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We're at Wetherby Racecourse today, but which team will be leading the field? | 0:00:03 | 0:00:09 | |
Do you fancy taking a bet? | 0:00:09 | 0:00:11 | |
Let's go bargain hunting, yeah! | 0:00:11 | 0:00:13 | |
The racecourse here at Wetherby has seen many winners in its time | 0:00:37 | 0:00:42 | |
since it was opened in 1891, | 0:00:42 | 0:00:45 | |
but the big question today is - which of our teams, the Reds or the Blues, | 0:00:45 | 0:00:50 | |
will gallop off to victory over at the auction? Stay tuned to find out. | 0:00:50 | 0:00:54 | |
Coming up on today's show, | 0:00:54 | 0:00:56 | |
the Reds strike a hard bargain. | 0:00:56 | 0:00:59 | |
-The very best price I can do for that is 90 quid. -I'll say 65. | 0:00:59 | 0:01:03 | |
I want it to knock me out. That does not knock me out. | 0:01:03 | 0:01:06 | |
Whilst Anita works hard to convince the Blues. | 0:01:06 | 0:01:09 | |
-Plastic is the new gold. -Is it? | 0:01:09 | 0:01:11 | |
LAUGHTER | 0:01:11 | 0:01:13 | |
So let's meet the teams. | 0:01:15 | 0:01:17 | |
So it's a family affair today with two teams of mothers and daughters. | 0:01:18 | 0:01:24 | |
For the Reds, we've got Carrie and Roxanne, and for the Blues, we've got Judith and Rachel. | 0:01:24 | 0:01:29 | |
-Hello, everyone. -Hello. -Hello. | 0:01:29 | 0:01:32 | |
-Now, Carrie... -Yes. -This racecourse surrounding is one that's familiar to you. | 0:01:32 | 0:01:37 | |
-I trained my horses and raced them here. -Really? -On occasion, yes. -Brilliant. | 0:01:37 | 0:01:42 | |
-Since you were three years of age? -No. | 0:01:42 | 0:01:45 | |
-Oh, right. -I was riding ponies when I was three, but later, I bred and trained racehorses for my father. | 0:01:45 | 0:01:51 | |
And when he died last year, I stopped altogether. | 0:01:51 | 0:01:55 | |
What do you get up to these days if you're not training horses? | 0:01:55 | 0:01:59 | |
Just a few hours running Gigi's in Knaresborough, antiques and bric-a-brac, you know, junk. | 0:01:59 | 0:02:05 | |
Today, you're going to be able to show your skills, aren't you? | 0:02:05 | 0:02:09 | |
-We're going to give you £300 and you'll find something that will sell, yes? -Definitely. | 0:02:09 | 0:02:14 | |
Oh, marvellous. That sounds like the business. | 0:02:14 | 0:02:17 | |
Now, Roxanne, you're a hairdresser? | 0:02:17 | 0:02:20 | |
-I practise on Mum a lot. -Do you? -With all her hair. | 0:02:20 | 0:02:24 | |
-She likes to come in and see me in the salon. -You have a bit of a natter? -Yes, more than a natter! | 0:02:24 | 0:02:30 | |
-I've got very long hair. She tries to cut it off. -You can't cut your mum's hair off! | 0:02:30 | 0:02:35 | |
I try to just trim the ends, but she won't let me. | 0:02:35 | 0:02:38 | |
But you've got a dream job in view. What's that? | 0:02:38 | 0:02:41 | |
I'd like to do singing and musical theatre, something like that. | 0:02:41 | 0:02:45 | |
And do you perform at all at the moment? | 0:02:45 | 0:02:48 | |
No, not at the moment. I like to play acoustic guitar and have a bit of singing. | 0:02:48 | 0:02:53 | |
-I go to a local jam night in Knaresborough. -Is that what you do? -Yeah. -Is she any good? -Fantastic. | 0:02:53 | 0:02:59 | |
-There you are. You're not her mum for nothing! -No. -Absolutely right. | 0:02:59 | 0:03:03 | |
-I'd tell her if she was rubbish. -I bet you would too. | 0:03:03 | 0:03:07 | |
-Do you two think you'll make a winning team today? -Definitely. -I think so too. | 0:03:07 | 0:03:12 | |
They've got youth, they've got experience. I think this is going to be a piece of cake for you two. | 0:03:12 | 0:03:17 | |
-And very good luck anyway. -Thank you. -Smashing job. | 0:03:17 | 0:03:22 | |
-Judith, you run a shop yourself? -Of course I do. -Tell us about it. | 0:03:22 | 0:03:26 | |
You know the sweets you got in a jar that are now in the Beamish Museum? | 0:03:26 | 0:03:30 | |
-I sell those, but mine are not in a museum. -So, all those old-fashioned sweets? | 0:03:30 | 0:03:35 | |
Yeah, old-fashioned sweets in jars. | 0:03:35 | 0:03:37 | |
And you sell it by the quarter? | 0:03:37 | 0:03:39 | |
They always ask by the quarter and I say, "You'll just get what I give you." | 0:03:39 | 0:03:45 | |
What else do you sell in your shop apart from sweeties? | 0:03:45 | 0:03:48 | |
I sell limited edition prints of my pictures and I also sell originals. | 0:03:48 | 0:03:53 | |
Rachel, it says here you like to talk. | 0:03:53 | 0:03:55 | |
-I'm on telesales, so I do a lot of talking. -You do telesales? | 0:03:55 | 0:03:59 | |
-Oh, yeah, I'm one of them pests. -You ring me up at half past six every evening and...? | 0:03:59 | 0:04:04 | |
-Yeah, and wonder why you're not in. -Yes, exactly. | 0:04:04 | 0:04:08 | |
-Why you're busy! -So you do like to chat on professionally? -Oh, yeah. | 0:04:08 | 0:04:12 | |
-What sort of product are you selling? -Solar panels. -Oh, solar panels. | 0:04:12 | 0:04:17 | |
-Do you know anything about solar panels? -Of course I do! | 0:04:17 | 0:04:21 | |
-You like a bit of art too like your mother? -Yeah. | 0:04:21 | 0:04:24 | |
-What sort of things do you get up to? -I'm mainly a charcoal drawer of dogs. -You do that on commission? | 0:04:24 | 0:04:30 | |
-A bit of both. I sell prints in my mum's shop as well. -Lovely. | 0:04:30 | 0:04:33 | |
Do you think you'll be able to find a masterpiece between you today to sell on? | 0:04:33 | 0:04:38 | |
-Yes. -There's one out there. -There is one out there. -Yeah, there is. | 0:04:38 | 0:04:42 | |
You never know. You have to be confident. Now the money moment. £300 apiece. | 0:04:42 | 0:04:47 | |
They're looking very happy over here, taking the £300. | 0:04:47 | 0:04:51 | |
You know the rules and your experts await and very, very, very good luck! | 0:04:51 | 0:04:56 | |
Now, where are our experts for today? | 0:04:59 | 0:05:02 | |
Stop sunning yourself there, Thomas Plant. | 0:05:02 | 0:05:05 | |
You've got your Red Team to find. | 0:05:05 | 0:05:07 | |
Meanwhile, Anita Manning is searching for her Blues. Ooh! | 0:05:08 | 0:05:12 | |
Get to it then, experts! | 0:05:12 | 0:05:14 | |
The plan is just to buy something that will sell on and make profits, so that we can win. That's the idea. | 0:05:14 | 0:05:20 | |
