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There is nothing quite like the hustle and bustle of Portobello Road. | 0:00:10 | 0:00:15 | |
People flock here from very corner of the globe | 0:00:15 | 0:00:20 | |
to visit one of the most important addresses in the world of antiques. | 0:00:20 | 0:00:24 | |
So, what are we waiting for? | 0:00:24 | 0:00:26 | |
Let's go Bargain Hunting! Yeah! | 0:00:26 | 0:00:29 | |
Portobello Road in West London always attracts large crowds. | 0:00:52 | 0:00:57 | |
But joining this army today | 0:00:57 | 0:01:00 | |
will be our teams of reds and blues | 0:01:00 | 0:01:04 | |
on the lookout, as ever, for a bargain in all this melee. | 0:01:04 | 0:01:08 | |
Here's a peek at what's coming up. | 0:01:08 | 0:01:11 | |
The hands-on reds go for hands-up tactics. | 0:01:12 | 0:01:15 | |
-140. Let's make a deal. 140. -Otherwise we'll have to walk away. | 0:01:15 | 0:01:19 | |
We'll have to walk away. It's a shame. | 0:01:19 | 0:01:22 | |
# The minute you walked in the joint... # | 0:01:22 | 0:01:24 | |
And hey, big spender, this pair are right up Dame Shirley's street. | 0:01:24 | 0:01:28 | |
Actually, I'm the good spender. | 0:01:28 | 0:01:31 | |
This time, he said, "It's not our money. Spend the lot!" | 0:01:31 | 0:01:34 | |
Now, let's meet today's teams. | 0:01:34 | 0:01:36 | |
On Bargain Hunt today, fitting right in with our location, | 0:01:37 | 0:01:41 | |
we have international teams. | 0:01:41 | 0:01:43 | |
For the reds we have Roberta and Tom. | 0:01:43 | 0:01:47 | |
And for the blues we have husband and wife Trudi and Robert. | 0:01:47 | 0:01:52 | |
-Welcome everybody. -Hello. -Smashing to see you. | 0:01:52 | 0:01:55 | |
Now, Roberta, you live in London now but where do you originally hail from? | 0:01:55 | 0:01:59 | |
I'm from Rome, Italy, from the centre of Rome. | 0:01:59 | 0:02:02 | |
I've been living in the UK for 15 years. | 0:02:02 | 0:02:05 | |
And that's where I met Tom about two years ago | 0:02:05 | 0:02:09 | |
at the Royal Albert Hall. | 0:02:09 | 0:02:10 | |
What were you doing in the Royal Albert Hall? | 0:02:10 | 0:02:12 | |
We met through a love of the music of Ennio Morricone. | 0:02:12 | 0:02:16 | |
We were sitting on the same box, drinking champagne. That's how we met. | 0:02:16 | 0:02:22 | |
-That's very romantic, isn't it? -I suppose so. | 0:02:22 | 0:02:25 | |
What do you mean, you suppose so? | 0:02:25 | 0:02:27 | |
-You work in the beauty consultancy business. -Yes. -Tell me about that. | 0:02:27 | 0:02:30 | |
I'm a make-up artist, I'm a beautician. | 0:02:30 | 0:02:33 | |
I've been in the beauty business for quite a while | 0:02:33 | 0:02:36 | |
and I work for one of the biggest beauty brands. | 0:02:36 | 0:02:40 | |
So I move around, I move from store to store. | 0:02:40 | 0:02:44 | |
-So I'm a very good salesperson as well. -I bet you are. | 0:02:44 | 0:02:47 | |
How are you going to get on today not as a salesperson | 0:02:47 | 0:02:50 | |
but as a person buying from salespeople? | 0:02:50 | 0:02:53 | |
Well, I will try to aim to get three items at the lowest possible price | 0:02:53 | 0:03:00 | |
and be able to re-sell them and make a profit. | 0:03:00 | 0:03:03 | |
This is magic to my ears, Roberta, | 0:03:03 | 0:03:06 | |
because that's exactly what we do on this programme. | 0:03:06 | 0:03:09 | |
You've cracked it in spades, darling! | 0:03:09 | 0:03:12 | |
Brilliant. Now, Tom, you've got something of a high-flying career. | 0:03:12 | 0:03:16 | |
High-flying, yes, low-lying sometimes! | 0:03:16 | 0:03:18 | |
-You're a pilot. -Yes. -Tell us about that. | 0:03:18 | 0:03:21 | |
I used to work in commercial aviation | 0:03:21 | 0:03:24 | |
but now I fly a private jet for a private family. | 0:03:24 | 0:03:27 | |
We all know these Italians can be very hot-blooded and all the rest of it. | 0:03:27 | 0:03:32 | |
Fiery, even. Are you going to get on all right, today, on the buying process? | 0:03:32 | 0:03:36 | |
He knows that I love mirrors. | 0:03:36 | 0:03:39 | |
And he doesn't want me to buy any mirror at all. | 0:03:39 | 0:03:42 | |
Have a bit of a battle over mirrors, then. | 0:03:42 | 0:03:44 | |
Most interesting anyway. I wish you very good luck. | 0:03:46 | 0:03:49 | |
Now, Trudi, where was your home originally? | 0:03:49 | 0:03:51 | |
-In Rangoon, Burma. -Was it? | 0:03:51 | 0:03:53 | |
-Yes. -Gosh, how lovely. How long have you been over here? | 0:03:53 | 0:03:57 | |
-30 years plus. -Gosh. | 0:03:57 | 0:03:59 | |
-So you've spent most of your life in this country. -Yes. | 0:03:59 | 0:04:02 | |
-With my husband. -Yeah. | 0:04:02 | 0:04:04 | |
-And what have you done here? -I'm a GP - I was a GP. I retired three years ago. | 0:04:04 | 0:04:08 | |
-Mm-hm. -I had a very rewarding and fulfilling career. | 0:04:08 | 0:04:12 | |
Robert, you're married to Trudi. | 0:04:12 | 0:04:15 | |
You've been married for a year or two! | 0:04:15 | 0:04:16 | |
As a result of working in the medical profession, yes? | 0:04:18 | 0:04:21 | |
Yes, over 30 years ago, we were both a young GP and a young nurse. | 0:04:21 | 0:04:26 | |
We were called together to see a patient | 0:04:26 | 0:04:30 | |
and as I clapped eyes on her over the bed, | 0:04:30 | 0:04:32 | |
I said, "She's the one for me!" | 0:04:32 | 0:04:34 | |
Oh, how sweet! | 0:04:34 | 0:04:35 | |
-And you were wearing your nurse's uniform at the time? -Yes! | 0:04:35 | 0:04:39 | |
And she obviously fell for you! | 0:04:39 | 0:04:41 | |
-I fell for the blue eyes! -We've been together ever since. | 0:04:41 | 0:04:44 | |
Isn't that lovely? Will you be flexible enough between you | 0:04:44 | 0:04:48 | |
to go for all the variety of things there are here on offer? | 0:04:48 | 0:04:51 | |
-I hope so. -I think so. -Yes. | 0:04:51 | 0:04:53 | |
Will you work as a good team? | 0:04:53 | 0:04:55 | |
We've been a good team for the last 30 years. | 0:04:55 | 0:04:57 | |
OK, now the money moment. You get 300 smackers each. | 0:04:57 | 0:05:00 | |
You know the rules. Your experts await | 0:05:00 | 0:05:02 | |
and off you go! And very, very, very good luck. | 0:05:02 | 0:05:06 | |
Good Lord, we're gonna have fun today! Oo-hoo! | 0:05:06 | 0:05:09 | |
Fighting through the crowds for the blues today | 0:05:10 | 0:05:12 | |
is the knockout Kate Bliss. | 0:05:12 | 0:05:14 | |
And preparing to head into battle for the reds, | 0:05:15 | 0:05:18 | |
is Captain Jeremy Lamond. | 0:05:18 | 0:05:20 | |
So with £300 and three items to buy within the hour, | 0:05:24 | 0:05:27 | |
teams, start your shopping! | 0:05:27 | 0:05:29 | |
Have you anything in mind? What's your tactic? | 0:05:32 | 0:05:34 | |
We would like to get some silver. | 0:05:34 | 0:05:38 | |
Anything Arts & Crafts, Art Nouveau, that sort of style. | 0:05:38 | 0:05:41 | |
We're interested in that. | 0:05:41 | 0:05:43 | |
-I quite like the idea of a bronze. -A bronze, OK. | 0:05:43 | 0:05:45 | |
