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Today we're in the heart of trendy Notting Hill, at one of the largest, | 0:00:04 | 0:00:09 | |
if not definitely the longest antiques market in the world. | 0:00:09 | 0:00:14 | |
Prepare yourself, Portobello Road, for bargain-hunting! | 0:00:14 | 0:00:18 | |
This historic street is heaving with people | 0:00:49 | 0:00:53 | |
and stalls from end to end, which makes it top Bargain Hunt territory. | 0:00:53 | 0:00:59 | |
So let's have a glimpse as to what's coming up | 0:00:59 | 0:01:02 | |
from jolly old London's W11. | 0:01:02 | 0:01:04 | |
On today's show, we go from the sartorial... | 0:01:05 | 0:01:08 | |
-That's pretty psychedelic. -Yes. | 0:01:08 | 0:01:10 | |
-I could see you in those. -I could see myself in those! | 0:01:10 | 0:01:13 | |
..to the slightly smashed. | 0:01:13 | 0:01:15 | |
-There's a crack in the handle. -A few dents in the top. | 0:01:15 | 0:01:17 | |
Will our teams emerge unscathed? | 0:01:17 | 0:01:20 | |
We'll soon find out. Let's meet them. | 0:01:20 | 0:01:22 | |
Today, we have two teams of gorgeous married couples | 0:01:22 | 0:01:25 | |
and you could say that it's a battle of London transport. | 0:01:25 | 0:01:29 | |
For the Reds, we've got Paul and Sandra and for the Blues, | 0:01:29 | 0:01:33 | |
-we've got Noel and Caroline. Welcome, everybody. -Hello. | 0:01:33 | 0:01:36 | |
Really lovely to see you. Now, Paul, you're a black cab driver. | 0:01:36 | 0:01:40 | |
-I am, Tim, yes. -The first element of the London transport theme today. | 0:01:40 | 0:01:44 | |
-And how long have you been a cabbie for? -Four years now, Tim. | 0:01:44 | 0:01:48 | |
-And how long did it take you to get The Knowledge? -It took me four years as well, Tim. | 0:01:48 | 0:01:51 | |
-Did it really? -Yes. -Gosh, that really is dedication, isn't it? | 0:01:51 | 0:01:54 | |
I must say, I love getting into a black cab and having a natter. | 0:01:54 | 0:01:58 | |
Now, Sandra, you live in London but originally you come from the South of Ireland? | 0:01:58 | 0:02:02 | |
Yes, I do. I come from Dublin and I moved here during the '80s. | 0:02:02 | 0:02:06 | |
-What's your line of work? -Well, I work for a large building firm. | 0:02:06 | 0:02:08 | |
My job is to ensure customers are happy with their properties. | 0:02:08 | 0:02:12 | |
If they have any problems, they ring me. | 0:02:12 | 0:02:14 | |
So you have to be terribly diplomatic? | 0:02:14 | 0:02:16 | |
Terribly diplomatic, yes. | 0:02:16 | 0:02:18 | |
I think it's all to do with the Irish charm, don't you? | 0:02:18 | 0:02:21 | |
-I don't know. I hope I've got Irish charm. -Well! | 0:02:21 | 0:02:23 | |
It's that Blarney Stone you've been kissing. | 0:02:23 | 0:02:27 | |
So what do you collect, you two? | 0:02:27 | 0:02:29 | |
Well, we have our Royal Doulton Dickensian characters, | 0:02:29 | 0:02:33 | |
-which we inherited. -We inherited them from my father, | 0:02:33 | 0:02:36 | |
who was a big Dickens fan. I think there's only about six more to go, | 0:02:36 | 0:02:39 | |
but they're just gathering dust at the moment, | 0:02:39 | 0:02:42 | |
so we really need to get our heads back on and get them collected. | 0:02:42 | 0:02:45 | |
-Good luck with that. -Thank you. -I hope you make a whopping profit. | 0:02:45 | 0:02:48 | |
Now, for the Blues, you couple of smilers. | 0:02:48 | 0:02:51 | |
It says here, Noel, that you met your wife underground. | 0:02:51 | 0:02:55 | |
What's that all about? That's a clue. | 0:02:55 | 0:02:57 | |
-Yes, we work on the Underground. -There we go. | 0:02:57 | 0:02:59 | |
So what do you do with the Underground, Noel? | 0:02:59 | 0:03:01 | |
-I work in the control room on the stations. -Do you? | 0:03:01 | 0:03:04 | |
Monitors, PAs, that's my job. | 0:03:04 | 0:03:06 | |
-Now that must be quite a complicated job, isn't it? -Not complicated. | 0:03:06 | 0:03:10 | |
It's funny at times. But it's nice, it's a good job. | 0:03:10 | 0:03:14 | |
Oh, good. And what do you do, Caroline, on the Underground? | 0:03:14 | 0:03:17 | |
-I'm a customer service assistant. -Are you? -So I work on the gate line | 0:03:17 | 0:03:20 | |
and I deal with all the questions that get answered. | 0:03:20 | 0:03:23 | |
Yes, so you have to deal with the difficult people. | 0:03:23 | 0:03:25 | |
-Yes, you could say that. -Caroline, you're a fitness fanatic. | 0:03:25 | 0:03:28 | |
I do love my fitness. My latest was the pole-dancing. | 0:03:28 | 0:03:31 | |
-Pole dancing?! -Yes, two years of pole-dancing exercise, | 0:03:31 | 0:03:34 | |
-shall we say, Tim? -Really? -Yes. | 0:03:34 | 0:03:36 | |
-And do you do this at home then, or in a club? -No, not in a club. | 0:03:36 | 0:03:40 | |
-Sorry. -No, in classes it was, initially. I bought my own pole. | 0:03:40 | 0:03:43 | |
-You've got your own pole! -Yes. | 0:03:43 | 0:03:44 | |
-Where do you keep your pole? -It's in the sitting room. | 0:03:44 | 0:03:47 | |
-It's not in the bedroom, Tim! -THEY LAUGH | 0:03:47 | 0:03:51 | |
-You're also a bit of a hoarder. -Terrible. -Tell us about that. -Terrible, terrible, terrible. | 0:03:51 | 0:03:55 | |
I love cooking, and I read a lot of magazines, and in magazines | 0:03:55 | 0:03:59 | |
you find a lot of recipes that tend to catch my eye... | 0:03:59 | 0:04:03 | |
-Do you cut them out? -I used to, and put them in a nice little folder | 0:04:03 | 0:04:07 | |
and then, somehow along the way, that kind of slipped | 0:04:07 | 0:04:11 | |
-and I ended up just keeping the magazines. -The whole magazine? | 0:04:11 | 0:04:13 | |
And they end up piling up and now they're a fire hazard in my home. | 0:04:13 | 0:04:18 | |
Do you reckon you two are going to cook up a profit, then? | 0:04:18 | 0:04:20 | |
-We can only try. -We can only try, we can only try. | 0:04:20 | 0:04:23 | |
Well, for a starter, I'm going to give you £300, | 0:04:23 | 0:04:26 | |
-£300 apiece. There you go. -Thank you very much. | 0:04:26 | 0:04:29 | |
You know the rules. Your experts await. | 0:04:29 | 0:04:32 | |
-And off you go and very, very good luck. -Thank you. | 0:04:32 | 0:04:35 | |
Hmm, and our experts are waiting in the wings to help them out. | 0:04:35 | 0:04:40 | |
For the Reds today, it's Jeremy 'Auction or Bust!' Lamond. | 0:04:40 | 0:04:44 | |
And for the Blues, it's Kate 'On the Ball' Bliss. | 0:04:44 | 0:04:47 | |
-OK, Paul, Sandra. -Jeremy. -Here we are. What are the tactics today? | 0:04:49 | 0:04:54 | |
Well, we've been talking at length about this | 0:04:54 | 0:04:56 | |
