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Welcome to Horncastle. | 0:00:04 | 0:00:05 | |
Well, there aren't many horns about and the castle's long since gone | 0:00:05 | 0:00:10 | |
but on this programme we do do what it says on the tin. | 0:00:10 | 0:00:14 | |
So, let's go and do it! Let's go bargain hunting, yeah! | 0:00:14 | 0:00:18 | |
This is Horncastle, in Lincolnshire. | 0:00:41 | 0:00:44 | |
The Romans built a fort here of which little remains. | 0:00:44 | 0:00:48 | |
Today the town offers a number of well-stocked antique shops - | 0:00:48 | 0:00:53 | |
enough to keep even the most battle hardened bargain hunter | 0:00:53 | 0:00:58 | |
bargaining and haggling for many a long hour. | 0:00:58 | 0:01:01 | |
Just pity our teams then | 0:01:01 | 0:01:03 | |
because they've only got just one measly hour. | 0:01:03 | 0:01:07 | |
On today's show... | 0:01:09 | 0:01:11 | |
the Reds run amok... | 0:01:11 | 0:01:12 | |
-Do you have your running shoes on? -Yes! -OK, follow me! -Ah! | 0:01:12 | 0:01:16 | |
..while the Blues give JP the jitters... | 0:01:19 | 0:01:22 | |
There's two minutes left and my heart's going to stop in a minute. | 0:01:22 | 0:01:25 | |
Put things down, let's concentrate! | 0:01:25 | 0:01:29 | |
On Bargain Hunt today we have two teams of friends. | 0:01:29 | 0:01:33 | |
For the Reds, we've got Helen and Sally, | 0:01:33 | 0:01:36 | |
and for the Blues we've got Jules and Debs. | 0:01:36 | 0:01:38 | |
-Hello, everyone. -ALL: Hello. | 0:01:38 | 0:01:40 | |
Lovely to see you. Now, girls, how did you to meet? | 0:01:40 | 0:01:43 | |
Well, I moved into Northamptonshire about four and a half years ago | 0:01:43 | 0:01:47 | |
and went to church, and I met a lot of lovely people there, | 0:01:47 | 0:01:51 | |
and Sally was one of them. | 0:01:51 | 0:01:52 | |
And a few months later | 0:01:52 | 0:01:53 | |
I actually ended up working at the same adventure centre as Sally. | 0:01:53 | 0:01:57 | |
So, what happens in your adventure centre? | 0:01:57 | 0:02:00 | |
It's a brilliant place and we have a lot of children | 0:02:00 | 0:02:02 | |
and youth groups come, and they do activities like canoeing | 0:02:02 | 0:02:06 | |
and abseiling, and raft building, and they learn things as well. | 0:02:06 | 0:02:10 | |
Now, what's all this about you going up Kilimanjaro? | 0:02:10 | 0:02:13 | |
Yes, did that last year for the charity that we work for | 0:02:13 | 0:02:17 | |
and I'm pleased to say I made it all the way to the top - | 0:02:17 | 0:02:20 | |
a pretty exhausting experience! | 0:02:20 | 0:02:22 | |
But you get a lack of oxy... I mean, it's quite high, isn't it? | 0:02:22 | 0:02:24 | |
It is, it is quite high, yes, it's 5,800 metres! | 0:02:24 | 0:02:28 | |
Well, I hope today won't be an uphill struggle for you, darling. | 0:02:28 | 0:02:31 | |
Talking about struggling, Sally, not to be outdone, | 0:02:31 | 0:02:34 | |
-you've been up to it a bit too, haven't you? -That's right, I went. | 0:02:34 | 0:02:37 | |
I hadn't been in plane before, hadn't had the opportunity | 0:02:37 | 0:02:39 | |
and then the first time I went into a plane I jumped out of it! | 0:02:39 | 0:02:42 | |
So, presumably, they provided a parachute, did they? | 0:02:42 | 0:02:45 | |
They did provide a parachute. A tandem parachute jump, yes. | 0:02:45 | 0:02:47 | |
Do you sit on top of somebody | 0:02:47 | 0:02:49 | |
or do they sit on top of you and you jump out together? | 0:02:49 | 0:02:51 | |
Yeah, they, basically, you stand by the door and then they go. | 0:02:51 | 0:02:55 | |
-They push you? -Yes. -OK. But they are attached to you, are they? | 0:02:55 | 0:02:58 | |
-Oh, of course, yes! -Oh, that's fair enough. I bet for charity? | 0:02:58 | 0:03:00 | |
-Yes, for charity, yes! -You girls are lovely, aren't you? | 0:03:00 | 0:03:03 | |
-I think you're smashing. -Thank you. | 0:03:03 | 0:03:05 | |
Now, girls, you to look pretty active. Jules, how did you meet? | 0:03:05 | 0:03:09 | |
We met when some mutual friends | 0:03:09 | 0:03:12 | |
-organised a bike ride around Rutland Water. -Lovely. | 0:03:12 | 0:03:16 | |
Now, Jules, what do you do for a living? | 0:03:16 | 0:03:18 | |
I'm an art teacher and artist. | 0:03:18 | 0:03:20 | |
-What sort of things do like to paint yourself? -I like to paint portraits. | 0:03:20 | 0:03:24 | |
I have a room of home that is full of portraits. | 0:03:24 | 0:03:26 | |
The other thing it says you're mad about is tea trolleys. | 0:03:26 | 0:03:29 | |
-Tell us about that. -I love tea trolleys, Tim. | 0:03:29 | 0:03:32 | |
I think they are great fun to just wheel into your sitting room. | 0:03:32 | 0:03:36 | |
-Do you have a lot of tea parties? -Yes, tea parties. | 0:03:36 | 0:03:40 | |
My trolley has three tiers. | 0:03:40 | 0:03:42 | |
-The top tier is removable, which is very useful. -Yes. | 0:03:42 | 0:03:46 | |
-So, teatime round at your place is rather special? -It's good. | 0:03:46 | 0:03:49 | |
-Yeah, very good. -And what about you, Debs, you off your trolley t... | 0:03:49 | 0:03:54 | |
I mean, are you keen on the trolley? Are you keen on the trolley? | 0:03:54 | 0:03:57 | |
-Yes, it Julie's purchased a trolley for myself as well! -Really? | 0:03:57 | 0:04:01 | |
So, what keeps you busy then, Debs? | 0:04:01 | 0:04:03 | |
I've got a shop and I buy and sell things to put in it. | 0:04:03 | 0:04:07 | |
It started with just old pieces | 0:04:07 | 0:04:09 | |
but I've, kind of, gone on to more reproduction things is well, now. | 0:04:09 | 0:04:12 | |
But fill it with old pieces as well. | 0:04:12 | 0:04:14 | |
Oh, lovely, so, we've got a bit of an expert on the show? | 0:04:14 | 0:04:17 | |
No, I wouldn't say that! | 0:04:17 | 0:04:19 | |
-We've got somebody who buys and sells decorative pieces! -Yes. | 0:04:19 | 0:04:22 | |
Oh, poor Debs. | 0:04:22 | 0:04:23 | |
This is going to be quite a responsibility for you, isn't it? | 0:04:23 | 0:04:26 | |
-Yes, yes, it is, yes. -OK, fine. | 0:04:26 | 0:04:27 | |
Now the money moment. Here's your £300, £300 apiece. | 0:04:27 | 0:04:30 | |
-You know the rules. Your experts await and off you go! -Thank you. | 0:04:30 | 0:04:33 | |
And very good luck. | 0:04:33 | 0:04:35 | |
To trolley or not to trolley, that is the question. | 0:04:35 | 0:04:38 | |
For the Red team today we have a man | 0:04:38 | 0:04:41 | |
who can find a great deal on any level - | 0:04:41 | 0:04:43 | |
it's Charles Hanson. | 0:04:43 | 0:04:45 | |
And for the Blues we have a man who goes cock-a-hoop for a bargain - | 0:04:45 | 0:04:48 | |
It's Jonathan Pratt. | 0:04:48 | 0:04:50 | |
What are you ladies after? | 0:04:53 | 0:04:55 | |
Something quirky and interesting. | 0:04:55 | 0:04:57 | |
-Something that is different, something I've not seen before. -OK. | 0:04:57 | 0:05:01 | |
-We'd like something useful and practical, perhaps? -Really? | 0:05:01 | 0:05:04 | |
-With an antique theme? -Yes, hopefully. | 0:05:04 | 0:05:06 | |
Maybe a little piece of furniture? | 0:05:06 | 0:05:08 | |
Any more specific? | 0:05:08 | 0:05:09 | |
Something that makes a profit! | 0:05:09 | 0:05:11 | |
"Something that makes a profit"? OK, let's go looking. | 0:05:11 | 0:05:13 | |
-Tell me, you guys first met where and how? -We first met in church. | 0:05:13 | 0:05:18 | |
I moved into the local area where Sally lives and that's where we met. | 0:05:18 | 0:05:23 | |
-And look. -Oh! | 0:05:23 | 0:05:24 | |
Well, how appropriate! | 0:05:24 | 0:05:26 | |
