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The Lincolnshire Antiques and Homes Show | 0:00:03 | 0:00:06 | |
is the largest of its type in the UK | 0:00:06 | 0:00:09 | |
and anywhere else in Europe. | 0:00:09 | 0:00:12 | |
So Bonjour! Guten Tag! Ciao! Ola! | 0:00:12 | 0:00:17 | |
Let's go Bargain Hunting! Oh, yeah. | 0:00:17 | 0:00:19 | |
Lincoln is a town so steeped in history | 0:00:46 | 0:00:49 | |
and rich with culture | 0:00:49 | 0:00:51 | |
that others are literally Lincoln green with envy! | 0:00:51 | 0:00:55 | |
What better place, then, | 0:00:55 | 0:00:58 | |
to let two teams of bargain hunters loose, each with £300. | 0:00:58 | 0:01:02 | |
Here's a quick sniff as to what's coming up. | 0:01:02 | 0:01:04 | |
The reds are having a testing time. | 0:01:06 | 0:01:08 | |
-That is Japanese. -Satsuma? -It's not Satsuma! | 0:01:09 | 0:01:13 | |
-Do you know any other Japanese style of porcelain? -No. -No. | 0:01:13 | 0:01:16 | |
While the blues feel the pressure. | 0:01:16 | 0:01:18 | |
We've got three minutes. We need to buy something really affordable. | 0:01:18 | 0:01:21 | |
It's a bit of a damage limitation exercise! | 0:01:21 | 0:01:25 | |
Let's meet the teams. | 0:01:25 | 0:01:27 | |
Today, we've got a rum old group. | 0:01:28 | 0:01:30 | |
For the reds we've got an uncle and niece, | 0:01:30 | 0:01:33 | |
and for the blues, we've got partners. | 0:01:33 | 0:01:36 | |
Partners for the last seven years. | 0:01:36 | 0:01:38 | |
-Hello, everybody! -Hello. -Hello. -Lovely to see you. | 0:01:38 | 0:01:41 | |
Now, Gary and Lynne. Gary, you're a bit of a lifeline for a lot of people, right? | 0:01:41 | 0:01:47 | |
Right. I work part-time in the Lifeline organisation | 0:01:47 | 0:01:50 | |
which deals with the elderly or disabled or people with special needs. | 0:01:50 | 0:01:55 | |
They call through. Sometimes, they just want a chat. | 0:01:55 | 0:01:58 | |
Sometimes they want a doctor, sometimes they want an ambulance. | 0:01:58 | 0:02:01 | |
-It's a marvellous job that you do. -It's absolutely fantastic. | 0:02:01 | 0:02:04 | |
-How long have you been doing that? -Not a year, yet. | 0:02:04 | 0:02:06 | |
I took early retirement and I just do this part-time. | 0:02:06 | 0:02:09 | |
What's this I hear about a fear of bidding at auctions? | 0:02:09 | 0:02:12 | |
-Absolutely terrified. -Are you? | 0:02:12 | 0:02:14 | |
But you'll be all right on Bargain Hunt? All right on buying? | 0:02:14 | 0:02:17 | |
-Yes. -Lynne, you're a full-time carer? -I am. -Tell us about that. | 0:02:17 | 0:02:22 | |
My daughter is severely disabled. | 0:02:22 | 0:02:25 | |
Do you ever get any time to go away, some time to yourself? | 0:02:25 | 0:02:28 | |
No, don't be silly. No. But I don't mind. It's life. | 0:02:28 | 0:02:32 | |
-Yes. -And I'm blessed. I've got two gorgeous kids and I'm blessed. | 0:02:32 | 0:02:35 | |
-You've also got an incredible knowledge of antiques? -Oh, God, yes! | 0:02:35 | 0:02:38 | |
-That's what it says here. Tell us about it. -Nothing. -You don't know anything? -No, nothing! | 0:02:38 | 0:02:43 | |
-So you're here to support the big man. -I am. | 0:02:43 | 0:02:45 | |
Because it's his favourite programme. | 0:02:45 | 0:02:48 | |
-If you know absolutely nothing about antiques, I predict you'll do rather well today on Bargain Hunt! -Good. | 0:02:48 | 0:02:53 | |
-How's that? -Good! -We're waiting for your performance! | 0:02:53 | 0:02:56 | |
-We've got to win! -Very good luck. -Thank you. | 0:02:56 | 0:02:58 | |
Now for the blues. John and Sharrie. | 0:02:58 | 0:03:00 | |
John, you met Sharon professionally, I believe, to start off with. | 0:03:00 | 0:03:04 | |
Yes. I was a lone parent. I needed advice on starting a business. | 0:03:04 | 0:03:08 | |
Sharon was a lone parent advisor. | 0:03:08 | 0:03:10 | |
-She asked, "What are your circumstances?" I replied, "Tragic." -Oh, yes? | 0:03:10 | 0:03:14 | |
So that melted her icy cold civil service heart. | 0:03:14 | 0:03:17 | |
So she asked you out? | 0:03:17 | 0:03:18 | |
-She did. -Did she ask you out? -To a Paul Weller concert. | 0:03:18 | 0:03:22 | |
-I didn't realise I was being hunted. -Right. | 0:03:22 | 0:03:25 | |
That's something, isn't it? That's taking the civil service to another level! | 0:03:25 | 0:03:29 | |
-How good's that? -Not bad at all! -Pretty civil! | 0:03:29 | 0:03:31 | |
Sharon, it says here you're a bit arty. | 0:03:31 | 0:03:33 | |
I've always loved artists such as William Morris and the Arts & Crafts movement. | 0:03:33 | 0:03:38 | |
-I did a degree in textile design. -Did you? -I did. -Then what happened? | 0:03:38 | 0:03:42 | |
I worked as a textile designer, printed textiles, for quite a few years. | 0:03:42 | 0:03:46 | |
I went to a cafe once and my wallpaper was on the wall. That was nice! | 0:03:46 | 0:03:50 | |
Did you go to the owner and say, "That's my wallpaper! It's mine! I designed it!" | 0:03:50 | 0:03:54 | |
-I tried to be really cool! -Blase about it. | 0:03:54 | 0:03:58 | |
I think you'll do rather well today on Bargain Hunt. I predict. | 0:03:58 | 0:04:01 | |
-Now the money moment. £300 apiece. There's your £300. -Thank you. | 0:04:01 | 0:04:04 | |
You know the rules. Your experts await and off you go! | 0:04:04 | 0:04:07 | |
Very, very, very good luck. | 0:04:07 | 0:04:10 | |
Our experts today are pretty cool themselves. | 0:04:10 | 0:04:13 | |
Attempting to race in front for the reds will be David Harper. | 0:04:14 | 0:04:18 | |
And for the blues, a woman who is no stranger for getting ahead, Kate Bliss! | 0:04:19 | 0:04:23 | |
Gary, surely it's not true that all your antiques knowledge comes from Bargain Hunt? | 0:04:28 | 0:04:32 | |
-But I'm an expert. -Purely from watching Bargain Hunt, you know everything about antiques? -Expert. | 0:04:32 | 0:04:37 | |
-Is there anything you want to find today? -Pretty and sparkly. | 0:04:37 | 0:04:40 | |
-OK. Sounds good to me. What about you, John? Is that you? Sparkly? -Yeah, of course! | 0:04:40 | 0:04:44 | |
-I like writing boxes, I like snuff boxes. -You just like boxes. -I like boxes. -He likes boxes. | 0:04:44 | 0:04:50 | |
You like silver and jewellery, and Sharon likes jewellery and silver. | 0:04:50 | 0:04:53 | |
So I can see where this is going to go today! | 0:04:53 | 0:04:55 | |
Think you might be outnumbered? | 0:04:55 | 0:04:57 | |
Possibly. I'm getting it in stereo here! | 0:04:57 | 0:04:59 | |
Gary's straight in with some of his Bargain Hunt expertise! | 0:04:59 | 0:05:03 | |
Is that Doulton, there, David? | 0:05:03 | 0:05:05 | |
-Which one? -This. -The red one? -Yes. | 0:05:05 | 0:05:09 | |
It's very interesting you say that. | 0:05:09 | 0:05:11 | |
-Because you are the... -Expert. -..expert. | 0:05:11 | 0:05:13 | |
-And you've learned everything you know from... -Bargain Hunt. -Exactly. | 0:05:13 | 0:05:17 | |
-And you. -And me. Oh, and me? | 0:05:17 | 0:05:18 | |
-Lynne, is he right? Is that Royal Doulton? -I don't know. | 0:05:18 | 0:05:22 | |
-Shall we test him? -Test him. I hope you're wrong! | 0:05:22 | 0:05:25 | |
-Are you ready? -Ready. Just tell me. | 0:05:25 | 0:05:27 | |
-You are correct. -There you go. -Is he? -I'll show you. Absolutely. | 0:05:27 | 0:05:30 | |
-Flambe ware. -Look at that. | 0:05:30 | 0:05:32 | |
-Royal Doulton. Tell you what... -You've been reading books as well. | 0:05:32 | 0:05:35 | |
I've seen it before. It's not very old, is it? | 0:05:35 | 0:05:37 | |
It's circa 1920. | 0:05:37 | 0:05:39 | |
