Browse content similar to Devon 26. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello! Today we're in Devon, the last county in Britain where witches were put to death, | 0:00:03 | 0:00:09 | |
but we're not here for casting spells or any of that business. | 0:00:09 | 0:00:13 | |
No! Let's go bargain hunting! | 0:00:13 | 0:00:16 | |
Our home today is the West Point Arena near Exeter. | 0:00:45 | 0:00:49 | |
And having had a quick squint at our teams | 0:00:49 | 0:00:53 | |
there's just the outside chance there could be some spooky business. | 0:00:53 | 0:00:58 | |
Let's have a quick peek at what's coming up. | 0:00:58 | 0:01:02 | |
Today it's all about opposites. The Reds prefer the logic of science. | 0:01:02 | 0:01:08 | |
Logic has been employed... | 0:01:08 | 0:01:10 | |
Whereas the Blues turn to witchcraft to summon up a profit. | 0:01:10 | 0:01:15 | |
-We're going to use our vibes. OK, ready? -OK. | 0:01:15 | 0:01:18 | |
-Can you feel it? -I can feel it! # -Can I feel it? -# | 0:01:18 | 0:01:23 | |
Here's a quick reminder of the rules. Each team gets £300 and an hour to shop for three items | 0:01:24 | 0:01:30 | |
which they sell later at auction. The team wins that makes the most profit or the least loss. | 0:01:30 | 0:01:36 | |
So let's meet today's teams. | 0:01:36 | 0:01:39 | |
On today's show we've got boys versus girls, best mates versus best mates. | 0:01:43 | 0:01:49 | |
-For the Reds, we've got Lawrie and Paddy. And for the Blues, we've got Claire and Yola. Hi! -Hello! | 0:01:49 | 0:01:56 | |
-Lawrie, how did you and Pads meet? -We were at University of Exeter. | 0:01:56 | 0:02:01 | |
On the first day our eyes met across the room at the gym and the rest is history. | 0:02:01 | 0:02:06 | |
-You thought, "He's muscular. I'll go for him"? -We were both skinny. | 0:02:06 | 0:02:10 | |
-What are you up to now? -I'm studying a Master's in Economics at Oxford | 0:02:10 | 0:02:15 | |
and Paddy's studying water environmental management at Bristol. | 0:02:15 | 0:02:19 | |
-So you are perpetual students. -We are. -You got into the groove. | 0:02:19 | 0:02:24 | |
-We don't want to get away. -So is a doctorate coming your way? Prolong it another 4 or 5 years? | 0:02:24 | 0:02:30 | |
-Potentially, yes. Paddy's doing a PhD. -This is something else! | 0:02:30 | 0:02:34 | |
Absolutely marvellous. What do you do in your spare time? | 0:02:34 | 0:02:38 | |
I've been in a band for a while and we played some festivals and I enjoy sport as well. | 0:02:38 | 0:02:44 | |
-What sort of sports? -I rowed at Oxford for a while, but I'm giving that a miss now. | 0:02:44 | 0:02:50 | |
Cycling will be the next one. | 0:02:50 | 0:02:52 | |
-Paddy, you're interested in antiques? -Well, yeah, my mother is an artist and a painter. | 0:02:52 | 0:02:58 | |
My brother's a sculptor and stonemason, so I have an appreciation for art. | 0:02:58 | 0:03:03 | |
Being scientists, we do like scientific instruments. | 0:03:03 | 0:03:08 | |
Some sell for a big old price. So what are your tactics - spend it all, or nothing? What? | 0:03:08 | 0:03:15 | |
We're going to go out pretty hard, pretty fast. Spend big. Go outrageous, I think. | 0:03:15 | 0:03:21 | |
-Get some quirky items. -Gosh! Stand by for this. | 0:03:21 | 0:03:25 | |
If it goes with your pimped up hats, it should be quite a performance. | 0:03:25 | 0:03:30 | |
Well done. Very nice to meet you. Girls, are you quaking? | 0:03:30 | 0:03:33 | |
-No! -You're not. | 0:03:33 | 0:03:36 | |
-So how did you meet Yola? -We met at college about...sixteen years ago. | 0:03:36 | 0:03:42 | |
-Since then we've been best friends. -And what do you do now, Claire? | 0:03:42 | 0:03:48 | |
I support families with children in care. I supervise the contacts between children and parents. | 0:03:48 | 0:03:54 | |
-Is this social services? -It is. | 0:03:54 | 0:03:56 | |
-Is that a fun job or...? -It can be. It can be hard at times. | 0:03:56 | 0:04:01 | |
You never know what you're going to get from day to day. | 0:04:01 | 0:04:05 | |
-Quite stressful, I would think. -It can be. | 0:04:05 | 0:04:08 | |
-What line of work are you in, darling? -I work with homeless people as a meaningful occupation worker. | 0:04:08 | 0:04:15 | |
I organise activities and make sure people have proper life skills and we lobby government | 0:04:15 | 0:04:22 | |
-for specific causes as well. It's a busy role. -I bet it is. | 0:04:22 | 0:04:27 | |
-What do you like to collect? -I like things from the occult. | 0:04:27 | 0:04:32 | |
I like things a little bit spooky and magical. | 0:04:32 | 0:04:36 | |
Could you be sufficiently drawn to something that you could predict how much profit it would make? | 0:04:36 | 0:04:42 | |
-Why bother going to the auction? Just get this kid... -It'd be a boring programme! | 0:04:42 | 0:04:49 | |
That's a brilliant concept. So what are your tactics? What'll you get up to? | 0:04:49 | 0:04:54 | |
-We'll just wait for something to attract us... -Jump out at you. -And we'll chat to our expert. | 0:04:54 | 0:05:00 | |
Very sensible. What fun. Here we go, then. £300 apiece. | 0:05:00 | 0:05:05 | |
You know the rules. Your experts await. And off you go! Very, very, very good luck. | 0:05:05 | 0:05:10 | |
Love the hairdo. | 0:05:10 | 0:05:13 | |
Hoping to ride to victory for the Reds today is expert Philip Serrell. | 0:05:17 | 0:05:22 | |
And brushing up on some magic for the Blues is antiques wizard Charles Hanson. | 0:05:22 | 0:05:28 | |
We've got two young girls to take on. How will we apply ourselves to this? | 0:05:29 | 0:05:34 | |
We'll exploit the powers of logic that we've built up in education. | 0:05:34 | 0:05:39 | |
-Do you feel vibes? -I do. -Really? -Really. -What are they telling you? | 0:05:39 | 0:05:44 | |
Well, you're just drawn to things. Like you're drawn to a partner that you fancy. | 0:05:44 | 0:05:49 | |
I think the same thing with objects. | 0:05:49 | 0:05:51 | |
