:41 | 0:21:44 | |
-And what did you spend? -£170. | 0:21:44 | 0:21:46 | |
-£170. -Yes. | 0:21:46 | 0:21:49 | |
-MIMICS TOMMY COOPER: How much? Ha, ha! -THEY LAUGH | 0:21:49 | 0:21:52 | |
Oh, OK. So, 170, £130 of leftover lolly then, please. | 0:21:52 | 0:21:56 | |
-Yes. There you go, Tim. -Thank you very much. | 0:21:56 | 0:21:58 | |
£130. David Harper, what are you going to spend it on? | 0:21:58 | 0:22:01 | |
I think I'm going to have the hat and I'm going to try the comedy role and see if I can do a better job. | 0:22:01 | 0:22:05 | |
Hey! That doesn't half suit, does it? Meanwhile, we're heading off to the glorious city of Bath, | 0:22:05 | 0:22:12 | |
where we're going to the Holburne Museum, which is very special. | 0:22:12 | 0:22:16 | |
'World-renowned for its graceful Georgian buildings, | 0:22:20 | 0:22:23 | |
'the Holburne Museum is one of the greatest jewels in Bath's architectural crown. | 0:22:23 | 0:22:29 | |
'Built in the late 18th century, | 0:22:29 | 0:22:32 | |
'this charming edifice provides a fitting home for the treasures held within. | 0:22:32 | 0:22:36 | |
'The museum was endowed with the immense private collection of Sir William Holburne, | 0:22:36 | 0:22:41 | |
'who collected everything from paintings to silver, | 0:22:41 | 0:22:44 | |
'and from miniatures to Majolica.' | 0:22:44 | 0:22:46 | |
Now, we all like to think that we've got great taste | 0:22:47 | 0:22:51 | |
and we keep up to date with fashion and change everything in our houses | 0:22:51 | 0:22:56 | |
so that it reflects that current fashion. | 0:22:56 | 0:22:59 | |
Well, here in The Holburne, there are objects that illustrate | 0:22:59 | 0:23:03 | |
that the idea of keeping up with fashion is not new. | 0:23:03 | 0:23:08 | |
This enormous portrait by Thomas Gainsborough | 0:23:08 | 0:23:11 | |
was painted between 1762 and 1766. | 0:23:11 | 0:23:15 | |
That's a long period of time to be painting a single portrait, isn't it? | 0:23:15 | 0:23:21 | |
Well, the subjects, Mr and Mrs Byam, | 0:23:21 | 0:23:25 | |
resided in the West Indies | 0:23:25 | 0:23:27 | |
and it's thought in 1762 that painting would've started | 0:23:27 | 0:23:31 | |
when they were a young, married couple. | 0:23:31 | 0:23:33 | |
And when they did return, they returned with a little daughter, Selina. | 0:23:33 | 0:23:39 | |
So Thomas Gainsborough altered it | 0:23:39 | 0:23:42 | |
to reflect the addition of their child | 0:23:42 | 0:23:45 | |
and also a change in style and fashion. | 0:23:45 | 0:23:49 | |
Because Mrs Byam's dress originally was painted pink. | 0:23:49 | 0:23:54 | |
And on her return from the West Indies, she wanted it updated. | 0:23:54 | 0:23:58 | |
She wanted it to be the very latest fashion. So Gainsborough changed it. | 0:23:58 | 0:24:03 | |
The colour changed from pink to pale blue, | 0:24:03 | 0:24:06 | |
and if you look very carefully, particularly in the train of the dress, | 0:24:06 | 0:24:10 | |
you can see areas of pink showing through the blue paint. | 0:24:10 | 0:24:15 | |
Smart, isn't it? | 0:24:15 | 0:24:18 | |
But there are lots of other objects in the museum | 0:24:18 | 0:24:20 | |
that illustrate these changes in style. | 0:24:20 | 0:24:23 | |
As the 18th century progressed, | 0:24:24 | 0:24:27 | |
so the middle classes grew | 0:24:27 | 0:24:30 | |
and had an appetite for tasteful objects. | 0:24:30 | 0:24:34 | |
