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Today we're in Dorking, a historic town nestling in the Surrey hills. | 0:00:04 | 0:00:10 | |
Let's hope there's going to be some historic goodies nestling around here, too. | 0:00:10 | 0:00:16 | |
So...let's go bargain hunting! Yeah! | 0:00:16 | 0:00:20 | |
Today we're looking for the best up west | 0:00:48 | 0:00:51 | |
in West Street, Dorking, to be precise. | 0:00:51 | 0:00:55 | |
And if you look carefully up and down the street, it's stuffed with antiques shops, | 0:00:55 | 0:01:01 | |
which should entice our teams. | 0:01:01 | 0:01:04 | |
So let's have a quick peek at what's coming up. | 0:01:04 | 0:01:08 | |
The Reds adopt a charm offensive to get the best prices. | 0:01:09 | 0:01:13 | |
-What a nice man! -That might work! | 0:01:13 | 0:01:17 | |
Whilst the Blues struggle with decisions. | 0:01:17 | 0:01:21 | |
I'm going to lose all our money! | 0:01:21 | 0:01:23 | |
Now let's go and meet the teams. | 0:01:23 | 0:01:26 | |
On Bargain Hunt today, we have Elaine and Juliet, who are friends, at least at the moment. | 0:01:26 | 0:01:33 | |
And for the Blues we've got Richard and John, who are partners. | 0:01:33 | 0:01:38 | |
Now, Elaine, you've known your mate for 40 years. | 0:01:38 | 0:01:42 | |
-True? -Yes, very true. -How did you meet? | 0:01:42 | 0:01:46 | |
We worked, both of us, for the Selfridge group. In two different departments. | 0:01:46 | 0:01:51 | |
-What was yours? -I was in in-store promotions. -Naturally. | 0:01:51 | 0:01:55 | |
-And what was your department? -PR. | 0:01:55 | 0:01:57 | |
-You're both now in a similar line of business. -That's correct. We're both independent PR consultants. | 0:01:57 | 0:02:05 | |
Right. So you're writing a lot of spin? | 0:02:05 | 0:02:09 | |
-We say we're writing press releases. -Oh, I see. And so you're rivals. -We are. Friendly rivals. | 0:02:10 | 0:02:17 | |
Juliet, you're in PR we know, but you also work a lot with young people. | 0:02:17 | 0:02:22 | |
I am working with Young Enterprise. | 0:02:22 | 0:02:26 | |
Young Enterprise is a charity which helps youngsters to set up a business | 0:02:26 | 0:02:32 | |
-and on how to work together. They really are talented kids. I love going there. -How nice. | 0:02:32 | 0:02:37 | |
How do you think you'll get on, girls, against these brutish boys? | 0:02:37 | 0:02:42 | |
I think we're going to add a little feminine intuition and charm to the whole thing. | 0:02:42 | 0:02:48 | |
-Exactly. And get decent discounts? -We'll try! -Good luck with all of that. Anyway, well done, girls. | 0:02:48 | 0:02:54 | |
Now, moving on to the brutish boys, Richard, you're retired, but a great lover of the theatre. | 0:02:54 | 0:03:01 | |
Absolutely. Having worked in the theatre over the years, | 0:03:01 | 0:03:05 | |
I absolutely adore going to musicals. | 0:03:05 | 0:03:09 | |
-You also have a feel for the garden. -Oh, yes. I've got a small greenhouse where I grow tomatoes and cucumbers. | 0:03:09 | 0:03:16 | |
And with the produce I grow I make my own jams and pickles and pies. | 0:03:16 | 0:03:22 | |
-Everything like that. -Gosh. -If you're good, I'll give you a bottle. | 0:03:22 | 0:03:27 | |
-A bottle of pickle? -Or pickled onions or something. -There you go. | 0:03:27 | 0:03:31 | |
Something for the breath, anyway! | 0:03:31 | 0:03:34 | |
-John, what do you do? -I'm retired due to ill health. | 0:03:34 | 0:03:39 | |
-Oh, dear. -But before that I was in the theatre. | 0:03:39 | 0:03:43 | |
-Did you meet through your love of the theatre? -We met in the theatre. | 0:03:43 | 0:03:48 | |
-35 years later, we're still together. -Congratulations on working your way back to good health. | 0:03:48 | 0:03:55 | |
-Thank you. -Which is marvellous. You're going to do terribly well. | 0:03:55 | 0:04:00 | |
I feel a money moment coming on. Here we go. £300 apiece. | 0:04:00 | 0:04:04 | |
Your experts await. And off you go! And very, very, very good luck! | 0:04:04 | 0:04:10 | |
Providing a window of opportunity for the Reds is expert Charlie Ross. | 0:04:11 | 0:04:16 | |
And not content with simple window shopping is fellow expert Catherine Southon with the Blues. | 0:04:17 | 0:04:23 | |
So with 60 minutes to shop and £300 to spend, tally-ho, teams! | 0:04:23 | 0:04:29 | |
-What are we looking for today? -Er, silver? -Clocks. | 0:04:29 | 0:04:34 | |
-I sense a bit of excitement in the air, girls. -Absolutely! | 0:04:34 | 0:04:38 | |
-And nice pieces of porcelain or pottery. -So not much. -Gosh, no! | 0:04:38 | 0:04:42 | |
-I would like to find something that is dramatic. -I like drama! | 0:04:42 | 0:04:47 | |
-Let's go and sniff out those bargains! We've got lots to do! -Come on, then! | 0:04:47 | 0:04:53 | |
-Walking sticks... -Walking sticks are very collectable. Let's go find some! | 0:04:53 | 0:04:58 | |
-Oops! Sorry. -Mind how you go, girls. We don't want any accidents. | 0:04:58 | 0:05:03 | |
Hello! | 0:05:03 | 0:05:05 | |
With lots of antique emporiums to choose from, the teams start off in different shops. | 0:05:05 | 0:05:11 | |
Coming from South Africa, Elaine spots a familiar friend. Argh! | 0:05:11 | 0:05:16 | |
-Do you like wild animals? -That's perfect for Elaine. -Elaine, your roots! | 0:05:16 | 0:05:22 | |
-Remember these, do you? -All round the back garden, yes. -You had lions in your back garden?! | 0:05:22 | 0:05:28 | |
-Almost! -Wonderful king of the jungle. £58. A statement piece. | 0:05:28 | 0:05:33 | |
-Who wanted something dramatic? -I did. -That's dramatic. | 0:05:33 | 0:05:37 | |
-Absolutely. -What was the lady's name in the shop? -Shirley. | 0:05:37 | 0:05:41 | |