-But it's just not making... -Money. -Right. -OK, then. -Right. | 0:05:39 | 0:05:44 | |
-Leave it. Come on. -Come on, then. | 0:05:44 | 0:05:47 | |
Well, with two experts on the team, | 0:05:47 | 0:05:48 | |
I expect big things from the reds. | 0:05:48 | 0:05:51 | |
The red team's Gary likes boxes, apparently. | 0:05:51 | 0:05:53 | |
And it looks like John's a drawers man! | 0:05:53 | 0:05:56 | |
Nothing the matter with that, though! | 0:05:56 | 0:05:58 | |
'30s, I would say. Maybe '40s. | 0:05:58 | 0:06:00 | |
I think we could do better than that. | 0:06:00 | 0:06:02 | |
The top one's filled with £50 notes, though! | 0:06:02 | 0:06:05 | |
And pigs might fly! | 0:06:05 | 0:06:06 | |
Just look at the selection of things, Gary. | 0:06:11 | 0:06:13 | |
-Is this a cheese dish? -No, I think it's more of a pie. -Oh. Interesting. | 0:06:13 | 0:06:18 | |
-There's a box there I wouldn't mind a look at. -OK. | 0:06:18 | 0:06:20 | |
That didn't take him long. | 0:06:20 | 0:06:22 | |
Circa 1900. | 0:06:22 | 0:06:24 | |
I don't know. Tell me, is it? | 0:06:24 | 0:06:26 | |
No, you're the one who's learned everything from Bargain Hunt. | 0:06:26 | 0:06:29 | |
-Is it a writing... -It will be. | 0:06:29 | 0:06:31 | |
What sort of use? It's got carrying handles. | 0:06:31 | 0:06:35 | |
-Portable... -(Campaign.) | 0:06:35 | 0:06:38 | |
-Campaign. A campaign one. -You're good. He's good. -Definitely a campaign one. | 0:06:38 | 0:06:41 | |
Something tells me he's still learning from Bargain Hunt! | 0:06:41 | 0:06:44 | |
-A campaign one. -Yeah. Early Victorian. | 0:06:44 | 0:06:47 | |
They used to be much more expensive. | 0:06:47 | 0:06:49 | |
But like all markets, things change, that's all. | 0:06:49 | 0:06:52 | |
-It's mahogany bound and protected in brass. -Lovely, in't it? | 0:06:52 | 0:06:56 | |
With flushed sides so it can be packed easily | 0:06:56 | 0:06:59 | |
on a carriage, a train, a boat, it's easy to be packed. | 0:06:59 | 0:07:04 | |
-Do you like it? -Protected by brass. | 0:07:04 | 0:07:06 | |
It's a cute little thing. | 0:07:06 | 0:07:08 | |
You've got a maker's mark on the lock, which is a good sign. | 0:07:08 | 0:07:11 | |
It needs restoration, which isn't a bad thing for when you're putting something into auction. | 0:07:11 | 0:07:16 | |
What would you be talking about at auction for this? | 0:07:16 | 0:07:19 | |
It falls into that kind of 80 to 120 mark. | 0:07:19 | 0:07:22 | |
-What's it up for? -I don't know. | 0:07:22 | 0:07:24 | |
-Shall we get a... -Then we'll send Rottweiler in! She's going to be nice. | 0:07:24 | 0:07:30 | |
Hi, there. What kind of money have we got on the box? | 0:07:30 | 0:07:32 | |
-VENDOR: -125. -What about ten? | 0:07:32 | 0:07:35 | |
-115? -Go on. We need this. We need to win! | 0:07:35 | 0:07:39 | |
-Have you done the deal? -We've done the deal. -Done the deal. | 0:07:39 | 0:07:43 | |
-Thank you. -Thank you. | 0:07:43 | 0:07:45 | |
So, the reds' first buy. It's a box. What a shock that was! | 0:07:45 | 0:07:49 | |
Meanwhile, the blues are looking at something girly and silver. Never mind, John! | 0:07:49 | 0:07:53 | |
-It's really pretty. I like that. -It is pretty. | 0:07:53 | 0:07:55 | |
-Would that be for perfume? -Yes, that would be for perfume. | 0:07:55 | 0:07:58 | |
-How much is that going for? -Well, they've got 35 on there. | 0:07:58 | 0:08:02 | |
I'd like to see it a little more affordable. | 0:08:02 | 0:08:05 | |
It's unusual. It's a lovely shape. | 0:08:05 | 0:08:08 | |
The quality of the cut glass is quite good for something like that. | 0:08:08 | 0:08:11 | |
It hasn't got what I would call a star-cut base, | 0:08:11 | 0:08:14 | |
which you often see on Victorian pieces. | 0:08:14 | 0:08:16 | |
It has got a silver mark, John. Are you all right with that? | 0:08:16 | 0:08:20 | |
You said that as if I have a choice! | 0:08:20 | 0:08:22 | |
-No, I'm fine with silver, yeah. -Yeah? You're happy? | 0:08:23 | 0:08:25 | |
-Shall we see what sort of price we can get? -Yeah. | 0:08:25 | 0:08:28 | |
Excuse me. We quite like your scent bottle. Anything you can do for us on that? | 0:08:28 | 0:08:32 | |
We've got to go to auction with it. | 0:08:32 | 0:08:34 | |
20 and that's it. | 0:08:34 | 0:08:36 | |
-20? -I like it. What do you think? | 0:08:36 | 0:08:39 | |
We have got a bit of a chip, there, | 0:08:39 | 0:08:42 | |
but I think that could easily be polished out or ground down | 0:08:42 | 0:08:45 | |
so you wouldn't notice the chip. | 0:08:45 | 0:08:47 | |
If you could get that for £20, I'd grind that down with my teeth! | 0:08:47 | 0:08:49 | |
So, £20. What do you think? | 0:08:52 | 0:08:53 | |
-We should go for it. -I like it. -We should stand a chance at £20. | 0:08:53 | 0:08:56 | |
-It is silver, you know, John. -It's what I'd have on my dressing table! | 0:08:56 | 0:09:00 | |
-I think he quite likes this, you know. -I think he does! | 0:09:00 | 0:09:04 | |
-Going to do it? -Yeah. Go for it. -You've got a deal. Great. First item. | 0:09:04 | 0:09:07 | |
Well done, blues. And you're wise to go with the flow, John. | 0:09:07 | 0:09:10 | |
That's one item apiece. | 0:09:10 | 0:09:13 | |
What kind of things sell in auction? | 0:09:13 | 0:09:15 | |
Clocks, watches, boxes. | 0:09:15 | 0:09:16 | |
-Boxes. -I've bought a box. | 0:09:16 | 0:09:18 | |
-You've bought the box. -Yeah. | 0:09:18 | 0:09:20 | |
So, you've been paying attention, Gary. I'm pleased about that. | 0:09:20 | 0:09:23 | |
-There's some drawers there. -I've just noticed those. I like those. | 0:09:26 | 0:09:29 | |
They look a bit reproduction. | 0:09:29 | 0:09:31 | |
Let's have a closer look. | 0:09:31 | 0:09:33 | |
What's the price on there? | 0:09:35 | 0:09:37 | |
-VENDOR: -650. -650, guys. | 0:09:37 | 0:09:39 | |
-Just a wee bit over our budget today. -A little bit! -Just a little! | 0:09:39 | 0:09:42 | |
That's a top-drawer price, and all! | 0:09:42 | 0:09:43 | |
Show us what you like, Lynne. | 0:09:47 | 0:09:49 | |
-I just like the trinket thing. -OK. | 0:09:49 | 0:09:52 | |
What style do you think it is? | 0:09:52 | 0:09:54 | |
I just like it. That's all I can tell you about this. | 0:09:54 | 0:09:56 | |
That's a good enough reason to buy anything. | 0:09:56 | 0:09:59 | |
What date do you think it is? I love testing. | 0:09:59 | 0:10:01 | |
-No idea. -You're coming on soon. Come on, then. | 0:10:01 | 0:10:03 | |
-I'd say about 1900. -I would say. | 0:10:03 | 0:10:05 | |
-What about you, Gary? -1920. | 0:10:05 | 0:10:07 | |
-1920. I think its style, it's Arts & Crafts, isn't it? -Yeah. | 0:10:07 | 0:10:12 | |
So that would be late 19th, circa 1900. | 0:10:12 | 0:10:15 | |
-Lynne, you're a superstar. -Thank you! | 0:10:15 | 0:10:19 | |
So it's copper with that lovely bark effect. | 0:10:19 | 0:10:22 | |
That colouration is something that was there the day it was made. | 0:10:22 | 0:10:26 | |
Tin-lined, so probably to hold something hot. | 0:10:26 | 0:10:30 | |
Maybe coffee or chocolate. | 0:10:30 | 0:10:31 | |
It probably would have been part of a much bigger set. | 0:10:31 | 0:10:34 | |
-At the right money, it's a good auction piece, that. -Is it? | 0:10:34 | 0:10:37 | |
Yeah. Let's get a price. What sort of money on the pot? | 0:10:37 | 0:10:40 | |
-VENDOR: -£90. | 0:10:40 | 0:10:41 | |
What is the absolute death? I know you're trying. | 0:10:41 | 0:10:44 | |
Another fiver. I am trying. What is on there? | 0:10:44 | 0:10:46 | |
There's £150 on that. | 0:10:46 | 0:10:50 | |
But I am trying to give you a chance. | 0:10:50 | 0:10:52 | |
