Browse content similar to Malvern/Leominster 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Leominster has historic buildings aplenty. | 0:00:04 | 0:00:08 | |
It's also got a jolly good selection of antique shops, | 0:00:08 | 0:00:11 | |
which means just one thing - | 0:00:11 | 0:00:14 | |
let's go bargain hunting! | 0:00:14 | 0:00:16 | |
This Herefordshire market town | 0:00:39 | 0:00:41 | |
was once famous for its wool and cotton mills. | 0:00:41 | 0:00:44 | |
But it's not spinning that we're interested in today - oh, no - it's winning! | 0:00:44 | 0:00:49 | |
'But which will it be, the Reds or the Blues? | 0:00:49 | 0:00:51 | |
'Coming up, can Philip Serrell be trusted to uphold the honour of these Girl Scouts? | 0:00:51 | 0:00:57 | |
'While the Blues get a taste of some bazaar-like bargaining.' | 0:00:57 | 0:01:00 | |
It insults my mother and my grandmother! | 0:01:00 | 0:01:03 | |
It insults the donkey of my grandmother! | 0:01:03 | 0:01:05 | |
-I spit on your offer! You can have it for 48. -No! | 0:01:05 | 0:01:08 | |
So, what about the rules? | 0:01:08 | 0:01:10 | |
There are two chaps who jolly well ought to know them by now - | 0:01:10 | 0:01:14 | |
Philip Serrell, ringleader of the Reds, | 0:01:14 | 0:01:17 | |
and Thomas Plant, boss of the Blues. | 0:01:17 | 0:01:20 | |
Each team has one hour and £300 | 0:01:20 | 0:01:23 | |
to find three items to take to the auction. | 0:01:23 | 0:01:26 | |
And the winner is the team that makes the biggest profit or the smallest loss. | 0:01:26 | 0:01:30 | |
See? Easy-peasy-lemon-squeezy! | 0:01:30 | 0:01:33 | |
So let's meet our teams. | 0:01:33 | 0:01:35 | |
Here we are in the magnificent Lion Ballroom. | 0:01:35 | 0:01:39 | |
Not to have a turn, though, but to introduce today's teams - | 0:01:39 | 0:01:43 | |
my favourite - all girls - | 0:01:43 | 0:01:45 | |
Angie and Helen for the Reds and Sue and Marion for the Blues. | 0:01:45 | 0:01:50 | |
-Welcome, everybody. -Hello. -Lovely to see you. | 0:01:50 | 0:01:53 | |
Angie, how was it that you met Helen? | 0:01:53 | 0:01:56 | |
17 years ago, I used to be a Cub leader, | 0:01:56 | 0:01:58 | |
in fact, I used to be Akela, | 0:01:58 | 0:02:00 | |
and I walked in and there was Helen stood there | 0:02:00 | 0:02:03 | |
and we just hit it off straight away. | 0:02:03 | 0:02:05 | |
When you're not with the Scouts, what do you get up to? | 0:02:05 | 0:02:08 | |
I work in the hospital, in the cancer unit, | 0:02:08 | 0:02:11 | |
and we process treatments, etc, | 0:02:11 | 0:02:14 | |
from the start, when they're diagnosed with cancer, | 0:02:14 | 0:02:17 | |
-through when, hopefully, they're given the all clear. -That's a miracle moment, isn't it? | 0:02:17 | 0:02:22 | |
-Helen, what's your line of work? -I work as a learning support worker in a secondary school. | 0:02:22 | 0:02:26 | |
Some of the things that I teach are construction, | 0:02:26 | 0:02:29 | |
so bricklaying, plastering. | 0:02:29 | 0:02:31 | |
-You must be the most petite bricklayer I ever came across! -I am! | 0:02:31 | 0:02:36 | |
-As well as the Scouts, what are your other hobbies? -Oh, gosh, loads! | 0:02:36 | 0:02:39 | |
I race radio-control cars, which sounds really strange, | 0:02:39 | 0:02:43 | |
but they're about this big and go at about 50 miles an hour | 0:02:43 | 0:02:47 | |
-with a little battery in. -Radio-controlled jobs? -Yes. | 0:02:47 | 0:02:50 | |
-Yes. -So you're up on a stage, racing them. | 0:02:50 | 0:02:52 | |
-You're a bit of a speed queen, really. -Just a bit! | 0:02:52 | 0:02:57 | |
What are your tactics, Ange? What are you going to get up to? | 0:02:57 | 0:03:01 | |
We're going to listen to advice from the professional... | 0:03:01 | 0:03:04 | |
-That could be your first mistake. -Definitely! | 0:03:04 | 0:03:06 | |
-..but I like boxes. -Boxes? | 0:03:06 | 0:03:08 | |
-I love boxes. -You'll have your eye open for a box. -Yes. | 0:03:08 | 0:03:11 | |
-What about you, Hells Bells? -Anything a little bit unusual. | 0:03:11 | 0:03:15 | |
-I'm going to try and look for something... -Quirky. -Yes. | 0:03:15 | 0:03:18 | |
-Something petite, like you. -Yes! | 0:03:18 | 0:03:21 | |
Anyway, good fun! Good luck. | 0:03:21 | 0:03:23 | |
-Marion, you're an artist. -I am. -Tell us about that. | 0:03:23 | 0:03:27 | |
I went to art school in the '70s and then I taught art and design. | 0:03:27 | 0:03:30 | |
For 20 years, I had my own ceramics, | 0:03:30 | 0:03:33 | |
-where I designed my own pottery and sold it, basically. -Brilliant. | 0:03:33 | 0:03:38 | |
What sort of thing do you collect? | 0:03:38 | 0:03:40 | |
I collect silk handkerchiefs. | 0:03:40 | 0:03:43 | |
I just love the fact that they're anonymous artists | 0:03:43 | 0:03:45 | |
and they've spent such a lot of time and effort into making something | 0:03:45 | 0:03:49 | |
which was a throw-away item in those days. | 0:03:49 | 0:03:52 | |
-So, those are prints on silk, effectively? -They're prints on silk. | 0:03:52 | 0:03:56 | |
The ones after the First World War were made from leftover parachutes. | 0:03:56 | 0:04:01 | |
Sue, having had the lowdown | 0:04:01 | 0:04:04 | |
on the collectability of silk handkerchiefs, | 0:04:04 | 0:04:07 | |
what do you do for a living? | 0:04:07 | 0:04:09 | |
I do something very different. I'm a nurse specialist in eating disorders, | 0:04:09 | 0:04:14 | |
specifically anorexia nervosa. | 0:04:14 | 0:04:16 | |
It's a terrible thing, anorexia, isn't it? | 0:04:16 | 0:04:18 | |
-Absolutely appalling illness. -It's something that, | 0:04:18 | 0:04:21 | |
if you're not blighted with it, you know somebody who knows somebody who has been. | 0:04:21 | 0:04:26 | |
It's a very long process for somebody to get better, | 0:04:26 | 0:04:29 | |
but we help them discover who they are without their anorexia. | 0:04:29 | 0:04:34 | |
-And that takes time and patience. -It does. | 0:04:34 | 0:04:37 | |
So, you lovely girls, what are your tactics today? | 0:04:37 | 0:04:40 | |
I'm just going to look for something that I think will make a profit. | 0:04:40 | 0:04:44 | |
That's fair enough. I mean, it's never happened before, | 0:04:44 | 0:04:48 | |
so you might as well make a start somewhere! | 0:04:48 | 0:04:51 | |
Anyway, talking of money, here's £300 apiece. | 0:04:51 | 0:04:53 | |
There's your £300. You know the rules. | 0:04:53 | 0:04:56 | |
Your experts await. Off you go! Very, very, very good luck. | 0:04:56 | 0:05:00 | |
-Off you go. -Where do we go? -In here. -In here. Right! Right! -Right! | 0:05:01 | 0:05:05 | |
I will! That was very Scout-y, wasn't it? | 0:05:05 | 0:05:08 | |
I'm going to look for something that's got a little bit of Picasso about it. | 0:05:08 | 0:05:13 | |
-Oh, really? -And a little bit of Rembrandt! | 0:05:13 | 0:05:15 | |
-How about you, Sue? -I think I'm going to stick to something slightly quirky. -Yes. | 0:05:15 | 0:05:20 | |
-Arty but quirky. -Arty but quirky. Well, let's go! | 0:05:20 | 0:05:23 | |
-Philip, what do you think of these? -Those? -What do you think? | 0:05:23 | 0:05:28 | |
Truthfully? Dreadful. | 0:05:28 | 0:05:30 | |
'Don't hold back, Phil.' | 0:05:30 | 0:05:32 | |