And if they weren't commissioning fine portraits, they might go with the decorative arts. | 0:24:34 | 0:24:39 | |
They might have gone to the Derby factory | 0:24:39 | 0:24:42 | |
and chosen this figurine of Shakespeare. | 0:24:42 | 0:24:46 | |
The base is uber-fashionable for the 1760s | 0:24:46 | 0:24:50 | |
with this Rococo swirl. | 0:24:50 | 0:24:53 | |
If we move to the next figure, | 0:24:53 | 0:24:55 | |
if you look carefully, it is nearly identical, | 0:24:55 | 0:24:58 | |
except that the material isn't glazed and coloured. | 0:24:58 | 0:25:02 | |
It comes from the same factory, | 0:25:02 | 0:25:05 | |
but by 1800, tastes had changed. | 0:25:05 | 0:25:08 | |
This is biscuit porcelain | 0:25:08 | 0:25:10 | |
and the factory at Derby simply upgraded the figure | 0:25:10 | 0:25:15 | |
to reflect that change in taste | 0:25:15 | 0:25:17 | |
and have given it a neo-classical, simpler base. | 0:25:17 | 0:25:21 | |
The Holburne's collection of objects is so rich, | 0:25:21 | 0:25:24 | |
we're able to trace the development in style | 0:25:24 | 0:25:27 | |
for a particular type of object through a century. | 0:25:27 | 0:25:30 | |
This caster is known as a lighthouse caster | 0:25:32 | 0:25:35 | |
and would've shaken sugar over your soft fruit. | 0:25:35 | 0:25:39 | |
It was made around 1690. | 0:25:39 | 0:25:42 | |
The elaborate fellow in the middle dates from the 1750s | 0:25:42 | 0:25:47 | |
and is a first-rate example of a Rococo piece of silver. | 0:25:47 | 0:25:51 | |
But only 20 years later, the style has completely changed again, | 0:25:51 | 0:25:56 | |
because this silver sugar box and cover | 0:25:56 | 0:26:00 | |
was made in 1774 in the neo-classical style. | 0:26:00 | 0:26:04 | |
It jettisons all this superfluous, fancy, Rococo decoration | 0:26:04 | 0:26:09 | |
and returns to something that is completely pure | 0:26:09 | 0:26:13 | |
and sublime and neo-classical. | 0:26:13 | 0:26:15 | |
The big question today is, of course, | 0:26:15 | 0:26:17 | |
will our teams' taste in objects | 0:26:17 | 0:26:20 | |
turn up with a sublime profit or two? | 0:26:20 | 0:26:24 | |
Now, Charles, give us a geography lesson. | 0:26:35 | 0:26:38 | |
-Yes. -We're in Etwall. Where's Etwall? -Heart of England. | 0:26:38 | 0:26:41 | |
-How far from Derby? -About four miles. | 0:26:41 | 0:26:43 | |
-I can't tell you how happy I am to be here. -Thank you, very kind. | 0:26:43 | 0:26:47 | |
Super-duper. David and Kelly are equally excited. They want to know today how they're going to get on. | 0:26:47 | 0:26:51 | |
So, how do you rate the Royal Artillery tortoiseshell and brass brooch? | 0:26:51 | 0:26:56 | |
Tim, I'm often surprised at how well these smaller brooches can do. | 0:26:56 | 0:27:00 | |
I think, importantly, it's hallmarked for 1917. | 0:27:00 | 0:27:03 | |
And it takes you back to some memories | 0:27:03 | 0:27:08 | |
and what our fellow men died for. | 0:27:08 | 0:27:11 | |
It's a lovely brooch which I'm sure a collector would happily pay between £30 and £40 for. | 0:27:11 | 0:27:17 | |
-They bought it for £38. They rated it and I think they're right. -Good. | 0:27:17 | 0:27:22 | |
Similarly sentimental, in a way, is this guard chain for a pocket watch. | 0:27:22 | 0:27:27 | |
I mean, this girl, for certain, had lovely chestnut hair. | 0:27:27 | 0:27:32 | |
-Auburn hair, yes. -That's a lovely colour. | 0:27:32 | 0:27:35 | |