and I'd like to get something quirky and '70s and maybe a bit of gold. | 0:04:56 | 0:05:03 | |
-I think a bit of Irish silver. -Irish silver?! Sounds very good. | 0:05:03 | 0:05:07 | |
-They seem to be very profitable. -Yeah? -What about you, hubby? | 0:05:07 | 0:05:10 | |
Cheap and cheerful, I believe. | 0:05:10 | 0:05:12 | |
Cheap and cheerful, so you're a bit conservative about spending the cash? | 0:05:12 | 0:05:16 | |
-Definitely, yeah. -OK. | 0:05:16 | 0:05:18 | |
Jeremy, I think this shop here is what we're looking for. | 0:05:18 | 0:05:20 | |
OK, I'll follow you because I'm not really good at women's dresses. | 0:05:20 | 0:05:24 | |
Walk this way! | 0:05:26 | 0:05:27 | |
Sandra, look at the waistcoat. | 0:05:29 | 0:05:31 | |
Blimey! That's a bit much, even for me. | 0:05:33 | 0:05:36 | |
-That's pretty psychedelic. -Yes. | 0:05:36 | 0:05:38 | |
-Yeah, baby. -You've got to like it. | 0:05:38 | 0:05:40 | |
I don't think it's antique, though. | 0:05:40 | 0:05:42 | |
That's a kaftan there, isn't it? | 0:05:42 | 0:05:44 | |
I don't think there's anything here for us. | 0:05:44 | 0:05:46 | |
I don't want to waste anybody's time. | 0:05:46 | 0:05:49 | |
Oh, shucks! | 0:05:49 | 0:05:50 | |
I thought we were going to go all psychedelic there for a moment. | 0:05:50 | 0:05:54 | |
OK, Blues, what about you? | 0:05:54 | 0:05:56 | |
I could see you in those. | 0:05:56 | 0:05:57 | |
-I could see myself in those, to be honest! -We can come back later. | 0:05:57 | 0:06:00 | |
Hmm, fluffy shoes aren't my idea of antique heaven. | 0:06:00 | 0:06:04 | |
Move it on, Blues, eh? | 0:06:04 | 0:06:05 | |
-Boxing gloves? -I was looking at those. -Are you sporting? | 0:06:07 | 0:06:09 | |
So we've gone from fluffy shoes to boxing gloves. | 0:06:09 | 0:06:12 | |
Float like a butterfly, sting like a bee, eh, Caroline? I like your style. | 0:06:12 | 0:06:15 | |
I think we need a bit of a sporting sale | 0:06:15 | 0:06:18 | |
-to realise their full potential. -Yeah. | 0:06:18 | 0:06:20 | |
OK, we've got 45 minutes left. We've had a look at a few things, | 0:06:20 | 0:06:24 | |
but now we really need to up the ante and go for our first one. | 0:06:24 | 0:06:28 | |
What we don't want to do is buy all three in three minutes at the end. | 0:06:28 | 0:06:31 | |
-That would be a real panic. -Right. -We'll go for it. -OK. | 0:06:31 | 0:06:34 | |
Well said, that man. | 0:06:34 | 0:06:36 | |
There's a lot of choice here. | 0:06:37 | 0:06:38 | |
The trick is sorting the wheat from the chaff, | 0:06:38 | 0:06:41 | |
and the sound wheat at that from the cracked wheat. | 0:06:41 | 0:06:44 | |
-Really? -Here we've got the wonderful Art Nouveau | 0:06:44 | 0:06:47 | |
sinuous vase here with a crimped neck. | 0:06:47 | 0:06:50 | |
This is marked "Aller Vale", Devon pottery, | 0:06:50 | 0:06:54 | |
and it's a typical style of the early 1900s. | 0:06:54 | 0:06:57 | |
And here you can see also a similar thing. | 0:06:57 | 0:07:00 | |
It's typical of these artisan potters that were working | 0:07:00 | 0:07:03 | |
just pre-First World War. | 0:07:03 | 0:07:05 | |
It's a sort of reaction to industrialisation, | 0:07:05 | 0:07:09 | |
the sort of William Morris movement, sort of going back to basics. | 0:07:09 | 0:07:13 | |
The only other basic fact about this | 0:07:13 | 0:07:15 | |
is there's a crack in the handle which won't play well at auction. | 0:07:15 | 0:07:20 | |
No. If you turned it the other way... | 0:07:20 | 0:07:22 | |
If you turn it the other way, yes, | 0:07:22 | 0:07:24 | |
but obviously the buyers aren't blind. They might turn it THAT way. | 0:07:24 | 0:07:28 | |
-Probably! -And that's the bit they'll see. | 0:07:28 | 0:07:31 | |
But...carrying this one is this one as well. | 0:07:31 | 0:07:34 | |
-It's a two-for-one deal. -Sure, yes. | 0:07:34 | 0:07:37 | |
-What are the prices on these? -Hasn't it got a price on it? | 0:07:37 | 0:07:40 | |
It has. 18 and 12, that's £30. | 0:07:40 | 0:07:43 | |
Would you do them for £20 for both? | 0:07:43 | 0:07:47 | |
-No. -£25? -Yeah. -What do you think, Jeremy? | 0:07:47 | 0:07:51 | |
-It's worth a go. We've got to get one. -25, yeah? -Yeah. -OK. | 0:07:51 | 0:07:54 | |
-First one under the belt. -You all right with that, Sandra? -Sorry, I... | 0:07:54 | 0:07:58 | |
Don't worry, I'm going to get the next one. | 0:07:58 | 0:08:00 | |
-You've used your knowledge, well done. -I've used my knowledge, Jeremy. | 0:08:00 | 0:08:04 | |
-First one, first one. -Thank you, Jeremy. -Cheers. | 0:08:04 | 0:08:06 | |
So, Paul and Jeremy had that deal | 0:08:06 | 0:08:08 | |
well sewn up, but Sandra's not agreeing. | 0:08:08 | 0:08:11 | |
I think you're a bit of a crackpot, both of you, for buying that. | 0:08:11 | 0:08:14 | |
-Can you hear what she's saying?! -Two crackpots. | 0:08:14 | 0:08:18 | |
She's got my deaf side, so I didn't hear that at all. | 0:08:18 | 0:08:21 | |
-Come on, let's go. -Have faith, that will do well. -OK, let's go. | 0:08:21 | 0:08:24 | |
It will take more than a bit of faith to fix that cracked handle. | 0:08:27 | 0:08:31 | |
What's catching your eyes, Blues? | 0:08:31 | 0:08:32 | |
-Now, you guys, we are nearly halfway through. -I'm spotting, | 0:08:32 | 0:08:36 | |
it's just that the cost is just way beyond our means! | 0:08:36 | 0:08:40 | |
I know. You've got such good taste. | 0:08:40 | 0:08:42 | |
But we've got to think affordable here. I think we've got to... | 0:08:42 | 0:08:44 | |
And I think we just need to pick the pace up a bit, | 0:08:44 | 0:08:47 | |
we've got it look at more items to try and find something. | 0:08:47 | 0:08:50 | |
-I think we really need to get a first purchase under our belts. -OK. | 0:08:50 | 0:08:53 | |
-Let's go. -OK. Let's do it. | 0:08:53 | 0:08:56 | |
Our Blues have yet to buy anything and we're half an hour in. | 0:08:56 | 0:09:00 | |
What do you think of this, you guys? Do you know what this is called? | 0:09:00 | 0:09:02 | |
-No, not at all. -Well, this is known as Picquot ware. | 0:09:02 | 0:09:06 | |
-Mm-hm. -It is English. | 0:09:06 | 0:09:08 | |
It was made in England, although the name sounds French, doesn't it? | 0:09:08 | 0:09:11 | |
-And it's very stylish for the time. -It is, it is. | 0:09:11 | 0:09:16 | |
1950s. And it was made, what they did, they started making | 0:09:16 | 0:09:20 | |
-um, industrial pieces... -Yeah. -..with a metal alloy. | 0:09:20 | 0:09:27 | |
And then the factory needed to produce something | 0:09:27 | 0:09:31 | |