Maybe some divine inspiration is coming your way, Reds? | 0:05:26 | 0:05:30 | |
-They've got some glass and there, Jules. -Come on, let's go in. | 0:05:31 | 0:05:34 | |
-Thank you very much. -Actually! | 0:05:37 | 0:05:38 | |
-We're off and winning now, thank you very much. -THEY LAUGH | 0:05:38 | 0:05:41 | |
Come on, girls, Hanson's head isn't that big! | 0:05:41 | 0:05:44 | |
-There must be ten or 15,000 pieces here. -I know. | 0:05:45 | 0:05:48 | |
So, plenty to choose from, eh, girls? | 0:05:48 | 0:05:51 | |
-I really like this. -That is nice, yes. | 0:05:54 | 0:05:57 | |
-It's a little bit wobbly on his, on his feet! -Yeah. | 0:05:58 | 0:06:01 | |
-I'll test you. What period? -Deco. | 0:06:01 | 0:06:03 | |
-Why is its Deco? -This style. | 0:06:03 | 0:06:05 | |
-You know, it's very stylised. '20s, '30s. -Exactly. How much is it? -Erm... | 0:06:05 | 0:06:11 | |
280. What's our budget? | 0:06:11 | 0:06:12 | |
-300! -300. | 0:06:12 | 0:06:14 | |
-Exactly. Exactly. -Oh, bye! | 0:06:14 | 0:06:16 | |
I think a bit expensive. | 0:06:17 | 0:06:18 | |
Yes, Reds, let's keep that £300 figure in mind, shall we? | 0:06:18 | 0:06:23 | |
The Blues are facing the agony of choice. | 0:06:23 | 0:06:26 | |
Shall we move through and have a look in the other room? | 0:06:26 | 0:06:29 | |
-He said there was some retro things upstairs. -Let's have a look in here. | 0:06:29 | 0:06:33 | |
This is mostly furniture. | 0:06:33 | 0:06:35 | |
And neither side have had that epiphany they're looking for yet. | 0:06:35 | 0:06:39 | |
We won't touch too much. | 0:06:39 | 0:06:40 | |
I always find, you know, vintage costume, | 0:06:40 | 0:06:42 | |
things like top hats, always do very well... | 0:06:42 | 0:06:45 | |
We're back to hats! | 0:06:45 | 0:06:46 | |
-..hat case and a hat together. It suits you! -I quite like it. | 0:06:46 | 0:06:49 | |
You look like the Artful Dodger! | 0:06:49 | 0:06:50 | |
-Or the Mad Hatter! Come on. -Sorry, we're wasting time! | 0:06:50 | 0:06:54 | |
Well said, Reds. That's true, the clock ticks on. | 0:06:54 | 0:06:57 | |
Julia and Debbie are tea trolley aficionados | 0:06:57 | 0:07:00 | |
and they know what they like, and what they don't. | 0:07:00 | 0:07:03 | |
I don't what you think of this, to be honest. | 0:07:03 | 0:07:06 | |
It's a full set and it's typically '50s. | 0:07:06 | 0:07:09 | |
-I can see from your face your thinking, "No!" -Do you know what? | 0:07:09 | 0:07:12 | |
Jonathan, there's not enough flowers on it and birds. | 0:07:12 | 0:07:14 | |
-Is it not enough flowers for you? -There's too much white. | 0:07:14 | 0:07:17 | |
-Really? OK. -They've got to have more colour. | 0:07:17 | 0:07:19 | |
-Do you like this, sort of, chintzy stuff? -I quite like this, yes. | 0:07:19 | 0:07:24 | |
-That's very pretty. -So, a quantity of that would be quite good, for you. | 0:07:24 | 0:07:28 | |
Yes. | 0:07:28 | 0:07:29 | |
Yeah, plenty of that, Blues - | 0:07:29 | 0:07:31 | |
and a decision, as soon as you're ready, eh? | 0:07:31 | 0:07:33 | |
We are 20 minutes in. | 0:07:33 | 0:07:35 | |
Do you have your running shoes on? | 0:07:35 | 0:07:36 | |
-Yes! -Let's go for a jog. -OK. -Excellent, let's go! | 0:07:36 | 0:07:39 | |
-OK, follow me. -Ah! | 0:07:39 | 0:07:42 | |
-Warmed up? -Yes! -Great. | 0:07:44 | 0:07:46 | |
Anything that's just come in that's really market fresh? | 0:07:46 | 0:07:49 | |
There's a new person come in upstairs. | 0:07:49 | 0:07:51 | |
-OK, guys, we'll go upstairs, OK? -OK. -Let's start up there. | 0:07:51 | 0:07:54 | |
That's where the market fresh things might be. | 0:07:54 | 0:07:56 | |
Oh, I'm exhausted just watching you, Reds. What about you, Blues? | 0:07:56 | 0:08:00 | |
How are your energy levels doing? | 0:08:00 | 0:08:02 | |
-OK, ladies. -Yes. -Something I've spotted downstairs, | 0:08:02 | 0:08:05 | |
-when you were looking at the tea service. -Yeah. | 0:08:05 | 0:08:08 | |
Victorian needlework. | 0:08:08 | 0:08:09 | |
-But it is the sort of thing that gets sold at auction. -Is it? | 0:08:09 | 0:08:12 | |
Yeah, it is. | 0:08:12 | 0:08:14 | |
And we do need to commit things. You hate it, don't you? | 0:08:15 | 0:08:17 | |
-You really do hate it. -THEY LAUGH | 0:08:17 | 0:08:19 | |
I can't... I must say, I don't really like it much myself, either! | 0:08:19 | 0:08:24 | |
What I'd love, Jonathan, is something to go on my tea trolley - | 0:08:24 | 0:08:27 | |
-even if it's a special cup and saucer. -OK. | 0:08:27 | 0:08:29 | |
Got all the linens and the linens look great on a trolley | 0:08:29 | 0:08:32 | |
but I'm just imagining a fab cup and saucer or a special jug, | 0:08:32 | 0:08:38 | |
or a fabulous sandwich plate. | 0:08:38 | 0:08:40 | |
There is no sets here and the fab sandwich plates will cost you... | 0:08:40 | 0:08:43 | |
Well, it would be £10-£15 and you won't get any money. | 0:08:43 | 0:08:47 | |
-We're buying for profit at auction... -We are. | 0:08:47 | 0:08:50 | |
..not to look nice on a tea trolley. | 0:08:50 | 0:08:53 | |
I think silverware for a trolley, then, could be the option. Maybe. | 0:08:53 | 0:08:58 | |
Yeah, I think you've got your work cut out here. Keep trying, Jonathan. | 0:08:58 | 0:09:02 | |
What about this for a bit of a tea trolley novelty? | 0:09:02 | 0:09:06 | |
Now, we all know what a tea trolley is - | 0:09:06 | 0:09:08 | |
grannies had them to move plates of sandwiches | 0:09:08 | 0:09:11 | |
from the kitchen into the front room for high tea. | 0:09:11 | 0:09:14 | |
Well, this is rather fun because it's a miniature variety | 0:09:14 | 0:09:17 | |
and it's in chromium plate. | 0:09:17 | 0:09:20 | |
Chromium plated household goods | 0:09:20 | 0:09:23 | |
were very much a look of the 1920s and 1930s, | 0:09:23 | 0:09:27 | |
and that's when this miniature tea trolley dates from. | 0:09:27 | 0:09:31 | |
It's kitsch, isn't it? It's oddball. | 0:09:31 | 0:09:34 | |
You got two glazed stages, which are easy to clean | 0:09:34 | 0:09:39 | |
and of course, it has got a great practical purpose. | 0:09:39 | 0:09:42 | |
You could load it up today, perhaps, with your savouries | 0:09:42 | 0:09:46 | |
at a drinks party, pass it around to your guests. | 0:09:46 | 0:09:49 | |
But really, to look at its very best what you need | 0:09:49 | 0:09:54 | |
is some of these jobs - cupcakes. | 0:09:54 | 0:09:56 | |
The 21st-century phenomenon of people baking and buying, | 0:09:56 | 0:10:02 | |
and decorating cupcakes has been extreme. | 0:10:02 | 0:10:06 | |
There, look what that's done to jolly up our miniature tea trolley. | 0:10:06 | 0:10:12 | |
Delightful. | 0:10:12 | 0:10:13 | |
What's it worth? | 0:10:13 | 0:10:14 | |
Well, the miniature kitsch tea trolley | 0:10:14 | 0:10:17 | |
could be yours today for £20. | 0:10:17 | 0:10:19 | |
What are the cupcakes worth? | 0:10:19 | 0:10:22 | |
Well, depending on where you live - Chelsea price, £4 each, | 0:10:22 | 0:10:26 | |
Lincolnshire Price, £1.50 each. | 0:10:26 | 0:10:29 | |
Hm, I know which I would prefer to be taking home! | 0:10:29 | 0:10:33 | |
Forget high tea, it's high time our teams made a purchase. | 0:10:33 | 0:10:38 | |
You are both going to have to pluck something out of the air | 0:10:38 | 0:10:41 | |
or off the shelf and no sitting down on the job either! | 0:10:41 | 0:10:44 | |
-That's a nice chair, isn't it? May I take it out? -You can. | 0:10:44 | 0:10:47 | |
Would you mind? Nice chair. | 0:10:47 | 0:10:50 | |