It has that great insight into history | 0:27:35 | 0:27:37 | |
and it's real history because it's someone's hair. | 0:27:37 | 0:27:41 | |
And I would guide it to fetch between £30 and £40. | 0:27:41 | 0:27:44 | |
-Fair enough. They paid 29. So we're doing rather well so far. -Yes. | 0:27:44 | 0:27:47 | |
Continuing the trio of romance, | 0:27:47 | 0:27:50 | |
we finish up with a heart-shaped, embossed, solid-silver box, | 0:27:50 | 0:27:55 | |
which is pretty fun, isn't it? | 0:27:55 | 0:27:57 | |
Ah, Tim, love is all around on this wonderful red table. | 0:27:57 | 0:28:01 | |
This box is beautifully embossed. | 0:28:01 | 0:28:04 | |
It's in that Rococo, light, airy form. | 0:28:04 | 0:28:07 | |
I would guide it, Tim, to fetch between £60 and £100. | 0:28:07 | 0:28:09 | |
A wide guide because on a good day, it could just make £90 or £100. | 0:28:09 | 0:28:15 | |
-OK. They paid £105. -OK. -Which is a bit on the top end. | 0:28:15 | 0:28:18 | |
And all being well, they won't need their bonus buy, but let's go and have a look at it anyway. | 0:28:18 | 0:28:23 | |
Now, Kelly, David, you spent £172. | 0:28:23 | 0:28:28 | |
You gave the boy £128. Thomas, what did you spend it on? | 0:28:28 | 0:28:31 | |
-Well, I followed our theme, if you remember. -I do. | 0:28:31 | 0:28:35 | |
-Something lovely. -Oh! -Here, Kelly. | 0:28:35 | 0:28:39 | |
One for you. Begrudgingly, I give the small one to you. | 0:28:39 | 0:28:44 | |
-Yes, I thought you might. -And I'm holding here three silver roses. | 0:28:44 | 0:28:49 | |
-They're for a display to have on your table or something, but they are fabulous. -They are lovely. | 0:28:49 | 0:28:54 | |
-I really like them. -How old are these, then? | 0:28:54 | 0:28:56 | |
I wouldn't say they're that old. I'd say they're probably 60, maybe even 40 years old. Not that old. | 0:28:56 | 0:29:02 | |
-Go on, then, how much? -£80 was paid. | 0:29:02 | 0:29:05 | |
-OK. -For three silver roses. | 0:29:05 | 0:29:08 | |
-They are the flower which almost keeps on giving. -I think they're lovely. | 0:29:08 | 0:29:12 | |
I think love springs eternal, Thomas. Anyway, on that happy note, | 0:29:12 | 0:29:15 | |
you pick later, team, if you want to, but right now, for the audience at home, | 0:29:15 | 0:29:19 | |
let's find out what the auctioneer thinks about Thomas's bunch. | 0:29:19 | 0:29:22 | |
Now, Charles, I don't want you to get the wrong idea here. | 0:29:23 | 0:29:26 | |
I know it's not Valentine's night or anything like that, | 0:29:26 | 0:29:29 | |
but can you believe it, the old Planter has been out and found | 0:29:29 | 0:29:34 | |
-something that epitomises love. -I think they're wonderful things | 0:29:34 | 0:29:38 | |
and I'm hoping there'll be a lot of love in the saleroom. | 0:29:38 | 0:29:40 | |
Do you think they're worth £50 each? Are they worth £150? | 0:29:40 | 0:29:43 | |
Do you know, I think they're probably going to fetch, on a really good day, up to £100. | 0:29:43 | 0:29:47 | |
-I'm being quite cautious and a bit mean. -What's your estimate? | 0:29:47 | 0:29:50 | |
-Between £40 and £60. -Well, I don't blame you, cos you just want to get these lovers lined up. | 0:29:50 | 0:29:54 | |
Tim, if they all come in together, it could be a match made in heaven. | 0:29:54 | 0:29:58 | |
Well, the Planter paid £80. As you say, it's a bit of a risk, | 0:29:58 | 0:30:02 | |
