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Today, we're in Norfolk, home to Sandringham, | 0:00:04 | 0:00:08 | |
the Queen's favourite hangout. | 0:00:08 | 0:00:10 | |
But we're not here for a spot of royal watching. Heck, no, Ma'am! | 0:00:10 | 0:00:15 | |
We're off bargain-hunting. | 0:00:15 | 0:00:18 | |
Norfolk is one of the few counties in Britain | 0:00:44 | 0:00:48 | |
not to have a single mile of motorway. | 0:00:48 | 0:00:52 | |
That interesting fact hasn't detailed a right royal crowd | 0:00:52 | 0:00:57 | |
from pitching up today, though, at the Norfolk Showground. | 0:00:57 | 0:01:00 | |
Oh, no! Beep, beep! | 0:01:00 | 0:01:02 | |
On today's show, the Reds go from complacent... | 0:01:05 | 0:01:08 | |
We could be done in 15 minutes. | 0:01:08 | 0:01:10 | |
..to complaining. | 0:01:10 | 0:01:12 | |
I thought this might happen, actually. | 0:01:12 | 0:01:14 | |
What, that we've done so well to begin with that it's just all gone horribly wrong? | 0:01:14 | 0:01:19 | |
While the Blues act up. | 0:01:19 | 0:01:21 | |
Hark, I see a bargain! | 0:01:21 | 0:01:23 | |
That ain't no scope, it's a trumpet! SHE LAUGHS | 0:01:23 | 0:01:26 | |
So, do the locals stallholders know their onions | 0:01:28 | 0:01:31 | |
when it comes to the Bargain Hunt rulebook? Of course they do! | 0:01:31 | 0:01:35 | |
And the teams have one hour and £300 just to find three items. | 0:01:35 | 0:01:40 | |
And the winner is the team that makes the biggest profit or the smallest loss. | 0:01:40 | 0:01:44 | |
-There you are, that wasn't difficult, was it? -No. | 0:01:44 | 0:01:48 | |
Is this thing medical? | 0:01:50 | 0:01:52 | |
-No, it's a cake stand. -Oh! -SHE LAUGHS | 0:01:52 | 0:01:55 | |
Well, there's a bit of an academic feel on our programme today, | 0:02:01 | 0:02:04 | |
because for the Reds, Melody and David are both teachers. | 0:02:04 | 0:02:08 | |
And for the Blues, Karen and Hayden are both at school. | 0:02:08 | 0:02:12 | |
-Well, university, actually. Hello, everybody. -Hello. -Hi. | 0:02:12 | 0:02:16 | |
-Now, Melody, you're also David's mother-in-law... -I am. | 0:02:16 | 0:02:19 | |
-..and you work in a high school. -Yes. -Tell us about it. | 0:02:19 | 0:02:22 | |
Well, I'm a pastoral support manager at a high school in Ipswich, | 0:02:22 | 0:02:27 | |
which means I look after the welfare of the students rather than | 0:02:27 | 0:02:31 | |
their academic attainment, that sort of thing. | 0:02:31 | 0:02:34 | |
So just make sure that they are happy and sort of deal with their problems. | 0:02:34 | 0:02:39 | |
-Yes. Now, David, you also work in a school. -I do. -What do you do? | 0:02:39 | 0:02:43 | |
I'm a learning support assistant, so I look after the kids with learning disabilities. | 0:02:43 | 0:02:48 | |
And how long have you done that for? | 0:02:48 | 0:02:49 | |
A few years now, actually. I work in a high school now. | 0:02:49 | 0:02:52 | |
I used to work in a college, so it's been three years now. | 0:02:52 | 0:02:55 | |
And what do you like to collect, you two? Melody, what do you collect? | 0:02:55 | 0:02:58 | |
Well, I'm not a big collector. | 0:02:58 | 0:03:00 | |
I've got a fairly large collection of teddy bears | 0:03:00 | 0:03:03 | |
and I collect old postcards, and I would like to collect first editions, but I haven't got very many. | 0:03:03 | 0:03:10 | |
-What about you, David? -I have a modest collection of glass bottles. | 0:03:10 | 0:03:13 | |
I found a couple. One on a beach in Scotland on the Isle of Mull | 0:03:13 | 0:03:16 | |
and the other I found when I was diving in the bottom of a loch, | 0:03:16 | 0:03:20 | |
-which is apparently an old whisky bottle. -And it was empty? | 0:03:20 | 0:03:23 | |
It was empty, unfortunately. Didn't have a cork on. | 0:03:23 | 0:03:26 | |
How do you think you're going to get on between you today? | 0:03:26 | 0:03:29 | |
All right, I think. We're quite different, but... | 0:03:29 | 0:03:31 | |
-Totally different, yeah, but we don't argue, do we, yet? -No. -Not yet! | 0:03:31 | 0:03:35 | |
-It's not the mother-in-law, son-in-law syndrome quite yet. -No. | 0:03:35 | 0:03:38 | |
-How long have you been married to Melody's daughter? -For two years. -Have you? Ah, lovely. | 0:03:38 | 0:03:42 | |
-Almost two years. -He says that with real feeling, doesn't he? | 0:03:42 | 0:03:45 | |
-And long may it continue! I hope you enjoy yourselves today. -Thank you. | 0:03:45 | 0:03:49 | |
-Well, team, are you nervous at all? -No, not at all. -No. -No? | 0:03:49 | 0:03:53 | |
-So, you'll not only mates, you're also housemate? -Of course. | 0:03:53 | 0:03:57 | |
-Very good. And you're training to be a PE teacher? -I am indeed, yeah. | 0:03:57 | 0:04:01 | |
Tell us about that. | 0:04:01 | 0:04:02 | |
Well, we get to have fun all day doing some sports, | 0:04:02 | 0:04:07 | |
messing around with whistles, that sort of thing. | 0:04:07 | 0:04:09 | |
And you also have a great love of shooting? | 0:04:09 | 0:04:11 | |
Yeah, I am currently team captain for the GB junior squad. | 0:04:11 | 0:04:14 | |
This is target shooting? | 0:04:14 | 0:04:16 | |
-Yeah. -Yeah. | 0:04:16 | 0:04:18 | |
-And you're captain? -Yeah. -You must be pretty good! | 0:04:18 | 0:04:21 | |
-Yeah. -Hayden, is she a sharp shot? -Absolutely, yes. Yeah! | 0:04:21 | 0:04:25 | |
Hayden, you're studying theatre. Are you a budding actor yourself? | 0:04:27 | 0:04:32 | |
Well, one aspires to be a successful actor. | 0:04:32 | 0:04:35 | |
You also do a bit of comedy. | 0:04:35 | 0:04:37 | |
Yeah, I do prefer comedy than tragedy, | 0:04:37 | 0:04:40 | |
because normally you can tell if you're doing a good job with comedy, | 0:04:40 | 0:04:44 | |
because the audience laugh and they go along with you. | 0:04:44 | 0:04:47 | |
To be honest with you, you can make a lot of mistakes with comedy | 0:04:47 | 0:04:51 | |
and they'll forgive you, the audience, whilst if it's serious... | 0:04:51 | 0:04:54 | |
Yes, it's a big deal, isn't it, messing up with a tragedy. | 0:04:54 | 0:04:58 | |
-Absolutely. -Today, we don't want any tragedy on Bargain Hunt. -No! | 0:04:58 | 0:05:02 | |
We only want happiness and joy and comedy and frivolity and lots of double entendres. | 0:05:02 | 0:05:08 | |
Absolutely. | 0:05:08 | 0:05:09 | |
Now, when you're not auditioning and not at university, you're keen on auctions? | 0:05:09 | 0:05:13 | |
Yes, yes. Me and Karen go every Saturday to our local auction, | 0:05:13 | 0:05:17 | |
and, well, we've bought some interesting items, | 0:05:17 | 0:05:21 | |
including a piano for £2. | 0:05:21 | 0:05:24 | |
-Working? -Yeah! -Yeah, working. | 0:05:24 | 0:05:27 | |
Fully working, yeah. And we've had a few offers. | 0:05:27 | 0:05:30 | |
So you think you're going to make money today by buying pianos? | 0:05:30 | 0:05:34 | |
-Well, I hope so. -Don't tell our transport people, I can tell you! | 0:05:34 | 0:05:38 | |
They won't like that, out of a field to the auction room. | 0:05:38 | 0:05:41 | |
-No, but that's good, though, isn't it? -Yes, yes. | 0:05:41 | 0:05:44 | |
-It just shows it can be done. -Absolutely. | 0:05:44 | 0:05:46 | |
So what do you both like to collect? | 0:05:46 | 0:05:47 | |
