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We've headed east, to Norfolk. To the land of the Broads. | 0:00:04 | 0:00:08 | |
And, broadly speaking, ha, we've got very little time to waste. | 0:00:09 | 0:00:14 | |
So, let's go bargain hunting, yeah. | 0:00:14 | 0:00:17 | |
With more than 400 antiques and collectables' stalls | 0:00:43 | 0:00:47 | |
here at the Norfolk showground, | 0:00:47 | 0:00:50 | |
our teams are going to have plenty of choice. | 0:00:50 | 0:00:53 | |
So, with everything to go for, | 0:00:53 | 0:00:56 | |
let's have a butchers at what's coming up. | 0:00:56 | 0:00:58 | |
Today we see the bald truth, JP-style. | 0:01:00 | 0:01:03 | |
You can hang that in your downstairs loo, you know, | 0:01:04 | 0:01:07 | |
-when you're doing your quiff. -Yes. | 0:01:07 | 0:01:11 | |
Greasing your quiff. | 0:01:11 | 0:01:13 | |
See what I mean? And the Reds try before they buy. | 0:01:13 | 0:01:16 | |
HE LAUGHS | 0:01:16 | 0:01:18 | |
But they're certainly not out of puff when they get to the auction. | 0:01:18 | 0:01:22 | |
-We're in for a profit. -BOTH: -Boom! | 0:01:22 | 0:01:25 | |
All of that, though, is later in the show. | 0:01:25 | 0:01:28 | |
First, let me remind you of the rules. Each team gets £300 | 0:01:28 | 0:01:31 | |
and an hour to shop for three items, which they sell later at auction, | 0:01:31 | 0:01:34 | |
and the team that makes the most profit wins. | 0:01:34 | 0:01:37 | |
Got it? Right. Let's go and meet the teams. | 0:01:37 | 0:01:40 | |
So it's boys versus boys today. | 0:01:41 | 0:01:43 | |
For the Reds we've got brothers AJ and Jim, | 0:01:43 | 0:01:47 | |
and for the Blues we've got best mates Barry and Clayton. | 0:01:47 | 0:01:50 | |
-Hello, everybody. -How are you? -Very well, thank you. | 0:01:50 | 0:01:53 | |
-Now, AJ, you're not only the tallest you're also the youngest. -Yes. | 0:01:53 | 0:01:58 | |
-What do you do for a living? -Work for Ipswich Town Football Club. | 0:01:58 | 0:02:01 | |
The trust go into lots of different primary schools and teach PE lessons. | 0:02:01 | 0:02:05 | |
Do you get out much? You've got sports, hobbies, stuff like that? | 0:02:05 | 0:02:09 | |
Yes, try to pretend that I can lend my hand to most sports. | 0:02:09 | 0:02:12 | |
HE SNIGGERS | 0:02:13 | 0:02:14 | |
Why's your brother laughing like that? | 0:02:14 | 0:02:17 | |
-You haven't seen him play football. -THEY LAUGH | 0:02:17 | 0:02:19 | |
I've given up playing now. I referee. | 0:02:19 | 0:02:21 | |
And, Jim, what do you do for a living? | 0:02:21 | 0:02:24 | |
I'm a club support manager at a local gym. I've not been there very long, but good fun. | 0:02:24 | 0:02:28 | |
-And collecting? Between you, do you collect anything? -You collect key rings. -I used to collect them. | 0:02:28 | 0:02:34 | |
-Got a collection of a few hundred. -How do you display them all? | 0:02:34 | 0:02:38 | |
-They're in a box in the loft. -Carefully displayed, then. -Yes. | 0:02:38 | 0:02:42 | |
-And, Jim, what do you collect? -I used to collected Coca-Cola stuff. | 0:02:42 | 0:02:46 | |
I used to have a really cool bedroom with the duvet, the curtains and everything. | 0:02:46 | 0:02:50 | |
But, again, they're in a box now. At 27, it's not the coolest look to have. | 0:02:50 | 0:02:55 | |
-THEY LAUGH -I'm single - and that may be why. | 0:02:55 | 0:02:58 | |
-I've had to ditch the Coca-Cola stuff. -There's honesty for you. -Yes. | 0:02:58 | 0:03:02 | |
Are you going to get on OK with this shopping? Not too much bickering or mucking about between brothers? | 0:03:02 | 0:03:08 | |
-As long as he remembers who's the boss, we'll be fine. -I see. -We get on. -Yes. | 0:03:08 | 0:03:12 | |
That's all right. We'll look forward to this. Good luck. | 0:03:12 | 0:03:15 | |
Now, for the Blues. Barry, how did you become chums? | 0:03:15 | 0:03:18 | |
Our two daughters, my middle daughter and his oldest one, best friends. | 0:03:19 | 0:03:25 | |
So taking them from one place to another and meeting like that, | 0:03:25 | 0:03:28 | |
we just found we put up with each other pretty well. The only people that do, probably. | 0:03:28 | 0:03:33 | |
Don't be so modest about that. Barry, what do you do for a living? | 0:03:33 | 0:03:37 | |
I'm actually an entertainer, Tim. | 0:03:37 | 0:03:39 | |
-Are you? -Yes. Do a rock and roll and Elvis show. | 0:03:39 | 0:03:42 | |
-You don't?! -You wouldn't recognise me with my jumpsuit, my wig and sideburns. | 0:03:42 | 0:03:47 | |
Right. Are you going to give us a little Elvis trill, then? | 0:03:47 | 0:03:50 | |
-Have you got something up your sleeve with your blue suede shoes? -Um, OK, then. | 0:03:50 | 0:03:55 | |
OK, give us a phrase. | 0:03:55 | 0:03:57 | |
# Are you lonesome tonight? | 0:03:57 | 0:03:59 | |
# Do you miss me tonight? | 0:03:59 | 0:04:03 | |
# Are you sorry we drifted apart? # | 0:04:03 | 0:04:06 | |
I mean, to do that unaccompanied, in a field, is pretty damned good. | 0:04:06 | 0:04:10 | |
-And brave, I might say. -Thank you, Tim. | 0:04:10 | 0:04:13 | |
-Clayton, what do you do to earn a buck? -Nothing. I'm a mature student. -Ah. Good one. | 0:04:13 | 0:04:17 | |
-Gone back to school. -What are you learning? -Computing. | 0:04:17 | 0:04:20 | |
-And do you collect anything? -Yes, I do. | 0:04:20 | 0:04:23 | |
-I collect Iron Maiden records. -Do you? | 0:04:23 | 0:04:26 | |
And how many of those are there to collect? | 0:04:27 | 0:04:29 | |
I've, personally, got over 100. | 0:04:29 | 0:04:32 | |
And are you two going to get on all right today for this competition? | 0:04:32 | 0:04:35 | |
-You're going to beat up these boys, do you reckon? -We're both tight so we should be OK. | 0:04:35 | 0:04:40 | |
On Bargain Hunt you'll be OK if you're tight. | 0:04:40 | 0:04:43 | |
Talking about being tight, £300 apiece. There you go. | 0:04:43 | 0:04:46 | |
-Thank you. -You know the rules. Your experts await - and off you go. | 0:04:46 | 0:04:50 | |
And very, very good luck. Brotherly love, eh? You can't beat it. | 0:04:50 | 0:04:54 | |
Yeah. Now, where are the experts that'll give our boys some backbone? | 0:04:55 | 0:04:59 | |
Giving the Reds a twirl is the delectable Catherine Southon. | 0:05:00 | 0:05:04 | |
And keeping his eyes on the prize is the sparkling Jonathan Pratt. | 0:05:06 | 0:05:10 | |
Do you know what? I am very happy to be in the middle of a Bargain Hunt boys' sandwich. | 0:05:12 | 0:05:17 | |
-What do you want to start looking for? -Military stuff. -Why? | 0:05:17 | 0:05:21 | |
I've always had an interest in WWII because my granddad was in it. | 0:05:21 | 0:05:25 | |
-We're going to buy cheap. -And nothing damaged. | 0:05:25 | 0:05:27 | |
-And maybe some music memorabilia. -All right. | 0:05:27 | 0:05:30 | |
