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In its time, this historic water-powered mill has been a bar, | 0:00:05 | 0:00:10 | |
a nightclub, even a house of ill repute. | 0:00:10 | 0:00:14 | |
But today, it's home to over 70 dealers, so let's hope | 0:00:14 | 0:00:18 | |
there's an antique or two about | 0:00:18 | 0:00:21 | |
because it's time to go bargain hunting! Yeah. | 0:00:21 | 0:00:24 | |
Bourne Mill in Farnham has a rich history dating | 0:00:56 | 0:00:59 | |
all the way back to the Domesday Book. | 0:00:59 | 0:01:02 | |
Nowadays, though, it's been transformed into a labyrinth | 0:01:02 | 0:01:05 | |
of small, winding rooms | 0:01:05 | 0:01:07 | |
that are simply stuffed with stuff. | 0:01:07 | 0:01:10 | |
So, are our teams today going to get lost | 0:01:10 | 0:01:12 | |
or are they going to get lucky? | 0:01:12 | 0:01:14 | |
Here's a quick peek at what's coming up. | 0:01:14 | 0:01:17 | |
It's a day of bronze. | 0:01:17 | 0:01:19 | |
-And a lot of silver. -Good weight of silver in there. | 0:01:19 | 0:01:22 | |
It's got a London hallmark here. | 0:01:22 | 0:01:24 | |
It's not English standard sterling silver. | 0:01:24 | 0:01:26 | |
But who will win gold? Let's meet the teams. | 0:01:26 | 0:01:29 | |
Well, today on the show we have two pairs of pals. | 0:01:29 | 0:01:33 | |
For the Reds, we've got Ben and Harry. | 0:01:33 | 0:01:36 | |
And for the Blues, the girls, we've got Rachel and Gabby. Hello. | 0:01:36 | 0:01:40 | |
-ALL: -Hello. -Lovely to see you. What you could say, really, | 0:01:40 | 0:01:43 | |
the entertainers versus the fitness fanatics. How about that? | 0:01:43 | 0:01:48 | |
Now, guys, Ben, by night, you're a city DJ? Yes? | 0:01:48 | 0:01:53 | |
Very tiring, that disco work. | 0:01:53 | 0:01:55 | |
Yes, it is. It is very tiring. A lot of late nights. | 0:01:55 | 0:01:57 | |
And all those glamorous people whizzing around trying to tempt you. | 0:01:57 | 0:02:00 | |
-A lot of that. -In one direction or another. -Yeah, a lot of that. | 0:02:00 | 0:02:03 | |
And what happens with the drinking, too, | 0:02:03 | 0:02:05 | |
-cos I guess there's a certain amount of that. -There's quite a lot. Normally when you DJ, it's free, | 0:02:05 | 0:02:09 | |
-so it's quite tempting to maybe drink too much. -Nice for dancing to. | 0:02:09 | 0:02:13 | |
-Yeah, very good for dancing. -That's always good at a disco, isn't it? | 0:02:13 | 0:02:16 | |
Where did you meet old Harry, then? | 0:02:16 | 0:02:18 | |
I met Harry out in Ibiza on a holiday with a mutual friend. | 0:02:18 | 0:02:21 | |
That sounds dodgy. | 0:02:21 | 0:02:22 | |
-Isn't Ibiza one of those places? It's a bit of a rave capital. -It is. | 0:02:23 | 0:02:28 | |
-It's very good fun. A lot of dancing. -The party island. -The party island? | 0:02:28 | 0:02:31 | |
-Exactly. -You said that with feeling, I have to say, Harry, | 0:02:31 | 0:02:35 | |
-cos are you a man that likes to party a bit, then? -Yeah, I like to party. | 0:02:35 | 0:02:39 | |
-You're an entertainer, too? -Yeah, I manage a restaurant in Notting Hill. | 0:02:39 | 0:02:42 | |
We do 30, 40 covers a night which is really good. | 0:02:42 | 0:02:45 | |
Tell me, between the two of you, what floats your boat when it comes to collecting? | 0:02:45 | 0:02:49 | |
Something to do with music, I bet. | 0:02:49 | 0:02:51 | |
Well, yeah, I collect vinyl, old vinyl, especially if you can get your hands on first pressings. | 0:02:51 | 0:02:55 | |
-They can be worth quite a lot of money. -So, you're up for this, then? | 0:02:55 | 0:02:58 | |
-Is it going to be a good clean fight with our lovely girls? -I hope so. | 0:02:58 | 0:03:02 | |
You hope so? That doesn't seem absolutely certain. | 0:03:02 | 0:03:05 | |
Anyway, very good luck. | 0:03:05 | 0:03:07 | |
-Now, Gabby... -Hello. -..these guys have only been friends | 0:03:07 | 0:03:11 | |
since Ibiza and some kind of ravy party. | 0:03:11 | 0:03:13 | |
-But you two have been close for ever, haven't you? -Yes, for ever. | 0:03:13 | 0:03:17 | |
Basically, 20 years now. Since primary school we've been best of friends. | 0:03:17 | 0:03:20 | |
-Did you meet in the school yard and just get on with it? -I think so. | 0:03:20 | 0:03:24 | |
Rachel's got a better memory of it than me. | 0:03:24 | 0:03:26 | |
Basically, I'd don't remember her not being there so it must've been | 0:03:26 | 0:03:29 | |
-the playground or something. -Can you remember exactly, Rach? | 0:03:29 | 0:03:33 | |
I remember I was very, very shy at primary school | 0:03:33 | 0:03:35 | |
-and Gabby was a talker. So I kind of needed her. -Have things moved on? | 0:03:35 | 0:03:39 | |
Yeah, she talks a lot now. | 0:03:39 | 0:03:40 | |
She gets out a lot and she talks a lot, which is really nice, isn't it? | 0:03:40 | 0:03:45 | |
-Now, you're studying for your PhD at the moment. -Yeah. | 0:03:45 | 0:03:48 | |
Watch out, lads, there's some brains about. | 0:03:48 | 0:03:50 | |
What exactly is that in, darling? | 0:03:50 | 0:03:52 | |
I'm looking at the representations of female | 0:03:52 | 0:03:55 | |
philanthropy in Victorian novels. | 0:03:55 | 0:03:56 | |
Which basically is a good cover story for me to read my favourite books and write about them. | 0:03:56 | 0:04:01 | |
-Lots of job satisfaction anyway. -Exactly. | 0:04:01 | 0:04:03 | |
-So, Rach, you're in the process of changing jobs. -I am. | 0:04:03 | 0:04:06 | |
What were you and what are you about to become? | 0:04:06 | 0:04:08 | |
So, I'm still going to stay working in marketing | 0:04:08 | 0:04:10 | |
but I'm completely changing sector so I'm going to go | 0:04:10 | 0:04:13 | |
and work for a charity. I'm going to work for The Samaritans. | 0:04:13 | 0:04:16 | |
I'm really looking forward to that. | 0:04:16 | 0:04:18 | |
-It is a great charity, The Samaritans. -Absolutely brilliant. | 0:04:18 | 0:04:20 | |
-Definitely. -What bit of marketing are you in currently, | 0:04:20 | 0:04:23 | |
before your job shift? | 0:04:23 | 0:04:24 | |
I'm a marketing manager and I work for a skincare company, | 0:04:24 | 0:04:27 | |
so within beauty. So I do all the branding. | 0:04:27 | 0:04:30 | |
-But... I know that you're both fitness fanatics. -That's right. -We are. | 0:04:30 | 0:04:33 | |
But all this...all this fitness largely revolves around running, | 0:04:33 | 0:04:37 | |
-doesn't it? -It does. | 0:04:37 | 0:04:38 | |
So, we've done a few marathons, half marathons. | 0:04:38 | 0:04:41 | |
We like to kind of involve travelling as well. | 0:04:41 | 0:04:43 | |
-So we've done one in Budapest, Guernsey... -Have you? Very flat. | 0:04:43 | 0:04:47 | |
-That was the plan! -Nice and flat. -That is where I would do a marathon, where it's flat, yes. | 0:04:47 | 0:04:52 | |
-And we're going to Amsterdam this year. -Another flat one. -Brilliant. | 0:04:52 | 0:04:56 | |
So, tactics? What's the tactics to lash up these boys? | 0:04:56 | 0:05:00 | |
We're just going to be really decisive. | 0:05:00 | 0:05:01 | |
If we see something we like, we're going to go for it. | 0:05:01 | 0:05:04 | |
