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Today, we're surrounded by beautiful countryside in Mid Wales, just outside the town of Builth Wells. | 0:00:04 | 0:00:10 | |
But our teams won't be able to take in the views. | 0:00:10 | 0:00:13 | |
Oh, no, they've got work to do, so let's go bargain hunting. Yeah! | 0:00:13 | 0:00:19 | |
The International Antiques Fair at the Royal Welsh Showground | 0:00:48 | 0:00:52 | |
only happens twice a year | 0:00:52 | 0:00:54 | |
and it attracts over 10,000 buyers, | 0:00:54 | 0:00:57 | |
so our teams had better look sharpish and remain in focus | 0:00:57 | 0:01:01 | |
if they're going to stand any chance at all. | 0:01:01 | 0:01:04 | |
It's a proper generation game today. | 0:01:04 | 0:01:07 | |
Grandmother and granddaughter don't seem to see eye to eye. | 0:01:07 | 0:01:11 | |
-Do you like it? -No. -No. Do you like it, Margaret? -Yes. -Right. | 0:01:11 | 0:01:15 | |
And a father and son give our David cause for concern. | 0:01:15 | 0:01:19 | |
He worries me. He worries me. It's that look he has. It worries me. | 0:01:19 | 0:01:23 | |
-Today, it's a family affair. We've got a granddaughter and grandmother and a father and son. Hello. -Hello. | 0:01:28 | 0:01:35 | |
-Hiya. -Now, Rhianne, it says here you're incredibly close to your grandma. Is that true? | 0:01:35 | 0:01:40 | |
-Yeah, we live together and everything. -Really? -Yeah. | 0:01:40 | 0:01:43 | |
-You don't make too much noise to upset your gran? -No, she makes all the noise. | 0:01:43 | 0:01:48 | |
-She plays her record player too loud and you tell her to shut it up? -Yeah, something like that. | 0:01:48 | 0:01:55 | |
-What are your hobbies? -I play netball a bit. I also make some jewellery to sell at craft fairs. | 0:01:55 | 0:02:01 | |
Margaret, you're a bit of an animal lover. Tell us about that. | 0:02:01 | 0:02:06 | |
-Well, I've got about 100 quails. -How many? | 0:02:06 | 0:02:10 | |
-I should have 200, but at the moment, I've only got 100. -100 quail?! | 0:02:10 | 0:02:14 | |
We sell the eggs. We do pickled eggs and Scotch eggs. | 0:02:14 | 0:02:18 | |
They're delicious, aren't they, quails' eggs? | 0:02:18 | 0:02:21 | |
-My only claim to fame is that we used to supply the smokehouse which supplied the Palace. -Really? -Yes. | 0:02:21 | 0:02:28 | |
But now they've moved away and we've lost our connection. | 0:02:28 | 0:02:31 | |
-What, the Royal Family? -No, the smokehouse. | 0:02:31 | 0:02:34 | |
-They've gone up to Scotland. -They've gone up in smoke! | 0:02:34 | 0:02:38 | |
-Yeah. -And do either of you girls have anything to do with antiques? | 0:02:38 | 0:02:42 | |
-No. -No? You know nothing about antiques? | 0:02:42 | 0:02:45 | |
-No, nothing at all. -I think you'll do very well on this programme! | 0:02:45 | 0:02:49 | |
Great. And very good luck. Andy, do you reckon you've got the skills to beat the girls? | 0:02:49 | 0:02:54 | |
Yeah, I reckon. Got a good eye for a bargain and we'll just go for it. Yeah, a bit of luck on our side. | 0:02:54 | 0:03:00 | |
-So what do you do, Andy? -I am a landscape painter and carpenter. | 0:03:00 | 0:03:05 | |
-And do you sell your paintings? -I do, yes. -Well, there we go! | 0:03:05 | 0:03:09 | |
Anybody who can paint and make money out of it deserves every bit of praise. | 0:03:09 | 0:03:13 | |
It's really enjoyable. | 0:03:13 | 0:03:15 | |
The satisfaction when you finish the painting and you get it framed up is absolutely fantastic. | 0:03:15 | 0:03:22 | |
-Then you sell it and get some money? -That's even more satisfying. -Marvellous. | 0:03:22 | 0:03:27 | |
-Pete, what did you do before you retired? -I was in the computer industry. | 0:03:27 | 0:03:31 | |
I started in the 1960s. We were working on those ten-and-a-half-inch reels that you used to see. | 0:03:31 | 0:03:37 | |
-You remember those? -Yeah. Whizzing round in one direction, then whizz around in the other. | 0:03:37 | 0:03:42 | |
-Yes. -In all the movies. -The computer rooms were absolutely huge. | 0:03:42 | 0:03:46 | |
-Probably as big as a hall at Builth Wells. -Yes. | 0:03:46 | 0:03:50 | |
-It's incredible how the world has moved. -In your short lifetime. -Yes, it's absolutely amazing. | 0:03:50 | 0:03:55 | |
What's your strategy between you to lash these girls into submission today? | 0:03:55 | 0:04:01 | |
-An open mind. -Oh, right? -Yes. -Are you going to spend all your cash or hardly anything? | 0:04:01 | 0:04:06 | |
-Mid-range. -Mid-range? -Mid-range, yes. | 0:04:06 | 0:04:09 | |
Now the middle range money, look. £300 apiece. There's your £300. There you go, girls. | 0:04:09 | 0:04:14 | |
You know the rules, your experts await and off you go and very, very, very good luck! | 0:04:14 | 0:04:20 | |
For the damsels in the Red Team, | 0:04:20 | 0:04:22 | |
we have a knight in shining armour - Chris Gower. | 0:04:22 | 0:04:25 | |
And trying to blow all the brass for the Blue Team will be David Barby. | 0:04:25 | 0:04:30 | |
So, Margaret, what are you looking for today? | 0:04:30 | 0:04:33 | |
-I'll look for some Chinese porcelain or something like that. -Lovely. | 0:04:33 | 0:04:37 | |
-What's your policy going to be? -I don't know. | 0:04:37 | 0:04:40 | |
Something maybe a little bit off the wall that an interior designer might want. | 0:04:40 | 0:04:45 | |
-And you, Rhianne? -Maybe something silver, some jewellery. | 0:04:45 | 0:04:49 | |
-And something pink? -Yeah. -Is that your favourite colour? -Definitely. | 0:04:49 | 0:04:53 | |
-Maybe some farming equipment or some social history. -That's very good. You can tie the two together. | 0:04:53 | 0:04:59 | |
-We've got an hour, ladies, so let's go. -Quick! | 0:04:59 | 0:05:02 | |
OK, we'll follow your lead. | 0:05:02 | 0:05:05 | |
So can the teams bridge the generation gap and unite to find those bargains? | 0:05:05 | 0:05:10 | |
Walk towards the light, Blues! | 0:05:10 | 0:05:12 | |
Some social history, isn't it? | 0:05:12 | 0:05:14 | |
-Is it working? -You've got the oil lamp there, the wick in there. | 0:05:14 | 0:05:19 | |