with the leftover metal alloy, which is what this special make is. | 0:09:31 | 0:09:35 | |
And they started making tea and coffee sets, | 0:09:35 | 0:09:38 | |
and the sales of them just took off. | 0:09:38 | 0:09:40 | |
You've got proper solid wood handles, probably walnut, | 0:09:40 | 0:09:43 | |
and with this set you've got a tray as well. | 0:09:43 | 0:09:46 | |
-This was pretty buoyant. -Yeah. -It's still selling quite well. | 0:09:46 | 0:09:49 | |
I think it's slightly gone off the boil at auction. | 0:09:49 | 0:09:52 | |
Off the boil, tea set, do you see what she did there? | 0:09:52 | 0:09:55 | |
-It's nice. -How much did he say? | 0:09:55 | 0:09:57 | |
He said he would do 75 for the whole set. | 0:09:57 | 0:10:00 | |
See if I can get him down to 70. | 0:10:00 | 0:10:01 | |
-Well, 65 would be better. -I was going to say 65. | 0:10:01 | 0:10:04 | |
-Hello, darling. -It's nice. -Hello, sir. | 0:10:04 | 0:10:07 | |
-Hi. -What about 65 on this one? | 0:10:07 | 0:10:10 | |
-Can't do it. 75 quid. That's it. -Not 70 on it, either, no? | 0:10:10 | 0:10:14 | |
-Sorry. -72.50, maybe? -No. | 0:10:14 | 0:10:16 | |
No, no? How about 73? | 0:10:16 | 0:10:19 | |
And I hope you win! | 0:10:19 | 0:10:20 | |
-THEY LAUGH -£74 just for going on. | 0:10:20 | 0:10:23 | |
-Oh, I love you. -74? -Look at that. | 0:10:23 | 0:10:26 | |
Thank you very much. £74, I think, yeah. | 0:10:26 | 0:10:29 | |
What do you think? | 0:10:29 | 0:10:30 | |
Come on. Presented with two pretty faces like that, | 0:10:30 | 0:10:33 | |
how can he fail to budge on his price? | 0:10:33 | 0:10:35 | |
-This is a retail price. -Yeah. -I think at auction... | 0:10:35 | 0:10:39 | |
..I would probably put it at £50 to £70. | 0:10:41 | 0:10:43 | |
You might just get a private person, in London, though, who has got | 0:10:43 | 0:10:46 | |
a great retro feel to their apartment and just goes for it. | 0:10:46 | 0:10:50 | |
I think go for it. | 0:10:50 | 0:10:52 | |
-All right. -I've just bargained him down to 74, come on! | 0:10:52 | 0:10:54 | |
Yeah, you've done your best. | 0:10:54 | 0:10:55 | |
I'm just conscious, we really do need to make a purchase. | 0:10:55 | 0:10:58 | |
-Yeah, I'm liking it. -Happy? -Yes. -So, one down. Well done. | 0:10:58 | 0:11:01 | |
You feeling better now you've got one under your belt? | 0:11:01 | 0:11:03 | |
-Yes, definitely. -Two to go, I'm not going to let you relax, you know. | 0:11:03 | 0:11:06 | |
-Let's keep the pressure on. -Quite right, Mrs Bliss. | 0:11:06 | 0:11:09 | |
There's no time to rest up. | 0:11:09 | 0:11:11 | |
Both teams have only 25 minutes left to find two items. | 0:11:11 | 0:11:15 | |
We're running out of time, so we better get our skates on. | 0:11:15 | 0:11:18 | |
You'd come a cropper on skates in this crowd, Jeremy! | 0:11:18 | 0:11:21 | |
Best tread carefully. Carefully but quickly. | 0:11:21 | 0:11:24 | |
-You like that, do you, Caroline? -Yeah, come on, we work for TFL. | 0:11:24 | 0:11:28 | |
This is right up your street, isn't it? | 0:11:28 | 0:11:30 | |
Looks like the back end of a bus to me. | 0:11:30 | 0:11:32 | |
Not you, Caroline. | 0:11:32 | 0:11:33 | |
I have to tell you that, at auction, | 0:11:33 | 0:11:35 | |
it looks great, it's a great bit of fun. | 0:11:35 | 0:11:37 | |
But if you were to put that into auction, you have got... | 0:11:37 | 0:11:41 | |
-..a very modern toy that's trying to look old. -Mm. -OK? | 0:11:42 | 0:11:46 | |
These stickers are actually, | 0:11:46 | 0:11:49 | |
you can probably tell if you look closely, they're just photocopied | 0:11:49 | 0:11:52 | |
and stuck on. So that is not going to make very much, I'm afraid. | 0:11:52 | 0:11:55 | |
If we got that for 15, if we can't find nothing | 0:11:55 | 0:11:57 | |
I'll come back for that and get it for 15. | 0:11:57 | 0:11:59 | |
-OK. The lady has spoken. -Yeah, why not? | 0:11:59 | 0:12:02 | |
Sandra made a bit of a fuss about the boys' cracked pots earlier, | 0:12:02 | 0:12:06 | |
so what has she found here? | 0:12:06 | 0:12:08 | |
-I really like that. -OK. | 0:12:08 | 0:12:10 | |
Here we have a Japanese cloisonne... | 0:12:10 | 0:12:14 | |
pot here. Probably for sake or wine. | 0:12:14 | 0:12:17 | |
-It's got its lid. The only... -How old did you say? | 0:12:18 | 0:12:21 | |
-It's about 1,900, 1920. -Yeah. | 0:12:21 | 0:12:24 | |
The only problem that I can see, apart from a nick at the bottom | 0:12:24 | 0:12:27 | |
of the handle, this is a bit loose and it needs putting back together. | 0:12:27 | 0:12:31 | |
It's had a pretty big bash at the top. | 0:12:31 | 0:12:33 | |
So it's another cracked pot! | 0:12:33 | 0:12:35 | |
-If we're happy with the price... -The lid's broken. | 0:12:35 | 0:12:37 | |
And Sandra really likes it, then we should go for it. | 0:12:37 | 0:12:40 | |
Japanese is not up in the market at the moment, | 0:12:40 | 0:12:43 | |
that's the only other problem. | 0:12:43 | 0:12:44 | |
-But you like it, Sandra, and we're against old Father Time. -OK. | 0:12:44 | 0:12:50 | |
-What do you think, Paul? -We've got to go for something. | 0:12:50 | 0:12:52 | |
-From one cracked pot to another. -Go for it. -Right, let's do this. | 0:12:52 | 0:12:55 | |
-We're buying cracked pots today, aren't we? -Yes. | 0:12:55 | 0:12:58 | |
And we all know how well damaged goods do at auction(!) | 0:12:58 | 0:13:01 | |
-How much is this, please? -45. | 0:13:01 | 0:13:03 | |
-That's a little bit damaged here. -Yeah. The best is 40. | 0:13:03 | 0:13:07 | |
-Shall we just go for this? -Go for that. -Let's go for that. -We'll go for that. | 0:13:07 | 0:13:11 | |
-We like it? -Yes. | 0:13:11 | 0:13:13 | |
Right, that's two down, Reds, but less than 15 minutes to go, | 0:13:13 | 0:13:16 | |
and the Blues still have two items to find. | 0:13:16 | 0:13:18 | |
-How are you feeling? -I think I'm getting to that panicky stage now. | 0:13:18 | 0:13:22 | |
-OK. Under pressure? -Definitely. | 0:13:22 | 0:13:24 | |
OK. Well, we've got roughly 15 minutes. | 0:13:24 | 0:13:26 | |
This is the stage where we have to pull something out of the bag. | 0:13:26 | 0:13:29 | |
All right? | 0:13:29 | 0:13:30 | |
Now, my feeling is, cos we're so short of time, we should maybe buy | 0:13:30 | 0:13:33 | |
two items from the same stall and try and do a deal on two. | 0:13:33 | 0:13:36 | |
-OK... -I'm going to take you to a stall just round the corner. | 0:13:36 | 0:13:40 | |
-There's quite a lot of quirky things. We can have a look. -OK. -OK. | 0:13:40 | 0:13:43 | |
What do you think of a scent bottle, Caroline? | 0:13:46 | 0:13:48 | |
