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Today, we're in Sussex, | 0:00:04 | 0:00:06 | |
at Ardingly, to be precise. | 0:00:06 | 0:00:08 | |
At the largest antiques fair in the south of good old Blighty. | 0:00:08 | 0:00:12 | |
So, let's go bargain hunting, yeah? | 0:00:12 | 0:00:15 | |
There are over 1,500 stalls here | 0:00:41 | 0:00:43 | |
that will attract, literally, tens of thousands of people, | 0:00:43 | 0:00:47 | |
all scratching around and trying to grub out that elusive bargain. | 0:00:47 | 0:00:52 | |
So our teams today will have to be quick, decisive and on the ball. | 0:00:52 | 0:00:57 | |
So what's stopping us, then? | 0:00:57 | 0:00:59 | |
Coming up in today's show, | 0:01:01 | 0:01:02 | |
Anita's feeling all frisky... | 0:01:02 | 0:01:04 | |
Wooh! | 0:01:04 | 0:01:06 | |
..and Mark has a spring in his step. | 0:01:07 | 0:01:09 | |
-Exercise. Come on, let's get moving. Come on. -OK. | 0:01:09 | 0:01:13 | |
But who will fare best at the auction? | 0:01:13 | 0:01:17 | |
That's good. Brilliant! | 0:01:17 | 0:01:18 | |
But first, let's meet the teams. | 0:01:19 | 0:01:22 | |
Today, our two teams of bargain hunters are | 0:01:23 | 0:01:26 | |
father and daughter, | 0:01:26 | 0:01:28 | |
Norman and Rosy, | 0:01:28 | 0:01:30 | |
and good friends, Murray and Adela. Hello. | 0:01:30 | 0:01:33 | |
-ALL: Hello. -Very nice to see you. | 0:01:33 | 0:01:35 | |
-So, Norman, what do you do for a living? -I'm a writer, Tim. | 0:01:35 | 0:01:37 | |
I write textbooks for plumbing and gas students. | 0:01:37 | 0:01:41 | |
I suppose there are a lot of plumbers and gas fitters about. | 0:01:41 | 0:01:45 | |
There are many and they're training all the time. | 0:01:45 | 0:01:47 | |
And it's probably the best profession I've been in, in my life. | 0:01:47 | 0:01:51 | |
Isn't that interesting? | 0:01:51 | 0:01:52 | |
But you haven't just written manuals for these characters, have you? | 0:01:52 | 0:01:55 | |
I did write a whole series of children's books, | 0:01:55 | 0:01:58 | |
including Fireman Sam, | 0:01:58 | 0:02:00 | |
Inspector Gadget... | 0:02:00 | 0:02:01 | |
-Did you really? -All sorts of interesting and exciting things like that. | 0:02:01 | 0:02:04 | |
And they were very popular. | 0:02:04 | 0:02:07 | |
Well, still are, I guess. | 0:02:07 | 0:02:09 | |
Rosy, I gather you have your father's writing talent? | 0:02:09 | 0:02:12 | |
Indeed, yes. I don't write plumbing material, | 0:02:12 | 0:02:14 | |
-but I work as a poet. -SHE LAUGHS | 0:02:14 | 0:02:16 | |
-It says here you're a performance poet. -Yes. | 0:02:16 | 0:02:19 | |
It's quite meaty. It doesn't always get understood in performance, I think. | 0:02:19 | 0:02:23 | |
-But I like the way it sounds. -But you don't care? -No. | 0:02:23 | 0:02:27 | |
-You're performing it... -Indeed. -..so that's the main thing. | 0:02:27 | 0:02:29 | |
Do you have to lock yourself away in a garret... | 0:02:29 | 0:02:32 | |
SHE LAUGHS | 0:02:32 | 0:02:33 | |
..to construct your necessary bits? | 0:02:33 | 0:02:35 | |
Yes, I've been living alone for the last 28 years or so. | 0:02:35 | 0:02:41 | |
This is a big adventure for me, being out in public! | 0:02:41 | 0:02:43 | |
-Coming out at all? -Yeah. | 0:02:43 | 0:02:45 | |
But that's not really true, is it? You've just come back from Russia. | 0:02:45 | 0:02:48 | |
That's true, yes. | 0:02:48 | 0:02:49 | |
-You've been dashing about, going to Russia? -Yeah. | 0:02:49 | 0:02:52 | |
And what were you up to there? | 0:02:52 | 0:02:54 | |
I'm doing a PhD on the poet, Vladimir Mayakovsky, | 0:02:54 | 0:02:58 | |
and so I was swotting up on a bit of language learning | 0:02:58 | 0:03:02 | |
-whilst I was there. -As you do. | 0:03:02 | 0:03:04 | |
SHE LAUGHS | 0:03:04 | 0:03:06 | |
Does that mean you will be buying all Russian antiques | 0:03:06 | 0:03:08 | |
to make a profit with today? | 0:03:08 | 0:03:10 | |
Maybe. Maybe. | 0:03:10 | 0:03:13 | |
Maybe we'll have a look at some Russian dolls, or maybe... Oh, God - I can feel myself | 0:03:13 | 0:03:17 | |
doing a Dad joke, | 0:03:17 | 0:03:18 | |
we'll be just "Russian" around! | 0:03:18 | 0:03:20 | |
Oh, I know! I was waiting for it. | 0:03:20 | 0:03:22 | |
You've set me up | 0:03:22 | 0:03:25 | |
and I fell into your trap! | 0:03:25 | 0:03:26 | |
That's the joy of being a performance poetess, you see. | 0:03:26 | 0:03:29 | |
Yeah, maybe. | 0:03:29 | 0:03:31 | |
Anyway, turning to the Blues. How are you two? | 0:03:31 | 0:03:33 | |
-Good. -Very well. | 0:03:33 | 0:03:35 | |
Murray, you've had a certain inspiration from a fireman? | 0:03:35 | 0:03:38 | |
I suppose you could say that, yeah. | 0:03:38 | 0:03:40 | |
Thanks to Norman and his wonderful stories, | 0:03:40 | 0:03:43 | |
after watching Fireman Sam, I decided to become a fireman | 0:03:43 | 0:03:47 | |
and I have been for the past eight years. | 0:03:47 | 0:03:49 | |
That's amazing, isn't it? | 0:03:49 | 0:03:50 | |
-My work is done. -Source material, here. | 0:03:50 | 0:03:52 | |
How lovely is that? Where do you do your "fireman-ing?" | 0:03:52 | 0:03:55 | |
That's in Brighton. | 0:03:55 | 0:03:56 | |
Is that a busy old place? | 0:03:56 | 0:03:57 | |
It is. It's the busiest in East Sussex, | 0:03:57 | 0:04:00 | |
so, yeah, | 0:04:00 | 0:04:01 | |
it keeps us rushing round all hours. | 0:04:01 | 0:04:03 | |
Yes. "Russian" again. | 0:04:03 | 0:04:05 | |
THEY LAUGH | 0:04:05 | 0:04:06 | |
So, Murray, when you're not fighting fires, what do you like to do? | 0:04:06 | 0:04:10 | |
When it's windy enough, I like to go kitesurfing. | 0:04:10 | 0:04:13 | |
That is a dangerous sport, isn't it? | 0:04:13 | 0:04:15 | |
-It can be. That's part of the fun. -Do you do it at Brighton? | 0:04:15 | 0:04:18 | |
-Yeah. -Brilliant. | 0:04:18 | 0:04:21 | |
-If it's not so windy, I'll play some tennis. -Right. | 0:04:21 | 0:04:23 | |
And amongst that, I'm training for the Brighton Marathon, in April. | 0:04:23 | 0:04:27 | |
Well, good luck. | 0:04:27 | 0:04:28 | |
What do you do, Adela? | 0:04:28 | 0:04:30 | |
At the moment, I'm doing a course in teacher training in art and design. | 0:04:30 | 0:04:36 | |
And I still do my jewellery. I'm a jeweller designer-maker. | 0:04:36 | 0:04:39 | |
Gosh, you're multi-talented, aren't you? | 0:04:39 | 0:04:42 | |
And you have a love of antiques? | 0:04:42 | 0:04:43 | |
I do, actually. I think that was mainly because of my dad. | 0:04:43 | 0:04:46 | |
He, sort of, kind of, collects anything, really. | 0:04:46 | 0:04:50 | |
All this has rubbed off on you? | 0:04:50 | 0:04:52 | |
In a way, yeah. | 0:04:52 | 0:04:53 | |
Every time I go and see him, cos he lives in Athens now, he'll give me something. | 0:04:53 | 0:04:56 | |
Is that where you come from? | 0:04:56 | 0:04:58 | |
No, I come from Albania. | 0:04:58 | 0:04:59 | |
-Do you? -Yeah, yeah. | 0:04:59 | 0:05:01 | |
I've been in England for 12 years now. | 0:05:01 | 0:05:03 | |
Well, your accent is very English, I have to say. | 0:05:03 | 0:05:05 | |
SHE LAUGHS | 0:05:05 | 0:05:07 | |
So what will your tactics be today? | 0:05:07 | 0:05:09 | |
-Make a lot of money. -Hopefully. | 0:05:09 | 0:05:12 | |
I think just to have fun. We've been really looking forward to it. | 0:05:12 | 0:05:14 | |
Now's the money moment. Here's your £300 apiece. | 0:05:14 | 0:05:18 | |