-It seems functional. -The thing you haven't got is the plate at the back to reflect the light. | 0:05:19 | 0:05:24 | |
-OK. -So that's missing. | 0:05:24 | 0:05:26 | |
-So it's not complete. -No. | 0:05:26 | 0:05:28 | |
Ah, walk away from the light, Blues! | 0:05:28 | 0:05:30 | |
Would people have that in their home? I wouldn't have that in my home. | 0:05:30 | 0:05:35 | |
-I think Margaret might. -I would. -You see? | 0:05:35 | 0:05:38 | |
-£75. -What do you think? -I don't like it. | 0:05:38 | 0:05:41 | |
Sorry. I'm already being awkward. It's unfortunate that she's with me. | 0:05:41 | 0:05:46 | |
-There's pink in here as well. -I know. We can come back. | 0:05:46 | 0:05:50 | |
-Shall we put this on our "possible" list? -Right, yes. -Possible, yeah. | 0:05:50 | 0:05:54 | |
Chris is looking a little bit like expert piggy in the middle already! | 0:05:54 | 0:05:58 | |
Not a great start on either side, but it's still early. | 0:05:58 | 0:06:02 | |
-This is like something off a rail yard. -There's two of them. -Yes. | 0:06:02 | 0:06:06 | |
-They certainly could be cleaned up. -I think shot-blasted, yeah. | 0:06:06 | 0:06:10 | |
But I think they're more from an industrial establishment, as opposed to a farming community. | 0:06:10 | 0:06:16 | |
-But I know what you're looking for now. -Yeah. | 0:06:16 | 0:06:20 | |
I've got a "wheelie" good idea too! | 0:06:20 | 0:06:22 | |
Over with the Red Team, Chris is employing full diplomatic skills. | 0:06:22 | 0:06:26 | |
Rhianne, I think we should change strategy. You're the boss. Lead on. | 0:06:26 | 0:06:30 | |
-Are we happy with that, Margaret? Let her lead us? -All right. For a little while. | 0:06:30 | 0:06:35 | |
-Then you take over, right? -Neatly handled, Chris. | 0:06:35 | 0:06:39 | |
What's the eagle-eyed Barby spotted? | 0:06:40 | 0:06:43 | |
-"Christie's sale." An auction sale. -Quite interesting. | 0:06:43 | 0:06:47 | |
-It's not an original, is it? -No, it's only 12 quid. | 0:06:47 | 0:06:50 | |
-But isn't it fun? -It's really nice. | 0:06:50 | 0:06:52 | |
-There's a gossiping society crowd in the foreground. -There's a lot going on, isn't there? -Yes. | 0:06:52 | 0:06:58 | |
It is a bit of social history, so I'm guessing "sold to the gentleman in blue"! | 0:06:58 | 0:07:03 | |
-That could amuse someone, don't you think? -£12 is a really good deal. | 0:07:03 | 0:07:07 | |
Shall we see what we can do with it? | 0:07:07 | 0:07:10 | |
He's got his best haggling face on. | 0:07:10 | 0:07:12 | |
How much, love? You've got £12 on it. | 0:07:12 | 0:07:16 | |
-Ten. -No, less than that... | 0:07:16 | 0:07:18 | |
No, Bargain Hunt or not, £10. | 0:07:18 | 0:07:22 | |
-You must be on the eight, surely? -No. | 0:07:22 | 0:07:24 | |
-Have you been told you're a hard woman before? -Yeah. | 0:07:25 | 0:07:29 | |
LAUGHTER | 0:07:29 | 0:07:31 | |
Not even nine? | 0:07:31 | 0:07:33 | |
-Go on. -Nine. | 0:07:33 | 0:07:35 | |
-£9? -Yeah. -Is that a good shout? Do you like that? | 0:07:35 | 0:07:38 | |
-Is the frame all right? -Yes. | 0:07:38 | 0:07:41 | |
It's such an elegant situation. | 0:07:41 | 0:07:43 | |
Imagine an auction room like that - Christie's, 1850! | 0:07:43 | 0:07:46 | |
-OK, do you want it? -Yeah. -We've still got 291 quid then to spend on other things. | 0:07:46 | 0:07:52 | |
It is heading to an appropriate place, so let's hope it makes more than £9 in our saleroom. | 0:07:52 | 0:07:58 | |
I think we've done very well. Within seven minutes, you've got your first object | 0:07:58 | 0:08:03 | |
and completely out of kilter with what I thought you would buy. | 0:08:03 | 0:08:07 | |
-It was, unfortunately, but who knows? -There's something else to find. That's the excitement of this show. | 0:08:07 | 0:08:13 | |
-Yes, the unknown. -The unknown element. | 0:08:13 | 0:08:16 | |
There are a couple of known elements, one being you're a quarter of an hour into your shopping time. | 0:08:16 | 0:08:23 | |
-Another is that lots of girls like pink. -Is that cranberry glass? -Well spotted. Absolutely beautiful. | 0:08:23 | 0:08:29 | |
And it seems perfect. It's called an epergne and it's a Victorian centre-piece. | 0:08:29 | 0:08:34 | |
It's £360. | 0:08:34 | 0:08:36 | |
If you buy that, girls, you'll be in the red, not the pink. | 0:08:36 | 0:08:40 | |
-Oh, dear. -What's it used for? -We've got one at home. | 0:08:40 | 0:08:43 | |
-Always in the centre of a table. -Right. | 0:08:43 | 0:08:46 | |
Sometimes fruit around the bottom and flowers in the vases. | 0:08:46 | 0:08:50 | |
-Over our budget. -Yes, definitely. | 0:08:50 | 0:08:52 | |
-Unless he'll come right down, which he won't because it's very collectable. Shall we move on? -Yes. | 0:08:52 | 0:08:58 | |
-Is that cranberry glass over there? -It is cranberry glass. Shall we have a look at that? | 0:08:58 | 0:09:03 | |
Right, Margaret, let's try and get Rhianne interested in this. | 0:09:03 | 0:09:07 | |
-Do you like it? -No. | 0:09:07 | 0:09:09 | |
-Do you like it, Margaret? -Yes. | 0:09:09 | 0:09:11 | |
There's a pattern emerging in the Red camp and I thought Rhianne was in charge for a bit. | 0:09:11 | 0:09:17 | |
Come on, Reds, build a bridge. The Blues have found something that might help. | 0:09:17 | 0:09:21 | |
-Building blocks. -Oh, my word! -Columns. -The columns are absolutely stunning. | 0:09:21 | 0:09:27 | |
And do they go all the way down? | 0:09:27 | 0:09:29 | |
Yes, all the way through the box. | 0:09:29 | 0:09:32 | |
It's probably the standard blocks underneath. | 0:09:32 | 0:09:35 | |
I love these moulded cornices here. | 0:09:35 | 0:09:38 | |
-Who would be interested in this, David? -Oh, quite a lot of people are interested in toys. | 0:09:38 | 0:09:44 | |
Good interest in toys. You normally get them in terracotta blocks. | 0:09:44 | 0:09:48 | |
-Yes. -But you don't get them often in wood sections like this. | 0:09:48 | 0:09:52 | |
-What about this bit of damage? -It's a shame, but you've still got the rest of the label. | 0:09:52 | 0:09:58 | |
It's French architecture. It's made in Germany. We're looking at round about the 1870, 1880 period. | 0:09:58 | 0:10:04 | |
