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We're at Wetherby Racecourse today but we're not here for the National Hunt. Oh, no! | 0:00:03 | 0:00:08 | |
We're here to go hunting for bargains. | 0:00:08 | 0:00:11 | |
So, what are we waiting for? Let's go bargain hunting. | 0:00:11 | 0:00:14 | |
After the Battle Of Bannockburn in 1314, | 0:00:37 | 0:00:41 | |
when the mighty Robert Bruce defeated Edward II, | 0:00:41 | 0:00:47 | |
Wetherby was burnt down, | 0:00:47 | 0:00:49 | |
causing tremendous despair, destruction and devastation. | 0:00:49 | 0:00:53 | |
Let us hope that today, here at Wetherby, | 0:00:53 | 0:00:57 | |
our teams will not cause similar amounts of anguish | 0:00:57 | 0:01:01 | |
whilst they battle it out for bargains. | 0:01:01 | 0:01:04 | |
Let's have a squint at what's coming up. | 0:01:04 | 0:01:06 | |
'Guess what the Reds are eyeing up.' | 0:01:06 | 0:01:09 | |
I give you it's unusual. | 0:01:09 | 0:01:10 | |
-Have you ever seen one before? -I've never seen one of these. | 0:01:10 | 0:01:14 | |
'The Blues try and use their canny Yorkshire charm.' | 0:01:14 | 0:01:18 | |
-120. -25, you little minx! Do you know...?! | 0:01:18 | 0:01:22 | |
'So let's meet those teams.' | 0:01:22 | 0:01:25 | |
Today, we've got two competitive teams of in-laws. | 0:01:25 | 0:01:29 | |
For the Reds, we've got Fiona and her mother-in-law Eileen, | 0:01:29 | 0:01:33 | |
and for the Blues, we have Lee and his father-in-law Jeff. | 0:01:33 | 0:01:37 | |
-Hello, everyone! -ALL: Hello! -Lovely to see you. | 0:01:37 | 0:01:40 | |
Fiona, how was it that you got together with Eileen's boy? | 0:01:40 | 0:01:43 | |
We were living in a small village in East Yorkshire. | 0:01:43 | 0:01:48 | |
This family moved in with four good-looking boys. | 0:01:48 | 0:01:51 | |
Word was soon out, | 0:01:51 | 0:01:52 | |
and I used to ride my horse past the house to attract attention. | 0:01:52 | 0:01:56 | |
-Do a bit of a trot! -Quite a trot sometimes! | 0:01:56 | 0:02:01 | |
-It obviously worked! -It worked. -Brilliant! What a lovely story. | 0:02:01 | 0:02:05 | |
-You used to get escorted to work, it says here. -Yes. -Why was that? | 0:02:05 | 0:02:10 | |
I worked in Bosnia at the end of the war. | 0:02:10 | 0:02:13 | |
I was part of the first team to fly out there to dig the mass graves. | 0:02:13 | 0:02:17 | |
It was still unstable so we used to get escorted to work with a Bradley tank. | 0:02:17 | 0:02:21 | |
-Did you? -Yes. -That's unusual. -It is, yes! | 0:02:21 | 0:02:24 | |
What were you doing there exactly? | 0:02:24 | 0:02:26 | |
Post-mortems on the first mass graves. | 0:02:26 | 0:02:30 | |
-Were you? -Yes. -Are you a pathologist? | 0:02:30 | 0:02:32 | |
-No, I'm assistant to the pathologist. -Right. | 0:02:32 | 0:02:35 | |
Eileen, Fiona isn't the only one who's had a few interesting jobs. | 0:02:35 | 0:02:38 | |
Tell us about what you've been up to. | 0:02:38 | 0:02:41 | |
-I worked for the Secret Service. -Oh, yes? | 0:02:41 | 0:02:44 | |
We had lots of interviews with lots of bad people | 0:02:44 | 0:02:48 | |
and I used to have to put them all onto a database | 0:02:48 | 0:02:51 | |
and listen to the transcripts. | 0:02:51 | 0:02:53 | |
Were you the equivalent of Miss Moneypenny? | 0:02:53 | 0:02:55 | |
Yes, but my boss wasn't James Bond! | 0:02:55 | 0:02:59 | |
BOTH: Unfortunately! | 0:02:59 | 0:03:02 | |
-You two used to work together, didn't you? -That's right. | 0:03:02 | 0:03:05 | |
We used to have a shop together. | 0:03:05 | 0:03:07 | |
We fought quite a bit. We never agreed on anything that we bought in the shop. | 0:03:07 | 0:03:13 | |
-That's difficult. What sort of shop was it? -Interior accessories. | 0:03:13 | 0:03:17 | |
She went to Bosnia and I sold the shop. | 0:03:17 | 0:03:19 | |
-That was it! -We stocked it with - | 0:03:19 | 0:03:22 | |
-Did you tell her? -No! | 0:03:22 | 0:03:24 | |
She went to Bosnia and you didn't tell her you sold the shop? | 0:03:24 | 0:03:27 | |
-We're talking now. -I can tell that. You're on the show! | 0:03:27 | 0:03:31 | |
-But this could be sparky today. -Oh, yes. -It could be. | 0:03:31 | 0:03:34 | |
We won't agree on anything! | 0:03:34 | 0:03:36 | |
I'll let you bicker between you and I'm moving on. | 0:03:36 | 0:03:39 | |
Good luck, girls. Brilliant. | 0:03:39 | 0:03:41 | |
Lee, you're in-laws, too, so to speak. | 0:03:41 | 0:03:44 | |
-Do you get along pretty well? -I don't think we've ever had an argument, have we? | 0:03:44 | 0:03:49 | |
This is the contrast in in-lawship, I feel! | 0:03:49 | 0:03:52 | |
What do you two get up to when you go out and have a matey time? | 0:03:52 | 0:03:56 | |
We go to about five car boots every weekend. | 0:03:56 | 0:03:59 | |
-Five car boots every weekend?! -Yes. | 0:03:59 | 0:04:02 | |
We've got a couple of experts here. | 0:04:02 | 0:04:04 | |
-But we don't talk to each other when we go round. -No, no. | 0:04:04 | 0:04:08 | |
-Independent patrol. -Exactly. | 0:04:08 | 0:04:09 | |
-When you're not doing that, what do you get up to? -I'm a football coach, | 0:04:09 | 0:04:12 | |
and I have my own business which I run with my wife Lucy - | 0:04:12 | 0:04:15 | |
Tumble Tots York, | 0:04:15 | 0:04:17 | |
-working with children six months to seven years old. -Lovely. | 0:04:17 | 0:04:20 | |
Jeff, you're retired. What did you do before you walked away peacefully? | 0:04:20 | 0:04:24 | |
-A milkman. -Oh, were you? -Yes, sir. -Oh, lovely. | 0:04:24 | 0:04:27 | |
A dying breed now, Tim! | 0:04:27 | 0:04:28 | |
-You had your own float - electric? -I had a pick-up. My own business. -Oh, did you? -Yes, sir. | 0:04:28 | 0:04:33 | |
-You know what they say about the milkman, don't you? -OK, OK! -Is it true? | 0:04:33 | 0:04:38 | |
-Is it 'eckers true! -The housewife's best friend and all that! | 0:04:38 | 0:04:41 | |
-Maybe the housewife's best friend! -That's what I mean! | 0:04:41 | 0:04:44 | |
-Hard work. -It is hard work. -It is. | 0:04:44 | 0:04:46 | |
-What sort of things do you like to collect? -I used to buy quite a few paintings. | 0:04:46 | 0:04:51 | |
-And sell them again? -Yes. -Do all right out of it? -A couple of bob, sir. -Yes? | 0:04:51 | 0:04:55 | |
Good fun, though. | 0:04:55 | 0:04:57 | |
How will you two get on competing with these girls? | 0:04:57 | 0:04:59 | |
You're going to be welded from the hip, | 0:04:59 | 0:05:03 | |
agreeing on everything and you're going to go forward, right? | 0:05:03 | 0:05:06 | |
-Oh, definitely. -As long as I make more money than Jeff, I'll be all right. | 0:05:06 | 0:05:09 | |
There's a bit of that, too! | 0:05:09 | 0:05:11 | |
It's all money with you lot. Anyway, here's the money moment. | 0:05:11 | 0:05:14 | |
£300 apiece. You know the rules. Your experts await. | 0:05:14 | 0:05:18 | |
Off you go! Very, very good luck. | 0:05:18 | 0:05:21 | |
I bet it is true what they say about milkmen. | 0:05:21 | 0:05:24 | |
# And he drove the fastest milk cart In the west! # | 0:05:24 | 0:05:29 | |
'Now, I think our experts are taking this racecourse lark a wee bit too far, | 0:05:32 | 0:05:37 | |
