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Today we're in the historic town of Hungerford. | 0:00:09 | 0:00:14 | |
When a town's been around for the best part of the Millennium, | 0:00:14 | 0:00:18 | |
it's got to be rich pickings for us, eh? | 0:00:18 | 0:00:21 | |
So, let's go bargain hunting, yeah! | 0:00:21 | 0:00:24 | |
Imagine the fun that you could have with £300 and an hour shopping here. | 0:00:54 | 0:00:59 | |
Well, for today's teams they need imagine no more, | 0:00:59 | 0:01:02 | |
because Hungerford's antique stalls await, | 0:01:02 | 0:01:05 | |
and here's a quick peek as to what's coming up. | 0:01:05 | 0:01:07 | |
The Reds find something appealing. | 0:01:10 | 0:01:12 | |
-Knobs. -Door knobs. | 0:01:12 | 0:01:14 | |
Knobs! Lovely knobs, girls. | 0:01:14 | 0:01:16 | |
Whilst the Blues get it wrong. | 0:01:16 | 0:01:18 | |
If I took that home, my wife would throw it away. | 0:01:18 | 0:01:21 | |
So, let's go and meet the teams. | 0:01:21 | 0:01:23 | |
On today's show we've got two teams of friends. | 0:01:25 | 0:01:28 | |
Well, they're friends at the moment. | 0:01:28 | 0:01:30 | |
For the Reds we've got Sheila and Ann, | 0:01:30 | 0:01:33 | |
and for the Blues we've got Neil and Richard. Welcome, everybody. | 0:01:33 | 0:01:37 | |
-Thank you. -Very nice to see you. How did you two girls get to know one another? | 0:01:37 | 0:01:42 | |
There's a story. THEY LAUGH | 0:01:42 | 0:01:44 | |
Sheila had a career change and started a new business. | 0:01:44 | 0:01:47 | |
So in our local paper there was an advertorial for kinesiology, | 0:01:48 | 0:01:52 | |
the business she was starting, and I thought, "I'll have some of that," | 0:01:52 | 0:01:56 | |
-and I went along as one of her first clients. -And you're with her still. -As a friend. | 0:01:56 | 0:02:01 | |
THEY LAUGH | 0:02:01 | 0:02:02 | |
-So tell us about this nesiology, then? -Kinesiology. -Oh, I'm sorry. | 0:02:02 | 0:02:07 | |
-Kinesiology. -Kinesiology, basically, is understanding how energy flows. | 0:02:07 | 0:02:13 | |
Kinetic energy flows all the time unless it is stopped by something. | 0:02:14 | 0:02:19 | |
So in our bodies, energy flows all the time unless something blocks it or stops it. | 0:02:19 | 0:02:23 | |
-Maybe trauma, disease, whatever. -That's quite clear. | 0:02:23 | 0:02:26 | |
Now, Ann, it says here you sent something in with a postage stamp. | 0:02:26 | 0:02:30 | |
That's how we got on the show. | 0:02:30 | 0:02:32 | |
-Is that how you did it? You didn't do it online? That's a miracle. -Yes - and it got through. | 0:02:32 | 0:02:37 | |
-And you're here, which is a thrill. -Yes. -What other things do you put pen to paper about? | 0:02:37 | 0:02:42 | |
I've had no end of pen-friends in my time, | 0:02:42 | 0:02:45 | |
and I'm still in touch with a lot of them. Some we started writing to each other when we were ten, | 0:02:45 | 0:02:50 | |
and I won't tell you how old we are, but it's well over 50 years | 0:02:50 | 0:02:53 | |
-we've kept up a correspondence. -That's lovely. -Yes. | 0:02:53 | 0:02:56 | |
Some of them send you some pretty weird things, don't they? | 0:02:56 | 0:03:00 | |
-There's a fella that sent you a bit of a monkey. -A piece of skin. It could have come from anywhere. | 0:03:00 | 0:03:05 | |
-Really? -It was about that size. -Was it? | 0:03:05 | 0:03:07 | |
-ALL LAUGH -There you go. Bragging again. | 0:03:08 | 0:03:12 | |
Gosh. After all that, then, girls, what sort of things will you be hunting for today on Bargain Hunt? | 0:03:12 | 0:03:18 | |
-The things that we like. -Yes. -It has to appeal, doesn't it? | 0:03:18 | 0:03:22 | |
-We have no strategy. -No strategy? -None. -That's probably a good idea. | 0:03:22 | 0:03:27 | |
But you're going to keep off animal parts, aren't you? | 0:03:27 | 0:03:30 | |
-Definitely. -Good. | 0:03:30 | 0:03:32 | |
On that happy note I think we better move on to the Blues. | 0:03:32 | 0:03:35 | |
Anyway, good luck, girls. Now, boys, lovely to see you. | 0:03:35 | 0:03:38 | |
What is your connection? How did you get to know each other? | 0:03:38 | 0:03:41 | |
It's through our girlfriends. They're sisters, | 0:03:41 | 0:03:44 | |
so Leanne and Kirsty are sisters, so we met from there. | 0:03:44 | 0:03:48 | |
-We've just got on from day one. -Neil, it says you're a DJ here. | 0:03:48 | 0:03:52 | |
-I am indeed. -Tell us about that. -For about 12 years, or over, I've been DJing. | 0:03:52 | 0:03:56 | |
-International DJ I like to call myself. -That's exotic. -It sounds it. | 0:03:56 | 0:04:00 | |
-You get to foreign parts a lot? -I do. I've worked on cruise ships, | 0:04:00 | 0:04:03 | |
in Greece as well, so I've done a good mixture of stuff. | 0:04:03 | 0:04:06 | |
-It says here you're a collector. -Of sorts. What do you collect? | 0:04:06 | 0:04:10 | |
-Everything from toys. Building blocks, without using brand names. -It begins with L and ends in O. | 0:04:10 | 0:04:15 | |
That's it. You've got the one. I've got a special edition. | 0:04:15 | 0:04:19 | |
I followed a series of ten special edition ones about 20 years ago, | 0:04:19 | 0:04:23 | |
-and I've kept them safely in my loft for a rainy day. -Still in the packs? -Oh, yes. | 0:04:23 | 0:04:27 | |
-It was a plan. -You're an investor, aren't you? -I'm trying. | 0:04:27 | 0:04:30 | |
-Richard, you like to turn your hand to a bit of inventing. -I do try. | 0:04:30 | 0:04:34 | |
-I've tried to invent a masking tape with measurements on. -Yes? | 0:04:34 | 0:04:38 | |
I went to the patenting office. Somebody had already patented an adhesive. Yeah? | 0:04:38 | 0:04:43 | |
That's very cross making, isn't it? You get that far. | 0:04:43 | 0:04:46 | |
-You'll come up with something soon. You're also an occasional collector? -Yeah. | 0:04:46 | 0:04:50 | |
-One thing I've collected used to be perfume sticks. -Ah. | 0:04:50 | 0:04:54 | |
You know when you go to, like, perfume shops and things like that and they spray them? | 0:04:54 | 0:04:59 | |
Not for the scent, for the actual stick itself. | 0:04:59 | 0:05:02 | |
I've only done this because I've seen on a TV show once that they're worth £20 to £30 each. | 0:05:02 | 0:05:07 | |
I went out there and got about 200. I'm thinking, in the future... Then I got with my girlfriend, | 0:05:07 | 0:05:12 | |
-she told me to bin them because she thinks it's crazy. -She put them in the bin? -Yes. -Never! | 0:05:12 | 0:05:17 | |
-That's terrible. -She had a clearout and sent us a text saying, "I've put them in the bin." | 0:05:17 | 0:05:22 | |