A bit more social history, Blues? | 0:10:04 | 0:10:06 | |
Just chat about it. I'll see if I can find the dealer. | 0:10:06 | 0:10:09 | |
-This would be a good idea. -I really like that. | 0:10:09 | 0:10:12 | |
-Whether we'd get it now... -It looks like it's been up in a loft for ages | 0:10:12 | 0:10:16 | |
because it's got all this dust on it. | 0:10:16 | 0:10:19 | |
If we could get that for about 55, 60... | 0:10:19 | 0:10:22 | |
-Tell us the good news. -I had a word with the dealer and he says £60. | 0:10:22 | 0:10:26 | |
-That's what we've just been saying. -£60? I should go for it. | 0:10:26 | 0:10:30 | |
-Yeah, definitely. It's perfect. -Yeah. | 0:10:30 | 0:10:33 | |
-You like it? -Yeah, yeah. -Oh! -Totally. | 0:10:33 | 0:10:36 | |
Well done, boys. Two down. | 0:10:36 | 0:10:39 | |
-That's amazing. -We're panic-buying! -We've got a bit of time on our hands, but we still can't let up. | 0:10:39 | 0:10:45 | |
-We've still got to be looking very seriously for other items. -Yeah. This is ridiculous. | 0:10:45 | 0:10:50 | |
-We're not sexist on this show, but the boys are definitely looking at boys' stuff. -I like that file. | 0:10:50 | 0:10:57 | |
-And the girls? -Here's a simpler version of the epergne. | 0:10:57 | 0:11:01 | |
It's in great nick. | 0:11:01 | 0:11:03 | |
Just a single vase and it's £80. It's about the same period. | 0:11:03 | 0:11:07 | |
-Late Victorian. -How much do you think it's worth? | 0:11:07 | 0:11:10 | |
There's no great profit at auction, I'd say. | 0:11:10 | 0:11:15 | |
-OK, no point in buying it then. -If we made £20, would you be interested? -No. -No? | 0:11:15 | 0:11:20 | |
The dilemma, the dilemma! Again, shall I put it back and...? | 0:11:20 | 0:11:24 | |
-Yeah, we'll just carry on. We can run the last bit, can't we? -Well, we'll see. | 0:11:24 | 0:11:30 | |
-OK. -Sorry. | 0:11:30 | 0:11:32 | |
-MARGARET LAUGHS -Oh, you'll hate me! | 0:11:32 | 0:11:35 | |
We're 25 minutes in. It's about time you got your first item, Reds. | 0:11:35 | 0:11:39 | |
They can't agree. One is quite forceful, the other goes along with it. | 0:11:39 | 0:11:44 | |
Once the other one does like something, no, we don't like that and off we go. | 0:11:44 | 0:11:49 | |
It's different tangents all day so far. | 0:11:49 | 0:11:52 | |
-I'm definitely going to be the boss on the next one. -Huh! Well, we'll see. | 0:11:52 | 0:11:57 | |
-If you don't buy something soon, Reds, you'll be dicing with danger. -What about this one? | 0:11:57 | 0:12:03 | |
Oh, lovely. Treen. | 0:12:03 | 0:12:05 | |
Carved wood. This is quite an early piece. | 0:12:05 | 0:12:09 | |
An ordinary ball, slightly carved, then you open it up. | 0:12:09 | 0:12:14 | |
There it is. Dice. | 0:12:14 | 0:12:16 | |
Interesting, isn't it? | 0:12:16 | 0:12:19 | |
-It is interesting, yeah. -Treen, it's very much a collector's piece, absolutely lovely. | 0:12:19 | 0:12:24 | |
I would say that's about 1810, 1820. | 0:12:24 | 0:12:26 | |
-Yes, George II, George III. -George II, George III. | 0:12:26 | 0:12:30 | |
There you go. Not for us because I imagine this is quite expensive? | 0:12:30 | 0:12:35 | |
-How much? -£150. -£150. -How much do you think it's worth? | 0:12:35 | 0:12:38 | |
It's worth between £150 and £200. | 0:12:39 | 0:12:42 | |
-Tempted? -Yeah, I am, actually. It's something different. | 0:12:42 | 0:12:46 | |
It's top of the price range, but... | 0:12:46 | 0:12:48 | |
Any... A little bit lower for nice ladies? | 0:12:48 | 0:12:52 | |
-135. That's the very lowest... -135. | 0:12:52 | 0:12:55 | |
-I really like it. It's different. -What is there to discuss? Sold. -Thank you. -Thank you very much. | 0:12:55 | 0:13:01 | |
'Success! One down, Reds. But don't let those dice give you any ideas. We'll have no gambling on this show. | 0:13:01 | 0:13:07 | |
'Oh, all right then, just a bit of gambolling perhaps. | 0:13:07 | 0:13:11 | |
'So both teams are still hunting and only 20 minutes to go. | 0:13:12 | 0:13:17 | |
'I don't know. This game is hardly a walk in the park, is it?' | 0:13:17 | 0:13:21 | |
The really nice thing about having a decent walking stick is that it encourages you to go for a walk. | 0:13:21 | 0:13:27 | |
It shouldn't be like this, but if you love these things, | 0:13:27 | 0:13:31 | |
my gosh, they are an inspiration! | 0:13:31 | 0:13:34 | |
And what's lovely about this thing | 0:13:34 | 0:13:37 | |
is that fitted snugly to the top of it is an agate knop. | 0:13:37 | 0:13:42 | |
And the agate knop is in the form of an egg. | 0:13:42 | 0:13:47 | |
If we just have a quick squint at this, | 0:13:47 | 0:13:50 | |
you can see the strata of the stone which is in hues of brown, | 0:13:50 | 0:13:54 | |
then you get these delicious patterns. Look at that! | 0:13:54 | 0:13:59 | |
That's a treat to the eye | 0:13:59 | 0:14:02 | |
and as a knop that fits in your hand, it's well nigh perfect. | 0:14:02 | 0:14:07 | |
The ferrule underneath is hallmarked by a known stick maker - | 0:14:07 | 0:14:12 | |
London 1889. | 0:14:12 | 0:14:14 | |
Go down to the other end of the stick and you see it's got a quality terminal. | 0:14:14 | 0:14:20 | |
That's with a piece of iron on the bottom that goes up to a brass fitting, | 0:14:20 | 0:14:25 | |
so that when it's used for walking down the street, | 0:14:25 | 0:14:29 | |
the pavement doesn't rub away the bottom of the stick quickly, | 0:14:29 | 0:14:33 | |
which it would do if it was brass all the way down. | 0:14:33 | 0:14:37 | |
It's a thoroughly well-thought-out object. | 0:14:37 | 0:14:39 | |
What's it worth? | 0:14:39 | 0:14:41 | |
Well, you could buy such a beautiful stick here at Builth Wells for £65. | 0:14:41 | 0:14:48 | |
And that is not a lot of money | 0:14:49 | 0:14:51 | |
because to form the egg knop, have the original silver ferrule, etcetera, | 0:14:51 | 0:14:57 | |
makes this thing, in my view, into a walking stick | 0:14:57 | 0:15:01 | |
that ought to be worth, to a specialist, | 0:15:01 | 0:15:04 | |
something in the tune of £200 to £250. | 0:15:04 | 0:15:09 | |
So there's money to be made out of a wee stick like that. | 0:15:09 | 0:15:14 | |