Rembrandt and Picasso, something quirky... | 0:05:32 | 0:05:36 | |
I think we're done, aren't we? That's all we need to buy. | 0:05:36 | 0:05:38 | |
I quite like that over there. | 0:05:39 | 0:05:41 | |
-This here? -Yes. | 0:05:41 | 0:05:44 | |
Can I get it out without knocking anything over? | 0:05:45 | 0:05:48 | |
That would be fabulous shined up, wouldn't it? | 0:05:48 | 0:05:50 | |
-All polished up. The lamp. -Yes. | 0:05:50 | 0:05:53 | |
Look at that. That's rather good, isn't it? | 0:05:53 | 0:05:55 | |
Why is it... Is it an oil lamp that's been converted? | 0:05:55 | 0:05:59 | |
It would've been an oil lamp. It's definitely silver plated. | 0:05:59 | 0:06:02 | |
There's quite a lot which needs doing to it. | 0:06:02 | 0:06:06 | |
-You're missing some screws here. -For £85? | 0:06:06 | 0:06:09 | |
For £85. That's the problem. | 0:06:09 | 0:06:11 | |
Hello, sir. What's the best that can be done on this? | 0:06:11 | 0:06:15 | |
The very best price we can do on this is £65. | 0:06:17 | 0:06:20 | |
-£65. And that's the death, is it? -It is indeed. | 0:06:20 | 0:06:24 | |
-Personally, I don't think it's a profitable piece at 65. -I agree. | 0:06:24 | 0:06:29 | |
'All of a sudden, the magic seems to have gone out of this lamp.' | 0:06:29 | 0:06:33 | |
Girls... Where are we? Do you like that? | 0:06:33 | 0:06:36 | |
That's really nice. | 0:06:36 | 0:06:38 | |
This is a Royal Worcester rustic jug. | 0:06:38 | 0:06:42 | |
It's decorated with some sort of finch. | 0:06:42 | 0:06:44 | |
If we look at that letter there, | 0:06:44 | 0:06:46 | |
it means this was made between 1865 and 1875. | 0:06:46 | 0:06:50 | |
-This is in the style of a man called John Hopewell. -Right. | 0:06:50 | 0:06:53 | |
-That's lovely. Do you like that? -Mm. -Do you like it? -Go for that. | 0:06:53 | 0:06:56 | |
-How much is it? -14 quid. | 0:06:56 | 0:06:58 | |
-Oh, gosh! -How much could we get for that at auction? | 0:06:58 | 0:07:01 | |
If that came into my saleroom, I'd estimate it at 20 to 40, 30 to 50 quid. | 0:07:01 | 0:07:05 | |
We'll ask the shopkeeper if it's restored and what the best he can do on it is. | 0:07:05 | 0:07:10 | |
-Where is he? -Definitely. -Oh, look at this! | 0:07:10 | 0:07:12 | |
He's like a jailer, isn't he? | 0:07:12 | 0:07:15 | |
What's your very best on that? | 0:07:15 | 0:07:17 | |
-You've got it priced at 14. -Erm... | 0:07:17 | 0:07:20 | |
-These girls need all the help they can get. -We do! | 0:07:20 | 0:07:23 | |
What about ten? | 0:07:23 | 0:07:24 | |
-Go on! -I know that's more than you'd normally do. | 0:07:24 | 0:07:28 | |
Erm... Go on, then. OK. | 0:07:28 | 0:07:30 | |
You're a star. Thank you. | 0:07:30 | 0:07:32 | |
-Thank you! -If you can do ten, | 0:07:32 | 0:07:34 | |
-I'll take them away and never bring them back! -We won't see you again, then! | 0:07:34 | 0:07:38 | |
'Promises, promises, eh? But at least it's one in the bag for the Reds, | 0:07:38 | 0:07:43 | |
'while he Blues are still arting around.' | 0:07:43 | 0:07:45 | |
-I'm going to give you a test. -Right. | 0:07:45 | 0:07:48 | |
-I'm going to give you two minutes in here... -Right. | 0:07:48 | 0:07:52 | |
..and I'm going to time it, | 0:07:52 | 0:07:55 | |
and I'm going to let you have a look | 0:07:55 | 0:07:57 | |
and then I'll show you what I think you should be looking at, you show me what you're looking at. | 0:07:57 | 0:08:01 | |
-It's a bit like "You show me yours and I'll show you mine". -OK. | 0:08:01 | 0:08:05 | |
'Excuse me! This is still Bargain Hunt, isn't it, | 0:08:05 | 0:08:08 | |
'or have I drifted into another programme?!' | 0:08:08 | 0:08:10 | |
Oh, Phil! | 0:08:10 | 0:08:12 | |
There's a card table and a pack of cards. These are really nice cards. | 0:08:12 | 0:08:16 | |
-I'll just show you a little trick. -OK. | 0:08:16 | 0:08:19 | |
These are really nice. | 0:08:19 | 0:08:22 | |
-This little set here, this'll keep them safe, OK? -Yes. -Just put them into there, like that. | 0:08:22 | 0:08:26 | |
-She's good, isn't she? -Wow! -There! -Can I just check your...? | 0:08:27 | 0:08:31 | |
'Now it seems we've transformed into a magic show. | 0:08:31 | 0:08:34 | |
'Don't worry, Philip, I can't keep up, either. | 0:08:34 | 0:08:37 | |
'Best move on, mate, | 0:08:37 | 0:08:40 | |
'because some things are already set in stone.' | 0:08:40 | 0:08:43 | |
Is it really heavy? | 0:08:43 | 0:08:45 | |
Oh, my God! SHE LAUGHS | 0:08:45 | 0:08:47 | |
You didn't tell me it was stone. | 0:08:47 | 0:08:50 | |
-I think that's rather fabulous. -What is this?! -A stone-carved panel. | 0:08:50 | 0:08:54 | |
That is £68. | 0:08:54 | 0:08:56 | |
-What do you think about that? -We'd probably have to get it down... -We would. | 0:08:56 | 0:09:00 | |
..but I think somebody would pay money for that. | 0:09:00 | 0:09:04 | |
-It looks like it's been hand-carved. -Yes. | 0:09:04 | 0:09:06 | |
-Do you think it's from somewhere like Spain or the Middle East? -It looks like it. | 0:09:06 | 0:09:11 | |
People like that sort of thing. | 0:09:11 | 0:09:13 | |
You could put it in a barn conversion or inside a bathroom. | 0:09:13 | 0:09:17 | |
-You're looking a bit po-faced. -Mm. Not sure about it. | 0:09:17 | 0:09:20 | |
It has got a Middle East sort of shape to it there. | 0:09:20 | 0:09:23 | |
I do quite like it. | 0:09:23 | 0:09:25 | |
I quite like pretty things and it is sort of lacy. | 0:09:25 | 0:09:28 | |
-It's a big risk. -It is. -It's a huge risk. | 0:09:28 | 0:09:31 | |
-It's a heavy risk! -Judging by what you look like! | 0:09:31 | 0:09:34 | |
I'd buy it if I saw it in an auction at the right price. | 0:09:34 | 0:09:38 | |
You can do something with it. It's got another life, hasn't it? | 0:09:38 | 0:09:41 | |
'It's definitely got the arty look they're after.' | 0:09:41 | 0:09:44 | |
So, Stan, it says £68. It is heavy. | 0:09:44 | 0:09:47 | |
I'll do my best for you. 68... | 0:09:47 | 0:09:50 | |
We can make that... 55. | 0:09:50 | 0:09:54 | |
Really? | 0:09:54 | 0:09:55 | |
-Not a little, a lot! -50 pounds. | 0:09:55 | 0:09:58 | |
-40. -Oh, 40 I couldn't do. | 0:09:58 | 0:10:00 | |
-The thing is, you're being very British about this. -Yes. | 0:10:00 | 0:10:03 | |
I have not got full British blood in me | 0:10:03 | 0:10:06 | |
and I'm not going to stop at 48, so let's go! | 0:10:06 | 0:10:09 | |
-We can bargain in a non-British way. -That's what I want you to do. | 0:10:09 | 0:10:12 | |
WELSH ACCENT: Your offer insults me. It insults my mother and my grandmother! | 0:10:12 | 0:10:16 | |
It insults the donkey of my grandmother! | 0:10:16 | 0:10:18 | |
-I spit on your offer! You can have it for 48. -No! | 0:10:18 | 0:10:22 | |
I want to start... | 0:10:22 | 0:10:24 | |
I want to start at... £40. | 0:10:24 | 0:10:28 | |
I'll meet you halfway at 47. | 0:10:28 | 0:10:29 | |
Oh, five... Make it 45! | 0:10:29 | 0:10:32 | |
-45 it is. -I think we go for it. -I think we go for it. | 0:10:32 | 0:10:35 | |
'Well, it would be rude not to now.' | 0:10:35 | 0:10:37 | |
Deal. You're a good man. Thank you, Stan. | 0:10:37 | 0:10:40 | |
'Stan's the man! | 0:10:40 | 0:10:42 | |