Run you out of town, that's what we're going to do! | 0:05:04 | 0:05:07 | |
Oh, I like that challenge. Don't you? | 0:05:07 | 0:05:09 | |
-Anyway, here's the money moment. £300 apiece. 300. -Thank you. | 0:05:09 | 0:05:13 | |
You know the rules? | 0:05:13 | 0:05:14 | |
Your experts await and off you go, and very, very good luck. | 0:05:14 | 0:05:18 | |
It's game on and our experts are ready and waiting | 0:05:18 | 0:05:21 | |
to give their teams a chance. | 0:05:21 | 0:05:22 | |
Fishing for profits, though, is Jeremy Lamond. | 0:05:22 | 0:05:26 | |
And on the Blue team is the Wonder Woman of the antiques world, | 0:05:26 | 0:05:30 | |
it's Kate Bliss. | 0:05:30 | 0:05:32 | |
What are our tactics today? | 0:05:34 | 0:05:36 | |
We're primarily looking for silverware. There's a high price | 0:05:36 | 0:05:39 | |
for it at the moment, so hopefully it'll do well at auction. | 0:05:39 | 0:05:42 | |
Some nice bits of glass would be quite a sell, so, yeah. | 0:05:42 | 0:05:45 | |
And have you got an area you're particularly interested in? | 0:05:45 | 0:05:48 | |
-We absolutely love jewellery. -Sparkly things, silver things. | 0:05:48 | 0:05:52 | |
-That's what we'd go for. -Definitely. -Fantastic. We'd better get started. | 0:05:52 | 0:05:55 | |
Let's go in here. | 0:05:55 | 0:05:56 | |
-Are we going to put the Blues through the mill today? -Yeah. | 0:05:56 | 0:05:59 | |
-I think we should. Let's do it. -Ha! | 0:05:59 | 0:06:01 | |
A shining wit. Keep it up, Jeremy. | 0:06:01 | 0:06:04 | |
I think we should keep our heads down and get stuck in. | 0:06:04 | 0:06:06 | |
-What do you think? -Oh... | 0:06:06 | 0:06:08 | |
Sorry, Jeremy, that gag went right over my head. | 0:06:08 | 0:06:10 | |
What about this vase here? This is quite ornate. | 0:06:10 | 0:06:13 | |
It's not very nice, though, is it? Would you buy that? | 0:06:13 | 0:06:16 | |
-If this was 1800, it would be great. -Yeah. | 0:06:19 | 0:06:22 | |
It's more like 1985. | 0:06:22 | 0:06:24 | |
Yep, 1985 was a good year for Chateau Lafite, | 0:06:24 | 0:06:28 | |
but its glassware isn't quite so sought-after. | 0:06:28 | 0:06:30 | |
There's loads of jewellery in here if I remember rightly. Here we go. | 0:06:33 | 0:06:38 | |
-Oh, fabulous. -What do you think? -Gorgeous. | 0:06:38 | 0:06:40 | |
-Quite a lot of costume pieces. -We don't really want to go for brooches. | 0:06:40 | 0:06:45 | |
Right. Why is that? | 0:06:45 | 0:06:47 | |
THEY LAUGH | 0:06:47 | 0:06:48 | |
-Rachel's nanna. -My nanna thinks they're a bit morbid. | 0:06:48 | 0:06:51 | |
She said to stay clear of brooches. | 0:06:51 | 0:06:53 | |
That's really interesting because, in the jewellery market, | 0:06:53 | 0:06:57 | |
brooches have become a lot less commercial in recent years. | 0:06:57 | 0:07:00 | |
Best pin your hopes on something else perhaps, girls. | 0:07:00 | 0:07:03 | |
It's pendants or rings that are selling a lot better than brooches, | 0:07:03 | 0:07:06 | |
-so that is really good. -Nanna's on it! -It's a good tip. | 0:07:06 | 0:07:09 | |
What do you think of those? Anything of value? | 0:07:09 | 0:07:11 | |
I don't think there's any first pressings here, but... | 0:07:11 | 0:07:15 | |
-Sure? Nat King Cole? Bing Crosby? -Not worth that much, though. | 0:07:15 | 0:07:19 | |
Maybe go downstairs and see if we can find anything down there. | 0:07:19 | 0:07:22 | |
-Shall we press on? -Yeah. -Oh, dear, Jeremy. | 0:07:22 | 0:07:24 | |
With jokes like that, it's going to be a long player today. | 0:07:24 | 0:07:28 | |
Now, brooches are out. What about cuff links? | 0:07:29 | 0:07:32 | |
Cuff links are actually quite a good one because, you know, | 0:07:32 | 0:07:35 | |
-loads of gents like to wear them still. -Yeah. | 0:07:35 | 0:07:38 | |
So they're perennial good sellers. | 0:07:38 | 0:07:40 | |
I don't know whether these are gold, | 0:07:40 | 0:07:42 | |
it does say "9-carat gold". I wonder if we should have a look. | 0:07:42 | 0:07:44 | |
-Sounds good. -What do you think? | 0:07:44 | 0:07:46 | |
Gold prices are quite strong at the moment. | 0:07:46 | 0:07:49 | |
People expect to pay a little bit more as well. | 0:07:49 | 0:07:52 | |
OK. That's interesting. | 0:07:52 | 0:07:53 | |
It says here "9-carat gold and silver" | 0:07:53 | 0:07:57 | |
so they're not what's known as, you know, an 18-carat or 9-carat gold. | 0:07:57 | 0:08:02 | |
They are a very thin layer of gold plate on silver. | 0:08:02 | 0:08:06 | |
OK. | 0:08:06 | 0:08:07 | |
Which makes them less valuable, basically. Which is a shame. | 0:08:07 | 0:08:13 | |
All that glitters, eh, girls? Keep at it. | 0:08:13 | 0:08:15 | |
Jeremy, what do you think of the china set? | 0:08:16 | 0:08:18 | |
That one is a fairly modern set. And it's quite a diminutive rent. | 0:08:18 | 0:08:23 | |
And really, with china, you need a good strong colour and pattern. | 0:08:23 | 0:08:27 | |
Because that's fairly dull. | 0:08:27 | 0:08:28 | |
People don't want to put these things through a dishwasher | 0:08:28 | 0:08:31 | |
so they tend not to buy them. | 0:08:31 | 0:08:33 | |
Anything else you've spotted? | 0:08:33 | 0:08:34 | |
-What about those earrings? -They're fun, aren't they? They're lovely. | 0:08:34 | 0:08:38 | |
Those, look, it says here "silver gilt". | 0:08:38 | 0:08:42 | |
But what we've got here, to me, looks like semiprecious stones. | 0:08:42 | 0:08:46 | |
You've got amethyst, that looks like a peridot. | 0:08:46 | 0:08:50 | |
Um, possibly a citrine there. | 0:08:50 | 0:08:52 | |
-And a garnet. -Ah. -And even a little aquamarine at the bottom, look. | 0:08:52 | 0:08:58 | |
-Oh, lovely. -How much are they? | 0:08:58 | 0:09:00 | |
Well, considering they have got so many precious stones in them, | 0:09:00 | 0:09:04 | |
-they're £28. -It's not that bad, is it? | 0:09:04 | 0:09:06 | |
I'll just give you the box | 0:09:06 | 0:09:07 | |
while I have a look at one with my eyeglass. | 0:09:07 | 0:09:10 | |
Have a closer look at them. | 0:09:10 | 0:09:11 | |
-Yes, they're stamped 925, do you know what that stands for? -No. | 0:09:11 | 0:09:15 | |
Well, it stands for 92.5 parts of silver | 0:09:15 | 0:09:19 | |
per 100 parts of metal. | 0:09:19 | 0:09:21 | |
-OK. -So if you had pure silver, it'd be too soft to work with, | 0:09:21 | 0:09:25 | |
so they have two mix it with another metal to make an alloy. | 0:09:25 | 0:09:28 | |
And 925 actually is the standard sterling grade of silver. | 0:09:28 | 0:09:34 | |
Oh, brilliant. | 0:09:34 | 0:09:35 | |
Semiprecious stones are really coming back in at the moment. | 0:09:35 | 0:09:38 | |
-So I think these would be quite a good lot in our auction. -Shall we? | 0:09:38 | 0:09:43 | |
I think we should go for them. Unless you've got any objections. | 0:09:43 | 0:09:46 | |
The girls are keen, but will the price shine for them? | 0:09:46 | 0:09:49 | |
Hi, Arthur, what could you do on these for us? | 0:09:49 | 0:09:53 | |
Well, that's about £28 so we can do about 10%, | 0:09:53 | 0:09:57 | |