It doesn't matter what it is. We'll just go for it. | 0:05:20 | 0:05:24 | |
I think this mother and daughter duo will be pretty formidable. | 0:05:24 | 0:05:28 | |
-What about tactics though? -I was thinking ceramics and jewellery. | 0:05:28 | 0:05:33 | |
You like that. I like jewellery. What about you? | 0:05:33 | 0:05:36 | |
-Spending. Spend, spend, spend. -Oh, you're a girl after my own heart! | 0:05:36 | 0:05:40 | |
-..you're eyeing up at the moment. -Can we trot on a bit? Trot on. I know what I'm looking at. | 0:05:40 | 0:05:46 | |
What we want to do, girls, is bag something fairly soon | 0:05:46 | 0:05:50 | |
which will give us plenty of time for everything else. | 0:05:50 | 0:05:54 | |
Can I just have a look at that 78 one? It's got a bit of a dent in it. It'll be a bit less money then. | 0:05:54 | 0:06:01 | |
-Can I suggest something else in this cabinet? -Yes. -Can we put these back? -Yeah. | 0:06:01 | 0:06:06 | |
-I'd like to look at the tsubas. Do you know what these are? They're lovely. -They're beautiful. | 0:06:06 | 0:06:11 | |
So these are tsubas and a tsuba is the hilt for the katana. | 0:06:11 | 0:06:15 | |
I don't think they're so old. They're probably only about 50 years old. | 0:06:15 | 0:06:20 | |
-So, in here you like the vestas... -I'm thinking about it, Tom. I don't want to buy straight away. | 0:06:20 | 0:06:25 | |
-I know. -I've got it in my mind though. -You've got to have a plan. Shall we move on? -Yeah, move on. | 0:06:25 | 0:06:31 | |
-Trot on, Tom. Trot on. -Trot on, trot on. | 0:06:31 | 0:06:34 | |
Yes, trot on, Thomas. You heard the woman. | 0:06:35 | 0:06:38 | |
-Anything that's jumping out at you? -I like the colour of this. -You like colourful... -I like that colour. | 0:06:38 | 0:06:45 | |
Well, girls, this comes from a favourite place of mine. | 0:06:45 | 0:06:48 | |
Can you guess where? | 0:06:48 | 0:06:50 | |
-Oh, no, it isn't! -LAUGHTER | 0:06:50 | 0:06:53 | |
I thought it was a piece of Maling from Newcastle, | 0:06:53 | 0:06:57 | |
but it's a piece of New Hall Ware. Tell me why you like it. | 0:06:57 | 0:07:00 | |
-Because of the orange. -You like that? -Hmm. | 0:07:00 | 0:07:03 | |
-Bright? -Yeah. -It shouts at you. | 0:07:03 | 0:07:06 | |
-We like that stuff that's way down south. -Poole Pottery? -Poole, yeah. | 0:07:06 | 0:07:11 | |
-We love Poole. -You love Poole? -Oh, yeah. -I'm glad you're in my team because I love Poole as well. | 0:07:11 | 0:07:17 | |
-I've got a piece of Poole at home. -Yeah. | 0:07:17 | 0:07:20 | |
-Talking about Poole, ladies... -I know, I saw that. It is Poole. | 0:07:20 | 0:07:25 | |
Shall we just get it? This is a girl with a mission. She's in a hurry. | 0:07:25 | 0:07:30 | |
It's 1960s. | 0:07:30 | 0:07:32 | |
It's this 20th century design and it's colourful and that's what you like. | 0:07:32 | 0:07:37 | |
-It's got this modernist shape here. -That needs to be about 50, doesn't it? | 0:07:37 | 0:07:42 | |
Hello! | 0:07:42 | 0:07:44 | |
Hello. We were looking at your piece of Poole here. | 0:07:44 | 0:07:48 | |
I think...£40. | 0:07:48 | 0:07:51 | |
The best I could do would be 50 and that's the bottom of it. | 0:07:51 | 0:07:56 | |
- Is that the bottom line, 50? - It would be, yeah. | 0:07:56 | 0:07:59 | |
Have another wee go. | 0:07:59 | 0:08:01 | |
No, honestly, I don't think we'll get a profit at 50. I don't. I think it would have to be about 45. | 0:08:01 | 0:08:07 | |
We've got to sell it in an auction. Can you imagine us getting a profit at 50? | 0:08:07 | 0:08:12 | |
45? | 0:08:12 | 0:08:14 | |
Go on, 45. That would be my rock bottom. | 0:08:14 | 0:08:17 | |
- That's your rock bottom? - Yeah. | 0:08:17 | 0:08:20 | |
-If you'll let us have it for 45, I think... What do you say, Rachel? -Yeah, I'm happy. -You're happy. | 0:08:20 | 0:08:26 | |
So we've got our first buy in about the first 40 seconds. | 0:08:26 | 0:08:31 | |
We've had a good bit of bargaining here. You chose well. What a team! | 0:08:31 | 0:08:36 | |
But I chose it...as well. | 0:08:36 | 0:08:39 | |
Oh, you're going to have trouble there, Anita. | 0:08:39 | 0:08:42 | |
Well done though, Blues. One down. | 0:08:42 | 0:08:45 | |
-What about this lovely Deco dancer? She is quite nice, actually. -She is. | 0:08:45 | 0:08:49 | |
-In good condition. -Waldendorf, is that right? She's rather elegant. What's the best on that figure? | 0:08:49 | 0:08:56 | |
The very, very best is £50. I couldn't do it for any less because I'd be losing money. | 0:08:56 | 0:09:02 | |
-It's lovely, but it's not scantily clad enough for me and dramatic enough. -I know what you mean. | 0:09:02 | 0:09:07 | |
I want something that knocks me out. That does not knock me out. | 0:09:07 | 0:09:11 | |
That, I wouldn't give house room. | 0:09:11 | 0:09:13 | |
This wants to be slightly bigger and more fabulous, then we'll say yes. | 0:09:13 | 0:09:18 | |
-Let's go a bit more money, 80 quid, on something a bit more flamboyant. -We'll have a think. | 0:09:18 | 0:09:23 | |
-We can keep this in the bank. Thank you very much. -Thank you. -It was a good discount. Thank you. | 0:09:23 | 0:09:29 | |
I think Carrie wants drama, Thomas, so tally-ho, what? | 0:09:29 | 0:09:33 | |
-You've got the hang of it now. -There we are. | 0:09:33 | 0:09:36 | |
-Do you like it? -Not really, no. -She doesn't like it. -No. | 0:09:36 | 0:09:40 | |
-Do you not like your mother's taste in furniture? -Not all of it, no. | 0:09:40 | 0:09:44 | |
I put that beautiful picture underneath and I've got glass... | 0:09:44 | 0:09:48 | |
-Yeah. It doesn't mean I like it. -But I painted the picture. -The picture's nice, but... -Thank you! | 0:09:48 | 0:09:54 | |
-Right, we'll just... -Are we interested in this table? -No. | 0:09:54 | 0:09:58 | |
-She says no, so we'll just go along with the flow cos she's the boss. -All right, but don't sulk. | 0:09:58 | 0:10:05 | |
No sulking in this game, Blues. We're meant to be having fun. | 0:10:05 | 0:10:09 | |
Now, are those Reds on the fiddle? | 0:10:09 | 0:10:11 | |
- Can we have a look at the fiddle? - Certainly. | 0:10:11 | 0:10:14 | |
Let's have a look at the fiddle. Let's look in the F-hole and see what it's like. | 0:10:14 | 0:10:19 | |