Something international - Oriental or Russian to get the internet buyers buzzing. | 0:05:45 | 0:05:50 | |
I love jewellery. | 0:05:50 | 0:05:52 | |
Ooh, a girl after my own heart! | 0:05:52 | 0:05:54 | |
-So you want to spend big, really. -Yes. | 0:05:54 | 0:05:56 | |
This is the place to spend big. There's lots of things to buy here. | 0:05:56 | 0:05:58 | |
-I hope so. -Let's go! | 0:05:58 | 0:06:00 | |
Quick as a flash, the blues head to the arcade. | 0:06:00 | 0:06:03 | |
Meanwhile, our reds are to be found trawling the streets of west London. | 0:06:04 | 0:06:08 | |
A little vase at the back. An inlaid vase. | 0:06:08 | 0:06:11 | |
"Any item for a fiver"? | 0:06:11 | 0:06:13 | |
Surely you'll get them to spend more than that, Jeremy? | 0:06:13 | 0:06:16 | |
-Of Middle Eastern design? What do you think? -Yeah. | 0:06:16 | 0:06:18 | |
Enamelled white metal vase. | 0:06:18 | 0:06:21 | |
It is damaged. | 0:06:21 | 0:06:23 | |
-Mm-hm. -It's being sold for a fiver. | 0:06:23 | 0:06:25 | |
But really, that's probably what it's worth. | 0:06:25 | 0:06:27 | |
-Let's put that back. -It doesn't appeal to me at all. -No. | 0:06:28 | 0:06:32 | |
Now, what have the blues spotted? | 0:06:32 | 0:06:34 | |
What about that? | 0:06:34 | 0:06:35 | |
That's nice. You've spotted Art Nouveau straightaway. | 0:06:35 | 0:06:40 | |
He's got an eye. Look at that. | 0:06:40 | 0:06:42 | |
Lovely sort of curvy linear. | 0:06:42 | 0:06:44 | |
And these lovely stylised leaves here. | 0:06:44 | 0:06:47 | |
I think that's lovely. Obviously jug and bowl. | 0:06:47 | 0:06:51 | |
-Probably sugar and cream. -Sugar and cream, possibly, yes. | 0:06:51 | 0:06:54 | |
-Sugar. -Exactly. But it is silver plate rather than silver. | 0:06:54 | 0:06:58 | |
-I'm not sure whether those are original. -Ah. | 0:06:58 | 0:07:01 | |
Do you see how they're not very snug? | 0:07:01 | 0:07:04 | |
-OK. -The fit isn't very tight in there. | 0:07:04 | 0:07:07 | |
-And the style of them, also... -Different. | 0:07:07 | 0:07:12 | |
..is at odds with the stand. | 0:07:12 | 0:07:14 | |
The stand is really Art Nouveau. | 0:07:14 | 0:07:15 | |
-And really quite plain jug and bowl. -What a pity. | 0:07:15 | 0:07:19 | |
I think there's something going on there. | 0:07:19 | 0:07:21 | |
-I think it might be a marriage. -Marriage. Marriage! | 0:07:21 | 0:07:23 | |
-Maybe steer clear. -OK. | 0:07:23 | 0:07:25 | |
Do you want to pop it back? | 0:07:25 | 0:07:26 | |
Let's keep going. There's lots to look at. | 0:07:26 | 0:07:29 | |
What have the reds found? | 0:07:30 | 0:07:32 | |
-A button set. -There's a button set. Have a look at that. | 0:07:33 | 0:07:36 | |
A button set. | 0:07:38 | 0:07:40 | |
Any age there? | 0:07:40 | 0:07:43 | |
That's a bit different, isn't it? | 0:07:46 | 0:07:47 | |
-This is a set of seven, yes? -Yep. | 0:07:47 | 0:07:50 | |
Firmin. It's a good firm that's made them. | 0:07:52 | 0:07:55 | |
How much do you think they're worth? | 0:07:55 | 0:07:58 | |
At auction... | 0:07:58 | 0:07:59 | |
..15 to £20. | 0:08:00 | 0:08:02 | |
Work your Italian magic, Roberta! | 0:08:02 | 0:08:05 | |
What about £10? Can you give it to us for £10? | 0:08:06 | 0:08:11 | |
-VENDOR: -£10? No. I sell at £4 each. I have sold stuff already. | 0:08:11 | 0:08:14 | |
I can do 25. | 0:08:14 | 0:08:16 | |
No, that's a bit too high. | 0:08:16 | 0:08:18 | |
It's got a two in front of it. That's not bad. | 0:08:18 | 0:08:20 | |
-Yeah. -You're getting a lot for... -What about £15? | 0:08:20 | 0:08:23 | |
Like your style, girl! | 0:08:23 | 0:08:25 | |
-Can you lower it to £15? -18 is the bottom. | 0:08:25 | 0:08:28 | |
-Yes. Do it. -OK, 18, then. OK. | 0:08:28 | 0:08:29 | |
-Yeah. -Thanks. | 0:08:29 | 0:08:31 | |
-Thank you, sir. -Thank you! | 0:08:31 | 0:08:33 | |
That's the first item bought within the first ten minutes. | 0:08:33 | 0:08:36 | |
Well done, reds. But what about the blues? | 0:08:36 | 0:08:38 | |
Kate, will you have a look at this? | 0:08:39 | 0:08:42 | |
What have you spotted, Rob? | 0:08:42 | 0:08:44 | |
This little thing down here, Kate. | 0:08:44 | 0:08:45 | |
-Oh, that is lovely! That little pendant? -Pendant, yes. | 0:08:45 | 0:08:48 | |
Very Art Nouveau. We need a closer look at that. | 0:08:48 | 0:08:51 | |
-Is it all right if we have a look at that pendant? -Yeah! -Lovely. | 0:08:51 | 0:08:55 | |
OK, let's just carefully get that out. | 0:08:55 | 0:08:59 | |
-What do you think? -I think it's really pretty, Kate. | 0:09:00 | 0:09:03 | |
-It's just the sort of thing that... -Have a look at the back. | 0:09:03 | 0:09:06 | |
-Sterling. -Yep, that's it. | 0:09:06 | 0:09:09 | |
Which tells us... Let's have a little look. | 0:09:09 | 0:09:12 | |
We've got "sterling" on the back, | 0:09:12 | 0:09:13 | |
which tells us the grade of silver. | 0:09:13 | 0:09:16 | |
It's 92.5 parts of silver per 100. | 0:09:16 | 0:09:20 | |
It's not English hallmarked. | 0:09:20 | 0:09:23 | |
So just got the sterling mark, | 0:09:23 | 0:09:25 | |
which may mean that it's American, possibly. | 0:09:25 | 0:09:28 | |
What you've got here is enamelling | 0:09:28 | 0:09:31 | |
with that beautiful Art Nouveau lady's face. | 0:09:31 | 0:09:35 | |
-How much is your pendant, please? -That would be 85. | 0:09:35 | 0:09:39 | |
-85. -What would be your best price? | 0:09:39 | 0:09:42 | |
I can do 80 for that. | 0:09:42 | 0:09:44 | |
-That's it. -OK. | 0:09:44 | 0:09:46 | |
It ticks all the boxes. It's Art Nouveau. You obviously spotted it and thought, "Wow! | 0:09:46 | 0:09:51 | |
"That's something I like." | 0:09:51 | 0:09:52 | |
There's a good chance that somebody at auction will do the same. | 0:09:52 | 0:09:55 | |
I think if we said 70, but at worst met in the middle at 75, | 0:09:55 | 0:10:01 | |
-it wouldn't be too bad. -OK. | 0:10:01 | 0:10:03 | |
-I think it's a really nice thing. -Yes. | 0:10:03 | 0:10:05 | |
-Shall we try it? -How much? | 0:10:05 | 0:10:07 | |
Who's going to negotiate? | 0:10:07 | 0:10:09 | |
He's walking away. Quick, go and chase him, Bob. | 0:10:09 | 0:10:11 | |
We like it very much. Would you accept 70 for it? | 0:10:11 | 0:10:14 | |
-Today. -70, first sale of the day. | 0:10:14 | 0:10:17 | |
-VENDOR: No, it's about my eighth sale! -Oh, well! -Go on, then. | 0:10:17 | 0:10:21 | |
-70? That's fantastic! -Thank you very much. | 0:10:21 | 0:10:23 | |
Lovely. Well done. Brilliant. | 0:10:23 | 0:10:25 | |
Hot on the heels of the reds, | 0:10:25 | 0:10:27 | |
the blues now have their first item in the bag as well. | 0:10:27 | 0:10:29 | |
It's one-all! | 0:10:29 | 0:10:31 | |
-It's different. -What do you think of this vase? | 0:10:34 | 0:10:36 | |
-Do you think they'd sell it for five pounds? -No, they wouldn't! | 0:10:36 | 0:10:40 | |
You're not in Rome now, Roberta! | 0:10:40 | 0:10:42 | |
But it seems all roads today lead to Japanese vases. | 0:10:42 | 0:10:45 | |
Good quality vase. Look at the decoration on it. | 0:10:45 | 0:10:48 | |
-And look at the workmanship. -How old? | 0:10:48 | 0:10:51 | |