-So, Elvis and the like? -Yes. -Excellent. OK. | 0:05:30 | 0:05:34 | |
-We are going to buy so much, we'll make the biggest profit ever seen on Bargain Hunt. -Ooh, fighting talk. | 0:05:34 | 0:05:40 | |
-Golden gavel, the works. -Come on, let's go and do it. | 0:05:40 | 0:05:43 | |
-Let's rock and roll. -Yes. | 0:05:43 | 0:05:45 | |
Yeah, rock and roll. Our Elvis impersonator knows all about that. | 0:05:45 | 0:05:49 | |
Viva Las Norfolk! | 0:05:50 | 0:05:52 | |
And now, what will our competitive brothers be drawn to first? | 0:05:53 | 0:05:56 | |
-Are they somebody's keys? -Keys. They're for sale, though. | 0:05:56 | 0:06:00 | |
The first thing that attracts my brother's attention is a bunch of keys. | 0:06:00 | 0:06:04 | |
Oh, it's a bit random, I'll grant you, but true to form, | 0:06:04 | 0:06:07 | |
Clayton's gone straight for his first love. | 0:06:07 | 0:06:10 | |
If you're going to buy something military, you need to have an almost representation of the person. | 0:06:10 | 0:06:15 | |
-You need some sort of social history. -The identification to go with it. -Yeah. | 0:06:15 | 0:06:20 | |
Good advice, JP. | 0:06:20 | 0:06:22 | |
-Let me ask you, my friend. What is the cheapest thing you've got on your stall? -You don't ask that. | 0:06:22 | 0:06:28 | |
We haven't bought anything yet. | 0:06:28 | 0:06:30 | |
Have you waxed the head this morning? | 0:06:30 | 0:06:33 | |
Yes. I put on suntan lotion earlier. | 0:06:33 | 0:06:35 | |
And you'll need it, because outside the sun is shining. | 0:06:35 | 0:06:38 | |
-You play a lot of cricket, don't you, AJ? -I pretend to try. | 0:06:38 | 0:06:42 | |
Come on, have a look, then. | 0:06:42 | 0:06:45 | |
Is that any good, from a cricket point of view? | 0:06:45 | 0:06:47 | |
What does it say on it? | 0:06:47 | 0:06:49 | |
-Model deluxe. Sounds good. -I don't know if it's any good though. | 0:06:49 | 0:06:53 | |
These boys knows as much about this bat as I suspect Catherine does about cricket. | 0:06:53 | 0:06:58 | |
-I'd be as useless with that as I would with modern-day one. -We'll put that down. | 0:06:58 | 0:07:02 | |
-Let's go inside. -Yeah? -Let's go inside. | 0:07:02 | 0:07:05 | |
-We've got to run then. -That is a tactic. -OK. | 0:07:05 | 0:07:08 | |
Ah, the Bargain Hunt workout. | 0:07:08 | 0:07:11 | |
The DVD will be available soon in shops near you. | 0:07:11 | 0:07:13 | |
We'll run out of time. We haven't bought anything yet. | 0:07:13 | 0:07:16 | |
Come on, Catherine, keep up, darling. | 0:07:16 | 0:07:19 | |
Gosh, you are sporty, you boys. | 0:07:19 | 0:07:21 | |
And fit. | 0:07:21 | 0:07:23 | |
Jonathan's approach is more like a relaxed stroll in the park. | 0:07:24 | 0:07:28 | |
# Pa-pa-be, pa-pam! # | 0:07:29 | 0:07:31 | |
Here we go. Look. | 0:07:31 | 0:07:33 | |
Ah, Barry's alter ego. | 0:07:35 | 0:07:37 | |
-You've got loads of records like this. -Millions. -That's probably the money. -It's not exactly an antique. | 0:07:37 | 0:07:43 | |
Don't worry, Barry. I'm sure both our experts will find a classic antique for their teams. | 0:07:43 | 0:07:49 | |
How much is the, I presume it's like a pen tray with the inkwell? | 0:07:50 | 0:07:53 | |
This one here. | 0:07:53 | 0:07:55 | |
Right. I like the enamel on it. I like the colouring of the enamel. | 0:07:56 | 0:08:00 | |
So what beautiful antique have you turned up, then, JP? | 0:08:00 | 0:08:04 | |
Hm, not quite what I had in mind. | 0:08:05 | 0:08:07 | |
You feel the weight of that. Ready? | 0:08:07 | 0:08:09 | |
Do you like it, AJ? | 0:08:10 | 0:08:12 | |
-You're not sold, are you? -Not for £100. | 0:08:12 | 0:08:16 | |
That's our favourite thing so far, so maybe we'll come back for it. | 0:08:16 | 0:08:19 | |
-Is that OK? -That's lovely. -Yeah. | 0:08:19 | 0:08:21 | |
It's £250, but it's an original. It's not something that's going to reproduce. | 0:08:21 | 0:08:26 | |
-But that's a lot of money to pay just for one. -I know. | 0:08:26 | 0:08:29 | |
I just look at things and go, "That's such great fun." | 0:08:29 | 0:08:32 | |
-Can we come back to it? -No, no, of course you can. Yeah, yeah. | 0:08:32 | 0:08:36 | |
I don't think the boys are as keen as JP on the chubby fella. | 0:08:36 | 0:08:40 | |
-We've got to up the pace. Up the pace. -We've been told. | 0:08:40 | 0:08:44 | |
Yep, chop-chop. | 0:08:44 | 0:08:46 | |
Jonathan's spotted some militaria for Clayton. | 0:08:48 | 0:08:51 | |
Can we have a look at the uniform? | 0:08:51 | 0:08:54 | |
You've always got to try these things out. I'm a 15 and a half or something. It doesn't fit me. | 0:08:58 | 0:09:03 | |
It'll fit your head. I think it'll be an absolute perfect fit. | 0:09:03 | 0:09:07 | |
The trousers, the jacket. What'll be the best price you can do on that? | 0:09:10 | 0:09:14 | |
Just to get an idea of the size here. | 0:09:14 | 0:09:17 | |
Come on, put your arms in. There we go. Come on, GI. | 0:09:18 | 0:09:22 | |
I've got no chance of getting that on. | 0:09:22 | 0:09:25 | |
Breathe in. | 0:09:25 | 0:09:27 | |
-What do you reckon? -I like that. -I think it's a good deal. -It's nice. | 0:09:28 | 0:09:32 | |
And moving back from the 20th century back to the 18th. | 0:09:32 | 0:09:35 | |
-I'm a Norfolk boy. -What have you found, boys? | 0:09:35 | 0:09:38 | |
-I don't know. It's a cane, but that's as much as I can tell you. -What have we got? | 0:09:38 | 0:09:42 | |
I was just explaining to this young man. This is made from the oak and copper of Nelson's first flagship. | 0:09:42 | 0:09:48 | |
-Fantastic. -HMS... I think you pronounce it "Fowdroyant". | 0:09:48 | 0:09:52 | |
-Foudroyant. -That's it. It's good to have an expert. -Foudroyant. | 0:09:53 | 0:09:57 | |
Apparently what happened, this ship eventually foundered off Blackpool, | 0:09:57 | 0:10:02 | |
and some local entrepreneur then decided to buy the wreck, | 0:10:02 | 0:10:06 | |
and from that he decided to make all these artefacts | 0:10:06 | 0:10:09 | |
with a piece of copper and oak actually taken from the ship. | 0:10:09 | 0:10:13 | |
-How much do you want for it? -So, let's have a look. | 0:10:13 | 0:10:16 | |
-It's got £145 on it. -You did say you'd had a good night last night, | 0:10:16 | 0:10:20 | |
and Catherine is your favourite as well. You might still be feeling the effects, | 0:10:20 | 0:10:25 | |
-so he said he'd do us a good deal cos he's not quite with it. -It was that last whisky that did it. | 0:10:25 | 0:10:30 | |
Um, I'll tell you what. I'll do you a good deal. £90. | 0:10:30 | 0:10:33 | |
But if Catherine's your real favourite, we'll give you £80 right now. | 0:10:35 | 0:10:39 | |
-I'll meet you halfway. 85 quid and that will be the absolute definite. -OK. | 0:10:40 | 0:10:44 | |
