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No, we're not at Glastonbury. We're in the grounds of Kedleston Hall. | 0:00:06 | 0:00:12 | |
After some atrocious weather | 0:00:12 | 0:00:15 | |
we're here to delve, discover and dig out of the mud, | 0:00:15 | 0:00:19 | |
hopefully, some bargains. | 0:00:19 | 0:00:21 | |
What could be more delicious than that? | 0:00:21 | 0:00:23 | |
So, let's go bargain hunting. | 0:00:23 | 0:00:26 | |
Squelch! | 0:00:26 | 0:00:28 | |
The landscape in Derbyshire inspired Jane Austen | 0:00:50 | 0:00:53 | |
to write Pride And Prejudice. | 0:00:53 | 0:00:55 | |
But today it's going to be sense, sensibility | 0:00:55 | 0:00:59 | |
and sensible wellies which help our teams dig out all those bargains. | 0:00:59 | 0:01:06 | |
Oh, Mr Darcy! | 0:01:06 | 0:01:07 | |
Coming up - Anita's glad she's on Mavis's team. | 0:01:10 | 0:01:14 | |
Go, go on, go on, go on, go on. | 0:01:14 | 0:01:16 | |
I would go for 80 but not any more. | 0:01:16 | 0:01:18 | |
Would you accept ?5 for the three? | 0:01:18 | 0:01:21 | |
Whereas the Blues have trouble pinning their purchases down. | 0:01:21 | 0:01:24 | |
We know where it is. We do, do we. Down there. What are you doing? | 0:01:24 | 0:01:28 | |
We can't find it. | 0:01:28 | 0:01:30 | |
Heaven help us. Let's meet these teams. | 0:01:31 | 0:01:33 | |
We're keeping it in the family today, I tell you, | 0:01:34 | 0:01:37 | |
because for the Reds we've got husband and wife Norman and Mavis, | 0:01:37 | 0:01:40 | |
Hi, guys. Hiya. Lovely to see you. | 0:01:40 | 0:01:43 | |
And for the Blues, we've got brother and sister, Old Nick and Young Pat. | 0:01:43 | 0:01:47 | |
How lovely. Now, Norman, how did you and Mave first meet? | 0:01:49 | 0:01:53 | |
I was an apprentice in the Royal Air Force at Halton. | 0:01:53 | 0:01:57 | |
Mavis was working in the local post office. | 0:01:57 | 0:02:01 | |
And I happened to say, I fancy the bird who works in there. | 0:02:01 | 0:02:05 | |
And you went in for a postal order one morning and that was it? | 0:02:05 | 0:02:08 | |
And that was it. How lovely. Best postal order you ever cashed, eh? | 0:02:08 | 0:02:13 | |
Absolutely. Did you do much flying in the RAF? No, no. | 0:02:13 | 0:02:18 | |
Far too dangerous, flying. | 0:02:18 | 0:02:20 | |
What did you do? Bomb disposal. TIM LAUGHS | 0:02:20 | 0:02:23 | |
You left the dangerous stuff to the flyers. That's right. | 0:02:23 | 0:02:27 | |
You are a tease, Norm, you really are. | 0:02:27 | 0:02:30 | |
So you've seen a few of these monsters | 0:02:30 | 0:02:32 | |
and got up close and personal? One or two, one or two. | 0:02:32 | 0:02:35 | |
It must be very nerve-wracking? | 0:02:35 | 0:02:37 | |
I'll let you into a secret. Yes. | 0:02:39 | 0:02:41 | |
You don't cut the blue wire. You don't cut the blue wire! | 0:02:41 | 0:02:45 | |
Or the red wire. Which one to do I cut?! | 0:02:45 | 0:02:48 | |
Don't do that. No, I'll leave it to the professionals. | 0:02:50 | 0:02:53 | |
But you're all heroes as far as I'm concerned | 0:02:53 | 0:02:56 | |
because I definitely couldn't do it. | 0:02:56 | 0:02:58 | |
Now, Mavis, it says you worked as a nurse. Yes, for 26 years. | 0:02:58 | 0:03:01 | |
Did you? And how did you get into nursing? | 0:03:01 | 0:03:04 | |
I'd done numerous jobs before | 0:03:05 | 0:03:07 | |
and then I've always wanted to do nursing when I left school | 0:03:07 | 0:03:11 | |
but my mother said no, you couldn't do this and that. | 0:03:11 | 0:03:13 | |
Norman sent off for an application form without telling me | 0:03:13 | 0:03:17 | |
so when I was 39 I got an application to go into nursing. | 0:03:17 | 0:03:22 | |
Never? I went in the October and I was in nursing by the February. | 0:03:22 | 0:03:26 | |
Did you apply in your own name or Mavis's name? | 0:03:26 | 0:03:28 | |
He knew I wanted to do it. How sweet is that? Good for you, girl. | 0:03:28 | 0:03:32 | |
Now, before you started working you travelled about a bit with Norman in the service? | 0:03:32 | 0:03:36 | |
Oh, we travelled all over the place. | 0:03:36 | 0:03:38 | |
Germany, Singapore, er, Cornwall. Where's your favourite? | 0:03:38 | 0:03:42 | |
I'd say Singapore. Was it? Yes, yes. Nice and warm. | 0:03:43 | 0:03:47 | |
It was warm and I took up netball out there, the wives netball team I was in, | 0:03:47 | 0:03:52 | |
and ran it with the captain for two years with three teams. | 0:03:52 | 0:03:56 | |
It was wonderful but I wasn't built like I am now. | 0:03:56 | 0:03:58 | |
Don't be like that. Good luck. | 0:04:00 | 0:04:02 | |
Now, for the Blue team. | 0:04:02 | 0:04:05 | |
Nick you were christened Martin, weren't you? | 0:04:05 | 0:04:07 | |
Yes, I was. So why do I call you Old Nick then? | 0:04:07 | 0:04:10 | |
It goes back to when I was first born. | 0:04:10 | 0:04:12 | |
My grandmother used to baby-sit for me. | 0:04:12 | 0:04:15 | |
I was born with a shock of black hair that used to stick up | 0:04:15 | 0:04:17 | |
like horns and she used to call me Old Nick. | 0:04:17 | 0:04:20 | |
It went through all my family, it went through school, | 0:04:20 | 0:04:22 | |
went through the Royal Air Force and everybody knows me as Nick. | 0:04:22 | 0:04:26 | |
Isn't that funny? And he had the cheek of Old Nick as well. Did he? | 0:04:26 | 0:04:29 | |
That's why we call you Old Nick. And Young Pat. | 0:04:29 | 0:04:32 | |
I think you like that, don't you? Yes. That's your new nickname then. | 0:04:33 | 0:04:37 | |
Super. Now, Nick, like Norman, you're ex-RAF. Yes. | 0:04:37 | 0:04:42 | |
What did you do in the RAF? I was an armament technician. | 0:04:42 | 0:04:46 | |
Not bomb disposal? Oh, yes. A bit later than Norman. | 0:04:46 | 0:04:50 | |
Same sort of line. Bombs, bullets, guns, missiles, bomb disposal, you name it. | 0:04:50 | 0:04:54 | |
Isn't that interesting in the one team. Lovely. | 0:04:54 | 0:04:57 | |
So, Pat, what keeps you busy, darling? Well, I'm semi-retired. | 0:04:57 | 0:05:02 | |
I did accountancy and book keeping for 50 years. For how many years? | 0:05:02 | 0:05:06 | |
50 years, from the age of 15 until I retied. You never did? | 0:05:06 | 0:05:11 | |
Did you really? Yeah. You can't be 65, you don't look 65. | 0:05:11 | 0:05:15 | |
Isn't that a miracle? | 0:05:15 | 0:05:16 | |
Any strategy? | 0:05:18 | 0:05:19 | |
We'd like to buy inexpensive as possible with the biggest profit. | 0:05:19 | 0:05:24 | |
All right, so you're going to try not to spend a lot of money. Try. | 0:05:24 | 0:05:27 | |
That's the message we're getting. Super. Now, the money moment. | 0:05:27 | 0:05:32 | |
Here's your ?300, ?300 apiece. | 0:05:32 | 0:05:35 | |
You know the rules, your experts await and off you go! | 0:05:35 | 0:05:38 | |
Very, very good luck! | 0:05:38 | 0:05:40 | |
Old Nick indeed! | 0:05:40 | 0:05:42 | |
