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Today, we're in Derbyshire. Spoilt for choice. | 0:00:06 | 0:00:09 | |
Beautiful grounds, stunning views, loads of stalls. And of course... | 0:00:09 | 0:00:16 | |
ALL: Hi! | 0:00:16 | 0:00:18 | |
..that lot! | 0:00:18 | 0:00:20 | |
Let's go bargain hunting! | 0:00:20 | 0:00:22 | |
# These boots are made for walking | 0:00:44 | 0:00:47 | |
# And that's just what they'll do | 0:00:47 | 0:00:50 | |
# One of these days, these boots are gonna walk all over you. # | 0:00:50 | 0:00:54 | |
Kedleston Hall is an 18th-century mansion house | 0:00:54 | 0:00:58 | |
set in 820 acres of spectacularly muddy grounds. | 0:00:58 | 0:01:02 | |
Still, there's no time to get stuck in the mud today. | 0:01:02 | 0:01:06 | |
Our teams are gearing up cos they've only got £300 | 0:01:06 | 0:01:09 | |
and an hour to shop and hopefully dig out those bargains. | 0:01:09 | 0:01:14 | |
Coming up on today's show, the reds find time to get chatted up. | 0:01:15 | 0:01:19 | |
Kiss me! | 0:01:19 | 0:01:21 | |
While the blues don't waste any time. | 0:01:21 | 0:01:24 | |
-Straight up. -World record! Yes! | 0:01:24 | 0:01:27 | |
So, let's meet our teams. | 0:01:28 | 0:01:30 | |
So, today's red team, we have friends Kerry and Jan. | 0:01:30 | 0:01:36 | |
At least, they're friends at the moment. | 0:01:36 | 0:01:39 | |
And for the blues, we've got Dave and Liz, father and daughter. | 0:01:39 | 0:01:42 | |
Hello, everyone. Lovely to see you. | 0:01:42 | 0:01:44 | |
Now, Kerry, how did you two girls meet? | 0:01:44 | 0:01:47 | |
We met on the first day of uni when we were both a bit | 0:01:47 | 0:01:50 | |
late for the course and we ended up sitting together. | 0:01:50 | 0:01:53 | |
Jan apologised for smelling cos she'd had to run. | 0:01:53 | 0:01:55 | |
-I said, "That's OK cos I smell, too." -In my credit, we both had to run. | 0:01:55 | 0:02:00 | |
It was quite unfortunate, | 0:02:00 | 0:02:01 | |
so maybe that's why we were drawn to each other. | 0:02:01 | 0:02:04 | |
Because of the smell. | 0:02:04 | 0:02:05 | |
-Whatever it was, it worked cos we're still friends. -That's a tremendous admission! | 0:02:05 | 0:02:10 | |
So, what do you do for a living? | 0:02:10 | 0:02:12 | |
I'm a secondary-school teacher at a school in Sheffield. | 0:02:12 | 0:02:16 | |
-What's your subject? -I teach art. | 0:02:16 | 0:02:18 | |
And do you do a bit of modelling for Jan? | 0:02:18 | 0:02:21 | |
Yeah, for Dolly's Delights vintage business. | 0:02:21 | 0:02:24 | |
-I go and do some pictures for her, stuff that she sells. -Good for you. | 0:02:24 | 0:02:28 | |
-Jan, is that your business, then? -It is, yes. | 0:02:28 | 0:02:32 | |
-Vintage clothing and home-wear. -Have you got a little shop, then? | 0:02:32 | 0:02:36 | |
Yes, it's a unit within a larger centre in Sheffield | 0:02:36 | 0:02:39 | |
and I sell from there. | 0:02:39 | 0:02:40 | |
It's quite a good sense of community in there. | 0:02:40 | 0:02:43 | |
So, what got you going in that, then? | 0:02:43 | 0:02:45 | |
My own love of vintage and sort of borderline hoarding. | 0:02:45 | 0:02:49 | |
I couldn't keep it all and that's how it came about, | 0:02:49 | 0:02:52 | |
the opportunity was offered and I accepted | 0:02:52 | 0:02:55 | |
and my house isn't bursting at the seams quite so much now. | 0:02:55 | 0:02:58 | |
I bet you if you asked half the dealers here at the fair how they | 0:02:58 | 0:03:02 | |
started, they will all have started as enthusiastic amateur collectors | 0:03:02 | 0:03:07 | |
who've just got into the business cos they love it so much. | 0:03:07 | 0:03:10 | |
You can't keep it all. | 0:03:10 | 0:03:11 | |
All that experience! Oh, not looking so happy about this. | 0:03:11 | 0:03:16 | |
-We're already worried. -Liz, you're a student. What are you studying? | 0:03:16 | 0:03:20 | |
I'm in Leeds University, doing fine art. A bit like Kerry. | 0:03:20 | 0:03:24 | |
And what do you hope to do with it at the end of the day? | 0:03:24 | 0:03:27 | |
Eventually, when I get a bit of experience, | 0:03:27 | 0:03:30 | |
hopefully I'll do tattooing, | 0:03:30 | 0:03:32 | |
so I'll get a tattoo shop and do a bit of scribbling on people's skin. | 0:03:32 | 0:03:36 | |
-Seriously? Might you go into the tattoo business? -Yeah, why not! | 0:03:36 | 0:03:39 | |
-Enough people have done it. -Quite right, too. | 0:03:39 | 0:03:42 | |
-It says here that you've got very strong political views. -Yes. | 0:03:42 | 0:03:45 | |
-So are you going to give us the SDP view of...? -Oh, shush! | 0:03:45 | 0:03:49 | |
When I went to university, | 0:03:49 | 0:03:51 | |
I got very political and I've always been quite like that. | 0:03:51 | 0:03:56 | |
My parents are quite political. | 0:03:56 | 0:03:58 | |
So I just joined the Socialist Worker Party and started from there. | 0:03:58 | 0:04:02 | |
-You've got the angry brigade. -Yes, angry! | 0:04:02 | 0:04:06 | |
-She is. -Dave, it says here that you're a man of the cloth. | 0:04:06 | 0:04:10 | |
You've left your dog collar at home today. | 0:04:10 | 0:04:12 | |
-I'm going for the blue team today, not the black team. -Quite right. | 0:04:12 | 0:04:16 | |
I've been a Church of England minister now for 18 years. | 0:04:16 | 0:04:19 | |
-Have you really? You started as a boy, then! -Yeah, very young man. | 0:04:19 | 0:04:23 | |
You look so young! | 0:04:23 | 0:04:25 | |
-Thank you. -That's what I mean. He's been a vic for 18 years. | 0:04:25 | 0:04:28 | |
It's all the creams! LAUGHTER | 0:04:28 | 0:04:31 | |
Yeah! Let's not go there! No. lovely. So, where is your parish? | 0:04:31 | 0:04:36 | |
I serve in two parishes at the moment. | 0:04:36 | 0:04:38 | |
One called St John's Walton, in Chesterfield, but I also | 0:04:38 | 0:04:42 | |
serve in the Crooked Spire, the world famous Crooked Spire of Chesterfield. | 0:04:42 | 0:04:46 | |
-St Mary's. -That is an amazing spire, that. -Yeah. | 0:04:46 | 0:04:50 | |
Now, you two blues, what is your tactic today? | 0:04:50 | 0:04:54 | |
How are you going to lash these experienced reds into the ground? | 0:04:54 | 0:04:58 | |
-We're going to spend big. -Big money. -And leave our expert just 50p. -Yeah. | 0:04:58 | 0:05:02 | |
-Is that the plan? -Yeah. -Yes. -That's really Christian of you! | 0:05:02 | 0:05:06 | |
LAUGHTER | 0:05:06 | 0:05:08 | |
Anyway, on that happy note, here's your dough, £300. | 0:05:08 | 0:05:11 | |
You know the rules. Your experts await and off you go. | 0:05:11 | 0:05:14 | |
And very, very, very good luck! | 0:05:14 | 0:05:17 | |
Well, we'll be all right today, won't we? | 0:05:17 | 0:05:20 | |
-Dancing in the mud for the red team, we have Anita Manning. -And hup! | 0:05:20 | 0:05:24 | |
And for the blues, it's Philip Serrell, | 0:05:24 | 0:05:27 | |
who seems to be having a quiet moment to himself. | 0:05:27 | 0:05:30 | |