In fact, "a-gate" quite excited about these things! | 0:15:14 | 0:15:18 | |
'Oh, dear! The teams are alternating between excitement and exasperation as they hunt for their next items. | 0:15:18 | 0:15:24 | |
'Time has ticked on. Only 15 minutes left.' | 0:15:25 | 0:15:29 | |
-Right... -Steel frame. -Just hold it up. | 0:15:29 | 0:15:32 | |
It's heavy, isn't it? For heaven's sake! Can you manage? | 0:15:32 | 0:15:36 | |
-I've got a bit of it as well. -Where's that from, do you reckon? | 0:15:36 | 0:15:39 | |
-I think it's from some important... -Council building? -Probably a town hall, a council building. | 0:15:39 | 0:15:45 | |
It's very heavy lead. If you look at the cast-iron frame, it's got to be from the early 20th century. | 0:15:45 | 0:15:52 | |
-Do you like it? -Would it go at an auction? Who would buy that? | 0:15:52 | 0:15:56 | |
-A person renovating an old property in Malvern. -Right, I see. | 0:15:56 | 0:16:00 | |
OK, something to think about. | 0:16:00 | 0:16:02 | |
Your thinking window is closing, David. Only ten minutes and counting! | 0:16:02 | 0:16:07 | |
-On the theme of carving... -Yeah. -..I've just seen this Ashanti stool. | 0:16:07 | 0:16:13 | |
It's Ghanaian and every region would have had its tribal leader. | 0:16:13 | 0:16:17 | |
And when he was, so to speak, sitting in throne...in state, | 0:16:17 | 0:16:23 | |
this is what he would sit on. | 0:16:23 | 0:16:25 | |
And I'm just thinking, with the new taste for African art, | 0:16:25 | 0:16:29 | |
ethnic art, African carving, | 0:16:29 | 0:16:32 | |
this will definitely appeal to interior designers. | 0:16:32 | 0:16:36 | |
Is that a bloke or a bird on the left? Hard to tell from a distance. They've both got shelves. | 0:16:36 | 0:16:41 | |
-I like it, yeah. -Yeah. -Um... | 0:16:41 | 0:16:44 | |
Can you think of it perhaps as a bit of interior design? | 0:16:44 | 0:16:49 | |
-I can see where you're coming from. -I like it. -I like it. | 0:16:49 | 0:16:52 | |
I'm also thinking "time"! | 0:16:52 | 0:16:55 | |
-I'm also thinking "cranberry glass". -You're thinking "cranberry glass". | 0:16:55 | 0:16:59 | |
-Let's get this one finished first, Mags. -It's £65. | 0:16:59 | 0:17:03 | |
If the dealer takes 55, I see a nice profit for that. | 0:17:03 | 0:17:08 | |
-Hello. -Hello. -We like the Ashanti stool here. | 0:17:08 | 0:17:11 | |
-We'd obviously like it at a better price, wouldn't we, girls? -Yeah. | 0:17:11 | 0:17:16 | |
-So what's your trade price? -I could do it for 55, yes. | 0:17:16 | 0:17:20 | |
-55... -Oh! | 0:17:20 | 0:17:23 | |
-Your money. -I know. It's quite expensive. -50? | 0:17:25 | 0:17:29 | |
-Yes, 50. -50? | 0:17:30 | 0:17:32 | |
See? Leave it to these two. 50, are we happy? | 0:17:32 | 0:17:36 | |
-Yeah, happy. -Deal done. -Very happy. | 0:17:36 | 0:17:38 | |
Agreement at last and the deal is done. Well done, Reds. | 0:17:38 | 0:17:42 | |
But you've still got one item to go and I think I know what that'll be. | 0:17:42 | 0:17:46 | |
Decision time then for the Blues. | 0:17:46 | 0:17:48 | |
So we're left with the choice of the stained glass or something else you might see in that direction, | 0:17:48 | 0:17:54 | |
but we've only got ten minutes. | 0:17:54 | 0:17:56 | |
-I think we should go for that stained glass. -I think it's got the quality. -Are we agreed? -Yeah, let's go. | 0:17:56 | 0:18:02 | |
He worries me, he worries me. It's that look he has. It worries me. | 0:18:02 | 0:18:06 | |
David is not the only one that's worried. | 0:18:06 | 0:18:09 | |
Girls, I'm really worried now. We've got less than ten minutes left. | 0:18:10 | 0:18:14 | |
-We'll get that man down to £114. -With the epergne, the pink...? -Yeah. | 0:18:14 | 0:18:18 | |
-His asking price is 360. -That doesn't matter. We'll get him down. It's fine. | 0:18:18 | 0:18:23 | |
A bit of blind optimism always comes in handy. | 0:18:23 | 0:18:27 | |
-That'll leave me nothing to... -Nan can flutter her eyelids at him. -Nan, flutter your eyelids, quick! | 0:18:27 | 0:18:33 | |
-Go on then. -Shall we do the deal? | 0:18:34 | 0:18:37 | |
Yeah. | 0:18:37 | 0:18:39 | |
Right, it's £80? | 0:18:39 | 0:18:41 | |
-It is, yeah. -And there's no move on that at all? -No. | 0:18:41 | 0:18:45 | |
I take it that's a "no"? | 0:18:45 | 0:18:47 | |
-You look so unhappy. -I'll be happier in a minute. | 0:18:47 | 0:18:51 | |
Right, £80 it is. | 0:18:53 | 0:18:55 | |
-Done. -We're happy with that. -You're happy with that? -Yes. | 0:18:55 | 0:18:58 | |
-Thank you very much. -Thank you. -My pleasure. | 0:18:58 | 0:19:01 | |
-Are we done? -We're done. | 0:19:01 | 0:19:03 | |
-Thank you. -I'm so pleased. -Thanks, David. -Thank you, Andy. You have a lot to put up with. | 0:19:03 | 0:19:09 | |
-LAUGHTER -It's been an interesting day. | 0:19:09 | 0:19:12 | |
All done, Blues. About time! Well done. Reds, you've got five minutes. | 0:19:12 | 0:19:16 | |
Now, let's see if Rhianne can pull off a miracle. | 0:19:16 | 0:19:19 | |
We've been shopping all day and we've just got a little bit of money left. | 0:19:19 | 0:19:25 | |
£114 we've got. That would leave him £1 to go round with. | 0:19:25 | 0:19:30 | |
And what do you want? | 0:19:30 | 0:19:32 | |
-That?! -Yeah. | 0:19:32 | 0:19:34 | |
-No? Oh, OK. -It's £360. -I know. | 0:19:34 | 0:19:38 | |
This is Bargain Hunt, Rhianne, not Crimewatch! | 0:19:38 | 0:19:41 | |
-Oh, OK. -I hate to say it, but I was right. Worth a try, Rhianne! | 0:19:41 | 0:19:46 | |
-Thank you very much. -You're welcome. | 0:19:46 | 0:19:49 | |
But before you go, before you go... | 0:19:49 | 0:19:51 | |
The other pink cranberry vase up there? | 0:19:53 | 0:19:56 | |
-Yeah. -Because we've now got five minutes. | 0:19:57 | 0:20:01 | |
And I like it. You like it. | 0:20:01 | 0:20:03 | |
-Rhianne, you don't. -No. -But I do. | 0:20:03 | 0:20:06 | |
Is there anything else on here that you like? | 0:20:06 | 0:20:09 | |
No. Go for what you think. You know the consequences. | 0:20:09 | 0:20:13 | |
-"You know the consequences." If we lose money, I've got to pay her out. -That's the deal, is it? -Yeah. | 0:20:13 | 0:20:19 | |