Speaking of which, where the devil are those experts? | 0:05:44 | 0:05:48 | |
Always keen to get to the bottom of any problem, | 0:05:48 | 0:05:50 | |
it's our potty Scot, Anita Manning. | 0:05:50 | 0:05:52 | |
And trying to add some class, Philip Serrell's looking dapper. | 0:05:56 | 0:06:00 | |
Hm, maybe not. | 0:06:02 | 0:06:03 | |
OK, guys, do you fancy a bit of mud wrestling? Oh, definitely. | 0:06:06 | 0:06:09 | |
You can count me out. Oh, Anita! | 0:06:09 | 0:06:12 | |
Is there a plan? | 0:06:12 | 0:06:14 | |
Well, my side of it, I'd like unusual quirky stuff that's cheap and makes a big profit. | 0:06:14 | 0:06:19 | |
Silver. You want something pretty. | 0:06:19 | 0:06:21 | |
Oh, definitely, just like me. | 0:06:21 | 0:06:23 | |
Or even a pair of wellies like yours. Thank you so much. | 0:06:23 | 0:06:26 | |
Yes, they are very fetching, Phil. | 0:06:26 | 0:06:28 | |
You definitely need a pair today. Eurgh. | 0:06:28 | 0:06:31 | |
Are you enjoying the mud? | 0:06:31 | 0:06:33 | |
Do you know what we call it in Scotland? What's that? Clabber. | 0:06:33 | 0:06:36 | |
We call it clods in the north of England. | 0:06:37 | 0:06:40 | |
Clabber, clods and lots of bods. This should be fun. | 0:06:40 | 0:06:43 | |
THEY LAUGH | 0:06:43 | 0:06:45 | |
Have a look in here. | 0:06:45 | 0:06:47 | |
Anita, what do you think of that? You've spotted something lovely here. | 0:06:49 | 0:06:55 | |
Iridescent glass. | 0:06:55 | 0:06:56 | |
It is 20th century so maybe in the last 20, 30 years. | 0:06:56 | 0:07:00 | |
So it's pretty modern then? | 0:07:00 | 0:07:02 | |
It's pretty modern but it's of nice quality | 0:07:02 | 0:07:06 | |
so don't let that put you off. | 0:07:06 | 0:07:08 | |
You tell me what you like about it. | 0:07:08 | 0:07:11 | |
It's just the shape and the colour and... | 0:07:11 | 0:07:13 | |
It's very pretty, isn't it? | 0:07:13 | 0:07:15 | |
..it's just the whole thing. A dragonfly on a lily pad. | 0:07:15 | 0:07:18 | |
How romantic can you get? Is your wife a romantic woman? Absolutely. | 0:07:18 | 0:07:24 | |
Calm down, calm down, calm down! | 0:07:24 | 0:07:27 | |
We'll take that as a yes. | 0:07:27 | 0:07:29 | |
It is a lovely thing. It reminds me of Ditchfield Glass. | 0:07:29 | 0:07:33 | |
He used this wonderful iridescent glass and it's very pretty. | 0:07:34 | 0:07:38 | |
This isn't Ditchfield. It says on it Lazlo. | 0:07:38 | 0:07:42 | |
Tell us about Lazlo. | 0:07:42 | 0:07:44 | |
Lazlo was a chap that worked for John Ditchfield. | 0:07:44 | 0:07:46 | |
So he was a pupil of Ditchfield? Yes. | 0:07:46 | 0:07:49 | |
He made his animals of glass instead of silver. | 0:07:49 | 0:07:53 | |
So what would be your best price on that? I think 140's a good price. | 0:07:53 | 0:07:57 | |
OK? Erm... Can you do it..? Come on then. | 0:07:57 | 0:08:01 | |
Can you do it for 80? No. | 0:08:02 | 0:08:04 | |
No. 120 and that's further than I want to come down. | 0:08:05 | 0:08:09 | |
You don't get them any more. | 0:08:09 | 0:08:11 | |
110. How about 100 then? I've had a 110 bid from this on here. | 0:08:13 | 0:08:18 | |
Go on, go on, go on. 100. | 0:08:18 | 0:08:20 | |
I'll come down to 115 and that's it. 100. | 0:08:20 | 0:08:23 | |
No, I'm sorry, I can't do it. Oh, you can. I can't. I'm sure you can. | 0:08:23 | 0:08:27 | |
There's money in it for you at 115. No, 100. | 0:08:27 | 0:08:30 | |
No, can't do it. 110? | 0:08:30 | 0:08:31 | |
I've refused 110. Oh, 110, go on. It's only a fiver. I know. | 0:08:33 | 0:08:39 | |
Go on then. Right. Yes. | 0:08:39 | 0:08:41 | |
Caught me at a weak moment. This woman is red hot. | 0:08:41 | 0:08:44 | |
Thank you. She's red hot. Thank you very much. Thank you. | 0:08:44 | 0:08:49 | |
I don't think you need me. | 0:08:49 | 0:08:52 | |
Yep, Mavis is clearly a force to be reckoned with | 0:08:54 | 0:08:57 | |
and that means the Reds have gone into the lead at only five minutes and counting. | 0:08:57 | 0:09:01 | |
We are the champions! | 0:09:01 | 0:09:04 | |
She is the champion! Me! | 0:09:04 | 0:09:08 | |
Yes, shake your booty, Mave. | 0:09:08 | 0:09:11 | |
Now, can the Blues get a wiggle on? | 0:09:11 | 0:09:14 | |
Let's have a look in this one here and see what we can see. | 0:09:14 | 0:09:17 | |
But what attracts RAF Nick? | 0:09:18 | 0:09:20 | |
A clock made from a plane propeller of course. | 0:09:20 | 0:09:23 | |
Do you like the clock? I like the clock as well actually. | 0:09:23 | 0:09:26 | |
I think if you have a bad day at the auction | 0:09:26 | 0:09:29 | |
that's going to make around ?80. | 0:09:29 | 0:09:31 | |
If you have a good day it might make between ?150-?200. | 0:09:31 | 0:09:36 | |
It depends on what type of sale it is, | 0:09:36 | 0:09:38 | |
who's there and all the other bits and bobs. | 0:09:38 | 0:09:41 | |
So, what's the death finish on that? 150. | 0:09:41 | 0:09:44 | |
?150? No, that is it. You could buy that if you wanted to. | 0:09:44 | 0:09:48 | |
But you run a risk of perhaps losing ?60-?70. | 0:09:49 | 0:09:53 | |
But you might make ?50. | 0:09:53 | 0:09:54 | |
The good thing about it is, it actually does work. | 0:09:54 | 0:09:57 | |
Can we keep that in mind, Phil. | 0:09:57 | 0:09:59 | |
What you could ask this goodly gentleman to do is perhaps | 0:09:59 | 0:10:02 | |
hang onto it for you for about 45 minutes? No problem. | 0:10:02 | 0:10:05 | |
Would that be all right? I really like that. Superb. | 0:10:05 | 0:10:08 | |
Now, how's Mave the Rave getting on with all this mud? | 0:10:09 | 0:10:12 | |
Hold you're trousers up. I might show my legs. | 0:10:12 | 0:10:16 | |
Oh, go on, give us a thrill, Mave. | 0:10:16 | 0:10:18 | |
I think some of it's got in my socks. THEY LAUGH | 0:10:18 | 0:10:22 | |
Are you splashing me again? Probably. | 0:10:22 | 0:10:24 | |
There is just a bit of mud here, Pat, isn't there? Just a trifle. | 0:10:24 | 0:10:28 | |
The poor little dog's drowning. | 0:10:28 | 0:10:30 | |
I know how he feels. | 0:10:30 | 0:10:32 | |
Guys, I love this. I couldn't get over it at school. I love that. | 0:10:34 | 0:10:39 | |
It's a funky thing. How much funky? | 0:10:39 | 0:10:41 | |
Well, in my eyes, | 0:10:41 | 0:10:44 | |
if you buy that for ?150 I think it would be a great fun thing to go for. | 0:10:44 | 0:10:49 | |
What date is it? '40s or '50s. | 0:10:49 | 0:10:51 | |
For me it's like that Kenneth Williams, Barbara Windsor... | 0:10:51 | 0:10:55 | |
Oh, matron! | 0:10:55 | 0:10:57 | |
What's the best you can do? I'd say 150 is way too low. | 0:10:57 | 0:11:00 | |
I'd say 165 is the absolute bottom. | 0:11:00 | 0:11:04 | |
And I think that's a steal. | 0:11:04 | 0:11:06 | |
What we'll do is, shall we ask our friend..? | 0:11:06 | 0:11:09 | |
Can you keep this for about 45 minutes? 45 minutes, fine. | 0:11:09 | 0:11:12 | |
Can't guarantee we'll buy it, can't guarantee we'll buy it but we might come back and have a look. | 0:11:12 | 0:11:17 | |