I think, Lynne, I've got to say, | 0:10:52 | 0:10:54 | |
the writing slope's good, but it has a fixed market price on those things. | 0:10:54 | 0:10:58 | |
You can go to any sale room, any shop in the world, and buy something like that. | 0:10:58 | 0:11:02 | |
You will never in your life see this again. I don't think. | 0:11:02 | 0:11:05 | |
Mind, we'll go to auction and there'll be another four! | 0:11:05 | 0:11:07 | |
That's happened to me before! | 0:11:07 | 0:11:09 | |
Yes, occasionally this auction lark is like waiting for a bus. | 0:11:09 | 0:11:12 | |
It has dents, but it's got the look. | 0:11:12 | 0:11:14 | |
-Let's go for it. -Lynne, it's a risk. Do you take risks? -Let's take it. | 0:11:14 | 0:11:18 | |
-OK, do it. -Thank you. -Big spenders. Lovely. | 0:11:18 | 0:11:21 | |
Thank you. Stop gloating! | 0:11:21 | 0:11:23 | |
-That, Lynne, is my favourite thing so far. -Thank you. | 0:11:23 | 0:11:25 | |
-Not my box? -No, sorry, Gary. -Not your box! | 0:11:25 | 0:11:27 | |
Sorry, Gary. You're coming second. | 0:11:27 | 0:11:29 | |
Good on you, Lynne. Take the plunge. | 0:11:29 | 0:11:31 | |
That's two for you reds. | 0:11:31 | 0:11:33 | |
Sharon, this is your kind of thing, isn't it? | 0:11:36 | 0:11:38 | |
-I love this. It's lovely. I love the blue. -They are lovely, actually. | 0:11:38 | 0:11:43 | |
-Probably not the best buy for a sale room. -No, I don't think so! | 0:11:43 | 0:11:46 | |
Yes. We're not looking to reupholster the auction room! | 0:11:46 | 0:11:49 | |
Try again, blues. | 0:11:49 | 0:11:51 | |
The red team are going all Mastermind on us! | 0:11:51 | 0:11:53 | |
-Are you going to test me? -I am. -I love being tested! | 0:11:53 | 0:11:56 | |
-And that's year circa? -That there? The little dish? -Yes. -OK. | 0:11:56 | 0:12:00 | |
-Am I allowed to handle it? -Yeah. Touch it. -OK. | 0:12:00 | 0:12:02 | |
-Very interesting. -There's no, er... | 0:12:02 | 0:12:04 | |
-I'm going to tell you that that is Japanese. -Satsuma. | 0:12:04 | 0:12:07 | |
It's not Satsuma! | 0:12:07 | 0:12:09 | |
-Do you know any other Japanese style of porcelain? -No. -No. | 0:12:09 | 0:12:12 | |
It is circa 1900. | 0:12:12 | 0:12:14 | |
Probably more on the side of 1880. | 0:12:14 | 0:12:16 | |
I love being tested. But hang on, Gary. | 0:12:16 | 0:12:18 | |
Was I right? | 0:12:18 | 0:12:19 | |
Within about five or six years, I think. | 0:12:20 | 0:12:23 | |
Excellent. Lynne, are you impressed with Gary and I? | 0:12:23 | 0:12:25 | |
-Yeah. -You're impressed with me, aren't you? | 0:12:25 | 0:12:27 | |
No! | 0:12:27 | 0:12:28 | |
Don't spend all day testing each other! I make that circa half an hour gone, teams! | 0:12:30 | 0:12:34 | |
-I really like that. -I do. That's gorgeous. | 0:12:35 | 0:12:39 | |
-Is that the kind of thing you'd have in your living room? -Yes, it is! | 0:12:39 | 0:12:42 | |
It's really stylish, actually, isn't it? | 0:12:42 | 0:12:44 | |
-This sort of thing is really in at the moment. -It's lovely. | 0:12:44 | 0:12:46 | |
-Do you want to have a look at the smaller ones inside? -Love to. | 0:12:46 | 0:12:49 | |
I think that's probably out of our price range. | 0:12:49 | 0:12:51 | |
Big light at the front. | 0:12:51 | 0:12:52 | |
-1,250. -Bit out of our budget, guys. | 0:12:52 | 0:12:55 | |
-£1,250. -Let's look at a smaller one. | 0:12:55 | 0:12:57 | |
It's something I think people would use, wouldn't they? | 0:12:57 | 0:13:02 | |
I like that one. How much is that one? | 0:13:02 | 0:13:05 | |
-VENDOR: -180. -180. | 0:13:05 | 0:13:07 | |
-SHARON: -It is a light, isn't it? -It's a spotlight, isn't it? | 0:13:07 | 0:13:10 | |
-Yeah. -Look at that. | 0:13:10 | 0:13:12 | |
That's what I was thinking, if you could actually use it. | 0:13:12 | 0:13:15 | |
-It's silver-looking, John, again! -Lovely. | 0:13:15 | 0:13:18 | |
-I like that. -John, what do you think? | 0:13:18 | 0:13:21 | |
I really like it, I must admit. I do like it. I like it. | 0:13:21 | 0:13:24 | |
Did you say 118, did you say? | 0:13:24 | 0:13:26 | |
-180! -Oh, sorry! | 0:13:26 | 0:13:28 | |
Good try, John! | 0:13:28 | 0:13:30 | |
I like the look of that one. It looks like something off an old car. | 0:13:30 | 0:13:35 | |
There's more going on. | 0:13:35 | 0:13:37 | |
It's probably more suitable for somebody to use in their home | 0:13:37 | 0:13:40 | |
as a reading lamp in the corner. | 0:13:40 | 0:13:42 | |
-You wouldn't want your whole sitting room floodlit, necessarily. -No. | 0:13:42 | 0:13:45 | |
-I think we should probably go for it. -I think we should. | 0:13:45 | 0:13:48 | |
-I'd rather buy that... -I'll take a chance on it. -I would. | 0:13:48 | 0:13:50 | |
You're agreeing, so I think we'll do the deal. Yes, please. | 0:13:50 | 0:13:53 | |
-Thanks very much. -Who shall I shake hands with? | 0:13:53 | 0:13:55 | |
Thank you! | 0:13:55 | 0:13:57 | |
Well, that's a shiny, silvery second buy for you blues. | 0:13:57 | 0:14:00 | |
You're neck and neck. Meanwhile, David is leading the reds into battle. | 0:14:00 | 0:14:04 | |
-Lynne, you look completely confused. -Yes. | 0:14:05 | 0:14:08 | |
It's something with a wooden spoon on! | 0:14:08 | 0:14:10 | |
I think it's a bit more than a wooden spoon, Lynne. I do! | 0:14:10 | 0:14:13 | |
All right. It's a wooden spoon. | 0:14:13 | 0:14:15 | |
I think he's lost it, Lynne! | 0:14:15 | 0:14:17 | |
No, it's brilliant. It is an old medieval siege weapon. | 0:14:17 | 0:14:22 | |
I cannot for the life of me remember the name of this siege weapon. | 0:14:22 | 0:14:26 | |
-I'm sure it's a mangle. -A mangle. Do you love it or what? -No. -Hate it! | 0:14:26 | 0:14:32 | |
I think you'll need to fight your corner, here, David. | 0:14:32 | 0:14:35 | |
-I won't have it. -No. -Obviously, no. | 0:14:35 | 0:14:37 | |
-I couldn't even imagine where to put that. -It's lovely made. I can tell that. | 0:14:37 | 0:14:41 | |
-Do you want to buy it? -I don't. Do you? -Yeah, I do. | 0:14:41 | 0:14:44 | |
-Do you think somebody would buy that in auction? -Probably me! -Buy it, then! | 0:14:44 | 0:14:47 | |
-Buy it. Go and get it. -I think it's quirky. Can we shoot it? -Yeah. | 0:14:47 | 0:14:51 | |
OK. We'll load it. | 0:14:51 | 0:14:53 | |
Pull it back. Fix it tight. | 0:14:53 | 0:14:56 | |
I'll put the unpaid bill in there. | 0:14:56 | 0:14:58 | |
Hang on, Lynne. I'm going to get you some super power. This thing here... | 0:14:58 | 0:15:02 | |
CREAKING | 0:15:02 | 0:15:04 | |
Isn't that a lovely sound? | 0:15:04 | 0:15:05 | |
-Pull it. -Right. -Move out of the way. | 0:15:05 | 0:15:08 | |
-He'll have your eye out! -Ready! Wa-hey! | 0:15:08 | 0:15:10 | |
-Wow! -Now, look at that! -That were fabulous. | 0:15:10 | 0:15:14 | |
You see? If you play with it, it becomes more attractive. | 0:15:14 | 0:15:17 | |
Can we come back to it if we get a good price on it? | 0:15:17 | 0:15:19 | |
Tell you what. If I could pay £40 for it, I'd have it. | 0:15:19 | 0:15:22 | |
£40? Yeah, absolutely definitely. | 0:15:22 | 0:15:24 | |
-40? -Yeah, I'll do 40 for you. | 0:15:24 | 0:15:26 | |
-Do you want to have a quick look around first? -Ten minutes. | 0:15:26 | 0:15:29 | |
-Can you hold it for ten minutes? -Ten minutes, 40 quid. | 0:15:29 | 0:15:31 | |
-Fine. -Thanks a lot. | 0:15:31 | 0:15:33 | |
-Thank you. -So that will be my choice. | 0:15:33 | 0:15:36 | |
Yes, David. I think we got that! | 0:15:36 | 0:15:39 | |
You can shoot off and have a hunt, reds. But don't leave it too long, eh? | 0:15:39 | 0:15:43 | |