Can you see that on the end, the cut glass one, just on the end? | 0:13:48 | 0:13:51 | |
-Yeah. -That's nice. -Do you like that? -Yeah, I do. | 0:13:51 | 0:13:54 | |
That's going to be more the sort of price range you're looking at. | 0:13:54 | 0:13:57 | |
It's quite a nice decorative scent bottle, | 0:13:57 | 0:13:59 | |
cut glass with a nice star-cut base. | 0:13:59 | 0:14:01 | |
Probably Victorian Edwardian, I would say. | 0:14:01 | 0:14:04 | |
Looking at that embossed decoration on the top, I would say probably | 0:14:04 | 0:14:07 | |
very early part of the 20th century, | 0:14:07 | 0:14:09 | |
but we've got a hallmark here. | 0:14:09 | 0:14:11 | |
Which is nice, which tells me it's Birmingham and it is, yes, | 0:14:11 | 0:14:15 | |
very early 20th century, so somewhere around 1910. | 0:14:15 | 0:14:19 | |
Should've had a little stopper in there, so that's missing, | 0:14:19 | 0:14:22 | |
but other than that, a few dents in the top... | 0:14:22 | 0:14:25 | |
Oh, well. Damaged goods seem to be all the rage today! | 0:14:25 | 0:14:29 | |
Stallholder said £45, | 0:14:29 | 0:14:31 | |
-so pretty affordable considering what we've got. -Yes. | 0:14:31 | 0:14:33 | |
Should we hold on to that and maybe look for something else | 0:14:33 | 0:14:36 | |
-but we can do a deal on the two? -Yes, yeah. | 0:14:36 | 0:14:38 | |
With minutes to go, the Reds have gone all arty. | 0:14:38 | 0:14:41 | |
What about that? | 0:14:41 | 0:14:43 | |
OK, so what we have here is... | 0:14:43 | 0:14:47 | |
Persian 20th century. It is hand-painted and look at the detail. | 0:14:47 | 0:14:51 | |
-It's really pretty. -How much is this? -£80. -£80? -Yes. | 0:14:51 | 0:14:55 | |
-I know it's not the oldest thing in the world... -No. | 0:14:55 | 0:14:59 | |
-..but if you had to go and replace it... -Mm-hm? | 0:14:59 | 0:15:01 | |
-..you'd have to go to Iran, wouldn't you? -You would. | 0:15:01 | 0:15:04 | |
-And it's signed. Signed. -Signed as well. -Signed as well, here. | 0:15:04 | 0:15:07 | |
It's a particularly unusual design and look at this beautiful, | 0:15:07 | 0:15:10 | |
rich, midnight blue border here. | 0:15:10 | 0:15:13 | |
Can we just have a closer look at the vase, darling, please? | 0:15:15 | 0:15:18 | |
It's certainly Continental porcelain, European. | 0:15:20 | 0:15:23 | |
Very much in the 18th-century style, the Rococo movement. | 0:15:23 | 0:15:27 | |
And very much using colours that were used at the Sevres factory | 0:15:27 | 0:15:32 | |
in the 18th century. | 0:15:32 | 0:15:34 | |
But this is a late 19th, early 20th-century piece, OK? | 0:15:34 | 0:15:38 | |
So it's of that style but later. | 0:15:38 | 0:15:41 | |
-What you've got here is actually printed rather than painted. -Right. | 0:15:41 | 0:15:45 | |
So on a top quality period piece this would all be hand-painted | 0:15:45 | 0:15:50 | |
-by the leading painter at the factory. -OK, yes. | 0:15:50 | 0:15:53 | |
But this, because this is a later, less quality piece, it's printed. | 0:15:53 | 0:15:57 | |
So, a really decorative piece. | 0:15:57 | 0:15:59 | |
-It's a real eyeful, isn't it? -Yeah. -It's got a lot going for it. | 0:15:59 | 0:16:02 | |
-He said 165 for the two. -With the scent bottle? -With the scent bottle. | 0:16:02 | 0:16:07 | |
So I make that £45 for the scent bottle and £120 for the vase. | 0:16:07 | 0:16:13 | |
-The decorative marking is not that strong at the moment. -OK. | 0:16:13 | 0:16:16 | |
So my feeling would be you're looking at probably | 0:16:16 | 0:16:19 | |
£70-£100 as an estimate. But, hey, I could be wrong. | 0:16:19 | 0:16:25 | |
You might have somebody in the auction room who falls in love with it and it makes... | 0:16:25 | 0:16:29 | |
-strong money. -OK. | 0:16:29 | 0:16:30 | |
How do you feel about this, Noel? You're very quiet. | 0:16:30 | 0:16:33 | |
It's pretty. Nothing that I'd buy, but it's pretty. | 0:16:33 | 0:16:37 | |
Well, talking of pretty, your 60 minutes are pretty well up. | 0:16:37 | 0:16:39 | |
And it's decision time, team. | 0:16:39 | 0:16:42 | |
-I'm 100% sure on that one. I like that. -Is it a wrap? | 0:16:42 | 0:16:46 | |
-Have we got number three? -We have. We've got number three. | 0:16:46 | 0:16:49 | |
-Yes. -I can think of another reason why you liked it... | 0:16:49 | 0:16:52 | |
-Er... -..it's not a cracked pot. -It's not a cracked pot. | 0:16:52 | 0:16:54 | |
-We have very little time. -We have, Kate. | 0:16:54 | 0:16:57 | |
-What's the decision? -Well... | 0:16:57 | 0:16:59 | |
I'm happy with it, Kate. | 0:16:59 | 0:17:01 | |
If Noel has his go on that, he likes that, | 0:17:01 | 0:17:04 | |
he's putting his head on that, and that could be your one. | 0:17:04 | 0:17:07 | |
-If that's what you want to do. -I think so. | 0:17:07 | 0:17:09 | |
-Yes? -I'm good with that. -OK. | 0:17:09 | 0:17:12 | |
-Happy? -Yes, we're happy. -Let's do it. -We're happy. | 0:17:12 | 0:17:15 | |
Well, talk about brinkmanship, | 0:17:15 | 0:17:16 | |
you were almost pipped to the Portobello post there, Blues. | 0:17:16 | 0:17:20 | |
Crikey Moses, is it busy here or what? Anyway, that's time up. | 0:17:20 | 0:17:26 | |
So, let's remind ourselves what the Red team bought. | 0:17:26 | 0:17:29 | |
The Reds started off with a matching Art Nouveau vase and bowl set, | 0:17:29 | 0:17:33 | |
with a little bit of damage, for £25. | 0:17:33 | 0:17:36 | |
They carried on the theme with a slightly bashed cloisonne pot | 0:17:36 | 0:17:40 | |
for £40. | 0:17:40 | 0:17:41 | |
Their final purchase was a brand-new Persian picture for £80. | 0:17:41 | 0:17:47 | |
Now, tell me, Sandra, did you have a lovely time shopping? | 0:17:47 | 0:17:50 | |
-Absolutely. The quickest hour ever. -Which is your favourite piece, doll? | 0:17:50 | 0:17:54 | |
-Our teapot. -Your teapot is your personal favourite? | 0:17:54 | 0:17:56 | |
-Do you agree with that, Paul? -Not necessarily, Tim. | 0:17:56 | 0:17:58 | |
-I'm afraid I'm going to disagree with the missus here. -Yes. | 0:17:58 | 0:18:01 | |
-Dangerous. -I liked the actual painting, the Persian painting. | 0:18:01 | 0:18:04 | |
That's your favourite. And what did you spend overall? | 0:18:04 | 0:18:07 | |
-145. -You spent 145? | 0:18:07 | 0:18:08 | |
So I'd like £155 of leftover lolly, please. | 0:18:08 | 0:18:11 | |
That would be the 155, would it? I trust you. I won't even count it. | 0:18:12 | 0:18:16 | |
Straight over to you, Jeremy. | 0:18:16 | 0:18:18 | |
So you've got quite a tidy lump there, haven't you? | 0:18:18 | 0:18:20 | |
