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We've headed east through yet another daily | 0:00:02 | 0:00:04 | |
dose of delightful decadence. | 0:00:04 | 0:00:06 | |
We've come to Lincolnshire, an agricultural county, | 0:00:06 | 0:00:09 | |
so goodness knows what they'll "dig up." | 0:00:09 | 0:00:11 | |
Let's just hope they don't get "the hump." Let's go bargain hunting! | 0:00:13 | 0:00:17 | |
We're just outside Lincoln, at the showground which plays host | 0:00:42 | 0:00:47 | |
to the Lincolnshire Antiques & Home Show. | 0:00:47 | 0:00:51 | |
There are literally thousands of stores here | 0:00:51 | 0:00:53 | |
and bags of choice for our teams. | 0:00:53 | 0:00:55 | |
Therefore, loads of bargains, we hope. | 0:00:55 | 0:00:57 | |
Let's have a quick squint at what's coming up. | 0:00:57 | 0:01:00 | |
'Time, as ever, is the issue and the Reds feel the pressure...' | 0:01:01 | 0:01:06 | |
I'm just worried we're running out of time. | 0:01:06 | 0:01:09 | |
'..although the Blues prove rather more indecisive'. | 0:01:09 | 0:01:12 | |
I think we'll leave it for now. Can we leave it for a second? | 0:01:12 | 0:01:15 | |
Should I hold that as a comeback...? | 0:01:15 | 0:01:18 | |
'Now let's go and say hello.' | 0:01:18 | 0:01:21 | |
Today we have a team of friends and a married couple. | 0:01:21 | 0:01:24 | |
We have Lindsay and Becky and we have Mary and Gerry. | 0:01:24 | 0:01:27 | |
Welcome, everybody. | 0:01:27 | 0:01:28 | |
-Thank you. -Really cracking to see you. | 0:01:28 | 0:01:30 | |
Now, Lindsay. How did you first become friends with Bex? | 0:01:30 | 0:01:34 | |
We met when our oldest children started at primary school. | 0:01:34 | 0:01:39 | |
We soon realised we had a lot of common interests | 0:01:39 | 0:01:41 | |
and we've been friends ever since. | 0:01:41 | 0:01:44 | |
You like a bit of a laugh? You meet up, have the odd glass of wine? | 0:01:44 | 0:01:47 | |
-Lots of glasses of wine. -Possibly. | 0:01:47 | 0:01:50 | |
Tell me about your working career. | 0:01:50 | 0:01:52 | |
-I spent about 18 years in the police force. -You never did?! | 0:01:52 | 0:01:57 | |
-I did. -Oh! | 0:01:57 | 0:01:59 | |
Then I thought I'd have a change | 0:01:59 | 0:02:00 | |
and spend more time at home with my children so I started making | 0:02:00 | 0:02:05 | |
jewellery to keep myself occupied, found I was reasonably good | 0:02:05 | 0:02:08 | |
at it and now do that for a living. | 0:02:08 | 0:02:11 | |
But I must say, if you were ever in plain-clothes work, | 0:02:11 | 0:02:15 | |
the kind of police bit of your career, | 0:02:15 | 0:02:17 | |
nobody would ever know you were a policewoman. | 0:02:17 | 0:02:20 | |
You'd get away with all sorts. | 0:02:20 | 0:02:23 | |
-I did do a little bit of that. -Did you? | 0:02:23 | 0:02:26 | |
I actually once fooled one of the traffic wardens who | 0:02:26 | 0:02:29 | |
worked in the same office. | 0:02:29 | 0:02:32 | |
Really? That's rather naughty, isn't it? | 0:02:32 | 0:02:35 | |
Did you get off the fine, or what? | 0:02:35 | 0:02:36 | |
THEY LAUGH | 0:02:36 | 0:02:38 | |
So, Bex, what do you do for a living? | 0:02:38 | 0:02:40 | |
I work two or three days a week for the family firm, | 0:02:40 | 0:02:44 | |
doing accounts, office work. | 0:02:44 | 0:02:46 | |
But I've got a bit of a creative side to me, | 0:02:46 | 0:02:48 | |
so the rest of my time, | 0:02:48 | 0:02:50 | |
always making bits and bobs. | 0:02:50 | 0:02:52 | |
I do cake art, where I model | 0:02:52 | 0:02:54 | |
and carve cake and ice it and hand-paint it. | 0:02:54 | 0:02:57 | |
Lovely. You like to travel a bit? | 0:02:57 | 0:02:59 | |
Love to travel. I wish I could afford to travel all the time. | 0:02:59 | 0:03:03 | |
We did go last year to New York, me and Lindsay went on a shopping trip. | 0:03:03 | 0:03:07 | |
-A bit of a girls' outing? -It was fantastic. | 0:03:07 | 0:03:09 | |
We spent nine hours shopping in Macy's. | 0:03:09 | 0:03:12 | |
I think you're a thoroughly naughty team, you two. | 0:03:12 | 0:03:14 | |
And I think you'll do rather well today on Bargain Hunt, | 0:03:14 | 0:03:17 | |
which is lovely for us. | 0:03:17 | 0:03:18 | |
Mary, tell me, darling, | 0:03:18 | 0:03:20 | |
what is this embarrassing moment you had in wherever it was - | 0:03:20 | 0:03:24 | |
-Cheltenham, was it? -Yes, at an antique fair. | 0:03:24 | 0:03:26 | |
We'd stood at a stall | 0:03:26 | 0:03:28 | |
and Gerry very often walks off like he normally does, | 0:03:28 | 0:03:31 | |
-and he shouldn't - he should stay by me. -Quite right. | 0:03:31 | 0:03:34 | |
I was a bit cold and he had a short-sleeved shirt on, | 0:03:34 | 0:03:36 | |
so I wanted to warm my hands. | 0:03:36 | 0:03:38 | |
I put my hands up his shirtsleeves just to warm myself | 0:03:38 | 0:03:41 | |
on his shoulder and it wasn't him. It was someone else. | 0:03:41 | 0:03:44 | |
-Some random man? -And he jumped a mile! | 0:03:44 | 0:03:46 | |
Well, he would, wouldn't he? | 0:03:46 | 0:03:48 | |
I tried to say I was sorry but was so embarrassed. | 0:03:48 | 0:03:52 | |
Gerry, it says here you're a fish and chip fan? | 0:03:52 | 0:03:54 | |
We bought a fish and chip shop in Barnsley. | 0:03:54 | 0:03:56 | |
-Did you do the frying-up in the chippy? -Yup. -You did? | 0:03:56 | 0:03:59 | |
It was just the two of us with the help of one other woman. | 0:03:59 | 0:04:02 | |
It's hard work, isn't it? | 0:04:02 | 0:04:03 | |
-That was the problem. -Hot fat? -It was long hours and we never saw the kids. | 0:04:03 | 0:04:06 | |
-No, quite. Are you ready for this? -Oh, yes! -And so are we. | 0:04:06 | 0:04:09 | |
Now, the money moment. | 0:04:09 | 0:04:11 | |
£300 apiece, if I can get it out. | 0:04:11 | 0:04:13 | |
£300... You know the rules. | 0:04:13 | 0:04:15 | |
Your experts await and off you go! | 0:04:15 | 0:04:18 | |
Very, very, very good luck. | 0:04:18 | 0:04:19 | |
I'm partial to a bit of fish and chips, myself. | 0:04:19 | 0:04:22 | |
'So, who's helping out the teams today? | 0:04:22 | 0:04:25 | |
'With focused vision, David Harper | 0:04:25 | 0:04:27 | |
'will be trying to spot a bargain for the Reds. | 0:04:27 | 0:04:30 | |
'And supporting the Blues is | 0:04:30 | 0:04:32 | |
'me old "china", Kate Bliss.' | 0:04:32 | 0:04:34 | |
So, you two, you've got your money, but who has the best taste? | 0:04:37 | 0:04:41 | |
-Definitely me. -Me. | 0:04:41 | 0:04:42 | |
She said she might need reining in. | 0:04:42 | 0:04:44 | |
-That's for sure. -OK. | 0:04:44 | 0:04:46 | |
-Lindsay's got very strange taste. -I'll look after you. | 0:04:46 | 0:04:49 | |
She normally calls it "drag queen". | 0:04:49 | 0:04:51 | |
-Shall we get started? -Yes. | 0:04:51 | 0:04:53 | |
What kind of things do you like, Becky? | 0:04:53 | 0:04:55 | |
-Beautiful things. -Beautiful things? -Shiny, pretty... | 0:04:55 | 0:04:58 | |
OK. | 0:04:58 | 0:04:59 | |
Lovely inkwell down there. | 0:04:59 | 0:05:00 | |
That's a big chunk of silver. | 0:05:00 | 0:05:03 | |
How much is the inkwell, please? | 0:05:03 | 0:05:06 | |
I've got 150 on that, I think. | 0:05:06 | 0:05:08 | |
It's a good lump, isn't it? | 0:05:08 | 0:05:10 | |
Is there any damage on it? | 0:05:10 | 0:05:12 | |
It has some age marks. | 0:05:12 | 0:05:15 | |
Yes, but the hallmarks are quite clear. | 0:05:15 | 0:05:18 | |
The inserts... | 0:05:18 | 0:05:20 | |
Glass. | 0:05:20 | 0:05:21 | |
It has that insert. | 0:05:21 | 0:05:22 | |
Is there any leeway on that? | 0:05:22 | 0:05:24 | |
I could do something on that. | 0:05:24 | 0:05:26 | |
Do you like that, Gerry? | 0:05:26 | 0:05:27 | |
Yeah, I do. | 0:05:27 | 0:05:28 | |
It's quite masculine, isn't it? | 0:05:28 | 0:05:31 | |
Do you want to have a look? | 0:05:31 | 0:05:34 | |
