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We've come to Lincolnshire, | 0:00:05 | 0:00:07 | |
the place to come to view want to get your hands on a decent | 0:00:07 | 0:00:10 | |
sausage, but it is not all bangers we are here to look for. | 0:00:10 | 0:00:13 | |
Oh, no, because we have come... bargain hunting, yeah! | 0:00:13 | 0:00:17 | |
Today, we are in the bustling market town of Horncastle, | 0:00:42 | 0:00:45 | |
which became a settlement after the invasion of the Romans. | 0:00:45 | 0:00:49 | |
Today, our teams are planning to plunder the local | 0:00:49 | 0:00:53 | |
abundance of antique shops. So, standby. | 0:00:53 | 0:00:56 | |
Today, the Blues tell a cock and bull story, | 0:00:57 | 0:01:00 | |
quite literally. | 0:01:00 | 0:01:02 | |
Any mo...any moooovement? | 0:01:02 | 0:01:04 | |
While the Reds' lack of urgency pushes their expert to the edge. | 0:01:05 | 0:01:09 | |
Never before have I never bought three items, | 0:01:09 | 0:01:12 | |
but this might be a problem. | 0:01:12 | 0:01:14 | |
It looks like it is going to be a long day, | 0:01:14 | 0:01:17 | |
so let's get it underway and go and meet the teams. | 0:01:17 | 0:01:20 | |
Well, we've got girl and boy teams today. | 0:01:20 | 0:01:23 | |
For the Reds, we've got Andrea and Robert. And for the Blues, | 0:01:23 | 0:01:27 | |
we've got Jill and Phil. | 0:01:27 | 0:01:29 | |
-Hi, everybody. -ALL: Hello. | 0:01:29 | 0:01:31 | |
Andrea, I understand you met Robert on public transport. | 0:01:31 | 0:01:35 | |
-I certainly did, Tim. -What's that all about? | 0:01:35 | 0:01:37 | |
Well, I was 14 at the time and Robert was 16. | 0:01:37 | 0:01:41 | |
We met as I was travelling upon the number 16 bus home from school. | 0:01:41 | 0:01:46 | |
-That's, what, 35 years ago? -Yep. | 0:01:46 | 0:01:48 | |
-You have been together for 35 years? -We have been married for 35 years. | 0:01:48 | 0:01:51 | |
There we go, that is brilliant. And what do you do now, Andrea? | 0:01:51 | 0:01:54 | |
I am a part-time teacher. | 0:01:54 | 0:01:56 | |
So, I teach right from year one children, small children, | 0:01:56 | 0:02:01 | |
right up to year ten. | 0:02:01 | 0:02:02 | |
-And is it quite fun doing that work? -It is, it's fantastic. | 0:02:02 | 0:02:05 | |
It's absolutely really rewarding. | 0:02:05 | 0:02:06 | |
-So, you love your job? -I absolutely love my job. | 0:02:06 | 0:02:09 | |
-It says here, Robert, you love your job. -I do. | 0:02:09 | 0:02:11 | |
-Which is what? -Head green keeper at a golf club. | 0:02:11 | 0:02:14 | |
-Which golf club? -Hickleton Golf Club in Doncaster. | 0:02:14 | 0:02:17 | |
-Ah, right. How long have you worked there for? -17 years. -Have you? | 0:02:17 | 0:02:20 | |
And are those wealthy golfers all | 0:02:20 | 0:02:22 | |
-duly grateful for all the hard work you put in? -Some are. | 0:02:22 | 0:02:26 | |
You mark their card, I hope. Brilliant. | 0:02:26 | 0:02:29 | |
And you are interested in driving your caravan around Canada | 0:02:29 | 0:02:32 | |
-and New Zealand. -Definitely. | 0:02:32 | 0:02:34 | |
Are you going to fund this out of your winnings on Bargain Hunt today? | 0:02:34 | 0:02:37 | |
-Yes. -Highly unlikely. Highly unlikely. | 0:02:37 | 0:02:41 | |
-Tongue-in-cheek. -Well, you never know. | 0:02:41 | 0:02:43 | |
You never know, you might get enough for a couple of tanks of gas. | 0:02:43 | 0:02:47 | |
If we're lucky. | 0:02:47 | 0:02:48 | |
-If you're lucky. Well, we shall see. Anyway, good luck. -Thank you. | 0:02:48 | 0:02:52 | |
So, Jill, you're friends, but how did you meet? | 0:02:52 | 0:02:55 | |
Phil is my daughter's partner. | 0:02:55 | 0:02:58 | |
And father to my beautiful little grandsons. | 0:02:58 | 0:03:01 | |
This is a nice combination, the mother-in-law | 0:03:01 | 0:03:03 | |
and the son-in-law being best mates. | 0:03:03 | 0:03:05 | |
What did you think about him the first time you saw him, Jill? | 0:03:05 | 0:03:08 | |
Big. No, no, we got on straightaway, really, didn't we? | 0:03:08 | 0:03:13 | |
I'm brought flowers and chocolates and possibly a bottle of wine. | 0:03:13 | 0:03:16 | |
Well, never mind the girlfriend, | 0:03:16 | 0:03:18 | |
-just butter up the mother-in-law, is that right? -Yep. | 0:03:18 | 0:03:22 | |
You are a lady of leisure now, Jill, isn't that right? | 0:03:22 | 0:03:25 | |
Well, I've retired, but I wouldn't say I'm a lady of leisure. | 0:03:25 | 0:03:28 | |
OK, what did you do when you are working? | 0:03:28 | 0:03:30 | |
I worked for 30 years in the school laundry at a public school. | 0:03:30 | 0:03:33 | |
And how many little kiddy-wids were there in that school? | 0:03:33 | 0:03:36 | |
-Oh, over 1,000, I think. -Really? -Yes. | 0:03:36 | 0:03:38 | |
So, you have retired from that now, so what did you get up to? | 0:03:38 | 0:03:41 | |
Lots of things. I am chairman of our ladies' local...group. | 0:03:41 | 0:03:46 | |
I knit, I sew, I look after my grandchildren, I walk. | 0:03:46 | 0:03:50 | |
Gad about a bit? | 0:03:50 | 0:03:51 | |
-I am a bit of a gadabout. -Yeah, I thought so. -Yes. | 0:03:51 | 0:03:53 | |
-So, Phil, will you be able to keep up with Jill? -No. | 0:03:53 | 0:03:57 | |
I can't keep up with Jill - Jill is very active, | 0:03:57 | 0:03:59 | |
I am built for comfort, not speed. | 0:03:59 | 0:04:01 | |
I will just trail behind, carry on. | 0:04:01 | 0:04:03 | |
The best thing to do, mate, is to be the bag carrier, I find. | 0:04:03 | 0:04:07 | |
-Just pick up all the bags. -I'll be the blocker. | 0:04:07 | 0:04:09 | |
That's it, lovely. | 0:04:09 | 0:04:11 | |
-It says here you are only ten years old. -This is true. | 0:04:11 | 0:04:14 | |
I was born on February 29th, 1972. | 0:04:14 | 0:04:16 | |
-Oh, you're one of those. -So, I am a 6'3", 22-stone 10-year-old. | 0:04:16 | 0:04:19 | |
You don't get a lot of them. | 0:04:19 | 0:04:21 | |
Have you got a plan then for beating these Reds? | 0:04:21 | 0:04:24 | |
-Yeah. -Spend the lot. -You are going to spend the lot? -We thought so. | 0:04:24 | 0:04:28 | |
Talking about spending a lot, here is your £300. There's the cash. | 0:04:28 | 0:04:31 | |
You know the rules. Your experts await. And off you go! | 0:04:31 | 0:04:34 | |
And very, very, very good luck. | 0:04:34 | 0:04:35 | |
Right, they are going to spend the lot, let's watch them do it. | 0:04:35 | 0:04:39 | |
Today, Charles Hanson answers the call of nature, I mean duty, | 0:04:39 | 0:04:43 | |
to help out the Reds. | 0:04:43 | 0:04:44 | |
Whilst Jonathan Pratt gets his skates on and assists the Blues. | 0:04:44 | 0:04:49 | |
-What's the plan? -Probably a bit of silver, Charles. -Yes. | 0:04:49 | 0:04:54 | |
Jewellery, silver, little sort of snuffboxes, I suppose. | 0:04:54 | 0:04:58 | |
-Shall I? -Yes. | 0:04:58 | 0:04:59 | |
I like a bit of wooden stuff. | 0:04:59 | 0:05:01 | |
-I can't abide writing slopes, I don't know what it is. -OK. | 0:05:01 | 0:05:03 | |
-Ready to go? -Ready to go. -The hour starts. Going, going, now! | 0:05:03 | 0:05:08 | |
Let's go. | 0:05:08 | 0:05:09 | |
And what better place to find something precious | 0:05:09 | 0:05:12 | |
than in an old church? | 0:05:12 | 0:05:13 | |
-Wow! -Isn't it great seeing antiques in this old building? | 0:05:14 | 0:05:18 | |