Those are about 1900, 1910, that sort of period. | 0:10:51 | 0:10:55 | |
-There's a crack in the top of that one. -Yeah. | 0:10:55 | 0:10:58 | |
-You can see that. -There's no money in those in any condition? | 0:10:58 | 0:11:02 | |
-In this sort of condition? -It depends on the price. It really does. | 0:11:02 | 0:11:05 | |
I would think at auction, with a crack in the other one, | 0:11:05 | 0:11:07 | |
you're looking at 50 to 70 at auction. | 0:11:07 | 0:11:11 | |
-Oh, no. -It depends on the price. | 0:11:11 | 0:11:13 | |
Sir, how much for the pair of Japanese vases? | 0:11:13 | 0:11:17 | |
-They're 85, but there is one that's got a hairline. -It's damaged. | 0:11:17 | 0:11:22 | |
-The very best on them would be 70. -What about £40? | 0:11:22 | 0:11:26 | |
And 90, ma'am. 90! | 0:11:26 | 0:11:29 | |
-No, because it's damaged. -He's going the other way, now. | 0:11:29 | 0:11:31 | |
OK. £45. | 0:11:31 | 0:11:33 | |
Because there's damage. | 0:11:33 | 0:11:35 | |
I mean, if it was perfectly...preserved... | 0:11:35 | 0:11:39 | |
Mamma mia! She's got a flair for hard haggling, this Roberta! | 0:11:39 | 0:11:43 | |
Come on. Come on! | 0:11:43 | 0:11:44 | |
I can't go that low on them. | 0:11:44 | 0:11:46 | |
65, sir, and we'll take them and leave you alone. | 0:11:46 | 0:11:49 | |
Come on! | 0:11:50 | 0:11:52 | |
-Give me your hand. -Go on, then! | 0:11:52 | 0:11:53 | |
-Thank you very much, sir. Thank you. -Thank you very much. | 0:11:54 | 0:11:57 | |
Stupendo, reds! | 0:11:57 | 0:11:59 | |
Item number two is in the bag. We're now 20 minutes into the shop. | 0:11:59 | 0:12:04 | |
£70 down. | 0:12:06 | 0:12:08 | |
230 to go. | 0:12:08 | 0:12:09 | |
Let's move on up the road. | 0:12:09 | 0:12:11 | |
How do you feel about the money? Are you up got blowing the lot | 0:12:11 | 0:12:14 | |
or will you be conservative about it? | 0:12:14 | 0:12:16 | |
I've always promised myself that we should blow the lot. | 0:12:16 | 0:12:19 | |
Really, Bob? He's a good spender? | 0:12:19 | 0:12:21 | |
Actually, I'm the good spender! | 0:12:21 | 0:12:23 | |
But this time, he said, "It's not our money - spend the lot!" | 0:12:23 | 0:12:26 | |
Right, then. Let's crack on! | 0:12:26 | 0:12:29 | |
-Fur coats, probably not! -No! | 0:12:34 | 0:12:36 | |
Can you see anything here? There's lots of sporting things. | 0:12:36 | 0:12:39 | |
-What have you got there, chaps? -What's this? There's a lot of weight to it. | 0:12:39 | 0:12:43 | |
Seems the reds have found the bronze they had on their shopping list. | 0:12:43 | 0:12:46 | |
I don't think it's very old, this one. | 0:12:46 | 0:12:48 | |
So that's why. | 0:12:48 | 0:12:50 | |
-That's why it's quite high. The price is quite high. -Do you like it? | 0:12:50 | 0:12:54 | |
I like it, but because it's not that old, the price is quite high. | 0:12:54 | 0:12:57 | |
Si, si, si, we know! You just said that. | 0:12:57 | 0:13:01 | |
-What's that lovely lady? Art Deco? -Very much that kind of thing. | 0:13:01 | 0:13:06 | |
My word, this show is turning out to be bronze-tastic! | 0:13:06 | 0:13:10 | |
She's rather lovely, isn't she? | 0:13:10 | 0:13:12 | |
Why have you spotted her, Trudi? What do you like about her? | 0:13:12 | 0:13:14 | |
I like the feminine shape. | 0:13:14 | 0:13:17 | |
-Uh-huh. -And her posture. -Mm-hm. | 0:13:17 | 0:13:20 | |
-Risque. -Very risque! | 0:13:20 | 0:13:24 | |
Cuts quite a dash, doesn't she? | 0:13:24 | 0:13:26 | |
Bob, you're smiling. I get the feeling you're keen on this. | 0:13:26 | 0:13:29 | |
I quite like her, actually, Kate. | 0:13:29 | 0:13:31 | |
Very much in the Art Deco style. | 0:13:33 | 0:13:37 | |
She's been put on a pedestal base, which has nothing to do with her at all. | 0:13:37 | 0:13:42 | |
She's just been placed on there. | 0:13:42 | 0:13:44 | |
But I think the quality of her, the pose, is actually rather nice. | 0:13:44 | 0:13:48 | |
Obviously, she's not top, top quality, | 0:13:48 | 0:13:51 | |
but she has a little bit about her. | 0:13:51 | 0:13:53 | |
Let's find out the price before we go any further. | 0:13:53 | 0:13:56 | |
-How much is your figurine? -It's 220. -Is it? | 0:13:56 | 0:13:59 | |
£220! | 0:13:59 | 0:14:01 | |
-It's quite a lot, isn't it? -It is a lot. In fact, it takes all our money bar a tenner. | 0:14:01 | 0:14:06 | |
At auction, how much do you think she'd fetch? | 0:14:06 | 0:14:08 | |
-As a bronze, I'd probably estimate her at a couple of hundred pounds. -OK. | 0:14:10 | 0:14:15 | |
What's your rock bottom? | 0:14:15 | 0:14:16 | |
Would you accept under the 200? Say 180? Just to take her off your hands? | 0:14:16 | 0:14:22 | |
I'd say 200, but I can do 195 for you. | 0:14:22 | 0:14:24 | |
-195. 180 and we'll take it. -190. | 0:14:24 | 0:14:27 | |
Can we just split the difference with you and go at 185? | 0:14:27 | 0:14:31 | |
Uh, OK. | 0:14:31 | 0:14:33 | |
-OK. Great. -185. He's done the deal for you. -Right. OK. Lovely. | 0:14:33 | 0:14:37 | |
-Are you happy about that? -Yes! | 0:14:37 | 0:14:40 | |
We've spent 70 already. Can you do the maths? How much have we got left? | 0:14:40 | 0:14:43 | |
£45. | 0:14:43 | 0:14:44 | |
-45. OK. -We'll have to be really careful with our next purchase. -No big spending. | 0:14:44 | 0:14:49 | |
Let's hope, young lady, that you bring us some luck. | 0:14:49 | 0:14:52 | |
Great. Item number two for the blues. | 0:14:52 | 0:14:55 | |
These guys are spending big, and I like that. | 0:14:55 | 0:14:57 | |
Now, it's two-all in the shopping stakes and time-wise we're halfway through. | 0:14:57 | 0:15:02 | |
I think Roberta's haggling has something to do with her fiery Italian background. | 0:15:07 | 0:15:13 | |
She's not going to be bullied at all or pushed into a corner. | 0:15:13 | 0:15:17 | |
She won't take no for an answer in terms of buying | 0:15:17 | 0:15:21 | |
and that's an asset, a real asset. | 0:15:21 | 0:15:24 | |
What about these? | 0:15:25 | 0:15:26 | |
These are quite nice. | 0:15:26 | 0:15:28 | |
They're beautiful 9-carat gold continental teaspoons, | 0:15:28 | 0:15:32 | |
silver gilt and enamel here. | 0:15:32 | 0:15:36 | |
This sort of enamel is called guilloche enamel. | 0:15:36 | 0:15:39 | |
-It's foil backed. -Are they French? | 0:15:39 | 0:15:41 | |
I think they are French, yes. | 0:15:41 | 0:15:43 | |
-They've got 925 import marks on them. -OK. | 0:15:43 | 0:15:47 | |
Roberta is our ace negotiator. | 0:15:47 | 0:15:50 | |
I'm going to hand these to Roberta to continue with you, sir. | 0:15:50 | 0:15:54 | |
Watch out. Are you ready for this? | 0:15:54 | 0:15:56 | |
What about, sir, if we offer you £80? | 0:15:56 | 0:15:59 | |
-£150. -150? | 0:15:59 | 0:16:03 | |
What about 120? | 0:16:03 | 0:16:05 | |
That's really, we're stretching... | 0:16:05 | 0:16:08 | |
-Please, 120 and it's a done deal. -120. | 0:16:08 | 0:16:11 | |
You are clever. You know how to lower the price. | 0:16:11 | 0:16:14 | |
-You are good. -No lower any more. | 0:16:15 | 0:16:17 | |