It's quite smart, isn't it? | 0:05:34 | 0:05:37 | |
Inkwells, although people don't use them, | 0:05:37 | 0:05:40 | |
they make quite nice presents. | 0:05:40 | 0:05:42 | |
Especially when you're battling to buy something for a man. | 0:05:42 | 0:05:45 | |
You've got it, Mary. | 0:05:45 | 0:05:47 | |
But that is quite expensive. | 0:05:47 | 0:05:49 | |
It will take quite a chunk of our money. | 0:05:49 | 0:05:51 | |
What is the best? | 0:05:51 | 0:05:53 | |
I can do 120. | 0:05:53 | 0:05:54 | |
120 on that. | 0:05:54 | 0:05:56 | |
I would say it's 1920s, something like that. | 0:05:56 | 0:05:59 | |
Shall we leave it for a second and not jump in at the moment? | 0:05:59 | 0:06:02 | |
I think that's a good idea. | 0:06:02 | 0:06:04 | |
Leave it if you're unsure, Blues. | 0:06:04 | 0:06:08 | |
Having teed off well, what have the Reds spotted down the fairway? | 0:06:08 | 0:06:11 | |
-The style of dress is 19...? -'20s? | 0:06:11 | 0:06:15 | |
Yeah, absolutely. | 0:06:15 | 0:06:17 | |
Is it an Art Deco | 0:06:17 | 0:06:19 | |
bronze of a golfer? | 0:06:19 | 0:06:22 | |
-Gosh. -Cos if it is, | 0:06:22 | 0:06:23 | |
it's worth stacks of money. | 0:06:23 | 0:06:25 | |
-Is it really? -Stacks of money. | 0:06:25 | 0:06:26 | |
Positively stacks. | 0:06:26 | 0:06:28 | |
What do you think? | 0:06:28 | 0:06:30 | |
It is positively not... | 0:06:30 | 0:06:31 | |
-1920s. -We'll move on. | 0:06:31 | 0:06:34 | |
This isn't going quite as well as planned. | 0:06:34 | 0:06:37 | |
Share your worries, Becky. | 0:06:37 | 0:06:38 | |
I'm just worried we're running out of time. | 0:06:38 | 0:06:41 | |
I can see lots of furniture-y things and I want nice, | 0:06:41 | 0:06:43 | |
pretty, little things. | 0:06:43 | 0:06:45 | |
-You want shiny things? -Yes. | 0:06:45 | 0:06:46 | |
A bit of silver or something? | 0:06:46 | 0:06:48 | |
-A bit of bling. -She does like bling, you see. | 0:06:48 | 0:06:50 | |
I like classy bling. | 0:06:50 | 0:06:53 | |
They are decorative but they are new. Not much age to them. | 0:06:53 | 0:06:56 | |
Are these chocolate or cookie? | 0:06:56 | 0:06:58 | |
Seems everyone's after bling today. | 0:06:58 | 0:07:00 | |
Coffee and hot water. | 0:07:00 | 0:07:02 | |
165, but a really nice size. | 0:07:02 | 0:07:05 | |
You see here it's stamped 95? | 0:07:05 | 0:07:08 | |
95 suggests to me | 0:07:08 | 0:07:09 | |
it's probably quite modern. | 0:07:09 | 0:07:11 | |
What are you thinking? | 0:07:11 | 0:07:12 | |
-That painting... -Do you like that? | 0:07:12 | 0:07:14 | |
Becky, talk to me about that. | 0:07:14 | 0:07:15 | |
It's interesting. It's quite... | 0:07:15 | 0:07:17 | |
different. I don't know what Lindsay thinks. | 0:07:17 | 0:07:20 | |
I'm looking at Lindsay's face. | 0:07:20 | 0:07:22 | |
It's, erm, not shiny. | 0:07:22 | 0:07:25 | |
No. Is it shiny inside? | 0:07:25 | 0:07:26 | |
It's unusual, it looks a bit... Oh, it's broken. | 0:07:26 | 0:07:29 | |
Oh, dear. | 0:07:29 | 0:07:30 | |
-Does it put a smile on your face? It does me. -It does me. | 0:07:30 | 0:07:34 | |
It's broken inside. | 0:07:34 | 0:07:36 | |
It's a restoration project, isn't it? | 0:07:36 | 0:07:39 | |
It's Indian. | 0:07:39 | 0:07:40 | |
There's the mirror on the inside and look at the age of that mirror. | 0:07:40 | 0:07:43 | |
That HAS got age. | 0:07:43 | 0:07:44 | |
I think that's more likely a 1920s thing | 0:07:44 | 0:07:47 | |
-someone would have brought back from India. -Really? | 0:07:47 | 0:07:50 | |
Never expensive. | 0:07:50 | 0:07:52 | |
I think there's even wallpaper lining around the mirror there. | 0:07:52 | 0:07:55 | |
It was a blingy thing, really blingy, | 0:07:55 | 0:07:58 | |
80-odd years ago. | 0:07:58 | 0:08:00 | |
I wouldn't probably think, | 0:08:00 | 0:08:01 | |
"I can but that and do something with it." | 0:08:01 | 0:08:04 | |
Can you imagine that on the wall | 0:08:04 | 0:08:06 | |
-in my downstairs or something? -Yeah, definitely. | 0:08:06 | 0:08:09 | |
Do you like the price? | 0:08:09 | 0:08:10 | |
£35 ticket. | 0:08:10 | 0:08:12 | |
-No. -I'd like it to be slightly less. | 0:08:12 | 0:08:14 | |
It needs to be more reasonable to spend the time and effort on it. | 0:08:14 | 0:08:18 | |
-What would you like to spend? -I think £10, £15. | 0:08:18 | 0:08:21 | |
That's a bit hard. | 0:08:21 | 0:08:22 | |
Hello, who do we talk to about prices? | 0:08:22 | 0:08:25 | |
Is that your dad? | 0:08:26 | 0:08:28 | |
Come on, Dad, | 0:08:28 | 0:08:29 | |
can you help us out with a price here, | 0:08:29 | 0:08:31 | |
on this funny little Indian thing? | 0:08:31 | 0:08:34 | |
Today's price, 25 quid. | 0:08:34 | 0:08:36 | |
-25 quid. Girls, what do you think? -That's absolutely for nothing. | 0:08:36 | 0:08:40 | |
If we could make it less than 20. | 0:08:40 | 0:08:42 | |
Oh, she's hard. | 0:08:42 | 0:08:43 | |
-You're having a laugh there. -Really? | 0:08:43 | 0:08:45 | |
Could you do it for £20? | 0:08:45 | 0:08:47 | |
Possibly with a really nice, big smile? | 0:08:47 | 0:08:50 | |
-Go on, then. -Give him a nice, big smile, then. | 0:08:51 | 0:08:54 | |
Go on. | 0:08:54 | 0:08:56 | |
-Give him a big snile. -"Snile?!" -Thank you very much. | 0:08:56 | 0:08:58 | |
Well done, Reds. | 0:08:58 | 0:09:00 | |
That's your first item bought. | 0:09:00 | 0:09:02 | |
Meanwhile, what are the Blues up to? | 0:09:02 | 0:09:04 | |
-Is that a...? -Little puzzle box. | 0:09:04 | 0:09:05 | |
Is it?! | 0:09:05 | 0:09:07 | |
That's quite sweet, Mary. | 0:09:07 | 0:09:09 | |
That bit opens like that | 0:09:09 | 0:09:11 | |
and then that bit | 0:09:11 | 0:09:13 | |
slides like that. | 0:09:13 | 0:09:16 | |
Is there a price on it? | 0:09:16 | 0:09:17 | |
24. | 0:09:17 | 0:09:19 | |
The only thing I would say is | 0:09:19 | 0:09:20 | |
I'm not sure about this big screw here. | 0:09:20 | 0:09:22 | |
I'm not sure | 0:09:22 | 0:09:25 | |
where that may have been. | 0:09:25 | 0:09:26 | |
I know it has a nice patina on it, | 0:09:26 | 0:09:28 | |
but I'm not sure if that would be later. | 0:09:28 | 0:09:30 | |
It's quite a harsh screw, right in the top there. | 0:09:30 | 0:09:33 | |
Lovely bit of mahogany, though. | 0:09:33 | 0:09:35 | |
-It's quite tactile, isn't it? -This is all mahogany. | 0:09:35 | 0:09:37 | |
-Hi there. -Hello. | 0:09:37 | 0:09:40 | |
This is nice. What would you say? | 0:09:40 | 0:09:42 | |
-Would you say that screw there was original? -I do, yeah. | 0:09:42 | 0:09:45 | |
It's a string box. | 0:09:45 | 0:09:47 | |
You pull the string | 0:09:47 | 0:09:49 | |
through this little hole. | 0:09:49 | 0:09:51 | |
The price is 24. What could you do for us on that one? | 0:09:51 | 0:09:55 | |
What have we got on it, 24? | 0:09:55 | 0:09:57 | |
20. | 0:09:57 | 0:09:59 | |
We've got to put it into auction... | 0:09:59 | 0:10:01 | |
she says. | 0:10:01 | 0:10:04 | |
-18. -18? | 0:10:04 | 0:10:06 | |
I don't want to keep thinking about things | 0:10:07 | 0:10:11 | |
but should I hold that as a comeback one? | 0:10:11 | 0:10:13 | |
-As a maybe? -Yes. | 0:10:13 | 0:10:14 | |
Set it aside, Blues. | 0:10:14 | 0:10:16 | |
But don't "string" us along! | 0:10:16 | 0:10:17 | |
You'll have to make some decisions soon! | 0:10:17 | 0:10:20 | |
Do you like that? | 0:10:20 | 0:10:21 | |
I quite like how it's set out. | 0:10:21 | 0:10:23 | |
Lindsay, what do you think? | 0:10:23 | 0:10:26 | |
-What are they, though? -Looks like spoons to me. | 0:10:26 | 0:10:28 | |
It's a little tea set. | 0:10:28 | 0:10:30 | |
I like that. | 0:10:30 | 0:10:32 | |
Come on! Having a cup of tea... | 0:10:32 | 0:10:34 | |
-What's that, then? -Loose-leaf tea. | 0:10:34 | 0:10:36 | |
-What's that for? -A little pickle something or other. | 0:10:36 | 0:10:40 | |
Cake. A little, tiny cake. | 0:10:40 | 0:10:42 | |