Hold that, Rocky. I can't see inside. | 0:10:20 | 0:10:23 | |
You want to look inside the fiddle? How do you know about these fiddles? | 0:10:23 | 0:10:27 | |
My uncle is Barry Dransfield. | 0:10:27 | 0:10:29 | |
-And he is...? -A professional fiddle player. | 0:10:29 | 0:10:32 | |
He was in Mutiny On The Bounty and buys fiddles off me. | 0:10:32 | 0:10:36 | |
Oh, come on, Thomas. Don't you know your fiddle from your elbow? | 0:10:36 | 0:10:40 | |
-What's the price? -I need for that... The very best price I can do for that is 90 quid. | 0:10:40 | 0:10:45 | |
There's quite a lot to do on this fiddle. I'm not going to offer 70. I'd say 65. | 0:10:45 | 0:10:50 | |
No, I can't, my darling. > | 0:10:50 | 0:10:52 | |
It needs a bridge on it. You've got the bridge? | 0:10:52 | 0:10:56 | |
There's your bridge. | 0:10:56 | 0:10:58 | |
It's not that, Tom, though. Look. It's in very bad... | 0:10:58 | 0:11:02 | |
-It's got a bit of wear to it. -I know, but it is a nice fiddle. | 0:11:02 | 0:11:06 | |
I'd be happier at 65. | 0:11:06 | 0:11:09 | |
-What do you think it'll make at auction? -About 95, 100. | 0:11:09 | 0:11:12 | |
Are you positive on that one? How old do you think this fiddle is? | 0:11:12 | 0:11:16 | |
I'd say about 1880, 1890. | 0:11:16 | 0:11:18 | |
I like the detail around the edge just here. | 0:11:18 | 0:11:22 | |
-That's what gives it its quality. -Yeah, it does. | 0:11:22 | 0:11:25 | |
This is the bad bit, but we're all right at 65. There's a profit in it. | 0:11:25 | 0:11:29 | |
You say this is a fiddle, rather than a violin. | 0:11:29 | 0:11:33 | |
How do we know that it's a fiddle or a violin? | 0:11:33 | 0:11:36 | |
-The length. -The length. So this length from here to here? -From there to there. | 0:11:36 | 0:11:41 | |
So this is a fiddle or a violin or a viola? | 0:11:41 | 0:11:45 | |
- I'd say this is a fiddle. - It's not a viola. | 0:11:45 | 0:11:47 | |
-A viola is slightly bigger. -It's more length. -Yeah. | 0:11:47 | 0:11:50 | |
- I'll buy it for 65. - OK, we'll do it for 65. | 0:11:50 | 0:11:54 | |
-We're going to buy it? -At 65, yeah. | 0:11:54 | 0:11:56 | |
-65, it's a deal. -Lovely. -Thank you very much. | 0:11:56 | 0:11:59 | |
-Yes, we've bought something. -Thank you. -We have bought something. | 0:11:59 | 0:12:03 | |
God, I'm exhausted! I am exhausted! | 0:12:05 | 0:12:08 | |
I think we all are, Thomas. | 0:12:08 | 0:12:10 | |
It's taken us half an hour to buy one item. It ain't gonna work. | 0:12:10 | 0:12:14 | |
-We'd better be quick now. -Yeah. -We know what we want now. | 0:12:14 | 0:12:18 | |
-I think I like the lady. -You like the lady. We can always go back and get the lady. | 0:12:18 | 0:12:23 | |
At the gallop, please, Reds. | 0:12:23 | 0:12:25 | |
Now, what's caught Anita's eye? | 0:12:25 | 0:12:28 | |
What you've got, girls, is you've got that orange Poole vase. | 0:12:28 | 0:12:32 | |
Right? And you've got these crazy, 20th century stools. | 0:12:32 | 0:12:37 | |
-They're plastic. -I know, but plastic is the new gold. -Is it? | 0:12:37 | 0:12:42 | |
LAUGHTER | 0:12:42 | 0:12:44 | |
You know how bathrooms are the new kitchens? | 0:12:44 | 0:12:47 | |
This is what all the cool kids in London are buying. | 0:12:47 | 0:12:51 | |
Yeah, well, it'll have to be cheap. | 0:12:51 | 0:12:53 | |
-I think they are quite cheap. -Are they? That's all right then. -We've got the maker's mark here. | 0:12:53 | 0:12:59 | |
-Bauhaus style. -But what we've got are a pair of lime green, plastic, matching stools. | 0:12:59 | 0:13:05 | |
-With the covers? -With the covers, 25. | 0:13:05 | 0:13:08 | |
-Are these the original covers? -Yeah. | 0:13:08 | 0:13:10 | |
I would say 20. | 0:13:10 | 0:13:12 | |
-They're a great team, aren't they? -I'm defeated. Give us £20. | 0:13:12 | 0:13:16 | |
He's going to give you... Are you listening? He'll take 20 quid. | 0:13:16 | 0:13:21 | |
-Are you happy with that? What's next? -Jewellery. -Yes. We want jewellery. -OK, let's go that way. | 0:13:21 | 0:13:27 | |
Well, that's plastic fantastic! Two down, Blues. | 0:13:27 | 0:13:31 | |
-Big diamonds! -For £200? LAUGHTER | 0:13:31 | 0:13:35 | |
Come on, get a move on, you lot! The clock's ticking. | 0:13:35 | 0:13:38 | |
What's your very, very best on that? | 0:13:38 | 0:13:41 | |
-That's lovely. -There's a lot of work in that. -The different colours? -Yeah. -Can we have a look? | 0:13:41 | 0:13:46 | |
- Yesterday, that was £140. - You couldn't do 90? | 0:13:46 | 0:13:50 | |
-No. I could do 100. -Could I have a look at it? -You certainly can. | 0:13:50 | 0:13:54 | |
-Have you got a crane(?) -It's fine. Don't worry. | 0:13:54 | 0:13:57 | |
-It's beautiful. -What do you think of that? You've got different colours of marble, the serpentine marble, | 0:13:58 | 0:14:04 | |
the slate, this brown marble, and this lovely white... almost got a sort of Carrara to it. | 0:14:04 | 0:14:10 | |
-Let's see in the back. -There's the movement and you've got the garniture with it as well. | 0:14:10 | 0:14:15 | |
-The French know how to make things, don't they? -Certainly. | 0:14:15 | 0:14:18 | |
-They didn't have anything on the top. -There was no bit where there was a statue? -Not on these. | 0:14:18 | 0:14:24 | |
If that was 95, we'd walk away with it now. It is perfect, Tom. | 0:14:24 | 0:14:28 | |
-It's lovely. -Go on, you can have it for 95. | 0:14:28 | 0:14:31 | |
-Shall we get it? -I think we should. -That's a deal. That's done. | 0:14:31 | 0:14:36 | |
-Brilliant, bought. Second item down. -Quality piece, quality piece. Very nice. | 0:14:36 | 0:14:41 | |
-Thank you, sir. -Thank you very much. | 0:14:41 | 0:14:43 | |
Great buy, Reds. Two down. | 0:14:43 | 0:14:45 | |
Now those Blues are on a diamond mission. | 0:14:47 | 0:14:51 | |
If you were buying a piece of jewellery, what would you like to buy? | 0:14:51 | 0:14:55 | |
If it was an antique like that, I'd go for something traditional | 0:14:55 | 0:14:59 | |
and I would go for a cameo, but I also like diamonds. | 0:14:59 | 0:15:02 | |
You like diamonds? Diamonds are a girl's best friend. | 0:15:02 | 0:15:05 | |
Why don't we take five minutes on our own, separate out, | 0:15:07 | 0:15:12 | |
