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I'm getting that feeling again - | 0:00:05 | 0:00:07 | |
you know, the one you get when you slip on that really comfortable jacket | 0:00:07 | 0:00:11 | |
or welcome a really good friend. | 0:00:11 | 0:00:14 | |
It's the sort of feeling I get every time I say the words, "Let's go Bargain Hunting, yeah!" | 0:00:14 | 0:00:20 | |
Welcome, friends, to Oswestry, | 0:00:46 | 0:00:48 | |
once known as a frontier town | 0:00:48 | 0:00:51 | |
on account of its position on the border of England and Wales. | 0:00:51 | 0:00:55 | |
Our teams are here today to secure bargains and I'm looking forward to some strategic play. | 0:00:55 | 0:01:01 | |
Either way, we're gonna have fun, aren't we? | 0:01:01 | 0:01:04 | |
On today's show, the reds are getting along famously. | 0:01:06 | 0:01:10 | |
Are you fluttering your eyelashes? | 0:01:10 | 0:01:12 | |
It's working for me - I don't know why, but, yeah. | 0:01:12 | 0:01:15 | |
But the same can't be said for the blues. | 0:01:15 | 0:01:18 | |
-Do I need to be here? -No! | 0:01:18 | 0:01:20 | |
He was asking me, I think! | 0:01:20 | 0:01:22 | |
Oo-er! Right, let's meet the teams. | 0:01:23 | 0:01:26 | |
On the show today, we've got two teams of friends. | 0:01:27 | 0:01:29 | |
Well, they're friends at the moment. | 0:01:29 | 0:01:30 | |
For the reds we've got Jill and Paula, | 0:01:30 | 0:01:32 | |
and for the blues, we have Darren and Tony. | 0:01:32 | 0:01:35 | |
-Welcome, everybody. -Hello! | 0:01:35 | 0:01:37 | |
Smacking to see you. Jill, how is it that you became friends? | 0:01:37 | 0:01:40 | |
Me and Paula met five years ago. We both work for the NHS | 0:01:40 | 0:01:45 | |
and instantly hit it off with the same sense of humour and our love of wine! | 0:01:45 | 0:01:49 | |
What particular branch of the NHS do you occupy? | 0:01:49 | 0:01:52 | |
We work for a team in the community that supports people with chest conditions. | 0:01:52 | 0:01:56 | |
We try to keep them out of hospital and keep them in their homes. | 0:01:56 | 0:01:59 | |
That's good. Now, you're a big sports fan, aren't you? | 0:01:59 | 0:02:02 | |
A watching more than the playing type. | 0:02:02 | 0:02:04 | |
-More of the couch? -Yes, a couch potato kind of sporting fan. | 0:02:04 | 0:02:08 | |
-What do you like? -Any sport. Cricket, golf, darts, | 0:02:08 | 0:02:11 | |
but my main one is football. | 0:02:11 | 0:02:13 | |
-Is it? -Yes, and I'm an avid Liverpool supporter. | 0:02:13 | 0:02:16 | |
Is it all to do with their thighs, then, or what? | 0:02:16 | 0:02:18 | |
-Oh, no. -Thighs and calves? -I'm a serious football fan. -Serious fan. -Yes. | 0:02:18 | 0:02:22 | |
There are a number of goals that you'd like to complete before your next big birthday. | 0:02:22 | 0:02:27 | |
-The big 4-0 next birthday. -Is it really? | 0:02:27 | 0:02:29 | |
-So I've compiled a list that I'd like to achieve. -What are they? | 0:02:29 | 0:02:33 | |
One, I'm going to run a half-marathon. | 0:02:33 | 0:02:34 | |
I'm going to learn a foreign language, | 0:02:34 | 0:02:36 | |
-and the best one is to appear on Bargain Hunt. -Get away! | 0:02:36 | 0:02:41 | |
Get a little pecker for myself! | 0:02:41 | 0:02:43 | |
Oh, no! What, now? Can we do it now? | 0:02:43 | 0:02:45 | |
Ooh, yes! | 0:02:45 | 0:02:47 | |
-Thank you! -Aren't I the lucky one! Isn't that sweet! | 0:02:47 | 0:02:49 | |
-That is an ambition so easily achieved. -Absolutely! | 0:02:49 | 0:02:52 | |
I should make it more difficult for you! | 0:02:52 | 0:02:55 | |
Blast it! | 0:02:55 | 0:02:56 | |
So, Paula, what do you do in your NHS role? | 0:02:56 | 0:02:59 | |
I'm a nurse within the same team as Jill, | 0:02:59 | 0:03:01 | |
again, supporting patients at home | 0:03:01 | 0:03:04 | |
with their respiratory disease called chronic obstructive pulmonary disease. | 0:03:04 | 0:03:09 | |
What keeps you busy outside work? | 0:03:09 | 0:03:11 | |
I've got two children and a lovely border terrier called Caspar | 0:03:11 | 0:03:14 | |
who I love taking for long walks. | 0:03:14 | 0:03:16 | |
-Got the old man, too? -I've got the old man, yes. | 0:03:16 | 0:03:19 | |
-He's my... -Do you take him for a walk, too? -Oh, gosh, yeah. Absolutely. | 0:03:19 | 0:03:22 | |
-Shackle him up. -He needs airing now and again! He really does. | 0:03:22 | 0:03:25 | |
Absolutely. | 0:03:25 | 0:03:26 | |
I think you'll do very well, you girls. | 0:03:26 | 0:03:28 | |
-We're gonna have a laugh. -We sure are, Tim. | 0:03:28 | 0:03:31 | |
It says here you two met over a jacket. Is that right? | 0:03:31 | 0:03:34 | |
That's correct. I bought a jacket from Tony on a well-known internet auction site. | 0:03:34 | 0:03:39 | |
And it's been bosom friendship ever since, has it? | 0:03:39 | 0:03:42 | |
-"Bro-mance" is the word I use. -That's how the wives describe it! | 0:03:42 | 0:03:46 | |
Jolly good. | 0:03:46 | 0:03:48 | |
You're a bit of a fanatical jacket collector. | 0:03:48 | 0:03:50 | |
-I have been known to buy the odd one or two. -How many jackets have you got in your wardrobe? | 0:03:50 | 0:03:56 | |
-Now not so many. About 80. -80?! | 0:03:56 | 0:03:58 | |
-At one stage it was pushing towards 300. -300 jackets?! | 0:03:58 | 0:04:03 | |
-Where did you keep them? -Nearly one for every day of the year! | 0:04:03 | 0:04:06 | |
-JILL: -You've got 301 now! | 0:04:06 | 0:04:08 | |
What job of work do you do that you can wear 300 jackets a year? | 0:04:08 | 0:04:13 | |
-Postman. -Ahh! | 0:04:13 | 0:04:15 | |
-They provide a lovely jacket(!) -What's best about the postie job? Christmas? | 0:04:15 | 0:04:19 | |
I like talking to the customers and getting to know them. | 0:04:19 | 0:04:22 | |
A bit of banter with them. | 0:04:22 | 0:04:24 | |
-Good for you. It says here, Tony, you're a chemist. -I am indeed. -Tell us about that. | 0:04:24 | 0:04:29 | |
My particular job is delivering, or supplying, | 0:04:29 | 0:04:33 | |
the sticky stuff that goes on the back of sticky labels. | 0:04:33 | 0:04:36 | |
-Is it? -Yes. | 0:04:36 | 0:04:37 | |
Oh. That's unusual, isn't it? | 0:04:37 | 0:04:40 | |
-You're also in a band? -I am, yes. -Tell us about that, Toto. | 0:04:40 | 0:04:44 | |
Bass guitar and occasionally guitar in a rock band. | 0:04:44 | 0:04:48 | |
They have a strange name, The Kings of Frog Island. | 0:04:48 | 0:04:52 | |
-Made any CDs or anything? -Yes, we've had three CDs out. | 0:04:52 | 0:04:55 | |
-They were semi-successful. We've sold... -Three? -..in the thousands. | 0:04:55 | 0:04:59 | |
-Seriously, have you? -Yes. | 0:04:59 | 0:05:02 | |
What are you guys after today? What's the tactics? | 0:05:02 | 0:05:05 | |
A bit of bling and some silverware, I think. | 0:05:05 | 0:05:08 | |
-I'm a Newcastle fan and Darren's... -I'm Stoke City. | 0:05:08 | 0:05:11 | |
-Both teams haven't had much success. -No silverware for our teams. | 0:05:11 | 0:05:15 | |
So we'll compensate and buy some silverware today. | 0:05:15 | 0:05:18 | |
No better reason to go for silver, then. Anyway, we'll have fun. | 0:05:18 | 0:05:21 | |
Right. Now, the £300. Here's your money moment. | 0:05:21 | 0:05:25 | |
£300 apiece. You know the rules. Your experts await. | 0:05:25 | 0:05:27 | |
