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Hello. A familiar blue door next door to a Notting Hill bookshop? | 0:00:05 | 0:00:11 | |
And Portobello Road's just down the road? | 0:00:11 | 0:00:14 | |
I'd say, bin the books and let's go bargain hunting! | 0:00:14 | 0:00:18 | |
Hang on. Is that you, Julia? | 0:00:18 | 0:00:21 | |
If you go that way, you go to Paddington. | 0:00:48 | 0:00:51 | |
If you go that way, you're in Holland Park. But right here, | 0:00:51 | 0:00:57 | |
we're going to go bargain hunting in Portobello Road, | 0:00:57 | 0:01:00 | |
London's busiest market, where we hope our teams | 0:01:00 | 0:01:04 | |
are going to get their mitts on loads of antiques. | 0:01:04 | 0:01:08 | |
Coming up on today's show... | 0:01:11 | 0:01:13 | |
The Reds find themselves a drip. No, not JP. | 0:01:14 | 0:01:18 | |
That kind of drip. Oooh! | 0:01:20 | 0:01:22 | |
While the Blues turn on the charm. | 0:01:22 | 0:01:25 | |
How about ten? Ten and we'll love you forever. | 0:01:25 | 0:01:28 | |
Give me your best smile. | 0:01:28 | 0:01:29 | |
Is that 20 quid now? | 0:01:29 | 0:01:31 | |
So, let's meet the team. | 0:01:35 | 0:01:38 | |
Well, on the show today, we've got great mates. | 0:01:38 | 0:01:42 | |
For the Reds, it is Kathryn and Olivia. | 0:01:42 | 0:01:45 | |
And for the blues, it's Keith and Mark. Hello, everyone. | 0:01:45 | 0:01:47 | |
ALL: Hello. | 0:01:47 | 0:01:48 | |
Hello. Now, Kathryn, I don't suppose there's a moment in your life | 0:01:48 | 0:01:52 | |
when you can't remember being close to Oli, right? | 0:01:52 | 0:01:54 | |
No. I've known her since we were four years old and so, | 0:01:54 | 0:01:57 | |
yeah, we've been friends ever since. | 0:01:57 | 0:01:59 | |
We like drinking tea, watching Bargain Hunt. | 0:01:59 | 0:02:01 | |
So, yeah, we're pretty good friends. | 0:02:01 | 0:02:03 | |
Have a good old time of it. | 0:02:03 | 0:02:04 | |
You can't have been watching Bargain Hunt for 20 years, | 0:02:04 | 0:02:07 | |
cos I've only been doing it for nearly 10. | 0:02:07 | 0:02:09 | |
-Well, obviously only since you've been doing it. -Yes, absolutely. | 0:02:09 | 0:02:11 | |
Otherwise, you watched Andy Pandy or the Flower Pot Men or | 0:02:11 | 0:02:14 | |
-something like that before that, yes? -Yes. -Quite right, too. | 0:02:14 | 0:02:17 | |
Now, Kathryn, you're a bit of an entrepreneur. | 0:02:17 | 0:02:20 | |
Well, I don't know about that, | 0:02:20 | 0:02:21 | |
but, yeah, I've got my own business online. | 0:02:21 | 0:02:24 | |
-Have you? -Yep. -What is the business, what do you do? | 0:02:24 | 0:02:26 | |
I sell vintage clothing and I customise vintage clothing. | 0:02:26 | 0:02:31 | |
And I also have my own range of clothing that I hand make. | 0:02:31 | 0:02:34 | |
-Do you really? -Yeah. -And is there a name that one can search for? | 0:02:34 | 0:02:38 | |
SHE WHINES | 0:02:38 | 0:02:41 | |
-What is that noise? -I don't want to put a face to the brand | 0:02:41 | 0:02:43 | |
or it might ruin it. They might think I'm really cool, but I'm not. | 0:02:43 | 0:02:46 | |
Then they'll see me on here and be like... | 0:02:46 | 0:02:48 | |
It's a secret website somewhere near you. | 0:02:48 | 0:02:51 | |
I want to keep the mystery. It's just made by a girl. | 0:02:51 | 0:02:53 | |
Just made by a girl. | 0:02:53 | 0:02:55 | |
-If that's enough. -It's not A girl, it is THE girl. | 0:02:55 | 0:02:59 | |
Now, Olivia, is some of this entrepreneurial spin going to | 0:02:59 | 0:03:04 | |
rub off on you when you finish? | 0:03:04 | 0:03:06 | |
I hope so, yes. | 0:03:06 | 0:03:07 | |
-What are you reading? -It's graphic design. | 0:03:07 | 0:03:10 | |
I'm hoping to apply for some jobs in advertising agencies, | 0:03:10 | 0:03:15 | |
maybe as a creative director | 0:03:15 | 0:03:17 | |
in the future. That would be my dream job. | 0:03:17 | 0:03:19 | |
You've also got a taste for the extreme. | 0:03:19 | 0:03:21 | |
-Well, I have done one quite extreme thing. -What's that? | 0:03:21 | 0:03:25 | |
That is a skydive in New Zealand over the Abel Tasman Park, | 0:03:25 | 0:03:28 | |
which was quite incredible. | 0:03:28 | 0:03:30 | |
Does that mean you have some thumping great Kiwi strapped | 0:03:30 | 0:03:32 | |
-to your back? -Yeah. He was... He was pretty, uh... | 0:03:32 | 0:03:35 | |
-He was pretty all right. -Was he? -Yeah. | 0:03:35 | 0:03:37 | |
Do you think all this creativity is going to help you kids | 0:03:37 | 0:03:40 | |
-find a bargain today? -Definitely. | 0:03:40 | 0:03:42 | |
-Yeah. -We want to look for something unique, | 0:03:42 | 0:03:45 | |
individual and buy something a bit different. | 0:03:45 | 0:03:48 | |
-And you're going to spend the whole lot, right? -We plan to, yeah. | 0:03:48 | 0:03:51 | |
Good for you. I like that kind of spirit. | 0:03:51 | 0:03:54 | |
Anyway, chaps, now, you have known each other | 0:03:54 | 0:03:56 | |
since birth, practically, too. | 0:03:56 | 0:03:58 | |
-That's right. -How many years have you known Mark? -23 years. | 0:03:58 | 0:04:02 | |
-Yeah. 23 years? -That's right. -That is nearly all your lifetime then. | 0:04:02 | 0:04:06 | |
It is, yeah. Keith was about the same height when I met him. | 0:04:06 | 0:04:08 | |
Hasn't grown since. | 0:04:08 | 0:04:10 | |
Don't be rude about your friend like that. | 0:04:10 | 0:04:12 | |
Now, Mark, what do you do in your day job? | 0:04:12 | 0:04:15 | |
I work as a marketing consultant for an advertising company. | 0:04:15 | 0:04:18 | |
-I say! -I might have a word... | 0:04:18 | 0:04:20 | |
This is a bit of a linkage, isn't it? | 0:04:20 | 0:04:23 | |
We only want the best, so I'm not sure. | 0:04:23 | 0:04:26 | |
We'll have to see how she gets on first. | 0:04:26 | 0:04:29 | |
Are you trying to get on together here or not? | 0:04:29 | 0:04:31 | |
Now, that's interesting, isn't it? | 0:04:31 | 0:04:34 | |
So, what actually do you do in your job? | 0:04:34 | 0:04:36 | |
I go and see small, local companies, go and talk to them | 0:04:36 | 0:04:39 | |
-about their advertising. -Stop giggling, Keith. | 0:04:39 | 0:04:41 | |
-He's your mate. -Not anymore. | 0:04:41 | 0:04:44 | |
Put a marketing package together for them and consult them | 0:04:44 | 0:04:47 | |
on how best to advertise themselves in their local area. | 0:04:47 | 0:04:51 | |
-It says here, Keith, that you manage change. -That's right. | 0:04:51 | 0:04:53 | |
So, I work for an online fashion retailer | 0:04:53 | 0:04:56 | |
and I manage technical change, | 0:04:56 | 0:04:57 | |
which is going to have an impact on our customer base. | 0:04:57 | 0:05:01 | |
It says here that your hobbies are more kind of masculine related. | 0:05:01 | 0:05:04 | |
Yeah, I like to collect cars, so, like model cars, | 0:05:04 | 0:05:08 | |
rare ones like a Jaguar E type, | 0:05:08 | 0:05:11 | |
BMW, Mercedes, Porsche... Those kind of cars. | 0:05:11 | 0:05:15 | |
Is that because you want those cars yourself? | 0:05:15 | 0:05:17 | |
-I think one day, yeah. -But for the moment, you're going for the models. | 0:05:17 | 0:05:20 | |
-Exactly. -He's quite small, so he can... | 0:05:20 | 0:05:22 | |
Will you stop rambling on about his size! | 0:05:22 | 0:05:25 | |
It's not going to last, this relationship. | 0:05:25 | 0:05:27 | |
I mean, they've known each other for 20 years, | 0:05:27 | 0:05:30 | |
but I can see it all breaking up any minute. | 0:05:30 | 0:05:32 | |
Right, the money moment, £300 apiece. | 0:05:32 | 0:05:34 | |
Here is your £300 coming up. Happy with that, girls? | 0:05:34 | 0:05:37 | |
Happy with that, boys? | 0:05:37 | 0:05:38 | |