-Do you like that? -Yes, I do. -He'll do it for 34 as well. -34? | 0:10:44 | 0:10:48 | |
Does that sound all right? | 0:10:48 | 0:10:50 | |
It's very difficult to say, to be honest. You don't sell these things that often. | 0:10:50 | 0:10:55 | |
-It seems like a good deal to me. -You like it. -I liked it. I wanted stuff for military. | 0:10:55 | 0:11:00 | |
-That is something... -You can't get much more military. -Than a whole uniform. | 0:11:00 | 0:11:04 | |
-Go on, shake the man's hand. Yeah, we're there. -We'll take it. | 0:11:04 | 0:11:09 | |
-34? -You're welcome. -Thank you very much. | 0:11:09 | 0:11:11 | |
Go on, squeeze the five? Go down to 80. Can we squeeze 80, please? | 0:11:13 | 0:11:17 | |
-That'll be our first buy. -Have we got a deal at 80, then? -£80. | 0:11:17 | 0:11:21 | |
-Thank you very much. -Our first item. | 0:11:21 | 0:11:24 | |
It's like waiting for a bus, this. Nothing comes, and then two buys all at once. | 0:11:24 | 0:11:29 | |
-Our first item in the bag. -I found it. -You found it. | 0:11:29 | 0:11:32 | |
-Well done. -Super. | 0:11:32 | 0:11:34 | |
But a purchase under the belt can breed complacency. | 0:11:34 | 0:11:37 | |
We've got loads of time. We're going to browse and pick something up. | 0:11:37 | 0:11:41 | |
They're great fun, these guys, and silly, so I need to focus them, | 0:11:41 | 0:11:45 | |
because they're wandering around a bit, having a bit of a laugh, | 0:11:45 | 0:11:49 | |
but, at the end of the day, we've only got an hour to get these three items. | 0:11:49 | 0:11:53 | |
So I need to focus them and control them and calm them down. | 0:11:53 | 0:11:57 | |
Best of luck with that, then. | 0:11:57 | 0:11:59 | |
-Is that a compass? -Yes. -That's a compass, yeah? | 0:12:01 | 0:12:04 | |
The Magnapole. | 0:12:07 | 0:12:10 | |
It started off life with a black lacquer on it, which has worn away. | 0:12:10 | 0:12:14 | |
-It's all about the money, isn't it? -How much is that? -30 quid. -What's the best you can do? -25 on that one. | 0:12:14 | 0:12:20 | |
If you try, it's all in working order. The plate in the middle, | 0:12:20 | 0:12:24 | |
it all still moves, everything's still fine on it. | 0:12:24 | 0:12:27 | |
-That's something we can keep in reserve. -If we get desperate. | 0:12:27 | 0:12:31 | |
-You said 20, didn't you? -25. | 0:12:31 | 0:12:33 | |
Nice try. | 0:12:33 | 0:12:35 | |
Hands out of pockets, dear. Come on, come on. | 0:12:35 | 0:12:38 | |
Listen to teacher. | 0:12:38 | 0:12:40 | |
-Right. -I'm too relaxed for you. | 0:12:40 | 0:12:42 | |
He's not the only one. | 0:12:42 | 0:12:44 | |
JP WHISTLES | 0:12:45 | 0:12:47 | |
That's kind of fun, isn't it? It's an old horse collar. It's an old one that's been fitted as a mirror. | 0:12:50 | 0:12:56 | |
-That's kind of good novelty value. There's no price on it. -That's country auction, isn't it? | 0:12:56 | 0:13:01 | |
-Yeah. -You can hang that in your downstairs loo. | 0:13:01 | 0:13:04 | |
-When you're doing your quiff. -Yeah. -Greasing your quiff back. | 0:13:06 | 0:13:10 | |
-I quite like that. How much is that? -It's 60. -£60? -Yes. | 0:13:11 | 0:13:16 | |
-OK. And is there a little bit of movement, perhaps? -There is, yes. | 0:13:16 | 0:13:20 | |
We'll give you 40. | 0:13:20 | 0:13:23 | |
Make it 45, you've got a deal. | 0:13:23 | 0:13:25 | |
-I'll settle for the 40. -OK. -It helps out. -Yeah. | 0:13:25 | 0:13:29 | |
-I think it's quite a fun thing. -It is, yeah. | 0:13:30 | 0:13:32 | |
-I like my mirrors. -Yeah, you spend half your life in front of them. | 0:13:32 | 0:13:36 | |
-It's the perfect auction for it. -OK, then. Yeah. All right. | 0:13:36 | 0:13:40 | |
-Thank you. -Thank you very much. | 0:13:40 | 0:13:42 | |
£40. We're on a roll. We're on a roll. | 0:13:42 | 0:13:45 | |
OK, now we can really just cruise into the last one and see if we can get the rock and roll piece for you. | 0:13:45 | 0:13:51 | |
Put your suit on, ready for your GI Blues. Grease your hair back. | 0:13:51 | 0:13:55 | |
Uh-huh, and get all shook up. | 0:13:55 | 0:13:57 | |
-Um, clarinet? -I used to play a clarinet. -Did you? | 0:14:00 | 0:14:03 | |
-I did. -I think all he can play is nursery rhymes. -Oh. | 0:14:03 | 0:14:06 | |
-I can't even play that. -I'm looking forward to this. -Can I have a practise before we film? -No. | 0:14:06 | 0:14:11 | |
Come on, AJ, tickle out a tune. | 0:14:11 | 0:14:13 | |
-Come on. -HE LAUGHS | 0:14:13 | 0:14:15 | |
It's not going to work. | 0:14:15 | 0:14:17 | |
Just a note, then? | 0:14:18 | 0:14:20 | |
See, it doesn't even work. It's broken. | 0:14:23 | 0:14:25 | |
Why's it broken? Why's it broken? | 0:14:26 | 0:14:28 | |
Have you not got enough puff? | 0:14:29 | 0:14:31 | |
-I can't get a sound out of it. -He's made my day. | 0:14:32 | 0:14:36 | |
Full marks for trying, though. | 0:14:36 | 0:14:38 | |
No? Right, we're not buying it. | 0:14:38 | 0:14:40 | |
Yep, probably for the best. | 0:14:40 | 0:14:42 | |
Do you like cake? | 0:14:44 | 0:14:46 | |
Can't you tell? | 0:14:47 | 0:14:49 | |
I thought Elvis was more of a burger man. | 0:14:49 | 0:14:51 | |
What about the spoon? Cos I think that's beautiful. | 0:14:52 | 0:14:55 | |
-Is that hallmarked? -Oh, yes, it is English hallmarked. | 0:14:57 | 0:15:00 | |
Perhaps this is for... I thought it was more for a sauce, | 0:15:00 | 0:15:04 | |
but you think it's more likely for liqueurs. | 0:15:04 | 0:15:06 | |
-The reason I'm saying this is because it's gilded. -Beautifully gilded. | 0:15:06 | 0:15:10 | |
How much can you really do on that? I think it's too much for it. | 0:15:10 | 0:15:14 | |
-90? -£80 you can have that. | 0:15:14 | 0:15:18 | |
As it's the lovely Catherine, can you do any more off of it? | 0:15:19 | 0:15:23 | |
We do need to buy something. | 0:15:23 | 0:15:25 | |
Look at this face. She's trying to help us. | 0:15:25 | 0:15:27 | |
You can see... | 0:15:28 | 0:15:30 | |
60? | 0:15:34 | 0:15:35 | |
If you could do 60, we'll shake your hand right now | 0:15:35 | 0:15:38 | |
-and you'll be my new best friend. -And we've got to buy something else from you. -70, OK? -65. | 0:15:38 | 0:15:43 | |
No, no, 70. No, I'll be losing money, honestly. I'll do it for 70. | 0:15:43 | 0:15:50 | |
We'll give it ten minutes. If we don't find anything else we'll come back. | 0:15:50 | 0:15:54 | |
And ten minutes is all you've got, teams. | 0:15:54 | 0:15:56 | |
-Right, which way? -That way. | 0:15:59 | 0:16:01 | |
We need to pick up the pace. | 0:16:01 | 0:16:03 | |
-I've got a plan, guys. -She's got a plan. -I've got a plan. -It's more than we've got. | 0:16:03 | 0:16:08 | |
-This may save us. -You two go and have a look and see what you can find. | 0:16:08 | 0:16:12 | |