'but who will be on the winning team today? | 0:05:37 | 0:05:41 | |
'Will it be Thomas Plant for the Reds? | 0:05:41 | 0:05:43 | |
'Or Anita Manning for the Blues? | 0:05:43 | 0:05:46 | |
'Giddy-up, experts.' | 0:05:46 | 0:05:48 | |
-So, Eileen and Fiona, I hear you girls are special agents. -We are special. | 0:05:50 | 0:05:54 | |
-You guys go bargain-hunting every week, don't you? -Yep. | 0:05:54 | 0:05:57 | |
Not together. We're always competing against each other every week. | 0:05:57 | 0:06:01 | |
What's my assignment today? | 0:06:01 | 0:06:03 | |
An old box would be very nice, with a piece of medical equipment in it. | 0:06:03 | 0:06:07 | |
But this week, we've got to stay together and work as a team. | 0:06:07 | 0:06:13 | |
-Absolutely! I agree! -It's going to be difficult! | 0:06:13 | 0:06:16 | |
SWING MUSIC | 0:06:16 | 0:06:17 | |
-What's that noise? -I can hear music. Shall we go and have a look? | 0:06:17 | 0:06:21 | |
'Ooh, hold on. Have those Reds been distracted already?' | 0:06:21 | 0:06:25 | |
-Come on! -Do you want to dance with me? -Yes. | 0:06:25 | 0:06:28 | |
-Are you sure? -Yes. -I'm jealous! -You might sort of... | 0:06:28 | 0:06:31 | |
I might be auditioning for Strictly now. | 0:06:31 | 0:06:34 | |
-You're quite good, actually! -Really? | 0:06:34 | 0:06:37 | |
'Well, you're not quite Fred Astaire, Thomas.' | 0:06:37 | 0:06:41 | |
-We're not bad! -Those dancing lessons did pay off once. | 0:06:43 | 0:06:46 | |
This is fun! OK? | 0:06:46 | 0:06:49 | |
-I know that you bred ponies at one point. -We did. | 0:06:52 | 0:06:56 | |
-So maybe something equestrian. -Sure. That'd be nice. | 0:06:56 | 0:07:00 | |
-I love horses. -Do you really? | 0:07:00 | 0:07:02 | |
'Jeff's not talking panto horses, Anita!' | 0:07:02 | 0:07:05 | |
-I love horses! -They cost a lot of money to keep nowadays. -Aw! | 0:07:05 | 0:07:10 | |
-For a lady who likes horses... -Oh, right. What have you got? | 0:07:10 | 0:07:14 | |
-How much is it, my love? -I've got 12 on that. | 0:07:14 | 0:07:17 | |
I think we'll have a little walk round. | 0:07:17 | 0:07:19 | |
-We'll have a wee walk round. But thank you very much. -Thank you. | 0:07:19 | 0:07:22 | |
'Nice start, Blues. But the Reds are still prancing about.' | 0:07:22 | 0:07:26 | |
How much is it? | 0:07:26 | 0:07:29 | |
-£90. -Ohh! | 0:07:29 | 0:07:31 | |
£90. | 0:07:31 | 0:07:33 | |
I think... Well, we'll carry on looking. | 0:07:33 | 0:07:35 | |
-I like the clock. -This little number here. | 0:07:35 | 0:07:37 | |
-I like that, as well. -That's 45. | 0:07:37 | 0:07:40 | |
-It's a travel one. -It's a little travel one. | 0:07:40 | 0:07:43 | |
-That's nice. -That's the one you want, is it? | 0:07:43 | 0:07:46 | |
For me, I think so. | 0:07:46 | 0:07:47 | |
Simulated shagreen case. | 0:07:47 | 0:07:50 | |
-What's shagreen? -Shagreen is shark's skin. No, simulated. It's enamel. | 0:07:50 | 0:07:55 | |
-It's a bit chipped. -It's a bit damaged. | 0:07:55 | 0:07:57 | |
It's going to be. | 0:07:57 | 0:07:59 | |
-What's the very best on this? -That would be £40. | 0:07:59 | 0:08:03 | |
Has it got a name? | 0:08:03 | 0:08:05 | |
It's got a Brevet movement. Swiss. | 0:08:05 | 0:08:07 | |
-Swiss-made. -Oh, right. -So Swiss movement. | 0:08:07 | 0:08:09 | |
-But it is damaged. -I don't think I like it £40's worth. | 0:08:09 | 0:08:13 | |
-It's damaged. -Because of the wear. -Because of the nicks, the chromium plating... | 0:08:13 | 0:08:18 | |
What about this? | 0:08:18 | 0:08:20 | |
I do like these big splashes. I do love them. | 0:08:20 | 0:08:23 | |
How much for the big splash? | 0:08:23 | 0:08:24 | |
I can come down to 38 on the big piece of French glass. | 0:08:24 | 0:08:28 | |
That's crystal. | 0:08:28 | 0:08:29 | |
Well, crystal is glass | 0:08:29 | 0:08:32 | |
-but it's got a lead content. -Lead in it. -Yes. | 0:08:32 | 0:08:35 | |
-How old is it? -1955... | 0:08:35 | 0:08:40 | |
..'60. | 0:08:40 | 0:08:41 | |
-DING! -I love it! | 0:08:41 | 0:08:44 | |
It's got a good crystal ring to it. | 0:08:44 | 0:08:46 | |
-I think we should buy that. -They're good big splashes. -I love it. | 0:08:46 | 0:08:51 | |
Let's go and have a look and come back. | 0:08:51 | 0:08:54 | |
Those two together could make a good package. | 0:08:54 | 0:08:57 | |
The two together - what would they be? | 0:08:57 | 0:09:00 | |
70 for the two. | 0:09:00 | 0:09:01 | |
That's got to be cheap. | 0:09:01 | 0:09:03 | |
-Do you want to go for it? -'Come on, Eileen.' | 0:09:03 | 0:09:06 | |
What do you think, Eileen? Let's do it. Thank you. | 0:09:06 | 0:09:09 | |
'Well, once you get started, Reds, there's no stopping you.' | 0:09:09 | 0:09:12 | |
'Two down. But what are those Blues weighing up?' | 0:09:12 | 0:09:16 | |
It's old. Bit of weight about it. | 0:09:16 | 0:09:19 | |
-What have you got there? -This, darling, it's a weighing scale. | 0:09:19 | 0:09:22 | |
What is that for weighing out? | 0:09:22 | 0:09:25 | |
BOTH: They did shop-fittings. | 0:09:25 | 0:09:27 | |
-They made balances and scales at the beginning of the 1912s. -18... | 0:09:27 | 0:09:32 | |
-But what would you weigh with that? -Potatoes. -Anything like that. | 0:09:32 | 0:09:37 | |
-But what's the bell for? Oh, no, that's weights. -That's the weight. | 0:09:37 | 0:09:41 | |
I thought that was a bell! SHE LAUGHS | 0:09:41 | 0:09:45 | |
What drew you to that? Tell me why you like it. | 0:09:45 | 0:09:47 | |
I've seen bigger ones on the farms but they were made of wood. | 0:09:47 | 0:09:52 | |
I used to live in the country and we used to go on farms, | 0:09:52 | 0:09:55 | |
and I think it just attracted me to them. | 0:09:55 | 0:09:58 | |
It's a kind of decorator's piece. | 0:09:58 | 0:10:02 | |
If you want to put it in your front lounge, you can do! | 0:10:02 | 0:10:05 | |
We've got these, er, they're like stylised birds, | 0:10:05 | 0:10:09 | |
or maybe halfway between a dragon and a blue tit | 0:10:09 | 0:10:13 | |
or a sparrow! THEY LAUGH | 0:10:13 | 0:10:16 | |
-Do they work, do you think? -Yes. -Would they hold my weight? | 0:10:16 | 0:10:19 | |
-Yes, they'll hold your weight. -Definitely. | 0:10:19 | 0:10:22 | |
So, if I was a sack of potatoes... | 0:10:22 | 0:10:25 | |
I quite like that, actually. | 0:10:25 | 0:10:28 | |
Do I look like a sack of potatoes? | 0:10:28 | 0:10:30 | |
No comment! | 0:10:30 | 0:10:32 | |
-Six stone four. -Six stone four! | 0:10:32 | 0:10:35 | |
Is it working? | 0:10:35 | 0:10:36 | |
Give us an offer. | 0:10:36 | 0:10:38 | |
-We'll do 50. -60. -50 quid. -60. | 0:10:38 | 0:10:43 | |
65... 55 and that's it. | 0:10:43 | 0:10:45 | |
-Go on, then. -55. -ANITA EXCLAIMS | 0:10:45 | 0:10:48 | |
What a team! | 0:10:48 | 0:10:50 | |
'Great teamwork there, Blues. Job's done.' | 0:10:50 | 0:10:53 | |
-First item in the bag. -In the bag! | 0:10:53 | 0:10:55 | |
'Now, what have the Reds got their eyes on?' | 0:10:55 | 0:10:58 | |
-What are you doing? -I was just looking for something medical. | 0:10:58 | 0:11:03 | |