You know the rules, your experts awaits and off you go! | 0:05:38 | 0:05:41 | |
And very, very, very good luck. | 0:05:41 | 0:05:43 | |
I've always been keen on a bit of marketing myself. | 0:05:43 | 0:05:46 | |
Fighting through the crowds on the world-famous Portobello Road, | 0:05:46 | 0:05:52 | |
for the Reds, we have Jonathan Pratt, | 0:05:52 | 0:05:54 | |
who never misses a thing. | 0:05:54 | 0:05:56 | |
Whilst for the Blues, Henry Meadows is looking for the money shot. | 0:05:56 | 0:06:00 | |
So, ladies, here we are, Portobello Road, very exciting place. | 0:06:00 | 0:06:03 | |
Indeed, very exciting. | 0:06:03 | 0:06:05 | |
What do you ladies want to buy today? | 0:06:05 | 0:06:07 | |
Well, we've had a little team talk, haven't we? | 0:06:07 | 0:06:09 | |
And we're thinking of getting something quite, | 0:06:09 | 0:06:11 | |
sort of, individual, unique. | 0:06:11 | 0:06:13 | |
What sort of items will you be looking for today? | 0:06:13 | 0:06:15 | |
-Anything unique that grabs our attention, I think. -All right. | 0:06:15 | 0:06:18 | |
Well, sort of silver and ceramics and things like that? | 0:06:18 | 0:06:20 | |
Possibly some silver or some antique cars, model cars... | 0:06:20 | 0:06:24 | |
Oh, model cars. Oh, right, yeah! | 0:06:24 | 0:06:26 | |
There is so much choice at this place. | 0:06:26 | 0:06:27 | |
-Let's just start having a look and see what we can find. -Let's go! | 0:06:27 | 0:06:30 | |
Let's get our skates on. Come on, we've got an hour.. | 0:06:30 | 0:06:33 | |
Get shopping, teams. | 0:06:33 | 0:06:35 | |
-We are on the clock, though, yeah? -OK. | 0:06:38 | 0:06:40 | |
Yes, the clock has started, Blues. | 0:06:40 | 0:06:41 | |
We don't mess about on this programme, you know. | 0:06:41 | 0:06:44 | |
What catches my eye are things like the silver scent bottles | 0:06:44 | 0:06:46 | |
and cigarette cases. | 0:06:46 | 0:06:48 | |
They have a certain weight in silver. | 0:06:48 | 0:06:49 | |
Things like amber beads are doing well. These are agates. | 0:06:49 | 0:06:52 | |
Little vesta cases, which are interesting shapes. | 0:06:52 | 0:06:54 | |
This is, like, for matches, to put little matches in. | 0:06:54 | 0:06:57 | |
We definitely want something different. | 0:06:57 | 0:06:59 | |
Let's wander on and look outside to get an idea what | 0:06:59 | 0:07:01 | |
these guys have got in their stock | 0:07:01 | 0:07:02 | |
-and then we'll come back and wander into one. -OK, perfect. | 0:07:02 | 0:07:05 | |
Good plan, JP. It's like Aladdin's cave here. | 0:07:05 | 0:07:09 | |
But what are the Blues looking into? | 0:07:09 | 0:07:11 | |
-What have you found out, Keith? -So, it's a mirror. -Yep. | 0:07:11 | 0:07:15 | |
I don't think it is real silver, so it's on for £48. | 0:07:15 | 0:07:19 | |
OK. It depends whether you like losing or not, I don't know. | 0:07:19 | 0:07:23 | |
We definitely don't want to lose, so we'll call it a miss for now. | 0:07:23 | 0:07:26 | |
-Fair enough. -Thanks for your opinion. What do you think, Mark? | 0:07:26 | 0:07:29 | |
I think it could use more depth to it. Quite basic. But, yeah... | 0:07:29 | 0:07:33 | |
-For now... -Leave it? -Yeah. -OK. Thanks. | 0:07:33 | 0:07:37 | |
Be careful, chaps, you know a broken mirror is seven years' bad luck. | 0:07:37 | 0:07:41 | |
I mean, that at auction is worth 50, 70... | 0:07:41 | 0:07:45 | |
Oh, my God! | 0:07:45 | 0:07:46 | |
Oh, perhaps it's just JP that's bad luck. | 0:07:46 | 0:07:49 | |
Let's hope that this is not an omen for a serial of disasters. | 0:07:50 | 0:07:55 | |
-Well, it is a cornflake bowl. -Right. -Big breakfast. | 0:07:55 | 0:07:58 | |
That is a big breakfast, isn't it? | 0:07:58 | 0:08:00 | |
-What do you think to that? -It looks very decorative, isn't it? | 0:08:00 | 0:08:03 | |
Is it Chinese or...? | 0:08:03 | 0:08:05 | |
Can you see those marks on the base, those raised marks? | 0:08:05 | 0:08:08 | |
They're what's known as stilt marks. | 0:08:08 | 0:08:10 | |
And whenever you see, sort of, erm, porcelain of this nature with | 0:08:10 | 0:08:14 | |
stilt marks, generally speaking, it originated from Japan. | 0:08:14 | 0:08:18 | |
-Right. -Let's have a look at these panels. | 0:08:18 | 0:08:20 | |
Let's hold it very carefully. | 0:08:20 | 0:08:21 | |
-I do know a good restorer. -We haven't bought it yet. -No. | 0:08:21 | 0:08:25 | |
But can you see these sort of panels around here? | 0:08:25 | 0:08:28 | |
-This whole palette is known as the Arita palette. -OK. | 0:08:28 | 0:08:33 | |
You know, because you've got all of these distinctive iron reds | 0:08:33 | 0:08:36 | |
and cobalt blues and gilding | 0:08:36 | 0:08:38 | |
and things like that. Probably made, sort of... | 0:08:38 | 0:08:40 | |
I don't know, 1890, 1900s, that sort of period. | 0:08:40 | 0:08:43 | |
And it was an export piece, | 0:08:43 | 0:08:46 | |
you know, for the grand houses, basically. | 0:08:46 | 0:08:50 | |
Let's have a look at how much it is. | 0:08:50 | 0:08:52 | |
150. | 0:08:53 | 0:08:55 | |
So it's £150. | 0:08:55 | 0:08:57 | |
-Yeah. -What would that make, do you think? | 0:08:57 | 0:08:59 | |
I would... | 0:08:59 | 0:09:01 | |
If this was in my auction, I'd put this in at, sort of, 80 to 120. | 0:09:01 | 0:09:05 | |
-OK, so we could do with a better price. -Yeah. | 0:09:05 | 0:09:07 | |
We have got to get it right... | 0:09:07 | 0:09:09 | |
-From our point of view, we've got to get it down considerably. -OK. | 0:09:09 | 0:09:12 | |
-Do you fancy asking the stall holder? -Yeah, definitely, so... | 0:09:12 | 0:09:15 | |
We see it is on for 150, we really like it. | 0:09:15 | 0:09:18 | |
We would like to make you an offer of £75. | 0:09:18 | 0:09:22 | |
What can you do there? | 0:09:22 | 0:09:24 | |
I'm going to be totally honest with you, normally I do 10%, | 0:09:24 | 0:09:27 | |
which would be 15 quid. | 0:09:27 | 0:09:29 | |
As it is yourselves, I'll do it for £110. | 0:09:30 | 0:09:32 | |
If you could get it under 100, you'd be doing us a massive favour, | 0:09:32 | 0:09:35 | |
we could get some money with it. | 0:09:35 | 0:09:37 | |
-It's huge, you don't want to take that home, do you? -No. | 0:09:37 | 0:09:39 | |
£95 would be death on it. | 0:09:39 | 0:09:43 | |
-Should we take a bit of a gamble on that? -Well, it's up to you. | 0:09:43 | 0:09:46 | |
I think it looks good. It's a decent size. | 0:09:46 | 0:09:50 | |
Based on that, I think we should go for it. | 0:09:50 | 0:09:52 | |
-Shake the man's hand. -Yeah, let's do it. -£95. | 0:09:52 | 0:09:56 | |
Well done, chaps, one down. | 0:09:56 | 0:09:57 | |
I think you've got a taste for this bargain-hunting malarkey. | 0:09:57 | 0:10:02 | |
But what about the Reds? | 0:10:02 | 0:10:04 | |
That's...that's... that's 18th-century Chinese, | 0:10:04 | 0:10:08 | |
late 18th-century Chinese. Little sauce tureen and cover. | 0:10:08 | 0:10:11 | |
Um... | 0:10:11 | 0:10:14 | |
You know, that's... You know, a useful thing, a decorative thing. | 0:10:14 | 0:10:17 | |
It's late 18th century. | 0:10:17 | 0:10:19 | |
-Can I just ask you a very quick question? -Yeah. | 0:10:19 | 0:10:21 | |
-This little tureen cover, how much? -That's £50. | 0:10:21 | 0:10:24 | |
-£50... -But, as you know, it's 18th century. | 0:10:24 | 0:10:27 | |
Late 18th-century Chinese, yeah. | 0:10:27 | 0:10:29 | |
-I do like it. -It's in good condition. -It is in good condition. | 0:10:29 | 0:10:32 | |
Well, we're going to an auction house that has | 0:10:32 | 0:10:34 | |
a bit of Chinese there. | 0:10:34 | 0:10:36 | |
London is a good market for it, the Chinese are very hot. | 0:10:36 | 0:10:39 | |