'And what a great lesson in how to bargain Middle Eastern-style. | 0:10:42 | 0:10:46 | |
'That's one-up to the dealer. | 0:10:46 | 0:10:48 | |
'It also means both our teams now have one in the bag.' | 0:10:48 | 0:10:51 | |
-If we could find you a magic trick, that would be brilliant. -Amazing. | 0:10:51 | 0:10:54 | |
-Or an old Scout's woggle. -That would be brilliant! -Fantastic! | 0:10:54 | 0:10:58 | |
-I've never seen a girl turned on by a woggle before. -'The mind boggles. | 0:10:58 | 0:11:03 | |
'But will their Scouting spirit help persuade centre manager Ben | 0:11:03 | 0:11:06 | |
'to think outside the box on his prices?' | 0:11:06 | 0:11:09 | |
That's lovely. | 0:11:09 | 0:11:12 | |
-It's got the key. -Yes. | 0:11:13 | 0:11:15 | |
It's got a bit of livestock, as well, with it. | 0:11:15 | 0:11:18 | |
-Oh, it has. -Yes. I think that's a sweet little thing, actually. | 0:11:18 | 0:11:22 | |
It's dated to abut 1810. £125. | 0:11:22 | 0:11:25 | |
I think at auction, that's 50 to 80 quid. | 0:11:25 | 0:11:29 | |
OK? | 0:11:29 | 0:11:30 | |
-What I would do is put this on your wish list. -OK. | 0:11:30 | 0:11:34 | |
Find out what the best that Ben can do is. | 0:11:34 | 0:11:37 | |
-Remember, they've got to earn a living so he'll tell you what his best is. -OK. | 0:11:37 | 0:11:41 | |
Find out his best price | 0:11:41 | 0:11:43 | |
and ask him if he can put it by for 45 minutes while we have a look. | 0:11:43 | 0:11:47 | |
-OK. -And then you've got something on the shelf. | 0:11:47 | 0:11:50 | |
-Shall I do it? -You do -that. | 0:11:50 | 0:11:51 | |
I'm going to have skulk round and see if I can see anything else. | 0:11:51 | 0:11:55 | |
-Hi, Ben! -Hello. -What's your very, very best you can do on that? | 0:11:55 | 0:11:59 | |
-Be really nice to us! -Yes, please. | 0:11:59 | 0:12:01 | |
-I might be nice. -Oh, please! -Oh, please do! | 0:12:01 | 0:12:04 | |
-We've got 125. -Yes. -Erm... | 0:12:04 | 0:12:08 | |
It should really be 110 but... | 0:12:08 | 0:12:10 | |
-100? -I'll come down to 100 on it. -100. Excellent. | 0:12:10 | 0:12:14 | |
-What do you reckon? -Can you go a bit lower? 95? | 0:12:14 | 0:12:17 | |
I'd have to make a phone call to these dealers. They're nice people. | 0:12:17 | 0:12:22 | |
Some people are really strict on their prices, but I can give them a call for you. | 0:12:22 | 0:12:26 | |
-Do you want me to? -Please, because I love it. -That would be amazing. | 0:12:26 | 0:12:30 | |
Whilst you're running around, | 0:12:30 | 0:12:32 | |
-I'll make a call. -Brilliant. -Cheers. Thank you, Ben. | 0:12:32 | 0:12:34 | |
'Remember, girls, Phil's estimate was only 50 to 80 pounds. Oh, dear.' | 0:12:34 | 0:12:40 | |
This looks really exciting! | 0:12:40 | 0:12:43 | |
'We're at the halfway mark now. Time to make a call.' | 0:12:43 | 0:12:46 | |
"Hurry up!" | 0:12:46 | 0:12:47 | |
-Do you know how to date these telephones? -No. -Little tip... | 0:12:47 | 0:12:51 | |
You can always date these telephones by this second number here. | 0:12:51 | 0:12:55 | |
That's number 56 so that's 1956. | 0:12:55 | 0:12:58 | |
-That's lovely! I think That's gorgeous. -OK. | 0:12:58 | 0:13:01 | |
Let's call for Stan, see what he can do. | 0:13:01 | 0:13:04 | |
Stan? Hello? Hello? | 0:13:05 | 0:13:07 | |
-Come in, Stan. -Hello. | 0:13:07 | 0:13:10 | |
-You like the telephone, do you? -What can you do? | 0:13:10 | 0:13:13 | |
-We've got 65 on it. -Yes. -Well... | 0:13:13 | 0:13:16 | |
Let's say, er, £50 I can do. | 0:13:16 | 0:13:19 | |
Is that your very, very best offer for me? | 0:13:19 | 0:13:23 | |
What did you have in mind? | 0:13:23 | 0:13:25 | |
-30. -HE INHALES SHARPLY | 0:13:25 | 0:13:27 | |
Ooh, that wincing noise! Ooh! | 0:13:27 | 0:13:29 | |
-I thought Marion wasn't going to do any of that. -She can't help herself! -You can't, can you? | 0:13:29 | 0:13:34 | |
I thought I could try standing over him, with a bit of a cuddling. | 0:13:34 | 0:13:39 | |
-It's working! -Oh, do some more! | 0:13:39 | 0:13:42 | |
-Oh, yes! Both! Hug him either side! -Either side! | 0:13:42 | 0:13:46 | |
-Is that working? -Yes, it's working. -30 pounds? | 0:13:46 | 0:13:49 | |
Oh, it hasn't got to 30 yet, though! | 0:13:49 | 0:13:52 | |
What do you think? | 0:13:53 | 0:13:55 | |
-You like this. -I do quite like this, yes. | 0:13:55 | 0:13:58 | |
-Again, it's quirky. -It is. -It's fun. -I did want a quirky item. | 0:13:58 | 0:14:03 | |
-Can we start with a three... -Mm? | 0:14:03 | 0:14:06 | |
..followed by a zero? STAN SIGHS | 0:14:06 | 0:14:10 | |
-Oh, go on. -One more cuddle and you've got it. | 0:14:10 | 0:14:13 | |
-30 pounds! -30 pounds! BLUES CHEER | 0:14:15 | 0:14:18 | |
'So, Stan, they definitely rang your bell. | 0:14:18 | 0:14:21 | |
'Well done, Blues. That's your second item found. | 0:14:21 | 0:14:25 | |
'Reds, you'd better get a move on. But no need to panic.' | 0:14:25 | 0:14:28 | |
This is not time to panic. | 0:14:28 | 0:14:30 | |
-It is, however, time for mild concern. -Right. | 0:14:30 | 0:14:33 | |
We've got 40 minutes and one thing bought. | 0:14:33 | 0:14:36 | |
We've spent the princely sum of £10 out of 300, in 40 minutes. | 0:14:36 | 0:14:39 | |
-It really is focus time. -It is. | 0:14:39 | 0:14:42 | |
-We really need to get to grips. -OK. -All right. Follow me. -Let's go. | 0:14:42 | 0:14:47 | |
You have it buy things of the moment. | 0:14:49 | 0:14:51 | |
This is an Arts & Crafts-type panel, on copper, | 0:14:51 | 0:14:54 | |
1900, 1910, something like that. | 0:14:54 | 0:14:57 | |
It's quite a good, trendy thing for the minute. | 0:14:57 | 0:15:00 | |
That's priced at £148. If you can get that for around 110, I think it might give you a chance. | 0:15:00 | 0:15:06 | |
How much do you think we'd get for that at auction? | 0:15:06 | 0:15:08 | |
We've got to play percentages here. On a bad day, that's going to make 80 quid. | 0:15:08 | 0:15:12 | |
On a good day, it could make 150, 180. | 0:15:12 | 0:15:16 | |
-Shall we see what we can get that for? -Yes. | 0:15:16 | 0:15:19 | |
-See what we can... -I see an absolute wave of zero enthusiasm. | 0:15:19 | 0:15:23 | |
-You don't like it? -Go on. -No...! | 0:15:23 | 0:15:26 | |
-But if it sells... -I don't even know what you'd use it for! | 0:15:26 | 0:15:29 | |
If you don't like, don't buy, but you have got to buy something. | 0:15:29 | 0:15:33 | |
Shall we go with that? | 0:15:33 | 0:15:34 | |
You reckon we could do well with that? | 0:15:34 | 0:15:36 | |
I think you've got more chance of a profit with that | 0:15:36 | 0:15:40 | |
than with that little box that you looked at. | 0:15:40 | 0:15:42 | |
-But here's a bit of fun for you. -What? | 0:15:42 | 0:15:44 | |
Why don't you buy the box AND that and see who's right and who's wrong? | 0:15:44 | 0:15:49 | |
-We could do. That would be... Yes! -Yes. -Right. | 0:15:49 | 0:15:52 | |
-They're both around the same price. What was the box? 95? -95. -95. | 0:15:52 | 0:15:57 | |
It would be really good if you could get that for 95, but I don't know that you will. | 0:15:57 | 0:16:02 | |
But see which one makes a profit, because I think that's got more legs than the box. | 0:16:02 | 0:16:06 | |