-Shirley? -How old is it? -Well, it's not an antique. | 0:05:41 | 0:05:46 | |
But I think... Hello, Shirley! Look what we found on the cabinet. | 0:05:46 | 0:05:50 | |
-We quite like this. -Yes. -Yes. -Do you think the person is desperate to see the back end of it? | 0:05:50 | 0:05:56 | |
Em, probably. She may have bought a job lot of things in a box, couldn't she? | 0:05:56 | 0:06:02 | |
I suspect when you say to her, "How much will you take?" she'll say, "What have I got on it?" | 0:06:02 | 0:06:08 | |
If you could say to her 28... | 0:06:08 | 0:06:11 | |
-That would make sense! -..we've got a negotiating point! | 0:06:11 | 0:06:15 | |
-I won't be rude any more. -She's quite a cute little cookie and probably knows exactly. | 0:06:15 | 0:06:21 | |
-Don't take the biscuit, Charlie. -Come on, girls. Let's move on. | 0:06:21 | 0:06:26 | |
Meanwhile, our Blues are swanning around with Catherine. | 0:06:26 | 0:06:30 | |
-A toast rack in the form of a swan. -85? | 0:06:30 | 0:06:34 | |
-85. It's worth having a look at. -I think so. -Yeah. | 0:06:34 | 0:06:38 | |
-Shall we ask Chris? -Yes, please. -Chris, lovely Chris. -Hello! | 0:06:38 | 0:06:43 | |
-May we have a look at your toast rack? -Of course. Have a good look. | 0:06:43 | 0:06:47 | |
-Thank you. -Let's just check. It's English, isn't it? | 0:06:47 | 0:06:52 | |
-Yep. It's Birmingham hallmarked. -Oh? -With a date. It's 1900. | 0:06:53 | 0:06:57 | |
-Mm-hm. -It's really nice. -That is very elegant. -Really nice. | 0:06:57 | 0:07:03 | |
(Don't say anything to Chris. I don't think it's too bad.) | 0:07:03 | 0:07:07 | |
Chris, it's really expensive. | 0:07:07 | 0:07:10 | |
-Is there any way you can possibly do something? -What's your best? | 0:07:10 | 0:07:15 | |
-See if we can get a bit nearer your budget. -We've got to make a profit. | 0:07:15 | 0:07:20 | |
-What do we want to offer? -Let's try 70. -Oh, that's generous! | 0:07:20 | 0:07:25 | |
Oh...OK. | 0:07:25 | 0:07:27 | |
- You tell me. - It's a bit cheeky, but let's go for it. | 0:07:27 | 0:07:31 | |
- And a big cuddle and a kiss. - Optional extra! | 0:07:31 | 0:07:36 | |
-If it was two kisses and cuddles, how about 65? -Oh, you're really pushing me to the limit now. | 0:07:37 | 0:07:44 | |
Yes, go on, then. | 0:07:44 | 0:07:46 | |
-Beautiful. -Wonderful. Fantastic. | 0:07:46 | 0:07:49 | |
-I'll get the kisses later. -OK. | 0:07:49 | 0:07:52 | |
Do you know what, chaps? I think we should be delighted. | 0:07:52 | 0:07:57 | |
-I think it's fab. -I love it. -Fab! 15 minutes. -It's beautiful. | 0:07:57 | 0:08:01 | |
One purchase. | 0:08:01 | 0:08:03 | |
No problem. Come on. | 0:08:03 | 0:08:06 | |
So that's one purchase in the bag for the Blues. Well done, chaps. | 0:08:06 | 0:08:10 | |
Down the road, the Reds are waiting for news from Shirley. | 0:08:10 | 0:08:15 | |
-Come on, Shirl. -Charlie, we've made the telephone call. | 0:08:15 | 0:08:20 | |
-The lion could be £40. -£10 a leg! | 0:08:20 | 0:08:23 | |
-Nothing for the head. -If you're good at maths. -Thank you very much indeed, Shirley. | 0:08:23 | 0:08:29 | |
I'll discuss it with my team. If that had been £20-£25, I'd have loved to have bought it for fun. | 0:08:29 | 0:08:35 | |
-Yes. -What I suggest we do as we've had a third of our time and bought nothing, | 0:08:35 | 0:08:41 | |
go down the road, have a look down there and then we know what we've got to come back to if we panic. | 0:08:41 | 0:08:47 | |
-We can run down the road and grab. -Run and grab and possibly return. Happy? -Yeah, absolutely. | 0:08:47 | 0:08:53 | |
-Off we go. -Follow me. -As long as you don't resort to smash and grab! | 0:08:53 | 0:08:58 | |
Now what have the Blues spotted here? | 0:08:58 | 0:09:02 | |
What about him? | 0:09:02 | 0:09:04 | |
-A little blackamore figure. -It's rather lovely. | 0:09:04 | 0:09:07 | |
It's got a look about it. I just think it's a bit, dare I say, | 0:09:07 | 0:09:13 | |
-a bit naff. -THEY LAUGH | 0:09:13 | 0:09:16 | |
-How much is it? -Well, it's 88. | 0:09:16 | 0:09:19 | |
It's sort of £87 too much in my mind! | 0:09:20 | 0:09:25 | |
One to think about there, John. The Reds now move up the street and join the Blues in the same centre. | 0:09:25 | 0:09:32 | |
-What's that? -Sugar. | 0:09:33 | 0:09:36 | |
Is it sugar? Is that silver or silver plate? | 0:09:36 | 0:09:41 | |
Got a good, crisp hallmark on it. It's made in London - it's got a leopard's head on it for London. | 0:09:41 | 0:09:47 | |
It doesn't have a Victoria head on. Post-Victorian, but it looks very Deco to me. | 0:09:47 | 0:09:53 | |
I would think 1920s or 1930s. Super cut glass. Fabulous quality. | 0:09:53 | 0:09:58 | |
-And a damn good size. You'd like to shake your strawberries with that. -Well, yes. Very pretty. | 0:09:58 | 0:10:05 | |
-That's something somebody would buy. -Yes. -What's it worth? | 0:10:05 | 0:10:10 | |
-Come on, girls! -100? | 0:10:10 | 0:10:12 | |
I think it would make £75 or £80 at auction. | 0:10:12 | 0:10:16 | |
-Now it says £89 there. -So why not ask Adam for his best price? | 0:10:16 | 0:10:20 | |
Kind sir. There's a nice young man here. | 0:10:20 | 0:10:24 | |
Do you know what possibly could be done on that? | 0:10:24 | 0:10:28 | |
-We can definitely do 10%, but I'll make a phone call for you. -If we could get it to 70. | 0:10:28 | 0:10:34 | |
We'd love to buy it. Do I speak with everybody's...? | 0:10:34 | 0:10:38 | |
-- Absolutely. -Yeah. -- Let me see what I can do. -It's not too rude, is it? | 0:10:38 | 0:10:44 | |
-I like that. It's a good size. -What a nice man! | 0:10:44 | 0:10:48 | |
That might work! | 0:10:48 | 0:10:50 | |