-How dainty would that be? -It would be lovely. | 0:10:42 | 0:10:44 | |
In its original form... | 0:10:44 | 0:10:46 | |
I bet it's for lemon. | 0:10:46 | 0:10:47 | |
-They're for sugar, aren't they? -Yes. -And they're for lemon. | 0:10:47 | 0:10:51 | |
Absolutely. | 0:10:51 | 0:10:52 | |
You're a bright spark, aren't you? | 0:10:52 | 0:10:53 | |
You two are nice and posh. I didn't spot that. | 0:10:53 | 0:10:55 | |
I just see a fork and think of eating a bit of cake. | 0:10:55 | 0:10:58 | |
If it was £75, I would snatch it up. | 0:10:58 | 0:11:01 | |
Shall I go and find out what it can be? | 0:11:01 | 0:11:04 | |
I think the tea thing is what's clinching it. | 0:11:04 | 0:11:07 | |
In the antiques game, | 0:11:07 | 0:11:08 | |
all the best deals are done out of the back of a lorry. | 0:11:08 | 0:11:10 | |
Girls, | 0:11:10 | 0:11:12 | |
this is the daughter of the stallholder. | 0:11:12 | 0:11:15 | |
BOTH: Right. | 0:11:15 | 0:11:16 | |
She has an announcement for you. | 0:11:16 | 0:11:17 | |
Oh, right. | 0:11:17 | 0:11:18 | |
Your offer of £75... | 0:11:18 | 0:11:21 | |
-Is all right. -Is it? | 0:11:21 | 0:11:22 | |
Excellent! Thank you very much! | 0:11:22 | 0:11:25 | |
Great! That's two purchases for the Reds. | 0:11:25 | 0:11:28 | |
It's two-nil now. | 0:11:28 | 0:11:29 | |
Time to wake up, Blues. | 0:11:29 | 0:11:31 | |
What have you spied, Gerry? | 0:11:31 | 0:11:34 | |
A glance at this one, it's an alarm clock, would you believe? | 0:11:34 | 0:11:37 | |
Right. | 0:11:37 | 0:11:39 | |
-Very light. -Have a look, Mary. | 0:11:39 | 0:11:42 | |
It's French, isn't it? | 0:11:43 | 0:11:45 | |
There's the alarm on the bottom, | 0:11:46 | 0:11:48 | |
the little bell. | 0:11:48 | 0:11:50 | |
-75. -75? | 0:11:51 | 0:11:53 | |
Let's have a closer look, Gerry. | 0:11:53 | 0:11:54 | |
So we have a plated case. | 0:11:54 | 0:11:59 | |
It's not silver, it's sort of chrome. | 0:11:59 | 0:12:01 | |
Then the dial is actually not in bad condition. | 0:12:01 | 0:12:04 | |
It's quite nice and clean, with Roman numerals. | 0:12:04 | 0:12:06 | |
Then you have a subsidiary dial here | 0:12:06 | 0:12:08 | |
for your alarm. | 0:12:08 | 0:12:10 | |
Presumably you have your two... | 0:12:10 | 0:12:14 | |
your two screws at the back | 0:12:14 | 0:12:16 | |
to set your alarm and the actual time. | 0:12:16 | 0:12:19 | |
Your winders for each. | 0:12:19 | 0:12:20 | |
And you can see the movement in here. | 0:12:20 | 0:12:23 | |
-I think 75 is quite a lot. -I think so as well. | 0:12:23 | 0:12:27 | |
I would probably like to say | 0:12:27 | 0:12:29 | |
an auction estimate would be 40 to 60. | 0:12:29 | 0:12:32 | |
But I think it's a good thing, Gerry. | 0:12:32 | 0:12:34 | |
-Who's going to have a chat with the stallholder? -Shall I go? | 0:12:34 | 0:12:37 | |
-Go in low, Gerry. -OK. | 0:12:37 | 0:12:39 | |
Go and see what you can do. | 0:12:39 | 0:12:41 | |
We'll leave that to you. | 0:12:41 | 0:12:43 | |
Gerry... (Low!) | 0:12:43 | 0:12:45 | |
How low can you go, Gerry? | 0:12:46 | 0:12:48 | |
Rrrr! | 0:12:48 | 0:12:51 | |
Here he comes. | 0:12:51 | 0:12:53 | |
I think we'll leave it for now. | 0:12:53 | 0:12:56 | |
-60 is the lowest he'll go. -60? | 0:12:56 | 0:12:58 | |
Not another one on the back burner, surely?! | 0:12:58 | 0:13:00 | |
It's an awkward one, isn't it? | 0:13:00 | 0:13:02 | |
-55, do you reckon? -I think so. | 0:13:02 | 0:13:04 | |
Would you do 55? | 0:13:04 | 0:13:05 | |
55? Fantastic! | 0:13:05 | 0:13:08 | |
-I like it. -OK. | 0:13:08 | 0:13:09 | |
-That's super. Thanks very much, we'll have that. -Great! | 0:13:09 | 0:13:12 | |
Finally! Well done, Blues. Your first purchase made. | 0:13:12 | 0:13:16 | |
I was starting to get alarmed there. | 0:13:16 | 0:13:19 | |
So, how do the teams think they're doing? | 0:13:19 | 0:13:22 | |
We're about 22 minutes in, guys, and one purchase which is great. | 0:13:22 | 0:13:25 | |
-We're on schedule. How are you feeling? -Quite good, actually. | 0:13:25 | 0:13:29 | |
-We've surprised ourselves how quickly we've managed to find things. -I think so. | 0:13:29 | 0:13:32 | |
Yes, I think we've made some good decisions. | 0:13:32 | 0:13:34 | |
How are you feeling about that inkwell now? | 0:13:34 | 0:13:37 | |
Not so sure now we've bought that | 0:13:37 | 0:13:39 | |
because that is... I know it's not VERY expensive, | 0:13:39 | 0:13:42 | |
but it is quite a big item. | 0:13:42 | 0:13:44 | |
I don't hate Lindsay's taste. | 0:13:44 | 0:13:46 | |
Erm, not all the time. | 0:13:46 | 0:13:49 | |
It troubles me sometimes. | 0:13:49 | 0:13:51 | |
"Trespassers will be prosecuted." I quite like that. | 0:13:51 | 0:13:54 | |
Great Eastern Railway. | 0:13:54 | 0:13:55 | |
-What are you looking at? -I quite like that microscope, but I don't know why. | 0:13:55 | 0:14:00 | |
I know nothing about microscopes. | 0:14:00 | 0:14:02 | |
-Oh, my word! -Is it heavy? | 0:14:02 | 0:14:03 | |
-Feel how heavy that is. -Goodness me. That's a proper working thing. | 0:14:03 | 0:14:08 | |
I do like the old-fashioned gadgets. | 0:14:08 | 0:14:10 | |
-Old-fashioned gadgets that did things. -Right. -Performed a job. | 0:14:10 | 0:14:14 | |
Right. How much is it? | 0:14:14 | 0:14:16 | |
-150. -150? Well, is it worth 150, Lindsay? | 0:14:16 | 0:14:20 | |
I don't know because it depends how many other people would like it. | 0:14:20 | 0:14:23 | |
-Don't you think that would look cool on a desk? -No. Not at all. | 0:14:23 | 0:14:25 | |
You're entitled to your own opinion, Becky. | 0:14:25 | 0:14:27 | |
-Why were you drawn to that? -I like that camera as well. -Oh, my gosh. | 0:14:27 | 0:14:30 | |
-She's off again. Right. OK. -That you could see as a decorative item in somebody's home. | 0:14:30 | 0:14:34 | |
Thank you. It's coming over. Thank you very much. | 0:14:34 | 0:14:38 | |
-What kind of money have we got on this one? -160. -160 on that. | 0:14:38 | 0:14:42 | |
Now, again, what can I tell you about this? | 0:14:42 | 0:14:45 | |
I think it's beautiful, but I don't think it would make a profit necessarily. | 0:14:45 | 0:14:49 | |
Who knows? Who knows? Are we going to have a go at buying it | 0:14:49 | 0:14:52 | |
cos we're running out of time? | 0:14:52 | 0:14:54 | |
What do you think? Shall we think about it? | 0:14:55 | 0:14:57 | |
I'd rather buy something else. | 0:14:57 | 0:14:59 | |
Nope. Becky's not happy. | 0:14:59 | 0:15:01 | |
But what's this with the Blues? | 0:15:01 | 0:15:03 | |
They've headed back for the wooden string box. | 0:15:03 | 0:15:06 | |
-18. -18. You couldn't do 15 for us, could you? -Would you mind? | 0:15:06 | 0:15:10 | |
-That's smashing. -Thanks very much. That's super. | 0:15:10 | 0:15:13 | |
-Many thanks. -Thank you. I love that. -Great. Brilliant. | 0:15:13 | 0:15:16 | |
-Well done, Mary. -Beautiful. Tactile. | 0:15:16 | 0:15:18 | |
Not wasting any time there. | 0:15:18 | 0:15:20 | |
So, now both teams have two purchases in the bag. | 0:15:20 | 0:15:23 | |
OK, you too. We have 14 minutes left. | 0:15:23 | 0:15:26 | |
Let's just have a little catch-up here. | 0:15:26 | 0:15:28 | |
Becky, I have an announcement to make. | 0:15:28 | 0:15:30 | |
-You know that microscope that Lindsay likes? -Yes. | 0:15:30 | 0:15:33 | |
I'm beginning to sort of like it myself. | 0:15:33 | 0:15:36 | |
Oh, dear. Two against one, eh? | 0:15:36 | 0:15:39 | |
-What are your thoughts on that, then? -A bit troubled... | 0:15:39 | 0:15:42 | |
-to be honest with you. -Do you know why I like it? -Why? | 0:15:42 | 0:15:46 | |
Because I know absolutely genuinely nothing about it at all. | 0:15:46 | 0:15:49 | |
-Microscopes and me don't go together. -Right. | 0:15:49 | 0:15:51 | |
But it does come with its big box. | 0:15:51 | 0:15:54 | |