I'll have a look here. We rejoin in three minutes. | 0:16:12 | 0:16:16 | |
-We've all got to have something, and see which is the best one. -OK. | 0:16:16 | 0:16:20 | |
-Right, let's go. -Three minutes. -Come on. | 0:16:20 | 0:16:22 | |
-We've got £226 left. -Yeah. | 0:16:22 | 0:16:25 | |
-A lot of money, not a lot of time. -Walking this way a bit more. | 0:16:26 | 0:16:29 | |
-AJ? -What have you got? | 0:16:29 | 0:16:32 | |
We're looking to try and find a bargain | 0:16:32 | 0:16:35 | |
because we do not have long left, and we like the Gibraltar ship. | 0:16:35 | 0:16:40 | |
That is a... The minimum is £45. | 0:16:40 | 0:16:44 | |
Mmm. | 0:16:45 | 0:16:47 | |
-Right. -I'm thinking, if we go for the compass. -Yeah. -Which I liked, | 0:16:47 | 0:16:53 | |
-that leaves you a lot. -It does. | 0:16:53 | 0:16:55 | |
Then we can decide on that, rather than panicking now. | 0:16:55 | 0:16:58 | |
If we go for the Michelin man, that is a big risk. | 0:16:58 | 0:17:01 | |
Yeah, but the show's about risk, isn't it? | 0:17:01 | 0:17:03 | |
-And you should say... I don't want to sort of... -I tell you what. | 0:17:03 | 0:17:07 | |
Tim will think, "You cowards." | 0:17:07 | 0:17:10 | |
Now a quote from this king. | 0:17:11 | 0:17:14 | |
"Less conversation, more action please." | 0:17:14 | 0:17:16 | |
What is that? Is it glass? Do you like that, do you? | 0:17:20 | 0:17:24 | |
I don't like it, but I'm just thinking of making some money. | 0:17:24 | 0:17:27 | |
-We'll get Catherine over. She'll like my boat the best. -I'm going for that. | 0:17:27 | 0:17:31 | |
-Don't tell her which one, see which one she chooses. -It'll be mine. -Let's go. | 0:17:31 | 0:17:36 | |
And nothing like a bit of sibling rivalry. Perhaps the Blues can reach an agreement, though? | 0:17:36 | 0:17:41 | |
-It's spend on the Michelin man and... -And risk it. -And risk it, | 0:17:42 | 0:17:47 | |
or play it safe. | 0:17:47 | 0:17:49 | |
-I think we should go for the compass. -I do. | 0:17:50 | 0:17:53 | |
Well, well, well. Fancy meeting you here. | 0:17:54 | 0:17:57 | |
-And, have you done? -Well, I've found something that I really like. | 0:17:57 | 0:18:01 | |
AJ's found something that he doesn't like, which you said. | 0:18:01 | 0:18:05 | |
-He's a bit picky, isn't he? -A bit picky. | 0:18:05 | 0:18:07 | |
-We'll show you the two things and you can tell us which one's best. -OK. | 0:18:07 | 0:18:11 | |
-But you'll go for mine. -What have you found? -Shall I show you? | 0:18:11 | 0:18:15 | |
-I reckon you've got something. -I'll put my money on it. -We looked at this, and I found this. | 0:18:15 | 0:18:20 | |
And it's a pin cushion. | 0:18:22 | 0:18:24 | |
It's late 19th century, and there's a big weight of silver there. | 0:18:24 | 0:18:28 | |
OK, the pin cushion bit is missing, but that can be replaced. | 0:18:28 | 0:18:32 | |
But he will do this and this, together, for £120, | 0:18:32 | 0:18:37 | |
and I think that's very good. | 0:18:37 | 0:18:39 | |
-I think there's more mileage in that. -OK. | 0:18:39 | 0:18:42 | |
-I prefer that. -OK. Tsk. -We might end up getting both. -Right, come on. Show me yours. | 0:18:42 | 0:18:47 | |
I actually saw that from a distance, and I thought it was quite attractive, | 0:18:47 | 0:18:51 | |
but it's all carved wood and hand-painted. | 0:18:51 | 0:18:54 | |
-It's nicely done, but you know it's new? It's modern. -Yeah. | 0:18:54 | 0:18:57 | |
-What do you think of AJ's thing? -What do you think to this? | 0:18:57 | 0:19:01 | |
-I prefer that. -Yes! -OK. -This is all plated. | 0:19:01 | 0:19:05 | |
One minute left - and don't the Blues know it. | 0:19:05 | 0:19:07 | |
Have you still got the compass? | 0:19:09 | 0:19:11 | |
-Yep. -You'll do it for 20? | 0:19:11 | 0:19:13 | |
20... I paid 20 quid for it. | 0:19:13 | 0:19:15 | |
-23? -23, you've got a deal. | 0:19:15 | 0:19:18 | |
-23. Yeah, OK. -All right, no problem at all. -Cheers. Thank you very much. | 0:19:18 | 0:19:22 | |
Down to the wire completely, but that's very good. | 0:19:22 | 0:19:25 | |
-We've got two very good objects. -And that one. HE LAUGHS | 0:19:25 | 0:19:29 | |
-Come on. Let's go for a well-deserved cup of tea. -Yes, sounds like a good idea. | 0:19:29 | 0:19:33 | |
Elvis has left the building! Sorry, I couldn't resist. | 0:19:33 | 0:19:37 | |
Now, can the lads resist Catherine's charms? | 0:19:37 | 0:19:40 | |
I do think that is attractive, | 0:19:40 | 0:19:42 | |
but it's just not... | 0:19:43 | 0:19:45 | |
We're on an antiques show. Let's go for those two. | 0:19:45 | 0:19:48 | |
-OK. -Let's go. Quick. | 0:19:49 | 0:19:52 | |
Go and pay the man. | 0:19:52 | 0:19:54 | |
Do the deal. Quick, quick, quick. We haven't got time. | 0:19:54 | 0:19:57 | |
Honestly, these boys. | 0:19:57 | 0:19:59 | |
We've left two items on another stall to come and see you. | 0:19:59 | 0:20:02 | |
-We've got 30 seconds left. -Yeah. | 0:20:02 | 0:20:05 | |
OK? 120 both items. £60 each. Is that OK? | 0:20:05 | 0:20:07 | |
-All right, you can have it for 120. -Is that OK? You're a good man. | 0:20:07 | 0:20:11 | |
-Thank you very much. -Good luck. -A lovely man. Thank you very much indeed. Thank you. | 0:20:11 | 0:20:16 | |
-Are you happy? -You boys know how to cut it fine. | 0:20:16 | 0:20:19 | |
Blimey, lads, you'll be giving Catherine a hernia, | 0:20:19 | 0:20:22 | |
or something worse. | 0:20:22 | 0:20:24 | |
Right, that's it. Time's up. Let's check out what the Red team bought, | 0:20:25 | 0:20:30 | |
or are they the orange team? | 0:20:30 | 0:20:31 | |
Only in bad lighting. Now, will this oak and copper walking cane | 0:20:31 | 0:20:36 | |
find some support at the auction? £80 paid. | 0:20:36 | 0:20:38 | |
At the 59th minute, they scooped up a liqueur ladle for £60. | 0:20:41 | 0:20:45 | |
And walked off with a boot-shaped silver pin cushion for another 60. | 0:20:48 | 0:20:52 | |
-We have done all right, haven't we? -We've done OK. -We've done OK. | 0:20:54 | 0:20:58 | |
You know what they say about the sunshine? It always shines on the righteous, | 0:20:58 | 0:21:02 | |
and you lot, clearly, are squeaky clean. | 0:21:02 | 0:21:05 | |
-Did you have a good shop? -We did. Very good. -Lovely. | 0:21:05 | 0:21:08 | |
-What about you, Jim? -Really enjoyed it. You're happy with your walking stick. | 0:21:08 | 0:21:13 | |
That's going to make us a bit. We've got to try and recreate the Del Boy and Rodney moment, | 0:21:13 | 0:21:18 | |
-when they become millionaires. So that's the aim. -In your dreams. | 0:21:18 | 0:21:22 | |
-How much did you spend altogether? -200. -£200. Brilliant. | 0:21:22 | 0:21:26 | |
£100 is left over. Thank you very much, James. Good, that's lovely. | 0:21:26 | 0:21:30 | |