While the Reds wait for a price on that sugar sifter, I want to show you something I stumbled across. | 0:10:50 | 0:10:58 | |
What have we got here? A framed oval watercolour, but that subject is so weird. | 0:10:58 | 0:11:05 | |
Let's take it apart, shall we? | 0:11:05 | 0:11:08 | |
The oval piece of paper has been crudely stuck on to this silk-covered back panel | 0:11:08 | 0:11:15 | |
and we can't get to see whether there's anything written on the back, | 0:11:15 | 0:11:20 | |
but my eye tells me this thing's weird. And who produced weird old watercolours? | 0:11:20 | 0:11:27 | |
Well, lots of artists did, actually. | 0:11:27 | 0:11:30 | |
But if you believe that this might have been painted perhaps around... | 0:11:30 | 0:11:36 | |
I don't know, 1810, 1820, | 0:11:36 | 0:11:40 | |
and I do believe it was painted in that period, | 0:11:40 | 0:11:44 | |
it takes you towards a group of artists | 0:11:44 | 0:11:48 | |
that are extremely valuable. | 0:11:48 | 0:11:51 | |
The principal one of whom is a chap called William Blake. | 0:11:51 | 0:11:56 | |
He was an engraver, he was an artist, he was a printmaker | 0:11:56 | 0:12:01 | |
and he also had visions. | 0:12:01 | 0:12:03 | |
Weird visions. | 0:12:03 | 0:12:06 | |
He was persuaded by some of his friends to record his visions in pen and ink and watercolour. | 0:12:06 | 0:12:13 | |
And what do we have here? We have a weird, weird-looking animal | 0:12:13 | 0:12:19 | |
recorded in pen and ink and watercolour. Am I an expert on William Blake's work? No, I am not. | 0:12:19 | 0:12:27 | |
Speculatively, I would love this thing to be by William Blake. | 0:12:27 | 0:12:32 | |
If I am right, this thing becomes mighty interesting. | 0:12:32 | 0:12:38 | |
Financially. | 0:12:38 | 0:12:39 | |
If you look up in the art sales records, | 0:12:39 | 0:12:43 | |
you'll find that a weird, mystical animal by William Blake in watercolour | 0:12:43 | 0:12:49 | |
on a card, 2½ inches by 4½ inches, | 0:12:49 | 0:12:54 | |
in 1995 sold for £32,000. | 0:12:54 | 0:12:58 | |
The prices of Blake's works since 1995 have accelerated a lot. | 0:12:58 | 0:13:04 | |
Probably the same thing today would be worth £100,000. | 0:13:04 | 0:13:09 | |
To buy this would cost you | 0:13:09 | 0:13:13 | |
£120. | 0:13:13 | 0:13:15 | |
£120 or £100,000? | 0:13:16 | 0:13:19 | |
That is the question. | 0:13:20 | 0:13:23 | |
Now are the Reds going to get a sweet price for that sugar sifter? | 0:13:25 | 0:13:29 | |
-The moment of truth has arrived. Adam, speak to me nicely. -Right. | 0:13:29 | 0:13:34 | |
-I've done my best. -Yes? -I've spoken to the dealer. I got it down to 70. If that's any good. | 0:13:34 | 0:13:40 | |
-What a brilliant man! -We're happy with that. -First purchase! -We are. -That's really kind, Adam. | 0:13:40 | 0:13:46 | |
Thank you very much indeed. | 0:13:46 | 0:13:48 | |
-Now we have to find two more! -Come on! Two more things. -Great. | 0:13:48 | 0:13:52 | |
The first purchase by the Reds. Well done, girls. We're now just over halfway through the time. | 0:13:52 | 0:13:59 | |
-But what has Richard spotted here? -Is there any mileage in these? | 0:13:59 | 0:14:03 | |
-How much are they? £39. -39. | 0:14:03 | 0:14:07 | |
-I couldn't live with them. -I couldn't live with them. | 0:14:07 | 0:14:12 | |
I could see them at sort of £20, £30... | 0:14:12 | 0:14:16 | |
And still walk past them! | 0:14:16 | 0:14:19 | |
No, we'll leave them. I don't think they'd sell. | 0:14:20 | 0:14:24 | |
Uh-oh. Catherine isn't happy with the boys' choices once again. | 0:14:24 | 0:14:29 | |
Maybe, Charlie, we bite the bullet and go back for the lion? | 0:14:29 | 0:14:33 | |
What?! No, we don't! | 0:14:33 | 0:14:35 | |
-We are not buying the lion! -Why not? -I can think of worse things to buy. -I think it might be fun. | 0:14:35 | 0:14:42 | |
You two are just too much safari. | 0:14:42 | 0:14:44 | |
I hope those two aren't driving you wild, Charlie. | 0:14:44 | 0:14:49 | |
-Charlie, we're getting excited. We've found some things. Come here! -Oh, Charles! -Don't get too excited. | 0:14:50 | 0:14:56 | |
-What have we got here? -Well, it's 9-carat little chain. | 0:14:57 | 0:15:02 | |
-£25! -And she said she'd do 20. -And it's 9-carat? -Yes. | 0:15:02 | 0:15:06 | |
-Well, go and buy it! -That's what I thought. -It's cleverly got a little mount on the top there | 0:15:06 | 0:15:12 | |
-that actually might even be a chip of a diamond. -Exactly. -Which is tiny, but nevertheless | 0:15:12 | 0:15:19 | |
attractive. I don't think it's got any age. I don't think that matters too much because of the price. | 0:15:19 | 0:15:25 | |
-It's seriously tempting at £20. May I award you the Purchase of the Day Award? -Thank you! -Sold. | 0:15:25 | 0:15:31 | |
So it's now 2-1 to the Reds. As ever, time is marching on, but the Blues are undeterred. | 0:15:31 | 0:15:37 | |
OK, this is it. This is Adam. Adam, this is my two. | 0:15:37 | 0:15:42 | |
-We've got one cabinet and 15 minutes. -Right. -Here's a man who I think can do us some deals. | 0:15:42 | 0:15:48 | |
-I'll do my best. -Try to buy things. -What would you like to look at? | 0:15:48 | 0:15:51 | |
-The service at the top. -The Chinese lustre ware. | 0:15:51 | 0:15:56 | |
-Let's get you a couple of pieces. -Is it in perfect condition? -Pristine. It's very, very fine indeed. | 0:15:56 | 0:16:03 | |
-It's just beautiful quality. -So we're talking 1920s or something? | 0:16:03 | 0:16:08 | |
-About sort of 1920s, 1930s. -And it's got the... -You lift it up and...? | 0:16:08 | 0:16:13 | |
-Who can you see? Can you see someone? -It's got the head. -There's a lot there, isn't there? | 0:16:13 | 0:16:19 | |