have a look round, meet back here in five minutes | 0:15:12 | 0:15:15 | |
-and see if anybody has seen anything that really they've fallen in love with? -Yeah. -OK? | 0:15:15 | 0:15:21 | |
So the Blues are feeling all sparkly, but how are those Reds getting on? | 0:15:22 | 0:15:28 | |
I'll stop bickering and I'll be just quiet and you'll be really bored. | 0:15:28 | 0:15:32 | |
That will not happen. You being quiet will never, ever happen. | 0:15:32 | 0:15:37 | |
-I've known you for 40 minutes... -I'm trying to help you. You've got all this other work. | 0:15:37 | 0:15:42 | |
-At the double, please! -Oh, just a minute. | 0:15:42 | 0:15:45 | |
-You're going to make me buy something horrible. -No, I'm not. | 0:15:45 | 0:15:49 | |
Oh, blimey, you Reds are making me dizzy! | 0:15:49 | 0:15:51 | |
-Can we go back down that road bit? -Trot on, trot on. | 0:15:51 | 0:15:55 | |
# Dizzy... # | 0:15:55 | 0:15:56 | |
Let's go in here. I've seen a chair. In there. | 0:15:56 | 0:16:00 | |
# I'm so dizzy, my head is spinning... # | 0:16:00 | 0:16:02 | |
Turn me round. In there. Go in there, Rocky. | 0:16:02 | 0:16:05 | |
-The Marly Horses? -Yeah. -Turn me around. -Can we just leave her here? -I think we can. | 0:16:05 | 0:16:10 | |
Now, Roxanne, that's your mother, dear! | 0:16:10 | 0:16:13 | |
-We need to be off the grass. -We're going to try and get off the grass. -Hang on. -We've got ten minutes. | 0:16:13 | 0:16:19 | |
# Dizzy, dizzy... # | 0:16:19 | 0:16:21 | |
Hey, are those Blues doing a deal without Anita? | 0:16:21 | 0:16:25 | |
It's 1689. It's William and Mary. | 0:16:25 | 0:16:28 | |
It's a half-crown. | 0:16:28 | 0:16:30 | |
The book value for these is about £280. | 0:16:30 | 0:16:34 | |
If you're interested in that, I will do that for 250, but that would be my bottom... | 0:16:34 | 0:16:39 | |
-You wouldn't do 200 because we haven't got the money? -We've only got 200. It's our last item. | 0:16:39 | 0:16:44 | |
We just have 200. > | 0:16:44 | 0:16:47 | |
-I will do it for 200. -Our last item. | 0:16:48 | 0:16:51 | |
Where's Anita? Anita! | 0:16:51 | 0:16:53 | |
Anita's run away! | 0:16:53 | 0:16:55 | |
So as the Blues hunt down their Anita, the Reds are racing to the finishing post. | 0:16:55 | 0:17:01 | |
-What can you do for the pair, love? -The horses? | 0:17:01 | 0:17:04 | |
- 40. - 40 for the pair? | 0:17:04 | 0:17:07 | |
These are called Marly Horses and they come in spelter and bronze. | 0:17:07 | 0:17:11 | |
These are in spelter and they've had some black paint over them which has oxidised. | 0:17:11 | 0:17:16 | |
They've got a real shabby chic-ness. | 0:17:16 | 0:17:19 | |
Yeah, I'm happy there's no soldering or bad damage. | 0:17:19 | 0:17:22 | |
Yeah, somebody would live with those, painted or unpainted. | 0:17:22 | 0:17:27 | |
Do you think there's a profit in these, Thomas? | 0:17:27 | 0:17:30 | |
-Tom, I've had a good look at these. -Yeah, what do you think, Carrie? | 0:17:30 | 0:17:34 | |
This gentleman will be fair with me because he knows there's a little bit of... Not... | 0:17:34 | 0:17:40 | |
A little bit of corrosion. Can you go down to 27 quid for the pair? | 0:17:40 | 0:17:44 | |
-No, I can't. -What can you do on these? -I'll take 30. -30? | 0:17:44 | 0:17:48 | |
-£30...? Good man. -Thank you. | 0:17:48 | 0:17:51 | |
-That's it! -Yes. | 0:17:51 | 0:17:53 | |
-Cup of tea. -Yeah. -Cup of tea. -Trot on. | 0:17:53 | 0:17:56 | |
-Trot on. You're telling me to trot on! -LAUGHTER | 0:17:56 | 0:17:59 | |
I'm off. Come on! | 0:17:59 | 0:18:01 | |
-Let's go. -Let's go. | 0:18:01 | 0:18:03 | |
Giddy-up now, Thomas! | 0:18:05 | 0:18:08 | |
Now, have those Blues found Anita yet? | 0:18:08 | 0:18:11 | |
-We've found a coin. -Right. | 0:18:11 | 0:18:13 | |
But I thought that I would bring you over some diamonds. | 0:18:13 | 0:18:17 | |
Now, this first one here is a little pendant. | 0:18:17 | 0:18:22 | |
It's got 16 little diamonds. | 0:18:22 | 0:18:24 | |
-They're set... -They are tiny, aren't they? | 0:18:24 | 0:18:27 | |
You've only got a couple of hundred quid to spend, girl. | 0:18:27 | 0:18:31 | |
It's 130 and we can get that for £110. | 0:18:31 | 0:18:36 | |
I wouldn't wear it. The diamonds are too tiny. | 0:18:36 | 0:18:39 | |
I want big diamonds! | 0:18:39 | 0:18:41 | |
-We've got a little three-stone ring here. -Can I look at it? -Uh-huh. -I don't like that. | 0:18:42 | 0:18:48 | |
There's not enough bling in that ring, Anita. | 0:18:48 | 0:18:51 | |
You've got this little one here | 0:18:51 | 0:18:53 | |
which is a little, single-stone diamond. | 0:18:53 | 0:18:56 | |
-It's nice. -You like that one? -Yeah. | 0:18:56 | 0:18:59 | |
It's a slightly bigger diamond, | 0:18:59 | 0:19:01 | |
but it's slightly dated in its appearance because it's modern... | 0:19:01 | 0:19:05 | |
That wouldn't sell. I don't like that. | 0:19:05 | 0:19:09 | |
The third one is a little 1930s, Art Deco ring. | 0:19:09 | 0:19:14 | |
-That's nice, that. -I like that. | 0:19:14 | 0:19:16 | |
And that is £170. | 0:19:16 | 0:19:18 | |
Have we time to see any more jewellery? | 0:19:18 | 0:19:21 | |
Girls, we're running out of time, so you've got to make your mind up. | 0:19:21 | 0:19:26 | |
-I do fancy the coin. -You want the coin? | 0:19:26 | 0:19:29 | |
-I don't know anything about coins, honestly. -Your choice, your choice. | 0:19:29 | 0:19:33 | |
You wanted jewellery, so it's your choice now. | 0:19:33 | 0:19:36 | |
So, forgetting about that ring, it's between the coin and that now. | 0:19:36 | 0:19:41 | |
-You spotted the coin. -I like that coin. -You have to make up your mind. | 0:19:41 | 0:19:45 | |
The coins have a specific value. | 0:19:45 | 0:19:47 | |
-Am I right? -Generally, you will get a specific value for the coins. | 0:19:47 | 0:19:51 | |
The only thing I can say, Rachel, is we'll have to toss a coin. > | 0:19:51 | 0:19:55 | |
Girls, you've got very little time left, very little time. | 0:19:55 | 0:19:59 | |
-Quick! -I'll go for the coin. -The coin it is then. -OK, the coin. Thank you very much. | 0:19:59 | 0:20:04 | |
Will you let us have it for 197? | 0:20:04 | 0:20:07 | |
-Go on then. -Shake on it, shake on it. | 0:20:07 | 0:20:10 | |