As we were walking away, I did spot that it has a great display box, | 0:15:54 | 0:15:57 | |
something to carry it in. | 0:15:57 | 0:15:58 | |
And inside that box will be little compartments | 0:15:58 | 0:16:01 | |
and bits and bobs to go with that microscope. | 0:16:01 | 0:16:03 | |
Therefore, I'm warming a touch more to it... | 0:16:03 | 0:16:06 | |
Good sales talk, David. | 0:16:06 | 0:16:08 | |
..as a last resort. | 0:16:08 | 0:16:09 | |
It would be a major risk, but isn't it good taking a risk? | 0:16:09 | 0:16:12 | |
Well, it's different. | 0:16:12 | 0:16:13 | |
You never make money in this business unless you really risk. | 0:16:13 | 0:16:16 | |
You have to risk every day to make money. | 0:16:16 | 0:16:20 | |
-You are 110% right. -If you stick with the safe things, | 0:16:20 | 0:16:22 | |
you make what we call beer money. | 0:16:22 | 0:16:24 | |
Who needs beer money? That's no good. We need a lot of money. | 0:16:24 | 0:16:27 | |
-We want New York money. -Baby, I'm with you. | 0:16:27 | 0:16:30 | |
I'M with you on that one, girls. | 0:16:30 | 0:16:33 | |
So we either go to New York on a high | 0:16:33 | 0:16:34 | |
or we're down in the gutter if it goes wrong. | 0:16:34 | 0:16:37 | |
Or in the pub having a beer. | 0:16:37 | 0:16:39 | |
Mary. | 0:16:43 | 0:16:46 | |
Have you seen anything? | 0:16:46 | 0:16:48 | |
Well, I'm just looking for little sewing things for you. | 0:16:48 | 0:16:50 | |
There's a little tape measure in there. Madam, may we have a quick look? We're very short of time. | 0:16:50 | 0:16:55 | |
Oh, that's brilliant. Thank you. Now, see the little tape pulls out? | 0:16:55 | 0:16:59 | |
Now, this is lovely because it's got its original tape. | 0:16:59 | 0:17:03 | |
-Is that a magnifier? -Well spotted, Gerry. | 0:17:03 | 0:17:06 | |
This is, I think, little Stanhope | 0:17:06 | 0:17:09 | |
which is, if we have a tiny look in there... | 0:17:09 | 0:17:13 | |
I'm not very good at this. | 0:17:13 | 0:17:14 | |
There might be a tiny... Is there a Stanhope in here? | 0:17:14 | 0:17:17 | |
There's no Stanhope. No, it's gone. | 0:17:17 | 0:17:20 | |
-But there probably would have been originally. -Yes. | 0:17:20 | 0:17:23 | |
Named after Stanhope who invented them. | 0:17:23 | 0:17:25 | |
There'd be a tiny little picture in there | 0:17:25 | 0:17:27 | |
which when you hold it up to the eye, you could see. | 0:17:27 | 0:17:29 | |
They were made as little tourist things, little souvenir pieces. | 0:17:29 | 0:17:32 | |
But it's still got its original little... There you go. | 0:17:32 | 0:17:35 | |
You can see it's still got the markings on it. | 0:17:35 | 0:17:38 | |
And this little handle up here you use to wind it back in again. | 0:17:38 | 0:17:42 | |
-Super. -All still in working order. | 0:17:42 | 0:17:45 | |
What could you do on that for us? We've got 28. | 0:17:45 | 0:17:48 | |
-Do 20. -What do you think? | 0:17:48 | 0:17:51 | |
-Quite nice. -This is more your sort of thing, Mary. | 0:17:51 | 0:17:53 | |
-But what do you think of it, Gerry? -I like it. -Yeah? -I do. | 0:17:53 | 0:17:56 | |
-You couldn't do it for ten, could you? -I was thinking 15. | 0:17:56 | 0:18:00 | |
Meet us in the middle. 12? | 0:18:00 | 0:18:02 | |
-12? -Just for you. -Just for us? | 0:18:02 | 0:18:05 | |
-What do you think, chaps? -Yes. -That's super. That's lovely. | 0:18:05 | 0:18:08 | |
Thank you very much. | 0:18:08 | 0:18:10 | |
Well done, Blues. | 0:18:10 | 0:18:11 | |
You've finished and with a full five minutes left. | 0:18:11 | 0:18:13 | |
Don't look now but the Reds are still shopping behind us. | 0:18:13 | 0:18:18 | |
Don't look, Gerry. | 0:18:18 | 0:18:20 | |
Shall we go and have a look at the box with the microscope? | 0:18:20 | 0:18:23 | |
-Shall we do that? -What did he want for it? -150-ish. | 0:18:23 | 0:18:28 | |
-I think we can... -What do you think? -I think we can bargain him. | 0:18:28 | 0:18:32 | |
-You two could. -We're going to bargain him. | 0:18:32 | 0:18:35 | |
Go on, Reds. Haggle. | 0:18:35 | 0:18:36 | |
Time check. Time check. Three minutes. OK. | 0:18:36 | 0:18:39 | |
-Let's have a look. -I love it. -What's the best for us? No, not for us. | 0:18:41 | 0:18:44 | |
-For us! -For those two. | 0:18:44 | 0:18:47 | |
Look into their eyes | 0:18:47 | 0:18:49 | |
-and tell me... -135. Final. | 0:18:49 | 0:18:53 | |
-You see... -Two minutes. | 0:18:55 | 0:18:56 | |
I think 125 would be a lovely nice round figure. | 0:18:56 | 0:19:02 | |
-Excellent. -Are you going to do it? -Thank you very much. -We've done it. | 0:19:02 | 0:19:05 | |
Oh, my gosh. Thank you very much indeed. That's a real risk. | 0:19:05 | 0:19:08 | |
But good fun. Thank you. You're done. | 0:19:08 | 0:19:11 | |
You've done it. Well done, girls. All three items bought. | 0:19:11 | 0:19:14 | |
With a minute and a half to go. | 0:19:14 | 0:19:16 | |
Just in time cos time's up. | 0:19:18 | 0:19:20 | |
Let's check out what the Red team bought, eh? | 0:19:20 | 0:19:23 | |
Their first purchase was an Indian hardwood broken mirror | 0:19:23 | 0:19:26 | |
picked up for a reflective £20. | 0:19:26 | 0:19:28 | |
A boxed set of continental silver teaspoons, | 0:19:30 | 0:19:33 | |
strainer and forks were acquired for £75. | 0:19:33 | 0:19:36 | |
And finally, they focused £125 of their budget | 0:19:38 | 0:19:41 | |
on a 1930s microscope in a mahogany box. | 0:19:41 | 0:19:45 | |
Stressful but we're living life on the edge. | 0:19:45 | 0:19:48 | |
I like a bit of excitement. | 0:19:48 | 0:19:50 | |
-And it's been an exciting morning for you, hasn't it? -Marvellous. | 0:19:50 | 0:19:53 | |
-Marvellous. You spent a good amount, didn't you? -Yes. £220. -I love it. | 0:19:53 | 0:19:58 | |
-£80 leftover lolly, please. -Yes. -Thank you. | 0:19:58 | 0:20:01 | |
Coming out of the old fleece, that's good. Super duper. | 0:20:01 | 0:20:04 | |
-Straight over to Harper. -Thank you very much. -All right? -Yes, very good. | 0:20:04 | 0:20:07 | |
I've never seen a man look so perky, actually. | 0:20:07 | 0:20:10 | |
This HAS been a good morning for you. What are you going to do with your £80? | 0:20:10 | 0:20:13 | |
I'm not going to buy a scientific instrument. | 0:20:13 | 0:20:15 | |
We've had enough scientific instruments for one day, | 0:20:15 | 0:20:18 | |
-I promise you. None of that business. -Spoilsport. | 0:20:18 | 0:20:23 | |
-You'll get up to some sort of fishy business. -Obviously. | 0:20:23 | 0:20:25 | |
Marvellous. Marvellous. Relax up, girls. Have a nice cup of tea. | 0:20:25 | 0:20:28 | |
Meanwhile, we're going to check out what the Blue team bought, aren't we? | 0:20:28 | 0:20:32 | |
They spent £55 on this French chrome alarm clock. | 0:20:32 | 0:20:36 | |
They forked out £15 on their Georgian mahogany string box. | 0:20:38 | 0:20:41 | |
And finally, they stretched to £12 | 0:20:44 | 0:20:46 | |
for this novelty Edwardian tape measure. | 0:20:46 | 0:20:49 | |
You might have done and you might not. | 0:20:50 | 0:20:52 | |
Hey, I've got a horrible rumour that you didn't spend too much cash, Mary. | 0:20:52 | 0:20:55 | |
-Is this true? -Well, I was going to, but no, we didn't. | 0:20:55 | 0:20:59 | |
-What did you spend? -82. | 0:20:59 | 0:21:01 | |
-What, on all three pieces?! -Yes, all three. | 0:21:01 | 0:21:04 | |
-All three pieces for £82! -Good pieces. | 0:21:04 | 0:21:07 | |
-Who's got the £218 of leftover lolly? -Not me. | 0:21:07 | 0:21:11 | |
-Have you got it? -No. -No? Have you got it? | 0:21:11 | 0:21:14 | |
-Yes, I have. -You're a joker, you are, aren't you? | 0:21:14 | 0:21:18 | |
Dear, oh, dear, oh, dear. | 0:21:18 | 0:21:19 | |
And then we've got the three. There's a fiver in there. Lovely. | 0:21:19 | 0:21:22 | |
Well, I'm not going to check this because I trust you. | 0:21:22 | 0:21:25 | |