That's a really sweet chair with a concave seat, | 0:10:50 | 0:10:52 | |
which appears to be elm. | 0:10:52 | 0:10:54 | |
And look where the legs o... | 0:10:54 | 0:10:55 | |
All the feet over the years have just rubbed this lower rail. | 0:10:55 | 0:11:00 | |
Lovely latticed back in this. Lovely shaped top rail. | 0:11:00 | 0:11:03 | |
-Do you think it's been cut off? -Could have been cut down slightly. | 0:11:03 | 0:11:06 | |
How old would it be? | 0:11:06 | 0:11:08 | |
I would've thought this chair is probably around 1820. | 0:11:08 | 0:11:12 | |
-Really, that old?! -1830. | 0:11:12 | 0:11:14 | |
This chair is something which you would happily place a doll on | 0:11:14 | 0:11:20 | |
-or you could put a teddy bear on... -It's a bedroom chair. | 0:11:20 | 0:11:22 | |
-Can I sit on it? -Yeah, absolutely. See how it feels. | 0:11:22 | 0:11:25 | |
Quite right, Helen. Is it fit for purpose? Standby. | 0:11:25 | 0:11:28 | |
-It's good for people with short legs, actually! -Exactly. | 0:11:28 | 0:11:31 | |
-And after that long run as well. -I need a sit down! | 0:11:31 | 0:11:34 | |
-It's actually really comfortable. -Is it? -Yeah! -Oh. -Yes, it's all right. | 0:11:34 | 0:11:37 | |
-Out of interest, what is the best price on this chair? -For us, for us. | 0:11:37 | 0:11:41 | |
-£10. -You couldn't do eight, could you? | 0:11:41 | 0:11:44 | |
-Well, seeing as it's you! -For us! | 0:11:44 | 0:11:47 | |
-Do you like it? -I think we should have that for £8. | 0:11:47 | 0:11:50 | |
-It is lovely. -To me, for a country chair, for £8. | 0:11:50 | 0:11:53 | |
Yes, let's go for it! | 0:11:53 | 0:11:54 | |
But we can only buy three items and £8 is a very small spend. | 0:11:54 | 0:11:58 | |
-Yes, but we might leave you lots of money after. -Exactly! | 0:11:58 | 0:12:01 | |
-Are you happy to go with that chair? -Absolutely. -Yes. -Look at me. | 0:12:01 | 0:12:05 | |
-Shall we buy it? -Yes. -Give her a handshake. -Thank you very much. | 0:12:05 | 0:12:08 | |
-Thank you. -Thanks ever so much. | 0:12:08 | 0:12:10 | |
Well, that CHAIRED things up! I was beginning to worry. | 0:12:10 | 0:12:14 | |
You Blues need to follow suit. | 0:12:14 | 0:12:15 | |
20 minutes left and you've not bought a sausage. | 0:12:15 | 0:12:19 | |
I know it looks a bit shabby but I quite like that. | 0:12:19 | 0:12:21 | |
Well, this is better, in some ways more than others. I'll explain. | 0:12:21 | 0:12:24 | |
-That's quite a nicely painted top, it's 19th-century. -Yeah. | 0:12:24 | 0:12:26 | |
You've got a stem which has been completely repainted. | 0:12:26 | 0:12:29 | |
But I'm thinking, Jonathan, | 0:12:29 | 0:12:30 | |
if you were to sit down with your cup of tea, you see, and a piece of cake. | 0:12:30 | 0:12:34 | |
-Yeah. -You know. -Are you going to bring me some cake? | 0:12:34 | 0:12:37 | |
No, I've not got any but that would be perfect. | 0:12:37 | 0:12:39 | |
Well, it's not a lot of money, it's £28. It fits in with your style. | 0:12:39 | 0:12:42 | |
You know, would you buy that for £28 if you walked in here, for home? | 0:12:42 | 0:12:46 | |
-I would. -I would, yes. -OK, then, do you know what? | 0:12:46 | 0:12:48 | |
If you look at it one way you're limiting your loss | 0:12:48 | 0:12:51 | |
because you won't lose very much on it at all but it's decorative. | 0:12:51 | 0:12:54 | |
We like it because it's decorative. | 0:12:54 | 0:12:56 | |
And that's almost driven me because I like it so much | 0:12:56 | 0:12:59 | |
but I think there is a possibility | 0:12:59 | 0:13:01 | |
it might not make very much money at all, | 0:13:01 | 0:13:03 | |
unless we're lucky and someone has got the same taste as we have. | 0:13:03 | 0:13:07 | |
You might be over analysing this, Julia. | 0:13:07 | 0:13:09 | |
But, quite honestly, if you don't buy it I'm walking out. | 0:13:09 | 0:13:12 | |
-We're buying it, Jonathan, we are buying it now. -We're buying it! | 0:13:12 | 0:13:16 | |
Now, that is an exasperated JP laying his cards out on the table. | 0:13:16 | 0:13:20 | |
Will it be their first buy? I certainly hope so. | 0:13:20 | 0:13:23 | |
Hey, Charles, look, a horn, and we are in Horncastle! | 0:13:23 | 0:13:26 | |
-SHE HONKS THE HORN -Oh, you're so funny! | 0:13:26 | 0:13:28 | |
You're so funny! Come on. | 0:13:28 | 0:13:30 | |
Yes, someone had to do the horn gag - | 0:13:30 | 0:13:32 | |
I didn't expect it to be Sally though. | 0:13:32 | 0:13:34 | |
It's got to be 25. | 0:13:34 | 0:13:36 | |
-Really? That's just 10%. -I know, I'm a right meanie, aren't I? | 0:13:36 | 0:13:40 | |
Can't you do just, please, please, 22. | 0:13:40 | 0:13:42 | |
-No. -Right, we both like it so I think we'll go for that. | 0:13:42 | 0:13:46 | |
Oh, that's brilliant. Thanks very much. | 0:13:46 | 0:13:48 | |
I'll pop its downstairs for you. | 0:13:48 | 0:13:50 | |
Well done Blue team, a decision made at last | 0:13:50 | 0:13:53 | |
but there are only 15 minutes left | 0:13:53 | 0:13:56 | |
and you've both still got two items to find. | 0:13:56 | 0:13:59 | |
Oh, I really like the colour! | 0:13:59 | 0:14:00 | |
What you look for, first of all, | 0:14:00 | 0:14:02 | |
is the all-important are they painted or are they printed? | 0:14:02 | 0:14:06 | |
How can we tell its hand-painted? | 0:14:06 | 0:14:08 | |
Well, you can tell quite quickly from the canvas | 0:14:08 | 0:14:10 | |
whether it's a print made up of tiny dots to create a fairly good scene | 0:14:10 | 0:14:16 | |
or whether, in fact, by closer looking on the angle of the plate, | 0:14:16 | 0:14:20 | |
and indeed looking at individual brushstrokes, | 0:14:20 | 0:14:23 | |
you can see that it is hand-painted. | 0:14:23 | 0:14:25 | |
-They are gorgeous plates. -I do like them. | 0:14:25 | 0:14:27 | |
Inspired by the Sevre factory in or around 1875, 1890. | 0:14:27 | 0:14:32 | |
I'm almost nervous because almost too good to be true. | 0:14:32 | 0:14:35 | |
You know? In their heyday they would have been worth £120 a plate. | 0:14:35 | 0:14:40 | |
-Really?! -That's 240. | 0:14:40 | 0:14:42 | |
In my opinion, I think they are undervalued here, at £45 for a pair. | 0:14:42 | 0:14:47 | |
So, they are quite good. So, if I give the dealer shout now? | 0:14:47 | 0:14:50 | |
Well, give him a quick shout because time's ticking. | 0:14:50 | 0:14:53 | |
Hello, there. | 0:14:53 | 0:14:54 | |
-We are admiring a very fine pair of plates. -Right. | 0:14:54 | 0:14:57 | |
-What's the best price for them? -Best price would be £40. -Look at me. -£40. | 0:14:57 | 0:15:02 | |
-Oh. -Whether I was looking at you and not looking at you, still £40. | 0:15:02 | 0:15:05 | |
-£40? -£40. Here's a good man, OK, because it's all about margins | 0:15:05 | 0:15:09 | |
and I think they're really inexpensive at 45. They are nice. | 0:15:09 | 0:15:13 | |
-We're like taking small risks. -Yes! | 0:15:13 | 0:15:16 | |
I love them and sometimes you buy with a passion | 0:15:16 | 0:15:19 | |
-so what I will do now is shake the man's hand. -Excellent. -Brilliant. | 0:15:19 | 0:15:22 | |
-Sold! -Hurray! -£40! -Yay! -Two down, two down. | 0:15:22 | 0:15:27 | |
Decisively done, Charles. So manly! | 0:15:27 | 0:15:29 | |
And the Red team are back on course with only one more item to find. | 0:15:29 | 0:15:32 | |
But you'd better find it quickly! | 0:15:32 | 0:15:34 | |
These used to do rather well, you know. It's got some age. | 0:15:34 | 0:15:38 | |
-At the end of the day, you've got to get something before we leave. -OK. | 0:15:38 | 0:15:41 | |