Come on, old friend. | 0:05:30 | 0:05:33 | |
OK, girls. The rain's stopped. There's plenty of mud. | 0:05:34 | 0:05:38 | |
What do you want to buy? | 0:05:38 | 0:05:40 | |
Everything! | 0:05:40 | 0:05:41 | |
-Is there a plan? -Buy big. | 0:05:41 | 0:05:44 | |
-I'm into cheap tat. -Cheap tat. -I have expensive tastes, Anita. | 0:05:44 | 0:05:49 | |
I think we're all going to get on great! | 0:05:49 | 0:05:52 | |
-So, £300, buy big. -And leave you with 50p. -Leave me with something! -50p. | 0:05:52 | 0:05:57 | |
That's a cheese sandwich. Come on, let's have a go. | 0:05:57 | 0:06:00 | |
-WHISTLE BLOWS -And they're off. | 0:06:00 | 0:06:02 | |
I've got a feeling these girls are going to be like kids in a sweet shop. | 0:06:02 | 0:06:06 | |
-Everything's catching my eye. -Is it? -Absolutely everything. | 0:06:06 | 0:06:10 | |
-Kerry! -How funny we're both drawn to the monkey bowl. | 0:06:10 | 0:06:14 | |
-I like the monkey bowl. -Have a wee look at it. Pick it up. | 0:06:14 | 0:06:17 | |
Oh, it's not as heavy as I thought. | 0:06:17 | 0:06:19 | |
-Now look underneath. -105. But this could be the big one, out of everything. | 0:06:19 | 0:06:24 | |
Who wanted to buy something expensive? | 0:06:24 | 0:06:26 | |
It's kind of a compromise, maybe. It's not the whole budget. | 0:06:26 | 0:06:30 | |
There's no name on it, | 0:06:30 | 0:06:31 | |
so that's something that you've got to think about. | 0:06:31 | 0:06:34 | |
But it's a smashing thing. It's ugly and we're looking for something which has got | 0:06:34 | 0:06:38 | |
-a wee bit of an edge. -I'll be kind and say "unusual"! | 0:06:38 | 0:06:42 | |
Nothing wrong with ugly sometimes. | 0:06:42 | 0:06:44 | |
-We might have to have a think, cos that's a lot of money. -OK. | 0:06:44 | 0:06:47 | |
Always nice to have something to fall back on, though, girls. | 0:06:47 | 0:06:50 | |
Good start. | 0:06:50 | 0:06:52 | |
Now, what's Philip got up his sleeve for the blues? | 0:06:52 | 0:06:55 | |
These are... When your dearly beloved was ashes to ashes... | 0:06:57 | 0:07:02 | |
-Dust to dust... -There you are, you see. | 0:07:02 | 0:07:05 | |
These would have been just in front of the altar with the coffin resting on them. | 0:07:05 | 0:07:10 | |
In 18 years of ministry, I have never seen anything like this. | 0:07:10 | 0:07:13 | |
-Can you do any movement on your price? -Come on, for a Father. | 0:07:13 | 0:07:17 | |
-An actual Father. -Not a blood father... -260. | 0:07:17 | 0:07:21 | |
So what on earth would you want to do with coffin rests at 260 quid? | 0:07:21 | 0:07:26 | |
Well, I think what you'll do is get a piece of glass cut that wide | 0:07:26 | 0:07:31 | |
and I think they would make just the most fantastic table. | 0:07:31 | 0:07:35 | |
That's cool, yeah. | 0:07:35 | 0:07:36 | |
-But it's like 260 quid. -What are they going to make in auction? | 0:07:36 | 0:07:41 | |
Well, I think if you're going to have a bad day, | 0:07:41 | 0:07:43 | |
they're going to make between 100 and 150 quid. | 0:07:43 | 0:07:46 | |
On a good day, I can see them making between 250 and 350. | 0:07:46 | 0:07:50 | |
We're early on at the moment. | 0:07:50 | 0:07:52 | |
We could come back if they were 230, maybe. | 0:07:52 | 0:07:55 | |
240 is the very, very best I'll do. | 0:07:55 | 0:07:59 | |
That's the death. Sorry, a bit of a pun there. I didn't quite mean that quite the way it sounded. | 0:07:59 | 0:08:04 | |
Can I ask you to do us a favour? | 0:08:04 | 0:08:05 | |
-Could you keep them for us for an hour? -Yeah, if you want. | 0:08:05 | 0:08:08 | |
Can't guarantee we'll have them. But hang on to them for an hour for us. | 0:08:08 | 0:08:12 | |
Thank you very much indeed. | 0:08:12 | 0:08:15 | |
So, it's no for the now. | 0:08:15 | 0:08:18 | |
Hold on a minute, Liz. | 0:08:18 | 0:08:20 | |
Hold your horses. | 0:08:20 | 0:08:22 | |
At what sum would you buy those now? | 0:08:22 | 0:08:24 | |
-We've got to leave something. 220. -220. -220? | 0:08:26 | 0:08:28 | |
Why don't you go and offer him 220 and we'll take them now? | 0:08:28 | 0:08:32 | |
-Leave it to me. -Hold on, I'll leave this with the Lord! | 0:08:32 | 0:08:36 | |
Go on, help him out. | 0:08:36 | 0:08:38 | |
Yeah, I think you may just need a bit of extra help there, blues. | 0:08:38 | 0:08:42 | |
Sir, how about 220 and we'll take them now? | 0:08:42 | 0:08:46 | |
-I can't do it. 240 has got to be the bottom line. -30? Go on! -I can't. | 0:08:46 | 0:08:51 | |
For a man of the cloth! | 0:08:51 | 0:08:53 | |
No, if I would, I could, but I can't. | 0:08:53 | 0:08:56 | |
-It's got to be there. -OK. We'll leave them and come back. -I think so. | 0:08:56 | 0:09:00 | |
-We'll be back. -Thank you. -Thanks very much. | 0:09:00 | 0:09:03 | |
He's not budging, blues. | 0:09:03 | 0:09:04 | |
But if it's meant to be, it's meant to be. | 0:09:04 | 0:09:07 | |
-I like this as well. -What do you like? -I like the clock. | 0:09:07 | 0:09:11 | |
-Is that Art Deco? -Mm-hmm. -Yay! -It's working. -It's working? | 0:09:11 | 0:09:15 | |
-Is it a wind-up one as well? -It is. | 0:09:15 | 0:09:18 | |
It has a pendulum, but I haven't put it on because it has to be level. | 0:09:18 | 0:09:22 | |
-It's dings very prettily. -Oh, wow! Yeah. | 0:09:22 | 0:09:26 | |
It dings prettily. This is an important fact! | 0:09:26 | 0:09:30 | |
This is a great saleswoman. | 0:09:30 | 0:09:32 | |
-It's got a nice ding. -It's got a nice ding. -How much is it? | 0:09:32 | 0:09:36 | |
I've got 125 on it. But absolute best would be 95. | 0:09:36 | 0:09:41 | |
What do you think about that? | 0:09:41 | 0:09:43 | |
-I love the shape. I think that it looks great. -I really like it. | 0:09:43 | 0:09:47 | |
You really like it. Can you come down to maybe about 70? | 0:09:47 | 0:09:51 | |
No, much too low. | 0:09:51 | 0:09:53 | |
At the absolute, absolute, for you ladies, would be 85. | 0:09:53 | 0:09:57 | |
But it may forfeit the monkey bowl. | 0:09:57 | 0:09:59 | |
We'll have to have a think about him. | 0:09:59 | 0:10:02 | |
-I like the clock. Oh... I like the clock. -Let's go for the clock. | 0:10:02 | 0:10:05 | |
-There may be more monkeys and unusual things. -Shake on it, girls? | 0:10:05 | 0:10:09 | |
-Yes, definitely. Thank you. -I really hope you do well. | 0:10:09 | 0:10:13 | |
Lovely. Thank you. | 0:10:13 | 0:10:15 | |
Great, girls! First item in the bag. But in the meantime, | 0:10:15 | 0:10:18 | |
the blues just can't drag themselves away from those coffin stands. | 0:10:18 | 0:10:22 | |
It's a slight problem now. | 0:10:22 | 0:10:24 | |
Cos we've given ourselves a bit of jeopardy that we're going to | 0:10:24 | 0:10:28 | |
go round thinking we've got to keep 240 quid back for those. | 0:10:28 | 0:10:31 | |
-I know. -That's true actually. If we buy them now... -Then at least we know it's done. | 0:10:31 | 0:10:35 | |