So it's a win-win then for Rhianne. | 0:20:19 | 0:20:22 | |
It's for sale at £60. It's worth every penny of it. | 0:20:22 | 0:20:26 | |
-If we're lucky at the auction, we'll get a bit more. If not, we'll get a bit less. -It's up to you. | 0:20:26 | 0:20:31 | |
-You've got five minutes. -I know. You're in charge from now on. You do it. | 0:20:31 | 0:20:36 | |
Another £5 off? 55? | 0:20:38 | 0:20:40 | |
-Yes, we're getting there. I should always leave it to you. Happy? -Yeah. -Happy? | 0:20:41 | 0:20:46 | |
-Deal done. Thank you very much. -Thank you. | 0:20:46 | 0:20:49 | |
'And we can all breathe a huge sigh of relief.' | 0:20:49 | 0:20:53 | |
Time's up. Let's check out what the Red Team bought, eh? | 0:20:53 | 0:20:56 | |
'The Reds sort of managed to agree on three items. | 0:20:56 | 0:21:00 | |
'First, they bet on this Georgian, treen dice holder for £135. | 0:21:00 | 0:21:05 | |
'Then they found a carved, Ghanaian stool - £50 paid. | 0:21:05 | 0:21:09 | |
'Finally, they went back for this cranberry vase | 0:21:11 | 0:21:14 | |
'and splashed out £55 for it.' | 0:21:14 | 0:21:17 | |
-We did find something pinky and delicious, didn't we? -Yeah, and it was horrible. | 0:21:17 | 0:21:23 | |
"Pinky and delicious." What are they like, this team? | 0:21:23 | 0:21:27 | |
"Pinky and delicious!" Rhianne, which is your favourite bit? | 0:21:27 | 0:21:30 | |
-Definitely our piece of treen that we got. -Your piece of treen is your favourite. What about you, Margaret? | 0:21:30 | 0:21:37 | |
-I liked the glass. -Is that going to bring the biggest profit? -Yes! -No. | 0:21:37 | 0:21:42 | |
-What is? -That piece of treen cos I picked it. | 0:21:42 | 0:21:45 | |
It's amazing how proprietorial you can get about things on this programme. | 0:21:45 | 0:21:51 | |
-Anyway, you spent how much, darling? -£240. -£240. I'd like £60 of leftover lolly. That's great. | 0:21:51 | 0:21:58 | |
Straight over to the maestro. What will you do with that? | 0:21:58 | 0:22:01 | |
Trying to find something they both like will be quite an achievement. It's quite a challenge. | 0:22:01 | 0:22:07 | |
-All right, good luck. -Thank you. -Good luck, girls. Now let's check out what the Blue team bought. | 0:22:07 | 0:22:13 | |
The Blues got this print showing an auction at Christie's for the maiden bid of £9. | 0:22:14 | 0:22:19 | |
Next, they snapped up this set of German architectural building blocks for £60. | 0:22:19 | 0:22:25 | |
Finally, they dug out this heavy stained-glass window and bought it for £80. | 0:22:25 | 0:22:31 | |
-So you're quite happy? -Definitely. | 0:22:31 | 0:22:34 | |
-So has this been a day of happy families? -It's been wonderful. They're so compatible. | 0:22:34 | 0:22:40 | |
-It's most unusual. -Brilliant. OK, Pete, which is your favourite? | 0:22:40 | 0:22:44 | |
-Definitely the building blocks. -The building blocks. Andy? -I like the blocks as well. | 0:22:44 | 0:22:50 | |
-But the stained-glass panel has grown on me. -Will that bring the biggest profit? | 0:22:50 | 0:22:55 | |
-I think it might do. -Do you agree, Pete? -I think the building blocks. | 0:22:55 | 0:23:00 | |
-All right. How much did you spend? -£149. -So that's £151 of leftover lolly, thank you very much. | 0:23:00 | 0:23:08 | |
-There you go. -Andy, thank you. I won't bother to check it. I'll pass it straight to the maestro. | 0:23:08 | 0:23:14 | |
Thank you. Tim, are you all right? What's with the stick? | 0:23:14 | 0:23:18 | |
It's just a decorative accessory. Do you like it? | 0:23:18 | 0:23:23 | |
-I do. That's kind, thank you. -No, not like that, thank you! | 0:23:23 | 0:23:27 | |
Honestly, what's he like?! | 0:23:27 | 0:23:30 | |
Take you £151 and do your worst! Meanwhile, we're going to give it a bit of stick somewhere else. | 0:23:30 | 0:23:37 | |
If you want to learn about the history of pottery, | 0:23:40 | 0:23:45 | |
this gem of a museum is the place to come. The Potteries Museum and Art Gallery in Stoke-on-Trent. | 0:23:45 | 0:23:52 | |
In the 18th century, the area around Stoke-on-Trent was the powerhouse of pottery production in Britain | 0:23:52 | 0:23:58 | |
and also the rest of the world. | 0:23:58 | 0:24:00 | |
That was because this part of Staffordshire had an abundance of clay, coal and water, | 0:24:00 | 0:24:06 | |
all vital ingredients for the mass production of pottery. | 0:24:06 | 0:24:11 | |
And a number of up-and-coming potters took full advantage. | 0:24:12 | 0:24:16 | |
Josiah Wedgwood was one of them. | 0:24:16 | 0:24:19 | |
In these cabinets, we've got examples of creamware. | 0:24:21 | 0:24:25 | |
This is a type of ceramic body which started being made | 0:24:25 | 0:24:29 | |
in this part of the world in the 1740s. | 0:24:29 | 0:24:33 | |
But it wasn't until Wedgwood started his own factory in 1759 | 0:24:33 | 0:24:39 | |
that he decided he was going to market creamware in a special way. | 0:24:39 | 0:24:44 | |
And he did that by making a gift to none other than George III's wife, Queen Charlotte. | 0:24:44 | 0:24:51 | |
She accepted the gift, she loved the tableware | 0:24:51 | 0:24:55 | |
and from that moment on Wedgwood marketed it not as creamware, | 0:24:55 | 0:25:00 | |
but as Queen's ware and everybody simply had to have | 0:25:00 | 0:25:05 | |
a piece of the Queen's ceramic. | 0:25:05 | 0:25:08 | |
That started Wedgwood off on his journey. | 0:25:08 | 0:25:13 | |
On this table we've got examples of Wedgwood's Queen's ware. | 0:25:13 | 0:25:18 | |
One of the most important ceremonies of the 18th century | 0:25:18 | 0:25:22 | |
was, of course, the tea making ceremony. | 0:25:22 | 0:25:25 | |
This one is decorated with a transfer print in black | 0:25:25 | 0:25:29 | |
and what I like about it is the way that this spout has been moulded with a cabbage leaf. | 0:25:29 | 0:25:35 | |
It just gives it that extra special quality. | 0:25:35 | 0:25:39 | |
Within ten short years of opening his first factory, | 0:25:39 | 0:25:44 | |
Josiah Wedgwood in 1769 opened this, | 0:25:44 | 0:25:49 | |
a purpose-built works which he called Etruria. | 0:25:49 | 0:25:54 | |