I've got a thing about leather chairs. Got a lovely Chesterfield. | 0:05:47 | 0:05:51 | |
-But it has to be leather... -Yes. -..as far as you're concerned? -Yeah. | 0:05:51 | 0:05:54 | |
-Karen, what do you like to collect? -I have a few old collections, | 0:05:54 | 0:05:57 | |
but one of them is little wooden voodoo masks. | 0:05:57 | 0:06:01 | |
-Do you stick pins in them or anything like that? -No, no. -No, no. | 0:06:01 | 0:06:05 | |
No nasty smells... spells? | 0:06:05 | 0:06:07 | |
BOTH LAUGH | 0:06:07 | 0:06:08 | |
-No. -OK. Well, talking of spells, I'm about to cast one. | 0:06:08 | 0:06:12 | |
-Two £300 spells. -Thank you. -Thank you. | 0:06:12 | 0:06:15 | |
You know the rules, your experts await and off you go? | 0:06:15 | 0:06:18 | |
And very, very good luck. Dear, oh, dear, oh, dear! | 0:06:18 | 0:06:22 | |
And it's all smiles from today's experts. | 0:06:22 | 0:06:25 | |
For the Reds, a girl who never lingers in the shade. It's Catherine Southon. | 0:06:25 | 0:06:32 | |
And for the blues it's the worldly-wise Jonathan Pratt. | 0:06:32 | 0:06:36 | |
Melody and David, now you're both in education, | 0:06:40 | 0:06:43 | |
so have you been swotting up on your antiques? | 0:06:43 | 0:06:46 | |
Well, I've certainly been swotting up, I've done my revision on the way up with my antiques guide, | 0:06:46 | 0:06:50 | |
but I'm not sure about David. | 0:06:50 | 0:06:52 | |
-I was up late last night doing my revision, so... -Typical student. | 0:06:52 | 0:06:56 | |
Typical, last minute. Well, we have serious work to do now. | 0:06:56 | 0:07:00 | |
Let's go bargain hunting. | 0:07:00 | 0:07:01 | |
-Oi! That's my line Catherine. -OK, we've got a nice sunny day. | 0:07:01 | 0:07:04 | |
I'm here with a sharp Karen | 0:07:04 | 0:07:06 | |
and the soon-to-be Oscar-nominated Hayden. | 0:07:06 | 0:07:08 | |
-What are we going to do, guys? -Shoot off into the distance and get some bargains. | 0:07:08 | 0:07:11 | |
-Show us those stalls! -Come on, then, let's go. | 0:07:11 | 0:07:15 | |
Once more into the breach, dear friends. | 0:07:15 | 0:07:17 | |
Once a thespian always a thespian. | 0:07:17 | 0:07:20 | |
It would have been an ashtray, I would have thought, | 0:07:20 | 0:07:22 | |
-once upon a time. -It's horrible. -It's not very nice. | 0:07:22 | 0:07:24 | |
-It's a bit dirty as well, isn't it? -Oh, I wouldn't worry about dirt, dirt is good. | 0:07:24 | 0:07:28 | |
-Is it? Looks old. -If it's in the right place. | 0:07:28 | 0:07:31 | |
Yes, I'm not sure where you're going with that, Catherine, | 0:07:31 | 0:07:35 | |
but we'll leave it there. Moving on. | 0:07:35 | 0:07:37 | |
-Oh, no. That's not terrible old. -My feeling is that that's reproduction. | 0:07:37 | 0:07:42 | |
-Yeah. -Reproduction. | 0:07:42 | 0:07:44 | |
While the Reds look at repro, the blues seem to have gone into rep. | 0:07:44 | 0:07:48 | |
-Hark! I see a bargain! -That ain't no scope, that's a trumpet! (LAUGHS) | 0:07:48 | 0:07:53 | |
(LAUGHS) Yes, I think it's time to act as if you're bargain hunting, Blues, thanks. | 0:07:53 | 0:07:58 | |
-What about the baby walker? -Getting broody, Catherine? | 0:07:58 | 0:08:02 | |
-Chad Valley is a good name. -For a child. | 0:08:02 | 0:08:04 | |
-Looks like it's seen better days. -It has seen better days. | 0:08:04 | 0:08:07 | |
-Well, the box certainly has. -OK, no problem. | 0:08:07 | 0:08:09 | |
Look at that. Absolutely... That's what? | 0:08:13 | 0:08:18 | |
-That's about 300 years old. -Really? | 0:08:18 | 0:08:21 | |
It's oak, it's bullet-proof, it lasts. | 0:08:21 | 0:08:23 | |
And there are hundreds of thousands of pieces. | 0:08:23 | 0:08:25 | |
There's a tin over there which I thought might be quite interesting. | 0:08:29 | 0:08:33 | |
-That one? This one here? -Since its Norwich, it's a local firm. | 0:08:33 | 0:08:35 | |
-Oh, Coleman's mustard! The factories in Norwich, isn't it? -Yeah. | 0:08:35 | 0:08:38 | |
So how old would you say that was? Is there any sort of indication? | 0:08:38 | 0:08:42 | |
-It might be '70s, '80s. But it's lovely cos we've got Coleman's of Norwich, which is wonderful. -Yep. | 0:08:42 | 0:08:47 | |
It's in lovely condition, there's no real scratches or anything. | 0:08:47 | 0:08:51 | |
And when you're looking at tins, once they start getting scratches | 0:08:51 | 0:08:54 | |
and the colour comes off, that's when the value goes down. | 0:08:54 | 0:08:57 | |
-But that's pretty much perfect. -So that would sell in auction? | 0:08:57 | 0:08:59 | |
I'd like to think it would sell for about 10 or £15. | 0:08:59 | 0:09:02 | |
That would look very nice in someone's kitchen. | 0:09:02 | 0:09:05 | |
I think so. I think it's wonderful. | 0:09:05 | 0:09:06 | |
-It's iconic. -I really like it. -You could put anything in there. | 0:09:06 | 0:09:09 | |
-And we wanted something that was local. -Yes. | 0:09:09 | 0:09:11 | |
We wanted something that was attached to the area, so I think that's fantastic. | 0:09:11 | 0:09:15 | |
Think about the amount of mustard powder in there. | 0:09:15 | 0:09:18 | |
-What do you think? -I like it a lot. -Do you think we should give it a go? | 0:09:18 | 0:09:21 | |
Well, how much is it? | 0:09:21 | 0:09:23 | |
-Eight pounds. -It is quite a lot for eight pounds would you be prepared to take three for it? | 0:09:23 | 0:09:27 | |
-Yeah. We can do it for three pounds. -Really?! | 0:09:27 | 0:09:29 | |
-Yeah. -Three pounds, perfect. -Thank you very much, sir. | 0:09:29 | 0:09:32 | |
-Thank you very much indeed. -Yes, thank you. -Well done! | 0:09:32 | 0:09:36 | |
Well done indeed, Reds. It's hardly broken the bank, but you're as keen as mustard and I love that. | 0:09:36 | 0:09:40 | |
Meanwhile, the blues still haven't quite focused. | 0:09:40 | 0:09:43 | |
How about this as a student property? | 0:09:43 | 0:09:46 | |
-ALL LAUGH -Fancy moving into the property market? | 0:09:46 | 0:09:50 | |
Look... lovely porch. | 0:09:50 | 0:09:53 | |
-Good pebble-dash finish. -It's too posh for a house. | 0:09:53 | 0:09:56 | |
-Yeah. -A nice bit of fitted carpet. Is that too posh? -It is too posh. | 0:09:56 | 0:10:00 | |
Beautiful furniture as well. Yes, beautiful furniture. | 0:10:00 | 0:10:02 | |
It's got a bit of charm too, you know, with the age. | 0:10:02 | 0:10:05 | |
-I mean, it's an idea. Do you like the idea of a dolls house? -It's 1940s. | 0:10:05 | 0:10:08 | |
-It's nice, I like it. -OK, let's talk a little about money. | 0:10:08 | 0:10:12 | |
-Yes. -OK. Can we do 75? | 0:10:12 | 0:10:15 | |
-And that gives me a little bit of profit. -Yeah, OK. So, 75 is the starting point. | 0:10:15 | 0:10:19 | |
That gives me a little profit. | 0:10:19 | 0:10:21 | |
Is that a "think about it" or do get one under the belt? | 0:10:21 | 0:10:24 | |
-Yeah, a think about it. -Yeah? | 0:10:24 | 0:10:26 | |
We'll walk down, look at a few more stalls | 0:10:26 | 0:10:27 | |
-and we will buy it or not buy it and we'll tell you on our way past. -That is the question. -OK. | 0:10:27 | 0:10:31 | |
Careful, Hayden. Many more Shakespeare quotes and you'll be bard! | 0:10:31 | 0:10:35 | |
OK, thanks. That's very kind and we will see you in the shake of a lamb's tail. | 0:10:35 | 0:10:40 | |
-Come on, guys. -Thank you. -Thank you. | 0:10:40 | 0:10:42 | |