-Also collect pin badges. -The golden gavel. Would you like one? -Yes. | 0:05:22 | 0:05:26 | |
You're going to have to work hard if you're to get one. Talking of which, | 0:05:26 | 0:05:30 | |
-the process begins with £300. Here's your £300. -Thank you. | 0:05:30 | 0:05:33 | |
You know the rules. Your experts await, and off you go! | 0:05:33 | 0:05:37 | |
And very, very good luck. | 0:05:37 | 0:05:39 | |
With two teams like that, we need a pair of very special experts. | 0:05:42 | 0:05:46 | |
The Reds will be led by the exceptional Charlie Ross. | 0:05:47 | 0:05:50 | |
The Blues will have the guiding hand of the stupendous Jonathan Pratt. | 0:05:51 | 0:05:55 | |
-Oh, girls, this is... -Bliss. -..sensational. | 0:06:02 | 0:06:06 | |
Have I really got to go shopping? | 0:06:07 | 0:06:09 | |
Have you got any tactics? | 0:06:09 | 0:06:11 | |
-We're going to win. We're not messing about. -Is that a tactic? Is winning a tactic? -I think it is. | 0:06:11 | 0:06:17 | |
-Tactics? We don't do tactics. -Oh, no, we just go with the flow. | 0:06:17 | 0:06:22 | |
I kind of want some statement pieces. | 0:06:22 | 0:06:24 | |
Some nice, big, tall statement pieces. | 0:06:24 | 0:06:27 | |
Precious metals as well. That's always a winner. | 0:06:27 | 0:06:30 | |
-What, you just feel your way? -That's precisely what we do. | 0:06:30 | 0:06:33 | |
Well, get on with it. Lead on and I'll follow. | 0:06:33 | 0:06:36 | |
Come on, teams, get on with it. | 0:06:36 | 0:06:38 | |
-You're a tactile girl. -That's the thing. -You like that sort of thing. He feels nice. | 0:06:52 | 0:06:57 | |
-They're quite good fun, there, those dogs. What are they? -Nutcrackers. | 0:06:57 | 0:07:01 | |
You pull the tail if you want to get your nuts cracked. | 0:07:01 | 0:07:04 | |
As half the nation crosses its legs... | 0:07:04 | 0:07:06 | |
-That appeals to me, those three. -Those bangles? I think they're modern. I'm sure they're modern. | 0:07:06 | 0:07:12 | |
They are very personal, aren't they? What do you think of them? | 0:07:12 | 0:07:16 | |
-It's not my taste. -Not your taste? This is going to be fun. It's going to be good. | 0:07:16 | 0:07:20 | |
Like it, hate it. Hate it, like it. | 0:07:20 | 0:07:22 | |
Good, good. I'm looking forward to fun in the Red camp. What about you Blues? Like to win, eh? | 0:07:22 | 0:07:28 | |
This is more of the general fair. Everything out here has another use. | 0:07:28 | 0:07:32 | |
Chimney pots become planters, these little feeders, it's like a chicken feeder or something, | 0:07:32 | 0:07:38 | |
is like a bird bath, isn't it? | 0:07:38 | 0:07:40 | |
One man's trash, as they say... | 0:07:40 | 0:07:42 | |
I love good enamelling. I think that's a superb thing. | 0:07:42 | 0:07:46 | |
Art Deco silver painting, Roesch enamel card case. | 0:07:46 | 0:07:49 | |
-That's fabulous. I mean, that's real 1920s - -It's classy. | 0:07:50 | 0:07:53 | |
-1930s. -It's just classy. -Charleston era. | 0:07:53 | 0:07:56 | |
Do you dance the Charleston, girls? | 0:07:56 | 0:07:58 | |
-Don't tempt her. -HE LAUGHS | 0:07:58 | 0:08:00 | |
Don't tempt her? She will, won't she? | 0:08:00 | 0:08:02 | |
Ann, you're a spoilsport. | 0:08:02 | 0:08:04 | |
I think that's a superb item. | 0:08:04 | 0:08:06 | |
I think he likes that. | 0:08:06 | 0:08:08 | |
-Shall we ask for a bit of shop assistance? -Yes. I'm quite happy with that. Quite happy. | 0:08:08 | 0:08:14 | |
-We have Ann and we have Sheila. -Hi. Nice to meet you. | 0:08:14 | 0:08:17 | |
-We're really getting quite excited about your Art Deco card case. -OK. | 0:08:17 | 0:08:22 | |
Thank you very much indeed. | 0:08:25 | 0:08:27 | |
-Oh, wow. -Isn't that fabulous workmanship? -It's lovely. | 0:08:27 | 0:08:30 | |
-This enamel is delicious. -Gorgeous. It's better when you get it out. | 0:08:30 | 0:08:34 | |
-SHE GASPS -Look at that decoration on the back. | 0:08:34 | 0:08:37 | |
-We're going to open it up. -Yes, yes, yes. | 0:08:37 | 0:08:40 | |
"Made in England." That's all right. | 0:08:40 | 0:08:43 | |
-That is a maker's name there. -All right. -JG Limited. | 0:08:43 | 0:08:47 | |
Now what I'm not finding here is a hallmark. | 0:08:47 | 0:08:50 | |
That gives us two clues. | 0:08:50 | 0:08:52 | |
-Either it's not silver. -Mm. -Or it's Continental. | 0:08:52 | 0:08:55 | |
I think it's actually plated and not silver. | 0:08:57 | 0:09:00 | |
It helps if you look at the label. | 0:09:00 | 0:09:02 | |
-Oh, it is silver-plated, yes. -I do think that's nice. | 0:09:02 | 0:09:05 | |
We go off to auction, girls. What would that be estimated at auction? | 0:09:05 | 0:09:09 | |
Mm, 80 to 120. A hundred, a hundred and fifty. | 0:09:09 | 0:09:12 | |
So may we just try and see if there is an unforgettably wonderful price? | 0:09:12 | 0:09:17 | |
-I'll see what I can do. -That's really sweet of you. Thank you. | 0:09:17 | 0:09:21 | |
The Blues are looking alarmed. | 0:09:30 | 0:09:32 | |
-BELL RINGS -It works as well. -Yeah. | 0:09:32 | 0:09:34 | |
DING! DING! DING! DING! | 0:09:34 | 0:09:37 | |
-That's cool. -It still works, too. -There's no price on it, which is always a good thing. | 0:09:37 | 0:09:42 | |
-I quite like that. -It's a novelty, isn't it? -It's quite nice. | 0:09:42 | 0:09:46 | |
It's a firm alarm but it's like an old school bells at break time. | 0:09:46 | 0:09:50 | |
-The moment of truth. What's the verdict? -£95. | 0:09:50 | 0:09:54 | |
-Yes! -Wow, what a difference. | 0:09:54 | 0:09:56 | |
-It's quite a high risk, but you both love it, don't you? -Yes, I do. | 0:09:56 | 0:10:00 | |
-Let's go with the heart. -Yes. -Yes. -To heck with the head. | 0:10:00 | 0:10:03 | |
Thank you very much, Lynne. That's really superb. | 0:10:03 | 0:10:06 | |
-Thank you. wonderful. -It is beautiful. Thank you. | 0:10:06 | 0:10:09 | |
I've got two very happy girls with me now. | 0:10:10 | 0:10:13 | |
-Which makes him a very lucky man. -Aren't you lucky? Yes. | 0:10:13 | 0:10:17 | |
Charlie looks like the cat what got the cream with that one. | 0:10:17 | 0:10:20 | |
Well done, Reds. Let's see if it makes its "case" at auction. | 0:10:20 | 0:10:23 | |
The boys in Blue are in their element. | 0:10:23 | 0:10:26 | |
-Ooh. Have you seen this, Neil? -What have you got there? | 0:10:27 | 0:10:31 | |
-It's some kind of seat, is it? -It's a cast iron tractor seat. -Yeah. | 0:10:33 | 0:10:37 | |
Er... This will be early part of the century. | 0:10:37 | 0:10:40 | |
Last century, that is, obviously. | 0:10:40 | 0:10:42 | |
I think it's quite fun because you've got the name, Nicholsons. | 0:10:42 | 0:10:46 | |