-140. Let's make the deal 140. -Otherwise, we'll have to walk away. | 0:16:17 | 0:16:22 | |
We'll have to walk away and it's a shame. | 0:16:22 | 0:16:24 | |
Wow, these Italians! | 0:16:24 | 0:16:26 | |
Come on! We are here now. 140. | 0:16:26 | 0:16:29 | |
Boss man won't take it. | 0:16:29 | 0:16:31 | |
She doesn't look too happy. | 0:16:31 | 0:16:33 | |
That's the face of Roman disappointment. | 0:16:33 | 0:16:35 | |
With ten minutes of shopping time left, | 0:16:42 | 0:16:44 | |
Bob has spotted another potential buy. | 0:16:44 | 0:16:46 | |
It looks like it might be hammered silver. | 0:16:46 | 0:16:49 | |
A pill box. Let's have a look. | 0:16:49 | 0:16:52 | |
Yes, we've got a mark going on there. | 0:16:52 | 0:16:54 | |
It is a Birmingham hallmark. | 0:16:54 | 0:16:59 | |
Roughly 19... Very early part of the 20th century. | 0:16:59 | 0:17:04 | |
With that hammered lid, which also, interestingly enough, | 0:17:04 | 0:17:07 | |
has the same date letter. | 0:17:07 | 0:17:08 | |
-So we know they've always belonged together. -Together. | 0:17:08 | 0:17:11 | |
Which is very neat. | 0:17:11 | 0:17:13 | |
You know, I like that. | 0:17:13 | 0:17:15 | |
-So how much is it? Do we know? -No. Shall I find out? | 0:17:15 | 0:17:18 | |
Yes, go and find the stallholder and come and tell us. | 0:17:18 | 0:17:22 | |
-Do you like? -Yes. | 0:17:22 | 0:17:24 | |
It's a little bit dented here. | 0:17:24 | 0:17:25 | |
Just on the corner there, just a wee bit. | 0:17:25 | 0:17:28 | |
-Yes. -You're right, when you look at it sideways on. But nothing too much to worry about. | 0:17:28 | 0:17:33 | |
It's £35, Kate. | 0:17:33 | 0:17:34 | |
-Within our budget. -Within our budget, yes. | 0:17:34 | 0:17:37 | |
I think if you could get that for 25, that would be great. | 0:17:37 | 0:17:42 | |
-Shall we... -Negotiate? | 0:17:42 | 0:17:44 | |
-See if we can negotiate. -You're in charge, Bob. | 0:17:44 | 0:17:46 | |
Go and see what they'll do. | 0:17:46 | 0:17:48 | |
Yes, off you go. Try the Italian technique! | 0:17:48 | 0:17:52 | |
Whilst he tries to get the price down, the reds have their hands on something new. | 0:17:52 | 0:17:55 | |
-What do you think? -I think they're absolutely... -They are what they are. | 0:17:55 | 0:17:59 | |
Yeah. Coasters. These are bang up to date. | 0:17:59 | 0:18:01 | |
-925. -Yeah. | 0:18:01 | 0:18:02 | |
-Nothing wrong with them. -In auction, 80 to 120, something like that. -Really? -Yes. | 0:18:02 | 0:18:07 | |
What's the price on these, sir? | 0:18:07 | 0:18:10 | |
-130 for the pair. -If you could get them for 100. | 0:18:11 | 0:18:14 | |
What about 80, 90, 95? | 0:18:14 | 0:18:18 | |
-VENDOR: -120 is it. | 0:18:20 | 0:18:22 | |
120. | 0:18:24 | 0:18:26 | |
You've a better chance at 120 | 0:18:26 | 0:18:28 | |
than 150 with the spoons. | 0:18:28 | 0:18:30 | |
They'll have to make their minds up, won't they? | 0:18:30 | 0:18:33 | |
Now, what news of the blues? | 0:18:33 | 0:18:34 | |
OK, Kate, I've had a chat and got it down to £30. | 0:18:34 | 0:18:37 | |
OK. I think that's fair. It's knocked a bit off for us. | 0:18:37 | 0:18:41 | |
Yes. I think the biggest thing, as far as I can see, | 0:18:41 | 0:18:44 | |
it's silver, it's £30 | 0:18:44 | 0:18:46 | |
-and it least it leaves you with 15 to try and do something for us. -Sorry! | 0:18:46 | 0:18:50 | |
-And we're pretty tight on time. -We're tight on time, yes. | 0:18:50 | 0:18:53 | |
-So we'll go with it? -Yes. -Yes. -Fantastic. | 0:18:53 | 0:18:56 | |
-So all three items in the bag. -Great. -Well done. -Well done. | 0:18:56 | 0:19:00 | |
Thank you. | 0:19:00 | 0:19:01 | |
Yes, well done, blues. Thank you. | 0:19:01 | 0:19:04 | |
The reds now need to make a decision. | 0:19:05 | 0:19:08 | |
Look at Roberta! | 0:19:08 | 0:19:10 | |
Let's have a vote. Spoons or coasters? | 0:19:10 | 0:19:13 | |
Where does your vote go? | 0:19:13 | 0:19:15 | |
Coasters. | 0:19:15 | 0:19:17 | |
OK. OK. | 0:19:17 | 0:19:18 | |
-Coasters. -OK. | 0:19:18 | 0:19:20 | |
-Are you spoons? -No, it's OK. I don't mind. I don't mind. | 0:19:20 | 0:19:25 | |
-Coasters it is. -Let's go for it. | 0:19:25 | 0:19:27 | |
-Yes. -Yes. -All three. | 0:19:27 | 0:19:29 | |
-We got the three items. -We've done it. It's a wrap, yeah? | 0:19:29 | 0:19:31 | |
-Happy? -Yep. -Yes, happy. -Well done. | 0:19:31 | 0:19:34 | |
Right. Time to stop the shopping. Let's remind ourselves what the red team bought, eh? | 0:19:34 | 0:19:38 | |
They quickly fastened on to this set of British regimental buttons | 0:19:39 | 0:19:43 | |
and snapped them up for £18. | 0:19:43 | 0:19:45 | |
Then they doled out £65 on this pair of Japanese vases. | 0:19:46 | 0:19:50 | |
And for the pair of contemporary silver coasters, | 0:19:51 | 0:19:54 | |
they handed over £120. | 0:19:54 | 0:19:57 | |
Yes, I really enjoyed it. | 0:19:57 | 0:19:58 | |
-You're looking terribly pleased with yourselves! -We are very pleased. | 0:19:58 | 0:20:03 | |
You are a-very pleased! | 0:20:03 | 0:20:05 | |
We spent £203. We've got £97 left. | 0:20:05 | 0:20:09 | |
-Ooh. -So, you know. -Who's got the £97, then? | 0:20:09 | 0:20:12 | |
-I've got them here. -Have you? | 0:20:12 | 0:20:14 | |
Oh, look at that. | 0:20:14 | 0:20:16 | |
-Roberta, you're good at all of this, aren't you? -Yes. | 0:20:16 | 0:20:19 | |
You're good at the maths. You're good at passing over money. | 0:20:19 | 0:20:22 | |
Which is your favourite piece, Roberta? | 0:20:22 | 0:20:25 | |
-The two Japanese vases. -They're your favourites. | 0:20:25 | 0:20:28 | |
-Yes. -Do you agree with that, Tom? -Likewise. | 0:20:28 | 0:20:29 | |
You do. Very sensible. That's the first lesson in a relationship, always to agree! | 0:20:29 | 0:20:34 | |
-Will they bring the biggest profit? -I think so. -You do? -I think so. | 0:20:34 | 0:20:39 | |
-Do you agree, Tom? -The military buttons, possibly. | 0:20:39 | 0:20:42 | |
Might do better? We've got a slight split decision there. There we go. | 0:20:42 | 0:20:46 | |
The most important thing is to give £97 of leftover lolly to the maestro. | 0:20:46 | 0:20:51 | |
-Thank you. -What are you going to do with that, old fruit? | 0:20:51 | 0:20:54 | |
Buy something smaller than usual. | 0:20:54 | 0:20:57 | |
-Are you? -Yeah. -Yeah. | 0:20:57 | 0:20:59 | |
-You're a bit of a tease, quietly, Jeremy. -Maybe Italian. | 0:20:59 | 0:21:02 | |
Maybe Italian! | 0:21:02 | 0:21:04 | |
-This is getting more and more interesting. -Mamma mia! | 0:21:04 | 0:21:07 | |
Mamma mia! Don't get too carried away, now! Anyway, | 0:21:07 | 0:21:10 | |
meanwhile, why don't we check out what the blue team bought, eh? | 0:21:10 | 0:21:13 | |
£70 was lavished on this Art Nouveau silver and enamel pendant. | 0:21:13 | 0:21:18 | |
Then they chose this Art Deco bronze figurine | 0:21:18 | 0:21:21 | |
for a statuesque £185. | 0:21:21 | 0:21:24 | |
And finally, £30 was popped on this Arts & Crafts silver pill box. | 0:21:24 | 0:21:29 | |