-so I could do that for 25. -Right... | 0:09:57 | 0:10:00 | |
Go on, Arthur! | 0:10:00 | 0:10:01 | |
Be a shining knight for our lovely girls. Can you do better than that? | 0:10:01 | 0:10:06 | |
How about 20? | 0:10:06 | 0:10:07 | |
-Ooh. -I think I'd prefer... | 0:10:07 | 0:10:09 | |
I'd feel comfortable with something in the teens. | 0:10:09 | 0:10:12 | |
-So maybe 19, could you do that for us? -19 we could do, we could do 19. | 0:10:12 | 0:10:16 | |
-Perfect. -Fabulous. Thank you. | 0:10:16 | 0:10:17 | |
-Well done. Lovely. Thank you very much, Arthur. -Thank you. | 0:10:17 | 0:10:21 | |
Arthur...you're a legend! | 0:10:21 | 0:10:23 | |
What about this thing here, looks like a silver matchbox holder. | 0:10:23 | 0:10:27 | |
-Have you struck lucky, Ben? -I don't know. | 0:10:27 | 0:10:30 | |
-We can see it's not very decorative. -It's not decorative. | 0:10:30 | 0:10:34 | |
Pass that to you to get your opinion. | 0:10:34 | 0:10:36 | |
As you rightly say, it's silver, it's got a London hallmark here. | 0:10:36 | 0:10:40 | |
But the date letter is rubbed. | 0:10:40 | 0:10:41 | |
To a silver collector, that's bad news. | 0:10:41 | 0:10:44 | |
But apart from that, it's in pretty good condition. | 0:10:44 | 0:10:47 | |
For £45, I can't really imagine that going for any more | 0:10:47 | 0:10:51 | |
-than that at an auction. -No. | 0:10:51 | 0:10:53 | |
It should be 20 to 30, so if you can get that for 25... | 0:10:53 | 0:10:56 | |
-Haggle him down a bit. -That would be worth a go. | 0:10:56 | 0:10:59 | |
-Does it set you alight, this? -CRASH OF CYMBAL | 0:10:59 | 0:11:01 | |
That is bad. That is a bad joke. | 0:11:01 | 0:11:03 | |
Jeremy, you're on fire today. | 0:11:03 | 0:11:06 | |
Well, if you can't beat 'em, join 'em, eh? | 0:11:06 | 0:11:08 | |
-You like this, don't you? -Yes. | 0:11:13 | 0:11:15 | |
Let's take it over there where there's a bit more light. | 0:11:15 | 0:11:17 | |
I'm going to bring something else as well, | 0:11:17 | 0:11:20 | |
-which I've just seen. -Fantastic. -So we'll take two pieces. | 0:11:20 | 0:11:23 | |
-Can you hold onto that for a second? Now, who spotted this? -Rachel. | 0:11:25 | 0:11:29 | |
-I really like that. -Let's have a closer look. | 0:11:29 | 0:11:33 | |
Let's get into it. Look at that. That is very neat. | 0:11:33 | 0:11:36 | |
-It's a little compact mirror... -Oh, wow. -..as well, that flips up. | 0:11:36 | 0:11:41 | |
-I like it, I'm just not sure about the lipstick being left in it. -Yeah. | 0:11:42 | 0:11:46 | |
-Look at that. Does that put you off? -It does a little bit. | 0:11:46 | 0:11:50 | |
I suppose people wouldn't be buying it to use it anyway. | 0:11:50 | 0:11:53 | |
It'd be a collectors' item. | 0:11:53 | 0:11:54 | |
The right collector would be right made up to own that! | 0:11:54 | 0:11:57 | |
Well, I think that's actually quite reassuring, because it shows | 0:11:57 | 0:12:01 | |
that actually it's been used, it has a little bit of age. | 0:12:01 | 0:12:05 | |
-It's not brand-new. -Yes. | 0:12:05 | 0:12:07 | |
I'm just looking for any marks to the white metal, | 0:12:07 | 0:12:11 | |
-I can't see anything at all. -No. | 0:12:11 | 0:12:13 | |
It's a little bit of a novelty item, if you like. | 0:12:13 | 0:12:16 | |
-What's that on there? What does that mean? -Oh, well spotted. | 0:12:16 | 0:12:19 | |
-She's got eager eyes. -Expert eyes there! | 0:12:21 | 0:12:24 | |
Ah, now that is exactly what I was looking for. | 0:12:24 | 0:12:26 | |
You've got marked "800" there. | 0:12:26 | 0:12:29 | |
Now, 800 is a continental mark that you see on continental silver. | 0:12:29 | 0:12:34 | |
So it's silver as a type, it's not English standard sterling silver, | 0:12:34 | 0:12:39 | |
-possibly French. -Oh, OK. | 0:12:39 | 0:12:41 | |
So slightly lower grade of silver than English silver, but still | 0:12:41 | 0:12:45 | |
a grade of silver, and typically, actually, in design, quite French. | 0:12:45 | 0:12:49 | |
I've got French family, I think we should go for this. | 0:12:49 | 0:12:52 | |
-Oh, are you getting lucky vibes? -Exactly. | 0:12:52 | 0:12:54 | |
I think this is a really neat little design here. | 0:12:54 | 0:12:57 | |
I'd like to see this at auction at probably £30-£50. | 0:12:57 | 0:13:01 | |
So why don't I go and do some negotiating? | 0:13:01 | 0:13:03 | |
We'll leave that little bowl for now because you like this so much. | 0:13:03 | 0:13:07 | |
We can always come back to that. I'll see you in a minute. | 0:13:07 | 0:13:09 | |
-OK, great. -Thank you. | 0:13:09 | 0:13:11 | |
So, Kate's gone to work her magic. Go on, Reds! | 0:13:11 | 0:13:14 | |
Time to match your charm with your haggle-ability. | 0:13:14 | 0:13:17 | |
We think 45 is maybe a little bit too steep. | 0:13:17 | 0:13:20 | |
What's the best price you could offer us? | 0:13:20 | 0:13:23 | |
-Well, what were you thinking? -We think around 20. | 0:13:23 | 0:13:25 | |
-Yeah, around the 20 mark. -Erm, 20 is a bit low. | 0:13:25 | 0:13:30 | |
What would you think about 28? | 0:13:30 | 0:13:32 | |
Still a bit above our budget. | 0:13:32 | 0:13:34 | |
-We've got to make a profit, that's the end game. -I know. | 0:13:34 | 0:13:37 | |
-Then again, you have to make your money as well. -Absolutely. | 0:13:37 | 0:13:40 | |
-Could you do it for 25? -25... | 0:13:40 | 0:13:42 | |
-It's a big drop, a £20 drop. -Yeah. | 0:13:42 | 0:13:45 | |
It would be hugely appreciated | 0:13:45 | 0:13:47 | |
-and I think it might be one of our stars at the auction. -Oh, OK, then. | 0:13:47 | 0:13:51 | |
-Thank you very much. -Thank you. | 0:13:51 | 0:13:53 | |
Smoothly done, lads. | 0:13:53 | 0:13:55 | |
This is it, isn't it? | 0:14:00 | 0:14:02 | |
All pretty girls together have to buy pretty things. | 0:14:02 | 0:14:04 | |
-And it is charming, isn't it? -This is really neat. -How much is it? | 0:14:04 | 0:14:07 | |
-The deck is 52. -Right. And have you decided to go with it? | 0:14:07 | 0:14:11 | |
-Are you going with it? -Yes. -I think so. Definitely. | 0:14:11 | 0:14:13 | |
I really want to. | 0:14:13 | 0:14:15 | |
-OK, so that's the decision. -Definitely. -Your second item. -Yes. | 0:14:15 | 0:14:18 | |
-We're moving quickly. -You are. -No stopping these girls. | 0:14:18 | 0:14:20 | |
They're pretty swift. But now you've made your decision, | 0:14:20 | 0:14:23 | |
I can give you might opinion on it and I think it is sweet. | 0:14:23 | 0:14:26 | |
-I mean, I rarely use lipstick myself but if I do it more often... -Rarely? | 0:14:26 | 0:14:31 | |
That would be the case for me. | 0:14:31 | 0:14:33 | |
-Cheeky! -Thank you. Good. | 0:14:33 | 0:14:36 | |
Well, we are almost up to 20 minutes on the clock. | 0:14:38 | 0:14:42 | |
These girls are racing ahead. So I have high hopes. | 0:14:42 | 0:14:46 | |
I think we're really going to give those Reds a run for their money. | 0:14:46 | 0:14:49 | |
Well, steady on, Mrs Bliss. | 0:14:49 | 0:14:51 | |
It ain't over until the hour's up | 0:14:51 | 0:14:53 | |
and you've got to find another item yet. 20 minutes gone, teams. | 0:14:53 | 0:14:57 | |