I'm not familiar with Nicholsons but they might've been seat or tractor makers. From Newark, England. | 0:10:46 | 0:10:52 | |
The shape of them, this sort of saddle shape, | 0:10:52 | 0:10:54 | |
-they're ergonomically... -Comfortable. -Comfortable. | 0:10:54 | 0:10:58 | |
They sit there, and you can get a good farmer's backside on there. | 0:10:58 | 0:11:01 | |
A good farmer's backside? Do they excel in that department? | 0:11:01 | 0:11:05 | |
-Want to have a look at it? -It's got a good weight to it, definitely. | 0:11:05 | 0:11:09 | |
-It doesn't have a price on. Actually, this doesn't have a price on. -Then there's the fire bell. | 0:11:11 | 0:11:16 | |
It is brass. Including the brackets it's £125. | 0:11:16 | 0:11:20 | |
£125? | 0:11:20 | 0:11:22 | |
The implement seat, which is circa 1900, | 0:11:22 | 0:11:25 | |
-that's £120 is its retail price. He will do that at £90. -£90? | 0:11:25 | 0:11:30 | |
Just wondering. If he said he'd do that one for £125, | 0:11:30 | 0:11:33 | |
-do you think he'll do £200 for the both of them? -No. -He might do. | 0:11:33 | 0:11:38 | |
He won't. He has told me those are his very best prices. | 0:11:38 | 0:11:41 | |
If he had to do two sales instead of one. | 0:11:41 | 0:11:43 | |
Very persuasive our Blues, aren't they? | 0:11:43 | 0:11:45 | |
-I love this perfume bottle. -You'd like to buy that. It's a three or 4,000 piece. -Really? | 0:11:45 | 0:11:50 | |
And how much do little birdies in the tray come up at? | 0:11:50 | 0:11:53 | |
-Less, but will be into four figures. -Really? -Oh, yes. -Just gorgeous. | 0:11:53 | 0:11:57 | |
-But, girls... -Hey. -How long have we got? We have not got a week. | 0:11:57 | 0:12:01 | |
-I know. Sorry. -And we haven't got a thousand pounds. -No. We'll move on. | 0:12:01 | 0:12:05 | |
That's it, Reds, step away. Time's ticking on. | 0:12:05 | 0:12:08 | |
Over the road, it's up to JP to seal the deal for the fire bell and tractor seat combo. | 0:12:08 | 0:12:14 | |
Hi, Stuart. | 0:12:14 | 0:12:16 | |
You've given us your best prices. What the gents want to know is, | 0:12:16 | 0:12:20 | |
because they know you're a businessman, | 0:12:20 | 0:12:22 | |
is whether you'd sell them both at just take that little bit more off | 0:12:22 | 0:12:27 | |
and do it for £200? He's umming and ahhing. | 0:12:27 | 0:12:30 | |
Is that all right? | 0:12:30 | 0:12:32 | |
Brilliant. I'll pass you over so that she doesn't just take my word for it. | 0:12:32 | 0:12:37 | |
So we've done that. That's £200. | 0:12:37 | 0:12:39 | |
Now as the bell was, proportionally, the larger value, | 0:12:40 | 0:12:43 | |
I think you probably need to split it better that way. | 0:12:43 | 0:12:46 | |
If we say £120 for the bell, that's still a decent discounted rate. | 0:12:46 | 0:12:50 | |
-And then £80 for the seat. I think both fair prices. -Yeah. | 0:12:50 | 0:12:54 | |
-Stands us a chance of making something on both. -Yeah. -Happy with that? -Really good. | 0:12:54 | 0:12:59 | |
Brilliant. Thanks very much. | 0:12:59 | 0:13:01 | |
Well done, Blues. Two very manly items from a team of chaps. | 0:13:01 | 0:13:06 | |
No surprises there, then. | 0:13:06 | 0:13:08 | |
20 minutes gone. Keep it up, teams. | 0:13:08 | 0:13:10 | |
-Now, girls, are you getting anywhere? -This. | 0:13:10 | 0:13:13 | |
-That is for teapot collectors. -Yes, exactly. | 0:13:13 | 0:13:17 | |
Well, you know, the way Chinese things are going at the moment, | 0:13:17 | 0:13:21 | |
anything Oriental is quite good news. It's got the most wonderful decoration on it. | 0:13:21 | 0:13:26 | |
I'm not going to object if you have a go at that. | 0:13:26 | 0:13:29 | |
I would object if it was two or £300. Do you know what the price is? | 0:13:29 | 0:13:32 | |
-£45, I think? -45? We could probably get that for 20, couldn't we? | 0:13:32 | 0:13:36 | |
Go for it, Charlie boy. | 0:13:36 | 0:13:38 | |
-I think we ought to have a look at it. -I think so. | 0:13:38 | 0:13:40 | |
-Knock, and the door will be opened. -Could we see that one? -The girls are quite keen on your Chinese teapot. | 0:13:40 | 0:13:46 | |
-Mm. That's just gorgeous. It's not heavy. -Oh, the wee lion. | 0:13:51 | 0:13:54 | |
-A little Dog of Fo. -Oh, right. It's lovely. | 0:13:54 | 0:13:57 | |
A little Dog of Fo on the front. | 0:13:57 | 0:13:59 | |
The enamelling is very nice. I think it's excellent. | 0:13:59 | 0:14:04 | |
I would possibly take exception to the word antique. | 0:14:04 | 0:14:09 | |
-An old-fashioned person like myself would generally reckon an antique being 100 years. -Yes. | 0:14:10 | 0:14:16 | |
So that's putting that... I think that is in the style of the antique. | 0:14:17 | 0:14:21 | |
Come on, then, Charlie, we'll have it. | 0:14:21 | 0:14:23 | |
We're not just going to have it. I don't want you to pay £45 for it. | 0:14:23 | 0:14:27 | |
No, no. | 0:14:27 | 0:14:29 | |
I think we'll just ask you to see what you can do. | 0:14:29 | 0:14:32 | |
If it could be £25 it would be fantastic. | 0:14:32 | 0:14:35 | |
I'll do my best for you. | 0:14:35 | 0:14:37 | |
Again, the ladies agree, but Charlie isn't so certain. | 0:14:37 | 0:14:40 | |
The Blues have decided a change of scene is in order. | 0:14:41 | 0:14:45 | |
After half and hour, having bought the two objects in one shop, | 0:14:46 | 0:14:49 | |
I mean, that was a bit of a cheeky deal. | 0:14:49 | 0:14:52 | |
I think they did rather well, actually. | 0:14:52 | 0:14:54 | |
I suppose, in a way, they are boys' bits. | 0:14:54 | 0:14:57 | |
-Not having all their eggs in one basket might be the thing to do now. -FLOORBOARDS SQUEAK | 0:14:57 | 0:15:02 | |
-We should go for something a bit more pretty. -Something pretty, yes. | 0:15:02 | 0:15:06 | |
-Show our feminine side, the lighter side. -Why not? | 0:15:06 | 0:15:09 | |
There we go. A little spoon. £20. | 0:15:09 | 0:15:11 | |
I don't know about a spoon. It's not the most original item. | 0:15:12 | 0:15:15 | |
It can't all be fire bells and tractor seats, Neil. Meanwhile, back at the teapot. | 0:15:15 | 0:15:20 | |
Moment of truth, girls. Is there a smile? There's quite a smile. | 0:15:20 | 0:15:24 | |
-Fingers crossed. -There's a smile. -Yeah? -Our best price would be £30. | 0:15:24 | 0:15:28 | |
-The dealer, hence the price of the £45, isn't terribly sure of the history of the teapot. -Yeah. | 0:15:28 | 0:15:35 | |
-So £30. -I think that solves the problem for us, doesn't it, girls? | 0:15:35 | 0:15:40 | |
I think my point about it not being antique is probably right, | 0:15:40 | 0:15:45 | |
and that's very fair of the owner. | 0:15:45 | 0:15:47 | |