-Not a cream pouffe? -No! They haven't got any so... | 0:11:03 | 0:11:07 | |
-..we'll have to move on. -OK. | 0:11:07 | 0:11:09 | |
'No, I can't see it either, Reds.' | 0:11:09 | 0:11:12 | |
-Why do you want something medical? -I used to be a pathology technician. | 0:11:14 | 0:11:19 | |
-Well, this is optical. This is a lens cutter. -Yes. | 0:11:19 | 0:11:21 | |
-Not really your bag, is it? -No. And it's looking quite shabby. | 0:11:21 | 0:11:25 | |
-Well, I think it's been used. -Yes. | 0:11:25 | 0:11:27 | |
-It's quite heavy, as well. -It's not shabby chic, is it? -No! | 0:11:27 | 0:11:31 | |
-OK, let's carry on. -'Keep your eyes peeled now, Reds.' | 0:11:31 | 0:11:36 | |
-What have you found, Lee? -It's not very old. It's quite modern. | 0:11:36 | 0:11:39 | |
-It's quite nice. It's a gun dog. -Yes, yes. | 0:11:39 | 0:11:43 | |
They've got 22 on it. I think we'll get it for a tenner. | 0:11:43 | 0:11:46 | |
-I know it's not old. -You know it's brand-new? -It is, yes. | 0:11:46 | 0:11:50 | |
I just like... | 0:11:50 | 0:11:52 | |
You like gun dogs. Again, we're thinking rural, countryside and so on. | 0:11:52 | 0:11:56 | |
-If we can find something with a bit of age... -Yes. -Uh-huh. | 0:11:56 | 0:12:00 | |
-And in silver. -But we're... And in silver! -That'd be lovely. | 0:12:00 | 0:12:04 | |
-For £22! -Without a doubt. | 0:12:04 | 0:12:07 | |
Let's go looking. | 0:12:07 | 0:12:09 | |
'That would be nice, Blues. | 0:12:09 | 0:12:11 | |
'But what have those Reds got their hands on?' | 0:12:11 | 0:12:15 | |
-Really?! -Yes. | 0:12:15 | 0:12:17 | |
-Could that not be medical? -I thought it was a syringe. | 0:12:17 | 0:12:20 | |
-I thought it was a sausage machine. -An Edwardian sausage maker. | 0:12:20 | 0:12:23 | |
It has been repaired. Look at the repair on it! | 0:12:23 | 0:12:27 | |
-It doesn't matter! -What do you mean, it doesn't matter? -It doesn't matter. | 0:12:27 | 0:12:30 | |
-I give you it's unusual. -It's unusual. | 0:12:30 | 0:12:33 | |
-Have you ever seen one before? -I've never seen one of these. -I haven't, either. | 0:12:33 | 0:12:37 | |
'So as Thomas tries to avoid a right stuffing by the ladies, | 0:12:37 | 0:12:41 | |
'Anita has had to have a wee sit down, the poor girl.' | 0:12:41 | 0:12:44 | |
-Lovely! -It's made for you! | 0:12:44 | 0:12:47 | |
-What more do you want? -Suits you down to the ground. | 0:12:47 | 0:12:49 | |
-Do you like it? -Yes. | 0:12:49 | 0:12:50 | |
-We've got a nice mahogany frame. We've got a wee bit of damage there. -He could knock a couple of bob off. | 0:12:50 | 0:12:56 | |
-Ooh, there is! Look at that! -Damage there. | 0:12:56 | 0:12:58 | |
Let's see its legs. It's quite nice. | 0:12:58 | 0:13:01 | |
-The upholstery, although it's not original, is sympathetic. -Yes. | 0:13:01 | 0:13:06 | |
-Have you got in your head what you want to pay? -I have. -Tell me. | 0:13:06 | 0:13:09 | |
-£20. -No! | 0:13:09 | 0:13:12 | |
-I don't like it, then. -120? | 0:13:12 | 0:13:14 | |
-Ohh! -Not as much as that? 80? | 0:13:14 | 0:13:17 | |
60? | 0:13:17 | 0:13:19 | |
-I wasn't far off. -What do you think? -I said 20. -It's not. -I'm not 100 percent with it. | 0:13:19 | 0:13:23 | |
Hello! Hello! | 0:13:23 | 0:13:25 | |
-Morning! -Good morning. -All right? -Yes. | 0:13:25 | 0:13:27 | |
These guys were fancying a wee sit down | 0:13:27 | 0:13:30 | |
on this lovely Victorian chair. | 0:13:30 | 0:13:33 | |
-We wondered how much it is. -It's 120. | 0:13:33 | 0:13:36 | |
It's just, with the bit of damage and things... | 0:13:36 | 0:13:39 | |
-Could you come down to 50 on it? -No. | 0:13:39 | 0:13:42 | |
-If I let it go at less than 90, I'm losing money. -OK. | 0:13:42 | 0:13:46 | |
-90 would be what I've paid for it. -OK. | 0:13:46 | 0:13:49 | |
-A nice chair. -It is a nice chair. | 0:13:49 | 0:13:51 | |
-A little bit of damage but it's a nice chair. -OK. | 0:13:51 | 0:13:54 | |
-Thank you. -Thank you very much. -We might come back. | 0:13:54 | 0:13:58 | |
'You are chancers, Blues, I'll give you that.' | 0:13:58 | 0:14:00 | |
-Tell me why you like this. -Because they're big. -Yes, OK, they're big, yes. | 0:14:00 | 0:14:04 | |
-They're shiny. -They'd go in Fi's dining room. | 0:14:04 | 0:14:07 | |
-Absolutely. -We're not buying for Fi's dining room! | 0:14:07 | 0:14:09 | |
There's a lot of people about like Fi. | 0:14:09 | 0:14:11 | |
-Why do you want these? Because they're big and - -OK, I don't want them! -But why? -No. | 0:14:11 | 0:14:16 | |
-They caught my eye. That eye. -I thought you were looking... | 0:14:16 | 0:14:19 | |
I said I would have whatever she wanted next. | 0:14:19 | 0:14:22 | |
-Why? -Because I'm her mother-in-law and I have to be nice. -You're so good to her. | 0:14:22 | 0:14:27 | |
'I can see they haven't bowled you over, Reds. But how are the Blues doing?' | 0:14:27 | 0:14:31 | |
-Are they Tommies? -Thomas Taylor crown green bowls. | 0:14:31 | 0:14:34 | |
-Do you play bowls? -I used to play for Yorkshire, yes. | 0:14:34 | 0:14:38 | |
-Did you play for Yorkshire? -Flat green, but not crown green. | 0:14:38 | 0:14:42 | |
The crown green - they've got a little indentation where you put your thumb. | 0:14:42 | 0:14:46 | |
So it's finger and thumb. That's when it curves in. | 0:14:46 | 0:14:50 | |
-So, crown green are the best ones? -If these were Thomas Taylor crown greens, | 0:14:50 | 0:14:54 | |
you'd be looking to buy them at maybe 65, 70 pounds. | 0:14:54 | 0:14:58 | |
-Are they still worth buying? -No. -Not really. | 0:14:58 | 0:15:02 | |
If there were four of them, it'd be OK, but in crown green there's two. | 0:15:02 | 0:15:05 | |
-So, they're just odd balls? -You've got number two and four, | 0:15:05 | 0:15:09 | |
so we're missing one and three. They're even balls. | 0:15:09 | 0:15:11 | |
-So, they're not worth buying? -No. -'Even the experts can learn something on Bargain Hunt. | 0:15:11 | 0:15:15 | |
'Now, the Reds are on a mission.' | 0:15:15 | 0:15:18 | |
Come on! | 0:15:18 | 0:15:20 | |
-Nothing medical. -We're looking for anything medical. | 0:15:20 | 0:15:24 | |
He just cleared a nurse's house out. He doesn't think we've got anything medical. | 0:15:24 | 0:15:29 | |
'Looks like they might need to change their tactics.' | 0:15:29 | 0:15:31 | |
-We've spent a pittance! -70 pounds. -70 pounds. | 0:15:31 | 0:15:36 | |
-Shall we buy something big? -You've got to leave me something. | 0:15:36 | 0:15:40 | |
You could do magic with £10. | 0:15:40 | 0:15:43 | |
No, I couldn't! No, I couldn't. | 0:15:43 | 0:15:46 | |
'Sure you could, Thomas.' | 0:15:46 | 0:15:48 | |
You've had a good start, you got an item immediately, | 0:15:48 | 0:15:52 | |
but we're onto half an hour... | 0:15:52 | 0:15:56 | |
-OK. -..so we've got to pin something else down pretty quickly. | 0:15:56 | 0:16:02 | |
Look, you've got the candlesticks. They are... | 0:16:02 | 0:16:06 | |
Are they silver? | 0:16:06 | 0:16:07 | |
They are. They could be quite expensive. | 0:16:07 | 0:16:10 | |