-but great fun. -They are great fun. | 0:30:02 | 0:30:04 | |
-And a nice theme for their team. -Yes. | 0:30:04 | 0:30:08 | |
We don't have much of a team theme going on with the Blues, though. | 0:30:08 | 0:30:11 | |
-There's a mixture here. -No. | 0:30:11 | 0:30:13 | |
-First up, we've got the so-called Art Deco yacht. -Yes. | 0:30:13 | 0:30:17 | |
-Has that got any age? -It looks to me to be 1950s. | 0:30:17 | 0:30:20 | |
-But it could be a lot later. -50s copying the 30s. | 0:30:20 | 0:30:23 | |
-Correct. -Right. -It's quite crude, I think. | 0:30:23 | 0:30:26 | |
But it's decorative, Tim, and I think the word decorative is how I'll describe this. | 0:30:26 | 0:30:30 | |
So what sort of pitch of money will you give it? | 0:30:30 | 0:30:32 | |
My guide price would be probably around £40 to £50. | 0:30:32 | 0:30:36 | |
-That's quite serious choppy water here. -Yes. -Yes. | 0:30:36 | 0:30:40 | |
-£60 paid. So a bit of a gap there. -Yes. | 0:30:40 | 0:30:42 | |
Next is the cruet set. Now, these are perennially sellers, aren't they? | 0:30:42 | 0:30:47 | |
Yes, they are. It's complete, as well. | 0:30:47 | 0:30:49 | |
I love the covered mustard. It's a good set. | 0:30:49 | 0:30:52 | |
Birmingham 1929. | 0:30:52 | 0:30:54 | |
And you could buy this at auction today for anything between £60 and £100. | 0:30:54 | 0:31:00 | |
-Perfect. -In my opinion. -Very good. Zoe paid £90. -OK, Tim. | 0:31:00 | 0:31:05 | |
Last of all, we've got this little bullock. Well, it's more of a water buffalo, I suspect. | 0:31:05 | 0:31:12 | |
Anyway, there it is. It's in carved hardwood | 0:31:12 | 0:31:15 | |
and with these rather nice silver bits of wire. | 0:31:15 | 0:31:19 | |
I quite like this, Tim. I don't know why. | 0:31:19 | 0:31:22 | |
But it feels quite tactile and you feel it and it has a presence of real age. | 0:31:22 | 0:31:27 | |
And I suspected at first it was a typical 1920s example, | 0:31:27 | 0:31:31 | |
-but when you look closely... -Come out of Hong Kong. -Absolutely. | 0:31:31 | 0:31:34 | |
But you look closely at the extremities, you can see there's been some real wear and tear. | 0:31:34 | 0:31:38 | |
-Yes. -Knocks and bruises and all of that. | 0:31:38 | 0:31:41 | |
-Been around, hasn't it? -It has been around, maybe, possibly 150 years. -Yeah. | 0:31:41 | 0:31:46 | |
-So what's your modest estimate? -I'm being very cautious, Tim. -Yes. | 0:31:46 | 0:31:50 | |
I've put a guide price of between £20 and £30. | 0:31:50 | 0:31:53 | |
-Well, that's very good, isn't it? -Yes. | 0:31:53 | 0:31:55 | |
Cos the old Harper paid £20 for it. | 0:31:55 | 0:31:58 | |
-That was his pick. And I think he's done well. -I do, Tim. | 0:31:58 | 0:32:01 | |
Overall, they probably won't need their bonus buy, but let's go and have a look at it. | 0:32:01 | 0:32:05 | |
So, Zoe, where's Gary? | 0:32:05 | 0:32:07 | |
Unfortunately, he couldn't be here today. | 0:32:07 | 0:32:09 | |
There's been a family bereavement, so he had to represent the family. | 0:32:09 | 0:32:13 | |
Oh, well, thank you for turning up. I'm sorry if you've had some bad news. | 0:32:13 | 0:32:18 | |
Anyway, David Harper is looking expectant | 0:32:18 | 0:32:20 | |
because he's spent maybe £130 on your bonus buy. Maybe not. | 0:32:20 | 0:32:26 | |
-And they're underneath that little cloth. -Yes. And a pair! | 0:32:26 | 0:32:29 | |