Please do. That'll be great. | 0:11:17 | 0:11:18 | |
So another item in reserve for the Blues but no buys. | 0:11:18 | 0:11:22 | |
Come on Reds, show them how it's done. | 0:11:22 | 0:11:24 | |
That's a Schneider Trophy. It certainly is. | 0:11:27 | 0:11:29 | |
It's a wonderful piece, is that. | 0:11:29 | 0:11:32 | |
Is that silver? | 0:11:32 | 0:11:34 | |
It'll be chrome on top of brass. | 0:11:34 | 0:11:36 | |
But it'll be typical 1930s. | 0:11:36 | 0:11:38 | |
Chrome is really good. It isn't blistered. | 0:11:38 | 0:11:41 | |
It's a one-off piece. | 0:11:41 | 0:11:42 | |
Norman, do you recognise this plane? Can you tell us something about it? | 0:11:42 | 0:11:46 | |
Yes, it's a model of the Schneider Trophy aircraft | 0:11:46 | 0:11:50 | |
which was the forerunner of the Spitfire. Really? | 0:11:50 | 0:11:53 | |
Yes, it won the word speed record. You do know all about it. | 0:11:53 | 0:11:57 | |
Do you like it? I do. Do you like it? I do actually. Yes, I do. | 0:11:57 | 0:12:02 | |
He worked on a Spitfire as well. So you worked on a Spitfire? | 0:12:02 | 0:12:07 | |
Oh, yes. What sort of job did you have on the..? The weapons. | 0:12:07 | 0:12:12 | |
So you looked after all that sort of stuff. Yeah. | 0:12:12 | 0:12:14 | |
How much are you asking for this? The actual price on it is ?160. | 0:12:14 | 0:12:19 | |
GASPS It is because of what it is. | 0:12:19 | 0:12:22 | |
That's heavy. | 0:12:22 | 0:12:24 | |
The death on that would be 130 and there's no negotiation on that. No. | 0:12:24 | 0:12:30 | |
130. That's a shame. It is. | 0:12:30 | 0:12:32 | |
Too much. | 0:12:32 | 0:12:34 | |
No, it's too much. If it was silver... | 0:12:34 | 0:12:37 | |
If it was silver it wouldn't be there. | 0:12:37 | 0:12:39 | |
You'd have added another nothing on the end. Well, that's right. | 0:12:39 | 0:12:42 | |
I'll do 120, that's it. Can't do any better than that. | 0:12:42 | 0:12:45 | |
What do you think, Mavis? I'd go for 80 but not any more. No chance. | 0:12:45 | 0:12:50 | |
I've turned down bids higher than that today. | 0:12:50 | 0:12:52 | |
It's just too much isn't it. 100? | 0:12:52 | 0:12:55 | |
I'll split the difference, 110. 100. | 0:12:56 | 0:12:59 | |
I can't do it. How about 105 then? | 0:12:59 | 0:13:02 | |
I can't do it. Mavis is doing her best. | 0:13:02 | 0:13:04 | |
She knows this is a special item for Norm, though. | 0:13:04 | 0:13:07 | |
How do you feel about it yourself? I'll do it for 110. | 0:13:07 | 0:13:11 | |
I'm tempted, I must admit. It's nice. | 0:13:11 | 0:13:14 | |
There's history. Well, it's up to you. | 0:13:15 | 0:13:19 | |
And it's part of your history, Norman. | 0:13:19 | 0:13:21 | |
Yeah? It's up to you, darling. | 0:13:24 | 0:13:26 | |
I like it. It's a nice piece, sir. | 0:13:28 | 0:13:31 | |
Bit of history. It is. | 0:13:31 | 0:13:33 | |
110? I can do 110, sir. | 0:13:35 | 0:13:38 | |
There we go. 110. That's a deal. | 0:13:40 | 0:13:42 | |
I think you've done the right thing. I hope so. | 0:13:42 | 0:13:45 | |
Of course you have, Norman, it warms the cockles to see such a personal connection. | 0:13:45 | 0:13:50 | |
I am so pleased that Norman bought that little plane. | 0:13:51 | 0:13:55 | |
I could see that he was torn. He loved it. It meant so much to him. | 0:13:55 | 0:14:00 | |
I really like that Schneider aircraft model. | 0:14:00 | 0:14:05 | |
It's wonderful. | 0:14:06 | 0:14:09 | |
I wanted him to buy it but in the end it was up to him | 0:14:09 | 0:14:11 | |
and when he said yes and shook on it, it just, | 0:14:11 | 0:14:16 | |
it meant so much. | 0:14:16 | 0:14:18 | |
And from the sublime to the ridiculous. | 0:14:18 | 0:14:21 | |
It seems Mr Serrell is feeling a bit self-conscious. | 0:14:21 | 0:14:24 | |
I'm not actually sure these have added to my street cred. | 0:14:26 | 0:14:29 | |
They're wonderful. Just shut up. | 0:14:29 | 0:14:31 | |
Really cool, actually. You can shut up as well. | 0:14:31 | 0:14:35 | |
Ready? | 0:14:35 | 0:14:36 | |
We've got two items you both absolutely love. Definitely. | 0:14:36 | 0:14:41 | |
You've bought those in 25 minutes so we've got 35 minutes | 0:14:41 | 0:14:45 | |
and still lots of money. I've got to leave you some pennies. | 0:14:45 | 0:14:48 | |
I'll leave you a pound shall I? | 0:14:48 | 0:14:50 | |
Leave me a pound! | 0:14:50 | 0:14:52 | |
The Blues have a plan too. | 0:14:52 | 0:14:54 | |
Find something for Pat. But it's not going well. | 0:14:54 | 0:14:57 | |
What about these, Phil? Did you ask how old it is? | 0:14:59 | 0:15:03 | |
No, I didn't. Uh-oh. | 0:15:03 | 0:15:05 | |
There's something seriously wrong here. Pat likes it. | 0:15:05 | 0:15:07 | |
Don't use that as the old excuse, "Oh, she likes it". | 0:15:07 | 0:15:10 | |
He's holding the dolly. These things at auction they are ten a penny. | 0:15:10 | 0:15:13 | |
Look on the internet price guides, you can not see one of those, you can see a hundred of them. | 0:15:13 | 0:15:17 | |
I'm ever mindful that we haven't bought anything yet. Yes, of course. | 0:15:17 | 0:15:20 | |
We've still got two things we might be thinking of | 0:15:20 | 0:15:23 | |
but I am mindful that we haven't bought anything yet. Right. | 0:15:23 | 0:15:25 | |
Let's have a wander up this way. Follow the leader. | 0:15:25 | 0:15:28 | |
I think the Reds are being led astray by their expert. | 0:15:29 | 0:15:32 | |
That looks like Philip Serrell. | 0:15:32 | 0:15:34 | |
Well, I don't know about the wonky eyes | 0:15:35 | 0:15:37 | |
but he is very huggable I'm told. | 0:15:37 | 0:15:39 | |
Probably got his beady eye on us. | 0:15:39 | 0:15:42 | |
Actually Phil is actually focusing on the task in hand, | 0:15:44 | 0:15:48 | |
unlike the two siblings. | 0:15:48 | 0:15:50 | |
Hey, enough of that you, enough of that. | 0:15:50 | 0:15:54 | |
I'm not sure how waterproof this is and you might need it later. | 0:15:54 | 0:15:57 | |
Do you want to concentrate on the job in hand? | 0:15:57 | 0:16:00 | |
Yep, half an hour gone. | 0:16:00 | 0:16:02 | |
Do you like those? Yeah, different aren't they? | 0:16:03 | 0:16:07 | |
How much? | 0:16:07 | 0:16:08 | |
Yeah, that's it. Ask the man. | 0:16:08 | 0:16:11 | |
How much are your bowls, sir? ?50 the set. | 0:16:11 | 0:16:14 | |
50 for four. They're not a set. | 0:16:14 | 0:16:17 | |
No, they're not a set. What about just the two in the bag? | 0:16:17 | 0:16:19 | |
Would they be half the 50? Would they be ?25? 30. | 0:16:22 | 0:16:25 | |
I mean these would cost you probably, I don't know, | 0:16:25 | 0:16:29 | |
?80-?120 if you want to go and buy them new. | 0:16:29 | 0:16:32 | |
People use these, they turn them | 0:16:32 | 0:16:35 | |
and use them for feet on 18th Century, 17th Century furniture. | 0:16:35 | 0:16:38 | |
Really? Yes. Wow. | 0:16:38 | 0:16:39 | |