-What about the silver bowl down here as well? -How much is that? | 0:14:57 | 0:15:01 | |
-It says...I think it says 32 on it. -Is it silver? | 0:15:01 | 0:15:04 | |
Er... | 0:15:04 | 0:15:06 | |
It says silver on the label but I would have to look at the hallmark. | 0:15:06 | 0:15:09 | |
If that is silver, then that is certainly worth £32. | 0:15:09 | 0:15:13 | |
OK, well, should we go have a look at it? | 0:15:13 | 0:15:15 | |
This style is called a quaich, | 0:15:15 | 0:15:17 | |
which is a Scottish drinking bowl style. | 0:15:17 | 0:15:21 | |
-And this is what this is copying. -What do they drink out of it? | 0:15:21 | 0:15:24 | |
-In Scotland? -Whisky. -Anything you like. | 0:15:24 | 0:15:27 | |
I think this is quite an impressive bowl. Even though it's plate. | 0:15:27 | 0:15:31 | |
-And I think that's worth a go. -What is the best price value you can do? | 0:15:32 | 0:15:36 | |
-28 on that. -28? | 0:15:36 | 0:15:37 | |
Shall we have a look at a few more things | 0:15:37 | 0:15:39 | |
-and we can always come back to this? -You can. | 0:15:39 | 0:15:42 | |
-I don't want to jump onto it just yet. -It might be our backstop. | 0:15:42 | 0:15:45 | |
-Exactly. -Quite right, Reds. | 0:15:45 | 0:15:47 | |
If you jump anywhere in this building, | 0:15:47 | 0:15:49 | |
you're likely to do yourself, and it, some serious damage. | 0:15:49 | 0:15:53 | |
So much so, I've decided to take a breather outside, by the leat. | 0:15:53 | 0:15:58 | |
Cor! This is a sight for sore eyes, isn't it? | 0:15:58 | 0:16:02 | |
When have you seen such a beautiful piece of cast bronze? | 0:16:02 | 0:16:08 | |
The base has got a lot of information. | 0:16:09 | 0:16:11 | |
It's stamped "E Onslow Ford, London, 1889". | 0:16:11 | 0:16:16 | |
So that establishes who the sculptor was, Edward Onslow Ford, | 0:16:16 | 0:16:22 | |
and the year that he sculpted the original. | 0:16:22 | 0:16:25 | |
This is the cast produced by Arthur Collie | 0:16:25 | 0:16:29 | |
and that's on our little plaque at the back. | 0:16:29 | 0:16:32 | |
So, Onslow Ford sculpted the original in 1889, | 0:16:32 | 0:16:37 | |
and by May 1890, editions of these bronzes were produced | 0:16:37 | 0:16:42 | |
by Arthur Collie in his foundry. | 0:16:42 | 0:16:45 | |
One upheld arm has a dove of peace on it, | 0:16:45 | 0:16:51 | |
the other arm is supporting an olive branch. | 0:16:51 | 0:16:54 | |
Olive being emblematic of peace and reconciliation. | 0:16:55 | 0:17:00 | |
What's most beautiful about this object | 0:17:00 | 0:17:03 | |
is the colour of the metal itself. If you look carefully, | 0:17:03 | 0:17:06 | |
there are sections with green flecking, which contrast | 0:17:06 | 0:17:10 | |
with other hues of brown. | 0:17:10 | 0:17:12 | |
And the frond of the olive branch is dramatically positioned, | 0:17:12 | 0:17:17 | |
giving you a tidal wave of motion above the model's head. | 0:17:17 | 0:17:23 | |
Isn't she gorgeous? | 0:17:23 | 0:17:25 | |
Well, I think she is and if you looked it up on the internet, | 0:17:25 | 0:17:29 | |
you would find other pieces of sculpture like this | 0:17:29 | 0:17:33 | |
available in London galleries | 0:17:33 | 0:17:35 | |
at prices between £10,000 and £15,000. | 0:17:35 | 0:17:40 | |
Some would say this young girl is worth every penny. | 0:17:40 | 0:17:43 | |
Halfway through, and both teams are still a-hunting. | 0:17:45 | 0:17:49 | |
It's nice, a bit out of our price range at 1,500! | 0:17:50 | 0:17:53 | |
-So am I rocking the boat with this one? -CRASH OF CYMBAL | 0:17:53 | 0:17:56 | |
Another one of those great jokes(!) | 0:17:56 | 0:17:58 | |
Jeremy, old boy, just don't give up the day job, eh? | 0:17:58 | 0:18:01 | |
It says The Sporting Artist. | 0:18:01 | 0:18:02 | |
-I was just thinking... I was looking for runners. -Ah. -There we are! | 0:18:02 | 0:18:06 | |
Little boys! | 0:18:06 | 0:18:07 | |
Come on, you need to keep hunting | 0:18:09 | 0:18:11 | |
if you're going to be in with a sporting chance, girls. | 0:18:11 | 0:18:14 | |
What's caught my eye particularly is this little pillbox. | 0:18:14 | 0:18:20 | |
If that is silver - it's got to be silver, not plate - | 0:18:20 | 0:18:23 | |
that is worth a crack, little silver... | 0:18:23 | 0:18:26 | |
-Even at £38? -Seems a bit steep. | 0:18:26 | 0:18:28 | |
Not at 38 quid. | 0:18:28 | 0:18:29 | |
But if you could get that for 30 quid, with the hounds on the top, | 0:18:29 | 0:18:33 | |
that would have quite a big appeal. | 0:18:33 | 0:18:35 | |
So do you want to look at that one or...? | 0:18:35 | 0:18:38 | |
I don't know. | 0:18:38 | 0:18:39 | |
No worries, Reds, but you've only bought one item | 0:18:39 | 0:18:41 | |
and there's less than 30 minutes left. | 0:18:41 | 0:18:43 | |
What about this lamp? | 0:18:43 | 0:18:45 | |
-I'm not keen on it. -I could tell that you wouldn't like it! | 0:18:45 | 0:18:48 | |
Now, after a flying start, girls, time is now slipping away. | 0:18:50 | 0:18:53 | |
In fact, we're well over halfway. We've got to keep the momentum up. | 0:18:53 | 0:18:56 | |
-Exactly. -Definitely. -Don't worry. Off you go. | 0:18:56 | 0:18:59 | |
INSECT BUZZING | 0:18:59 | 0:19:01 | |
What is that noise? Is there a BLUEBOTTLE in here? | 0:19:01 | 0:19:05 | |
Oh, there it is! | 0:19:05 | 0:19:07 | |
It's got an English silver stopper, | 0:19:07 | 0:19:09 | |
but it's a sort of radiator shape, isn't it? | 0:19:09 | 0:19:13 | |
Although it's a perfume bottle, this could appeal either way, | 0:19:13 | 0:19:16 | |
man or woman. You can put whisky in there or your perfume, couldn't you? | 0:19:16 | 0:19:20 | |
What's good about the hallmark is it's a Chester hallmark, | 0:19:20 | 0:19:23 | |
so that's a minor assay office, | 0:19:23 | 0:19:25 | |
so people would buy it for that, it's quite collectable. | 0:19:25 | 0:19:29 | |
I think it's worth a go. What would you pay for it, without looking? | 0:19:29 | 0:19:33 | |
Around £30. | 0:19:33 | 0:19:34 | |
Well, it's priced at 28, so I think you're in the right ballpark. | 0:19:34 | 0:19:38 | |
If go and ask Valerie, she might give us a ticket on that one. | 0:19:38 | 0:19:41 | |
-We're very keen on this bottle, Valerie. -Yes. -It's £28. | 0:19:41 | 0:19:44 | |
A bit steep. | 0:19:44 | 0:19:46 | |
-Do you reckon you could take it down to about 20? -I can do 20. | 0:19:46 | 0:19:49 | |
That's extremely kind. Thank you very much. Nice doing business with you. | 0:19:49 | 0:19:53 | |
Well done. Number two. | 0:19:53 | 0:19:54 | |
< I'll take it to the desk for you. | 0:19:54 | 0:19:56 | |
Thanks very much. | 0:19:56 | 0:19:57 | |
Well done, Reds. The sweet smell of success. OK, teams, 10 minutes left. | 0:19:57 | 0:20:02 | |
And you've both got one more item to truffle out. | 0:20:02 | 0:20:05 | |
Although this place looks small from the outside, | 0:20:05 | 0:20:08 | |
it's huge on the inside. | 0:20:08 | 0:20:10 | |
Who knows what you'll find? | 0:20:10 | 0:20:12 | |
Over here, girls. It's a scent bottle. | 0:20:12 | 0:20:14 | |