-What have we got? -You've got six teacups, saucers, six plates. You've got the teapot, | 0:16:19 | 0:16:26 | |
-the cream and the sugar. -Right. -Complete and in perfect condition. | 0:16:26 | 0:16:30 | |
-And how much is on that? -185. | 0:16:30 | 0:16:32 | |
-Could you move on that? -185! -Right. The very best would be... | 0:16:34 | 0:16:39 | |
-The very, very, very best. -The very, very, very best. It would be 1...120. | 0:16:39 | 0:16:45 | |
-I think that's still too much. -Too much? -Could we do a little bit more? -What do you have in mind? | 0:16:47 | 0:16:53 | |
100? | 0:16:53 | 0:16:55 | |
-Or...yes. -All right. I'll do 100. -I don't think you'll get much better than that. | 0:16:55 | 0:17:01 | |
It's just the market. How's it going to do? I don't know. | 0:17:01 | 0:17:06 | |
-Who knows? -I'd like to take a punt. | 0:17:06 | 0:17:09 | |
OK, well, I wish you all the luck. | 0:17:09 | 0:17:11 | |
So it's tea for two for our Blues. That's their second purchase. Both teams have 10 minutes remaining, | 0:17:11 | 0:17:19 | |
-but Charlie is trying to focus the Reds' attention. -What do you think that is? -A magnifying glass. | 0:17:19 | 0:17:25 | |
-What was it? -Oh, what WAS it? -Yes. | 0:17:25 | 0:17:29 | |
-Well, it looks like a bit... -Oh! -Ah! | 0:17:29 | 0:17:32 | |
-This is the hand of a butter knife. -That's right. | 0:17:32 | 0:17:36 | |
It is hallmarked silver. And then rather than have a butter knife, they've made a magnifying glass. | 0:17:36 | 0:17:43 | |
-If it's cheap, I'm all for it. Chris? -Yes, Charlie. | 0:17:43 | 0:17:47 | |
-Could you tell me how much this little object is? -Yes. £40 on the ticket. | 0:17:47 | 0:17:53 | |
I'm sure we could do a little bit. | 0:17:53 | 0:17:55 | |
I think if you could buy it for £20, I think you stand a sporting chance and it would be very nice. | 0:17:55 | 0:18:02 | |
I'm happy to do it for £20 for you, but before you make a final decision, | 0:18:02 | 0:18:06 | |
-can I just show you something else? -Good Lord! It's all coming out! Go on, bring it in for us. | 0:18:06 | 0:18:12 | |
-Let's see. -I think anybody buying this will judge it by exactly what it is. | 0:18:12 | 0:18:18 | |
-Oh, hello! -I really like papier mache. Look at that. -Beautiful. | 0:18:18 | 0:18:22 | |
-And it's really in good condition. -Where does it come from, girls? | 0:18:22 | 0:18:27 | |
-Well, it's oriental. -Correct. | 0:18:27 | 0:18:30 | |
-Japanese lacquer box. It's a glove box. -Yes. -Yes. | 0:18:30 | 0:18:34 | |
£45, and I'm going to chat Chris up! | 0:18:34 | 0:18:38 | |
Now hang on. It does have age. I think it dates from the 1920s. | 0:18:38 | 0:18:43 | |
-So jolly nearly 100 years old. -But how much would we be able to get this for? | 0:18:43 | 0:18:49 | |
45 on the ticket. The very best I could do on that for you is 30. | 0:18:49 | 0:18:54 | |
-My judgment would be, if you're asking me for my judgment... -We are. | 0:18:54 | 0:18:59 | |
-..it would either be that at £20... -Yes. | 0:18:59 | 0:19:03 | |
-If Chris could take 25 for that, I would buy that. -Mm, decisions, decisions, girls. | 0:19:03 | 0:19:10 | |
Do you want to go back and go for your man? | 0:19:10 | 0:19:14 | |
Oh, your blackamore figure. It is completely your choice. | 0:19:14 | 0:19:18 | |
Yes. | 0:19:22 | 0:19:23 | |
And I'm going to lose all the money we've made, I know! | 0:19:23 | 0:19:28 | |
-OK, John, but I don't think that's a popular decision with Catherine. -All the money from our toast rack! | 0:19:28 | 0:19:35 | |
-Now let's see if the Reds are in agreement on their final purchase. -I'll take another £5 off the box. | 0:19:35 | 0:19:42 | |
-Well, you prefer the box, don't you, girls? -I think the box is lovely. | 0:19:42 | 0:19:46 | |
-Are you happy with that? -Yes. I can see the girls like it. | 0:19:46 | 0:19:50 | |
-That's so kind. -That's lovely. -We've bought three things! -We've done it! | 0:19:50 | 0:19:55 | |
So that's the Reds done, but it looks like the Blues have made a U-turn on the blackamore figure. | 0:19:55 | 0:20:02 | |
-Have they suddenly spotted something they prefer? -Three minutes, guys. | 0:20:02 | 0:20:07 | |
-How much would you do on that? -The silver-topped jar? -Yeah. | 0:20:07 | 0:20:11 | |
Have a look at that one. Nice decoration. Pristine condition. | 0:20:11 | 0:20:17 | |
-I love the actual pattern here. -Yes, nicely cut. -Really nicely cut. | 0:20:17 | 0:20:22 | |
So often these can be chipped and nibbled and damaged. | 0:20:22 | 0:20:26 | |
You've got a honeycomb and the original gilding inside. | 0:20:26 | 0:20:30 | |
-And this little finish on the top. Quite nice. -Birmingham, 1914. | 0:20:30 | 0:20:35 | |
That one I would do for... | 0:20:35 | 0:20:38 | |
30 quid. | 0:20:39 | 0:20:41 | |
- 35. - I've got to get 45 on that one. | 0:20:43 | 0:20:47 | |
-40? -Come on! Two minutes! -40. OK. Good luck. | 0:20:47 | 0:20:52 | |
- Thank you very much indeed. - I hope you do well. | 0:20:52 | 0:20:56 | |
In the nick of time, the Blues make their last purchase. Thank goodness for that. | 0:20:56 | 0:21:02 | |
Right, that's it. Full time. Let's check out what the Red team bought. | 0:21:02 | 0:21:07 | |
First up, they cast away £70 of their budget on a George VI silver and cut-glass sugar sifter. | 0:21:07 | 0:21:14 | |
£20 was spent on a small gold pendant set with an emerald and a diamond. | 0:21:16 | 0:21:22 | |
Last but not least, they handed over £25 for a Japanese Meiji period papier mache glove box, as you do. | 0:21:22 | 0:21:29 | |
-Good thing we didn't buy the lion. -You think so? -Yes. | 0:21:29 | 0:21:33 | |