What I'm going to do, Tim, | 0:18:20 | 0:18:22 | |
is see if I can find a market somewhere near here... | 0:18:22 | 0:18:24 | |
-Yes. -..to spend it in. | 0:18:24 | 0:18:25 | |
-Wow. -Well, funnily enough we just happen to have one. | 0:18:25 | 0:18:29 | |
Good luck with that. | 0:18:29 | 0:18:30 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:18:30 | 0:18:33 | |
The Blues kicked off with a Picquot ware tea service for a precise £74. | 0:18:33 | 0:18:38 | |
Then at the last moment they bought a French style vase for £120 | 0:18:38 | 0:18:42 | |
and an Edwardian scent bottle for a further 45 notes. | 0:18:42 | 0:18:46 | |
-Well, well, well. That was good, wasn't it? -Yes, it was. | 0:18:46 | 0:18:49 | |
I do like a whopping spend. What was your total spend again, Noel? | 0:18:49 | 0:18:53 | |
-239. -That's a good amount, that, a mature amount of money to spend. | 0:18:53 | 0:18:57 | |
-Who's got the £61 of leftover lolly? -I do. -You've got it, Caroline? | 0:18:57 | 0:19:01 | |
Thank you. I particularly like the blue nails there. | 0:19:01 | 0:19:05 | |
-Which is your favourite piece? -I love the vase. -The vase? | 0:19:05 | 0:19:08 | |
-That's your personal favourite? -Yes, yes. -Do you agree, Noel? | 0:19:08 | 0:19:11 | |
Hmm, no. Perfume bottle, that's my favourite. | 0:19:11 | 0:19:14 | |
OK. Is that going to bring the biggest profit? | 0:19:14 | 0:19:16 | |
-I reckon the tea set. -The tea set? -Tea set. -Hmmm. | 0:19:16 | 0:19:20 | |
And I believe it's going to be the perfume bottle. | 0:19:20 | 0:19:22 | |
We're all over the shop with your family today, aren't we? | 0:19:22 | 0:19:25 | |
Which is lovely. Anyway, here we go, Kate Bliss. | 0:19:25 | 0:19:28 | |
-Lovely, lovely. -A blissful amount of money for Kate Bliss. | 0:19:28 | 0:19:31 | |
What will you do with it, Kate? | 0:19:31 | 0:19:32 | |
I do have a little something up here. | 0:19:32 | 0:19:35 | |
-I shall go and see if it's still there, I think. -Oh, right, OK. | 0:19:35 | 0:19:38 | |
That's exciting. Very good luck with that. | 0:19:38 | 0:19:41 | |
Anyway, we're off to Surrey, almost at the stockbroker belt. | 0:19:41 | 0:19:45 | |
Clandon Park in Surrey is a treasure trove of interesting curios | 0:19:53 | 0:19:58 | |
and artefacts. | 0:19:58 | 0:19:59 | |
It's been in the hands of the National Trust since 1956 | 0:19:59 | 0:20:03 | |
and is also the home to one of the finest | 0:20:03 | 0:20:06 | |
private collections of antiques anywhere in the country. | 0:20:06 | 0:20:11 | |
In 1968, a bequest was made to the National Trust | 0:20:11 | 0:20:14 | |
by a Mrs Hannah Gubbay, who asked that her fine | 0:20:14 | 0:20:18 | |
18th-century furniture, textiles and porcelain should not | 0:20:18 | 0:20:22 | |
be dispersed, but housed and displayed together | 0:20:22 | 0:20:25 | |
as a single collection. | 0:20:25 | 0:20:27 | |
A wealthy lady living in London, Mrs Gubbay was a widow for 40 years. | 0:20:27 | 0:20:32 | |
She acquired most of her pieces in the 1920s and '30s. | 0:20:32 | 0:20:36 | |
And here in the state bedroom, | 0:20:36 | 0:20:39 | |
75% of the furniture on display once belonged to Mrs Gubbay. | 0:20:39 | 0:20:45 | |
Her tastes in furniture were eclectic but refined. | 0:20:45 | 0:20:50 | |
From the 17th century, we have this William and Mary side table. | 0:20:51 | 0:20:56 | |
And next door to that, an exquisite, | 0:20:56 | 0:20:59 | |
tiny, tiny, green japanned bureau bookcase. | 0:20:59 | 0:21:04 | |
Extremely rare. But it's not my favourite piece. | 0:21:04 | 0:21:08 | |
Just have a look at this. | 0:21:08 | 0:21:10 | |
This piece is truly extraordinary. | 0:21:10 | 0:21:15 | |
You've got to stand square | 0:21:15 | 0:21:16 | |
and a little bit back to understand what's going on here design-wise. | 0:21:16 | 0:21:21 | |
Because what we've got really are three pagodas. | 0:21:21 | 0:21:25 | |
You've got this central pagoda with its rising, Chinoiserie, | 0:21:25 | 0:21:30 | |
Chinese lookalike roof, and then a pagoda on either side. | 0:21:30 | 0:21:34 | |
Two more shaped roofs. Each are made up of three sections. | 0:21:34 | 0:21:39 | |
The sections have a cupboard door | 0:21:39 | 0:21:42 | |
and the cupboard doors are veneered with Chinamen. | 0:21:42 | 0:21:45 | |
The whole idea of this piece of furniture, | 0:21:45 | 0:21:47 | |
with all these elaborate elements, | 0:21:47 | 0:21:49 | |
is to allow a very posh woman to sit at it and do her make-up. | 0:21:49 | 0:21:55 | |
Now, because this piece of furniture is probably by Thomas Chippendale | 0:21:55 | 0:21:59 | |
and dates from the 1770s, | 0:21:59 | 0:22:02 | |
it is beautifully made and intriguingly designed. | 0:22:02 | 0:22:07 | |
For example, there is no obvious way of getting into that cupboard. | 0:22:07 | 0:22:12 | |
But a secret button on the side, which if I depress it, | 0:22:12 | 0:22:16 | |
ping, it comes open to reveal a compartment. | 0:22:16 | 0:22:21 | |
The lower part is a beautifully fitted drawer. | 0:22:21 | 0:22:25 | |
And all these compartments would have been fitted with porcelain | 0:22:25 | 0:22:29 | |
or silver dishes to contain more and more war paint. | 0:22:29 | 0:22:34 | |
And where did Mrs Gubbay find it? In America. | 0:22:34 | 0:22:37 | |
And she bought it to repatriate it to this country | 0:22:37 | 0:22:41 | |
to add to her private collection. | 0:22:41 | 0:22:44 | |
The big question today is, of course, | 0:22:44 | 0:22:46 | |
are our teams over at the auction going to be able to carve a profit | 0:22:46 | 0:22:49 | |
out of their private collection? | 0:22:49 | 0:22:52 | |
Well, we've stayed in London for the auction. | 0:23:03 | 0:23:05 | |
Criterion Auctions Wandsworth is where we're at | 0:23:05 | 0:23:10 | |
-and Addison Gelpy is our auctioneer. Addison. -Hi, Tim. | 0:23:10 | 0:23:14 | |
-Splendido to be here. -Welcome, welcome, welcome. | 0:23:14 | 0:23:16 | |
Anyway, Aller Vale, how are you on selling West Country pottery | 0:23:16 | 0:23:20 | |
-in these auctions? -We can, we do sell them. | 0:23:20 | 0:23:24 | |
They do come up regularly, not huge money, though, unfortunately. | 0:23:24 | 0:23:27 | |
I have had to put a very attractive price to suck the punters in | 0:23:27 | 0:23:31 | |
-to go for them. -What's your sucking in price? -20-£40. | 0:23:31 | 0:23:35 | |
-Well, that's not too bad, £25, they paid. -That's OK. | 0:23:35 | 0:23:37 | |
It's got a good chance, then. | 0:23:37 | 0:23:39 | |
Next up is their Japanese cloisonne, slightly crushed sake pot. | 0:23:39 | 0:23:44 | |