We'll use mathematical reasoning. Buy low, sell high. | 0:05:51 | 0:05:55 | |
Oh, Lord help us. Come on. | 0:05:55 | 0:05:59 | |
-Can you feel the vibe now? Yola? -Yes, I can feel the vibe. -Look at those vases. | 0:05:59 | 0:06:05 | |
-What are they saying to you? -They're saying, "Look at my bottom!" -Oh! | 0:06:05 | 0:06:09 | |
Focus the mind. | 0:06:11 | 0:06:14 | |
-Look at them. -They're fun. -Aren't they wonderful? | 0:06:14 | 0:06:19 | |
-Oh, just look at those vases. They have a wonderful magic about them. -Haven't they? | 0:06:19 | 0:06:26 | |
-They are £1,800. -I don't think the love we're expressing... -The magic isn't working, is it? | 0:06:26 | 0:06:32 | |
-Onwards! -Onwards! | 0:06:32 | 0:06:35 | |
Onwards and upwards, exactly. | 0:06:35 | 0:06:37 | |
Hope you're still feeling the vibe, girls. | 0:06:37 | 0:06:40 | |
So the search continues and no stone is left unturned in the quest for a bargain. | 0:06:40 | 0:06:46 | |
Correct me if I'm wrong. These are a set of oars. They look too short to be out of an eight. | 0:06:46 | 0:06:53 | |
Mm. We've had a closer look. This looks like the ceremonial blade | 0:06:53 | 0:06:57 | |
given to the First Eight crew of Oriel College during summer racing. | 0:06:57 | 0:07:02 | |
As you can see here, we have the four colleges of the Oriel team in 1949. | 0:07:02 | 0:07:08 | |
And same here for the First Eight. | 0:07:08 | 0:07:11 | |
The other thing is that they are very much a ceremonial thing. | 0:07:11 | 0:07:15 | |
It's a sacred rite to have earned one. As we can see on the back, | 0:07:15 | 0:07:19 | |
they would have been mounted on the wall of whoever won them in 1949. | 0:07:19 | 0:07:25 | |
-You both like these, do you? -Definitely. -Well, let's not show too much enthusiasm here. | 0:07:25 | 0:07:31 | |
Sir? | 0:07:31 | 0:07:32 | |
What's the best you can do on the pair? | 0:07:32 | 0:07:36 | |
-Very best. -90. | 0:07:36 | 0:07:39 | |
-£90 the pair? -£90. -What do you think, guys? | 0:07:39 | 0:07:43 | |
-It's a good price. -Is that the very best? There is no more? -That's it. End of story. | 0:07:43 | 0:07:50 | |
-Do you like them? -I really like them. -A lot of blood, sweat and tears have gone into these boys. | 0:07:50 | 0:07:57 | |
-Get the money, girls. Pay the man. -Thank you so much. | 0:07:57 | 0:08:01 | |
Pulling away smartly from the starting line, | 0:08:01 | 0:08:06 | |
the Reds take the lead, just 10 minutes into the shop. | 0:08:06 | 0:08:11 | |
-So what's this, then? -This is a fantastic cauldron. | 0:08:11 | 0:08:14 | |
-Could you cast a spell on this? Could you actually cast a spell? -I could. -Really? -Yes. | 0:08:14 | 0:08:20 | |
-Yeah... -So could you turn it into a frog or something? -No! | 0:08:20 | 0:08:25 | |
What you send out comes back to you. If I turned you into a frog, | 0:08:25 | 0:08:30 | |
-what on earth would I become?! -With those ears, perhaps a witch's cat. | 0:08:30 | 0:08:35 | |
Miaow! | 0:08:35 | 0:08:37 | |
-Selling to people at auction, they'll be used to the same things, but something different... -OK. | 0:08:37 | 0:08:43 | |
Well, let's go...let's go over here and see what we can find. | 0:08:43 | 0:08:48 | |
Oh, Claire, look at this! This is pretty damn gorgeous. | 0:08:48 | 0:08:53 | |
-Absolutely. -Look at this. | 0:08:53 | 0:08:56 | |
What I like is it's a soft wood. It's well carved. Late Victorian. | 0:08:56 | 0:09:01 | |
-And the plate glass appears to be original. -Yeah. -Quite a stylish mirror, actually. | 0:09:01 | 0:09:07 | |
Aha! Now this is interesting. | 0:09:07 | 0:09:09 | |
Isn't it just some mathematician drawing...? | 0:09:09 | 0:09:13 | |
No. I don't know what they mean because everyone has their own... They're like hieroglyphics almost. | 0:09:13 | 0:09:19 | |
-They're a code for some sort of spell. A witch's scrying mirror. -A witch's...? -Scrying mirror. | 0:09:19 | 0:09:25 | |
-So it would have... it would have belonged to a witch? -Oh, yes, most definitely. | 0:09:25 | 0:09:31 | |
-Or given to a witch, for sure. -Well, I'm spellbound. | 0:09:31 | 0:09:35 | |
-No, I am. -Can we get it, then? -How much is it? -What does it say? | 0:09:35 | 0:09:40 | |
-£48 it says. -Ah... -Shall we try and haggle? | 0:09:40 | 0:09:44 | |
-Hello! -Morning. -Morning, sir. Good morning to you. | 0:09:44 | 0:09:49 | |
We're admiring this mirror. Priced at £48. What's the best price? | 0:09:49 | 0:09:54 | |
The very best I would normally do would be 35. | 0:09:54 | 0:09:58 | |
-What about 30? -I can't do that. Who's your opposition today? | 0:09:58 | 0:10:02 | |
-Philip Serrell. -Then I can find a little bit more. | 0:10:02 | 0:10:07 | |
-Yay! -I can do 33. It gives me a £3 profit. | 0:10:07 | 0:10:11 | |
-I reckon that's good. -I've never sold a witch's item, but this is a first. | 0:10:11 | 0:10:16 | |
I think at £33 with a guide price hopefully between 30 and 40, it stands a good chance. | 0:10:16 | 0:10:22 | |
I'd normally say that's the death, but I'll say it's the best I can do. | 0:10:22 | 0:10:27 | |
-Good idea! -Yeah. It's up to you. -Yeah. -Yeah. -Yes, we'll take it, sir. | 0:10:27 | 0:10:33 | |
So the bewitching Blues have now purchased their first item. | 0:10:33 | 0:10:37 | |
Is Charles starting to fall under their spell? | 0:10:37 | 0:10:41 | |
Let's have a look in here, my love. | 0:10:41 | 0:10:43 | |
-Now you did want quirky. -We did want quirky. -Do you know what this is? | 0:10:43 | 0:10:49 | |
-I have no idea. -Shall I give you a clue? | 0:10:49 | 0:10:53 | |
-What you always wanted! -A moustache brush. | 0:10:53 | 0:10:57 | |
We expect a bit more luxurious growth. Imagine the Edwardian gentleman brushing his moustache. | 0:10:57 | 0:11:04 | |
-I've never seen one before. -Nor are you likely to again! | 0:11:04 | 0:11:08 | |
-Do you like it? -It is the quirkiness we required. | 0:11:08 | 0:11:12 | |
I think it's brilliant. Brushing your moustache is quite a funny image with that. | 0:11:12 | 0:11:18 | |