You've had a riot, haven't you? | 0:21:29 | 0:21:32 | |
What was the best bit for you, darling? | 0:21:32 | 0:21:35 | |
For me, it was the lovely bronze. | 0:21:35 | 0:21:37 | |
That's your favourite piece? What about you, Robert? | 0:21:37 | 0:21:40 | |
I'm the same, Tim. I really like the bronze. | 0:21:40 | 0:21:42 | |
Is that going to bring the biggest profit? | 0:21:42 | 0:21:44 | |
Maybe it'll be the pendant. | 0:21:44 | 0:21:45 | |
-How much did you spend all round? -£185. | 0:21:45 | 0:21:48 | |
-180... 180? -£285! -£285! -285, yes. | 0:21:48 | 0:21:53 | |
So 285. I'd like £15 of leftover lolly. | 0:21:53 | 0:21:56 | |
-This is a paltry amount... -Paltry amount. -..to give to poor Kate Bliss. | 0:21:56 | 0:22:00 | |
This is central London, one of the most expensive markets in Britain, | 0:22:00 | 0:22:04 | |
and we're giving her £15! Poor wee girlie! | 0:22:04 | 0:22:07 | |
What are you going to do with that? | 0:22:07 | 0:22:08 | |
I'd love to follow suit and stay with the Arts & Crafts, Art Nouveau theme. | 0:22:08 | 0:22:12 | |
Whether I can for £15 or not is another thing. | 0:22:12 | 0:22:15 | |
-That's really tough. -I'll do my best. | 0:22:15 | 0:22:17 | |
May your god go with you. And you, team, too. | 0:22:17 | 0:22:20 | |
Because we're heading off to the heartlands of Surrey. | 0:22:20 | 0:22:23 | |
We're going to Clandon Park and it's really beautiful. | 0:22:23 | 0:22:26 | |
Isn't this beautiful? | 0:22:40 | 0:22:42 | |
Can you imagine a more sophisticated elevation | 0:22:42 | 0:22:46 | |
for a very polished and extremely well finished mansion house | 0:22:46 | 0:22:52 | |
that at the top of the slope contrasts dramatically | 0:22:52 | 0:22:56 | |
with this structure | 0:22:56 | 0:22:58 | |
which has to be said is incredibly rough. | 0:22:58 | 0:23:02 | |
It's rough in terms of its construction. | 0:23:02 | 0:23:05 | |
The gable top here is coped with igneous volcanic rock, | 0:23:05 | 0:23:10 | |
a rock that's been imported to Surrey deliberately to create this effect. | 0:23:10 | 0:23:16 | |
All the sections of the elevation have more igneous rock | 0:23:16 | 0:23:21 | |
but mixed with it are napped flints. | 0:23:21 | 0:23:24 | |
But not napped smoothly, as in an ordinary structure, | 0:23:24 | 0:23:29 | |
but napped so they create the roughest effect. | 0:23:29 | 0:23:32 | |
That continues inside the grotto | 0:23:33 | 0:23:36 | |
with a domed roof and an odd-ball plunge pool at the back. | 0:23:36 | 0:23:41 | |
Constructed in the 1740s, | 0:23:41 | 0:23:44 | |
this grotto once contained the most spectacular object. | 0:23:44 | 0:23:50 | |
I can't tell you what a thrill it is | 0:23:57 | 0:23:59 | |
to get up all close and personal | 0:23:59 | 0:24:02 | |
with these girls. | 0:24:02 | 0:24:03 | |
If there's one truly extraordinary piece of neo-classical sculpture in the world, | 0:24:03 | 0:24:10 | |
it is Antonio Canova's Three Graces. | 0:24:10 | 0:24:15 | |
There are only two autographed extant marble sculptures | 0:24:15 | 0:24:20 | |
by Canova in the world. | 0:24:20 | 0:24:22 | |
One is in Russia, at The Hermitage. | 0:24:22 | 0:24:26 | |
The other now is at the Victoria and Albert Museum and the Museum and Galleries of Scotland. | 0:24:26 | 0:24:33 | |
This cast, in plaster, is extremely rare. | 0:24:33 | 0:24:37 | |
The plaster-casting process could potentially damage the original marble. | 0:24:37 | 0:24:42 | |
So it simply didn't happen. | 0:24:42 | 0:24:44 | |
And nobody quite knows how this example finished up in that grotto | 0:24:44 | 0:24:50 | |
here at Clandon Park. | 0:24:50 | 0:24:52 | |
But of what we are certain | 0:24:52 | 0:24:55 | |
is that by the time the thing was removed for restoration, | 0:24:55 | 0:24:58 | |
it was in a shocking state. | 0:24:58 | 0:25:01 | |
This leg, for example, was practically non-existent, | 0:25:01 | 0:25:05 | |
simply the iron bar or armature existed in the centre. | 0:25:05 | 0:25:10 | |
All three heads for all three girls had disappeared. | 0:25:10 | 0:25:15 | |
But gradually, the restorers, the City and Guilds School in London, | 0:25:15 | 0:25:20 | |
have been able to recreate the original. | 0:25:20 | 0:25:24 | |
The three girls are called Youth, Mirth and Elegance. | 0:25:24 | 0:25:29 | |
Which one do you fancy? | 0:25:29 | 0:25:32 | |
I think I'd go off with Mirth. | 0:25:32 | 0:25:35 | |
Of course, the big question today is, | 0:25:35 | 0:25:37 | |
is there going to be a lot of mirth swilling around for our teams | 0:25:37 | 0:25:41 | |
over at the auction? | 0:25:41 | 0:25:43 | |
Well, we've popped across town to Criterion Auctions, Wandsworth. | 0:25:55 | 0:26:00 | |
-Addison, good morning. -Good morning, Tim. How are you? | 0:26:00 | 0:26:02 | |
-Not bad, thank you. -Good. -This is going to be your big test. | 0:26:02 | 0:26:05 | |
Can you buy in Portobello and sell south of the river | 0:26:05 | 0:26:08 | |
-and make a profit? -We shall see. We shall see! -We sure will! | 0:26:08 | 0:26:12 | |
Here we are, snugged under the flight path, | 0:26:13 | 0:26:15 | |
lots of lovely aeroplanes bringing hopefully the bidders into town. | 0:26:15 | 0:26:19 | |
-Shipping them in right now, sir. -Exactly right. | 0:26:19 | 0:26:21 | |
First up are the regimental buttons. | 0:26:21 | 0:26:23 | |
Now, tell me what you can tell me about those? | 0:26:23 | 0:26:26 | |
They're from a firm called Firmin which are based on The Strand. | 0:26:26 | 0:26:31 | |
They were around since 1811 through to about 1875. They had two factories. | 0:26:31 | 0:26:37 | |
One in Birmingham, one in London. | 0:26:37 | 0:26:38 | |
Obviously they manufactured a lot of these | 0:26:38 | 0:26:41 | |
because of the amount of service people that have gone through over the years. | 0:26:41 | 0:26:44 | |
They've been looked after beautifully. They look mint. | 0:26:44 | 0:26:48 | |
-What's your estimate? -20 to 30. | 0:26:48 | 0:26:50 | |
20 to £30. OK. £18 was paid. | 0:26:50 | 0:26:54 | |
-That's OK. -You're on the internet, aren't you? | 0:26:54 | 0:26:56 | |
We're on the internet. I'm hoping we get some collectors on the internet looking for buttons and militaria | 0:26:56 | 0:27:01 | |
-and hopefully they'll fly. -Good. Right. | 0:27:01 | 0:27:04 | |
Next up are the pair of Japanese vases. | 0:27:04 | 0:27:06 | |
-I guess, Addison, you see a lot of these going through? -We do. | 0:27:06 | 0:27:10 | |
The Chinese market is very strong | 0:27:10 | 0:27:12 | |
but the Japanese market is not as strong. | 0:27:12 | 0:27:14 | |
They're beautifully decorated. | 0:27:14 | 0:27:16 | |
Turn of the century, I'd say, sort of 1910, | 0:27:16 | 0:27:19 | |
approximately, I'd say. | 0:27:19 | 0:27:21 | |
But good figural decoration and very decorative. | 0:27:21 | 0:27:25 | |
-What's your estimate? -I put 80 to 100 on it. | 0:27:25 | 0:27:28 | |
I'm hoping it'll do over 100, but 80 should suck them in. | 0:27:28 | 0:27:32 | |