Here's your walking canes. David's very keen to find a pug. | 0:10:46 | 0:10:51 | |
-It's a sort of eagle on the top. -What's that? Is that ebony? | 0:10:51 | 0:10:55 | |
-No, that's metal. -We did say we weren't going to buy a walking cane. | 0:10:55 | 0:10:59 | |
-Oh, did you? -We did. -You're very specific, aren't you? | 0:10:59 | 0:11:01 | |
-Yeah. -I quite like that. -Do you like that? | 0:11:01 | 0:11:04 | |
-I quite like that. -Now, that is a bronzed eagle's head. | 0:11:04 | 0:11:08 | |
-Is it bronze? -It's all bronze. | 0:11:08 | 0:11:10 | |
-And it's a lovely cane. -I think it's really nice. | 0:11:10 | 0:11:13 | |
More often than not, the canes are added to the heads or vice versa. | 0:11:13 | 0:11:17 | |
-Exactly. -But that one was made for that cane. The bronze head makes it. -Yes. | 0:11:17 | 0:11:23 | |
-And how much is that? -That is £65. -But not to us. | 0:11:23 | 0:11:26 | |
That's it, Catherine, flirtation will get you everywhere. | 0:11:26 | 0:11:29 | |
-Give him a squeeze. -I like that. How's the size on it? | 0:11:29 | 0:11:32 | |
It's good to see the size. | 0:11:32 | 0:11:34 | |
-What can you do on it? -Make me an offer. | 0:11:34 | 0:11:36 | |
-I will. -30? -No. -That's on offer. | 0:11:36 | 0:11:39 | |
- That was an offer. I must admit, that was on offer. | 0:11:39 | 0:11:42 | |
If you can do 45, I will do the deal at 45. | 0:11:42 | 0:11:44 | |
-Hmm. I like it. -I like it. -Would you take 42? -No. | 0:11:44 | 0:11:48 | |
I couldn't do 42. If you want to do it at 43, I'll do the deal now. | 0:11:48 | 0:11:53 | |
-I think we should do that. -- Let's do it. | 0:11:53 | 0:11:55 | |
-Yes, we'll do that. Brilliant. Thank you so much. -Thank you. That's great. | 0:11:55 | 0:11:58 | |
That's after we said we wouldn't buy a walking cane. | 0:11:58 | 0:12:01 | |
-And here we are with a walking cane. -You two are on fire! | 0:12:01 | 0:12:03 | |
-I know, but we've got a slowdown haven't we. -10 minutes! No, please don't slow down. | 0:12:03 | 0:12:07 | |
-We could be done in 15 minutes and I can have a coffee. -I like it. I like it. | 0:12:07 | 0:12:11 | |
Well, Reds, you're steaming ahead - two items down in less than 15 minutes. | 0:12:11 | 0:12:15 | |
Wow! Will this be a Bargain Hunt record? | 0:12:15 | 0:12:18 | |
Or will you now faff around for the rest of the hour | 0:12:18 | 0:12:21 | |
and buy your third item at the last minute? I wonder! | 0:12:21 | 0:12:25 | |
Look, guys. When you walk around, it's things that catch your eye. | 0:12:25 | 0:12:28 | |
The image there strikes us as a sort of English Arts and Crafts, OK? | 0:12:28 | 0:12:32 | |
And it's an original drawing, so that sort of struck me as being quite a nice object. | 0:12:32 | 0:12:35 | |
And I look at things as if they would be things that I would sell in my saleroom. | 0:12:35 | 0:12:39 | |
So that jumps out to me as being something that is quite unusual and speculative again. | 0:12:39 | 0:12:43 | |
-Yeah, what do you think? -Do you know, I felt it was quite theatrical. | 0:12:43 | 0:12:47 | |
-I quite like the set next to it. -OK, so that's a no, then! | 0:12:47 | 0:12:52 | |
HE LAUGHS | 0:12:52 | 0:12:53 | |
Polite way of saying! | 0:12:53 | 0:12:54 | |
-You quite like the mail set? -Yes. -Get it out and have a look at it if it's something you're interested in. | 0:12:54 | 0:12:59 | |
Is it OK to have a look at the...? OK, thank you. | 0:12:59 | 0:13:04 | |
I mean it's faux tortoiseshell, OK? | 0:13:04 | 0:13:06 | |
This was made in the thirties, and tortoiseshell was actually | 0:13:06 | 0:13:09 | |
seen as being quite an exotic product...material. | 0:13:09 | 0:13:12 | |
And so people would replicate it in plastics that were available at the time. | 0:13:12 | 0:13:16 | |
But this is still quite a smart thing, and it's complete, and you can buff your fingers up, | 0:13:16 | 0:13:19 | |
and look at yourself whilst doing it. Perfect when you're ready to go on stage! | 0:13:19 | 0:13:23 | |
-Yeah, yeah! -You could powder your nose in there! | 0:13:23 | 0:13:25 | |
THEY LAUGH | 0:13:25 | 0:13:26 | |
Yeah, the...box is a bit worn. | 0:13:26 | 0:13:31 | |
-But what's inside is nice. -I mean, it's not a lot of money. | 0:13:33 | 0:13:37 | |
This is a safe thing to buy as your first thing. | 0:13:37 | 0:13:40 | |
Will it make any money? Well, it's not the kind of thing that auctioneers sell as individual lots | 0:13:40 | 0:13:45 | |
-but it's useful. -Yeah. | 0:13:45 | 0:13:46 | |
-And with a little negotiation, they may be a little profit. -Yeah. OK. | 0:13:46 | 0:13:50 | |
-What do you reckon? -Have a think. | 0:13:50 | 0:13:52 | |
-Yeah, but you think? -It's a nice little piece. Would you take ten? | 0:13:52 | 0:13:56 | |
-15, I think. -12? -12? -Excellent, yeah, we'll take it, then. | 0:13:56 | 0:14:02 | |
-OK, We'll take it. -Lovely, thanks very much. | 0:14:02 | 0:14:05 | |
-Thank you. -Thanks a lot. -Yes! | 0:14:05 | 0:14:07 | |
-First buy! -One down, two to go. That's very, very good. | 0:14:07 | 0:14:10 | |
Well done, blues. You're off the mark, too. But time is ticking on. | 0:14:10 | 0:14:14 | |
We're now nearly halfway through the shop. | 0:14:14 | 0:14:17 | |
-It's not solid. It's not solid. -Will that make a lot of difference? I suppose it would. | 0:14:17 | 0:14:21 | |
If it was a nice, solid bronze piece, then I would say it was worth a few hundred pounds. | 0:14:21 | 0:14:26 | |
-Do whatever you say. -Think I'm barking mad? | 0:14:26 | 0:14:28 | |
I think you might be. | 0:14:31 | 0:14:32 | |
Despite two items under their belt in super-quick time, | 0:14:32 | 0:14:35 | |
the Reds are now beginning to struggle... | 0:14:35 | 0:14:38 | |
-Right, come on. Let's focus. -And that includes you, David. Come on, boy. | 0:14:38 | 0:14:42 | |
..while the blues are retracing their steps. | 0:14:45 | 0:14:48 | |
-What about this doll's house? -I think it's a possible gamble. | 0:14:48 | 0:14:51 | |
OK, we're standing in front of the stall that has the doll's house. | 0:14:53 | 0:14:57 | |
Is it a thumbs-up or thumbs-down? | 0:14:57 | 0:14:59 | |
Because we don't have...we've got half an hour and two other items to get then. | 0:14:59 | 0:15:02 | |
Yeah. I'd say no, it's up to you. | 0:15:02 | 0:15:05 | |
-Unless we can get it done a bit more. -You can try. | 0:15:05 | 0:15:08 | |
We're here to enquire about your wonderful doll's house again. | 0:15:08 | 0:15:11 | |
Oh, right. | 0:15:11 | 0:15:13 | |
Well, I must apologise, | 0:15:13 | 0:15:15 | |
but my husband says I can't let it go for 75. It's too low, | 0:15:15 | 0:15:20 | |
-for what we paid for it. -That just goes to show you should have shaken her hand at the very start. | 0:15:20 | 0:15:24 | |
-Yes. -You know, deal done. Snooze, you lose. | 0:15:24 | 0:15:27 | |
-Come on, guys. Let's move on. -What about the lady? -A bit risque, isn't it? | 0:15:27 | 0:15:30 | |
-Would you do anything on this one? -I can do a bit on that one, yes. | 0:15:30 | 0:15:34 | |
-It would have to be 50. -50. -What do you think, Karen? | 0:15:34 | 0:15:39 | |
-Is 50 the best you could do on that? -It is, my darling, yes. | 0:15:39 | 0:15:43 | |
