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When television presenters come to Wales, they're normally made to say something in Welsh | 0:00:04 | 0:00:09 | |
so they look really stupid, | 0:00:09 | 0:00:12 | |
or have to do a long name that finishes in "goch goch goch". | 0:00:12 | 0:00:15 | |
Anyway, none of that nonsense today, because we're here to go bargain hunting. | 0:00:15 | 0:00:20 | |
We're just outside Builth Wells | 0:00:46 | 0:00:49 | |
in the beautiful county of Powys. | 0:00:49 | 0:00:51 | |
Here at the Royal Welsh Showground, they get up to all sorts of things. | 0:00:51 | 0:00:56 | |
Livestock sales, motor shows, | 0:00:56 | 0:00:58 | |
even bee-keeping conventions. | 0:00:58 | 0:01:02 | |
But the buzz today is all about antiques and collectibles, | 0:01:02 | 0:01:06 | |
and two teams - the Blues and the Reds. | 0:01:06 | 0:01:10 | |
On today's show the Reds start with fighting talk... | 0:01:11 | 0:01:15 | |
-We're going to kick them into touch. -Game on! Come on! -Go on! | 0:01:15 | 0:01:18 | |
..while the Blues dither, hither and thither. | 0:01:18 | 0:01:21 | |
I'm not fussed, to be honest. Oh, God, it is really heavy, though. | 0:01:21 | 0:01:25 | |
Take it back! | 0:01:25 | 0:01:27 | |
-Bling. -It's too blingy. | 0:01:28 | 0:01:31 | |
-Am I being really fussy now? Yeah. -Yeah. | 0:01:31 | 0:01:33 | |
Will we have a surprise ending? Well, I'm not going to tell you, am I? | 0:01:34 | 0:01:37 | |
Do you need a reminder of the rules? | 0:01:38 | 0:01:40 | |
I tell you, it is as simple as this. | 0:01:40 | 0:01:43 | |
They each get £300, shop for three items, and the team that wins | 0:01:43 | 0:01:47 | |
makes the biggest profit or the smallest loss. | 0:01:47 | 0:01:49 | |
Easy, innit? | 0:01:49 | 0:01:51 | |
Well, we're keeping it in the family today, because for the Reds | 0:01:59 | 0:02:01 | |
we've got brothers Daryl and Chris, and for the Blues | 0:02:01 | 0:02:04 | |
Amanda and Kirsty, mother and daughter. | 0:02:04 | 0:02:07 | |
-Hello. -ALL: Hi! | 0:02:07 | 0:02:09 | |
Now, Daryl, you work as an engineer in a slag heap. | 0:02:10 | 0:02:14 | |
In the steel works. That make slag heaps. | 0:02:14 | 0:02:17 | |
That make slag heaps? So what have you got to do with a slag heap, then? | 0:02:17 | 0:02:20 | |
-I turn slag heaps into green areas. -How do you do that? | 0:02:20 | 0:02:23 | |
We take the waste products from the steel industry, recycle what we can | 0:02:23 | 0:02:27 | |
into footpaths and back into the furnaces, | 0:02:27 | 0:02:29 | |
and then we make the areas green by grassing and turfing them. | 0:02:29 | 0:02:32 | |
-Planting trees. -How lovely. | 0:02:32 | 0:02:35 | |
Chris, you're in construction, but you used to be in food. | 0:02:35 | 0:02:38 | |
I did, yeah. I was general manager, a chef before | 0:02:38 | 0:02:41 | |
in the catering industry. | 0:02:41 | 0:02:43 | |
Then I went into construction. | 0:02:43 | 0:02:45 | |
It says here, Chris, that you go in for these talent impersonation programmes. | 0:02:45 | 0:02:50 | |
-It was his fault, this was. -Was it? -I was only ten years old when I done it. | 0:02:50 | 0:02:55 | |
-What did you do? -I done a Donald Duck impression. I was ten. | 0:02:55 | 0:02:59 | |
-Have you done it since? -Not really. I can have a go for you, Tim, though. | 0:02:59 | 0:03:02 | |
What do you want to say? Let's go bargain hunting? | 0:03:02 | 0:03:05 | |
-AS DONALD DUCK: -Let's go bargain hunting. | 0:03:05 | 0:03:07 | |
Not bad! | 0:03:08 | 0:03:10 | |
Anyway, very good luck, chaps. | 0:03:10 | 0:03:12 | |
Over to the girls now. Mother and daughter Amanda and Kirsty. | 0:03:12 | 0:03:16 | |
-Amanda, how are you? -I'm OK, thanks. | 0:03:16 | 0:03:18 | |
You've had a varied career, haven't you? | 0:03:18 | 0:03:21 | |
You've worked as a psychiatric nurse in a prison. | 0:03:21 | 0:03:24 | |
-And you've also worked in an underwear shop. -Flexibility. | 0:03:24 | 0:03:28 | |
Flexibility in the underwear department. | 0:03:29 | 0:03:31 | |
You can't beat that, can you? | 0:03:32 | 0:03:34 | |
Tell us about the psychiatric nursing, because that must be tough in a prison. | 0:03:34 | 0:03:38 | |
I've been doing that for the past three years now. | 0:03:38 | 0:03:40 | |
I've been psychiatric nursing since 1984, so it's quite a long time. | 0:03:40 | 0:03:43 | |
I absolutely really enjoy it. | 0:03:43 | 0:03:46 | |
When you go towards the underwear bit, | 0:03:46 | 0:03:48 | |
you used to have these parties, did you? | 0:03:48 | 0:03:51 | |
I done a bit of that, yeah, to make some extra money years ago. The party side of it! | 0:03:51 | 0:03:56 | |
So what exactly happens in those parties? I'm quite interested. | 0:03:56 | 0:03:59 | |
You take away your underwear and your wares, | 0:03:59 | 0:04:01 | |
and your information booklets | 0:04:01 | 0:04:03 | |
on how to improve life for yourself and your partner. | 0:04:03 | 0:04:06 | |
Remaining happily married. | 0:04:06 | 0:04:08 | |
Was it successful, then, this venture? | 0:04:10 | 0:04:12 | |
It was very successful, yes. It was quite time-consuming, though, | 0:04:12 | 0:04:15 | |
and really, I was a nurse, so I went back to nursing. | 0:04:15 | 0:04:17 | |
Very good. Kirsty, you're a final year student, darling. What do you study? | 0:04:17 | 0:04:21 | |
Studying costume construction for screen and stage. | 0:04:21 | 0:04:25 | |
-Are you? -Yes, so I make like costumes for theatres and films. | 0:04:25 | 0:04:30 | |
And things like that, which is really, really good. | 0:04:30 | 0:04:32 | |
Good fun. And unlike your mother with the underwear, | 0:04:32 | 0:04:35 | |
you've got something that's a bit strange about shoes. | 0:04:35 | 0:04:37 | |
No, I just like them! | 0:04:37 | 0:04:39 | |
How many pairs of shoes have you got, truthfully? | 0:04:40 | 0:04:42 | |
-Around about 100. -Have you? -Yeah. | 0:04:42 | 0:04:45 | |
OK, fine. I think I'm getting the message. | 0:04:45 | 0:04:47 | |
On that happy note, we move to the cash. £300 a piece. | 0:04:48 | 0:04:51 | |
There's your £300. You know the rules. | 0:04:51 | 0:04:53 | |
Your experts await, and off you go. | 0:04:53 | 0:04:55 | |
Very good luck. Underwear and shoes, eh? This is gonna be fun. | 0:04:56 | 0:05:00 | |
Our red dragons today will be on fire | 0:05:01 | 0:05:03 | |
with the help of Welshman Chris Gower. | 0:05:03 | 0:05:05 | |
For the Blues, he's brave, he's bold. | 0:05:06 | 0:05:08 | |
He's David Barby. | 0:05:08 | 0:05:10 | |
ALL: Come on, the Reds! | 0:05:14 | 0:05:16 | |
-What's our game plan today? -We're gonna bash the nobodies. | 0:05:16 | 0:05:19 | |
-Fantastic. Chris? -We're gonna kick 'em into touch. | 0:05:19 | 0:05:22 | |
Game on! Come on. | 0:05:22 | 0:05:24 | |
The game's about to begin. What are going to be your tactics with the other team? | 0:05:24 | 0:05:27 | |
I think we're gonna have to kick them into touch, and get some early points on the board. | 0:05:27 | 0:05:31 | |
-That's what I like. What about you? -I hope they've got their protective gear on, cos they're gonna need it. | 0:05:31 | 0:05:35 | |
Yeah! I'm from the home of rugby, | 0:05:35 | 0:05:38 | |