-OK. £65 paid, so that's pretty good, too. -They've done very well. | 0:27:32 | 0:27:36 | |
We've got two spectacular estimates on both of those. | 0:27:36 | 0:27:39 | |
Now, the modern, but solid silver coasters. | 0:27:39 | 0:27:43 | |
-Aren't they smart? -They're beautiful. | 0:27:43 | 0:27:46 | |
They're very commercial because everybody likes to have a dinner party once in a blue moon. | 0:27:46 | 0:27:50 | |
Great to put your wine in there. And as it's the Jubilee year, | 0:27:50 | 0:27:53 | |
this is when Queen Elizabeth came to reign. | 0:27:53 | 0:27:56 | |
-So 1952 is the hallmark. -Exactly. -Brilliant. What's the estimate? | 0:27:56 | 0:28:00 | |
Attractively again, I put 60 to 80 on them. They could do 80 to 100. | 0:28:00 | 0:28:05 | |
OK. They need to do £120. If all else fails, | 0:28:05 | 0:28:08 | |
they can fall back on their bonus buy. | 0:28:08 | 0:28:10 | |
So let's go and have a look at it! | 0:28:10 | 0:28:12 | |
Roberta, Tom, you spent £203, which was a magnificent effort, I have to say. | 0:28:13 | 0:28:19 | |
That gave the man £97. Jeremy, what did you spend it on? | 0:28:19 | 0:28:23 | |
Well, Tim, I spent almost all of it, | 0:28:23 | 0:28:26 | |
and they say small is beautiful, so I'm hoping that's correct. | 0:28:26 | 0:28:29 | |
-Ooh! -Do you like that? -It's so nice! | 0:28:31 | 0:28:33 | |
-I think she likes it! -Very interesting. | 0:28:33 | 0:28:36 | |
This is a little micro-mosaic glass frame. | 0:28:36 | 0:28:39 | |
Sort of thing that was made in Murano, and also in France. | 0:28:39 | 0:28:42 | |
It's about 1900 in date. | 0:28:42 | 0:28:44 | |
You get the photograph free. I think it's a beautiful object. | 0:28:44 | 0:28:48 | |
Would it be Italian, do you think? | 0:28:48 | 0:28:50 | |
It might be Italian. It might be. | 0:28:50 | 0:28:52 | |
-Is that likely to have an appeal? -That might swing it. -Yes! | 0:28:52 | 0:28:55 | |
-I thought of you when I bought it. -Oh, thank you! -Such a smoothie, that Jeremy! | 0:28:55 | 0:29:00 | |
Anyway, £85. | 0:29:00 | 0:29:02 | |
85. So you spent the lot, almost. | 0:29:02 | 0:29:04 | |
Almost the lot. Just enough for a sandwich. | 0:29:04 | 0:29:07 | |
What do you think? In Wandsworth... | 0:29:07 | 0:29:10 | |
Well, in Wandsworth we may get £165. | 0:29:10 | 0:29:14 | |
You heard the man tell you. It's up to you. | 0:29:14 | 0:29:18 | |
At the moment, whether you need to take it or not remains to be seen. | 0:29:18 | 0:29:21 | |
But for the audience at home, | 0:29:21 | 0:29:23 | |
let's find out what the auctioneer thinks about J's frame. | 0:29:23 | 0:29:27 | |
OK, Addison. How do you rate her? | 0:29:28 | 0:29:30 | |
-Pretty, ain't she? -She's beautiful. | 0:29:30 | 0:29:33 | |
A little micro-mosaic enamelling. It's very pretty. | 0:29:33 | 0:29:36 | |
Edwardian, really. | 0:29:36 | 0:29:38 | |
I love the mosaic and the flowers and everything | 0:29:38 | 0:29:41 | |
but it's not as fabulous as it could be, I don't think. | 0:29:41 | 0:29:44 | |
What's your estimate? | 0:29:44 | 0:29:46 | |
I put on that, I think, 30 to 40. | 0:29:46 | 0:29:49 | |
Is that all? That won't please Jeremy! | 0:29:49 | 0:29:51 | |
-He paid £85. -Oh, dear. | 0:29:51 | 0:29:53 | |
Maybe the team won't go with it. | 0:29:53 | 0:29:55 | |
-Depends if they make some profit or not. -It does. | 0:29:55 | 0:29:58 | |
Now, that's it for the reds. Now for the blues. | 0:29:58 | 0:30:01 | |
And for something completely different, | 0:30:01 | 0:30:03 | |
how about the enamelled pendant? | 0:30:03 | 0:30:05 | |
An enamel pendant. It's very pretty. | 0:30:05 | 0:30:07 | |
It is a pretty thing. Art Nouveau in look | 0:30:07 | 0:30:09 | |
and a nice decorative present for somebody, possibly, | 0:30:09 | 0:30:13 | |
-rather than a collector, I would say. -Mm-hm. | 0:30:13 | 0:30:15 | |
So stamped sterling - it might be American? | 0:30:15 | 0:30:18 | |
Yes, I think it could be American, actually. | 0:30:18 | 0:30:20 | |
It's got a beautiful case. | 0:30:20 | 0:30:23 | |
Nice velvet case, and everything to go with it. | 0:30:23 | 0:30:25 | |
So I'm hoping people will buy it as a present for their mother or wife or partner. | 0:30:25 | 0:30:29 | |
-How much? -I put on that sort of 20 to 40, really. | 0:30:29 | 0:30:35 | |
-OK. Fine. £70 paid. -Ooh! | 0:30:35 | 0:30:37 | |
That's not so hot, really. | 0:30:37 | 0:30:39 | |
Now, the bronze coquettish figure. | 0:30:39 | 0:30:43 | |
Very Art Deco. Art Deco is very in at the moment. | 0:30:43 | 0:30:46 | |
It's a beautiful piece. It's got some good age to it. | 0:30:46 | 0:30:49 | |
The base is a little bit tired, I have to say. | 0:30:49 | 0:30:52 | |
If it was signed, I'd be a bit more excited about it, | 0:30:52 | 0:30:55 | |
but as a beautiful piece I'd say 80 to 120 | 0:30:55 | 0:30:59 | |
and hope we do over 100. What did they pay? | 0:30:59 | 0:31:01 | |
£185. | 0:31:01 | 0:31:03 | |
-They've obviously fallen in love with the form and paid the money for it. -Fair enough. | 0:31:03 | 0:31:06 | |
Now, lastly, is the little pill box, | 0:31:06 | 0:31:10 | |
which is planished silver and I think hallmarked Birmingham 1900. | 0:31:10 | 0:31:16 | |
-Yes. -Do you make it that? -Yes, we had a look at it. It's Birmingham 1900. | 0:31:16 | 0:31:20 | |
I think it's just a pretty little silver pill box. | 0:31:20 | 0:31:25 | |
Very collectable and if there are any collectors of pill boxes | 0:31:25 | 0:31:29 | |
it should go well. | 0:31:29 | 0:31:30 | |
I've put 30 to 40 on it and hopefully it will do around that. | 0:31:30 | 0:31:33 | |
They paid a massive £30. | 0:31:33 | 0:31:36 | |
I think we'll be all right with that one. | 0:31:36 | 0:31:37 | |
The black hole is that bronze figure. | 0:31:37 | 0:31:40 | |
Frankly, they'll need their bonus buy, so let's have a look at it. | 0:31:40 | 0:31:43 | |
£15 is all you gave poor Kate. | 0:31:44 | 0:31:48 | |
-Anyway. -Oh, oh, I feel so bad about it! | 0:31:48 | 0:31:52 | |
Don't feel sorry for her, she knows what she's up to! | 0:31:52 | 0:31:55 | |
Kate, what did you spend your £15 on? | 0:31:55 | 0:31:58 | |
Well, I tried to kill two birds with one stone with this item. | 0:31:58 | 0:32:01 | |
Because it is quite a feminine item. | 0:32:01 | 0:32:04 | |
Obviously it's a little purse for a lady to carry her essentials in. | 0:32:05 | 0:32:11 | |
It dates from about 1900 to, I would say, about 1920. | 0:32:11 | 0:32:15 | |
But as you can see, it's very Art Nouveau in shape. | 0:32:15 | 0:32:19 | |
This lovely curved linear shape | 0:32:19 | 0:32:21 | |
is typical for the Art Nouveau period. | 0:32:21 | 0:32:23 | |
Which I know Robert is very fond of. | 0:32:23 | 0:32:25 | |
So I've tried to go for Art Nouveau for you | 0:32:25 | 0:32:28 | |
and I've tried to go for the feminine for Trudi. | 0:32:28 | 0:32:31 | |
I think you've done a great thing, Kate. | 0:32:31 | 0:32:32 | |
I'm amazed that you managed to find this in Portobello Road. | 0:32:32 | 0:32:36 | |