The Blues have gone all eau de Cologne, and I'm going all deja vu. | 0:20:14 | 0:20:19 | |
Another scent bottle? | 0:20:19 | 0:20:21 | |
We've got cut glass on the bottom. | 0:20:21 | 0:20:22 | |
A nice star-cut base, you can see there. | 0:20:22 | 0:20:25 | |
That looks to be in good condition. | 0:20:25 | 0:20:28 | |
Always need to check to see if there are any major cracks, | 0:20:28 | 0:20:32 | |
and then this mount on the top is actually really nice. | 0:20:32 | 0:20:36 | |
You can see a silver hallmark there, even if it's a bit rubbed. | 0:20:36 | 0:20:40 | |
The hinge... | 0:20:40 | 0:20:41 | |
-Ah! -..is broken. -Oh... | 0:20:42 | 0:20:46 | |
But I wonder if that could be repaired. | 0:20:46 | 0:20:50 | |
Because that still snaps quite easily on there. | 0:20:50 | 0:20:54 | |
I think, to me, it looks like it needs a little pin. | 0:20:54 | 0:20:57 | |
The price tag is 99. | 0:20:57 | 0:21:01 | |
I think an estimate for this at auction would probably be £50-£80. | 0:21:01 | 0:21:06 | |
Rachel isn't enamoured with the scent bottle, | 0:21:06 | 0:21:08 | |
but she knows what she likes. | 0:21:08 | 0:21:10 | |
Maybe could we go back to the bowl? | 0:21:10 | 0:21:12 | |
The original bowl that you picked up. The silver one. | 0:21:12 | 0:21:15 | |
Are you coming back to that? | 0:21:15 | 0:21:16 | |
-I'd quite like to see what they do with the price for that. -OK. | 0:21:16 | 0:21:20 | |
-All right. Where was that? In this one? -Yes. | 0:21:20 | 0:21:24 | |
-TICKING -Can you hear that, teams? | 0:21:24 | 0:21:25 | |
That's your clock ticking. Five minutes left. It's decision time. | 0:21:25 | 0:21:29 | |
We are out of time pretty much. | 0:21:29 | 0:21:31 | |
We've got the pillbox, which we looked at earlier, or the bowl. | 0:21:31 | 0:21:34 | |
Here's our little dish. I would call that a pin dish or a little bonbon basket, | 0:21:34 | 0:21:39 | |
if you like, for sweeties or something. | 0:21:39 | 0:21:41 | |
It's in lovely condition, I think it's 1940. 1942, there we are. | 0:21:41 | 0:21:46 | |
There's the hallmark just on the edge there. | 0:21:46 | 0:21:48 | |
It's not too light, | 0:21:48 | 0:21:50 | |
-so there's a little bit of good weight of silver in there. -Yeah. | 0:21:50 | 0:21:53 | |
So, the ticket price on this is 45. | 0:21:53 | 0:21:56 | |
So I think, once we know what the very best price is on the basket, | 0:21:56 | 0:22:01 | |
and on the scent bottle, then we can make our mind up. OK. | 0:22:01 | 0:22:05 | |
I'm sure they can sweeten the price for you, | 0:22:05 | 0:22:07 | |
but you can only have one, girls. Now, Reds, have you made a decision? | 0:22:07 | 0:22:11 | |
I hope so, as we're all out of time. | 0:22:11 | 0:22:13 | |
I've spoken to the dealer and the absolute bottom price is £27. | 0:22:13 | 0:22:17 | |
We've got to pay that, we've got to buy this... | 0:22:17 | 0:22:19 | |
-I don't think we've got a choice! -We are out of time. | 0:22:19 | 0:22:22 | |
-For love nor money, let's do it. -Let's go for it. | 0:22:22 | 0:22:25 | |
That's entertainment! | 0:22:25 | 0:22:26 | |
-Well done, boys. -Thank you very much for your help. -Thank you very much. | 0:22:26 | 0:22:30 | |
What is the very best you can do for us on these two pieces? | 0:22:30 | 0:22:34 | |
Right, they're two different dealers, so I think I could | 0:22:34 | 0:22:36 | |
-probably do 85 on the perfume bottle. -Right. | 0:22:36 | 0:22:39 | |
And, on that piece, I could do 38. | 0:22:39 | 0:22:42 | |
38? OK, that is a little bit better. | 0:22:42 | 0:22:45 | |
-And that is the absolute rock bottom? -It is, yes. | 0:22:45 | 0:22:49 | |
Well, I know I said I loved the perfume bottle, | 0:22:50 | 0:22:52 | |
but I think in this case I'm going to defer to you, Rachel, you decide. | 0:22:52 | 0:22:55 | |
I think, because this one is in lovely condition and this one | 0:22:55 | 0:22:59 | |
is a bit damaged, I think this is the safer option, for me. | 0:22:59 | 0:23:02 | |
And I think it's lovely. I think I'd be happy with that, thank you. | 0:23:02 | 0:23:06 | |
Well done, Blues. Playing it safe, I see. | 0:23:06 | 0:23:08 | |
But there's nothing wrong with that. | 0:23:08 | 0:23:11 | |
Right, time's up, that's your lot. | 0:23:11 | 0:23:13 | |
Let's have a look at what the Reds have got. | 0:23:13 | 0:23:16 | |
They started off their spree with a silver matchbox case for £25. | 0:23:16 | 0:23:20 | |
Then they sniffed out a blue glass perfume bottle, £20 paid. | 0:23:22 | 0:23:26 | |
They didn't break the bank with their third purchase either, | 0:23:27 | 0:23:30 | |
a silver quaich for £27. | 0:23:30 | 0:23:33 | |
-Now, lads, have you had a nice time? -Excellent time. | 0:23:34 | 0:23:37 | |
-What was the best bit for you, Harry? -Probably the silver matchbox. | 0:23:37 | 0:23:41 | |
-It's your favourite? -Yes. Hopefully it sets the saleroom alight. | 0:23:41 | 0:23:44 | |
Oh, you've got all the lines, haven't you? What about you, Ben? | 0:23:44 | 0:23:47 | |
I'd agree with Harry. | 0:23:47 | 0:23:48 | |
I think that's our best bet for a good profit. | 0:23:48 | 0:23:51 | |
OK. Well, we're in agreement. Lovely. So, what did you spend? | 0:23:51 | 0:23:54 | |
-I think about £72 in total. -£72? I want £228 of leftover lolly, please. | 0:23:54 | 0:24:00 | |
-There you go. -Thank you very much. | 0:24:00 | 0:24:01 | |
That's lovely. With the small change. There you go. | 0:24:01 | 0:24:04 | |
J, that's a good wodge. | 0:24:04 | 0:24:05 | |
You could buy most of the entire outfit here for that. | 0:24:05 | 0:24:09 | |
-Including the freehold. -There are four floors and a ghost, | 0:24:09 | 0:24:11 | |
so I think I'll find a presence in there. | 0:24:11 | 0:24:13 | |
You don't stand a ghost of a chance. Anyway, good luck, chaps. | 0:24:13 | 0:24:16 | |
Meanwhile, why don't we check out how the Blue team got on, eh? | 0:24:16 | 0:24:19 | |
A pair of silver gilt earrings caught their eye first, | 0:24:19 | 0:24:22 | |
costing them £19. | 0:24:22 | 0:24:24 | |
It's been a day for silver. | 0:24:25 | 0:24:27 | |
This compact and lipstick holder set them back £52. | 0:24:27 | 0:24:31 | |
The silver jamboree ended with this 1940s dish, £38 paid for that. | 0:24:31 | 0:24:36 | |
Now, listen, girls. Which is your favourite piece, Gabby? | 0:24:38 | 0:24:41 | |
I quite like the earrings, I like the sparkly semiprecious stones. | 0:24:41 | 0:24:45 | |
Yeah. What about you, Rach? | 0:24:45 | 0:24:47 | |
I think the lipstick holder, definitely. It's nice and feminine. | 0:24:47 | 0:24:50 | |
Is that going to bring the biggest profit? | 0:24:50 | 0:24:52 | |
I think that the earrings are going to, | 0:24:52 | 0:24:54 | |
with the semiprecious stones - we got him right down to £19. | 0:24:54 | 0:24:57 | |
-£19! -You got him down! -Yeah! | 0:24:57 | 0:24:59 | |
-It was definitely all you. -That's a good price for those. | 0:24:59 | 0:25:02 | |
-Rachel has been your secret weapon today. Perfect. -No holding back. | 0:25:02 | 0:25:06 | |
-And what was the grand total that you spent? -£109. | 0:25:06 | 0:25:10 | |