Things you need to look at. | 0:16:39 | 0:16:41 | |
You've got some splits in them. Is that a bad thing? | 0:16:41 | 0:16:44 | |
It ain't the best recommendation in the world | 0:16:44 | 0:16:47 | |
but you're getting to the point where you've got to spend some money. Yes. | 0:16:47 | 0:16:50 | |
So, at ?25, you both like them. I'd dive in. They're quirky. | 0:16:50 | 0:16:55 | |
If you don't you're going to end up spending nothing. OK. | 0:16:55 | 0:16:58 | |
Do you want to do that? Go on then. | 0:16:58 | 0:17:00 | |
As long as they're 25, no more than 25. Where is he? 25? | 0:17:00 | 0:17:04 | |
Erm, yeah. Go on then. | 0:17:04 | 0:17:07 | |
Thank you very much. Thank you. Thank you very much indeed. | 0:17:07 | 0:17:11 | |
Well knock me down with a set of bowls, | 0:17:12 | 0:17:15 | |
the Blues have finally made their first purchase! | 0:17:15 | 0:17:17 | |
You like a wee bit of the exotic. | 0:17:17 | 0:17:20 | |
We do because we've been to the exotic places. | 0:17:20 | 0:17:24 | |
Of course, you lived in Singapore. Yeah, we did. What is it? | 0:17:24 | 0:17:27 | |
It's just a decorative panel. Oh, it's a picture. | 0:17:27 | 0:17:31 | |
How do you feel about it? I like it but I can't see it... | 0:17:31 | 0:17:37 | |
I mean, who would buy it? It's not pressing all the buttons? Let's go. | 0:17:37 | 0:17:41 | |
Dynamic team work, Reds. Not an approach the Blues favour, however. | 0:17:42 | 0:17:46 | |
What about that jewellery box? Pardon? Fishing box? No, no, no. | 0:17:48 | 0:17:51 | |
For the garden? | 0:17:53 | 0:17:54 | |
Look at that. What about that? | 0:17:55 | 0:17:58 | |
Hang on a minute. I love that. | 0:17:58 | 0:18:00 | |
That's nice. I really, really like that. It's got age to it. | 0:18:00 | 0:18:04 | |
How old is it? Is it old, Philip? It's an 18th century leather fire bucket. | 0:18:04 | 0:18:08 | |
There you go, see. How much is your..? 75. | 0:18:08 | 0:18:11 | |
Is that the death on that? Best it can be - 65. | 0:18:11 | 0:18:15 | |
It's an early one, a genuine one. It's 18th century, isn't it? Definitely. | 0:18:15 | 0:18:18 | |
Can I have look? Has it got a split down the side? | 0:18:18 | 0:18:22 | |
Yes it has. That just wants some attention to it really. | 0:18:22 | 0:18:25 | |
It's a nice tactile piece. It's got the feel. It has, hasn't it. | 0:18:25 | 0:18:28 | |
You're buying a decorative item. | 0:18:28 | 0:18:29 | |
These things used to make hundreds of pounds. | 0:18:29 | 0:18:31 | |
Its condition isn't brilliant because you've got this split here | 0:18:31 | 0:18:35 | |
and this is an old repair round here I would think. | 0:18:35 | 0:18:38 | |
And you should originally have had a leather strap to it. | 0:18:38 | 0:18:42 | |
At auction that's going to make somewhere between ?50-?100. | 0:18:42 | 0:18:45 | |
So there is a possibility..? Yeah, I quite like it. | 0:18:45 | 0:18:47 | |
I'd buy it but I don't have a life and I need to get out more! | 0:18:47 | 0:18:52 | |
Do you like it, my love, because I'm conscious... Well, it's different. | 0:18:52 | 0:18:56 | |
I'm not sure that's the answer I was looking for. | 0:18:56 | 0:18:59 | |
It's whether you like it with its age and the fact of what it is | 0:18:59 | 0:19:02 | |
and what it was, bless it. 200-years-old. Yes, I do like it. | 0:19:02 | 0:19:06 | |
Wouldn't that make a lovely piece with flowers in it or something? Yes, I do. | 0:19:06 | 0:19:09 | |
Would ?60 do any good? Yeah, yeah. 60? Take it for 60? | 0:19:09 | 0:19:14 | |
OK, then. Thank you very much. I like that. I really like that. | 0:19:14 | 0:19:18 | |
I like that. | 0:19:18 | 0:19:19 | |
And with that, the Blues have drawn level with the Reds. | 0:19:19 | 0:19:23 | |
I'm very conscious you haven't bought what you want. | 0:19:23 | 0:19:25 | |
That's OK, I like the clock as well. I like all the things we've bought. | 0:19:25 | 0:19:29 | |
Do you want another 15 minutes just in case we can find you something and then go back for the clock? | 0:19:29 | 0:19:33 | |
It's worth a look. Do you think so? Come on, let's have a look. | 0:19:33 | 0:19:37 | |
Now, someone who isn't shy when it comes to acquisitions is our Mavis. | 0:19:37 | 0:19:42 | |
Anita, what do you think of these? | 0:19:42 | 0:19:44 | |
I like the shape and everything on them. How many pieces? | 0:19:44 | 0:19:47 | |
We've got three pieces? Is there three pieces to this? It's three. | 0:19:47 | 0:19:52 | |
It would look quite nice on a dinner table. It's from the 1930s. | 0:19:52 | 0:19:57 | |
It's art deco but it's silver plated only. | 0:19:57 | 0:20:01 | |
If you like it, you will need to be down by a substantial amount. | 0:20:01 | 0:20:05 | |
Would you accept ?5 for the three? | 0:20:06 | 0:20:09 | |
Watch out. Mave's about. | 0:20:09 | 0:20:11 | |
I can't do that. I know, I know. | 0:20:11 | 0:20:13 | |
What's your best price, then? What have I got on it? | 0:20:13 | 0:20:16 | |
20. | 0:20:16 | 0:20:18 | |
I can do it for about 15. That's the least I can do. | 0:20:18 | 0:20:22 | |
?7. No, ?10's a fair bargain. Eight? | 0:20:22 | 0:20:25 | |
What do you think? Nine. | 0:20:26 | 0:20:29 | |
Go on, then. You're sold. It's a deal. Thank you. | 0:20:29 | 0:20:34 | |
Nice to meet you. Thank you. | 0:20:34 | 0:20:36 | |
Well done, Reds. You've cleaned up - at least, in the figurative sense. | 0:20:36 | 0:20:42 | |
Can I have this dance? A wee victory dance in the mud! | 0:20:42 | 0:20:46 | |
Waaaaaaaay! LAUGHTER | 0:20:46 | 0:20:48 | |
You big old kids - you'll be making mud pies next! Now, buck up, Blues. | 0:20:50 | 0:20:55 | |
What have you got for Pat? | 0:20:55 | 0:20:56 | |
So how much is the dog? He's lovely, isn't he? | 0:20:59 | 0:21:02 | |
Cheers, Anita. It was excellent. | 0:21:02 | 0:21:04 | |
I wouldn't have liked to have been on the other side | 0:21:04 | 0:21:07 | |
of the counter with you trying to get me down! | 0:21:07 | 0:21:10 | |
The time has come, guys. | 0:21:10 | 0:21:11 | |
You've got two minutes to find what Pat wants. Otherwise - clock. | 0:21:11 | 0:21:15 | |
I think the clock. He's set his heart on the clock. | 0:21:15 | 0:21:18 | |
Yes, but it's not all about him, you know. He's my little brother. | 0:21:18 | 0:21:21 | |
My little brother? She's always looked after me. She's gone soft now, hasn't she? | 0:21:21 | 0:21:25 | |
Isn't that sweet? Sisterly love. Now come on Blues, | 0:21:25 | 0:21:28 | |
there's a clock to buy, and only one minute in which to find it. | 0:21:28 | 0:21:31 | |
We know where it is, don't we? We do, do we? Down there. Where? | 0:21:34 | 0:21:38 | |
What are you doing? | 0:21:38 | 0:21:40 | |
We can't find it! | 0:21:40 | 0:21:42 | |
Ah, ah, ah! | 0:21:42 | 0:21:45 | |
There. Oh, that's good. | 0:21:45 | 0:21:48 | |
Can I lift it? | 0:21:48 | 0:21:49 | |