That's 160, I think. | 0:15:43 | 0:15:45 | |
We haven't got that much money left! | 0:15:45 | 0:15:48 | |
Well, it's not silver. | 0:15:48 | 0:15:50 | |
-How much have we spent? -We've spent £200, Kate. | 0:15:50 | 0:15:53 | |
Oh, dear. This is a really nice example. It's rosewood, | 0:15:53 | 0:15:56 | |
typically Regency in date, 1820s. | 0:15:56 | 0:15:59 | |
These lovely wooden ring handles. | 0:15:59 | 0:16:02 | |
Little bun feet. Inlaid brass escutcheon. | 0:16:02 | 0:16:06 | |
But 130. Sorry about that. I'll give it back to you. | 0:16:06 | 0:16:09 | |
-Thank you! -Thank you. | 0:16:09 | 0:16:11 | |
Uh-oh. Gary's got another request. | 0:16:12 | 0:16:14 | |
With only circa ten minutes left! | 0:16:14 | 0:16:17 | |
-So you want to see a bit of tribal art? -Tribal art. | 0:16:17 | 0:16:19 | |
-Tribal art. -Circa 1840, 1850. | 0:16:19 | 0:16:22 | |
OK. Circa 1840, 1850. Lynne? | 0:16:22 | 0:16:24 | |
-Yeah. -Circa? -Yeah. | 0:16:24 | 0:16:26 | |
I actually quite like those. | 0:16:33 | 0:16:35 | |
-What are they? -These are little Vestas. For matches. | 0:16:35 | 0:16:39 | |
I quite like those, yeah. | 0:16:39 | 0:16:40 | |
That one's nicely engraved. You've got some clear hallmarks here. | 0:16:40 | 0:16:44 | |
That one's a little bit plainer. | 0:16:44 | 0:16:45 | |
So that might be the better buy. Slightly better condition. | 0:16:45 | 0:16:48 | |
I wonder what price would be on these? | 0:16:48 | 0:16:50 | |
How much for your Vestas? | 0:16:50 | 0:16:52 | |
Sorry, sir, is it your stall? | 0:16:52 | 0:16:54 | |
-MAN: -40 each. -40 each? Hmm. | 0:16:54 | 0:16:56 | |
Think we ought to haggle? | 0:16:56 | 0:16:59 | |
Could you take anything off the 40? | 0:16:59 | 0:17:01 | |
Cos our budget's right down. | 0:17:01 | 0:17:03 | |
I know that. 35 would be the best. | 0:17:03 | 0:17:06 | |
Really. £35 is probably the top end of an auction estimate, I'd say. | 0:17:06 | 0:17:12 | |
It's not the most unusual item in the world. There's quite a lot of them around. | 0:17:12 | 0:17:16 | |
-But we've literally got five minutes left. -Yes. | 0:17:16 | 0:17:18 | |
So shall we put it back in the cabinet, have a quick look over there, | 0:17:18 | 0:17:22 | |
-then we can always come back. -Yes. -OK. I'll follow you. | 0:17:22 | 0:17:25 | |
-Tribal art. -Let me show you a bit of tribal art. | 0:17:31 | 0:17:34 | |
-I met somebody who looks like that. -I've been out with somebody who looks like that! | 0:17:34 | 0:17:38 | |
-This one. -Yes. -All right, Gary. | 0:17:38 | 0:17:40 | |
You've seen the programmes. | 0:17:40 | 0:17:41 | |
Talk to me about that. What's it made from, first of all? | 0:17:41 | 0:17:45 | |
-Bone. -Yes. | 0:17:45 | 0:17:46 | |
-Which continent? -It's African. -Yes. | 0:17:46 | 0:17:49 | |
-Circa? -Circa not very old, that one! | 0:17:49 | 0:17:52 | |
-Is it you? Do you like it? -No, no, no. | 0:17:52 | 0:17:54 | |
-After all that skill... -You don't like it, do you? -No. -No. | 0:17:54 | 0:17:58 | |
I bet you're glad you bothered, David! | 0:17:58 | 0:18:00 | |
-I like these little numbers. Are they old? -They are nice, | 0:18:02 | 0:18:06 | |
but I think, again, they are not as old as they look. | 0:18:06 | 0:18:10 | |
-Exactly what I thought. It was more Sharon than me, that one. -Ooh! | 0:18:10 | 0:18:15 | |
Now, that's hardly fair, John. | 0:18:15 | 0:18:17 | |
Listen, you've seen some tribal art. | 0:18:21 | 0:18:23 | |
Well, I... | 0:18:23 | 0:18:24 | |
-Yeah. I'd sooner... What about that wooden thing? -Yeah, go for that wooden... | 0:18:24 | 0:18:30 | |
-I think so. -It's grown on me. | 0:18:30 | 0:18:32 | |
-Has it? -Cos I fired it. -Yeah. | 0:18:32 | 0:18:34 | |
Well, now you're fired up, you'd better get it bought | 0:18:34 | 0:18:37 | |
because that clock's a-ticking! | 0:18:37 | 0:18:39 | |
We've got three minutes. We need to buy something really affordable. | 0:18:39 | 0:18:43 | |
It's a bit of a damage limitation exercise! | 0:18:43 | 0:18:46 | |
Oh, gosh. We're down to the wire. | 0:18:49 | 0:18:52 | |
Oh, two minutes to go! We'll have to run back to the Vestas. | 0:18:56 | 0:19:00 | |
-Shall we do the Vesta? -The Vestas? -We're going to have to! | 0:19:00 | 0:19:03 | |
Why not, John? You were so keen on silver, after all. | 0:19:03 | 0:19:06 | |
This is it. Look at the dream machine. Isn't she just delicious? | 0:19:08 | 0:19:13 | |
-Are we definitely going to have her? -Yeah, go for it. -Shake the man's hand. It's £40. | 0:19:13 | 0:19:17 | |
-Right. -Thank you very much indeed. | 0:19:17 | 0:19:19 | |
-Thank you. -Cheers. | 0:19:19 | 0:19:21 | |
-Thank you. -Thank you. | 0:19:21 | 0:19:22 | |
First stage completed, reds. But how is the enemy doing? | 0:19:22 | 0:19:26 | |
I think that's probably the best bet. | 0:19:26 | 0:19:27 | |
It's got to be 30, Kate, just for cash? | 0:19:27 | 0:19:29 | |
MAN: 32. | 0:19:29 | 0:19:30 | |
Right. 32. What do you think? We've got seconds left. Shall we go for it? | 0:19:30 | 0:19:34 | |
-I think we're going to have to! -We'll take it. | 0:19:34 | 0:19:37 | |
Thank you! | 0:19:37 | 0:19:39 | |
-Three items. Well done. -That's it. | 0:19:39 | 0:19:41 | |
Fantastic! Well done! | 0:19:41 | 0:19:43 | |
-Well done, you. -Phew! Let's go and have a cup of tea. -Oh, yes! | 0:19:43 | 0:19:47 | |
Three silver items for the blue team. | 0:19:47 | 0:19:50 | |
Who knew? | 0:19:50 | 0:19:51 | |
Don't let it be said our reds and blues are tinny. | 0:19:51 | 0:19:54 | |
Cos time's up. Let's check out what the red team bought, eh? | 0:19:54 | 0:19:58 | |
They kicked off with no surprises | 0:19:59 | 0:20:01 | |
when Gary bought a writing box for £110. | 0:20:01 | 0:20:03 | |
Lynne chose an Arts & Crafts copper jug for £85. | 0:20:05 | 0:20:09 | |
Finally, they launched their last bit of cash | 0:20:11 | 0:20:14 | |
at this siege engine for £40. | 0:20:14 | 0:20:16 | |
Lynne, which is your favourite piece? | 0:20:17 | 0:20:19 | |
-The jug. -The jug. -Are you sure? -Yes! | 0:20:19 | 0:20:22 | |
-Oh. -OK. | 0:20:22 | 0:20:23 | |
-What about you, Gary? -I love the box. | 0:20:23 | 0:20:26 | |
-Is that going to bring the biggest profit, Gary? -No. | 0:20:26 | 0:20:29 | |
-What will bring the biggest profit? -Lynne's jug, I think. | 0:20:29 | 0:20:31 | |
-Yes. -It has the potential to do it. | 0:20:31 | 0:20:33 | |
Yes. Stick with the relations. Keep it in the family. | 0:20:33 | 0:20:37 | |
What's the total spend? | 0:20:37 | 0:20:38 | |
-£235. -235. Then I would like £65 of leftover lolly, please. | 0:20:38 | 0:20:44 | |
-There you are. -65. -Just count it. | 0:20:44 | 0:20:47 | |
-I trust you. Millions wouldn't! -Thank you(!) | 0:20:47 | 0:20:50 | |
-Straight over to the Harper. -Thank you. | 0:20:50 | 0:20:52 | |
-What are you going to spend it on? -I've got my eye on something, Tim. | 0:20:52 | 0:20:56 | |
-Have you? -I may have to blow the lot. | 0:20:56 | 0:20:57 | |
It's something that will put a smile on... Cos we've had some good fun. | 0:20:57 | 0:21:01 | |
-I want to introduce something that will make them laugh again. -Yeah. | 0:21:01 | 0:21:04 | |
I think I've seen him. I'm going to go and nab him. | 0:21:04 | 0:21:07 | |
Good luck, David. Good luck, team. Let's check out what the blue team bought. | 0:21:07 | 0:21:10 | |
The blues started off with a silver and cut glass scent bottle for £20. | 0:21:11 | 0:21:15 | |
They bought a 1950s Strand theatre light for £180. | 0:21:17 | 0:21:21 | |
Finally, they snapped up a silver Vesta case for £32. | 0:21:23 | 0:21:26 | |