Just take it all in. | 0:05:18 | 0:05:20 | |
Let's hope and pray they find something precious. | 0:05:20 | 0:05:23 | |
With a multitude of antique shops to pick from, | 0:05:23 | 0:05:26 | |
the Blues opt for a place just down the road. | 0:05:26 | 0:05:28 | |
And it seems they have got their strategy sorted, as well. | 0:05:28 | 0:05:32 | |
We'll do three things, £75 each. | 0:05:33 | 0:05:35 | |
Jill would choose one, I will choose one, | 0:05:35 | 0:05:37 | |
and then we'll argue about a team one. | 0:05:37 | 0:05:40 | |
If we can get them valued 80 to 120, we might get a bit of profit. | 0:05:40 | 0:05:42 | |
And then we can leave you 75 to do the same. | 0:05:42 | 0:05:45 | |
And that's our 300 quid gone. | 0:05:45 | 0:05:47 | |
-Is my maths all right? -Yeah, it is. Yeah, it is. -Brilliant. | 0:05:47 | 0:05:52 | |
OK, well, that sounds like a plan. Half a plan. | 0:05:52 | 0:05:54 | |
Half a plan, that'll do. We'll work on it as we go on. | 0:05:54 | 0:05:57 | |
Yes. At this point in the game, | 0:05:57 | 0:06:00 | |
half a plan is better than no plan at all. | 0:06:00 | 0:06:02 | |
Now, let's hope our Reds' game will start to motor also. | 0:06:02 | 0:06:05 | |
What a gorgeous vase. | 0:06:05 | 0:06:08 | |
How much is it? Have a guess, we'll test you. | 0:06:08 | 0:06:10 | |
For a really good Moorcroft vase. | 0:06:10 | 0:06:12 | |
Oh, 250. | 0:06:12 | 0:06:14 | |
250. | 0:06:14 | 0:06:16 | |
345. | 0:06:16 | 0:06:18 | |
To go back to wholesale into auction, | 0:06:18 | 0:06:20 | |
this vase needs to be more like £200. | 0:06:20 | 0:06:23 | |
So that's the margin of the big leap we have got to make to try | 0:06:23 | 0:06:26 | |
and make some money. | 0:06:26 | 0:06:27 | |
-So, look around, see what you like. -Yep. | 0:06:28 | 0:06:31 | |
Good advice, Charles, but that could prove easier said than done. | 0:06:31 | 0:06:35 | |
-Figurines. -No. | 0:06:37 | 0:06:40 | |
I don't like silver spoons. They are a bit ordinary. | 0:06:40 | 0:06:45 | |
See this? I don't know what it is, | 0:06:45 | 0:06:47 | |
but there is just something about a writing slope that I just... | 0:06:47 | 0:06:51 | |
I don't get. Maybe it's because I work in IT, | 0:06:51 | 0:06:53 | |
nobody's still fussing... I have no idea. | 0:06:53 | 0:06:55 | |
It was an important piece of kit 200 years ago. | 0:06:55 | 0:06:59 | |
Today, they sit on sidewalls, on side tables, | 0:06:59 | 0:07:02 | |
so what people want to buy are the best examples of what you have. | 0:07:02 | 0:07:06 | |
-Move on, just not me. -Yeah. Move along. | 0:07:06 | 0:07:09 | |
Yes, find something worth crowing about. | 0:07:09 | 0:07:12 | |
It is a tea cosy for those cold winter days. | 0:07:12 | 0:07:18 | |
-I'll have to work on a nag. -Ha, ha! | 0:07:18 | 0:07:20 | |
So, now it is time to get cracking. | 0:07:20 | 0:07:21 | |
Gosh, these teams really know how to take a double yolker. | 0:07:21 | 0:07:25 | |
I just like this. I like the handle at the top. | 0:07:27 | 0:07:30 | |
Yeah, I do because it is very Art Nouveau, isn't it? | 0:07:30 | 0:07:33 | |
The handle is so freeform, like organic. | 0:07:33 | 0:07:36 | |
Hold on. Rewind. | 0:07:36 | 0:07:38 | |
Let's see that again. What did he say? | 0:07:38 | 0:07:41 | |
The handle is so freeform, like organic. | 0:07:41 | 0:07:44 | |
Ooh-ah, Charles. | 0:07:44 | 0:07:46 | |
I love this design here. | 0:07:46 | 0:07:48 | |
This design on the border, how it matches that handle. Can't you see? | 0:07:48 | 0:07:53 | |
It has always been together. This would be a biscuit barrel. | 0:07:53 | 0:07:56 | |
And on the bottom, with an old patent number here, | 0:07:56 | 0:07:59 | |
which would date it to around 1895, 1910 | 0:07:59 | 0:08:03 | |
at the very latest. But it is a bit boring. | 0:08:03 | 0:08:07 | |
It is a bit mass-produced. And... Oops! | 0:08:07 | 0:08:11 | |
Sorry about that. | 0:08:11 | 0:08:12 | |
I don't believe it. Charles, don't smash it! | 0:08:12 | 0:08:16 | |
Sorry about that. Sorry! | 0:08:16 | 0:08:18 | |
We're OK. Thank goodness. | 0:08:18 | 0:08:20 | |
It is made of metal, good. | 0:08:20 | 0:08:22 | |
Move away quickly, Charles. Come along, teams, | 0:08:22 | 0:08:24 | |
we are 15 minutes in and no-one has bought a thing. | 0:08:24 | 0:08:27 | |
Smashing. | 0:08:27 | 0:08:28 | |
We can go somewhere else, there is another place, | 0:08:28 | 0:08:31 | |
but I would say we need to buy something here, | 0:08:31 | 0:08:33 | |
because we've got to get three items in our hour. | 0:08:33 | 0:08:36 | |
-OK. -Right. -So, we'll do that. -Let's go around and have a look. | 0:08:36 | 0:08:39 | |
Less looking and more buying, methinks. | 0:08:39 | 0:08:41 | |
Perhaps a bit of silver might get our Reds off the mark. | 0:08:41 | 0:08:44 | |
I quite like these here. | 0:08:46 | 0:08:47 | |
They are quite sweet because they are not overly odd. | 0:08:47 | 0:08:49 | |
They are hallmarked in full. | 0:08:49 | 0:08:51 | |
And their hallmark is for Birmingham. | 0:08:51 | 0:08:56 | |
They're probably 1980s, but they're quite stylish. | 0:08:56 | 0:08:58 | |
-They are. -So, they're quite good. | 0:08:58 | 0:09:00 | |
And there's so good I'm going to ask how much they are. | 0:09:00 | 0:09:04 | |
-OK. -Yeah. -Hello, sir, we're just admiring your nice boxes. | 0:09:04 | 0:09:08 | |
And I wondered how much they would be for a threesome? | 0:09:08 | 0:09:13 | |
The very best I could do on these is 102 for the three. | 0:09:13 | 0:09:16 | |
-Look at me, how much? -102. -There we are, there is no discount there. | 0:09:16 | 0:09:20 | |
£102. | 0:09:20 | 0:09:22 | |
Response, anyone? | 0:09:22 | 0:09:24 | |
Are they worth that? | 0:09:26 | 0:09:27 | |
I think they are, but at auction, they are a real gamble. | 0:09:27 | 0:09:31 | |
-They could make... -60. -Exactly. | 0:09:31 | 0:09:34 | |
Or they could make 120. Food for thought. | 0:09:34 | 0:09:38 | |
Charles, I think you better take charge, old boy. | 0:09:38 | 0:09:40 | |
And I have spotted something that might help beat these | 0:09:40 | 0:09:43 | |
Blues into action. | 0:09:43 | 0:09:44 | |
So, this thing is used for beating out your laundry. | 0:09:44 | 0:09:48 | |
You beat it like that, all right? This is before washing powder, | 0:09:48 | 0:09:52 | |
you've got no washing powder, | 0:09:52 | 0:09:53 | |
you've got a bit of an old tallow soap, which is useless. | 0:09:53 | 0:09:57 | |
And to get a lather on it, you beat it like this. | 0:09:57 | 0:09:59 | |
Bash it up to get the filthy stains out of your sheets. | 0:09:59 | 0:10:04 | |
And then you ring it out, three or four of you down by the pond. | 0:10:04 | 0:10:07 | |
You get hold of one and twist one way, I twist the other. | 0:10:07 | 0:10:10 | |
And when the electric goes off and we are reduced to | 0:10:10 | 0:10:14 | |
the circumstances that we might have been reduced to in the old days, | 0:10:14 | 0:10:18 | |
-you'll get to be bashing out your wash. -And I'll smell. | 0:10:18 | 0:10:21 | |
Anyway, happy days, eh? How much is it? £230. | 0:10:22 | 0:10:27 | |
I should think that is about £160 too much, | 0:10:27 | 0:10:31 | |
in my view. OK, very good. Well, happy days and good luck. | 0:10:31 | 0:10:35 | |