I hope you're not going to be too "sarky" about this. | 0:23:44 | 0:23:48 | |
I'm going to have to be a little bit sarky about it, | 0:23:48 | 0:23:50 | |
unfortunately, cos it's a cloissone and people like it | 0:23:50 | 0:23:53 | |
in mint condition and because the handle's been a bit crushed, | 0:23:53 | 0:23:56 | |
the enamel's gone a bit funny, | 0:23:56 | 0:23:58 | |
I've had to put an attractive price of 30-60 | 0:23:58 | 0:24:00 | |
and that's a bit hopeful, unfortunately. | 0:24:00 | 0:24:02 | |
What does "That's a bit hopeful" mean? | 0:24:02 | 0:24:04 | |
Does that mean really what you'd like to put on it is 10-£20? | 0:24:04 | 0:24:07 | |
-Yes. -Right. | 0:24:07 | 0:24:08 | |
-Because they paid 40. -Oh, dear. | 0:24:08 | 0:24:11 | |
-We'll see what happens. You never know. -Well, quite. | 0:24:11 | 0:24:13 | |
Anyway, next up is the modern Persian picture. | 0:24:13 | 0:24:16 | |
It's got a nice little mosaic, Moorish sort of influence on it | 0:24:16 | 0:24:19 | |
very bright, very decorative, we'll see how it goes. | 0:24:19 | 0:24:22 | |
-It was probably painted in about 1980, don't you think? -Maybe... | 0:24:22 | 0:24:25 | |
-20, 30... -Maybe 1979, 1980, circa. | 0:24:25 | 0:24:28 | |
-But not very old? -No. -No. But decorative. | 0:24:28 | 0:24:31 | |
-What did they pay? -Never you mind about that. What's your estimate? | 0:24:31 | 0:24:36 | |
-Cunning. -You're a good salesman! | 0:24:36 | 0:24:38 | |
No, 40 to 80 on it, a nice wide estimate. It's a decorative thing. | 0:24:38 | 0:24:43 | |
-It may do OK. -They paid 80. -Ooh... | 0:24:43 | 0:24:45 | |
Which is quite a long way up there, isn't it? | 0:24:45 | 0:24:47 | |
-OK. -I make it that we've got two steep uphill struggles here, | 0:24:47 | 0:24:50 | |
in which case they'll need their bonus buy, | 0:24:50 | 0:24:52 | |
so let's go and have a look at it! | 0:24:52 | 0:24:54 | |
-Now, Sandra, Paul. Are you excited about this? -Absolutely. | 0:24:54 | 0:24:58 | |
You gave Jeremy £155. Jeremy, what did you spend 155 on? | 0:24:58 | 0:25:01 | |
Well, Tim, as usual I've gone potty. | 0:25:01 | 0:25:04 | |
Here we have a Japanese ginger jar, I suppose you could call it. | 0:25:04 | 0:25:09 | |
About 1,900 in date. It's signed in hand enamel. | 0:25:09 | 0:25:13 | |
We all know that the Chinese market is on fire at the moment | 0:25:13 | 0:25:17 | |
but the Japanese market is catching up. You gave me £155. | 0:25:17 | 0:25:21 | |
-Did you expect me to spend it all? -Well, I hope not. | 0:25:21 | 0:25:25 | |
-Not all of it anyway, but... -So you don't like it? | 0:25:25 | 0:25:28 | |
No, it's OK, but I don't know if it's worth 150-odd pounds. | 0:25:28 | 0:25:31 | |
What would you say? | 0:25:31 | 0:25:32 | |
-60? -Bang on. He's a valuer. | 0:25:33 | 0:25:36 | |
-Wow. -Well done. -You got it. Spot on. | 0:25:36 | 0:25:38 | |
What do you think, Sandra? | 0:25:38 | 0:25:39 | |
I love it. I think... I love pottery. | 0:25:39 | 0:25:41 | |
-Could you live with that? -Tell you what, | 0:25:41 | 0:25:43 | |
take it, because I know it's a bit fragile. | 0:25:43 | 0:25:45 | |
I'll take the top off like that. | 0:25:45 | 0:25:47 | |
I always think if you hold something, Jay, don't you think, | 0:25:47 | 0:25:50 | |
-you've got to get the kind of... -You've got to feel it. -Yeah. | 0:25:50 | 0:25:53 | |
Of course you may not need to do a scrap at that moment. | 0:25:53 | 0:25:57 | |
But if you do, it's nice to know all the detail behind it. | 0:25:57 | 0:26:00 | |
But right now, for the audience at home, | 0:26:00 | 0:26:02 | |
let's find out what the auctioneer thinks about Jeremy's pot. | 0:26:02 | 0:26:05 | |
What about that for a gorgeous colour? That's green, isn't it? | 0:26:05 | 0:26:09 | |
Very green indeed. It's a nice ginger jar. It's Japanese. | 0:26:09 | 0:26:13 | |
Turn of the century, I would say. | 0:26:13 | 0:26:15 | |
And it's in good condition, no cracks or anything. Hand-painted. | 0:26:15 | 0:26:19 | |
We'll put about 50 to 100 on it. We'll see what we do. | 0:26:19 | 0:26:22 | |
-Jeremy paid 60. -It's got a good chance. -And he rates it. | 0:26:22 | 0:26:25 | |
I think it's a really good thing. Anyway, there we go. | 0:26:25 | 0:26:28 | |
There's some hope there. That's it for the Reds. Now for the Blues. | 0:26:28 | 0:26:32 | |
-A weird old mixture over here from Kate Bliss. -Yes. | 0:26:32 | 0:26:36 | |
First up, the Picquot ware tea service. Any good? | 0:26:36 | 0:26:40 | |
Um, retro is in now and this is very retro. | 0:26:40 | 0:26:44 | |
It's got nice walnut handles there. | 0:26:44 | 0:26:47 | |
It's all there, ready to go. | 0:26:47 | 0:26:49 | |
I haven't put huge money on it, about 40 to 80, nice wide estimate. | 0:26:49 | 0:26:54 | |
Hoping we can get a bit of interest in it, but it's not going to make... | 0:26:54 | 0:26:57 | |
-I can't see it making top end of estimate. -Your estimate's 40 to 80. | 0:26:57 | 0:27:00 | |
They paid £74. Just depends on who's here. | 0:27:00 | 0:27:03 | |
Now, the two-handled vase, | 0:27:03 | 0:27:05 | |
which I have to say is my all-time worst object. | 0:27:05 | 0:27:09 | |
Continental porcelain, transfer printed, | 0:27:09 | 0:27:12 | |
-imported by the -bucket-load. Yeah. I can't see it doing very well. | 0:27:12 | 0:27:17 | |
-I've put a very low estimate on there at... -Be brave! | 0:27:17 | 0:27:20 | |
-20-40 and I'm hopeful that... -Even at 20-40 you're hopeful? | 0:27:20 | 0:27:24 | |
Our Caroline went into complete overdrive for this. | 0:27:24 | 0:27:27 | |
She seriously loved it. You can't believe this, £120. | 0:27:27 | 0:27:30 | |
OK. I... I, um... | 0:27:32 | 0:27:34 | |
I am sure that, if she makes that, | 0:27:34 | 0:27:36 | |
I will be buying everybody drinks here tonight. | 0:27:36 | 0:27:39 | |
It's a monster price to pay, isn't it? | 0:27:39 | 0:27:41 | |
If you were at the dealer that went off with £120, | 0:27:41 | 0:27:45 | |
you'd be very happy, wouldn't you? | 0:27:45 | 0:27:47 | |
You'd go home to your missus and say you had a really good day at Portobello. Ha! | 0:27:47 | 0:27:52 | |
Anyway, next up is the silver-topped perfume bottle. | 0:27:52 | 0:27:56 | |
OK. It's Birmingham 1,900, the mark there. | 0:27:56 | 0:28:00 | |
It's in fairly good condition. | 0:28:00 | 0:28:02 | |
Yeah, I think it could do quite well. | 0:28:02 | 0:28:03 | |
I've put an estimate of... | 0:28:03 | 0:28:05 | |
20 to 40 on it, because we do get a lot of it | 0:28:05 | 0:28:08 | |