Um... I say the Chinese are very hot, it sounds like some sort of comment | 0:10:39 | 0:10:42 | |
-about the Chinese. The market is very good at the moment. -Yeah. | 0:10:42 | 0:10:45 | |
Always with these lug sort of handles, modelled | 0:10:45 | 0:10:48 | |
as sort of little beasties... | 0:10:48 | 0:10:49 | |
Variant on a willow-type pattern. I mean, I think that's... | 0:10:49 | 0:10:53 | |
Oh, there's a whopping great chunk on it. That's not good condition. | 0:10:53 | 0:10:57 | |
No. | 0:10:57 | 0:10:58 | |
I like the little animal heads, despite the damage. | 0:10:58 | 0:11:01 | |
There's a big chip on the side, though, down the side there. | 0:11:01 | 0:11:04 | |
It was like that when I got it, I promise you. | 0:11:06 | 0:11:08 | |
I hadn't seen that. | 0:11:08 | 0:11:10 | |
-It blends in so well. -It does, absolutely. | 0:11:10 | 0:11:13 | |
There's a few little chips on the rim. | 0:11:13 | 0:11:15 | |
-Yeah, but those are just sort of... -I mean... | 0:11:15 | 0:11:17 | |
Yeah, exactly. Would you take 25 for it? | 0:11:17 | 0:11:20 | |
-No. -It's got a chip. -I paid more than that. -Oh, OK. | 0:11:20 | 0:11:23 | |
I'll take 40, but that would be it. | 0:11:23 | 0:11:26 | |
-£40, 40 quid... -I'm not sure about the damage. | 0:11:26 | 0:11:30 | |
All right, let's move on then. | 0:11:30 | 0:11:32 | |
-We've got a little bit of security. -Yeah. | 0:11:32 | 0:11:34 | |
Always good to feel secure, JP. | 0:11:34 | 0:11:37 | |
This is...a bit of a... | 0:11:37 | 0:11:40 | |
-a big kid's toy, isn't it? -Yeah. -What's your take to this? | 0:11:40 | 0:11:44 | |
A model Air France plane. | 0:11:44 | 0:11:46 | |
-Have you got one of those in your collection? -I don't, no. | 0:11:46 | 0:11:49 | |
-It looks like it has been through a few crashes. -Yeah. | 0:11:49 | 0:11:52 | |
Who was it made by? | 0:11:52 | 0:11:53 | |
-Dinky toys. -There you go, Dinky toys. | 0:11:53 | 0:11:56 | |
-Date-wise, it suggests sort of 1950s. -Really? | 0:11:56 | 0:11:58 | |
Maybe early '60s. Probably more '50s, looking at it. | 0:11:58 | 0:12:02 | |
With items like this, condition is the key, isn't it? | 0:12:02 | 0:12:06 | |
-And, as you say, this one looks as if it's... -Well played with. -Yeah. | 0:12:06 | 0:12:09 | |
I'm not sure whether that is going to be for us. | 0:12:09 | 0:12:11 | |
-No, I don't think that's going to fly at the auction. -Now, I don't. | 0:12:11 | 0:12:15 | |
Oh, very droll, Henry. | 0:12:15 | 0:12:17 | |
Now, what are those Reds getting their teeth into? | 0:12:17 | 0:12:21 | |
There's this lovely pink biscuit barrel. And on top, | 0:12:21 | 0:12:23 | |
we've got the biscuit's label and a swing handle. | 0:12:23 | 0:12:25 | |
-It is silver-plate mounted. -I love that. -The key is... | 0:12:25 | 0:12:28 | |
the key is whether or not the pottery body is still in one piece. | 0:12:28 | 0:12:32 | |
-Yeah. -So, should we dive in? | 0:12:32 | 0:12:33 | |
-Definitely. -Do you mind if I just grab this? | 0:12:33 | 0:12:35 | |
-Yeah, I love that. -And look, the finial, actually, | 0:12:35 | 0:12:38 | |
is a hand holding a cookie. | 0:12:38 | 0:12:40 | |
-Isn't that cool? -That's really cool. | 0:12:40 | 0:12:42 | |
Um... It's got, again, another plated mark for... | 0:12:42 | 0:12:48 | |
I don't know, it might be James Dixon & Sons. | 0:12:48 | 0:12:50 | |
-And what sort of age is it? -Late 19th century. | 0:12:50 | 0:12:53 | |
Transfer decorated, so simply produced, | 0:12:53 | 0:12:56 | |
but then with a nice metal mount. | 0:12:56 | 0:12:58 | |
-I quite like that, I think it is rather cool. -I really like it. | 0:12:58 | 0:13:01 | |
-I especially like the handle. -Yeah, me too. | 0:13:01 | 0:13:03 | |
And really different as well. | 0:13:03 | 0:13:04 | |
Yeah, and people will use it. But it's also... | 0:13:04 | 0:13:06 | |
I think the pink is kind of quite now, isn't it? | 0:13:06 | 0:13:10 | |
-Yeah. -It is not in bad condition at all, really. | 0:13:10 | 0:13:12 | |
There's no chips or anything. | 0:13:12 | 0:13:14 | |
Ah, but there might be a few choccy chips in there, JP. | 0:13:14 | 0:13:17 | |
-OK. Do you want to ask the price? -Sure. -Sure. | 0:13:19 | 0:13:22 | |
-I'll give it to you for a second. -Excuse me, how much is this one? | 0:13:22 | 0:13:25 | |
-65. -OK. Would you take any lower? | 0:13:25 | 0:13:29 | |
-What's your best, best price you could do? -It would be 55. | 0:13:29 | 0:13:33 | |
-So, yeah, 55 is the best price. -£55. | 0:13:33 | 0:13:38 | |
I think at auction, you would say... | 0:13:38 | 0:13:40 | |
a standard price for these - 40 to 60, so we're in the middle there. | 0:13:40 | 0:13:44 | |
-Should we just go for it? -I really like it. | 0:13:44 | 0:13:45 | |
If you put it down, it might disappear. | 0:13:45 | 0:13:47 | |
I like it a lot, I think we should go for it. | 0:13:47 | 0:13:49 | |
Let's just go for it. | 0:13:49 | 0:13:50 | |
Well done, Reds, but no time for tea and biscuits quite yet - | 0:13:52 | 0:13:55 | |
two more bargains to find. | 0:13:55 | 0:13:57 | |
So, while the teams keep on searching, | 0:13:57 | 0:14:00 | |
here's a little excitement for you. | 0:14:00 | 0:14:02 | |
I think we all like the idea of a cheap thrill, don't we? | 0:14:03 | 0:14:06 | |
But a cheap thrill in a brown bag? | 0:14:06 | 0:14:09 | |
Well, stand by. | 0:14:09 | 0:14:10 | |
Isn't that cute? | 0:14:12 | 0:14:14 | |
Well, I mean, it's seriously cute! | 0:14:14 | 0:14:18 | |
Sometimes called apprentice pieces - | 0:14:18 | 0:14:20 | |
little pieces of furniture made by apprentice craftspeople. | 0:14:20 | 0:14:25 | |
It's of serpentine outline, that's that wavy business | 0:14:25 | 0:14:28 | |
going across the front, | 0:14:28 | 0:14:30 | |
which makes it more difficult to make. | 0:14:30 | 0:14:32 | |
And then it has got this oddball boxed section stuck on the top, | 0:14:32 | 0:14:37 | |
which is really intriguing. | 0:14:37 | 0:14:40 | |
A very simple, crude, even, bent wire hasp | 0:14:40 | 0:14:45 | |
on the front opens up, | 0:14:45 | 0:14:47 | |
enabling you to hinge open that interior, | 0:14:47 | 0:14:51 | |
and that gives you a bit of a hint as to where this thing comes from. | 0:14:51 | 0:14:55 | |
What we have got is sprays of flowers here, look, | 0:14:55 | 0:14:59 | |
in dullish brown colours. | 0:14:59 | 0:15:02 | |
Once upon a time, overall it had a yellow varnish, | 0:15:02 | 0:15:05 | |
which has spotted and rubbed and gone away. | 0:15:05 | 0:15:09 | |
But overall, this slightly untidy painted effect is exactly | 0:15:09 | 0:15:15 | |
what people want to buy these days. | 0:15:15 | 0:15:18 | |
It comes, I reckon, from Scandinavia. | 0:15:18 | 0:15:21 | |
It comes maybe from Norway, but much more likely from Sweden. | 0:15:21 | 0:15:27 | |
Which goes, all in all, to make this | 0:15:27 | 0:15:29 | |
into an extremely interesting object. | 0:15:29 | 0:15:32 | |
I paid the man across the road £420 for this little box. | 0:15:32 | 0:15:36 | |
Am I completely mad? | 0:15:36 | 0:15:38 | |
Well, I am probably completely mad, but actually, I think, | 0:15:38 | 0:15:42 | |
as a rare Swedish miniature chest, | 0:15:42 | 0:15:44 | |
it's worth significantly more. How much more? | 0:15:44 | 0:15:48 | |
Well, I think in a suitable sale, | 0:15:48 | 0:15:50 | |
it could bring perhaps as much as £1,000 to £1,500. | 0:15:50 | 0:15:54 | |
But I shan't be selling it. | 0:15:54 | 0:15:56 | |
But our teams do need to find things to sell. | 0:15:58 | 0:16:01 | |
So we could go up here, if you don't find anything, | 0:16:01 | 0:16:04 | |
go back and buy the tureen if it is still there... | 0:16:04 | 0:16:07 | |