-No point in having regrets now. Had a good time, Elaine? -Wonderful. | 0:21:33 | 0:21:37 | |
-You've been with the master. -We have. Very, very suave and sophisticated. -The Old Master! | 0:21:37 | 0:21:43 | |
-Now how much did you spend? -115. -Is that all? -115, yes. | 0:21:45 | 0:21:50 | |
Two girls out on the scat and you only spent £115?! | 0:21:50 | 0:21:55 | |
I don't believe this! We gave you £300! What's the matter with you? | 0:21:55 | 0:22:00 | |
The first shop was quite expensive and then we were rushing at the end. We just found things we liked. | 0:22:00 | 0:22:06 | |
-And the adviser here was very pro. -Was he? | 0:22:06 | 0:22:09 | |
-Super. You spent 115. Who's got the £185? -Elaine. | 0:22:09 | 0:22:14 | |
Thank you very much. I won't count it. Which is your favourite piece? | 0:22:14 | 0:22:19 | |
-The box. The papier mache box. -Do you agree with that? -The sugar shaker. | 0:22:19 | 0:22:25 | |
OK, fine. This is a lot of money, Carlos. | 0:22:25 | 0:22:28 | |
-It's wonderful, sir. -You could buy have this centre for that. -No lion! | 0:22:28 | 0:22:33 | |
-No lion! -Don't buy a lion. -No. | 0:22:33 | 0:22:35 | |
OK, on that happy note, why don't we scoot off and check out what the Blue team bought? | 0:22:35 | 0:22:41 | |
A silver toast rack in the shape of a swan cost them £65. | 0:22:41 | 0:22:46 | |
They forked out £100 on a Japanese eggshell porcelain tea service. | 0:22:46 | 0:22:51 | |
And, finally, they got £25 off the ticket price of this George V silver and cut-glass jar, | 0:22:51 | 0:22:58 | |
paying £40. | 0:22:58 | 0:23:00 | |
-That was absolutely beautiful. -I'm happy with that. -Two blokes who look like they got the cream! | 0:23:00 | 0:23:07 | |
-Which you have! You've had Catherine for a whole hour. -I know. -She has been beautiful. | 0:23:07 | 0:23:15 | |
-'ave you been pleased with what you 'ave bought? -Perfect. -Oh, good. | 0:23:15 | 0:23:21 | |
-Which is your favourite piece? -Well, my favourite piece is, of course, the dinner service. | 0:23:21 | 0:23:27 | |
-The lustre ware. -Will it bring the biggest profit? -No. -What will? | 0:23:27 | 0:23:32 | |
-I think the toast rack. -Old swan face. -Old swan face, yes. | 0:23:32 | 0:23:36 | |
-What did you spend all round? -We spent... -205. -£205. | 0:23:36 | 0:23:41 | |
-I'd like £95 of leftover lolly. Thank you. Goes to Catherine. -Thank you very much. | 0:23:41 | 0:23:47 | |
-What are you going to spend it on? -I'm not sure what I will buy, but I know what I'm not going to buy. | 0:23:47 | 0:23:54 | |
And it's those horrible vases! | 0:23:54 | 0:23:57 | |
Right, OK. Have a great time. Meanwhile we're heading off down the road, | 0:23:57 | 0:24:03 | |
across the border into Sussex to Petworth House. What could be more dreamy than that? | 0:24:03 | 0:24:09 | |
This is Petworth House. Impressive, isn't it? | 0:24:17 | 0:24:21 | |
Built by the Sixth Duke of Somerset between 1684 and 1702, | 0:24:21 | 0:24:27 | |
and now run by the National Trust. | 0:24:27 | 0:24:30 | |
The rich treasures inside attract international attention. | 0:24:30 | 0:24:35 | |
In fact, it could be said that they're of global significance. | 0:24:35 | 0:24:40 | |
The sculpture gallery here at Petworth is not just stuffed with old sculpture. Oh, no. | 0:24:51 | 0:24:58 | |
There are other magnificent treasures here as well, | 0:24:58 | 0:25:02 | |
paramount amongst which must be this terrestrial globe. | 0:25:03 | 0:25:09 | |
What's so important about it? | 0:25:09 | 0:25:12 | |
Well, if you take a little squint round there, there's a cartouche. | 0:25:12 | 0:25:17 | |
And underneath that cartouche it says 1592. | 0:25:17 | 0:25:21 | |
That's right. | 0:25:21 | 0:25:23 | |
1592. | 0:25:23 | 0:25:25 | |
This is by a man called Emery Molyneux, who is supposed to be the first globemaker ever in Britain. | 0:25:25 | 0:25:33 | |
What Mr Molyneux did | 0:25:33 | 0:25:36 | |
was to import the gore, which are the triangular paper pieces | 0:25:36 | 0:25:43 | |
that go to make up the map of the world. | 0:25:43 | 0:25:46 | |
He also required a metalworker to give it that central axial girdle | 0:25:46 | 0:25:52 | |
and then, of course, the stand itself, which, if you look carefully is made of turned beechwood. | 0:25:52 | 0:25:59 | |
It's extensively woodwormed because, as we all know, there's no timber that woodworm likes more | 0:25:59 | 0:26:06 | |
than beechwood. But you can see vestiges of the original paint and it is, | 0:26:06 | 0:26:11 | |
for its age, in extraordinarily good condition. | 0:26:11 | 0:26:15 | |
What's this precious globe doing here at Petworth, I hear you ask. | 0:26:15 | 0:26:20 | |
Well, legend has it | 0:26:20 | 0:26:22 | |
that Sir Walter Raleigh, who was implicated in the Gunpowder Plot in 1605, | 0:26:22 | 0:26:29 | |
was banged up in the Tower of London with the 9th Earl of Northumberland. | 0:26:29 | 0:26:34 | |
And Raleigh was supposed to have given this globe to the 9th Earl, | 0:26:34 | 0:26:39 | |
known as the Wizard Earl. | 0:26:39 | 0:26:41 | |
And, distantly, that Earl of Northumberland is related to the family | 0:26:41 | 0:26:47 | |
that owned Petworth House. It's a miracle that these places were accurately, more or less, | 0:26:47 | 0:26:53 | |
recorded at that early period. They simply left out the undiscovered continent | 0:26:53 | 0:26:59 | |
of Australia. The big question today is, of course, for our teams | 0:26:59 | 0:27:03 | |
are they going to be able to navigate their way over to the auction and discover | 0:27:03 | 0:27:08 | |
the continent of profit or the land of loss? | 0:27:08 | 0:27:13 | |
Fair warning. 150. 150. | 0:27:17 | 0:27:20 | |