-and hopefully it'll make top end. -OK. £45 is what it needs to make. | 0:28:08 | 0:28:12 | |
But that's nothing in relation to the monster loss | 0:28:12 | 0:28:15 | |
on the two-handled vase. | 0:28:15 | 0:28:17 | |
And they're definitely going to need their bonus buy, | 0:28:17 | 0:28:19 | |
-so let's go have a look at it. -Let's have a look. | 0:28:19 | 0:28:21 | |
-Noel, Caroline, this is exciting, isn't it? -It is indeed. | 0:28:21 | 0:28:24 | |
What did your girl spend the £61 on? Kate Bliss, show us your wares. | 0:28:24 | 0:28:30 | |
Well, just before I reveal, | 0:28:30 | 0:28:32 | |
I ought to say that I was quite bossy on the shop | 0:28:32 | 0:28:35 | |
-with Caroline and Noel. -No(!) | 0:28:35 | 0:28:37 | |
And, in fact, Caroline fell in love with a pretty hideous | 0:28:37 | 0:28:41 | |
-London bus model. -Oh, yeah! -So I tried to make up for it. | 0:28:41 | 0:28:45 | |
-Oh, no. -It was pretty hideous, wasn't it? -It was. -It was. | 0:28:45 | 0:28:48 | |
So I have bought you a little matchbox. No, I haven't. | 0:28:48 | 0:28:52 | |
I've bought you a little... | 0:28:52 | 0:28:54 | |
Awww! | 0:28:54 | 0:28:56 | |
-..London tram trolley. -Oh, that's excellent. -A trolley bus. | 0:28:56 | 0:29:00 | |
-Oh, I do like that. -That's nice. -This, I would say, is early '60s. | 0:29:00 | 0:29:04 | |
-This actual piece. -That is nice. | 0:29:04 | 0:29:07 | |
So, go on. How much did you spend on it, Kate? | 0:29:07 | 0:29:10 | |
Well, it's in good nick, it's got its box. | 0:29:10 | 0:29:14 | |
-I spent £15. -Oh! | 0:29:14 | 0:29:17 | |
-With the box. -That's not bad. | 0:29:19 | 0:29:22 | |
-Reckon a profit? -Not bad at all. | 0:29:22 | 0:29:24 | |
Well, do you know, if the right person's here, there might be | 0:29:24 | 0:29:27 | |
-a little profit there, I think. -That's a good old buy, that was. | 0:29:27 | 0:29:30 | |
Well, this is going to be London Underground versus the tram service. | 0:29:30 | 0:29:34 | |
Anyway, perfect. | 0:29:34 | 0:29:36 | |
Meanwhile, for the audience at home | 0:29:36 | 0:29:38 | |
let's find out what the auctioneer thinks about Kate's tram. | 0:29:38 | 0:29:42 | |
Well, there we go. Take you back to your childhood. | 0:29:42 | 0:29:46 | |
I like it. Nice double-tiered tram. | 0:29:46 | 0:29:48 | |
It's not in play-worn condition, is it? | 0:29:48 | 0:29:50 | |
I know the top is detached, which it shouldn't be. | 0:29:50 | 0:29:53 | |
But the paintwork's pretty crisp. What's your estimate, Addison? | 0:29:53 | 0:29:56 | |
I put 25 to 40 on it. | 0:29:56 | 0:29:57 | |
I think it's attractive and could get some interest on the net. | 0:29:57 | 0:30:00 | |
I think you'll get a hug from Kate for that, she only paid £15. | 0:30:00 | 0:30:03 | |
-Lovely. -Fingers crossed. -We'll cross everything. | 0:30:03 | 0:30:05 | |
-You taking the sale today? -I am. And I'll sell hard for your teams | 0:30:05 | 0:30:09 | |
and hopefully we make them a profit. | 0:30:09 | 0:30:11 | |
-That's the attitude. Thank you very much. -Thank you. -Thanks. | 0:30:11 | 0:30:14 | |
Now, Sandra, Paul. | 0:30:21 | 0:30:23 | |
-Mm-hm. -Are you feeling OK? | 0:30:23 | 0:30:25 | |
-Yes, feeling very confident. -Are you? | 0:30:25 | 0:30:28 | |
-A little. -Well, not so very then. | 0:30:28 | 0:30:31 | |
WEAKLY: Yeah. | 0:30:31 | 0:30:32 | |
I'm glad you are. Because I'm not. I'm not that confident! | 0:30:32 | 0:30:35 | |
-If people like pots, then we're in luck. -Yes, quite. Here we go. | 0:30:35 | 0:30:39 | |
Now, here come the West Country pots. | 0:30:39 | 0:30:42 | |
Aller Vale Art Nouveau three-handled vase | 0:30:42 | 0:30:45 | |
and matching crimped bowl. | 0:30:45 | 0:30:46 | |
Nice Torquay pottery all the way up from the West Country now, folks. | 0:30:46 | 0:30:50 | |
Lovely little bit of blue and white in clean, clean condition. | 0:30:50 | 0:30:53 | |
I've got interest here at ten and 12 and £15 with me. | 0:30:53 | 0:30:58 | |
Any advance on 15? | 0:30:58 | 0:30:59 | |
-Bit more. -20. 22. One more takes it, sir. -One more. | 0:30:59 | 0:31:02 | |
At £22 here, any advance on 22? Still with me at 22. | 0:31:02 | 0:31:06 | |
-One more, we'll take it. -One more, please. | 0:31:06 | 0:31:08 | |
25 now, I'm out in the room. New buyer at £25. | 0:31:08 | 0:31:13 | |
Selling then at 25. | 0:31:13 | 0:31:15 | |
-£25, lovely. That's what we like. -Good start. | 0:31:15 | 0:31:19 | |
So, will the same turn out to be | 0:31:19 | 0:31:21 | |
-the case on the enamel pot? Here comes the cloisonne. -OK. | 0:31:21 | 0:31:25 | |
Lot 85 is a Japanese Meiji cloisonne enamel teapot and cover. | 0:31:25 | 0:31:30 | |
Slightly AF, as described on the handle, but a pretty thing, | 0:31:30 | 0:31:33 | |
ready to go, sake sort of pot. | 0:31:33 | 0:31:35 | |
I've got interest here at 18 and 20 and two. | 0:31:35 | 0:31:38 | |
-Thought he said 80! -So did I. -In the room now at £30, any advance on 30? | 0:31:38 | 0:31:43 | |
Any advance on 30? Any advance on 30? | 0:31:43 | 0:31:46 | |
-I'm going to sell. -Please... -At £30, then... | 0:31:46 | 0:31:48 | |
Quite close, you know, £30 is only minus ten. That is bad luck. | 0:31:50 | 0:31:55 | |
This is... | 0:31:55 | 0:31:56 | |
-TIM WINCES -..this is the one now. | 0:31:56 | 0:31:58 | |
Lot 86 is a very pretty modern Persian picture in a Kitani frame. | 0:31:58 | 0:32:03 | |
Very Moorish influence. Over in the back there, thanks very much, sir. | 0:32:03 | 0:32:07 | |
And interest with me at 22, 25. On commission at 25 here. | 0:32:07 | 0:32:12 | |
Any advance on 25? Surely worth a little bit more than that, folks. | 0:32:12 | 0:32:16 | |
Any advance on 25, can I have 28 from somebody, please? | 0:32:16 | 0:32:20 | |
At £25 then, selling to commission at 25. | 0:32:20 | 0:32:23 | |
Internet, are you around? Sold. | 0:32:23 | 0:32:25 | |
25. That's five off 30 which is £55, | 0:32:25 | 0:32:29 | |
minus 55 plus the ten. | 0:32:29 | 0:32:32 | |
-Overall then you're minus 65 smacks. -Oh! | 0:32:32 | 0:32:35 | |
-Might as well go with the ginger jar. -We will. | 0:32:35 | 0:32:38 | |
-You're going to go with the ginger? -Absolutely, yes. | 0:32:38 | 0:32:40 | |
-We've got faith in Jeremy here. -OK. Here we go. | 0:32:40 | 0:32:43 | |
Very beautifully painted green enamel porcelain ginger jar | 0:32:43 | 0:32:46 | |
and cover. | 0:32:46 | 0:32:47 | |
Circa 1920. | 0:32:47 | 0:32:49 | |
Thank you very much. I've got interest here at 35, 40 and five. | 0:32:49 | 0:32:53 | |
-With me at 45. -Come on. -With me at 45, | 0:32:53 | 0:32:55 | |