'As if there wasn't enough of a competition Phil, you sly old fox!' | 0:16:06 | 0:16:12 | |
-Yes, ladies? -We need your help. | 0:16:12 | 0:16:14 | |
What's the best price you could do that for? | 0:16:14 | 0:16:16 | |
-What about 100? -Er, no! | 0:16:16 | 0:16:18 | |
-Erm... -110? | 0:16:18 | 0:16:21 | |
Somewhere in the middle? | 0:16:21 | 0:16:23 | |
-110? -She might do nasty things to me, | 0:16:23 | 0:16:26 | |
but I will say 110. | 0:16:26 | 0:16:29 | |
-Excellent. Shall we go for that? -We're going for it. -Okey-doke. | 0:16:29 | 0:16:32 | |
Brilliant. Thank you. | 0:16:32 | 0:16:34 | |
'Now, let's hope the Blues aren't about to fall into a trap.' | 0:16:34 | 0:16:38 | |
-This is it, is it? -This is it. -This is the catcher. | 0:16:38 | 0:16:41 | |
-This is what you really like? -I think it's very quirky. | 0:16:41 | 0:16:44 | |
I keep saying that word because I like it. | 0:16:44 | 0:16:46 | |
A salmon trap, ideal for the garden. | 0:16:46 | 0:16:49 | |
I don't think it would be used for salmon these days. | 0:16:49 | 0:16:52 | |
I think it would be used for your sweet peas, or your runner beans. | 0:16:52 | 0:16:56 | |
What do you think, Marion? | 0:16:56 | 0:16:58 | |
Well, if you wanted to be really different, | 0:16:58 | 0:17:01 | |
you could hang it from the ceiling with a light bulb in. | 0:17:01 | 0:17:04 | |
You come up with the best ideas, don't you? You're full of these! | 0:17:04 | 0:17:08 | |
That's what's so interesting about shopping with you, | 0:17:08 | 0:17:10 | |
shopping with a real trained artist, it's wonderful. | 0:17:10 | 0:17:13 | |
You could turn it upside-down, or you could just have it... | 0:17:13 | 0:17:17 | |
-It could be an interesting standard lamp. -Yes. | 0:17:17 | 0:17:20 | |
-So, can we see what we can do? -BOTH: Yes. | 0:17:20 | 0:17:22 | |
-I'm Ben. -Ben. Nice to meet you. -Hello, Ben. | 0:17:22 | 0:17:24 | |
-What's the best price on this? -What have they got on this one? | 0:17:24 | 0:17:28 | |
95... | 0:17:30 | 0:17:32 | |
-80. -80 pounds? -Ooh! | 0:17:32 | 0:17:34 | |
And that's the death? | 0:17:34 | 0:17:37 | |
What is...? THEY LAUGH | 0:17:37 | 0:17:40 | |
-Come on! -I love the way you look at us like that! | 0:17:40 | 0:17:42 | |
Throw me a bone! | 0:17:42 | 0:17:45 | |
I can do 75 and that will be it. | 0:17:45 | 0:17:48 | |
It's the kind of thing, where we're selling in the Cotswolds, | 0:17:48 | 0:17:52 | |
it could make anything from 30 to 200 pounds. | 0:17:52 | 0:17:57 | |
That's the risk, and that's all auctions are. | 0:17:57 | 0:18:01 | |
-So come on, make your mind up. -Yes, definitely! -Yes? -Because we saw it earlier. | 0:18:01 | 0:18:05 | |
-Yes, yes. -You've come back to it. Ben, that's a deal. -Great. | 0:18:05 | 0:18:09 | |
-That's it. Girls... -Thank you. -Cheers. -..third item. | 0:18:09 | 0:18:12 | |
We've got all of them! | 0:18:12 | 0:18:15 | |
'Well, it's definitely quirky, I'll give you that! | 0:18:16 | 0:18:19 | |
'While the Blues have time for a tea break, the Reds have to put a lid on that box.' | 0:18:19 | 0:18:24 | |
Ben, what's the best deal you can do for us? | 0:18:24 | 0:18:27 | |
I spoke to them and I worked hard for you, | 0:18:27 | 0:18:29 | |
and they said 95 is the absolute death. | 0:18:29 | 0:18:32 | |
-What do you reckon? Shall we do it? -We'll do it. -Definitely. -Okey-dokey. | 0:18:32 | 0:18:36 | |
'Sorted. Now, girls, can you use your magic skills to do me one small favour?' | 0:18:36 | 0:18:42 | |
-Have you got any more magic tricks tucked up your sleeve? -BOTH: Oh, yes! | 0:18:42 | 0:18:46 | |
'Ooh, thank you! | 0:18:46 | 0:18:48 | |
'Philip got the Reds into the flow with this Royal Worcester jug, | 0:18:48 | 0:18:51 | |
'paying a mere £10. | 0:18:51 | 0:18:54 | |
'Angie and Helen then took their expert's advice | 0:18:56 | 0:18:58 | |
'and secured this Arts & Crafts early 20th-century copper panel. | 0:18:58 | 0:19:02 | |
'£110 paid. | 0:19:02 | 0:19:05 | |
'Finally, they secured their final lot | 0:19:06 | 0:19:08 | |
'with this leather document box and key, | 0:19:08 | 0:19:11 | |
'paying a princely £95 for it.' | 0:19:11 | 0:19:14 | |
-Enjoyed it? -Yes, definitely. | 0:19:14 | 0:19:16 | |
You can't regret a thing, you know that, don't you? | 0:19:16 | 0:19:18 | |
-I don't regret nothing. -Do you not? -Nor me. | 0:19:18 | 0:19:20 | |
You don't regret nothing. That's what I love about the English language! | 0:19:20 | 0:19:24 | |
Seriously, which is your favourite piece, Ange? | 0:19:24 | 0:19:27 | |
-Definitely my box. -All right, fine. | 0:19:27 | 0:19:30 | |
-What about you, Hells Bells? -The little tiny Worcester vase with the finch on. | 0:19:30 | 0:19:35 | |
-That's your favourite? -Yes. | 0:19:35 | 0:19:37 | |
-How much did you spend all round? -BOTH: 215. | 0:19:37 | 0:19:40 | |
-215? -215. | 0:19:40 | 0:19:41 | |
Who's got the £85 of leftover lolly? Thank you. That comes straight here. | 0:19:41 | 0:19:45 | |
What are you going to do with that, Philip Serrell? | 0:19:45 | 0:19:48 | |
I'm going to try and buy something that she might like. | 0:19:48 | 0:19:51 | |
-Or not... -That would be difficult, wouldn't it? | 0:19:51 | 0:19:54 | |
Good luck, Phil! Good luck, girls. | 0:19:54 | 0:19:56 | |
Meanwhile, why don't we check out what the Blue Team bought. | 0:19:56 | 0:19:59 | |
Marion dug out this carved stone Middle Eastern window | 0:19:59 | 0:20:03 | |
and after a harsh lesson in haggling, got it for £45. | 0:20:03 | 0:20:08 | |
They called on Thomas's knowledge with this 1950s Bakelite telephone. | 0:20:09 | 0:20:13 | |
They got the dealer's number and only paid £30. | 0:20:13 | 0:20:17 | |
And finally, the girls reeled in this iron tapered salmon catcher, | 0:20:18 | 0:20:22 | |
but were they caught out at £75? | 0:20:22 | 0:20:26 | |
-It's marvellous when the teams are so pleased. Are you pleased? -Very. -Are you? -Absolutely delighted. | 0:20:27 | 0:20:32 | |
Which is your favourite piece? | 0:20:32 | 0:20:34 | |
The favourite piece is the piece I chose, | 0:20:34 | 0:20:36 | |
-which is... -Funny that! -..which is the stone window! | 0:20:36 | 0:20:41 | |
-The stone window is your favourite. -It is. | 0:20:41 | 0:20:43 | |
-What's your favourite? -My favourite is the salmon catcher. | 0:20:43 | 0:20:45 | |
-Is it? -Yes. -And will it bring the biggest profit? | 0:20:45 | 0:20:48 | |
I'm hoping it will do! | 0:20:48 | 0:20:50 | |
-How much did you spend? -We spent £150. | 0:20:50 | 0:20:53 | |
Please may I have the £150 of leftover lolly? | 0:20:53 | 0:20:56 | |
-Here we go. -That's lovely. | 0:20:56 | 0:20:58 | |
-£150 goes straight to T-Plant. -Thank you very much. | 0:20:58 | 0:21:02 | |
What is going to planted and grown today, Tom, out of your expertise? | 0:21:02 | 0:21:07 | |
Everything else had another life! | 0:21:07 | 0:21:09 | |
-It was going to be in some installation somewhere! -Oh, yes! | 0:21:09 | 0:21:12 | |
I'm going to buy something which will go in another! | 0:21:12 | 0:21:15 | |
-Really? -Yes. -You're such a tease sometimes! | 0:21:15 | 0:21:19 | |
Good luck, team. Good luck, Tom. | 0:21:19 | 0:21:21 | |