Who's got the 191? | 0:25:10 | 0:25:12 | |
-Me. -Moi. Can I have it, please? | 0:25:12 | 0:25:15 | |
This is our leftover lolly, | 0:25:15 | 0:25:17 | |
all of which, without commission or stoppages for charges | 0:25:17 | 0:25:20 | |
or anything like that, goes straight to Kate Bliss. | 0:25:20 | 0:25:23 | |
-Great! -She rubs her hands as usual, ready with the old, ever-open paw. | 0:25:23 | 0:25:28 | |
-Fabulous. -What are you going to spend it on, Kate Bliss? | 0:25:28 | 0:25:31 | |
I might hit the cafe first. | 0:25:31 | 0:25:33 | |
THEY LAUGH | 0:25:33 | 0:25:34 | |
Because you're desperate for lunch? Yeah. | 0:25:34 | 0:25:37 | |
-See you later. -Is it going to be something culinary, you think? | 0:25:37 | 0:25:40 | |
Well, I'm not exactly sure actually. I think I've got my work cut out. | 0:25:40 | 0:25:44 | |
The girls have done such a good job. | 0:25:44 | 0:25:46 | |
They've cleared out everything worthwhile buying in the place? | 0:25:46 | 0:25:49 | |
Possibly! | 0:25:49 | 0:25:51 | |
Well, that's exciting anyway. Good luck. | 0:25:51 | 0:25:53 | |
Meanwhile, I'm going to take you to the foothills of Surrey | 0:25:53 | 0:25:57 | |
to Clandon Park, where it is gorgeous. | 0:25:57 | 0:26:00 | |
Clandon Park boasts many beautiful works of art and stunning treasures. | 0:26:14 | 0:26:21 | |
It also has a link to the other side of the world, | 0:26:21 | 0:26:25 | |
which makes it unique in the United Kingdom. | 0:26:25 | 0:26:28 | |
This is the Onslow Room, described as the family museum room. | 0:26:34 | 0:26:40 | |
In 1888, the fourth Earl of Onslow was appointed Governor General, | 0:26:40 | 0:26:46 | |
aged just 34, of New Zealand. | 0:26:46 | 0:26:50 | |
And he headed off with his wife and three children. | 0:26:50 | 0:26:53 | |
While he was there, his wife produced a further son. | 0:26:53 | 0:26:58 | |
Being a diplomatic fellow - after all, he was Governor General - | 0:26:58 | 0:27:02 | |
and having a fondness for the Maori people, | 0:27:02 | 0:27:04 | |
he called his son a Maori name - Huia, | 0:27:04 | 0:27:09 | |
which means in Maori "precious treasure". | 0:27:09 | 0:27:12 | |
Shortly afterwards, the Maori people presented the child with this cloak, | 0:27:12 | 0:27:18 | |
a very special symbolic garment | 0:27:18 | 0:27:22 | |
with which he could wrap himself. | 0:27:22 | 0:27:25 | |
It's an extraordinary thing. | 0:27:25 | 0:27:27 | |
If you look at the ground, there's a woven, coir-type base | 0:27:27 | 0:27:32 | |
into which all these feathers, literally thousands | 0:27:32 | 0:27:37 | |
and thousands of feathers, have been woven. | 0:27:37 | 0:27:41 | |
And where did the feathers come from? They came from the kiwi bird. | 0:27:41 | 0:27:45 | |
That little bird in that cabinet. | 0:27:45 | 0:27:48 | |
Just exactly how many of those fellows had to be plucked | 0:27:48 | 0:27:53 | |
to create this magnificent cloak? | 0:27:53 | 0:27:56 | |
New Zealand is riven by geophysical faults, | 0:27:57 | 0:28:02 | |
and if we look at this photograph, | 0:28:02 | 0:28:05 | |
it shows the aftermath of a massive explosion, | 0:28:05 | 0:28:09 | |
a volcanic eruption which, in 1886, | 0:28:09 | 0:28:13 | |
spewed two million cubic yards of material into the sky. | 0:28:13 | 0:28:19 | |
The effects on the local population were catastrophic. | 0:28:20 | 0:28:24 | |
In one particular village, 150 local inhabitants lost their lives. | 0:28:24 | 0:28:31 | |
But it wasn't all an entirely sad story. | 0:28:31 | 0:28:34 | |
-HE CHUCKLES -Isn't this extraordinary? | 0:28:41 | 0:28:44 | |
Can you believe that we're in an English country house garden, | 0:28:44 | 0:28:49 | |
and not in the back lands somewhere in New Zealand? | 0:28:49 | 0:28:54 | |
I must introduce you to Hinemihi. | 0:28:54 | 0:28:57 | |
Because she is not just a building, | 0:28:57 | 0:29:01 | |
she's very important in Maori cultural terms. | 0:29:01 | 0:29:05 | |
At the top of this building, we have a figure that's known as Tekoteko. | 0:29:06 | 0:29:12 | |
And the barge boards that go down at either side are actually | 0:29:12 | 0:29:17 | |
representative of her arms, open in welcome. | 0:29:17 | 0:29:21 | |
And at the end of these boards are her fingers. | 0:29:21 | 0:29:25 | |
It's a building that has incredible significance to the Maori people. | 0:29:25 | 0:29:31 | |
In this structure, following that horrendous volcanic eruption, | 0:29:31 | 0:29:37 | |
the surviving villagers, about 50 of them, sheltered and survived. | 0:29:37 | 0:29:42 | |
And those survivors' descendants today come to Clandon | 0:29:42 | 0:29:47 | |
and celebrate the fact that this structure is still with us. | 0:29:47 | 0:29:52 | |
It's an extraordinary story. | 0:29:52 | 0:29:55 | |
Almost as extraordinary, one might say, as the profits | 0:29:55 | 0:29:59 | |
that our teams are about to make over at the auction... | 0:29:59 | 0:30:02 | |
maybe. | 0:30:02 | 0:30:03 | |
Criterion Wandsworth Auctions | 0:30:13 | 0:30:16 | |
is our home today and Daniel Webster is our host. | 0:30:16 | 0:30:19 | |
-Hello, Dan, how are you? -How do you do, Tim? Thank you. -Very nice to see you. | 0:30:19 | 0:30:22 | |
Erm, so, first up for the Reds, we've got the matchbox case. | 0:30:22 | 0:30:27 | |
-Pretty classic object this, isn't it? -Standard model if you like, Tim. | 0:30:27 | 0:30:31 | |
Neat little sort of spherical bun feet at the bottom there. | 0:30:31 | 0:30:35 | |
-What's it worth? -£30 to £40. | 0:30:35 | 0:30:37 | |
£25 paid. | 0:30:37 | 0:30:38 | |
-Like shelling peas, isn't it? -It is. | 0:30:40 | 0:30:42 | |
Next is the blue bottle. | 0:30:42 | 0:30:44 | |
French bottle bottom, Chester silver hallmark top. | 0:30:44 | 0:30:48 | |
Do you think that might be a marriage? | 0:30:48 | 0:30:50 | |
Possibly, a bit strange, isn't it, in that, as you say, | 0:30:50 | 0:30:53 | |
the bottle's French and we've got an English hallmarked top to it? | 0:30:53 | 0:30:58 | |
Sits on there quite nicely. I suppose looks the part. | 0:30:58 | 0:31:01 | |
What do you think that's going to bring? | 0:31:01 | 0:31:03 | |
Er, 30 to 40 on that one again. | 0:31:03 | 0:31:05 | |
£20 paid. Lastly is the quaich. Or quaich-style bowl. | 0:31:05 | 0:31:11 | |
-Big quaich, isn't it? -It certainly is. | 0:31:11 | 0:31:14 | |
If traditionally the Scottish people passed this around | 0:31:14 | 0:31:18 | |
and they have a toast out of it, | 0:31:18 | 0:31:19 | |
-that's got about a gallon of whisky in it! Sadly, only in plate. -Yes. | 0:31:19 | 0:31:25 | |
-Good, heavy, slight Arts and Crafts appeal to it. -What's your estimate? | 0:31:25 | 0:31:31 | |
-We've got 30 to 40 on it. -£27 paid. | 0:31:31 | 0:31:34 | |
So, we've got three potential immediate profits that is the price | 0:31:34 | 0:31:39 | |
paid versus the estimates which is a healthy position to be in. | 0:31:39 | 0:31:44 | |
It can all go horribly wrong, though, | 0:31:44 | 0:31:46 | |
so let's go and have a look at the bonus buy. | 0:31:46 | 0:31:48 | |