-Have you ever seen something like this before in auction, or... -I wouldn't want to admit it. | 0:15:43 | 0:15:47 | |
-You're blushing, Jonathan! -It has been known. I mean, it's a novelty. | 0:15:47 | 0:15:51 | |
People would buy mannequins, not necessarily of this nature, | 0:15:51 | 0:15:54 | |
that they might buy a mannequin like a tailor's manikin, the tailor's shop dummy, | 0:15:54 | 0:15:58 | |
for the dressing room at home so they can hang a jacket on it at night. | 0:15:58 | 0:16:01 | |
This is slightly harder to dress. | 0:16:01 | 0:16:02 | |
It's a bit of fun - you know, it's retro. | 0:16:02 | 0:16:05 | |
-I think we should... -We'll just think about it. -Look at his eyes! Oh, man! | 0:16:05 | 0:16:08 | |
-OK. -What do you think? -Go on. -I'm not sure. | 0:16:11 | 0:16:16 | |
-It's a bit... -You wouldn't go 45? -Go on, then. -Shall we go for 45? -Yes. | 0:16:16 | 0:16:20 | |
-Shall we do it? Let's just go for it. -Get in there! -Thank you. | 0:16:20 | 0:16:23 | |
-Thank you very much. Your hands are freezing! -I know. | 0:16:23 | 0:16:26 | |
-Thank you. -That's what I like to see. A bit of naked ambition. | 0:16:26 | 0:16:31 | |
And a knockdown price! | 0:16:31 | 0:16:32 | |
Hah! That's two apiece. | 0:16:32 | 0:16:33 | |
-I want my friend Dave to find something, because I think... -Yes, me too... -Because I think we've... | 0:16:33 | 0:16:38 | |
-Come on, Dave. -We've sort of taken over a bit, haven't we? | 0:16:38 | 0:16:42 | |
-Now, these look quite new, didn't they? -Oh! | 0:16:45 | 0:16:49 | |
-You'll love these, very... -Seven pounds! | 0:16:49 | 0:16:52 | |
We seem to have lost momentum here, teams. Time for a Bargain Hunt buck-up! | 0:16:52 | 0:16:56 | |
Come on! | 0:16:57 | 0:16:58 | |
There's just some...some interesting stuff round the corner there. Ah! | 0:16:58 | 0:17:02 | |
-Right. OK, is that two done? -Yes. Two down, one to go. | 0:17:02 | 0:17:06 | |
Karen wouldn't mind a bit of silver now. | 0:17:06 | 0:17:08 | |
Yes, something shiny and pretty. | 0:17:08 | 0:17:11 | |
-OK, shiny and pretty silver needs to be indoors, really. -Indoors? | 0:17:11 | 0:17:14 | |
I thought this might happen, actually. | 0:17:18 | 0:17:20 | |
-What, that we've done so well to begin with? -Yes, and then we've stopped. | 0:17:20 | 0:17:23 | |
-And then it's just all gone so horribly wrong. -I had that feeling, too. But peckers up, Reds. | 0:17:23 | 0:17:28 | |
Keep hunting. | 0:17:28 | 0:17:29 | |
-What about these little cases? -Well, I mean, the enamel's quite unusual. | 0:17:29 | 0:17:33 | |
I mean, I don't often see little enamel boxes like that. | 0:17:33 | 0:17:36 | |
But if you're a collector of these sorts of things, | 0:17:36 | 0:17:38 | |
it's not a bad example. | 0:17:38 | 0:17:40 | |
Asking 100 for it. You know. | 0:17:40 | 0:17:43 | |
-And that's your little stamp case. -That's quite pretty. I like that. | 0:17:44 | 0:17:49 | |
Have a look at it. | 0:17:49 | 0:17:50 | |
-Circa 1900, 1910, presumably? -It's quite nice. -Yeah. | 0:17:51 | 0:17:57 | |
-What's the price on that? -48. -48. Have you seen these before? -Yes. | 0:17:57 | 0:18:02 | |
Novelty and metamorphic. Things that have unusual ways of opening are always most popular. | 0:18:02 | 0:18:06 | |
So that's quite a nice touch, to have that slide. | 0:18:06 | 0:18:09 | |
If you imagine that it's been done a lot, | 0:18:09 | 0:18:11 | |
-that engine-turning is still rather crisp. -I really like that. | 0:18:11 | 0:18:14 | |
-What do you think? -Yes, I like it as well. | 0:18:14 | 0:18:16 | |
Let's wander down to that far end and come back again, | 0:18:16 | 0:18:18 | |
-because we've still got about 15 minutes. -Yeah. -I'll give it to you. | 0:18:18 | 0:18:22 | |
-So that will keep your expenditure to rather a neat £100-ish. -Yeah. -OK. | 0:18:24 | 0:18:29 | |
-You know, in total. -Keep that in mind. | 0:18:29 | 0:18:32 | |
Or you could just buy it and be done, Blues! | 0:18:32 | 0:18:35 | |
-Don't get too blase - only ten minutes to go. -That's nice. | 0:18:35 | 0:18:38 | |
-Nadal? -It's got his name on the back, he's written it on. | 0:18:38 | 0:18:42 | |
Oh, it's a shame it's written on the back. | 0:18:43 | 0:18:45 | |
I like it printed on the front, I think that's quite nice. | 0:18:45 | 0:18:49 | |
Why do you like that? | 0:18:49 | 0:18:50 | |
It's quite vintagey and I quite like the look of it. | 0:18:50 | 0:18:54 | |
-How much does he want for it? -I think it said 85. | 0:18:54 | 0:18:58 | |
I don't think I'll make a profit on 85. I like it a lot... | 0:18:58 | 0:19:02 | |
-I tell you what I do love - that. -Oh, yeah. -Don't you? -No! | 0:19:02 | 0:19:06 | |
It's a propeller blade and it's been made into an umbrella stand | 0:19:06 | 0:19:10 | |
or a cane stand. She's not impressed. Do you like it? | 0:19:10 | 0:19:13 | |
-I really like it. -I think it's fab. Do you want to ask him what he can do on that? His very best price. | 0:19:13 | 0:19:18 | |
Will be price propel a change of heart in Melody? | 0:19:18 | 0:19:21 | |
-Time is running out. -If we don't see anything that really jumps out... | 0:19:21 | 0:19:25 | |
-Good morning, how are you? -Fine, thanks. You? | 0:19:25 | 0:19:29 | |
..Then, er, we leg it back to that chap and...job's a good 'un, really. | 0:19:29 | 0:19:33 | |
-What's the news? -I spoke to him. | 0:19:38 | 0:19:40 | |
He had some interesting things to say about it | 0:19:40 | 0:19:42 | |
-and he can go down to 200. -OK. -No less. | 0:19:42 | 0:19:44 | |
He said Avro is the company that made the Lancaster bombers | 0:19:44 | 0:19:46 | |
in the First and Second World War. | 0:19:46 | 0:19:49 | |
He said it predates that, so it could be 1920s or 1930s. | 0:19:49 | 0:19:53 | |
The only thing is that, I think it might be a bit chancy | 0:19:53 | 0:19:57 | |
-and I think it might need a specialist sale. -Do you think? | 0:19:57 | 0:19:59 | |
-It's interesting. -If you want it, we'll go with it. | 0:19:59 | 0:20:02 | |
It's got social history, that you wanted... | 0:20:02 | 0:20:04 | |
-If you want to get it, you get it. -We have... | 0:20:04 | 0:20:07 | |
less than a couple of minutes left. | 0:20:07 | 0:20:09 | |
What I might do on your behalf, I could have a word with | 0:20:09 | 0:20:12 | |
the stallholder, see if I can just pinch it down a little bit more. | 0:20:12 | 0:20:15 | |
-You want me to do that? -Yes, please. -Yes, that would be great. | 0:20:15 | 0:20:20 | |
Quickly does it, Catherine - | 0:20:20 | 0:20:21 | |
and Blues, have you decided on bargain number three? | 0:20:21 | 0:20:24 | |
There's some more... What about this...piece? | 0:20:24 | 0:20:29 | |
Yeah. | 0:20:29 | 0:20:30 | |
This piece? A conductor's baton. | 0:20:30 | 0:20:33 | |
Dates, the hallmark is for 1898, Birmingham, | 0:20:35 | 0:20:39 | |
but I'm not convinced that's original. | 0:20:39 | 0:20:42 | |
But the silver casings are all intact. It's got a proper date mark. | 0:20:42 | 0:20:47 | |
-OK, two minutes to go! -- Shall we have a look at the little cases? | 0:20:47 | 0:20:51 | |
It's about a 30-second run down the road there. | 0:20:51 | 0:20:53 | |
- There's some little cases over there. | 0:20:53 | 0:20:56 | |
That's 165 quid, that's a no-no. Too much money. Thank you very much. | 0:20:56 | 0:20:59 | |