OK, give him 197 before we break his cabinet. | 0:20:10 | 0:20:14 | |
- Yeah, 197. - Thank you. | 0:20:14 | 0:20:16 | |
OK, thank you. Bye-bye. I'd better get these diamonds back. | 0:20:16 | 0:20:20 | |
Well done. You made it in the end and that's something to dance about. | 0:20:20 | 0:20:24 | |
# Oppa Gangnam style | 0:20:24 | 0:20:27 | |
# Gangnam style... # | 0:20:27 | 0:20:29 | |
It's all terribly tiring, this racing lark. Time's up! | 0:20:29 | 0:20:33 | |
Let's check out what the Red Team bought, eh? | 0:20:33 | 0:20:36 | |
First of all, they spent £65 on an early 20th century fiddle. | 0:20:37 | 0:20:41 | |
£95 was spent on an Art Deco, marble clock garniture. | 0:20:42 | 0:20:47 | |
And they took a £30 punt on a pair of spelter Marly Horses. | 0:20:48 | 0:20:52 | |
-I mean, I'm relaxed, you know. -Good. | 0:20:52 | 0:20:55 | |
-Relaxed? You might be relaxed. We're feeling very, very tense, aren't we, Tom? -Very tense. | 0:20:55 | 0:21:01 | |
-How much did you spend, darling? -£190. I wanted to spend more, but I couldn't. | 0:21:01 | 0:21:06 | |
Have you got £110 of leftover lolly somewhere about your person? | 0:21:06 | 0:21:10 | |
Yeah, we're going to treat this gentleman. | 0:21:10 | 0:21:13 | |
Thank you. Which is your favourite piece? | 0:21:13 | 0:21:16 | |
-I do like the clock very much. -The clock is your favourite. | 0:21:16 | 0:21:20 | |
-Do you agree with that? -Yes. | 0:21:20 | 0:21:22 | |
-Always agree with your mother. -I don't really have a choice. | 0:21:22 | 0:21:25 | |
-Here comes the do-re-mi for Tom. -Thank you. | 0:21:25 | 0:21:28 | |
-What are you going to do with it, Thomas? -I'm going to buy us a talisman. | 0:21:28 | 0:21:33 | |
That's enigmatic. Good on you, Tom. Meanwhile, why don't we check out what the Blue team bought, eh? | 0:21:33 | 0:21:39 | |
They dived on in and paid £45 for this Poole Pottery Delphis vase. | 0:21:39 | 0:21:44 | |
This pair of retro avocado-coloured stools cost them £20. | 0:21:44 | 0:21:50 | |
And they reigned the William and Mary silver half crown for £197. Wow! | 0:21:51 | 0:21:57 | |
-He took a bit of bargaining. -He did, but he did it. | 0:21:57 | 0:22:01 | |
I think you're very tough, you girls, that's all I can say. | 0:22:01 | 0:22:05 | |
-I'm just hard. -Which is your favourite piece, hard one? | 0:22:05 | 0:22:10 | |
My favourite piece, I think, would be the Poole. | 0:22:10 | 0:22:13 | |
-Do you agree? -Yeah. It's the only thing we do agree on. -That's OK. | 0:22:13 | 0:22:18 | |
-How much did you spend all round? -£262. -That's a lovely amount. | 0:22:18 | 0:22:22 | |
-Can I have the 38, please? Who's got the £38? -I have. | 0:22:22 | 0:22:26 | |
-You don't like handing this over. -Not really. -OK, there we go. | 0:22:26 | 0:22:30 | |
-I'll trust you, Anita. -Thank you. -What will you do with that? | 0:22:30 | 0:22:34 | |
The girls were a pair of stars. I want to buy something shiny or sparkly that suits their character. | 0:22:34 | 0:22:41 | |
That'll be very popular. Meanwhile, we're heading off to North Yorkshire. How lovely. | 0:22:41 | 0:22:48 | |
Kiplin Hall, a fine Jacobean country house, stands in the beautiful Vale of Mowbray, | 0:22:49 | 0:22:55 | |
between the Yorkshire Dales and the North Yorkshire moors. | 0:22:55 | 0:22:59 | |
Kiplin Hall was built in the 1620s by George Calvert | 0:22:59 | 0:23:04 | |
as a hunting lodge, he being Secretary of State to James I. | 0:23:04 | 0:23:10 | |
In its time it's been owned by four families over four hundred years, | 0:23:10 | 0:23:16 | |
each of which have left their mark on this magnificent house. | 0:23:16 | 0:23:20 | |
I can't wait to have a look inside. Come on. | 0:23:20 | 0:23:25 | |
The Carpenters, who owned Kiplin in the 19th century, | 0:23:34 | 0:23:38 | |
transformed this room from the Gothic style into the Jacobean style | 0:23:38 | 0:23:44 | |
creating it and finishing it in the late 1880s. | 0:23:44 | 0:23:48 | |
You can sense their preference and love for the Arts and Crafts movement | 0:23:48 | 0:23:55 | |
in their choice of decoration. | 0:23:55 | 0:23:57 | |
For example, the tiles that line the slip of that fireplace | 0:23:57 | 0:24:02 | |
are by William Frend De Morgan. | 0:24:02 | 0:24:05 | |
Similarly, here with this handsome, Iznik-style, two-handled pot, | 0:24:05 | 0:24:10 | |
it's also be De Morgan. They're making a statement. | 0:24:10 | 0:24:14 | |
"We love the Arts and Crafts." | 0:24:14 | 0:24:17 | |
Beatrice Carpenter, however, decided to take this to a higher and more practical level | 0:24:17 | 0:24:23 | |
with the Home Arts and Industries Association, | 0:24:23 | 0:24:27 | |
a philanthropic association set up in 1884 | 0:24:27 | 0:24:33 | |
to provide additional employment typically for rural types | 0:24:33 | 0:24:38 | |
so that they could improve their skill base and also have a source of additional income. | 0:24:38 | 0:24:44 | |
Her talents as a designer are evidenced in this ledger. | 0:24:44 | 0:24:49 | |
You can see a beautiful lattice-design look filled with foliage and birds. | 0:24:50 | 0:24:57 | |
That design was incorporated by a member of the association | 0:24:57 | 0:25:02 | |
into the inlay in this cabinet. | 0:25:02 | 0:25:05 | |
There's the trellis, look, with the interspersed birds. | 0:25:05 | 0:25:10 | |
And there it is in the design. | 0:25:10 | 0:25:12 | |
But perfectly worked. | 0:25:12 | 0:25:15 | |
I have to say, very skilfully done. | 0:25:15 | 0:25:18 | |
Simple, stylised forms, | 0:25:18 | 0:25:21 | |
but beautifully executed by what would have been an amateur artist. | 0:25:21 | 0:25:28 | |
Here we've got an edition of the Studio magazine, | 0:25:28 | 0:25:33 | |
bound into a volume, | 0:25:33 | 0:25:35 | |
dating from 1901, | 0:25:35 | 0:25:37 | |
that shows, on this page, a rather beautifully-inlaid casket. | 0:25:37 | 0:25:41 | |
And if you look carefully, it says, "Designed by the Honourable Mrs Carpenter". Our Beatrice. | 0:25:41 | 0:25:48 | |
What's fascinating is that in the hall today we have the very casket. | 0:25:48 | 0:25:53 | |
We've got beautifully-inlaid, | 0:25:53 | 0:25:56 | |
some sheep and a shepherd and his dog, with reflected images carefully crafted | 0:25:56 | 0:26:03 | |