-£100. Thank you. Catherine. -Thank you very much. -You're looking confident. | 0:21:30 | 0:21:35 | |
Well, I am. A bit more confident than these two were. | 0:21:35 | 0:21:38 | |
I'm not sure what I'm going to buy, but what I do know is I'm not going to deliberate like you two. | 0:21:39 | 0:21:44 | |
-You're going to do it quickly. -Quickly. -Decisively. -Absolutely. -Good. | 0:21:44 | 0:21:48 | |
Relax and have a cup of tea, boys. Let Catherine do her shopping. | 0:21:48 | 0:21:52 | |
Meanwhile, we're going to check out what the Blue team bought. | 0:21:52 | 0:21:56 | |
The boys decided to look smart with this army sergeant's uniform, | 0:21:56 | 0:22:01 | |
before checking themselves out in a leather horse collar mirror, | 0:22:02 | 0:22:06 | |
and heading home with this World War One compass. | 0:22:06 | 0:22:09 | |
-That wasn't bad going, was it? -It's very jolly, isn't it, when you're so happy. | 0:22:11 | 0:22:16 | |
-Have you had a happy hour with Jonathan? -Yes, very entertaining. -Ah, that's great. | 0:22:16 | 0:22:21 | |
-Now, how much did you spend all round? -97. -£97 on everything? -Yeah. | 0:22:21 | 0:22:25 | |
-All three items. -That is so paltry, isn't it? | 0:22:25 | 0:22:29 | |
You spent the £97. That's £203 of leftover lolly, please, somewhere. | 0:22:29 | 0:22:33 | |
Thank you. That is a lot, isn't it? | 0:22:33 | 0:22:35 | |
-What am I going to do with it? -I don't know, JP. Anyway, got any ideas, seriously, old fruit? | 0:22:35 | 0:22:40 | |
One or two ideas. One or two ideas. I might just have to insert some femininity into the choice, | 0:22:40 | 0:22:45 | |
-because it's been a bit masculine. -Has it? -Yeah. -Well, you're our man in that department, JP. | 0:22:45 | 0:22:51 | |
In touch with his feminine side. | 0:22:51 | 0:22:53 | |
Anyway, good luck, JP. Good luck, team. | 0:22:53 | 0:22:55 | |
Meanwhile, we're heading off to Ham House, which is gorgeous. | 0:22:55 | 0:22:59 | |
A product of Stuart architecture, Ham House is, as we see it today, | 0:23:04 | 0:23:10 | |
as a result of the efforts of courtier William Murray. | 0:23:10 | 0:23:13 | |
The lease for the place was given to him, in 1626, | 0:23:13 | 0:23:16 | |
by his childhood friend, Charles the First. | 0:23:16 | 0:23:19 | |
Charles and Murray were both educated and brought up together. | 0:23:22 | 0:23:27 | |
Literally. | 0:23:27 | 0:23:30 | |
Except that poor old Murray became Charles's whipping boy. | 0:23:30 | 0:23:33 | |
Every piece of late homework | 0:23:33 | 0:23:36 | |
or misdemeanour that Charles was caught doing, Murray took the blame. | 0:23:36 | 0:23:41 | |
Still, you couldn't have the future King of England | 0:23:41 | 0:23:46 | |
being whipped now, could we? | 0:23:46 | 0:23:48 | |
And as for Murray, well, what are good friends for, eh? | 0:23:49 | 0:23:52 | |
Not surprisingly, Charles and Murray's friendship | 0:23:56 | 0:24:00 | |
continued into adulthood. | 0:24:00 | 0:24:02 | |
Indeed, when Murray took over the remodelling | 0:24:03 | 0:24:06 | |
of the interior of Ham House, he followed the King's taste. | 0:24:06 | 0:24:11 | |
He took on the services of a German interior decorator, Franz Kline, | 0:24:11 | 0:24:18 | |
who visited England first in 1625. | 0:24:18 | 0:24:22 | |
What Franz Kline did for him was to transform some of the interiors. | 0:24:23 | 0:24:28 | |
What you have to admire is the brilliant panelling. | 0:24:29 | 0:24:32 | |
Just look at the geometry and shapes which reflect the late Renaissance. | 0:24:32 | 0:24:38 | |
And, of course, the stunning Solomonic columns | 0:24:38 | 0:24:41 | |
that flank the fireplace. Literally, something taken in the round | 0:24:41 | 0:24:47 | |
that's been split down the middle, | 0:24:47 | 0:24:49 | |
and then applied to give this sense of drama and effect. | 0:24:49 | 0:24:54 | |
William Murray undoubtedly passed on his taste for finery to his daughter Elizabeth. | 0:24:54 | 0:25:00 | |
She made sure that Ham continued to be decked out | 0:25:00 | 0:25:03 | |
in the most exquisite and expensive furniture, | 0:25:03 | 0:25:06 | |
and none more impressive than this cabinet. | 0:25:06 | 0:25:08 | |
Even those of you who are watching this on your black and white set | 0:25:12 | 0:25:16 | |
can enjoy this object, because it is as white as it appears. | 0:25:16 | 0:25:22 | |
It's not paint. | 0:25:23 | 0:25:25 | |
This thing has been veneered entirely in sections of ivory. | 0:25:25 | 0:25:29 | |
If we open it up by carefully turning the key, comme ca, | 0:25:29 | 0:25:35 | |
it reveals an interior which is identically veneered. | 0:25:36 | 0:25:42 | |
Look at that. | 0:25:43 | 0:25:45 | |
Isn't that amazing? | 0:25:46 | 0:25:48 | |
These cabinets were typically made in Antwerp. | 0:25:49 | 0:25:52 | |
It has its practical purpose. | 0:25:53 | 0:25:55 | |
The interior, with all these drawers, | 0:25:55 | 0:25:57 | |
would've been used to house your most precious objects. | 0:25:57 | 0:26:02 | |
And if we open up one of those drawers | 0:26:02 | 0:26:04 | |
and you have a bit of a sniff, | 0:26:04 | 0:26:06 | |
it has the smell of either camphor or cedar, | 0:26:08 | 0:26:12 | |
so that, for whatever you're going to store inside, | 0:26:13 | 0:26:16 | |
no moth and no woodworm will endure the camphor or the cedar. | 0:26:16 | 0:26:22 | |
So it makes it a place where you're going to be able | 0:26:22 | 0:26:25 | |
to keep things safely, where they won't deteriorate. | 0:26:25 | 0:26:29 | |
Now, if we remove the key from the door, | 0:26:29 | 0:26:32 | |
the same key operates for this central tabernacle cupboard. | 0:26:32 | 0:26:37 | |
And we open that one up, gently again, | 0:26:38 | 0:26:40 | |
and yet another brilliant ivory interior is revealed. | 0:26:42 | 0:26:47 | |
Except that this time the veneering is done | 0:26:47 | 0:26:49 | |
in just plain sheets of ivory. | 0:26:49 | 0:26:51 | |
It probably arrived at Ham after the Restoration, in the 1660s, | 0:26:52 | 0:26:57 | |
and would've been a proud possession of William's daughter, Elizabeth. | 0:26:57 | 0:27:02 | |
But you have to admit, this is a tour de force of craftsmanship. | 0:27:03 | 0:27:09 | |
The big question today is, of course, | 0:27:10 | 0:27:12 | |
quite how chic are our teams going to be over at the auction? | 0:27:12 | 0:27:16 | |
Boom-boom. | 0:27:17 | 0:27:18 | |
I can't think of anything more delightful than to trot across Norfolk to Diss, | 0:27:24 | 0:27:28 | |
to T W Gaze's sale room to join my old mate, my old mucker, | 0:27:28 | 0:27:33 | |
-Elizabeth Talbot. Elizabeth. -As always, you're most welcome, Tim. -Lovely to be here. | 0:27:33 | 0:27:38 | |
Lucky for our teams, too. | 0:27:38 | 0:27:40 | |
Now, the Reds. Their first item is the walking stick, | 0:27:40 | 0:27:44 | |