and I think the game should start now. | 0:05:38 | 0:05:41 | |
What's all this kicking into touch business? | 0:05:42 | 0:05:44 | |
We'll have none of that, thank you. Just a good, clean fight, teams. | 0:05:44 | 0:05:48 | |
-Right, I thought we'd try over here. What do you think? -Yeah. | 0:05:48 | 0:05:52 | |
Yeah, so have you got anything in mind to collect today, you two? | 0:05:52 | 0:05:56 | |
I was thinking of prices of silver and gold, I was. | 0:05:56 | 0:05:58 | |
Silver and gold, absolutely. | 0:05:58 | 0:06:00 | |
If we could find some gold, that'd be great. How about you, Daryl? | 0:06:00 | 0:06:03 | |
-Some Doulton ware. -Doulton ware. Yeah. | 0:06:03 | 0:06:06 | |
-Some fine china. -Fine china. Quite specific, that. | 0:06:06 | 0:06:09 | |
Quirky. | 0:06:09 | 0:06:10 | |
We're only minutes in, and the Barby eagle eye has spotted something already. | 0:06:10 | 0:06:15 | |
Can I have a look at that object in that box? | 0:06:16 | 0:06:18 | |
Ooh. Is it silver? | 0:06:20 | 0:06:23 | |
-It is silver. It's just stamped silver on the back. -Is it American? | 0:06:23 | 0:06:26 | |
-Probably. -Do you like that? | 0:06:26 | 0:06:28 | |
-I really love that, yeah. -I'll put it on your shoulder. | 0:06:28 | 0:06:31 | |
Wow. That would look absolutely terrific on a black dress. | 0:06:32 | 0:06:35 | |
-Yeah. -A cocktail dress. | 0:06:35 | 0:06:37 | |
-And I like the different-coloured stone for its eyes. -Rubies, yes. | 0:06:37 | 0:06:40 | |
I think this is quite nice. | 0:06:40 | 0:06:42 | |
-How much is that one? -How much is this? | 0:06:42 | 0:06:44 | |
-£40. -£40?! | 0:06:44 | 0:06:46 | |
-Is that the very best you can do? -£35. | 0:06:48 | 0:06:51 | |
-Can you split the difference at £32? -As it's you, all right. | 0:06:51 | 0:06:54 | |
Oh! | 0:06:54 | 0:06:57 | |
Just handle that. | 0:06:57 | 0:06:58 | |
I think you're very good at picking up the coloured stones of the eyes. | 0:06:58 | 0:07:01 | |
Mm, yeah, it is a bit different. | 0:07:01 | 0:07:03 | |
I think so, because it's silver, and it's got some quality. | 0:07:03 | 0:07:06 | |
-Yeah, I like that. -Kirsty, what do you think? | 0:07:06 | 0:07:08 | |
Yeah, no, no. I like it's got the different coloured stones in the eye. That's what caught my eye. | 0:07:08 | 0:07:13 | |
-The ruby. -What can you buy for £32? | 0:07:13 | 0:07:15 | |
You couldn't even buy a night out, could you? | 0:07:15 | 0:07:18 | |
No! | 0:07:18 | 0:07:20 | |
Your taxi home. | 0:07:20 | 0:07:22 | |
Or just about. | 0:07:22 | 0:07:24 | |
-No, I think we should go for that. -You want to go for it? | 0:07:24 | 0:07:26 | |
What do you think it would go for? | 0:07:26 | 0:07:28 | |
-I think you're going to make a profit on it. Probably not a lot. -Something. | 0:07:28 | 0:07:32 | |
-But you're going to make a profit. -And it's pretty. | 0:07:32 | 0:07:34 | |
OK. Our first try. | 0:07:34 | 0:07:36 | |
-First try for us. -Yes! | 0:07:36 | 0:07:38 | |
Thank you very much indeed. | 0:07:38 | 0:07:40 | |
Well done, Blues. A bird in the hand, as they say, | 0:07:40 | 0:07:43 | |
but you're still going to need the two in the bush as well, | 0:07:43 | 0:07:46 | |
so keep hunting. | 0:07:46 | 0:07:48 | |
Writing slope. | 0:07:48 | 0:07:50 | |
Campaign slope. | 0:07:50 | 0:07:52 | |
Originally they were meant to travel with serving officers. | 0:07:52 | 0:07:56 | |
They would write their letters home here. | 0:07:56 | 0:07:58 | |
This has been recovered. It isn't the original leather, but that doesn't matter. | 0:07:58 | 0:08:03 | |
I love this one. | 0:08:03 | 0:08:05 | |
-Oh, wow. -I haven't seen inside that one. | 0:08:05 | 0:08:08 | |
Let's have a look inside. That is really... This is General stuff, not lieutenant. | 0:08:08 | 0:08:13 | |
-Lovely. -So, does it go by size? | 0:08:13 | 0:08:15 | |
-The bigger the box... -No, but it was the embellishment of it. | 0:08:15 | 0:08:18 | |
-Is that genuine? -No, no. Invariably, the leathers are replaced. It doesn't last. | 0:08:18 | 0:08:24 | |
-What sort of date? -I'd say about 1910. | 0:08:24 | 0:08:27 | |
Earlier than that. Much earlier than that. | 0:08:27 | 0:08:30 | |
-About 1870. -Miles off! | 0:08:30 | 0:08:32 | |
It's about 1870. | 0:08:32 | 0:08:34 | |
It's interesting you're drawn to this. Why are you interested? | 0:08:34 | 0:08:37 | |
-I just like the history. -What we need now to do is find out the price. | 0:08:37 | 0:08:40 | |
-Are we agreed? -Yeah. -Can you just help us here a minute? | 0:08:40 | 0:08:45 | |
-Sure. -What's your price? What's the best you can do on it? | 0:08:45 | 0:08:48 | |
Now, I was looking for £170. | 0:08:48 | 0:08:50 | |
Best I can do on this is £140. | 0:08:50 | 0:08:52 | |
I mean, this one is probably more saleable. | 0:08:52 | 0:08:57 | |
The best I could do on that is £130. | 0:08:57 | 0:08:59 | |
-I'll do a bit better. £120. -We like you better. | 0:08:59 | 0:09:02 | |
-£120. -Which one do you two like? | 0:09:02 | 0:09:04 | |
-I like this one. -I like that one. I like that one. -Deal done. | 0:09:04 | 0:09:07 | |
-Great. -I'll shake this gentleman's hand. -Fantastic. | 0:09:07 | 0:09:10 | |
-Thank you very much. -You're very welcome. Thank you. | 0:09:11 | 0:09:16 | |
-Shall I carry it, or will you? -You carry on, mate. You carry on. | 0:09:16 | 0:09:18 | |
Well done, Chris, but they might have offered you a bit of help. | 0:09:19 | 0:09:22 | |
So that's one-all. | 0:09:22 | 0:09:24 | |
Is pretty china in your league? | 0:09:25 | 0:09:28 | |
It would have to be something outstandingly beautiful. | 0:09:28 | 0:09:31 | |
Outstandingly beautiful... Right. | 0:09:31 | 0:09:33 | |
Beautiful is not as important as profitable, Amanda. | 0:09:33 | 0:09:36 | |
-Let's hope there's more stuff like that. -At that sort of price. | 0:09:38 | 0:09:41 | |
What I don't want is a situation where we've bought the first object, | 0:09:44 | 0:09:47 | |
and then we don't buy another one for, say, three-quarters of an hour, | 0:09:47 | 0:09:51 | |
and we have a panic situation. We buy the wrong thing. | 0:09:51 | 0:09:54 | |
-Don't worry. We've got Kirsty with us. We'll be buying plenty! -Shoes. | 0:09:54 | 0:09:57 | |
I'll hold you to that, David. We're nearly 15 minutes gone already. | 0:09:58 | 0:10:02 | |
-I wanted to go in this one. I want your expertise, I do. -All right. | 0:10:02 | 0:10:06 | |
Just see if there's anything. You're interested in anything to do with the Police. You were in the Police. | 0:10:08 | 0:10:12 | |
No, in prison. Not the Police. | 0:10:12 | 0:10:14 | |
The same thing. | 0:10:14 | 0:10:17 | |
-I rather like that print at the back. -I can't see it properly. | 0:10:17 | 0:10:20 | |
Can we have a look at the print, please, sir? | 0:10:20 | 0:10:23 | |
It's not the sort of Constable you'd hope to see at an antiques fair, though. | 0:10:23 | 0:10:26 | |
That's quite good, actually. Good costume detail here. | 0:10:27 | 0:10:30 | |
I think this dates from the early part of the 19th Century | 0:10:30 | 0:10:33 | |
when the uniforms became regulation, | 0:10:33 | 0:10:35 | |
and the origin of the police force was via Peel. | 0:10:35 | 0:10:39 | |