-I'm really impressed. -I hunted high and low, I can tell you. | 0:32:36 | 0:32:39 | |
It's not a lot of money, £15, down there. | 0:32:39 | 0:32:41 | |
I'm amazed. It's really good. You've done extremely well. | 0:32:41 | 0:32:45 | |
It's classic Art Nouveau. | 0:32:45 | 0:32:47 | |
-You like? -Yeah, I really like it. -Good. | 0:32:47 | 0:32:50 | |
Oh, gosh. It takes my breath away. It's lovely. | 0:32:50 | 0:32:53 | |
-And it's made of? -It's silver plate rather than silver. | 0:32:53 | 0:32:57 | |
If you look just inside, | 0:32:57 | 0:32:58 | |
there are some little marks there | 0:32:58 | 0:33:01 | |
which look as if they could be a hallmark but I have to say they're not. | 0:33:01 | 0:33:04 | |
They're EPNS, electro-plated nickel silver. | 0:33:04 | 0:33:08 | |
So it is silver-plated rather than silver. | 0:33:08 | 0:33:11 | |
It probably would have had a little silk lining once upon a time. | 0:33:11 | 0:33:15 | |
-It's lovely. -Kate, I know you didn't pay more than £15, cos that's all we left you. | 0:33:15 | 0:33:20 | |
I blew the lot. It was 15 on the nail. | 0:33:20 | 0:33:23 | |
Well, I'm amazed. | 0:33:23 | 0:33:25 | |
-I actually think it's worth more than that. What do you think it's worth? -You're very ingenious. | 0:33:25 | 0:33:30 | |
-I think that ought to make 15 to 25? -Yes. -Yes. -Somewhere in that region, I'd say. | 0:33:30 | 0:33:36 | |
Trudi, you don't have to make up your mind now, no. | 0:33:36 | 0:33:39 | |
You'll make up your mind after the sale of your first three items. | 0:33:39 | 0:33:43 | |
But for the audience at home, | 0:33:43 | 0:33:45 | |
let's see what the auctioneer thinks about Kate's little purse. | 0:33:45 | 0:33:48 | |
There you go, Addison. Something for you to go tripping out with! | 0:33:49 | 0:33:52 | |
-Very fetching. -Take your arm, ducky? | 0:33:52 | 0:33:54 | |
How do you feel about it? | 0:33:54 | 0:33:56 | |
It's a nice Art Nouveau silver-plated purse. | 0:33:56 | 0:34:00 | |
It's got some nice etching and it's pretty. | 0:34:00 | 0:34:02 | |
But I wouldn't put huge value on it. I'd put about 30 to 40. | 0:34:02 | 0:34:06 | |
-Really, as much as that? 30 to 40? -What did they pay? | 0:34:06 | 0:34:09 | |
Well, Kate paid £15. | 0:34:09 | 0:34:11 | |
She'll be delighted with the 30 to £40 estimate. | 0:34:11 | 0:34:14 | |
But I see these things going through in silver | 0:34:14 | 0:34:17 | |
and they make, 60, 80, £90. | 0:34:17 | 0:34:20 | |
But that plated job, all the plate's rubbed off it, hasn't it? | 0:34:20 | 0:34:24 | |
I has indeed. It does need a re-dipping, I think. | 0:34:24 | 0:34:27 | |
But I'm still hopeful it can do £30. | 0:34:27 | 0:34:29 | |
It's lovely to see you so optimistic, Addison! | 0:34:29 | 0:34:32 | |
-Thank you very much. -You're welcome. | 0:34:32 | 0:34:33 | |
All will be revealed in a moment. | 0:34:33 | 0:34:35 | |
Roberta, Tom, Jeremy. How are you feeling? | 0:34:45 | 0:34:48 | |
-Excited. -Are you? | 0:34:48 | 0:34:50 | |
How excited are you, Roberta, on the excited scale? | 0:34:50 | 0:34:54 | |
-Ten. -Are you? You're up there, then. | 0:34:54 | 0:34:56 | |
-Very. -What about you, Tom? | 0:34:56 | 0:34:58 | |
-Cool, at the moment. -Cool? -Getting warmer. | 0:34:58 | 0:35:02 | |
But the thing is, if you're taking these smart jets on and off, | 0:35:02 | 0:35:07 | |
and you've got these smooth operators, you're a cool cat, anyway! | 0:35:07 | 0:35:11 | |
-Normally, yes. -Normally. Yes. | 0:35:11 | 0:35:13 | |
Anyway, first up are the buttons. Here they come. | 0:35:13 | 0:35:15 | |
Regimental buttons, probably Grenadier Regiment | 0:35:15 | 0:35:18 | |
by Firmin of London from The Strand. | 0:35:18 | 0:35:21 | |
I've got interest here at 12 and £15 with me. Any advance on 15? | 0:35:21 | 0:35:26 | |
An advance on 15? | 0:35:26 | 0:35:28 | |
18. 20. One more takes it, sir. | 0:35:28 | 0:35:30 | |
With me at 20. 25 I'm out. | 0:35:30 | 0:35:33 | |
-In the room at 25. Any advance on 25? 28 comes next. -I like that. | 0:35:33 | 0:35:37 | |
Any advance on £25? Selling in the room now at £25. | 0:35:37 | 0:35:41 | |
£25 is plus seven pounds. That is not to be sniffed at. | 0:35:41 | 0:35:44 | |
OK? Right, now, the Japanese vases. | 0:35:44 | 0:35:48 | |
A smart pair of Japanese vases from the Meiji period, 1869 to 1912. | 0:35:48 | 0:35:53 | |
Decorated with Samurai and Japanese motif. | 0:35:53 | 0:35:56 | |
I've got interest here at 25, 30 and five. | 0:35:56 | 0:35:59 | |
With me a commission bid of £35. | 0:35:59 | 0:36:01 | |
Any advance on 35? 40. Five. | 0:36:01 | 0:36:04 | |
50. Five. | 0:36:04 | 0:36:05 | |
55 here. Any advance on 55? 60. Any advance on 60? | 0:36:05 | 0:36:10 | |
-The lady at the back at 60. -We want more. | 0:36:10 | 0:36:11 | |
Any advance on 60? | 0:36:11 | 0:36:13 | |
-Selling there to the lady at £60. -Oh, no. | 0:36:13 | 0:36:16 | |
Blast it. £60 she's got. | 0:36:16 | 0:36:19 | |
OK. That's minus five pounds, so you're still plus two pounds. | 0:36:19 | 0:36:23 | |
OK. Coaster or coaster? | 0:36:24 | 0:36:27 | |
They're dated 1952, Jubilee year. Smart things indeed. | 0:36:27 | 0:36:32 | |
I have interest here at 80, 90. A double-up bid. Start at £100. | 0:36:32 | 0:36:37 | |
Any advance on 100? | 0:36:37 | 0:36:38 | |
Any advance on 100? Smart things indeed. Any advance on 100? | 0:36:38 | 0:36:41 | |
Go on! They must be at 110. There's somebody there. | 0:36:41 | 0:36:45 | |
-£110. In the room at 110. Any advance on 110? -I can't bear this! | 0:36:45 | 0:36:48 | |
-Any advance on 110? -This is terrible. | 0:36:48 | 0:36:50 | |
-120, new bidder. -120! Yes! | 0:36:50 | 0:36:52 | |
-It wiped its face. -125 I'll take. | 0:36:52 | 0:36:54 | |
At 120, then, with the gentleman there at 120. Selling at 120. | 0:36:54 | 0:36:59 | |
He sold it at £120. You wiped its face. | 0:36:59 | 0:37:02 | |
And you are £2 up! | 0:37:02 | 0:37:04 | |
-Oh. -So that's a pound each, all right? | 0:37:04 | 0:37:07 | |
Look, to make a profit on this programme is an achievement and you've just made a profit! | 0:37:07 | 0:37:12 | |
Of a pound each! How good is that? | 0:37:12 | 0:37:15 | |
Roberta doesn't look exactly bowled over by that. | 0:37:15 | 0:37:19 | |
-I'm not very. -You're not? | 0:37:19 | 0:37:21 | |
But it is an achievement. | 0:37:21 | 0:37:23 | |
-Yes. -It is, definitely. | 0:37:23 | 0:37:24 | |
That is an achievement of medal-winning proportions! | 0:37:24 | 0:37:28 | |
That is so cool. | 0:37:28 | 0:37:30 | |
Now, what are you going to do about the bonus buy? | 0:37:30 | 0:37:33 | |
Are you gonna stick and preserve the £2 that you've got? | 0:37:33 | 0:37:36 | |
-We're going to stick. We're going to stay in black ink. -Yes. | 0:37:36 | 0:37:38 | |
-Are you? -Yes. -You're not going to risk it? | 0:37:38 | 0:37:41 | |
-No, I want to stay in black ink. -Absolutely. | 0:37:41 | 0:37:43 | |
We're going to sell the frame anyway. Here it comes. | 0:37:43 | 0:37:46 | |
A very pretty French-frame micro-mosaic circa 1910. | 0:37:46 | 0:37:51 | |