We might not be able to afford them. | 0:16:10 | 0:16:12 | |
The sticks, please, sir. | 0:16:12 | 0:16:15 | |
You've got "REW Harland... | 0:16:15 | 0:16:18 | |
"..from RAF Changi Yacht Club November '66." | 0:16:18 | 0:16:22 | |
-So he was in the RAF Singapore. -I've been many a time. | 0:16:22 | 0:16:26 | |
-What are these going to be? -120. 100 to you. | 0:16:26 | 0:16:29 | |
-100 quid. -Because you're poor people. -Because we're poor people. | 0:16:29 | 0:16:32 | |
I love it! I love it! | 0:16:32 | 0:16:33 | |
You can have them for 90, seeing as you're such nice people. | 0:16:33 | 0:16:37 | |
90's fine. £90. | 0:16:37 | 0:16:38 | |
-I love them. And the history... -I like this bit of history. | 0:16:38 | 0:16:42 | |
If you get somebody who's been to Singapore, in the RAF, you'll be fine. | 0:16:42 | 0:16:47 | |
'And the chances of that?' | 0:16:47 | 0:16:49 | |
-What do you think, girls - 90? -Go for it. -90. | 0:16:49 | 0:16:53 | |
'Well done, Reds. You've completed your mission. | 0:16:56 | 0:16:58 | |
'But the Blues still have two items to find. What are they playing at?' | 0:16:58 | 0:17:03 | |
-Don't you like it? -No. | 0:17:03 | 0:17:05 | |
-He doesn't like it. -I'd rather buy the silver sugar caster. | 0:17:05 | 0:17:09 | |
-It's beautiful, isn't it? -How much? -No idea. -Oh, darling! | 0:17:09 | 0:17:13 | |
I know you're going to say about £55 | 0:17:13 | 0:17:15 | |
and we're going to say, "OK, madam, we'll have it for £55." | 0:17:15 | 0:17:19 | |
-Do you know if it's silver? -It is. -Oh, it is? | 0:17:19 | 0:17:21 | |
-It's not silly money. -I like that. | 0:17:21 | 0:17:25 | |
You would do, Lee, | 0:17:25 | 0:17:27 | |
because you're talking about 80 quid! | 0:17:27 | 0:17:31 | |
-Dream on! -OK, then! -THEY LAUGH | 0:17:31 | 0:17:34 | |
-You know I'll do my best for you. -You will, darling. | 0:17:34 | 0:17:37 | |
-What's the date on it? -BOTH: 1920. | 0:17:37 | 0:17:41 | |
-What is your best? -Let's have a look. | 0:17:41 | 0:17:44 | |
I could do it at 130 for you. | 0:17:44 | 0:17:46 | |
130 is an absolute steal. And silver's gone up since that was priced. | 0:17:46 | 0:17:50 | |
-How about 110? -Give us a price and we'll take it. | 0:17:50 | 0:17:52 | |
125 would be the absolute death. As I say, silver's gone up. | 0:17:52 | 0:17:56 | |
-Are we going to have a pop, then, darling? -125, it's got to be. | 0:17:56 | 0:17:59 | |
-120. -25, you little minx! | 0:17:59 | 0:18:03 | |
-Do you know...?! -120. 120. -Thank you, darling. | 0:18:03 | 0:18:06 | |
-No, 125. -125. -I do like that. -That's wonderful. | 0:18:06 | 0:18:09 | |
-Lee-bo! -No, I like that. -I thought I was the silver man. -You taught me everything. | 0:18:09 | 0:18:13 | |
-What's he like? -They're fabulous, aren't they?! | 0:18:13 | 0:18:17 | |
-I'm exhausted! I'm going for a lie down! -They don't need me! | 0:18:17 | 0:18:21 | |
'We need you to keep them in line, Anita.' | 0:18:21 | 0:18:24 | |
That's two items, that's all right, | 0:18:24 | 0:18:27 | |
but we haven't got big time left | 0:18:27 | 0:18:30 | |
-so you're going to have to make up your mind very quickly. -OK. | 0:18:30 | 0:18:34 | |
-Ten minutes. -We'll get something sorted. | 0:18:34 | 0:18:37 | |
'You tell them, girl. 'The clock's a-ticking!' | 0:18:37 | 0:18:39 | |
Three items down. You've spent a respectable amount of money, | 0:18:39 | 0:18:43 | |
-£160. -We've left you a little. | 0:18:43 | 0:18:46 | |
I've got a very good idea what I might be buying for you two. | 0:18:46 | 0:18:50 | |
-Ooh! Exciting! -Yep. | 0:18:50 | 0:18:51 | |
That's lovely. | 0:18:52 | 0:18:54 | |
-It feels like silver. -I like that. | 0:18:54 | 0:18:57 | |
It's unmarked silver but, erm, it feels right. | 0:18:57 | 0:19:01 | |
But in auction, because it's not marked, | 0:19:01 | 0:19:05 | |
-they will have to call it white metal. -Yes. | 0:19:05 | 0:19:08 | |
-So keep that in mind. -Will that affect it? | 0:19:08 | 0:19:10 | |
-How much is it? -Erm, I can do it for... | 0:19:10 | 0:19:14 | |
..70. I've got 90 on it, to be honest. | 0:19:14 | 0:19:18 | |
I think it's a bit topside, do you think? | 0:19:18 | 0:19:20 | |
-With it being the Masonic symbol, as well... -60 pounds. | 0:19:20 | 0:19:24 | |
It will appeal to the people who collect Masonic items. | 0:19:24 | 0:19:27 | |
-Do you like it, Anita? -I do like that. I do like it. | 0:19:27 | 0:19:31 | |
-It's a nice big chunky piece. -We'll go with that. I like that. | 0:19:31 | 0:19:35 | |
-Well, we've bought our three items with seconds to spare! -BOTH: Absolutely. | 0:19:35 | 0:19:40 | |
You've got your horsey item, you've got your silver item | 0:19:40 | 0:19:43 | |
-and you've got those big scales for weighing tatties! -That's it! | 0:19:43 | 0:19:48 | |
-Good combination! Let's have a cup of tea! -Thank you, my love. | 0:19:48 | 0:19:51 | |
-'Nice work, Blues.' -BELLS RING | 0:19:51 | 0:19:54 | |
Surrender your wares! Time's up. | 0:19:54 | 0:19:57 | |
Let's have a quick reminder of what the Red Team bought. | 0:19:57 | 0:20:01 | |
They spent £35 on this chrome travel alarm clock. | 0:20:01 | 0:20:06 | |
£35 bought them this extremely large cut-glass centrepiece. | 0:20:07 | 0:20:12 | |
And £90 was paid for this pair of embossed silver candlesticks. | 0:20:14 | 0:20:18 | |
Maybe I scratched it. | 0:20:20 | 0:20:22 | |
Excuse me! What is going on here? | 0:20:22 | 0:20:24 | |
-I'm being stroked. -Finishing touches. | 0:20:24 | 0:20:27 | |
Is your makeup coming off, Tom?! | 0:20:27 | 0:20:30 | |
-Girls, did you have a good time? -Fantastic. Thank you. | 0:20:30 | 0:20:32 | |
-Which is your favourite piece, Eileen? -The candlesticks. | 0:20:32 | 0:20:36 | |
-What about you, Fifi? -I like the French art glass. | 0:20:36 | 0:20:40 | |
-Which is going to bring the biggest profit? -Mine. | 0:20:40 | 0:20:42 | |
-Probably... Probably the -glarse. | 0:20:42 | 0:20:45 | |
-The French art -glarse. | 0:20:45 | 0:20:47 | |
What's happened to glass? | 0:20:47 | 0:20:49 | |
-It's GLASS, love! You're Northern! -We're in Yorkshire here! | 0:20:49 | 0:20:53 | |
-You spent how much? -We spent 160. | 0:20:53 | 0:20:56 | |
That's a very respectable amount. I'm pleased with you about that. | 0:20:56 | 0:20:59 | |
£140 of leftover lolly, please. | 0:20:59 | 0:21:01 | |
Somewhere... Coming out of the warm pocket. | 0:21:01 | 0:21:04 | |
-Tom, over to you. -Thank you. | 0:21:04 | 0:21:05 | |
I should think it'll be a relief to do a bit of independent patrol now. | 0:21:05 | 0:21:09 | |
-It's been - -Don't be rude! -I'm not going to be rude, Eileen! | 0:21:09 | 0:21:13 | |
It's just the bickering, right? The endless bickering. | 0:21:13 | 0:21:16 | |
You girls go and have a cup of tea. | 0:21:16 | 0:21:18 | |
-Thomas, good luck in your search for a profitable bonus buy. -Thanks. | 0:21:18 | 0:21:22 | |
-Got any ideas as to what you're going to buy? -I have, yes. | 0:21:22 | 0:21:25 | |
Something which we've seen previously but a different model of. | 0:21:25 | 0:21:28 | |