But, frankly, if it's 20th century, at £30 we're going to have it, aren't we? | 0:15:48 | 0:15:53 | |
-And it is very unusual. -It's what I came up with in my head. | 0:15:53 | 0:15:57 | |
-Is it? -Mm. -Thank you very much. Sold. | 0:15:57 | 0:16:00 | |
Unanimity once more, but will Charlie's doubts about its age | 0:16:00 | 0:16:04 | |
come home to roost? Only time, and the auction, will tell. | 0:16:04 | 0:16:07 | |
The teapot's quite modern, but it's stylish, and for 30 quid there shouldn't be too much downside. | 0:16:07 | 0:16:13 | |
Should there? | 0:16:13 | 0:16:14 | |
Charlie's doing really well. It's nice to get the knowledge behind it. | 0:16:14 | 0:16:19 | |
-We know what we like. -Yes. -But to have the knowledge coming up behind it, | 0:16:19 | 0:16:23 | |
-confirming our good taste, don't you think? -Well, he didn't go mad about the teapot, did he? | 0:16:23 | 0:16:28 | |
He did in the end. He warmed up to it. | 0:16:28 | 0:16:31 | |
-All right. -Teapots need warming. | 0:16:31 | 0:16:33 | |
Yes, yes. | 0:16:34 | 0:16:35 | |
Well, don't "stew" on it for too long, Reds. Both teams have got one more item to find | 0:16:35 | 0:16:40 | |
and only 20 minutes left to do it in. | 0:16:40 | 0:16:42 | |
-This is the one. -This one here? -We weren't going for a pair this time. -For £18? -A bargain. | 0:16:42 | 0:16:47 | |
-We could make stacks of money. -Well... If I took that home, | 0:16:47 | 0:16:51 | |
-my wife would throw it out the window. -And get shot. -Guaranteed. | 0:16:51 | 0:16:54 | |
So that's a no, then. | 0:16:54 | 0:16:56 | |
Follow me. Look. There's a man set up specially for us today. | 0:16:56 | 0:17:01 | |
Have a quick look. | 0:17:02 | 0:17:04 | |
These could open doors for you, Reds. | 0:17:06 | 0:17:08 | |
-Hey, Sheila? -Doorknobs. -Yes. | 0:17:08 | 0:17:10 | |
-Is that brass? If it is, it'll clean up beautifully. -Yes. | 0:17:12 | 0:17:16 | |
-I like those. -I like the way the light catches on them. | 0:17:16 | 0:17:19 | |
-What have you found, girls? -Doorknobs. | 0:17:19 | 0:17:22 | |
-Knobs. -Knobs. -Knobs. Lovely knobs, girls. | 0:17:22 | 0:17:26 | |
Right, I think we'll leave Charlie saying "knobs" there and return to the Blues. | 0:17:26 | 0:17:31 | |
-These Doulton pottery candlesticks, they went out of fashion for a while. -Yeah. | 0:17:31 | 0:17:36 | |
It's sort of coming back into fashion again. | 0:17:36 | 0:17:39 | |
-Shall we have a look at them? -OK. -So we can grab some. -As if by magic. | 0:17:39 | 0:17:43 | |
You've got the key? Oh, brilliant. | 0:17:43 | 0:17:45 | |
-There's one. -Thank you. | 0:17:50 | 0:17:52 | |
There's a crack right down the centre. | 0:17:53 | 0:17:56 | |
So you've got one candlestick, essentially. | 0:17:57 | 0:18:00 | |
-That one's fine, but that' got a massive crack. -It's got a huge crack in it. | 0:18:00 | 0:18:04 | |
-Is that actually right through the whole thing? -Yeah, it's a repair job underneath, isn't it? | 0:18:04 | 0:18:10 | |
If we don't have any luck for the next ten minutes, we need to fall back on something. | 0:18:10 | 0:18:15 | |
-We're just saying, because one of them is quite damaged. -Yes, OK. | 0:18:15 | 0:18:18 | |
It's split all the way through, pretty much. | 0:18:18 | 0:18:21 | |
-There's 50 on there. -50 for a pair with one completely smashed? -OK. | 0:18:21 | 0:18:25 | |
I wonder whether they might just take £20? | 0:18:25 | 0:18:28 | |
-I'll do my best. 20? -Yeah. | 0:18:28 | 0:18:29 | |
OK, let's go, hesitantly, back to the Reds. | 0:18:29 | 0:18:32 | |
-I don't think they're Victorian. They're Edwardian. -Yes. -Yeah? 1920s, probably. | 0:18:32 | 0:18:38 | |
-Somebody doing up a house in Chiswick. -It would be wonderful. -Wouldn't that be great? | 0:18:38 | 0:18:43 | |
So? | 0:18:43 | 0:18:44 | |
-To cut a long story short. I asked him if he'd take £20 for them, and he said, "Let them go." So, yes. -OK. | 0:18:44 | 0:18:50 | |
We should've said ten, shouldn't we? ALL LAUGH | 0:18:50 | 0:18:54 | |
What do you want to do? That is an offer. He's on the end of a phone and has agreed to it. | 0:18:54 | 0:18:59 | |
You can put them in the cabinet and have a look for ten minutes and come back. Is that cheeky? | 0:18:59 | 0:19:04 | |
Don't play for too long. Once those ten minutes are up, that's it. | 0:19:04 | 0:19:08 | |
-So how much are you knobs? -£28. | 0:19:08 | 0:19:10 | |
-£28. -I've always liked knobs. -You've always liked knobs? Good. | 0:19:10 | 0:19:14 | |
I'm warning you, Reds. | 0:19:14 | 0:19:16 | |
So would you take £20 for your knobs? | 0:19:16 | 0:19:19 | |
-I'll take £25. -£22? -25 gives me a very small profit. | 0:19:19 | 0:19:25 | |
OK, we'll let you off, then. | 0:19:25 | 0:19:27 | |
-Girls, I'm happy to go along with what you say. -Go on. | 0:19:27 | 0:19:30 | |
-If you'd like these knobs for £25, who am I to stand between you... -And a knob. | 0:19:30 | 0:19:34 | |
-..and seven knobs. -No, quite. -Absolutely. -We have a deal. -Thank you. -We've done it, girls. | 0:19:34 | 0:19:39 | |
Well done. You've got your third item and the world record for repeating the word "knobs" | 0:19:39 | 0:19:44 | |
the most times in five minutes on daytime TV. | 0:19:44 | 0:19:48 | |
Just a few minutes left, and the Blues are still hunting. | 0:19:48 | 0:19:51 | |
-No. -No? -What about this little thing at the front? -The little jug. | 0:19:51 | 0:19:55 | |
-No. -No. | 0:19:55 | 0:19:57 | |
One minute to go. It's that way to pay. | 0:19:57 | 0:19:59 | |
It's the only thing we can do. We've got to go. | 0:19:59 | 0:20:02 | |
-We're going to run. A minute's plenty of time. -You automatically lose if you don't get three objects. | 0:20:02 | 0:20:07 | |
Really? That's news to me, JP. | 0:20:07 | 0:20:09 | |
Can we go with the candlesticks, please? | 0:20:09 | 0:20:12 | |
Yep. Was it £20? | 0:20:12 | 0:20:14 | |
-Yep. -£20 it is, yeah. | 0:20:14 | 0:20:16 | |
-No problem. -Lovely. -That's great. Thanks very much. -Thank you. Cheers. | 0:20:16 | 0:20:21 | |
-Well done, guys. Seconds to spare. -Seconds. -It's all down to you now. | 0:20:21 | 0:20:25 | |
Time's up, you 'orrible lot. | 0:20:25 | 0:20:27 | |
Huh. Let's see what the Red team bought. | 0:20:28 | 0:20:30 | |
They started out all Art Deco | 0:20:30 | 0:20:32 | |
with this stylish card case for £95. | 0:20:32 | 0:20:35 | |
Wow. | 0:20:35 | 0:20:37 | |
And then spotted this teapot. | 0:20:37 | 0:20:39 | |
Despite a few reservations from Charlie, | 0:20:39 | 0:20:41 | |
they poured another £30 into it. | 0:20:41 | 0:20:43 | |
Finally, they bought a set of Edwardian glass doorknobs for £25. | 0:20:44 | 0:20:48 | |