You know the rules. | 0:05:18 | 0:05:19 | |
Your experts await and off you go! | 0:05:19 | 0:05:22 | |
And very, very, very good luck. Fireman, eh? | 0:05:22 | 0:05:25 | |
Gosh, whatever next? | 0:05:25 | 0:05:27 | |
Anita Manning, who's rarely lost for words, | 0:05:27 | 0:05:30 | |
heads up the Red team today, | 0:05:30 | 0:05:32 | |
while Mark Stacey's in the frame for the Blues. | 0:05:32 | 0:05:37 | |
-Look at the size of this place. -I know. It's massive! | 0:05:40 | 0:05:43 | |
I don't know where we're going to start, do you? | 0:05:43 | 0:05:45 | |
Actually, I don't know. | 0:05:45 | 0:05:46 | |
Now we're here at Ardingly, | 0:05:46 | 0:05:49 | |
what we're going to do today is buy, buy, buy. | 0:05:49 | 0:05:52 | |
Bye-bye! | 0:05:52 | 0:05:54 | |
I'd leave the poetry to Rosy, | 0:05:54 | 0:05:56 | |
if I were you, Anita. | 0:05:56 | 0:05:57 | |
Meanwhile, the Blue team are looking for a little piece of jewellery. | 0:05:57 | 0:06:00 | |
Are brooches popular at the moment? | 0:06:00 | 0:06:03 | |
Depending on what it is. A lot of people don't... Well, you do jewellery. | 0:06:03 | 0:06:06 | |
Brooches aren't the most popular, are they, unless they're really stylish? | 0:06:06 | 0:06:09 | |
I don't know. Brooches are quite popular amongst my friends, actually. | 0:06:09 | 0:06:12 | |
-Will your friends be at the auction? -No. -If we tell them. -Yeah. | 0:06:12 | 0:06:15 | |
I wanted to bring many of them, but couldn't. | 0:06:15 | 0:06:18 | |
-No. -Maybe not. -I've seen better brooches. | 0:06:20 | 0:06:23 | |
All right. Not too loud now. | 0:06:23 | 0:06:25 | |
THEY LAUGH | 0:06:25 | 0:06:27 | |
Come on, Adela. | 0:06:27 | 0:06:29 | |
Let's not be too rude. Talking of rude, look at what the Reds have spotted. | 0:06:29 | 0:06:32 | |
-They're amazing. -You two, are you having a lovely day? | 0:06:32 | 0:06:36 | |
Yeah. I don't know. | 0:06:36 | 0:06:38 | |
Maybe it's so, if your partner's away, you can give them a fondle. | 0:06:38 | 0:06:42 | |
HE LAUGHS | 0:06:42 | 0:06:43 | |
We were just saying, | 0:06:43 | 0:06:44 | |
this is like a pair of bum cheeks. | 0:06:44 | 0:06:46 | |
They're beautifully formed! | 0:06:46 | 0:06:47 | |
SHE LAUGHS | 0:06:47 | 0:06:49 | |
Well, while the Reds are being plain "cheeky", | 0:06:49 | 0:06:53 | |
at least the Blues are on the case. | 0:06:53 | 0:06:55 | |
I really like that vase, that one over there. | 0:06:55 | 0:06:58 | |
-Shall we go round and have a look? -It looks like it has some Egyptian... | 0:06:58 | 0:07:02 | |
It does look Egyptian, doesn't it? | 0:07:02 | 0:07:03 | |
It's quite nicely modelled, that, isn't it? | 0:07:03 | 0:07:05 | |
-These are beautiful. -I don't know how old it is. Do you like it, Murray? | 0:07:05 | 0:07:08 | |
I do like it, yeah. How much is it? | 0:07:08 | 0:07:10 | |
It's very stylish, isn't it? How inexpensive is this? | 0:07:10 | 0:07:12 | |
DEALER: I've got 25 on it. | 0:07:12 | 0:07:14 | |
-How much?! -25, but you can have it for 20. | 0:07:14 | 0:07:17 | |
For 20? Does it have any markings on it? | 0:07:17 | 0:07:20 | |
If you look at the copper at the bottom, it is quite old. | 0:07:20 | 0:07:23 | |
It's got a bit of age, I suppose. | 0:07:23 | 0:07:25 | |
Does it stand straight? | 0:07:25 | 0:07:27 | |
It's got a bit of... | 0:07:27 | 0:07:29 | |
-A bit of a wobble? -Yeah. It does put me off, actually, that. | 0:07:29 | 0:07:32 | |
Don't say that! | 0:07:32 | 0:07:34 | |
-What d'you think? -I don't think it's too bad. -It's 20. | 0:07:34 | 0:07:37 | |
I think 15 sounds better, because of the wobble. | 0:07:37 | 0:07:41 | |
-You can have it for 15. -Is that all right? | 0:07:41 | 0:07:44 | |
You're a madam! Thank you. | 0:07:44 | 0:07:46 | |
-That's a deal, then, is it? -I think that's a deal. -I think that's a deal. | 0:07:46 | 0:07:49 | |
-Great, thanks very much. -Thank you very much. | 0:07:49 | 0:07:52 | |
Less than ten minutes on the clock, | 0:07:52 | 0:07:55 | |
and the Blues have made a wobbly start, | 0:07:55 | 0:07:57 | |
parting with 15 precious pounds. | 0:07:57 | 0:07:59 | |
Anita, meanwhile, is trying to tempt Rosy. | 0:07:59 | 0:08:03 | |
What about that, Rosy? | 0:08:03 | 0:08:07 | |
I know. I saw that. I like that a lot. | 0:08:07 | 0:08:09 | |
Textiles are doing well just now. | 0:08:09 | 0:08:11 | |
Yeah. | 0:08:11 | 0:08:12 | |
It's probably late-Victorian/early-Edwardian. | 0:08:12 | 0:08:15 | |
I really like it. | 0:08:15 | 0:08:16 | |
I actually am terrible | 0:08:16 | 0:08:18 | |
for buying random, beautiful, falling-apart dresses, | 0:08:18 | 0:08:21 | |
and have a house full of them. But this is great, | 0:08:21 | 0:08:24 | |
because it won't end up in my house, | 0:08:24 | 0:08:26 | |
and if we get stuck on an item later, | 0:08:26 | 0:08:28 | |
we can take it out of the frame, and then we've got two! | 0:08:28 | 0:08:30 | |
-SHE LAUGHS -How can we possibly fail? | 0:08:30 | 0:08:32 | |
Oh, this girl's good. | 0:08:32 | 0:08:34 | |
Has it got any history or any provenance with it? | 0:08:34 | 0:08:38 | |
DEALER: I just basically bought it as it is and here it is today. | 0:08:38 | 0:08:41 | |
Would you be able to make us up a story about who wore that dress? | 0:08:41 | 0:08:46 | |
For what occasion did she wear it? | 0:08:46 | 0:08:49 | |
By the time of the auction, we'll have fabricated an entire history, | 0:08:49 | 0:08:52 | |
and created all the documents for it, | 0:08:52 | 0:08:54 | |
so it'll be an absolute rarity. | 0:08:54 | 0:08:57 | |
Aw! You've got it in one! | 0:08:57 | 0:08:58 | |
SHE LAUGHS | 0:08:58 | 0:09:00 | |
Fabrication? Rosy should have been a journalist, not a poet. | 0:09:00 | 0:09:04 | |
I quite like that stool there. | 0:09:04 | 0:09:06 | |
Oh, my God! | 0:09:06 | 0:09:08 | |
I actually love that. | 0:09:08 | 0:09:09 | |
Really love that. | 0:09:09 | 0:09:10 | |
It's a shame it's actually missing the details. | 0:09:13 | 0:09:16 | |
But you must look at the age. Is there any markings underneath there? | 0:09:16 | 0:09:19 | |
No, I can't really... | 0:09:19 | 0:09:21 | |
D'you know what it's made of? | 0:09:21 | 0:09:22 | |
It's papier-mache. | 0:09:22 | 0:09:24 | |
Oh, really? Is it?! | 0:09:24 | 0:09:25 | |
And the sort of person or company | 0:09:25 | 0:09:27 | |
you associate with this is a firm called Jennings & Betteridge. | 0:09:27 | 0:09:31 | |
-OK. -They were very good London makers. | 0:09:31 | 0:09:34 | |
It's very unusual to see stools. | 0:09:35 | 0:09:38 | |
-It's a nice size. -It's lovely. | 0:09:38 | 0:09:40 | |
Because, actually, what people would use this for today, | 0:09:40 | 0:09:44 | |
is for putting their magazines on. | 0:09:44 | 0:09:45 | |
-Ah! -It would be like a coffee table. -Yeah! | 0:09:45 | 0:09:48 | |
What sort of year would you say it was? | 0:09:48 | 0:09:50 | |
I would say this is about 1870. | 0:09:50 | 0:09:52 | |
Wow! | 0:09:52 | 0:09:53 | |
And this, I think, is possibly | 0:09:53 | 0:09:55 | |
the original covering. | 0:09:55 | 0:09:56 | |
So, that considered, the condition's not too bad. | 0:09:56 | 0:09:58 | |
No. This is mother-of-pearl | 0:09:58 | 0:10:01 | |
and then this gilt decoration. It is quite an unusual thing. | 0:10:01 | 0:10:04 | |
Now here's a "textbook" lesson from Rosy, on how not to deal | 0:10:06 | 0:10:10 | |
with a dealer. Watch this. | 0:10:10 | 0:10:11 | |