-One for each, as well. -OK. -I reveal... -Wow! | 0:32:29 | 0:32:33 | |
-So, we have... Do you want to take one of them? -Yep. -Very heavy. -Yep. | 0:32:33 | 0:32:38 | |
-A pair of really heavy, cast-iron, Rococo-style... -I really like those. | 0:32:38 | 0:32:43 | |
-Aren't they good picture frames? -Beautiful, yeah. | 0:32:43 | 0:32:45 | |
-Yeah, really nice. -And look at the old pictures in there. | 0:32:45 | 0:32:48 | |
We don't know who these people are, but that is a snapshot of somebody's life. | 0:32:48 | 0:32:53 | |
-Isn't that lovely? -Aren't they gorgeous? | 0:32:53 | 0:32:55 | |
They were very important to the people at that time. And I paid £70 for the two. | 0:32:55 | 0:33:00 | |
-Brilliant. -And I think that's great. -Yeah. -I really do. | 0:33:00 | 0:33:03 | |
-Good choice. -Because they're just good. | 0:33:03 | 0:33:05 | |
Your moment to decide will be after the sale of your first three items, but right now, | 0:33:05 | 0:33:10 | |
for the viewers at home, let's find out what the auctioneer thinks about Dave's frames. | 0:33:10 | 0:33:14 | |
Here we go, Charles. Cast-iron. Lowest of the low quality | 0:33:14 | 0:33:20 | |
-when it comes to metalwork of this type. -Yes. -But popular in the Victorian period, weren't they? | 0:33:20 | 0:33:25 | |
Tim, they are, and I today tend to call them dust-gatherers. | 0:33:25 | 0:33:28 | |
-They're not, in my opinion, in current taste. -No. | 0:33:28 | 0:33:32 | |
-I would place a guide price on these of between £30 and £50. -OK, fine. | 0:33:32 | 0:33:38 | |
-£70 Harper paid. And he's very canny. -Very shrewd. -Yeah. | 0:33:38 | 0:33:44 | |
-Could be that he'll be right and we'll get a decent profit out of them and we'll all look silly. -Yes. | 0:33:44 | 0:33:49 | |
OK, fine. I'm prepared to look silly. | 0:33:49 | 0:33:51 | |
-What about you? -I'm prepared, too. -Sometimes one looks silly every day. | 0:33:51 | 0:33:55 | |
-Thanks. -No, not you. Me. Thanks, Charles. | 0:33:55 | 0:33:59 | |
200, 220. 250. | 0:33:59 | 0:34:03 | |
-250. 280. Sold. -GAVEL BANGS | 0:34:03 | 0:34:07 | |
-David, Kelly, how you feeling? -Very confident. -Are you? | 0:34:07 | 0:34:10 | |
I'm just looking forward to seeing what happens. | 0:34:10 | 0:34:13 | |
-It's scary, isn't it, the prospect? -Yes, it is. | 0:34:13 | 0:34:15 | |
And exciting, everything. Fantastic. | 0:34:15 | 0:34:18 | |
First item up is the Royal Artillery First World War brooch, and here it comes. | 0:34:18 | 0:34:23 | |
Number 242 is a very fine World War I silver and tortoiseshell | 0:34:23 | 0:34:27 | |
Royal Artillery brooch from the year 1917. | 0:34:27 | 0:34:30 | |
I'm bid £15. 18. 20. And 2. 5. 8. | 0:34:30 | 0:34:34 | |
-I'm out. I'm looking for £30. -Come on. | 0:34:34 | 0:34:38 | |
30. 2. 5. 38. | 0:34:38 | 0:34:41 | |
-Yes. -Go on. | 0:34:41 | 0:34:43 | |
One more, sir. | 0:34:43 | 0:34:45 | |
-No, he says. £35 now. -Oh, come on. -I'll take 8. Fair warning. | 0:34:45 | 0:34:50 | |
-8 do I see? All done. -GAVEL BANGS | 0:34:50 | 0:34:52 | |
Well, it's a good price. £35 is fair enough. | 0:34:52 | 0:34:55 | |
You're minus £3. OK? Bad luck on that. | 0:34:55 | 0:34:58 | |
Now, the watch chain. Here it comes. | 0:34:58 | 0:35:01 | |
Plaited rope watch chain. | 0:35:01 | 0:35:04 | |
And the chain is made from human hair. | 0:35:04 | 0:35:07 | |
There we are. I'm bid 20. I'll take 2 for it now. | 0:35:07 | 0:35:11 | |