So here we've have Peel, and you've got him meeting the Parish constable. | 0:10:40 | 0:10:44 | |
You've got the new constable, and the old one. | 0:10:44 | 0:10:47 | |
This is a hand-tinted lithograph. Looks like pencil drawings. What's the price on this? | 0:10:47 | 0:10:51 | |
-£75. -Is that the very best you could do? | 0:10:51 | 0:10:55 | |
You can have it for £70. | 0:10:55 | 0:10:57 | |
Have a look at that, because as we just came along this stall | 0:10:57 | 0:11:00 | |
I saw something else here. | 0:11:00 | 0:11:02 | |
I think that's quite good. What is this, sir, here? | 0:11:02 | 0:11:06 | |
They're loosely called discovery sticks. | 0:11:06 | 0:11:09 | |
-Yes. -But it's expensive. -How much? | 0:11:09 | 0:11:11 | |
£900. | 0:11:11 | 0:11:12 | |
-TIM: -Back to the picture, David. | 0:11:12 | 0:11:14 | |
-I can't afford that. -£900. That really is something very good. | 0:11:14 | 0:11:19 | |
It is a lovely piece, but it's too expensive for us. Right... | 0:11:19 | 0:11:22 | |
So we've got this at £70. | 0:11:22 | 0:11:24 | |
-I'm not sure. -I don't think it's expensive for what it is. | 0:11:24 | 0:11:27 | |
But we can always come back to this. | 0:11:27 | 0:11:29 | |
Yeah, if we put a pin in it. | 0:11:29 | 0:11:31 | |
-Put a pin in it? -Put a pin in it! | 0:11:31 | 0:11:33 | |
I think that's super. Can we come back on that, sir? | 0:11:37 | 0:11:39 | |
-Of course you can. -Thank you very much indeed. | 0:11:39 | 0:11:41 | |
OK, Blues, go and investigate elsewhere, | 0:11:42 | 0:11:44 | |
but watch the clock. | 0:11:44 | 0:11:46 | |
Oh, Doulton. | 0:11:47 | 0:11:50 | |
I passed it several times. | 0:11:50 | 0:11:51 | |
-I like this idea. -Biscuit barrel. | 0:11:51 | 0:11:54 | |
-What sort of age would that be? -That looks Edwardian, or 20s. | 0:11:54 | 0:11:57 | |
Edwardian to 20s to me. | 0:11:57 | 0:11:59 | |
Two-handled biscuit barrel. Blue and white. | 0:12:01 | 0:12:04 | |
-That's the first good thing about that. -I like that. I really like that. | 0:12:04 | 0:12:07 | |
Blue and white. Always saleable. Nice bit of gilding around there as well. | 0:12:07 | 0:12:10 | |
-What age is it? -I would say about 1910, 1920. | 0:12:10 | 0:12:15 | |
And why the handle design? | 0:12:15 | 0:12:17 | |
First of all, it's deliberately so, and it follows the shape, actually. | 0:12:17 | 0:12:21 | |
If you look at that shape, of the solid body, | 0:12:21 | 0:12:23 | |
the handle then follows that shape. | 0:12:23 | 0:12:26 | |
It's quite clever, and it just adds interest to it as well as practicality. | 0:12:26 | 0:12:30 | |
-It's a love jug, for partners... -Yeah, like a loving cup. Very nice. | 0:12:30 | 0:12:34 | |
-Do we like it, guys? -I like it. | 0:12:34 | 0:12:36 | |
-Who made it? -Doulton, is it? | 0:12:36 | 0:12:38 | |
Oh, a Rolls-Royce of a mark here. | 0:12:38 | 0:12:41 | |
Royal Doulton. Registration number, absolutely everything. | 0:12:41 | 0:12:46 | |
What do you think it'd made at auction? | 0:12:46 | 0:12:48 | |
-60 quid? -Uh, about £80, £90, £100. | 0:12:48 | 0:12:51 | |
So what about the price? It's £120. | 0:12:51 | 0:12:53 | |
-It's too much. -It's steep. -It's very steep. | 0:12:53 | 0:12:56 | |
It's got everything going for it, but this is almost full retail. | 0:12:56 | 0:13:00 | |
It could only be attractive to us if it's really a lot lower. | 0:13:00 | 0:13:02 | |
-I like the item a lot, I really do. -If it drops dramatically, we should... | 0:13:02 | 0:13:07 | |
-Yeah. -If you want to hold this, I'll find out. | 0:13:07 | 0:13:10 | |
There's no damage, it's a lovely colour. | 0:13:12 | 0:13:16 | |
-It's really unusual. -It's somebody else's cup of tea. I don't like it. | 0:13:16 | 0:13:19 | |
I'd have it in my house. | 0:13:19 | 0:13:21 | |
Guys, some nice news for you two. | 0:13:21 | 0:13:23 | |
-What? -What do you think we can get it for? | 0:13:23 | 0:13:25 | |
-£90? -£55. | 0:13:26 | 0:13:28 | |
-It's ours. -Job done, then. Job done. | 0:13:28 | 0:13:30 | |
-In the bag? -In the bag, yeah, in the bag. Job done. | 0:13:30 | 0:13:33 | |
£55?! It was £120 a minute ago. | 0:13:33 | 0:13:36 | |
That's some serious haggling, Chris. | 0:13:36 | 0:13:38 | |
But that's the way the cookie crumbles, I suppose. | 0:13:38 | 0:13:42 | |
-Let's go in here. -In here? | 0:13:42 | 0:13:44 | |
-A quick look at each stall. -Yes. -Not much time. | 0:13:44 | 0:13:49 | |
That's right, David. You're half an hour in. | 0:13:50 | 0:13:53 | |
The birds are nice. I like that. | 0:13:53 | 0:13:55 | |
-How much is that? -This is Worcester porcelain. | 0:13:55 | 0:13:57 | |
-That is gorgeous, though. -That is nice. | 0:13:57 | 0:13:59 | |
Bear that in mind, because we want to look for something like this. | 0:13:59 | 0:14:02 | |
-That is gorgeous. -It's got a small restoration on it. | 0:14:02 | 0:14:05 | |
So I would imagine it's one of the handles that's been restored. | 0:14:05 | 0:14:08 | |
How much would that make a difference in an auction? | 0:14:08 | 0:14:10 | |
Quite a lot, quite a lot. | 0:14:10 | 0:14:12 | |
People want perfect items. | 0:14:12 | 0:14:14 | |
Yeah, but perfection is so difficult to achieve. | 0:14:14 | 0:14:17 | |
It took me ages (!) | 0:14:17 | 0:14:19 | |
Is this Tunbridge ware? | 0:14:22 | 0:14:24 | |
It LOOKS like Tunbridge ware, but it's not. | 0:14:24 | 0:14:26 | |
This is Egyptian, or Moroccan. | 0:14:27 | 0:14:29 | |
It's tourist ware. | 0:14:30 | 0:14:32 | |
Yeah... | 0:14:33 | 0:14:35 | |
-No, it's a cigarette holder. Not for us. -No. | 0:14:35 | 0:14:39 | |
That's right. No time for a holiday now, Reds, I'm afraid. | 0:14:39 | 0:14:42 | |
Still one more item for you chaps to find. | 0:14:42 | 0:14:44 | |
-I think we need to go outside. -Yeah. | 0:14:45 | 0:14:47 | |
We're too crowded here. Go outside, and we'll go to those stalls over there. | 0:14:47 | 0:14:51 | |
Lovely. | 0:14:51 | 0:14:53 | |
What is the last object going to be? What are we looking for? | 0:14:57 | 0:15:01 | |
Anything quirky. I feel on the spot, cos I'm the last one. | 0:15:02 | 0:15:05 | |
-What about a watch, or jewellery? -Jewellery? Yeah. | 0:15:05 | 0:15:10 | |
We've got wood, we've got ceramic. | 0:15:10 | 0:15:13 | |
Let's go for the full set, and go for metal or jewellery. | 0:15:13 | 0:15:16 | |
-Metal and jewellery. -Metal and jewellery? All right? | 0:15:16 | 0:15:18 | |
-Let's go and find some, then. -I'll follow you. | 0:15:18 | 0:15:21 | |
How are you? | 0:15:26 | 0:15:28 | |
-How's it been? -Not too bad. Stressful. Stressful. | 0:15:28 | 0:15:32 | |
After a flying start with their eagle brooch, the Blues are now struggling. | 0:15:32 | 0:15:37 | |
-Just scan it. -I've scanned. | 0:15:38 | 0:15:40 | |
OK, move on to the next one. | 0:15:40 | 0:15:42 | |
-Bling. -Oh, it's too blingy. | 0:15:43 | 0:15:45 | |
-Am I being really fussy now? Yeah. -Yes. | 0:15:45 | 0:15:48 | |
What did I tell you, David? We're nearly 45 minutes in, | 0:15:49 | 0:15:52 | |
and you've still only found one item. | 0:15:52 | 0:15:55 | |
Do you not like that? You feel the weight. | 0:15:55 | 0:15:57 | |
It's heavy. | 0:15:58 | 0:16:00 | |
It's a lovely piece of glass. | 0:16:00 | 0:16:02 | |