And off you go! And very, very, very good luck. | 0:05:27 | 0:05:30 | |
And guiding the teams today are our hard-working experts, | 0:05:32 | 0:05:35 | |
cor, doesn't he scrub up well? | 0:05:35 | 0:05:37 | |
With the reds, it's David Harper. | 0:05:37 | 0:05:40 | |
And ringing out the profits for the blues | 0:05:42 | 0:05:44 | |
is Mark Stacey. | 0:05:44 | 0:05:45 | |
Ding-dong! | 0:05:45 | 0:05:46 | |
So you two don't mind me telling my friends | 0:05:47 | 0:05:49 | |
I've spent the whole day with a pair of nurses? | 0:05:49 | 0:05:51 | |
-Absolutely not. -Not at all, no! -Are you sure? -Except Jill's a physio. | 0:05:51 | 0:05:54 | |
What's your strategy for today, bargain hunting? | 0:05:54 | 0:05:58 | |
Something shiny and silver. | 0:05:58 | 0:05:59 | |
Some quality items. No rubbish. | 0:05:59 | 0:06:02 | |
-Oh. -No tat. -That's my plan out of the window, then. | 0:06:02 | 0:06:05 | |
-What are we looking for? -A bit of silver, maybe? -I like a bit of silver. | 0:06:05 | 0:06:09 | |
-Earrings, pearl earrings. -Right. -Something like that. | 0:06:09 | 0:06:12 | |
-So we've got a plan, then? -Well, as much as we can plan, yeah. | 0:06:12 | 0:06:15 | |
-Let's go and watch it all unravel, shall we? -OK! | 0:06:15 | 0:06:18 | |
Ah, so speaks the voice of experience. | 0:06:18 | 0:06:21 | |
But only 30 seconds in, Harper's already under pressure. | 0:06:21 | 0:06:24 | |
Anything jumping out for you, David? | 0:06:24 | 0:06:26 | |
Er... | 0:06:26 | 0:06:28 | |
Well, not yet! | 0:06:28 | 0:06:30 | |
-Come on, guys. You've got to find some things. -Yeah. | 0:06:30 | 0:06:32 | |
I've spotted it already. The naked lady! | 0:06:32 | 0:06:35 | |
We'll move on from there. | 0:06:35 | 0:06:37 | |
Not to your taste, eh, Mark? | 0:06:37 | 0:06:38 | |
I like the box. | 0:06:38 | 0:06:40 | |
Butter-fingers! | 0:06:40 | 0:06:41 | |
It's OK, he's not looking! | 0:06:41 | 0:06:43 | |
All breakages must be paid for, you naughty reds! | 0:06:43 | 0:06:46 | |
Close that. | 0:06:46 | 0:06:47 | |
We're looking for some bling, apparently. | 0:06:47 | 0:06:50 | |
You said you were looking for bling. | 0:06:50 | 0:06:52 | |
Now, now, boys. | 0:06:52 | 0:06:53 | |
That's quite nice. A cheroot holder. Can you show me that? | 0:06:53 | 0:06:56 | |
Ivory is quite a controversial subject, | 0:06:58 | 0:07:01 | |
but this is an antique piece of ivory. | 0:07:01 | 0:07:03 | |
How does it work? You lift this up, do you? | 0:07:03 | 0:07:06 | |
-From the side? -You just twist it there. | 0:07:06 | 0:07:09 | |
-Oh! Where did you twist it? -Just open the bottle. | 0:07:09 | 0:07:12 | |
Oh, gosh. | 0:07:12 | 0:07:13 | |
It's in the form of a bottle of champagne. | 0:07:13 | 0:07:16 | |
How old is that, Mark? | 0:07:16 | 0:07:18 | |
It's 1883. | 0:07:18 | 0:07:20 | |
-Dare we ask the price? -We've got 85 on it, at the moment. | 0:07:20 | 0:07:23 | |
Worn out, Mark? | 0:07:24 | 0:07:26 | |
Hold him up, Darren. | 0:07:26 | 0:07:27 | |
What's your better price? | 0:07:27 | 0:07:29 | |
70? One moment. | 0:07:29 | 0:07:31 | |
We need to consult. | 0:07:32 | 0:07:34 | |
Ah, the stall-holder's partner. | 0:07:34 | 0:07:37 | |
Here comes the cavalry. | 0:07:37 | 0:07:39 | |
-We're looking for silver. -What date's that? -1963. | 0:07:40 | 0:07:44 | |
-Ooh. Right. -Does it work? | 0:07:44 | 0:07:47 | |
-I haven't tried it. -You daren't plug it in! | 0:07:47 | 0:07:50 | |
-Can I pick it up? -Is it battery or wires? -It's battery. | 0:07:50 | 0:07:53 | |
-PAULA: -Can you get the World Service on it? | 0:07:53 | 0:07:55 | |
Ha-ha! Talking of which, | 0:07:55 | 0:07:57 | |
what kind of reception have the blues had with their dealer? | 0:07:57 | 0:08:00 | |
-55? -I was hoping for sort of 50. | 0:08:01 | 0:08:05 | |
Hello, what's this? Hello! | 0:08:05 | 0:08:07 | |
It's a pooch with a nose for a bargain, clearly! | 0:08:07 | 0:08:09 | |
-Is that OK? -Yes, that's OK, yes. | 0:08:09 | 0:08:12 | |
-Let's strike while the iron's hot. -OK. | 0:08:12 | 0:08:14 | |
-Shake the man's hand. -Deal. | 0:08:14 | 0:08:16 | |
Decisive action, lads. That's what we like. | 0:08:16 | 0:08:19 | |
Within ten minutes, you've found your first item. | 0:08:19 | 0:08:22 | |
You've spent a reasonable amount of money, 50 quid. | 0:08:22 | 0:08:24 | |
You have to find two other items, now. | 0:08:24 | 0:08:27 | |
They've got beer! | 0:08:27 | 0:08:28 | |
I should go like that on the label. | 0:08:28 | 0:08:30 | |
I don't think beer is going to be one of them. | 0:08:30 | 0:08:32 | |
It's not time for a beer! | 0:08:32 | 0:08:34 | |
Do we like that barrel? | 0:08:34 | 0:08:36 | |
We're all barrelled out, you know. | 0:08:36 | 0:08:38 | |
These girls like a joke, don't they? | 0:08:38 | 0:08:40 | |
I like the alcohol, don't like the barrel. | 0:08:40 | 0:08:42 | |
It's like me coming back from the pub! | 0:08:42 | 0:08:44 | |
Oh, gosh, it's awful. Awful. | 0:08:44 | 0:08:46 | |
There seems to be something of a theme, here. | 0:08:46 | 0:08:49 | |
How about a bucket instead of a barrel? | 0:08:49 | 0:08:52 | |
-Brass feet. So it's oak. -How old? | 0:08:52 | 0:08:54 | |
I think that started life as an oak metal-bound bucket, | 0:08:54 | 0:09:00 | |
yeah, in the 19th century | 0:09:00 | 0:09:02 | |
and then at some point in recent times | 0:09:02 | 0:09:05 | |
-someone has glammed it up. -Put finishing touches. | 0:09:05 | 0:09:08 | |
And made it a bit blingy. And they've created a really good-looking champagne bucket. | 0:09:08 | 0:09:14 | |
Or planter. | 0:09:14 | 0:09:16 | |
So it's a bit quirky. | 0:09:16 | 0:09:18 | |
-I like the little pine box. -I like the pine box. | 0:09:18 | 0:09:21 | |
-It's not old, is it? -I don't know. Let's have a look. | 0:09:21 | 0:09:24 | |
You liked this, Tony, didn't you? | 0:09:24 | 0:09:26 | |
A little candle box in there, look, for keeping your candles. | 0:09:26 | 0:09:30 | |
It's got a nice feel, a nice grain. | 0:09:30 | 0:09:33 | |
It's the sort of thing I can see selling in Cheshire. | 0:09:33 | 0:09:36 | |
I think so. He wants to know how much the pine trunk is. | 0:09:36 | 0:09:40 | |
-I've got 125 on it. -Ooh. Yes. | 0:09:40 | 0:09:42 | |
What would you say we'd need to get it for to possibly look at a profit? | 0:09:45 | 0:09:49 | |
-20. -He'd never do that. | 0:09:49 | 0:09:51 | |
40 would be brilliant. | 0:09:51 | 0:09:54 | |
-What would be your very, very, very best... -42? | 0:09:54 | 0:09:57 | |
-..that you could possibly do. -Very best, £50. | 0:09:57 | 0:10:00 | |
50 quid or nothing. What will we say to him? | 0:10:00 | 0:10:03 | |
-Let's go with the gamble. -It's always a gamble. | 0:10:03 | 0:10:05 | |
-Yeah, go on. -Happy? -Let's go for it. | 0:10:05 | 0:10:07 | |
Thank you! Go and shake his hand. | 0:10:07 | 0:10:09 | |
-Yes. -Thank you. -Thank you. | 0:10:09 | 0:10:11 | |
Let's hope we don't kick the bucket! | 0:10:11 | 0:10:13 | |
Oh, very good! | 0:10:13 | 0:10:15 | |
I don't know who's coming out with worst gags, the girls or the boys. | 0:10:15 | 0:10:19 | |
-Gosh, we've had a nice selection of dogs already, haven't we? -You attract the dogs, Mark. | 0:10:19 | 0:10:23 | |
No need to be personal! | 0:10:23 | 0:10:26 | |
What would you move on the price? | 0:10:26 | 0:10:28 | |