-Otherwise, we're going to walk round here... -And go how much, how much. Let's just go and buy them. -OK. | 0:10:35 | 0:10:40 | |
-You go. See if you can get 235, 230. -Smile. -OK. | 0:10:40 | 0:10:44 | |
Anything. Do better than... All right? | 0:10:44 | 0:10:47 | |
-Go on, off you go. -That's not hard. | 0:10:47 | 0:10:49 | |
Good luck, Liz. I think you'll need it. | 0:10:49 | 0:10:52 | |
-We'd like to buy them, but... -I can't. -Please? -I can't. | 0:10:52 | 0:10:58 | |
I honestly can't because they're... | 0:10:58 | 0:11:00 | |
I'm more than happy to take them home. | 0:11:00 | 0:11:04 | |
And have either two small glass table tops made for them | 0:11:04 | 0:11:08 | |
or a big one and I will get very good money on that. | 0:11:08 | 0:11:11 | |
-Just five pounds. -I can't. -You can't do it. | 0:11:11 | 0:11:15 | |
Oh, what are we going to do? | 0:11:16 | 0:11:19 | |
-We're going to have to do 240. Yeah? -Go on, then. | 0:11:19 | 0:11:24 | |
-Yeah. We'll do it for 240. -Lovely. -Thank you. | 0:11:24 | 0:11:28 | |
Hey! You certainly coughed up on that one, blues. | 0:11:28 | 0:11:31 | |
Only ten minutes in and you've spent £240. | 0:11:31 | 0:11:35 | |
Now, have those red girls found anything strange yet? | 0:11:35 | 0:11:39 | |
-Do you have anything really unusual? -We've got a chastity belt. -Oh! | 0:11:39 | 0:11:43 | |
-A chastity belt? -Yes. A unisex chastity belt. -Oh! Even better! | 0:11:43 | 0:11:48 | |
I think we've got to see... Are you girls interested in a chastity belt? | 0:11:48 | 0:11:53 | |
-Yes, we'll have a look at it. -We're going to have a look at it. | 0:11:53 | 0:11:56 | |
We're into things that are just unusual, so that ticks both boxes. | 0:11:56 | 0:12:02 | |
Here you are, girls, a chastity belt... | 0:12:02 | 0:12:04 | |
-With the lock! -With a lock, uh-huh. | 0:12:04 | 0:12:07 | |
-It's really heavy! -I think it's unisex. | 0:12:07 | 0:12:09 | |
-How much is it? -35. | 0:12:09 | 0:12:11 | |
I think... Keep it in mind, girls. | 0:12:11 | 0:12:14 | |
It's fab, but I would have to push you on 35, if I'm honest. | 0:12:14 | 0:12:18 | |
Purely because I just don't know, other than the obvious, | 0:12:18 | 0:12:21 | |
who would buy it. | 0:12:21 | 0:12:22 | |
-Is it a thinker and come back? -Maybe, yeah. | 0:12:22 | 0:12:25 | |
It's good fun, | 0:12:25 | 0:12:27 | |
probably not good fun for the person that wears it, right enough. | 0:12:27 | 0:12:30 | |
THEY LAUGH | 0:12:30 | 0:12:31 | |
-They managed to get out, that's the main thing. -They managed to get out. | 0:12:31 | 0:12:35 | |
Absolutely girls! So, with only £60 left, | 0:12:35 | 0:12:38 | |
two items to find plus something for a bonus buy, | 0:12:38 | 0:12:40 | |
those big-spending Blues need to think cheap. | 0:12:40 | 0:12:43 | |
I tell you what, I like those boxes up there. | 0:12:43 | 0:12:46 | |
-Have you seen those? -I like those, too. I spotted those. | 0:12:46 | 0:12:48 | |
But I think, unless I'm wrong, they are just brand-new. | 0:12:48 | 0:12:52 | |
Yeah, but they LOOK older. | 0:12:52 | 0:12:54 | |
They're wicked, great fun, brand-new. | 0:12:54 | 0:12:56 | |
-Yeah, I make all them. -You make these? | 0:12:56 | 0:12:58 | |
-Yeah. -They do smell new, though. -Yeah. | 0:12:58 | 0:13:01 | |
So, if I was going to buy them, | 0:13:01 | 0:13:03 | |
which is best... this is where we need a bit of inside info here. | 0:13:03 | 0:13:06 | |
-London Candle Co. That's the best one, is it? -Yeah. Bestseller. | 0:13:06 | 0:13:09 | |
-They're a fiver, you said? -No. -I didn't think you did. | 0:13:09 | 0:13:12 | |
-I need to make profit. -Yeah, yeah, yeah, yeah. -I'll do one for eight. | 0:13:12 | 0:13:16 | |
-OK. -Oh, lovely. -Which do you reckon is best for us to sell? | 0:13:16 | 0:13:19 | |
Perhaps that one? | 0:13:19 | 0:13:21 | |
-That hasn't got a bar on the top. -No, that one hasn't. | 0:13:21 | 0:13:25 | |
-Anyone with... -The bars, because they make them into wine boxes. | 0:13:25 | 0:13:30 | |
-Yeah, wine boxes. -Yeah. -Anything like that. -Do you like those? | 0:13:30 | 0:13:33 | |
Yeah, I do. I think I would use them. | 0:13:33 | 0:13:35 | |
So... And they're useful. | 0:13:35 | 0:13:38 | |
-And which do you think...? -You could put books in them. -Yeah. | 0:13:38 | 0:13:40 | |
I think this is the best one to go for, he's right, this one. | 0:13:40 | 0:13:43 | |
This is what's ridiculous about this game. We've got a brand-new, boxwood box, | 0:13:43 | 0:13:49 | |
that never existed for any London Candle Company in 1749, | 0:13:49 | 0:13:53 | |
because it didn't exist, but it's a very decorative thing, | 0:13:53 | 0:13:56 | |
which would sit in the kitchen, | 0:13:56 | 0:13:58 | |
-would look great with a bottle of wine on each side. -Yeah. | 0:13:58 | 0:14:00 | |
-You're selling it to me, Phil. -I like that. | 0:14:00 | 0:14:03 | |
-Do you like that? -Do you like that? -I do. | 0:14:03 | 0:14:05 | |
The point is, the worst that can happen is it'll make a fiver, | 0:14:05 | 0:14:08 | |
-the best, it'll make 10 or 12 quid. -It's not much of a loss, is it? | 0:14:08 | 0:14:11 | |
-Let's do it. -I think we might...If you'll pardon the pun. | 0:14:11 | 0:14:14 | |
After we buried ourselves with those things over there, | 0:14:14 | 0:14:17 | |
I think we could be on damage limitation here. | 0:14:17 | 0:14:19 | |
-Oh dear, Phil! -Let's do it. | 0:14:19 | 0:14:21 | |
-Are you sure you can't get it down a little more. -Just give me £7. | 0:14:21 | 0:14:25 | |
-Good man! -OK, we're off! | 0:14:25 | 0:14:28 | |
Gosh, you are fast workers, Blues! | 0:14:28 | 0:14:30 | |
Two down and only 15 minutes in. | 0:14:30 | 0:14:33 | |
Meanwhile, I think the girls have got stuck in the mud. | 0:14:34 | 0:14:37 | |
They just haven't moved! | 0:14:37 | 0:14:39 | |
I'm quite fond of the radio, it caught my eye, | 0:14:39 | 0:14:41 | |
because of the leopard, I think that's quite unusual. | 0:14:41 | 0:14:44 | |
-Very your style, actually. -Yeah! | 0:14:44 | 0:14:46 | |
-Any sort of details on dates? -It's a 1959 GEC, | 0:14:46 | 0:14:52 | |
It's one of the very first VHF radios | 0:14:52 | 0:14:54 | |
-and you can use it everyday, because it's good quality sound... -It still works then? | 0:14:54 | 0:14:58 | |
Oh, absolutely, if you press the left-hand button, it'll make a noise. | 0:14:58 | 0:15:02 | |
Oh! It does. | 0:15:03 | 0:15:06 | |
It does need a bit of tuning in. | 0:15:06 | 0:15:07 | |
THEY LAUGH | 0:15:07 | 0:15:08 | |
Can it be bought for £20? | 0:15:08 | 0:15:10 | |
It couldn't be bought for £20, no. | 0:15:10 | 0:15:12 | |
It could be bought for £32. | 0:15:12 | 0:15:15 | |
And that is why I will never be a rich man. | 0:15:15 | 0:15:18 | |
It's for discounts like that. | 0:15:18 | 0:15:20 | |
-25? -If you wave £30 at me, you could buy it. | 0:15:20 | 0:15:24 | |
Wee bit of rust along here on the handle. | 0:15:24 | 0:15:29 | |