I'm not fussed, to be honest. Oh, God, it is really heavy, though! | 0:16:03 | 0:16:06 | |
Take it back! | 0:16:06 | 0:16:08 | |
I think that is a very nice piece of glass. | 0:16:08 | 0:16:10 | |
I think we should go back for the picture. | 0:16:11 | 0:16:13 | |
Cos it's quite a way that way. | 0:16:14 | 0:16:16 | |
It is, but we've still got to find another object. | 0:16:16 | 0:16:19 | |
So all right, we'll go for the picture. | 0:16:19 | 0:16:21 | |
-Yes. -Let's try the third object, though. | 0:16:21 | 0:16:23 | |
Come on, David. Do as you're told, boy. | 0:16:23 | 0:16:26 | |
We've got into that difficult situation I thought we would do | 0:16:26 | 0:16:29 | |
by buying early, and not finding anything else. | 0:16:29 | 0:16:33 | |
Right, just have another quick look. | 0:16:33 | 0:16:35 | |
The Reds are looking for item number three, | 0:16:36 | 0:16:38 | |
and it's Chris' turn to make their decision. | 0:16:38 | 0:16:40 | |
I thought it were trench art. | 0:16:42 | 0:16:44 | |
No, no. Trench art is much more primitive. | 0:16:44 | 0:16:47 | |
-These are designed and made. Do you like these? -I like these. | 0:16:47 | 0:16:50 | |
Well, they're French, they're art nouveau. | 0:16:50 | 0:16:54 | |
Brass. Quite light, and a pair. | 0:16:54 | 0:16:57 | |
-Do you like these? -What sort of age would be on these? | 0:16:57 | 0:16:59 | |
1900. 1910. Typical nouveau. | 0:16:59 | 0:17:03 | |
-And what, they're for flowers? -Just for single flowers. | 0:17:03 | 0:17:06 | |
They're decorative AND practical. I think they're lovely. | 0:17:06 | 0:17:10 | |
-I don't know how much they are. I haven't got a clue. -No. | 0:17:10 | 0:17:13 | |
We'll have to find out how much they are. A shame if it's out of our budget. | 0:17:13 | 0:17:16 | |
Yeah. There's me going on about it. | 0:17:16 | 0:17:18 | |
This is really... He likes something. | 0:17:18 | 0:17:20 | |
-This is... -The gentleman that's got the stall... | 0:17:20 | 0:17:22 | |
-Shall I find out? -I don't know where he is. | 0:17:22 | 0:17:24 | |
-I'll leave you guys. -Yeah. Do you like these? -Yeah. | 0:17:24 | 0:17:27 | |
So we actually both like the same thing. That's a first. | 0:17:27 | 0:17:30 | |
What's the damage, Chris? | 0:17:32 | 0:17:34 | |
Well, I think the damage is very light. | 0:17:34 | 0:17:37 | |
They kick off at £65, but he can sell them for £55. | 0:17:37 | 0:17:41 | |
-The pair's a pair. -I like them. | 0:17:41 | 0:17:44 | |
You could ask yourself, where have you seen another pair? | 0:17:44 | 0:17:47 | |
-Never seen another pair. -I think we should... -I think they're really nice. | 0:17:47 | 0:17:51 | |
On my head be it, cos you took the two. I'll take the last one. | 0:17:51 | 0:17:55 | |
-Music to my ears, Chris. -I'm off to see the man, I'm off to see the man. | 0:17:55 | 0:17:58 | |
Job done, job done. | 0:17:58 | 0:18:01 | |
Let's go. | 0:18:01 | 0:18:02 | |
Good work, Reds. Job done in 45 minutes. | 0:18:02 | 0:18:04 | |
Hello, Blues. Is your constable still there, or has he been nicked? | 0:18:04 | 0:18:09 | |
It's still here! Still here, guys. | 0:18:10 | 0:18:12 | |
Sorry, can I see the picture again, please? | 0:18:12 | 0:18:14 | |
-Thank you very much. -Kirsty... Oh! | 0:18:15 | 0:18:17 | |
Oh, dear, oh, dear. You like that? | 0:18:18 | 0:18:21 | |
-Yeah. Go for it. -What price, sir? | 0:18:21 | 0:18:24 | |
It was £75, and I said I'd do it for £70 for you. | 0:18:24 | 0:18:26 | |
-Thank you very much. -Thank you very much. | 0:18:26 | 0:18:28 | |
-Thank you. -Hooray! | 0:18:28 | 0:18:30 | |
Number three. Come on. | 0:18:32 | 0:18:34 | |
Thank you very much. | 0:18:35 | 0:18:37 | |
Yeah, but don't celebrate too soon, Blues. | 0:18:37 | 0:18:40 | |
You're still an item down. The Reds, though, can relax for now. | 0:18:40 | 0:18:44 | |
-We got lucky. -Got lucky. -We saw things we liked. | 0:18:44 | 0:18:46 | |
It harder than I thought. I watch all the time. "I could do that." | 0:18:46 | 0:18:49 | |
Harder than I thought it was. | 0:18:49 | 0:18:51 | |
Well, this show ain't a walk in the park, you know. | 0:18:51 | 0:18:54 | |
And right now nobody knows that more than the Blue team. | 0:18:54 | 0:18:57 | |
Just over five minutes, and one more item to find. | 0:18:57 | 0:19:00 | |
-This is the stall, is it? -This is the one. | 0:19:00 | 0:19:02 | |
-That's the piece? Can you pick it up, have a look, please? -Sure. | 0:19:02 | 0:19:06 | |
-Why do you like that? -I just like it cos it's all stacked, and you don't really... | 0:19:06 | 0:19:10 | |
-It's unusual. -It's very much in the Japanese style, | 0:19:10 | 0:19:13 | |
which was fashionable at that time - round about 1880, 1890. | 0:19:13 | 0:19:17 | |
-I just think it's really pretty. -The paintwork is so delicately done. | 0:19:17 | 0:19:20 | |
It's had that restoration there, and we have a restoration here. | 0:19:20 | 0:19:25 | |
It's £85. | 0:19:25 | 0:19:27 | |
-What's the best you could do on that? -I'll do it for £65. | 0:19:27 | 0:19:30 | |
-£65. -£65. | 0:19:30 | 0:19:32 | |
-What do you think? -It's expensive if it's restored, isn't it? | 0:19:32 | 0:19:35 | |
-Well, it is a lovely piece. -Shall we go for it anyway? We like it. | 0:19:35 | 0:19:39 | |
At £65? | 0:19:39 | 0:19:42 | |
-Is there any chance you could go to £60? -Yeah. -Oh, thank you very much. | 0:19:42 | 0:19:47 | |
-I think we should do it. -We've got loads of money to spend on the bargain piece as well. | 0:19:47 | 0:19:51 | |
I forgot. | 0:19:51 | 0:19:53 | |
OK. | 0:19:54 | 0:19:56 | |
Crikey. If you bought these items when you first saw them | 0:19:56 | 0:19:59 | |
you could have been in the pub by now, Blues. | 0:19:59 | 0:20:01 | |
I feel like crying. | 0:20:01 | 0:20:03 | |
OK, I'll go and get this for you. | 0:20:04 | 0:20:06 | |
Thank you. | 0:20:06 | 0:20:08 | |
Tears of joy and relief, eh, David? Well done, Blue Team. | 0:20:09 | 0:20:13 | |
Time's up. Let's check out what the Red Team bought, eh? | 0:20:14 | 0:20:18 | |
They kicked off with a large mahogany writing slope for £120. | 0:20:18 | 0:20:22 | |
They then beat the price down on this Doulton biscuit barrel to £55. | 0:20:24 | 0:20:29 | |
Finally, they bought this pair of French art nouveau vases for £55. | 0:20:29 | 0:20:34 | |
So, I think we're happy, really, on the whole. | 0:20:37 | 0:20:39 | |
-Yes? -Very happy, very happy. | 0:20:39 | 0:20:41 | |
Ooh, I do love it when we have happy teams. | 0:20:41 | 0:20:43 | |
You spent how much overall? | 0:20:43 | 0:20:45 | |
-£230. -That is just magnificent. | 0:20:45 | 0:20:48 | |
£230! | 0:20:48 | 0:20:50 | |
-Were they difficult, Chris? -They were easy at first. | 0:20:50 | 0:20:54 | |
-Then they got difficult. -Did they? -Yes, they did. | 0:20:54 | 0:20:56 | |
They didn't know what they were doing towards the end, but finally... | 0:20:56 | 0:20:59 | |
Typical brothers, typical brothers. | 0:20:59 | 0:21:01 | |
OK, very good. So, I'd like £70 of the leftover lolly, please. | 0:21:01 | 0:21:04 | |
-I've got that. -You've got that? Thank you very much. | 0:21:04 | 0:21:06 | |
You take it with one hand, and you give it away with the other. | 0:21:06 | 0:21:09 | |