I could move to about...110. | 0:10:28 | 0:10:31 | |
Gosh, that is a little bit, isn't it? | 0:10:31 | 0:10:33 | |
We might be back in desperation later on. | 0:10:33 | 0:10:35 | |
Jill's decided to lie down on the job. | 0:10:35 | 0:10:38 | |
-Where's the grapes? -You want that bucket with the champagne that we just bought. | 0:10:38 | 0:10:43 | |
A bucket of champagne. We could get a funnel and just pour it in. | 0:10:43 | 0:10:47 | |
-She could manage a funnel! -Do you know, in all seriousness, it's very comfortable. | 0:10:47 | 0:10:51 | |
That is a really good piece of furniture. | 0:10:51 | 0:10:54 | |
1860, 1870, beautifully made. | 0:10:54 | 0:10:57 | |
-Can you feel the horse hair? -Absolutely gorgeous. | 0:10:57 | 0:11:00 | |
Squeeze it. To create that new today, | 0:11:00 | 0:11:04 | |
to get someone, if he was good enough, | 0:11:04 | 0:11:05 | |
to carve that, hand spring it and stuff it with horse hair, | 0:11:05 | 0:11:08 | |
I think would cost you 7,000 quid. | 0:11:08 | 0:11:12 | |
Out of interest, how much is the chaise? | 0:11:12 | 0:11:15 | |
-It's 450 on that. -450. | 0:11:15 | 0:11:18 | |
A bargain, but still beyond our budget. | 0:11:18 | 0:11:20 | |
Moving on, then. | 0:11:20 | 0:11:22 | |
Do you like Belleek china? | 0:11:23 | 0:11:24 | |
If I knew what it was, Mark, no. | 0:11:24 | 0:11:27 | |
You haven't done any research for this show, then? | 0:11:27 | 0:11:30 | |
We thought we'd leave it to the experts! | 0:11:30 | 0:11:32 | |
-Where is he, then, David? -Is it damaged? No, it's not. | 0:11:32 | 0:11:35 | |
I beg your pardon? | 0:11:35 | 0:11:36 | |
Ah, the penny's dropped! | 0:11:36 | 0:11:38 | |
Did you say, "Where is David?" | 0:11:38 | 0:11:40 | |
Does it ring your bell, Mark? | 0:11:40 | 0:11:42 | |
-I think I'll just go home. -Ding-dong! | 0:11:44 | 0:11:46 | |
-I think that's quite fun. -OK. | 0:11:46 | 0:11:48 | |
It's Belleek china, not terribly old. | 0:11:48 | 0:11:52 | |
Tell us a bit more about Belleek. | 0:11:52 | 0:11:54 | |
It's made in County Fermanagh in Northern Ireland. | 0:11:54 | 0:11:56 | |
So how old is it, then, Mark? | 0:11:56 | 0:11:58 | |
-I don't think this is very old. -Right. £20? Not a lot of money. | 0:11:58 | 0:12:03 | |
Not a lot of money. If we talk nicely to them, | 0:12:03 | 0:12:06 | |
-we might get it for a tenner. -A tenner. -We can go for that, can't we? -Yeah. | 0:12:06 | 0:12:09 | |
-Ding-dong. -What do you think that would get at auction? | 0:12:09 | 0:12:13 | |
-15? -It's got to be a tenner, that, surely? | 0:12:13 | 0:12:15 | |
-Do I need... Do I need to be here? -No! | 0:12:15 | 0:12:18 | |
-He was asking me that question, I think. -Sorry! | 0:12:18 | 0:12:21 | |
Gee whizz! | 0:12:21 | 0:12:22 | |
Someone's getting a little bit tetchy, aren't they? | 0:12:22 | 0:12:25 | |
I would have thought they'd put an estimate of 20 or £30 on it. | 0:12:25 | 0:12:28 | |
Shall I go and ask them? Try and make yourselves useful. We've got all day(!) | 0:12:28 | 0:12:32 | |
Ooh! No, you haven't. 30 minutes left. | 0:12:32 | 0:12:35 | |
-Can we have a look at the pearl ones? -Yeah. | 0:12:35 | 0:12:36 | |
-What do you think? -It is pretty. | 0:12:39 | 0:12:42 | |
-Is it a real pearl? Do you know how to test? -No. | 0:12:42 | 0:12:45 | |
OK. Rub it on your teeth very gently. | 0:12:45 | 0:12:47 | |
What can you feel? | 0:12:47 | 0:12:49 | |
-Like grainy. -Grainy. So a bit gritty, as if it's got sand on it. | 0:12:49 | 0:12:53 | |
-Mm. -Then it's a real pearl. | 0:12:53 | 0:12:54 | |
Now, has Mark found a real bargain? | 0:12:54 | 0:12:58 | |
Now I've had a word with the lady, and she's been very nice to us. | 0:12:58 | 0:13:02 | |
She said we can have it for a tenner. | 0:13:02 | 0:13:04 | |
OK, let's go for it! | 0:13:04 | 0:13:06 | |
-Ding-dong! -Ding-dong! -Avon calling! | 0:13:06 | 0:13:09 | |
Or any other leading make-up brand. | 0:13:09 | 0:13:12 | |
Our David likes getting dolled up. | 0:13:12 | 0:13:16 | |
What about this big bling gold thing? | 0:13:16 | 0:13:18 | |
-Does it suit me? -It's just you. -It's me, isn't it? -It is you. | 0:13:18 | 0:13:22 | |
-Sophistication, the height of. -I think so. | 0:13:22 | 0:13:25 | |
You need the medallion now. | 0:13:25 | 0:13:27 | |
-I could even sort of dangle it. -Absolutely. | 0:13:27 | 0:13:31 | |
-I'd go with the dangle. -Especially with that chest hair. | 0:13:31 | 0:13:34 | |
He's hardly Tom Jones, is he? | 0:13:34 | 0:13:36 | |
-OK. Shall we move on from there, then? -Yep. -Yeah. | 0:13:40 | 0:13:42 | |
-Thanks. -Thank you. | 0:13:42 | 0:13:43 | |
-You've spent £60 on two items. -Yep. | 0:13:43 | 0:13:46 | |
But I feel I'm leading you a bit in this. | 0:13:46 | 0:13:48 | |
-We do, as well. -But at least now we've got plenty of time | 0:13:48 | 0:13:52 | |
for me and Darren - and money - to find items that we like. | 0:13:52 | 0:13:56 | |
-We'll talk you into something, Mark. -Get on with it. You don't need me. -Don't go off in a huff! | 0:13:56 | 0:14:00 | |
Too late! So how will the boys fare on their own? | 0:14:00 | 0:14:04 | |
What have you got on here that we make a profit on? | 0:14:04 | 0:14:06 | |
Whereabouts is the nude? The bronze lady. They like nudes. | 0:14:06 | 0:14:10 | |
This doesn't bode well! | 0:14:10 | 0:14:11 | |
-Is it bronze? -It's bronze, yeah. | 0:14:11 | 0:14:13 | |
-And how much is that? -I've got 95 on it. | 0:14:13 | 0:14:17 | |
-It's quite nice. -Nice long legs. | 0:14:17 | 0:14:20 | |
Fantastic. | 0:14:20 | 0:14:22 | |
These boys know what they like. | 0:14:22 | 0:14:23 | |
-I like that fish. -It's got nice markings on it. | 0:14:26 | 0:14:28 | |
Let's have a look at that. And what about that? | 0:14:28 | 0:14:31 | |
I was just getting my eye on that. I think that's quite un... | 0:14:31 | 0:14:35 | |
So we've got two bits of silver here, girls. | 0:14:35 | 0:14:37 | |
So, the fish, first of all. | 0:14:37 | 0:14:39 | |
Is he silver? Is there any hallmark? | 0:14:39 | 0:14:41 | |
-If there's no markings, we can't describe it as silver. -No. | 0:14:41 | 0:14:44 | |
It would be described as a white metal. | 0:14:44 | 0:14:46 | |
What is he? He's got two holes in his snout there. | 0:14:46 | 0:14:49 | |
It's obviously for sprinkling something. | 0:14:49 | 0:14:51 | |
So it could be pepper or salt, or possibly as a desk piece. | 0:14:51 | 0:14:55 | |
Because he'll sit nicely on a desk. | 0:14:55 | 0:14:57 | |
-I like it. -What have you got there? | 0:14:57 | 0:14:59 | |
It's a lock and key, but it's made out of a threepenny bit. | 0:14:59 | 0:15:03 | |
OK. So there's a Victorian coin, 1886. | 0:15:03 | 0:15:06 | |
A silver threepenny bit. | 0:15:06 | 0:15:08 | |
It doesn't look that attractive. Would I put that on a chain? I'm not sure. | 0:15:08 | 0:15:12 | |
I think we should go for the fish and keep this one in mind. | 0:15:12 | 0:15:15 | |
What's the best on the fish? | 0:15:15 | 0:15:16 | |
We could do that for 45. | 0:15:16 | 0:15:19 | |
-Is that the absolute best? -42? | 0:15:19 | 0:15:21 | |
-We'll go with 40. -We'll have the fish. -We'll have the fish. -Well done. | 0:15:23 | 0:15:26 | |
You own a silver-ish carp fish of unknown origin or date. | 0:15:26 | 0:15:30 | |