You are quite clearly morally upstanding | 0:21:25 | 0:21:28 | |
-and pillars of the community. -Right. -I know nothing. | 0:21:28 | 0:21:33 | |
This small fortune gets handed across to Kate. | 0:21:33 | 0:21:36 | |
-Thank you very much. -Kate, that is enough to buy half the fair. | 0:21:36 | 0:21:39 | |
-It is. Ish. -And what are you going to spend it on? Blow the lot. Go on. | 0:21:39 | 0:21:43 | |
-Go for it. -Quality. Quality. | 0:21:43 | 0:21:45 | |
OK. Anyway, good luck. | 0:21:45 | 0:21:46 | |
Meanwhile, we're heading off to somewhere absolutely splendiferous. | 0:21:46 | 0:21:50 | |
A charming Edwardian house, Lotherton Hall is located just outside Leeds. | 0:21:55 | 0:22:01 | |
A country residence once home to the Gascoigne family, | 0:22:01 | 0:22:04 | |
it houses an impressive collection | 0:22:04 | 0:22:06 | |
including some fabulous furniture | 0:22:06 | 0:22:09 | |
which is what's brought me here today. | 0:22:09 | 0:22:11 | |
And it's abundantly obvious that the Gascoigne family | 0:22:14 | 0:22:18 | |
enjoyed entertaining. | 0:22:18 | 0:22:20 | |
Look at this dining room. | 0:22:20 | 0:22:22 | |
Built in heaven, I reckon, eh? | 0:22:22 | 0:22:25 | |
And where better to go to furnish a dining room | 0:22:25 | 0:22:28 | |
than to Messrs Gillows, which is exactly what they did? | 0:22:28 | 0:22:31 | |
Gillows, the 18th-century furniture makers | 0:22:31 | 0:22:35 | |
renowned for making very, very sound mahogany dining room furniture. | 0:22:35 | 0:22:41 | |
This particular table is called an imperial table. | 0:22:41 | 0:22:45 | |
It was built by Gillows between about 1810 and 1813. | 0:22:45 | 0:22:49 | |
Called an imperial table because of its system of supports | 0:22:49 | 0:22:54 | |
which is a series of zigzag tongs which underneath the surface | 0:22:54 | 0:22:59 | |
enable you to either expand or contract the dining table, | 0:22:59 | 0:23:03 | |
depending on how many people you want to feed around it. | 0:23:03 | 0:23:07 | |
The interesting thing about the Gillows furniture firm | 0:23:07 | 0:23:10 | |
is that they supplied in addition to furniture | 0:23:10 | 0:23:13 | |
all the furnishings to go into a grand house. | 0:23:13 | 0:23:16 | |
Soft furnishings, blinds, linoleums and the like. | 0:23:16 | 0:23:20 | |
And also, subsidiary bits like this. | 0:23:20 | 0:23:23 | |
This is called a chair-back fire screen. | 0:23:23 | 0:23:27 | |
It dates from the 1810 or 1820s period. | 0:23:27 | 0:23:31 | |
It is a flat screen of woven material with a couple of hooks | 0:23:31 | 0:23:35 | |
that you can hang on the back of a chair | 0:23:35 | 0:23:38 | |
because Gillows knew that in a decent dining room | 0:23:38 | 0:23:43 | |
you'd have a roaring fire here | 0:23:43 | 0:23:45 | |
and in order that THAT man in the far corner of the dining table | 0:23:45 | 0:23:49 | |
didn't freeze, it got very hot over here. | 0:23:49 | 0:23:53 | |
So hot indeed that the radiant heat from the fire could scorch | 0:23:53 | 0:23:58 | |
the back of the valuable mahogany chair | 0:23:58 | 0:24:01 | |
and make it uncomfortable for the person sitting in it. | 0:24:01 | 0:24:04 | |
The other thing that the landed gentry liked to do | 0:24:04 | 0:24:07 | |
in the 19th century was to go hunting. | 0:24:07 | 0:24:10 | |
So, what's this Gillows piece of furniture | 0:24:10 | 0:24:12 | |
got to do with hunting, then? | 0:24:12 | 0:24:14 | |
Well, actually, its connection with hunting is rather after the event. | 0:24:14 | 0:24:19 | |
The idea being that this table would be set up | 0:24:19 | 0:24:22 | |
in front of a roaring fire and you would draw the curtain, | 0:24:22 | 0:24:27 | |
like that, and then if you're a huntsman | 0:24:27 | 0:24:30 | |
and you've come in cold and wet from your mighty steed, | 0:24:30 | 0:24:34 | |
you'd revolve the decanters on that little trackway, | 0:24:34 | 0:24:37 | |
pick up the decanter, top up your glass | 0:24:37 | 0:24:41 | |
and your mate on the other side | 0:24:41 | 0:24:43 | |
would simply whisk the decanter over his way and he'd have a top up. | 0:24:43 | 0:24:48 | |
Now, this surface is especially organised for glasses | 0:24:48 | 0:24:52 | |
because this little raised gallery here, or bead, is there to stop | 0:24:52 | 0:24:56 | |
any glasses from falling out that way, | 0:24:56 | 0:24:58 | |
as is this bead against the front edge. | 0:24:58 | 0:25:01 | |
Having studied this table closely, | 0:25:01 | 0:25:04 | |
the difference between the turned leg on the imperial dining table | 0:25:04 | 0:25:09 | |
and the hunt table leg is that this one's got a brass cap | 0:25:09 | 0:25:12 | |
which means that these four legs can be unscrewed. | 0:25:12 | 0:25:17 | |
In fact, the whole thing can be demounted | 0:25:17 | 0:25:20 | |
and packed up in a flat pack for transportation. | 0:25:20 | 0:25:24 | |
So that if the hunt was meeting | 0:25:24 | 0:25:27 | |
and finishing some miles away from a civilised house, | 0:25:27 | 0:25:31 | |
you could take the flat-packed hunt table with you, | 0:25:31 | 0:25:36 | |
along with the drink and the glasses | 0:25:36 | 0:25:39 | |
and simply set up and have a merry time | 0:25:39 | 0:25:41 | |
in some rough old barn somewhere else. | 0:25:41 | 0:25:44 | |
Now, talking of hunt, how about the other type, the Bargain Hunt? | 0:25:44 | 0:25:50 | |
How will our teams perform today over at the auction? | 0:25:50 | 0:25:54 | |
Well, we've gone from one side of Lincoln city | 0:25:58 | 0:26:01 | |
to the other side of Lincoln city. | 0:26:01 | 0:26:03 | |
In fact, we've come into the city a bit | 0:26:03 | 0:26:06 | |
to be at Golding, Young & Mawer's saleroom | 0:26:06 | 0:26:09 | |
and we're with Colin Young. | 0:26:09 | 0:26:10 | |
-Lovely to see you, Colin. -Good to see you again, Tim. | 0:26:10 | 0:26:13 | |
For Lindsay and Becky, their first item is this Kashmiri mirror frame. | 0:26:13 | 0:26:19 | |
It's about the worst quality piece of Indian workmanship | 0:26:19 | 0:26:24 | |
I think I've ever seen. How do you rate it? | 0:26:24 | 0:26:27 | |
I think I have seen worse before so I'm going to remain positive with it. | 0:26:27 | 0:26:33 | |
We've placed an estimate of 30 to 50. It is only going to be tens. | 0:26:33 | 0:26:36 | |
It's not that quality that you get from the 19th century | 0:26:36 | 0:26:41 | |
that has that wow factor to it. It's a long way from that. | 0:26:41 | 0:26:45 | |
It's a long way off the wow. And they only paid £20. | 0:26:45 | 0:26:48 | |
-So if you get £30 to £40, Colin, you're their hero. -OK. -Yet again. | 0:26:48 | 0:26:52 | |
Now, this silver set is extraordinary | 0:26:52 | 0:26:55 | |
because the case is so flashy and so incredibly well presented | 0:26:55 | 0:26:59 | |
but it's presenting something that's very tinny and insubstantial. | 0:26:59 | 0:27:03 | |
I still think there will be plenty of people | 0:27:03 | 0:27:06 | |
that will have a go for it, | 0:27:06 | 0:27:07 | |
because it does look the part and I still think £40-£60. | 0:27:07 | 0:27:10 | |
How does that sound with what they've paid? | 0:27:10 | 0:27:13 | |
-Not enough. Nothing like enough. -Oh. | 0:27:13 | 0:27:15 | |
Double your bottom estimate and you're in the cash. £75, they paid. | 0:27:15 | 0:27:19 | |
-OK. -Last but not least is the microscope, | 0:27:19 | 0:27:22 | |
which is so, so much better | 0:27:22 | 0:27:24 | |
than one of those schoolroom bench jobs, isn't it? | 0:27:24 | 0:27:28 | |
It is. Nice to see it's a binocular version. | 0:27:28 | 0:27:31 | |
It's a good maker there - Cooke, Troughton as well. | 0:27:31 | 0:27:35 | |
You've got a quality item and a good case that goes with it, | 0:27:35 | 0:27:38 | |