-It's like being part of a cocktail party going round with you lot. -It is. Can I have a martini, please? | 0:20:49 | 0:20:54 | |
-ALL LAUGH -Straightaway. | 0:20:54 | 0:20:56 | |
-Sheila, which is your favourite piece you bought today? -The card holder, which is Art Deco, | 0:20:57 | 0:21:03 | |
and it's sort of silver and enamelled. It's rather beautiful. | 0:21:03 | 0:21:07 | |
-And you, which is your favourite piece? -My Chinese teapot. -Chinese teapot. How much did you spend? | 0:21:07 | 0:21:13 | |
-£150, yes. -£150. Who's got the £150 leftover lolly? | 0:21:13 | 0:21:18 | |
-I have. I have. -Thank you, Annie. That's very kind. Straightaway. | 0:21:18 | 0:21:21 | |
-£150. That's a fair slice. -Thank you, Bob. | 0:21:21 | 0:21:25 | |
-Are you going to spend it all? -Probably not, knowing them. | 0:21:25 | 0:21:28 | |
Now it's your chance, Charlie, to break free. | 0:21:28 | 0:21:31 | |
You're right. Then I will. | 0:21:32 | 0:21:34 | |
-ALL LAUGH -OK. Good luck, anyway. | 0:21:34 | 0:21:36 | |
Great to see you. Meanwhile, why don't we check out what the Blue team bought? | 0:21:36 | 0:21:40 | |
The Blues started out all manly, | 0:21:40 | 0:21:43 | |
with a Victorian painted fire bell. | 0:21:43 | 0:21:45 | |
They kept the chunkiness going with a cast iron tractor seat. | 0:21:48 | 0:21:51 | |
Finally, they found a pair of Doulton Lambeth pottery candlesticks. | 0:21:51 | 0:21:56 | |
-That's it, we're done. -Fantastic. -You can now relax. | 0:21:57 | 0:22:01 | |
I don't want you relaxing up too much. No, we can't have that. | 0:22:01 | 0:22:05 | |
-Which is the favourite bit, for you? -I'd probably say the bell. We bought a big fire alarm bell. | 0:22:06 | 0:22:11 | |
Do you know what? I'm going for the tractor seat. I don't know why. There's something about it. | 0:22:11 | 0:22:17 | |
-Did you try it in for size? -Definitely. A snug fit, shall we say? | 0:22:17 | 0:22:20 | |
-Jolly good. Is that going to bring the biggest profit? -I think so. | 0:22:20 | 0:22:24 | |
-And you spent how much? -£220. -It's such a good number. | 0:22:24 | 0:22:28 | |
-£80 of leftover lolly, please. -Yes. There you go. | 0:22:28 | 0:22:32 | |
That goes straight to JP. | 0:22:32 | 0:22:34 | |
-And hopefully he'll blow the lot. -I'll try. I'll try, yeah. | 0:22:34 | 0:22:39 | |
I've seen one or two things, walking around. I didn't draw their attention to them. | 0:22:39 | 0:22:43 | |
-It was a surprise. -A few secrets. -I'll see what I can find. | 0:22:43 | 0:22:46 | |
Meanwhile, we're off to Hampshire, to the most marvellous house called The Vyne. | 0:22:46 | 0:22:51 | |
This magnificent building | 0:23:04 | 0:23:06 | |
is a small part of a much larger Tudor construction. | 0:23:06 | 0:23:11 | |
Put up by William, first Lord Sandys, | 0:23:11 | 0:23:15 | |
who was Henry VIII's Lord Chamberlain. | 0:23:15 | 0:23:18 | |
As we walk across this immense expanse of lawn, | 0:23:19 | 0:23:25 | |
originally this was covered in a series of Tudor courtyards. | 0:23:25 | 0:23:29 | |
Can you believe that? | 0:23:29 | 0:23:31 | |
Standing testament to the immense changes | 0:23:31 | 0:23:34 | |
that 500 years of history have wrought. | 0:23:34 | 0:23:37 | |
Here in the chapel, the stained glass windows are impressive, | 0:23:37 | 0:23:41 | |
not just because of their splendour, but also because they're extraordinarily old. | 0:23:41 | 0:23:46 | |
This stained glass portrait of Henry VIII | 0:23:46 | 0:23:50 | |
serves as a reminder of when this place was the powerhouse | 0:23:50 | 0:23:54 | |
of a Tudor courtier, a man who entertained the King here, | 0:23:54 | 0:23:59 | |
personally, no less than three times. | 0:23:59 | 0:24:02 | |
To the left there's a scene showing his first wife, Catherine of Aragon. | 0:24:03 | 0:24:08 | |
And what's going on up above? | 0:24:08 | 0:24:10 | |
Well, this is the moment of the Resurrection. | 0:24:10 | 0:24:13 | |
Tremendous drama, spectators being flung to the ground in amazement. | 0:24:14 | 0:24:20 | |
The centre panel depicts the crucifixion. | 0:24:21 | 0:24:25 | |
Above, Henry. It shows him as a young king, | 0:24:25 | 0:24:28 | |
in his twenties, before he became all gross and corpulent. | 0:24:28 | 0:24:34 | |
And over here, on the right, | 0:24:34 | 0:24:35 | |
we've got a scene where Our Lord, | 0:24:35 | 0:24:38 | |
carrying the cross and wearing a brilliant purple robe, | 0:24:38 | 0:24:42 | |
is about to encounter St Veronica | 0:24:42 | 0:24:45 | |
on His way up Calvary. | 0:24:46 | 0:24:48 | |
And underneath, to finish this series of stained glass windows, | 0:24:49 | 0:24:53 | |
we have Margaret, Queen of Scotland, and Henry VIII's sister. | 0:24:53 | 0:24:58 | |
And she is attended by St Margaret, with her emblematic dragon. | 0:24:59 | 0:25:04 | |
I rather like that dragon, don't you? | 0:25:05 | 0:25:07 | |
That great, green, slimy colour. | 0:25:07 | 0:25:10 | |
Of course, the dragon didn't get on too well with St Margaret. | 0:25:11 | 0:25:15 | |
He tried to swallow her. | 0:25:15 | 0:25:17 | |
But as she was carrying a cross at the time | 0:25:18 | 0:25:21 | |
he found her difficult to digest. | 0:25:21 | 0:25:24 | |
So he regurgitated her. | 0:25:24 | 0:25:26 | |
What is extraordinary, of course, | 0:25:26 | 0:25:29 | |
is the survival of this religious glass in the first place. | 0:25:29 | 0:25:34 | |
Because in the reformation, | 0:25:34 | 0:25:36 | |
this stuff was smashed up and removed, piecemeal. | 0:25:36 | 0:25:39 | |
But I guess, because there are so many references to Henry VIII | 0:25:40 | 0:25:44 | |
and his family here, it was allowed to survive. | 0:25:44 | 0:25:48 | |
Nothing short of a miracle. | 0:25:49 | 0:25:52 | |
But that's not the only decorative art item that's interesting | 0:25:52 | 0:25:55 | |
that's survived here in the chapel. | 0:25:55 | 0:25:57 | |
Here, truly, is a pew end fit for a king. | 0:26:01 | 0:26:05 | |
The foliage is reticulated, | 0:26:05 | 0:26:08 | |
and the finial itself is this most extraordinary fellow. | 0:26:08 | 0:26:12 | |
He's on his knees, he's extended his hand and he's gripping his toe | 0:26:13 | 0:26:19 | |
very tightly. He's got a bulging codpiece, | 0:26:19 | 0:26:22 | |
but the most extraordinary feature, I think, | 0:26:23 | 0:26:26 | |
is the way that he's jamming into his mouth some fingers | 0:26:26 | 0:26:31 | |
and seems to be wrenching at his jaw. | 0:26:31 | 0:26:34 | |
Most peculiar. | 0:26:34 | 0:26:36 | |
The question today is, will our teams be sitting pretty, | 0:26:36 | 0:26:39 | |