Where would they be without me? Less bruised? | 0:10:35 | 0:10:38 | |
The Reds still have no buys, | 0:10:38 | 0:10:39 | |
but at least they have picked up the pace... At last! | 0:10:39 | 0:10:42 | |
Follow me! | 0:10:42 | 0:10:43 | |
It's down here and turn left, OK? | 0:10:43 | 0:10:47 | |
-Half an hour to go. -Runs everywhere, Charles. | 0:10:47 | 0:10:50 | |
But if you ask me, all of this is turning into a bit of a comedy act. | 0:10:50 | 0:10:54 | |
-# Bring me fun... # -Come on! | 0:10:54 | 0:10:55 | |
# Bring me sunshine Bring me love! # | 0:10:55 | 0:10:59 | |
In here, go on. In you go. | 0:10:59 | 0:11:01 | |
Meanwhile, back at the ranch. | 0:11:04 | 0:11:06 | |
-They're cast-iron bull's heads for, it says, gateposts. -Oh! | 0:11:06 | 0:11:12 | |
But I'm sure it you could find some other way of using them. | 0:11:12 | 0:11:15 | |
But, you know, they are just... they're good novelty objects. | 0:11:15 | 0:11:18 | |
They are going to be 150 years old. | 0:11:18 | 0:11:22 | |
That's really heavy. | 0:11:22 | 0:11:23 | |
They have fittings, and it wouldn't be too difficult to make some... | 0:11:23 | 0:11:27 | |
-Stick them on the wall. -Yeah. Exactly. -I quite like them. | 0:11:27 | 0:11:29 | |
You wouldn't run off very far with these, would you? | 0:11:29 | 0:11:32 | |
No. You'd have to try and reuse them as something. | 0:11:32 | 0:11:34 | |
-What you would use them for? -I just haven't seen them before. | 0:11:34 | 0:11:37 | |
-And they are asking 120 and 70. -190 for the pair. | 0:11:37 | 0:11:41 | |
Yeah. If you could get them for 120 for the pair, | 0:11:41 | 0:11:43 | |
I reckon there could possibly be a profit. | 0:11:43 | 0:11:46 | |
Well, time is a-ticking. | 0:11:46 | 0:11:48 | |
So, worth taking the bull by the horns, I'd say. | 0:11:48 | 0:11:51 | |
# Bull rider. # | 0:11:51 | 0:11:54 | |
Now, Roberto, have you found something? | 0:11:54 | 0:11:56 | |
That is quite nice. Now, what is that? | 0:11:56 | 0:11:59 | |
It is marked BHA, that is German saltware-stoneware. | 0:11:59 | 0:12:03 | |
Probably made in the Bavarian region. | 0:12:03 | 0:12:06 | |
And it is £22. What's it worth at auction? | 0:12:06 | 0:12:09 | |
-15? -Yeah. 15. | 0:12:09 | 0:12:12 | |
So I would probably say, yeah, nice vase, | 0:12:12 | 0:12:15 | |
if it could be cheaper, it is maybe worth buying. | 0:12:15 | 0:12:18 | |
If you never ask, you don't get, | 0:12:18 | 0:12:19 | |
but what I think it's worth at auction on a really good day... | 0:12:19 | 0:12:23 | |
It's worth £15. | 0:12:23 | 0:12:24 | |
And for a tenner, who knows. There could be a five pound profit. | 0:12:24 | 0:12:28 | |
-It's your day. -Don't give a price, just ask. -Somebody might... | 0:12:28 | 0:12:30 | |
It's your day. | 0:12:30 | 0:12:32 | |
The vase is terrible. | 0:12:32 | 0:12:35 | |
I know, Charles, what a load of... | 0:12:35 | 0:12:38 | |
Moo! | 0:12:38 | 0:12:39 | |
What is the best price on the bulls, collectively? | 0:12:39 | 0:12:42 | |
Those, I think we can go down to... Absolute best is going to be 150. | 0:12:42 | 0:12:48 | |
What do you think on that? | 0:12:48 | 0:12:50 | |
-Is there any movement? -Any moo...any mooooovement? | 0:12:50 | 0:12:55 | |
Oh! Any profit? | 0:12:55 | 0:12:57 | |
-Anything in there, do you think? -Man, it's difficult. | 0:12:57 | 0:13:01 | |
Well, Jill? Phil? You wanted to buy big. | 0:13:01 | 0:13:04 | |
Now, this is practically unheard of on Bargain Hunt. | 0:13:05 | 0:13:09 | |
We have got 15 minutes left and both our teams | 0:13:09 | 0:13:11 | |
still have three items to buy. | 0:13:11 | 0:13:14 | |
Come on, you lot, get a move on! | 0:13:14 | 0:13:15 | |
Team, sometimes when the going gets tough and you can't find | 0:13:18 | 0:13:21 | |
collectables and you can't find antiques and real quality, | 0:13:21 | 0:13:24 | |
look for something that goes far beyond that. | 0:13:24 | 0:13:27 | |
And over here... Lincolnshire is a great fertile land, a great region. | 0:13:27 | 0:13:31 | |
In this cabinet here, is a small horde of Roman coins... | 0:13:31 | 0:13:35 | |
-Oh, right. -..found in Lincolnshire. | 0:13:35 | 0:13:38 | |
Five freshly dug up Roman coins in Lincolnshire | 0:13:38 | 0:13:42 | |
give that feeling of discovery | 0:13:42 | 0:13:45 | |
in the auction room, for £3. | 0:13:45 | 0:13:48 | |
-If they could talk, what could they tell you? -Magic! | 0:13:48 | 0:13:51 | |
Is that magic? That's magic. | 0:13:51 | 0:13:53 | |
But they're real and they are here. And for £3, | 0:13:53 | 0:13:57 | |
-you can buy six Roman coins. -It is a piece of history. | 0:13:57 | 0:14:01 | |
-And to me, you know, I'm embarrassed because they are so cheap. -Yeah. | 0:14:01 | 0:14:05 | |
But it's amazing what you can pick up in an antique shop. | 0:14:05 | 0:14:08 | |
Guys, go on, buy them. | 0:14:08 | 0:14:10 | |
Charles, it looks like you've got your work cut out with these two. | 0:14:10 | 0:14:13 | |
It's a very, very hard shop, one of my hardest ever shops. | 0:14:13 | 0:14:17 | |
I have got ten minutes to go, what will I do? Panic. | 0:14:17 | 0:14:19 | |
Panic, panic, panic. | 0:14:19 | 0:14:21 | |
But through nervous energy, panic will often find a true gem. | 0:14:21 | 0:14:25 | |
Well, that's one done at least. | 0:14:25 | 0:14:27 | |
But while the Blues are still pondering the bull's heads, | 0:14:27 | 0:14:30 | |
Jill has spotted something shiny and in team colours. | 0:14:30 | 0:14:33 | |
-That's nice. -Yes, it's quite pretty, isn't it? | 0:14:33 | 0:14:36 | |
-What about that? -It's silver. -Let's have a look at the back. | 0:14:36 | 0:14:39 | |
The important thing with this is the quality of the... | 0:14:39 | 0:14:41 | |
the condition of the enamel. | 0:14:41 | 0:14:43 | |
Any little chips... That's all very, very good. | 0:14:43 | 0:14:46 | |
1926. Good thing for the dressing table. | 0:14:46 | 0:14:48 | |
That's really... Ladies buy these things. | 0:14:48 | 0:14:51 | |
And you can still use it, so it has that sort of... | 0:14:51 | 0:14:53 | |
And it is below £100 at the moment. | 0:14:53 | 0:14:55 | |
-That gives us a bit of leeway, doesn't it? -A bit of leeway. | 0:14:55 | 0:14:58 | |
-This is a good size, quite practical still. -It has got a bit of weight. | 0:14:58 | 0:15:02 | |
-And a lovely shape to it. -It's nice. It looks nice. | 0:15:02 | 0:15:04 | |
-I think, at auction, it's sort of £70 to £90. -Right. | 0:15:04 | 0:15:08 | |
Absolute bottom is going to be 80. | 0:15:08 | 0:15:11 | |
80 plus 150 is £230. | 0:15:11 | 0:15:15 | |
Leaves 70 for one item and me. | 0:15:15 | 0:15:17 | |
You can leave me a couple of quid, it might be hard, | 0:15:17 | 0:15:20 | |
but have that in mind. | 0:15:20 | 0:15:21 | |
So, come on, it's make your mind up time. What are you going to do? | 0:15:21 | 0:15:25 | |
CLOCK TICKS | 0:15:25 | 0:15:28 | |
Right, let's say yes to the bull's heads, yes to the mirror. | 0:15:28 | 0:15:32 | |
We've got seven minutes left - | 0:15:32 | 0:15:33 | |
let's go upstairs, find something else. | 0:15:33 | 0:15:35 | |
-OK? -Right, come on. -Brilliant. -Run! | 0:15:35 | 0:15:38 | |
At last! A second buy for the Blues. | 0:15:38 | 0:15:41 | |
Quickly, run, run, run! | 0:15:41 | 0:15:43 | |