-What did you spend all round? -All round, we spent £232. | 0:21:29 | 0:21:33 | |
That is a marvellous amount of money. | 0:21:33 | 0:21:35 | |
That's a mature, grown-up spend. | 0:21:35 | 0:21:38 | |
Good on you. I'd like 68, please, in the way of leftover lolly. | 0:21:38 | 0:21:41 | |
-There we go. -Thank you. That's 65 and three little smackers there. | 0:21:41 | 0:21:45 | |
How did you get on with Kate? | 0:21:45 | 0:21:47 | |
-Oh! -Fantastic. -She's a great girl, isn't she? -Amazing. | 0:21:47 | 0:21:50 | |
She's particularly good at buying bonus buys, aren't you, Kate? | 0:21:50 | 0:21:53 | |
I'm going to waste no time at all. | 0:21:53 | 0:21:56 | |
See you later. | 0:21:56 | 0:21:57 | |
Going off like greased lightning. How lovely. | 0:21:57 | 0:22:00 | |
Anyway, we're heading off now somewhere really rather marvellous. | 0:22:00 | 0:22:05 | |
Located between Leeds and York, | 0:22:08 | 0:22:10 | |
Lotherton Hall is the former home of the Gascoigne family. | 0:22:10 | 0:22:13 | |
Established in west Yorkshire since the 13th century, | 0:22:13 | 0:22:16 | |
the family grew rich from farming and coal mining. | 0:22:16 | 0:22:19 | |
By passing their possessions down through many generations, | 0:22:19 | 0:22:24 | |
the Gascoignes achieved a considerable group of family heirlooms. | 0:22:24 | 0:22:29 | |
These heirlooms weighed heavily on the shoulders of one Colonel Gascoigne | 0:22:29 | 0:22:35 | |
who inherited Lotherton Hall in 1893. | 0:22:35 | 0:22:38 | |
The colonel was notoriously concerned about security. | 0:22:40 | 0:22:43 | |
When not in residence at Lotherton, | 0:22:43 | 0:22:45 | |
he insisted that all the family silver | 0:22:45 | 0:22:47 | |
was taken to a bank vault in Leeds, | 0:22:47 | 0:22:50 | |
despite the house having a safe with a steel door several inches thick. | 0:22:50 | 0:22:54 | |
The old colonel went to great lengths | 0:22:55 | 0:22:57 | |
to protect his family's assets. | 0:22:57 | 0:23:00 | |
Including fitting these massive folding iron gates | 0:23:02 | 0:23:07 | |
at various places throughout the house. | 0:23:07 | 0:23:10 | |
What I think is so extraordinary | 0:23:10 | 0:23:12 | |
is the ugliness of those gates contrasts so starkly | 0:23:12 | 0:23:17 | |
with the beauty of the Cuban mahogany polished doors. | 0:23:17 | 0:23:20 | |
But all that security worked. | 0:23:21 | 0:23:24 | |
And, at the risk of the old colonel turning in his grave, | 0:23:24 | 0:23:27 | |
I've had a quick pilfer through his silver safe | 0:23:27 | 0:23:30 | |
and come up with these treasures. Aren't they spectacular? | 0:23:30 | 0:23:33 | |
Each of them are a trophy presented to the Gascoigne family | 0:23:33 | 0:23:37 | |
and in the 18th and 19th century, anybody who was anybody was involved in the process of racing. | 0:23:37 | 0:23:44 | |
The one on the end is the Doncaster Cup, which was made in 1776. | 0:23:44 | 0:23:49 | |
And you can immediately tell that it's a racing trophy | 0:23:49 | 0:23:52 | |
because the cast silver plaque on the front | 0:23:52 | 0:23:55 | |
is cast with two racehorses galloping towards the finishing post. | 0:23:55 | 0:24:01 | |
The next one is called the Beverley Cup, | 0:24:01 | 0:24:03 | |
which rather intriguingly on the back is inscribed by the winning horse | 0:24:03 | 0:24:07 | |
which was called Bumtrap! | 0:24:07 | 0:24:10 | |
Rather a fun name! | 0:24:10 | 0:24:12 | |
And the largest of the lot commemorates four wins | 0:24:12 | 0:24:16 | |
of the St Leger in the 18th century. | 0:24:16 | 0:24:19 | |
A magnificent piece of neo-classical silver, | 0:24:19 | 0:24:22 | |
all the elements that Robert Adam might have incorporated | 0:24:22 | 0:24:26 | |
into a neo-classical building are here on this silver trophy. | 0:24:26 | 0:24:31 | |
Cast with a figure of Bacchus on either side, | 0:24:31 | 0:24:35 | |
Bacchus being the god of wine and therefore hospitality, | 0:24:35 | 0:24:40 | |
with sections underneath appropriately cast with vines. | 0:24:40 | 0:24:45 | |
How divine! | 0:24:45 | 0:24:47 | |
Sir Thomas Gascoigne, in the 18th century, | 0:24:47 | 0:24:51 | |
was a collector of snuff boxes. | 0:24:51 | 0:24:53 | |
Here's a selection from his collection. | 0:24:53 | 0:24:57 | |
This one was particularly prized by Sir Thomas | 0:24:57 | 0:25:00 | |
because he had himself painted by Bertoni - | 0:25:00 | 0:25:03 | |
and the picture still exists in the house - | 0:25:03 | 0:25:06 | |
holding this snuff box. | 0:25:06 | 0:25:09 | |
This is French. It dates from the 1770s. | 0:25:09 | 0:25:12 | |
But the really nice thing about it is this oval miniature. | 0:25:12 | 0:25:15 | |
A miniature on ivory displaying a portrait of none other personage than Marie Antoinette. | 0:25:15 | 0:25:22 | |
It's no wonder he wanted to hold it | 0:25:22 | 0:25:24 | |
when he was having his portrait done. | 0:25:24 | 0:25:27 | |
Perhaps the most beautifully crafted of all the snuff boxes, though, is this little fellow. | 0:25:27 | 0:25:32 | |
Made in Italy, again in the 1770s, | 0:25:32 | 0:25:35 | |
but constructed out of a stone carcass called porphyry. | 0:25:35 | 0:25:40 | |
It, too, is mounted with gold bands | 0:25:40 | 0:25:43 | |
but most importantly, the top is decorated in micro-mosaic. | 0:25:43 | 0:25:47 | |
Little chips of different-coloured stones | 0:25:47 | 0:25:51 | |
arranged to form a picture. | 0:25:51 | 0:25:53 | |
In this instance, some doves about a bowl. | 0:25:53 | 0:25:56 | |
The original scene for this was a mosaic floor | 0:25:56 | 0:26:00 | |
unearthed at Hadrian's villa in Rome | 0:26:00 | 0:26:04 | |
in the 18th century. | 0:26:04 | 0:26:06 | |
All in all, these snuff boxes are just enchanting. | 0:26:06 | 0:26:10 | |
The big question today is, for our teams over at the auction, | 0:26:10 | 0:26:14 | |
are their chances about to be snuffed out before they make a profit? | 0:26:14 | 0:26:19 | |
£40, anyone? 40? | 0:26:25 | 0:26:27 | |
How exciting is this? We've trotted to Lincoln, to Golding, Young and Mawer, | 0:26:29 | 0:26:35 | |
-to be with Colin Young. Colin. -Morning, Tim. -Good to see you in Lincoln. | 0:26:35 | 0:26:39 | |
I do travel north every now and again. | 0:26:39 | 0:26:41 | |
-Cracking to be here. What a lovely busy-looking saleroom you've got here in Lincoln. -Thank you. | 0:26:41 | 0:26:47 | |
Super-duper. Anyway, Gary and Lynne, | 0:26:47 | 0:26:49 | |
their first item is this old box. | 0:26:49 | 0:26:51 | |
-A bit clapped out, isn't it? -It's a bit shabby chic around the edges, | 0:26:51 | 0:26:55 | |
but it's been on campaign and obviously quite a long campaign. | 0:26:55 | 0:26:58 | |
Yes. It doesn't do it for me, to be perfectly honest. Does it do it for you? | 0:26:58 | 0:27:01 | |
It does as far as boxes go. | 0:27:01 | 0:27:03 | |
This one is better than the average. | 0:27:03 | 0:27:05 | |
For that reason we've put an estimate of 80 to 120 on it. | 0:27:05 | 0:27:08 | |
£110 they paid. | 0:27:08 | 0:27:10 | |
You're being very generous with your estimate, Colin. That's very nice. | 0:27:10 | 0:27:14 | |
We'll have to cross everything, won't we? | 0:27:14 | 0:27:16 | |
Yes! | 0:27:16 | 0:27:17 | |
Moving on, their second item is this rather disappointingly thin and weedy | 0:27:17 | 0:27:23 | |
but very stylish continental coffee pot or whatever it is. | 0:27:23 | 0:27:28 | |
Yes, I quite like it. Again, style-wise it's an interesting thing. | 0:27:28 | 0:27:31 | |