Yeah, of course. Just watch the clock, because it does tip out of the front. | 0:21:49 | 0:21:53 | |
I like it. I think it's good. | 0:21:53 | 0:21:55 | |
Is there anything better you can do on that for us? | 0:21:55 | 0:21:57 | |
No, there's not, unfortunately, no. Not with the price I've had on. | 0:21:57 | 0:22:00 | |
I've put my cards on the table. | 0:22:00 | 0:22:02 | |
He's knocked you the thick end of 100 quid off. Yes, that's true. | 0:22:02 | 0:22:06 | |
Are you going for it? Yes, we'll go for it. Thank you very, very much. | 0:22:06 | 0:22:10 | |
I tell you, after this, I could do with a cup of tea. Off you go. | 0:22:10 | 0:22:12 | |
Chocolate biccy? Go on. Two, if you like. | 0:22:12 | 0:22:15 | |
Two choccy biccs, eh? | 0:22:15 | 0:22:16 | |
It's enough to make you want to break out into song. | 0:22:16 | 0:22:19 | |
# Please release me, let me go... # | 0:22:19 | 0:22:25 | |
Cos time's up, and let's remind ourselves what the red team bought. | 0:22:25 | 0:22:30 | |
Stop throwing all that underwear about, you girls. | 0:22:30 | 0:22:33 | |
Oh, I wish! | 0:22:33 | 0:22:34 | |
But speaking of big drawers, Mave was drawn strongly to this Lazlo | 0:22:34 | 0:22:39 | |
paperweight, and paid a hefty ?110. | 0:22:39 | 0:22:41 | |
Another 110 secured this model of a Schneider trophy for Norman. | 0:22:44 | 0:22:49 | |
And Mave the Rave struck again with this condiment set, | 0:22:51 | 0:22:55 | |
viciously haggling the price down to ?9. | 0:22:55 | 0:22:58 | |
Enjoyed that, then? I did. Including the dancing in the rain? | 0:22:58 | 0:23:01 | |
Are you a couple of mudlarks, or what? | 0:23:01 | 0:23:04 | |
Oh, yes. I was thinking of stripping off and doing a wrestling match, | 0:23:04 | 0:23:07 | |
but I decided against it. | 0:23:07 | 0:23:09 | |
It's not that sort of show, love. | 0:23:09 | 0:23:11 | |
You've never seen hippos in the mud? | 0:23:11 | 0:23:14 | |
Well, I don't know! I think I could begin to rather enjoy that. And what did you spend all round? | 0:23:14 | 0:23:21 | |
229. You spent 229? I would like ?71 of leftover lolly, please. | 0:23:21 | 0:23:26 | |
Thank you. That is ?71. | 0:23:26 | 0:23:29 | |
Are you going to count it? No, no - don't worry. I trust you. Anyway, millions wouldn't. ?71. | 0:23:29 | 0:23:36 | |
Anita Manning - your challenge is to go out and convert that | 0:23:36 | 0:23:39 | |
into something lovely that's going to be profitable. | 0:23:39 | 0:23:41 | |
What I'd like is for this lady to come with me | 0:23:41 | 0:23:44 | |
and bargain for me, because she is ferocious! | 0:23:44 | 0:23:48 | |
And this is coming from a professional. | 0:23:48 | 0:23:50 | |
This is coming from a lady who really does know how to bargain. | 0:23:50 | 0:23:53 | |
So that is an accolade, Mave, I tell you. Anyway, Mave the Rave! | 0:23:53 | 0:23:58 | |
Good luck, and good luck Anita. | 0:23:58 | 0:24:00 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:24:00 | 0:24:03 | |
A pair of turned wooden bowls rolled their way first. ?25 paid. | 0:24:03 | 0:24:08 | |
Then they sank ?60 into this Georgian fire bucket. | 0:24:10 | 0:24:13 | |
And finally, Nick got his propeller clock, | 0:24:16 | 0:24:19 | |
paying ?150 in the dying seconds. | 0:24:19 | 0:24:22 | |
Well, guess whose wellies are attached to the Blue team? | 0:24:24 | 0:24:28 | |
Very clever stuff, P Serrell. Now, did you have a good shop-up, Pat? Excellent, thank you very much. | 0:24:28 | 0:24:33 | |
Was it good, Old Nick? Wonderful. Tremendous. | 0:24:33 | 0:24:35 | |
How much did you spend all round? | 0:24:35 | 0:24:37 | |
?235. That's a good number - 235. | 0:24:37 | 0:24:41 | |
Superb. OK, fine. So I want the ?65, please. | 0:24:41 | 0:24:45 | |
Thank you. There's the ?65 - I won't count it - I'll trust you. | 0:24:45 | 0:24:48 | |
Over it goes to the maestro. | 0:24:48 | 0:24:49 | |
What you going to do with that, P Serrell? | 0:24:49 | 0:24:51 | |
Well, I'm not going to kick the bucket, but we neglected Pat in our shopping. | 0:24:51 | 0:24:55 | |
We really neglected Pat, so I'm going to go and find something girly. | 0:24:55 | 0:24:59 | |
Nice one! That'll be a first, Phil. Anyway, lots of fun. | 0:25:00 | 0:25:05 | |
Meanwhile, we're heading off to Brum, 22:57:30,759 --> 25:36:35,211 where they also have a lot of fun. 25:36:35,211 --> 25:36:35,211 Founded in 1932 by Dame Martha Constance Hattie Barber, 25:36:35,211 --> 25:36:35,211 the Barber Institute of Fine Arts sits proudly in the grounds 25:36:35,211 --> 25:36:35,211 of the University of Birmingham, and is widely 25:36:35,211 --> 25:36:35,211 recognised as one of the finest small art galleries in the world. 25:36:35,211 --> 25:36:35,211 Lady Barber was wife of successful Birmingham property developer 25:36:35,211 --> 25:36:35,211 and solicitor Sir William Henry Barber. 25:36:35,211 --> 25:36:35,211 They married in 1893, the year that Sir William retired, aged 33, 25:36:35,211 --> 25:36:35,211 and they moved to a manor house in Berkshire. 25:36:35,211 --> 25:36:35,211 But they maintained extensive links with Birmingham, 25:36:35,211 --> 25:36:35,211 because it was, after all, Sir William's home city, 25:36:35,211 --> 25:36:35,211 making many gifts over the years. 25:36:35,211 --> 25:36:35,211 But it was the university that was the greatest 25:36:35,211 --> 25:36:35,211 recipient of their largesse. 25:36:35,211 --> 25:36:35,211 Lady Barber founded an institution within the University which 25:36:35,211 --> 25:36:35,211 was designed to encourage the study of both art and music. 25:36:35,211 --> 25:36:35,211 She stipulated that only work of the highest standard 25:36:35,211 --> 25:36:35,211 should be displayed here. 25:36:35,211 --> 25:36:35,211 It is a principle the gallery still adheres to to this very day. 25:36:35,211 --> 25:36:35,211 And one of the Barbers' greatest treasures is this - 25:36:35,211 --> 25:36:35,211 The Harvest Wagon by Thomas Gainsborough. 25:36:35,211 --> 25:36:35,211 It shows country life at a moment. 25:36:35,211 --> 25:36:35,211 The cart has stopped in a wooded glade. It's the end of the harvest. 25:36:35,211 --> 25:36:35,211 You can see the rake and some ears of corn on the edge of the wagon. 25:36:35,211 --> 25:36:35,211 It's a delightful genre painting, painted by Gainsborough with 25:36:35,211 --> 25:36:35,211 this lovely soft flecking touch to the trees. 25:36:35,211 --> 25:36:35,211 These girls are getting up on board 25:36:35,211 --> 25:36:35,211 because they're going off to a bit of a party, 25:36:35,211 --> 25:36:35,211 and the chaps are consuming 25:36:35,211 --> 25:36:35,211 a flagon of cider just as a bit of a stiffener before the off. 25:36:35,211 --> 25:36:35,211 Talking of drinking... 