More running, but it's going to be an upstairs race to the finish. | 0:15:43 | 0:15:47 | |
Andrea and Roberto still have two items to find. | 0:15:47 | 0:15:50 | |
Time to stay focused. | 0:15:50 | 0:15:52 | |
It is some sort of scale for testing your eyes. | 0:15:53 | 0:15:55 | |
-Someone might collect... -Orthos pointer, optical eye tester. | 0:15:55 | 0:16:00 | |
You never know, someone on the internet might pick this up | 0:16:00 | 0:16:03 | |
and think it's an interesting object. | 0:16:03 | 0:16:05 | |
To be honest, it is a bit of a strange thing. | 0:16:05 | 0:16:06 | |
But necessity... You know, we haven't got a choice now. | 0:16:06 | 0:16:10 | |
-No. -I love this. -You like that? | 0:16:10 | 0:16:14 | |
It's different, I've never seen one. | 0:16:14 | 0:16:16 | |
-Well, you need to get your eyes tested then. -There you go! | 0:16:16 | 0:16:19 | |
Very sharp, JP, and it seems Charles may have spotted something, as well. | 0:16:19 | 0:16:24 | |
-It has been a tough shop so far, hasn't it? -It has. -Tough shop, eh? | 0:16:24 | 0:16:28 | |
But when the going gets tough, team, | 0:16:28 | 0:16:30 | |
you know, you come across a real treasure. | 0:16:30 | 0:16:32 | |
And to me, that plate is exquisite. | 0:16:32 | 0:16:36 | |
It's a wonderful border on what we call a blue celeste ground. | 0:16:36 | 0:16:39 | |
And it is marked for a factory called Davenport. | 0:16:39 | 0:16:43 | |
And Davenport were a factory in Staffordshire who closed | 0:16:43 | 0:16:48 | |
in the year 1887. | 0:16:48 | 0:16:50 | |
-Wow. -Isn't that interesting? They closed, that was it. | 0:16:50 | 0:16:54 | |
And maybe 15, 20 years before that, they were making a quality | 0:16:54 | 0:16:58 | |
of plate like that. | 0:16:58 | 0:17:01 | |
That's 135 years old and it's a painted canvas. I love it. | 0:17:01 | 0:17:06 | |
-Beautiful. -Like it? -It's gorgeous. -Really? -Yeah. | 0:17:06 | 0:17:09 | |
-Is it? -It's quality. -The fact is, we've got two minutes to go. | 0:17:09 | 0:17:14 | |
Never before have I not bought three items, this might be a problem. | 0:17:14 | 0:17:18 | |
So, I'm going to say to you, why don't you race downstairs, | 0:17:18 | 0:17:21 | |
see what he says, see if he will take £35, | 0:17:21 | 0:17:24 | |
come back. If not, buy it at 40, because time is now running out. | 0:17:24 | 0:17:29 | |
Let me keep looking, OK? Come back as quick as. | 0:17:29 | 0:17:32 | |
We are definitely at panic stations now. | 0:17:32 | 0:17:35 | |
Two minutes left, and two minutes | 0:17:35 | 0:17:37 | |
is not enough time to start looking in more cabinets. | 0:17:37 | 0:17:40 | |
-Buy something. -Let's do that. -It's unique, it's different. | 0:17:40 | 0:17:44 | |
-25 quid, try that. -Go on, then, let's go. -Try 20. | 0:17:44 | 0:17:47 | |
Try 20, you never know. | 0:17:47 | 0:17:49 | |
Charles, with so little time, | 0:17:49 | 0:17:51 | |
it could be left to you to find Andrea and Roberto's final item. | 0:17:51 | 0:17:56 | |
So, Blues, how are negotiations going with the optical eye tester? | 0:17:56 | 0:18:01 | |
-I spoke to the dealer, and the best they're going to do is 30. -Deal. | 0:18:01 | 0:18:06 | |
-It has to be a deal. -We are out of time, that will do. -That's it? | 0:18:06 | 0:18:09 | |
Well, at least they understand your need for speed. | 0:18:09 | 0:18:12 | |
-We've got a minute to go, what have you done? -We got that, Charles. | 0:18:12 | 0:18:15 | |
Really? Well done. £40. Brilliant. Fantastic job. | 0:18:15 | 0:18:18 | |
That is wonderful. Right. 40 seconds to go. Now, hold on. | 0:18:18 | 0:18:22 | |
Hidden over here... Whilst you were downstairs negotiating, | 0:18:22 | 0:18:27 | |
I found another really rare plate. Look at this. | 0:18:27 | 0:18:31 | |
-What is in your hand by the way? -I found this downstairs. -Well done. | 0:18:31 | 0:18:36 | |
-It has got 25 on it. -OK, we've got 30 seconds. | 0:18:36 | 0:18:39 | |
Here I have found a really rare Michael Crawley, a Derby artist. | 0:18:39 | 0:18:44 | |
And it is beautifully decorated, swagged and gilded - really, | 0:18:44 | 0:18:47 | |
really good plate. It's a tenner, OK? | 0:18:47 | 0:18:49 | |
And I reckon they'll say a fiver, because it's cracked. | 0:18:49 | 0:18:53 | |
That could be properly reset and repaired. | 0:18:53 | 0:18:55 | |
Ten seconds to go, my instinct is for profit, | 0:18:55 | 0:18:58 | |
that is worth more than that. | 0:18:58 | 0:19:01 | |
And for 20 for that or £8 for that, | 0:19:01 | 0:19:03 | |
I would say, if you want profit and a guarantee, buy that. | 0:19:03 | 0:19:08 | |
-We'll go with that. -Sure? -Yeah. -Look at me, sure? | 0:19:08 | 0:19:11 | |
Go offer a fiver, see what you can do. | 0:19:11 | 0:19:13 | |
We have gotten literally ten seconds to go. Ten seconds. Ten, nine, | 0:19:13 | 0:19:18 | |
eight... Quickly! | 0:19:18 | 0:19:20 | |
..seven, six, five, four, | 0:19:20 | 0:19:24 | |
three, two and a half... | 0:19:24 | 0:19:29 | |
-How much? -£9. -£9? -£9. -OK. | 0:19:29 | 0:19:34 | |
-Lovely. Thank you very much. -Thank you. -Yes! They bought it. | 0:19:34 | 0:19:38 | |
Phew! That was a close shave. | 0:19:38 | 0:19:40 | |
Do you know, I kid you not... I kid you not, we have done it. | 0:19:40 | 0:19:44 | |
Give me a high five! | 0:19:44 | 0:19:46 | |
Well done, partner. Well done. | 0:19:46 | 0:19:48 | |
Well, that's it, time's up. | 0:19:48 | 0:19:50 | |
Let's remind ourselves what the Red team bought, eh? | 0:19:50 | 0:19:53 | |
In Bargain Hunt history, this will go down as one of the slowest | 0:19:53 | 0:19:57 | |
shops for one of the most meagre spends. | 0:19:57 | 0:20:00 | |
And it all started with Charles digging up these set of Roman coins | 0:20:00 | 0:20:04 | |
for a mere £3. | 0:20:04 | 0:20:06 | |
In the 58th minute, he talked Andrea and Robert into paying £40 | 0:20:07 | 0:20:12 | |
for this 19th-century Davenport porcelain plate. | 0:20:12 | 0:20:15 | |
And finally, with no time left, they scooped up another plate, | 0:20:18 | 0:20:22 | |
this time Royal Crown Derby, for just £9. | 0:20:22 | 0:20:25 | |
-Are we all happy? -Yes, we are happy. -How much did you spend in total? | 0:20:27 | 0:20:31 | |
-I dare tell you. -All right, then. | 0:20:31 | 0:20:33 | |
-Don't tell. What? -£52. -On all three pieces? -On all three pieces. | 0:20:33 | 0:20:38 | |
-Right. -Yep. | 0:20:38 | 0:20:39 | |
-So, can I have £248, please? -You can. | 0:20:39 | 0:20:41 | |
Which is your favourite piece, actually, out of all that lot? | 0:20:41 | 0:20:44 | |
I think probably, strangely enough, the Roman coins. | 0:20:44 | 0:20:48 | |
That is your favourite? | 0:20:48 | 0:20:49 | |
Well, here we go, talking about coins, here are three of them. | 0:20:49 | 0:20:52 | |
-A few bags of sweets in there, mate. -Absolutely, Dad. | 0:20:52 | 0:20:55 | |
But there's a way of doing it. | 0:20:55 | 0:20:58 | |
And if I can buy with pedigree and provenance, | 0:20:58 | 0:21:00 | |
I assure you we'll create drama, theatre and excitement at sale. | 0:21:00 | 0:21:05 | |
Here we go again. OK, Charles, we got that message loud and clear. | 0:21:05 | 0:21:11 | |
Very, very kind. Now, you guys go and have a nice cup of tea | 0:21:11 | 0:21:14 | |
while we check out what the Blue team bought, eh? | 0:21:14 | 0:21:17 | |