It's nice that it's got that two-tone almost verdigris on it. | 0:27:31 | 0:27:35 | |
-It sort of works stylistically. -How do you estimate that, Colin? | 0:27:35 | 0:27:39 | |
We've put 50 to 80 on it. | 0:27:39 | 0:27:41 | |
Let's hope it catches somebody's eye | 0:27:41 | 0:27:43 | |
because they paid £85. | 0:27:43 | 0:27:45 | |
-OK. -It's a big old number. -Yep. | 0:27:45 | 0:27:47 | |
The same can be said for the siege engine. | 0:27:47 | 0:27:49 | |
This looks to me like it came out of a lower-fifth history lecture room! | 0:27:49 | 0:27:54 | |
That, or an adapted part of somebody's spoon collection! | 0:27:54 | 0:27:57 | |
I'm not quite sure which! | 0:27:57 | 0:27:59 | |
If you want a model siege engine, it's a pretty cool thing, isn't it? | 0:27:59 | 0:28:03 | |
It's actually reasonably well built. | 0:28:03 | 0:28:07 | |
But 25 to £40, I think. | 0:28:07 | 0:28:09 | |
That's a first-rate guess. £40 was paid, actually. | 0:28:09 | 0:28:12 | |
Anyway, whatever happens, they're likely to need their bonus buy | 0:28:12 | 0:28:15 | |
so let's go and have a look at it! | 0:28:15 | 0:28:17 | |
Now, Gary, Lynne. | 0:28:18 | 0:28:20 | |
You spent a magnificent £235. I'm so proud of you. | 0:28:20 | 0:28:25 | |
£65 go across to the Harper. | 0:28:25 | 0:28:27 | |
-What did you buy, David? -Get ready! | 0:28:27 | 0:28:29 | |
-Say hello! -Oh, God! -Oh, my God! | 0:28:29 | 0:28:33 | |
Is that a voodoo doll? | 0:28:34 | 0:28:36 | |
Don't frighten her, David! | 0:28:37 | 0:28:39 | |
He's wonderful. He's a voodoo puppet doll. | 0:28:39 | 0:28:42 | |
-How much did that cost you? -I blew the lot. | 0:28:42 | 0:28:45 | |
No! | 0:28:45 | 0:28:46 | |
-Lynne, I saw him and I thought... -You thought of us! Yeah(!) | 0:28:46 | 0:28:50 | |
-I thought of you, Gary. -Yeah. -I thought, "I have to have him. | 0:28:50 | 0:28:54 | |
-"I've got to have him." -Is that bad luck? -No, he's not bad luck. | 0:28:54 | 0:28:56 | |
-I don't get any bad feelings. -Do you want to touch him? -No! | 0:28:56 | 0:28:59 | |
Have a hold of him. Is he worth ten quid or 200 quid? | 0:28:59 | 0:29:03 | |
-You can't value it. -A pound. -Tuppence! | 0:29:03 | 0:29:05 | |
-And it's got holes in it, and all. -He's old. That's his original clothing. | 0:29:05 | 0:29:09 | |
-How old is he? -I think late 19th, early 20th century. | 0:29:09 | 0:29:12 | |
-Right. -Tim, you don't look impressed. -Where would you put that, then? | 0:29:12 | 0:29:16 | |
I think it is a most interesting thing, David, I have to say. | 0:29:16 | 0:29:19 | |
The suiting does have a few repair issues, | 0:29:19 | 0:29:23 | |
but it's got something, David, I'll give you that. | 0:29:23 | 0:29:26 | |
OK. Back to base. Are you impressed? | 0:29:26 | 0:29:29 | |
-No. -No. | 0:29:29 | 0:29:31 | |
OK. Brilliant. That's a reaction from your team. | 0:29:31 | 0:29:33 | |
However, if things are going really badly, | 0:29:33 | 0:29:36 | |
you might need to choose him. | 0:29:36 | 0:29:38 | |
But on the other hand, for the audience at home, | 0:29:38 | 0:29:40 | |
let's see what the auctioneer thinks about David's little dolly! | 0:29:40 | 0:29:44 | |
Hello, Colin! | 0:29:45 | 0:29:47 | |
How much is this one worth, then? | 0:29:47 | 0:29:49 | |
-Hold it. -Hold it? -I don't want to hold it much longer in case it gives off any unlucky vibes! | 0:29:49 | 0:29:54 | |
-Indeed. -Pretty repulsive looking thing. | 0:29:54 | 0:29:56 | |
I'm not sure whether that's a tooth or whether he's gripping a die in his mouth. | 0:29:56 | 0:30:00 | |
-It's got a couple of spots on it. -Yes. | 0:30:00 | 0:30:03 | |
I suppose this is going to be 25 to £40 | 0:30:03 | 0:30:05 | |
and that estimate is based on nothing other than total guesswork | 0:30:05 | 0:30:09 | |
because I haven't seen another one like that. | 0:30:09 | 0:30:11 | |
I don't know that David Harper had, either, | 0:30:11 | 0:30:14 | |
-cos he paid £65, which is pushing the boat out a bit! -Hmm. | 0:30:14 | 0:30:17 | |
I'll put it down quick. | 0:30:17 | 0:30:19 | |
Let's hope none of those nasty vibes rub off on your or I. | 0:30:19 | 0:30:23 | |
I think that could be a problem. | 0:30:23 | 0:30:25 | |
OK. That's it for the reds. Now for the blues. | 0:30:25 | 0:30:27 | |
Rather more traditional look. A scent bottle. | 0:30:27 | 0:30:30 | |
It is what it is. Nice cut crystal. | 0:30:30 | 0:30:33 | |
Silver band on it. A little bit worn, a bit tired. | 0:30:33 | 0:30:36 | |
On the top of the spire, there is a bit of a chip on the top. | 0:30:36 | 0:30:39 | |
It's seen some service. | 0:30:39 | 0:30:41 | |
Nice item, but fairly bland. | 0:30:41 | 0:30:43 | |
25 to £40. | 0:30:43 | 0:30:45 | |
They paid a regular price, only £20. | 0:30:45 | 0:30:46 | |
-So that was cheap enough to buy that retail. -Yep. | 0:30:46 | 0:30:49 | |
Next is the Strand theatre light. | 0:30:49 | 0:30:52 | |
It's an item which is increasingly popular. | 0:30:52 | 0:30:56 | |
Will it go well at auction? | 0:30:56 | 0:30:57 | |
Yes. There are plenty of historical reports of sales of these things. | 0:30:57 | 0:31:01 | |
We've put an estimate on it of 50 to 80 | 0:31:01 | 0:31:05 | |
which reflects the auction prices that have been achieved. | 0:31:05 | 0:31:07 | |
£180 was paid for this! | 0:31:07 | 0:31:10 | |
Ooh. If we're going to get a profit, this will have to be a record price! | 0:31:10 | 0:31:14 | |
-There we go. It's dodgy. -Afraid so. | 0:31:14 | 0:31:17 | |
OK. Last for them is the titchy Vesta case. | 0:31:17 | 0:31:20 | |
Bit bashed, a bit bruised, but another very standard piece. | 0:31:20 | 0:31:23 | |
Indeed. You see plenty of late Victorian and Edwardian pieces | 0:31:23 | 0:31:26 | |
and for many years, they always made £20. | 0:31:26 | 0:31:29 | |
-On a good day, they'd make 22. -Yes. | 0:31:29 | 0:31:31 | |
The good news is silver is doing a bit better these days | 0:31:31 | 0:31:34 | |
but the bad news, there ain't a lot of silver on it. | 0:31:34 | 0:31:37 | |
But nevertheless, we've put an estimate on of 25 to 40 | 0:31:37 | 0:31:40 | |
-and I'd expect it to land within that margin. -OK. £32 paid. | 0:31:40 | 0:31:44 | |
They're well in the frame there and if Colin's right, they'll definitely need their bonus buy. | 0:31:44 | 0:31:48 | |
Now, John, Sharon. | 0:31:50 | 0:31:51 | |
£68 you gave the Kate Bliss. | 0:31:51 | 0:31:54 | |
She's got it under her rag there. Are you going to show us? | 0:31:54 | 0:31:58 | |
I had to shoot off really quickly because I'd seen something I hoped you lovely people would like. | 0:31:58 | 0:32:03 | |
-Because I know you like functional items. -Yes. -Thank you. | 0:32:03 | 0:32:08 | |
This is a barometer | 0:32:08 | 0:32:10 | |
and it's what I'd call a desk barometer. | 0:32:10 | 0:32:12 | |
It's got a weighted base to sit quite nicely on a desk. | 0:32:12 | 0:32:17 | |
It's got a lovely brass bezel which turns with a little pointer there. | 0:32:17 | 0:32:23 | |
So you can set what the weather is doing. | 0:32:23 | 0:32:25 | |
An enamel dial in lovely condition. | 0:32:25 | 0:32:28 | |
And of course it's silver-mounted here. | 0:32:28 | 0:32:30 | |
With a lovely clear hallmark | 0:32:30 | 0:32:32 | |
-which dates it exactly to 1911. -Right. | 0:32:32 | 0:32:35 | |
So it's George V period. | 0:32:35 | 0:32:36 | |
-And I think quite a nice little thing. -Yeah, I quite like it. -I like it. | 0:32:36 | 0:32:40 | |
Have a handle, Sharon. Get your mitts on that, darling. | 0:32:40 | 0:32:43 | |