25:36:35,211 --> 25:36:35,211 This enormous painting is by the Spanish 17th century artist 25:36:35,211 --> 25:36:35,211 Murillo, and it's important to the Barber collection 25:36:35,211 --> 25:36:35,211 because it's the only 17th century Spanish work on permanent display. 25:36:35,211 --> 25:36:35,211 It is absolutely crammed with figures. 25:36:35,211 --> 25:36:35,211 In fact, there are 22 of them in this biblical scene. 25:36:35,211 --> 25:36:35,211 It shows our Lord at the marriage at Cana where 25:36:35,211 --> 25:36:35,211 he is about to perform his first miracle at a wedding ceremony. 25:36:35,211 --> 25:36:35,211 The bride and groom in the middle look incredibly gloomy, 25:36:35,211 --> 25:36:35,211 and that's because they've been told that they've just run out of wine - 25:36:35,211 --> 25:36:35,211 the worst social faux pas that you could possibly imagine. 25:36:35,211 --> 25:36:35,211 Our Lord says, though, "Don't worry about that!" 25:36:35,211 --> 25:36:35,211 He orders the servants to fill the empty wine flagons with water, 25:36:35,211 --> 25:36:35,211 and this is the moment where that water is about to be transformed, 25:36:35,211 --> 25:36:35,211 thanks to the miracle, into the finest of wines. 25:36:35,211 --> 25:36:35,211 When this painting was cleaned and conserved in 2004, 25:36:35,211 --> 25:36:35,211 it was a job that was supposed to take four months. 25:36:35,211 --> 25:36:35,211 In fact, it took seven, because when the restorer was here, 25:36:35,211 --> 25:36:35,211 it was so interesting for him to talk to the public passing by, 25:36:35,211 --> 25:36:35,211 that it took an additional three months to sort the picture out, 25:36:35,211 --> 25:36:35,211 and during that time he discovered all sorts of interesting 25:36:35,211 --> 25:36:35,211 things like this change in the angle and shape of the pavement, 25:36:35,211 --> 25:36:35,211 as you can see by the change of colour in the painting. 25:36:35,211 --> 25:36:35,211 And here, you can just make out where some birds originally 25:36:35,211 --> 25:36:35,211 were coming out of the lemon drizzle cake. 25:36:35,211 --> 25:36:35,211 That's called, in painting terms, pentimento, 25:36:35,211 --> 25:36:35,211 where the artist changes his mind and overpaints 25:36:35,211 --> 25:36:35,211 to disguise an earlier version. 25:36:35,211 --> 25:36:35,211 The big question for our team today over at the auction 25:36:35,211 --> 25:36:35,211 is going to be, are they about to need a blessed miracle? 25:36:35,211 --> 25:36:35,211 Well, we've come the 24 miles across the county border 25:36:35,211 --> 25:36:35,211 from Derbyshire to Staffordshire to Lichfield 25:36:35,211 --> 25:36:35,211 to be with Richard Winterton at Richard Winterton Auctions. 25:36:35,211 --> 25:36:35,211 Richard, hello. Hello. 25:36:35,211 --> 25:36:35,211 Now, Norman and Mavis, with all the connections, 25:36:35,211 --> 25:36:35,211 went first with the lily pad glass weight. 25:36:35,211 --> 25:36:35,211 What do you like most about it? 25:36:35,211 --> 25:36:35,211 The glue. 25:36:35,211 --> 25:36:35,211 I know. It's not so hot, that, is it? 25:36:35,211 --> 25:36:35,211 Cos we have to reveal that underneath this loose maybug 25:36:35,211 --> 25:36:35,211 there is a gob of glue before you get to the lily pad. 25:36:35,211 --> 25:36:35,211 When they found it in the fair, it was attached, but only just. 25:36:35,211 --> 25:36:35,211 It looks like Ditchfield, but it won't make Ditchfield money, will it? 25:36:35,211 --> 25:36:35,211 No. How much? 40 to 60. 25:36:35,211 --> 25:36:35,211 ?40-?60. They paid 110. 25:36:35,211 --> 25:36:35,211 It's not even going to take off, is it? Nowhere near. 25:36:35,211 --> 25:36:35,211 Talking about taking off, what about this little Schneider trophy? 25:36:35,211 --> 25:36:35,211 Chromium plated, 1930s. 25:36:35,211 --> 25:36:35,211 It's got no quality, nothing. The propeller works. 25:36:35,211 --> 25:36:35,211 Yeah, look. There you go. That works. 25:36:35,211 --> 25:36:35,211 But apart from that, I can't see it. Again, I've gone 40 to 60, exactly the same again. 25:36:35,211 --> 25:36:35,211 And they paid ?110, exactly the same again. Just no. 25:36:35,211 --> 25:36:35,211 What about the condiments? 25:36:35,211 --> 25:36:35,211 Silver plate, of course. 25:36:35,211 --> 25:36:35,211 Silver plate, but people still want the condiment set. 25:36:35,211 --> 25:36:35,211 I can see it making ?20-30. Please don't take the wind out of my sails again with the price! 25:36:35,211 --> 25:36:35,211 I'm going to puff you up now, because they only paid nine. 25:36:35,211 --> 25:36:35,211 Go! Happy boys. 25:36:35,211 --> 25:36:35,211 There's an awful lot of losses to cover in the earlier two items, and 25:36:35,211 --> 25:36:35,211 they're going to need their bonus buy, 25:36:35,211 --> 25:36:35,211 so let's go and have a look at it. 25:36:35,211 --> 25:36:35,211 You gave Anita Manning ?71. 25:36:35,211 --> 25:36:35,211 We did. Now, she's a pretty cute operator, is Anita Manning, 25:36:35,211 --> 25:36:35,211 so she can have anything under that rag, and knowing her, 25:36:35,211 --> 25:36:35,211 she's gone off and got you a bargain. 25:36:35,211 --> 25:36:35,211 But anyway - will you show us what you bought, please, Anita. 25:36:35,211 --> 25:36:35,211 That's nice. 25:36:35,211 --> 25:36:35,211 This is a little malachite. 25:36:35,211 --> 25:36:35,211 That's the name of this stone here, which is a rather pretty green 25:36:35,211 --> 25:36:35,211 colour, and it's encased in this yellow metal engraved band. 25:36:35,211 --> 25:36:35,211 So I'd like to think that it was gold, but I don't know. 25:36:35,211 --> 25:36:35,211 How much did you pay? 25:36:35,211 --> 25:36:35,211 Straight in there! 25:36:35,211 --> 25:36:35,211 That Mavis is...she's in there for a killer question. 25:36:35,211 --> 25:36:35,211 I got it at a fairly good price. ?20. 25:36:35,211 --> 25:36:35,211 20? That's good. That was good. 25:36:35,211 --> 25:36:35,211 Is that all? 25:36:35,211 --> 25:36:35,211 That's the real Russian malachite stone. 25:36:35,211 --> 25:36:35,211 The stone of the Tsars, 25:36:35,211 --> 25:36:35,211 the most gorgeous of all green polished lapidary stone. 25:36:35,211 --> 25:36:35,211 You make it sound so sexy. Hey! 25:36:35,211 --> 25:36:35,211 You settle down, Mavis! Keep taking those tablets, darling! 25:36:35,211 --> 25:36:35,211 Would you wear it, Mavis? 25:36:35,211 --> 25:36:35,211 Yes, I would. Would you wear it, Norman? 25:36:35,211 --> 25:36:35,211 Well, I don't think so, but... 25:36:35,211 --> 25:36:35,211 In your ear hole! 25:36:35,211 --> 25:36:35,211 I could always get my nose pierced, couldn't I! 25:36:35,211 --> 25:36:35,211 Oh, no! You wouldn't look right. 25:36:35,211 --> 25:36:35,211 Well, what fun, anyway. You don't have to decide about taking it now. 25:36:35,211 --> 25:36:35,211 You can decide later. 