And how much is it? | 0:10:11 | 0:10:13 | |
DEALER: We have 150 on it, | 0:10:13 | 0:10:14 | |
but I'm sure we could do a lot better on that. | 0:10:14 | 0:10:17 | |
We could do a lot better on it? | 0:10:17 | 0:10:18 | |
It's a lot of money. | 0:10:18 | 0:10:20 | |
-Yeah. -It is. | 0:10:20 | 0:10:21 | |
How much money do we have? | 0:10:21 | 0:10:24 | |
Is it £300? | 0:10:24 | 0:10:26 | |
-Ssh! -Oh! | 0:10:26 | 0:10:27 | |
HE LAUGHS | 0:10:27 | 0:10:28 | |
That's to last us the rest of our lives! | 0:10:28 | 0:10:30 | |
That's not just for today. | 0:10:30 | 0:10:32 | |
I can do it for £85 and you could buy it. | 0:10:32 | 0:10:36 | |
We do like it, and we think it's a bit unusual. | 0:10:36 | 0:10:40 | |
Yeah. | 0:10:40 | 0:10:41 | |
I think 85 is a bargain, | 0:10:41 | 0:10:45 | |
from 150 and that we should do it. | 0:10:45 | 0:10:48 | |
Do you not think so? Oh, God! | 0:10:48 | 0:10:51 | |
No, I think we'll give you 20. | 0:10:51 | 0:10:53 | |
SHE LAUGHS | 0:10:53 | 0:10:55 | |
85 is too much. | 0:10:55 | 0:10:57 | |
I don't know what I was thinking. | 0:10:57 | 0:10:58 | |
THEY LAUGH | 0:10:58 | 0:11:00 | |
Right. Move over, Rosy, | 0:11:00 | 0:11:02 | |
and let the old pro, Anita, have a go instead. | 0:11:02 | 0:11:04 | |
Would you take 60 for it? | 0:11:04 | 0:11:07 | |
I obviously couldn't. | 0:11:07 | 0:11:08 | |
The lowest I could go would be £80. | 0:11:08 | 0:11:10 | |
£80? | 0:11:10 | 0:11:12 | |
I say, let's do it. | 0:11:12 | 0:11:14 | |
I say, let's do it. You're a darling. | 0:11:14 | 0:11:15 | |
Thank you very much. Oh, wow! | 0:11:15 | 0:11:18 | |
£80 spent, 15 minutes gone | 0:11:18 | 0:11:21 | |
and that's the first item in the bag for the Reds. | 0:11:21 | 0:11:24 | |
The Blues, meanwhile, are stalling | 0:11:24 | 0:11:26 | |
on the stool. As you do. | 0:11:26 | 0:11:28 | |
I think if I was putting that into auction, | 0:11:29 | 0:11:31 | |
I would hope | 0:11:31 | 0:11:33 | |
the auctioneer would think around the sort of £200-£300 mark. | 0:11:33 | 0:11:35 | |
Really?! | 0:11:35 | 0:11:36 | |
Yeah, because I think it's unusual. | 0:11:36 | 0:11:38 | |
Boxes can make £300 or £400. | 0:11:38 | 0:11:41 | |
I think the key thing now is to try and find out from the dealer | 0:11:41 | 0:11:44 | |
-how much he's asking for. -Yes! | 0:11:44 | 0:11:47 | |
Let's have a look. Hello! | 0:11:47 | 0:11:48 | |
Hi, there! We're interested in this item here. | 0:11:48 | 0:11:52 | |
How much do you want for that one? | 0:11:52 | 0:11:54 | |
-DEALER: 250, sir. -250! | 0:11:54 | 0:11:55 | |
I was really going to hope we could get it for under the £200? | 0:11:55 | 0:11:59 | |
Can't do it, sir. | 0:11:59 | 0:12:01 | |
Not even £200 and a kiss from the lovely Adela? | 0:12:01 | 0:12:05 | |
SHE LAUGHS | 0:12:05 | 0:12:07 | |
210, and that's it. | 0:12:07 | 0:12:09 | |
210? | 0:12:09 | 0:12:10 | |
That's only a kiss on the cheek, isn't it? | 0:12:10 | 0:12:12 | |
HE LAUGHS | 0:12:12 | 0:12:13 | |
It is a lovely object. | 0:12:13 | 0:12:14 | |
Unfortunately, it would use up most of our budget. | 0:12:14 | 0:12:17 | |
-Shall we come back? -Shall we have a think? | 0:12:17 | 0:12:19 | |
I really like it. | 0:12:19 | 0:12:20 | |
But we might see something... | 0:12:20 | 0:12:22 | |
If we find something else good, for less money, | 0:12:22 | 0:12:24 | |
we'll have the money left to come and get it. | 0:12:24 | 0:12:26 | |
-Yeah. -D'you think that's a game plan? -Yeah. | 0:12:26 | 0:12:29 | |
It's your game. | 0:12:29 | 0:12:31 | |
I think that sounds like a plan. | 0:12:31 | 0:12:33 | |
It might not stay, this is the problem. But it's up to you. | 0:12:33 | 0:12:35 | |
-We'll come back very shortly. -All right. -OK. | 0:12:35 | 0:12:39 | |
Now, they could have asked the dealer to put the stool to one side, | 0:12:39 | 0:12:43 | |
just for a few minutes. | 0:12:43 | 0:12:45 | |
Talking of minutes, 30 left. | 0:12:45 | 0:12:47 | |
Eye-eye. | 0:12:47 | 0:12:49 | |
Could you see us? | 0:12:50 | 0:12:53 | |
THEY LAUGH | 0:12:53 | 0:12:55 | |
It's so good, that all I see is a big blotch of red! | 0:12:55 | 0:12:58 | |
So what d'you think? You have a look at it, tell me what you think. | 0:12:58 | 0:13:02 | |
-DEALER: It's not a telescope. -What is it? | 0:13:02 | 0:13:05 | |
A gun sight. | 0:13:05 | 0:13:07 | |
It's a gun sight! | 0:13:07 | 0:13:09 | |
Well, that just shows you how much I know about military stuff! | 0:13:09 | 0:13:13 | |
It's extremely good as a telescope. | 0:13:13 | 0:13:14 | |
-Well, it works as a telescope. -Good, big, heavy things. | 0:13:14 | 0:13:17 | |
It's a good, substantial, big piece of militaria. | 0:13:17 | 0:13:20 | |
It'll be worth its weight in bronze, anyway, | 0:13:20 | 0:13:22 | |
Worth its weight in brass. | 0:13:22 | 0:13:23 | |
Can I make you on offer on this? | 0:13:23 | 0:13:25 | |
DEALER: It's 28. You can have it or 25. | 0:13:25 | 0:13:28 | |
NORMAN: Make it 18. 18's a good round figure. | 0:13:28 | 0:13:30 | |
SHE LAUGHS | 0:13:30 | 0:13:32 | |
18's a good round figure. | 0:13:32 | 0:13:34 | |
DEALER: Sorry. | 0:13:34 | 0:13:35 | |
NORMAN: Oh! What do we think of that, then? | 0:13:35 | 0:13:37 | |
What about 20? | 0:13:37 | 0:13:39 | |
-DEALER: You can have it for 20. -OK, thank you. | 0:13:39 | 0:13:42 | |
NORMAN: What do you say? | 0:13:42 | 0:13:43 | |
I think it's worth taking a punt on. | 0:13:43 | 0:13:45 | |
Well, I do, for 20 quid. | 0:13:45 | 0:13:47 | |
Excellent. Let's do it, then. | 0:13:47 | 0:13:48 | |
-Right, we'll have this. Thank you very much. -Well done. | 0:13:48 | 0:13:51 | |
-Two items that we both like... -Yeah. -Correct. | 0:13:55 | 0:13:58 | |
-A girly sort of thing and a...? -A chappy sort of thing. | 0:13:58 | 0:14:02 | |
We haven't spent a lot of money. We've got 200 left. | 0:14:02 | 0:14:06 | |
And we've got tons of time! | 0:14:06 | 0:14:09 | |
-Indeed. -I bet we're doing a lot better than old Stacey | 0:14:09 | 0:14:14 | |
-and the old Blues. What do you think, guys? -Definitely. -There's a possibility. | 0:14:14 | 0:14:18 | |
Now, Reds, don't get too cocky, cos those Blues are fighting fit, and bouncy. | 0:14:18 | 0:14:22 | |
It's cold. I can't feel my toes. | 0:14:24 | 0:14:26 | |
We need to set ourselves on fire. | 0:14:26 | 0:14:27 | |
-Yes. We do. -All right? | 0:14:27 | 0:14:29 | |
-So, exercise. Come on, let's get moving. Come on. -OK. | 0:14:29 | 0:14:32 | |
-That's it. -Think money, think money. SHE LAUGHS | 0:14:32 | 0:14:35 | |
-Is that good? Let's get off, then. -Cool. | 0:14:35 | 0:14:37 | |
I'm not sure that aerobics is Mark's strength. | 0:14:37 | 0:14:41 | |
Perhaps he could do a workout on Anita and Norman's comedy routine, though. | 0:14:41 | 0:14:45 | |
How much is your wee car, sir? | 0:14:45 | 0:14:49 | |
Two-fifty? £2.50? | 0:14:49 | 0:14:51 | |
If we make it snappy, we could look at that alligator. | 0:14:51 | 0:14:55 | |
SHE LAUGHS | 0:14:55 | 0:14:56 | |
Boys and girls, I think we're doing rather well. | 0:14:56 | 0:14:59 | |
Under, "Items at auction - should very well sell." | 0:14:59 | 0:15:03 | |
SHE LAUGHS | 0:15:03 | 0:15:04 | |
-Do you like that one? -Oh, dear! | 0:15:04 | 0:15:06 | |
Rubbish, isn't it? | 0:15:06 | 0:15:08 | |
Stick to auctioneering, Anita. Your poetry is woeful. | 0:15:08 | 0:15:12 | |