-That's a bit of a tease. -I can't wait. -You've lost me! | 0:21:28 | 0:21:31 | |
Not to worry. | 0:21:31 | 0:21:32 | |
Meanwhile, why don't we check out what the Blue Team bought? | 0:21:32 | 0:21:36 | |
Anita weighed in at £55 on this set of cast-iron scales. | 0:21:36 | 0:21:42 | |
Their charm paid off with a £25 reduction on this sugar caster. | 0:21:42 | 0:21:47 | |
£125 paid. | 0:21:47 | 0:21:49 | |
And finally, £70 was spent on the horseshoe brooch. | 0:21:49 | 0:21:54 | |
How was your hour with Anita Manning? | 0:21:55 | 0:21:57 | |
-Not too bad! -She's coming home with me, I think! | 0:21:57 | 0:22:01 | |
Lee, which is your favourite piece? | 0:22:01 | 0:22:03 | |
Favourite piece is the little brooch in the shape of a horseshoe. Lovely little piece. | 0:22:03 | 0:22:07 | |
-Do you agree with that, Jeffrey? -I like the scales. -The scales. | 0:22:07 | 0:22:11 | |
-Are they going to bring the biggest profit? -I think they may do. | 0:22:11 | 0:22:15 | |
-They're going to tip the balance, are they? -I like it! | 0:22:15 | 0:22:18 | |
-And you spent overall? -£250. | 0:22:18 | 0:22:20 | |
That is a cracking amount of money. I love that. £250. | 0:22:20 | 0:22:23 | |
That's mature spending for you! Age and experience. | 0:22:23 | 0:22:27 | |
-£50 of leftover lolly, please. -There you go, sir. | 0:22:27 | 0:22:30 | |
I won't count it. I trust you. It goes straight over to the most marvellous woman. | 0:22:30 | 0:22:34 | |
-What are you going to do with that, Anita? -I'll try and spend it all! | 0:22:34 | 0:22:38 | |
But at the same point, I'll try to get a bargain. | 0:22:38 | 0:22:41 | |
She's got such the right attitude! Good luck with that, Anita. Good luck, chaps. | 0:22:41 | 0:22:44 | |
Meanwhile, we're heading to North Yorkshire to Kiplin House. | 0:22:44 | 0:22:48 | |
I'm at Kiplin Hall today, | 0:22:53 | 0:22:55 | |
the only red-brick Jacobean house in the whole of Yorkshire. | 0:22:55 | 0:23:00 | |
Brick-tastic, eh? | 0:23:00 | 0:23:03 | |
Set within in the beautiful rolling countryside of North Yorkshire, | 0:23:06 | 0:23:10 | |
Kiplin Hall has always stood out from the traditional Yorkshire stone-built houses of the area | 0:23:10 | 0:23:15 | |
because of its brickwork. | 0:23:15 | 0:23:18 | |
But it's not just handsome from the outside. | 0:23:18 | 0:23:21 | |
Kiplin Hall has been owned by four families | 0:23:21 | 0:23:26 | |
in its 400 years of existence, | 0:23:26 | 0:23:28 | |
all connected by blood or marriage. | 0:23:28 | 0:23:31 | |
So, thanks to the Calvert family in the 17th century, | 0:23:31 | 0:23:35 | |
the Crowes in the 18th century, | 0:23:35 | 0:23:38 | |
the Carpenters in the 19th century and the Talbots in the 20th century, | 0:23:38 | 0:23:42 | |
there is a considerable mass of treasure here for us to examine. | 0:23:42 | 0:23:47 | |
The Long Gallery is not a bad place to start. | 0:23:47 | 0:23:52 | |
What do we make of this little chap, | 0:23:52 | 0:23:54 | |
known as a coffre-fort, or strong box? | 0:23:54 | 0:23:58 | |
It dates from the late 17th century | 0:23:58 | 0:24:01 | |
and is, of course, protected by lots of brass. | 0:24:01 | 0:24:05 | |
First of all, you have to work out how to get into it. | 0:24:05 | 0:24:08 | |
By fiddling with this and pressing it down, | 0:24:08 | 0:24:12 | |
it's possible to release the tongue | 0:24:12 | 0:24:15 | |
that protects the opening for the key and lock. | 0:24:15 | 0:24:19 | |
No key with this one, so we're simply able to hinge back the top like that | 0:24:19 | 0:24:24 | |
and then we're able to hinge forward the front, | 0:24:24 | 0:24:27 | |
resting it on those rails. | 0:24:27 | 0:24:30 | |
Inside, it's quite plain. | 0:24:30 | 0:24:31 | |
You've got a hidden compartment in the lid. | 0:24:31 | 0:24:35 | |
Open it up like that and it's hollow on either side, for secret papers. | 0:24:35 | 0:24:41 | |
Underneath, there are a couple of draws. Take that one out... | 0:24:41 | 0:24:44 | |
Before you approach the second drawer, take care | 0:24:44 | 0:24:48 | |
because the spacer - that bar between the drawers - | 0:24:48 | 0:24:52 | |
unusually pulls forward and comes out altogether. | 0:24:52 | 0:24:56 | |
At the back, you can see it's hollow | 0:24:56 | 0:24:58 | |
and there's a secret compartment that slides open like that. | 0:24:58 | 0:25:02 | |
That's the place for your precious jewels | 0:25:02 | 0:25:04 | |
or some incriminating correspondence, | 0:25:04 | 0:25:08 | |
none of which is in it today, sadly. | 0:25:08 | 0:25:11 | |
Good fun, isn't it? | 0:25:11 | 0:25:13 | |
Well, if we put it all back together | 0:25:13 | 0:25:16 | |
and close it up | 0:25:16 | 0:25:18 | |
and get the top to fall down, | 0:25:18 | 0:25:21 | |
complete the closure process and I put that next door, | 0:25:21 | 0:25:25 | |
I'm particularly fond of this stand. | 0:25:25 | 0:25:29 | |
Those are the loper rails. | 0:25:29 | 0:25:31 | |
If I turn it upside down, you can see on the underside, look, | 0:25:31 | 0:25:34 | |
a great pig of lead has been crudely nailed along the back edge. | 0:25:34 | 0:25:39 | |
That could be leftover lead from the roof here at Kiplin Hall. | 0:25:39 | 0:25:46 | |
Why would you crudely nail a lump of lead on the back of your stand | 0:25:46 | 0:25:51 | |
for such a precious cabinet? | 0:25:51 | 0:25:53 | |
The answer is, of course, | 0:25:53 | 0:25:55 | |
when the forefront is flapping forward | 0:25:55 | 0:25:59 | |
it makes it slightly top heavy | 0:25:59 | 0:26:01 | |
and the pig of lead on the back edge stops it from toppling over. | 0:26:01 | 0:26:05 | |
And talking about toppling forward, | 0:26:05 | 0:26:08 | |
let's pop off to the Iberian Peninsula | 0:26:08 | 0:26:12 | |
and have ourselves a bit of a recliner, shall we? | 0:26:12 | 0:26:15 | |
It's got two metal bars, look, | 0:26:15 | 0:26:18 | |
ratcheted on the outside edge of the arms | 0:26:18 | 0:26:21 | |
to a comfortable position, | 0:26:21 | 0:26:23 | |
and having consumed your two glasses of vin rouge | 0:26:23 | 0:26:26 | |
and your favourite TV programme at lunchtime, | 0:26:26 | 0:26:29 | |
you'd simply drop off! | 0:26:29 | 0:26:31 | |
And now for something completely sublime. | 0:26:31 | 0:26:35 | |
Isn't that a gorgeous Venetian scene? | 0:26:35 | 0:26:39 | |
Our eye today is often crowded with scenes of Venice, | 0:26:39 | 0:26:44 | |
largely because the successful artists | 0:26:44 | 0:26:47 | |
Guardi and Canaletto | 0:26:47 | 0:26:50 | |
have bombarded us with familiar scenes | 0:26:50 | 0:26:52 | |
of St Mark's Square and the Grand Canal and the like. | 0:26:52 | 0:26:57 | |
But this picture is different. It's by Luca Carlevarijs, | 0:26:57 | 0:27:01 | |
who painted it early in the 18th century. | 0:27:01 | 0:27:05 | |
Once upon a time, there were six of these Carlevarijs paintings here at Kiplin. | 0:27:05 | 0:27:11 | |
They'd all been commissioned by Christopher Crowe | 0:27:11 | 0:27:14 | |
early in the 18th century. | 0:27:14 | 0:27:17 | |
I think it's an amusing picture | 0:27:17 | 0:27:19 | |