or will they be biting their nails over at the auction? | 0:26:39 | 0:26:42 | |
Hi, Tom. Very nice to be here at Chiswick Auctions in West London. | 0:26:53 | 0:26:57 | |
-How's tricks? -Very good, Tim. Very good. | 0:26:57 | 0:27:00 | |
-Well, it's delightful to be back. -Good. | 0:27:00 | 0:27:02 | |
For the Red team, their first item is this Art Deco cigarette case, which seems to me to be top quality. | 0:27:02 | 0:27:08 | |
I've been told it's plate but I can't believe it's not silver. | 0:27:08 | 0:27:12 | |
I've priced it as plate, being Art Deco. The enamel's not damaged. | 0:27:13 | 0:27:17 | |
It's a nice thing. Good weight to it. I've only put £30 to £50 on it. | 0:27:17 | 0:27:21 | |
But we get loads of silver buyers come in here. I can't find a mark. | 0:27:21 | 0:27:25 | |
-If there's a mark to be found, they'll find it and it'll make the money. -Which needs to be £95. | 0:27:25 | 0:27:30 | |
Which it might do if somebody believes, as we do, in our hearts, | 0:27:30 | 0:27:34 | |
-this is an unusual, unmarked piece of silver. -Yes, I think it's right. | 0:27:34 | 0:27:38 | |
Now what about the Redware teapot? It's rather fun, isn't it? | 0:27:38 | 0:27:42 | |
Yeah, these Chinese teapots, there's loads of copies around. | 0:27:42 | 0:27:46 | |
I don't think it's that old. The enamelling's nice, but... | 0:27:46 | 0:27:49 | |
We're hoping for more than £30. Any chances? | 0:27:49 | 0:27:53 | |
-I've estimated it at £60 to £100. I've got my Chinese head on these days. -OK. | 0:27:53 | 0:27:57 | |
-With that in mind, it might do better. -Very good. | 0:27:57 | 0:28:00 | |
Next, some glass doorknobs. Three showing out of a set of seven. | 0:28:00 | 0:28:05 | |
-How do you rate seven of these knobs? -I wish we had eight. -Ah. | 0:28:05 | 0:28:08 | |
For four doors, but they're OK. They're stylish enough. | 0:28:08 | 0:28:11 | |
I don't really see them doing that well. | 0:28:11 | 0:28:14 | |
-£25, £45, that sort of money. -OK, well, they paid £25. -OK. | 0:28:14 | 0:28:18 | |
-It's all down to the teapot, really, isn't it? -Yes. | 0:28:18 | 0:28:21 | |
If it does really, really well they won't want their bonus buy. But let's have a look at it anyway. | 0:28:21 | 0:28:27 | |
-I bet you're all longing to know what Carlos has got underneath his rag? -It's looking interesting. | 0:28:27 | 0:28:33 | |
You spent 150, you gave him 150. I expect he's blown the lot. Show us your wares. | 0:28:33 | 0:28:37 | |
-I've spent very little, I'm afraid, girls. -Good. -I'm not afraid. This is going to show you a profit. | 0:28:37 | 0:28:43 | |
-Are you religious? -No. -No. -Not a cracking good start. | 0:28:43 | 0:28:47 | |
Because I bought you an Apostle spoon. | 0:28:47 | 0:28:50 | |
-Oh, wonderful. -But it's a silver Apostle spoon. | 0:28:50 | 0:28:53 | |
Very popular pre-Reformation. But people collect Apostle spoons. | 0:28:54 | 0:28:58 | |
I can't tell you which Apostle it was. | 0:28:59 | 0:29:02 | |
They originally made sets of 13, | 0:29:02 | 0:29:04 | |
so you had Christ and the 12 Apostles. | 0:29:04 | 0:29:06 | |
But I particularly like this one because we are showing the triumph of good over evil. | 0:29:06 | 0:29:12 | |
In other words, Red over Blue this time. | 0:29:12 | 0:29:15 | |
ALL LAUGH | 0:29:15 | 0:29:17 | |
How low will you stoop? To invoke religion on this programme. | 0:29:17 | 0:29:21 | |
But I think it's a charming object. I was happy to pay £30 for it. | 0:29:22 | 0:29:26 | |
-And I reckon it was a snip. -So do I. | 0:29:26 | 0:29:28 | |
-Do you like it? Seriously? -Mm. -You do? -Yes. | 0:29:28 | 0:29:30 | |
Because I have a few Apostle spoons anyway. | 0:29:30 | 0:29:33 | |
From my point of view, I like it. | 0:29:33 | 0:29:36 | |
Anyway, Carlos paid £30. Let's find out right now, | 0:29:36 | 0:29:39 | |
for the audience at home, what the auctioneer thinks it's worth. | 0:29:39 | 0:29:42 | |
There we are. Very nice. All tastes catered for. | 0:29:44 | 0:29:47 | |
Yes, it's not bad, is it? An Apostle spoon, 1913. | 0:29:47 | 0:29:50 | |
We see quite a few of these. The age is wrong. It's a bit too late to be valuable, | 0:29:52 | 0:29:56 | |
-but £25 to £45, it'll walk out the door. -OK. | 0:29:56 | 0:29:59 | |
Well, it's Charlie's bonus buy. | 0:29:59 | 0:30:01 | |
-He's invested £30. -That's all right. -He's spot on. -That's good. | 0:30:02 | 0:30:06 | |
If they decide to go with it. That's it for the Reds. | 0:30:06 | 0:30:09 | |
Now for the Blues, and what a mixture they've got. | 0:30:09 | 0:30:12 | |
-First up, a fire bell. -I like it. | 0:30:12 | 0:30:14 | |
I like it. I think it's quite fashionable, really, for a pub or a bar. | 0:30:14 | 0:30:19 | |
A hotel. "Quick, the bar's closing." | 0:30:19 | 0:30:22 | |
But it should make £50 or £70. | 0:30:22 | 0:30:25 | |
-They paid £120. -Oops. | 0:30:25 | 0:30:27 | |
It's like the cast iron tractor seat. | 0:30:27 | 0:30:30 | |
-I mean, that's quite an acquired collector's field, isn't it? -Mm. | 0:30:30 | 0:30:34 | |
Quite seriously, I've been around a few farms the last few weeks | 0:30:34 | 0:30:38 | |
on my travels, and there's loads of these around. | 0:30:38 | 0:30:41 | |
They're not very valuable, they last forever. | 0:30:41 | 0:30:43 | |
Whilst it's a nice model of what it is, who would want it? | 0:30:43 | 0:30:46 | |
-Hopefully an agriculturalist. -In Chiswick? -That's what I mean. | 0:30:46 | 0:30:50 | |
-It's not exactly stiff with farmers around here, are you? -No, no. | 0:30:51 | 0:30:55 | |
-Where it came from, in Hungerford, it should've stayed, but £50 to £70 if we're lucky. -£80 paid. | 0:30:55 | 0:31:00 | |
-That's not so far off. -Mm-hm. -It's nearer than the fire bell price. | 0:31:00 | 0:31:05 | |
And lastly is the Doulton Lambeth candlesticks. | 0:31:05 | 0:31:08 | |
Doulton Lambeth Slaters ware candlesticks. | 0:31:08 | 0:31:11 | |
These are out of fashion. They're nice candlesticks, nothing wrong with them, | 0:31:11 | 0:31:16 | |
-but they're out of fashion. I think, more so, one of these has got a crack. -Ah. -Look at that. | 0:31:16 | 0:31:21 | |
Oh dear. | 0:31:21 | 0:31:22 | |
-If they're really lucky, £40 to £60. -They only paid £20. -You know why, don't you? -Yeah. The crack. | 0:31:22 | 0:31:28 | |
It's a shame, really, to pin their hopes on that when it's such | 0:31:28 | 0:31:32 | |
a hopeless object to start off with before it got the crack, so... | 0:31:32 | 0:31:36 | |
You're right, really. It's bad strategy. | 0:31:36 | 0:31:39 | |
They're not going to do well. They're going to need their bonus buy. Let's go and have a look at it. | 0:31:39 | 0:31:44 | |