-Yeah. -..with a bit of expert negotiating. | 0:16:07 | 0:16:10 | |
-And then maybe go inside. -Yeah, definitely, that sounds good. | 0:16:10 | 0:16:14 | |
Tactics? | 0:16:14 | 0:16:15 | |
I think something small and that can generate, you know, a bit of profit. | 0:16:15 | 0:16:20 | |
-So, let's get another one under our belt now. -OK. | 0:16:20 | 0:16:23 | |
We don't necessarily have to spend big, | 0:16:23 | 0:16:26 | |
and that takes the pressure off us for our third and final item. | 0:16:26 | 0:16:28 | |
OK. Let's get moving. | 0:16:28 | 0:16:30 | |
Good plan, Henry. Get on with it, boys. | 0:16:30 | 0:16:32 | |
Now, where are those Reds? | 0:16:32 | 0:16:34 | |
I particularly like that little chap there. | 0:16:34 | 0:16:38 | |
He's a gardener. | 0:16:38 | 0:16:39 | |
He's a Staffordshire figure, but he is a bit more of a novelty for that. | 0:16:39 | 0:16:42 | |
I think he is quite fun. | 0:16:42 | 0:16:44 | |
Although, the little girl has had a bit of a nightmare on her neck. | 0:16:44 | 0:16:48 | |
-Has that actually come totally apart? -Yeah, the head's been off it. | 0:16:48 | 0:16:52 | |
So, better not lose your head, JP. | 0:16:52 | 0:16:55 | |
-I mean, I quite like that. -I think it is grotesque. | 0:16:55 | 0:16:58 | |
Do you think it's grotesque? | 0:16:58 | 0:16:59 | |
But you like pink, she likes the grotesque. | 0:16:59 | 0:17:02 | |
Juxtaposition at its best, JP. Who can argue with that? | 0:17:02 | 0:17:08 | |
So, see anything here? | 0:17:08 | 0:17:10 | |
That box, yeah. | 0:17:10 | 0:17:12 | |
-That's nice, isn't it? -Yeah. | 0:17:12 | 0:17:14 | |
Could you tell us a bit about that box, please? | 0:17:14 | 0:17:16 | |
Yeah, it is a lovely 19th-century Kashmirian trinket box, | 0:17:16 | 0:17:20 | |
so it's silver. | 0:17:20 | 0:17:21 | |
-Can we have a look at it? -Of course you can. | 0:17:21 | 0:17:23 | |
Let's have a look. | 0:17:29 | 0:17:31 | |
-It's beautiful, isn't it? -Yeah. -Yeah. | 0:17:32 | 0:17:34 | |
It's a nice piece, isn't it? | 0:17:34 | 0:17:36 | |
How much is it on for? | 0:17:36 | 0:17:38 | |
-It is for £150. -OK. -Look inside, it is gilded as well. | 0:17:38 | 0:17:44 | |
You see that sort of gilt decoration? | 0:17:44 | 0:17:46 | |
-It's in very fine condition. -Yes, it is. | 0:17:46 | 0:17:49 | |
We really like it, but we have a budget | 0:17:49 | 0:17:52 | |
-of 100 pounds, so... -My very best price on it is 110. | 0:17:52 | 0:17:57 | |
-110. -That's my very best. | 0:17:57 | 0:17:59 | |
I think that is higher than the rate we might get, so...quite risky. | 0:17:59 | 0:18:03 | |
I tell you what, because it is a one-off, my last price is 100, | 0:18:03 | 0:18:08 | |
and that's it. | 0:18:08 | 0:18:09 | |
-100. -That's doable. -That sounds great to me. -OK, shake his hand. | 0:18:09 | 0:18:14 | |
-Cheers. -Thank you. | 0:18:14 | 0:18:17 | |
That's how to do it, chaps. | 0:18:17 | 0:18:19 | |
Two in the bag, or should I say box. | 0:18:19 | 0:18:21 | |
Now, have those Reds made any decisions yet? | 0:18:21 | 0:18:24 | |
We haven't got much time left. | 0:18:24 | 0:18:26 | |
-I think we should go back to the little tureen. -Yeah, I do. | 0:18:26 | 0:18:29 | |
Well, let's hope it is still there, girls. | 0:18:29 | 0:18:31 | |
-It's still here, that's really good. -Let's just see what the guy says. | 0:18:31 | 0:18:36 | |
How much do you want to pay for it? | 0:18:36 | 0:18:37 | |
-I think we should get about 35, what do you say? -Yeah. | 0:18:37 | 0:18:40 | |
-Would you take 35? -It's awfully cheap. I mean, it's 300 years old. | 0:18:40 | 0:18:45 | |
I don't know, what about the damage? | 0:18:45 | 0:18:48 | |
It's got a little bit of damage. | 0:18:48 | 0:18:50 | |
38. | 0:18:50 | 0:18:52 | |
GIRLS: Ooooh... | 0:18:52 | 0:18:53 | |
You sure we can't just twist your arm a little bit more? | 0:18:53 | 0:18:57 | |
35 and call it a deal? | 0:18:57 | 0:18:59 | |
-I don't know about that. -35? | 0:18:59 | 0:19:02 | |
Oh, all right. | 0:19:02 | 0:19:03 | |
Thank you, that's great, thanks so much. | 0:19:03 | 0:19:06 | |
-Cheers. -One more thing and we've got 13 minutes left. | 0:19:06 | 0:19:10 | |
Oh, gosh, now that is quite tricky. | 0:19:10 | 0:19:12 | |
It's not too tricky, but knowing this is a busy road, let's go. | 0:19:12 | 0:19:15 | |
OK, yeah. | 0:19:15 | 0:19:17 | |
As JP starts to feel the pressure, | 0:19:17 | 0:19:19 | |
Henry seems as cool as a cucumber. | 0:19:19 | 0:19:22 | |
How about this stall? | 0:19:22 | 0:19:25 | |
See anything you like? | 0:19:25 | 0:19:27 | |
What have you got there then? | 0:19:27 | 0:19:29 | |
It is a copper ashtray. | 0:19:29 | 0:19:31 | |
Well, it's copper, that's for sure. | 0:19:31 | 0:19:34 | |
But I don't think this sort of fruit decoration around it | 0:19:34 | 0:19:40 | |
-is very smoking. -I would use it as an ashtray. | 0:19:40 | 0:19:44 | |
But it's got sort of a beaten... Can you see that across there? | 0:19:44 | 0:19:47 | |
-It has got a sort of a beaten finish, hasn't it? -Yeah. | 0:19:47 | 0:19:50 | |
This is what they call hammered or sort of planishing, | 0:19:50 | 0:19:54 | |
which was quite typical of the early 20th century, | 0:19:54 | 0:19:58 | |
notably in the Arts and Crafts period. | 0:19:58 | 0:20:01 | |
Is it for fruit, is it? | 0:20:01 | 0:20:02 | |
I think it is just a little decorative piece, but it is | 0:20:02 | 0:20:08 | |
quite nice cos you've got this sort of embossed sort of decoration | 0:20:08 | 0:20:12 | |
-around here. -Would it have much age do you think? | 0:20:12 | 0:20:15 | |
I think it is probably about 1900. | 0:20:15 | 0:20:17 | |
-Really? -I mean, it doesn't want to be a lot of money, really. | 0:20:17 | 0:20:20 | |
-No. We have had a couple big buys, so... -Yeah. | 0:20:20 | 0:20:23 | |
I mean, you know... | 0:20:23 | 0:20:25 | |
-What sort of value...what sort of price? -Well, I had 20 on it. | 0:20:25 | 0:20:29 | |
But for a special Bargain Hunt deal? | 0:20:29 | 0:20:31 | |
-For special Bargain Hunt deal, £12. -How about ten? | 0:20:31 | 0:20:35 | |
Ten and we'll love you forever. | 0:20:35 | 0:20:37 | |
Give me your best smile. | 0:20:37 | 0:20:39 | |
-Fantastic. -Is that 20 quid now? | 0:20:39 | 0:20:41 | |
30. No, no, you can have it for ten. | 0:20:41 | 0:20:44 | |
-OK, I think that's... -Do like that for ten pounds? | 0:20:44 | 0:20:46 | |
-We've had a couple big items, so... -No problem, should we go for it? | 0:20:46 | 0:20:50 | |
I think we should go for that. Brilliant. | 0:20:50 | 0:20:52 | |
I'll shake your hand at ten pounds. Thank you very much. | 0:20:52 | 0:20:55 | |
-Fantastic. -Brilliant. -Perfect. | 0:20:55 | 0:20:56 | |
Shall we go get a cup of tea? | 0:20:56 | 0:20:57 | |
-I think so. I think we've done well. -Excellent. -Let's go. | 0:20:57 | 0:21:01 | |
That's how to do it - cool, calm and collected. Well done, Blues. | 0:21:01 | 0:21:04 | |
But it is a different story for the Reds. | 0:21:04 | 0:21:07 | |
We've got about a minute left. | 0:21:10 | 0:21:12 | |
-Let's get the gardener. -Run, run, run! | 0:21:12 | 0:21:15 | |
Never mind the damaged goods, off with your heads, Reds! | 0:21:15 | 0:21:20 | |
Could we...? How much is this one? | 0:21:22 | 0:21:25 | |
I did say 40, but then I said to the other lady I could do 35. | 0:21:25 | 0:21:29 | |
-35? -35. | 0:21:29 | 0:21:31 | |
Don't look at me. Time is ticking away. | 0:21:31 | 0:21:33 | |
Yes, we'll take 35 for this as well. | 0:21:33 | 0:21:36 | |
-35. -Yes. OK, thank you. | 0:21:36 | 0:21:38 | |
Time, ladies and gentlemen, please! | 0:21:39 | 0:21:43 | |