Going to stop frittering away our time. | 0:15:13 | 0:15:17 | |
We've become complacent, having got our first two. | 0:15:17 | 0:15:19 | |
-Ah, good point. -We need to knuckle down... | 0:15:19 | 0:15:21 | |
Ah, but we were enjoying ourselves, Rosy. | 0:15:21 | 0:15:23 | |
Making terrible jokes, one after the other? | 0:15:23 | 0:15:26 | |
-Anita Manning at the helm! -A cheap rhymester! | 0:15:26 | 0:15:29 | |
And a hack with a knack. | 0:15:29 | 0:15:30 | |
I despair. | 0:15:30 | 0:15:32 | |
I'm going shopping alone. | 0:15:32 | 0:15:34 | |
THEY LAUGH | 0:15:34 | 0:15:35 | |
So, mutiny in the Red camp. | 0:15:39 | 0:15:41 | |
A chance for the Blues to try and take the advantage, | 0:15:41 | 0:15:44 | |
but with just one item in the bag, they're dithering. | 0:15:44 | 0:15:47 | |
Come on, Murray. You should be over the heads of these people. | 0:15:47 | 0:15:50 | |
I'm struggling. | 0:15:50 | 0:15:52 | |
The trouble is, we're going into just furniture here. | 0:15:52 | 0:15:56 | |
Yeah. | 0:15:56 | 0:15:57 | |
I don't think we're going to find anything. | 0:15:57 | 0:16:00 | |
-It's all big lumps of furniture, isn't it? -I agree. | 0:16:00 | 0:16:02 | |
-Shall we go back down? -I think we should. | 0:16:02 | 0:16:05 | |
I think we need to head back down that way, honestly. | 0:16:05 | 0:16:08 | |
I'm starting to think we should go back for that foot stool. | 0:16:08 | 0:16:10 | |
What do you think? | 0:16:10 | 0:16:12 | |
Yes. Actually, I've been thinking about it. | 0:16:12 | 0:16:15 | |
It could be possibly our second item. | 0:16:15 | 0:16:18 | |
-I think so. -Really? -Let's go and see. | 0:16:18 | 0:16:20 | |
Are you going to take the plunge? | 0:16:20 | 0:16:22 | |
-I think so. -I think so. -I think so. A plan, at last. | 0:16:22 | 0:16:26 | |
But will the stool still be there? | 0:16:26 | 0:16:28 | |
-Was it this way, or was it that way? -I think it's that way. | 0:16:28 | 0:16:30 | |
The Blues are starting to look a little lost. | 0:16:30 | 0:16:33 | |
Big places, these antiques fairs. | 0:16:33 | 0:16:35 | |
DOLEFUL VIOLIN MUSIC | 0:16:36 | 0:16:39 | |
Don't know any more. Alone in the world. | 0:16:42 | 0:16:45 | |
All right, I give up now. Come and join me again. | 0:16:47 | 0:16:51 | |
OK, Norman. Let's go. She's lost without us. | 0:16:51 | 0:16:54 | |
THEY LAUGH | 0:16:54 | 0:16:56 | |
Mutiny in the Red camp abandoned. | 0:16:56 | 0:16:59 | |
With just over ten minutes remaining, | 0:16:59 | 0:17:01 | |
the Blues are might relieved | 0:17:01 | 0:17:03 | |
to find their stool. | 0:17:03 | 0:17:05 | |
Right, guys. He hasn't sold it. | 0:17:05 | 0:17:09 | |
-No. -So there may be a bit of room for negotiation. | 0:17:09 | 0:17:11 | |
-Hopefully. -Go and have a word. | 0:17:11 | 0:17:14 | |
Is he going to be good at this, do you think? | 0:17:17 | 0:17:19 | |
Hi, there... | 0:17:19 | 0:17:21 | |
I think Murray's got his own ways. | 0:17:21 | 0:17:22 | |
-Has he? -Yeah, yeah. | 0:17:22 | 0:17:24 | |
He's very polite, though. | 0:17:24 | 0:17:28 | |
-He is very polite. -He's very polite. | 0:17:28 | 0:17:31 | |
It doesn't look good at the moment, does it? | 0:17:31 | 0:17:34 | |
Any luck, Murray? | 0:17:34 | 0:17:36 | |
-I got it down to 210. -210? | 0:17:36 | 0:17:38 | |
-That was the original. -I know that's what it was! | 0:17:38 | 0:17:40 | |
-He's not going to budge. -Well done, he's got it down to 210. | 0:17:40 | 0:17:44 | |
-OK. -I reckon 210 is the best you're going to get. -You've done well. | 0:17:44 | 0:17:49 | |
What do you think? | 0:17:49 | 0:17:50 | |
Would you like to take a risk on it for that? | 0:17:50 | 0:17:52 | |
-Let's take a risk. -Should we? | 0:17:52 | 0:17:54 | |
I've taken many risks in life and it's gone rather well. | 0:17:54 | 0:17:56 | |
-Has it? -Yeah. | 0:17:56 | 0:17:58 | |
-I'm liking your style. -Let's do it. -Yes! | 0:17:58 | 0:18:02 | |
-You've got yourself a deal. -Cool. Yay! Right, 210. | 0:18:02 | 0:18:07 | |
Gosh, that's the most expensive thing I've ever kind of offered. | 0:18:07 | 0:18:10 | |
Now what? | 0:18:10 | 0:18:12 | |
We've only got ten minutes to go and I'm in a spending mood. | 0:18:12 | 0:18:15 | |
Let's go. Let's go buy. | 0:18:15 | 0:18:17 | |
So, the Blues have finally stopped dithering over the stool | 0:18:17 | 0:18:20 | |
and their second buy has filled them with confidence. | 0:18:20 | 0:18:24 | |
I think we've got a good chance of beating the Reds, | 0:18:24 | 0:18:26 | |
-especially with the stool. Do you? -Mind you, we haven't seen them. | 0:18:26 | 0:18:29 | |
They may have discovered a part of the fair we're not aware of... | 0:18:29 | 0:18:31 | |
-Oh! Maybe. -..where everything's discounted. | 0:18:31 | 0:18:33 | |
-Maybe we should go and have a look. -Yeah. -Let's do it. | 0:18:33 | 0:18:36 | |
We should go hunt for them and for our third item. | 0:18:36 | 0:18:38 | |
-Yeah, and maybe Mark. Where has he got to? -Yeah. | 0:18:38 | 0:18:40 | |
I know precisely where the Reds are - | 0:18:40 | 0:18:43 | |
they're looking at a Victorian bosun's whistle. That's a nautical whistle, to you and me. | 0:18:43 | 0:18:48 | |
-Are there any marks on it that you can see? -Have a wee look. | 0:18:48 | 0:18:51 | |
-But I do like the idea of it having this little easel frame. -Yeah. | 0:18:51 | 0:18:58 | |
-Don't you? -Yeah, I do. | 0:18:58 | 0:19:00 | |
WHISTLING | 0:19:00 | 0:19:03 | |
-Well, it works. -Aye-aye, sir. | 0:19:03 | 0:19:05 | |
Hello, sailor. | 0:19:05 | 0:19:07 | |
I know. But I do think that that's interesting. | 0:19:07 | 0:19:12 | |
Well, I like the idea of it more than I like it itself, I think. | 0:19:12 | 0:19:16 | |
Because, um... | 0:19:16 | 0:19:18 | |
But then maybe liking the idea of it is enough to start liking it | 0:19:19 | 0:19:22 | |
itself, like when you start going out with someone | 0:19:22 | 0:19:25 | |
you don't really like very much. | 0:19:25 | 0:19:27 | |
I tell you, she gets convoluted, that woman. Good heavens. | 0:19:27 | 0:19:32 | |
You just hope for the best. | 0:19:32 | 0:19:34 | |
So, you start going out with somebody that you don't like. | 0:19:34 | 0:19:37 | |
Cos the idea seems like a good one | 0:19:38 | 0:19:41 | |
-and you hope the reality might catch on. -That's my daughter. | 0:19:41 | 0:19:44 | |
Run that past me again, Rosy? | 0:19:44 | 0:19:45 | |
In fact, don't, you haven't got the time. | 0:19:45 | 0:19:48 | |
Buck up. | 0:19:48 | 0:19:50 | |
-What do you think of these pieces? -I really like them, actually. | 0:19:50 | 0:19:53 | |
Especially that. It's got that little detail. | 0:19:53 | 0:19:56 | |
Well, we've got similar-type items here. That's kind of like | 0:19:56 | 0:19:59 | |
a preserve spoon, you know, for jams or marmalades. | 0:19:59 | 0:20:04 | |
-And this is a cake slice. -Yeah. | 0:20:04 | 0:20:06 | |
They're not English. They look to me... Those little marks... | 0:20:06 | 0:20:10 | |
-They're continental silver. -OK. -They're quite pretty, aren't they? | 0:20:10 | 0:20:14 | |
They're really pretty. | 0:20:14 | 0:20:15 | |
And they are reasonable quality. | 0:20:15 | 0:20:17 | |
And while the Blues are sensibly concentrating on quality, | 0:20:17 | 0:20:21 | |
the Reds are simply wasting their last few minutes | 0:20:21 | 0:20:23 | |
talking about I know not what. | 0:20:23 | 0:20:25 | |