surely worth a little bit more. | 0:32:55 | 0:32:57 | |
Multitude of bids, I must start at 45 but one more will take it. | 0:32:57 | 0:33:00 | |
Do we have 50? With me at 45. | 0:33:00 | 0:33:02 | |
I'm going to sell at £45, fair and final warning at 45. | 0:33:02 | 0:33:06 | |
-I don't believe it. -£45. | 0:33:06 | 0:33:08 | |
Bad luck, Jay, that's minus 65, 70... | 0:33:08 | 0:33:10 | |
-Well, you might as well round it up to £80. -I was looking for 100. | 0:33:10 | 0:33:13 | |
-Minus £80. -Oh, well. -Oh, dear. -Not to worry. | 0:33:13 | 0:33:16 | |
The big question today - will it be a winning score? | 0:33:16 | 0:33:18 | |
-So don't say a word to the Blues, all right? -We won't. -Not a scrap. | 0:33:18 | 0:33:21 | |
-Bad luck. -Never mind. | 0:33:21 | 0:33:23 | |
-Do you know how the Reds got on? -No. -Not at all. | 0:33:27 | 0:33:29 | |
You don't want to know, I tell you! | 0:33:29 | 0:33:32 | |
We mustn't prejudge anything. | 0:33:32 | 0:33:33 | |
First up is going to be your Picquot ware tea set and here it comes. | 0:33:33 | 0:33:38 | |
1950s Picquot ware tea service on matching tray | 0:33:38 | 0:33:41 | |
with walnut handles, smart, ready to go, very retro. | 0:33:41 | 0:33:44 | |
And I've got interest here at 15, 20 and five with me. | 0:33:44 | 0:33:48 | |
Any advance on 25? Do we have 30? | 0:33:48 | 0:33:51 | |
Do we have 30? I've got 25 with me. | 0:33:51 | 0:33:54 | |
Surely worth a little bit more. With me at 25, and 30 now. | 0:33:54 | 0:33:58 | |
Any advance on 30? In the room now at 30. And back to me at 35. | 0:33:58 | 0:34:02 | |
Any advance on 35? | 0:34:02 | 0:34:04 | |
Any advance on 35? Selling then at £35 to commission, at 35. | 0:34:04 | 0:34:09 | |
Oh, no, that's minus 39. We thought that was going to do better. | 0:34:09 | 0:34:13 | |
Dear, oh, dear. Now, | 0:34:13 | 0:34:14 | |
stand by then, here comes the two-handled porcelain vase. | 0:34:14 | 0:34:17 | |
Porcelain two-handled vase and cover in the rococo style, | 0:34:17 | 0:34:20 | |
having decorative panels and figures in landscape on turquoise blue | 0:34:20 | 0:34:24 | |
-ground, with pink and gilt handles. -He's doing his best, isn't he? | 0:34:24 | 0:34:27 | |
Well described, I love that. | 0:34:27 | 0:34:29 | |
-And I have a little bit of interest here. -A little bit of interest. | 0:34:29 | 0:34:33 | |
25, 28 on a maiden bid of 28. Do we have £30, surely, somewhere? | 0:34:33 | 0:34:37 | |
-28?! -Could be 50, eh? At 28. £30 to get me going, | 0:34:37 | 0:34:40 | |
but I'm going to sell it at 28, cheeky bid at £28. | 0:34:40 | 0:34:43 | |
Selling then on the maiden bid of £28. | 0:34:43 | 0:34:47 | |
-Oh, no! -Oh, dear, Caroline, £28. | 0:34:47 | 0:34:50 | |
Is that... It is, it's minus 92. Minus 92's a hit! | 0:34:50 | 0:34:54 | |
Now, moving on, to your perfume bottle. Here it is. | 0:34:54 | 0:34:58 | |
Interest already with me all over the place at 25, 28 and 30. | 0:34:58 | 0:35:03 | |
With me at 30 on commission. | 0:35:03 | 0:35:05 | |
I've got to start the bidding here at 30, any advance on 30? | 0:35:05 | 0:35:07 | |
-Should have started at that. -35, someone. | 0:35:07 | 0:35:09 | |
-Got to start and finish at 30. -Anyone. | 0:35:09 | 0:35:12 | |
£30, thank you very much. | 0:35:12 | 0:35:14 | |
-Sold. -Oh, no, £30 is minus 15. | 0:35:14 | 0:35:16 | |
This is coming fast and furious, 131, 141, 146... | 0:35:16 | 0:35:20 | |
-146. 146. -Ouch! | 0:35:20 | 0:35:24 | |
-Oh, guys. -And you spent 239. 146. | 0:35:24 | 0:35:28 | |
146 down the old, down the old underground! | 0:35:28 | 0:35:31 | |
Anyway, listen, what are we going to do about the modern tram? | 0:35:31 | 0:35:34 | |
-Are you going with the bonus buy? -Oh, God, yeah. | 0:35:34 | 0:35:36 | |
-Get the credit back, if we possibly can? -Sure? | 0:35:36 | 0:35:39 | |
-100%, Kate. -We're going with Kate's bonus buy. Paid 15. | 0:35:39 | 0:35:42 | |
So if he's right you'll double your money again, so here we go. | 0:35:42 | 0:35:45 | |
..model tram car. | 0:35:45 | 0:35:47 | |
London Transport in original box, and I have interest here at 15, | 0:35:47 | 0:35:51 | |
18 and 20 with me. | 0:35:51 | 0:35:53 | |
Any advance on 20? Going to start the bidding at 20. | 0:35:53 | 0:35:55 | |
Surely worth more than that. | 0:35:55 | 0:35:57 | |
It's going to sell on the maiden bid of £20. | 0:35:57 | 0:36:00 | |
- More than that. - Internet, where are you? | 0:36:00 | 0:36:03 | |
And £20 here. 22 I'll take. | 0:36:03 | 0:36:05 | |
£20 it is then, selling at 20. | 0:36:05 | 0:36:07 | |
£20, a profit's a profit, plus £5... | 0:36:07 | 0:36:10 | |
-Well done, Kate. See? -..which reduces, overall, to £141. | 0:36:10 | 0:36:15 | |
£141. Unfortunately it's a minus score in front of that. | 0:36:15 | 0:36:20 | |
But you never know, minus £141 could be a winning score today. | 0:36:20 | 0:36:25 | |
-Could be! -It could be! That's the point. | 0:36:25 | 0:36:28 | |
Well, well, well, have we been communicating, the Reds | 0:36:32 | 0:36:35 | |
-and the Blues? -Oh, no. -Not at all? | 0:36:35 | 0:36:37 | |
Well, frankly, you've not got a lot to communicate about | 0:36:37 | 0:36:40 | |
because today has been an all-round complete disaster. | 0:36:40 | 0:36:43 | |
And it's simply a question of scale today when it comes to losses, | 0:36:43 | 0:36:47 | |
and the team that have got the whopping loss | 0:36:47 | 0:36:50 | |
of all whopping losses are, of course, the Blues. | 0:36:50 | 0:36:54 | |
-Ah! -Ah! | 0:36:54 | 0:36:55 | |
£141 worth of losses. | 0:36:55 | 0:36:59 | |
-Ssh! -All right, Kate. (£141 worth of losses!) | 0:36:59 | 0:37:03 | |
I'm not going to detail exactly what the losses were. There's no point. | 0:37:03 | 0:37:07 | |
-Have you had a good time? -I've enjoyed every minute of it. | 0:37:07 | 0:37:10 | |
You've been very, very sporting about this | 0:37:10 | 0:37:12 | |
and taken it on the chin and I admire you for that. | 0:37:12 | 0:37:14 | |
Cos it could've gone the other way, couldn't it? Bad luck. | 0:37:14 | 0:37:17 | |
But we've loved having you on the show. | 0:37:17 | 0:37:19 | |
The victors today, though, who win by only losing £80, are the Reds. | 0:37:19 | 0:37:24 | |
Well done, Reds. Pretty good, isn't it? Anyway, you had a good time? | 0:37:24 | 0:37:27 | |
-Great time, Tim. -Great day. -Good for you, Sandra. | 0:37:27 | 0:37:29 | |
We've loved having you. | 0:37:29 | 0:37:30 | |
-Anyway, join us soon for some more bargain hunting. Yes? -Yes! | 0:37:30 | 0:37:34 |