It's no mistake that at the top of the hill overlooking the works | 0:25:54 | 0:26:00 | |
he built his own private residence, Etruria Hall. | 0:26:00 | 0:26:03 | |
It's no mistake that there's a canal passing through his property | 0:26:03 | 0:26:08 | |
because he lobbied and worked incredibly hard | 0:26:08 | 0:26:12 | |
to get that canal placed exactly there. | 0:26:12 | 0:26:17 | |
All of that took foresight and a sort of political savvy which Wedgwood had in spades. | 0:26:17 | 0:26:24 | |
And guess what the first production out of the brand-new factory was in 1769. | 0:26:24 | 0:26:31 | |
A group of six pots like this. | 0:26:31 | 0:26:33 | |
Wedgwood himself threw six of these babies | 0:26:33 | 0:26:39 | |
in black basalt, four of which survived the firing and decorating process. | 0:26:39 | 0:26:45 | |
One of my favourite pieces is this little scent flask. | 0:26:46 | 0:26:51 | |
Here we've got the typical Wedgwood blue jasper ground | 0:26:51 | 0:26:55 | |
that's been overlaid with white jasper, | 0:26:55 | 0:26:59 | |
but each of these jasper mounts is incredibly crisp | 0:26:59 | 0:27:03 | |
and it's applied in a way that's fired on the surface permanently. | 0:27:03 | 0:27:07 | |
But yet, this is a manufactured process that you can repeat again and again and again. | 0:27:07 | 0:27:14 | |
If we undo the silver top of this scent flask, | 0:27:14 | 0:27:18 | |
revealing a glass stopper, take that out and have a smell... | 0:27:18 | 0:27:23 | |
Oh, yes. The big question today for our teams at the auction is | 0:27:23 | 0:27:28 | |
will there be the sweet smell of success? | 0:27:28 | 0:27:31 | |
-We've come with a pretty rum selection of goods today to trouble our friend, Philip Serrell. -Hi, Tim. | 0:27:40 | 0:27:47 | |
-Your saleroom is either getting busier or smaller. -Hopefully busier. -Good to see you. | 0:27:47 | 0:27:53 | |
-Now first up for the Reds is this oddball little thing. -Yeah. | 0:27:53 | 0:27:57 | |
Treen items I know are a favourite of yours. | 0:27:57 | 0:28:01 | |
-What do you make of that? -If you press that button in there, | 0:28:01 | 0:28:05 | |
this pops out and that unscrews... | 0:28:05 | 0:28:09 | |
hopefully. | 0:28:09 | 0:28:12 | |
I don't think that's for dice. I think that's for half sovereigns. | 0:28:12 | 0:28:16 | |
-Ah. -And I think it's a little secret late-Georgian device for just keeping your sovereigns in. | 0:28:16 | 0:28:23 | |
Does that make it worth anything more valuable? | 0:28:23 | 0:28:27 | |
-I think that's £30-£50. -Rhianne paid £135. | 0:28:27 | 0:28:32 | |
-Ker-ching! -That's some money. -That's having a go. -OK. Next, the native stool. -Yeah. | 0:28:32 | 0:28:38 | |
-How are you with West African carved stools? -The natives of Malvern don't have stools like that. -No. | 0:28:38 | 0:28:46 | |
-I wouldn't have a clue. I'm guessing £30-£50. -£50 paid. -That's a chance. | 0:28:46 | 0:28:51 | |
-This is a bit more traditional, except appalling quality. A piece of cranberry glass. -Don't hold back! | 0:28:51 | 0:28:57 | |
Well, I have to say, don't I? You get this stuff that's gilt, | 0:28:57 | 0:29:03 | |
you get it with a rich colour scheme, with an attractive frilly glass base, | 0:29:03 | 0:29:08 | |
making it high Victorian. This has none of those features. | 0:29:08 | 0:29:12 | |
-All that will sell it is the price. We've put £30-£50 on it. -£55 paid. | 0:29:12 | 0:29:17 | |
-Yeah. -If I'm being perfectly honest, I think £30-£50 is quite generous. | 0:29:17 | 0:29:21 | |
You could struggle around £25. OK, I see three difficulties here, | 0:29:21 | 0:29:26 | |
which adds up to a heck of a lot of trouble, so they'll need their Bonus Buy. | 0:29:26 | 0:29:32 | |
Rhianne, Margaret, you gave the man £60. Chris, what did you spend the £60 on, please? | 0:29:32 | 0:29:38 | |
Well, here we have two very delightful feminine screens | 0:29:38 | 0:29:43 | |
and I didn't pay £60. I paid £38 for these. | 0:29:43 | 0:29:47 | |
-Mm, right, OK. -You might call them fans. They're not. | 0:29:47 | 0:29:52 | |
They're face screens. | 0:29:52 | 0:29:54 | |
Georgian. Originally Georgian, but overpainted I would say | 0:29:54 | 0:29:59 | |
in the 1900s. | 0:29:59 | 0:30:01 | |
Early 1900s. | 0:30:01 | 0:30:03 | |
-I love them, Chris. They're gorgeous. -They're about 1830. | 0:30:03 | 0:30:07 | |
-The painting is later. -So people would just cover their faces? | 0:30:07 | 0:30:12 | |
-To hide the heat of the flames from the fire. -How much did you pay? -£38 - for the pair! | 0:30:12 | 0:30:18 | |
-Oh, I say! -How much do you think these will make? | 0:30:18 | 0:30:23 | |
I think £50, £55, but if we're lucky I think possibly more. | 0:30:23 | 0:30:27 | |
-Happy? -Yes, very. -I don't think they'll make that. | 0:30:27 | 0:30:31 | |
-You don't? -This is the voice of youth and confidence here. | 0:30:31 | 0:30:35 | |
-Yes! -Anyway, on that happy note... | 0:30:35 | 0:30:38 | |
For the audience at home, let's find out what the auctioneer thinks of Chris's fans. | 0:30:38 | 0:30:44 | |
-This will cool you down, Phil. -These are quite easy to put a price on. | 0:30:44 | 0:30:49 | |
It's got it on the back - three and sixpence. | 0:30:49 | 0:30:53 | |
-Basically, the screens are lateGeorgian, aren't they? -Yeah. | 0:30:53 | 0:30:58 | |
And they started out life completely plain, like that, and some joker, aged four, | 0:30:58 | 0:31:03 | |
has then put a few daubs of paint on to make these decorated screens. | 0:31:03 | 0:31:07 | |
-They've been pimped up. -Yes. What did you say? -Pimped up! | 0:31:07 | 0:31:10 | |
-I thought so. -It's a modern term. -We don't have too much of that here in Malvern. It's got hot! | 0:31:10 | 0:31:17 | |
-Now you're having a hot flush, how much? -30 quid. -He paid £38. | 0:31:17 | 0:31:22 | |
-There you go. -He might get out of trouble. At least he didn't pay £138. -Absolutely. | 0:31:22 | 0:31:28 | |
Perfect. That's it for the Reds and now for a seriously oddball mixture. | 0:31:28 | 0:31:34 | |
-How about the modern coloured print of an auction? -I think it's £5-£10. -And he paid nine. | 0:31:34 | 0:31:39 | |