25:36:35,211 --> 25:36:35,211 But right now for the audience at home, 25:36:35,211 --> 25:36:35,211 let's find out what the auctioneer thinks about Anita's bangle. 25:36:35,211 --> 25:36:35,211 Now, Richard. This is a high-quality object, isn't it? Look at that. 25:36:35,211 --> 25:36:35,211 It's well-made. Isn't it? 25:36:35,211 --> 25:36:35,211 That Anita's been clever here, I think. 25:36:35,211 --> 25:36:35,211 I think she's gambling, as well, on it. 25:36:35,211 --> 25:36:35,211 Because it's not marked, so we can only put yellow metal. 25:36:35,211 --> 25:36:35,211 But it's got a bit about it, hasn't it? A bit of quality. 25:36:35,211 --> 25:36:35,211 Would you mind valuing it as is, then? Just as yellow metal. 25:36:35,211 --> 25:36:35,211 What's your opinion as to what that is? I think that's a nice item. 25:36:35,211 --> 25:36:35,211 We've put 30 to 40 and it will make that. 25:36:35,211 --> 25:36:35,211 Yeah, well, Anita paid 20. 25:36:35,211 --> 25:36:35,211 So that's a very good bonus buy item, isn't it? 25:36:35,211 --> 25:36:35,211 Now, that's it for the Reds. Now for the Blues. 25:36:35,211 --> 25:36:35,211 We seem to have a colourful, quite feminine look here, 25:36:35,211 --> 25:36:35,211 and on that side of the table it looks definitely masculine. 25:36:35,211 --> 25:36:35,211 What about the bowls? Good old set of bowls. 25:36:35,211 --> 25:36:35,211 We have two or three of these every sale. In they come! 25:36:35,211 --> 25:36:35,211 And what do they make? 25:36:35,211 --> 25:36:35,211 They make 20 to 30. ?30. 25:36:35,211 --> 25:36:35,211 In a little case like that? ?25 paid. 25:36:35,211 --> 25:36:35,211 So that's pretty good, isn't it? Yes. 25:36:35,211 --> 25:36:35,211 Then you've got the Georgian leather fire bucket. 25:36:35,211 --> 25:36:35,211 Now, that's a really nice, 25:36:35,211 --> 25:36:35,211 old-fashioned country house finishing object, isn't it? 25:36:35,211 --> 25:36:35,211 How much? 25:36:35,211 --> 25:36:35,211 40 to 60, and it'll make top end of that. 25:36:35,211 --> 25:36:35,211 OK, well it needs to, because they paid the ?60. 25:36:35,211 --> 25:36:35,211 I don't think he's got much of a problem on that. OK. 25:36:35,211 --> 25:36:35,211 Now I rather like these clocks made out of First World War bits of kit. 25:36:35,211 --> 25:36:35,211 I mean it's recycling and all that, but it's good fun, isn't it? It is. 25:36:35,211 --> 25:36:35,211 How do you rate it, then? 25:36:35,211 --> 25:36:35,211 80? 100? Something like that? 120? 25:36:35,211 --> 25:36:35,211 Might it make 150? 25:36:35,211 --> 25:36:35,211 I think we're top end for that. Well, that's what we need, because they paid 150. 25:36:35,211 --> 25:36:35,211 I'm not surprised they paid it. Yes. 25:36:35,211 --> 25:36:35,211 Well, on that basis, it's a bit crucial, that clock, 25:36:35,211 --> 25:36:35,211 because if it doesn't go well, they're definitely going to 25:36:35,211 --> 25:36:35,211 need their bonus buy, so let's go and have a look at it. 25:36:35,211 --> 25:36:35,211 ?65 of leftover lolly you had and you gave it to him. 25:36:35,211 --> 25:36:35,211 Show us your wares then, Phil. 25:36:35,211 --> 25:36:35,211 Well, I've got to say that you and I had a fairly good shop, didn't we? And I felt so sorry for you. 25:36:35,211 --> 25:36:35,211 Now, I think this is absolutely, truly hideous. 25:36:35,211 --> 25:36:35,211 But you liked it, didn't you? So happy birthday, happy Christmas. 25:36:35,211 --> 25:36:35,211 Oh, thank you. That is lovely. 25:36:35,211 --> 25:36:35,211 I paid ?55 for that. 25:36:35,211 --> 25:36:35,211 You didn't? Yes I did. And this just proves what a soppy old sentimentalist I am. 25:36:35,211 --> 25:36:35,211 Well, it's blue. 25:36:35,211 --> 25:36:35,211 It's in perfect condition, and it's a great big lump. 25:36:35,211 --> 25:36:35,211 I tell you, there are people out there who like their '60s, '70s glass. 25:36:35,211 --> 25:36:35,211 And they'll pay money for it. One thing's for certain - it will be sold, 25:36:35,211 --> 25:36:35,211 whether you decide to pick it or not, and that decision comes later. 25:36:35,211 --> 25:36:35,211 But right now, for the audience at home, 25:36:35,211 --> 25:36:35,211 let's find out what the auctioneer thinks about Phil's dish. 25:36:35,211 --> 25:36:35,211 Right then, Richard Winston. There's a lump for you. 25:36:35,211 --> 25:36:35,211 This is said to be Philip Serrell's girly item. Is it? 25:36:35,211 --> 25:36:35,211 He likes a big old strong girl, does Phil! 25:36:35,211 --> 25:36:35,211 Yes. He'll need it to carry that around! It's a lump, isn't it? 25:36:35,211 --> 25:36:35,211 Kind of a wave look to it, isn't it? 60s. We see so much of it, though. 25:36:35,211 --> 25:36:35,211 I think we've got ?25 to ?30, so... 25:36:35,211 --> 25:36:35,211 Is that all? Yes. Serrell's paid ?55. No! 25:36:35,211 --> 25:36:35,211 Yes. You've got a struggle here, Richard. I've got a struggle. 25:36:35,211 --> 25:36:35,211 Hopefully they will be already in profit. Yeah. 25:36:35,211 --> 25:36:35,211 That's the positive attitude. That's why he's where he is today! 25:36:35,211 --> 25:36:35,211 Good luck! 25:36:35,211 --> 25:36:35,211 35, 35, 35. 25:36:35,211 --> 25:36:35,211 And 40, and ?35 I'm bid, and sold, then for ?35. 25:36:35,211 --> 25:36:35,211 So Mave, how are you feeling, babe? A bit nervous. Are you? Yes. 25:36:35,211 --> 25:36:35,211 What have you got to be nervous about? Standing by you! 25:36:35,211 --> 25:36:35,211 I won't bite you. No, seriously, I mean, the estimates aren't so hot. 25:36:35,211 --> 25:36:35,211 But estimates don't really matter. 25:36:35,211 --> 25:36:35,211 The thing is, you buy what you love. 25:36:35,211 --> 25:36:35,211 Yes, you buy what you love and hope that somebody in this room 25:36:35,211 --> 25:36:35,211 or on the internet is going to love it too. Love it as much as me. 25:36:35,211 --> 25:36:35,211 First up is the paperweight, and here it comes. 25:36:35,211 --> 25:36:35,211 We go now to lot 314. 25:36:35,211 --> 25:36:35,211 There's the dragonfly paperweight there. 25:36:35,211 --> 25:36:35,211 Lot 314, ?25 I'm bid. 25. ?30. 35, ?40. 25:36:35,211 --> 25:36:35,211 ?40 I'm bid, at ?40. Here at ?40. At 40. Second row at ?40. 25:36:35,211 --> 25:36:35,211 No interest, internet? No other interest. Selling then at ?40. 25:36:35,211 --> 25:36:35,211 I'm really sorry. That's ?70. Minus 70. That's a blow. 25:36:35,211 --> 25:36:35,211 Oh, dear. We have 315 now. 25:36:35,211 --> 25:36:35,211 Now, Schneider. 25:36:35,211 --> 25:36:35,211 Lot 315. 40 bid. ?40. 45, with me at 45. 25:36:35,211 --> 25:36:35,211 ?50. ?60. ?70. 25:36:35,211 --> 25:36:35,211 At 70, ?80. 25:36:35,211 --> 25:36:35,211 Internet again. ?90. 25:36:35,211 --> 25:36:35,211 ?90, I'm bid at 90. ?100. 