in this pool of water in the foreground. If you look at the front surface, | 0:26:03 | 0:26:09 | |
it corresponds pretty well exactly to the illustration in the Studio magazine. | 0:26:09 | 0:26:15 | |
It says underneath in the magazine, "Inlaid by Walter Smailes". | 0:26:15 | 0:26:20 | |
Who was Walter Smailes? | 0:26:20 | 0:26:22 | |
Well, he was Beatrice Carpenter's gardener here at Kiplin. | 0:26:22 | 0:26:28 | |
Imagine the scene - Beatrice comes out and says, "Smailes, leave that herbaceous border | 0:26:28 | 0:26:33 | |
"and come inside and learn a little woodwork with me." "Yes, madam." | 0:26:33 | 0:26:38 | |
Anyway, true to form, Smailes actually turned out to be rather good at this | 0:26:38 | 0:26:44 | |
as evidenced by that casket. | 0:26:44 | 0:26:46 | |
Most successful. | 0:26:46 | 0:26:48 | |
The big question today is how successful are our teams going to be over at the auction? | 0:26:48 | 0:26:54 | |
It's lovely to be with Jeremy Pattison at Tennants Saleroom in North Yorkshire. | 0:26:58 | 0:27:04 | |
-Lovely to see you. -Hello, Tim. -We've got quite a selection of goods here for you today. | 0:27:04 | 0:27:10 | |
Roxanne and Carrie went with the old fiddle and bow. Is that by Stradivarius, by any chance? | 0:27:10 | 0:27:17 | |
I'm afraid not, Tim. That's a poor example of a violin and bow. | 0:27:17 | 0:27:22 | |
-This is probably a late-19th, early-20th century European copy. -Yes. | 0:27:22 | 0:27:28 | |
-It's not going to bring a couple of million, then. -Definitely not. | 0:27:28 | 0:27:32 | |
-How kind are you with your estimate? -£20-£40. | 0:27:32 | 0:27:35 | |
-Really? -Someone might buy it because it's cheap. -They paid 65. | 0:27:35 | 0:27:40 | |
So that's started off on the wrong note. Moving on swiftly to the Art Deco clock garniture. | 0:27:40 | 0:27:47 | |
-I don't know how you are with these things, but I think that is just a spectacular buy. -It is. | 0:27:47 | 0:27:54 | |
A wonderful example, very good value, stylish, different marbles. | 0:27:54 | 0:27:59 | |
And it reeks of Art Deco. This team paid £95 retail for this, so the dealer's made a profit. | 0:27:59 | 0:28:05 | |
Goodness only knows what he paid for it. | 0:28:05 | 0:28:09 | |
-There's a few nibbles, but by and large it's in good nick. -He obviously bought very well, | 0:28:09 | 0:28:15 | |
-but I hope to see £100-£150. -Can you? -Yes, I hope so. -Good. | 0:28:15 | 0:28:19 | |
Now the old staple of the sculpture section of every sale in Britain for the last 100 years | 0:28:19 | 0:28:25 | |
-has been a pair of these things. -Yes. -Very, very commonly reproduced, weren't they? -They are. | 0:28:25 | 0:28:31 | |
Trouble is they're a zinc-based metal, so they're very brittle. | 0:28:31 | 0:28:35 | |
-There's various repairs and they're slightly crude. -How much for the pair, then? | 0:28:35 | 0:28:41 | |
That's something people don't really want at the moment. | 0:28:41 | 0:28:46 | |
-£20-£30 for the pair. -Really? Well, they only paid £30 | 0:28:46 | 0:28:50 | |
and I think they thought you were going to say £100-£200, but that is not the case. | 0:28:50 | 0:28:56 | |
They used to be £100-£150, but prices have changed on them. | 0:28:56 | 0:29:00 | |
On that basis, I still think they'll come out OK, but let's go and check out their Bonus Buy, eh? | 0:29:00 | 0:29:07 | |
Now Carrie, Roxanne, you two gorgeous...! | 0:29:07 | 0:29:11 | |
You spent £190. Yes, you gave Thomas £110. | 0:29:11 | 0:29:16 | |
-Thomas, what did you spend it on? -I said I needed divine intervention. | 0:29:16 | 0:29:20 | |
-I bought a bit of ecclesiastical... -Oh, wow. | 0:29:20 | 0:29:25 | |
-Oh, lordy. -Watch the top! There it is. -And how much was this? | 0:29:25 | 0:29:31 | |
-Is that all you're interested in?! -What is it? | 0:29:31 | 0:29:34 | |
-It's ecclesiastical silver. -OK. -Your travelling communion cup and wafer tray. | 0:29:34 | 0:29:40 | |
It's a little travelling set. | 0:29:40 | 0:29:43 | |
It's Victorian, it's silver. 1855. | 0:29:43 | 0:29:47 | |
-You've seen one of those. -It's very sweet. -Of course, I've been avoiding your first question. | 0:29:47 | 0:29:53 | |
-Did you spend all the money? -I spent it all. -All of it. | 0:29:53 | 0:29:57 | |
-You've spent about 100. -£110. -He had £110. | 0:29:57 | 0:30:02 | |
What's the profit? Well, these sometimes make 150, 250. They are quite popular. | 0:30:02 | 0:30:07 | |
-I like it. It's lovely. -Roxanne's father trained to be a priest. That's very apt. -When did he...?! | 0:30:07 | 0:30:14 | |
-Her father did. -When? -Before he met me. | 0:30:14 | 0:30:18 | |
He never made it! | 0:30:18 | 0:30:21 | |
I love it! Don't you? | 0:30:23 | 0:30:25 | |
He was nearly celibate until he met your mum! | 0:30:25 | 0:30:29 | |
-Brilliant! Trained to be a priest. -I thought that's why you'd like it. | 0:30:29 | 0:30:33 | |
-She was brought up Catholic. -There you are, then. I bought the right thing. | 0:30:33 | 0:30:39 | |
Anyway, you gather yourselves together. | 0:30:39 | 0:30:41 | |
Meanwhile, for the audience at home, let's find out what the auctioneer thinks about the communion set. | 0:30:41 | 0:30:48 | |
OK, then, Reverend... there you go. | 0:30:48 | 0:30:51 | |
A little practice communion set. | 0:30:51 | 0:30:54 | |
My experience with these is often they were in fitted cases to travel. | 0:30:54 | 0:30:59 | |
There's often a three-piece set, so again it's incomplete. | 0:30:59 | 0:31:04 | |
-Right. -Gilded, but the question is what do you do with it in today's market? | 0:31:04 | 0:31:10 | |
I suppose that's true, really. It's got some weight, though. It's made of solid silver. | 0:31:10 | 0:31:16 | |
-Gird up your loins. How much? -£40-£60. | 0:31:16 | 0:31:20 | |
Is that all? Well, the Planter paid £110, God bless him. | 0:31:20 | 0:31:24 | |
-I'm not quite sure why. -I'll try my best. -I'm sure. | 0:31:24 | 0:31:28 | |
That's it for the Reds. Now the Blues, who have gone for colour over substance, I fancy. | 0:31:28 | 0:31:34 | |
-Starting out with the Poole vase, which is stylish. -Yes. | 0:31:34 | 0:31:40 | |
-When was it made, do you reckon? -Quite late. '60s, '70s. | 0:31:40 | 0:31:43 | |