-So you're spot on. -Yeah. -Now I quite fancy the next item. | 0:31:39 | 0:31:44 | |
-I like this. -Do you? -I do. | 0:31:44 | 0:31:47 | |
What I think about it is if you take all the interesting bits out, | 0:31:47 | 0:31:53 | |
-you have got a lot of sticks in here. -Yeah. | 0:31:53 | 0:31:58 | |
-Building blocks, but not decorated ones. -No. -Or embellished. -But it's a nice thing. | 0:31:58 | 0:32:03 | |
In my eyes, it's £30-£50-worth, but it wouldn't surprise me if it ticked at 80 or 100 quid. | 0:32:03 | 0:32:10 | |
Yes, quite. I think this could do the ton. | 0:32:10 | 0:32:14 | |
-David paid £60 for it, but I think it'll do more. -He's in with a good shout. -And it's on the internet. | 0:32:14 | 0:32:21 | |
Lastly, you've got the leaded light window pane. | 0:32:21 | 0:32:26 | |
-The trouble with these is you always need a hole the right size to fit it into. -You do. | 0:32:26 | 0:32:32 | |
If you haven't got that, you are snookered. £40-£80. | 0:32:32 | 0:32:36 | |
-£80 paid. So that's a bit tight. -Absolutely right there. | 0:32:36 | 0:32:40 | |
The building blocks will determine whether they need the bonus buy or not. | 0:32:40 | 0:32:45 | |
Let's have a look at it anyway. | 0:32:45 | 0:32:48 | |
So, chaps, £151 of leftover lolly went to David Barby. David, this is either your Golden Globe award | 0:32:48 | 0:32:55 | |
or it's the Bonus Buy. Which? | 0:32:55 | 0:32:58 | |
Bonus Buy, Tim. Sorry to disappoint you. I thought of interior decorators and that modern look. | 0:32:58 | 0:33:05 | |
-That's really nice. What's it made of? -Terracotta. I can't be certain on its date. Probably 20th century, | 0:33:07 | 0:33:13 | |
but it's such a piece that gives impact when you go into a room. | 0:33:13 | 0:33:17 | |
I can imagine this on a mantelpiece, off-centre maybe. | 0:33:17 | 0:33:21 | |
On a piano, a low sideboard. | 0:33:21 | 0:33:23 | |
-It has that element of drawing your attention. -Talking points. -It's the sort of thing I was thinking of. | 0:33:23 | 0:33:30 | |
-I know you were. -You've hit the nail on the head there. -This one is good, I like it. | 0:33:30 | 0:33:36 | |
-It cost me £120. -What sort of price are these things selling at? | 0:33:36 | 0:33:41 | |
Well, I've seen them in shops, in high-class antiques shops or interior decorator shops, | 0:33:41 | 0:33:46 | |
-and they're three times that amount. -It could be boom or bust! | 0:33:46 | 0:33:51 | |
On that happy note, for viewers at home, let's find what the auctioneer thinks about David's little bust. | 0:33:51 | 0:33:59 | |
-Something to titillate you. -It doesn't. I think it's 40 quid. | 0:34:00 | 0:34:04 | |
-Oh, dear. -What did he pay? -He paid £120. | 0:34:04 | 0:34:08 | |
I'm afraid, in my opinion, this is brand spankers. | 0:34:08 | 0:34:12 | |
We thought there was little age to it. If there had been, it's a three-figure lot all day long. | 0:34:12 | 0:34:19 | |
Yes. £40-£80. £120 paid by Barby. | 0:34:19 | 0:34:23 | |
I just hope that the teams don't go with it! | 0:34:23 | 0:34:26 | |
How exciting is this? | 0:34:26 | 0:34:28 | |
And 10. 110. 110. | 0:34:31 | 0:34:33 | |
At £110. | 0:34:33 | 0:34:36 | |
-Right then, you chickens. Are you up for this? -Oh, definitely. | 0:34:36 | 0:34:40 | |
-Relaxed, Mags? -Yes. Going to win a fortune. -I love that. Positive thinking. | 0:34:40 | 0:34:45 | |
Here comes the dice holder. Doesn't it look lovely? | 0:34:45 | 0:34:49 | |
Lot number 370 is this little Georgian... Well, you can use it as a dice holder, | 0:34:49 | 0:34:55 | |
but I think they're sovereign holders. Really nice. £50 to start? | 0:34:55 | 0:34:59 | |
Bid me £30 for this. 30 I've got. | 0:34:59 | 0:35:03 | |
30 bid. 5. 35. 35. | 0:35:03 | 0:35:05 | |
And 40. 40 bid. | 0:35:05 | 0:35:07 | |
In the room at 40. And 5. 45. 50. 50 bid. 55. | 0:35:07 | 0:35:11 | |
55. 60. | 0:35:11 | 0:35:14 | |
5. 70. At 70 bid. | 0:35:14 | 0:35:17 | |
-And 5. -Come on now. -At £75 and it's being sold and done, then. | 0:35:17 | 0:35:22 | |
At 75... 80? 80. | 0:35:22 | 0:35:25 | |
80 bid. £80. | 0:35:25 | 0:35:27 | |
-80? -And 5. Have another go. -Go on! | 0:35:27 | 0:35:31 | |
At 85. 90, may I? 90 bid. | 0:35:31 | 0:35:33 | |
At 90 and 5. Fill it up now, sir. | 0:35:33 | 0:35:36 | |
-100. -Yes! -A good auctioneer. | 0:35:36 | 0:35:39 | |
£100. 110. Have another go, sir. | 0:35:39 | 0:35:42 | |
-Go on! -120. 130. One more! | 0:35:42 | 0:35:45 | |
-It's a cracker! -140. -You're in profit! | 0:35:45 | 0:35:49 | |
-At 140. 150. -Get in there! | 0:35:49 | 0:35:52 | |
-At £150 and done. At 150 and done. Thank you. -Yes! | 0:35:52 | 0:35:56 | |
-That was such a result! £150. -Brilliant. | 0:35:56 | 0:36:00 | |
And we were worried about 30! | 0:36:00 | 0:36:03 | |
Now listen, here comes the African stool. | 0:36:03 | 0:36:07 | |
I'm starting at £25 bid. At 25. | 0:36:07 | 0:36:10 | |
And 30. And 5. And 40. And 5. And 50. And 5. | 0:36:10 | 0:36:14 | |
You're in profit. | 0:36:14 | 0:36:16 | |
80 and 5. 85, with me. | 0:36:18 | 0:36:20 | |
At £85. Is there any more at all? | 0:36:20 | 0:36:23 | |
-Bid's with me. At £85. And done at 85. -Look at that! | 0:36:23 | 0:36:29 | |
-85. That's plus 35. -Plus 35. -And plus 15 before. | 0:36:29 | 0:36:33 | |
So you've now got 50. Plus 50. | 0:36:33 | 0:36:36 | |
Here comes the glass. Stand by. | 0:36:36 | 0:36:38 | |
Start me at a tenner, someone. 10 bid. | 0:36:38 | 0:36:42 | |
£10. 12. 12 bid. At 12. | 0:36:42 | 0:36:45 | |
15. 15. In the room at 15. 15 in the room. | 0:36:45 | 0:36:49 | |
18. 20. £20. And 5. 25. 30 now? | 0:36:49 | 0:36:53 | |
At 25. Right out yonder. | 0:36:53 | 0:36:56 | |
-At 25. 30. 30 bid. -Go on, Phil! | 0:36:56 | 0:36:59 | |
At £30 seated. There's the bid. | 0:36:59 | 0:37:02 | |
At £30 and I sell, then, at £30. And done, thank you. | 0:37:02 | 0:37:07 | |
-£30 is minus 25. -Don't say it. -But... | 0:37:07 | 0:37:11 | |
You had 50, you just lost 25. You are plus 25. | 0:37:11 | 0:37:15 | |
-To make a profit is a miracle. -There we go! There we go! -How exciting is that? | 0:37:15 | 0:37:21 | |