Well, we've come half an hour due south from Dorking to Washington on the A24 | 0:27:20 | 0:27:26 | |
to Rupert Toovey's saleroom to be with Rupert Toovey. | 0:27:26 | 0:27:30 | |
-Tim, it's lovely to see you. -What could be nicer? | 0:27:30 | 0:27:34 | |
For the Reds, their first item is this so-called sugar sifter. | 0:27:34 | 0:27:39 | |
-Don't you think it's unusually heavy? -Yes, I do. -For a sifter. | 0:27:39 | 0:27:43 | |
-Very! -You don't think it could be a marriage, do you, Rupert? -You can never tell. | 0:27:43 | 0:27:48 | |
-The rim's not hallmarked, is it? -The inside rim isn't, no. | 0:27:48 | 0:27:53 | |
-I'd like to see that mark match that mark. -I agree. -I'd be suspicious. | 0:27:53 | 0:27:58 | |
We were. So we put £20-£30 on it. | 0:27:58 | 0:28:00 | |
-Absolutely right. They paid £70. -Oh, poor things. -Well... | 0:28:00 | 0:28:05 | |
You never know. With your skilful auctioneering, we might get away with it, but a question mark. | 0:28:05 | 0:28:12 | |
Now the 9-carat gold pendant fellow | 0:28:12 | 0:28:14 | |
is something that is just a tad underwhelming. | 0:28:14 | 0:28:19 | |
-It's rather restrained, isn't it? -Exactly. | 0:28:19 | 0:28:23 | |
On the other hand, it's got the metal and a pretty little stone and it'll appeal to somebody. | 0:28:23 | 0:28:28 | |
-It should be 20-30 quid, shouldn't it? -Yeah. They only paid 20, | 0:28:28 | 0:28:33 | |
so they'll be crying from the rafters if you get them a profit. I think you will. | 0:28:33 | 0:28:38 | |
Lastly, they've got this transfer-printed lacquer job. | 0:28:38 | 0:28:43 | |
-Very decorative, isn't it? With the Japanese market these days, it has to be really good. -It does. | 0:28:43 | 0:28:49 | |
-But it's good quality and the condition's not bad. -Yes. | 0:28:49 | 0:28:54 | |
I think our estimate of £15-£25, we could exceed that. | 0:28:54 | 0:28:59 | |
Oh, good. Well, £25 is the target. | 0:28:59 | 0:29:01 | |
And on that basis, depending on how the caster gets on, they may or may not need their Bonus Buy, | 0:29:01 | 0:29:07 | |
so let's have a look at it anyway. | 0:29:07 | 0:29:10 | |
£185 you gave to Charlie Ross. And what did you spend it on, Charlie? | 0:29:10 | 0:29:16 | |
-I looked at this and I had to buy it. -Well, what is it, then? | 0:29:16 | 0:29:21 | |
-Well... -Come along. One, two, three. | 0:29:21 | 0:29:25 | |
Oh, my God, I like it. Really nice. So that's for a desk? | 0:29:25 | 0:29:29 | |
-That is a desk ink stand. -That is so pretty. | 0:29:29 | 0:29:32 | |
-Edwardian. It is in fantastic condition. -Does the top...? -The top lifts up. | 0:29:32 | 0:29:39 | |
So how much did you spend? | 0:29:39 | 0:29:41 | |
Muchos dosh! | 0:29:41 | 0:29:43 | |
-£175. -Oh, 175. -Is there anything in it? | 0:29:43 | 0:29:48 | |
All I can say is it was marked up in a shop at 285 and I argued simply that I just had that amount of money | 0:29:48 | 0:29:54 | |
and perhaps it was partly bought with the heart, not altogether with the head, | 0:29:54 | 0:30:00 | |
-but I'd like to see it make 200. -It's cut glass. It looks lovely. | 0:30:00 | 0:30:04 | |
-I wouldn't mind that myself. -Ah! | 0:30:04 | 0:30:07 | |
-Silver, is it? -I don't think you're allowed to buy it! -Unfortunately. Just think about it. | 0:30:07 | 0:30:13 | |
Don't pick now. Right now, for the audience at home, we'll find out what the auctioneer thinks. | 0:30:13 | 0:30:20 | |
Well, Rupert, that is one flashy inkwell, isn't it? | 0:30:21 | 0:30:25 | |
-Terribly pretty, isn't it? -All that embossed stuff. | 0:30:25 | 0:30:29 | |
But, of course, the ancient art of handwriting, with all these tablets and things. | 0:30:29 | 0:30:34 | |
-I know, but people do collect inkwells, don't they? -Yes, they do. | 0:30:34 | 0:30:38 | |
-This one, being Edwardian, will have a good following. -What's the glass like? Good nick? | 0:30:38 | 0:30:44 | |
-Not too chipped or cracked or scuffed? -No, not much staining. | 0:30:44 | 0:30:49 | |
I think it's a pretty good thing. OK, Rupert, I want you to think big. | 0:30:49 | 0:30:54 | |
-Draw yourself up to your full height and come out with a thoroughly mature estimate. -80-120, Tim. | 0:30:54 | 0:31:01 | |
-Is that the best you can do? -It'll be marvellous if we get that! -OK, £175 was paid. | 0:31:01 | 0:31:08 | |
-And this is a Bonus Buy from Charlie Ross. -He's blown it this time. | 0:31:08 | 0:31:13 | |
That's it for the Reds. Now for the Blues, Richard and John, | 0:31:13 | 0:31:18 | |
and their first item is the charming silver toast rack. | 0:31:18 | 0:31:22 | |
It's lovely with that swan neck. Really pretty. It would cheer up your marmalade no end. | 0:31:22 | 0:31:28 | |
And it looks in that swan form with its little tail and what not. | 0:31:28 | 0:31:32 | |
I think it's charming. 60-80, Tim. | 0:31:32 | 0:31:36 | |
-Fine. £65 paid. I think retail £65 for that is terribly cheap. -I agree. -They've done really well. | 0:31:36 | 0:31:42 | |
I personally have never been a fan of Japanese eggshell tea sets. | 0:31:42 | 0:31:47 | |
-No, neither have I. -No. | 0:31:47 | 0:31:49 | |
-Even with lithophane bottoms? -We almost never take them in today. | 0:31:49 | 0:31:54 | |
-Because they're so difficult to sell? -Yes. -Fair enough. You're at the cutting edge of this. | 0:31:54 | 0:32:00 | |
-So this lot isn't going to be worth much, then? -No. Perhaps £20-£30 if we're very lucky. | 0:32:00 | 0:32:06 | |
-You're joking. -No, absolutely. -£20-£30? Do you know, our lot paid £100 for this set? | 0:32:06 | 0:32:13 | |
Well, not all that sparkles is gold. | 0:32:13 | 0:32:16 | |