Meanwhile, we're heading off somewhere absolutely splendido! | 0:21:21 | 0:21:26 | |
This is Nuffield Place, once home to William Morris. | 0:21:26 | 0:21:29 | |
Not the William Morris associated with the Arts & Crafts movement, | 0:21:29 | 0:21:32 | |
but Morris the Motor Man, the entrepreneur and industrialist, | 0:21:32 | 0:21:36 | |
who later became Lord Nuffield, the great philanthropist. | 0:21:36 | 0:21:40 | |
This William Morris was the man who brought motoring to the masses, | 0:21:42 | 0:21:46 | |
changing society and making himself one of the wealthiest men in the world. | 0:21:46 | 0:21:51 | |
Nuffield Place was the Morris's Oxfordshire home | 0:21:51 | 0:21:55 | |
for over 30 years. | 0:21:55 | 0:21:58 | |
It's not a vast country pile, | 0:21:58 | 0:22:01 | |
the sort of place that you might've expected | 0:22:01 | 0:22:04 | |
one of the world's wealthiest industrialists to have occupied, | 0:22:04 | 0:22:09 | |
it's a relatively modest Edwardian home, | 0:22:09 | 0:22:12 | |
dating back to about 1914, | 0:22:12 | 0:22:16 | |
but which the Morrises occupied for over 30 years. | 0:22:16 | 0:22:21 | |
They furnished the house in a standard 1930s style | 0:22:21 | 0:22:26 | |
and led a quite retired life here, | 0:22:26 | 0:22:30 | |
avoiding large-scale entertaining wherever they could. | 0:22:30 | 0:22:35 | |
But who was William Morris, "Lord Nuffield", | 0:22:35 | 0:22:38 | |
and what does his house tell us about this intriguing man? | 0:22:38 | 0:22:43 | |
Since his death in 1963, | 0:22:43 | 0:22:45 | |
the house has remained as Lord Nuffield left it. | 0:22:45 | 0:22:49 | |
Rather than a treasure trove of highly valuable works of art, it preserves riches of another kind. | 0:22:49 | 0:22:53 | |
The items on display, | 0:22:53 | 0:22:55 | |
from cracked pots to well-thumbed books, reveal this man's true character. | 0:22:55 | 0:23:00 | |
There's one room that in particular illustrates Lord Nuffield's life - | 0:23:00 | 0:23:06 | |
his bedroom. | 0:23:06 | 0:23:08 | |
It's of quite modest proportions, | 0:23:08 | 0:23:10 | |
but if you look around | 0:23:10 | 0:23:12 | |
the place is littered with clocks and timepieces - | 0:23:12 | 0:23:17 | |
a Regency timepiece, a 17th-century lantern clock, | 0:23:17 | 0:23:21 | |
an Art Deco mantel clock, | 0:23:21 | 0:23:23 | |
a bedside timepiece, another Regency clock, | 0:23:23 | 0:23:27 | |
and behind me, the most wonderful example | 0:23:27 | 0:23:30 | |
of an 18th-century wall clock by Eardley Norton. | 0:23:30 | 0:23:34 | |
Lord Nuffield was clearly keen on horology. | 0:23:34 | 0:23:39 | |
Amongst his other toys, | 0:23:39 | 0:23:41 | |
we can tell that he was keen on smoking. | 0:23:41 | 0:23:44 | |
A pretty little pipe rack dating from the '30s, | 0:23:44 | 0:23:47 | |
but crammed with his favourite pipes. | 0:23:47 | 0:23:52 | |
Concern about his health is well documented. | 0:23:52 | 0:23:56 | |
He was something of a hypochondriac. | 0:23:56 | 0:23:58 | |
Not enough to stop him smoking, | 0:23:58 | 0:24:01 | |
but enough to lead him | 0:24:01 | 0:24:04 | |
to a nightly dose of milk of magnesia, | 0:24:04 | 0:24:07 | |
as illustrated by this flask. | 0:24:07 | 0:24:11 | |
In fact, he was something of an insomniac. | 0:24:11 | 0:24:13 | |
Just look at this. | 0:24:13 | 0:24:17 | |
Isn't that extraordinary? | 0:24:17 | 0:24:19 | |
Can you believe that the head of a multi-national, | 0:24:19 | 0:24:23 | |
multi-million-pound empire, | 0:24:23 | 0:24:25 | |
would have in his bedroom a cupboard, | 0:24:25 | 0:24:28 | |
stuffed up like a little workshop. | 0:24:28 | 0:24:30 | |
Well, he was passionate about engineering, | 0:24:30 | 0:24:33 | |
and if he couldn't sleep he'd do a bit of polishing, | 0:24:33 | 0:24:36 | |
or he'd use his anvil for bending a bit of metal. | 0:24:36 | 0:24:39 | |
His inventive mind would have, | 0:24:39 | 0:24:42 | |
in the middle of his sleepless night, | 0:24:42 | 0:24:45 | |
an opportunity to vent itself. | 0:24:45 | 0:24:47 | |
An indication of just how careful Lord Nuffield was is here... | 0:24:47 | 0:24:52 | |
It's a packet of stick-on soles. | 0:24:52 | 0:24:56 | |
What's a multi-millionaire doing | 0:24:56 | 0:24:58 | |
worrying about sticking rubber bits on the bottom of his leather shoes | 0:24:58 | 0:25:02 | |
to make them last a bit longer? | 0:25:02 | 0:25:05 | |
It's because he was careful. | 0:25:05 | 0:25:08 | |
Perhaps the most moving and telling thing in this cupboard of treasures | 0:25:08 | 0:25:14 | |
is this fellow. | 0:25:14 | 0:25:15 | |
We know that Lord Nuffield as a youngster | 0:25:15 | 0:25:19 | |
really, really wanted to be a doctor, | 0:25:19 | 0:25:21 | |
but because his father couldn't afford the fees, | 0:25:21 | 0:25:24 | |
he had to leave school at 15 | 0:25:24 | 0:25:26 | |
and he started his engineering career, | 0:25:26 | 0:25:28 | |
firstly in bicycle repairs, then motor bicycles, | 0:25:28 | 0:25:32 | |
and, ultimately, producing vast quantities of motor cars. | 0:25:32 | 0:25:37 | |
So, what's inside the vial? | 0:25:37 | 0:25:39 | |
It's Lord Nuffield's | 0:25:39 | 0:25:41 | |
pickled appendix! | 0:25:41 | 0:25:44 | |
The old boy preserved it all his lifetime | 0:25:44 | 0:25:47 | |
and kept it with him in his bedroom. Charming. | 0:25:47 | 0:25:50 | |
The big question today is, of course, for our teams, | 0:25:50 | 0:25:53 | |
just how pickled are they about become? | 0:25:53 | 0:25:56 | |
We've trotted along to Cirencester, and what could be nicer than that, | 0:26:04 | 0:26:08 | |
to the Cotswolds Auction Co saleroom to be with Liz Poole. | 0:26:08 | 0:26:13 | |
-Liz. -Hi. -Good morning. | 0:26:13 | 0:26:16 | |
Now, for our Reds, what a mixture! | 0:26:16 | 0:26:18 | |
-We have a piece of Worcester, and what a lovely little jug it is. -It is. | 0:26:18 | 0:26:22 | |
Barrel-shaped, little finch, | 0:26:22 | 0:26:24 | |
date mark 1878. | 0:26:24 | 0:26:26 | |
-What's it going to make? -20 to 40. -Is that all? | 0:26:26 | 0:26:29 | |
-It might do a little more. -Might it? He only paid £10 for it. | 0:26:29 | 0:26:32 | |
-That's OK, then. -For a piece of marked Worcester, hand-painted, it's not a lot of money, is it? | 0:26:32 | 0:26:38 | |
-No. -So it was a bargain. -Good time to buy it. | 0:26:38 | 0:26:41 | |
Super. Next for them is the Arts & Crafts copper panel, | 0:26:41 | 0:26:46 | |
-which I think has got something about it, don't you? -Definitely. | 0:26:46 | 0:26:50 | |
-I quite like these unusual animals in the middle. -The beasties! | 0:26:50 | 0:26:54 | |
-Beasties with tails. -Like armorial, mythical, | 0:26:54 | 0:26:58 | |
-oddball beasties! -Definitely. | 0:26:58 | 0:27:00 | |
-As an unnamed piece, what's your best estimate? -30 to 50? | 0:27:00 | 0:27:04 | |
-Think brave, girl. -Could do better. -That's what my school report said! -A come-and-buy-me estimate. | 0:27:04 | 0:27:09 | |
No, seriously, they paid £110. | 0:27:09 | 0:27:11 | |
Right, OK. I hope I'm wrong and they're right. | 0:27:11 | 0:27:14 | |
That's sweet of you but I fancy you might be on the right side of wrong. | 0:27:14 | 0:27:17 | |