Let's see what the Red Team bought. | 0:21:43 | 0:21:45 | |
They gave £55 for the pink Staffordshire biscuit barrel. | 0:21:46 | 0:21:50 | |
Crumbs! | 0:21:50 | 0:21:51 | |
Then they found this small, 18th-century Chinese tureen | 0:21:51 | 0:21:56 | |
and cover, which cost them £35. | 0:21:56 | 0:22:00 | |
Finally, they dug out another £35 for this Staffordshire figure | 0:22:00 | 0:22:04 | |
of a gardener. | 0:22:04 | 0:22:05 | |
Now, Kathryn, tell me, please, which is your favourite piece? | 0:22:07 | 0:22:09 | |
I think it has to be the gardener. | 0:22:09 | 0:22:11 | |
-The ceramic gardener. -Do you agree with that, Olivia? | 0:22:11 | 0:22:14 | |
I think Kathryn particularly had a soft spot for the gardener, | 0:22:14 | 0:22:17 | |
but I quite like the tureen dish. | 0:22:17 | 0:22:19 | |
-So that is your favourite, your personal favourite? -Yeah. -OK. | 0:22:19 | 0:22:22 | |
And is that going to bring the biggest profit? | 0:22:22 | 0:22:24 | |
I'm hoping so. It's got a few chips, got a few dents, | 0:22:24 | 0:22:27 | |
but overall, I think it's a nice little cheeky piece. | 0:22:27 | 0:22:30 | |
Now, rumour has it you spent an absolute fortune, right? | 0:22:30 | 0:22:32 | |
-How much did you spend? -All of £125. | 0:22:32 | 0:22:35 | |
-What, on all three? -Yeah, yeah. | 0:22:35 | 0:22:37 | |
We were going to go all out, but it didn't happen that way. | 0:22:37 | 0:22:40 | |
All right, fine. So, who's got this lovely £175? | 0:22:40 | 0:22:43 | |
-That would be in my pocket. -In your pocket? | 0:22:43 | 0:22:45 | |
OK, fine, that's lovely. That is a load of cash, a good old wad. | 0:22:45 | 0:22:48 | |
-JP, what are you going to do? -Probably avoid buying ceramics. | 0:22:48 | 0:22:51 | |
Probably a good start. | 0:22:51 | 0:22:53 | |
Yeah, well, you know, we've already got all this femininity | 0:22:53 | 0:22:55 | |
urging around, so are you going to go and buy something | 0:22:55 | 0:22:58 | |
butch and male then? | 0:22:58 | 0:22:59 | |
-Arg! Yeah. -You are? OK. -I don't know. | 0:22:59 | 0:23:02 | |
On that... on that rather aggressive note, | 0:23:02 | 0:23:05 | |
we will check out what the Blue Team bought. | 0:23:05 | 0:23:08 | |
They served up £95 on this Japanese porcelain charger. | 0:23:08 | 0:23:13 | |
This 19th-century silver-coloured metal trinket box | 0:23:13 | 0:23:17 | |
set them back £100. | 0:23:17 | 0:23:19 | |
And finally, ten pounds was paid for the 20th-century | 0:23:20 | 0:23:23 | |
Arts and Crafts-style copper dish. | 0:23:23 | 0:23:26 | |
-You had a good time then? -Yeah, lots of fun. | 0:23:28 | 0:23:29 | |
Yeah. And you spent how much in total? | 0:23:29 | 0:23:32 | |
-£205 in total, so a couple of big buys in there. -Lovely. | 0:23:32 | 0:23:36 | |
£95 of left over lolly, who's got that? | 0:23:36 | 0:23:38 | |
-I've got that. -Yep. Now, Mark, which is your favourite piece? | 0:23:38 | 0:23:41 | |
I like the charger plate. | 0:23:41 | 0:23:43 | |
I think it is a nice decorative piece, hopefully it should do well. | 0:23:43 | 0:23:47 | |
OK. And you agree with that, Keith? | 0:23:47 | 0:23:48 | |
No, my favourite item is the silver box. | 0:23:48 | 0:23:50 | |
Is that going to bring the biggest profit? | 0:23:50 | 0:23:52 | |
-We'll see. -Oh, he's enigmatic, isn't he? | 0:23:52 | 0:23:55 | |
What is your prediction, Mark, for the biggest profit? | 0:23:55 | 0:23:58 | |
I think, again, the charger plate. | 0:23:58 | 0:23:59 | |
It's a nice piece, a good sort of piece and, yeah, | 0:23:59 | 0:24:01 | |
we should get a nice profit. | 0:24:01 | 0:24:03 | |
-Nice bit of passion there. OK then, £95. -Thanks, Tim. | 0:24:03 | 0:24:06 | |
I think we have looked at some pretty, you know, | 0:24:06 | 0:24:10 | |
weird and wonderful things today. Let's continue the theme. | 0:24:10 | 0:24:13 | |
I see. Is that a prediction as to what you're out there | 0:24:13 | 0:24:16 | |
-shopping for, Henry? -You never know. -Very good luck with that, Henry. | 0:24:16 | 0:24:20 | |
Meanwhile, we're heading off to Hampstead, to Fenton House, | 0:24:20 | 0:24:23 | |
which is just drop-dead gorgeous. | 0:24:23 | 0:24:25 | |
This is Fenton House, in the borough of Hampstead. | 0:24:34 | 0:24:39 | |
It is home to a large and eclectic collection of works of art, | 0:24:39 | 0:24:45 | |
antiques and furniture. | 0:24:45 | 0:24:48 | |
And, boy, they do have some treasures in the way of furniture | 0:24:53 | 0:24:57 | |
in this house. | 0:24:57 | 0:24:59 | |
This thing would ordinarily sit in the dining room, | 0:24:59 | 0:25:02 | |
underneath the sideboard or side table. | 0:25:02 | 0:25:05 | |
We've got something here that is of perfect sarcophagus form. | 0:25:05 | 0:25:10 | |
The cabinet maker has perfectly pitched and ridged this roof. | 0:25:10 | 0:25:15 | |
The coffered sides that just gently taper, the fact | 0:25:15 | 0:25:20 | |
that it is then raised on solid, slightly hairy, carved claw feet. | 0:25:20 | 0:25:25 | |
And they then sit on a plinth that is proportioned just perfectly. | 0:25:25 | 0:25:31 | |
If I open up the top, it reveals its practical purpose. | 0:25:31 | 0:25:35 | |
It is filled with dividers to take decanters, | 0:25:35 | 0:25:39 | |
hence its position in the dining room. | 0:25:39 | 0:25:43 | |
And to stop the servants having a go at the wines | 0:25:43 | 0:25:46 | |
and spirits, there is even a lock on the front. | 0:25:46 | 0:25:49 | |
It's a treasure. | 0:25:49 | 0:25:51 | |
And, in a way, these two are also similar treasures. | 0:25:51 | 0:25:56 | |
Very rare to find a pair of Irish peat buckets like these. | 0:25:56 | 0:26:03 | |
What is fun about their construction is that the Irish craftsman | 0:26:03 | 0:26:08 | |
has made this like a cooper barrel, | 0:26:08 | 0:26:11 | |
with vertical staves that are contained | 0:26:11 | 0:26:14 | |
by these brass bands. | 0:26:14 | 0:26:16 | |
But instead of leaving them plain, like a barrel, | 0:26:16 | 0:26:19 | |
he has cut them with these horizontal rings, | 0:26:19 | 0:26:21 | |
which is a difficult job to do, but, by gosh, it does make them | 0:26:21 | 0:26:26 | |
decorative, rare things. | 0:26:26 | 0:26:28 | |
But if you want the very rarest and the very best | 0:26:28 | 0:26:33 | |
of a variety of chair called | 0:26:33 | 0:26:36 | |
a Windsor chair, then you go out in search of something like this. | 0:26:36 | 0:26:40 | |
For a kick-off, the material is all yew. | 0:26:40 | 0:26:44 | |
And all yew wood Windsor chairs are the very best. | 0:26:44 | 0:26:48 | |
It has a dished elm seat. That dished elm seat | 0:26:48 | 0:26:52 | |
is shaped out of the solid | 0:26:52 | 0:26:54 | |
and then your bottom fits most perfectly into that shaped part. | 0:26:54 | 0:26:59 | |
For a collector, it is extremely desirable | 0:26:59 | 0:27:02 | |
because of the shape of the back. | 0:27:02 | 0:27:04 | |
You see how this points up? | 0:27:04 | 0:27:06 | |
Just like the lancet window in a Gothic church. | 0:27:06 | 0:27:09 | |
Gothic form, all yew wood Windsor chairs are incredibly rare. | 0:27:09 | 0:27:16 | |
And to top it all, it has got cabriole supports. | 0:27:16 | 0:27:19 | |
Most Windsor chairs have turned front feet. | 0:27:19 | 0:27:22 | |
The very best ones have this curve on them that are then | 0:27:22 | 0:27:25 | |
joined by what is called a crinoline stretcher, | 0:27:25 | 0:27:29 | |
that curvy stretcher. | 0:27:29 | 0:27:31 | |
In short, this chair ticks every single box | 0:27:31 | 0:27:35 | |
that you ever need to tick when it comes to Windsor armchairs. | 0:27:35 | 0:27:39 | |
Isn't that fun? | 0:27:39 | 0:27:42 | |