-I mean, I love it to bits. -It's Brillo pad character. | 0:15:29 | 0:15:32 | |
Brillo pad character? Well, I think it's got bags of style. | 0:15:32 | 0:15:37 | |
That period is a period that people are interested in. | 0:15:37 | 0:15:40 | |
-Very much so. -Very fashionable at the moment. | 0:15:40 | 0:15:42 | |
-Rather than, perhaps, the Victorian equivalent. -That would go in any home, | 0:15:42 | 0:15:46 | |
-whether modern or traditional. -It's a classic. | 0:15:46 | 0:15:48 | |
-It's a style thing. -It's a classic. | 0:15:48 | 0:15:51 | |
I think my mind would be made up. | 0:15:51 | 0:15:53 | |
-Yeah, I'll go with that. -Did you say you'd do it for 30? | 0:15:53 | 0:15:56 | |
I did say 30, yes. | 0:15:56 | 0:15:58 | |
-That's fine. -Thank you. | 0:15:58 | 0:16:01 | |
-Brilliant. -I agree. Yes. | 0:16:01 | 0:16:03 | |
Girls, you've made your second buy. What a team! | 0:16:03 | 0:16:07 | |
Well, you girls are certainly in tune with one another! | 0:16:07 | 0:16:10 | |
Two down! | 0:16:10 | 0:16:13 | |
-Oh, wow! -How much are those? | 0:16:13 | 0:16:16 | |
Really cool. | 0:16:16 | 0:16:17 | |
I thought ministers were supposed to have a modicum of sense about them. | 0:16:17 | 0:16:21 | |
-It's macabre. I deal with death. -No, no... | 0:16:21 | 0:16:24 | |
-... no, no... -What's wrong with that? | 0:16:24 | 0:16:27 | |
What is right with that? That's a definite no, no, no. | 0:16:27 | 0:16:30 | |
Unless that gentleman is paying us to take it away, that's a no. | 0:16:30 | 0:16:34 | |
That'll be a no, then, Blues. | 0:16:34 | 0:16:36 | |
Liz, can you see anybody in front of this? | 0:16:36 | 0:16:39 | |
-I could preach at this you know. -Luckily, Phil couldn't. | 0:16:39 | 0:16:44 | |
Now, I see the girls have found a new friend... | 0:16:44 | 0:16:47 | |
Oh, that's awesome. | 0:16:47 | 0:16:50 | |
Oh look, does it work? | 0:16:50 | 0:16:53 | |
Hello, Kerry. | 0:16:53 | 0:16:56 | |
Kiss me, you fool! | 0:16:56 | 0:16:59 | |
That is ace! | 0:16:59 | 0:17:01 | |
He looks quite old as well, I don't want to break him. | 0:17:01 | 0:17:05 | |
-Oh dear, that's fantastic. -Hide his modesty! | 0:17:05 | 0:17:09 | |
-I don't know who'd buy him, I like him. -Wow! | 0:17:09 | 0:17:12 | |
I'm just concerned at how fragile he is, | 0:17:12 | 0:17:14 | |
-that's probably the first thing that comes to mind. -Yeah. | 0:17:14 | 0:17:17 | |
-Do you know any dates on him? -'40s, '50s, I would say. | 0:17:17 | 0:17:22 | |
-How much are you wanting? -I've got £75 on him. | 0:17:22 | 0:17:24 | |
Oh, no, no that's not 75, is it? | 0:17:24 | 0:17:28 | |
-You'll not find another one. -I know, I know, yeah. | 0:17:28 | 0:17:30 | |
-It's very individual. -I think Anita is finally lost for words. | 0:17:30 | 0:17:35 | |
-While the Blues, have gone off piste. -That is cool. | 0:17:35 | 0:17:40 | |
People would put that on their wall. See what I mean? | 0:17:40 | 0:17:43 | |
But we are on a limited budget here. I'm not even going to ask... | 0:17:43 | 0:17:46 | |
there is no price, I'm not even going to ask you the price, | 0:17:46 | 0:17:49 | |
-but we've only got 23 quid. -Only. | 0:17:49 | 0:17:51 | |
-Lordy, Lordy Lord. -How much are they? | 0:17:51 | 0:17:54 | |
23 quid. | 0:17:54 | 0:17:56 | |
How much are they? | 0:17:56 | 0:17:59 | |
-I'll do them for 23 quid. -How much did you want? | 0:17:59 | 0:18:01 | |
-How much were they originally? -48 quid. | 0:18:01 | 0:18:03 | |
-Do you want them? -It's quirky. -Yeah, it's cool. -They're £23. | 0:18:03 | 0:18:07 | |
-Do you like 23 quid? -That would leave you with how much? -30 quid. | 0:18:07 | 0:18:11 | |
-Excellent. OK, let's do it. -Is that you want? | 0:18:11 | 0:18:14 | |
-Cheers. Thank you very much. -You're a gentleman. Thank you. | 0:18:14 | 0:18:17 | |
Lordy! That was like the grand slalom of Bargain Hunting! | 0:18:17 | 0:18:22 | |
Three items bought, £270 spent | 0:18:22 | 0:18:25 | |
and only 18 minutes on the clock. | 0:18:25 | 0:18:27 | |
-Wow! -We did well there, didn't we? -We did really well. | 0:18:27 | 0:18:30 | |
-Quick though. -Quick. -Straight up. -World record. Yes. | 0:18:30 | 0:18:35 | |
I mean those skis at £23, they can't possibly go wrong, can they? | 0:18:35 | 0:18:40 | |
So while the Blues squelch off to hang up their wellingtons... | 0:18:40 | 0:18:44 | |
Get out of it! | 0:18:44 | 0:18:46 | |
... the Reds are still pondering over their new-found friend. | 0:18:46 | 0:18:50 | |
Buy me, girls. Buy me, girls. | 0:18:50 | 0:18:53 | |
Take me home with you... | 0:18:53 | 0:18:55 | |
If he was a tenner, I'd say... | 0:18:55 | 0:18:58 | |
The girls have said if he was a tenner, they would buy him. | 0:18:58 | 0:19:02 | |
-I bet you they would! -Yeah, this is it, pushing our luck a bit. | 0:19:02 | 0:19:05 | |
-He's quite fragile... -Ask him if he'll take 25. | 0:19:05 | 0:19:08 | |
-Go over to him. Go over to him. -I can't smile! | 0:19:08 | 0:19:11 | |
-Take that with you. -I'll make HIM ask him. | 0:19:11 | 0:19:15 | |
He can't say no to a little man! | 0:19:15 | 0:19:17 | |
-Excuse me. -Yeah, it's all right. | 0:19:17 | 0:19:21 | |
-He wants to ask you something. -Go on, then. | 0:19:21 | 0:19:25 | |
Could you... He wasn't going to whisper! | 0:19:25 | 0:19:27 | |
He's not shy! | 0:19:27 | 0:19:29 | |
THEY LAUGH | 0:19:29 | 0:19:32 | |
-Would you sell me for £25, please? -I couldn't, seriously I couldn't. | 0:19:32 | 0:19:36 | |
Aw! | 0:19:36 | 0:19:40 | |
He's really upset now! | 0:19:40 | 0:19:42 | |
# Lonely, I am so lonely... # | 0:19:42 | 0:19:47 | |
Meany! # Lonely... # | 0:19:47 | 0:19:51 | |
-£40, that's absolute. -I don't know... | 0:19:51 | 0:19:55 | |
He's like those dodgy ex-boyfriends, | 0:19:55 | 0:19:57 | |
he's a bit of a liability, nice to look at, | 0:19:57 | 0:20:00 | |
but a possible liability when it comes to auction. | 0:20:00 | 0:20:02 | |
See if you could bring it down another wee bit. | 0:20:02 | 0:20:05 | |
Well, £35. | 0:20:05 | 0:20:08 | |
The market loves unusual items and he's quite unusual. | 0:20:08 | 0:20:12 | |
Well, we did say ugly, didn't we? | 0:20:12 | 0:20:15 | |
-I didn't hear you say that! -We did say ugly! | 0:20:15 | 0:20:19 | |
Come on, we had a giggle, somebody will probably feel the same. | 0:20:19 | 0:20:23 | |
OK girls. Are you going to buy? | 0:20:23 | 0:20:26 | |
I think we pretty much decided when we came here. | 0:20:26 | 0:20:29 | |
I think it's worth buying, are you coming to the auction, pal? | 0:20:29 | 0:20:32 | |
-Yes. -Yay! I'm really pleased. | 0:20:32 | 0:20:36 | |
I don't think you'll get much work as ventriloquists, girls, | 0:20:36 | 0:20:40 | |
but another very quick round, though at only 20 minutes. | 0:20:40 | 0:20:43 | |
-Mwah! -You little charmer! | 0:20:43 | 0:20:47 | |
I feel a little bit left out. | 0:20:47 | 0:20:49 | |