Now, Neil, Ricardo, you spent £220, which is a magnificent total, I have to say, by any standards. | 0:31:44 | 0:31:51 | |
It gave the boy £80, and it seems he's gone for the long and thin approach. | 0:31:52 | 0:31:56 | |
OK, gents, I thought men of style. | 0:31:57 | 0:32:00 | |
What could complete the look on our Saturday evening? | 0:32:00 | 0:32:03 | |
-Oh, OK. -There we go. | 0:32:04 | 0:32:06 | |
What do you think? It's a little silver-topped walking cane. | 0:32:06 | 0:32:10 | |
Um, got a bamboo shaft, | 0:32:10 | 0:32:12 | |
and you have the silver handle, which I think is a lovely shape, | 0:32:12 | 0:32:16 | |
that lovely, natural curl, | 0:32:16 | 0:32:18 | |
modelled to look like bamboo to finish the cane off. | 0:32:18 | 0:32:21 | |
Hallmarked on the top, so it's English silver. | 0:32:21 | 0:32:23 | |
-A swagger stick of sorts. -I quite like it. | 0:32:24 | 0:32:27 | |
-Feel you're kind of... -What do you think, Rich? -Um, it's all right. | 0:32:27 | 0:32:30 | |
-Depends how much you paid for it. -I paid £40 for it. | 0:32:30 | 0:32:34 | |
-Are you liking that? -I am. You're... -For what he paid. -You think we'll make a profit? | 0:32:34 | 0:32:39 | |
If that came into my sale room, I'd be quoting, at the very least, | 0:32:39 | 0:32:43 | |
-just a conservative £60 to £80. -OK, that's pretty good. -That's good enough. I'm happy now. -Excellent. | 0:32:43 | 0:32:50 | |
Anyway, for the audience at home, let's find out what the auctioneer thinks about JP's stick. | 0:32:50 | 0:32:55 | |
One walking stick, Tom. | 0:32:55 | 0:32:57 | |
Not too bad, not too bad. A nice silver top on it. | 0:32:59 | 0:33:02 | |
It'll do OK. Again, we get some nice walking cane buyers here. | 0:33:02 | 0:33:06 | |
This is Edwardian. It should make £80 to £100, that sort of money. | 0:33:06 | 0:33:12 | |
Lovely. Jonathan Pratt paid £40. He's a canny fellow. | 0:33:12 | 0:33:15 | |
-We're looking forward to the auction. Thank you. -You're welcome. | 0:33:15 | 0:33:18 | |
How excited are you, Ann, in a scale of one to ten? | 0:33:27 | 0:33:31 | |
-Is it up there somewhere? -It's up there somewhere for excitement. | 0:33:32 | 0:33:36 | |
-Are you feeling a bit nervy too? -Very. | 0:33:36 | 0:33:38 | |
I think the teapot might get you out of trouble. | 0:33:38 | 0:33:41 | |
They have had a number already in this sale, | 0:33:41 | 0:33:43 | |
and I marked the ones with animals on the top were making about £50. | 0:33:43 | 0:33:47 | |
So, first up is the Art Deco case. Here it comes. | 0:33:49 | 0:33:52 | |
The Art Deco cigarette case. | 0:33:52 | 0:33:54 | |
Start me cheap. £30 for it. | 0:33:54 | 0:33:58 | |
-£30? -30, 32, 35. | 0:33:58 | 0:34:00 | |
35, 38, 40. | 0:34:00 | 0:34:02 | |
42. At £40 bid. At 42? 45, | 0:34:02 | 0:34:05 | |
48, 50, | 0:34:05 | 0:34:07 | |
55, 60. | 0:34:07 | 0:34:09 | |
60? Five. | 0:34:09 | 0:34:11 | |
65. The only gambler in the room is £60. Well done. | 0:34:12 | 0:34:15 | |
-BANGS GAVEL -£60. It is a gamble. -Mm. | 0:34:15 | 0:34:19 | |
But, sadly, it hasn't gone your way. Minus £35. | 0:34:19 | 0:34:22 | |
Next is the Redware teapot. Here it comes. | 0:34:23 | 0:34:25 | |
Pay attention to this. | 0:34:25 | 0:34:28 | |
This clay teapot, Chinese of course, | 0:34:28 | 0:34:32 | |
glazed and decorated with dragons and Dog of Fo in the handles and the lid. | 0:34:32 | 0:34:37 | |
-Four commission bids. -Wow! | 0:34:37 | 0:34:39 | |
I think I've cracked it. | 0:34:39 | 0:34:41 | |
I'm bid £100. | 0:34:41 | 0:34:43 | |
I'm bid £200. | 0:34:43 | 0:34:45 | |
£200? Yes! | 0:34:45 | 0:34:46 | |
-I'm bid £300. -Yes! -Huh! | 0:34:46 | 0:34:48 | |
-I told you it was lovely. -I'm bid £400. | 0:34:48 | 0:34:50 | |
Pay me 420, pay me 420. | 0:34:51 | 0:34:53 | |
450. I've got 480, 500. | 0:34:54 | 0:34:56 | |
500, 520, 550. | 0:34:59 | 0:35:02 | |
Girls, this is unbelievable. | 0:35:02 | 0:35:04 | |
All the bids all the way from China. We may have 550. Are we done at 520? | 0:35:04 | 0:35:08 | |
Once at 520. | 0:35:08 | 0:35:10 | |
Twice at 520. | 0:35:12 | 0:35:14 | |
All done at 520. Last chance, gone at 520. Well done. | 0:35:14 | 0:35:18 | |
£520! Girls, this is fantastic. | 0:35:18 | 0:35:22 | |
-Are you so clever. £520. Look at that. -Love you. | 0:35:23 | 0:35:27 | |
-I love you two. -You have just made £490. | 0:35:27 | 0:35:32 | |
Anyway, let's settle down now. Next up are your glass doorknobs. | 0:35:32 | 0:35:36 | |
Ten pounds? Ten pounds. | 0:35:36 | 0:35:38 | |
Ten pounds. Give me ten pounds the lot. Ten pounds. | 0:35:38 | 0:35:42 | |
Bid at ten. At ten. Give me 12. | 0:35:42 | 0:35:44 | |
At ten pounds. At ten pounds. No money at all at ten pounds. | 0:35:44 | 0:35:48 | |
All done at £10. You've got a bargain. | 0:35:48 | 0:35:51 | |
£10 is minus £15, but, quite frankly, who cares? | 0:35:51 | 0:35:55 | |
THEY LAUGH | 0:35:55 | 0:35:57 | |
You are plus £440. | 0:35:57 | 0:36:00 | |
-That's all the fours. -You'll enjoy the party. -We'll have to go to the cash machine. | 0:36:01 | 0:36:06 | |
This is getting up there in record-breaking territory, girls. This is marvellous. | 0:36:06 | 0:36:10 | |
-You can book a holiday. -We hope somebody loves it as much as I do. -Now, the next decision, | 0:36:10 | 0:36:15 | |
having got £440 already in the bank, | 0:36:15 | 0:36:18 | |
is are you going to go with Charlie's Apostle spoon? | 0:36:18 | 0:36:21 | |
-Are you going with it, Annie? -We're going with it. -Are you happy, Sheila? -Yeah. | 0:36:21 | 0:36:25 | |
They're going to take a punt and go with the Apostle spoon, and here it comes. | 0:36:25 | 0:36:30 | |
English hallmark silver Apostle spoon here. London 1913. | 0:36:30 | 0:36:33 | |
£20? £20 for it. Bid at £20, at £20. Give me 22, 22. | 0:36:33 | 0:36:38 | |
Give me 22. 22. Thank you. 25, 28. | 0:36:38 | 0:36:41 | |
28? At £25. | 0:36:42 | 0:36:44 | |
£25. At £25. | 0:36:44 | 0:36:46 | |
Go on. £26. | 0:36:47 | 0:36:50 | |
26. 27? 28? | 0:36:50 | 0:36:52 | |
28. We got there in the end. 29? | 0:36:53 | 0:36:54 | |
-30? -30 quid and be done with it. | 0:36:54 | 0:36:57 | |
30. 31? | 0:36:58 | 0:37:00 | |
31. 32? | 0:37:00 | 0:37:02 | |
At 31. £31. All done at £31. Your last chance. Going at 31. | 0:37:02 | 0:37:08 | |
£31. | 0:37:08 | 0:37:10 | |
That is plus £1 from Charlie Ross. He is the big contributor today, | 0:37:10 | 0:37:14 | |
making your profit overall £441. | 0:37:14 | 0:37:18 | |
-Oh. -I cannot believe that happened. | 0:37:18 | 0:37:21 | |