-Thank you very much. -What are you going to spend that on, Chris? | 0:21:09 | 0:21:11 | |
I think, Tim, with these two, something quirky, I think. | 0:21:11 | 0:21:14 | |
Very good. We'll look forward to that. That's exciting. | 0:21:14 | 0:21:17 | |
Go and have a cup of tea, chaps. | 0:21:17 | 0:21:19 | |
Meanwhile we're going to check out what the Blue Team bought, aren't we? | 0:21:19 | 0:21:22 | |
The Blues soared early on with their eagle brooch for £32. | 0:21:22 | 0:21:26 | |
After a good deal of plodding, they then bought this lithograph | 0:21:28 | 0:21:31 | |
of a police constable for £70. | 0:21:31 | 0:21:33 | |
The third item was this Royal Worcester cluster of vases, | 0:21:34 | 0:21:37 | |
and it cost them £60. | 0:21:37 | 0:21:39 | |
Now, you gorgeous girls, and David... | 0:21:42 | 0:21:45 | |
-Have you had a good shop-up? -Yes, we have. | 0:21:45 | 0:21:48 | |
We thought you were having a tremendous time. | 0:21:48 | 0:21:51 | |
-Which is lovely, isn't it? -Yeah. | 0:21:51 | 0:21:53 | |
How's it been for you, David? Were they being difficult customers? No. | 0:21:53 | 0:21:57 | |
I can't believe we've been at the antique fair. They treated it like a seaside holiday. | 0:21:57 | 0:22:00 | |
And why not? Now, tell me - you spent how much in total? | 0:22:02 | 0:22:05 | |
£162. | 0:22:05 | 0:22:07 | |
I'd like £138 of leftover lolly, please. | 0:22:07 | 0:22:09 | |
£138. | 0:22:10 | 0:22:12 | |
-This is your favourite moment, David. -Oh, yes. Thank you very much. | 0:22:12 | 0:22:15 | |
Now, you're a cunning fox if ever I knew one. | 0:22:15 | 0:22:18 | |
What are you going to spend that on? | 0:22:19 | 0:22:21 | |
I'm going to treat myself to an ice cream, first of all. | 0:22:21 | 0:22:23 | |
-And then I shall buy a fun piece. -Will you? | 0:22:23 | 0:22:25 | |
-A fun piece. -It'll be fun for me. | 0:22:26 | 0:22:28 | |
Not too much ice cream, now. | 0:22:30 | 0:22:32 | |
Good luck, girls. Meanwhile, we're heading off somewhere positively divine. | 0:22:33 | 0:22:37 | |
Actually, it's to Basildon Park in Berkshire. | 0:22:40 | 0:22:42 | |
In the early 1950s, this 18th Century Georgian gem had been stripped of its contents, | 0:22:42 | 0:22:47 | |
and was threatened with demolition. | 0:22:47 | 0:22:49 | |
It was not alone. The decline of British country estates | 0:22:50 | 0:22:54 | |
was extraordinary in the 20th Century. | 0:22:54 | 0:22:57 | |
What with the changes in the social order, and economic decline, | 0:22:58 | 0:23:03 | |
this coupled with rationing continuing after the Second World War | 0:23:03 | 0:23:09 | |
meant that the pace of demolition accelerated, so much so | 0:23:09 | 0:23:13 | |
that one of these babies was being demolished in 1955 at a rate | 0:23:13 | 0:23:19 | |
of one every five days. | 0:23:19 | 0:23:21 | |
But Basildon was one of the lucky ones, and instead of being turned to rubble | 0:23:24 | 0:23:28 | |
it underwent a remarkable resurrection | 0:23:28 | 0:23:30 | |
thanks to its new owners, Lord and Lady Iliffe. | 0:23:30 | 0:23:34 | |
When they purchased the property in 1952, chimney pieces, | 0:23:34 | 0:23:37 | |
many of its doors, and sections of plasterwork were already missing. | 0:23:37 | 0:23:41 | |
No windows were left intact, and walls were covered in graffiti | 0:23:41 | 0:23:45 | |
from its various occupants. | 0:23:45 | 0:23:47 | |
Can't believe it, can you? | 0:23:47 | 0:23:49 | |
Lady Iliffe was determined to return it to its former splendour. | 0:23:49 | 0:23:55 | |
Quite a task, by anybody's standards. | 0:23:55 | 0:23:57 | |
And you only need to step inside the front door | 0:24:01 | 0:24:05 | |
to see a prime product of Lady Iliffe's cunning eye. | 0:24:05 | 0:24:10 | |
Magnificent, aren't they? | 0:24:12 | 0:24:14 | |
This is one of a pair of tables that was made by William Kent | 0:24:15 | 0:24:20 | |
around 1730. | 0:24:20 | 0:24:22 | |
Acquired by Lady Iliffe in 1953 | 0:24:22 | 0:24:26 | |
at the Ashburnham Place sale, they are about the best examples | 0:24:26 | 0:24:32 | |
of Palladian pieces of furniture you're ever likely to find. | 0:24:32 | 0:24:37 | |
When Lady Iliffe spotted them they were covered in some rather oily, green paint, | 0:24:37 | 0:24:42 | |
but she recognised the beauty of these tables, | 0:24:42 | 0:24:45 | |
and now that the paint has been stripped off, you can actually twig | 0:24:45 | 0:24:50 | |
just how brilliantly carved and conceived these things are. | 0:24:50 | 0:24:55 | |
Absolutely extraordinary. | 0:24:55 | 0:24:57 | |
And I have to tell you, just top of the tree when it comes to quality. | 0:24:57 | 0:25:02 | |
Like everything else here at Basildon Park. | 0:25:02 | 0:25:04 | |
Oh, hello. There you are. | 0:25:13 | 0:25:15 | |
The staircase hall is dominated by this enormous lantern light. | 0:25:15 | 0:25:21 | |
Have a look at it. How does the thing come down | 0:25:21 | 0:25:25 | |
when the chain length remains the same? | 0:25:26 | 0:25:29 | |
(LAUGHS) Look at that! | 0:25:31 | 0:25:33 | |
The entire ceiling rose descends with wire up above. | 0:25:33 | 0:25:38 | |
How magnificent is that?! | 0:25:38 | 0:25:40 | |
I've always longed to see one of these lanterns being lowered, | 0:25:44 | 0:25:50 | |
because when you think about it, how would you get the candles refreshed? | 0:25:50 | 0:25:55 | |
Of course, it would have been a daily occurrence in the 18th and 19th Centuries. | 0:25:55 | 0:26:01 | |
There'd be a man on the roof with a winch, and every morning | 0:26:01 | 0:26:06 | |
he'd let this baby down, and the staff would change the candles | 0:26:06 | 0:26:10 | |
simply by opening the door. | 0:26:10 | 0:26:13 | |
The fact that we're able to enjoy this here at Basildon today | 0:26:13 | 0:26:17 | |
is again down to Lady Iliffe. | 0:26:17 | 0:26:19 | |
She spotted this lantern coming up for sale | 0:26:19 | 0:26:23 | |
in a Country Life magazine in 1966 | 0:26:23 | 0:26:26 | |
and she bought it. | 0:26:26 | 0:26:28 | |
It's a wonderful example of first-class metalwork. | 0:26:28 | 0:26:31 | |
The quality of the casting, the mixture of colours... | 0:26:31 | 0:26:35 | |
It's all basically bronze that's been patinated and then parcel-gilt | 0:26:35 | 0:26:40 | |
so you get this lovely contrast between the dark brown metal and the gold bits. | 0:26:40 | 0:26:46 | |
It is of course of a scale that takes your breath away | 0:26:46 | 0:26:50 | |
once the thing is down here at ground-floor level. | 0:26:50 | 0:26:53 | |
And somewhere around about here | 0:26:53 | 0:26:56 | |
it's supposed to be dated. | 0:26:56 | 0:26:58 | |
Oh, there we are, look - October 20th, 1810. | 0:26:58 | 0:27:03 | |
How brilliant is that? | 0:27:03 | 0:27:05 | |
Of course, the big question today is, where will the light be shining from | 0:27:05 | 0:27:10 | |
for our teams over at the auction? | 0:27:10 | 0:27:13 | |
Well, it's a short hop over the mountains from Wales to Worcestershire - | 0:27:24 | 0:27:28 | |
Malvern, precisely - to be at Philip Serrell's saleroom. | 0:27:28 | 0:27:32 | |
-Phil. -Good to see you, Tim. | 0:27:32 | 0:27:34 | |