made, apparently, from oak and copper from the Foudroyant. | 0:27:44 | 0:27:48 | |
-How about that? -It's a walking stick, it has a bit of provenance, apparently, | 0:27:48 | 0:27:53 | |
and we put 70 to 90 on it, and hope it will do well for the team. | 0:27:53 | 0:27:56 | |
-They paid £80. -Yes, OK. -It might just limp home. -It might do. Hopefully. | 0:27:56 | 0:28:01 | |
Next, the little ladle. Toddy ladle, I suppose. | 0:28:01 | 0:28:04 | |
It's very well crafted. It's a very tightly made piece. | 0:28:04 | 0:28:09 | |
I love the little bowl with this sparrow beak pourer. | 0:28:09 | 0:28:12 | |
-The gilding is lovely. It's both useful and collectable, so... -How much? -We put £60 to £80 on that. | 0:28:12 | 0:28:17 | |
-They paid £60. They paid the right price. -Yeah. | 0:28:17 | 0:28:20 | |
-Now, let's try and kick this into touch. -Ha-ha. | 0:28:20 | 0:28:23 | |
What do you make of the little boot? | 0:28:23 | 0:28:25 | |
Oh, I like this. I like this very much. I think it's a charming little pin cushion. | 0:28:25 | 0:28:29 | |
The detail and the shape is just lovely. | 0:28:29 | 0:28:32 | |
It's in relatively good condition. | 0:28:32 | 0:28:34 | |
-How much do you think it's going to bring? -We put £80 to £120 on it. | 0:28:34 | 0:28:38 | |
£80 to £120 is a splendid estimate, because our lot only paid £60. | 0:28:38 | 0:28:42 | |
-I think that's in the right direction. -It certainly is. -Yes. | 0:28:42 | 0:28:45 | |
Let's be optimistic, because it's a wizard object, and it's an absolute bargain for our team to find. | 0:28:45 | 0:28:51 | |
Depending on how that gets on will determine whether they need the bonus buy. Let's look at it. | 0:28:51 | 0:28:56 | |
Now, AJ, Jim, this is your moment. | 0:28:56 | 0:28:58 | |
You gave Catherine £100 of leftover lolly. Catherine, what did you spend it on? | 0:28:58 | 0:29:03 | |
Are you ready for this, boys? | 0:29:04 | 0:29:06 | |
-Nothing. -THEY LAUGH | 0:29:11 | 0:29:13 | |
I gave up with you. You were such hard work. You were so indecisive. | 0:29:14 | 0:29:18 | |
I thought, "I need a coffee so I'm not even going to bother." | 0:29:18 | 0:29:21 | |
That's OK. I don't blame you. Is it something big that's behind? | 0:29:21 | 0:29:25 | |
Close your eyes and I shall reveal. Close your eyes. | 0:29:25 | 0:29:28 | |
-We were told we couldn't buy anything. -It's got wheels. -Da-dah! | 0:29:30 | 0:29:33 | |
SHE LAUGHS Really? | 0:29:35 | 0:29:37 | |
What do you mean, really? | 0:29:38 | 0:29:40 | |
-OK. -Come on, excitement. -No, that's good. | 0:29:41 | 0:29:43 | |
-It's a vintage porter's trolley. -It looks lovely. | 0:29:43 | 0:29:46 | |
OK, so just tell us you didn't spend all of £100 on that? Please? | 0:29:46 | 0:29:50 | |
I thought country auction. Somebody could buy this and take home all their purchases on it. | 0:29:52 | 0:29:58 | |
-Cast iron, it's wood. It's a good frame. It's a nice... -It looks lovely. | 0:29:58 | 0:30:02 | |
Excellent - and it doubles up as a ladder. | 0:30:02 | 0:30:05 | |
-THEY LAUGH -What did you spend on it? -£49. | 0:30:05 | 0:30:09 | |
That's all right. It'll make some money, some profit. | 0:30:10 | 0:30:13 | |
Perhaps if we're a long way in debt we might... | 0:30:13 | 0:30:16 | |
Don't listen to him. We will trust you. | 0:30:16 | 0:30:19 | |
-It's not what we were expecting, put it that way. -I'm glad you're impressed | 0:30:19 | 0:30:23 | |
and are clearly in love with it, so on that happy note, | 0:30:23 | 0:30:26 | |
why don't we, for the audience at home, find out what the auctioneer thinks about Catherine's trolley. | 0:30:26 | 0:30:32 | |
Well, there you go, Elizabeth. | 0:30:32 | 0:30:34 | |
This is rather nice because it is a piece of, again, vintage British life. | 0:30:35 | 0:30:39 | |
This would probably have been in service on a station platform, in the good old days when somebody | 0:30:39 | 0:30:45 | |
-would look after you when you had luggage. -You'd have a huge trunk. -Absolutely. | 0:30:45 | 0:30:49 | |
People who are staging film sets, | 0:30:49 | 0:30:51 | |
-it's important to have the right period item. -Yeah. | 0:30:51 | 0:30:54 | |
If you're doing The Railway Children, you don't want a stainless steel trolley. | 0:30:54 | 0:30:58 | |
-Exactly right. -So we put £30 to £50 on it. | 0:30:58 | 0:31:01 | |
Catherine paid £49. It's not exactly a girlie purchase, | 0:31:01 | 0:31:04 | |
-but, you know, she's gone for it. That's done for the Red. -Yes. | 0:31:04 | 0:31:07 | |
-Now for the Blues. Completely different. -Yes. | 0:31:07 | 0:31:10 | |
It's very interesting, actually, | 0:31:10 | 0:31:12 | |
because this is quite a military-themed team here. | 0:31:12 | 0:31:15 | |
We've got the Anglian Regiment, so this hasn't got an historical value, per se, | 0:31:15 | 0:31:21 | |
but I can imagine someone loyally looking at this and thinking, "It's one of ours," so... | 0:31:21 | 0:31:26 | |
-They'll have it. -Absolutely. -What do you think it'll bring? -£40 to £60. -Fair enough. £34 paid. | 0:31:26 | 0:31:31 | |
Now, the lovely mixture of old and new in the piece of harness, I think is brilliant, don't you? | 0:31:31 | 0:31:37 | |
It's a charming use of the horse's collar. They've left that natural, rustic look to it. | 0:31:37 | 0:31:42 | |
-It adds to the character. -OK, thumbs up for that. How much? -We put £50 to £70 on that. | 0:31:42 | 0:31:47 | |
-£40 paid. -There we go. -That's super, isn't it? They're done very well with those two items. | 0:31:47 | 0:31:52 | |
-Now, the hand-held bearing compass. -Yes. It's tired. | 0:31:52 | 0:31:56 | |
It isn't in bad condition. There's nothing unnecessarily wrong with it, | 0:31:56 | 0:32:00 | |
but it's not pristine. We've put £50 to £70 on that. | 0:32:00 | 0:32:03 | |
-Have you really? -Mm. -Gosh, that's generous. £23 paid. | 0:32:03 | 0:32:07 | |
-I'll be shot in the foot by that one, probably. -I hope not. | 0:32:07 | 0:32:10 | |
-You're going in the right direction. You've found the right direction with the compass. -Good. | 0:32:10 | 0:32:16 | |
Anyway, thank you very much. | 0:32:16 | 0:32:17 | |
On that basis, I don't think this lot will need their bonus buy, | 0:32:17 | 0:32:21 | |
but let's have a look at it anyway. | 0:32:21 | 0:32:23 | |
Barry, Clayton, this is your big moment. | 0:32:23 | 0:32:25 | |
Yes? Your bonus buy. You gave this man £203. | 0:32:25 | 0:32:28 | |
You entrusted him with two-thirds of your purchase money | 0:32:29 | 0:32:32 | |
to go and find you something that's going to make you | 0:32:32 | 0:32:35 | |
-a stellar additional profit. Right, JP? -Absolutely. | 0:32:35 | 0:32:38 | |
-Shall I take that rag off for you? -OK. | 0:32:38 | 0:32:41 | |