The big question today is, of course, | 0:27:42 | 0:27:43 | |
for our teams over at the auction. | 0:27:43 | 0:27:45 | |
Just exactly how many boxes are they about to tick? | 0:27:45 | 0:27:48 | |
David Porter is our auctioneer today at High Road Auctions Chiswick. | 0:28:02 | 0:28:07 | |
-Lovely to be here, David. -Thank you, Tim. | 0:28:07 | 0:28:09 | |
Now, for our Red Team, it seems that Jonathan Pratt rather took | 0:28:09 | 0:28:13 | |
this shopping process over. | 0:28:13 | 0:28:16 | |
The girls have completely trusted him | 0:28:16 | 0:28:18 | |
with these objects. What about the pink biscuit barrel, do you like that? | 0:28:18 | 0:28:22 | |
I think it's fun. | 0:28:22 | 0:28:23 | |
It has got this great revival frieze round the side. | 0:28:23 | 0:28:27 | |
Lovely colour, good condition. | 0:28:27 | 0:28:29 | |
And this hand that holds up the legend - biscuits. | 0:28:29 | 0:28:33 | |
It tells you what it is for. | 0:28:33 | 0:28:34 | |
There it is, form and function at its best. | 0:28:34 | 0:28:37 | |
I have to say, I've seen Etruscan transfer printed wares before, | 0:28:37 | 0:28:43 | |
but never ever, ever on a pink ground. | 0:28:43 | 0:28:47 | |
-It is quite outrageous, but fun. -What is your estimate? -30 to 50. | 0:28:47 | 0:28:50 | |
OK, £55 paid by JP. | 0:28:50 | 0:28:53 | |
Yes, and I think that's a conservative estimate. | 0:28:53 | 0:28:55 | |
-What, 30-50? -Yeah, I do. -A bit of a tempter. | 0:28:55 | 0:28:58 | |
I mean, you auctioneers do cast the estimates down. | 0:28:58 | 0:29:01 | |
Bring 'em in, bring 'em in. | 0:29:01 | 0:29:02 | |
-That's what I say. -On a good day, might it make £100? | 0:29:02 | 0:29:05 | |
Yes, I can honestly say that. | 0:29:05 | 0:29:08 | |
The next item has to be F-A-B in today's market - the blue | 0:29:08 | 0:29:11 | |
and white Chinese little tureen. | 0:29:11 | 0:29:14 | |
Charming, and the Chinese market is doing so well at the moment. | 0:29:14 | 0:29:17 | |
I love this shape, I love the hogs' heads | 0:29:17 | 0:29:21 | |
either side on the terminal. It is a nice piece. | 0:29:21 | 0:29:24 | |
It has got a bit of damage on it. | 0:29:24 | 0:29:27 | |
-I mean, it came from a very grand service, didn't it? -Absolutely. | 0:29:27 | 0:29:30 | |
It would have been a massive service. | 0:29:30 | 0:29:32 | |
It is the scale of these that I particularly like. | 0:29:32 | 0:29:35 | |
How much do you think it is worth? | 0:29:35 | 0:29:36 | |
I reckon we're about £60 to £100, somewhere there. | 0:29:36 | 0:29:38 | |
Gosh! Jonathan only paid 35. That is marvellous! | 0:29:38 | 0:29:42 | |
Yes, let's hope we do well for him on that. | 0:29:42 | 0:29:45 | |
Yeah. No, great. | 0:29:45 | 0:29:46 | |
And lastly, the Staffordshire figure of the gardener, | 0:29:46 | 0:29:48 | |
with his little Scottish-looking child. | 0:29:48 | 0:29:51 | |
Lovely colours, beautiful glaze, good condition. | 0:29:51 | 0:29:54 | |
-Mm-hm. -Um...there are lot of them about, let's be honest. | 0:29:54 | 0:29:57 | |
But the Americans used to buy | 0:29:57 | 0:29:59 | |
practically every flat-back figure that ever came out. | 0:29:59 | 0:30:02 | |
-Absolutely. -And they don't anymore. -No, they don't. -Very strange. | 0:30:02 | 0:30:05 | |
-So, the estimate is how much, David? -30 to 50. | 0:30:05 | 0:30:08 | |
OK, £35 paid by Jonathan Pratt. | 0:30:08 | 0:30:10 | |
Well, as he bought all three items for the girls, | 0:30:10 | 0:30:13 | |
he's going to be completely responsible for what happens. | 0:30:13 | 0:30:16 | |
And in case he himself has got it wrong, | 0:30:16 | 0:30:19 | |
he is off now finding a bonus buy. | 0:30:19 | 0:30:21 | |
Let's go and have a look at it. | 0:30:21 | 0:30:24 | |
Olivia, Kathryn, this is your bonus buy moment. You spent £125. | 0:30:24 | 0:30:29 | |
You gave the great JP £175. | 0:30:29 | 0:30:32 | |
What did you buy, Jonathan? | 0:30:32 | 0:30:33 | |
I wanted to avoid ceramics, | 0:30:33 | 0:30:35 | |
we'd been looking at quite a lot of ceramics. | 0:30:35 | 0:30:37 | |
And I thought... As soon as I saw this, I thought, it's... | 0:30:37 | 0:30:40 | |
Well, before I say anymore, here we go. There we go. | 0:30:40 | 0:30:43 | |
-Look at that. -Champagne bucket. | 0:30:43 | 0:30:45 | |
Nice campana shape, which is a bell shape. | 0:30:45 | 0:30:47 | |
You know, if you want a wine cooler, | 0:30:47 | 0:30:49 | |
if you want a champagne bucket, this is the shape to have. | 0:30:49 | 0:30:52 | |
What do you think, ladies? | 0:30:52 | 0:30:53 | |
It's like a trophy, like a football trophy. | 0:30:53 | 0:30:56 | |
-Oh, it is quite weighty, isn't it? -Yeah. It is silver-plated. | 0:30:56 | 0:30:58 | |
It is early 20th century, | 0:30:58 | 0:30:59 | |
I wouldn't say much older than that, to be honest. | 0:30:59 | 0:31:02 | |
-It cost me £120. -How much? -£120. | 0:31:02 | 0:31:05 | |
Do you like it, Olivia? | 0:31:05 | 0:31:07 | |
Yeah, I do quite like it, actually. | 0:31:07 | 0:31:09 | |
We were looking for something silver originally, | 0:31:09 | 0:31:12 | |
so this has ticked that box. | 0:31:12 | 0:31:13 | |
-Kathryn, do you like it? No? -Um... I don't... | 0:31:13 | 0:31:17 | |
I do like it, I'm just not thrilled about £120. | 0:31:17 | 0:31:19 | |
I would like to think it could squeeze a profit. | 0:31:19 | 0:31:22 | |
You think it might make 150, then? | 0:31:22 | 0:31:23 | |
It might make £150. | 0:31:23 | 0:31:25 | |
-Well, let's just feast on that thought, shall we? -Yeah. -Yes. | 0:31:25 | 0:31:28 | |
Meanwhile, for the viewers at home, | 0:31:28 | 0:31:29 | |
let's find out what the auctioneer thinks about | 0:31:29 | 0:31:32 | |
Jonathan's champagne bucket. | 0:31:32 | 0:31:34 | |
-Right then, David. -That is a bit of fun, isn't it, Tim? | 0:31:34 | 0:31:37 | |
I mean, this is good quality silver-plate. | 0:31:37 | 0:31:40 | |
It is about 80 years of age. | 0:31:40 | 0:31:43 | |
Nice detailing on it, that is what you look for in a thing like this. | 0:31:43 | 0:31:47 | |
It is a big piece. It has a presence. | 0:31:47 | 0:31:49 | |
And I think it's worth between £50 to £80. | 0:31:49 | 0:31:52 | |
-OK. Jonathan Pratt paid 120. -Right. | 0:31:52 | 0:31:55 | |
Makes me feel slightly nervous, actually. | 0:31:55 | 0:31:58 | |
But still, our girls have trusted him in every other respect, | 0:31:58 | 0:32:02 | |
I expect they'll go for it, and whatever profit they have made | 0:32:02 | 0:32:05 | |
on the other three items will proceed to go south. | 0:32:05 | 0:32:07 | |
Well, let's hope we do well. | 0:32:07 | 0:32:08 | |
OK, that is it for the Reds, now for the Blues. | 0:32:08 | 0:32:11 | |
The massive Japanese porcelain charger. | 0:32:11 | 0:32:14 | |
-How do these things sell these days? -They do really well at the moment. | 0:32:14 | 0:32:17 | |
The Japanese - not as well as Chinese, but at the same time, | 0:32:17 | 0:32:20 | |
it's got the condition, it's got the size, the colouring is lovely. | 0:32:20 | 0:32:24 | |
Made for export, obviously, in Japan. | 0:32:24 | 0:32:28 | |
-I think it will do quite well. -So, how much? | 0:32:28 | 0:32:31 | |
-80 to 120? -£95 paid. | 0:32:31 | 0:32:34 | |
So, they should make a small profit out of that, good. | 0:32:34 | 0:32:37 | |
-I would hope so, yeah. -What about the white metal box? | 0:32:37 | 0:32:39 | |
Well, I like this. This is Kashmir. | 0:32:39 | 0:32:42 | |
The quality of the chasing is superb on this. | 0:32:42 | 0:32:45 | |
It is very tight, almost Persian in its detail. | 0:32:45 | 0:32:48 | |
Lovely box. Nice hinge on it. | 0:32:48 | 0:32:51 | |