-Again, you have to love that colour. -Uranium orange isn't everybody's cup of tea. -Certainly not. | 0:31:43 | 0:31:50 | |
-For the right person, though, how much? -£20-£30. | 0:31:50 | 0:31:54 | |
£45 paid. How about the avocado pair of bathroom stools? | 0:31:54 | 0:31:59 | |
-Again, different. I do like them. Retro furniture, injection-moulded plastic. -Yeah. | 0:31:59 | 0:32:05 | |
-But it possibly could be the colour. -That puts people off? -Yes. | 0:32:05 | 0:32:10 | |
-You don't have to have that woolly hat on top. -Possibly take that off! | 0:32:10 | 0:32:15 | |
There's a label on there. I think they're about 1958. | 0:32:15 | 0:32:20 | |
Oh, quite early, then? And they're in good nick. | 0:32:20 | 0:32:24 | |
-They are strange. I've never seen this model. -So how much? | 0:32:24 | 0:32:28 | |
-£50, £60 maybe? -You're a marvellous man. They only paid £20. -Ah, good. -That's not bad. | 0:32:28 | 0:32:34 | |
Lastly, and in a completely different sense, | 0:32:34 | 0:32:39 | |
-we've got the silver coin. Like that? -I do, but again it goes down to condition. | 0:32:39 | 0:32:45 | |
Collectors are looking for something in mint condition. | 0:32:45 | 0:32:49 | |
I think this has been mounted. | 0:32:49 | 0:32:51 | |
-To a serious coin collector, it has its limitations. -Tell us about this. | 0:32:51 | 0:32:56 | |
People took genuine old coins - because this is a 17th-century coin, isn't it? | 0:32:56 | 0:33:02 | |
-Yeah. -And they put them in brooches? -Yes, yes. Brooches, pendants. | 0:33:02 | 0:33:07 | |
-And you think that's what has happened to this one? -Possibly. | 0:33:07 | 0:33:12 | |
-So what's your estimate? -Cautious. £50-£80. | 0:33:12 | 0:33:16 | |
-They paid £197. -Right. | 0:33:16 | 0:33:18 | |
-And they paid that amount thinking it was absolutely spot-on. -Yes. | 0:33:18 | 0:33:24 | |
-Anyway, we'll have to see. That's the fun of the auction. -Exactly. | 0:33:24 | 0:33:28 | |
And if you're right, they'll definitely need their Bonus Buy no matter how well the avocado goes. | 0:33:28 | 0:33:34 | |
So let's have a look at the Bonus Buy. | 0:33:34 | 0:33:38 | |
Now Jude, Rach, this is your moment. £38 you gave Anita Manning. | 0:33:38 | 0:33:42 | |
Anita, what did you spend it on? | 0:33:42 | 0:33:45 | |
Oh! | 0:33:45 | 0:33:46 | |
-What's that? -What's that?! | 0:33:46 | 0:33:49 | |
-It's a wee silver thing. -It looks small. -It looks small. | 0:33:49 | 0:33:54 | |
-Is it a knife? -It's not a knife. | 0:33:54 | 0:33:56 | |
-It's a little... -Comb? -..tortoiseshell comb. | 0:33:56 | 0:34:01 | |
Probably for someone with not a lot of hair. | 0:34:01 | 0:34:05 | |
-Or a moustache. -That will make a lot. -You reckon? | 0:34:05 | 0:34:09 | |
-How much did you spend on it? -I spent £30 on it. | 0:34:09 | 0:34:15 | |
It's hallmarked silver. Made in Birmingham in 1913, | 0:34:15 | 0:34:20 | |
just before the war. What I liked was the scale of it. Small one, possibly for a moustache. | 0:34:20 | 0:34:27 | |
It's nicely hallmarked, good condition and the comb hasn't lost any of the teeth. | 0:34:27 | 0:34:34 | |
It's still got the dandruff. | 0:34:34 | 0:34:38 | |
You girls think about it. You're both predicting a small profit. | 0:34:38 | 0:34:44 | |
Meanwhile, why don't we - for the audience at home - let the auctioneer look at Anita's comb? | 0:34:44 | 0:34:50 | |
There you go, Jeremy. I'm not going to say the obvious. | 0:34:50 | 0:34:54 | |
Exactly. I don't know if Anita bought this for me... Silver. Nice engine-turned decoration. | 0:34:54 | 0:35:01 | |
-What's it worth? -I won't be bidding for it. -No, no, quite. | 0:35:01 | 0:35:05 | |
-What's it worth? -As silver, it's got to be worth £40-£50. | 0:35:05 | 0:35:09 | |
OK, £30 paid. It's a nice thing to have tried. We'll see what happens. | 0:35:09 | 0:35:14 | |
-Looking forward to this? -Can't wait. -Me neither. | 0:35:14 | 0:35:18 | |
OK, Carrie, Roxanne, how excited are you on the excited scale? | 0:35:21 | 0:35:26 | |
-It's good fun, isn't it? -Is it like the beginning of a major race your horse is running in? -No. | 0:35:26 | 0:35:32 | |
-Oh. -I like it when my horse comes past the lollipop best. | 0:35:32 | 0:35:36 | |
-But this is good fun. -It's got a bit of buzz. -Definitely! Especially when you're here. | 0:35:36 | 0:35:42 | |
You're too kind, Carrie. First up is the violin and bow. Let's have a pluck at this. | 0:35:42 | 0:35:48 | |
The early-20th-century violin and bow. Cased. It's been used. | 0:35:48 | 0:35:52 | |
20 bid. £20 bid to start. | 0:35:52 | 0:35:56 | |
At 20. 30. 40. £40. | 0:35:56 | 0:35:59 | |
Shall I sell this? At 40. | 0:35:59 | 0:36:01 | |
At 40. 50 anywhere? For the last time. £40 will take it. | 0:36:01 | 0:36:07 | |
£40 is minus £25. Not to worry. Moving on to the garniture. | 0:36:07 | 0:36:11 | |
-He likes this. -Very attractive marble garniture. Really stylish. | 0:36:11 | 0:36:16 | |
Three-piece set. Start me at £100. | 0:36:16 | 0:36:18 | |
60 bid. 60. Any advance on 60? | 0:36:18 | 0:36:21 | |
70. 80. 90. 100. | 0:36:21 | 0:36:24 | |
-110. At 110 on my left. Any advance? -Come on! | 0:36:24 | 0:36:27 | |
I expected a bit more. Give me 110. At 110. 120? | 0:36:27 | 0:36:31 | |
I'm going to sell. For the last time. 110 and selling. | 0:36:31 | 0:36:35 | |
He sold it for £110. Cheap enough, isn't it? | 0:36:35 | 0:36:39 | |
That is plus £15. Overall, minus £10. OK, now the Marly horses. | 0:36:39 | 0:36:45 | |
A pair of spelter Marly horses. For the pair, £20 to start me? | 0:36:45 | 0:36:49 | |
Spelter figures. 20 bid. 20 in the room. At 20. | 0:36:49 | 0:36:53 | |
I'll take 25 on them. 25. 30. | 0:36:53 | 0:36:56 | |
-Gentleman's bid there. At 30. -Look out... | 0:36:56 | 0:36:59 | |
Any further bids? 30 will take them. | 0:36:59 | 0:37:03 | |
£30. Wiped its face. | 0:37:03 | 0:37:05 | |
Oh, dear. Minus £10 overall, girls. | 0:37:05 | 0:37:08 | |
What about this communion cup lark? Are you going to wrap up your losses at minus £10 | 0:37:08 | 0:37:14 | |
-or risk £110 on the communion set? What'll you do? -It's a risk. | 0:37:14 | 0:37:19 | |
-I'm not going to go for the risk, if you agree. -She's got to! -Yes! | 0:37:19 | 0:37:23 | |
-What did you pay for it? -110. -It's not going to make that. | 0:37:23 | 0:37:28 | |