-We like him. -We do. -Come on. | 0:15:30 | 0:15:32 | |
Put fishy in your pocket. | 0:15:32 | 0:15:34 | |
Those reds are doing swimmingly well | 0:15:35 | 0:15:37 | |
and I think they'd be pleased to hear my next top tip. | 0:15:37 | 0:15:41 | |
What inevitably sells incredibly well at auction | 0:15:41 | 0:15:45 | |
are objects connected with children and animals. | 0:15:45 | 0:15:49 | |
And I think you'd be hard pushed | 0:15:49 | 0:15:51 | |
to find a more charming animal-related object than this. | 0:15:51 | 0:15:57 | |
What do you think about the wise old owl? | 0:15:57 | 0:16:01 | |
Isn't he lovely? | 0:16:01 | 0:16:02 | |
The form of the owl, however, is novelty and not ornithologically correct. | 0:16:02 | 0:16:09 | |
What was it made for? Well, if I open it up, inside the top rim | 0:16:09 | 0:16:14 | |
you can see a flange. | 0:16:14 | 0:16:16 | |
That, originally, was supposed to hold a glass liner. | 0:16:16 | 0:16:19 | |
That groove there that goes through the top edge | 0:16:20 | 0:16:23 | |
is masked by the owl's beak. | 0:16:23 | 0:16:27 | |
This thing was originally a mustard pot. | 0:16:27 | 0:16:29 | |
There was a spoon that went into the mustard | 0:16:29 | 0:16:31 | |
but the terminal of the spoon was unusual | 0:16:31 | 0:16:35 | |
because it was in the form of a little wiggly, squiggly tail | 0:16:35 | 0:16:39 | |
of a mouse! | 0:16:39 | 0:16:41 | |
The pun being that owls eat mice | 0:16:41 | 0:16:44 | |
and this owl happened to have a little mouse in its mouth. | 0:16:44 | 0:16:48 | |
If you look up on the internet owl cruets in solid silver | 0:16:48 | 0:16:53 | |
you'll find them by a celebrated Victorian silversmith, | 0:16:53 | 0:16:57 | |
called Fox, | 0:16:57 | 0:16:59 | |
priced at more than £3,000. | 0:16:59 | 0:17:02 | |
It's the most desirable form of mustard pot | 0:17:02 | 0:17:06 | |
that's made in the world. | 0:17:06 | 0:17:08 | |
So what's this one worth? | 0:17:08 | 0:17:10 | |
Well, of course, it's not as good as a silver one. | 0:17:10 | 0:17:13 | |
This is simply made out of a base metal, nickel. | 0:17:13 | 0:17:17 | |
To you, today, here in Oswestry, | 0:17:17 | 0:17:20 | |
it's yours for £55. | 0:17:20 | 0:17:23 | |
That's 55. Too-whit, too-whoo! | 0:17:23 | 0:17:27 | |
Meanwhile, the boys are trying to stick to their original plan. | 0:17:27 | 0:17:32 | |
-They want something silvery. -Yes, we do. | 0:17:32 | 0:17:34 | |
But they keep getting distracted | 0:17:34 | 0:17:36 | |
by novelty items. | 0:17:36 | 0:17:38 | |
-It's an old crab. -A bit like Mark! | 0:17:39 | 0:17:41 | |
Or by sausage and bacon rolls! | 0:17:41 | 0:17:44 | |
And they're not the only ones! | 0:17:44 | 0:17:46 | |
This is what I know about, David. | 0:17:46 | 0:17:48 | |
-I spent three years of my life studying this when I was at university. -Really? | 0:17:48 | 0:17:52 | |
-So this is more my field. -OK. Over to you. | 0:17:52 | 0:17:55 | |
Well, just by looking at him, he's not had a very good day! | 0:17:55 | 0:17:59 | |
So what's going on here, then? | 0:18:00 | 0:18:02 | |
This is your spinal cord. These are your spinous processes and your vertebrae. | 0:18:02 | 0:18:06 | |
And your good old pelvis, your sacrum and your legs. There you go! | 0:18:06 | 0:18:10 | |
-My goodness me! -And there would be your lovely head, David. | 0:18:10 | 0:18:13 | |
My head? I'm not that small! | 0:18:13 | 0:18:15 | |
Can you help me out a bit, then? | 0:18:15 | 0:18:17 | |
I haven't really got a bad back, but I wouldn't mind you having a go! | 0:18:17 | 0:18:20 | |
We'll talk about it later! | 0:18:20 | 0:18:22 | |
-Right, you two. -Yes, sir? -Come with me. | 0:18:23 | 0:18:26 | |
We'll go inside for a minute. | 0:18:26 | 0:18:28 | |
-We'll have a quick look in here and we might have to make some decisions. OK? -Fine, yep. | 0:18:28 | 0:18:34 | |
Yes, come on, Mark. Give those boys some focus! Time's running out. | 0:18:38 | 0:18:42 | |
Those are quite nice. | 0:18:42 | 0:18:44 | |
-What do you think it is, first of all? -A hip flask. | 0:18:45 | 0:18:48 | |
You've been watching the show, haven't you? | 0:18:49 | 0:18:51 | |
-Or taking it to the match with me! -He's been drinking as well! | 0:18:51 | 0:18:54 | |
-But not today! -Not today. Good. | 0:18:54 | 0:18:56 | |
There's nothing in there. | 0:18:56 | 0:18:58 | |
But basically, it's glass inside. | 0:18:58 | 0:19:02 | |
So you take that off so you can pour the drink in there if you want. | 0:19:02 | 0:19:05 | |
-That's all clearly hallmarked there. -How old do you think it is? | 0:19:05 | 0:19:08 | |
It might be on there, actually. 1906. | 0:19:08 | 0:19:11 | |
-OK. -So it's Edwardian. | 0:19:11 | 0:19:13 | |
-It's a very gentleman's thing. -Certainly is. | 0:19:13 | 0:19:15 | |
I thought for two debonair gentlemen. | 0:19:15 | 0:19:18 | |
Where do I find them? I could show it to them. | 0:19:18 | 0:19:20 | |
Isn't he a card? | 0:19:20 | 0:19:22 | |
You've got this at 250. What would you be willing to go for? | 0:19:22 | 0:19:26 | |
-I'd do 195. -Could you go a bit more? | 0:19:26 | 0:19:28 | |
Uh, another tenner. 185. | 0:19:28 | 0:19:31 | |
It's not bad. I like round figures. | 0:19:34 | 0:19:36 | |
-Yeah, 180's better. -Depends which side of the table! Go on, then, 180. | 0:19:36 | 0:19:40 | |
-Shall we go for it? -Let's grab a deal. | 0:19:40 | 0:19:42 | |
-You wanted quality, didn't you. -We wanted quality. -And we wanted silver. -Yes. | 0:19:42 | 0:19:46 | |
-And we like a drink. -Oh, yes! -So all you have to say now is, "Thank you, Mark." | 0:19:46 | 0:19:50 | |
-Thank you, Mark. -Thank you, Mark. | 0:19:50 | 0:19:52 | |
Ah, butter wouldn't melt in his mouth. | 0:19:52 | 0:19:54 | |
-Thank you very much, sir. Very kind of you. -Thank you very much. | 0:19:54 | 0:19:57 | |
The boys have done it. | 0:19:57 | 0:20:00 | |
What do you like about this one? Come on, Paula. | 0:20:00 | 0:20:02 | |
I like the fact we've only got three minutes left and it's something to talk about! | 0:20:02 | 0:20:06 | |
-I don't like that we've got three minutes. -It could be useful for fishermen, things like this. | 0:20:06 | 0:20:11 | |
Their little days out. | 0:20:11 | 0:20:12 | |
Sandwiches... | 0:20:12 | 0:20:14 | |
-thermos... -Yep. | 0:20:14 | 0:20:16 | |
In its original case, which is very good. | 0:20:16 | 0:20:20 | |
Date-wise, 1950. | 0:20:20 | 0:20:22 | |
You hit the nail on the head when you said fishermen. | 0:20:22 | 0:20:24 | |
-Yep. -Fishermen could go out and spend thousands of pounds on vintage reels | 0:20:24 | 0:20:31 | |
so you're out there, fishing with something worth a fortune, | 0:20:31 | 0:20:34 | |
and you've got soup and sandwiches, | 0:20:34 | 0:20:36 | |
you don't want them out of plastic, you want them out of something like that. | 0:20:36 | 0:20:40 | |
What would be the best on this one? | 0:20:40 | 0:20:42 | |
-45 quid's the death on it. -45. | 0:20:42 | 0:20:45 | |
We have one and a half minutes left. | 0:20:45 | 0:20:47 | |
So, have we got anything in reserve? | 0:20:47 | 0:20:50 | |
Are you fluttering your eyelashes? | 0:20:50 | 0:20:52 | |
It's working for me. Don't know why, but yeah! | 0:20:52 | 0:20:55 | |