Do you want to kiss me? No! | 0:20:52 | 0:20:55 | |
Now, you teams have shopped so fast | 0:20:55 | 0:20:57 | |
I don't even get to say my time's up line! | 0:20:57 | 0:20:59 | |
-We've definitely got the items to beat the Blues, haven't we? -Yeah, | 0:21:00 | 0:21:03 | |
we've gone for the unusual, sort of collectable things, | 0:21:03 | 0:21:07 | |
I think we're going to win. | 0:21:07 | 0:21:08 | |
Stylish, edgy... Yeah. | 0:21:08 | 0:21:11 | |
The girls spent £85 on this Art Deco marble mantel clock. | 0:21:13 | 0:21:17 | |
They forked out £30 for this 1950s transistor radio. | 0:21:18 | 0:21:22 | |
And they all fell for the charms of their new little friend | 0:21:22 | 0:21:26 | |
who cost them £35. | 0:21:26 | 0:21:28 | |
Well, this is a jolly tribe, isn't it? All giggles. | 0:21:30 | 0:21:33 | |
-Did you enjoy your shopping? -Yes. -Yes. It was great. | 0:21:33 | 0:21:36 | |
Quite speedy, these girls. What about you, Anita? | 0:21:36 | 0:21:38 | |
I had a great time, the girls were fabulous. | 0:21:38 | 0:21:41 | |
You spent how much? | 0:21:41 | 0:21:42 | |
-£150. -Who's got the £150 of left over lolly. | 0:21:42 | 0:21:45 | |
-Kerry. -Thank you very much. | 0:21:45 | 0:21:48 | |
I'll pass that straight over to darling Anita, | 0:21:48 | 0:21:52 | |
-what are you going to do with that? -I'm going to buy a girly thing. | 0:21:52 | 0:21:55 | |
-Oh, cool. -Oh! | 0:21:55 | 0:21:57 | |
Well, good luck with that and good luck, team. | 0:21:57 | 0:22:00 | |
Now, why don't we check out what the Blue team bought, hey? | 0:22:00 | 0:22:03 | |
The Blues lavished £240 on this pair of brass coffin stands. | 0:22:03 | 0:22:08 | |
Then, got a good discount on the brand spanking new wooden box, | 0:22:08 | 0:22:12 | |
only seven pounds paid. | 0:22:12 | 0:22:14 | |
Finally, they didn't waste any time buying this pair of vintage skis, | 0:22:14 | 0:22:18 | |
oh no, which cost them £23. | 0:22:18 | 0:22:20 | |
Shush! | 0:22:20 | 0:22:21 | |
-Well, well, well, that was fun, wasn't it? -Very much. | 0:22:21 | 0:22:25 | |
Yeah, what a dad/kid combo! | 0:22:25 | 0:22:27 | |
-Yes! -Now, yes, Liz, tell us what's your favourite piece, darling? | 0:22:27 | 0:22:31 | |
-I like the skis. -That's your favourite? -Yes. | 0:22:31 | 0:22:33 | |
-Are they going to bring the biggest profit? -Of course. | 0:22:33 | 0:22:35 | |
-Of course. -Dave, which is your favourite piece? | 0:22:35 | 0:22:38 | |
I think the funeral trestles are really good. Very good. | 0:22:38 | 0:22:41 | |
-Good for trade, though. -I want them. | 0:22:41 | 0:22:45 | |
£270 spent. Who's got the £30 of leftover lolly? | 0:22:45 | 0:22:48 | |
-That's me. -That's me. -What did you expect? | 0:22:48 | 0:22:51 | |
I know, the girls have got the £30. | 0:22:51 | 0:22:53 | |
Well, over it goes to the master. | 0:22:53 | 0:22:55 | |
The master who can take £30 away and make it into £60 just like that. | 0:22:55 | 0:23:00 | |
Thank you so much. | 0:23:00 | 0:23:01 | |
These guys spent 18 minutes buying three items | 0:23:01 | 0:23:05 | |
so I'm going to have to go, because I've got six minutes to buy one. I'll see you. | 0:23:05 | 0:23:08 | |
Good luck Phil, meanwhile, were heading off to Birmingham, | 0:23:08 | 0:23:11 | |
hopefully to pick up an impression or two. | 0:23:11 | 0:23:14 | |
The Barber Institute of Fine Arts is a gem of a gallery, | 0:23:16 | 0:23:22 | |
set within the grounds of Birmingham University. | 0:23:22 | 0:23:25 | |
Inside, this striking Art Deco building | 0:23:25 | 0:23:29 | |
is a collection formed by the Henry Barber Trust | 0:23:29 | 0:23:33 | |
of masterpieces, dating from between the 14th and the 20th centuries. | 0:23:33 | 0:23:39 | |
The sort of quality of works that you might associate, perhaps, | 0:23:39 | 0:23:43 | |
with the National Gallery or even the Wallace collection, | 0:23:43 | 0:23:46 | |
but they're here, in Birmingham and I can't wait to have a look at them. | 0:23:46 | 0:23:51 | |
Lady Barber, founder of the Barber Institute in 1932, | 0:24:03 | 0:24:07 | |
declared that the objects in the collection | 0:24:07 | 0:24:10 | |
should only be of exceptional and outstanding merit. | 0:24:10 | 0:24:14 | |
And here, in the Blue Gallery, | 0:24:14 | 0:24:16 | |
we've got a fair crop of those relating to the Impressionists, | 0:24:16 | 0:24:21 | |
including works by Manet, Monet, | 0:24:21 | 0:24:24 | |
Pissarro and Degas. | 0:24:24 | 0:24:28 | |
The Impressionist movement originated in France, | 0:24:29 | 0:24:32 | |
between the 1860s and the 1880s | 0:24:32 | 0:24:34 | |
as a reaction against traditional art | 0:24:34 | 0:24:37 | |
and its strict rules. | 0:24:37 | 0:24:39 | |
The artists favoured quick, broken brush strokes, | 0:24:41 | 0:24:45 | |
capturing a fleeting moment in time, which gave their paintings | 0:24:45 | 0:24:48 | |
a spontaneous and unfinished appearance, | 0:24:48 | 0:24:51 | |
using brilliant colours. | 0:24:51 | 0:24:54 | |
And some of these techniques, you can see demonstrated | 0:24:54 | 0:24:58 | |
in Manet's enormous portrait of his friend, Carolus-Duran. | 0:24:58 | 0:25:05 | |
A very quick and frenzied way in which that background | 0:25:05 | 0:25:09 | |
has been painted in with a broad brush stroke, | 0:25:09 | 0:25:13 | |
creating the impression of an extensive park. | 0:25:13 | 0:25:17 | |
This is typical of Manet's early work | 0:25:18 | 0:25:21 | |
because the outline of the figure is enclosed by dark lines. | 0:25:21 | 0:25:25 | |
The Impressionists ignited a revolution | 0:25:33 | 0:25:35 | |
with their use of vibrant colour and movement. | 0:25:35 | 0:25:39 | |
Here in the painting created by Monet in 1882 | 0:25:39 | 0:25:44 | |
we see one of his techniques in practice. | 0:25:44 | 0:25:49 | |
In increasing liked to paint outdoors, en plein air, | 0:25:49 | 0:25:52 | |
and in this scene entitled the Church at Varengeville in Normandy, | 0:25:52 | 0:25:59 | |
we see a moment captured at sunset. | 0:25:59 | 0:26:03 | |
Monet would set up, up to eight canvasses at the same time | 0:26:04 | 0:26:08 | |
that he would be working on simultaneously, | 0:26:08 | 0:26:11 | |
capturing the atmospheric moments. | 0:26:11 | 0:26:15 | |
Here we can see the isolated Church of Varengeville on a ridge | 0:26:15 | 0:26:19 | |
and all these bright orange flecks, either side of it, | 0:26:19 | 0:26:23 | |
are the sun going down. | 0:26:23 | 0:26:26 | |
No doubt, the next version would have a slightly different effect, | 0:26:26 | 0:26:31 | |
a different impression of that sunset. | 0:26:31 | 0:26:34 | |
This painting is unmistakably by Paul Gauguin. | 0:26:38 | 0:26:43 | |
It's entitled the Bathers at Tahiti | 0:26:44 | 0:26:47 | |
and was painted in his second visit to the island in 1897. | 0:26:47 | 0:26:52 | |
These girls have been surprised by something. | 0:26:52 | 0:26:56 | |