because it cuts off the top of the Campanile | 0:27:19 | 0:27:23 | |
and it concentrates far more on the crowd of folk, | 0:27:23 | 0:27:28 | |
going about their business and enjoying parading in masks. | 0:27:28 | 0:27:33 | |
The big question for our teams is, | 0:27:33 | 0:27:36 | |
are they about to enjoy | 0:27:36 | 0:27:38 | |
tarte au magnifico? | 0:27:38 | 0:27:42 | |
Calamari for me. | 0:27:43 | 0:27:44 | |
Well, it's very, very nice to come to North Yorkshire, | 0:27:49 | 0:27:51 | |
Leyburn to be precise, to Tennants saleroom | 0:27:51 | 0:27:55 | |
to be with our auctioneer Jeremy Patterson. | 0:27:55 | 0:27:58 | |
-Good morning. -Hello, Tim. Welcome to Tennants. | 0:27:58 | 0:28:00 | |
Eileen and Fiona are standing by nervously about this wee travelling timepiece. | 0:28:00 | 0:28:05 | |
How do you rate that, Jay? | 0:28:05 | 0:28:06 | |
I think it 1920s or '30s in style but probably a later piece, | 0:28:06 | 0:28:11 | |
maybe '60s or '70s. | 0:28:11 | 0:28:13 | |
Foreign movement. | 0:28:13 | 0:28:15 | |
-The trouble is, it's a bit tired and rough around the edges. -Condition is everything. -It is. | 0:28:15 | 0:28:20 | |
I quite like the fake shagreen. There's something quite amusing about that. | 0:28:20 | 0:28:24 | |
-It's got the look. -Yes. | 0:28:24 | 0:28:26 | |
It's not perfect, but what's it worth? | 0:28:26 | 0:28:28 | |
I think probably 40, 50 pounds. | 0:28:28 | 0:28:31 | |
£35 paid. | 0:28:31 | 0:28:33 | |
-It might just get away here. -It might squeeze away. | 0:28:33 | 0:28:36 | |
Now, it says on my list that this is an Art Deco glass centrepiece. | 0:28:36 | 0:28:41 | |
It could be '70s, '80s, even later. They're still turning these things out today | 0:28:41 | 0:28:46 | |
so I would like to sell that one dated. | 0:28:46 | 0:28:48 | |
I think you're quite right. | 0:28:48 | 0:28:50 | |
-It's possibly French but not huge demand. -No. | 0:28:50 | 0:28:54 | |
Are we standing by for a blood bath on this? What's your estimate? | 0:28:54 | 0:28:57 | |
£30 to £40 for a decorative glass vase. | 0:28:57 | 0:29:00 | |
-Perfect! £35 paid. -It's on the money. -On the money. -Yes. | 0:29:00 | 0:29:05 | |
The last item is the little dwarf candlesticks, | 0:29:05 | 0:29:08 | |
-which aren't what they appear, are they? -No. | 0:29:08 | 0:29:10 | |
Victorian style, nicely decorated, | 0:29:10 | 0:29:13 | |
but engraved '66, but as in 1966, unfortunately. | 0:29:13 | 0:29:17 | |
-Not much silver, though, is there? -Not a lot of silver content. | 0:29:17 | 0:29:20 | |
-OK, fine. What are they worth? -£40 to £50. | 0:29:20 | 0:29:23 | |
Again, damage is a problem. It might hold them back. | 0:29:23 | 0:29:26 | |
£90 paid. | 0:29:26 | 0:29:28 | |
That is going to be their comeuppance, | 0:29:28 | 0:29:30 | |
in which case, they're going to need the bonus buy. Let's go and have a look at it! | 0:29:30 | 0:29:36 | |
OK, you lovely girls, | 0:29:36 | 0:29:38 | |
£160 spent, £140 of leftover lolly went to the Planter. | 0:29:38 | 0:29:42 | |
-Thomas, what did you buy? -Well, I didn't spend it all. | 0:29:42 | 0:29:45 | |
We saw one of these and we danced to it. | 0:29:45 | 0:29:48 | |
-BOTH: Ohh! -Fantastic! Brilliant! | 0:29:48 | 0:29:52 | |
-Do you remember our little dance? -Yes! How can I forget? -You see! | 0:29:52 | 0:29:56 | |
-This is a mahogany-cased one, without the horn. The other one had a horn. -Yes. | 0:29:56 | 0:30:01 | |
This is a Columbia mahogany-cased gramophone. | 0:30:01 | 0:30:05 | |
-How old is it? -I would believe this is going to be | 0:30:05 | 0:30:08 | |
the first quarter of the 20th century. | 0:30:08 | 0:30:12 | |
-Definitely 19... -1920. -'20s, '30s. | 0:30:12 | 0:30:15 | |
How much did it cost you? | 0:30:15 | 0:30:17 | |
How much do you think? | 0:30:17 | 0:30:18 | |
A lot. Quite a lot. About £80? | 0:30:18 | 0:30:20 | |
No. It cost me £60. | 0:30:20 | 0:30:22 | |
-Ooh! That's quite good! -Yes. | 0:30:22 | 0:30:24 | |
-Hang on a minute. -Have we taken over? | 0:30:24 | 0:30:27 | |
You're supposed to go shopping, not dancing! | 0:30:27 | 0:30:29 | |
-We've never shopped with Thomas before. It was wild! -Was it? | 0:30:29 | 0:30:33 | |
Fair enough, Fifi! I'll believe you, darling. | 0:30:33 | 0:30:36 | |
So there we go, then. You spent £60. | 0:30:36 | 0:30:38 | |
What's your prediction of value? | 0:30:38 | 0:30:40 | |
A £20 to £30 profit. | 0:30:40 | 0:30:42 | |
-Fantastic. -Do you like the sound of that? | 0:30:42 | 0:30:45 | |
-I... -You're not too sure, Eileen, are you? | 0:30:45 | 0:30:48 | |
-No. It looks a bit like plywood to me. -Ohh! | 0:30:48 | 0:30:51 | |
-We're going with it! -Well, not necessarily. | 0:30:51 | 0:30:54 | |
You don't have to pick now, girls. | 0:30:54 | 0:30:56 | |
You decide after the sale of your first three items. | 0:30:56 | 0:30:59 | |
OK, Tom, take it away. | 0:30:59 | 0:31:02 | |
SCRATCHY & MUFFLED MUSIC | 0:31:02 | 0:31:06 | |
Great for a funeral! | 0:31:07 | 0:31:10 | |
And, as if by magic, this is the bonus buy. | 0:31:15 | 0:31:18 | |
-Jeremy, how do you rate this? -It's a fairly standard table-top gramophone, unfortunately. | 0:31:18 | 0:31:23 | |
It will have a limited appeal, I'm afraid. Although it's complete, which is good. | 0:31:23 | 0:31:27 | |
Yes. But the ones with the big horns make a fortune, don't they? | 0:31:27 | 0:31:32 | |
Something which is decorative, a large horn, looks the part... | 0:31:32 | 0:31:35 | |
-Yes. -But it is limited with this case. | 0:31:35 | 0:31:39 | |
-How much? -£40, something in that region. | 0:31:39 | 0:31:41 | |
-£60 paid. -Right. | 0:31:41 | 0:31:43 | |
But Thomas is trying his best, poor old love. | 0:31:43 | 0:31:47 | |
That's it for the Reds. Now for the Blues, | 0:31:47 | 0:31:50 | |
-who start off with their cast-iron weighing scales. -Right. | 0:31:50 | 0:31:54 | |
At least they appear to be railway weighing scales, | 0:31:54 | 0:31:57 | |
which makes them a bit more interesting. | 0:31:57 | 0:31:59 | |
Certainly a little bit more of collectible value | 0:31:59 | 0:32:01 | |
-than a large set of just heavy scales. -Yes. | 0:32:01 | 0:32:04 | |
-How much? -Tim, again, limited - 30, 40 pounds. | 0:32:04 | 0:32:09 | |
OK. £55 paid. | 0:32:09 | 0:32:11 | |
Someone might just put them in their hallway or something, but a limited demand. | 0:32:11 | 0:32:15 | |
Weigh your granny on the way out! | 0:32:15 | 0:32:19 | |
I really don't know what anybody would do with it. | 0:32:19 | 0:32:21 | |
That's the problem - what do you actually do with them? | 0:32:21 | 0:32:24 | |
Next is the silver sugar caster. | 0:32:24 | 0:32:27 | |
1945, which I think is amazing! | 0:32:27 | 0:32:29 | |
You know, the Second World War struggle | 0:32:29 | 0:32:32 | |
-and they're still making sugar casters from 1945. -Yes. | 0:32:32 | 0:32:37 | |
-Not too much weight in in, though. -Lightweight. -Yes. | 0:32:37 | 0:32:40 | |
For a caster, yes, certainly. | 0:32:40 | 0:32:42 | |