-And that means fast! -What about this, Jonathan? | 0:15:41 | 0:15:44 | |
-This, sort of, is it majolica? -Yeah. | 0:15:44 | 0:15:48 | |
English pottery at the end of the 19th century. | 0:15:48 | 0:15:50 | |
-Very, very typical Victorian pottery. -Yeah. | 0:15:50 | 0:15:53 | |
So it would be, probably, made in the 1870s, this. | 0:15:53 | 0:15:56 | |
-But just a novelty shape. -Put milk in it or cream in it. | 0:15:56 | 0:16:00 | |
I would say, you know, you would sell it. | 0:16:00 | 0:16:02 | |
You know, you would sell it | 0:16:02 | 0:16:03 | |
and you would probably make a small profit out of it. | 0:16:03 | 0:16:05 | |
I would be fairly sure of it. | 0:16:05 | 0:16:07 | |
We haven't... We have less than ten minutes to buy two items. | 0:16:07 | 0:16:10 | |
-How much is that? -£9. | 0:16:10 | 0:16:12 | |
-If it only made a tenner you've made a pound profit! -Yes. -You know? | 0:16:12 | 0:16:16 | |
-50p each, way-hey! -OK. | 0:16:16 | 0:16:17 | |
I would say that needs to be bought, OK? | 0:16:17 | 0:16:21 | |
And then we need to find one other object. | 0:16:21 | 0:16:23 | |
I think we should go to the church, which could be our salvation, | 0:16:23 | 0:16:26 | |
and get that final object, and it might be something, | 0:16:26 | 0:16:28 | |
we find something higher brow, that really satisfies your... | 0:16:28 | 0:16:31 | |
But we only have a very short, very, very, very short time. | 0:16:31 | 0:16:33 | |
So, come on, let's go. | 0:16:33 | 0:16:35 | |
Well done, Blues, you're hardly breaking the bank though. | 0:16:35 | 0:16:38 | |
But your £9 jug is item number two. | 0:16:38 | 0:16:40 | |
Let's try and spend a little more on the last item, eh? | 0:16:40 | 0:16:43 | |
-I think what we ought to do is go to the next shop and run. -Good plan. | 0:16:45 | 0:16:49 | |
Because if we're slow we'll be going going...gone! | 0:16:49 | 0:16:52 | |
-OK? -Oh! -So, come on! -Let's go! | 0:16:52 | 0:16:55 | |
That man just can't resist a gavel. | 0:16:55 | 0:16:57 | |
Are we intending to spend the entire amount? | 0:17:07 | 0:17:11 | |
We're intending to give it a good go, Charles! | 0:17:11 | 0:17:13 | |
Right, because, I kid you not, here, this is the place. | 0:17:13 | 0:17:16 | |
Seven minutes. | 0:17:24 | 0:17:26 | |
Exactly, Jonathan, that means seven minutes to find, agree and buy. | 0:17:26 | 0:17:31 | |
Come along, teams! What are you trying to do to me? | 0:17:31 | 0:17:34 | |
Ladies...come over here. | 0:17:36 | 0:17:38 | |
-There's some really nice bits in this cabinet, here. -Ooh! | 0:17:40 | 0:17:42 | |
You know, you've... | 0:17:42 | 0:17:43 | |
-Look at that wonderful fine silver nutmeg grater, there, at 595. -HELEN GASPS | 0:17:43 | 0:17:47 | |
What I have seen, is not the chick, it's not the swan, | 0:17:47 | 0:17:50 | |
-it's the pair of shoes. -Oh! -Do you like them? | 0:17:50 | 0:17:52 | |
-Yes. -We like shoes. -Really? Do you like shoes? | 0:17:52 | 0:17:54 | |
-Yes, we do. -And we're from Northamptonshire... | 0:17:54 | 0:17:57 | |
-Exactly! -..home of shoemaking. -Exactly! Let's get them out. | 0:17:57 | 0:18:00 | |
-Yes, have a look. -May we view the shoes, please, in the cabinet? | 0:18:00 | 0:18:03 | |
Thank you. | 0:18:03 | 0:18:05 | |
-There you go. -Wow. They are beautiful. | 0:18:05 | 0:18:06 | |
Tell me, in Northamptonshire, would you wear silver shoes? | 0:18:06 | 0:18:09 | |
I'd wear silver shoes anywhere, Charles! THEY LAUGH | 0:18:09 | 0:18:12 | |
What you've got here, they're actually pin cushions. | 0:18:12 | 0:18:14 | |
-Very much capturing the age of the rococo. -They're light, aren't they? | 0:18:14 | 0:18:17 | |
They are quite light but they are sweet pin cushions | 0:18:17 | 0:18:21 | |
that a seamstress may have had in her work box, | 0:18:21 | 0:18:24 | |
back in the late Victorian, Edwardian times. | 0:18:24 | 0:18:27 | |
-Out of interest, the price, at 145 each? -Mm-hm. -Love your earrings! | 0:18:27 | 0:18:30 | |
THEY LAUGH | 0:18:30 | 0:18:32 | |
What's so funny? I like your jumper as well. | 0:18:32 | 0:18:34 | |
-We like charm, don't we? -We love charm! | 0:18:34 | 0:18:36 | |
"Charm" is Charles's middle name! | 0:18:36 | 0:18:38 | |
Get out of here! | 0:18:38 | 0:18:39 | |
What's your absolute best price on them, please, madam? | 0:18:39 | 0:18:42 | |
If we bought them as a pair? | 0:18:42 | 0:18:43 | |
I could go to 210. | 0:18:43 | 0:18:45 | |
-210? -210. | 0:18:45 | 0:18:47 | |
-That's good, isn't it? -For the pair? -Mm-hm. -We could do that. | 0:18:47 | 0:18:49 | |
-I think we should do it. -Yes. | 0:18:49 | 0:18:51 | |
Charles, tell us, what do you think? | 0:18:51 | 0:18:53 | |
-What I think? What do I think? Would you take £200? -OK. -Let's go for it! | 0:18:53 | 0:18:58 | |
-We'll go for it! -OK, going, going...gone! | 0:18:58 | 0:19:00 | |
-Thank you very much, that's great, sold! -Thank you. -Thank you. | 0:19:00 | 0:19:03 | |
That's really great. | 0:19:03 | 0:19:05 | |
Well done, Reds, a great spend in the end | 0:19:05 | 0:19:08 | |
but you know how to fray a few nerves getting there, don't you? | 0:19:08 | 0:19:11 | |
And you Blues aren't helping much either! | 0:19:11 | 0:19:13 | |
Come on, five minutes. You've really got to find something. | 0:19:13 | 0:19:15 | |
Little tea service. | 0:19:15 | 0:19:16 | |
Perfect, you wanted something for the tea trolley, ladies, | 0:19:16 | 0:19:19 | |
and you've hardly spent big so far. | 0:19:19 | 0:19:21 | |
-£220. -Oh, that's a lot of money. | 0:19:21 | 0:19:22 | |
Yeah, but it's Shelley. | 0:19:22 | 0:19:24 | |
-You've got one...two... -Are they still making money, Jonathan? | 0:19:24 | 0:19:26 | |
You got a ten piece service. | 0:19:26 | 0:19:28 | |
Is it still making money? It's on the rise. | 0:19:28 | 0:19:31 | |
You're going to have to make a decision very soon. | 0:19:31 | 0:19:33 | |
We haven't got much time, you see. Have a look in there, there's... | 0:19:33 | 0:19:36 | |
See, that's a tea service. | 0:19:36 | 0:19:37 | |
It's Cauldon, which is, kind of, well known. | 0:19:37 | 0:19:40 | |
Excuse me? | 0:19:40 | 0:19:41 | |
-Little tea service in the basket? -That's 5.50, is it, the tea service? | 0:19:44 | 0:19:47 | |
Is that per cup and saucer, or something? | 0:19:47 | 0:19:49 | |
-Per cup, saucer and a plate. -£5.50 per cup, saucer and plate. | 0:19:49 | 0:19:52 | |
So, there's six of them. Six fives are...30. | 0:19:52 | 0:19:56 | |
-Plus the 50 is 33, take ten percent off, that's 30 quid. -30 quid. | 0:19:56 | 0:20:01 | |
£30 or 200? | 0:20:01 | 0:20:02 | |
£30? Again, that's hardly blowing your loot, is it, Blues? | 0:20:02 | 0:20:06 | |
What would you say, Jonathan? | 0:20:06 | 0:20:07 | |
I'd say there's two minutes left | 0:20:07 | 0:20:09 | |
and my heart's going to stop in a minute. | 0:20:09 | 0:20:11 | |
-Put things down, let's concentrate! -You just tell them, JP. | 0:20:11 | 0:20:14 | |
Shall we go for the Shelley, which is £200 | 0:20:14 | 0:20:16 | |
or shall we go for this one, which is £30? | 0:20:16 | 0:20:18 | |
We've got two tea services. | 0:20:18 | 0:20:20 | |
That's a pretty pattern and it's not all expensive, | 0:20:20 | 0:20:23 | |
but it's not necessarily... But Shelley's more collectable | 0:20:23 | 0:20:25 | |
and we'll make more money at auction? | 0:20:25 | 0:20:27 | |
There's a bigger market for it, that's the bigger price. | 0:20:27 | 0:20:29 | |
A tea party isn't six cups and saucers. Ten is a tea party. | 0:20:29 | 0:20:32 | |