What's the price on that? 38? | 0:11:18 | 0:11:20 | |
-What's the best you could do on that one, love? -Em, I'll do 30. | 0:11:20 | 0:11:25 | |
-30. -You see, I think that's going to make £20-£30 at auction, | 0:11:25 | 0:11:29 | |
-which means we need to try to get it lower. -Could you do 25? | 0:11:29 | 0:11:34 | |
-It's up to you, my love. -Yeah. -So we'll have that? -For 25. | 0:11:36 | 0:11:41 | |
-Thank you very much. -Thank you very much. | 0:11:41 | 0:11:44 | |
Grooming themselves for calculated success, that's the second item for the Reds. | 0:11:44 | 0:11:51 | |
-I think we're doing quite well. -19 minutes on the clock, got two items, spent £115. | 0:11:51 | 0:11:56 | |
Maximising efficiency. Logic was employed. | 0:11:56 | 0:12:00 | |
They're doing really well. The danger is to relax | 0:12:00 | 0:12:04 | |
and if we take our foot off the pedal it can all go horribly wrong. | 0:12:04 | 0:12:08 | |
Now let's take a peek at what I've found over here. | 0:12:09 | 0:12:13 | |
These places are marvellous, aren't they? Just look at this fellow. | 0:12:15 | 0:12:20 | |
Doesn't look very special in this tatty and filthy frame, | 0:12:20 | 0:12:24 | |
but if I turn it over and if we carefully remove the card back, | 0:12:24 | 0:12:30 | |
and take the picture out, | 0:12:30 | 0:12:32 | |
you can see that what we've got here is rather fun. | 0:12:32 | 0:12:37 | |
We've got a bloke who's got a nose | 0:12:37 | 0:12:40 | |
that is the colour of a pillar box that is positively throbbing. | 0:12:40 | 0:12:46 | |
He has spent a lifetime pouring alcohol down his throat. | 0:12:46 | 0:12:51 | |
He's riding his trusty mare which is about to refuse a fence. | 0:12:51 | 0:12:56 | |
And as the horse has put the brakes on, so this drunken man | 0:12:57 | 0:13:03 | |
is about to be projected over the top of the horse's head | 0:13:03 | 0:13:07 | |
and land on the other side. Tee hee hee. There's an inscription. | 0:13:07 | 0:13:12 | |
"Blow'd if I shan't be spilt and no mistake!" | 0:13:12 | 0:13:17 | |
What he's saying is, "I'm blowed if I'm not about to fall off," | 0:13:17 | 0:13:21 | |
which he is. And it's likely to be the work of a man called John Leech. | 0:13:21 | 0:13:26 | |
He became a famous illustrator for Punch magazine. | 0:13:26 | 0:13:30 | |
But he was also known as a caricaturist and that's what this is. | 0:13:30 | 0:13:35 | |
As a Leech caricature this thing is worth about £150-£250. | 0:13:35 | 0:13:43 | |
What would it cost you here today in Exeter? In the tatty old frame it could be yours for 30. | 0:13:43 | 0:13:50 | |
Back to the shopping. We're halfway through and it's time to talk team tactics. | 0:13:50 | 0:13:56 | |
We've got £115. To spend £100 on something would be nice. | 0:13:56 | 0:14:00 | |
-Well-calculated spending. -No pressure on Phil here(!) | 0:14:00 | 0:14:04 | |
-Claire, we have to get spooky. We need to use our vibes. -Yes. | 0:14:04 | 0:14:08 | |
-OK, ready? -OK. | 0:14:08 | 0:14:10 | |
-Can you feel it? -I can feel it! # -Can I feel it? -# | 0:14:10 | 0:14:14 | |
Hmm, very different plans. Logic versus the occult. That's a first for Bargain Hunt. | 0:14:14 | 0:14:20 | |
-Isn't that a lovely chair? -Yes. | 0:14:22 | 0:14:24 | |
-And how much is that lovely chair, Charles? -If you were a lady in the late 17th century, | 0:14:24 | 0:14:30 | |
-this could have been in your hallway. Isn't it great? -Yeah. -1680. A chair. | 0:14:30 | 0:14:36 | |
Who was King of England then? Charles II. | 0:14:36 | 0:14:39 | |
-Ah! -So it's his period. Just look at the quality. | 0:14:39 | 0:14:44 | |
This arch cresting is typical of the 1680s, 1690s. | 0:14:46 | 0:14:51 | |
This seat is new. Yeah, this is all new. | 0:14:51 | 0:14:55 | |
I just think that's a nice chair. | 0:14:55 | 0:14:58 | |
-Are we going to make money on this? -What do you think? | 0:14:58 | 0:15:02 | |
-If the price came down a little bit. -Can't I put it up? -No! | 0:15:02 | 0:15:06 | |
-Go on, go on. -Put it down even more. | 0:15:06 | 0:15:10 | |
-That could be £90. -OK. -I like the chair, but I don't like the £90. | 0:15:10 | 0:15:16 | |
Don't you? 85. | 0:15:16 | 0:15:18 | |
-- 83. - 83?! -Go on! | 0:15:18 | 0:15:21 | |
- Oh, no. - £83.50! | 0:15:21 | 0:15:24 | |
- Go on. - Where do you find these women? | 0:15:24 | 0:15:27 | |
-Do you know, I don't know?! -Please, please. -All right, then. | 0:15:27 | 0:15:32 | |
And that's the second purchase for the Blues. Well done, girls. | 0:15:32 | 0:15:37 | |
You're certainly persuasive. What's this? Time for Shakespeare? | 0:15:37 | 0:15:41 | |
Double double, toil and trouble? | 0:15:41 | 0:15:44 | |
Fire burn and cauldron bubble! | 0:15:44 | 0:15:47 | |
They're a handful, but I'm enjoying it. We came across that interesting mirror with that witch feel to it. | 0:15:47 | 0:15:54 | |
But I took them back to the real history of that wonderful late-17th century chair. | 0:15:54 | 0:15:59 | |
So far, so good. I think we've got an interesting last 15 minutes. | 0:15:59 | 0:16:04 | |
Like a hell broth, boil and bubble! | 0:16:04 | 0:16:07 | |
Hmm, we don't normally get quotes from Macbeth on this show. | 0:16:13 | 0:16:17 | |
Meanwhile, the pressure is getting to our Reds who need a sit down. | 0:16:17 | 0:16:22 | |
It's good for a rest, this one. Phil, what are you thinking? | 0:16:22 | 0:16:26 | |
-Come rest with us. -I quite like that. | 0:16:26 | 0:16:29 | |
It's only when you stand here, underneath it's shaped, isn't it? | 0:16:29 | 0:16:34 | |
Yep. | 0:16:34 | 0:16:35 | |
I bought a pair of these in France for 100 euros, so how much is this? | 0:16:35 | 0:16:40 | |
-£100. -That's double up, isn't it? | 0:16:40 | 0:16:42 | |
Why do you two like this? | 0:16:42 | 0:16:45 | |
We've got lots of benches at home and I like how sturdy it is. | 0:16:45 | 0:16:49 | |
-My brother's a carpenter so I like wooden things. It's quite well made. It's nice. -Yeah. | 0:16:49 | 0:16:54 | |
Let's have a look at it. | 0:16:54 | 0:16:56 | |