They were taking a nice little bath when somebody came along. | 0:26:56 | 0:27:00 | |
Quite how Paul Gauguin achieved this when he had to have | 0:27:00 | 0:27:03 | |
an easel on which he is painting this painting, I don't know. | 0:27:03 | 0:27:07 | |
One of the interesting things to note is this very, | 0:27:07 | 0:27:11 | |
very coarse canvas which is typical of so many of his decision pictures. | 0:27:11 | 0:27:17 | |
Probably it's just sack cloth from sugar sacks, nailed onto | 0:27:17 | 0:27:23 | |
a stretcher and then roughly daubed with these vibrant colours. | 0:27:23 | 0:27:28 | |
It's rather lovely though, don't you think? | 0:27:28 | 0:27:31 | |
The big question today for our teams over at the auction, what sort of | 0:27:31 | 0:27:34 | |
an impression are they about to make and will they coin in any cash? | 0:27:34 | 0:27:38 | |
Well, we've popped from Derbyshire to Staffordshire | 0:27:51 | 0:27:54 | |
and we've come to Richard Winterton auctioneers | 0:27:54 | 0:27:58 | |
at Lichfield auction centre to be with the boss, | 0:27:58 | 0:28:01 | |
to be with the Richard Winterton himself. | 0:28:01 | 0:28:05 | |
-I'm delighted to have you. -Well, we're very happy to be here, | 0:28:05 | 0:28:07 | |
-I tell you because this is just a fab place. -Good. | 0:28:07 | 0:28:10 | |
Now the Red team, Kerry and Jan, they got thoroughly overexcited | 0:28:10 | 0:28:14 | |
and their first item is this geometric Art Deco mantel clock. | 0:28:14 | 0:28:18 | |
-That's pretty handsome, Richard, isn't it? -Yeah, it looks good. | 0:28:18 | 0:28:20 | |
Part of garniture set, would have had a pair of urns at the side of it. | 0:28:20 | 0:28:24 | |
-A couple of urns, probably with birds on them. -I'd have thought so. | 0:28:24 | 0:28:27 | |
-I don't think that it matters that it hasn't got its urns. -Not at all. | 0:28:27 | 0:28:30 | |
-This is the important bit, this is the gutsy thing. -It's good. | 0:28:30 | 0:28:34 | |
-Is that £150 worth? -No, I don't think so. -Oh, not that great then! | 0:28:34 | 0:28:39 | |
-How much? -I think we're going to be 70, 80-ish, somewhere around there. | 0:28:39 | 0:28:43 | |
They paid 85. | 0:28:43 | 0:28:45 | |
I'm not going anywhere, frankly, with the transistor radio. | 0:28:45 | 0:28:48 | |
There's one thing I'm not so partial to, is that fake cheetah skin stuff. | 0:28:48 | 0:28:53 | |
-They like it. -Do they? -They do. 1950s. | 0:28:53 | 0:28:56 | |
-I suppose it is, isn't it? -They like it. | 0:28:56 | 0:28:58 | |
It has something of the plastic lavatory seat about it for me. | 0:28:58 | 0:29:02 | |
I'm obviously not with it, old fruit. I'm with Art Deco, and not with this stuff. | 0:29:02 | 0:29:07 | |
-All right, give us your best on the transistor? -I think we'll go 20-30. | 0:29:07 | 0:29:12 | |
Not too strong because they paid 30. | 0:29:12 | 0:29:14 | |
-Steady, as they used to say in Devon. -20-30 is a good price. | 0:29:14 | 0:29:18 | |
OK, let me manipulate you with this ventriloquist's doll. | 0:29:18 | 0:29:22 | |
-Is that something that appeals? -Not particularly. -Oh. | 0:29:22 | 0:29:25 | |
I don't know, watch my lips. | 0:29:25 | 0:29:30 | |
I might be doing that later myself. | 0:29:30 | 0:29:33 | |
How much? | 0:29:33 | 0:29:35 | |
I think the same again, 20-30 and I think that's on the top side of it. | 0:29:35 | 0:29:39 | |
£35 was paid. That's £35. | 0:29:39 | 0:29:43 | |
Watch out. I think this team could well need their bonus buy quite seriously. | 0:29:43 | 0:29:48 | |
Let's go and have a look at it. | 0:29:48 | 0:29:50 | |
-Now, girls, this is exciting, isn't it? -It is. | 0:29:50 | 0:29:52 | |
What has Anita Manning spent your £150 of leftover lolly on? | 0:29:52 | 0:29:57 | |
OK, Anita, show us your wares, baby. | 0:29:57 | 0:30:00 | |
Oh, wow. It's red, even better. | 0:30:00 | 0:30:04 | |
-Is that a hair slide? -It's a belt buckle. It's from the 1930s. | 0:30:04 | 0:30:09 | |
It Art Deco and has these lovely, crazy, | 0:30:09 | 0:30:13 | |
red plastic elephants who are meeting together. | 0:30:13 | 0:30:18 | |
-Red, I thought it was absolutely for you, girls. -Fab, yeah. | 0:30:18 | 0:30:23 | |
-Did you spent all of it on this? -I paid £25 for it. -You're so good! | 0:30:23 | 0:30:28 | |
You've got £150 and you didn't spend it all. Wow! | 0:30:28 | 0:30:33 | |
Is that what you would buy for the shop, darling? | 0:30:33 | 0:30:35 | |
I would actually, yeah. | 0:30:35 | 0:30:37 | |
It's always easier if the belt is with it but you can make it | 0:30:37 | 0:30:40 | |
to which ever belt you choose. I love the colour. | 0:30:40 | 0:30:42 | |
It goes perfectly with your shoes. | 0:30:42 | 0:30:45 | |
-Goes with the shoes. -Exactly, yeah. | 0:30:45 | 0:30:47 | |
It goes with the tops, the lips. | 0:30:47 | 0:30:50 | |
-Anita is one of us girls. -I know. | 0:30:50 | 0:30:52 | |
It's about the style, the red. | 0:30:52 | 0:30:54 | |
-I'm going to apply to join the team. -THEY LAUGH | 0:30:54 | 0:30:57 | |
-You could wear the belt. -You're so good! | 0:30:57 | 0:31:00 | |
If I was a paid-up member! I think it's great. | 0:31:00 | 0:31:03 | |
Really, really good. What would you like to see it make? | 0:31:03 | 0:31:06 | |
I would like to see it making £40. | 0:31:06 | 0:31:09 | |
I think we're all feeling very warm and wonderful about this. | 0:31:09 | 0:31:12 | |
Let's find out what our male auctioneer thinks about it. | 0:31:12 | 0:31:15 | |
OK, Ricardo, over to you. I know how you're fond of plastic jewellery. | 0:31:17 | 0:31:21 | |
-It doesn't do a lot for me, I'm afraid. -It's not your colour, is it? | 0:31:21 | 0:31:24 | |
-It's not my colour. -No! It's got elephants on, people love elephants. | 0:31:24 | 0:31:28 | |
It depends what they paid for it, that's the answer for that. It doesn't do a lot for me. | 0:31:28 | 0:31:32 | |
-OK, fine, what's your estimate? -About 20-ish. | 0:31:32 | 0:31:34 | |
This is a typical Anita item, this. She paid £25. | 0:31:34 | 0:31:38 | |
She's that canny, she's probably on the money with it. | 0:31:38 | 0:31:41 | |
-We'll run with it and see where we go. -Lovely, that's it for the Reds, now for the Blues | 0:31:41 | 0:31:45 | |
and what a mixture they've got. | 0:31:45 | 0:31:46 | |
Now listen, there's a pair of these jobs | 0:31:46 | 0:31:48 | |
which have been sent from heaven to challenge you. | 0:31:48 | 0:31:51 | |
-Coffin stands, apparently. -OK. | 0:31:51 | 0:31:54 | |
-Are you with it? -Yeah. -Lovely. Do you like them? | 0:31:54 | 0:31:57 | |
Looking at them now, we might have undercooked it just a touch. | 0:31:57 | 0:32:00 | |
-Shove a slab of glass on the top, nice smoky glass. -OK. | 0:32:00 | 0:32:04 | |
Ram it down to one of those smart places in London which sell | 0:32:04 | 0:32:08 | |
that kind of stuff, isn't there some money here? | 0:32:08 | 0:32:10 | |