-See how heavy it is. -Over to you. | 0:32:43 | 0:32:45 | |
-Feel the quality. -It's quite heavy, Tim. | 0:32:45 | 0:32:48 | |
How much did you pay for it, Kate? | 0:32:48 | 0:32:49 | |
She's straight in there, isn't she? I paid £60. | 0:32:49 | 0:32:54 | |
-Right. -£60?! -Yes. | 0:32:54 | 0:32:56 | |
Do you think we could make a profit on that? | 0:32:56 | 0:32:58 | |
Bearing in mind it's silver mounted, | 0:32:58 | 0:33:00 | |
it's in pretty good order, I would hope so. | 0:33:00 | 0:33:03 | |
-Anyway, £60 spent, yes? -Yes. -Was it well spent or not? Have a think about it. | 0:33:03 | 0:33:07 | |
But for the audience at home, let's see what the auctioneer thinks about Kate's barometer. | 0:33:07 | 0:33:13 | |
I'm glad to say that's set fair for you, Colin! | 0:33:14 | 0:33:17 | |
That's a really nice little thing. | 0:33:17 | 0:33:19 | |
Unusual combination with the base metal bezel on there | 0:33:19 | 0:33:22 | |
and then a silver base. | 0:33:22 | 0:33:24 | |
It's something I put an estimate of 50 to £80 on because I do rate it, | 0:33:24 | 0:33:28 | |
but my colleagues in the office looked at it and rated it a fair bit higher. | 0:33:28 | 0:33:32 | |
They wouldn't be surprised if it made over £100. | 0:33:32 | 0:33:35 | |
-We never know. -Kate Bliss is pretty optimistic about it. | 0:33:35 | 0:33:38 | |
But she's always optimistic about her bonus buys! | 0:33:38 | 0:33:40 | |
Anyway, your estimate is 50 to 80. | 0:33:40 | 0:33:42 | |
50 to 80, but my colleagues think it could do a bit better. | 0:33:42 | 0:33:46 | |
Fine. She paid 60. Depends on whether the team go with it or not. | 0:33:46 | 0:33:49 | |
And that we will find out very shortly. | 0:33:49 | 0:33:52 | |
Thank you, Colin! | 0:33:52 | 0:33:54 | |
So, Gary, Lynne. How are you feeling? | 0:34:00 | 0:34:03 | |
-Nervous. -Are you? What about? | 0:34:03 | 0:34:05 | |
-I want to win! -Of course you want to win! | 0:34:05 | 0:34:08 | |
We all want to win, don't we? | 0:34:08 | 0:34:10 | |
But you've got great lots, haven't you? | 0:34:10 | 0:34:12 | |
You paid £110 for that campaign writing box. | 0:34:12 | 0:34:15 | |
He's estimated 80 to £120, so that's all right. In the frame with that. | 0:34:15 | 0:34:19 | |
-Here it comes. -A 19th-century brass bound campaign writing slope. | 0:34:19 | 0:34:23 | |
Good patina. Ought to be over £100. Start me at 80 for it. 80. | 0:34:23 | 0:34:26 | |
50 to go, then, surely? 50? It will be sold. 50? | 0:34:26 | 0:34:28 | |
£50 I'm bid. And five. Five anywhere else? | 0:34:28 | 0:34:31 | |
Five do I see? At £50 I'm bid. Five anywhere else? 55. 60 on the book. | 0:34:31 | 0:34:35 | |
60. 65. 70. 70 bid. Five. | 0:34:35 | 0:34:38 | |
Somebody going to bid? 75 now? | 0:34:38 | 0:34:39 | |
75 bid. 80 bid. Five now do I see? | 0:34:39 | 0:34:42 | |
£80. Five. 85 bid. 90. | 0:34:42 | 0:34:43 | |
-£90 I'm bid. 90 bid... -He's a good auctioneer! | 0:34:43 | 0:34:46 | |
He's very good at it. | 0:34:46 | 0:34:48 | |
Selling a really good example of this model. | 0:34:48 | 0:34:50 | |
Done and finished. Selling then at £90. | 0:34:50 | 0:34:53 | |
£90, so that's minus 20. | 0:34:53 | 0:34:55 | |
That's not as bad as it might have been. | 0:34:55 | 0:34:57 | |
OK. Fine. Now, your Arts & Crafts jug. | 0:34:57 | 0:35:00 | |
The Arts & Crafts copper jug there. | 0:35:00 | 0:35:02 | |
Again, a lot of pre-sale interest in it. | 0:35:02 | 0:35:05 | |
We'll start this at £20. | 0:35:05 | 0:35:07 | |
-£20. -Oh, my goodness. Don't look. Don't look. | 0:35:07 | 0:35:10 | |
£20, anybody? 20? | 0:35:10 | 0:35:12 | |
It does encourage. 20 bid. Five do I see? | 0:35:12 | 0:35:14 | |
£20 I'm bid. Five now. 25. 30. | 0:35:14 | 0:35:16 | |
And five now? No. At £30 I'm bid. | 0:35:16 | 0:35:18 | |
Five anywhere else. I'll take two now, do I see? | 0:35:18 | 0:35:20 | |
-At £30... -Come on! Come on! | 0:35:20 | 0:35:23 | |
Five on the net. Five. 38. 38 bid. 40. | 0:35:23 | 0:35:26 | |
£40 I'm bid now. Very nice verdigris on this one. | 0:35:26 | 0:35:29 | |
At £38. You're all out in the room. | 0:35:29 | 0:35:31 | |
Online bidder. Selling then, at £38. | 0:35:31 | 0:35:35 | |
That's two off 40. That's 45. | 0:35:35 | 0:35:38 | |
That's minus 47. | 0:35:38 | 0:35:40 | |
Minus 47, lads. | 0:35:40 | 0:35:41 | |
OK. Look out. Here comes the catapult. | 0:35:41 | 0:35:45 | |
This is a medieval siege engine. The siege engine there. | 0:35:45 | 0:35:49 | |
Who's going to start me at £20, anyone? 20? | 0:35:49 | 0:35:51 | |
-£20. -Please! Please! | 0:35:51 | 0:35:54 | |
This is not good, is it? | 0:35:54 | 0:35:56 | |
Ten to go, then, surely? | 0:35:56 | 0:35:58 | |
-Ten bid there. 12, may I say? -Go on! -12 I'm bid. 15 bid. | 0:35:58 | 0:36:01 | |
18 bid. 20 bid. | 0:36:01 | 0:36:03 | |
22. 25 now? At £22 are we all done? | 0:36:03 | 0:36:07 | |
I'm not liking the look of this. | 0:36:07 | 0:36:09 | |
No. Sells at £22. Your bid, sir. | 0:36:12 | 0:36:14 | |
At £22. | 0:36:14 | 0:36:16 | |
That's minus 18. | 0:36:18 | 0:36:19 | |
-Oh, Lordy. -That's it now! | 0:36:19 | 0:36:22 | |
-Oh, no. -77. 84. It's minus 85, that. | 0:36:22 | 0:36:26 | |
What happens if we go with old voodoo face? | 0:36:26 | 0:36:28 | |
-£65. -No. -No. Say no. No. | 0:36:28 | 0:36:31 | |
Right. We have a decision. You don't need to phone anybody, do you? | 0:36:31 | 0:36:35 | |
-Yeah! -You can't phone anybody. | 0:36:35 | 0:36:37 | |
The decision's made. We're not going with it, but we're going to sell it anyway. Here it comes. | 0:36:37 | 0:36:41 | |
This is the 19th-century painted voodoo puppet. | 0:36:41 | 0:36:44 | |
Interesting lot. Who's going to start me at £50 for it? £50? | 0:36:44 | 0:36:47 | |
Got to be worth a gamble at that. £50, anybody? | 0:36:47 | 0:36:50 | |
30 to go, then, surely? £30, anyone? | 0:36:50 | 0:36:51 | |
30? 20? | 0:36:51 | 0:36:53 | |
£20, anybody? £20. | 0:36:53 | 0:36:55 | |
It can't be. | 0:36:55 | 0:36:57 | |
20 on the net. 20 on the net. | 0:36:57 | 0:36:59 | |
Two, now, do I see? At 20, we're away. | 0:36:59 | 0:37:01 | |
At 20 bid. Two anywhere else? | 0:37:01 | 0:37:03 | |
At £20. It looks like it's the maiden bid is where we'll be. | 0:37:03 | 0:37:06 | |
-No! -All done and finished. Selling on the internet at £20. | 0:37:06 | 0:37:11 | |
-£20! Minus £45. -I can't believe this! -I can! -You can? | 0:37:11 | 0:37:14 | |
-Did you make the right decision or not? -Yes, I did! | 0:37:14 | 0:37:18 | |
-Did you make the right decision? -Definitely right. | 0:37:18 | 0:37:20 | |
-I told you. I felt it. -They've got no taste in Lincoln. | 0:37:20 | 0:37:23 | |
I felt it in my waterworks. I knew that voodoo was not up for much. | 0:37:23 | 0:37:26 | |
Right. We've ring-fenced our losses today. | 0:37:26 | 0:37:30 | |
You're minus £85. That could be a winning score. | 0:37:30 | 0:37:33 | |
Don't breathe a word to those blues, all right? | 0:37:33 | 0:37:36 | |
-No. -Zip it. Well done, Gary. You got the message. | 0:37:36 | 0:37:39 | |
-Now, Sharon, John, how are you feeling? -Confident. -Are you? | 0:37:49 | 0:37:53 | |
Did you see those reds go out? | 0:37:53 | 0:37:55 | |
-Yes, we did. -Did they look happy or sad? -I didn't see. -Did you not? | 0:37:55 | 0:38:00 | |
-Did you think they looked happy or sad? -Couldn't really tell. | 0:38:00 | 0:38:03 | |
No? Enigmatic, eh? | 0:38:03 | 0:38:05 | |
Enigmatic to the end. | 0:38:05 | 0:38:07 | |
We've got a crowded saleroom. I'm full of confidence for you. | 0:38:07 | 0:38:10 | |
-Your scent bottle. £20 you paid for that. -Yes. | 0:38:10 | 0:38:13 | |