That is the problem, isn't it? Oh, dear. I'm getting a shifty feeling here. | 0:32:16 | 0:32:21 | |
-How about that silver-mounted dressing table pot? -It's sweet, but ladies don't dress their tables now. | 0:32:21 | 0:32:29 | |
-So I suppose £20-£30, something like that. -£40 paid. | 0:32:29 | 0:32:33 | |
-It's dear, isn't it? -It is. I'm getting this bad feeling again. They'll need their Bonus Buy again. | 0:32:33 | 0:32:41 | |
You gave Catherine £95. Catherine's mighty cunning when it comes to these Bonus Buys. | 0:32:41 | 0:32:47 | |
-What have you bought and what have you spent? -Well, I didn't buy those horrid vases! | 0:32:47 | 0:32:53 | |
Instead, I bought you...that. | 0:32:53 | 0:32:56 | |
-Oh! -Oh! -Which I think is delightful. -Oh, wow. | 0:32:56 | 0:33:00 | |
-Oh, that is nice. I like this. -You know what it is, don't you? | 0:33:00 | 0:33:05 | |
-A little scent bottle. -Yes. | 0:33:05 | 0:33:07 | |
Silver, hallmarked. | 0:33:07 | 0:33:09 | |
-1894. -And how much did you pay for that? | 0:33:09 | 0:33:14 | |
I paid £65, which I didn't think was too bad, actually. | 0:33:14 | 0:33:18 | |
-That sounds very good. -What do you think it's worth? | 0:33:18 | 0:33:23 | |
-I think that's possibly what it will go for. -Oh. -Do you think there's a profit in it? | 0:33:23 | 0:33:28 | |
-A smidge. Maybe a little inch. -How much is an inch, then? A tenner? | 0:33:28 | 0:33:34 | |
-Maybe a fiver! -Well, everybody thinks that's perfect and is in love with everybody else. | 0:33:34 | 0:33:40 | |
And on that basis, why don't we, for the audience at home, find out what the auctioneer thinks of it? | 0:33:40 | 0:33:48 | |
Right, Rupert. Yet another piece of glass mounted with silver. | 0:33:49 | 0:33:54 | |
This time with a bit of enamel. That's good. | 0:33:54 | 0:33:57 | |
The enamel's fine, but isn't it a strange proportion for this object? | 0:33:57 | 0:34:02 | |
-And it's very bruised round here. -Oh, yes, look at that. What's the button like? -Well... | 0:34:02 | 0:34:08 | |
-Chipped. -Yeah. -Chipped button, bad bruising. | 0:34:08 | 0:34:12 | |
-I'm feeling a visit to the hospital coming on. -It's 20-30 quid, isn't it? -Oh, dear. £65 paid. | 0:34:12 | 0:34:19 | |
And it's another Bonus Buy. And if they don't take it and the Japanese tea set doesn't do well... | 0:34:19 | 0:34:25 | |
-They'll be lucky. -They'll be lucky. | 0:34:25 | 0:34:28 | |
-Anyway, good luck. -Thank you. | 0:34:28 | 0:34:31 | |
£90. £90. | 0:34:31 | 0:34:33 | |
130 behind. 150. | 0:34:33 | 0:34:36 | |
150. | 0:34:36 | 0:34:38 | |
-Elaine, Juliet, how are you feeling? A bit nervous? -No. -Not at all? | 0:34:38 | 0:34:42 | |
-I am! I'm as worried as can be. -Are you? You look cool. | 0:34:42 | 0:34:46 | |
-But you always look cool. -Do I? | 0:34:46 | 0:34:49 | |
You only spent £115 on all three items, so you've hedged your bets. | 0:34:49 | 0:34:54 | |
And you've got the big punt, which is the inkwell for £175 to fall back on | 0:34:54 | 0:35:00 | |
-should you want to do such a thing. -Or fall on. | 0:35:00 | 0:35:04 | |
Well, you may not need to or want to fall on anything. First up is the silver sugar sifter. Here it comes. | 0:35:04 | 0:35:12 | |
1518 is a George VI silver and cut glass sugar sifter, London, 1938. | 0:35:12 | 0:35:17 | |
Conflicting bids here to £32. | 0:35:17 | 0:35:20 | |
-32. -Any advance here? At £32. Can I see 35? 35. 38. And 40? | 0:35:20 | 0:35:26 | |
-Are you there, sir? 40 I have. -Well done! | 0:35:26 | 0:35:31 | |
At £40. Can I see the 42? At £40. | 0:35:31 | 0:35:35 | |
£40, then. Fair warning. At £40. | 0:35:35 | 0:35:38 | |
-£40 is minus £30. -Come on, girls. -Stiffen up, girls. | 0:35:38 | 0:35:42 | |
-It's only uphill from now on. -Yes. | 0:35:42 | 0:35:45 | |
1519. A 9-carat gold pendant, claw set with a circular-cut emerald | 0:35:45 | 0:35:50 | |
and a circular-cut diamond. | 0:35:50 | 0:35:53 | |
Again, we're opening and this time at £22. Can I see 24? | 0:35:53 | 0:35:58 | |
At £22. 24 can I see? | 0:35:58 | 0:36:01 | |
-And 24. 26. 28. And 30. And 2? -Look out, girls. | 0:36:01 | 0:36:04 | |
At £30 here. At £30. At £30 and against you, madam. | 0:36:04 | 0:36:09 | |
At £30. Is there any advance on 30? | 0:36:09 | 0:36:11 | |
- The gold's worth more! - £30. | 0:36:11 | 0:36:14 | |
-£30 he's sold it for. Plus £10. -A profit. -But rather depressing. | 0:36:14 | 0:36:19 | |
-Come on, chin up. -You're overall minus 20. -Chin up. | 0:36:19 | 0:36:23 | |
We're opening again at £20. And 2. 24. 26. | 0:36:23 | 0:36:26 | |
28. And 30. And 2...no. 30 it is in the room. | 0:36:26 | 0:36:30 | |
At £30. | 0:36:30 | 0:36:32 | |
32. At £32 now. | 0:36:32 | 0:36:35 | |
Can I see 34? | 0:36:35 | 0:36:37 | |
-Go on! -At £32. With Roger. And thank you. 32. | 0:36:37 | 0:36:42 | |
£32, I can't bear it! You are minus £13. | 0:36:42 | 0:36:46 | |
-Well... -Better than it might have been, isn't it? -It is. | 0:36:46 | 0:36:50 | |
-It could be a winning score. -Could be. -Could be a winning score. | 0:36:50 | 0:36:54 | |
-So what are you going to do about the old inkwell? -We'll go for it. Might as well go down gracefully. | 0:36:54 | 0:37:00 | |
-Or disgracefully! -OK, fine. That's it, then. Decision made. We're going with the Bonus Buy. | 0:37:00 | 0:37:06 | |
And we are going to see it sold now. | 0:37:06 | 0:37:09 | |
1524 is an Edwardian silver and... | 0:37:09 | 0:37:12 | |
-We need this here. -..embossed with foliate scrolls. | 0:37:12 | 0:37:17 | |
Birmingham, 1905. There it is. | 0:37:17 | 0:37:20 | |
Charming thing. And opening with conflicting bids | 0:37:20 | 0:37:23 | |
at £85. | 0:37:23 | 0:37:25 | |
- My goodness! - 90. 5. | 0:37:25 | 0:37:29 | |