There some money but how much money is going to be the next question? | 0:32:10 | 0:32:14 | |
Come up with your best money. What's your best price on that? | 0:32:14 | 0:32:17 | |
Our official one, that's gone in the catalogue is... | 0:32:17 | 0:32:20 | |
MUMBLES: 40-60. | 0:32:20 | 0:32:22 | |
-40-60? -But I think I've been a bit mean. | 0:32:22 | 0:32:26 | |
-There must be 100 to 150. It's got to be. -I think we missed one out. | 0:32:26 | 0:32:30 | |
£240 they paid for this. | 0:32:30 | 0:32:32 | |
If you struggle to 120, they are already £120 down the proverbial. | 0:32:32 | 0:32:37 | |
It's 240 when you've had all the work done to get | 0:32:37 | 0:32:39 | |
it into your coffee table to take to London. | 0:32:39 | 0:32:42 | |
I think you are probably right, Richard. | 0:32:42 | 0:32:44 | |
The next item is not going to do much, one way or the other to help them. | 0:32:44 | 0:32:47 | |
This old bit of box that's knocked up here | 0:32:47 | 0:32:50 | |
with a fake stencil on the front. How much is that worth? | 0:32:50 | 0:32:53 | |
15, £20, something like that. They like this sort of thing. | 0:32:53 | 0:32:55 | |
I know it's not very old, I know it's been knocked up, | 0:32:55 | 0:32:58 | |
I know it's got the lettering but to the general public | 0:32:58 | 0:33:01 | |
-it a seller and I can see it making 20 plus. -That's marvellous. | 0:33:01 | 0:33:05 | |
They only paid £7. If they make £21, they've tripled their money. | 0:33:05 | 0:33:08 | |
That's all day, all long. | 0:33:08 | 0:33:10 | |
Anyway, I feel a bit of a downhill whoosh coming on. | 0:33:10 | 0:33:13 | |
-What about these old-fashioned skis. -We see a lot of them, we really do. | 0:33:13 | 0:33:17 | |
-What do you do with them? -They are quite rustic, aren't they? | 0:33:17 | 0:33:20 | |
-Do have many ski bars down town? -I can't say we do. -To decorate? | 0:33:20 | 0:33:23 | |
I would find it difficult to where you'd place those. | 0:33:23 | 0:33:25 | |
-It's not in the games room exactly, is it? -No. 20 to 30. | 0:33:25 | 0:33:29 | |
-Is that where you're at? -Yeah. -£23 paid. That's not too bad. | 0:33:29 | 0:33:33 | |
Basically they've got two average performers | 0:33:33 | 0:33:37 | |
-and one disaster here. -Yeah. | 0:33:37 | 0:33:38 | |
On that basis they are definitely going to need their bonus buy, so let's have a look at it. | 0:33:38 | 0:33:43 | |
-Now, David, Elizabeth, you spent 270 which was magnificent, I have to say. -Indeed. | 0:33:43 | 0:33:49 | |
You gave the boy 30 smackers to go off with. | 0:33:49 | 0:33:53 | |
Philip Serrell, what did you spend your £30 on? | 0:33:53 | 0:33:55 | |
-I wanted to spend the whole lot. -A chimney. -Right, good. | 0:33:55 | 0:33:59 | |
That was all my 30 quid. | 0:33:59 | 0:34:00 | |
I thought, in all seriousness, that's going to make a great planter in the garden, isn't it? | 0:34:00 | 0:34:05 | |
I like that a lot. | 0:34:05 | 0:34:06 | |
It's good, it's got age. | 0:34:06 | 0:34:08 | |
I thought any two people that liked a pair of coffin stands | 0:34:08 | 0:34:12 | |
would definitely go for a chimney. | 0:34:12 | 0:34:14 | |
This is quality. How much do you think? | 0:34:14 | 0:34:18 | |
I hope it'll make between 30 and £50. That's my hope, but who knows. | 0:34:18 | 0:34:22 | |
-You can also use them as fish smokers. -Really? | 0:34:22 | 0:34:25 | |
By putting some bits of wood at the bottom, a cover on the top, | 0:34:25 | 0:34:27 | |
hanging your fish, wood chips in the bottom, smoking fish. | 0:34:27 | 0:34:30 | |
What happens in Worcestershire is nobody's business, is it, really? | 0:34:30 | 0:34:35 | |
Thank you for sharing that with us, Philip. Great. | 0:34:35 | 0:34:38 | |
-Anyway, we're happy with that, yes? -Oh, yes. -You don't pick now, you pick later. | 0:34:38 | 0:34:41 | |
For the audience at home, let's find out what the auctioneer thinks about Phil's fish smoker. | 0:34:41 | 0:34:47 | |
-Well, there you have it. -Not a lot to say, it's a chimney pot. | 0:34:48 | 0:34:51 | |
-They put flowers in it, don't they? -Or they put them on their houses again. | 0:34:51 | 0:34:55 | |
There's a lot of retro salvage, isn't there? | 0:34:55 | 0:34:58 | |
-It's going to make £30. -Is it? | 0:34:58 | 0:35:00 | |
Yeah, so if you hasn't paid a lot that might give a profit. | 0:35:00 | 0:35:02 | |
He paid £30. Anything over 30 he'll be jumping up and down | 0:35:02 | 0:35:06 | |
and by Gimcrack this team need it, I tell you, | 0:35:06 | 0:35:09 | |
every single penny you can get them. | 0:35:09 | 0:35:11 | |
-No challenge then, Richard. -Oh. -Good luck. | 0:35:11 | 0:35:14 | |
-Thank you. -You'll need it. | 0:35:14 | 0:35:16 | |
-Now, Jan, how are you feeling, darling? -Terrified. | 0:35:25 | 0:35:27 | |
-What about you, Kerry? -A little bit nervous, | 0:35:27 | 0:35:29 | |
I'm not quite sure what's going off at the moment. | 0:35:29 | 0:35:32 | |
-All right, grip hard. -We're hanging on to each other. | 0:35:32 | 0:35:36 | |
The first item is the Art Deco mantel clock and here it comes. | 0:35:36 | 0:35:39 | |
270, the French Art Deco style bracket clock, | 0:35:39 | 0:35:43 | |
-I do have two bids on the book. -Oh! -With 50. | 0:35:43 | 0:35:46 | |
5, 60, 5, 70, | 0:35:46 | 0:35:49 | |
5, 80, 90, 100. | 0:35:49 | 0:35:52 | |
A bid at 100. 100 in the room. | 0:35:52 | 0:35:55 | |
100, in the room at 100. You're all finished, then? | 0:35:55 | 0:35:58 | |
Sold at 100. | 0:35:58 | 0:36:01 | |
-Yes! That's marvellous. £100. -Well done, well done. | 0:36:02 | 0:36:05 | |
Plus £15, what can be nicer than that? | 0:36:05 | 0:36:08 | |
The portable radio there. Circa roundabout 1959. | 0:36:08 | 0:36:12 | |
We do again have commissions on the book with £10. | 0:36:12 | 0:36:15 | |
12, 15, 18... | 0:36:15 | 0:36:17 | |
18, £20. | 0:36:17 | 0:36:19 | |
22, 25, 28, £30. | 0:36:19 | 0:36:23 | |
£30 with me on the book, at £30. £30... | 0:36:23 | 0:36:26 | |
OK, well done. Wiped its face, no loss. That's fine, £30. | 0:36:27 | 0:36:31 | |
Lot 272, the ventriloquist's doll. Where are we going to be? | 0:36:31 | 0:36:34 | |
Nothing on my book at all. Start at £5. £5 to go. | 0:36:34 | 0:36:38 | |
£5 front row, £6, 7, 8, 10, 12, 15. | 0:36:38 | 0:36:43 | |
-15, 15 on the front row. 15. -Oh, it's so much fun. -All done? | 0:36:43 | 0:36:48 | |
Sold at 15. | 0:36:48 | 0:36:50 | |
No! | 0:36:50 | 0:36:51 | |
£15 is minus 20 which I'm afraid eats up your £15 profit. | 0:36:51 | 0:36:57 | |
You are now minus £5. That is not right. Oh, girls. | 0:36:57 | 0:37:03 | |
We're going to be relying on Anita now. | 0:37:03 | 0:37:05 | |
What are we going to do now, are you going with the red belt? | 0:37:05 | 0:37:08 | |
-We are going to have to do. -Yeah, I think so. | 0:37:08 | 0:37:10 | |
-You think it's a belter, don't you? -We have every faith in Anita's taste. | 0:37:10 | 0:37:14 | |