20, I'll take 2. Victorian hair. | 0:35:11 | 0:35:14 | |
20, I'll take 2. Come on! Let's see one more. | 0:35:14 | 0:35:19 | |
2, I'll take 5 now. Come on. | 0:35:19 | 0:35:21 | |
-At £22. -It's like pulling teeth, this. -I know. -5 I'll take. | 0:35:21 | 0:35:25 | |
At 22. 5 I'll take now. Come on! It's got to go. | 0:35:25 | 0:35:28 | |
-At £22. -GAVEL BANGS | 0:35:28 | 0:35:32 | |
Pre-Raphaelite or not, it's not a lot of money, that. | 0:35:32 | 0:35:35 | |
Anyway, it's minus £7, which means overall you're minus 10. | 0:35:35 | 0:35:38 | |
Now, is this thing going to win it all back for you? | 0:35:38 | 0:35:40 | |
-I can't see it happening. -It might happen, Kelly. It just might. | 0:35:40 | 0:35:44 | |
On a love theme, a wonderful Victorian | 0:35:44 | 0:35:47 | |
heart-shaped box and cover. There we are. Chester, 1897. | 0:35:47 | 0:35:51 | |
Look at it and believe it. I'm only bid £45 here. | 0:35:51 | 0:35:55 | |
50 I'll take now. 55. | 0:35:55 | 0:35:57 | |
60. 5. 70. I'm out. | 0:35:57 | 0:36:00 | |
70, a heart-shaped trinket box. | 0:36:00 | 0:36:02 | |
70, I'll take 5. One more. Fair warning, all done. | 0:36:02 | 0:36:06 | |
5. 5. 80. | 0:36:06 | 0:36:09 | |
5. One for the road, sir. You've come so far. | 0:36:09 | 0:36:12 | |
-No money. -You may as well. -£80 standing. | 0:36:12 | 0:36:16 | |
-And selling. Well done, sir. -GAVEL BANGS | 0:36:16 | 0:36:19 | |
£80 is minus £25. | 0:36:19 | 0:36:21 | |
Plus 10 is minus £35. It's nothing, really. | 0:36:21 | 0:36:24 | |
Minus £35. Will the roses win it back for you? | 0:36:24 | 0:36:28 | |
-I think definitely. -We've got to go for it. -You've got to go with them. | 0:36:28 | 0:36:31 | |
I mean, you have kept plugging on here with your romantic theme. | 0:36:31 | 0:36:35 | |
-That's true. -Yes. I don't know why there was a romantic theme. | 0:36:35 | 0:36:38 | |
-So the bonus buy is a no-brainer? We're going with the roses? -Definitely. | 0:36:38 | 0:36:41 | |
-We're not even phoning a friend? -No, don't need to. | 0:36:41 | 0:36:44 | |
-We don't need to phone a friend. -Haven't got any. -Haven't got any friends! | 0:36:44 | 0:36:47 | |
Not after this lot, you haven't. No, that's it, then? | 0:36:47 | 0:36:50 | |
-We're going with the bonus buy? -Yes. -I think you're absolutely wise to do that and here he comes. | 0:36:50 | 0:36:54 | |
Oh, look at these. These are a wonderful set of three silver roses, | 0:36:54 | 0:36:59 | |
stamped 800, solid Italian silver. 30's my opening. I'll take 2 now. | 0:36:59 | 0:37:04 | |
30, I'll take 2. Do I see 2? | 0:37:04 | 0:37:06 | |
-Come on! -THEY LAUGH | 0:37:06 | 0:37:08 | |
They are beautiful Italian with love roses. | 0:37:08 | 0:37:12 | |
At £32 now, I'll take 5. | 0:37:12 | 0:37:15 | |
Are we sure? I'll take one more. Fair warning, all done. 5 I'll take. | 0:37:15 | 0:37:19 | |
-All right, at £32, they're going. -GAVEL BANGS | 0:37:19 | 0:37:23 | |
A loss on the roses, I'm afraid, at £48. Overall, you're minus 83. | 0:37:23 | 0:37:27 | |
Now, let's be positive about this, | 0:37:27 | 0:37:29 | |
-because what's not going so well for you probably isn't going so well for anybody else. -OK. -All right? | 0:37:29 | 0:37:34 | |
-So minus 83 could be a winning score. -OK. | 0:37:34 | 0:37:37 | |
No shame in that. Don't say a word to the Blues | 0:37:37 | 0:37:39 | |