Jill and Phil proved they were made of strong stuff | 0:21:18 | 0:21:21 | |
with these cast-iron bull's heads, | 0:21:21 | 0:21:23 | |
paying £150 for the two. | 0:21:23 | 0:21:27 | |
And Jill got her way with this silver and enamel hand mirror. | 0:21:27 | 0:21:30 | |
Pretty and perfect, but at the cost of £80. | 0:21:30 | 0:21:35 | |
Last but not least, with the end in their sights, | 0:21:35 | 0:21:39 | |
they bought this optical pointer, paying £30. | 0:21:39 | 0:21:43 | |
How much did you spend in toto? | 0:21:43 | 0:21:46 | |
£260. | 0:21:46 | 0:21:47 | |
I'd like £40 of leftover lolly - who has got that? | 0:21:47 | 0:21:49 | |
-Jill? -No! -I've got back. -OK, thank you, Phil. | 0:21:49 | 0:21:52 | |
Now, £40, you are going to have to get going, right? | 0:21:52 | 0:21:54 | |
-I've got to get some work done. -What are you going to spend it on? | 0:21:54 | 0:21:57 | |
-I have no idea, I'll have to find something. -OK, fine. | 0:21:57 | 0:21:59 | |
Better get on with it. Good luck, teams. Meanwhile, we are heading off | 0:21:59 | 0:22:02 | |
to the bosom of England. | 0:22:02 | 0:22:04 | |
We are going to Birmingham we are going to BMAG. | 0:22:04 | 0:22:06 | |
Do you know what BMAG is? | 0:22:06 | 0:22:07 | |
It is the Birmingham Museum and Art Gallery. | 0:22:07 | 0:22:10 | |
Now don't you know. | 0:22:10 | 0:22:11 | |
By 1885, the citizens of Birmingham had been | 0:22:20 | 0:22:23 | |
campaigning for their own museum for over 40 years. | 0:22:23 | 0:22:28 | |
But in that year, the campaign was won, | 0:22:28 | 0:22:32 | |
and the Birmingham City Museum and Art Gallery was born. | 0:22:32 | 0:22:37 | |
This place is bulging with historical objects, | 0:22:41 | 0:22:45 | |
some dating back for yonks and yonks. | 0:22:45 | 0:22:48 | |
That is what I love about antiques - | 0:22:50 | 0:22:52 | |
they can give you such an insight into the past, particularly at times | 0:22:52 | 0:22:57 | |
of political and religious upheaval. | 0:22:57 | 0:23:02 | |
Morning. | 0:23:02 | 0:23:03 | |
Nowadays, we expect newspapers and current affairs programmes | 0:23:05 | 0:23:10 | |
to criticise politicians and indeed royalty. | 0:23:10 | 0:23:14 | |
But in the old days, that was a dangerous game, | 0:23:14 | 0:23:17 | |
because you could very easily lose your head. | 0:23:17 | 0:23:21 | |
And there are works of art that record moments in our history | 0:23:21 | 0:23:26 | |
which were tense for a variety of reasons. | 0:23:26 | 0:23:31 | |
If we take this tin-glazed bowl, | 0:23:31 | 0:23:34 | |
you can see, in cobalt blue, | 0:23:34 | 0:23:37 | |
we have picked out the image of a king. James II. | 0:23:37 | 0:23:42 | |
The mystery with this little bowl is that it was made at all, | 0:23:42 | 0:23:47 | |
because James II was a Catholic, | 0:23:47 | 0:23:50 | |
he married an Italian woman and he loved the French. | 0:23:50 | 0:23:54 | |
Those were three factors that made him deeply unpopular, thus he only | 0:23:54 | 0:23:59 | |
reigned for three years, which goes to make this bowl extremely rare. | 0:23:59 | 0:24:04 | |
Next to that, and other piece of tin-glaze. | 0:24:04 | 0:24:08 | |
It says "Wenman and Dashwood forever." | 0:24:08 | 0:24:11 | |
This bowl was produced in 1754. | 0:24:11 | 0:24:15 | |
And we know that because in that year, | 0:24:15 | 0:24:17 | |
there was a highly controversial and keenly contested | 0:24:17 | 0:24:21 | |
by-election in the County of Oxfordshire. | 0:24:21 | 0:24:24 | |
And no doubt these bowls would have been produced by the Tory supporters | 0:24:24 | 0:24:31 | |
to be given to the electors | 0:24:31 | 0:24:33 | |
as a memento of that great occasion. | 0:24:33 | 0:24:36 | |
Scroll forward four years, to 1758, and here we have got | 0:24:36 | 0:24:40 | |
a Worcester mug with a mug shot of our ally from the Seven Years' War, | 0:24:40 | 0:24:46 | |
the King of Prussia. | 0:24:46 | 0:24:48 | |
In the war that we now to refer to as the First World War, though, | 0:24:48 | 0:24:52 | |
a series of these jugs, 11 of them, were produced for propaganda | 0:24:52 | 0:24:57 | |
purposes between about 1915 and 1919. | 0:24:57 | 0:25:01 | |
The one I like is this one of Marshal Foch, | 0:25:01 | 0:25:06 | |
who was the Commander of the French Armies. | 0:25:06 | 0:25:10 | |
All of these images are the creation of a political cartoonist. | 0:25:10 | 0:25:15 | |
And you can see his script signature - | 0:25:15 | 0:25:19 | |
Carruthers Gould - on the underside. | 0:25:19 | 0:25:22 | |
When you think about it, | 0:25:22 | 0:25:24 | |
his ability to criticise and caricature senior politicians, | 0:25:24 | 0:25:30 | |
indeed royalty, was only possible because of the freedom of the press. | 0:25:30 | 0:25:36 | |
And the freedom of the press in the 18th century is illustrated | 0:25:36 | 0:25:40 | |
most vividly by this spoon. | 0:25:40 | 0:25:43 | |
How come? Well, on the back of it, is a piece of script that says, | 0:25:43 | 0:25:47 | |
"I love liberty." | 0:25:47 | 0:25:49 | |
This spoon is associated with the radical thinker and politician | 0:25:49 | 0:25:55 | |
and journalist John Wilkes, who repeatedly went to jail | 0:25:55 | 0:26:00 | |
because he was determined that there should be freedom of the press. | 0:26:00 | 0:26:05 | |
We should be allowed to criticise who we want, | 0:26:05 | 0:26:09 | |
whenever we want to do it. | 0:26:09 | 0:26:11 | |
And thank God for him. | 0:26:11 | 0:26:13 | |
The other thing to thank God for is our teams over at the auction, | 0:26:13 | 0:26:17 | |
whose heads may be just about to roll. | 0:26:17 | 0:26:20 | |
Well, it is a great to be at Bateman's in Stamford | 0:26:29 | 0:26:33 | |
and even better to see David Palmer. | 0:26:33 | 0:26:35 | |
-Hello, how are you? -Good morning. -Nice to see you. | 0:26:35 | 0:26:38 | |
Now, we have got a few plates here. First up, though, are the coins. | 0:26:38 | 0:26:42 | |
Can you believe that it is possible to buy six, apparently genuine, | 0:26:42 | 0:26:46 | |
Roman coins for only £3? | 0:26:46 | 0:26:49 | |
No, I wouldn't have thought so, but you have achieved that, I believe. | 0:26:49 | 0:26:53 | |
I mean, three haven't got much of an image on them | 0:26:53 | 0:26:56 | |
and three get slightly better. | 0:26:56 | 0:26:58 | |
-Mm. -We have estimated 15 to 20. -Have you? | 0:26:58 | 0:27:01 | |
Well, Charles Hanson will be over the moon. | 0:27:01 | 0:27:02 | |
Next, is the Davenport plate, which is a high-quality cabinet job, | 0:27:02 | 0:27:07 | |
-isn't it? -It is. | 0:27:07 | 0:27:08 | |
It is a lovely piece of 19th-century British art. | 0:27:08 | 0:27:11 | |
A couple of little scratches on the image. | 0:27:11 | 0:27:14 | |
What do you think it is worth scratched? | 0:27:14 | 0:27:16 | |
We are estimating it at £30 to £40. | 0:27:16 | 0:27:18 | |
-OK, £40 paid. It might get to 40. -In with a chance. | 0:27:18 | 0:27:21 | |
That's great, that's the spirit. | 0:27:21 | 0:27:23 | |
-Now, Charles also found this cracked plate. -They disguised the crack | 0:27:23 | 0:27:28 | |
-very well. You have to look to find it. -Yes. | 0:27:28 | 0:27:32 | |
Can't see it from the top, but you can underneath. | 0:27:32 | 0:27:34 | |