some extra accessories to go with it, but it has seen some service. | 0:27:38 | 0:27:43 | |
So this has been something that has been | 0:27:43 | 0:27:46 | |
a good working tool in its home environment | 0:27:46 | 0:27:49 | |
and the last one that I found on the net made in the range of £50-£80. | 0:27:49 | 0:27:54 | |
Did it? They paid 125. | 0:27:54 | 0:27:56 | |
But if it doesn't go well, we're going to need the bonus buy, | 0:27:56 | 0:28:00 | |
so let's hop off and have a look at it. | 0:28:00 | 0:28:01 | |
-Now, girls, gosh, this is exciting, isn't it? -It is, yes. | 0:28:03 | 0:28:07 | |
How excited are you on an excited scale, Bex? | 0:28:07 | 0:28:10 | |
I'd say at least 9.5. | 0:28:10 | 0:28:12 | |
-Are you up there too, Lindsay? -Yeah. -Lovely. | 0:28:12 | 0:28:15 | |
You've spent £220, you gave the Harper £80. | 0:28:15 | 0:28:18 | |
He's going to show you what he spent the £80 on. Go, go, go! | 0:28:18 | 0:28:21 | |
Go, go, go, OK! | 0:28:21 | 0:28:22 | |
The excitement level might just drop here, | 0:28:22 | 0:28:24 | |
because you have to get with what it is first of all. | 0:28:24 | 0:28:28 | |
-Ooh! -Oh, what is it? | 0:28:28 | 0:28:30 | |
So, it's a letter dated 19... | 0:28:30 | 0:28:34 | |
-25. -25. From a chap called Russell Flint. -Right. | 0:28:34 | 0:28:38 | |
Have you ever heard of William Russell Flint? | 0:28:38 | 0:28:41 | |
-I don't think so. -No. | 0:28:41 | 0:28:43 | |
Well, he was a famous artist in his lifetime, | 0:28:43 | 0:28:45 | |
and a successful artist too, | 0:28:45 | 0:28:47 | |
and very well-known, Tim, for his lovely ladies, wasn't he? | 0:28:47 | 0:28:50 | |
-Yeah, mainly with no kit on. -Yes! -Ah! | 0:28:50 | 0:28:52 | |
Which makes him a very, very, very popular artist! | 0:28:52 | 0:28:55 | |
-THEY LAUGH -Yes, with Tim! | 0:28:55 | 0:28:57 | |
Well, no! I mean, not only with me! Around the world! | 0:28:57 | 0:29:00 | |
This is a letter from Russell to a fellow in Edinburgh, | 0:29:00 | 0:29:05 | |
and he's discussing art. | 0:29:05 | 0:29:06 | |
How much did you pay for it? | 0:29:06 | 0:29:08 | |
Well, I paid £50 for it. | 0:29:08 | 0:29:09 | |
-Right. -OK. -I really like it. | 0:29:09 | 0:29:11 | |
It's really interesting. A one-off. | 0:29:11 | 0:29:14 | |
-I think the girls quite like it. -I do. I'm really impressed, yeah. | 0:29:14 | 0:29:17 | |
Well, stick with that nice, warm thought, girls, | 0:29:17 | 0:29:19 | |
because now we're going to find out from the auctioneer | 0:29:19 | 0:29:22 | |
what he thinks about the Russell Flint letter. | 0:29:22 | 0:29:24 | |
Right, then, Colin. | 0:29:24 | 0:29:27 | |
What about that? | 0:29:27 | 0:29:28 | |
Well, that's a little interesting and different as a bonus buy. | 0:29:28 | 0:29:33 | |
It's an original letter from William Russell Flint. | 0:29:33 | 0:29:36 | |
You know, he's THE 20th century watercolourist and printmaker, isn't he? | 0:29:36 | 0:29:41 | |
Absolutely. It's a name that you really want on a lot of things, | 0:29:41 | 0:29:45 | |
particularly pictures. | 0:29:45 | 0:29:46 | |
How can you estimate something like this? Well, erm... | 0:29:46 | 0:29:50 | |
-I think however you guess it, you're going to be wrong. -Yeah. | 0:29:50 | 0:29:54 | |
So I'd rather be wrong on the right side and say £25-£40. | 0:29:54 | 0:29:58 | |
£50, David Harper paid. | 0:29:58 | 0:30:01 | |
That's DEFINITELY a good buy. | 0:30:01 | 0:30:04 | |
And definitely worth the risk, if there is one. | 0:30:04 | 0:30:07 | |
Yeah, well, clever old Harper, then. | 0:30:07 | 0:30:09 | |
Anyway, that's that. Very exciting. | 0:30:09 | 0:30:11 | |
-Now onto the Blues, and we start off with the alarm clock. -Right. | 0:30:11 | 0:30:16 | |
Charming little thing. Fairly standard item. £30-£50. | 0:30:16 | 0:30:19 | |
-£55 paid, which is probably plenty enough, actually. -Yeah, I think so. | 0:30:19 | 0:30:23 | |
Next is the so-called Georgian puzzle string box. | 0:30:23 | 0:30:27 | |
It's oval, it's mahogany, it is old. Is it any good? | 0:30:27 | 0:30:30 | |
Ah, it's an interesting piece of wood, | 0:30:30 | 0:30:33 | |
is probably the best way of describing it. | 0:30:33 | 0:30:35 | |
But it's going to be worth £10-£30 of anybody's money. | 0:30:35 | 0:30:37 | |
OK. £15 paid, so they're OK for the cash there. | 0:30:37 | 0:30:40 | |
-And then you've got this little tape measure fellow. -Yeah. | 0:30:40 | 0:30:44 | |
-Missing its Stanhope. -It is. | 0:30:44 | 0:30:47 | |
But I'm still holding out some hope and we're at £25-£40. | 0:30:47 | 0:30:50 | |
£25-£40, OK. £12 paid. | 0:30:50 | 0:30:53 | |
So depending on how the alarm clock goes, will determine, really, | 0:30:53 | 0:30:57 | |
whether they're in the money or not. | 0:30:57 | 0:30:59 | |
They spent practically nothing, | 0:30:59 | 0:31:01 | |
handed over a wodge of leftover lolly. | 0:31:01 | 0:31:04 | |
Let's see what got bought. | 0:31:04 | 0:31:05 | |
-OK, Gerry, Mary, this is the big bonus buy moment. -Isn't it just?! | 0:31:07 | 0:31:10 | |
You gave her a fortune at £218. | 0:31:10 | 0:31:14 | |
-No! -Yes, you did! | 0:31:14 | 0:31:15 | |
You gave her £218, and did she blow the lot? OK, Kate. | 0:31:15 | 0:31:19 | |
-Show us your wares. -Da-da-da-da! | 0:31:19 | 0:31:21 | |
Da-da-da-da! | 0:31:21 | 0:31:22 | |
-Oh! -Oh! Oh, dogs on the end! | 0:31:22 | 0:31:25 | |
Yeah, dogs on the end, Mary! | 0:31:25 | 0:31:27 | |
-Now, somebody whispered to me that you two are dog lovers, right? -Yes. | 0:31:27 | 0:31:30 | |
-And you used to show Labradors, is that right? -Yes, yes, that's right. | 0:31:30 | 0:31:34 | |
This is brass. The ends come up, and we have a bookshelf. | 0:31:34 | 0:31:40 | |
-Oh, it does expand, yeah. -Yeah! | 0:31:40 | 0:31:43 | |
-To take all your library, you see? -Excellent. | 0:31:43 | 0:31:47 | |
Now, the only marks on it are a stamp on the base for Germany | 0:31:47 | 0:31:50 | |
and I think, actually, this is typically German Jugendstil style, | 0:31:50 | 0:31:57 | |
which is the name for the sort of German equivalent of Art Nouveau | 0:31:57 | 0:32:02 | |
at the early part of the 20th century. | 0:32:02 | 0:32:04 | |
-But I'm going to hand it over. -How much did you pay for it? | 0:32:04 | 0:32:07 | |
-THEY LAUGH -218?! | 0:32:07 | 0:32:09 | |
No, I didn't blow the lot. It was £60. | 0:32:09 | 0:32:13 | |
-60. -60, right. | 0:32:13 | 0:32:14 | |
-And you've got the bookcase, and you've got the dog lover. -Exactly. | 0:32:14 | 0:32:18 | |
And the style. | 0:32:18 | 0:32:19 | |
Mary, you are SO commercial! | 0:32:19 | 0:32:21 | |
-Am I?! -You hit the nail on the head! | 0:32:21 | 0:32:23 | |
You're going to be in this business before you can say Jack Spratt! | 0:32:23 | 0:32:27 | |
A double appeal. There we are, you see. It's a dog's life! | 0:32:27 | 0:32:31 | |
-Isn't it, just?! -Anyway, have a think about it. | 0:32:31 | 0:32:34 | |
But for the audience at home, | 0:32:34 | 0:32:35 | |
let's find out what the auctioneer thinks about the doggy book rest. | 0:32:35 | 0:32:38 | |
Well, well, well, well! What do you make of that, Colin? | 0:32:40 | 0:32:43 | |
Is it an old dog or not? | 0:32:43 | 0:32:45 | |
No, I think that's quite a decent thing. | 0:32:45 | 0:32:47 | |
It's got some weight about it, | 0:32:47 | 0:32:49 | |
the quality of the casting seems to be good, | 0:32:49 | 0:32:52 | |
but I haven't really seen anything like that before. | 0:32:52 | 0:32:55 | |
Where do you think it comes from, Colin? | 0:32:55 | 0:32:57 | |
Well, I think it's probably made in Germany, | 0:32:57 | 0:32:59 | |
because that's what stamped on it! | 0:32:59 | 0:33:00 | |
-OK! -Which is always a valuer's first port of call! -Yeah, no, good! | 0:33:00 | 0:33:04 | |
So if it's stamped "Germany", it's after 1892, probably, | 0:33:04 | 0:33:07 | |