and everything will be revealed in a moment. | 0:37:39 | 0:37:42 | |
Now, Zo-Zo, have you had a word with the father, then? | 0:37:47 | 0:37:51 | |
-I've had a word with the father, yes. -And got his instructions about the bonus buy? | 0:37:51 | 0:37:55 | |
-He likes the bonus buy. -Oh. -Is that him underneath there? | 0:37:55 | 0:37:57 | |
-He's there in spirit. -In absentia. Anyway, no, it's bad luck, actually. | 0:37:57 | 0:38:04 | |
But, anyway, nice to have the fez as a reminder. | 0:38:04 | 0:38:06 | |
Your first item up is that boat and here it comes. Very good luck. | 0:38:06 | 0:38:11 | |
264 is a stylish French Art Deco brass yacht. | 0:38:11 | 0:38:14 | |
I'm only bid 15. 18. 20. | 0:38:14 | 0:38:17 | |
I'll take 2 for it now. | 0:38:17 | 0:38:20 | |
Art Deco in style. All the hands. | 0:38:20 | 0:38:22 | |
2. 5. 8. 30. 2. | 0:38:22 | 0:38:24 | |
5. 8. 40. | 0:38:24 | 0:38:26 | |
5. 50. | 0:38:26 | 0:38:28 | |
-One more. -Come on, come on. -It could be yours. 50 I'll take. | 0:38:28 | 0:38:32 | |
One for the road. | 0:38:32 | 0:38:35 | |
-£50! -Yes! | 0:38:35 | 0:38:37 | |
50, I'll take 5 now. It's a wonderful boat. | 0:38:37 | 0:38:40 | |
50, I'll take 5 now. One more do I see? | 0:38:40 | 0:38:43 | |
Fair warning. Yes, we are. Well done, madam. | 0:38:43 | 0:38:46 | |
-Ah! -It's a tough business. You're minus £10 on that | 0:38:46 | 0:38:48 | |
but it could so easily have been the other way, Zo, I can't tell you. | 0:38:48 | 0:38:52 | |
-Now, I'm going to give you a hug on this, cos I feel you could get close. -OK. | 0:38:52 | 0:38:56 | |
A three-piece cruet set with the silver spoons. | 0:38:56 | 0:39:01 | |
I'm only bid £40 | 0:39:01 | 0:39:04 | |
40's mine but I'll take 5 now. Come on! | 0:39:04 | 0:39:07 | |
40, I'll take 5 now. 40, I'll take 5. | 0:39:07 | 0:39:10 | |
5. I'm out. Do I see 50 now? At £45. 50 I'll take. | 0:39:10 | 0:39:15 | |
-The bidders aren't here. -No. -No. | 0:39:15 | 0:39:17 | |
-At £40. We're going, going and gone. -GAVEL BANGS | 0:39:17 | 0:39:21 | |
Minus £50 on that. Overall, minus 60. | 0:39:21 | 0:39:24 | |
OK, now, the water buffalo. My gosh. This has got to canter on. | 0:39:24 | 0:39:29 | |
Very interesting Chinese boxwood carving of a water buffalo. | 0:39:29 | 0:39:32 | |
I'm bid only 15, 18, 20. | 0:39:32 | 0:39:35 | |
I'll take 2 now. | 0:39:35 | 0:39:39 | |
-2. 5. 8. I'm out. 30. 2. -Yes. -5. 8. | 0:39:39 | 0:39:43 | |
-40. Interesting object, this. -Yes. -Come on. | 0:39:43 | 0:39:47 | |
I look for 40 now. I'll take 2. | 0:39:47 | 0:39:50 | |
Or at £40, we're going. 2. | 0:39:50 | 0:39:54 | |
-45, sir. -Yes! Come on! -Good boy. -Yes. | 0:39:54 | 0:39:59 | |
Oh, go on! You've come so far! | 0:39:59 | 0:40:02 | |
No more? £45 on the aisle, sir. | 0:40:02 | 0:40:05 | |
-We sell to you at £45. -We're doing all right. | 0:40:05 | 0:40:08 | |
-Fair warning. -GAVEL BANGS | 0:40:08 | 0:40:10 | |
-£45. I love that boy. That's really good. -Very good. | 0:40:10 | 0:40:13 | |
Really squeezed that out. That's plus 25. | 0:40:13 | 0:40:16 | |
-You're minus 60. So now you're minus 35. -Right. | 0:40:16 | 0:40:20 | |
OK, you're minus 35 overall. What about these iron frames? Going to have a tickle? | 0:40:20 | 0:40:24 | |
-I think so, yeah. -Here we go, then. | 0:40:24 | 0:40:26 | |
-OK. -Let's hope you and Gary are right here. -Yeah. | 0:40:26 | 0:40:30 | |