Is that a complete... Is that a complete set? | 0:20:32 | 0:20:34 | |
-Yes. -It's complete for ten, yeah. -I think we should go for the Shelley. | 0:20:34 | 0:20:38 | |
I don't like either | 0:20:38 | 0:20:39 | |
but I'd sooner lose on a smaller amount than a larger one. | 0:20:39 | 0:20:41 | |
A tea service like that probably would have made more... | 0:20:41 | 0:20:44 | |
-30 seconds left, you Blues. -30 seconds. -Quickly! | 0:20:44 | 0:20:47 | |
-This one? -That one. | 0:20:47 | 0:20:48 | |
Right, OK, we're going to go for this. That's great. | 0:20:48 | 0:20:51 | |
-Are you sure? -Yes. | 0:20:51 | 0:20:52 | |
OK, assuming it all in top condition, your decision is this? | 0:20:52 | 0:20:55 | |
-Fine. -Yes. -Go shake the man's hand. | 0:20:55 | 0:20:57 | |
I think JP will need something a good deal stronger than tea | 0:20:57 | 0:21:00 | |
after all that lot! That's it, time to stop the shop! | 0:21:00 | 0:21:05 | |
Let's have a quick look at what the Red team bought, eh? | 0:21:05 | 0:21:08 | |
The Reds kicked off their shop | 0:21:08 | 0:21:10 | |
with the George III oak and elm country chair | 0:21:10 | 0:21:12 | |
for a comfy £8. | 0:21:12 | 0:21:15 | |
Then they plumped for two 19th century | 0:21:15 | 0:21:18 | |
Staffordshire porcelain plates for £40 for the pair. | 0:21:18 | 0:21:21 | |
Finally, they spent big on these silver pin cushions, paying £200. | 0:21:21 | 0:21:27 | |
-I don't know how we did it, really. -You were a brick, Charles! -Thank you. -THEY LAUGH | 0:21:29 | 0:21:33 | |
How do you sell a brick? That's what I rather thought you said. | 0:21:33 | 0:21:37 | |
-Now, girls, how much did you spend? -£248. | 0:21:37 | 0:21:40 | |
That is so lovely to hear, isn't it? | 0:21:40 | 0:21:42 | |
I mean, a mature and proper amount of money - 248. Lovely. | 0:21:42 | 0:21:46 | |
So, £52 of leftover lolly, please. | 0:21:46 | 0:21:49 | |
Thank you. Hells bells, good. | 0:21:49 | 0:21:52 | |
-OK. -Thanks very much. -What are you going to do with your £52, Charles? | 0:21:52 | 0:21:56 | |
I think, Tim, something with energy, drive, vigour, and enthusiasm. | 0:21:56 | 0:22:01 | |
LAUGHTER | 0:22:01 | 0:22:02 | |
OK, I'll try and decode that lot. It'll take me about 20 minutes! | 0:22:02 | 0:22:06 | |
Anyway, good luck, Charles. Good luck, girls. | 0:22:06 | 0:22:08 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:22:08 | 0:22:11 | |
The Blues finally got their shop under way | 0:22:11 | 0:22:13 | |
with this occasional table for £25. | 0:22:13 | 0:22:16 | |
They then chose this majolica pineapple jug. | 0:22:16 | 0:22:20 | |
£9 paid. | 0:22:20 | 0:22:22 | |
Finally they played it safe with this six piece tea service | 0:22:22 | 0:22:26 | |
handing over £30. | 0:22:26 | 0:22:28 | |
I think what you need is tablets, you lot. | 0:22:29 | 0:22:32 | |
-That was unbelievable. You left it so late. -We did. | 0:22:32 | 0:22:36 | |
Nothing jumped out at us though, Tim, that was the problem. | 0:22:36 | 0:22:38 | |
-Nothing said, "Come and buy me." I love it. -OK, fine! | 0:22:38 | 0:22:44 | |
-And how much did you spend all round? -£64. | 0:22:44 | 0:22:47 | |
So I have £236 of leftover lolly. | 0:22:47 | 0:22:50 | |
£236, I mean I can't believe you only spent that paltry amount. | 0:22:50 | 0:22:53 | |
-I know, it's shameful. -What's the matter with you, Debs? There you go. | 0:22:53 | 0:22:57 | |
There's a pile of cash. Now what are you going to do with that, JP? | 0:22:57 | 0:23:00 | |
-Save us! -Yes, I'm going to put it away and save it! | 0:23:00 | 0:23:02 | |
I pretty much know what they like, but sadly it's not in Horncastle | 0:23:02 | 0:23:06 | |
so I might go to the next town. No, plenty of things, but I feel brave, | 0:23:06 | 0:23:09 | |
I think I might spend big this time. | 0:23:09 | 0:23:10 | |
And you've got lots to spend, Jonathan. Good luck, girls. | 0:23:10 | 0:23:13 | |
Meanwhile, we're heading off to BMAG. Do you know what that is? | 0:23:13 | 0:23:16 | |
It's the Birmingham Museum and Art Gallery and it's absolutely fab. | 0:23:16 | 0:23:20 | |
In the 18th century, | 0:23:23 | 0:23:24 | |
Birmingham was leading the way in science and technology. | 0:23:24 | 0:23:28 | |
During this time, Birmingham would register three times | 0:23:28 | 0:23:31 | |
as many patents as any other British town or city. | 0:23:31 | 0:23:35 | |
These new innovations ensured the city laid strong foundations | 0:23:35 | 0:23:40 | |
for a modern industrial society. | 0:23:40 | 0:23:43 | |
In the 19th century, Birmingham had become a city of a thousand trades, | 0:23:43 | 0:23:49 | |
including brass, silver, jewellery, guns, toys, metalwork. | 0:23:49 | 0:23:55 | |
You name it, they made it. | 0:23:55 | 0:23:57 | |
And I've come to the Birmingham Museum and Art Gallery | 0:23:57 | 0:24:01 | |
to see just how this affected creativity. | 0:24:01 | 0:24:05 | |
One Birmingham manufacturer did an enormous amount to promote | 0:24:15 | 0:24:20 | |
the production of metalwork products in Birmingham, | 0:24:20 | 0:24:23 | |
and that was Elkington & Co. | 0:24:23 | 0:24:26 | |
George and Henry Elkington, in 1840, | 0:24:26 | 0:24:29 | |
patented an electroplating process, | 0:24:29 | 0:24:33 | |
which enabled them to plate incredibly complicated metal surfaces. | 0:24:33 | 0:24:39 | |
And if you look at this tazza, each piece of this started out life | 0:24:39 | 0:24:44 | |
as a rather boring piece of cast metal. | 0:24:44 | 0:24:46 | |
But because of the electroplating process, | 0:24:46 | 0:24:50 | |
Elkingtons were able to attach to that boring metal | 0:24:50 | 0:24:54 | |
a brilliant surface to make it look rich and expensive. | 0:24:54 | 0:24:58 | |
In this instance, parcel gilding, | 0:24:58 | 0:25:01 | |
ie. a mixture of silver and gold go to complete that process. | 0:25:01 | 0:25:07 | |
The other invention which Elkington came up with, which was brilliant, | 0:25:07 | 0:25:11 | |
was the electrotype, of which this dish is an example, | 0:25:11 | 0:25:15 | |
where you take a dye with a very complicated decorated surface, | 0:25:15 | 0:25:20 | |
sometimes taken from an original wrought-by-hand dish. | 0:25:20 | 0:25:25 | |
You put that into a vat of acid with, in this instance, | 0:25:25 | 0:25:30 | |
silver in suspension. | 0:25:30 | 0:25:31 | |
Pass a current through the dye and the silver will be attracted | 0:25:31 | 0:25:34 | |
to the dye and the tiny particles of silver, | 0:25:34 | 0:25:37 | |
having attached themselves, | 0:25:37 | 0:25:39 | |
would ultimately reveal an electroformed dish that looks like this. | 0:25:39 | 0:25:44 | |
Do you recognise this object? | 0:25:44 | 0:25:46 | |
Well, it's a copy of the dish that's presented every year | 0:25:46 | 0:25:50 | |
to the Wimbledon ladies singles finalist. Fantastic, isn't it? | 0:25:50 | 0:25:55 | |
Ultimately there was a reaction against all this mass production, | 0:25:55 | 0:26:01 | |
and some designers, including Charles Robert Ashbee, | 0:26:01 | 0:26:05 | |
set up their own guilds - centres where craftspeople | 0:26:05 | 0:26:11 | |
were encouraged to use only handcrafted methods | 0:26:11 | 0:26:15 | |
in the production of objects. | 0:26:15 | 0:26:17 | |
And this wee dish is one of his dishes. | 0:26:17 | 0:26:20 | |
It's hallmarked in London in 1901, and is of supremely elegant form. | 0:26:20 | 0:26:27 | |
There are two out-swept handles, | 0:26:27 | 0:26:30 | |