-Go, go, go! The sooner we get there, the sooner we are able to... -Right. | 0:20:59 | 0:21:03 | |
-Let's give it a little jog. -Come on, Blues. | 0:21:03 | 0:21:06 | |
Conduct yourselves to your third item now, please! | 0:21:06 | 0:21:08 | |
Have you come up with something? | 0:21:10 | 0:21:12 | |
OK, I've had a word with the gentleman, with the stallholder. | 0:21:12 | 0:21:15 | |
Very reluctantly, he is willing to go down an extra £10. | 0:21:15 | 0:21:19 | |
-We've got it down to 190. So what do you think? -Yes, go for it. -OK. | 0:21:19 | 0:21:23 | |
-Let's do it. -Are you happy? -Yep. Very happy. -Put it there. | 0:21:23 | 0:21:26 | |
-I think it's fan... -I like it. -..tastic. -Do you think so? -I do. | 0:21:26 | 0:21:29 | |
And you can buy something pretty for your Bonus Buy. | 0:21:29 | 0:21:32 | |
She's telling me what to buy as my Bonus Buy! Unbelievable! | 0:21:32 | 0:21:36 | |
-Something pretty. -Well, I haven't got much left, have I? | 0:21:36 | 0:21:39 | |
-Not now! -You tell her, Melody. | 0:21:39 | 0:21:40 | |
Now, Blue Team, get a wiggle on. One minute left. | 0:21:40 | 0:21:44 | |
-We're here for your stamp case, if you've still got it? -Nearly sold it! | 0:21:44 | 0:21:48 | |
Nearly sold it?! | 0:21:48 | 0:21:50 | |
-OK - what's the best you could do on that? -40 is the very best. | 0:21:50 | 0:21:53 | |
-I'm looking at my watch now. -38? Any less? Shall we just go for it? | 0:21:53 | 0:21:58 | |
-Let's just go for it. -OK, cool. Shake hands! -Thank you! | 0:21:58 | 0:22:02 | |
In the nick of time. Well done, guys. That's three bought. | 0:22:02 | 0:22:06 | |
-I'm happy. -Yeah? Happy. -Three good objects. -Cool as a cucumber! | 0:22:06 | 0:22:10 | |
Yeah, the fitness fanatic. Got to be cool, haven't you? | 0:22:10 | 0:22:12 | |
Thank you very much, sir - that's brilliant. | 0:22:12 | 0:22:15 | |
Crikey, I'm not one to say, "I told you so", but both our lovely teams, | 0:22:15 | 0:22:18 | |
YET AGAIN, left item number three until the last possible moment. | 0:22:18 | 0:22:22 | |
Talk about the nick of time. OK, that's it. | 0:22:22 | 0:22:25 | |
3,600 seconds have ticked by, bargain-hunters, and time is up. | 0:22:25 | 0:22:31 | |
Let's have a look at what the Red Team bought, eh? | 0:22:31 | 0:22:34 | |
They got off to a sizzling start with a Colman's mustard tin | 0:22:34 | 0:22:38 | |
for £3. | 0:22:38 | 0:22:39 | |
Followed this quickly with an eagle-headed walking cane for £43. | 0:22:41 | 0:22:45 | |
Finally, they found a place to stick it - in this stand. | 0:22:48 | 0:22:51 | |
Made of an Avro propeller which cost £190. | 0:22:51 | 0:22:54 | |
-So, happy with everything? -I think so. -Really happy. -Yes? | 0:22:56 | 0:22:59 | |
You don't sound so positive though, Dave. | 0:22:59 | 0:23:02 | |
Are you a bit shifty about anything? | 0:23:02 | 0:23:04 | |
A bit worried about the propeller - we spent a lot of money on it. | 0:23:04 | 0:23:07 | |
I really like it, but it's quite expensive. | 0:23:07 | 0:23:09 | |
Yes, well, you need to speculate to accumulate, old fruit. | 0:23:09 | 0:23:13 | |
-How much did you spend all round? -236, wasn't it? -236. -236. | 0:23:13 | 0:23:18 | |
Does that give me 64? Yes, £64. Thank you very much. | 0:23:18 | 0:23:25 | |
Perfect. Catherine - this is your favourite moment, darling. | 0:23:25 | 0:23:28 | |
Go and spend, spend, spend and find something | 0:23:28 | 0:23:30 | |
that will make a lot of profit for them. | 0:23:30 | 0:23:32 | |
-I know exactly what I'm going to buy. -Do you? | 0:23:32 | 0:23:34 | |
It's round and beautifully formed. | 0:23:34 | 0:23:37 | |
Now, I think bearing in mind it's lunchtime, | 0:23:38 | 0:23:40 | |
we'd better park that there. | 0:23:40 | 0:23:42 | |
Thank you very much, team, and move on very, | 0:23:42 | 0:23:44 | |
very swiftly and find out what the Blue Team bought, eh? | 0:23:44 | 0:23:47 | |
They started off with this faux tortoiseshell ladies' | 0:23:47 | 0:23:50 | |
necessaire kit for £12. | 0:23:50 | 0:23:52 | |
Then, they blew £45 on this window dummy. | 0:23:54 | 0:23:57 | |
And with seconds to spare, | 0:23:59 | 0:24:00 | |
they bought the silver postage stamp case for £40. First-class! | 0:24:00 | 0:24:04 | |
Well, this is a happy little team, I'd say. | 0:24:06 | 0:24:09 | |
-Had a good time, have you, Karen? -Yes, it's been amazing. | 0:24:09 | 0:24:12 | |
-And how much did you spend? -We spent £97! -You're having me on, aren't you? | 0:24:12 | 0:24:17 | |
-We're students! -£97?! | 0:24:17 | 0:24:20 | |
-On all three items? -Yeah. -OK. | 0:24:20 | 0:24:23 | |
Could I have the £203 of leftover lolly? | 0:24:23 | 0:24:27 | |
Thank you very much, that's lovely. Now, JP - that's a lot of money. | 0:24:27 | 0:24:30 | |
You like taking a big wodge like that, don't you? | 0:24:30 | 0:24:33 | |
I do and I'll be quite happy to spend it all. | 0:24:33 | 0:24:35 | |
It's all about profit with you though, isn't it? | 0:24:35 | 0:24:38 | |
-Well, I've got to make money. -Course you do. OK, we understand that. | 0:24:38 | 0:24:42 | |
Now, relax up, all right? Your time has come to relax. | 0:24:42 | 0:24:45 | |
JP is going shopping and we're heading off somewhere | 0:24:45 | 0:24:48 | |
drop-dead gorgeous and it's called Ham house. | 0:24:48 | 0:24:51 | |
Yum, yum. | 0:24:51 | 0:24:52 | |
I'm at Ham house, | 0:25:01 | 0:25:03 | |
one of those palatial mansions flanking the River Thames. | 0:25:03 | 0:25:07 | |
It was built in 1610 and in 1626, | 0:25:07 | 0:25:12 | |
was presented by King Charles I to his chum, William Murray. | 0:25:12 | 0:25:18 | |
Nice gift! | 0:25:18 | 0:25:20 | |
From 1637, Murray remodelled much of the interior of the house. | 0:25:20 | 0:25:24 | |
He adopted the new classical style then gaining | 0:25:24 | 0:25:27 | |
dominance in English architecture | 0:25:27 | 0:25:29 | |
and secured the services of Franz Cleyn, the chief designer | 0:25:29 | 0:25:32 | |
at the Mortlake tapestry factories to see the project through. | 0:25:32 | 0:25:36 | |
This is the Long Gallery - a place of great splendour and size. | 0:25:37 | 0:25:44 | |
But this space I'm going to look at today is | 0:25:44 | 0:25:47 | |
nothing like as large as this. | 0:25:47 | 0:25:50 | |
In fact, it's so small, I can only get into it sideways. | 0:25:50 | 0:25:55 | |
Here it is - bit of a narrow squeeze. | 0:25:55 | 0:25:58 | |
But the journey is worth it, | 0:25:58 | 0:26:00 | |
to take you into this exquisite little gem of a room. | 0:26:00 | 0:26:06 | |
Murray had Franz Cleyn raise the ceiling here, | 0:26:06 | 0:26:09 | |
so that it becomes more of a grand, coved room | 0:26:09 | 0:26:14 | |
and Cleyn then decorated it with these tempera-type paintings. | 0:26:14 | 0:26:19 | |
But what's unusual about the Green Closet here at Ham House | 0:26:19 | 0:26:24 | |
is that it still houses an arrangement of pictures | 0:26:24 | 0:26:28 | |
and works of art which it was designed to accommodate. | 0:26:28 | 0:26:32 | |
Of the pictures themselves running along that wall, | 0:26:32 | 0:26:36 | |
my eye is drawn to these two elaborately-carved picture frames. | 0:26:36 | 0:26:42 | |
This one encloses an oval head of an old boy by Gerard Dou, but | 0:26:42 | 0:26:47 | |