I do like that. I don't know how accidental that is or not. | 0:16:56 | 0:17:01 | |
-Mortise and tenon here, look. -I like that. -Let's get the man over. | 0:17:01 | 0:17:06 | |
-See what he can do. -Good sir... | 0:17:06 | 0:17:09 | |
-Could you do £60? -< 55. -£55. | 0:17:09 | 0:17:13 | |
-Done. -I think we can do that. -I think you got a good buy there. | 0:17:14 | 0:17:18 | |
-He's been really good to you. -Thank you very much. We have a deal. -Thank you very much. | 0:17:18 | 0:17:23 | |
-Are you two going to carry it? -Oh, yeah. -Follow me. | 0:17:23 | 0:17:28 | |
Ready? Legs apart, lift together. | 0:17:28 | 0:17:30 | |
Ready? Off we go. | 0:17:30 | 0:17:32 | |
Frogmarched by Phil, the boys can bench press away | 0:17:32 | 0:17:36 | |
knowing that all three items are well and truly in the bag. | 0:17:36 | 0:17:40 | |
-It's all three pieces. -Oh, wow! | 0:17:40 | 0:17:42 | |
And it's French, apparently. It's Poseidon or Neptune. | 0:17:42 | 0:17:47 | |
-OK. -Yes. -Claire, observations? | 0:17:47 | 0:17:51 | |
-Em, it's... -A garniture. -It's a garniture. -Which is...? | 0:17:51 | 0:17:55 | |
-I don't know. -What's a garniture? -You tell us. | 0:17:55 | 0:17:59 | |
Essentially, here's your centrepiece. | 0:17:59 | 0:18:03 | |
Your very desirable pewter or bronze. | 0:18:03 | 0:18:06 | |
So it's a bronze-coated clock, which is, of course, Neptune. | 0:18:06 | 0:18:11 | |
And then, secondly, you've got your two little supports of your garniture. | 0:18:11 | 0:18:18 | |
-Seamen. -Here's a fisherman or seaman. -They can be taken off. -I quite like these, actually. | 0:18:18 | 0:18:24 | |
They're a real statement piece. | 0:18:24 | 0:18:26 | |
-And how much is it? -I think 175. | 0:18:26 | 0:18:29 | |
And I would say, Yola, if it came into auction its market value | 0:18:29 | 0:18:34 | |
is probably between £100 and £200. | 0:18:34 | 0:18:37 | |
And it's the sort of thing that a high decorator's market would be happy to buy. | 0:18:37 | 0:18:43 | |
-There's one best price only. -OK. -£110. | 0:18:43 | 0:18:47 | |
-I really like it, I have to say. -And it did call us. -Yeah. -OK. | 0:18:47 | 0:18:51 | |
-Yeah, are you sure? Do it! -Happy! Sure! Do it! Sir, we'll take it. Thanks ever so much. | 0:18:51 | 0:18:58 | |
Marvellous. The Blues now have all three items. Having worked a little magic on the shopping | 0:18:58 | 0:19:03 | |
their ultimate test is now on Charles. | 0:19:03 | 0:19:07 | |
-I know you're not really into my magic things. -No, it unnerved me. | 0:19:07 | 0:19:12 | |
-Don't. I'm nice, I'm nice, honestly. -OK. -But I want to prove to you that magic exists. Ready? | 0:19:12 | 0:19:18 | |
ALL: One, two, three! | 0:19:18 | 0:19:21 | |
Ribbit! | 0:19:22 | 0:19:24 | |
That's it. Time's up. That's your lot. Let's check out what the Reds have got. | 0:19:24 | 0:19:30 | |
An awesome pair of illuminated Oxford University blades rowed in at £90. | 0:19:30 | 0:19:37 | |
They shaved £25 off their budget by investing in a silver moustache brush. | 0:19:37 | 0:19:44 | |
And finally they paid £55 for an elm Arts and Crafts-style bench. | 0:19:44 | 0:19:50 | |
That's the trouble with a chancey oar, isn't it? | 0:19:51 | 0:19:55 | |
You can never rely on it being a cutting-edge blade. | 0:19:55 | 0:19:59 | |
Now listen, chaps, which is your favourite piece, Pads? | 0:19:59 | 0:20:04 | |
-I think the moustache comb. -Is it? -It's quirky, interesting, a bit out there. -A bit on here. | 0:20:04 | 0:20:11 | |
-I would emphatically agree. -So the favourite is the moustache comb. What'll bring the biggest profit? | 0:20:11 | 0:20:18 | |
-I think the bench. -The bench? -I thought the oars, but I think the bench now as well. | 0:20:18 | 0:20:24 | |
Yes. It's special that bench. | 0:20:24 | 0:20:27 | |
-It's nice. -OK, fine. So you spent how much in total? | 0:20:27 | 0:20:31 | |
-170? -£170. -£130 of leftover lolly, please. | 0:20:31 | 0:20:35 | |
-He's the accountant. -There you go. -130. That goes straight over to the Serrell. -Yeah. | 0:20:35 | 0:20:41 | |
-Who I hope will blow the lot. -What I really want is a hat so I'll try to find one. | 0:20:41 | 0:20:47 | |
-It's the way forward. -It'll cost you a good deal less than £130. Good luck! | 0:20:47 | 0:20:54 | |
Meanwhile, check out what the Blue team bought. | 0:20:54 | 0:20:58 | |
Our spellbound Blues bought a carved witch's mirror for £33. | 0:20:58 | 0:21:03 | |
They spent £83.50 on a late-17th-century walnut and elm chair. | 0:21:03 | 0:21:09 | |
And ooh-la-la! Finally, they spent £110 on a spelter French clock garniture. | 0:21:09 | 0:21:16 | |
Cor, that was a shop, girls! Was that not a shop? | 0:21:18 | 0:21:22 | |
-Have you been frightening the natives? -I frightened Charles. | 0:21:22 | 0:21:27 | |
-Aww. He's not so easily scared, Charles. -Oh, you'd be surprised! | 0:21:27 | 0:21:33 | |
-Listen, which is your favourite piece? -The chair. -That's your favourite? -It's very nice. | 0:21:35 | 0:21:40 | |
-Do you go along with that? -No, witch's mirror for me. | 0:21:40 | 0:21:43 | |
-Is that going to bring the biggest profit? -I think it is, yeah. | 0:21:43 | 0:21:48 | |
-Possibly. -Best not to go against her, I'd say. | 0:21:48 | 0:21:51 | |
OK, fine. And you spent how much in total? | 0:21:51 | 0:21:55 | |
226.50. | 0:21:55 | 0:21:58 | |
So do I get £73.50? | 0:21:58 | 0:22:00 | |
-Correct. -£73.50. -There you go. -And that is a cussed amount of money... -Absolutely. | 0:22:00 | 0:22:06 | |
-..to count up. -And some change as well. -Make sure you spend the 50. -I will indeed. | 0:22:06 | 0:22:11 | |
-Have you got any idea what you're going to buy? -Something mystical, magical. | 0:22:11 | 0:22:15 | |
I'm feeling spellbound by this lady here, so something to really conjure up something quite exciting. | 0:22:15 | 0:22:22 | |
You've dreamt up all the words. You got the whole lot out, mate. Well done. | 0:22:22 | 0:22:28 | |
Anyway, very good luck. Have a nice cup of tea. | 0:22:28 | 0:22:30 | |