and if you look carefully at the plain finish, | 0:26:30 | 0:26:32 | |
actually it's made up of thousands of little dents. | 0:26:32 | 0:26:36 | |
This is called planishing | 0:26:36 | 0:26:38 | |
and if you raise a piece of silver from a solid piece, | 0:26:38 | 0:26:42 | |
it requires a lot of hammering out, | 0:26:42 | 0:26:46 | |
which shows that it's been raised entirely by hand. | 0:26:46 | 0:26:50 | |
For us now though, the big question for our teams over at the auction | 0:26:50 | 0:26:53 | |
is what sort of profit are they going to be about to craft? | 0:26:53 | 0:26:56 | |
Well, it's lovely to be back in Stamford at Batemans auctioneers | 0:27:05 | 0:27:09 | |
with our auctioneer of the day, David Palmer. Hello, David. | 0:27:09 | 0:27:13 | |
-Good morning. -Now let's run through the Red team's lots. | 0:27:13 | 0:27:16 | |
First up is this very ordinary country made chair. | 0:27:16 | 0:27:19 | |
It's not unpleasant. | 0:27:19 | 0:27:21 | |
I like the little wiggly slats at the back but it's been nailed up | 0:27:21 | 0:27:24 | |
and messed about with. Sometimes they go well, sometimes they don't. | 0:27:24 | 0:27:27 | |
-What's your estimate? -We've estimated it at 30-50. -Have you? | 0:27:27 | 0:27:30 | |
Well your challenge is to get more than £8 for it | 0:27:30 | 0:27:33 | |
-because that's all our team paid. -I'll do my best. | 0:27:33 | 0:27:35 | |
Anyway, the next item are the pink-bordered porcelain plates. | 0:27:35 | 0:27:39 | |
They're nice studies of cattle just standing around. | 0:27:39 | 0:27:43 | |
If they were paintings they would make good money. | 0:27:43 | 0:27:45 | |
Well, in a way it is a painting, isn't it, | 0:27:45 | 0:27:47 | |
because they're enamelled rather than transfer printed. | 0:27:47 | 0:27:49 | |
-OK, how much? -40-60. -Brilliant man. | 0:27:49 | 0:27:52 | |
£40 is what our team paid so they stand a small chance there. | 0:27:52 | 0:27:57 | |
Talking of small chances, how do you rate our rather small pincushions? | 0:27:57 | 0:28:01 | |
Well, we quite like those. | 0:28:01 | 0:28:03 | |
It's an area that ladies like to collect - pins, hat pins, that sort of thing. | 0:28:03 | 0:28:07 | |
Plenty of marks on them, imported marks, made on the continent. | 0:28:07 | 0:28:10 | |
-What's your estimate? -£120-£180. | 0:28:10 | 0:28:13 | |
-£200 a pair, they paid. -Too much. | 0:28:13 | 0:28:15 | |
-We need boots for that money. -Wellington boots. -Big ones. -Yeah. | 0:28:15 | 0:28:20 | |
Anyway, on the basis that the miniature pincushions don't do so terribly well, | 0:28:20 | 0:28:26 | |
they're going to need their bonus buy so let's have a look at it. | 0:28:26 | 0:28:29 | |
-Helen and Sally, how are you, darlings? -Really well, thank you. | 0:28:29 | 0:28:32 | |
-I bet you're wondering what Charles spent your £52 on, aren't you? -Yes. | 0:28:32 | 0:28:36 | |
-Well, we all are, frankly. Charles, show us your worst. -Wow! -Cheers. | 0:28:36 | 0:28:40 | |
-I like it. -Do you like it? -Really, I love it. | 0:28:40 | 0:28:43 | |
What we've got here is a wine glass. | 0:28:43 | 0:28:45 | |
It's continental, it's soda glass. | 0:28:45 | 0:28:47 | |
It's probably circa 1770, 1790 | 0:28:47 | 0:28:50 | |
and it would have toasted the French Revolution maybe. | 0:28:50 | 0:28:52 | |
-It really is hands-on history. -It's got a tiny chip! | 0:28:52 | 0:28:55 | |
-It's part of its pedigree, in my opinion. -Its charm. -Absolutely. | 0:28:58 | 0:29:02 | |
And how much? It cost me 50 and I think it ought to make between £60 and £90. | 0:29:02 | 0:29:07 | |
-Wow. -On a good day, it could even hit three figures. | 0:29:07 | 0:29:09 | |
-Woo! -There we are. -Sally, do you like it, darling? -I like it very much. | 0:29:09 | 0:29:14 | |
-It's just elegant, that's what I like about it. -Yes, like Charles. | 0:29:14 | 0:29:17 | |
Don't say that, don't say that. | 0:29:17 | 0:29:19 | |
You've had your predictions as to how much profit he thinks it might make. | 0:29:19 | 0:29:22 | |
You don't pick it now, you pick it later if you want to, | 0:29:22 | 0:29:25 | |
but for the audience at home, let's find out what the auctioneer | 0:29:25 | 0:29:28 | |
thinks about Charles's old glass. | 0:29:28 | 0:29:30 | |
Well, David, there you go for a nice little cordial. | 0:29:31 | 0:29:33 | |
I like these sort of things. | 0:29:33 | 0:29:35 | |
This one has a few defects, I'm afraid, | 0:29:35 | 0:29:37 | |
but that was in the blowing of it. | 0:29:37 | 0:29:38 | |
Sort of 1760, 1770s. | 0:29:38 | 0:29:41 | |
-Think of the history that's seen. -Yes. So how much? -60-80, I feel. | 0:29:41 | 0:29:46 | |
Well Carlos Hanson will be so pleased about that because he only paid £50. | 0:29:46 | 0:29:50 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:29:50 | 0:29:53 | |
First up is the little tripod table. How rough do they get, these? | 0:29:53 | 0:29:57 | |
Well, this is as rough as you can get. | 0:29:57 | 0:29:58 | |
I mean, a painted top that's been painted by, shall we say, an amateur. | 0:29:58 | 0:30:03 | |
And then an amateur owner has found a pot of black paint | 0:30:03 | 0:30:06 | |
-and painted the rest of the table. -Hmm. | 0:30:06 | 0:30:08 | |
I suppose an improvement at the time, to make it | 0:30:08 | 0:30:10 | |
into an aesthetic piece of furniture when it was clearly out of fashion? | 0:30:10 | 0:30:14 | |
-It's returned to being out of fashion. -Yes, how much? | 0:30:14 | 0:30:17 | |
-We still have hopes for it, 30-50. -£25 they paid. -Oh, well. | 0:30:17 | 0:30:22 | |
I tell you, Bateman's is the place to come to get a good estimate. | 0:30:22 | 0:30:25 | |
OK, moving on in that happy vein, what about the pineapple jug, | 0:30:25 | 0:30:30 | |
which is trying to be majolica, isn't it? | 0:30:30 | 0:30:32 | |
It's trying and failing, I believe. | 0:30:32 | 0:30:34 | |
Who do you believe might have made it? | 0:30:34 | 0:30:37 | |
-Anyone in the Far East. -Oh, Chinese type reproduction. -Quite possibly. | 0:30:37 | 0:30:41 | |
Well, what's your estimate on that? | 0:30:41 | 0:30:43 | |
-We still feel we might get £20-£30 for it. -Well, that's marvellous. | 0:30:43 | 0:30:47 | |
-It is a pineapple. -Well, we only paid £9. -Oh, that's good. -Good. | 0:30:47 | 0:30:52 | |
Well, moving on, we're going to the Cauldon porcelain tea set. | 0:30:52 | 0:30:56 | |
It's awful, isn't it? | 0:30:56 | 0:30:58 | |
If you got a granny you don't like, this is what you buy her. | 0:30:58 | 0:31:00 | |
-Look at that horrible brown. -The brown isn't brilliant. | 0:31:00 | 0:31:03 | |
-It's worth something, isn't it? -It is. -What's your estimate? | 0:31:03 | 0:31:06 | |
We're estimating £20-£40. | 0:31:06 | 0:31:08 | |
Well, we're very pleased with that, our team only paid £30, | 0:31:08 | 0:31:10 | |
so we're right in the middle of your estimate. | 0:31:10 | 0:31:13 | |
Like I say, come to Bateman's for decent estimates. | 0:31:13 | 0:31:16 | |
At these estimates, our team won't need their bonus buy, | 0:31:16 | 0:31:18 | |
but let's go have a look at it anyway. | 0:31:18 | 0:31:20 | |
OK, Jules, Debs, this is your moment. | 0:31:21 | 0:31:24 | |
-You only spent a miserable £64, I can't believe it. -Dreadful. | 0:31:24 | 0:31:28 | |
£236 goes to JP. JP, what did you do? | 0:31:28 | 0:31:32 | |
Well, we've spent a lot of time agonising over exactly what | 0:31:32 | 0:31:35 | |
you wanted for your tea trolley, | 0:31:35 | 0:31:36 | |