-and it looks about 1900-1920, doesn't it, really? -Yeah. | 0:33:07 | 0:33:11 | |
So, clever old Kate Bliss. | 0:33:11 | 0:33:13 | |
What sort of blissful estimate are you going to come up with? | 0:33:13 | 0:33:16 | |
Well, I hope she's going to be happy with an estimate of £30-£50. | 0:33:16 | 0:33:19 | |
-No, she will not be happy with that. -Oh, dear! | 0:33:19 | 0:33:22 | |
You will be in the doghouse, Colin, if you get a penny less than £60. | 0:33:22 | 0:33:27 | |
-£60. -But it's possible, isn't it? | 0:33:27 | 0:33:29 | |
-It is possible. -Hope springs eternal. | 0:33:29 | 0:33:31 | |
-Yes. -Thank you very much, Colin. | 0:33:31 | 0:33:33 | |
-OK, girls, this is exciting, isn't it? -Very! | 0:33:38 | 0:33:41 | |
-Now, how are you feeling, Bex? -Er, nervous, yes. | 0:33:41 | 0:33:44 | |
-You too, Linds? -Yes. | 0:33:44 | 0:33:46 | |
Some say you get seven years bad luck with a broken mirror, | 0:33:46 | 0:33:48 | |
-but I think you've got to break it. -Yes, you do. | 0:33:48 | 0:33:50 | |
That's all right, then. | 0:33:50 | 0:33:51 | |
If you haven't broken it, and you buy it broken, | 0:33:51 | 0:33:54 | |
-you don't inherit somebody else's bad luck. -That's all right. | 0:33:54 | 0:33:56 | |
So, first up is the Kashmiri mirror frame | 0:33:56 | 0:34:00 | |
which is seriously oddball, and here it comes. | 0:34:00 | 0:34:04 | |
Who's going to start me on this one? | 0:34:04 | 0:34:06 | |
At £100. £100, anybody? 50? | 0:34:06 | 0:34:08 | |
-Look at her face! -30? £30 bid, 5... | 0:34:08 | 0:34:11 | |
35, bid 40? | 0:34:11 | 0:34:12 | |
40, 45, bid 50? | 0:34:12 | 0:34:14 | |
50, got a bid. 50, 50, 5 now. | 0:34:14 | 0:34:17 | |
5, 60, 65. | 0:34:17 | 0:34:19 | |
70. | 0:34:19 | 0:34:20 | |
Unbelievable! Look at this! | 0:34:20 | 0:34:23 | |
80, 5, 90, 5. | 0:34:23 | 0:34:26 | |
-Yes! -It is pretty. | 0:34:26 | 0:34:27 | |
At 95 bid, 100 now, do I see it? | 0:34:27 | 0:34:29 | |
95 got a bid, 100 now. | 0:34:29 | 0:34:31 | |
95, are we all done? | 0:34:31 | 0:34:33 | |
Sold this time at 95. | 0:34:33 | 0:34:34 | |
-Yes! -£95?! | 0:34:34 | 0:34:37 | |
-It was gorgeous! -I think you're making these things sell! | 0:34:37 | 0:34:40 | |
Anyway, look out, here comes the silver. | 0:34:40 | 0:34:42 | |
Multiple bids already. We'll start the bidding on these already at £40. | 0:34:42 | 0:34:46 | |
40, bid. At 45, do I see now? | 0:34:46 | 0:34:48 | |
45, 50, 5, 60...55, bid. | 0:34:48 | 0:34:52 | |
60, anywhere else, surely? At 55 bid, any more now? | 0:34:52 | 0:34:55 | |
Come on! Come on! | 0:34:55 | 0:34:57 | |
At 55, 58, 60, 60 bid, 62. | 0:34:57 | 0:35:01 | |
-Ooh! -Ooh, here we go! | 0:35:01 | 0:35:02 | |
And 60 in the middle of the room there. | 0:35:02 | 0:35:05 | |
We're done and finished, and we are selling at £60. | 0:35:05 | 0:35:07 | |
Ah, bad luck, girls. | 0:35:07 | 0:35:09 | |
Minus 15 on that, which means you're still plus 60, | 0:35:09 | 0:35:12 | |
such is your reservoir of cash. | 0:35:12 | 0:35:14 | |
-You're plus 60. Hang on. -It will all be gone now. | 0:35:14 | 0:35:18 | |
Right. OK. | 0:35:18 | 0:35:20 | |
AUCTIONEER: And we ought | 0:35:20 | 0:35:21 | |
to be over £100 for this. | 0:35:21 | 0:35:23 | |
£100, who will be first in? 100! | 0:35:23 | 0:35:24 | |
80? 50? | 0:35:24 | 0:35:26 | |
40, if you like. £40, anyone? 40? | 0:35:26 | 0:35:28 | |
BECKY: Uh-oh. | 0:35:28 | 0:35:29 | |
I'm not liking the look of this. | 0:35:29 | 0:35:31 | |
I'm not liking it. | 0:35:31 | 0:35:32 | |
At 40 bid. Somebody else hovering on the net. | 0:35:32 | 0:35:34 | |
Are you coming in now? No, at £40. | 0:35:34 | 0:35:36 | |
ALL: Aww! | 0:35:36 | 0:35:38 | |
AUCTIONEER: 42 bid. At 42. At £42 | 0:35:38 | 0:35:41 | |
and it's on the net. 45 in the room. | 0:35:41 | 0:35:43 | |
-Yes! -48, do I see? 48 bid? | 0:35:43 | 0:35:46 | |
Go on, keep at it. | 0:35:46 | 0:35:47 | |
No, 45. The bid's there, then. | 0:35:47 | 0:35:49 | |
45, then, we sell at £45. | 0:35:49 | 0:35:51 | |
ALL: Aww! | 0:35:51 | 0:35:53 | |
-Oh, bad luck! -£45. How miserable. | 0:35:53 | 0:35:56 | |
Is that minus 80? It is, isn't it? | 0:35:56 | 0:35:58 | |
Minus 80, and you were plus 60 before. | 0:35:58 | 0:36:01 | |
-I'm sorry, chicken. You're now minus 20. -Oh! | 0:36:01 | 0:36:03 | |
Oh, this is not right, is it? | 0:36:03 | 0:36:06 | |
You were right at them and then you came right down again. | 0:36:06 | 0:36:09 | |
-Crashing down. -We've plummeted. | 0:36:09 | 0:36:10 | |
-What are you going to do about Russell Flint, then? -We're going. | 0:36:10 | 0:36:14 | |
Are you? It's £50 of investment. | 0:36:14 | 0:36:15 | |
-I liked it. -Nothing to lose. -Nothing to lose, no. | 0:36:15 | 0:36:18 | |
-It's a lovely story, isn't it? -I liked it, yeah. I really liked it. | 0:36:18 | 0:36:21 | |
You're going with a bonus buy, | 0:36:21 | 0:36:23 | |
and here it comes. | 0:36:23 | 0:36:25 | |
Here comes Russell Flint's letter. | 0:36:25 | 0:36:26 | |
AUCTIONEER: Lot number 196, | 0:36:26 | 0:36:28 | |
very interesting lot. | 0:36:28 | 0:36:29 | |
Who's going to start me at £100? 100? | 0:36:29 | 0:36:31 | |
-Cross everything, girls. -£100. | 0:36:31 | 0:36:33 | |
80 to go, then. 80? 50, anybody? 50? | 0:36:33 | 0:36:37 | |
30? | 0:36:37 | 0:36:38 | |
Getting a cold feeling in the pit. | 0:36:38 | 0:36:40 | |
20? £20 bid? At 20. | 0:36:40 | 0:36:42 | |
Two, do I see it? Two, bid at two, | 0:36:42 | 0:36:44 | |
five, bid at five, 28, do I see it? | 0:36:44 | 0:36:46 | |
25, 28, 30, 30 bid. | 0:36:46 | 0:36:48 | |
30 bid, 32 bid, 35 bid, | 0:36:48 | 0:36:50 | |
38 now, 38 bid, 40. | 0:36:50 | 0:36:51 | |
40 bid, 42, 45. | 0:36:51 | 0:36:53 | |
45, 48 now. | 0:36:53 | 0:36:54 | |
£45 bid. 48, now, surely? | 0:36:54 | 0:36:56 | |
£45 bid. 48, do I see? | 0:36:56 | 0:36:58 | |
-At 45 bid... -Come on! | 0:36:58 | 0:36:59 | |
-At 45, we're on the market... -Go on! | 0:36:59 | 0:37:01 | |
48 bid from anywhere else? Thank you. | 0:37:01 | 0:37:03 | |
You've gone now from the net. | 0:37:03 | 0:37:04 | |
Selling this time, it is on | 0:37:04 | 0:37:06 | |
the market, it will sell, at £45. | 0:37:06 | 0:37:08 | |
ALL: Oh! | 0:37:08 | 0:37:10 | |
-Never mind. -Bad luck, Davido. It could have been a lot worse. | 0:37:10 | 0:37:14 | |
-It could have. -Somebody got a bargain. -Still not too bad. | 0:37:14 | 0:37:17 | |
Somebody did get a bargain then. | 0:37:17 | 0:37:19 | |
So, team, you are minus £25, which is nothing in this game. | 0:37:19 | 0:37:22 | |
-It could easily be a winning score. -It could possibly. | 0:37:22 | 0:37:24 | |
I'm sorry you went right up there, I'm sorry you came back down, | 0:37:24 | 0:37:28 | |
but, anyway, where you are could still see you as winners today. | 0:37:28 | 0:37:31 | |
-So say not a word to the Blues. -No. | 0:37:31 | 0:37:33 | |
-Now, do you know how the Reds got on? -Not a clue. -No idea. Not a clue. | 0:37:37 | 0:37:42 | |
-We're after the gavel. -You're after the golden gavel? Are you? | 0:37:42 | 0:37:46 | |
Nothing like aiming high. | 0:37:46 | 0:37:48 | |
-We don't lob them out like sweets, you know? -Oh, right. | 0:37:48 | 0:37:50 | |
In fact, we'd have to dust the packet off. | 0:37:50 | 0:37:53 | |
It's been that long since anybody made a profit on all three items. | 0:37:53 | 0:37:57 | |
Anyway, there it is, Gerry. | 0:37:57 | 0:37:58 | |
You found this alarm clock, you rated it. | 0:37:58 | 0:38:01 | |
It's the first lot up. Here comes the alarm clock and stand by. | 0:38:01 | 0:38:05 | |
Who's going to start me at | 0:38:05 | 0:38:06 | |
£50 for it? £50, anyone? 50! 40? | 0:38:06 | 0:38:09 | |
£40, do you have for me now? | 0:38:09 | 0:38:10 | |
-£40, anybody? 40? -Come on. | 0:38:10 | 0:38:12 | |
30? £30? £30 bid. | 0:38:12 | 0:38:14 | |