-It doesn't change the price, though. -40? -It's got to be 45. -Two? | 0:20:55 | 0:20:58 | |
-Basically, the biggest thing it's got going for it... -A very handsome seller! | 0:20:58 | 0:21:02 | |
Ah, look at that! | 0:21:02 | 0:21:05 | |
It's still the same price, though! | 0:21:05 | 0:21:06 | |
30 seconds. | 0:21:08 | 0:21:09 | |
-Yep. -Yeah, go on. -That's it. You're done! You're done. | 0:21:09 | 0:21:13 | |
Oh, stress! | 0:21:13 | 0:21:15 | |
-Stress. -I need a gin and tonic! -The gin and tonic's on me. How's that? | 0:21:15 | 0:21:18 | |
-Yeah. -Great. -Come on. As much as you can drink. -In my thermos flask! | 0:21:18 | 0:21:21 | |
I beg your pardon? Yes, you're quite right. | 0:21:22 | 0:21:25 | |
Time's up. Let's check out what the red team bought, eh? | 0:21:25 | 0:21:28 | |
# There's a hole in this bucket, dear Paula, dear Paula... # | 0:21:29 | 0:21:32 | |
But that's because it's an oak planter. | 0:21:32 | 0:21:34 | |
£50 paid. | 0:21:34 | 0:21:36 | |
Will this pepperette in the shape of a carp | 0:21:36 | 0:21:38 | |
sink or swim at the auction? | 0:21:38 | 0:21:40 | |
Let's not carp on about it. | 0:21:40 | 0:21:42 | |
At the last moment, they bought a thermos flask and a sandwich box | 0:21:42 | 0:21:45 | |
in a carry case. Cor, what a carry-on! | 0:21:45 | 0:21:48 | |
-That was close. -Close, and an eclectic mix, I think. | 0:21:50 | 0:21:53 | |
Hey, you'll cut it too fine one of these days, you know! | 0:21:53 | 0:21:57 | |
You won't get that third item. | 0:21:57 | 0:21:59 | |
One day that might happen. | 0:21:59 | 0:22:01 | |
It will, the way you lot are going on! | 0:22:01 | 0:22:04 | |
-Did you have a nice time? -We did. -Lovely time, thank you. | 0:22:04 | 0:22:07 | |
And you spent overall a grand total of what? | 0:22:07 | 0:22:10 | |
-£140. -140. I would like £160, please. | 0:22:10 | 0:22:14 | |
-Thank you very much. -There you go. | 0:22:14 | 0:22:16 | |
£160. Look at those black nails! £160. | 0:22:16 | 0:22:19 | |
Not yours, David! | 0:22:19 | 0:22:21 | |
-You're too clean. -Well, Saturday night. -You've got time! | 0:22:22 | 0:22:26 | |
-What are you going to do with that lot? -I'll try and blow the lot, Tim. -Yes? -Yeah. | 0:22:26 | 0:22:30 | |
You know how to do that kind of treatment. | 0:22:30 | 0:22:32 | |
-You'll probably get something Chinese. -You never know. -You never know. Cunning monkey! | 0:22:32 | 0:22:37 | |
Good luck, girls. Good luck, Davido. Let's check out what the blue team bought. | 0:22:37 | 0:22:40 | |
The boys made a sparkling start with a cheroot cutter in the form | 0:22:40 | 0:22:44 | |
of a champagne bottle, for £50. | 0:22:44 | 0:22:47 | |
Then, holding back the big bucks, | 0:22:47 | 0:22:49 | |
they bought a Belleek bell for £10. | 0:22:49 | 0:22:52 | |
So they could pour their pennies into this silver-mounted spirit flask. | 0:22:52 | 0:22:56 | |
All £180-worth! | 0:22:56 | 0:22:59 | |
I'm very impressed with you. I thought I'd have trouble with you. | 0:23:00 | 0:23:03 | |
-We're no trouble at all! -Listen, the trouble has yet to begin. | 0:23:03 | 0:23:07 | |
-Darren, have a good time? -Fantastic, thank you very much. | 0:23:07 | 0:23:11 | |
-Which is your favourite piece. -It's got to be the hip flask. | 0:23:11 | 0:23:14 | |
-What about you, Toto? -I think the silver hip flask as well. | 0:23:14 | 0:23:18 | |
-Is that going to bring the biggest profit? -No. -I think it is. I think it might fly. | 0:23:18 | 0:23:23 | |
-Which do you think will do best, Darren? -I think the bell, even though it was cheap as chips, | 0:23:23 | 0:23:27 | |
-we might make a profit. -Cheap as what?! | 0:23:27 | 0:23:29 | |
-Cheap as what?! -Sorry. | 0:23:31 | 0:23:33 | |
Do you mean cheap as inexpensive fried potatoes? | 0:23:33 | 0:23:35 | |
Clearly not watched the show for the last eight years! | 0:23:35 | 0:23:38 | |
Thank you very much! Lovely. | 0:23:38 | 0:23:41 | |
-How much did you spend overall? -240. | 0:23:41 | 0:23:44 | |
-Who's got the money? -I have. -So £60 from Darren, please. | 0:23:44 | 0:23:47 | |
-There you go, sir. -Up to the nose, fresh as a rose. | 0:23:47 | 0:23:50 | |
What will you do with that, Mark? | 0:23:50 | 0:23:52 | |
Well, Tim, I think I've got something in mind | 0:23:52 | 0:23:55 | |
-that's completely different to what they've bought. -How exciting! Well done. | 0:23:55 | 0:23:58 | |
Well done. Almost as exciting is the gorgeous house we're about to visit | 0:23:58 | 0:24:02 | |
somewhere in the West Midlands. | 0:24:02 | 0:24:04 | |
Three miles west of Wolverhampton, actually, lies Wightwick Manor, | 0:24:07 | 0:24:11 | |
built in 1888 for the Mander family. | 0:24:11 | 0:24:14 | |
Wightwick is one of the few houses you can still see decorated with original furnishings | 0:24:14 | 0:24:19 | |
and fabrics by Morris & Co, | 0:24:19 | 0:24:22 | |
the firm founded by the 19th-century designer William Morris | 0:24:22 | 0:24:25 | |
together with leading members of the pre-Raphaelite Brotherhood. | 0:24:25 | 0:24:29 | |
Formed by a small group of anti-establishment artists, | 0:24:29 | 0:24:34 | |
the Brotherhood took their inspirations | 0:24:34 | 0:24:37 | |
from the styles in art before the 16th-century painter Raphael. | 0:24:37 | 0:24:44 | |
Hence their title, pre-Raphaelite. | 0:24:44 | 0:24:47 | |
Because of the association between Morris and the Brotherhood, | 0:24:47 | 0:24:51 | |
the Manders began acquiring pre-Raphaelite art from 1937 | 0:24:51 | 0:24:56 | |
and today, their collection can be viewed here | 0:24:56 | 0:24:59 | |
in a highly appropriate setting. | 0:24:59 | 0:25:00 | |
One of the founders of the decorative arts firm, Morris & Co, | 0:25:00 | 0:25:06 | |
was Edward Burne-Jones who was also a lifetime friend of William Morris. | 0:25:06 | 0:25:12 | |
Here we have a Burne-Jones painting dated from a late period, | 0:25:12 | 0:25:18 | |
but it's an important work | 0:25:18 | 0:25:20 | |
and it depicts a medieval love story. | 0:25:20 | 0:25:24 | |
Here we have the young lovers on the right-hand side, embracing, | 0:25:24 | 0:25:30 | |
and because it's a Pre-Raphaelite painting, | 0:25:30 | 0:25:33 | |
the backdrop is appropriate. | 0:25:33 | 0:25:35 | |
We've got an ancient doorway carved with puteaux, | 0:25:35 | 0:25:40 | |
we've got an entwined briar rose | 0:25:40 | 0:25:43 | |
which is illustrative of the theme of the story. | 0:25:43 | 0:25:47 | |
The transient and fleeting nature of love itself | 0:25:47 | 0:25:51 | |
a theme only too familiar for both members of the Pre-Raphaelite Brotherhood. | 0:25:51 | 0:25:57 | |
It was the artists Millais, Holman Hunt and Rossetti | 0:26:00 | 0:26:04 | |
who founded the Pre-Raphaelite Brotherhood in 1848. | 0:26:04 | 0:26:08 | |
And in this, the morning room, | 0:26:08 | 0:26:11 | |
we've got an example of three of Rossetti's models. | 0:26:11 | 0:26:15 | |
Any attractive woman that the Pre-Raphaelite Brotherhood artists spotted | 0:26:15 | 0:26:20 | |
they termed as "a stunner" and tried to persuade her to model for them. | 0:26:20 | 0:26:25 | |
The central character out of these three is thought to be Annie Miller. | 0:26:25 | 0:26:31 | |
She was discovered by Holman Hunt | 0:26:31 | 0:26:34 | |