Photograph framed. It's a smart, smart thing. | 0:37:51 | 0:37:53 | |
Beautifully done. 25, 28 with me. Any advance on 28? | 0:37:53 | 0:37:56 | |
Any advance on 28? 30. Still here at 33 with me. | 0:37:56 | 0:38:01 | |
One more takes it, though. | 0:38:01 | 0:38:03 | |
Any advance on 33? I'm going to sell at 33. | 0:38:03 | 0:38:05 | |
One more, it's yours. I will accept 35. | 0:38:05 | 0:38:07 | |
But I'm going to go for £33 to commission. | 0:38:07 | 0:38:10 | |
£33. Well, that's a sigh of relief, right, team? | 0:38:12 | 0:38:16 | |
£33. Would have been a whopper loss. | 0:38:16 | 0:38:19 | |
In fact, it would have been... | 0:38:19 | 0:38:22 | |
A £52 loss. Minus £52. But you didn't go with it. | 0:38:22 | 0:38:26 | |
You stuck to your guns. | 0:38:26 | 0:38:28 | |
And you're £2 up, which could be a winning score. | 0:38:28 | 0:38:31 | |
-Say not a word to the blues, all right? -I'll say nothing. | 0:38:31 | 0:38:34 | |
Are you confident in your goods, Trudi? | 0:38:37 | 0:38:38 | |
-Not really? -Not really. -What about you, Robert? -I'll be going home with egg on my face! | 0:38:38 | 0:38:44 | |
I think... I liked all our goods. | 0:38:44 | 0:38:47 | |
But we bought with our heart and not with our head on one or two of them. | 0:38:47 | 0:38:50 | |
Any one that you wished you hadn't bought, Robert? | 0:38:50 | 0:38:53 | |
-The bronze. -I'm very pleased we bought the bronze, | 0:38:53 | 0:38:56 | |
-but I'm not sure it'll make a profit. -OK. Fine. | 0:38:56 | 0:38:59 | |
The first item up is your silver and enamel sterling pendant. | 0:38:59 | 0:39:03 | |
I've got interest here at 15, | 0:39:03 | 0:39:04 | |
18 and 20 with me. | 0:39:04 | 0:39:07 | |
22. 25. One more takes it. 28. I'm out. | 0:39:07 | 0:39:10 | |
Any advance on 28? Any advance on 28? | 0:39:10 | 0:39:13 | |
-Oh, dear! -Selling at the back at £28. | 0:39:13 | 0:39:15 | |
Oh, no. I don't like the look of this. | 0:39:15 | 0:39:17 | |
-That's a shame. -£28. That's terrible. | 0:39:17 | 0:39:20 | |
That's two shy of 30. That's £42 down the plug-hole! | 0:39:20 | 0:39:24 | |
-Minus 42. -Yes. | 0:39:24 | 0:39:26 | |
-That's not kind, is it? -Not a good start, is it? -Dear, oh, dear. | 0:39:26 | 0:39:30 | |
-That's a real shame. -What about this bronze figure? Look out. | 0:39:30 | 0:39:34 | |
A coquettish pose and head-piece on pedestal base. | 0:39:34 | 0:39:37 | |
I've got interest here at 65 and 70 and five, with me. | 0:39:37 | 0:39:41 | |
£75. Any advance on 75? | 0:39:41 | 0:39:43 | |
80. Five. | 0:39:43 | 0:39:45 | |
90. 100 on the internet now. | 0:39:45 | 0:39:48 | |
£100 on the internet. | 0:39:48 | 0:39:50 | |
110. Any advance on 110? | 0:39:50 | 0:39:51 | |
Any advance on 110? | 0:39:51 | 0:39:54 | |
120. | 0:39:54 | 0:39:55 | |
-At 120. -All on the internet. -120. | 0:39:55 | 0:39:57 | |
Any advance on 120? The internet's money. At £120. | 0:39:57 | 0:40:01 | |
Fair and final warning at 120. Pretty thing. | 0:40:01 | 0:40:04 | |
-Look out. -Last chance. Selling to the internet at 120. | 0:40:04 | 0:40:07 | |
-Ooh! -Ooh! | 0:40:08 | 0:40:09 | |
£120. That's minus £65. | 0:40:09 | 0:40:12 | |
-That makes it... -107. -107. You've got your sharps on this, Doctor! | 0:40:12 | 0:40:16 | |
Nothing the matter with the maths! OK, darling. Here comes the pill box. | 0:40:18 | 0:40:22 | |
I have interest here at 10, 12 and 15 on commission. | 0:40:22 | 0:40:26 | |
And 20 now in the room. Any advance on 20? Smart thing. | 0:40:26 | 0:40:29 | |
-Any advance on 20? Surely you won't stop at that? -Not doing well. | 0:40:29 | 0:40:32 | |
At £20. Selling to the gentleman there. | 0:40:32 | 0:40:34 | |
25 on the internet. | 0:40:34 | 0:40:36 | |
30 now in the room. At £30 in the room. | 0:40:36 | 0:40:39 | |
-Any advance on 30? -You paid 30. | 0:40:39 | 0:40:41 | |
Any advance on 30? Selling to you. Fair and final warning. | 0:40:41 | 0:40:44 | |
In the room now at £30. | 0:40:44 | 0:40:45 | |
-Oh. Wiped its face. -Wiped its face. | 0:40:45 | 0:40:47 | |
£30. No pain, no gain. | 0:40:47 | 0:40:50 | |
-No. -Now, minus 107 is where you're at. | 0:40:50 | 0:40:53 | |
-Yes. -So, what are we going to do? | 0:40:53 | 0:40:57 | |
Shall we go with Kate's purse of curvo-linear design? | 0:40:57 | 0:41:00 | |
-Yes. -Yes. -Yes. -I think so. | 0:41:00 | 0:41:02 | |
-I think she performed a small miracle by buying that. -Yes. | 0:41:02 | 0:41:06 | |
-We'll definitely go with it. -It was £15-worth. | 0:41:06 | 0:41:09 | |
-Definitely going with it? -Yes. -Here it comes. | 0:41:09 | 0:41:11 | |
I have 25. 28 with me. Any advance on 28? | 0:41:11 | 0:41:15 | |
30. | 0:41:15 | 0:41:17 | |
-I'm out on 30. Any advance on 30? -Kate, you've doubled your money! | 0:41:17 | 0:41:21 | |
Any advance on 30? Selling to the gentleman seated at £30. | 0:41:21 | 0:41:24 | |
You clever girl! £30 is plus 15. That's the way to do it, girl! | 0:41:24 | 0:41:30 | |
-That's hammered you back to £92. -Yes. -£92. | 0:41:30 | 0:41:34 | |
Minus 92! | 0:41:34 | 0:41:36 | |
Oh, yes! | 0:41:36 | 0:41:38 | |
I think I'm going to go and write a quick prescription out! | 0:41:38 | 0:41:41 | |
But don't say a word to the reds. | 0:41:43 | 0:41:45 | |
Well, this is the end of the story. | 0:41:51 | 0:41:53 | |
-Have we been chatting at all? -No. -No. | 0:41:53 | 0:41:56 | |
-So neither of you have any idea what the scores are? -No. | 0:41:56 | 0:41:59 | |
Well, I have to reveal today | 0:41:59 | 0:42:01 | |
there's been an absolute disaster for one team | 0:42:01 | 0:42:03 | |
and that team are the blues. | 0:42:03 | 0:42:05 | |
Minus £92! That's a shocker, isn't it? | 0:42:07 | 0:42:10 | |
The only silver lining had to be your purse, Kate. | 0:42:10 | 0:42:15 | |
Plus £15 profit on that. That was a nice touch. | 0:42:15 | 0:42:18 | |
But the rest of it, dear, oh dear! | 0:42:18 | 0:42:21 | |
-It wasn't so good, Rob, was it? -No, but we've enjoyed ourselves. | 0:42:21 | 0:42:25 | |
We've enjoyed having you on the show | 0:42:25 | 0:42:26 | |
-and we think you are phenomenal sports. -Thank you. | 0:42:26 | 0:42:29 | |
It could have gone either way. | 0:42:29 | 0:42:31 | |
But actually the reds haven't got that much to gloat about! | 0:42:31 | 0:42:34 | |
Because they're only winning by two pounds. | 0:42:34 | 0:42:36 | |
Oh! | 0:42:36 | 0:42:38 | |
They go home with a profit of two pounds. | 0:42:38 | 0:42:41 | |
-There you are, Roberta. -Thank you! | 0:42:41 | 0:42:43 | |
You can give Tom one of those! | 0:42:43 | 0:42:46 | |
And Jeremy gets nothing, I'm afraid! | 0:42:46 | 0:42:49 | |
-Have you had a good time, Roberta? -I really enjoyed it. | 0:42:50 | 0:42:53 | |
-Thank you. -It was good fun, wasn't it? | 0:42:53 | 0:42:55 | |
We loved having you on the show. | 0:42:55 | 0:42:56 | |
Join us soon for some more Bargain Hunting, yes? | 0:42:56 | 0:42:59 | |
Yes! | 0:42:59 | 0:43:00 | |
Subtitles by Red Bee Media Ltd | 0:43:20 | 0:43:23 |