the frame itself follows the work of the master carver, | 0:26:47 | 0:26:51 | |
Grinling Gibbons. | 0:26:51 | 0:26:53 | |
Here we've got a solid lump of lime wood that's been so expertly | 0:26:53 | 0:26:58 | |
and exquisitely carved - every detail of every flower head | 0:26:58 | 0:27:03 | |
and piece of foliage is shown... | 0:27:03 | 0:27:05 | |
Allowing this "alto rilievo" effect to be created is extraordinary. | 0:27:05 | 0:27:11 | |
Up above it, we have one of a group of Dutch genre | 0:27:11 | 0:27:15 | |
pictures by Adrian Brewer, showing lowlife carousing in a tavern. | 0:27:15 | 0:27:22 | |
In the 17th century, the consumption of alcohol | 0:27:22 | 0:27:26 | |
and tobacco in Holland was looked down upon and in this scene, | 0:27:26 | 0:27:32 | |
you can see the effects of the moral decline that alcohol | 0:27:32 | 0:27:37 | |
and tobacco bring to the human condition. | 0:27:37 | 0:27:40 | |
The fellow on the right is lighting his clay pipe using a glowing | 0:27:40 | 0:27:45 | |
faggot, but is that hat on his head actually a hat, or is it | 0:27:45 | 0:27:51 | |
a salad bowl? The characters behind look absolutely hideous. | 0:27:51 | 0:27:57 | |
The chap leaning against the table is about to fall asleep | 0:27:57 | 0:28:01 | |
and the chap with the red hat, well - | 0:28:01 | 0:28:03 | |
he's looking at the chamberpot on the floor with... | 0:28:03 | 0:28:06 | |
a degree of longing. | 0:28:06 | 0:28:09 | |
Given the intimacy and scale of the room, not surprisingly, | 0:28:09 | 0:28:13 | |
it's an ideal space for the display of portrait miniatures | 0:28:13 | 0:28:17 | |
and also myths and legends. | 0:28:17 | 0:28:20 | |
In this panel, we've got a reclining figure of the gorgeous Danae. | 0:28:20 | 0:28:26 | |
It records the moment when Zeus, | 0:28:26 | 0:28:29 | |
who's passionate about her feminine charms, disguises himself | 0:28:29 | 0:28:35 | |
as a shower of gold to fall from heaven in order to impregnate her. | 0:28:35 | 0:28:41 | |
The big question today of course for our teams over at the auction | 0:28:41 | 0:28:44 | |
is, are they about to be showered with gold? | 0:28:44 | 0:28:48 | |
We're not moving from the County of Norfolk, | 0:28:58 | 0:29:00 | |
but we have moved to Diss, | 0:29:00 | 0:29:03 | |
to TW Gaze's saleroom to be with | 0:29:03 | 0:29:05 | |
-Elizabeth Talbot, our auctioneer of the moment. Elizabeth. -Hello, Tim. | 0:29:05 | 0:29:09 | |
We've got a mixture here for this Red Team, | 0:29:09 | 0:29:11 | |
starting with the Colman's mustard, which is Norfolk. | 0:29:11 | 0:29:15 | |
Well, this I'm afraid is kind of taking Col's to Newcastle, | 0:29:15 | 0:29:18 | |
because we're tripping over certainly late 20th-century Colman's mustard. | 0:29:18 | 0:29:22 | |
Had it been 1920s, 1900, 1890s, we'd have been a bit more excited, | 0:29:22 | 0:29:26 | |
but we have to be a bit choosy, I'm afraid. | 0:29:26 | 0:29:29 | |
It's not that unusual, so £10-£15 on that one. | 0:29:29 | 0:29:31 | |
We only paid £3. Should make a profit. | 0:29:31 | 0:29:34 | |
Should make a profit, yes. | 0:29:34 | 0:29:35 | |
Which may not be the case with this walking stick, | 0:29:35 | 0:29:37 | |
-because I don't think this has got any age at all. -It hasn't, sadly. | 0:29:37 | 0:29:40 | |
It's almost like a tourist piece, but nothing of age to it. | 0:29:40 | 0:29:43 | |
-So what's your estimate? -We put 25 to 40 on it. -OK, quite generously. | 0:29:43 | 0:29:47 | |
£43 they paid. We shall see. That could be their dark hole. | 0:29:47 | 0:29:52 | |
But patriotically speaking, | 0:29:52 | 0:29:54 | |
that stick or umbrella stand is pretty special, isn't it? | 0:29:54 | 0:29:57 | |
Well, it's a novelty. | 0:29:57 | 0:29:58 | |
We see the hubs of propellers and things turned into clock and barometer cases and so on, | 0:29:58 | 0:30:02 | |
but that's quite an unusual use of a propeller fin | 0:30:02 | 0:30:05 | |
and it's practical, it's patriotic. I can see that doing quite well. | 0:30:05 | 0:30:09 | |
I would hope so, anyway. | 0:30:09 | 0:30:11 | |
We have hopes that that would make between £200 and £300. | 0:30:11 | 0:30:14 | |
-Is that your estimate, then? -Yes, £2-£300. -Well, they paid 190 | 0:30:14 | 0:30:17 | |
and they really loved it. | 0:30:17 | 0:30:18 | |
Well, hopefully between us, we know a good thing! | 0:30:18 | 0:30:20 | |
In case it comes unstuck, let's have a look at the Bonus Buy. | 0:30:20 | 0:30:24 | |
Right then, Melody. David? Here we go. £64 of leftover lolly. | 0:30:24 | 0:30:29 | |
Catherine, you said what were you going to find? | 0:30:29 | 0:30:32 | |
-I said round and perfectly formed. -Show us your wares, Catherine. | 0:30:32 | 0:30:37 | |
-Oh, that's quite nice! -Oh, that is gorgeous! So is it African, or...? | 0:30:37 | 0:30:41 | |
-Maybe Thai, Eastern. -I really love that. -It's lovely. | 0:30:41 | 0:30:45 | |
-But it's all oak - it's just wonderful. -How much was it? | 0:30:45 | 0:30:49 | |
-It was a mere £43. -How much do you reckon it's going to make? | 0:30:49 | 0:30:54 | |
I think that's got quite a bit of mileage in there. | 0:30:54 | 0:30:57 | |
-Well, I'd buy it, wouldn't you? -It's heavy, yes. | 0:30:57 | 0:31:00 | |
-How much would you pay for it? -43! | 0:31:00 | 0:31:02 | |
-Yes, probably about £50, so I think you've done really well. -Me too. | 0:31:02 | 0:31:07 | |
-Are you happy with that? -Very happy. -Well, that's great, then. | 0:31:07 | 0:31:10 | |
If you need to pick it, you may be at that point | 0:31:10 | 0:31:13 | |
so flush with profits that you don't need to bother, right? | 0:31:13 | 0:31:16 | |
-Yeah... -Or we may not! | 0:31:16 | 0:31:19 | |
-We'll have to see! -I think it's great. -Good. Well, for the audience at home, | 0:31:19 | 0:31:22 | |
let's find out what the auctioneer thinks about Catherine's bowl. | 0:31:22 | 0:31:26 | |
Well, there you are, Elizabeth. | 0:31:26 | 0:31:28 | |
Well, you may well smile at this, | 0:31:28 | 0:31:30 | |
but last time we sold one of these - I think Bargain Hunt brought a very | 0:31:30 | 0:31:34 | |
similar item in and we all thought "ha-ha" - but it did very well. | 0:31:34 | 0:31:37 | |
-Did it? -On the strength of that, | 0:31:37 | 0:31:39 | |
because I think it's got very similar origins, | 0:31:39 | 0:31:41 | |
we've actually put £70-£90 on it. | 0:31:41 | 0:31:43 | |
Because last time, we got it wrong the other way. | 0:31:43 | 0:31:45 | |
Well, hopefully you've got it right now. £43, Catherine paid. | 0:31:45 | 0:31:49 | |
Well, fingers crossed that that will do OK. | 0:31:49 | 0:31:51 | |
She will be absolutely chuffed. Anyway, there we go. | 0:31:51 | 0:31:55 | |
That's it for the Reds. | 0:31:55 | 0:31:57 | |
Now for the Blues, and what a mixture they've got. | 0:31:57 | 0:32:00 | |
The necessaire, your 1920s/'30s dressing table accessory. | 0:32:00 | 0:32:03 | |
What can I say about this? | 0:32:03 | 0:32:05 | |
It's a slightly larger box of artefacts than one would get, | 0:32:05 | 0:32:08 | |
so that's rather nice. In its original, very deco-shaped case. | 0:32:08 | 0:32:11 | |
Looks fairly comprehensive. We've put £15-£20 on it. | 0:32:11 | 0:32:14 | |
They pay £12, it's neither here nor there. | 0:32:14 | 0:32:17 | |