Meanwhile, we're heading off somewhere absolutely gorgeous. | 0:22:30 | 0:22:34 | |
Welcome to Antony in Cornwall, | 0:22:42 | 0:22:46 | |
named Antony after the parish in which it resides. | 0:22:46 | 0:22:50 | |
This has been home to the Carew family for hundreds of years. | 0:22:50 | 0:22:55 | |
The Carews are an ancient family, deriving their name from Carew Castle in Pembrokeshire. | 0:22:57 | 0:23:03 | |
They first settled here in Cornwall in the early 15th century. | 0:23:03 | 0:23:07 | |
Over the next 500 years, | 0:23:10 | 0:23:13 | |
the family have accumulated a considerable collection of antiques and works of art, | 0:23:13 | 0:23:19 | |
for example, set off by this original, grey and white marble fire surround, | 0:23:19 | 0:23:24 | |
fitted when the house was built in the 1720s. | 0:23:24 | 0:23:28 | |
But some of the furniture in the place truly is spectacular. | 0:23:29 | 0:23:34 | |
And on this side of the room, the most eye-catching piece is this side table. | 0:23:34 | 0:23:40 | |
Just look at the detail in this. | 0:23:40 | 0:23:42 | |
This is a table made around 1715 to 1725. | 0:23:42 | 0:23:48 | |
The masks themselves are very unusual. | 0:23:48 | 0:23:51 | |
He's got short, little horns and a very jovial face | 0:23:51 | 0:23:56 | |
because he's connected with Bacchus, God of drink and all that jollity, | 0:23:56 | 0:24:02 | |
and this table probably originally stood in a dining room, | 0:24:02 | 0:24:07 | |
covered in bottles and accoutrements connected with drink. | 0:24:07 | 0:24:12 | |
The really unusual feature, though, is the foot on each of the four supports. | 0:24:12 | 0:24:18 | |
That has been carved in the round naturalistically with a horse's hoof. | 0:24:18 | 0:24:23 | |
Very, very strange and rare. | 0:24:23 | 0:24:26 | |
If you look at the house brochure, there's a suggestion | 0:24:26 | 0:24:31 | |
that this table is the work of the famous Exeter cabinet-maker, John Channon. | 0:24:31 | 0:24:37 | |
As John Channon was born in 1711, | 0:24:37 | 0:24:39 | |
it's unlikely that he was capable of making a table quite as good as this | 0:24:39 | 0:24:45 | |
when he was only nine or ten years of age, | 0:24:45 | 0:24:48 | |
so he's not the cabinet-maker. | 0:24:48 | 0:24:51 | |
But it is possible that another piece of furniture in this room, | 0:24:51 | 0:24:55 | |
which has got a German root to it, | 0:24:55 | 0:24:58 | |
might be connected with John Channon. | 0:24:58 | 0:25:00 | |
That's because this piece on the other side of the room is German. | 0:25:02 | 0:25:06 | |
This was made at the beginning of the Rococo period. | 0:25:06 | 0:25:11 | |
And what we've got is an elaborate arrangement of drawers and surfaces, | 0:25:11 | 0:25:16 | |
applied with gilt metal mounts. | 0:25:16 | 0:25:19 | |
Open it up and a very handsome writing surface is revealed. | 0:25:21 | 0:25:26 | |
And because this thing is German, it's properly engineered | 0:25:26 | 0:25:30 | |
with these structural struts that support this, | 0:25:30 | 0:25:33 | |
so that a man could write quite meaty papers on this leather surface | 0:25:33 | 0:25:38 | |
with all the accoutrements and bits and pieces that he might use in the fitted back. | 0:25:38 | 0:25:45 | |
If I shut it up, we can have a demonstration of just how practical this piece is | 0:25:45 | 0:25:52 | |
because around the knee hole here, we've got some useful drawers. | 0:25:52 | 0:25:56 | |
A standard drawer there like that, look, with oak linings. | 0:25:56 | 0:26:00 | |
And if we take the key, try down below, this is a cupboard door | 0:26:00 | 0:26:05 | |
and it opens to reveal another drawer. | 0:26:05 | 0:26:08 | |
It's got a double lock to that which with a bit of effort and heave-ho... | 0:26:09 | 0:26:13 | |
Whoopsy! With a hinged flap like that, | 0:26:13 | 0:26:17 | |
it reveals an oak strong box | 0:26:17 | 0:26:20 | |
because this is where the master of the house would have stuffed all those wads of cash. | 0:26:20 | 0:26:25 | |
Wads and wads of £300! | 0:26:25 | 0:26:29 | |
Just like the wads of £300 that we gave our teams to spend, | 0:26:29 | 0:26:33 | |
the fruits of which we're about to see over at the auction. | 0:26:33 | 0:26:38 | |
Today, we've come east to Bearnes Hampton & Littlewood's Saleroom in Honiton | 0:26:47 | 0:26:54 | |
-to be with Brian Goodison-Blanks. Brian, good morning. -Good morning. -Lovely to be here. | 0:26:54 | 0:27:00 | |
Gosh, we've got a selection of objects today! | 0:27:00 | 0:27:03 | |
First of all, these two oars. | 0:27:03 | 0:27:05 | |
They're quite interesting. They're nicely illuminated. | 0:27:05 | 0:27:09 | |
This is the Oxford University Boat Club for the coxswainless fours. | 0:27:09 | 0:27:13 | |
One of them has suffered a bit with the varnish over the years and has deteriorated. | 0:27:13 | 0:27:18 | |
-And they've been chopped down. -And remounted on these poles. They should make £60 to £80. | 0:27:18 | 0:27:24 | |
-£90 paid by our... -Right. -..coxless two. | 0:27:24 | 0:27:28 | |
Anyway, there we go. Next is the so-called moustache brush. | 0:27:28 | 0:27:33 | |
That's rather interesting. Not a moustache, but more of a muff brush in the small leather purse like that. | 0:27:33 | 0:27:40 | |
This is for a lady and not many ladies that I know have moustaches. | 0:27:40 | 0:27:46 | |
It's not unknown, but generally, they wouldn't go around with a brush to brush their moustache, | 0:27:46 | 0:27:51 | |
so something else about their person is the answer, isn't it? | 0:27:51 | 0:27:55 | |
-You're quite right. -It's a muff brush. They have it on a chain. | 0:27:55 | 0:27:59 | |
This is just to keep the stole or the fur in nice condition. | 0:27:59 | 0:28:03 | |
-It's quite a rare thing, actually. -It is quite unusual. | 0:28:03 | 0:28:07 | |
And it may make £10 to £15. | 0:28:07 | 0:28:09 | |
-£10 to £15? -Yes, it could do a bit more. -£25 they paid. -Right. | 0:28:09 | 0:28:13 | |