110. 110! 110. 25:36:35,211 --> 25:36:35,211 120, internet. 120, 120, 120. At 120. 25:36:35,211 --> 25:36:35,211 That is good. 120. Everyone else out? All done. Sold at 120. 25:36:35,211 --> 25:36:35,211 Yes! Well done. You are quite right, plus ?10. Lovely job. 25:36:35,211 --> 25:36:35,211 Great. 25:36:35,211 --> 25:36:35,211 316. The condiment set there. ?10. ?10. ?10. ?10 I'm bid. 25:36:35,211 --> 25:36:35,211 ?15. ?20. ?25. 25:36:35,211 --> 25:36:35,211 ?25 right away at 25. 25, ?30. Internet again at 30. ?30, ?30. 25:36:35,211 --> 25:36:35,211 With the internet at 30, everyone else out. Sold at 30. 25:36:35,211 --> 25:36:35,211 Brilliant. That's plus ?21. 25:36:35,211 --> 25:36:35,211 How good is that? Minus 39 is where you're at, OK? 25:36:35,211 --> 25:36:35,211 So what are you going to do about this...? 25:36:35,211 --> 25:36:35,211 We're having it. We're going for it. Absolutely. 25:36:35,211 --> 25:36:35,211 For ?20, that's a very stylish and nice looking thing. 25:36:35,211 --> 25:36:35,211 Anyway, here it comes - the exciting bangle. 25:36:35,211 --> 25:36:35,211 We go now this time to the metal hinged bangle there, lot 320. 25:36:35,211 --> 25:36:35,211 ?20 I'm bid. ?20, 25, ?30. 35, ?40. 25:36:35,211 --> 25:36:35,211 Hey! 45, 45 in the room now, at 45, 45. 25:36:35,211 --> 25:36:35,211 45, ?50, ?50 right away at 50. In the corner at 50. 50. 25:36:35,211 --> 25:36:35,211 How exciting! 25:36:35,211 --> 25:36:35,211 Sold at 50. 25:36:35,211 --> 25:36:35,211 Yes! 25:36:35,211 --> 25:36:35,211 Good on you. Well, that is very good, Anita. That's plus ?30. 25:36:35,211 --> 25:36:35,211 You had minus 39, you're now only minus ?9. 25:36:35,211 --> 25:36:35,211 So how are you feeling, Pat? 25:36:35,211 --> 25:36:35,211 Nervous. Are you? What have you got to be nervous about? 25:36:35,211 --> 25:36:35,211 You've got your bro with you, haven't you? Well, that's true. 25:36:35,211 --> 25:36:35,211 We set out to buy a cheap thing and make a profit. I think we bought dearly. 25:36:35,211 --> 25:36:35,211 And if the worst comes to the worst, Pat, 25:36:35,211 --> 25:36:35,211 you've got your bowl to fall back on, haven't you? 25:36:35,211 --> 25:36:35,211 Anyway, first up are the old bowls, and here they come. 25:36:35,211 --> 25:36:35,211 336 now, the wooden bowls there, in their case. A fiver I'm bid. 25:36:35,211 --> 25:36:35,211 Five, eight, 10, 12, ?12. ?12 I'm bid, ?12. 15, internet. 25:36:35,211 --> 25:36:35,211 18, room. ?18 I'm bid. Room at ?18. Far right at ?18. 25:36:35,211 --> 25:36:35,211 I don't like the look of this. ?18. 25:36:35,211 --> 25:36:35,211 Blast it! ?18 is minus ?7. 25:36:35,211 --> 25:36:35,211 Still, let's not sweat. 25:36:35,211 --> 25:36:35,211 The fire bucket. Lot 337, the Georgian leather fire bucket. 337. 25:36:35,211 --> 25:36:35,211 Commission bids are in. I'm in at 60. I have 70. I have 80 with me. 25:36:35,211 --> 25:36:35,211 At ?80 with me, at 80. At 80. ?80. 25:36:35,211 --> 25:36:35,211 All done. Sold at 80. 25:36:35,211 --> 25:36:35,211 He sold at 80. ?80. That's brilliant. That's plus 20. 25:36:35,211 --> 25:36:35,211 Which means you are plus 13. See? It soon comes back. 25:36:35,211 --> 25:36:35,211 Now, yes. 25:36:35,211 --> 25:36:35,211 ?50 bid. 60, 70, 80. At ?80, I'm bid at ?80. At ?80, and ?80. At 80. 25:36:35,211 --> 25:36:35,211 At 80, at 80, at 80, at 80. 25:36:35,211 --> 25:36:35,211 Internet, you're not in, at 80. With me at ?80. 25:36:35,211 --> 25:36:35,211 The room is out. At ?80, top bid. Ouch! Sold at ?80. 25:36:35,211 --> 25:36:35,211 Oh, well. ?80. I think our propeller's just stuck, hasn't it? 25:36:35,211 --> 25:36:35,211 It's certainly not turning any more. You're minus 57. 25:36:35,211 --> 25:36:35,211 What are you going to do about that? 25:36:35,211 --> 25:36:35,211 No? No. 25:36:35,211 --> 25:36:35,211 It's nice of Philip to think of Pat, but... Somebody had to! 25:36:35,211 --> 25:36:35,211 We're going to sell it anyway, and here it comes. 25:36:35,211 --> 25:36:35,211 We now move to 342. The studio bowl there, circa 1960. Lot 342. 25:36:35,211 --> 25:36:35,211 ?5 to start me, ?5 to start me. 25:36:35,211 --> 25:36:35,211 Five I'm bid, five I'm bid. Eight I'm bid. 25:36:35,211 --> 25:36:35,211 10, 12, 15, 18, 20, 25:36:35,211 --> 25:36:35,211 ?20 on my left. 25:36:35,211 --> 25:36:35,211 ?20 I'm bid. Far left at 20, 20, 20. 25:36:35,211 --> 25:36:35,211 Well sold. Two, 25, ?30, ?30, third row at ?30, ?30. 25:36:35,211 --> 25:36:35,211 You're out, internet. You're out in the middle. Sold then at ?30. 25:36:35,211 --> 25:36:35,211 ?30, which is minus 25. You did the right thing there. 25:36:35,211 --> 25:36:35,211 Anyway, don't say a word. 25:36:35,211 --> 25:36:35,211 Minus 57 could be a winning score, 25:36:35,211 --> 25:36:35,211 and all will be revealed in a moment. 25:36:35,211 --> 25:36:35,211 Well, well, well, well. 25:36:35,211 --> 25:36:35,211 It's no secret that today is not a day 25:36:35,211 --> 25:36:35,211 where anybody is going home with any folding money, sadly. 25:36:35,211 --> 25:36:35,211 But we have had a delightful competition all round, haven't we? 25:36:35,211 --> 25:36:35,211 Yes. Have you been chatting about the scores between you? You haven't? 25:36:35,211 --> 25:36:35,211 Well, I'm afraid I have to reveal that the runners-up today - 25:36:35,211 --> 25:36:35,211 sports though they may be - are the Blues. 25:36:35,211 --> 25:36:35,211 Minus ?57 is quite a number, and really, you were never really going 25:36:35,211 --> 25:36:35,211 to recover after that propeller disaster, were you, really? 25:36:35,211 --> 25:36:35,211 And it's not worthwhile dwelling upon, I'd say, not really. 25:36:35,211 --> 25:36:35,211 Have you had a good time, Pat? Lovely. Been all right for you, Nick? Superb. 25:36:35,211 --> 25:36:35,211 Yeah. Thank you very much, team. 25:36:35,211 --> 25:36:35,211 The victors, though, who managed to win by only losing ?9... 25:36:35,211 --> 25:36:35,211 Yay! 25:36:35,211 --> 25:36:35,211 ..are the Reds, who have a lot to be grateful for to Anita, frankly. 25:36:35,211 --> 25:36:35,211 ?30 profit on that bangle. 25:36:35,211 --> 25:36:35,211 Brought you back from the precipice, didn't it? 25:36:35,211 --> 25:36:35,211 It did. Had a good time, Norm? Excellent. 25:36:35,211 --> 25:36:35,211 We've loved having you on the show. 25:36:35,211 --> 25:36:35,211 Join us again soon for some more bargain hunting. Yes? Yes! 25:36:35,211 --> 25:36:35,211 Subtitles by Red Bee Media Ltd 25:36:35,211 --> 25:36:35,211 Continuing on BBC Two, it's... Wow! That looks complicated. 25:36:35,211 --> 25:36:35,211 Whoa! How did they...? 25:36:35,211 --> 25:36:35,211 It's... Oh, I don't... What...? 25:36:35,211 --> 25:36:35,211 That's chocolate? I... | 0:25:05 | 2:57:14 |