OK, I think they'll make a small profit out of that. | 0:32:17 | 0:32:19 | |
Now, we've got the shop mannequin. It's definitely female. | 0:32:19 | 0:32:23 | |
How do you rate her? | 0:32:23 | 0:32:24 | |
Well, the point is with this little lady that the vintage | 0:32:24 | 0:32:28 | |
clothing market is booming. | 0:32:28 | 0:32:30 | |
With that is the need for either people in the trade or | 0:32:30 | 0:32:33 | |
collectors to display their lovely collectable pieces on a mannequin. | 0:32:33 | 0:32:37 | |
The mannequin itself may be period, | 0:32:37 | 0:32:39 | |
although early 20th-century ones are so scarce, | 0:32:39 | 0:32:42 | |
that mannequins of any age are selling reasonably well | 0:32:42 | 0:32:45 | |
at the moment and strangely enough, | 0:32:45 | 0:32:46 | |
female ones are harder to get hold of than broad-torsoed male ones. | 0:32:46 | 0:32:50 | |
-It's always been the same! -So, I think she's going to do OK. | 0:32:50 | 0:32:54 | |
-What's your estimate, then? -Well, it's only £20-£30. -Is that a tease? | 0:32:54 | 0:32:58 | |
-Yes! -£45. -Yes, I think they may yet do that. | 0:32:58 | 0:33:03 | |
-Now, lastly is this silver stamp case. -That is beautiful. | 0:33:03 | 0:33:09 | |
It's got engine-turned decoration on it, | 0:33:09 | 0:33:11 | |
a little cabochon button at the top where you can slide | 0:33:11 | 0:33:14 | |
the opening there to reveal its two little compartments | 0:33:14 | 0:33:17 | |
and it's just perfect for slipping in a pocket. I like that very much. | 0:33:17 | 0:33:20 | |
-Me too. -We've put £40-£60 on it. Can't go wrong at that. | 0:33:20 | 0:33:23 | |
-I would think not. -That's lovely. | 0:33:23 | 0:33:26 | |
Anyway, famous last words, as they say. | 0:33:26 | 0:33:29 | |
Just in case, let's go and have a look at the Bonus Buy. | 0:33:29 | 0:33:33 | |
Now, Karen, Hayden. | 0:33:33 | 0:33:35 | |
How you could only spend £97 and give | 0:33:36 | 0:33:38 | |
so much cash to JP, I do not know. | 0:33:38 | 0:33:41 | |
Anyway, you did. £203 you had, JP. | 0:33:41 | 0:33:44 | |
-What did you spend it on? -Well, I chose to buy a bit of porcelain, OK? | 0:33:44 | 0:33:49 | |
Chinese porcelain. It's late 18th century. | 0:33:49 | 0:33:52 | |
Your first observation is that | 0:33:52 | 0:33:53 | |
the handle probably isn't the original handle. | 0:33:53 | 0:33:56 | |
But the reason that's the case is that the handle had broken off! | 0:33:56 | 0:33:59 | |
Actually, these things were prized, | 0:33:59 | 0:34:01 | |
so they went to the trouble of making a handle and fixing it. | 0:34:01 | 0:34:04 | |
It was an expensive object to have, they'd have inherited it and it's nicely decorated in enamels. | 0:34:04 | 0:34:09 | |
Colourful too, like Karen, really, what with the pink hairdo. | 0:34:09 | 0:34:12 | |
-Very colourful! -What I call famille-rose palette! | 0:34:12 | 0:34:16 | |
-I spent only £40. -How much? -40?! -So how much do you think it would...? | 0:34:16 | 0:34:22 | |
I would say there's definitely a profit in it. | 0:34:22 | 0:34:24 | |
It might be five or ten, it might be 20 or 30. | 0:34:24 | 0:34:26 | |
£40 and you think there's going to be £10-£20 profit out of it? | 0:34:26 | 0:34:29 | |
-That's what you really need to grip, isn't it, guys? -Yes. | 0:34:29 | 0:34:32 | |
Happy with that? Think it through. For the audience at home, | 0:34:32 | 0:34:34 | |
let's find out what the auctioneer thinks about JP's mug. | 0:34:34 | 0:34:38 | |
-Well, that's handsome, isn't it? -I like that. | 0:34:39 | 0:34:42 | |
I like that! | 0:34:42 | 0:34:44 | |
That's a late 1830, 19th-century Chinese export porcelain | 0:34:44 | 0:34:48 | |
tankard, beautifully hand-painted. A scene of figures in a garden... | 0:34:48 | 0:34:52 | |
-All done by hand. -Yes, beautiful. I like that very much. | 0:34:52 | 0:34:55 | |
-I think Jonathan perhaps being clever there. He paid £40, what's your estimate? -We put £40-£60 on it. | 0:34:55 | 0:34:59 | |
-I think he will do fine on that. -Exciting stuff, Elizabeth! | 0:34:59 | 0:35:02 | |
Anyway, we'll look forward to seeing you on the rostrum. | 0:35:02 | 0:35:05 | |
-Thank you very much. -Thank you, Tim. | 0:35:05 | 0:35:07 | |
Now, Melody, David. What are your expectations today? | 0:35:14 | 0:35:18 | |
Do you think things are going to go well? What is your feeling? | 0:35:18 | 0:35:20 | |
-Could go either way, couldn't it? -I think it all hinges on the propeller. | 0:35:20 | 0:35:24 | |
-Yes, it does. -It's a gamble. | 0:35:24 | 0:35:25 | |
Well, that's your big investment, the £190 you spent. | 0:35:25 | 0:35:28 | |
Well, I'm delighted to tell you that the auctioneer loved it. | 0:35:28 | 0:35:32 | |
She put £200-£300 on. She thinks it's a very, very desirable object. | 0:35:32 | 0:35:37 | |
-Really? -Which is good, because that's 190 of your cash went into that. | 0:35:37 | 0:35:42 | |
The other two things are just for fun really, aren't they? | 0:35:42 | 0:35:45 | |
-The tin certainly is. -She said there's lots of those. £10-£15. | 0:35:45 | 0:35:49 | |
She was apologetic about that, I said, "Don't you worry about that, | 0:35:49 | 0:35:53 | |
"£3 only was paid!" That was a cool price. | 0:35:53 | 0:35:56 | |
And here comes the old tin. | 0:35:56 | 0:35:58 | |
We have the 1970s Colman's of Norwich mustard tin, | 0:35:58 | 0:36:01 | |
flying the flag for a local firm. | 0:36:01 | 0:36:03 | |
Where am I saying? Start me at £10. | 0:36:03 | 0:36:05 | |
Mustard tin for £10, surely? Thank you, sir - ten I have. | 0:36:05 | 0:36:09 | |
£7 profit. | 0:36:09 | 0:36:11 | |
-At £10, maiden bid here at £10. Gentleman has bid 10. -£10. | 0:36:11 | 0:36:16 | |
-Are you all done? -£10 is +7 pounds. Nothing the matter with that. | 0:36:16 | 0:36:22 | |
That cuts the mustard! Now, here comes the bronze-headed stick. | 0:36:22 | 0:36:26 | |
The ebonised and bronze walking cane. | 0:36:26 | 0:36:29 | |
The head in the form of an eagle, there we go. | 0:36:29 | 0:36:31 | |
Where am I saying for the walking cane? Start me at 20. | 0:36:31 | 0:36:34 | |
Good, practical cane this one. £20. Ten I'll take. | 0:36:34 | 0:36:38 | |
-Ten by the door, thank you. Ten in the hat, I'll take 12. -Ooh. | 0:36:38 | 0:36:42 | |
Looking for 12. It's £10 by the door. Surely worth more? | 0:36:42 | 0:36:48 | |
Any advance on the ten? All done? | 0:36:48 | 0:36:51 | |
-Oh, dear. -I don't think it's as old as we thought. -Minus 33 for that. | 0:36:51 | 0:36:56 | |
The novelty Second World War period walking cane or umbrella stand, | 0:36:56 | 0:37:00 | |
it's constructed from a propeller blade, made by Avro, a fine example. | 0:37:00 | 0:37:04 | |
Where am I saying for this? Start me at 200. | 0:37:04 | 0:37:07 | |
Good, historical piece, will stand well in the hall at £200. £100. | 0:37:07 | 0:37:12 | |
It's worrying that it doesn't look as if she's got commission bids. | 0:37:12 | 0:37:15 | |
Are you bidding? £100 in the gallery, at £100 I have. | 0:37:15 | 0:37:19 | |
It's surely worth more than 100. | 0:37:19 | 0:37:21 | |
It's a good example and a rarity at 100. Unique in fact, at £100. | 0:37:21 | 0:37:26 | |
Where are you at ten? This isn't going to fly very high! | 0:37:26 | 0:37:29 | |