So, you go out with someone that you don't like... | 0:20:25 | 0:20:28 | |
Do you like the idea of going out with...just going out? | 0:20:28 | 0:20:32 | |
Or do you like the idea of going out with that person, | 0:20:32 | 0:20:38 | |
even though you don't like them? | 0:20:38 | 0:20:39 | |
I like the idea of going out with this person, | 0:20:39 | 0:20:42 | |
-but I'm not so sure I like the lines of their body. -Have we got time for this, fellas? | 0:20:42 | 0:20:46 | |
But I'm also aware that we are running out of time | 0:20:46 | 0:20:48 | |
and I need a wee. | 0:20:48 | 0:20:49 | |
So, with that in mind, perhaps we should just buy whatever we see | 0:20:49 | 0:20:53 | |
and hope for the best. | 0:20:53 | 0:20:55 | |
Thanks for that detail, Rosy. And you're right, | 0:20:55 | 0:20:58 | |
time is running out - four minutes and counting. | 0:20:58 | 0:21:02 | |
This one is 40, that one is 24, so that's 64 for the two. | 0:21:02 | 0:21:07 | |
If I was putting those into auction, I'd probably put an estimate | 0:21:07 | 0:21:10 | |
of something like £50 to £80 or something. | 0:21:10 | 0:21:13 | |
-We're kind of in the middle. -Let's see if there's room for movement. | 0:21:13 | 0:21:17 | |
-How much should we request? -Shall I go have a word with them? -Yes. | 0:21:17 | 0:21:20 | |
-Are you happy with me to do that? -Yeah, let's do it. | 0:21:20 | 0:21:23 | |
-Stay there and I'll come back. -OK. | 0:21:23 | 0:21:26 | |
Don't be too long, Mark. Three minutes left on the old clock. | 0:21:26 | 0:21:30 | |
I like the fact that it has this little frame. | 0:21:30 | 0:21:32 | |
Crikey, Reds, get a move on. | 0:21:32 | 0:21:35 | |
And it's quite nice that it's shaped like a little anchor. | 0:21:35 | 0:21:38 | |
-It's not silver. -The only thing I don't like about it, | 0:21:38 | 0:21:41 | |
actually, I'm afraid to say, is the 45 quid. | 0:21:41 | 0:21:44 | |
We're running out of money, you see. | 0:21:44 | 0:21:46 | |
Could you do 30 and we'll give you a smacker on the mouth? | 0:21:46 | 0:21:52 | |
-Or the notion of one, anyway. -That's...that's not how you do it. | 0:21:52 | 0:21:56 | |
-Oh, is that not how we do it? -"Give you a smack on the mouth | 0:21:56 | 0:22:00 | |
"if you don't give it cheaper." | 0:22:00 | 0:22:02 | |
-No, a smacker, not a smack. -A smacker? | 0:22:02 | 0:22:06 | |
Oh, a smacker! Oh, that's right, sorry. | 0:22:06 | 0:22:09 | |
No, it's funny, I was just thinking about going out | 0:22:09 | 0:22:12 | |
-with people you didn't like. -What do you think of me? | 0:22:12 | 0:22:15 | |
Mark, we've got ten minutes, buddy. | 0:22:15 | 0:22:18 | |
Tick-tock, tick-tock. | 0:22:20 | 0:22:23 | |
-I say we go for it. -I think so, too. | 0:22:23 | 0:22:26 | |
I think that it's worth taking a chance on. | 0:22:26 | 0:22:28 | |
-I think we should go for it. -Are we all in agreement? -Yes. | 0:22:28 | 0:22:30 | |
Let's go for it. That's our third item. Yes! | 0:22:30 | 0:22:32 | |
Woo-hoo! | 0:22:32 | 0:22:34 | |
Stunner! | 0:22:36 | 0:22:37 | |
-That was a smacker. -That was a smacker, not a smack. | 0:22:39 | 0:22:42 | |
Oh! Despite talking a right load of baloney, | 0:22:42 | 0:22:46 | |
the Reds have managed to buy their three items | 0:22:46 | 0:22:49 | |
with just a minute to spare. | 0:22:49 | 0:22:50 | |
One minute, Mark. | 0:22:51 | 0:22:53 | |
-Mark, one minute, how's it looking? -How's it looking? | 0:22:53 | 0:22:56 | |
Well, he came down to 55, but then I managed to get him down to 50. | 0:22:56 | 0:23:01 | |
That's good enough. | 0:23:01 | 0:23:03 | |
-Yeah, that's fine. -Are you happy with that? | 0:23:03 | 0:23:05 | |
-I'm happy with that. -Then we've got our third item, all right? -Yay! Woo! | 0:23:05 | 0:23:09 | |
Time's up. Talk about cutting it fine. | 0:23:09 | 0:23:12 | |
I'm so happy, really excited. We're going to beat the Reds. | 0:23:12 | 0:23:16 | |
-Cup of tea? -Absolutely. | 0:23:16 | 0:23:18 | |
-It's on me. -I'm freezing. | 0:23:18 | 0:23:20 | |
Oh, my God! | 0:23:20 | 0:23:21 | |
We're away, we're away! | 0:23:21 | 0:23:24 | |
Where's the fire, then? | 0:23:24 | 0:23:25 | |
Now, let's remind ourselves what the Reds bought. | 0:23:25 | 0:23:28 | |
First up, Rosy and Norman spent £80 on a Victorian dress | 0:23:28 | 0:23:31 | |
mounted in a frame, as you do. | 0:23:31 | 0:23:34 | |
Norman then targeted a WWII brass gun sight for £20. | 0:23:35 | 0:23:40 | |
And with just seconds to spare, | 0:23:42 | 0:23:44 | |
they snapped up a Victorian bosun's whistle for £40. | 0:23:44 | 0:23:47 | |
Don't you go telling me you're fagged out. Are you fagged out? | 0:23:47 | 0:23:51 | |
I am fagged out. I am fagged, yes. Indeed, I am, Tim. | 0:23:51 | 0:23:54 | |
-Well, you've had a good run, which is great. -We did. | 0:23:54 | 0:23:56 | |
-You spent altogether £140. -Yes, that's correct. | 0:23:56 | 0:23:59 | |
-OK, who's got the £160? -I do. -OK. Please may I have it? | 0:23:59 | 0:24:03 | |
Thank you. You don't like giving this back at all, do you? | 0:24:03 | 0:24:06 | |
-You can tell. -Really goes against the grain. | 0:24:06 | 0:24:08 | |
-I think it must be a girl thing. -Absolutely. | 0:24:08 | 0:24:10 | |
I think it's a making a living as a poet thing. | 0:24:10 | 0:24:13 | |
-Money in my hand? -Quite. Passing it to somebody else, methinks. | 0:24:13 | 0:24:17 | |
Straight to you, there, Anita. It doesn't stay with me for very long. | 0:24:17 | 0:24:20 | |
What will you do with it? | 0:24:20 | 0:24:21 | |
I know exactly what I want to buy, the problem is finding it. | 0:24:21 | 0:24:27 | |
Ah! Has that not always been thus? Anyway, go and relax, team. | 0:24:27 | 0:24:32 | |
Thank you very much, Anita. | 0:24:32 | 0:24:34 | |
Meanwhile, why don't we check out what the Blue team bought? | 0:24:34 | 0:24:36 | |
The Blue team opened their shop, spending £15 on a brass jardiniere | 0:24:36 | 0:24:41 | |
with a wobbly base. | 0:24:41 | 0:24:42 | |
Then, after endless dithering, they finally bought the stool for £210. | 0:24:44 | 0:24:49 | |
Wow! And with time running out, | 0:24:49 | 0:24:52 | |
they spent £50 on a silver preserve spoon and cake slice. | 0:24:52 | 0:24:56 | |
Nice! | 0:24:56 | 0:24:58 | |
-Well done. I'm really pleased with the things we've bought. -Yeah, me too, actually. | 0:24:58 | 0:25:02 | |
I think it's so nice | 0:25:02 | 0:25:03 | |
when a team just congratulate themselves all the time. | 0:25:03 | 0:25:07 | |
It's so modest, too, it's just brilliant. | 0:25:07 | 0:25:10 | |
-What'll bring your biggest profit? -Um... -We're hoping the foot stool. | 0:25:10 | 0:25:13 | |
We're hoping that, | 0:25:13 | 0:25:14 | |
because that was the one where we spent the most money. | 0:25:14 | 0:25:16 | |
Main investment. | 0:25:16 | 0:25:18 | |
-How much did you spend all around? -A massive 275. | 0:25:18 | 0:25:22 | |
-That is such a good amount. £275, that is marvellous. -Nearly all. | 0:25:22 | 0:25:25 | |
£25 of leftover lolly then somewhere, please. | 0:25:25 | 0:25:28 | |
-That'll be me. -OK. £25 of leftover lolly. | 0:25:28 | 0:25:32 | |
-Quite a thin, little offering for you then, Mark. -It is, Tim, | 0:25:32 | 0:25:35 | |
but you know what? | 0:25:35 | 0:25:37 | |
It's much easier to find something for 25 quid than it is | 0:25:37 | 0:25:40 | |
when there's lots of money, cos it gives you too much choices. | 0:25:40 | 0:25:42 | |