-Are you going to ditch the face screens? -I think ditch them. | 0:37:21 | 0:37:25 | |
-Please, no. -What will you do? -She says no. She's the boss. | 0:37:25 | 0:37:29 | |
-You're not going to do it? -No. -Sure? -Yes. -You really want to. -But we'd better not. | 0:37:29 | 0:37:35 | |
You're not. She's the boss. We're not going with it. | 0:37:35 | 0:37:39 | |
But we're going to sell them anyway. | 0:37:39 | 0:37:41 | |
Bid me £60 for them. | 0:37:41 | 0:37:44 | |
30? | 0:37:44 | 0:37:46 | |
Bid me £20. Face screens. 20 I'm bid. At 20. | 0:37:46 | 0:37:50 | |
At 20. And 5. 25. And 30. | 0:37:50 | 0:37:53 | |
30 bid. £30. At £30 in the room. | 0:37:53 | 0:37:56 | |
At 30 bid. 35. 40. | 0:37:56 | 0:37:59 | |
-40 bid. At £40. -Well done. -45, may I? | 0:37:59 | 0:38:03 | |
At £40 and done. Thank you. | 0:38:03 | 0:38:07 | |
-It's only £2. -£40 is plus £2. -But you did lose 20. | 0:38:07 | 0:38:11 | |
No recriminations. You've got £25 in your pocket, which is lovely. | 0:38:11 | 0:38:16 | |
-The big thing now is don't say a word to the Blues. It's a secret. -Right. -Go out looking miserable. | 0:38:16 | 0:38:22 | |
Don't look as if you've made any money. | 0:38:22 | 0:38:25 | |
-Do you know how the Reds got on? -Not really. -Not really? -Not at all. | 0:38:29 | 0:38:33 | |
That's better. We don't want you to know anything at all. | 0:38:33 | 0:38:38 | |
So your first item, the print of an auction, comes up now. Estimate £5-£10. Here we go. | 0:38:38 | 0:38:45 | |
You can go to your own little auction with this. A sepia print of Christie's sale in the 1850s. | 0:38:45 | 0:38:51 | |
Start me off, £20, someone. 20. No money at all. | 0:38:51 | 0:38:55 | |
-Who's got a fiver? -Surely! | 0:38:55 | 0:38:58 | |
5 everywhere. At 5. Can I say 8? 8. | 0:38:58 | 0:39:02 | |
-10. -We're in. | 0:39:02 | 0:39:05 | |
12. 15. One more. | 0:39:05 | 0:39:08 | |
-The tension! -At £15 only. At £15. There's the bid. | 0:39:08 | 0:39:13 | |
And I sell at £15 and done, thank you. | 0:39:13 | 0:39:16 | |
-Well done, team. That's your first profit. -Good start. -Your choice. | 0:39:16 | 0:39:20 | |
This rather nice set of building bricks. There you are. | 0:39:20 | 0:39:25 | |
Start me off. Who's got £30? | 0:39:25 | 0:39:27 | |
20 to start it. At £20 only. At 20. | 0:39:29 | 0:39:33 | |
- And 5. And 30. And 5. - Coming up now. | 0:39:33 | 0:39:36 | |
40 bid. With me at 40. is there any more? | 0:39:36 | 0:39:40 | |
At 40 only. And 5. | 0:39:40 | 0:39:42 | |
50. 5. 60. 60 bid. And 5. 70. | 0:39:42 | 0:39:45 | |
70 bid. 5. 80. 5. And 90. | 0:39:45 | 0:39:49 | |
100 bid here now. At £100 only. At 100. | 0:39:49 | 0:39:53 | |
-You're out and done, then. At 100. -£100 is plus 40. | 0:39:53 | 0:39:57 | |
-Very fair. -Thank you, David. -That's £46. Well done, Dave. | 0:39:57 | 0:40:02 | |
Now if you've got a window that's broken, this might just do the job. | 0:40:02 | 0:40:06 | |
Bid me £50. Who's got £20, surely? | 0:40:06 | 0:40:10 | |
-£20. Barby's looking wounded again. -I am. -I see that hand up again. | 0:40:11 | 0:40:16 | |
Who's got £20? | 0:40:16 | 0:40:18 | |
-Start me at 10. -Oh, no. -That's absolutely ridiculous. | 0:40:18 | 0:40:24 | |
10. Look at the look on his face! | 0:40:24 | 0:40:26 | |
At £10 only. At 10. | 0:40:26 | 0:40:28 | |
12. 12 bid. At 12. There's the bid. | 0:40:28 | 0:40:31 | |
One more anywhere? At £12. 15. One more, sir? | 0:40:31 | 0:40:36 | |
At £15 and I sell, then, at 15. And done. | 0:40:36 | 0:40:40 | |
Minus 65. You had 46. | 0:40:40 | 0:40:43 | |
Minus £19. What are you going to do about the terracotta bust? | 0:40:43 | 0:40:48 | |
-You want to go with it, don't you? -We're negative anyway. Might as well take the risk. -I'll go with you. | 0:40:48 | 0:40:55 | |
-Are you going to do it? -Yes. -The decision is made. Here it comes. Here comes Barby's bust. | 0:40:55 | 0:41:02 | |
There you are. The terracotta bust. I don't know. I'm bid £20 for it. | 0:41:02 | 0:41:06 | |
At £20 only. At 20. 5. 30. | 0:41:06 | 0:41:10 | |
5. 40. 5. 50. | 0:41:10 | 0:41:13 | |
5. 60. 60 bid. | 0:41:13 | 0:41:15 | |
And 5. 70. 5. | 0:41:15 | 0:41:17 | |
-80. 5. -Look at this! -90. 5. 100. | 0:41:17 | 0:41:23 | |
110. 120 with me. At 120. | 0:41:23 | 0:41:26 | |
-At £120 only. -I don't believe this! | 0:41:26 | 0:41:30 | |
At £120 and done. Thank you. | 0:41:30 | 0:41:33 | |
-Well done, Barby! Wiped its face. -We didn't make a profit. -Overall, | 0:41:33 | 0:41:39 | |
by an extreme piece of misfortune, you are minus £19. | 0:41:39 | 0:41:44 | |
Minus 19. Could be a winning score. All will be revealed in a moment. | 0:41:44 | 0:41:48 | |
-Well, we have had a most interesting time, haven't we, girls? -Yes. | 0:41:53 | 0:41:58 | |
-And boys. -We have. -There's been a lot of rivalry. | 0:41:58 | 0:42:02 | |
And the runners-up are... the Blues. | 0:42:02 | 0:42:06 | |
Minus £19. These guys made profits, though. | 0:42:06 | 0:42:10 | |
They made profit on their print, they made profit on those German wood blocks. | 0:42:10 | 0:42:16 | |
-David, you even got a wiped face on your terracotta bust. -Unbelievably! | 0:42:16 | 0:42:20 | |
I feel you should be going home with money, but you're not. That honour sits with the Reds, | 0:42:20 | 0:42:26 | |
who are going home with £25. Look at these girls! | 0:42:26 | 0:42:30 | |
-Aren't they gentlemanly, these boys? -They really are. | 0:42:30 | 0:42:34 | |
Cheering you on. £15 on the little sovereign case. | 0:42:34 | 0:42:38 | |
That was a good profit, £35 on the African stool, | 0:42:38 | 0:42:44 | |
none of which was appreciated in the auctioneer's chat. | 0:42:44 | 0:42:49 | |
-and then to make a couple of pounds on those face screens, Chris, was a triumph. -Thank you. | 0:42:49 | 0:42:55 | |
-You've all done terribly well. Had a good time, Mags? -Lovely. -Rhianne? -It's been all right. | 0:42:55 | 0:43:01 | |
-Going to go into the business now? -I should be on his side. -My assistant! -How lovely. | 0:43:01 | 0:43:07 | |
-Join us soon for some more bargain hunting! Yes? -YES! | 0:43:07 | 0:43:11 | |
Subtitles by Red Bee Media Ltd | 0:43:25 | 0:43:27 |