Perfect. Here they come. A pair of frames. We're going with the bonus buy. | 0:40:30 | 0:40:34 | |
A wonderful pair of late Victorian Rococo-style cast-iron frames. | 0:40:34 | 0:40:39 | |
I'm only bid here £20. | 0:40:39 | 0:40:42 | |
They are a pair. 22. 5. 8. I'm out. | 0:40:42 | 0:40:47 | |
30. 2. 5. | 0:40:47 | 0:40:49 | |
-8. 40. 5. 50. -Yes, yes. | 0:40:49 | 0:40:53 | |
Look at me. One for the road. Look at me. | 0:40:53 | 0:40:56 | |
Don't walk away. One for the road! | 0:40:56 | 0:40:58 | |
-What do you think? -Go on! -55! -Yes! Come on! | 0:40:58 | 0:41:03 | |
No more? One more bid, they're yours, madam. | 0:41:03 | 0:41:05 | |
Well done. Thanks for coming. | 0:41:05 | 0:41:08 | |
50! I'll take 5 now. 50, I'll take 5. Fair warning, all done. | 0:41:08 | 0:41:13 | |
Miss White, you're out. The lady, you're in. | 0:41:13 | 0:41:15 | |
-At £50. Going, going, they're yours. -GAVEL BANGS | 0:41:15 | 0:41:18 | |
£50 is minus £20, which means it's minus 55. | 0:41:18 | 0:41:22 | |
-OK. -Minus 55 in total? -Minus 55 in total. | 0:41:22 | 0:41:25 | |
-It's not horrendous. -It's not horrendous. | 0:41:25 | 0:41:28 | |
And frankly, darling, it could be a winning score. | 0:41:28 | 0:41:30 | |
-Now, ring up Gary, tell him what the form is and we will reveal the final episode in just a moment. -OK. | 0:41:30 | 0:41:36 | |
-Well, guys, what fun, hey? -ALL: Yes. | 0:41:41 | 0:41:43 | |
-Was it good? -Great day. -Poor Gary. I'm missing him. | 0:41:43 | 0:41:46 | |
-Poor Dad. -Anyway, there we go. It is no secret that no team today is going home with any cash. | 0:41:46 | 0:41:52 | |
-Oh, no. -It's not a cashed-up type of day. | 0:41:52 | 0:41:56 | |
-No! -But you've been great teams, giving us loads of fun and entertainment, | 0:41:56 | 0:42:00 | |
so thank you for that. We can only have one team of winners | 0:42:00 | 0:42:05 | |
and we don't have losers any more, so I have to announce who the runners-up are. | 0:42:05 | 0:42:09 | |
-And they're the Reds. -Yeah! -Surprise, surprise. -Come on, Gary! | 0:42:09 | 0:42:13 | |
-Erm, you guys didn't do so well on the old profits stakes. -No. | 0:42:13 | 0:42:18 | |
In fact, I can find no plus sign at all across the whole of your performance. | 0:42:18 | 0:42:23 | |
-So I don't intend to dwell on it. -That's fine. -Because there's no point. | 0:42:23 | 0:42:27 | |
It just wasn't running down your gutter today, was it? | 0:42:27 | 0:42:29 | |
-The love wasn't in the air. -The love wasn't in the air, | 0:42:29 | 0:42:33 | |
-but have you had a nice time? -Enjoyed every single moment. -Well, you've been great. Thank you. | 0:42:33 | 0:42:37 | |
But moving to the solitary Blue who's managed to win by only losing £55, | 0:42:37 | 0:42:43 | |
which is still a pretty shocking total, I have to say. | 0:42:43 | 0:42:46 | |
And you'll be on the blower to dad? | 0:42:46 | 0:42:48 | |
I'll be letting him know, yeah. He'll be very happy with that. | 0:42:48 | 0:42:52 | |
-He's been here in spirit. -We do sense his presence. -THEY LAUGH | 0:42:52 | 0:42:56 | |
Well, do give him a squeeze from us. Much missed on the day, but we had a lovely shop with him. | 0:42:56 | 0:43:00 | |
Anyway, good fun all round. Join us soon for some more bargain hunting. | 0:43:00 | 0:43:03 | |
-Yes? -ALL: Yes! | 0:43:03 | 0:43:05 | |
Subtitles by Red Bee Media Ltd | 0:43:05 | 0:43:09 | |
. | 0:43:09 | 0:43:09 |