-Doink! -THEY LAUGH | 0:32:41 | 0:32:43 | |
We spent... We bought three items which were very masculine. I thought I'd find something feminine. | 0:32:44 | 0:32:49 | |
That's what I thought. | 0:32:49 | 0:32:51 | |
Anyway, I walked into a stall that had lots of dresses and ended up buying a typewriter. | 0:32:51 | 0:32:57 | |
What struck me was it's from Redruth Station. | 0:32:57 | 0:33:00 | |
It was the stationmaster's PC of the time, I suppose, | 0:33:00 | 0:33:03 | |
-where he would've typed up all his little notices and things like that. -Schedules. -Schedules, yeah. | 0:33:03 | 0:33:09 | |
It's an Underwood. Big in the typewriter world, obviously. | 0:33:09 | 0:33:13 | |
And it is a standard button QWERTY chappie. | 0:33:14 | 0:33:19 | |
-But it didn't cost very much money. -How much? -How much? -It cost me £25. | 0:33:19 | 0:33:23 | |
-Oh. -You had £203. You were going to buy something feminine. | 0:33:23 | 0:33:28 | |
You bought a typewriter. You spent £25. | 0:33:28 | 0:33:31 | |
I kind of chickened out, I suppose. | 0:33:31 | 0:33:33 | |
-You saw we didn't spend a lot and you didn't want to either. -Ohh. I kind of thought so. | 0:33:33 | 0:33:38 | |
-Do you like it, Barry? -No. ALL LAUGH | 0:33:38 | 0:33:40 | |
-It's a bit boring. -What about you? -I don't mind. I'm into computers. | 0:33:40 | 0:33:44 | |
-That's an early computer. -It is in a way. -It's not going to go rocketing away. It's not going to make £100, | 0:33:44 | 0:33:50 | |
or £50. It might sneak in a fiver or a tenner. | 0:33:50 | 0:33:53 | |
-It's the right sort of place for it. This place deals with these sort of objects. -OK? Happy with that? | 0:33:53 | 0:33:59 | |
We're very happy with that. Thanks for the feminine... object. | 0:33:59 | 0:34:02 | |
Anyway, let's find out from our female auctioneer | 0:34:02 | 0:34:05 | |
whether she's in touch with her feminine side - and JP's typewriter. | 0:34:05 | 0:34:09 | |
Well, there we go. This takes you back. | 0:34:11 | 0:34:14 | |
-Take a note, Miss Proops. -Mmm. I love the smell of that. Do you? | 0:34:14 | 0:34:19 | |
-You love the smell of it? -It's the smell of old ink and the leather. | 0:34:19 | 0:34:22 | |
-It's lovely. -There we go. Patented in the USA. | 0:34:22 | 0:34:25 | |
-The last patent number I can see is 1920. -Mm-hm. | 0:34:25 | 0:34:29 | |
-So it must date from after 1920. -It's there or thereabouts in date. | 0:34:29 | 0:34:33 | |
Underwood, a very major manufacturer of typewriters. | 0:34:33 | 0:34:37 | |
It's a fairly basic model. Nothing too extraordinary. It's a perfect backdrop piece. | 0:34:37 | 0:34:42 | |
-You can either use it as an accessory to decorate a room. -Mm-hm. | 0:34:42 | 0:34:45 | |
But also, again, museums or film companies like little artefacts like this to give that... | 0:34:45 | 0:34:51 | |
-Having said all that, not a rare example, so we have limited it to £15 to £20. -OK. JP loved it. £25. | 0:34:51 | 0:34:57 | |
-OK. -And who knows whose heart strings | 0:34:57 | 0:34:59 | |
you're going to be able to tug at today in the auction. | 0:34:59 | 0:35:02 | |
-I always try. I will try. -I know you will. | 0:35:02 | 0:35:05 | |
-You're very trying. -SHE LAUGHS | 0:35:05 | 0:35:07 | |
OK, chaps, this is exciting. | 0:35:12 | 0:35:14 | |
-So, you've got the attitude, you've got the energy. -Yep. | 0:35:14 | 0:35:17 | |
-Buzzing. -They've got energy. -First up is the walking stick made from | 0:35:17 | 0:35:21 | |
the timber and copper of the Foudroyant. Here it comes. | 0:35:21 | 0:35:26 | |
Lot 162. Start me at 50. | 0:35:26 | 0:35:29 | |
-Come on, £50. -Come on. | 0:35:31 | 0:35:32 | |
An association with Nelson, £50. Come on. | 0:35:32 | 0:35:36 | |
£30 I'll take to start. £30 got in the gallery. Now at 30. | 0:35:36 | 0:35:39 | |
£30 I have. I'll take two. | 0:35:39 | 0:35:41 | |
It's £30 to my left. Now looking for two. | 0:35:41 | 0:35:44 | |
Surely worth more? Come on, he's stealing it here at £30. | 0:35:44 | 0:35:48 | |
-Come on. -32 is downstairs. | 0:35:48 | 0:35:50 | |
-35? 38? -Yes. | 0:35:50 | 0:35:52 | |
40, sir? 40 in the gallery. | 0:35:53 | 0:35:55 | |
Sure? 40 is now in the gallery. Again at 40. Looking for two. | 0:35:55 | 0:35:58 | |
-At £40. Are you all done at £40? -SHE BANGS GAVEL | 0:35:58 | 0:36:02 | |
-Ooh. -We've lost the golden gavel on the first thing. | 0:36:02 | 0:36:05 | |
Minus 40. Bad luck. | 0:36:06 | 0:36:09 | |
-Oh, well. Liqueur ladle. -Here we go. Come on. A proper start. | 0:36:09 | 0:36:12 | |
Lot 163, the silver gilt liqueur ladle, and I start at just £22. | 0:36:12 | 0:36:17 | |
22, 25, 28, 30, 32. | 0:36:17 | 0:36:19 | |
35, 38, 42, | 0:36:20 | 0:36:22 | |
45 is the final time out. | 0:36:22 | 0:36:24 | |
At 45. The gentleman's bid at 45. I'll take eight. | 0:36:25 | 0:36:28 | |
-Come on, help us out. -50? Five? | 0:36:28 | 0:36:31 | |
60. Five? | 0:36:31 | 0:36:33 | |
70. Five? | 0:36:33 | 0:36:35 | |
80. | 0:36:35 | 0:36:37 | |
80 is on my left. Now looking for five. | 0:36:37 | 0:36:39 | |
At £80 now. Any advance on the 80? | 0:36:39 | 0:36:41 | |
SHE BANGS GAVEL Yeah, back in the game. | 0:36:42 | 0:36:44 | |
£80 plus £20. Overall, you're minus 20. Now, the pin cushion. | 0:36:44 | 0:36:48 | |
Lot 164, the silver pin cushion in the form of a boot. | 0:36:48 | 0:36:52 | |
Highly collectable. I start at £55. | 0:36:52 | 0:36:55 | |
£55. Bid at £55, the boot pin cushion at 55. | 0:36:55 | 0:36:58 | |
Now where are you at 60? | 0:36:58 | 0:37:00 | |
60 bid. 65, 70, five, 80. | 0:37:00 | 0:37:02 | |
Five, 90, five. | 0:37:02 | 0:37:04 | |
110. 120, back. | 0:37:04 | 0:37:06 | |
All at 120, lost you, front. | 0:37:06 | 0:37:09 | |
At 120 now. Any advance on £120? | 0:37:09 | 0:37:11 | |
-SHE BANGS GAVEL -£120. -Well done. | 0:37:13 | 0:37:15 | |
-Say "Thank you, Catherine." -Thank you. Mwah. | 0:37:16 | 0:37:20 | |
-Mwah! I told you we absolutely loved it. -No, you didn't. | 0:37:20 | 0:37:23 | |
£160. That's good. You are plus £40. | 0:37:23 | 0:37:26 | |
-OK? -That's enough. -You are plus £40. | 0:37:27 | 0:37:30 | |
-What are going to do? Are you going to go with the porter's trolley or take the £40? -Sorry. | 0:37:30 | 0:37:36 | |
-I'd take it and run. -We'll take it. -Are you going to park it? -We're going to park that £40. | 0:37:36 | 0:37:41 | |
-We'll take it. -We'll take it. -Stick. -No, no, sorry. | 0:37:41 | 0:37:44 | |
No, we won't take it. We're going to take the money. | 0:37:44 | 0:37:47 | |
-We don't want the trolley. -You don't want the trolley? Are you sure? | 0:37:47 | 0:37:51 | |
And to Lot 168, on the sheet showing it's starting at £12. | 0:37:51 | 0:37:55 | |
-HE LAUGHS -I'll take 15. | 0:37:56 | 0:37:58 | |
12, 18, 20, 22. | 0:37:58 | 0:38:00 | |