working as a barmaid in a slum. | 0:26:34 | 0:26:36 | |
He effectively groomed her, | 0:26:36 | 0:26:39 | |
not only to become a model, | 0:26:39 | 0:26:40 | |
but also as a potential wife. | 0:26:40 | 0:26:43 | |
In 1854, when he shoved off to the Holy Land on a painting tour, | 0:26:43 | 0:26:48 | |
he pleaded with her not to sit for any other artists, | 0:26:48 | 0:26:54 | |
particularly not Rossetti. | 0:26:54 | 0:26:56 | |
Rossetti had form. He seduced William Morris's wife | 0:26:56 | 0:27:01 | |
and Holman Hunt didn't want any of that. | 0:27:01 | 0:27:04 | |
Actually, she did sit for him. | 0:27:04 | 0:27:07 | |
She sat for him many times, | 0:27:07 | 0:27:10 | |
and needless to say, never became Hunt's wife. | 0:27:10 | 0:27:14 | |
Although Hunt's romantic plans came to nought, | 0:27:14 | 0:27:17 | |
for the third founding member of the Brotherhood, John Everett Millais, | 0:27:17 | 0:27:21 | |
a completely different ending was in store. | 0:27:21 | 0:27:24 | |
This is a painting by Millais of Effie Gray, who married John Ruskin in 1848. | 0:27:25 | 0:27:32 | |
John Ruskin has a problem with regard to women. | 0:27:32 | 0:27:36 | |
It's thought his only vision of a woman | 0:27:36 | 0:27:39 | |
was what he had experienced from examining closely classical marble statues. | 0:27:39 | 0:27:45 | |
Having married Effie, on his wedding night he discovered she was not necessarily smoothly textured | 0:27:45 | 0:27:51 | |
in every department. | 0:27:51 | 0:27:53 | |
That discovery horrified the man | 0:27:53 | 0:27:56 | |
and as a result it's thought that their marriage was never consummated. | 0:27:56 | 0:28:01 | |
This painting was painted by Millais in July 1853 on a trip to Scotland. | 0:28:01 | 0:28:08 | |
It was commissioned by John Ruskin. | 0:28:08 | 0:28:10 | |
Unbeknown to him, Millais and Effie had developed a passionate relationship. | 0:28:10 | 0:28:18 | |
And she shortly ran off with Millais, causing a tremendous Victorian scandal. | 0:28:18 | 0:28:23 | |
Here she sits, though, demurely with Scottish foxgloves in her hair | 0:28:25 | 0:28:31 | |
doing a bit of tatting. | 0:28:31 | 0:28:34 | |
The big question today is, over at the auction, | 0:28:34 | 0:28:36 | |
are our contestants' lots likely to be causing a grand scandal? | 0:28:36 | 0:28:41 | |
I can't tell you how nice it is to be in the heart of Nantwich. | 0:28:53 | 0:28:56 | |
Peter Wilson's auction house. How lovely to see you. | 0:28:56 | 0:28:58 | |
-Nice to see you, Tim. -We've got the oak planter here. | 0:28:58 | 0:29:01 | |
It is what it says on the tin, as it were, | 0:29:01 | 0:29:05 | |
it is just an oak banded planter. | 0:29:05 | 0:29:07 | |
It's a perfectly decent practical thing for using round the house. | 0:29:07 | 0:29:11 | |
-Is that worth a £10 note? -I think it's worth a shade more. | 0:29:11 | 0:29:15 | |
-I think about 30 or £40. -Do you? | 0:29:15 | 0:29:17 | |
-Well our lot paid £50. -Did they? | 0:29:17 | 0:29:19 | |
And moving on, the wee pepperette | 0:29:19 | 0:29:22 | |
which I have to say I think is charming. | 0:29:22 | 0:29:25 | |
Yes, a pretty thing, very nicely made. | 0:29:25 | 0:29:29 | |
But there's no hallmark on it. | 0:29:29 | 0:29:31 | |
We can only call it white metal. It's beautifully made. | 0:29:31 | 0:29:34 | |
-Looks kind of Chinese, Japanese, to me. -Yes, it could easily be. | 0:29:34 | 0:29:38 | |
That would explain, perhaps, it having no marks. | 0:29:38 | 0:29:41 | |
-What do you think it's worth? -50 to 80. -£45 paid. | 0:29:41 | 0:29:45 | |
We've got a sandwich box and a thermos flask. | 0:29:45 | 0:29:48 | |
Is it collectable? I think if you've got a vintage or classic car, | 0:29:48 | 0:29:52 | |
you might well be interested in having that on the back seat. | 0:29:52 | 0:29:55 | |
-So it's sort of automobilia, really, more than anything else. -Yes. | 0:29:55 | 0:29:58 | |
What might it bring on a good day? | 0:29:58 | 0:30:00 | |
-20 to 30. -I was afraid you'd say that. They paid 45. -Oh, did they? | 0:30:00 | 0:30:05 | |
It seems to me there are two dark pits there, | 0:30:05 | 0:30:08 | |
which means they'll need their bonus buy, so let's have a look at it. | 0:30:08 | 0:30:11 | |
-Paula and Jill, ready for this? -Yes. -Can't wait! -Absolutely! | 0:30:12 | 0:30:15 | |
You gave David Harper £160 and he's clearly excited about revealing all. | 0:30:15 | 0:30:21 | |
Well, it's not a very big one, but I hope you'll like it. | 0:30:21 | 0:30:24 | |
-They definitely want to touch it! -OK. Yes. | 0:30:28 | 0:30:31 | |
-Let them hold it. -And it's not Chinese, Tim! | 0:30:31 | 0:30:34 | |
It's a heavy fish. Set on a base. | 0:30:34 | 0:30:36 | |
Very vintagey, circa 1950s, 1960s. | 0:30:36 | 0:30:40 | |
-Would you like a feel? -I would. Thank you! | 0:30:40 | 0:30:43 | |
-Do you like it? -It's not something I'd have in my own house, | 0:30:45 | 0:30:48 | |
-but we trust your judgement. -Paula, what do you think? | 0:30:48 | 0:30:51 | |
I wouldn't have it in my home, like Jill said. But... | 0:30:51 | 0:30:54 | |
-So two rejects on whether you'd have it at home, David. -Yes. -Yes. | 0:30:54 | 0:30:58 | |
But on the other hand, is it in good condition? | 0:30:58 | 0:31:01 | |
-Ooh. -Are all those twiddly bits there? | 0:31:01 | 0:31:03 | |
-I would say, Tim, it is 100 per cent. -There you go. | 0:31:03 | 0:31:07 | |
-How much did you spend? -140, Tim, I spent. | 0:31:07 | 0:31:10 | |
The big thing is, girls, you don't have to decide right now. | 0:31:10 | 0:31:13 | |
-Hold that thought. -Thank you. -Let's find out what the auctioneer thinks about Dave's lamp. | 0:31:13 | 0:31:18 | |
Well, there's a tasteful object for you, Robert. | 0:31:19 | 0:31:22 | |
Murano glass, obviously this Italian-made glass. | 0:31:22 | 0:31:26 | |
-Here we have this table lamp which... -Appropriately, it's red. | 0:31:26 | 0:31:30 | |
-Couldn't be better. -What's the condition like? | 0:31:30 | 0:31:33 | |
I can't see any damage on it at all. | 0:31:33 | 0:31:36 | |
Which, to be fair, is quite rare. | 0:31:36 | 0:31:40 | |
If you're into it, it's quite an impressive piece. | 0:31:40 | 0:31:43 | |
I'm sure there'll be somebody in the audience that will like it. | 0:31:43 | 0:31:46 | |
-What's your estimate? -30 to 40. -£140. | 0:31:46 | 0:31:50 | |
I'm going to have to work hard, is all I can say! | 0:31:51 | 0:31:54 | |
A man can only do what a man can do. | 0:31:54 | 0:31:56 | |
That's it for the reds. Now for the blues. | 0:31:56 | 0:31:59 | |
-The Victorian and white metal cheroot trimmer. -Yep. | 0:31:59 | 0:32:03 | |
It's in the shape of a champagne bottle. | 0:32:03 | 0:32:06 | |
I have looked up the kite mark on it, which is for 1883. | 0:32:06 | 0:32:11 | |
A marvellous thing to whip out of the pocket and trim the cigar or cheroot. | 0:32:11 | 0:32:15 | |
-So what's it worth? -30 to 50. | 0:32:15 | 0:32:17 | |
-OK. They paid £50. -Did they? -Yeah. | 0:32:17 | 0:32:19 | |
So what do you think of the Irish leprechaun? | 0:32:19 | 0:32:22 | |
A later piece of Belleek with the brown transfer mark on it, | 0:32:22 | 0:32:27 | |
it's not the most collectable piece of Belleek that I've ever seen. | 0:32:27 | 0:32:31 | |