-and your final decision was made on a tea service. -Yes. | 0:31:36 | 0:31:42 | |
-And you left aside the other one. -The other one. | 0:31:42 | 0:31:46 | |
-That's the one we were going to buy. No. -Oh, good Lord. | 0:31:46 | 0:31:50 | |
Basically you bought a tea service I think it was for six people, | 0:31:50 | 0:31:53 | |
and I don't think that's a big enough tea party, | 0:31:53 | 0:31:55 | |
so what we've got here is that lovely Shelley service. | 0:31:55 | 0:31:59 | |
-And how many pieces, that's for 12 people? -It's complete for 12 people. | 0:31:59 | 0:32:02 | |
-OK, can I..? -Yes, have a sip, go on, dive in. | 0:32:02 | 0:32:06 | |
-Have the pinky out, you got to have the pinky out. There we go. -Lovely. | 0:32:06 | 0:32:12 | |
Nice. So, what sort of price did you pay for this lovely tea set? | 0:32:12 | 0:32:16 | |
-I paid £200 for it. -It's a lot of money. | 0:32:16 | 0:32:19 | |
For somebody who bought all three items for £64, | 0:32:19 | 0:32:23 | |
-it is a lot of money, isn't it? -Yes. | 0:32:23 | 0:32:26 | |
I don't know. I'm not sure and it's a lot of money. So I'm not sure. | 0:32:26 | 0:32:30 | |
For the audience at home, let's find out what the auctioneer | 0:32:30 | 0:32:32 | |
thinks about JP's tea set. | 0:32:32 | 0:32:34 | |
Well, David, here's a challenge for you, your old favourite, | 0:32:35 | 0:32:39 | |
another tea set, this time by Messieurs Shelley. | 0:32:39 | 0:32:43 | |
Well, it's the right name, isn't it? | 0:32:43 | 0:32:45 | |
And very sort of '30s, but not going to set the world on fire, I'm afraid. | 0:32:45 | 0:32:49 | |
OK, how much will they go to, do you think, to buy it? | 0:32:49 | 0:32:52 | |
We're hoping they will go to £70-£100 to buy it. | 0:32:52 | 0:32:56 | |
-Jonathan's paid £200 for it. -Has he? Crikey. | 0:32:56 | 0:32:58 | |
-Are you feeling in good voice? -I am, yes, thank you. | 0:32:58 | 0:33:01 | |
Well, all I can say is, standby. | 0:33:01 | 0:33:04 | |
700 I've got. 720 for either of you. | 0:33:05 | 0:33:08 | |
-Kids, how we feeling? All right? -Yes, OK, very excited. | 0:33:10 | 0:33:13 | |
-Now, are you confident, that's what I want to know? -Absolutely...not. | 0:33:13 | 0:33:18 | |
-I am! -Are you? -Yeah, definitely. | 0:33:18 | 0:33:20 | |
First up, you've got that cheap chair, | 0:33:20 | 0:33:22 | |
-paid £8 for that. He's put 30-50 on that. -Brilliant. | 0:33:22 | 0:33:26 | |
I mean, how he put that? I'm amazed he put such a big estimate on that. | 0:33:26 | 0:33:30 | |
-Yes, but it's sweet. -Here it comes. -Is it coming up? | 0:33:30 | 0:33:33 | |
Lot 60 is the George III oak and elm country chair | 0:33:33 | 0:33:36 | |
with the wiggly pierced spikes.. | 0:33:36 | 0:33:37 | |
Let's start straight in at £30. 30 quid for the chair? | 0:33:37 | 0:33:41 | |
It's proper antique, it's really old. 30 quid? | 0:33:41 | 0:33:43 | |
20? Ten? Ten. 12. 15. 18. | 0:33:43 | 0:33:48 | |
20. 22. | 0:33:48 | 0:33:49 | |
-He's good. -At 22, have a go, sir. At 22. At £22. Sold then, at 22. | 0:33:49 | 0:33:56 | |
Nobody else? You're done and finished at 22 in the doorway. | 0:33:56 | 0:34:00 | |
-Yes! -Well, that's great, that's plus £14, girls. | 0:34:00 | 0:34:04 | |
-That's a very nice start. -Good start. -Here come the plates. | 0:34:04 | 0:34:07 | |
Painted on the Tyrrell, and cattle on the lull. £40, the pair of plates. | 0:34:07 | 0:34:11 | |
-That's only 20 quid a plate. 40 quid, the pair. £20. -Hand-painted? | 0:34:11 | 0:34:17 | |
-A tenner? -Oh, a crazy situation. £10. | 0:34:17 | 0:34:20 | |
A fiver a plate, what's wrong with cows? | 0:34:20 | 0:34:22 | |
Put them in the dishwasher, you'll get rid of the pictures! | 0:34:22 | 0:34:26 | |
£10, the pair of plates. | 0:34:26 | 0:34:28 | |
-A fiver for a pair of plates. -Oh, no. -Are you guys in the right place? | 0:34:28 | 0:34:34 | |
Five. Six. The net at six. Go seven. Oh, go on, please. Six, I sell here. | 0:34:34 | 0:34:41 | |
The bid is at six on the net, at £6. Seven. | 0:34:41 | 0:34:45 | |
Eight. With the net at eight. I have a bid on the net at eight. | 0:34:45 | 0:34:48 | |
At £8. Here at nine. Internet at nine. Keep going then. | 0:34:48 | 0:34:52 | |
At £9 now, I sell on the net at nine. Is that it? | 0:34:52 | 0:34:56 | |
-Oh, there we go. -Tim, they were nice plates, weren't they? -Minus... | 0:34:56 | 0:35:00 | |
-They were. -31 on that, I can't believe that. -That's how it goes. | 0:35:00 | 0:35:04 | |
-Now the shoes. -The shoes. | 0:35:04 | 0:35:06 | |
-This is vital. -These are really rather nice. | 0:35:06 | 0:35:09 | |
Let's start at £100, straight in. 100 I'm bid. I'll take ten. 110. 120. | 0:35:09 | 0:35:16 | |
130. Down here at £130 now. | 0:35:16 | 0:35:19 | |
Here then, at 130. 140. 150. 160. | 0:35:19 | 0:35:25 | |
At £160. Anyone else? At £160. Net, where are you now? | 0:35:25 | 0:35:30 | |
At £160, and it goes then at 160. | 0:35:30 | 0:35:33 | |
-Ooh! -That let you down, anyway, -40 on there, which is -57. | 0:35:33 | 0:35:37 | |
-I'm sorry team. -No, it was good. -Listen, Charles, | 0:35:37 | 0:35:39 | |
don't crack yourself up about it, they were nice shoes, | 0:35:39 | 0:35:42 | |
and today was not the day for them. | 0:35:42 | 0:35:43 | |
What are we going to do about Charles' glass? | 0:35:43 | 0:35:46 | |
I think, we go through it. Yeah, we go for it. | 0:35:46 | 0:35:49 | |
-It's a great glass, isn't it? -It's lovely. -Let's have a look at it. | 0:35:49 | 0:35:52 | |
A George III wineglass. | 0:35:52 | 0:35:54 | |
-Circa 1820. -A bit earlier, maybe! -What did I say? Oh, I meant 1780! | 0:35:54 | 0:35:59 | |
-Yay! -It's older than it looks! It's really rather nice. | 0:35:59 | 0:36:04 | |
Interest in this, we go straight in at 65, 75, 80. With me at £80 now. | 0:36:04 | 0:36:09 | |
And five if you like. Goes at 85, 90. Five. At 95, make it the hundred. | 0:36:09 | 0:36:13 | |
100. At £100 now. | 0:36:13 | 0:36:15 | |
In front, at £100 now. Is that it, at £100? It's a proper old thing. | 0:36:15 | 0:36:20 | |
-We want another couple of bids. -We do, too. One for the road. -At £100. | 0:36:20 | 0:36:24 | |
-No-one else? -Online is out. -Well done. -Thank you guys. -Yes. | 0:36:24 | 0:36:29 | |
-Get in, get in. -£100 is plus 50. Well, well done Charles. -Thank you, Tim. | 0:36:29 | 0:36:33 | |
That's a smashing job, isn't it? | 0:36:33 | 0:36:35 | |
£50 profit on the bonus buy, Charles, | 0:36:35 | 0:36:37 | |
you cannot ask for more than that. | 0:36:37 | 0:36:39 | |
That clawed you back, and overall, you're only minus £7. | 0:36:39 | 0:36:43 | |
-Ahh, well done. -That's really good. | 0:36:43 | 0:36:45 | |
After the calamity of the plates, that's really good. | 0:36:45 | 0:36:47 | |
-That's good, isn't it? -Yeah, that's excellent. | 0:36:47 | 0:36:49 | |
And, you know, minus £7 could be a winner. | 0:36:49 | 0:36:52 | |
Could be a winning score. | 0:36:52 | 0:36:53 | |
130, 140, 150. | 0:36:54 | 0:36:57 | |
-So, Jules, Debs, do you know how the Reds got on? -Not got a clue, Tim. | 0:37:03 | 0:37:07 | |
Good, that's the way we like it. | 0:37:07 | 0:37:09 | |
You've got that black Victorian table, | 0:37:09 | 0:37:11 | |
-which I've been very rude about. -It's beautiful. Stunning. | 0:37:11 | 0:37:14 | |
£25, you've paid. | 0:37:14 | 0:37:15 | |
I thought he was going to say £5-£10. He's put £30-50 on. | 0:37:15 | 0:37:20 | |
I am not surprised, it's lovely. | 0:37:20 | 0:37:21 | |
Good, that's your taste, and I laud it, because if you're right, | 0:37:21 | 0:37:25 | |