And last but not least is the lovely bench | 0:28:13 | 0:28:17 | |
which is a nice colour and a bench is a very practical thing in a kitchen or a hallway. | 0:28:17 | 0:28:22 | |
It's a good thing. With larger pieces of furniture, modern houses are a little bit small, | 0:28:22 | 0:28:28 | |
-but it's a well-made, hand-crafted thing. -What's your estimate? | 0:28:28 | 0:28:32 | |
-About £50 to £60. -That's great. They paid £55. That's bang in the middle. | 0:28:32 | 0:28:36 | |
Super-duper. They'll do all right. | 0:28:36 | 0:28:38 | |
They'll not need their bonus buy, but let's have a look at it anyway. | 0:28:38 | 0:28:42 | |
OK, Lawrie, Paddy, this is exciting. | 0:28:42 | 0:28:45 | |
You spent £170. You gave P Serrell 130 to spend. | 0:28:45 | 0:28:49 | |
-We'll take the rag off and that's what he bought. -Oh, wow! | 0:28:49 | 0:28:54 | |
-Is that a good "wow" or a bad "wow"? -It's lovely. | 0:28:54 | 0:28:57 | |
-It's a chest? -Yeah. -Come on, let's pick it up. | 0:28:57 | 0:29:00 | |
I said I'd get something sort of Bargain Hunt related and I think that's a Bargain Hunt bargain. | 0:29:00 | 0:29:07 | |
It cost me 40 quid and it's a coaching trunk, I would think, hide...leather covered. | 0:29:07 | 0:29:13 | |
It would date somewhere, I would think, between... | 0:29:13 | 0:29:16 | |
If you were lucky, it's 1780 and if you weren't so lucky, it would be about 1820, 1830. | 0:29:16 | 0:29:22 | |
And I paid 40 quid for it which I think is nothing. | 0:29:22 | 0:29:25 | |
-What might this sell for? -I think it would at least... I hope double its money. | 0:29:25 | 0:29:30 | |
If we're really lucky, it might make three figures. It's an old-fashioned lot and I think it'll do all right. | 0:29:30 | 0:29:35 | |
Add it to the rest of the profits that we make today. | 0:29:35 | 0:29:39 | |
-I love the optimism. -The innocence of youth! | 0:29:39 | 0:29:43 | |
On that lovely note, why don't we find out what the auctioneer thinks about Phil's chest? | 0:29:43 | 0:29:49 | |
Right, Brian, a little something for the weekend. | 0:29:50 | 0:29:53 | |
Yes, something you can pack to go away for the weekend. It's a nice period piece, 18th century. | 0:29:53 | 0:29:59 | |
It's had a hard life over the years, but it has the initials of the owner on the top, the E and the A. | 0:29:59 | 0:30:05 | |
It's very well worn around the edges, but it has its original iron handles. | 0:30:05 | 0:30:09 | |
This would have been perhaps a Louis Vuitton of its period. | 0:30:09 | 0:30:13 | |
-Nice one. What do you think it's worth? -Probably £80 to £100. | 0:30:15 | 0:30:19 | |
That's brilliant. Serrell only paid 40, if the team go with it, which, of course, they may not do. | 0:30:19 | 0:30:25 | |
OK, that's it for the Reds, now for the Blues... | 0:30:25 | 0:30:28 | |
We've got this mirror frame, oak, beautifully carved. | 0:30:28 | 0:30:33 | |
It is. It's nicely marked at the bottom there. | 0:30:33 | 0:30:36 | |
I think it was bought as... It says it's a witch's mirror. | 0:30:36 | 0:30:39 | |
Witch's mirrors or scrying mirrors, as they're known, are usually circular. | 0:30:39 | 0:30:44 | |
It's got some writing on the back which I don't think quite relates to the mirror. | 0:30:44 | 0:30:49 | |
-There's nothing witchy about it. -It's going to make about £30 to £40. | 0:30:49 | 0:30:53 | |
£33 paid, so they're in the frame for that. | 0:30:53 | 0:30:56 | |
Next is the walnut and... I don't know what it is. Ash? Something or other, that high-backed chair. | 0:30:56 | 0:31:03 | |
I don't really like it. It's in a terrible state. | 0:31:03 | 0:31:06 | |
It is, unfortunately. Bits of the period are still on there, but not quite enough. | 0:31:06 | 0:31:11 | |
It's got a new seat and new stretchers to the back and it still retains a crack to the back panel. | 0:31:11 | 0:31:17 | |
Useless as a chair, a bit of decoration. | 0:31:17 | 0:31:20 | |
A bit of decoration and I think it will probably make about £60 to £80. | 0:31:20 | 0:31:25 | |
£83.50 they paid, which is a pretty precise amount. | 0:31:25 | 0:31:28 | |
Lastly is the spelter garniture. | 0:31:28 | 0:31:30 | |
This is a weird collection of characters, isn't it? | 0:31:30 | 0:31:33 | |
It is, isn't it? It's a bit in your face, really, isn't it? | 0:31:33 | 0:31:37 | |
But somebody, particularly where we are in the south-west here, there's a lot of fishing and naval history, | 0:31:37 | 0:31:43 | |
so we have clients for these things. | 0:31:43 | 0:31:46 | |
-I think we'll probably be looking at 150 to 200. -Really? They'll be delighted. They only paid £110. | 0:31:46 | 0:31:52 | |
If you get £200 for that, they'll be jumping up and down | 0:31:52 | 0:31:55 | |
and they won't need their bonus buy, but let's go and have a look at it. | 0:31:55 | 0:32:00 | |
-Claire, Yola, are you excited about this? -We are. | 0:32:00 | 0:32:03 | |
-You really want to know what's under Charles's wrap? -We do. It looks a little small. | 0:32:03 | 0:32:08 | |
-I beg your pardon? -It looks a little bit small. | 0:32:08 | 0:32:11 | |
-I don't know about that. It might be just scrunched up. -Exactly. | 0:32:11 | 0:32:16 | |
-Carlos... -It might be cold. -Thank you very much. -You had £73.50. | 0:32:16 | 0:32:21 | |
-What did you get the girls? -I got very nervous. I had to really go out and impress. Are you ready? | 0:32:21 | 0:32:26 | |
-Look at that! -Oh! | 0:32:26 | 0:32:29 | |
-They say small is beautiful. -It is beautiful. -Yeah. -Have a handle. | 0:32:29 | 0:32:33 | |
-What is it? -What does it say? -Ashtray? -Yes. But importantly, it's got that name "Moorcroft". | 0:32:33 | 0:32:39 | |
It's in this pomegranate 1930s form, | 0:32:39 | 0:32:43 | |
beautifully mounted in this plated mount. | 0:32:43 | 0:32:46 | |
-It's in good condition. I quite like it. -How much did you pay for it? | 0:32:46 | 0:32:50 | |
It's a designer object, I think. It's a bargain at £40. | 0:32:50 | 0:32:54 | |
Oh! Are we going to make money on this? | 0:32:54 | 0:32:57 | |