Now I've got to beg the dealers to let me have something. | 0:25:42 | 0:25:45 | |
Good luck with that. Meanwhile, | 0:25:45 | 0:25:47 | |
we're heading to the west of England, actually to Bristol. | 0:25:47 | 0:25:50 | |
Ooh-ah! | 0:25:50 | 0:25:52 | |
The Wills Memorial Building is one of Bristol's most famous | 0:25:53 | 0:25:58 | |
landmarks, and it dominates the city's skyline. | 0:25:58 | 0:26:02 | |
It was designed by local architect George Oatley, | 0:26:02 | 0:26:05 | |
seen here in the centre, at the opening ceremony in 1925. | 0:26:05 | 0:26:10 | |
It was commissioned in 1912 by the Wills family | 0:26:10 | 0:26:15 | |
in honour of Henry Overton Wills, who not only was | 0:26:15 | 0:26:19 | |
a benefactor to the university, but he also the first chancellor. | 0:26:19 | 0:26:24 | |
His instruction to Oatley, the architect, was, | 0:26:24 | 0:26:28 | |
"Build it big and build it to last." | 0:26:28 | 0:26:31 | |
The tower is reinforced concrete faced with Bath and Clipsham stone. | 0:26:32 | 0:26:39 | |
It's 215 feet tall and topped with an octagonal lantern. | 0:26:39 | 0:26:44 | |
But today, I haven't come to have a look at the architecture, | 0:26:44 | 0:26:47 | |
I've come to say hello to George. | 0:26:47 | 0:26:49 | |
Hello, George! Or Great George, as he is affectionately known. | 0:26:49 | 0:26:55 | |
When architect George Oatley was a boy, | 0:26:55 | 0:26:58 | |
he often stayed in Oxford and loved to hear the resounding chime | 0:26:58 | 0:27:01 | |
of Big Tom, the Christ Church College bell. | 0:27:01 | 0:27:05 | |
He wanted something similar for his majestic gothic tower in Bristol. | 0:27:05 | 0:27:09 | |
And the bell was the result. | 0:27:09 | 0:27:12 | |
It was cast in Loughborough in 1924. | 0:27:12 | 0:27:16 | |
It's made of bell metal, which is an alloy of copper and tin. | 0:27:16 | 0:27:21 | |
Currently, this bell is the sixth largest in the country, | 0:27:21 | 0:27:26 | |
being about 6'8" tall and 8'4" wide. | 0:27:26 | 0:27:31 | |
When it is tolled, it can be heard some 12 miles away. | 0:27:31 | 0:27:35 | |
The bell was named George after George Wills, one of its patrons, | 0:27:35 | 0:27:41 | |
George Oatley, the architect, and King George V, | 0:27:41 | 0:27:46 | |
who officially opened the Wills Memorial building in 1925. | 0:27:46 | 0:27:50 | |
But what makes Big George really special is that it is | 0:27:50 | 0:27:54 | |
the only one of the large bells that you can ring like this, manually. | 0:27:54 | 0:28:00 | |
And it is only normally rung on the death of a monarch, | 0:28:00 | 0:28:06 | |
a special occasion like the Queen Mum's 100th birthday | 0:28:06 | 0:28:09 | |
and the death of a chancellor here at the University. | 0:28:09 | 0:28:13 | |
But today, | 0:28:13 | 0:28:14 | |
we are going to be allowed to ring it for Bargain Hunt. | 0:28:14 | 0:28:20 | |
But ordinarily, every day of the week, this bell is struck | 0:28:38 | 0:28:43 | |
to tell the city of Bristol what the time is, | 0:28:43 | 0:28:46 | |
but not swung like that. | 0:28:46 | 0:28:48 | |
What happens is that enormous hammer over there is activated | 0:28:48 | 0:28:52 | |
mechanically and it will give it a dong from outside. | 0:28:52 | 0:28:56 | |
-And I make it... Oh, my gosh! -BELL TOLLS | 0:28:56 | 0:28:59 | |
Well, isn't that extraordinary? Have your seen anything like it? | 0:29:12 | 0:29:17 | |
It is ginormous for a kickoff. | 0:29:17 | 0:29:20 | |
I had no idea that that massive clapper | 0:29:20 | 0:29:23 | |
would move so slowly and create that incredible noise. | 0:29:23 | 0:29:27 | |
And if you would put your hand on it right now, | 0:29:27 | 0:29:30 | |
you can feel that for about two minutes | 0:29:30 | 0:29:33 | |
after it has stopped, it continues reverberating. | 0:29:33 | 0:29:37 | |
Let's hope today, over at the auction, | 0:29:37 | 0:29:39 | |
our teams are going to make equally big noises. | 0:29:39 | 0:29:42 | |
Hey? What's that you say? | 0:29:42 | 0:29:44 | |
Well, as a special treat, we have come east, to Kent, | 0:29:55 | 0:29:58 | |
to the Canterbury Auction Galleries, for our sale today, | 0:29:58 | 0:30:02 | |
with Anthony Pratt, proprietor and auctioneer. | 0:30:02 | 0:30:04 | |
-Hello, Anthony. -Good to have you here. -Norman and Rosie are excited. | 0:30:04 | 0:30:08 | |
Their first item is this morning dress, wedding dress, | 0:30:08 | 0:30:11 | |
-whatever it is. -I would think it is a wedding dress. | 0:30:11 | 0:30:14 | |
-Rather usual to mount it in a frame like that. -Isn't it just? | 0:30:14 | 0:30:17 | |
-Is that about 1900 in date? -Yes, I think so, absolutely. | 0:30:17 | 0:30:20 | |
-We put £60 to £80. -OK. £80 paid. | 0:30:20 | 0:30:23 | |
That is in the frame, so to speak. | 0:30:23 | 0:30:26 | |
Next, something completely different, the militaria sighting scope. | 0:30:26 | 0:30:30 | |
Nice quality, beautifully made. | 0:30:30 | 0:30:32 | |
-But sadly, not the best of conditions. -Dated 1940. | 0:30:32 | 0:30:35 | |
So, there is an important part of our historical past. | 0:30:35 | 0:30:40 | |
Absolutely. | 0:30:40 | 0:30:41 | |
So, what service this thing saw is anybody's business, isn't it? | 0:30:41 | 0:30:44 | |
What do you think it is worth, Tony? | 0:30:44 | 0:30:46 | |
-We have only put £30 to £40 on it. -Well, they only paid £20. | 0:30:46 | 0:30:49 | |
And then we've got this oddball combo, haven't we? | 0:30:49 | 0:30:52 | |
A bosun's whistle, plated, with a brass stand. | 0:30:52 | 0:30:57 | |
I don't think they have a life together. | 0:30:57 | 0:30:59 | |
I think the anchor is a watch stand, to hang a pocket watch. | 0:30:59 | 0:31:03 | |
On that little hook. Oh, I see, yes. | 0:31:03 | 0:31:06 | |
What are the two things going to be likely to bring, Tony? | 0:31:06 | 0:31:09 | |
£20 to £30 we put on them. | 0:31:09 | 0:31:10 | |
OK, fine. Well, they paid 40. They're not so far off. | 0:31:10 | 0:31:13 | |
It will all depend really on how well the dress does. | 0:31:13 | 0:31:17 | |
On that basis, they may need the bonus buy. | 0:31:17 | 0:31:20 | |
In which case, we better go have a look at it. | 0:31:20 | 0:31:22 | |
Rosie, Norman, you spent £140. You gave Anita Manning 160. | 0:31:22 | 0:31:27 | |
Anita, what did you spend it on? | 0:31:27 | 0:31:30 | |
Well, these chaps are both writers, | 0:31:30 | 0:31:32 | |
and there was only one thing that I had to buy. | 0:31:32 | 0:31:36 | |
And that was a little Victorian propelling pencil. | 0:31:36 | 0:31:42 | |
What do you think about it? It's silver, Birmingham, late 1800s. | 0:31:43 | 0:31:50 | |
Do you like it? | 0:31:50 | 0:31:51 | |
-I really like it. -I do. -It's very cool. -Can I take it now? | 0:31:51 | 0:31:55 | |
Was it a bargain? | 0:31:56 | 0:31:58 | |
Well, I hope so. | 0:31:58 | 0:32:00 | |
I paid £40 for it, which is not too dear and not too cheap. | 0:32:00 | 0:32:05 | |
I like the condition of it | 0:32:05 | 0:32:06 | |
and it might carry through for a couple of pounds profit. | 0:32:06 | 0:32:10 | |
Anyway, lovely little thing. | 0:32:10 | 0:32:11 | |
Right now, though, for the audience, | 0:32:11 | 0:32:13 | |
let's find out what the auctioneer thinks about Anita's scribe. | 0:32:13 | 0:32:16 | |
-Well, isn't that sweet? -It's beautiful. | 0:32:18 | 0:32:20 | |
A good quality Victorian silver pencil | 0:32:20 | 0:32:22 | |