OK, Ben and Harry you spent the most miserable £72 ever seen | 0:31:49 | 0:31:52 | |
by man or boy and you gave Jeremy £228. | 0:31:52 | 0:31:55 | |
J, what did you spend it on? | 0:31:55 | 0:31:58 | |
-Well, in the spirit of our miserable spending, I've carried on. -Oh, Lord! | 0:31:58 | 0:32:02 | |
-That's amazing. -What do you think it is? -Shoehorn? -A shoehorn. | 0:32:02 | 0:32:06 | |
Yeah, absolutely right. Well, it's Japanese mixed metal. | 0:32:06 | 0:32:10 | |
It's about 1880, 1890, you've got Japanese motifs. | 0:32:10 | 0:32:14 | |
-Mount Fuji on the handle here. -Is the damage going to affect the price? | 0:32:14 | 0:32:19 | |
I think you could beat that out. | 0:32:19 | 0:32:21 | |
You could probably shoehorn that out really, couldn't you? | 0:32:21 | 0:32:24 | |
How much did you pay for it? | 0:32:24 | 0:32:26 | |
-Well, what do you think? -80 quid? -80? -25? -15. | 0:32:26 | 0:32:32 | |
-Bargain! -You don't have to choose | 0:32:32 | 0:32:34 | |
until after the sale of your first three items, but right now | 0:32:34 | 0:32:37 | |
for the audience at home, let's find out what the auctioneer thinks | 0:32:37 | 0:32:40 | |
about Jeremy's shoehorn. | 0:32:40 | 0:32:42 | |
There we go, Daniel. A little challenge for you. | 0:32:43 | 0:32:47 | |
Er, Japanese brass shoehorn. | 0:32:47 | 0:32:50 | |
Obviously had some use in its day with the bent blade there | 0:32:50 | 0:32:55 | |
so it's going to put people off because of that. | 0:32:55 | 0:32:58 | |
That aside, it's nicely cast at the top there with the birds | 0:32:58 | 0:33:02 | |
and the flower heads so it's decorative. | 0:33:02 | 0:33:06 | |
-Well the big question is, what's it worth? -30 to 40. | 0:33:06 | 0:33:09 | |
Jeremy will be pleased, £15 paid. | 0:33:09 | 0:33:12 | |
That's quite a canny bonus buy, if they go with it. | 0:33:12 | 0:33:15 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:33:15 | 0:33:18 | |
You've got the half hoop earrings for a kick-off. | 0:33:18 | 0:33:21 | |
How do you the those? | 0:33:21 | 0:33:22 | |
They're a decorative pair of earrings | 0:33:22 | 0:33:24 | |
and that's really all you can say about them. | 0:33:24 | 0:33:28 | |
-We've got an estimate of 20 to 40 on them. -Perfect. £19 paid. | 0:33:28 | 0:33:32 | |
-Next is the lipstick holder. -Pretty little thing. Art Deco period. | 0:33:32 | 0:33:36 | |
Milled decoration, nice turquoise cabochon as the handle there. | 0:33:37 | 0:33:41 | |
Neat little thing. | 0:33:41 | 0:33:43 | |
£30, £40, something like that. | 0:33:43 | 0:33:46 | |
They paid 52 actually so that's a bit above your estimate | 0:33:46 | 0:33:49 | |
but you never know, it's a quality object. | 0:33:49 | 0:33:51 | |
-Next is the bonbon dish or pin dish. -Neat little thing. | 0:33:51 | 0:33:55 | |
Nicely pierced decoration, sort of quatrefoil shape almost. | 0:33:55 | 0:33:58 | |
Not much silver in it, though. It's a thin old job, isn't it? | 0:33:58 | 0:34:01 | |
Yeah, not much weight there. | 0:34:01 | 0:34:03 | |
Still, 1945. | 0:34:03 | 0:34:05 | |
End of the war, you know, not much silver about, I suppose. | 0:34:05 | 0:34:08 | |
Certainly will sell. Silver still very popular at the moment. | 0:34:08 | 0:34:11 | |
Good prices for scrap silver brings up the decorative silver as well. | 0:34:11 | 0:34:15 | |
-So £25-£40. -OK, £38 paid. | 0:34:15 | 0:34:20 | |
Some of this slightly on the cusp, though, I think we'd better go | 0:34:20 | 0:34:23 | |
and have a look at the bonus buy. | 0:34:23 | 0:34:25 | |
Now, Rach, Gabbs, you gave Kate Bliss £191, Kate, | 0:34:26 | 0:34:31 | |
-what did you spend it on? -Well, this is what I have bought for you. | 0:34:31 | 0:34:36 | |
-It's a box. -OK. -With a set of six rather nice teaspoons. | 0:34:36 | 0:34:43 | |
-Ah! -Oh! | 0:34:43 | 0:34:44 | |
Now these are what's known as seal-top spoons | 0:34:44 | 0:34:47 | |
because they have that rather nice little | 0:34:47 | 0:34:49 | |
terminal on the end like a seal if you like which gives it its name. | 0:34:49 | 0:34:53 | |
And if you have a little feel of that, you can feel they've got | 0:34:53 | 0:34:56 | |
-a good weight. -There quite weighty, aren't they? | 0:34:56 | 0:34:58 | |
They were actually made in Sheffield | 0:34:58 | 0:35:00 | |
and if you look on the back of the bowl you can see | 0:35:00 | 0:35:02 | |
a little crown, if you look carefully, which is the mark | 0:35:02 | 0:35:05 | |
for Sheffield so that's where the silver was tested and hallmarked. | 0:35:05 | 0:35:08 | |
They're dated for 1935 which is very much in the Art Deco period, | 0:35:08 | 0:35:13 | |
of course, and they have very much a sort of Art Deco look | 0:35:13 | 0:35:16 | |
-about them, I think. -I like them. | 0:35:16 | 0:35:19 | |
-How much did you spend on them? -Well, you gave me a lot of money. | 0:35:19 | 0:35:22 | |
-Yeah. -We did. -I was quite conservative and I have spent £50. | 0:35:22 | 0:35:27 | |
-OK. -That's not bad, is it? -Not too bad. | 0:35:27 | 0:35:30 | |
-Happy? -Yeah, definitely. -Yes, definitely. | 0:35:30 | 0:35:32 | |
Well, you don't pick now, you pick later if you need to | 0:35:32 | 0:35:34 | |
but for the audience at home, lets find out | 0:35:34 | 0:35:36 | |
what the auctioneer thinks about Kate's set of spoons. | 0:35:36 | 0:35:40 | |
Now, Daniel, a classic saleroom cased set of six spoons. | 0:35:41 | 0:35:46 | |
Nicely hallmarked, Sheffield, 1935, | 0:35:46 | 0:35:50 | |
yeah, good saleroom fodder for want of a better description! | 0:35:50 | 0:35:53 | |
Yeah, what are they worth? | 0:35:53 | 0:35:55 | |
-We've got 30 to 40 on them. -30 to 40? | 0:35:55 | 0:35:58 | |
£50 paid by Kate Bliss. | 0:35:58 | 0:36:00 | |
She might be just a bit tight to make a profit on that. | 0:36:00 | 0:36:03 | |
That's very much top end, yes. | 0:36:03 | 0:36:05 | |
I know that smile, Dan, it's the smile that launched a thousand ships. | 0:36:05 | 0:36:11 | |
-Good luck today. -Thank you. | 0:36:11 | 0:36:13 | |
-Now, Ben, Harry, how are you feeling? -Pretty confident. -Don't know. | 0:36:20 | 0:36:24 | |
Well, he's confident, I'm quite nervous. | 0:36:24 | 0:36:26 | |
Let's cross everything, all right? | 0:36:26 | 0:36:28 | |
Say our prayers because the first lot, your match case, is coming up now. | 0:36:28 | 0:36:32 | |
Lot 170, it's an Edwardian silver table matchbox case with | 0:36:32 | 0:36:37 | |
-interest at 35. 40 got. -Paid 25. | 0:36:37 | 0:36:41 | |
-Go on, son. -40. -40? Did he say 40? | 0:36:42 | 0:36:47 | |
-He did say 40. That's plus 15. -Nearly doubled. -That's very fair. | 0:36:47 | 0:36:50 | |
I'd told you this was going to be all right. | 0:36:50 | 0:36:53 | |
Now here comes the perfume bottle. | 0:36:53 | 0:36:56 | |
Hallmarked silver screw-top perfume bottle. | 0:36:56 | 0:36:58 | |
Bottle blue glass French we have £20. At 25, 30. | 0:36:58 | 0:37:04 | |
You're in profit. | 0:37:04 | 0:37:06 | |
-35 in the room now. At £35 and in the room at 35. -35?! | 0:37:06 | 0:37:13 | |
-That's another plus £15. That's two £15. -Making it look easy! | 0:37:13 | 0:37:18 | |