32 now, do I see? | 0:38:14 | 0:38:15 | |
£30 I'm bid, two anywhere else, surely? | 0:38:15 | 0:38:17 | |
At £30 bid. 30 bid, 32 on the net. | 0:38:17 | 0:38:19 | |
Come on. What's going on? Yes or no? | 0:38:19 | 0:38:21 | |
38 bid, do I see? 38 bid, 40. | 0:38:21 | 0:38:23 | |
MARY: Yeah. It's going up. | 0:38:23 | 0:38:25 | |
AUCTIONEER: 42 again now. Two anywhere else? | 0:38:25 | 0:38:27 | |
42 bid, 45 bid, 45. | 0:38:27 | 0:38:28 | |
48 now. 48 bid. | 0:38:28 | 0:38:30 | |
48 bid, 50. No? At 48 bid. | 0:38:30 | 0:38:33 | |
At 48 bid. Any more now? | 0:38:33 | 0:38:34 | |
50, surely? MARY: Another fiver. | 0:38:34 | 0:38:35 | |
AUCTIONEER: Are we all done? It's on the net at 48. | 0:38:35 | 0:38:38 | |
50's back in! 50 bid. | 0:38:38 | 0:38:39 | |
50. 55 now, do I see? | 0:38:39 | 0:38:41 | |
50 bid. 55 bid. | 0:38:41 | 0:38:42 | |
-60, do I see? -55! | 0:38:42 | 0:38:44 | |
58, if it's going to help you? | 0:38:44 | 0:38:46 | |
At 55 bid. Eight is the last call. | 0:38:46 | 0:38:47 | |
At 55, we're on the net. You're all out in the room? | 0:38:47 | 0:38:50 | |
We're done, we're finished and we're selling at £55. | 0:38:50 | 0:38:52 | |
Yes! Excellent! | 0:38:52 | 0:38:54 | |
How about that? No profit, no loss, | 0:38:54 | 0:38:56 | |
no pain, no gain. | 0:38:56 | 0:38:58 | |
Lot number 213. | 0:38:58 | 0:38:59 | |
Lots of people think it's a very nice piece of mahogany, | 0:38:59 | 0:39:02 | |
so we'll start off with the commission bids which start at 12. | 0:39:02 | 0:39:05 | |
15, 18, 20. | 0:39:05 | 0:39:06 | |
Two, bid five, 28. | 0:39:06 | 0:39:08 | |
28? 30 now. 30 bid. | 0:39:08 | 0:39:09 | |
At 30 bid, 32, do I see? | 0:39:09 | 0:39:11 | |
30 bid, 32, surely? | 0:39:11 | 0:39:13 | |
At £30 in the second row. 32, 35, 38. | 0:39:13 | 0:39:16 | |
-Bid 40 now? -Only paid £15. | 0:39:16 | 0:39:17 | |
38 is on the net. At 38 bid. | 0:39:17 | 0:39:19 | |
40, surely? At £38, it's the last call. | 0:39:19 | 0:39:22 | |
We're all done and finished, then. | 0:39:22 | 0:39:24 | |
At £38. Sold at 38. | 0:39:24 | 0:39:26 | |
Yes! | 0:39:26 | 0:39:27 | |
Now, here comes your tape measure. | 0:39:27 | 0:39:29 | |
214. Who's going to start me at £50? | 0:39:29 | 0:39:31 | |
50? 40 to go, then. £40, anyone? 40? | 0:39:31 | 0:39:34 | |
£20, anyone? Start me. | 0:39:34 | 0:39:36 | |
20 on the net. | 0:39:36 | 0:39:37 | |
-MARY: Do you reckon? -Yes! -Yes! | 0:39:37 | 0:39:39 | |
AUCTIONEER: 25 bid. 28, now. 28 bid. | 0:39:39 | 0:39:42 | |
30 now. 32 bid. That's 32. | 0:39:42 | 0:39:45 | |
The bid's down here at 32. MARY: Well done, you! | 0:39:45 | 0:39:48 | |
AUCTIONEER: Any more now? At 32. On the net, then. At 32. 35, do I see? | 0:39:48 | 0:39:51 | |
Selling then... No more from the room. Sold at £32. | 0:39:51 | 0:39:55 | |
That is another £20. | 0:39:55 | 0:39:57 | |
So you were £23 up on the string box, | 0:39:57 | 0:40:00 | |
£20 up on that. You are plus 43. | 0:40:00 | 0:40:03 | |
Plus 43 and a wiped face. | 0:40:03 | 0:40:05 | |
Now, what are you going to do about that old dog book stand? | 0:40:05 | 0:40:09 | |
What do you think? | 0:40:09 | 0:40:11 | |
-What do you think? -No, your decision. Your decision. | 0:40:11 | 0:40:14 | |
-£43 is nice to go home. -Yes. | 0:40:14 | 0:40:17 | |
-£43 is a good profit. -Yeah, we'll take it. | 0:40:17 | 0:40:20 | |
-Is that all right? -You do exactly as you please. | 0:40:20 | 0:40:23 | |
-I won't be in the least offended. -No dogs? -No. -No dogs. | 0:40:23 | 0:40:27 | |
They're not going to go with the bonus buy. Bad luck, Kate. | 0:40:27 | 0:40:29 | |
Anyway, let's sell it anyway. Here comes the book ends. | 0:40:29 | 0:40:32 | |
Who is going to start me at £80 for it? 80? | 0:40:32 | 0:40:35 | |
£80. | 0:40:35 | 0:40:37 | |
50 to go. 50? £20 bid. | 0:40:37 | 0:40:40 | |
At 20. At 20 bid. 22. 22, 25. | 0:40:40 | 0:40:42 | |
Five bid. 28, do I see, now? | 0:40:42 | 0:40:44 | |
28 bid. At 28. 28, 30. | 0:40:44 | 0:40:46 | |
£30 bid. 32 now? 32. | 0:40:46 | 0:40:48 | |
35? 35. 38? | 0:40:48 | 0:40:49 | |
38 now. At 35 bid. 38 bid. | 0:40:49 | 0:40:52 | |
40. 42. 42, 45. 42, 45. 45, 48. | 0:40:52 | 0:40:56 | |
48, bid 50. Five. | 0:40:56 | 0:40:58 | |
55, no. 50 in the corner of the room. | 0:40:58 | 0:41:00 | |
At 50 bid. Is there five now? | 0:41:00 | 0:41:02 | |
At £50. In the back then and £50. | 0:41:02 | 0:41:04 | |
We all done, then? | 0:41:04 | 0:41:05 | |
Lady's bid done. 55 fresh bidder. | 0:41:05 | 0:41:07 | |
Yes! | 0:41:07 | 0:41:08 | |
Five, no. At £60 bid. | 0:41:08 | 0:41:10 | |
Everyone's slowing down now. | 0:41:10 | 0:41:11 | |
So 60 bid. I'll take two? | 0:41:11 | 0:41:12 | |
At 60 bid. 62? No? 60 at the back | 0:41:12 | 0:41:14 | |
of the room, then. Final call, then. | 0:41:14 | 0:41:16 | |
Lady's bid, selling at £60. | 0:41:16 | 0:41:18 | |
Yes! | 0:41:18 | 0:41:20 | |
-Well done. -MARY: Wiped its face. Well done. | 0:41:20 | 0:41:23 | |
It wiped its face. Well, that's amazing, isn't it? | 0:41:23 | 0:41:26 | |
Two wipes in one show. | 0:41:26 | 0:41:28 | |
You got £43 of profits coming your way. Could be a winning score. | 0:41:28 | 0:41:31 | |
Don't say a word to those naughty Reds. | 0:41:31 | 0:41:34 | |
-Well, that was magnificent, wasn't it? -Yes. | 0:41:39 | 0:41:42 | |
-Did we have a hoot, or did we have a hoot? -We did. -We had such a hoot. | 0:41:42 | 0:41:46 | |
-Well, have you been talking about the scores? -ALL: No. | 0:41:46 | 0:41:50 | |
That's nice, cos it's nice and secret still. Good. | 0:41:50 | 0:41:52 | |
I have to reveal that the team that is running up | 0:41:52 | 0:41:55 | |
today by a substantial margin | 0:41:55 | 0:41:57 | |
are the Reds. | 0:41:57 | 0:41:59 | |
-DAVID: -Oh, no! | 0:41:59 | 0:42:01 | |
-Yes. -No! -I'm afraid to say, minus £25 is your score, girls. | 0:42:01 | 0:42:06 | |
-We thought that was a winning score! -We did. | 0:42:06 | 0:42:10 | |
One or two things just weren't on the ball for you today, I'm afraid. | 0:42:10 | 0:42:13 | |
But you've been on the ball, both of you. | 0:42:13 | 0:42:16 | |
We've loved having you on the show. | 0:42:16 | 0:42:18 | |
But the victors today, who are going home with folding cash - | 0:42:18 | 0:42:21 | |
they're going home with £43. | 0:42:21 | 0:42:23 | |
MARY: Thank you! | 0:42:23 | 0:42:25 | |
-There's £40 there. -Gerry can have the three. | 0:42:25 | 0:42:27 | |
-Plus the three pounds for Gerry. There we go. -Thank you. | 0:42:27 | 0:42:30 | |
You had two wiped faces, which are unusual, | 0:42:30 | 0:42:32 | |
for the bonus buy and for one of your items. | 0:42:32 | 0:42:35 | |
And you made profits of £23 and £20 on two of your items. | 0:42:35 | 0:42:38 | |
So, using my discretion as the adjudicator, | 0:42:38 | 0:42:41 | |
because sometimes I allow a wiped face to be treated as a profit, | 0:42:41 | 0:42:45 | |
which I'm going to do in this instance, I'm able to award you... | 0:42:45 | 0:42:48 | |
Wonderful, thank you! | 0:42:48 | 0:42:50 | |
..the ancient sort of noble order of the golden gavel. | 0:42:50 | 0:42:54 | |
-Which I... -Our first one. | 0:42:54 | 0:42:56 | |
I know you really, really want it, Gerry. | 0:42:56 | 0:42:59 | |
You've got your cash, you've got your pins. Congratulations. | 0:42:59 | 0:43:03 | |
We've had such a great time, in fact. | 0:43:03 | 0:43:05 | |
-Join as soon for some more bargain-hunting, yes? -ALL: Yes! | 0:43:05 | 0:43:08 | |
I know you're sitting there thinking, | 0:43:08 | 0:43:11 | |
"I could have done better than that!" Well, what's stopping you? | 0:43:11 | 0:43:15 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:15 | 0:43:20 | |
It'll be splendid to see you! | 0:43:20 | 0:43:22 | |
Subtitles by Red Bee Media Ltd | 0:43:23 | 0:43:26 |