100. £100 now in the room. | 0:37:29 | 0:37:32 | |
-Somebody bid against him! -I'll bid! | 0:37:32 | 0:37:35 | |
£100. Is there any advance on £100? | 0:37:35 | 0:37:39 | |
With the gentleman. £100. Thank you. | 0:37:39 | 0:37:43 | |
£100. You have gone down magnificently. | 0:37:43 | 0:37:47 | |
-Are we a record? -No, not at all. Nowhere even close to that. | 0:37:47 | 0:37:51 | |
-We should have gone with the lion! -That's minus 88. | 0:37:51 | 0:37:56 | |
Now if things go really badly for the Blues, that could be a winning score! | 0:37:56 | 0:38:01 | |
18. 18. | 0:38:01 | 0:38:04 | |
-Are you nervous at all about anything? -No. -Looking forward to it! | 0:38:10 | 0:38:14 | |
-Quite excited, actually. -Nothing you wish you hadn't bought? -No. | 0:38:14 | 0:38:19 | |
-Your first item is going to be the toast rack. -Yes. -You paid £65. And here it comes. | 0:38:19 | 0:38:26 | |
1540 is an Edwardian silver novelty six-division toast rack in the form of a swan. | 0:38:26 | 0:38:32 | |
A really charming thing. £100 anywhere? | 0:38:32 | 0:38:35 | |
£70 then, please. £70 is bid. And 5. | 0:38:38 | 0:38:42 | |
And 80. And 5. And 90. And 5. 100. 110. | 0:38:42 | 0:38:46 | |
-120. -Look at this! -120. | 0:38:46 | 0:38:48 | |
130. 140? | 0:38:48 | 0:38:51 | |
-130 it is with you, sir. -Come on. | 0:38:51 | 0:38:54 | |
-£130 seated. -You clever girl. -140 in a fresh place. | 0:38:54 | 0:38:57 | |
150? 140 I have. At £140. | 0:38:57 | 0:39:01 | |
-All done at £140? Fair warning. -Brilliant! | 0:39:01 | 0:39:07 | |
So brilliant. That is plus £75. | 0:39:07 | 0:39:10 | |
-That's nice. -Catherine, you doubled your money. | 0:39:10 | 0:39:14 | |
-That's really good. -Now... | 0:39:14 | 0:39:18 | |
-There you are. That would make any tea party glamorous. Look at that. -Watch out, Richard. | 0:39:18 | 0:39:24 | |
-What will we say? -It's beautiful. -£30? | 0:39:24 | 0:39:27 | |
20? | 0:39:27 | 0:39:29 | |
10? | 0:39:30 | 0:39:32 | |
10 I'm bid. At £10 now. 12 can I see? | 0:39:32 | 0:39:36 | |
-- £10. Is there any advance on £10? - This is amazing. -£10. | 0:39:36 | 0:39:40 | |
At £10. | 0:39:40 | 0:39:42 | |
-Even I'd buy it for that! -Well, you bought it for 100! -I know! | 0:39:42 | 0:39:47 | |
Anyway, there we go. That's minus £90. You had 75. You're now minus 15. | 0:39:47 | 0:39:53 | |
-Now let's hope for the dressing table jar. -A charming thing. | 0:39:53 | 0:39:57 | |
What shall we say? £30? | 0:39:57 | 0:40:00 | |
Shall we say 20, then? 20 I'm bid. At £20. Can I see 22? | 0:40:00 | 0:40:05 | |
Can I see the 22? At £20. | 0:40:05 | 0:40:08 | |
-Oh, it was so good and now it's gone wrong. -Look out. It's got 22. | 0:40:08 | 0:40:13 | |
£22. Centre of the room. At £22. Is there any advance on 22? | 0:40:13 | 0:40:18 | |
-22. -£22. That's minus 18. Overall, you're minus 33. | 0:40:18 | 0:40:23 | |
-What about the scent bottle? -Are we going to go for it? -I can't see any reason why not to. | 0:40:23 | 0:40:30 | |
I can! | 0:40:30 | 0:40:32 | |
You could ring fence your losses where you are at £33. | 0:40:32 | 0:40:37 | |
-Or chance the 65. -It is lovely, but it's a bit... -No, we won't. -He says no. | 0:40:37 | 0:40:44 | |
We're not going with the Bonus Buy, but we'll watch it sold, anyway. | 0:40:44 | 0:40:48 | |
I can tell you the auctioneer's estimate is £20-£30. So you've probably made the right decision. | 0:40:48 | 0:40:55 | |
A late-Victorian silver and green enamel cut-glass globular scent bottle. Opening at £60. | 0:40:55 | 0:41:01 | |
-65 can I see? 65. And 70 is there? 70? -Oh, no! -65. | 0:41:01 | 0:41:06 | |
£65. Can I see the 70? At 65, all done. 65. | 0:41:06 | 0:41:12 | |
It wiped its face! No profit, no loss. | 0:41:12 | 0:41:15 | |
So it makes no difference. Had you gone with it, you'd have got nothing. Exciting, wasn't it? | 0:41:15 | 0:41:22 | |
-Absolutely. -And on an estimate of £20-£30, he's done very well. No shame, no pain, Catherine. | 0:41:22 | 0:41:30 | |
Well, well, well, well, well. | 0:41:38 | 0:41:41 | |
I don't know what you lot are laughing about because your scores | 0:41:41 | 0:41:47 | |
were appalling across the board! | 0:41:47 | 0:41:49 | |
No one is coming out of this stinking of roses, I'm afraid. | 0:41:49 | 0:41:54 | |
I shall not be reaching for my waistcoat pocket. It's a question of the scale of the losses. | 0:41:54 | 0:42:00 | |
I'm afraid to say that the leaders of the pack of losses are the Reds! | 0:42:00 | 0:42:05 | |
-You're the runners-up, girls. -What about Charlie? | 0:42:05 | 0:42:09 | |
What about Charlie? | 0:42:09 | 0:42:11 | |
I hate to see a grown man weep, but anyway, there we go. | 0:42:11 | 0:42:16 | |
Not the day for selling silver, I fancy, in that saleroom. | 0:42:16 | 0:42:20 | |
-Have you had a good time? -Brilliant. -We've loved having you on the show, but the victors today, | 0:42:20 | 0:42:25 | |
who only lost £33, are the Blues! | 0:42:25 | 0:42:29 | |
They started off with a £75 profit. So to lose £33, having made £75 profit to start off with | 0:42:29 | 0:42:35 | |
does take some doing, chaps. But you managed to gradually erode the whole lot | 0:42:35 | 0:42:41 | |
and finished up with minus 33. Nobody's crying. We had a great day. | 0:42:41 | 0:42:47 | |
-Join us soon for some more bargain hunting. Yes? -Yes! | 0:42:47 | 0:42:50 | |
I know you're sitting there thinking, "I could have done better than that!" What's stopping you? | 0:42:50 | 0:42:57 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:42:57 | 0:43:02 | |
It'll be splendid to see you! | 0:43:02 | 0:43:04 | |
Subtitles by Red Bee Media Ltd | 0:43:07 | 0:43:09 |