-Come on, £100, where are you at 10? -She was optimistic! | 0:37:29 | 0:37:32 | |
Surely worth more? Any advance on £100? | 0:37:32 | 0:37:35 | |
-Oh... -£100. Minus 90. -Oh, dear! -Oh, dear. -Never mind. | 0:37:37 | 0:37:43 | |
-So, what about the bowl? -We'll have to do it, won't we? | 0:37:43 | 0:37:46 | |
-Oh, we love the bowl. Yes. -£116. | 0:37:46 | 0:37:49 | |
You're going with the Bonus Buy, | 0:37:49 | 0:37:51 | |
going with the old washing-up bowl and here it comes. | 0:37:51 | 0:37:54 | |
19th-century large oak bowl. Good furnishing piece. Start me at £50. | 0:37:54 | 0:37:59 | |
30 I'll take to start. Good country piece this, at £30 on the bowl. | 0:37:59 | 0:38:04 | |
Thank you, sir. £30, central bid at 30. I'll take two. | 0:38:04 | 0:38:07 | |
It's only £30, it should be worth more at £30. | 0:38:07 | 0:38:10 | |
-Come on, ladies and gentlemen... -Dear oh dear. | 0:38:10 | 0:38:13 | |
-She rates this, as well. -Yes. She thinks it's worth £70-£90. | 0:38:14 | 0:38:19 | |
Where are you at two? It's the maiden bid. Are you all done at £30? | 0:38:19 | 0:38:24 | |
Minus 13. 160, 126, minus 129. | 0:38:24 | 0:38:29 | |
Now...! | 0:38:29 | 0:38:30 | |
The way things are going, that could be a winning score! | 0:38:30 | 0:38:33 | |
-It could well be! -Could be! -Oh, dear. Don't say a word to the Blues. | 0:38:33 | 0:38:37 | |
-Course not. -Not a word. Thank you very much. | 0:38:37 | 0:38:40 | |
OK, guys. This is the end of the long wait. | 0:38:51 | 0:38:55 | |
-You feeling confident, Karen? -Yeah. I'm... Yeah. Confident. | 0:38:55 | 0:38:59 | |
That's confident confident(!) Now we move to the thespian. | 0:39:01 | 0:39:05 | |
-Are you confident? -Er... N... Slightly. -No, seriously. | 0:39:05 | 0:39:10 | |
It's a difficult one to predict. | 0:39:10 | 0:39:12 | |
-Have you been talking to the Reds? -No. -Good. | 0:39:12 | 0:39:15 | |
We don't want you to. Now, the little necessaire case. £12 only. | 0:39:15 | 0:39:20 | |
-That was so cheap, wasn't it? -Yeah. -She's put 15 to 20 on it, anyway. | 0:39:20 | 0:39:24 | |
She likes it. Here it comes. | 0:39:24 | 0:39:26 | |
Now, the 1930s ladies' necessaire, | 0:39:26 | 0:39:28 | |
the good case set of accessories for you. | 0:39:28 | 0:39:31 | |
Interest on the sheet shown and I start here at £10. | 0:39:31 | 0:39:34 | |
£10 bid for the set at 10, I'll take 12. At £10 bid now, where at 12? | 0:39:34 | 0:39:39 | |
15, 18, 20... | 0:39:39 | 0:39:42 | |
Back with me at 20. Lost you left. 20 I have, I'll take two. | 0:39:42 | 0:39:45 | |
-You're in profit. -I'm looking for two elsewhere. | 0:39:45 | 0:39:48 | |
It's 20 on commission. It will sell. | 0:39:48 | 0:39:52 | |
It will. At a profit. Plus £8. | 0:39:52 | 0:39:55 | |
-I like to see the plus sign. Now the mannequin. -On a glass space there. | 0:39:55 | 0:39:58 | |
Interest on this one here, and I start at just £18. £18 bid. | 0:39:58 | 0:40:03 | |
Now at 20, gallery. 22. 25, | 0:40:03 | 0:40:06 | |
-28, 30, two... -Keep going, keep going... | 0:40:07 | 0:40:10 | |
-Go on. -..38, 40 now is the gallery. | 0:40:10 | 0:40:14 | |
In the gallery now, looking for two elsewhere. | 0:40:14 | 0:40:16 | |
It's 40 in the gallery, surely worth more? | 0:40:16 | 0:40:19 | |
Any advance on £40 in the gallery? | 0:40:19 | 0:40:22 | |
-Bad luck, minus five. You're still plus 3, though. -That's all right. | 0:40:22 | 0:40:26 | |
Now, the stamp case. This should be exciting. | 0:40:26 | 0:40:29 | |
Silver postage stamp case, Birmingham, 1911. This is lovely. | 0:40:29 | 0:40:33 | |
Unusual design, I have interest on the sheet shown here. | 0:40:33 | 0:40:36 | |
I'll start at £12. £12 bid at 12, where's 15? | 0:40:36 | 0:40:40 | |
15, 18, 20, 22, 25, 28, | 0:40:40 | 0:40:44 | |
30, 32... With me at 32. | 0:40:44 | 0:40:47 | |
Lady's out, surely worth more? 35, new bidder, 38. | 0:40:47 | 0:40:50 | |
40, 42, 45, 48, 50, | 0:40:50 | 0:40:53 | |
55, 60, 65, 70, 75, 80, I'm out. | 0:40:53 | 0:40:57 | |
-80! -80 is in the room, I'm looking for five. | 0:40:57 | 0:41:00 | |
It's £80 to my left now, a good collector's item at 80. Any advance? | 0:41:00 | 0:41:05 | |
-Thank goodness! £80! -Yes! | 0:41:05 | 0:41:08 | |
Now, the porcelain tankard I'm making a presumption here... | 0:41:08 | 0:41:12 | |
-No, no, no. -We'll sell it anyway, just to see what might have been. | 0:41:12 | 0:41:17 | |
18th-century Chinese porcelain tankard with later wicker-bound | 0:41:17 | 0:41:20 | |
handle. As you find it, there it is. | 0:41:20 | 0:41:22 | |
But it's a super tankard, | 0:41:22 | 0:41:24 | |
beautiful decoration to that one, where am I saying? Start me at 50. | 0:41:24 | 0:41:28 | |
Come on, it's good value. 40 I'll take. | 0:41:28 | 0:41:30 | |
Lady has bid at 40 now, where are you at two? | 0:41:30 | 0:41:33 | |
I have a bid at 40 now, where are you at two? | 0:41:33 | 0:41:36 | |
-It should be worth more than this. -It SHOULD be worth more than this. | 0:41:36 | 0:41:40 | |
-Hey, JP! Well done! -Any advance? | 0:41:40 | 0:41:42 | |
It's a maiden bid, it will sell at £40... | 0:41:42 | 0:41:46 | |
-That's all right! -No profit, no loss. No pain, no shame! | 0:41:46 | 0:41:50 | |
-Wiped its face. Well done, JP. -Well... | 0:41:50 | 0:41:51 | |
And you were both wrong there, won't you? | 0:41:51 | 0:41:54 | |
Still, there we go - it's a difficult game to predict. | 0:41:54 | 0:41:57 | |
But who cares? The big thing now is don't say a word to the Reds. | 0:41:57 | 0:42:01 | |
-Well done, though. Congratulations. -Thanks! | 0:42:01 | 0:42:03 | |
Well, it's a day of distinct contrasts today, isn't it? | 0:42:14 | 0:42:19 | |
-Have you been comparing notes... about the profits or losses? -No. | 0:42:19 | 0:42:23 | |
-I'm afraid the runners-up today substantially are the Reds. -No! | 0:42:23 | 0:42:28 | |
-You are. How could this be, Davido? -I don't know! | 0:42:28 | 0:42:32 | |
And I'm not sure it was right, this result, either, | 0:42:32 | 0:42:35 | |
because that propeller jobbie should've done better. | 0:42:35 | 0:42:38 | |
I think you've just had a bit of bad luck. But has it been fun, Melody? | 0:42:38 | 0:42:41 | |
Oh, it's been brilliant. Had a great time. | 0:42:41 | 0:42:43 | |
Loved having you on the show, David. | 0:42:43 | 0:42:45 | |
Very good luck with everything. Thank you, Catherine. | 0:42:45 | 0:42:47 | |
Meanwhile, the victors today, | 0:42:47 | 0:42:49 | |
and that's why I say it's a day of contrasts, because it's | 0:42:49 | 0:42:52 | |
perfectly possible to make a chunking profit and congratulations. | 0:42:52 | 0:42:56 | |
-Did you enjoy it? -Of course, yes. -Nice experience, Hayden? -Fantastic. | 0:42:56 | 0:43:01 | |
Well done, JP, for all your support and hard work. | 0:43:01 | 0:43:04 | |
-In fact, join us soon for some more bargain-hunting, yes? -ALL: Yes! | 0:43:04 | 0:43:08 | |
I know you're sitting there thinking, | 0:43:10 | 0:43:12 | |
"I could have done better than that!" | 0:43:12 | 0:43:14 | |
Well, what's stopping you? | 0:43:14 | 0:43:17 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:17 | 0:43:21 | |
It will be splendid to see you! | 0:43:21 | 0:43:24 | |
Subtitles by Red Bee Media Ltd | 0:43:25 | 0:43:28 |