Indeed you can. But who looks at the back of the plate? | 0:27:34 | 0:27:36 | |
-It's not the point of it. -Not really. | 0:27:36 | 0:27:38 | |
And we have got a rather handsome show jumping scene. | 0:27:38 | 0:27:41 | |
Yeah, horses are popular around here. | 0:27:41 | 0:27:43 | |
-People do show jumping. It is a nice painting. -Cracking job. | 0:27:43 | 0:27:47 | |
OK, that is the problem, though, it is cracked. | 0:27:47 | 0:27:50 | |
-Yep. -Nice as it is, how much do you think is worth? -£30 to £50. | 0:27:50 | 0:27:54 | |
-Even in that condition? -Yes. And who knows, | 0:27:54 | 0:27:58 | |
-it could jump away all over the place. -Really?! | 0:27:58 | 0:28:01 | |
Gosh, how exciting. On that basis, they won't need their bonus buy, | 0:28:01 | 0:28:04 | |
but let's go and have a look at it anyway. | 0:28:04 | 0:28:06 | |
Andrea, Roberto, you gave your man £248, | 0:28:06 | 0:28:11 | |
which is a ridiculous amount of money. | 0:28:11 | 0:28:13 | |
What did you spend it all on, Charles? | 0:28:13 | 0:28:15 | |
Well, I spent, team, £150 on what I think are wonderful. | 0:28:15 | 0:28:20 | |
Now, they don't look a lot, do they? | 0:28:20 | 0:28:22 | |
-I don't know, Charles. -Have one. | 0:28:22 | 0:28:24 | |
Now, these are circa 1835. | 0:28:24 | 0:28:27 | |
These are table face screens. | 0:28:27 | 0:28:29 | |
In the period of the 1830s, in your hot fire or your hot drawing | 0:28:29 | 0:28:34 | |
room, you would've had this to protect your face against that heat. | 0:28:34 | 0:28:39 | |
-And how much did you pay, Charles? -Do you know what? | 0:28:39 | 0:28:41 | |
I paid what I thought was a snip. I paid £150. | 0:28:41 | 0:28:44 | |
And if I was really gung-ho, | 0:28:44 | 0:28:47 | |
I would almost value these at between three and £400. | 0:28:47 | 0:28:50 | |
But let's be honest. You never know in this great business, | 0:28:50 | 0:28:52 | |
they could make £100. | 0:28:52 | 0:28:54 | |
But, goodness me, I rate them highly, Tim. | 0:28:54 | 0:28:56 | |
The big thing is, is this saleroom in Stamford ready for you, | 0:28:56 | 0:29:01 | |
Charles Hanson? In your Gothic revival sense. | 0:29:01 | 0:29:04 | |
Tim, I think sometimes objects speak volumes for themselves. | 0:29:04 | 0:29:07 | |
I am really repaired to stand by these and say they are great. | 0:29:07 | 0:29:10 | |
-What do you think about them? -I think they are tremendous. | 0:29:10 | 0:29:13 | |
-Very unusual. -Your moment to pick will come later, | 0:29:13 | 0:29:16 | |
but right now, why don't we find out what the auctioneer | 0:29:16 | 0:29:19 | |
thinks about Charles's table face screens? | 0:29:19 | 0:29:21 | |
-Well, these are rather fun, aren't they? -They're lovely. | 0:29:22 | 0:29:25 | |
Really Gothic in appearance, high Victorian. | 0:29:25 | 0:29:27 | |
-Wonderful. -How desirable are they on the market, do you think? | 0:29:27 | 0:29:32 | |
I don't know, I haven't sold a pair of these for ages. | 0:29:32 | 0:29:35 | |
These are in nice order. I don't think the metal is anything special. | 0:29:35 | 0:29:39 | |
Just standard. | 0:29:39 | 0:29:41 | |
With the screens themselves gone, we think about £80 to £120. | 0:29:41 | 0:29:46 | |
OK, fine. Well, Charles paid £150. | 0:29:46 | 0:29:50 | |
-He has obviously got completely flushed himself, hasn't it? -Yeah. | 0:29:50 | 0:29:52 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:29:52 | 0:29:56 | |
And what a concoction we've got here. | 0:29:56 | 0:29:58 | |
A pair of cast iron bull's heads, what do you make of those? | 0:29:58 | 0:30:02 | |
I'm beginning to feel that they are not a pair. | 0:30:02 | 0:30:06 | |
-Oh. -I think we have got one | 0:30:06 | 0:30:08 | |
from which a casting has been made to get the other. | 0:30:08 | 0:30:11 | |
Really? And where do think they might have come from then? | 0:30:11 | 0:30:15 | |
A butcher's shop? Abattoir? | 0:30:15 | 0:30:17 | |
-Right. -A cattle fancier, I don't know, something like that. | 0:30:17 | 0:30:20 | |
Crude, though, aren't they? | 0:30:20 | 0:30:21 | |
-They are charming. Folky. -Crudely charming. -Yes. | 0:30:21 | 0:30:25 | |
What do you think they're worth | 0:30:25 | 0:30:26 | |
if you put your bravest possible estimate on? | 0:30:26 | 0:30:29 | |
Well, they would have a scrap value, I guess. £30 to £50? | 0:30:29 | 0:30:33 | |
There are going to be some very depressed | 0:30:33 | 0:30:35 | |
animal fanciers on the Blues, because they paid £150. | 0:30:35 | 0:30:38 | |
-I think only one is old, the other isn't. -OK, fine. | 0:30:38 | 0:30:42 | |
Now, moving on then, the blue enamel and silver hand mirror, | 0:30:42 | 0:30:46 | |
that's a great little object, isn't it? | 0:30:46 | 0:30:48 | |
Little being the operative word. It is very little. | 0:30:48 | 0:30:51 | |
For a child, I guess. Silver and enamel, lot of work in that. | 0:30:51 | 0:30:54 | |
-Mm-hm. -Not over popular, we've found. | 0:30:54 | 0:30:57 | |
Been selling mirrors like that at sort of 20 to £40, | 0:30:57 | 0:31:00 | |
so that's what we put on this one. | 0:31:00 | 0:31:01 | |
Oh, dear, £80 they paid. | 0:31:01 | 0:31:03 | |
Well, they will have to reflect on their past glories. | 0:31:03 | 0:31:06 | |
Yeah, or failures. | 0:31:06 | 0:31:08 | |
And lastly, is this extremely oddball device. | 0:31:08 | 0:31:13 | |
-Oh, this is cool, isn't it? -Is it for measuring people's noses? | 0:31:13 | 0:31:16 | |
I think it is for measuring their eyesight. | 0:31:16 | 0:31:18 | |
I believe you had to place it on your face like that | 0:31:18 | 0:31:21 | |
and I guess the optician | 0:31:21 | 0:31:24 | |
or the barber, or whoever it is who does it, moves it up and down. | 0:31:24 | 0:31:27 | |
And underneath, we have a panel that tells you where you move it to, | 0:31:27 | 0:31:31 | |
-depending on your age. -That's fascinating, isn't it? -It is. | 0:31:31 | 0:31:35 | |
-So, what is your estimate on it? -£20 to £40. | 0:31:35 | 0:31:39 | |
£30 paid by our team. | 0:31:39 | 0:31:41 | |
-Well. -They stand a good chance. -They do, they do. | 0:31:41 | 0:31:43 | |
They seriously need some help, though, | 0:31:43 | 0:31:45 | |
because those bulls aren't much, according to you, nor is the mirror, | 0:31:45 | 0:31:49 | |
so they are going to need that bonus buy. Let's go and have a look at it. | 0:31:49 | 0:31:52 | |
-Jill, Phil, excited? -Yes. -You spent that magnificent £260. | 0:31:52 | 0:31:57 | |
We wasted the lot. | 0:31:57 | 0:31:58 | |
No, you won't have done. Don't be pessimistic. | 0:31:58 | 0:32:01 | |
40 notes went across to JP, and he has been out | 0:32:01 | 0:32:04 | |
and bought something square. | 0:32:04 | 0:32:06 | |
I, for obvious reasons, took a shining to this one. | 0:32:06 | 0:32:10 | |
The Fallen Madonna With The Big Boobies?! | 0:32:10 | 0:32:14 | |
So here we have a late 19th-century | 0:32:14 | 0:32:18 | |
sort of earth... | 0:32:18 | 0:32:20 | |
I don't know, portrait perhaps, maybe, but in other words, | 0:32:20 | 0:32:23 | |
sort of a romantic scene, classical lady, barely dressed. | 0:32:23 | 0:32:27 | |
-It is...it is signed. -Clearly a masterpiece, isn't it? | 0:32:27 | 0:32:32 | |
In this nice sort of oak, spoon-moulded frame. | 0:32:32 | 0:32:34 | |