-I think we should leave it. -Definitely not? OK, fine. | 0:37:28 | 0:37:33 | |
They're definitely not taking it. Minus £10 is what it is, | 0:37:33 | 0:37:37 | |
-but we're going to sell the Bonus Buy anyway, just for the hell of it. -Is it now? -Yes. -Brilliant. | 0:37:37 | 0:37:42 | |
-A Victorian silver travelling communion cup and wafer dish. -Watch it make 200! -Two pieces. | 0:37:42 | 0:37:49 | |
-£50? £30? For silver. -Oh(!) | 0:37:49 | 0:37:53 | |
30 bid. 30. 30. 40. | 0:37:53 | 0:37:56 | |
50. 60. 70. | 0:37:56 | 0:37:59 | |
-80. -They love it, Tom(!) | 0:37:59 | 0:38:01 | |
-£90 I'm bid, standing. -Come on. -100. | 0:38:01 | 0:38:05 | |
110? 110 at the moment. Any more bids on that? | 0:38:05 | 0:38:09 | |
110, the gentleman's bid. | 0:38:09 | 0:38:11 | |
Wiped its face. 110. No shame, no gain. No profit, no loss. | 0:38:11 | 0:38:16 | |
-Well done, Tom. -If you'd taken it, you'd be in the same position. | 0:38:16 | 0:38:21 | |
Anyway, overall, you girls, you are minus £10. All right? | 0:38:21 | 0:38:25 | |
-It's not that bad! -It could be a winning score. Don't say a word to the Blues, all right? | 0:38:25 | 0:38:31 | |
If we hadn't been on the fiddle, we'd be in front! | 0:38:31 | 0:38:35 | |
OK, now, Judith, Rachel. This is your chance. Your Delphis vase, £45 paid. | 0:38:42 | 0:38:48 | |
His estimate is £20-£30 so it's an uphill struggle. Keep smiling! | 0:38:48 | 0:38:53 | |
If the worst comes to the worst, you've got that lovely encrusted comb(!) | 0:38:53 | 0:38:59 | |
First up is the Delphis vase and here it comes. | 0:38:59 | 0:39:03 | |
A Poole pottery Delphis vase. Orange. Good decorative thing. | 0:39:03 | 0:39:08 | |
£30 for the Poole vase? 30? £10. Thank you, sir. | 0:39:08 | 0:39:11 | |
10 bid. | 0:39:11 | 0:39:13 | |
Any advance on 10? 15? 20? £20 I'm bid. | 0:39:13 | 0:39:17 | |
Any advance on 20? Give me 5? Got a commission bid. 25, new bidder. | 0:39:17 | 0:39:22 | |
It's a room bid. One more? Any more? | 0:39:22 | 0:39:26 | |
£25 and selling. | 0:39:26 | 0:39:28 | |
He sold it for 25. You're minus 20. OK, now your stool. | 0:39:28 | 0:39:33 | |
Very unusual. A pair of 20th-century West German plastic stools | 0:39:33 | 0:39:37 | |
in avocado green. Very green. | 0:39:37 | 0:39:40 | |
Certainly 1950s, '60s. Personally, I'd take those covers off. | 0:39:40 | 0:39:45 | |
-He's giving them a big build-up. -But they might keep you warm. £50 for the pair? | 0:39:45 | 0:39:50 | |
30 I'm bid. Thank you. 30. Retro there. 40. | 0:39:50 | 0:39:54 | |
Any more bidders? 50. 50 I'm bid. | 0:39:54 | 0:39:56 | |
-Any advance on 50? -How marvellous is that? | 0:39:56 | 0:40:01 | |
£50. | 0:40:01 | 0:40:03 | |
-Yes! -£50 is plus 30, | 0:40:03 | 0:40:05 | |
which transforms you into £10 profit. Plus 10. | 0:40:05 | 0:40:09 | |
-Here comes the half crown. -William and Mary silver half crown. | 0:40:09 | 0:40:13 | |
£100? £50? | 0:40:13 | 0:40:16 | |
20 I'm bid. 20 for the crown. 30. 40. | 0:40:16 | 0:40:20 | |
50. 60. 70. | 0:40:20 | 0:40:22 | |
80. 90. 100. 110. 120. | 0:40:22 | 0:40:25 | |
And 30. 130 in the middle there. | 0:40:25 | 0:40:28 | |
- 140, new bidder. - Come on! | 0:40:28 | 0:40:30 | |
Any more bidders on this? At 140. | 0:40:30 | 0:40:34 | |
Any further bids? 140 will take it. | 0:40:34 | 0:40:37 | |
£140 is minus £57. You had plus £10. | 0:40:37 | 0:40:42 | |
You're minus 47. | 0:40:42 | 0:40:44 | |
Didn't quite work out, did it? It didn't make the £50-£80 that he estimated, | 0:40:44 | 0:40:49 | |
but it didn't make the full 200, which is what it was really worth. | 0:40:49 | 0:40:53 | |
So I'd say the jury's out for that. Bad luck on you girls. | 0:40:53 | 0:40:57 | |
What are you doing about the comb? You're minus 47. Are you going to have a punt? | 0:40:57 | 0:41:03 | |
-Rach? What do you want to do? -Just go for it. | 0:41:03 | 0:41:06 | |
-We're all looking at you. -We're going with it because the dandruff is worth £50! | 0:41:06 | 0:41:13 | |
-Yes. -That would be a yes, then, would it? OK, we're going with the scurfy old comb. Here it comes. | 0:41:13 | 0:41:20 | |
A pocket comb. Silver case. Birmingham, 1913. | 0:41:20 | 0:41:25 | |
I've got a commission on this. 10. 20. 30. £30 I'm bid. At 30. 40. | 0:41:25 | 0:41:30 | |
-Takes my bids out. 40 in the room. -You're in profit. | 0:41:30 | 0:41:34 | |
Any advance on this? I shall sell. For the last time, for the comb. The bid is £40. | 0:41:34 | 0:41:39 | |
-Well done, Anita. That's plus £10. -You've done very well. | 0:41:39 | 0:41:43 | |
Overall, you're minus 37. That could be a winning score. Don't say a word to those Reds. | 0:41:43 | 0:41:50 | |
We'll reveal all in a moment. Thanks, girls. | 0:41:50 | 0:41:54 | |
Well, well, well, well, well. What a splendid day we've had today. | 0:42:01 | 0:42:06 | |
Each team has failed to make any cash at all. | 0:42:06 | 0:42:11 | |
So the winners and runners-up is just a question of scale. | 0:42:11 | 0:42:15 | |
The team that has done rather worse are, of course, the Blues. | 0:42:15 | 0:42:19 | |
-Aww! -You made good money. | 0:42:19 | 0:42:23 | |
You made money on your plastic stools and on your comb, | 0:42:23 | 0:42:27 | |
but you made a socking great loss on the half-crown. Minus £37 is your number, but good fun, yes? | 0:42:27 | 0:42:34 | |
-Oh, yeah. -Oh, yeah! | 0:42:34 | 0:42:36 | |
I'm very glad to hear that(!) | 0:42:36 | 0:42:39 | |
But the victors today, the Reds, who go home shining with glory | 0:42:39 | 0:42:45 | |
because they managed to lose £10. How cool is that? You made no major scores, but no major losses. | 0:42:45 | 0:42:51 | |
-So congratulations. Has it been good fun? -Fantastic. | 0:42:51 | 0:42:56 | |
-What about you, Ma? -I enjoyed it. There's mad people here. -Crazy! | 0:42:56 | 0:43:00 | |
-Absolutely. So crazy, you ought to join us soon for more bargain hunting. Yes? -Yes! | 0:43:00 | 0:43:06 | |
I know you're sitting there thinking, "I could have done better than that!" What's stopping you? | 0:43:06 | 0:43:13 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:13 | 0:43:18 | |
It'll be splendid to see you! | 0:43:18 | 0:43:21 | |
Subtitles by Red Bee Media Ltd | 0:43:27 | 0:43:29 |