-What's your estimate? -20 to 30. -Fine. They only paid £10. -Did they? Ah, well. | 0:32:31 | 0:32:35 | |
-Now, the hip flask. -Some people will look at that and say, | 0:32:35 | 0:32:39 | |
-"That is rather nice. A lovely accessory." -Yeah. | 0:32:39 | 0:32:41 | |
-What's your estimate? -I put 60 to 80 on it. -You're joking with me! | 0:32:41 | 0:32:45 | |
-Is that all? -I'm trying to be serious, Tim. -Are you? | 0:32:45 | 0:32:48 | |
No, seriously, is that all it's worth? | 0:32:48 | 0:32:50 | |
That's what I've put on it, yes. They paid? | 0:32:50 | 0:32:52 | |
-180. -Did they? | 0:32:52 | 0:32:54 | |
So they'll need the bonus buy. Let's go and have a look at it. | 0:32:54 | 0:32:57 | |
Now, Tony, Darren, this is the moment where you discover | 0:32:58 | 0:33:02 | |
whether Mark Stacey spent 60 of your pounds sensibly or not. | 0:33:02 | 0:33:05 | |
-Mark? -Tim. -Ooh! -Ooh! | 0:33:05 | 0:33:08 | |
No. It's in two parts. | 0:33:09 | 0:33:11 | |
-I'll give you the bottom bit. -Thank you very much. | 0:33:11 | 0:33:14 | |
It's very delicate. I love this little flower work here. | 0:33:14 | 0:33:17 | |
This is plique-a-jour enamel. | 0:33:17 | 0:33:19 | |
So it's metal which has had this fine enamel put in. | 0:33:19 | 0:33:22 | |
It's very translucent when you hold it up. | 0:33:22 | 0:33:24 | |
-It's very nice. -It is nice. -I like that. -It is very nice. | 0:33:24 | 0:33:27 | |
How much did you pay for this? | 0:33:27 | 0:33:29 | |
-I think a rather modest £28. -Really? -How much? | 0:33:29 | 0:33:33 | |
-28. -Is that all? -Yes. -It's a fantastically delicate | 0:33:33 | 0:33:37 | |
incredibly intricate, very, very difficult to make. | 0:33:37 | 0:33:41 | |
-You're impressed, Toto? -I'm impressed. | 0:33:41 | 0:33:43 | |
Just treasure those words. We'll find out what the auctioneer thinks about Mark's little box. | 0:33:43 | 0:33:49 | |
Look at that, Robert. Look at the work in that. | 0:33:51 | 0:33:54 | |
It's an amazing thing. Plique-a-jour, meaning "letting in light". | 0:33:54 | 0:33:58 | |
This was a technique whereby they were using wirework | 0:33:58 | 0:34:03 | |
-and then filling the wire areas with glass or enamel. -Yes. | 0:34:03 | 0:34:07 | |
And this is all pierced with these chrysanthemum heads here. | 0:34:07 | 0:34:13 | |
If anybody twigs that, how difficult it is to make, | 0:34:13 | 0:34:16 | |
and how beautifully it's remained in good condition, | 0:34:16 | 0:34:20 | |
-they'll pay a bob or two for it. -Let's hope so, yes. | 0:34:20 | 0:34:23 | |
How many bob do you reckon? | 0:34:23 | 0:34:24 | |
30 to £50. | 0:34:24 | 0:34:26 | |
Anyway, Mark Stacey, who's no fool, paid £28. | 0:34:26 | 0:34:29 | |
-Mark's a clever chap, so it's a nice thing. -You're a clever chap, too! | 0:34:29 | 0:34:33 | |
Thank you so much. | 0:34:33 | 0:34:34 | |
Better to butter him up before the auction than afterwards! | 0:34:34 | 0:34:37 | |
-Anyway, good luck, Robert! -Thank you very much, Tim. -Thank you. | 0:34:37 | 0:34:40 | |
At £28. It's there. £28. It will be sold. At £28, then. | 0:34:40 | 0:34:44 | |
£28. | 0:34:44 | 0:34:45 | |
-Paula and Jill, how are you feeling, you lovelies? -Excited. -Yes. Very excited. | 0:34:45 | 0:34:51 | |
First up is your planter, and here it comes. | 0:34:51 | 0:34:53 | |
Lovely. | 0:34:53 | 0:34:55 | |
Now this lovely oak planter with steel bands on it. | 0:34:55 | 0:34:59 | |
Lot 108. £20 I'm bid. At 20. | 0:34:59 | 0:35:02 | |
22 is there now? £20 I'm bid. | 0:35:02 | 0:35:03 | |
-20? -22 now? | 0:35:03 | 0:35:05 | |
-At £20 only. At 20 now, do I hear? -Come on! | 0:35:05 | 0:35:08 | |
At £20 only. At 20. 22 on the internet. | 0:35:08 | 0:35:11 | |
-25 is it now? 22 the bid's here. -Come on! | 0:35:11 | 0:35:14 | |
£22. 25 is it now? 25 anywhere? | 0:35:14 | 0:35:17 | |
25 there. 25. 28 on the internet do I hear? | 0:35:17 | 0:35:20 | |
£25 is in the room here. | 0:35:20 | 0:35:21 | |
28 on the internet? 28. 30 now? | 0:35:21 | 0:35:24 | |
30 bid. 32 is there now? | 0:35:24 | 0:35:26 | |
-At 32 on the internet. -Come on. | 0:35:26 | 0:35:28 | |
The bid's in the room here at £30. | 0:35:28 | 0:35:30 | |
At £30 only. It will be sold. | 0:35:30 | 0:35:31 | |
At £30 only, then. At 30. | 0:35:31 | 0:35:34 | |
Oh! Do you know what, though? It could have been worse. | 0:35:34 | 0:35:37 | |
-Could have been worse. True. -He worked it hard. -Minus 20 is bad enough. | 0:35:37 | 0:35:40 | |
-Here comes the pepperette. -109 is this delightful carp fish. | 0:35:40 | 0:35:45 | |
£50 I'm bid straight away. 55 is there now? | 0:35:45 | 0:35:47 | |
60 on commission. 65 now. 65. | 0:35:47 | 0:35:49 | |
-70. 75? At 70 with me. -Come on! Come on! -At £70 only. | 0:35:49 | 0:35:53 | |
-This is a nice thing. -Any further bids on this? At 70. At £70. | 0:35:53 | 0:35:56 | |
-Bid's still with me at £70. 75 is there now? 75? -Come on! | 0:35:56 | 0:35:59 | |
At £70 only. 75, surely? | 0:35:59 | 0:36:02 | |
At £70. Bid's here on commission. | 0:36:02 | 0:36:04 | |
At £70 only. All quiet at 70. | 0:36:04 | 0:36:07 | |
-Sold at 70. -Plus £25. £25 profit. | 0:36:07 | 0:36:10 | |
You were minus 20, you're now plus five, girls. | 0:36:10 | 0:36:12 | |
-Woo! -You're going forward. | 0:36:12 | 0:36:15 | |
110 is the lot number. | 0:36:15 | 0:36:16 | |
£20 I'm bid for this straightaway. | 0:36:16 | 0:36:19 | |
£20. 25 I have. At 25. 30 is there now? | 0:36:19 | 0:36:22 | |
£25 I'm bid. At 25. 30 anywhere now? Quickly. | 0:36:22 | 0:36:24 | |
30 sitting down. 35? 35, 40 now? | 0:36:24 | 0:36:27 | |
35 standing up in the doorway. | 0:36:27 | 0:36:29 | |
-At £35. -40! | 0:36:29 | 0:36:32 | |
35. Come the racing season, you'll want this in the car. | 0:36:32 | 0:36:35 | |
-At £35. -One more. -£40 there. -Yes! | 0:36:35 | 0:36:38 | |
45 is there now? 45. 50 now? | 0:36:38 | 0:36:41 | |
45 in doorway. At 45 there. | 0:36:41 | 0:36:43 | |
45. All finished and done? At £45 being sold. | 0:36:43 | 0:36:45 | |
45! | 0:36:45 | 0:36:47 | |
-We were close. -£45. Wiped its face. | 0:36:47 | 0:36:50 | |
I wanted to wipe my face! I wanted to wipe my face! | 0:36:50 | 0:36:54 | |
-What are you going to do about the lamp post? -Oh, dear. | 0:36:54 | 0:36:56 | |
-Oh, David. -I know what's coming here. I have the sense. | 0:36:56 | 0:37:00 | |
-Do you want to stick? -Stick. -Stick. -Stick. | 0:37:00 | 0:37:03 | |
114 is the Murano glass table lamp | 0:37:03 | 0:37:07 | |
from the 1950s. | 0:37:07 | 0:37:09 | |
I think this is a bit special. | 0:37:09 | 0:37:11 | |
Give it a chance. | 0:37:11 | 0:37:13 | |
£40 I'm bid straight away. £40. That's on commission at £40. | 0:37:13 | 0:37:16 | |
45 is there now? 45 anywhere now do I hear? | 0:37:16 | 0:37:19 | |
At £40 only. At £40. | 0:37:19 | 0:37:21 | |
45 is there now? 45 and I'm waiting. | 0:37:21 | 0:37:23 | |
-At £40 only. -We did stick, didn't we? -We did. | 0:37:23 | 0:37:25 | |
-I'll take two. I don't mind. At £40. -Go on! | 0:37:26 | 0:37:29 | |
-At £40 only. At £40. 42 is there now? -I paid a thousand. | 0:37:29 | 0:37:33 | |
£40 only. It's the last chance. | 0:37:33 | 0:37:35 | |
At £40 only. Going to be sold at £40. | 0:37:35 | 0:37:38 | |
All quiet. | 0:37:38 | 0:37:40 | |
-Sold at 40. -Oh, David. | 0:37:40 | 0:37:42 | |