Their last item is this cute little domed-top, leather-covered wee box. | 0:27:17 | 0:27:24 | |
Sometimes called document boxes but you could put anything in it, couldn't you? | 0:27:24 | 0:27:28 | |
You could. | 0:27:28 | 0:27:29 | |
And really gorgeous wrought-iron clasp | 0:27:29 | 0:27:33 | |
the original handle and the tooling and everything, | 0:27:33 | 0:27:35 | |
-I can't tell you how much I like this little box. Do you? -I do. | 0:27:35 | 0:27:39 | |
-Nice inside. -Inside, yes, | 0:27:39 | 0:27:41 | |
they've got that stuck-on paper and covered it in dots. | 0:27:41 | 0:27:46 | |
Dot, dot, dot, dot, dot. Looks like it's felt-tip pen, | 0:27:46 | 0:27:49 | |
but this is the equivalent of felt tip in what, 1700s, 1720? | 0:27:49 | 0:27:54 | |
Yes, I would say. | 0:27:54 | 0:27:56 | |
-How much do you reckon for that? -80 to 120? -Perfect. | 0:27:56 | 0:27:59 | |
They paid £95. Right estimate, right price, | 0:27:59 | 0:28:02 | |
a happy note for the Reds to finish on. | 0:28:02 | 0:28:04 | |
But if it doesn't go to plan, they'll need their bonus buy, so let's go and have a look at it. | 0:28:04 | 0:28:10 | |
Now, Angie, Helen, isn't this exciting? | 0:28:10 | 0:28:12 | |
-Oh, yes! -It is, yes. -I can't wait! | 0:28:12 | 0:28:15 | |
You gave Philip Serrell £85 to invest. | 0:28:15 | 0:28:17 | |
Phil, show us your wares. | 0:28:17 | 0:28:19 | |
You should lift that up like that and we should have a flock of pigeons appearing. | 0:28:19 | 0:28:23 | |
-Can you do that? -I'll try. -One, two, three, go! | 0:28:23 | 0:28:25 | |
-No pigeons. -No pigeons. | 0:28:25 | 0:28:27 | |
-There could be a pigeon coop. -Right, OK. | 0:28:27 | 0:28:30 | |
I thought, we're in the Cotswolds, it's just a little rustic hardwood shelf, | 0:28:30 | 0:28:34 | |
probably made in India. | 0:28:34 | 0:28:35 | |
It'd be ideal in a boot room, put shoes in, hang in the kitchen. I just thought it was a fun thing. | 0:28:35 | 0:28:40 | |
It cost me £45. | 0:28:40 | 0:28:42 | |
Will it make a profit? | 0:28:42 | 0:28:44 | |
Truthfully, I don't know. I would hope it might make 40 to 60. | 0:28:44 | 0:28:47 | |
-It's quite nice. What do you think? -Quite nice? -I like it. | 0:28:47 | 0:28:50 | |
-The jury's out here, isn't it? -It is! -We like wooden things, don't we? | 0:28:50 | 0:28:54 | |
I love wooden things. | 0:28:54 | 0:28:56 | |
We seem to have made an impression with that, Phil. | 0:28:56 | 0:28:59 | |
-Ask him how much profit it's going to make. -How much profit? | 0:28:59 | 0:29:03 | |
-Whose side are you on? -Eh?! | 0:29:03 | 0:29:06 | |
-Come on, little one. -How much? | 0:29:06 | 0:29:07 | |
I reckon it'll make between 40 and 60 | 0:29:07 | 0:29:09 | |
-and I paid £45 for it. -OK. | 0:29:09 | 0:29:12 | |
-Have you got that, girls? Got the message? -Yes. -Lovely. | 0:29:12 | 0:29:15 | |
Now, why don't we find out, for the viewers at home, | 0:29:15 | 0:29:18 | |
what the auctioneer thinks about Phil's little coop? | 0:29:18 | 0:29:22 | |
Look up, Liz, these are quite heavy | 0:29:22 | 0:29:25 | |
and pretty bizarre, really. | 0:29:25 | 0:29:28 | |
I mean, is this made of orange boxes or what? | 0:29:28 | 0:29:31 | |
Mm... Nice piece of rustic wood! | 0:29:31 | 0:29:34 | |
And some bloke in a shed's just nailed it together, | 0:29:34 | 0:29:37 | |
that's me, I don't know about you. | 0:29:37 | 0:29:39 | |
Beautiful little book shelf. | 0:29:39 | 0:29:41 | |
She's so sweet, isn't she? She's so nice about everybody's goods! | 0:29:41 | 0:29:45 | |
-How do you rate it, estimate-wise? -10 to 20. | 0:29:45 | 0:29:48 | |
I think that's exactly the right estimate. | 0:29:48 | 0:29:51 | |
£45 was paid. | 0:29:51 | 0:29:53 | |
He may be struggling to get a five-pound note for that. | 0:29:53 | 0:29:56 | |
That's it for the Reds. Now for the Blues. | 0:29:56 | 0:29:59 | |
-We really have got some interesting things here, haven't we? -We have. | 0:29:59 | 0:30:03 | |
-What do you think about this sandstone window panel? -I like it. Very pretty. | 0:30:03 | 0:30:08 | |
Nice shape, nicely carved, nice bit of old paint on there. | 0:30:08 | 0:30:12 | |
-Don't you feel yourself in old Seville? -Ooh, yes! -The Alhambra Palace... | 0:30:12 | 0:30:17 | |
-Fountains, gardens... -It's an extraordinarily nice object. | 0:30:17 | 0:30:20 | |
OK, fine. Put on your boldest cap | 0:30:20 | 0:30:23 | |
-and give us an estimate. -40 to 70. | 0:30:23 | 0:30:25 | |
-Don't you think it might do the ton? -It might. | 0:30:25 | 0:30:28 | |
-It's a come-and-buy-me. -Oh, right. | 0:30:28 | 0:30:30 | |
40 to 70 is the estimate. £45 was paid. | 0:30:30 | 0:30:34 | |
I fancy this thing should make 100 or 200. | 0:30:34 | 0:30:38 | |
Moving on to the Bakelite telephone... | 0:30:38 | 0:30:40 | |
We had just aspired in 1956 to have a telephone. | 0:30:40 | 0:30:46 | |
The GPO came and connected us and that's what we got. | 0:30:46 | 0:30:49 | |
What's a black one worth? | 0:30:49 | 0:30:51 | |
-40 to 70. -Brilliant! -Nice bit of retro. | 0:30:51 | 0:30:54 | |
Our girls only paid £30, | 0:30:54 | 0:30:56 | |
so that's what you call a trunk call! | 0:30:56 | 0:30:58 | |
Next is the iron tapered salmon catcher. | 0:30:58 | 0:31:03 | |
There aren't many iron salmon catchers. They're mainly made of wood. | 0:31:03 | 0:31:07 | |
I've called it a salmon catcher-type garden sculpture. | 0:31:07 | 0:31:13 | |
-Nice for roses! -You're covering every eventuality! That's very clever. | 0:31:13 | 0:31:17 | |
-What's it worth? -I've put 20 to 30 on it. | 0:31:17 | 0:31:19 | |
£75 paid. That could give them their comeuppance. | 0:31:19 | 0:31:23 | |
That could wipe out all the profit that they're going to make on their romantic sandstone window. | 0:31:23 | 0:31:29 | |
In which case, they'll need the bonus buy, so let's go and have a look at it. | 0:31:29 | 0:31:33 | |
Now, Sue and Marion, you spent £150, you gave Thomas Plant £150. | 0:31:33 | 0:31:37 | |
Thomas, what did you spend it on? | 0:31:37 | 0:31:39 | |
-Well... -BOTH: Ooh! | 0:31:39 | 0:31:42 | |
-Lovely. -I bought a very pretty, lovely-coloured boat, | 0:31:42 | 0:31:45 | |
like a little river craft boat. | 0:31:45 | 0:31:47 | |
It was relatively cheap at £15. | 0:31:47 | 0:31:50 | |
From a collector's point of view, that's marvellous | 0:31:50 | 0:31:53 | |
because the paintwork is fantastic. | 0:31:53 | 0:31:56 | |
It is nice, actually. | 0:31:56 | 0:31:58 | |
I think I remember something like this when I was a child. | 0:31:58 | 0:32:01 | |
-I think it's nice. -From a toy collector's point of view, | 0:32:01 | 0:32:05 | |
it's very, very collectable. | 0:32:05 | 0:32:07 | |
There's probably nothing like it in the sale | 0:32:07 | 0:32:09 | |
and it's in tremendously good condition. | 0:32:09 | 0:32:12 | |
-I think it's lovely. -That's where you turn it. | 0:32:12 | 0:32:14 | |
-It's clockwork, so the key's in there. -Ah! | 0:32:14 | 0:32:17 | |
-You had 150, you spent £15... -£15. | 0:32:17 | 0:32:21 | |
-What's the next question? -What's it going to make? | 0:32:21 | 0:32:23 | |
It's got to make 20, 30. | 0:32:23 | 0:32:26 | |
-It's got to have a small profit in it. -I think it's very nice. | 0:32:26 | 0:32:29 | |