Still, when it's got some sugar in, it might dump it down a bit. | 0:32:42 | 0:32:45 | |
-How much? -50 to 70. | 0:32:45 | 0:32:47 | |
Dear, oh, dear! £125 paid. That is a whopping loss, isn't it? | 0:32:47 | 0:32:53 | |
-What about the horsey brooch? -Well, certainly in the right area to sell this. | 0:32:53 | 0:32:59 | |
The problem is, it's not stamp silver. | 0:32:59 | 0:33:01 | |
There is some holes on the back, as if it's been previously mounted or altered. | 0:33:01 | 0:33:05 | |
-Ahh! -We will have to sell that as white metal, so again, limited appeal. | 0:33:05 | 0:33:09 | |
If it's silver - great, but we can't sell it as that. | 0:33:09 | 0:33:12 | |
-White metal's a bit of a killer when it comes to value, isn't it? -Yes. | 0:33:12 | 0:33:16 | |
But we've got to stand by it, so 15, 20 pounds. | 0:33:16 | 0:33:19 | |
-Is that all? -Mm. -Gosh! | 0:33:19 | 0:33:22 | |
£70 they paid. | 0:33:22 | 0:33:23 | |
We have two whopping losses in prospect here. | 0:33:23 | 0:33:27 | |
They're definitely going to need their bonus buy so let's have a look at it. | 0:33:27 | 0:33:32 | |
Now, Anita Manning, our legend, | 0:33:32 | 0:33:35 | |
we gave you £50 of leftover lolly. | 0:33:35 | 0:33:39 | |
What has this Scottish genius done with it? | 0:33:39 | 0:33:42 | |
Show us your wares. | 0:33:42 | 0:33:44 | |
I hope I've bought you something that you will make profit on. | 0:33:44 | 0:33:48 | |
-Whoa! -This type of thing is doing very well. | 0:33:48 | 0:33:51 | |
I call it "gentleman's personal furniture"! | 0:33:51 | 0:33:55 | |
-A pair of cufflinks! -I like it! | 0:33:55 | 0:33:58 | |
-Nine-carat gold. -One each. -Have one each. | 0:33:58 | 0:34:02 | |
-They're really nice. I like them. -What did we pay? | 0:34:02 | 0:34:04 | |
I paid £20. | 0:34:04 | 0:34:06 | |
-Now, that's a good price. -Not too bad at all, my love. | 0:34:06 | 0:34:09 | |
-For gold? -The gold price is high just now | 0:34:09 | 0:34:12 | |
so even, you know, fairly modest gold items are doing terribly well. | 0:34:12 | 0:34:17 | |
-£20 is not a lot of money. -Not too bad at all. -I like them. | 0:34:17 | 0:34:20 | |
-That seems to be a bit of a hit. -Fine. -Anita, thank you for that. | 0:34:20 | 0:34:24 | |
You choose later. But right now, for the audience at home, | 0:34:24 | 0:34:27 | |
let's find out what the auctioneer thinks about Anita's links. | 0:34:27 | 0:34:31 | |
There we go, Jeremy. | 0:34:32 | 0:34:33 | |
There's not a lot of gold in that, is there? | 0:34:33 | 0:34:36 | |
-No. -But they are gold, right? -Yes. Nine-carat gold. -Yes. | 0:34:36 | 0:34:40 | |
But obviously, you need the initials D and G. | 0:34:40 | 0:34:42 | |
There's not much there to polish out, is there? | 0:34:42 | 0:34:45 | |
-There isn't. You've got to live with that, I'm afraid. -OK. | 0:34:45 | 0:34:48 | |
-What do you reckon these are worth? -On the gold, 40, 50 pounds. | 0:34:48 | 0:34:51 | |
-Really? -Yes. -That cunning fox Anita Manning only paid £20. -Really? | 0:34:51 | 0:34:56 | |
-IF the team decide to go with their bonus buy, which we'll see in a minute... -Right. | 0:34:56 | 0:35:00 | |
-Are you taking the sale today? -Of course, yes. | 0:35:00 | 0:35:02 | |
Very good. We're in safe hands. Thank you, Jeremy. | 0:35:02 | 0:35:05 | |
-This is exciting, isn't it, whatever's going to happen? -BOTH: Yes. | 0:35:10 | 0:35:14 | |
This room is heaving with people, and he goes, this auctioneer, at 200 miles an hour. | 0:35:14 | 0:35:18 | |
By the time he eloquently has a go, you could easily get there. | 0:35:18 | 0:35:22 | |
-You could get a profit on all three items. -That would be lovely. | 0:35:22 | 0:35:26 | |
After that, you've got the gramophone to fall back on, | 0:35:26 | 0:35:29 | |
-which you love, you girls, don't you? -Love it. -You love it? -Mm. | 0:35:29 | 0:35:33 | |
-Eileen, you're not telling me a pork pie, are you? -We're being kind. | 0:35:34 | 0:35:38 | |
-You don't really like it. -I think it's awful! -You honestly think it's awful? | 0:35:38 | 0:35:41 | |
-Awful. -He's got broad shoulders. He won't mind if you tell the truth. | 0:35:41 | 0:35:45 | |
I've been called desperate, I'm the fall guy on this one, I've got broad shoulders! | 0:35:45 | 0:35:51 | |
-Don't worry, I can take it. -You jolly well have to, don't you? | 0:35:51 | 0:35:55 | |
First up is the alarm clock. | 0:35:55 | 0:35:57 | |
Don't get alarmed. Here it comes. | 0:35:57 | 0:36:00 | |
The nice travel alarm clock with the faux shagreen enamel case. | 0:36:00 | 0:36:03 | |
Pretty little travel clock. £40 to start. | 0:36:03 | 0:36:06 | |
40 to start. 20 I'm bid. | 0:36:06 | 0:36:08 | |
£20 in the room. 30. 40. 50. | 0:36:08 | 0:36:12 | |
-Yes! -60. 70. £70, standing at the moment. | 0:36:12 | 0:36:15 | |
Any more bidders? In the corner, gentleman's bid. Last time at 70. | 0:36:15 | 0:36:20 | |
£70. You doubled your money. Plus £35. That's brilliant, girls. | 0:36:20 | 0:36:24 | |
Here comes the centrepiece. | 0:36:24 | 0:36:26 | |
I'd sell this as Art Deco style. | 0:36:26 | 0:36:29 | |
-Oh, yes... -Beautiful. | 0:36:29 | 0:36:30 | |
Pretty thing still. £30 for it, please. | 0:36:30 | 0:36:33 | |
Good decorative glass bowl there. Give me 20 to start, please. | 0:36:33 | 0:36:36 | |
20. Any bidders? 20 bid. Thank you, sir. 20. | 0:36:36 | 0:36:39 | |
30. 40. 50. In the front row. | 0:36:39 | 0:36:42 | |
-At 50. -That's two! | 0:36:42 | 0:36:44 | |
60 if you wish. 60 on the telephone. | 0:36:44 | 0:36:46 | |
-60 on the telephone! -60, I'm bid. -I can't believe it! | 0:36:46 | 0:36:50 | |
For the last time, phone bid will take this at 60. | 0:36:50 | 0:36:53 | |
£60. That is brilliant. That's £25. | 0:36:53 | 0:36:57 | |
-Here comes the silver. -A pair of silver candlesticks, | 0:36:57 | 0:37:00 | |
inscribed and dated as 1966. | 0:37:00 | 0:37:03 | |
They are silver. £40 for the pair. Give me 20. | 0:37:03 | 0:37:07 | |
THOMAS: What, for silver?! | 0:37:07 | 0:37:08 | |
20. 30. Any advance on 30? | 0:37:08 | 0:37:10 | |
-£30 for the pair of candlesticks. -Go on! -Give me five if you wish. | 0:37:10 | 0:37:14 | |
-Any more bidders? That's the price. Pair of dwarf candlesticks. -Oh, no! | 0:37:14 | 0:37:18 | |
-35 - new bidder. 40, sir. -Go on! -Front row at the moment. | 0:37:18 | 0:37:21 | |
All finished, last time, 35 will take them. | 0:37:21 | 0:37:25 | |
Oh, kids! | 0:37:25 | 0:37:26 | |
-35 is five short of 40, which is 55. -That was cruel. | 0:37:26 | 0:37:30 | |
You're minus 55 on that. You made 35, 45, 55. | 0:37:30 | 0:37:34 | |
You made 60, you've just lost 55, so you're plus £5. | 0:37:34 | 0:37:39 | |
-OK, kids? -Mm. | 0:37:39 | 0:37:41 | |
-Easy come, easy go, I'd say! -What a roller coaster! | 0:37:41 | 0:37:46 | |
You have £5 in your pockets, girls. What are you going to do about the gramophone? | 0:37:46 | 0:37:50 | |
-Are you going to go with it? -No. -You're not going to go with it? -No. | 0:37:50 | 0:37:54 | |
-Are you sure about this girls? -Yes. -No. | 0:37:54 | 0:37:57 | |
-No. Quickly, what are you doing? -Gut feeling. | 0:37:57 | 0:38:00 | |