The Reds, they've got some oddball objects, | 0:27:34 | 0:27:37 | |
starting off with this writing desk which is awful. | 0:27:37 | 0:27:40 | |
It's not as nice as that, really, I don't think. | 0:27:40 | 0:27:42 | |
-Not as nice as awful? -No, I think it's truly, truly horrid. | 0:27:42 | 0:27:46 | |
I think if we're very lucky we might get 50 quid for it. | 0:27:46 | 0:27:48 | |
If you were being unkind, would you put £20 to £30 on it? | 0:27:48 | 0:27:52 | |
It's 10 to 15 quid's worth. | 0:27:52 | 0:27:54 | |
There we have it, then. And our lot paid £120. | 0:27:54 | 0:27:56 | |
-I'm not being too mean there, am I? -No, I don't think so. | 0:27:56 | 0:27:58 | |
Moving on, the Doulton biscuit barrel | 0:27:58 | 0:28:01 | |
which is transfer-printed, spangled in gold. | 0:28:01 | 0:28:04 | |
On its jack. I mean, it's part of a tea service, something like that. | 0:28:04 | 0:28:08 | |
-It's sort of £20 worth, isn't it? -Yeah, £20 to £25. | 0:28:08 | 0:28:12 | |
-Team paid £55. -Ouch. | 0:28:12 | 0:28:14 | |
So that's a stinker, and then we come to these fellows | 0:28:14 | 0:28:17 | |
who are sort of sprayed brass. | 0:28:17 | 0:28:19 | |
There is some metal in it, but the metal is very thin. | 0:28:19 | 0:28:23 | |
Wherever the gilding was has spotted off. | 0:28:23 | 0:28:26 | |
They are the lowest-of-the-low grade Belgian bits of metalwork | 0:28:26 | 0:28:30 | |
dating from 1900 or 1910. | 0:28:30 | 0:28:32 | |
-They've almost got a look, but they haven't. -Yes. | 0:28:32 | 0:28:35 | |
I think they're sort of 30 quid's worth. | 0:28:35 | 0:28:37 | |
That's extremely generous. £55 was paid. | 0:28:37 | 0:28:39 | |
We have three prospective whopping losses here, | 0:28:39 | 0:28:42 | |
and the team are going to need their bonus buy, so let's have a look at it. | 0:28:42 | 0:28:46 | |
So, Daryl, Chris, excitement. £70 leftover lolly was given to Chris. | 0:28:47 | 0:28:53 | |
-What did you buy? -Here we go. I know tea may not be your favourite drink, guys. | 0:28:53 | 0:28:58 | |
`But this is actually a tea canister. | 0:28:58 | 0:29:02 | |
Chinese. Famille rose or famille vert. Pink or green. | 0:29:02 | 0:29:06 | |
And it's made for the export trade in about 1870, 1880. | 0:29:06 | 0:29:10 | |
It's purely decoration. | 0:29:10 | 0:29:12 | |
-What do you think? -Mm... -Yeah. | 0:29:12 | 0:29:14 | |
I think it's going down well. | 0:29:14 | 0:29:17 | |
-I think the lads are partial to this. -There's no markings on it. | 0:29:18 | 0:29:21 | |
No, well, it didn't say "made in China" at that time. | 0:29:21 | 0:29:23 | |
That's true, yes. How old did you say it was? | 0:29:23 | 0:29:25 | |
1880, 1870, that sort of period. | 0:29:25 | 0:29:29 | |
-But very collectible. -And how much did you pay for this? | 0:29:29 | 0:29:32 | |
-£60. -How much do you think it's going to make? | 0:29:32 | 0:29:34 | |
-£20 more. Perhaps. -I've got every faith in you. | 0:29:34 | 0:29:38 | |
-I'm glad you have. -I wouldn't have chosen it myself. It's different. | 0:29:38 | 0:29:42 | |
-You wouldn't have chosen it yourself? -No. | 0:29:42 | 0:29:44 | |
Well, there again, chaps, it takes all sorts, right? | 0:29:44 | 0:29:46 | |
But right now, for the audience at home, let's check out | 0:29:46 | 0:29:49 | |
what the auctioneer thinks about Chris' caddy. | 0:29:49 | 0:29:52 | |
Now, Phil, they say everything Chinese has gone bonkers in the auction. Is that right? | 0:29:53 | 0:29:57 | |
I hope so. I mean, this is Canton, and it's a caddy in typical colours. | 0:29:57 | 0:30:01 | |
It's nice and it's in good order. I think he's got quite a tidy little buy there. | 0:30:01 | 0:30:06 | |
-We'd probably put £40 to £60 on it. -Fair enough. | 0:30:06 | 0:30:08 | |
It's not easy for Chris to go off and find this. | 0:30:08 | 0:30:11 | |
I don't have to do that part of the programme. | 0:30:11 | 0:30:13 | |
You do, and it ain't easy, is it? | 0:30:13 | 0:30:16 | |
What is easy is to sit here and criticise. | 0:30:16 | 0:30:20 | |
What is really, really difficult is you go out there, | 0:30:20 | 0:30:22 | |
you're right up against it timewise, and you've got to buy stuff. | 0:30:22 | 0:30:25 | |
-Boy, that's hard. -Yeah. | 0:30:25 | 0:30:27 | |
And that little Canton caddy, he paid £60 for. | 0:30:28 | 0:30:30 | |
-I hope he's all right. -Hope springs eternal. | 0:30:30 | 0:30:33 | |
Good. That's it, then, for the Reds. Now for the Blues. | 0:30:33 | 0:30:36 | |
First up for them is the marcasite eagle brooch. | 0:30:36 | 0:30:39 | |
I've got to admit, I wouldn't class myself as a marcasite jewellery specialist, really. | 0:30:39 | 0:30:44 | |
No. I mean, when you think about the detail of that, | 0:30:44 | 0:30:47 | |
each of those little facets is hand-cut, | 0:30:47 | 0:30:50 | |
and polished to give you that kind of glittery effect. | 0:30:50 | 0:30:52 | |
I think that's like 10 to 15 quid's worth. | 0:30:52 | 0:30:54 | |
-They only paid £32. -Yeah. | 0:30:54 | 0:30:56 | |
Interesting to see what happens. I wouldn't be surprised if it does make £30. | 0:30:56 | 0:30:59 | |
-Fingers crossed. -Cross everything. Next is the little lithograph. | 0:30:59 | 0:31:03 | |
I might be being a bit mean here, but I think that's a bit yesterday's taste. | 0:31:03 | 0:31:07 | |
I see that at £30 to £50. | 0:31:07 | 0:31:09 | |
-I rather agree. -It's not selling itself, is it? -Not really. | 0:31:09 | 0:31:11 | |
The only thing that it will have a chance with | 0:31:11 | 0:31:15 | |
is anybody that collects early Police-related stuff. | 0:31:15 | 0:31:19 | |
-Yes. -What's its estimate? -£30 to £50. | 0:31:19 | 0:31:21 | |
-£70 paid. -Ouch. -It's a bit of a difficult one, isn't it? | 0:31:21 | 0:31:23 | |
Lastly, though, this very attractive tumble of little Worcester pots. | 0:31:23 | 0:31:29 | |
That on the face of it is a very pretty little lot | 0:31:29 | 0:31:32 | |
to bring to you in this saleroom | 0:31:32 | 0:31:35 | |
known as it for selling Royal Worcester. | 0:31:35 | 0:31:37 | |
That came in, I saw it and thought, "That's going to make £120 to £180." | 0:31:37 | 0:31:41 | |
All day long I was really, really excited. | 0:31:41 | 0:31:43 | |
But that's broken, that's broken, so...when I say broken, this has been restored. | 0:31:43 | 0:31:48 | |
And if you look very closely, you can just see the difference in colour | 0:31:48 | 0:31:51 | |
between the gilding there, and the gilding there. | 0:31:51 | 0:31:53 | |
In my eyes, it looks like it's sort of 60 to 90 quid's worth. | 0:31:53 | 0:31:56 | |
Right. So it may make a pound or two to bring back the profit that they might be losing | 0:31:56 | 0:32:02 | |
on the print, in which case they may or may not need the bonus buy, | 0:32:02 | 0:32:05 | |
but let's have a look at it anyway. | 0:32:05 | 0:32:07 | |
Amanda, Kirsty. | 0:32:08 | 0:32:10 | |
You gave David £138. The big question is, did he blow the lot? | 0:32:10 | 0:32:14 | |
I didn't blow the lot. | 0:32:14 | 0:32:16 | |
-What do you think? -Very pretty, yeah. | 0:32:16 | 0:32:18 | |
Very pretty? I want you to take this, and look at it, | 0:32:18 | 0:32:21 | |