22 with me now. Where's five? | 0:38:01 | 0:38:04 | |
It's on commission at 22. Bids are in. Looking for five. | 0:38:04 | 0:38:07 | |
-25, just in time. -Ooh, sneaky. | 0:38:08 | 0:38:11 | |
Where's eight? | 0:38:11 | 0:38:13 | |
-At 25, all done. -BANGS GAVEL | 0:38:13 | 0:38:16 | |
That would've been a £24 loss, | 0:38:16 | 0:38:17 | |
so you did the right thing in parking your £40, and you're £40 up. | 0:38:17 | 0:38:21 | |
Which could be a winning score. Just don't talk to the Blues at all. | 0:38:21 | 0:38:25 | |
The smile might give it away, though. | 0:38:25 | 0:38:27 | |
-Just don't... Stop grinning, AJ. -Don't smile. -Deadpan. -Poker face. | 0:38:27 | 0:38:32 | |
OK, BC, Barry, Clayton. Have you been talking to the Reds? | 0:38:39 | 0:38:43 | |
-Nope. -Glad to hear it. | 0:38:43 | 0:38:45 | |
First up, though, is the sergeant's uniform. | 0:38:45 | 0:38:48 | |
You 'orrible lot, here we go. | 0:38:48 | 0:38:50 | |
Lost 184, the post-war British Army sergeant's uniform. | 0:38:51 | 0:38:54 | |
Start me at 40. £40, surely? | 0:38:55 | 0:38:57 | |
Come on, £40. Anyone in? | 0:39:00 | 0:39:02 | |
I have 20 on commission so I'll take that. £20 is bid on my sheet. At 20 I'll take two. | 0:39:02 | 0:39:07 | |
The Anglian Regiment uniform at 20. Am I missing anybody? | 0:39:07 | 0:39:10 | |
It's good value at £20 for your next official engagement. | 0:39:10 | 0:39:15 | |
At £20. Does nobody want any more? 20 it will sell. | 0:39:15 | 0:39:18 | |
-BANGS GAVEL -That is disappointing. | 0:39:18 | 0:39:21 | |
All her efforts. Minus £14 there, lads. Bad luck. Now, the collar. | 0:39:21 | 0:39:26 | |
Lot 185, the leather horse collar, late 19th, early 20th century. | 0:39:26 | 0:39:31 | |
It's now fitted as a mirror. That's a lovely mirror. £50, surely? | 0:39:31 | 0:39:35 | |
-It certainly is. -£30 to start. Come on. | 0:39:35 | 0:39:37 | |
-Buy it for the horse to look at it in his stables. -They don't like it. -20 to start. Come on. | 0:39:38 | 0:39:44 | |
This mirror here at £20. Come on. For the mirror there, anybody in? | 0:39:44 | 0:39:48 | |
20 bid. Thank you. 20 I have. Where's two? | 0:39:48 | 0:39:51 | |
-£40 paid. -SHE BANGS GAVEL | 0:39:51 | 0:39:54 | |
She's sold it for £20. That's minus £20. This is not going to do it. | 0:39:54 | 0:39:58 | |
-It's not going particularly well. -Not so good. | 0:39:58 | 0:40:01 | |
Lot 186. We have, first of all, the military black lacquered compass. | 0:40:01 | 0:40:06 | |
Start me at 50. 30 to start, surely? | 0:40:06 | 0:40:09 | |
A piece of military here for £30. | 0:40:11 | 0:40:13 | |
20 to start then. A little collectable at £20. | 0:40:13 | 0:40:16 | |
Anybody in here at £20? It's for nothing. | 0:40:16 | 0:40:18 | |
Thank you, sir. £20. Looking for two now. | 0:40:18 | 0:40:22 | |
It's £20 front bid. Surely worth more at £20. Where are you at two? | 0:40:22 | 0:40:26 | |
I don't see a flurry. | 0:40:26 | 0:40:29 | |
-22 is the gallery. At 25. -You're in profit. | 0:40:29 | 0:40:31 | |
25 is back downstairs. Lost the gallery. At 25 and selling. | 0:40:31 | 0:40:36 | |
-BANGS GAVEL -25 profit. You made £2 on that. | 0:40:36 | 0:40:40 | |
You're minus 32. Minus £32, chaps. | 0:40:40 | 0:40:43 | |
-What about the typewriter? Do you want to have a go at that? -Go on. | 0:40:44 | 0:40:47 | |
Minus £32 could be a winning score. | 0:40:47 | 0:40:49 | |
-Bearing in mind the crowd so far. -We'll stick. | 0:40:51 | 0:40:53 | |
-Are you happy to stick? -You didn't like it to start with, did you? | 0:40:55 | 0:40:59 | |
It's not I didn't like it. It's nothing exciting, was it? | 0:40:59 | 0:41:03 | |
-We'll stick. -Yeah? -Yeah. | 0:41:03 | 0:41:05 | |
OK, now you're not going to do it. We're going to sell it anyway. | 0:41:05 | 0:41:09 | |
Lot 190, | 0:41:09 | 0:41:11 | |
the early 20th century Underwood standard portable typewriter. | 0:41:11 | 0:41:15 | |
-Here comes the portable. -£10 bid on the little typewriter. | 0:41:15 | 0:41:18 | |
There at £10. Would look nice on the side. 13 bid. 15, 18, 20. | 0:41:18 | 0:41:22 | |
22 and I'm out. To my right at 22. I'll take five. | 0:41:22 | 0:41:26 | |
At £22, any advance? Anybody stepping up? At 22 it will sell. | 0:41:26 | 0:41:30 | |
-SHE BANGS GAVEL -£22 she's sold at, | 0:41:31 | 0:41:35 | |
which would've been minus £3. You didn't take it. You are minus £32, | 0:41:35 | 0:41:39 | |
which could be a winning score, all right? Could lash the Reds with minus £32. | 0:41:39 | 0:41:44 | |
You've seen their performance in the room today. It hasn't been so hot. You could be out in front there. | 0:41:44 | 0:41:50 | |
Anyway, say nothing and all will be revealed in a moment. | 0:41:50 | 0:41:53 | |
OK, we've been chatting. It's all about the scores. You have no idea at all. | 0:41:56 | 0:42:01 | |
You have no idea that one team is substantially ahead of the other. | 0:42:01 | 0:42:05 | |
I have to reveal that the team that's trailing just happens to be the Blues. | 0:42:05 | 0:42:10 | |
Minus £32 is your total, which is not so hot, is it, really? | 0:42:10 | 0:42:14 | |
It did not go down your groove. In fact, the only profit you made was £2 on a compass. | 0:42:14 | 0:42:19 | |
-It's the taking part that matters, right, Barry? -It is. -You agree, Clayton? -Of course. | 0:42:19 | 0:42:24 | |
-You agree, JP? Stop shaking your head. -I feel for them. -I know. We feel for you. | 0:42:24 | 0:42:28 | |
That's not the right reflection for your efforts, but there it is. Well done. Thank you for joining us. | 0:42:28 | 0:42:34 | |
But for the Reds, they're going to go home with £40. How about that? | 0:42:34 | 0:42:39 | |
£40, lads. | 0:42:39 | 0:42:41 | |
-Is that good, Jim? -I'm happy with that. -Are you happy with that, AJ? | 0:42:41 | 0:42:45 | |
Yes? And congratulations, Catherine. | 0:42:45 | 0:42:47 | |
What did you get? You got £20 on the liqueur ladle. That was good. | 0:42:47 | 0:42:50 | |
£60 on that little boot you found. That's a very, very good result. | 0:42:50 | 0:42:56 | |
-An expensive knobbly piece. -Yeah. You never liked it, did you? | 0:42:56 | 0:42:59 | |
I loved it. From the very first moment I absolutely loved it. | 0:42:59 | 0:43:03 | |
-You so and so's. Anyway, you had fun? -Loved it. | 0:43:03 | 0:43:05 | |
-We loved having you on the show. Join us soon for some more bargain hunting, yes? -Yes! | 0:43:05 | 0:43:10 | |
I know you're sitting there thinking, | 0:43:10 | 0:43:13 | |
"I could've done better than that." Well, what's stopping you? | 0:43:13 | 0:43:17 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:17 | 0:43:22 | |
It'll be splendid to see you. | 0:43:22 | 0:43:24 | |
Subtitles by Red Bee Media Ltd | 0:43:25 | 0:43:29 |