Now here comes the quaich. | 0:37:18 | 0:37:20 | |
Early 20th-century electroplated Scottish more sort of a fruit bowl | 0:37:20 | 0:37:25 | |
rather than a quaich but there you have it. At £30 on commission. | 0:37:25 | 0:37:28 | |
You've got 30, you're in profit. | 0:37:28 | 0:37:30 | |
At £30, surely worth more. 35, 40, one more, sir? | 0:37:30 | 0:37:34 | |
-Only money. No, at £40. -Did he say £40? | 0:37:34 | 0:37:38 | |
At £40, are we all done, then, at 40? | 0:37:38 | 0:37:41 | |
That is real nice. | 0:37:42 | 0:37:43 | |
That's real, real nice, plus 13, that is plus £43 overall. | 0:37:43 | 0:37:48 | |
-Getting in there. -You spend 72 and you come away with £43 profit. | 0:37:48 | 0:37:52 | |
-Now how good's that? Are you going to go with J? -Absolutely. | 0:37:52 | 0:37:56 | |
-Definitely. -Is that deffo? All right, that's a decision, then. | 0:37:56 | 0:37:59 | |
Lot 176 is a Japanese mixed metal shoehorn with interest. | 0:37:59 | 0:38:05 | |
-Again at 10, 15, 18 got. -Profit. -£18, are we done for 18? | 0:38:05 | 0:38:12 | |
-One more. -18 here, internet, 20 takes it if you like. | 0:38:14 | 0:38:17 | |
20 it's yours. At £20 internet's money now. | 0:38:18 | 0:38:21 | |
At £20, are we done? Sure? | 0:38:21 | 0:38:23 | |
-For 20. -Go on, a bit more. -20 is plus five. | 0:38:23 | 0:38:28 | |
You have a profit on every item which overall means | 0:38:28 | 0:38:30 | |
-you are plus £48. Now, not a word to the girls. -OK, of course. | 0:38:30 | 0:38:36 | |
-That's cool. -Well done, chaps. | 0:38:36 | 0:38:38 | |
-OK, Rach, Gabbs, how are you feeling? -Good. -Confident. -Are you? | 0:38:43 | 0:38:46 | |
-Yes. -Do you know how the boys got on? -No. -No idea. -They haven't told us. | 0:38:46 | 0:38:49 | |
-They're quite cool like that, not going to give anything away. -Yeah. | 0:38:49 | 0:38:52 | |
Just lie back and enjoy it, that's the answer. And first up, earrings. | 0:38:52 | 0:38:56 | |
Lot 191 is a neat little pair of gilt hoop earrings. | 0:38:56 | 0:39:01 | |
There with interest again, 25 got. | 0:39:01 | 0:39:05 | |
25?! Look at this! Girls! | 0:39:05 | 0:39:10 | |
-I'm amazed. £35! -40... | 0:39:10 | 0:39:14 | |
-Five. -45?! | 0:39:15 | 0:39:18 | |
-50. -50! | 0:39:18 | 0:39:20 | |
50, another bidder, internet. At £50 we all done? | 0:39:20 | 0:39:23 | |
This is nuts! 50. | 0:39:23 | 0:39:27 | |
-GAVEL BANGS -I always said they were good, | 0:39:28 | 0:39:30 | |
those earrings. | 0:39:30 | 0:39:32 | |
-Good one, girls. -OK, one off 20, that's 31. That is plus £31. | 0:39:32 | 0:39:35 | |
What a start, girls. Wow. Now the lippo holder. Stand by. | 0:39:35 | 0:39:40 | |
Great little thing. Again interest and we have 35. 45 got. | 0:39:41 | 0:39:47 | |
At £45 it's with me. 50 takes, are we done? £45. Are we all sure? | 0:39:47 | 0:39:52 | |
-Smart thing for 45. -This is not enough. Oh, no. | 0:39:52 | 0:39:57 | |
-He sold it, £45. -That's not too bad. -That is minus £7. -That's all right. | 0:39:57 | 0:40:01 | |
-Seven pounds off 31 means you're plus 24. -Still up there. | 0:40:01 | 0:40:07 | |
Now, your pin dish. | 0:40:07 | 0:40:08 | |
Another neat silver thing. Nice pierced decoration. | 0:40:08 | 0:40:12 | |
Interest 20 and five got. At £25, the money's here at 25. 30. Five. | 0:40:12 | 0:40:20 | |
-35 we've made. At 35, are we all done? -Go on! -35. | 0:40:20 | 0:40:26 | |
He sold it at 35. That's three off. minus three. | 0:40:26 | 0:40:30 | |
You're still plus 21. That's good. | 0:40:30 | 0:40:33 | |
-Isn't it? Plus 21. -Shall we take it? -Don't know. -Now, little girls. | 0:40:33 | 0:40:38 | |
-What are we going to do about the silver spoons? -I don't know. | 0:40:38 | 0:40:41 | |
-Are you going to stick or twist? -We thought if we got plus anything... | 0:40:41 | 0:40:45 | |
-We would stick. -Yes. -Because that's quite good. | 0:40:45 | 0:40:49 | |
-I think we'll stick. -And what is it, 21? -You've got 21. | 0:40:49 | 0:40:53 | |
-21's a nice number! -21 is. £10.50 each. The decision is no bonus buy. | 0:40:53 | 0:40:58 | |
-Here come the spoons. -Seal topped silver teaspoons with interest. | 0:40:58 | 0:41:02 | |
-25, 30 got. At £30 here and fiver in the room. 35 in the room. -Oh, no. | 0:41:02 | 0:41:10 | |
-It's all right. -At 35 in the room, we all sure at 35? Will sell. | 0:41:10 | 0:41:15 | |
-GAVEL BANGS -£35. -Yes! | 0:41:16 | 0:41:18 | |
Minus £15, so you did make the right decision. | 0:41:18 | 0:41:21 | |
-Well, that's brilliant. -We did. | 0:41:21 | 0:41:22 | |
-So, listen, you're plus £21, how good does that that feel? -Amazing. | 0:41:22 | 0:41:25 | |
-It's amazing. -Amazing. | 0:41:25 | 0:41:27 | |
Now the big thing is, don't say a word to those miserable boys. | 0:41:27 | 0:41:30 | |
-Don't say a dickybird. -Poker face. -All will be revealed in a moment. | 0:41:30 | 0:41:34 | |
-Well done, girls. -Fantastic, thank you. -Yes! I can believe it. | 0:41:34 | 0:41:38 | |
Well, how lovely is this? To have a programme with two teams of winners. | 0:41:42 | 0:41:47 | |
Everybody's in profits today. How unusual is that? | 0:41:47 | 0:41:52 | |
-Now, have you girls and boys been chatting to one another? -No. | 0:41:52 | 0:41:56 | |
-No, no. -Not about the score? -No. -Right, so... | 0:41:56 | 0:41:59 | |
-The rivalry is keen, yes? -Definitely. | 0:41:59 | 0:42:01 | |
-You both now know that you're in profit. -Yeah. | 0:42:01 | 0:42:05 | |
It's just a question of scale. | 0:42:05 | 0:42:06 | |
I can tell you that the team that's marginally behind... | 0:42:06 | 0:42:10 | |
are the Blues. | 0:42:10 | 0:42:12 | |
-Yeah! -But it ain't half bad, is it? -No, no. | 0:42:12 | 0:42:16 | |
-£21 of profits going to the girls. -Yay! -Yes! Here we go. -Thank you. | 0:42:16 | 0:42:21 | |
£21 coming up. | 0:42:21 | 0:42:23 | |
-That is pretty good, isn't it? -I'll take that! | 0:42:23 | 0:42:25 | |
You didn't go with the bonus buy, you preserved your cash | 0:42:25 | 0:42:28 | |
-and you must be very, very pleased. -Yes. -Yes! -Absolutely. Definitely. | 0:42:28 | 0:42:32 | |
But not quite good enough to beat the boys who walk home today | 0:42:32 | 0:42:35 | |
-with £48 in folding money. -We're happy with that. | 0:42:35 | 0:42:39 | |
You're very happy with that, then, I can tell it. | 0:42:39 | 0:42:41 | |
Here's a bit of coinage coming up, another three to go on top of that. | 0:42:41 | 0:42:44 | |
-It all helps. -£48. | 0:42:44 | 0:42:47 | |
And, of course, you get to be admitted to the ancient | 0:42:47 | 0:42:51 | |
-and venerable order of the Golden Gavel. -Very good. | 0:42:51 | 0:42:53 | |
Because you made a profit not only on all three of your items | 0:42:53 | 0:42:56 | |
but you had a splendid profitable contribution from your expert. | 0:42:56 | 0:43:00 | |
Anyway, we've had an excellent day. | 0:43:00 | 0:43:01 | |
In fact, so excellent, join us soon for some more bargain-hunting. Yes? | 0:43:01 | 0:43:05 | |
ALL: Yes! | 0:43:05 | 0:43:06 | |
Subtitles by Red Bee Media Ltd | 0:43:28 | 0:43:30 |