-I'm sorry. -I'm very sorry. | 0:37:42 | 0:37:44 | |
Your pride must be a bit hurt. | 0:37:44 | 0:37:46 | |
-Listen, girls. -I'm used to it, Tim. | 0:37:46 | 0:37:48 | |
-That's minus 100 there. -Wow. | 0:37:48 | 0:37:50 | |
But because you were clever enough not to go with it, | 0:37:50 | 0:37:52 | |
-I have to tell you you are plus five. -Wa-hey! -Woo! | 0:37:52 | 0:37:56 | |
-Plus five! -So that's £2.50 each! | 0:37:56 | 0:37:58 | |
Bus fare home. | 0:37:58 | 0:38:00 | |
Half each. | 0:38:00 | 0:38:01 | |
Listen, you two. Don't say a word to the blues. | 0:38:01 | 0:38:04 | |
That could be a winning score, seriously. | 0:38:04 | 0:38:06 | |
But you are going home with money in your pockets | 0:38:06 | 0:38:08 | |
and that is an achievement on this show! | 0:38:08 | 0:38:11 | |
So, guys, do you know how the reds did? | 0:38:17 | 0:38:19 | |
-No. -No. -Good. | 0:38:19 | 0:38:21 | |
First up is the cigar cheroot cutter. Here it comes. | 0:38:21 | 0:38:25 | |
Lot number 130, | 0:38:25 | 0:38:27 | |
this champagne-shaped cheroot cutter, | 0:38:27 | 0:38:31 | |
a lovely thing. What may we say for it? | 0:38:31 | 0:38:33 | |
-£20. A lovely accessory. -£20?! -22. | 0:38:33 | 0:38:36 | |
We'll go in twos and threes. £20 bid. At 20. | 0:38:36 | 0:38:38 | |
22 is it now? 22 on the internet. 25. | 0:38:38 | 0:38:41 | |
-28 on the internet. -On the internet. | 0:38:41 | 0:38:42 | |
-At 28. 30, now? 30 bid. -Come on! | 0:38:42 | 0:38:46 | |
32 do I hear? 32. 35? | 0:38:46 | 0:38:47 | |
35. A great thing. 38 now? | 0:38:47 | 0:38:50 | |
-38. 38. 40 now. -It's getting there. | 0:38:50 | 0:38:52 | |
-You'll not find another one. -True. | 0:38:52 | 0:38:54 | |
38 with you. At 38. 40 is it now? | 0:38:54 | 0:38:56 | |
-40, she's coming in again. -Come on! | 0:38:56 | 0:38:57 | |
42? 42. 45? | 0:38:57 | 0:39:00 | |
42 it's there. £42. | 0:39:00 | 0:39:02 | |
The bid's here at £42. It's going to be sold. At £42. | 0:39:02 | 0:39:05 | |
-42. -£42. Well done. | 0:39:05 | 0:39:08 | |
-And no cigar. -That's minus £8. | 0:39:08 | 0:39:11 | |
What a shame. | 0:39:11 | 0:39:13 | |
A piece of Belleek. There we are. The Belleek bell. | 0:39:13 | 0:39:15 | |
£20 to start it off. At £20 you can't go wrong. £20. | 0:39:15 | 0:39:18 | |
22 is there now? You can't let it sell for... 22. | 0:39:18 | 0:39:21 | |
25. 28? 28. | 0:39:21 | 0:39:22 | |
28. 30 now? | 0:39:22 | 0:39:24 | |
30 bid. 32. 35. | 0:39:24 | 0:39:26 | |
Are you sure? £32 way at the back of the room. | 0:39:26 | 0:39:29 | |
At £32. 35 now on the internet. | 0:39:29 | 0:39:31 | |
38? 38. 40 on the internet. | 0:39:31 | 0:39:33 | |
At £40 on the internet. We're waiting. | 0:39:33 | 0:39:35 | |
38 in the room. 40 is there, on the internet? | 0:39:35 | 0:39:38 | |
-At £38 way at the back of the room. -Come on! | 0:39:38 | 0:39:41 | |
£40. 42, now? 42. | 0:39:41 | 0:39:43 | |
45. You'll have to be quicker on the internet. | 0:39:43 | 0:39:45 | |
45 is there? 45. 48 now? | 0:39:45 | 0:39:47 | |
48. 50 now? On the internet. 50 you bid? At 48. 50 bidding on the internet. | 0:39:47 | 0:39:52 | |
50? 48 is in the room there. | 0:39:52 | 0:39:54 | |
At £48. Last chance. In the room at £48. | 0:39:54 | 0:39:57 | |
It's going to be sold at 48. | 0:39:57 | 0:39:58 | |
Sold at £48. | 0:39:58 | 0:40:00 | |
That's plus £38. How good is that? | 0:40:00 | 0:40:02 | |
You were minus eight. You're now plus 30. | 0:40:02 | 0:40:04 | |
132. This terrific hip flask. | 0:40:04 | 0:40:07 | |
I've got £80 bid on it straightaway. | 0:40:07 | 0:40:09 | |
-At £80. 85 is there now? £80 I'm bid. At 80 now. -Come on. | 0:40:09 | 0:40:13 | |
85. 90's here. 95 is there now? | 0:40:13 | 0:40:15 | |
£90. 95. 100. | 0:40:15 | 0:40:17 | |
And five? 105. | 0:40:17 | 0:40:19 | |
110. 115. 120. 125. | 0:40:19 | 0:40:23 | |
130. 135. | 0:40:23 | 0:40:25 | |
Your bid. You'll make somebody very happy with this. | 0:40:25 | 0:40:28 | |
At 135. 135. 140 anywhere else now do I hear? | 0:40:28 | 0:40:32 | |
-At 135. The bid's there. £135. -Come on. -Going to be sold at 135. | 0:40:32 | 0:40:37 | |
Last chance. 135. | 0:40:37 | 0:40:39 | |
That's minus 45 | 0:40:39 | 0:40:41 | |
which means overall you're minus 15. | 0:40:41 | 0:40:43 | |
So what are you going to do about the plique-a-jour box? | 0:40:43 | 0:40:46 | |
-Without a shadow of a doubt... -Go for it! -..we put our faith in Mark. | 0:40:46 | 0:40:49 | |
Now, this wonderful plique-a-jour box. | 0:40:49 | 0:40:52 | |
£20 to start it off? I promise you that's cheap. | 0:40:52 | 0:40:55 | |
Hand went up like a bullet at £20. | 0:40:55 | 0:40:58 | |
22 is there now? 22 do I hear? £20 I'm bid. | 0:40:58 | 0:41:01 | |
22 is there now? A lovely thing. 22. | 0:41:01 | 0:41:03 | |
25. 28. 30 now. | 0:41:03 | 0:41:05 | |
32. 35. 38. | 0:41:05 | 0:41:08 | |
40 now. 38 there. | 0:41:08 | 0:41:10 | |
I don't know how you dare shake your head at that! | 0:41:10 | 0:41:12 | |
40. Well done. See? If you don't ask, you don't get. | 0:41:12 | 0:41:16 | |
£40. 42. 45. | 0:41:16 | 0:41:18 | |
48 anywhere else? | 0:41:18 | 0:41:20 | |
At 45, the bid's there. | 0:41:20 | 0:41:21 | |
At 45 and going to be sold. | 0:41:21 | 0:41:23 | |
At £45. A bargain, I think. | 0:41:23 | 0:41:26 | |
At £45, going out then. | 0:41:26 | 0:41:28 | |
-45. Your bid. -Plus 17. | 0:41:28 | 0:41:31 | |
You were minus 15 before. | 0:41:31 | 0:41:33 | |
You now have, lads, £2. | 0:41:33 | 0:41:34 | |
Whoa! | 0:41:34 | 0:41:36 | |
£2 profit. | 0:41:36 | 0:41:37 | |
-We made some money! -Get in! | 0:41:37 | 0:41:39 | |
You made £1 each! | 0:41:39 | 0:41:41 | |
-After all that lark! -We took our time! | 0:41:41 | 0:41:43 | |
How fantastic is that? | 0:41:44 | 0:41:46 | |
-That's pretty good, isn't it? -Fantastic. -You made a profit. | 0:41:46 | 0:41:48 | |
That could be a winning score. So don't say a word to the reds. | 0:41:48 | 0:41:51 | |
-Our lips are sealed. -Everything should be sealed. | 0:41:51 | 0:41:53 | |
Well, well. How exciting is this? | 0:42:00 | 0:42:03 | |
Two teams of winners! | 0:42:03 | 0:42:05 | |
Oooh! | 0:42:05 | 0:42:06 | |
But which team is marginally ahead? | 0:42:07 | 0:42:11 | |
Cos you boys really, really want to beat these girls, right? | 0:42:11 | 0:42:15 | |
And vice-versa. | 0:42:15 | 0:42:18 | |
You don't? | 0:42:18 | 0:42:19 | |
Ladies first. | 0:42:19 | 0:42:20 | |
-OK. Well, on that basis... -We want to win. | 0:42:20 | 0:42:23 | |
I have to give you your dream come true, because you are the runners-up. | 0:42:23 | 0:42:27 | |
The ladies are, indeed, first. | 0:42:28 | 0:42:31 | |
-Hooray! -Yes! | 0:42:31 | 0:42:33 | |
I'm going to hand over two pounds to these boys. | 0:42:33 | 0:42:36 | |
Brilliant! Thank you, Tim. | 0:42:36 | 0:42:37 | |
And the ladies' profit is five pounds! | 0:42:37 | 0:42:40 | |
-Yay! -Hooray! | 0:42:40 | 0:42:42 | |
So we got the three pounds between them, today. | 0:42:42 | 0:42:46 | |
-Anyway, have we had fun all round? -Brilliant. | 0:42:46 | 0:42:48 | |
We certainly have. It's been superb. | 0:42:48 | 0:42:50 | |
Join us soon for some more Bargain Hunting, yes? | 0:42:50 | 0:42:53 | |
Yes! | 0:42:53 | 0:42:55 | |
Subtitles by Red Bee Media Ltd | 0:43:15 | 0:43:18 |