and with the bloodstone set, seal to the end. | 0:32:22 | 0:32:26 | |
Not cut, but still good quality stone there. | 0:32:26 | 0:32:29 | |
How much do you think? | 0:32:29 | 0:32:30 | |
We've put 30 to 40, probably a little bit of a mean estimate. | 0:32:30 | 0:32:33 | |
You have just done that to tempt them, haven't you? | 0:32:33 | 0:32:35 | |
Well, of course. | 0:32:35 | 0:32:37 | |
-That's what auctions are about. -Anyway, Anita paid 40. | 0:32:37 | 0:32:40 | |
With any luck, you will tempt someone to pay 50 or 60 for it, | 0:32:40 | 0:32:44 | |
-and everybody will be delighted. -We'll hope so. -We'll hope so. | 0:32:44 | 0:32:47 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:32:47 | 0:32:49 | |
Their first item is the bulbous jardiniere, | 0:32:49 | 0:32:53 | |
which I have to say is one of the most hideous examples | 0:32:53 | 0:32:57 | |
I've ever seen. I mean, who is going to want to buy that? | 0:32:57 | 0:33:00 | |
It is not the best example, but it has a charm about it. | 0:33:00 | 0:33:03 | |
You can imagine some soldier or sailor coming back through | 0:33:03 | 0:33:06 | |
the Suez Canal and being stopped by some Egyptian | 0:33:06 | 0:33:08 | |
and sold this wonderful, antique jardiniere. | 0:33:08 | 0:33:11 | |
OK, fine, I take it all back, it has got some charm. | 0:33:11 | 0:33:13 | |
I'm wrong, you're right. How much? | 0:33:13 | 0:33:15 | |
-It is only worth £20 to £30. -That's OK. They only paid £15. | 0:33:15 | 0:33:19 | |
-Good buy, then. -Next is the stool. Would you make of that, Tony? | 0:33:19 | 0:33:23 | |
I think it is good quality. | 0:33:23 | 0:33:24 | |
It's not papier-mache, it is a lacquer, | 0:33:24 | 0:33:26 | |
which was made to go with papier-mache furniture. | 0:33:26 | 0:33:28 | |
But it's lacquered beech wood. | 0:33:28 | 0:33:30 | |
But this is a nice example. Sadly, it has had a very hard life. | 0:33:30 | 0:33:33 | |
-It is just a bit tired. -Yeah. | 0:33:33 | 0:33:35 | |
Because of the condition, I've been rather mean. It's £50 to £80. | 0:33:35 | 0:33:38 | |
£50 to £80? Yes, OK. Well, they spent £210. | 0:33:38 | 0:33:43 | |
Personally, I think they spent far too much on it. | 0:33:43 | 0:33:46 | |
That is a big old hole to recover from. | 0:33:46 | 0:33:49 | |
And their last item is the cake slice and the little jam spoon. | 0:33:49 | 0:33:53 | |
Probably German. | 0:33:53 | 0:33:54 | |
Probably early 20th century. But they are reasonable quality. | 0:33:54 | 0:33:57 | |
I've only put £20 to £30 on it. Again, a little on the mean side. | 0:33:57 | 0:34:00 | |
-What, you think they might bring 40 to 60? -It might, on a good day. | 0:34:00 | 0:34:04 | |
It will need to, because they paid £50. | 0:34:04 | 0:34:06 | |
Because they are in such deep trouble with that stool. | 0:34:06 | 0:34:10 | |
-Yes. -They are going to need that bonus buy, it's almost guaranteed. | 0:34:10 | 0:34:14 | |
What did Mark find? | 0:34:14 | 0:34:16 | |
-Now, Murray, Adela, you gave Mark only £25. -Only. | 0:34:17 | 0:34:22 | |
A miserable amount of money for the man to go and find a stellar object. | 0:34:22 | 0:34:26 | |
What did you find? | 0:34:26 | 0:34:27 | |
Well, Murray, could you just help me? It's rather heavy. Just... | 0:34:27 | 0:34:31 | |
-Ta-dah! -Goodness! -It is something completely different. | 0:34:31 | 0:34:34 | |
It's a doorstop, cast iron. It's quite heavy. | 0:34:34 | 0:34:37 | |
-Wow. -In the form of an admiral. -Brilliant. | 0:34:37 | 0:34:41 | |
-And most of Kent is surrounded by water. -Exactly. | 0:34:41 | 0:34:45 | |
A lot of marine history in Kent and I thought this might go down. | 0:34:45 | 0:34:49 | |
I paid just £20 for it. | 0:34:49 | 0:34:51 | |
I'd be very disappointed if it didn't make £30, £40. | 0:34:51 | 0:34:53 | |
There is a chance of a profit. | 0:34:53 | 0:34:55 | |
-I just love the fact that it is a doorstop. -Everybody needs one. | 0:34:55 | 0:34:59 | |
-Every home needs one. -Everyone needs one. -Yeah. | 0:34:59 | 0:35:01 | |
I tried to find a farmer, but I could not find a farmer doorstop. | 0:35:01 | 0:35:05 | |
-Anyway, it's a uniform, isn't it? -Exactly. | 0:35:05 | 0:35:07 | |
You decide later, after the sale of your first three items. | 0:35:09 | 0:35:12 | |
Right now, for the audience at home, | 0:35:12 | 0:35:13 | |
let's find out what the auctioneer thinks of Mark's doorstop. | 0:35:13 | 0:35:18 | |
Well, Tony, this is a weighty issue for you to consider. | 0:35:18 | 0:35:22 | |
It is nice quality. This is a useful item. | 0:35:22 | 0:35:24 | |
Victorian. It is a good-looking thing. | 0:35:24 | 0:35:26 | |
Cast iron. | 0:35:26 | 0:35:28 | |
-Not worth a great deal, is it? -£10 to £15. | 0:35:28 | 0:35:29 | |
Well, that is a tempting one again, isn't it? | 0:35:29 | 0:35:31 | |
Mark spent £20 of his £25, and he really rates him. | 0:35:31 | 0:35:35 | |
We'll see later on. | 0:35:35 | 0:35:37 | |
We certainly will. Quite a challenge. Thank you, Tony. | 0:35:37 | 0:35:40 | |
Now, you two literary greats, you have produced a little poem for us. | 0:35:48 | 0:35:52 | |
-This is true. -Is it? -Yeah. -Can we have a rendition? | 0:35:52 | 0:35:55 | |
Of course. | 0:35:55 | 0:35:57 | |
"Rosie likes this, Anita likes that. | 0:35:57 | 0:36:01 | |
"I am rather taken by an old top hat. | 0:36:01 | 0:36:03 | |
"But madness takes over and now we pin our hope | 0:36:03 | 0:36:07 | |
"on a whistle, a frock and an old telescope." | 0:36:07 | 0:36:11 | |
-I love it. Isn't he clever, your old man? -He's very clever. -Very clever. | 0:36:11 | 0:36:15 | |
-This is exciting, isn't it? Are you excited? -I'm excited. | 0:36:15 | 0:36:18 | |
I'm excited. We're all excited. | 0:36:18 | 0:36:20 | |
First item, then, is the frock in a frame, and here it comes. | 0:36:20 | 0:36:24 | |
Lot 90A is the Victorian embroidered | 0:36:24 | 0:36:26 | |
brown silk and lace wedding dress. | 0:36:26 | 0:36:28 | |
Decorative item here, Lot 90A. | 0:36:28 | 0:36:30 | |
-It looks beautiful. -50 I have. 55? 55. | 0:36:30 | 0:36:33 | |
60. 65. 70. | 0:36:33 | 0:36:36 | |
75. 80. 85. | 0:36:36 | 0:36:40 | |
Selling at £80, bid standing by the door there. On £80. | 0:36:40 | 0:36:43 | |
Oh! Wiped its face. That's not right. | 0:36:43 | 0:36:47 | |
-Anyway, better than losing money, isn't that? -Absolutely. | 0:36:47 | 0:36:51 | |
It wiped its face. It could have done more, though, couldn't it? | 0:36:51 | 0:36:54 | |
Anyway, here comes the rifle sight. | 0:36:54 | 0:36:55 | |
90B is the World War II rifle sight. | 0:36:55 | 0:37:00 | |
£30. 20 then? | 0:37:00 | 0:37:01 | |
-I can't take the stress. -Second World War. | 0:37:01 | 0:37:04 | |
20 on the Internet, I have. 25 where? | 0:37:04 | 0:37:06 | |
25. £30, Internet. | 0:37:06 | 0:37:08 | |
-35. 40. -Lovely. This is a proper job. | 0:37:08 | 0:37:12 | |
Selling at 35. | 0:37:12 | 0:37:13 | |
Bid is now in the room. | 0:37:13 | 0:37:15 | |
35 pounds, plus 15. | 0:37:15 | 0:37:17 | |
Let's not sniff at that. | 0:37:17 | 0:37:19 | |
90C. | 0:37:19 | 0:37:21 | |
The Victorian bosun's whistle and the plated anchor watch stand. | 0:37:21 | 0:37:25 | |
£20. 20? | 0:37:25 | 0:37:27 | |
20 I have. 25 where? 25 on the Internet. | 0:37:27 | 0:37:32 | |
-25 on the Internet, go Internet! -35, Internet. | 0:37:32 | 0:37:35 | |