-I think it ought to happily make... -£100. | 0:32:57 | 0:33:00 | |
I think so, Tim. Between £50 and £70 is a fair guide price, | 0:33:00 | 0:33:04 | |
so 40 is a rock, rock bottom price to pay, I hope. | 0:33:04 | 0:33:08 | |
-Excellent. Well done, you. -Girls, you may not need to go with it if you've made so much profit so far. | 0:33:08 | 0:33:14 | |
-You might not risk another £40. -We'll be retiring! | 0:33:14 | 0:33:17 | |
It's the thrill of the chase. | 0:33:17 | 0:33:19 | |
Anyway, let's find out what the auctioneer thinks about Charles's little ashtray. | 0:33:19 | 0:33:24 | |
There we go. Meat and drink for the saleroom, Mr Moorcroft. | 0:33:24 | 0:33:28 | |
It's a lovely piece of Moorcroft with the pomegranate pattern there. | 0:33:28 | 0:33:33 | |
It's a bit of a shame that it has this ashtray mount on it | 0:33:33 | 0:33:36 | |
because it detracts from the quality of the Moorcroft. | 0:33:36 | 0:33:40 | |
You have a period where smoking was very popular and it's obviously declined, | 0:33:40 | 0:33:45 | |
but still, it's a nice little piece, | 0:33:45 | 0:33:47 | |
probably about £40 to £60. | 0:33:47 | 0:33:49 | |
Brilliant. £40 paid by Charles Hanson. Could even make a bit more. | 0:33:49 | 0:33:53 | |
It could do because there are collectors after this pattern. | 0:33:53 | 0:33:57 | |
-Good luck. -Thank you. -Thank you. | 0:33:57 | 0:34:00 | |
18. 20. 22... | 0:34:01 | 0:34:03 | |
At 80... | 0:34:05 | 0:34:07 | |
-Are you feeling nervous at all? -No, we're ready. -You're ready for this? -We were born ready. | 0:34:08 | 0:34:14 | |
First up is your old oars, yes? | 0:34:14 | 0:34:16 | |
Lot 90, the pair of illuminated Oxford University oars, dated 1949, | 0:34:16 | 0:34:22 | |
with the crew members all listed on the paddles there. | 0:34:22 | 0:34:25 | |
What can I say here? Bid me £60? 60 I have straight away. | 0:34:25 | 0:34:29 | |
-Straight in. -60. And 5? At the opening bid here at 60. | 0:34:29 | 0:34:32 | |
-At £60. And 5 do I see? -Come on. -At £60. -Come on. | 0:34:32 | 0:34:36 | |
Any advance then, at 60...? | 0:34:36 | 0:34:39 | |
60. Do you hear that? 60, just like that. That's terrible. | 0:34:39 | 0:34:43 | |
-£60 - minus 30... -If you made a bit of money, you'd come again. | 0:34:43 | 0:34:47 | |
Interesting, this one. It's a 19th century, hallmarked silver... | 0:34:47 | 0:34:51 | |
We've catalogued it as a moustache brush, but it's a ladies' muff brush, | 0:34:51 | 0:34:55 | |
with the case there. So Lot 91 then. | 0:34:55 | 0:34:58 | |
What can I say for that? £15? | 0:34:58 | 0:35:00 | |
£10 then? | 0:35:00 | 0:35:02 | |
£5? 5, thank you, madam. | 0:35:02 | 0:35:05 | |
At £5. And 8 now? | 0:35:05 | 0:35:07 | |
At £5 only. Any advance on... 8. 10. | 0:35:07 | 0:35:11 | |
-12. 15. -That's good. | 0:35:11 | 0:35:14 | |
Are you sure, madam? At £12 here. In the room seated at 12 then. | 0:35:14 | 0:35:18 | |
It's a fine moustache you have, sir. At £12 then... | 0:35:18 | 0:35:22 | |
-Did he say £12? -He did indeed. -That is terrible. Minus 13 on that. | 0:35:23 | 0:35:27 | |
Now here comes the bench. This is going to claw it all back. | 0:35:27 | 0:35:31 | |
It's the 19th century bench. I'm sure you've seen it. | 0:35:31 | 0:35:34 | |
And interest here with me at £30. 35. | 0:35:34 | 0:35:38 | |
40. 45. 45 I have. At £45. | 0:35:38 | 0:35:42 | |
Commission bid here. 50 do I see? | 0:35:42 | 0:35:45 | |
At £45. 50. 5. 60, sir? | 0:35:45 | 0:35:47 | |
£60. I'm out then. The bid is in the room at £60. Standing at 60. 5 now? | 0:35:47 | 0:35:52 | |
-At £60 in the room. 5, internet? -No. -No. | 0:35:52 | 0:35:56 | |
At £60 in the room... | 0:35:56 | 0:35:58 | |
OK, lads, that is your first profit - plus £5. | 0:35:58 | 0:36:01 | |
You're minus 43... | 0:36:01 | 0:36:02 | |
You're actually minus 38 at the end of this. | 0:36:02 | 0:36:06 | |
Minus 38. So, minus 38. | 0:36:06 | 0:36:08 | |
Are we going with the trunk? | 0:36:08 | 0:36:10 | |
-Yeah, we'll go with it. -Do you want to park it? -Yeah. | 0:36:10 | 0:36:14 | |
-Are you going to park it and not go with it or go with the bonus buy? -Go with the bonus buy. -Risk it? | 0:36:14 | 0:36:20 | |
-You are so high-octane, you two. Aren't they high-octane? -Strap yourself in. -Strap yourself in. | 0:36:20 | 0:36:26 | |
Lot 95 is the 18th century, leather-coated coaching trunk. | 0:36:26 | 0:36:31 | |
A little bit worn, but aren't we all? | 0:36:31 | 0:36:34 | |
Commission is with me, in fact, at £40. | 0:36:34 | 0:36:36 | |
And 5 now I'm looking for. At 40 with me. | 0:36:36 | 0:36:40 | |
5 do I see? Quite sure then? £40 for the... 45. | 0:36:40 | 0:36:43 | |
50. 5. 60. 5? | 0:36:43 | 0:36:46 | |
Can't see you, sir. 65. 70. 5? | 0:36:46 | 0:36:49 | |
£70, the commission bid is with me, at £70. | 0:36:49 | 0:36:53 | |
The hammer falls at 70... | 0:36:53 | 0:36:55 | |
Bad luck, chaps. £70, Philip, that's a lovely £30 profit, old fruit, | 0:36:55 | 0:36:59 | |
which means, overall, you are minus £8. | 0:36:59 | 0:37:02 | |
How ridiculous is that? | 0:37:02 | 0:37:04 | |
-All this effort... -We had a go, didn't we? -We did. | 0:37:04 | 0:37:08 | |
And that is so easily a winning score. You could be the champions of the day. | 0:37:08 | 0:37:12 | |
Just don't say a word to the Blues. Walk tall. | 0:37:12 | 0:37:16 | |
-Do you know how the Reds got on? -No. -We don't want you to, those naughty boys. | 0:37:20 | 0:37:24 | |
-Your mirror is coming up...now! -Yes. -Good luck. | 0:37:24 | 0:37:28 | |
Lot 110 is the carved, enchained witch's mirror, dated 1889. | 0:37:28 | 0:37:34 | |
The witch's mirror there, so you can predict the future. | 0:37:34 | 0:37:38 | |
£30...? 20? | 0:37:38 | 0:37:41 | |
-10? -I don't believe it. | 0:37:41 | 0:37:43 | |
10 here. 15, madam. | 0:37:43 | 0:37:46 | |
20, sir? Are you sure? | 0:37:46 | 0:37:49 | |
15 to the lady. 18, anybody else then? I've got £20 online now. | 0:37:49 | 0:37:52 | |