You can judge a good box maker by the quality of the hinge. | 0:32:51 | 0:32:54 | |
But it's the quality of the chasing that gets me on that piece. | 0:32:54 | 0:32:56 | |
-Mm, good. How much? -Between £60 and £100. | 0:32:56 | 0:33:00 | |
OK, £100 the team paid. | 0:33:00 | 0:33:02 | |
-I must say, I can see that making a bit more. -I can. | 0:33:02 | 0:33:05 | |
It may be just low-grade silver, | 0:33:05 | 0:33:07 | |
-but I bet you it is silver. -Very much so. | 0:33:07 | 0:33:10 | |
OK, and the Arts and Crafts copper dish. | 0:33:10 | 0:33:12 | |
Well, I like Arts and Crafts, Tim. | 0:33:12 | 0:33:14 | |
This is a sweet piece, spot hammered from the flat, | 0:33:14 | 0:33:17 | |
so it's a tiny little hammer | 0:33:17 | 0:33:19 | |
that has worked this up into a lovely, circular plate | 0:33:19 | 0:33:22 | |
and decorated the border with very finely detailed flowers and fruits. | 0:33:22 | 0:33:27 | |
Um, it's just a nice, honest bit of English Arts and Crafts. | 0:33:27 | 0:33:30 | |
And incredibly cheap to buy at only £10. | 0:33:30 | 0:33:33 | |
£20 to £30. | 0:33:33 | 0:33:35 | |
Well, that is an ace way of doubling your cash. | 0:33:35 | 0:33:38 | |
If they need it, they can have the bonus buy. | 0:33:38 | 0:33:41 | |
Let's go and have a look at that. | 0:33:41 | 0:33:43 | |
Now, Mark, Keith, this is a lovely moment, the leftover lolly moment. | 0:33:43 | 0:33:47 | |
You spent a fantastic £205. | 0:33:47 | 0:33:49 | |
You gave Henry Meadows £95. | 0:33:49 | 0:33:52 | |
Henry Meadows, what did you spend it on? | 0:33:52 | 0:33:53 | |
Well, I was trying to find something weird and wonderful. | 0:33:53 | 0:33:57 | |
I don't think it's weird, but I think it's wonderful. | 0:33:57 | 0:33:59 | |
What do you think to this? | 0:33:59 | 0:34:01 | |
-Very nice. -Not bad. Stunned into silence. | 0:34:01 | 0:34:05 | |
It's Dutch, late 19th century, silver-coloured metal | 0:34:05 | 0:34:09 | |
we'd have to call it, cos obviously it is continental. | 0:34:09 | 0:34:12 | |
But it is really finely embossed with almost | 0:34:12 | 0:34:15 | |
sort of courting couple on there. How much do you think I paid? | 0:34:15 | 0:34:19 | |
-£50. -£90. -£90, right. | 0:34:19 | 0:34:22 | |
-So we have got a silver item, haven't we? -Yeah, similar to it. | 0:34:22 | 0:34:26 | |
So, if we do really well on that, | 0:34:26 | 0:34:29 | |
hopefully we will do well on this. | 0:34:29 | 0:34:31 | |
And if we don't do well, we might not do well. | 0:34:31 | 0:34:34 | |
That is very logical, Henry, thank you very much for that. | 0:34:34 | 0:34:37 | |
How much profit do you think it's going to make? | 0:34:37 | 0:34:40 | |
-I don't think it is going to make a huge profit. -Great. | 0:34:40 | 0:34:43 | |
Why did you buy it, then? | 0:34:43 | 0:34:45 | |
Yet another reason to go for that one, then, Henry. | 0:34:45 | 0:34:48 | |
See how you get on after the first three. | 0:34:48 | 0:34:50 | |
You'll get your chance to take it if you want to. | 0:34:50 | 0:34:52 | |
But right now, for the audience at home, | 0:34:52 | 0:34:53 | |
let's find out what the auctioneer thinks about Henry's box. | 0:34:53 | 0:34:58 | |
-Well, that's very interesting. -Lovely, Tim. Absolutely lovely. | 0:34:58 | 0:35:01 | |
-Got some weight to it. -Yes. | 0:35:01 | 0:35:03 | |
Typical of the late 19th century, made in Holland, | 0:35:03 | 0:35:06 | |
finely detailed, good hinges again. | 0:35:06 | 0:35:08 | |
And if you open it up to reveal the decoration on the inside. | 0:35:08 | 0:35:12 | |
Very unusual because, obviously, | 0:35:12 | 0:35:14 | |
-you put things in and you're not going to see it anyway. -No, quite. | 0:35:14 | 0:35:16 | |
-What's it worth? -£60 to £100. -OK, £90 paid by Henry, who reckons it. | 0:35:16 | 0:35:21 | |
And after all, I think it should turn a small profit. | 0:35:21 | 0:35:24 | |
-We live in hope, don't we? -Absolutely right. | 0:35:24 | 0:35:26 | |
-I think we will do well on that. -Well, we will find out | 0:35:26 | 0:35:29 | |
in just a moment. Thank you, David. | 0:35:29 | 0:35:31 | |
Bid is with you, sir. £60 against you on the Internet. | 0:35:32 | 0:35:37 | |
-Olivia, Kathryn, excited? -GIRLS: Yes. | 0:35:37 | 0:35:40 | |
Here we go, look, the Staffordshire pottery biscuit barrel. | 0:35:40 | 0:35:44 | |
It's a fine piece with a classical frieze on pink ground. | 0:35:44 | 0:35:47 | |
Thank you, I've got 20 front of house. | 0:35:47 | 0:35:50 | |
It's got a long way to go. | 0:35:50 | 0:35:52 | |
Right in front of me. Am I selling this lovely piece for £20? | 0:35:52 | 0:35:56 | |
Here's the bid, £20. | 0:35:56 | 0:35:58 | |
I don't believe this! | 0:35:58 | 0:36:00 | |
Last chance in the gallery. | 0:36:00 | 0:36:02 | |
Bid's here, right in front of the rostrum at £20. | 0:36:02 | 0:36:04 | |
Selling for £20. | 0:36:04 | 0:36:07 | |
£20! | 0:36:07 | 0:36:08 | |
£20, girls, that's a disaster. Minus 35. | 0:36:08 | 0:36:12 | |
-How much? -Minus 35. | 0:36:12 | 0:36:13 | |
-Oh, no! We've got lots to do now. -Look out, here comes the Chinese. | 0:36:13 | 0:36:16 | |
Lot number 91 is the Chinese blue and white tureen dish and cover. | 0:36:16 | 0:36:21 | |
15 here. | 0:36:21 | 0:36:22 | |
20. | 0:36:22 | 0:36:24 | |
25. 30. | 0:36:24 | 0:36:26 | |
35. 40 even. 45 on the net. | 0:36:26 | 0:36:30 | |
-They're back in the game. -I can't believe this. | 0:36:30 | 0:36:33 | |
Selling to the internet, £45. | 0:36:33 | 0:36:34 | |
Well, that's as cheap as the proverbial fried potato, that is. | 0:36:34 | 0:36:38 | |
Plus £10, very good. | 0:36:38 | 0:36:40 | |
So, you're minus 25 at the moment. | 0:36:40 | 0:36:42 | |
Now, what about the Staffordshire figure? | 0:36:42 | 0:36:44 | |
Lot number 92. | 0:36:44 | 0:36:46 | |
A 20th-century Staffordshire figure of a gardener and his daughter. | 0:36:46 | 0:36:49 | |
Internet bid at ten. | 0:36:49 | 0:36:51 | |
15. With you at 15, sir. | 0:36:51 | 0:36:53 | |
Could be the bargain of the day. | 0:36:53 | 0:36:55 | |
Can't bear it, the suspense is doing something to my knees. | 0:36:55 | 0:36:59 | |
20, new bidder. £20. Do you want to go five? | 0:36:59 | 0:37:02 | |
25. Surely worth 30. £30. | 0:37:02 | 0:37:06 | |
Second row back at 30. Selling to you, £30. | 0:37:06 | 0:37:10 | |
Going the wrong way. | 0:37:10 | 0:37:11 | |
£30 is minus £5, which means overall you are minus £30. | 0:37:11 | 0:37:15 | |
Girls, I'm sorry about this. | 0:37:15 | 0:37:17 | |
I got into an excited state a little early. | 0:37:17 | 0:37:20 | |
In fact, I think I peaked earlier here. | 0:37:20 | 0:37:22 | |
What are we going to do about this bonus buy? | 0:37:22 | 0:37:24 | |
Are you going to go with the campana-shaped wine cooler? | 0:37:24 | 0:37:27 | |
-No, I think we'll stick. -Yeah, I'm happy to stick. | 0:37:27 | 0:37:30 | |
-Are you happy to stick? -Yeah. -OK. | 0:37:30 | 0:37:33 | |
Well, all advice so far has not been terribly hot on your objects, | 0:37:33 | 0:37:36 | |
I have to say, | 0:37:36 | 0:37:37 | |
so on the basis that you stick and at least you're ring-fencing | 0:37:37 | 0:37:40 | |
-where you are, that's what you're doing, right? -Yeah. | 0:37:40 | 0:37:43 | |
-Are you quite sure? -Yes. | 0:37:43 | 0:37:44 | |
You're going to do nothing? Right, the decision is made, | 0:37:44 | 0:37:46 | |
we're going to sell it anyway. And here it comes. | 0:37:46 | 0:37:49 | |
Twin-handled ice bucket. Nice piece this. | 0:37:49 | 0:37:51 | |
Fine quality, 96 is the lot number. | 0:37:51 | 0:37:55 | |
15 against you. 20. 25. | 0:37:55 | 0:37:58 | |
30. £30 right in the middle. | 0:37:58 | 0:38:01 | |