Sadly, girls, you can't buy it. | 0:32:29 | 0:32:31 | |
-But it is appropriately-coloured for the Blues. -BOTH: It is! -Thank you, Tom. | 0:32:31 | 0:32:35 | |
Why don't we, for the audience at home, | 0:32:35 | 0:32:37 | |
find out what the auctioneer thinks about Tom's little boat? | 0:32:37 | 0:32:41 | |
Well, do we see any choppy water ahead with this? | 0:32:41 | 0:32:44 | |
Possibly a little. | 0:32:44 | 0:32:47 | |
-Nice nick, though, isn't it? -It is in good condition, yes. | 0:32:47 | 0:32:50 | |
1960s, 1970s little clockwork boat. | 0:32:50 | 0:32:53 | |
Sutcliffe, the maker. | 0:32:53 | 0:32:55 | |
-What's it worth as it is? -I've put 15 to 30. -Very good. | 0:32:55 | 0:32:59 | |
Thomas, who knows about these toys, paid £15, so he recognised it as being reasonable. | 0:32:59 | 0:33:03 | |
-These are dangerous times, aren't they? -Very! | 0:33:03 | 0:33:07 | |
Very... | 0:33:07 | 0:33:09 | |
..at 20. Any more at 20? | 0:33:09 | 0:33:12 | |
Selling at 25. | 0:33:12 | 0:33:15 | |
Ange and Helen, | 0:33:15 | 0:33:17 | |
-this is exciting, isn't it? -It is, yes! -Yes. -Very! | 0:33:17 | 0:33:20 | |
I mean, goodness only know what's going to happen today! | 0:33:20 | 0:33:23 | |
Now, Worcester... | 0:33:23 | 0:33:25 | |
No programme would be complete without Philip Serrell, | 0:33:25 | 0:33:28 | |
-master Worcester auctioneer... -My hero. -Very true. | 0:33:28 | 0:33:31 | |
..our hero in the Worcester department. | 0:33:31 | 0:33:33 | |
-What did we pay, 25 for it? -GIRLS: No! 10! -You paid a tenner. | 0:33:33 | 0:33:37 | |
-We paid £10. -It's 30 to 50 pounds worth. -OK. | 0:33:37 | 0:33:40 | |
Her estimate is £20 to £40. | 0:33:40 | 0:33:42 | |
-That's OK. -That's not bad! -That's good. | 0:33:42 | 0:33:44 | |
-Here it comes. -The Royal Worcester china cream jug. | 0:33:44 | 0:33:48 | |
Very pretty with the little finch. | 0:33:48 | 0:33:50 | |
Marked for 1878. £20. Do I see 20? | 0:33:50 | 0:33:53 | |
-Oh, come on. -10, then. £10. Start me. Thank you, sir. | 0:33:53 | 0:33:57 | |
10 bid seated. Who's going on? At 10. 12. | 0:33:57 | 0:34:00 | |
-£10? -£10. -Breaking even. -At 12. 15. 18. At 18. 20. | 0:34:00 | 0:34:04 | |
-At £20. -You only paid £10. You've doubled your money. -25. | 0:34:04 | 0:34:08 | |
25. Is there any more? At 25... | 0:34:08 | 0:34:10 | |
-£25? -That's good! -Last chance... | 0:34:10 | 0:34:13 | |
All done. | 0:34:13 | 0:34:14 | |
-£25. -Yes! -I love it, don't you? That's plus £15. | 0:34:14 | 0:34:18 | |
That's super duper. | 0:34:18 | 0:34:20 | |
-Stand back! -Look out! | 0:34:20 | 0:34:22 | |
Arts & Crafts-style copper panel. Lots of interest. | 0:34:22 | 0:34:25 | |
I musty start the bidding at £60. 60 on commission. | 0:34:25 | 0:34:28 | |
-Is there any more? At £60. -Come on! | 0:34:28 | 0:34:31 | |
65. 70. Commission 75. 80. | 0:34:31 | 0:34:34 | |
-At 80 with on commission. 80 bid. -It's going on. -85. 90 on commission. | 0:34:34 | 0:34:39 | |
-You're bidding on the net at 95. -Yes! Go on! -100. 110 now. | 0:34:39 | 0:34:43 | |
120. 120. | 0:34:43 | 0:34:45 | |
-At 120. -You're in profit. -In the room again at 120. | 0:34:45 | 0:34:47 | |
-130. At 130 on the net. -130! -Yes. -130 on the net. | 0:34:47 | 0:34:50 | |
-140. -140! -It's still going up. -Bidders on the net at 140. | 0:34:50 | 0:34:55 | |
At 140. Are you all finished? 150. Do I see 160? | 0:34:55 | 0:34:59 | |
-The old boy's done it again. -170. At 170. 180. -200! | 0:34:59 | 0:35:03 | |
At 180. 190. | 0:35:03 | 0:35:04 | |
-That's all right. -200 - come on! | 0:35:04 | 0:35:06 | |
200. At 200. | 0:35:06 | 0:35:07 | |
200! Come on! | 0:35:07 | 0:35:09 | |
-At 220 now. 220. -220! -At 220. | 0:35:09 | 0:35:12 | |
-Is it 40? At 220, last chance... -It's happening. | 0:35:12 | 0:35:17 | |
-Yes! -We've done it! -You've doubled your money. | 0:35:17 | 0:35:20 | |
-£220... -You were right. -That is plus £110, | 0:35:20 | 0:35:23 | |
which means overall, you're plus 125. | 0:35:23 | 0:35:26 | |
-Now, the document box... -The document box! | 0:35:26 | 0:35:29 | |
Georgian leather-bound document box. Bit of interest here. | 0:35:29 | 0:35:33 | |
Start the bidding at 20. Five. | 0:35:33 | 0:35:35 | |
-30. Five. At 35. Is there any more? -Oh, come on. | 0:35:35 | 0:35:38 | |
45. 50. Five. 60. | 0:35:38 | 0:35:41 | |
-At £60 at the back. 60. Is there any more? -60. | 0:35:41 | 0:35:45 | |
-60 with the gentleman. -This is disappointing. | 0:35:45 | 0:35:49 | |
-It is a bit. -At 60. Selling if you're all finished at £60. | 0:35:49 | 0:35:53 | |
Last chance... | 0:35:53 | 0:35:55 | |
£60. I'm sorry, girls, that's minus £35. | 0:35:55 | 0:35:58 | |
I've got to bow down to you. | 0:35:58 | 0:35:59 | |
-That's all right. You bought nice things. -Don't worry, because you are still plus £90. | 0:35:59 | 0:36:04 | |
You have £90 in your pocket. | 0:36:04 | 0:36:07 | |
What are you going to do about these shelves? This is a big decision. | 0:36:07 | 0:36:11 | |
-What do you think? Go with it? -I'd like to because I trust him. | 0:36:11 | 0:36:14 | |
You've got to think deep and hard about this decision. | 0:36:14 | 0:36:18 | |
BOTH: OK! | 0:36:18 | 0:36:21 | |
Hang on a minute! Is that in the rules now? | 0:36:21 | 0:36:23 | |
-Anyway, there is a debate here as to whether you should go with it. -There is a slight debate! | 0:36:23 | 0:36:28 | |
-I'm so tempted. -I am, but... -Do what you like. | 0:36:28 | 0:36:30 | |
..we have got a good profit. Maybe we should leave it there. | 0:36:30 | 0:36:34 | |
-OK. I'll go with you. -OK. Cool. | 0:36:34 | 0:36:36 | |
-We'll leave it there, I think. -Definitely? -Definitely. | 0:36:36 | 0:36:40 | |
-That's your final final... -Final final. | 0:36:40 | 0:36:42 | |
-You don't need to ring anybody? -It'll make 65 quid now, you wait! | 0:36:42 | 0:36:45 | |
-Here we go. -Four-tier bookshelf. | 0:36:45 | 0:36:47 | |
Bit of interest here. I must start the bidding at 10, 12, 15, 18. | 0:36:47 | 0:36:52 | |
20 bid. At 20. At 20, then, on commission. | 0:36:52 | 0:36:55 | |
Are we all finished at 20? Selling at £20. | 0:36:55 | 0:36:59 | |
-Bad luck, Phil. £20. -That's sort of cheap, I think. | 0:36:59 | 0:37:03 | |
-Minus £25. You didn't go with it, though. -We didn't, no. | 0:37:03 | 0:37:06 | |
You were very sensible about that. | 0:37:06 | 0:37:08 | |
You've preserved your £90, which is brilliant. | 0:37:08 | 0:37:11 | |
-That could be a winning score. Don't say a word to the Blues. -OK. | 0:37:11 | 0:37:15 | |
-How are you feeling, you two, all right? -Yes. | 0:37:21 | 0:37:24 | |
-Do you know how the Reds got on? -Absolutely no idea. | 0:37:24 | 0:37:28 | |
-They wouldn't tell us. -OK, fine. | 0:37:28 | 0:37:29 | |
I have to say that the pinnacle of good taste, your choice for that sandstone grill, | 0:37:29 | 0:37:35 | |
-I think you're clever to have found it. -Really? | 0:37:35 | 0:37:37 | |
You paid £45 for it. She's estimated 40 to 70. | 0:37:37 | 0:37:40 | |
Personally, I think it's worth 150 of anybody's pounds. | 0:37:40 | 0:37:44 | |
If there's anybody with taste and discrimination, | 0:37:44 | 0:37:47 | |