25, madam...? £20 on the internet. | 0:37:52 | 0:37:56 | |
20 on the internet. 2, anybody else? | 0:37:56 | 0:37:58 | |
Predict the Lottery numbers! | 0:37:58 | 0:38:00 | |
At £20 then. For the mirror then at 20... | 0:38:00 | 0:38:04 | |
-That's harsh. -It is. It's gone to some old witch on the internet. | 0:38:05 | 0:38:09 | |
Minus £13. She's going, "Hubble, bubble..." | 0:38:09 | 0:38:13 | |
Anyway, here comes the hall chair. | 0:38:13 | 0:38:15 | |
This is the late 17th century, walnut and elm hall chair, 1680. | 0:38:15 | 0:38:21 | |
The hall chair there and what can I say for that? £60? | 0:38:21 | 0:38:24 | |
-£40 do I see? -It's crazy. | 0:38:26 | 0:38:28 | |
40 I have, thank you. At £40 for the chair. 5 now? 2 if you like? | 0:38:28 | 0:38:33 | |
At £40 then... 42. 45. | 0:38:33 | 0:38:36 | |
48. 50. | 0:38:36 | 0:38:38 | |
5. 60. 5. | 0:38:38 | 0:38:41 | |
70. 5. 80? | 0:38:41 | 0:38:44 | |
75 standing in the doorway then. At 75. At 80 now? | 0:38:44 | 0:38:47 | |
At 75, all done. The internet's not in. At 75 in the room... | 0:38:47 | 0:38:52 | |
Uh-oh, £75. It did better than I thought, I have to say. | 0:38:52 | 0:38:56 | |
-That's minus £8.50, girls. -It's tough, isn't it? | 0:38:56 | 0:38:59 | |
But the clock's coming up. | 0:38:59 | 0:39:02 | |
Lot 112 is the French, bronze, spelter clock garniture. | 0:39:02 | 0:39:06 | |
Neptune and the horsemen. £100 do I see? | 0:39:06 | 0:39:09 | |
£100 for the clock? Nothing fishy going on, honestly. £50 then? | 0:39:09 | 0:39:14 | |
50 I have here. At £50, maiden bid. At 5 now elsewhere? At £50. | 0:39:14 | 0:39:19 | |
55, internet. 60, sir. 65. | 0:39:19 | 0:39:21 | |
70, internet? 65. 70, internet. 75. | 0:39:21 | 0:39:24 | |
-80, internet? -Keep going. | 0:39:24 | 0:39:26 | |
80. 85, sir? 85. 90, internet? 85... | 0:39:26 | 0:39:30 | |
-90. 95. 100, internet? -Come on. | 0:39:30 | 0:39:33 | |
100. 110, sir? 110. 120? | 0:39:33 | 0:39:37 | |
-Wait a minute. -120. | 0:39:37 | 0:39:39 | |
130? 120, the bid is online. £120. | 0:39:39 | 0:39:42 | |
At £120 online... | 0:39:42 | 0:39:44 | |
-That's so good! -You made a profit of £10 on that. Wonderful, girls. | 0:39:46 | 0:39:50 | |
Plus £10. However, it's not enough. | 0:39:50 | 0:39:53 | |
-No. -Is it not enough? -You were £21.50 down. | 0:39:53 | 0:39:57 | |
You just made a profit of £10 on the clock garniture, | 0:39:57 | 0:40:00 | |
which means you are minus £11.50. | 0:40:00 | 0:40:04 | |
-Good. -I think we should go with Charles's ashtray. | 0:40:04 | 0:40:07 | |
-Minus £11.50. -That's not bad. -Are you going to go with the bonus buy? | 0:40:07 | 0:40:11 | |
-Yes. -You're going with the Moorcroft ashtray. -Good decision. -Here we go. | 0:40:11 | 0:40:15 | |
Lot 115 is the Moorcroft mounted ashtray, circa 1930, | 0:40:15 | 0:40:19 | |
pomegranate pattern. I'm sure you're all familiar with this one. | 0:40:19 | 0:40:23 | |
£40? Do I see £40? | 0:40:23 | 0:40:26 | |
Do I see 30? 30, thank you, madam. At 30. 32. 35. 38. | 0:40:26 | 0:40:31 | |
40. 42. | 0:40:31 | 0:40:33 | |
45. | 0:40:33 | 0:40:35 | |
48? Are you sure, sir? At £45. | 0:40:35 | 0:40:38 | |
48, fresh place. 50, madam? 50. | 0:40:38 | 0:40:41 | |
55, sir? 55. 60? Are you sure? | 0:40:41 | 0:40:44 | |
-At £55. 60, fresh place. -You're in profit. | 0:40:44 | 0:40:47 | |
At £60. Away in the doorway then at 60. And 5, anybody else at all? | 0:40:47 | 0:40:52 | |
-At 60 then and done... And 5. -Yes! -70. 5? | 0:40:52 | 0:40:57 | |
At £70 now in the doorway. It's yours, sir, at 70... | 0:40:57 | 0:41:02 | |
-Yes! -Yes! | 0:41:02 | 0:41:04 | |
-We've done it. -That is marvellous. | 0:41:08 | 0:41:10 | |
-The sheer joy. -Excellent, yeah. -That is so cool, isn't it? | 0:41:11 | 0:41:15 | |
Anyway, listen, ssh, ssh. Plus £30, yes? You were £11.50 off, | 0:41:15 | 0:41:20 | |
which means you're £8.50... I think you've made £18.50. | 0:41:20 | 0:41:25 | |
You are plus £18.50. | 0:41:28 | 0:41:30 | |
-Now, the big thing is, is that a winning score or not? -We hope so. | 0:41:30 | 0:41:34 | |
-Just don't say anything to those naughty boys. -No. -No. | 0:41:34 | 0:41:38 | |
-Well, well, well, we've reached the final moment and nobody has been chatting about scores, yes? -No. -No. | 0:41:42 | 0:41:48 | |
Very good. So you have no idea where you are in the pecking order. | 0:41:48 | 0:41:52 | |
Actually, I can tell you there is hardly anything between you, | 0:41:52 | 0:41:56 | |
but there is something between you and sadly, today, the Reds are the runners-up. | 0:41:56 | 0:42:01 | |
-Yes! -Yes! LAUGHTER | 0:42:01 | 0:42:03 | |
The pure joy is...is wonderful. | 0:42:05 | 0:42:09 | |
You didn't do so badly, did you? You made a profit on the bench, which was lovely. | 0:42:09 | 0:42:14 | |
And you nearly clawed it all back, Philip Serrell, with your £30 profit on the old trunk. | 0:42:14 | 0:42:20 | |
-Not quite good enough because, overall, minus 8 was your number. -Not bad. -I quite agree. | 0:42:20 | 0:42:26 | |
Normally, that would be a winning score, but today, we hadn't reckoned with the fantastic Blues | 0:42:26 | 0:42:32 | |
who are going to go home with £18.50 of profit. | 0:42:32 | 0:42:36 | |
-That's real money, yes? -Real money! | 0:42:36 | 0:42:38 | |
Plus all this change. Have a look at that. | 0:42:38 | 0:42:41 | |
-Lovely. -You're a good man. | 0:42:41 | 0:42:43 | |
-It's exactly all for you. -Oh! -A £10 profit on that rather queer garniture. | 0:42:43 | 0:42:49 | |
But the big number came from Hanson with his ashtray - £30 profit. | 0:42:49 | 0:42:53 | |
-Yes. -Thank goodness for Moorcroft, eh, Carlos? -Exactly, Tim. Wonderful. | 0:42:53 | 0:42:57 | |
-Did you have a good time? -Wonderful. -We loved it. -It is a bit of a gas. | 0:42:57 | 0:43:01 | |
Thank you very much, girls, for making our day today. | 0:43:01 | 0:43:04 | |
-In fact, join us soon for some more bargain hunting, yes? -Yes! | 0:43:04 | 0:43:09 | |
Subtitles by Red Bee Media Ltd | 0:43:27 | 0:43:32 |