-25 to £40 is his estimate. -Right. Not bad. -Amazing. | 0:38:13 | 0:38:17 | |
-Here it comes. -George V silver tapered scent bottle. | 0:38:17 | 0:38:21 | |
Birmingham 1926. Who's going to start me at £50 for it? 50? | 0:38:21 | 0:38:24 | |
£30, anybody? 30? | 0:38:24 | 0:38:26 | |
20 to go, then, surely. £20. Who's going to be first in at £20? | 0:38:26 | 0:38:29 | |
20. Look at what we're selling here. | 0:38:29 | 0:38:30 | |
20? Ten if you like. Ten? £10 I'm bid. At 12. 15. 18. 20. | 0:38:30 | 0:38:34 | |
20 bid. Two bid. Five... | 0:38:34 | 0:38:35 | |
You're in profit. | 0:38:35 | 0:38:36 | |
£30. The bid's down here. At £30 bid. Two again, surely. | 0:38:36 | 0:38:39 | |
-At £30 on my right there. -Wicked! -Are you all done? -I can't hear! | 0:38:39 | 0:38:42 | |
-Selling this time, then, at £30. -Yes! | 0:38:42 | 0:38:45 | |
-That's very good. Plus £10. -Good start. | 0:38:45 | 0:38:48 | |
-That was the one I picked! -Was it? | 0:38:48 | 0:38:50 | |
The 1950s Strand theatre spotlight. | 0:38:51 | 0:38:54 | |
Who's going to start me at £100 for it? 100? | 0:38:54 | 0:38:57 | |
100? 100 to go, surely. 100. | 0:38:57 | 0:38:59 | |
50 if you like. £50, anyone. 50? 50? | 0:38:59 | 0:39:02 | |
50 I'm bid. 50. 60. 60 I'm bid. | 0:39:02 | 0:39:05 | |
70 bid. At £70. | 0:39:05 | 0:39:07 | |
80 now. At 70 bid. 80, do I see? | 0:39:07 | 0:39:09 | |
75 on the net. At 80. Five do I see now? 85? | 0:39:09 | 0:39:12 | |
85. 85 bid. 90. 90 bid. 95. | 0:39:12 | 0:39:16 | |
100. 100 bid. 100. 110. | 0:39:16 | 0:39:18 | |
120. I need 130 on the net. | 0:39:18 | 0:39:20 | |
120's here. Bidder from Germany. | 0:39:20 | 0:39:22 | |
Go up to 130. 130 I'm bid. | 0:39:22 | 0:39:24 | |
140. 150 now. There's another bidder in. At 150 now do I see? | 0:39:24 | 0:39:28 | |
At 140 bid. You're both out on the net. | 0:39:28 | 0:39:31 | |
-Gentleman's bid down here. -Oh, no. -Selling at £140. | 0:39:31 | 0:39:34 | |
That is such bad luck. I felt Germany had it there. Then they conked out! | 0:39:34 | 0:39:39 | |
Wretches! Anyway, minus £40 on that. Overall, you are minus £30. | 0:39:39 | 0:39:44 | |
A Vesta case. Looks in good order. | 0:39:44 | 0:39:46 | |
Nice foliate decoration. | 0:39:46 | 0:39:48 | |
30 to go, then, surely. £30. Who's first in at 30? | 0:39:48 | 0:39:50 | |
20 if you like. 20. £20, anybody. | 0:39:50 | 0:39:52 | |
£20 I'm bid. At 20 bid. Two do I see now? | 0:39:52 | 0:39:54 | |
£20 I'm bid. Two bid. Five on the book. | 0:39:54 | 0:39:56 | |
At 25. 28 now. At 25 I'm bid. 28 now, surely? | 0:39:56 | 0:39:59 | |
-At £25 I'm bid. Surely a bit more than this? -Surely a bit more! | 0:39:59 | 0:40:02 | |
Are we all done? 28 on the net. 28. 30. Gentleman's bid at 30. 32 now? | 0:40:02 | 0:40:05 | |
At £30 bid. 32 do I see? | 0:40:05 | 0:40:08 | |
32 bid. 35 bid. | 0:40:08 | 0:40:10 | |
33, then? | 0:40:10 | 0:40:12 | |
33. | 0:40:12 | 0:40:13 | |
-He's going on. -33! -33! | 0:40:13 | 0:40:15 | |
34 bid. At 33 now. We're in the room at 33. | 0:40:15 | 0:40:18 | |
All done and finished? Selling then at £33. | 0:40:18 | 0:40:20 | |
Good man, Colin. Well done. Plus one pound. | 0:40:20 | 0:40:22 | |
So you're actually overall minus £29. | 0:40:22 | 0:40:25 | |
-Which is but a spit. -A lot better than I got! | 0:40:25 | 0:40:28 | |
Now, what are we going to do about the barometer? | 0:40:28 | 0:40:31 | |
You can stick, guys. You can stick. | 0:40:31 | 0:40:33 | |
I think we should go for it. | 0:40:33 | 0:40:35 | |
You need more self confidence. I think we should go for it. | 0:40:35 | 0:40:37 | |
Hey, this is the man telling the girl! Right? | 0:40:37 | 0:40:41 | |
You want it, don't you? Come hell or high water. | 0:40:41 | 0:40:43 | |
-Yes. -I love it. OK, fine. That's the spirit. | 0:40:43 | 0:40:46 | |
You can't deny it. We're going with the bonus buy. Here it is. | 0:40:46 | 0:40:49 | |
An interesting lot, this. Early 20th-century barometer. | 0:40:49 | 0:40:52 | |
White enamel dial, adjustable bezel. | 0:40:52 | 0:40:54 | |
Who's going to start me at £100 for it? 100. | 0:40:54 | 0:40:57 | |
50 to go then, surely? £50. | 0:40:57 | 0:40:59 | |
-Uh-oh. -50 bid. Five anywhere else? | 0:40:59 | 0:41:01 | |
50 I'm bid. Five anywhere else? 55. 60. Five. 70. | 0:41:01 | 0:41:05 | |
Well done, Kate. You're in profit. | 0:41:05 | 0:41:07 | |
80. Five. Bid 90. | 0:41:07 | 0:41:09 | |
90. Five. | 0:41:09 | 0:41:11 | |
-Ooh, yes! -100 now, surely. | 0:41:11 | 0:41:12 | |
£100 bid. | 0:41:12 | 0:41:14 | |
At 95 bid. A seated bid down here. | 0:41:14 | 0:41:16 | |
You're out in the middle. Back in at £100 bid. | 0:41:16 | 0:41:18 | |
At 100. 105. 110 now? | 0:41:18 | 0:41:21 | |
-No? At 105. Any more now? -Phenomenal. | 0:41:21 | 0:41:23 | |
Are we all done, then? Are you sure? | 0:41:23 | 0:41:25 | |
Selling, then, at £105. | 0:41:25 | 0:41:27 | |
You have made, via Kate, £45 profit just like that. | 0:41:27 | 0:41:32 | |
That is quite something. | 0:41:32 | 0:41:34 | |
£45. You were minus 29. That's one off 30. | 0:41:34 | 0:41:37 | |
You are now plus 16. 16 whole pounds you're going to take home. | 0:41:37 | 0:41:42 | |
The whole job is transformed. | 0:41:42 | 0:41:44 | |
Thanks very much, Kate Bliss! | 0:41:44 | 0:41:46 | |
-What you need is a bit more self confidence! -Hopefully! | 0:41:46 | 0:41:50 | |
Whatever you do, don't say a word to the reds. | 0:41:50 | 0:41:53 | |
Well, teams, have we been chatting to one another about the score? | 0:42:03 | 0:42:07 | |
No. | 0:42:07 | 0:42:08 | |
Well, one team's done appallingly badly and one team's done rather well. | 0:42:08 | 0:42:12 | |
The team that's done rather badly, I'm afraid, is the reds. | 0:42:12 | 0:42:15 | |
No! | 0:42:15 | 0:42:17 | |
That's a shock! | 0:42:17 | 0:42:18 | |
Minus £85, actually. | 0:42:18 | 0:42:20 | |
And if you'd been with the bonus buy, it could have been considerably worse! | 0:42:20 | 0:42:24 | |
-But you never did. -No. -No. | 0:42:24 | 0:42:27 | |
You dug in there. But have you had a lovely time? | 0:42:27 | 0:42:29 | |
-Wonderful. -Fantastic. -Loved having you on the show. | 0:42:29 | 0:42:31 | |
You've been such good sports. | 0:42:31 | 0:42:33 | |
-Seriously. -Thank you. -And you needed to be, I tell you, the way things worked out! | 0:42:33 | 0:42:37 | |
-We had a lovely time. -Yes. -We so enjoyed having you on the show. | 0:42:37 | 0:42:41 | |
But the victors today are going home with money. | 0:42:41 | 0:42:44 | |
Ha-ha! They're going home with £16, which is pretty cool, isn't it? | 0:42:44 | 0:42:48 | |
-Thank you! -There you go, Sharon. You can take that. | 0:42:48 | 0:42:50 | |
Here's another smacker. Marvellous. | 0:42:50 | 0:42:52 | |
-£16 overall. -Fantastic. | 0:42:52 | 0:42:54 | |
And that's half a curry evening, isn't it? | 0:42:54 | 0:42:57 | |
We'll carry on working! | 0:42:57 | 0:42:59 | |
Yes. Don't give up the day job! Plumbers are very well off. | 0:42:59 | 0:43:03 | |
I'll snuggle in here. We've had a great time. | 0:43:03 | 0:43:05 | |
Join us soon for some more Bargain Hunting, yes? | 0:43:05 | 0:43:08 | |
Yes! | 0:43:08 | 0:43:10 | |
I know you're sitting there thinking, "I could have done better than that!" | 0:43:11 | 0:43:15 | |
Well, what's stopping you? | 0:43:15 | 0:43:18 | |
If you think you can spot a bargain, go to our BBC website and apply! | 0:43:18 | 0:43:22 | |
It'll be splendid to see you! | 0:43:22 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:30 | 0:43:33 |