There is no mystery | 0:32:34 | 0:32:37 | |
about how much I paid for it, because, frankly, | 0:32:37 | 0:32:39 | |
I only have 40 quid. | 0:32:39 | 0:32:41 | |
And I had to wrestle for it, but £40 is all I paid. | 0:32:41 | 0:32:44 | |
OK, £40. | 0:32:44 | 0:32:45 | |
Personally, I don't...I wouldn't have it on my wall, | 0:32:45 | 0:32:49 | |
but for 40 quid... | 0:32:49 | 0:32:50 | |
There has got to be a profit in there. | 0:32:50 | 0:32:52 | |
-I think it's awful! -You think it is horrible. | 0:32:52 | 0:32:54 | |
-Why is it awful, Jill? -It is just not my taste at all. | 0:32:54 | 0:32:57 | |
No, but forget the taste bit - | 0:32:57 | 0:32:59 | |
can you see somebody buying it for £40? | 0:32:59 | 0:33:02 | |
-Yes, possibly. -So, what would you hope, JP, that it might bring? | 0:33:02 | 0:33:05 | |
-Seriously. -I would say 60 to £80. | 0:33:05 | 0:33:08 | |
I would be surprised if there was no profit in it, frankly. | 0:33:08 | 0:33:10 | |
-Yes. -Very surprised. | 0:33:10 | 0:33:12 | |
Good, anyway, on that happy note, | 0:33:12 | 0:33:14 | |
let's find out what our auctioneer has to say about this. | 0:33:14 | 0:33:18 | |
-OK, David, there is a work of art for you. -It is indeed. | 0:33:18 | 0:33:23 | |
-A shocker, isn't it? -I don't dislike her. She is quite attractive. | 0:33:23 | 0:33:28 | |
We think it is all on canvas, don't we? | 0:33:28 | 0:33:30 | |
Yes, I am fairly certain it is on canvas. | 0:33:30 | 0:33:32 | |
-I don't think there is any age to her. -Do you not? -No. | 0:33:32 | 0:33:35 | |
The way the sponged-in trees are in the background. | 0:33:35 | 0:33:39 | |
So, how much is it worth? | 0:33:39 | 0:33:41 | |
Well, bare breasted women go well round here, | 0:33:41 | 0:33:44 | |
-and we think 50 to £80. -Do you? | 0:33:44 | 0:33:46 | |
Jonathan Pratt paid £40 and he is very, very proud of it. | 0:33:46 | 0:33:49 | |
-Yep. -Good. That's it, then, right? -Right. | 0:33:49 | 0:33:52 | |
-Are you feeling OK? -I am quietly confident. | 0:33:52 | 0:33:55 | |
Quietly confident, that is what we like. | 0:33:55 | 0:33:57 | |
Now, Andrea, Roberto, this is the exciting moment. | 0:34:01 | 0:34:04 | |
We have a saleroom jammed with folk. | 0:34:04 | 0:34:07 | |
And have they all come here to buy your lots? | 0:34:07 | 0:34:09 | |
That's the big question. | 0:34:09 | 0:34:10 | |
-First up, though, are the Roman coins. -Thanks. | 0:34:10 | 0:34:14 | |
This is no small change, is it? | 0:34:14 | 0:34:17 | |
Roman bronze small coins. These are seriously old. | 0:34:18 | 0:34:22 | |
-That's great. -Antiquities. £20 the lot. 20 quid. | 0:34:22 | 0:34:24 | |
A tenner, then. | 0:34:24 | 0:34:27 | |
-12, on the net at 12 now. -That's in. -I'll take 15 anywhere. | 0:34:27 | 0:34:32 | |
Is that 15? The net at 15. | 0:34:32 | 0:34:33 | |
-Yes, Charles. -The bids are coming in now. | 0:34:33 | 0:34:36 | |
They are really old. 18. | 0:34:36 | 0:34:38 | |
At 18 now. Back on the net at 18. | 0:34:38 | 0:34:40 | |
-18. -It takes a minute or two, but it's good, isn't it? | 0:34:40 | 0:34:43 | |
One more, internet, one more. | 0:34:43 | 0:34:45 | |
Nobody else at £18? | 0:34:45 | 0:34:47 | |
You sure? | 0:34:47 | 0:34:49 | |
-Yes! -Excellent. That is very good. Plus 15. | 0:34:49 | 0:34:52 | |
That is a good start. | 0:34:52 | 0:34:53 | |
You only spent £52 and you're £15 up already. | 0:34:53 | 0:34:56 | |
-Now, here is your old plate, Charles. -That is a beautiful plate. | 0:34:56 | 0:35:00 | |
£30 for that? 30? | 0:35:00 | 0:35:02 | |
£30 for the plate? An attractive little plate. | 0:35:02 | 0:35:04 | |
£30? £20? | 0:35:04 | 0:35:07 | |
£10? | 0:35:07 | 0:35:08 | |
-£5 for the plate? -Such a good maker. | 0:35:08 | 0:35:11 | |
Five at the back. Right at the very back at five. | 0:35:11 | 0:35:13 | |
And I sell at five. | 0:35:13 | 0:35:15 | |
-Seven. At the back and seven. -It's worth so much more! | 0:35:15 | 0:35:19 | |
Eight, down here at eight. | 0:35:19 | 0:35:21 | |
Nine. Ten. | 0:35:21 | 0:35:23 | |
12. The net now at 12. | 0:35:24 | 0:35:26 | |
At £12. I sell on the net at 12. | 0:35:26 | 0:35:29 | |
-That was worth more. -That was worth a lot more. | 0:35:29 | 0:35:32 | |
That is minus 28. | 0:35:32 | 0:35:33 | |
-That was worth so much more. -Minus 28. | 0:35:33 | 0:35:36 | |
It means you are minus 13 overall. Now, come on, | 0:35:36 | 0:35:39 | |
-Michael Crawley's plate. -20 quid for it. | 0:35:39 | 0:35:41 | |
£20, the plate. | 0:35:41 | 0:35:43 | |
20. Ten, then! | 0:35:43 | 0:35:45 | |
£10 for the plate. £12 on bid on the net. | 0:35:45 | 0:35:48 | |
With the net at 12. 15. The net now at £15. | 0:35:48 | 0:35:51 | |
That's worth so much more. | 0:35:51 | 0:35:53 | |
-It's going. -It's going, it's going. -Ride the horse. -At £25 now. | 0:35:53 | 0:35:57 | |
Goes, then, at 25. Is that it? At £25. | 0:35:57 | 0:36:00 | |
-So cheap! -Sell, then, at £25. | 0:36:00 | 0:36:02 | |
The internet at 25, nobody else? You're sure in the room? | 0:36:02 | 0:36:06 | |
Yes! You've done it, you've done it. | 0:36:06 | 0:36:08 | |
And that is £16 profit, | 0:36:08 | 0:36:10 | |
which is fantastic. You are plus £3. | 0:36:10 | 0:36:12 | |
That is £1 each. OK? £3 profit for all that. | 0:36:12 | 0:36:16 | |
Now, are you going to risk your £3 profit on the screens | 0:36:16 | 0:36:19 | |
or are you going to stick? | 0:36:19 | 0:36:20 | |
Because £3 could be a winning score. | 0:36:20 | 0:36:23 | |
-No. -You don't? -We do, but we don't. | 0:36:23 | 0:36:27 | |
You do, but you don't? Quick, because where going to sell them. | 0:36:27 | 0:36:30 | |
-We'll stick. -You're going to stick? -Yeah. -Stick? She is sticking. | 0:36:30 | 0:36:33 | |
-We are sticking. -They'll stick. | 0:36:33 | 0:36:34 | |
Now that you have decided to stick, I have to tell you | 0:36:34 | 0:36:36 | |
that the auctioneer's estimate is £80 to £120. | 0:36:36 | 0:36:39 | |
So you may have done the right thing. | 0:36:39 | 0:36:41 | |
On the other hand, with the power of the internet... | 0:36:41 | 0:36:43 | |
We'll sell them anyway, and here they come. | 0:36:43 | 0:36:45 | |
These could fly. They're wonderful. | 0:36:45 | 0:36:48 | |
Gothic architectural fans, these are really rather nice. | 0:36:48 | 0:36:51 | |
There we are, 50 quid. Straight in, £50? | 0:36:51 | 0:36:54 | |
-They are worth that. -You made the right decision, team. | 0:36:54 | 0:36:56 | |
We shall see, you never now. | 0:36:56 | 0:36:58 | |
£20, then. 20 quid. | 0:36:58 | 0:37:01 | |
-It's a joke. -Take 12 now. | 0:37:01 | 0:37:04 | |
12. 15. 18. | 0:37:04 | 0:37:06 | |
20. 22. 25. | 0:37:06 | 0:37:09 | |
At 25. 28. 30. | 0:37:09 | 0:37:11 | |
32. 35. | 0:37:11 | 0:37:13 | |
38. 40. | 0:37:13 | 0:37:15 | |
45. At 45 now. | 0:37:15 | 0:37:17 | |
Against the wall at 45. | 0:37:17 | 0:37:18 | |
Are you done at 45? | 0:37:18 | 0:37:20 | |
-Minus 105. -Yep. | 0:37:21 | 0:37:24 | |
Well, you did make the right decision, | 0:37:26 | 0:37:28 | |
but you are plus three. | 0:37:28 | 0:37:29 | |
OK? Plus three is the score we are interested in, so that's OK. | 0:37:29 | 0:37:33 | |
Now, don't say it word to the Blues, all right? | 0:37:33 | 0:37:36 | |
-Zip. -Zip? Perfect. Bad luck, Charles. | 0:37:36 | 0:37:38 | |