-All right. -No Pressure. -No pressure! | 0:37:14 | 0:37:17 | |
276 now, the red elephant belt buckle, circa 1930s. | 0:37:17 | 0:37:22 | |
-There is interest on the book. -Ah! | 0:37:22 | 0:37:24 | |
2, 4, 6, 8, 10, 12, 15, 18, £20. | 0:37:24 | 0:37:27 | |
22, 25, £30.. | 0:37:27 | 0:37:30 | |
£30 on the front at £30. Everyone else out? | 0:37:30 | 0:37:33 | |
All done? Sold at 30. | 0:37:33 | 0:37:36 | |
-Yes. -£30. | 0:37:36 | 0:37:39 | |
£30 which is plus £5 which means at the end of the programme | 0:37:39 | 0:37:42 | |
you're nowhere! | 0:37:42 | 0:37:44 | |
THEY LAUGH | 0:37:44 | 0:37:46 | |
You have not made any profit, or any loss. | 0:37:46 | 0:37:48 | |
That's brilliant. | 0:37:48 | 0:37:50 | |
Well, I tell you, not to make losses on Bargain Hunt | 0:37:50 | 0:37:54 | |
-is an achievement and you've just achieved it. -I'm so proud. | 0:37:54 | 0:37:57 | |
As we all know, having a score of zero, could be a winning score. | 0:37:57 | 0:38:02 | |
-It could be. -It could be a winning score. -Let's hope it is. | 0:38:02 | 0:38:04 | |
-It could be a winning score. So don't say a word to the Blues. -No. | 0:38:04 | 0:38:08 | |
-So, you two. Coffin stands. -Definitely. | 0:38:18 | 0:38:22 | |
Listen, the investment in these coffin stands is major, right. £240. | 0:38:22 | 0:38:28 | |
-It could be our funeral, though. -Well it could be. | 0:38:28 | 0:38:31 | |
I mean, that is such a big number, early in the process | 0:38:31 | 0:38:34 | |
because it's the first lot that you offer now. | 0:38:34 | 0:38:36 | |
I have to say, the auctioneer has estimated £40-£60 | 0:38:36 | 0:38:40 | |
on your £240 purchase, which is a dirty shame, really. | 0:38:40 | 0:38:45 | |
On the other hand, he's not buying them. | 0:38:45 | 0:38:47 | |
-He has got them on the internet. -That's true. -You never know. | 0:38:47 | 0:38:51 | |
OK, first up, your coffin stools and here they come. | 0:38:51 | 0:38:54 | |
292, the folding stands there. Lot 292. | 0:38:54 | 0:38:58 | |
Telephone is up, 1, 2, 3, 4, 5, 6, 7, 8 bids. | 0:38:58 | 0:39:03 | |
-Hey? -In at 170. 170. | 0:39:03 | 0:39:06 | |
180, 190, 200, 210, 220, 230. | 0:39:06 | 0:39:10 | |
-230 with me, telephone. -One more. -240. | 0:39:11 | 0:39:15 | |
240, telephone. 240, now. At 240. 250? | 0:39:15 | 0:39:20 | |
-Oh, come on. One more. -Sold then at 240. | 0:39:20 | 0:39:23 | |
I don't believe it. Wiped its face. 240. Not bad. | 0:39:23 | 0:39:28 | |
Not bad at all. | 0:39:28 | 0:39:30 | |
It's comforting there are other idiots around. | 0:39:30 | 0:39:33 | |
293, portable box. | 0:39:33 | 0:39:35 | |
Nothing on my book. What are we bid, £10, £5? 5 to go. | 0:39:35 | 0:39:38 | |
It doesn't matter where we start, 5, 6, 7, 8, | 0:39:38 | 0:39:42 | |
9, 10, 12, 14, 16. | 0:39:42 | 0:39:44 | |
£16, I'm bid at 16. 16, 18, it's got to go. | 0:39:44 | 0:39:49 | |
£20. 22, 25. | 0:39:49 | 0:39:53 | |
Right there at 25, 25, 25. Sold then at 25. | 0:39:53 | 0:39:58 | |
-£25, I think is plus £18. That's very good. -Lovely. | 0:39:59 | 0:40:02 | |
Now the skis and poles. | 0:40:02 | 0:40:04 | |
The skis and the polls. | 0:40:04 | 0:40:06 | |
Nothing on my book again. £5. Anyone, £5? | 0:40:06 | 0:40:09 | |
£5, £5. 5, 5 bid. 8, 10, | 0:40:09 | 0:40:14 | |
12, 15. | 0:40:14 | 0:40:17 | |
18, £20, 5, internet coming now. £30 in the room. £30. £30. | 0:40:17 | 0:40:21 | |
-Yes! -£30... | 0:40:21 | 0:40:24 | |
That's a profit. | 0:40:24 | 0:40:26 | |
£30. 35, £40. Come on, £40. | 0:40:26 | 0:40:28 | |
-Come on. -Internet, you're out again, you're sitting on the ski slopes. | 0:40:29 | 0:40:33 | |
Come on, £40. In the room, sold at 40. | 0:40:33 | 0:40:36 | |
-Yes. -Well done, £40 is plus 17. | 0:40:36 | 0:40:40 | |
28 is plus £35. You're £35 up. | 0:40:40 | 0:40:44 | |
-What are we doing? -Oh, no! | 0:40:44 | 0:40:47 | |
Just be cool about this, OK. You have £35 of profit. | 0:40:48 | 0:40:52 | |
-What do we want to do? -Let's do it. He's been good. | 0:40:52 | 0:40:56 | |
He's been all right so far. Let's do it. | 0:40:56 | 0:40:59 | |
-We trusted him for those funeral stands. -Trust in the Lord. | 0:40:59 | 0:41:03 | |
-Let's go for it. -Definitely. | 0:41:03 | 0:41:05 | |
The good old chimney pot there, £10 I'm bid. | 0:41:05 | 0:41:08 | |
£10, 15, 18, £20, 22, 25. | 0:41:08 | 0:41:12 | |
-25 with me. -Come on. -25 I'm bid. | 0:41:12 | 0:41:15 | |
-Here at 25. All done. -Uh-oh. | 0:41:15 | 0:41:18 | |
Sold then at 25. | 0:41:18 | 0:41:20 | |
-£25 is minus £5. -He tried. | 0:41:20 | 0:41:23 | |
Slightly tarnished the record there, Philip, but not to worry. | 0:41:23 | 0:41:27 | |
You are nevertheless plus £30. Plus £30 could be a winning score today. | 0:41:27 | 0:41:31 | |
Don't say a word to the Reds and all will be revealed in a moment. | 0:41:31 | 0:41:34 | |
Thank you very much. | 0:41:34 | 0:41:36 | |
How lovely is this? To have a programme with absolutely no losses. | 0:41:45 | 0:41:50 | |
This is such a joy and such charming teams. | 0:41:50 | 0:41:54 | |
Sadly, one of them, though, has to be running up | 0:41:55 | 0:41:59 | |
and the runners up today, by quite a margin, are the Reds. | 0:41:59 | 0:42:03 | |
ALL: Oh! | 0:42:03 | 0:42:04 | |
I'm sorry about this, girls. | 0:42:04 | 0:42:06 | |
The girls lose today by only losing nothing. In fact, they made nothing | 0:42:06 | 0:42:12 | |
and they lost nothing. Did you have a nice time, though? | 0:42:12 | 0:42:15 | |
-We had a great time. -A brilliant time. | 0:42:15 | 0:42:17 | |
I mean, on another day, doing nothing, | 0:42:17 | 0:42:20 | |
that is making no profit or no loss would be a winning score! | 0:42:20 | 0:42:24 | |
Today, it's not good enough because this team are going home with 30 smackers. | 0:42:24 | 0:42:28 | |
-Yes! -Yay! | 0:42:28 | 0:42:30 | |
How about that? £30, straight up. | 0:42:30 | 0:42:32 | |
We have got one wiped face, two profits and, like Solomon | 0:42:32 | 0:42:37 | |
doing his judgements, I decided that good enough for some | 0:42:37 | 0:42:42 | |
-Golden Gavels. -Oh! -Nearly as good as a profit on each item. | 0:42:42 | 0:42:47 | |
Anyway, darling, there you go, one of those is for you to wear with pride. | 0:42:47 | 0:42:51 | |
-There you go, reverend, one for you to take to the pulpit. -Tomorrow. | 0:42:51 | 0:42:54 | |
And one for you, Philip, to take to the other place. | 0:42:54 | 0:42:57 | |
THEY LAUGH | 0:42:57 | 0:42:59 | |
No, to add to your collection. We've had a brilliant day. | 0:42:59 | 0:43:02 | |
You're going home with cash, and going home with pins | 0:43:02 | 0:43:05 | |
and the girls are going home covered with honour, which is a lovely. | 0:43:05 | 0:43:09 | |
Join us soon for some more bargain-hunting. Yes? | 0:43:09 | 0:43:12 | |
ALL: Yes! | 0:43:12 | 0:43:15 | |
Subtitles by Red Bee Media Ltd | 0:43:23 | 0:43:26 |