and you make a profit on it, and you've done terribly well. | 0:37:25 | 0:37:28 | |
The Victorian ebonised tripod occasional table. | 0:37:28 | 0:37:30 | |
The top painted with roses, interesting old carved base. | 0:37:30 | 0:37:33 | |
-Soon to come in fashion again. 30 quid for it. -Oh, really. -£30. | 0:37:33 | 0:37:37 | |
£10. It's a nice piece. A fiver. Five. Six. Seven. Eight. | 0:37:37 | 0:37:44 | |
Eight, come on. At eight, it against you. Nine. | 0:37:44 | 0:37:48 | |
At nine, with the internet at ten. | 0:37:48 | 0:37:50 | |
I sell then at £10. You look as if you want to, you do. Go 12. 12. | 0:37:52 | 0:37:57 | |
Back now in the room at £12. | 0:37:57 | 0:37:58 | |
I sell here in the room, second row, all done at 12. | 0:37:58 | 0:38:02 | |
Bad luck, Jules, it's made all the children cry! Minus £13. | 0:38:04 | 0:38:08 | |
-I just don't know what to say. -Move on. -Shocked. | 0:38:08 | 0:38:13 | |
-Here's the majolica jug. -Oh, that's beautiful. -Yeah. -£20 for it. | 0:38:13 | 0:38:16 | |
Nice jug there. Tenner for the jug. Fiver for the jug. Five. Six. | 0:38:16 | 0:38:22 | |
Seven. At seven now. Back in the room at seven. Eight. Net at eight. Nine. | 0:38:22 | 0:38:26 | |
-In the room at nine. Net, come on. -Wiped its face! | 0:38:26 | 0:38:30 | |
-Nice with the cocktail cabinet, nice with milk in. -You're in profit. | 0:38:30 | 0:38:35 | |
-Well done, Jonathan. -Ten here. At ten. Try 12. | 0:38:35 | 0:38:39 | |
At ten, on the net at £10. I sell to the net at £10. | 0:38:39 | 0:38:43 | |
-Look, £10. -12. | 0:38:43 | 0:38:46 | |
-At £12. -Come on, internet. -He is good. -He's a good auctioneer. | 0:38:46 | 0:38:50 | |
-At 12, here in the room at £12. You've finished at 12. -Yes! | 0:38:50 | 0:38:56 | |
Good for you. Plus £3. | 0:38:56 | 0:38:58 | |
You're still minus ten, but you're clawing it back. | 0:38:58 | 0:39:00 | |
Now, the Cauldon tea set. | 0:39:00 | 0:39:02 | |
With the band of spring flowers, not unattractive. 18 pieces in this. | 0:39:02 | 0:39:07 | |
-£5, the tea service. Five. Seven with the net. -Amazing really. | 0:39:07 | 0:39:12 | |
-It's beautiful. -Net at nine. Internet at. Ten. Internet at ten. | 0:39:12 | 0:39:16 | |
-12. At 12. I sell then on the net at £12. Nobody else in the room? -Uh-oh. | 0:39:16 | 0:39:22 | |
-Look out. -At 12. You're all out in front of me at 12. Finished at 12. | 0:39:22 | 0:39:28 | |
-Minus £18. -Oh, no. -Whoa, you all heard that! | 0:39:28 | 0:39:31 | |
We had minus ten before, that's minus 28 overall. | 0:39:34 | 0:39:37 | |
I think they'll need their bonus buy! | 0:39:37 | 0:39:40 | |
-I don't think we will! -You don't know what it is yet! | 0:39:40 | 0:39:42 | |
Now, come on, girls, what are we doing about this bonus buy? | 0:39:42 | 0:39:45 | |
Overall, you're minus £28, right. It has not gone your way today. | 0:39:45 | 0:39:48 | |
Are you going to invest in the £200 tea set? You know you love it. | 0:39:48 | 0:39:52 | |
-We just daren't do it. -We didn't like it at the time! | 0:39:52 | 0:39:55 | |
-It's not got enough colour. -I'm not keen. -OK, that's the decision. | 0:39:55 | 0:39:59 | |
Your score today girls is minus £28, right. | 0:39:59 | 0:40:02 | |
-That could be a winning score. -It could be. | 0:40:02 | 0:40:04 | |
Don't talk to the Reds, but we're going to sell the bonus buy anyway. | 0:40:04 | 0:40:08 | |
You've rejected it, Jonathan paid £200. | 0:40:08 | 0:40:10 | |
Now at this situation we find ourselves in, | 0:40:10 | 0:40:13 | |
-I can tell you that the auctioneer's estimate is 70-100. -Yes, OK. | 0:40:13 | 0:40:17 | |
-That's where he comes from. -Oh, God! | 0:40:17 | 0:40:19 | |
In fact, we're going to see it sold, and here it comes. | 0:40:19 | 0:40:22 | |
A Shelley porcelain tea service, | 0:40:22 | 0:40:24 | |
decorated with trees and roadside flowers. | 0:40:24 | 0:40:26 | |
Very nice, the whole lot there. Start where you will. | 0:40:26 | 0:40:29 | |
Let's say, what, 50 quid. 50 I'm bit. 50. Five. 60. 65. 70. 75. 80. 85. 90. | 0:40:30 | 0:40:37 | |
95. 100. 110. 120. 130. 140. | 0:40:37 | 0:40:41 | |
150. 160. 170. 180. | 0:40:41 | 0:40:45 | |
-You clever old fruit, Jonathan. -180 on my right. At 180. 190. 200. | 0:40:45 | 0:40:50 | |
-Yes, get in there! Thank you. -I sell in the room at 200. 210. | 0:40:50 | 0:40:55 | |
-Yes, it's in profit. -220. At 220, back in the room at 220. | 0:40:55 | 0:40:59 | |
-No, where are you? At 230. -This is a battle of wills. | 0:40:59 | 0:41:02 | |
Room at 240. Still in the room at 240. At £240. Net, 250. | 0:41:02 | 0:41:09 | |
-260, room. -Hey, JP! -We could be in the money, Deb! It's too late now. | 0:41:09 | 0:41:13 | |
-At 270. £280 now. -Oh, that is... | 0:41:13 | 0:41:16 | |
-Sorry, girls. -Well done, Jonathan. | 0:41:16 | 0:41:20 | |
At 280. It's in the room at 280. 290. At 290. | 0:41:20 | 0:41:25 | |
290, I sell then. On the net at £290. Your last chance. You sure? | 0:41:25 | 0:41:30 | |
-At £290. -I'm stunned. I really am. -Yes. JP, put it there, boy. | 0:41:30 | 0:41:37 | |
Well done. He deserves a kiss, that's what he wants. | 0:41:37 | 0:41:41 | |
-Give him a kiss. -Sorry. I know. I know, another one, there we go. | 0:41:41 | 0:41:45 | |
That is really cool, isn't it? | 0:41:45 | 0:41:48 | |
This is what they call a kind of rich justice, which is what is | 0:41:48 | 0:41:52 | |
so great about the auction. | 0:41:52 | 0:41:54 | |
Everybody has been sniffy about that tea set, | 0:41:54 | 0:41:56 | |
they said it's all too much money, and it's just made £290. | 0:41:56 | 0:42:00 | |
-Happy? -Yes. -Well done, JP. | 0:42:00 | 0:42:02 | |
-Well done. -Perfect. -Let's say £100 to start. | 0:42:02 | 0:42:05 | |
-Well, well, well, teams. Have we been chatting at all? -No. | 0:42:12 | 0:42:15 | |
-No, not at all. -Well, I have to say that hindsight is a fine thing. | 0:42:15 | 0:42:20 | |
However, without the blessings of hindsight, | 0:42:20 | 0:42:24 | |
today's runners-up are... | 0:42:24 | 0:42:26 | |
the Blues. | 0:42:26 | 0:42:28 | |
Very, very sadly the Blues are minus £28. | 0:42:30 | 0:42:35 | |
But with hindsight, if they'd backed their man, | 0:42:35 | 0:42:38 | |
they would have £62 of profit in their back pockets. | 0:42:38 | 0:42:42 | |
Back the expert, Jonathan, so sorry. | 0:42:42 | 0:42:44 | |
We've loved having you on the show, I hope you've enjoyed it. | 0:42:44 | 0:42:47 | |
We thoroughly enjoyed it. Thank you so much. | 0:42:47 | 0:42:50 | |
But the winners today are going home | 0:42:50 | 0:42:52 | |
because they manage to lose only £7. | 0:42:52 | 0:42:55 | |
They, however, went with their expert he made a £50 profit, | 0:42:55 | 0:42:59 | |
-and that saved your bacon, didn't it? -It did. Yes. | 0:42:59 | 0:43:01 | |
Because without Charles's bonus buy, you'd have been sunk. | 0:43:01 | 0:43:04 | |
-Yes. -Did you have a good time, Hels? -Absolutely. -Was it good, Sal? | 0:43:04 | 0:43:07 | |
-Fantastic. -Yeah, we've loved having you on the show. | 0:43:07 | 0:43:10 | |
-In fact, during us soon for some more bargain hunting. Yes? -ALL: Yes! | 0:43:10 | 0:43:14 | |
I know you're sitting there thinking, | 0:43:14 | 0:43:16 | |
"I could have done better than that." Well, what's stopping you? | 0:43:16 | 0:43:21 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:21 | 0:43:25 | |
It will be splendid to see you. | 0:43:25 | 0:43:27 | |
Subtitles by Red Bee Media Ltd | 0:43:34 | 0:43:37 |