they'll run with that. | 0:37:47 | 0:37:49 | |
-Here we go. -This is a very nice piece of carved sandstone. | 0:37:49 | 0:37:53 | |
£20. £20. Come on. | 0:37:53 | 0:37:55 | |
It'd look very nice inset into a wall. £20. | 0:37:55 | 0:37:58 | |
20 bid on the internet. The internet loves it. | 0:37:58 | 0:38:01 | |
At 20. Who's going on? | 0:38:01 | 0:38:03 | |
It's worth much more than that! | 0:38:03 | 0:38:06 | |
No more? I shall sell it if you're all done. | 0:38:06 | 0:38:09 | |
In the room at 22. At 25. 25 bid again. | 0:38:09 | 0:38:13 | |
At 25. Last chance, and selling... | 0:38:13 | 0:38:16 | |
-£25. I could weep. -Oh, no! -That is minus £20. | 0:38:16 | 0:38:20 | |
Such an injustice has just been done. | 0:38:20 | 0:38:23 | |
-It's not fair. -Now for the Bakelite 332 telephone... | 0:38:23 | 0:38:26 | |
..with a lovely pull-out tray at the bottom. £30, start me off. | 0:38:26 | 0:38:29 | |
Phone home. £30. 20, then. Got to be worth that. | 0:38:29 | 0:38:32 | |
-Nobody wants it. -Nobody wants it! -I can't believe it! | 0:38:32 | 0:38:37 | |
It's worth 20 any day. Good vintage telephone! Come on, 20! | 0:38:37 | 0:38:40 | |
-10, then. £10. -£10! -Ooh, somebody's bid. | 0:38:40 | 0:38:43 | |
10 on the right, at 10. | 0:38:43 | 0:38:44 | |
-At £10. -Thank goodness. That would be embarrassing. -That would be terrible. | 0:38:44 | 0:38:49 | |
Do I see 12 in the room? 12. 15, sir. 18. At 18. 20. | 0:38:49 | 0:38:53 | |
-£20 bid. -Bit more! -Last chance... | 0:38:53 | 0:38:57 | |
-£20. -20! -That's minus £10. I can't bear it. | 0:38:57 | 0:39:01 | |
Now, this is the big white hope. | 0:39:01 | 0:39:04 | |
Salmon trap garden sculpture. Nice piece to grow your roses up. | 0:39:04 | 0:39:08 | |
£20? Better than the plastic things you get today. | 0:39:08 | 0:39:11 | |
-10, then. £10. -You can put that in the garden. | 0:39:11 | 0:39:14 | |
Hang on, girls. | 0:39:14 | 0:39:15 | |
£10. Nobody wants it? Thank you, sir, at 10. | 0:39:15 | 0:39:18 | |
-I have a bid of 10. Is there 12? -My goodness! | 0:39:18 | 0:39:22 | |
-At 10, then. Last chance... Selling at 10. -GIRLS: 10! | 0:39:22 | 0:39:26 | |
Oh, girls! That is minus 65. | 0:39:26 | 0:39:30 | |
-Which is 65, 75, 95... Minus 95. -I'm just... | 0:39:30 | 0:39:35 | |
I can only apologise for advising you poorly. | 0:39:35 | 0:39:38 | |
-You've done no bad advising at all! -No. | 0:39:38 | 0:39:41 | |
-There's nothing to apologise for. I'm sorry about that. -We're proud of all those objects. | 0:39:41 | 0:39:46 | |
That's not just bad, that's really bad. | 0:39:46 | 0:39:49 | |
Yes, but I'm proud of our choices. | 0:39:49 | 0:39:51 | |
It's the luck of the day. | 0:39:51 | 0:39:53 | |
Maybe go with the tin-plate toy or not? Yes? | 0:39:53 | 0:39:58 | |
-BOTH: I think so. -It's your choice. -We will. -You're going to. | 0:39:58 | 0:40:01 | |
-You like it, don't you? -We like it! -It's a bit of fun. | 0:40:01 | 0:40:05 | |
-Here we go. -312 is the very nice... | 0:40:05 | 0:40:07 | |
..1960s Sutcliffe tin-plate Sprite day cruiser. | 0:40:07 | 0:40:11 | |
£10. £10 for the Sprite cruiser. £10. | 0:40:11 | 0:40:14 | |
Very nice. Five. £5, then. Come on. | 0:40:14 | 0:40:17 | |
THOMAS: I just... | 0:40:17 | 0:40:19 | |
-£10. -It's not been my day. | 0:40:19 | 0:40:21 | |
£5. She's a little clockwork one. £5. | 0:40:21 | 0:40:24 | |
Thank you, sir. At five. Five is bid, standing. | 0:40:24 | 0:40:28 | |
-At five with the gentleman. -It's incredible. | 0:40:28 | 0:40:31 | |
It is incredible. It's incredibly bad. | 0:40:31 | 0:40:33 | |
-I have to sell it at five. -£5 only, is minus £10, | 0:40:33 | 0:40:37 | |
which takes you, girls, to the very nice round sum | 0:40:37 | 0:40:40 | |
of minus £105. | 0:40:40 | 0:40:43 | |
Oh, well done! That's an achievement! | 0:40:43 | 0:40:46 | |
-I have to say, it should not have finished up like this. -No. -It's a sad state of affairs. | 0:40:46 | 0:40:52 | |
But you've been very sporting, both of you. In fact, all three of you. | 0:40:52 | 0:40:56 | |
All will be revealed in a moment. Don't talk to those lovely Reds. | 0:40:56 | 0:40:59 | |
-OK. -OK. -Absolutely. | 0:40:59 | 0:41:01 | |
OK, teams, been chatting? | 0:41:09 | 0:41:11 | |
-BOTH: No. -No? Not at all. | 0:41:11 | 0:41:12 | |
You honestly haven't said a word to each other since the end of the auction. | 0:41:12 | 0:41:17 | |
Well, this is going to be quite a revelation, then, isn't it? | 0:41:17 | 0:41:20 | |
Both teams are expecting to be ahead in this point-scoring operation, | 0:41:20 | 0:41:25 | |
are we not?! | 0:41:25 | 0:41:27 | |
I have to tell you, there is a vast chasm between the teams! | 0:41:27 | 0:41:31 | |
You cannot credit that in the same programme, out of the same shopping experience, | 0:41:31 | 0:41:36 | |
the results could be so diametrically opposite. | 0:41:36 | 0:41:40 | |
I have to reveal that the Blues have made a whopping loss. | 0:41:40 | 0:41:43 | |
THEY CHEER | 0:41:43 | 0:41:46 | |
-We were robbed! -Minus £105 down the proverbial! | 0:41:46 | 0:41:49 | |
Which, I have to say, | 0:41:49 | 0:41:51 | |
-is not a fair result. -BOTH: No. -Definitely not. | 0:41:51 | 0:41:54 | |
Because that stone grill was worth a good deal more than the price you got for it, | 0:41:54 | 0:41:58 | |
of that, I am absolutely certain, and that might've saved you, but it didn't today. | 0:41:58 | 0:42:03 | |
-I hope you've had a good time. -Very much. -Yes. | 0:42:03 | 0:42:06 | |
Look at them! Aren't they sweet? | 0:42:06 | 0:42:08 | |
All three of them, grinning like the proverbial! | 0:42:08 | 0:42:11 | |
-Such good sports through adversity. Well done for that. -Thank you. | 0:42:11 | 0:42:15 | |
But the victors today are going home with money, | 0:42:15 | 0:42:18 | |
they're going home with £90 in cash! | 0:42:18 | 0:42:21 | |
-Well done! -Look at Helen's face! This is a Scouting triumph, isn't it? | 0:42:21 | 0:42:25 | |
-Definitely. -Essentially, thanks to P Serrell | 0:42:25 | 0:42:29 | |
and his brilliant purchase of the Arts & Crafts copper, | 0:42:29 | 0:42:33 | |
which the auctioneer was sniffy about, there was no great enthusiasm for, | 0:42:33 | 0:42:37 | |
but you made a profit of £110. | 0:42:37 | 0:42:40 | |
You doubled your money. It made 220 and he made £110. | 0:42:40 | 0:42:44 | |
You made another £15 on the old Worcester. | 0:42:44 | 0:42:46 | |
Round and about, that finished up as plus £90. | 0:42:46 | 0:42:49 | |
-That's good, isn't it? -Amazing. | 0:42:49 | 0:42:51 | |
-Are you pleased, Ange? -I am. It's down to my hero, though. -Yes! | 0:42:51 | 0:42:55 | |
It's down to all our heroes! | 0:42:55 | 0:42:57 | |
-You enjoyed yourselves? -Fantastic! -We've loved having you. | 0:42:57 | 0:43:01 | |
-In fact, join us soon for some more bargain hunting, yes? -ALL: Yes! | 0:43:01 | 0:43:06 | |
You're sitting there thinking, "I could've done better than that." | 0:43:07 | 0:43:11 | |
Well, what's stopping you? | 0:43:11 | 0:43:13 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:13 | 0:43:18 | |
It'll be splendid to see you! | 0:43:18 | 0:43:20 | |
Subtitles by Red Bee Media Ltd | 0:43:21 | 0:43:24 |