and then tell me what you see. Turn it upside-down. | 0:32:21 | 0:32:24 | |
Oh, God. WD Woods, and then I can't see the last... | 0:32:24 | 0:32:29 | |
-It's all like rubbed out and - -Malvern! | 0:32:29 | 0:32:31 | |
Oh, God! | 0:32:31 | 0:32:33 | |
-Where are we today? -Where are we today? | 0:32:35 | 0:32:37 | |
We're in Malvern. | 0:32:37 | 0:32:39 | |
This was a commission piece by that company. | 0:32:39 | 0:32:42 | |
That was the retailer, and he ordered so many of those from Royal Worcester | 0:32:42 | 0:32:46 | |
just down the road so he could sell them in his emporium. | 0:32:46 | 0:32:49 | |
Round about sort of 1914, 1918, that sort of period. | 0:32:49 | 0:32:53 | |
-That's really pretty. -Yeah, lovely. | 0:32:53 | 0:32:55 | |
Well, that's clever, isn't it, to bring it back to Malvern? | 0:32:55 | 0:32:58 | |
-Yes. -So, our man from Malvern - our Philip Serrell - | 0:32:58 | 0:33:03 | |
probably knows the shop, or knew of the shop where that came from. | 0:33:03 | 0:33:08 | |
He's old enough to, yes. | 0:33:08 | 0:33:10 | |
You're such a cat, you really are. | 0:33:10 | 0:33:12 | |
But very clever, don't you think, girls? | 0:33:13 | 0:33:15 | |
-No, I do. -Yeah. | 0:33:15 | 0:33:17 | |
Really relevant for today's auction. Well done, David. | 0:33:17 | 0:33:19 | |
-It cost £45, and I think - -That's good, yeah. | 0:33:19 | 0:33:23 | |
-Yeah, pleased with that. -Yeah. | 0:33:23 | 0:33:25 | |
It's so very beautiful and delicate, rather like yourselves. | 0:33:25 | 0:33:28 | |
Oh, thank you. | 0:33:28 | 0:33:30 | |
Before we all burst into tears, or are sick in the sick bag... | 0:33:30 | 0:33:35 | |
for the audience at home let's find out | 0:33:36 | 0:33:38 | |
what the auctioneer thinks about David's little pot. | 0:33:38 | 0:33:40 | |
And almost on cue, another piece of Worcester porcelain. | 0:33:41 | 0:33:44 | |
Well, what's really fun for me is Woods of Malvern, | 0:33:44 | 0:33:47 | |
and I think I'm right in saying when I started out in business as an auctioneer, as a pupil, | 0:33:47 | 0:33:52 | |
-I think I worked about five doors down from their china shop. -Really? | 0:33:52 | 0:33:56 | |
-They were retailers? -They were retailers, so this is a piece of Worcester made in Worcester. | 0:33:56 | 0:34:01 | |
We put £40 to £60 on it, it'll fly that all day long. | 0:34:01 | 0:34:04 | |
Well, cunning old Barby paid £45. | 0:34:04 | 0:34:06 | |
He's paid the right price, and if the team decide to go with it they should do pretty well. | 0:34:06 | 0:34:11 | |
-Yeah. -Well, as they say, Phil, it's gonna be over to you, old fruit. | 0:34:11 | 0:34:14 | |
Good luck. | 0:34:15 | 0:34:16 | |
£60... | 0:34:18 | 0:34:19 | |
£5. | 0:34:19 | 0:34:21 | |
-Daryl, Chris, how are you feeling? -Confident. -Are you? -Yeah. | 0:34:22 | 0:34:25 | |
-Feeling a bit iffy, Chris? -Only on one. | 0:34:25 | 0:34:27 | |
Only on one? Which is the dodgy one? | 0:34:27 | 0:34:30 | |
-The writing slope. -Is it? | 0:34:30 | 0:34:32 | |
Yeah. | 0:34:32 | 0:34:33 | |
£120 you paid for that. His estimate is on a good day, if you're lucky, £10 to £15. | 0:34:33 | 0:34:38 | |
Oh. That's why, then. I was right, then. | 0:34:38 | 0:34:40 | |
You have every reason to feel a bit shifty. | 0:34:40 | 0:34:43 | |
Victorian mahogany tabletop clerk's desk. | 0:34:43 | 0:34:45 | |
There you are. Bid me for this lot. Start me off. Who's got £30 to start? | 0:34:45 | 0:34:49 | |
Bid me £20. | 0:34:49 | 0:34:51 | |
I've got £20. | 0:34:51 | 0:34:53 | |
Who's got a tenner? Well done, sir. At £10. I'm bid at £10. | 0:34:54 | 0:34:58 | |
£10 bid. Is there any more? | 0:34:58 | 0:35:00 | |
It's not expensive at £10. | 0:35:00 | 0:35:02 | |
Put your hand up. | 0:35:02 | 0:35:04 | |
At £10 then. I sell then at £10. | 0:35:05 | 0:35:08 | |
£10. He's gonna sell it. | 0:35:08 | 0:35:10 | |
At £12. £12 bid. Bid's here. | 0:35:11 | 0:35:13 | |
At £12. £15 anywhere? £15 only. At £15. | 0:35:13 | 0:35:18 | |
Hang on... | 0:35:19 | 0:35:20 | |
At £15. At £15. | 0:35:20 | 0:35:22 | |
There's the bid. At £15 and done. Thank you. | 0:35:22 | 0:35:26 | |
That is minus £105. | 0:35:26 | 0:35:28 | |
-Well, well, well. -Please! | 0:35:28 | 0:35:30 | |
-That is quite a body blow. -It is. | 0:35:30 | 0:35:32 | |
Little Doulton biscuit barrel. Nice thing. £20. £10 to start. | 0:35:32 | 0:35:36 | |
Quickly. Who's got a fiver anyway? Quickly. | 0:35:36 | 0:35:39 | |
I'm bid at £5. | 0:35:39 | 0:35:41 | |
£5 bid. | 0:35:41 | 0:35:42 | |
At £5. | 0:35:42 | 0:35:44 | |
That takes the biscuit. | 0:35:44 | 0:35:46 | |
Only at £5. £5 bid. Be quick. | 0:35:46 | 0:35:48 | |
At £5 only. I'll take £8. | 0:35:48 | 0:35:51 | |
At £5. Your bid at £8. | 0:35:51 | 0:35:53 | |
No, come on. | 0:35:53 | 0:35:55 | |
£10. | 0:35:55 | 0:35:56 | |
At £10. £10 bid. There's the bid. | 0:35:56 | 0:35:58 | |
He's going to sell it. He's selling it. | 0:35:58 | 0:36:01 | |
£15 now. £15. £18. £20. | 0:36:01 | 0:36:05 | |
At £20. There's the bid. | 0:36:06 | 0:36:08 | |
At £20, and I sell. At £20 and £5. | 0:36:08 | 0:36:11 | |
£25... | 0:36:11 | 0:36:13 | |
And £5. £35. £40. | 0:36:13 | 0:36:16 | |
-£40 bid. -Look up, lads. | 0:36:16 | 0:36:18 | |
-Wait a minute. -There's the bid. | 0:36:18 | 0:36:20 | |
At £50 then, I sell. Your bid at £50. | 0:36:20 | 0:36:24 | |
-Done, then, at £50. -There we go. | 0:36:24 | 0:36:26 | |
--£5, which is a very good result. -Oh, well. | 0:36:27 | 0:36:29 | |
Now, I nearly sold that for a £5 note. | 0:36:29 | 0:36:32 | |
-He got to £50. -Yes, amazing speed. | 0:36:32 | 0:36:34 | |
-Here we go. -Bid me for those. £30 for them. | 0:36:35 | 0:36:38 | |
£20. Who's got a tenner? | 0:36:38 | 0:36:41 | |
£10, £12, £15. | 0:36:41 | 0:36:43 | |
£18. £20. | 0:36:43 | 0:36:44 | |
At £20. Bid at £20. | 0:36:44 | 0:36:46 | |
-£20 bid. -That's good. | 0:36:46 | 0:36:47 | |
At £20. Only at £20. | 0:36:47 | 0:36:49 | |
-Is there any more? -Come on, baby. | 0:36:49 | 0:36:51 | |
At £20. Any more at all? | 0:36:51 | 0:36:53 | |
£25. | 0:36:53 | 0:36:55 | |
One more, sir. £30. At £30. | 0:36:55 | 0:36:57 | |
At £30, and done. Thank you. | 0:36:57 | 0:36:59 | |
£30 is -£25. | 0:37:00 | 0:37:02 | |
That's -£25, so that's -£135. | 0:37:02 | 0:37:06 | |
-Going with the bonus buy? -Yes. -Going with the China... I like the Chinese. | 0:37:06 | 0:37:10 | |
We all like the Chinese, don't we? | 0:37:10 | 0:37:12 | |
We're going with the Chinese, and here it comes. | 0:37:12 | 0:37:14 | |
This is a really nice little thing. Little Canton caddy. There you are. | 0:37:14 | 0:37:18 | |
Bid me for that, someone. Put it in the bidding. Start me off. | 0:37:18 | 0:37:20 | |
£20 I'm bid. £20 only. | 0:37:20 | 0:37:23 | |
£20. £25. £30. | 0:37:23 | 0:37:25 | |
And £5? | 0:37:25 | 0:37:26 | |
£35. | 0:37:26 | 0:37:27 | |
At £35 only. £35. | 0:37:27 | 0:37:29 | |
At £35. Any more? | 0:37:29 | 0:37:31 | |
At £35 only. £35. | 0:37:31 | 0:37:33 | |
No... | 0:37:33 | 0:37:35 | |
Any more at all? At £35. There's the bid. | 0:37:35 | 0:37:37 | |
At £40. £40 bid. £5 now, sir. | 0:37:37 | 0:37:39 | |
At £40. £45. | 0:37:39 | 0:37:42 | |
One more. £50. £50 bid. Try another. | 0:37:42 | 0:37:45 | |