35. Who is 40? Selling at 35. The bid is now on the Internet. | 0:37:35 | 0:37:38 | |
All in at £35. | 0:37:38 | 0:37:41 | |
Which is minus five pounds. | 0:37:41 | 0:37:43 | |
I know it is a mistake, but there we go, we are still plus ten. | 0:37:43 | 0:37:46 | |
That is a five pounds lead each. | 0:37:46 | 0:37:49 | |
-That is an achievement. -Indeed. | 0:37:49 | 0:37:51 | |
Aren't they good? So good. | 0:37:51 | 0:37:55 | |
Well done. What a relief! | 0:37:55 | 0:37:57 | |
Now, what are we going to do with the silver pencil? | 0:37:57 | 0:37:59 | |
-We're going to go with it cos it's really cool. -It is. | 0:37:59 | 0:38:02 | |
We are going with the bonus buy, and here it comes. | 0:38:02 | 0:38:05 | |
95A, the Victorian silver propelling pencil, | 0:38:05 | 0:38:07 | |
set with a bloodstone. | 0:38:07 | 0:38:08 | |
£30? | 0:38:08 | 0:38:10 | |
£30 I have. 35. | 0:38:10 | 0:38:12 | |
40. 45. 50. | 0:38:12 | 0:38:14 | |
55. 60. 65. | 0:38:14 | 0:38:15 | |
-Going to the Belgian. -75. 80. 85. | 0:38:15 | 0:38:19 | |
-It is the mighty Manning again. -Selling at £85. | 0:38:19 | 0:38:23 | |
-Bid's in the middle. All done at £85 then. -Go! £85. | 0:38:23 | 0:38:27 | |
That's why she does what she does so beautifully. | 0:38:27 | 0:38:30 | |
Plus £45 on that. You had ten before. | 0:38:30 | 0:38:33 | |
-You are plus £55. -Fantastic! -Are you happy? -Fantastic! | 0:38:33 | 0:38:37 | |
That's good, isn't it? Don't say a thing to the Blues, OK? | 0:38:37 | 0:38:40 | |
Not a word. | 0:38:40 | 0:38:41 | |
That could be a winning score, it ought to be. | 0:38:41 | 0:38:43 | |
-Fantastic result, Anita, thank you. -Thank you. -Thank you. | 0:38:43 | 0:38:46 | |
-So, kids, been talking to the Reds? -No. -No? | 0:38:54 | 0:38:57 | |
-Did you see them when they went past? -Yeah. | 0:38:57 | 0:39:00 | |
-Did they look happy or sad? -I couldn't tell. -Could you not? | 0:39:00 | 0:39:04 | |
-No. -Their poker face was hard to read. -Well, they are writers. | 0:39:04 | 0:39:07 | |
They are writers, so it is always tough. Anyway, jolly good. | 0:39:07 | 0:39:10 | |
We don't want to know, actually, that's why we keep you separated. | 0:39:10 | 0:39:13 | |
This great crowd of bidders will ultimately decide it all. | 0:39:13 | 0:39:17 | |
First up, though, is your bulbous jardiniere, | 0:39:17 | 0:39:20 | |
and here it comes. | 0:39:20 | 0:39:21 | |
110A, the Near Eastern brass bulbous jardiniere. | 0:39:21 | 0:39:24 | |
-Egyptian one. We have two bids. We'll start at £40. -No! | 0:39:24 | 0:39:28 | |
-That's brilliant! -45 someone? | 0:39:28 | 0:39:31 | |
We all done then? No further bid? | 0:39:31 | 0:39:32 | |
Selling at 40 then. | 0:39:32 | 0:39:35 | |
£40 is plus £25. And you haven't even winked. | 0:39:35 | 0:39:39 | |
110B, the Victorian black lacquer rectangular stool. | 0:39:39 | 0:39:42 | |
A large dressing stool. We have a bid of £80. | 0:39:42 | 0:39:45 | |
I love it. | 0:39:45 | 0:39:47 | |
-85 for someone? 90 on the Internet now. 100? -Yep. -And 10? | 0:39:47 | 0:39:51 | |
110. 120 on the Internet now. | 0:39:51 | 0:39:53 | |
-130? -Thank goodness for the Internet. -Go on! | 0:39:53 | 0:39:57 | |
I have a bid of 130 on the Internet. 140 anyone? | 0:39:57 | 0:40:01 | |
Selling at 130 then. | 0:40:01 | 0:40:04 | |
£130. Sorry, chaps, that is minus 80. | 0:40:04 | 0:40:08 | |
That is minus £80. | 0:40:08 | 0:40:09 | |
110C is a silver metal cake slice and a preserve spoon. £30? | 0:40:09 | 0:40:14 | |
-20 to start. Let's get it going. -I don't like the look of this. | 0:40:14 | 0:40:18 | |
110C. 20 I have. 25. | 0:40:18 | 0:40:21 | |
£30? | 0:40:21 | 0:40:22 | |
-30 on the Internet. 35. -Go Internet. -£40? | 0:40:24 | 0:40:28 | |
Selling for 35, the bid is in the room now. | 0:40:28 | 0:40:31 | |
£35 is minus £15. | 0:40:31 | 0:40:34 | |
You were minus £55, you are now minus... 55, 60. You're minus 70. | 0:40:34 | 0:40:39 | |
-You're minus £70 overall. -It's fine. | 0:40:39 | 0:40:44 | |
-It's fine. -"It's fine." | 0:40:44 | 0:40:46 | |
It's not fine at all, it's a tragedy. | 0:40:46 | 0:40:49 | |
It's that bloody stool, that's what did it. | 0:40:49 | 0:40:51 | |
Anyway, what about the doorstop? | 0:40:51 | 0:40:53 | |
-Are you going to have a punt? -Shall we go for it? | 0:40:53 | 0:40:55 | |
Yeah, we are going to go for it. | 0:40:55 | 0:40:57 | |
-I love it, don't you? Youthful enthusiasm. -Yes! | 0:40:57 | 0:41:01 | |
-You're going to go with it, yes? -Let's do it. | 0:41:01 | 0:41:03 | |
115A, the cast-iron doorstop | 0:41:03 | 0:41:05 | |
in the form of Lord Nelson. | 0:41:05 | 0:41:06 | |
We have a commission bid, starting at £45. 50 where? | 0:41:06 | 0:41:10 | |
£45! | 0:41:10 | 0:41:12 | |
-50. -Brilliant! | 0:41:12 | 0:41:15 | |
Selling at £50, the bid is in the room there. | 0:41:15 | 0:41:17 | |
We have £50 then. | 0:41:17 | 0:41:19 | |
-Thank you. -That made up for the stool. | 0:41:19 | 0:41:22 | |
£50! | 0:41:22 | 0:41:23 | |
£50! £50 is plus £30. | 0:41:23 | 0:41:28 | |
You clever... See? Wiley Welsh. | 0:41:28 | 0:41:32 | |
Oh, my gosh! Anyway, there we go. | 0:41:32 | 0:41:35 | |
That means, overall, you are only minus a miserable £40. | 0:41:35 | 0:41:39 | |
-Oh, well. -That's nothing, is it? -Nothing. -Barely a ripple. | 0:41:39 | 0:41:43 | |
Anyway, don't say a thing to the Reds. | 0:41:43 | 0:41:45 | |
It could be a winning score. All will be revealed in a moment. | 0:41:45 | 0:41:47 | |
-Thank you. -Brilliant. | 0:41:47 | 0:41:49 | |
I do love it when both of our experts turn in substantial, | 0:41:57 | 0:42:02 | |
steaming profits. | 0:42:02 | 0:42:03 | |
So, we have to congratulate both of our experts | 0:42:03 | 0:42:06 | |
today for turning in their bonus buy expected profit. | 0:42:06 | 0:42:10 | |
But what has that done for the overall score? | 0:42:10 | 0:42:12 | |
-You been chatting? No? -No. | 0:42:12 | 0:42:14 | |
Nobody knows who is marginally ahead marginally behind. | 0:42:14 | 0:42:17 | |
And I am afraid today the runners-up are, | 0:42:17 | 0:42:19 | |
because we don't have losers anymore on Bargain Hunt, | 0:42:19 | 0:42:22 | |
-The Blues. -Oh! -Quite crushingly and sadly, | 0:42:22 | 0:42:25 | |
you finished up with a total of minus 40, | 0:42:25 | 0:42:28 | |
-which is not right, is it? -No. | 0:42:28 | 0:42:30 | |
-We have seen worse, though. -We have seen worse. | 0:42:30 | 0:42:32 | |
You won't give up? You are going to stick at it? | 0:42:32 | 0:42:34 | |
-Yeah. -Keep bargain hunting. -Yes. | 0:42:34 | 0:42:36 | |
As long as we are spending other people's money. | 0:42:36 | 0:42:39 | |
Is that how it is? Anyway, so nice to have you on the show. | 0:42:39 | 0:42:43 | |
And I hope you have enjoyed your time. | 0:42:43 | 0:42:44 | |
The victors today are actually going to go home with cash. | 0:42:44 | 0:42:47 | |
They are going home with £55. | 0:42:47 | 0:42:50 | |
Look at Rosie's face, is she pleased! | 0:42:50 | 0:42:52 | |
Several years worth of income for a poet. | 0:42:52 | 0:42:55 | |
Well, isn't that lovely? | 0:42:55 | 0:42:58 | |
-Not much per line at the moment? -No. | 0:42:58 | 0:43:00 | |
Lovely to see you on the show. | 0:43:00 | 0:43:01 | |
In fact, join us soon for some more bargain hunting, yes? | 0:43:01 | 0:43:05 | |
ALL: Yes! | 0:43:05 | 0:43:06 | |
Subtitles by Red Bee Media Ltd | 0:43:06 | 0:43:10 |