35 at the back. 40 if you want. | 0:38:01 | 0:38:03 | |
40 I've got. | 0:38:03 | 0:38:04 | |
I have £40. | 0:38:04 | 0:38:06 | |
Bid is there 40. New bid of 45 on the internet. | 0:38:06 | 0:38:09 | |
50 now. | 0:38:09 | 0:38:10 | |
55. Are we going higher? | 0:38:10 | 0:38:13 | |
We should be. | 0:38:13 | 0:38:14 | |
I quite agree! | 0:38:14 | 0:38:16 | |
Selling to the internet at 55. | 0:38:16 | 0:38:18 | |
60 is bid in the room. It's a new bidder. | 0:38:18 | 0:38:21 | |
-I'm selling it in the room at 60. -I don't believe this. | 0:38:21 | 0:38:23 | |
Last chance on the net. Your bid. | 0:38:23 | 0:38:25 | |
£60 and selling. Sold. | 0:38:25 | 0:38:27 | |
-£60 is minus 60. -I'm glad we didn't take it. | 0:38:27 | 0:38:29 | |
You girls did exactly the cool thing. | 0:38:29 | 0:38:32 | |
Aren't they cool? Yes, they are. | 0:38:32 | 0:38:34 | |
You resisted all temptations to go with Jonathan's silvery pot. | 0:38:34 | 0:38:38 | |
And you dug in there, and that is marvellous. | 0:38:38 | 0:38:41 | |
Anyway, you are minus £30. Don't say a word to the Blues | 0:38:41 | 0:38:44 | |
-because minus £30 could be a winning score. -Thanks. Yep. | 0:38:44 | 0:38:47 | |
Now, Mark, Keith, this is exciting. You know how the Red Team got on? | 0:38:53 | 0:38:56 | |
-I have no clue. -Good, we don't want you to know. | 0:38:56 | 0:38:59 | |
Here comes your item, this charger. | 0:38:59 | 0:39:01 | |
Large turn-of-the-last-century Japanese Imari porcelain charger. | 0:39:01 | 0:39:05 | |
Shall we start the bidding at £10, ladies and gentlemen? | 0:39:05 | 0:39:08 | |
-10? -£10? | 0:39:08 | 0:39:09 | |
15 is bid, then. 20 on the internet. | 0:39:09 | 0:39:12 | |
25. | 0:39:12 | 0:39:14 | |
30. 35. | 0:39:14 | 0:39:16 | |
40. 45. | 0:39:16 | 0:39:18 | |
-Go on. -Trouble. -Come on, it's worth more than that, surely. | 0:39:18 | 0:39:21 | |
Don't stop now, £55. Still your bid, sir. | 0:39:23 | 0:39:25 | |
Selling for £55. Sold. | 0:39:25 | 0:39:28 | |
Can't bear it. £55 is minus £40. | 0:39:28 | 0:39:32 | |
Oh, dear. Oh, dear. Oh, dear... | 0:39:32 | 0:39:34 | |
Look out, this is going to save your bacon. | 0:39:34 | 0:39:36 | |
19th century, Kashmiri, beautiful box and cover. | 0:39:36 | 0:39:39 | |
We have got £45 for a fine box. | 0:39:39 | 0:39:41 | |
We have now got 50. 55. 60. | 0:39:41 | 0:39:44 | |
It's going up. | 0:39:44 | 0:39:46 | |
75. At £75. Any more? | 0:39:46 | 0:39:50 | |
Selling for £75. | 0:39:50 | 0:39:52 | |
£75 is minus £25, | 0:39:52 | 0:39:54 | |
might as well give it away. | 0:39:54 | 0:39:56 | |
That is minus 65. | 0:39:56 | 0:39:58 | |
Lot number 112 is a 20th-century Arts and Crafts hand-hammered piece. | 0:39:58 | 0:40:03 | |
I've got £12 on this. | 0:40:03 | 0:40:06 | |
Am I selling for a maiden bid of 12? | 0:40:06 | 0:40:08 | |
It's a commission bid of £12. | 0:40:08 | 0:40:10 | |
Ah, 15. | 0:40:10 | 0:40:12 | |
18 is the next bid. | 0:40:12 | 0:40:13 | |
Creeping up slowly. | 0:40:13 | 0:40:15 | |
£20. With the internet. Do you want to go 25? | 0:40:15 | 0:40:18 | |
-Come on! -What did we pay? | 0:40:18 | 0:40:19 | |
£20, then. Here it is on the net, | 0:40:19 | 0:40:21 | |
and selling to the internet at £20. | 0:40:21 | 0:40:24 | |
Plus £10, which reduces your losses to minus 55. | 0:40:24 | 0:40:28 | |
So, what are you going to do about the white metal box? | 0:40:28 | 0:40:32 | |
-We're going to go for it. -You're going to go for it? | 0:40:32 | 0:40:34 | |
-Yeah, we'll go for it. -Against all predictions, then, | 0:40:34 | 0:40:37 | |
you've gone with the bonus buy, lovely. And here it comes. | 0:40:37 | 0:40:40 | |
19th-century Dutch box. This is a pretty piece. | 0:40:40 | 0:40:43 | |
Let's start the bidding here at 50. | 0:40:43 | 0:40:45 | |
55 with you, sir. | 0:40:45 | 0:40:47 | |
Here we go, we've got a phone bidder, we're off and running. | 0:40:47 | 0:40:50 | |
Do want to go five? 65 on the telephone. | 0:40:50 | 0:40:52 | |
£65, bid's on the telephone at 65. | 0:40:52 | 0:40:56 | |
70, new bidder. | 0:40:56 | 0:40:58 | |
At 75 on the telephone. | 0:40:58 | 0:41:00 | |
-80, I've got. -Come on. | 0:41:00 | 0:41:02 | |
We'll give you the difference. | 0:41:02 | 0:41:04 | |
85, I have. One more. | 0:41:04 | 0:41:06 | |
Are you sure? 85. | 0:41:06 | 0:41:07 | |
Still on the phone. At £85. | 0:41:07 | 0:41:09 | |
Come on! | 0:41:09 | 0:41:10 | |
I have a bit of £85 for a nice little silver box. | 0:41:10 | 0:41:13 | |
90, he's back. | 0:41:13 | 0:41:14 | |
£90, you've wiped your face, thank God for that. | 0:41:14 | 0:41:17 | |
95. 95 is bid on the telephone. | 0:41:17 | 0:41:20 | |
Your bid, sir. 95 and selling. Sold. | 0:41:20 | 0:41:22 | |
-That's £5. -Made a bit of money there, | 0:41:22 | 0:41:25 | |
-well done. -Absolutely justified. -That was hard work there, wasn't it? | 0:41:25 | 0:41:30 | |
Overall, it makes it minus £50. | 0:41:30 | 0:41:32 | |
Now listen, guys, minus £50 could be a winning score. | 0:41:32 | 0:41:35 | |
Seriously, I'm not joking with you, it could be a winning score today. | 0:41:35 | 0:41:39 | |
What you've seen happen here | 0:41:39 | 0:41:40 | |
could easily have happened to the opposition. | 0:41:40 | 0:41:43 | |
So, take strength from that, | 0:41:43 | 0:41:44 | |
take courage, hold yourself in readiness | 0:41:44 | 0:41:47 | |
and all will be revealed in a moment, all right? | 0:41:47 | 0:41:50 | |
OK, teams, any idea how each other have done? | 0:41:54 | 0:41:58 | |
-No. -No? -No. | 0:41:58 | 0:42:00 | |
Well, it's no secret that you have all done appallingly badly. | 0:42:00 | 0:42:03 | |
Universally, you haven't done just brilliantly. | 0:42:03 | 0:42:06 | |
But the precise nature of the score, as to who is ahead | 0:42:06 | 0:42:09 | |
and behind is unknown at this moment. Right? | 0:42:09 | 0:42:12 | |
And the runners-up today, I regret to tell you, are the Blues. | 0:42:12 | 0:42:15 | |
THEY GROAN | 0:42:15 | 0:42:17 | |
Yes. Minus £50 is the total number. | 0:42:17 | 0:42:22 | |
And I'm not going to pick over each of these minus scores. | 0:42:22 | 0:42:26 | |
What's the point? | 0:42:26 | 0:42:27 | |
Suffice to say that our Henry came forward with | 0:42:27 | 0:42:30 | |
a splendid £5 profit. | 0:42:30 | 0:42:31 | |
There is nothing the matter with that. But seriously, | 0:42:31 | 0:42:34 | |
-I hope you had a nice time. -Yes. -We have loved having you on the show. | 0:42:34 | 0:42:37 | |
But the victors today are the girls. | 0:42:37 | 0:42:39 | |
-Yes! -You are pleased about that, aren't you? -Yeah, we are. | 0:42:39 | 0:42:41 | |
Look at all the smiley, smiley! | 0:42:41 | 0:42:43 | |
You managed to win by only losing £30. | 0:42:43 | 0:42:45 | |
-Yes! -Yes! | 0:42:45 | 0:42:46 | |
Anyway, £10 profit, which is nice, on the tureen, | 0:42:46 | 0:42:50 | |
but apart from that, not much cop. | 0:42:50 | 0:42:52 | |
You didn't go with the bonus buy, which was a very wise move, | 0:42:52 | 0:42:54 | |
so overall, minus 30 is the winning score. | 0:42:54 | 0:42:56 | |
-Yes! -You had a good time? -Yes, brilliant. | 0:42:56 | 0:42:58 | |
We loved having you on the show. | 0:42:58 | 0:42:59 | |
In fact, join us soon for some more bargain hunting, yes? | 0:42:59 | 0:43:02 | |
ALL: Yes! | 0:43:02 | 0:43:04 | |
I know you are sitting there thinking, | 0:43:05 | 0:43:07 | |
"I could have done better than that." | 0:43:07 | 0:43:09 | |
Well, what's stopping you? | 0:43:09 | 0:43:11 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:11 | 0:43:15 | |
It'll be splendid to see you! | 0:43:15 | 0:43:18 | |
Subtitles by Red Bee Media Ltd | 0:43:20 | 0:43:22 |