At £50. £5 now? | 0:37:45 | 0:37:47 | |
-£55. -Good. Very good. | 0:37:47 | 0:37:49 | |
£60. £60 bid. | 0:37:49 | 0:37:51 | |
At £60. At £60, then, I sell then at £60. And done. Thank you. | 0:37:51 | 0:37:56 | |
Well done, Chris. | 0:37:56 | 0:37:58 | |
You did well after that huge loss. | 0:37:59 | 0:38:01 | |
You can't have better than that, can you? | 0:38:01 | 0:38:04 | |
And frankly, water hasn't gone down your gutter much. | 0:38:04 | 0:38:07 | |
You're -£135. | 0:38:07 | 0:38:09 | |
Keep that quiet. Don't say a word to the Blues. | 0:38:10 | 0:38:12 | |
-There's nothing to brag about. -No, it's nothing to brag about. | 0:38:12 | 0:38:15 | |
Let's go out smiling, shall we? Let's go smiling. | 0:38:15 | 0:38:17 | |
Go out looking very confident. | 0:38:17 | 0:38:20 | |
A real swagger about you. | 0:38:20 | 0:38:22 | |
£5. Can I say £8? | 0:38:23 | 0:38:25 | |
Now, Amanda, Kirsty, do you know how the Reds got on? | 0:38:31 | 0:38:34 | |
No. | 0:38:34 | 0:38:36 | |
The marcasite brooch, £32 paid. | 0:38:36 | 0:38:38 | |
He's put £10 to £20 on it. | 0:38:38 | 0:38:40 | |
He's not a big man for paste jewellery, it has to be said. | 0:38:41 | 0:38:45 | |
The buyers'll be here, don't you worry. | 0:38:45 | 0:38:47 | |
-Anyway, you feeling OK? -Yeah. A little nervous. | 0:38:47 | 0:38:50 | |
-Nervous. What about you, Mom? -I'm just excited to see the results. | 0:38:50 | 0:38:53 | |
Me too. | 0:38:53 | 0:38:55 | |
Silver and marcasite brooch formed as an eagle. Start me off. | 0:38:55 | 0:38:59 | |
£20. | 0:38:59 | 0:39:01 | |
All gone quiet. Surely... | 0:39:01 | 0:39:03 | |
Who's got a tenner? | 0:39:03 | 0:39:04 | |
£10 everywhere. At £10, £12. | 0:39:04 | 0:39:06 | |
£15. £15. Lady's bid. At £15. At £15. | 0:39:06 | 0:39:11 | |
£15, £15. £18, £18. One more. | 0:39:11 | 0:39:15 | |
Go on. At £18. | 0:39:15 | 0:39:17 | |
£20. £20 bid. And £5? | 0:39:17 | 0:39:19 | |
At £20. £20 bid. | 0:39:19 | 0:39:21 | |
Any more at all? At £20, then, and I sell at £20 and done. | 0:39:21 | 0:39:25 | |
Thank you. | 0:39:25 | 0:39:26 | |
It's -£12, girls. | 0:39:26 | 0:39:28 | |
That's not so hairy, is it? | 0:39:28 | 0:39:30 | |
Hand-tinted lithograph. An academic lot. Start me off wherever you want to be. | 0:39:30 | 0:39:34 | |
Give me £30 to start. | 0:39:34 | 0:39:36 | |
Give me £20. £20 I'm bid. At £20. | 0:39:36 | 0:39:38 | |
£20 bid. £25. | 0:39:39 | 0:39:41 | |
£25. And £30. | 0:39:41 | 0:39:43 | |
And £40. At £40 only. | 0:39:43 | 0:39:46 | |
There's the bid at £40. Any more at all? | 0:39:46 | 0:39:49 | |
At £40 there's the bid, and I sell then at £40 and done. Thank you. | 0:39:49 | 0:39:54 | |
£40 is -£30. | 0:39:54 | 0:39:56 | |
I'm sorry. You're -£42. | 0:39:56 | 0:39:58 | |
Now, the Worcester cluster. | 0:39:58 | 0:40:00 | |
The Royal Worcester globular vase. | 0:40:00 | 0:40:02 | |
Just a little bit of restoration to the handles. | 0:40:02 | 0:40:04 | |
Bid me for that, someone. Bid me £50 to start. | 0:40:04 | 0:40:07 | |
It's cheap enough. Bid me £40 to start. | 0:40:07 | 0:40:10 | |
Who's got £30, quickly? | 0:40:10 | 0:40:12 | |
£30 I'm bid, and £5. | 0:40:12 | 0:40:14 | |
£40, sir. £40. | 0:40:14 | 0:40:16 | |
£45. | 0:40:16 | 0:40:17 | |
£50. £50 bid. | 0:40:17 | 0:40:19 | |
At £50. £50 only. | 0:40:19 | 0:40:21 | |
And £5. £55. | 0:40:21 | 0:40:22 | |
And £60. One more? | 0:40:22 | 0:40:24 | |
£5. £65. | 0:40:24 | 0:40:26 | |
£70. One more. | 0:40:26 | 0:40:27 | |
And £5. £80. | 0:40:27 | 0:40:28 | |
And one more. £85, here we are. | 0:40:28 | 0:40:30 | |
-At £85 only. -Fantastic. | 0:40:30 | 0:40:32 | |
At £85. Any more at all? At £85 in the front row, | 0:40:32 | 0:40:36 | |
and I sell then at £85 and done. Thank you. | 0:40:36 | 0:40:39 | |
How can you be so transformed from gloom to victory? | 0:40:39 | 0:40:45 | |
-That was nice. -Yeah. | 0:40:45 | 0:40:47 | |
The big test now is do you go with David's Royal Worcester vase? | 0:40:47 | 0:40:51 | |
-Yeah, I like it. -You're going to do it? You liked it? | 0:40:51 | 0:40:53 | |
-Yeah. -I think you're right. You're going with the Worcester vase. | 0:40:53 | 0:40:57 | |
Phil, now you've chosen, I can tell you really likes it. | 0:40:57 | 0:41:00 | |
He's put £40 to £60, and it could do better. | 0:41:00 | 0:41:04 | |
-So... -It's the association with Malvern, isn't it? | 0:41:04 | 0:41:06 | |
The little Worcester vase. Really lovely, | 0:41:07 | 0:41:09 | |
and this has got the stamp of Woods the Malvern retailer on it. | 0:41:09 | 0:41:12 | |
You've got local history twice here. | 0:41:12 | 0:41:15 | |
Lovely little lot. Bid me for that. £50. I'm started at a £50 bid. | 0:41:15 | 0:41:18 | |
At £50. £50 bid, and £60. | 0:41:18 | 0:41:20 | |
£70. | 0:41:20 | 0:41:22 | |
£70 bid, and £5. £80 with me. | 0:41:22 | 0:41:24 | |
£80. £80 only. | 0:41:24 | 0:41:26 | |
£80 bid, and £5. £90 bid. | 0:41:26 | 0:41:28 | |
Bids here at £90. £90 only. | 0:41:28 | 0:41:30 | |
Another bid on the book. You're right at the back at £90. | 0:41:30 | 0:41:33 | |
Any more? And £5. £100. | 0:41:33 | 0:41:35 | |
£100. Made it. Good. | 0:41:35 | 0:41:37 | |
Thanks, David. | 0:41:37 | 0:41:39 | |
At £100. Here's the bid. At £100. And done at £100. | 0:41:39 | 0:41:43 | |
Yes! Well done. | 0:41:43 | 0:41:45 | |
Plus £55, thanks to the bonus buy. | 0:41:47 | 0:41:50 | |
Oh, that's brilliant. | 0:41:50 | 0:41:52 | |
-But we don't know if we're the winners. -I don't care. | 0:41:52 | 0:41:54 | |
-Anyway, don't say a word to the Reds, right? -We won't. | 0:41:54 | 0:41:57 | |
-Well done, girls. Well done, David. -I'm very pleased. | 0:41:57 | 0:42:00 | |
There's a bid, and I sell then. | 0:42:03 | 0:42:05 | |
-Well, everybody happy? -Yeah. | 0:42:10 | 0:42:12 | |
Well, you ought to be happy. We've had a really happy show today, | 0:42:12 | 0:42:16 | |
although the results for one team, I have to say, are appalling. | 0:42:16 | 0:42:22 | |
And that team is the Reds. | 0:42:22 | 0:42:24 | |
I mean, you have got bottom-clenchingly awful losses here. | 0:42:25 | 0:42:30 | |
-We done it in style. -You've done it in style? | 0:42:30 | 0:42:33 | |
You've certainly done it in style, Daryl. | 0:42:33 | 0:42:36 | |
£105 for a kick-off wasn't terribly brilliant, was it? | 0:42:36 | 0:42:40 | |
The only saving grace, Chris, was your White face on the Chinese pot. | 0:42:40 | 0:42:44 | |
-Yes. -Which is as close as you can be to getting a whisper. | 0:42:44 | 0:42:49 | |
-But it's been fun, I hope. -Loved every minute. | 0:42:49 | 0:42:51 | |
You've been really good sports, you chaps. You've taken it all on the chin. | 0:42:51 | 0:42:54 | |
I'm very proud of you. | 0:42:54 | 0:42:56 | |
Now, the victors, the girls... | 0:42:56 | 0:42:58 | |
That's quite something, isn't it? | 0:42:59 | 0:43:02 | |
-Feeling chuffed about that, Amanda? -I am, yeah, yeah. | 0:43:02 | 0:43:04 | |
-Pretty good, isn't it? -It's fantastic. | 0:43:04 | 0:43:06 | |
Nice feeling. Congratulations. | 0:43:06 | 0:43:08 | |
Join us soon for some more bargain hunting. | 0:43:08 | 0:43:10 | |
-Yes? -ALL: Yes! | 0:43:10 | 0:43:12 | |
Subtitles by Red Bee Media Ltd | 0:43:14 | 0:43:16 |