-Gut feeling, Fi. -You said keep the money. | 0:38:00 | 0:38:03 | |
-Are you going with it or not? Quick! -No. -No. That is the decision. | 0:38:03 | 0:38:08 | |
-They go so quickly here. -Sorry! -Here it comes. | 0:38:08 | 0:38:10 | |
106 now, a mahogany-cased gramophone. The table top on there. | 0:38:10 | 0:38:14 | |
£40 to start me. | 0:38:14 | 0:38:16 | |
40. 20. £10 I'm bid to start. | 0:38:16 | 0:38:19 | |
10. 20. 30. 40. 50. 50 at the back. | 0:38:19 | 0:38:24 | |
-£50 with the gentleman. -50. -Any more bids now? Bids at the back. | 0:38:24 | 0:38:27 | |
Complete, as well. | 0:38:27 | 0:38:29 | |
50 will take it. | 0:38:29 | 0:38:30 | |
-£50. You are minus £10 on that, but you didn't take it. -Didn't take it. | 0:38:30 | 0:38:35 | |
You preserved your £5. You have £5 profit! | 0:38:35 | 0:38:39 | |
-High-five! -How wonderful is that?! -That is brilliant. | 0:38:39 | 0:38:42 | |
-High-five for five! Yes! -Yes! | 0:38:42 | 0:38:46 | |
-Don't say a word to the Blues. -No. -Not a word. | 0:38:46 | 0:38:49 | |
Isn't that marvellous?! | 0:38:49 | 0:38:51 | |
-Right, Jeff, Lee, this is exciting, isn't it? -Absolutely. | 0:38:59 | 0:39:02 | |
-Do you know how the Reds got on? -No way, Jose. -No idea? -No idea. | 0:39:02 | 0:39:06 | |
Perfect. We don't want you to. | 0:39:06 | 0:39:08 | |
Your platform scales, Jeff, you love them, right? | 0:39:08 | 0:39:11 | |
Heavy great black rusty jobs! | 0:39:11 | 0:39:13 | |
-£55 spent. 30 to 40 is the auctioneer's estimate. -Right. | 0:39:13 | 0:39:17 | |
He could be completely wrong. | 0:39:17 | 0:39:19 | |
This sale room is heaving | 0:39:19 | 0:39:22 | |
and the bids are coming fast and furious. | 0:39:22 | 0:39:25 | |
However, you have got the cufflinks to fall back on. | 0:39:25 | 0:39:28 | |
Yes, definitely! | 0:39:28 | 0:39:30 | |
Because we all think £20 for those | 0:39:30 | 0:39:33 | |
-was something of a steal, don't we? -Yes. -I think so. | 0:39:33 | 0:39:36 | |
Anyway, your decision about that is later. | 0:39:36 | 0:39:38 | |
First up are the National Platform railway scales. Here they come. | 0:39:38 | 0:39:43 | |
Good set of cast-iron scales by Parnall & Sons of Bristol. | 0:39:43 | 0:39:46 | |
I'll go straight in. Bid £70. Two commission bids. 70 bid. 80. 90. | 0:39:46 | 0:39:50 | |
-70! -BOTH: Get in! -Come on! | 0:39:50 | 0:39:52 | |
Good set of scales. Any more bids? £90. Give me 100 anywhere? | 0:39:52 | 0:39:58 | |
All finished. I'll sell them at £90, and going. | 0:39:58 | 0:40:01 | |
-Get in! -£90 is super! | 0:40:01 | 0:40:03 | |
-Five is 60... Plus £35. Well done, lads. -Yep. | 0:40:03 | 0:40:07 | |
Here comes the caster. | 0:40:07 | 0:40:09 | |
Lot 120, a nice little silver sugar caster by Henry Clifford Davis, | 0:40:09 | 0:40:12 | |
Birmingham, 1945. | 0:40:12 | 0:40:16 | |
£100? £50? | 0:40:16 | 0:40:18 | |
Third-time bid. Thank you, sir. 30 for the silver caster. 30. Any advance on 30? | 0:40:18 | 0:40:22 | |
40. 50, madam? 50, front row. | 0:40:22 | 0:40:24 | |
60. Right in the middle. 60. Are we bidding, sir? | 0:40:24 | 0:40:29 | |
-70. Back in. -70. -Gentleman's bid there. | 0:40:29 | 0:40:32 | |
Good silver caster. | 0:40:32 | 0:40:34 | |
Any further bids on this? Gentleman's bid there. | 0:40:34 | 0:40:36 | |
£70 and going. | 0:40:36 | 0:40:38 | |
£70, lads! | 0:40:38 | 0:40:40 | |
70, 30... That's minus £55. | 0:40:40 | 0:40:43 | |
Overall, you're minus 20. | 0:40:43 | 0:40:45 | |
Now the brooch. Here we go. | 0:40:45 | 0:40:46 | |
Nice little horseshoe brooch. £20 for it. | 0:40:46 | 0:40:49 | |
20 to start me. 20. £10. 10 bid. Thank you, sir. 10. 15. | 0:40:49 | 0:40:54 | |
-That's too cheap. -20. £20 I'm bid in the middle. | 0:40:54 | 0:40:57 | |
25 - new bidder. 30. | 0:40:57 | 0:40:59 | |
-Here we go. -Five. 35 bid now. Standing bid on my left. Any further bids? | 0:40:59 | 0:41:04 | |
Last time for the brooch. Letting it go at 35 and going. | 0:41:04 | 0:41:08 | |
£35. You're minus £35 on that. | 0:41:08 | 0:41:12 | |
-Overall, you are minus £55. -Yes. | 0:41:12 | 0:41:14 | |
-Are we going with the bonus buy? -BOTH: Yes. -Here it comes. | 0:41:14 | 0:41:18 | |
125, a nice pair of nine-carat gold cufflinks, | 0:41:18 | 0:41:21 | |
inscribed with the initials D and G. | 0:41:21 | 0:41:22 | |
If you've got those initials, of course, give me £30! | 0:41:22 | 0:41:25 | |
-They are gold. 20 bid. 25. -Yes. -25 for the gold cufflinks. | 0:41:25 | 0:41:29 | |
-Any advance on 25 for the pair? -Go on! -30. | 0:41:29 | 0:41:32 | |
-Come on! -35, madam? Thinking of your husband. No? | 0:41:32 | 0:41:35 | |
£30 at the moment. Any advance on those for the pair? | 0:41:35 | 0:41:39 | |
Last time at 30... | 0:41:39 | 0:41:41 | |
£30. That's plus £10. OK. | 0:41:41 | 0:41:44 | |
Overall, you are minus £45. | 0:41:44 | 0:41:47 | |
-Excellent. Thanks. -Thanks, Tim. -Very good. | 0:41:47 | 0:41:50 | |
-Don't say a word to the Reds. -We won't. -No. | 0:41:50 | 0:41:53 | |
-What an excellent morning we've had. It's been fun, hasn't it? -It has. | 0:42:01 | 0:42:05 | |
-Have you been chatting, you lot? -ALL: No. | 0:42:05 | 0:42:08 | |
-Not about the scores, anyway. -No. | 0:42:08 | 0:42:10 | |
There's quite a disparity between the teams today. | 0:42:10 | 0:42:12 | |
We don't have losers, we only have runners-up and the runners-up are the Blues. | 0:42:12 | 0:42:16 | |
THEY GROAN | 0:42:16 | 0:42:18 | |
-Quite substantially. -Well done, guys. -Thank you. | 0:42:18 | 0:42:20 | |
Minus £45 is your number. | 0:42:20 | 0:42:23 | |
-Yes? -Yes. -You started out so beautifully with a profit of £35. | 0:42:23 | 0:42:27 | |
They started with a profit of 35. Then it went down the necessary | 0:42:27 | 0:42:31 | |
until you got to Anita's bonus buy, which gave you a £10 profit | 0:42:31 | 0:42:34 | |
-but it wasn't enough to staunch the flow. -That's right. | 0:42:34 | 0:42:37 | |
-Did you enjoy it, though, Lee? -I loved it. -Jeffrey? -Super-duper! -It was brilliant. | 0:42:37 | 0:42:43 | |
Good! And, of course, being with Anita is a thrill. | 0:42:43 | 0:42:45 | |
BOTH: Absolutely! | 0:42:45 | 0:42:48 | |
Anyway, moving to the victors today, | 0:42:48 | 0:42:50 | |
-who are going home with a five-pound note! -Whoa! | 0:42:50 | 0:42:54 | |
-Eileen, look at that. -Thank you! | 0:42:54 | 0:42:56 | |
And, Fifi, will you ever agree how to split it, though? | 0:42:56 | 0:43:00 | |
-No. -I thought not. | 0:43:00 | 0:43:02 | |
All that effort for £5! | 0:43:02 | 0:43:04 | |
-It was worth it. -Was it? -Oh, yes! -Of course it was! | 0:43:04 | 0:43:08 | |
Join us soon for some more bargain hunting! | 0:43:08 | 0:43:10 | |
-Yes? -ALL: Yes! | 0:43:10 | 0:43:13 | |
You're sitting there thinking, "I could've done better than that." | 0:43:14 | 0:43:18 | |
Well, what's stopping you? | 0:43:18 | 0:43:20 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:20 | 0:43:25 | |
It'll be splendid to see you! | 0:43:25 | 0:43:28 | |
Subtitles by Red Bee Media Ltd | 0:43:28 | 0:43:31 |