OK, Jill, Phil, do you know how the Reds got on? | 0:37:43 | 0:37:46 | |
-No. -Good, we don't want you to. -No. -Are you feeling confident, Jill? | 0:37:46 | 0:37:51 | |
-No. -Do you need to take a pill, Jill? | 0:37:51 | 0:37:55 | |
I do. | 0:37:55 | 0:37:56 | |
OK, first up, though, are your bull's heads, | 0:37:56 | 0:37:58 | |
-and here they come. -Lot 126, cast-iron bull's heads. | 0:37:58 | 0:38:04 | |
Possibly from a butcher's trade signs. | 0:38:04 | 0:38:07 | |
Let's start at what, 30 quid? 30 on bid. | 0:38:07 | 0:38:09 | |
30. Five. 40. Five. 50. Five. | 0:38:09 | 0:38:11 | |
60. Five. 70. Five. 80. | 0:38:11 | 0:38:14 | |
Five. 90. Five. 100. 110. | 0:38:14 | 0:38:15 | |
-Hey! -120. 130. 140. 150. | 0:38:15 | 0:38:18 | |
-160. 170. -Phil! -180. At 180. 190. | 0:38:18 | 0:38:22 | |
# We're in the money! # | 0:38:22 | 0:38:24 | |
At £190, then. £190, anyone else? | 0:38:24 | 0:38:28 | |
Done and... Let's make it 200. | 0:38:28 | 0:38:30 | |
-Try the 200. -Yeah, go on! -Go on! -Go on! | 0:38:30 | 0:38:32 | |
-200, he's in it 200. -Yes! | 0:38:32 | 0:38:35 | |
210. At 210. | 0:38:35 | 0:38:37 | |
Someone, £210. Nobody else? All done at 210? | 0:38:37 | 0:38:42 | |
Your last chance. | 0:38:42 | 0:38:44 | |
Bull's-eye! | 0:38:46 | 0:38:48 | |
You find some more, that's the thing. You find some more. | 0:38:48 | 0:38:51 | |
That is very good, isn't it? That is plus £60. | 0:38:51 | 0:38:53 | |
Who would have thought? Now, | 0:38:53 | 0:38:55 | |
your little mirror, darling. | 0:38:55 | 0:38:57 | |
20 quid for it. £20. 20. Two. 25. | 0:38:57 | 0:38:59 | |
28. 30. 32. 35. 38. | 0:38:59 | 0:39:02 | |
40. 45. 50. 55. | 0:39:02 | 0:39:06 | |
55 in the doorway. | 0:39:06 | 0:39:07 | |
Goes in the doorway at £55. And I sell then at 55. | 0:39:07 | 0:39:11 | |
-60. -Yes! | 0:39:11 | 0:39:12 | |
Internet, that's more like it. | 0:39:12 | 0:39:14 | |
60 is on the net. 62 off you. | 0:39:14 | 0:39:16 | |
In the room at 62. | 0:39:16 | 0:39:18 | |
Sell in the room... 65. | 0:39:18 | 0:39:20 | |
It needs to be... | 0:39:20 | 0:39:23 | |
It's up. It is a lot better than 20 to 40, I can tell you that. | 0:39:24 | 0:39:26 | |
65, | 0:39:26 | 0:39:27 | |
so you're only minus 15 on that, don't worry. | 0:39:27 | 0:39:30 | |
Now, here comes the slide. | 0:39:30 | 0:39:32 | |
Not many have got one of these at home. 20 quid for it. | 0:39:32 | 0:39:34 | |
Tenner, then. | 0:39:34 | 0:39:35 | |
£10. | 0:39:35 | 0:39:37 | |
-Fiver. -No! -There's one here! | 0:39:37 | 0:39:41 | |
Five, six. | 0:39:41 | 0:39:42 | |
At six now. In the room at six. | 0:39:42 | 0:39:44 | |
Seven. Eight. Nine. | 0:39:44 | 0:39:47 | |
Goes on at nine. Ten. 12. | 0:39:47 | 0:39:50 | |
- Come on! - 15. At £15. | 0:39:50 | 0:39:52 | |
Against you at £15. | 0:39:52 | 0:39:54 | |
And it sells then at 15. | 0:39:54 | 0:39:56 | |
-So out of focus. -At £15, no-one else at 15? | 0:39:56 | 0:40:00 | |
Nothing more on the net? | 0:40:00 | 0:40:01 | |
Minus 15 that is. | 0:40:01 | 0:40:03 | |
Which means you are plus £30. | 0:40:03 | 0:40:05 | |
Now, are you going to go with the bonus buy? | 0:40:05 | 0:40:07 | |
-Yeah, we'll go. -Yes. -You're going to go with it? Yeah? | 0:40:07 | 0:40:10 | |
The decision is made. | 0:40:10 | 0:40:11 | |
I can now reveal what the auctioneer's estimate is. | 0:40:11 | 0:40:14 | |
He says 50 to £80. | 0:40:14 | 0:40:16 | |
Oh, hello. | 0:40:16 | 0:40:17 | |
So, you paid 40 and he is reckoning you could double your money, JP. | 0:40:17 | 0:40:20 | |
Good, good. | 0:40:20 | 0:40:21 | |
You're plus 30, going with the bonus buy, | 0:40:21 | 0:40:23 | |
and here comes our lovely girl. | 0:40:23 | 0:40:24 | |
Oh, dear, the excitement! | 0:40:24 | 0:40:27 | |
Lot 132, really rather nice, interesting piece. | 0:40:27 | 0:40:31 | |
50 quid for it. Straight in, 50 quid. | 0:40:31 | 0:40:33 | |
We've even got a phone bid on this. £50, phone. | 0:40:33 | 0:40:35 | |
Straight in, 50. | 0:40:35 | 0:40:36 | |
-50 on bid on the phone. -Yes! JP! -Squeeze some more out of it. | 0:40:37 | 0:40:43 | |
-Milk it for all... No, no. -60. 65. | 0:40:43 | 0:40:47 | |
70. 75 on the net. The net now is 75. | 0:40:48 | 0:40:51 | |
Do you want to go 80? 80. Back on the phone at 80. | 0:40:51 | 0:40:55 | |
The net is back at 85. 90, phone. The phone at 90. Take a five. | 0:40:55 | 0:40:58 | |
- 95. Make it 100. 100. At £100 now. - Still going. | 0:40:58 | 0:41:03 | |
JP profit-making machine rolls on. | 0:41:03 | 0:41:07 | |
At £100, I sell to the phone then at 100. | 0:41:07 | 0:41:10 | |
You all done at 100? | 0:41:10 | 0:41:12 | |
-Plus 60. -Well done! | 0:41:13 | 0:41:15 | |
-Well done. -Good skills. | 0:41:15 | 0:41:16 | |
-Oh, he gets all those. -No, no, get out of here. | 0:41:16 | 0:41:19 | |
-Oh, dear. -Did you see that? Beard against cheek. | 0:41:21 | 0:41:25 | |
-I've got a rash now. -Listen... You've got that shaving rash. | 0:41:25 | 0:41:29 | |
Anyway, lovely, that's plus 60, plus 30, means you are plus 90. | 0:41:29 | 0:41:34 | |
-90 quid! -Yes, very good. | 0:41:34 | 0:41:36 | |
-Well done! -That is a very good partnership you have got. | 0:41:36 | 0:41:38 | |
Now, listen, that could be a winning score. | 0:41:38 | 0:41:41 | |
Don't say a word to the Reds, all right? Don't spoil their day. | 0:41:41 | 0:41:44 | |
How lovely is this? Two teams of winners. | 0:41:48 | 0:41:52 | |
I do adore it when it comes like this. | 0:41:52 | 0:41:54 | |
Everybody is going to go home with cash. | 0:41:54 | 0:41:57 | |
But how much each? Have you been chatting? | 0:41:57 | 0:41:59 | |
ALL: No. | 0:41:59 | 0:42:00 | |
Well, it doesn't happen much on Bargain Hunt, | 0:42:00 | 0:42:02 | |
and to have a double whammy is really, really super. | 0:42:02 | 0:42:05 | |
So, it is just a question of scale, really. | 0:42:05 | 0:42:07 | |
And the runners up today are... | 0:42:07 | 0:42:10 | |
-The Reds. -Oh, no! -Well done. | 0:42:11 | 0:42:14 | |
The Reds are going home with money, though, £3. | 0:42:14 | 0:42:18 | |
Look at that. | 0:42:18 | 0:42:19 | |
THEY LAUGH | 0:42:19 | 0:42:22 | |
£1 each. | 0:42:22 | 0:42:24 | |
That is very good, isn't it? | 0:42:24 | 0:42:26 | |
-Have you had a nice time? -We've had a fantastic time. | 0:42:26 | 0:42:28 | |
Thank you very much for coming. | 0:42:28 | 0:42:30 | |
But the victors today go home with £90. | 0:42:30 | 0:42:32 | |
-90?! -Yes! | 0:42:32 | 0:42:34 | |
-£90 you go home with. -Thank you! | 0:42:34 | 0:42:37 | |
£60 profit on the nude portrait, | 0:42:37 | 0:42:40 | |
which is a very nice bonus buy for anybody to contribute. | 0:42:40 | 0:42:43 | |
And, of course, you got £60 for those old iron bull's heads. | 0:42:43 | 0:42:47 | |
Just shows you can't tell. It is all part of the fun of Bargain Hunt. | 0:42:47 | 0:42:50 | |
In fact, join us soon for some more bargain hunting, yes? | 0:42:50 | 0:42:53 | |
ALL: Yes! | 0:42:53 | 0:42:54 | |
I know you're sitting there thinking, | 0:42:54 | 0:42:57 | |
"I could have done better than that." Well, what is stopping you? | 0:42:57 | 0:43:01 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:01 | 0:43:06 | |
It'll be splendid to see you! | 0:43:06 | 0:43:08 | |
Subtitles by Red Bee Media Ltd | 0:43:11 | 0:43:14 |