Anyway, well done Annie for spotting it. | 0:37:21 | 0:37:24 | |
-You must be really chuffed, darling. -Yeah. | 0:37:24 | 0:37:26 | |
The big thing now is, let's not spoil the Blue team's day. | 0:37:26 | 0:37:30 | |
-Let's say nothing. -Right. | 0:37:30 | 0:37:32 | |
-Do you know how the Reds got on? -Nope. -No idea. | 0:37:37 | 0:37:39 | |
-We haven't seen them. -No idea? Well, you won't see them for smoke. | 0:37:40 | 0:37:44 | |
Talking of smoke, first up is your fire bell, right? | 0:37:44 | 0:37:48 | |
Feeling confident about that, Neil? | 0:37:48 | 0:37:50 | |
-Well... -Mixed feelings? -Deep breath and hope for the best. -I can see the potential. | 0:37:50 | 0:37:55 | |
Here it comes. | 0:37:55 | 0:37:56 | |
A vintage, red-painted cast brass, wall-mounted fire alarm bell. | 0:37:56 | 0:38:02 | |
Would you bid me £50 for it? £50 for it? | 0:38:03 | 0:38:05 | |
-£30 for it? -Come on. | 0:38:05 | 0:38:08 | |
£30 for it? £20 for it? | 0:38:08 | 0:38:10 | |
£20? 22? 22. | 0:38:10 | 0:38:12 | |
25, 28. | 0:38:12 | 0:38:13 | |
-30, 32, 35. 38, 40. -No. | 0:38:13 | 0:38:16 | |
42. Bid at £40. Give me 42. | 0:38:16 | 0:38:19 | |
Give me 42. 40, 42. | 0:38:19 | 0:38:22 | |
42. 45? | 0:38:22 | 0:38:24 | |
Your bid at 42. 48. | 0:38:24 | 0:38:26 | |
45, give me 48. Are we done at £45? We're done at 45. | 0:38:26 | 0:38:29 | |
-I'm going to sell at 45. It's your last chance. 45 and going. -£45 is five short of 50. | 0:38:29 | 0:38:36 | |
That's £75 down the proverbial. | 0:38:36 | 0:38:39 | |
Minus 75. Not a great start that, is it, really, minus 75? | 0:38:39 | 0:38:43 | |
Anyway, never mind. Let's get our bottoms down then and look at the tractor seat. | 0:38:43 | 0:38:48 | |
A Nicholson of Newark cast iron tractor saddle seat. What's it worth? £50 for it? | 0:38:49 | 0:38:55 | |
£20 for it. I'm bid at £20. £20. Give me 22. £20. | 0:38:55 | 0:38:58 | |
25, 28. 25 is all I've been bid so far. 25. | 0:38:58 | 0:39:01 | |
At £25. At £25. All done at £25. | 0:39:04 | 0:39:06 | |
I'm going to go at £25. Your last chance. Sorry. | 0:39:06 | 0:39:09 | |
Boys, £25. West London's not best at those. | 0:39:09 | 0:39:14 | |
30. That would be £55, that. | 0:39:15 | 0:39:18 | |
£55 loss. | 0:39:19 | 0:39:21 | |
Uh-oh. Next, the Doulton candlesticks. Here they come. | 0:39:21 | 0:39:25 | |
We have Doulton Lambeth silicon ware candlesticks. | 0:39:25 | 0:39:29 | |
Start me... What shall it be? £30. | 0:39:29 | 0:39:31 | |
£30? | 0:39:32 | 0:39:33 | |
-£20? -You'll be lucky. | 0:39:33 | 0:39:35 | |
£20? | 0:39:35 | 0:39:37 | |
A bid at £20. You feel sorry for me. | 0:39:37 | 0:39:39 | |
A bid at £20. 22? 22. 25? | 0:39:39 | 0:39:42 | |
25, 28? | 0:39:42 | 0:39:44 | |
28? 30. 32. | 0:39:44 | 0:39:46 | |
I've got 35 over there now. | 0:39:46 | 0:39:48 | |
You're well in profit with this. | 0:39:48 | 0:39:50 | |
38? £35. | 0:39:50 | 0:39:52 | |
So far I'm bid at £35. Once at 35, twice at 35, | 0:39:52 | 0:39:55 | |
36? | 0:39:56 | 0:39:58 | |
-At 35. I've tried enough. At 35. -BANGS GAVEL | 0:39:58 | 0:40:00 | |
£25 is plus £15. | 0:40:00 | 0:40:03 | |
You were minus £130, you're now minus 115. | 0:40:03 | 0:40:06 | |
-That's not too bad. -How good is that? | 0:40:07 | 0:40:09 | |
Now, your next decision is to either go with the walking stick or not. | 0:40:09 | 0:40:13 | |
-Are you going to do that? -We've got to. -It's a no-brainer. -Exactly. | 0:40:13 | 0:40:16 | |
I mean, £40 is all the boy paid for it. Yeah? | 0:40:16 | 0:40:19 | |
-We're going to get over £115 for this, Jonathan. -Definitely? You're going with this? -Definitely. | 0:40:19 | 0:40:25 | |
Are you happy with that, Ricardo? | 0:40:25 | 0:40:27 | |
The silver crook handle walking cane. Hallmark silver walking cane. | 0:40:27 | 0:40:31 | |
-It's £100 for it. -(Come on.) | 0:40:31 | 0:40:33 | |
-£50 for it. -(Come on.) | 0:40:34 | 0:40:36 | |
£50 for it. I'm going to struggle with this one. £40 for it? | 0:40:36 | 0:40:39 | |
Come on. | 0:40:39 | 0:40:41 | |
£30 for it. A bid at £30. 32? You're bidding 32. 35? | 0:40:41 | 0:40:45 | |
38? At £35. In the red at 35. | 0:40:46 | 0:40:48 | |
£35. At £35. Give me 38? | 0:40:48 | 0:40:52 | |
38. 40? | 0:40:52 | 0:40:53 | |
At £38 in front of me. | 0:40:53 | 0:40:55 | |
-At 38. -Come on. -The bidding's stopped at £38. | 0:40:57 | 0:41:00 | |
£38. It's going to go once at £38, it's for nothing. Twice at £38. | 0:41:00 | 0:41:03 | |
-£38, madam. -BANG GAVEL | 0:41:03 | 0:41:06 | |
£38. It's for nothing. There we go. Minus £2. Bad luck, JP. | 0:41:06 | 0:41:10 | |
-You're minus 117, OK? -My lucky number. -Is it? -Yeah. -What, minus 117? | 0:41:11 | 0:41:17 | |
It's quite a good lucky number, that. Anyway, the big thing is, don't say a word to the Reds. | 0:41:17 | 0:41:22 | |
Never in your wildest dreams could you imagine | 0:41:27 | 0:41:31 | |
that there could be such a disparity between our teams today. | 0:41:31 | 0:41:35 | |
The team that are the runners-up today, most substantially, are the Blues. | 0:41:35 | 0:41:39 | |
Bad luck, chaps. Minus 117. | 0:41:40 | 0:41:42 | |
It doesn't sound too bad when you say it quickly. No. | 0:41:44 | 0:41:48 | |
I mean, you made the £15 profit on the cracked Doulton candlesticks, | 0:41:48 | 0:41:53 | |
which was the high point of the affair. | 0:41:53 | 0:41:56 | |
-But apart from that, it was entirely down the plughole. -Yep, totally. | 0:41:56 | 0:42:00 | |
But, you've been smashing chums through it all. | 0:42:00 | 0:42:03 | |
There has been no dissent whatever in this team. | 0:42:03 | 0:42:07 | |
It's been a tribute to see the Britishness of it all. | 0:42:07 | 0:42:10 | |
You need to be brave now. The next result is going to surprise you. | 0:42:10 | 0:42:14 | |
The Reds are walking home with £441 profit. | 0:42:14 | 0:42:19 | |
Ha-ha-ha. How about that, girls? | 0:42:19 | 0:42:22 | |
-Thanks to Ann. -Thanks to Ann. Well, that's what £441... -Can I count it? | 0:42:22 | 0:42:28 | |
No, not now. We haven't got long enough for you to count it. | 0:42:28 | 0:42:32 | |
There's your £1 left over. | 0:42:32 | 0:42:34 | |
-In your wildest dreams you couldn't have believed this morning. -Absolutely not. | 0:42:34 | 0:42:38 | |
-I'm glad it was the teapot because I loved it. -Yes. | 0:42:38 | 0:42:41 | |
-There were are. -I hope somebody loves it who's bought it. -I have no doubt they will do, | 0:42:41 | 0:42:45 | |
otherwise they're bonkers. On that happy note, | 0:42:45 | 0:42:49 | |
-join us soon for some more bargain hunting. Yes? -Yes! | 0:42:49 | 0:42:52 | |
Subtitles by Red Bee Media Ltd | 0:43:02 | 0:43:05 |