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Today we're in Surrey, a county with reputedly more millionaires | 0:00:02 | 0:00:05 | |
than any other in the UK. | 0:00:05 | 0:00:07 | |
I don't know whether we're going to be able to ADD to that total | 0:00:07 | 0:00:10 | |
of millionaires but we're certainly going to have a jolly good go! So... | 0:00:10 | 0:00:15 | |
let's go bargain hunting, yeah! | 0:00:15 | 0:00:18 | |
Welcome to Epsom, once a spa town famed for its salts | 0:00:44 | 0:00:50 | |
but nowadays visitors are enticed by the magnificent | 0:00:50 | 0:00:54 | |
Epsom Downs Racecourse, which is the location for today's fair. | 0:00:54 | 0:00:59 | |
So, who is going to be the winner of the Bargain Hunt Derby? | 0:00:59 | 0:01:04 | |
Goodness only knows! Let's find out. | 0:01:04 | 0:01:08 | |
Today it is a dance-off, the old school lindy hop... | 0:01:09 | 0:01:13 | |
Oh, I'm feeling an antique coming on here! | 0:01:13 | 0:01:15 | |
..versus the too cool for school hip-hop. | 0:01:17 | 0:01:20 | |
-No! -No. Ha-ha-ha! | 0:01:20 | 0:01:22 | |
Let the battle commence but first let's meet the teams. | 0:01:24 | 0:01:27 | |
Well, today on Bargain Hunt it's about family and friendship | 0:01:28 | 0:01:33 | |
because for the Reds we've got Tim, great name, and Natalie - friends, | 0:01:33 | 0:01:38 | |
and we've got Victoria and Alex, who are brother and sister. | 0:01:38 | 0:01:41 | |
Hello, everyone! | 0:01:41 | 0:01:42 | |
-ALL: Hello! -Lovely to see you. | 0:01:42 | 0:01:44 | |
Now, Timbo, how did you and Natalie become friends? | 0:01:44 | 0:01:47 | |
We met at college, at art college, | 0:01:47 | 0:01:50 | |
and mainly through doing fundraising together. | 0:01:50 | 0:01:53 | |
So, Timbo, ha-ha, tell us a bit about your job. | 0:01:53 | 0:01:56 | |
So, as a performance artist | 0:01:56 | 0:01:58 | |
I combine two different things that shouldn't go together. | 0:01:58 | 0:02:01 | |
So, skateboarding and Edwardian dress. | 0:02:01 | 0:02:04 | |
I might, erm, draw while running, which I called jog-graphy | 0:02:04 | 0:02:08 | |
and then I would make a video and put that online. | 0:02:08 | 0:02:10 | |
What hobbies have you got, Timbo? | 0:02:10 | 0:02:12 | |
I lindy Hop and I hula-hoop, and I run, and walk, | 0:02:12 | 0:02:16 | |
and do a bit of skateboarding as well. | 0:02:16 | 0:02:18 | |
-So, it's mainly all fitness related stuff? -Yeah. | 0:02:18 | 0:02:21 | |
Is that going to help you nip around the racecourse stadium today | 0:02:21 | 0:02:24 | |
and stay ahead of the rest? | 0:02:24 | 0:02:25 | |
We're going to be in and out, like a dog at a fair! | 0:02:25 | 0:02:28 | |
-Ha-ha-ha, love it. -No stopping us! -No stopping us. | 0:02:28 | 0:02:31 | |
-So, Natalie, you're also a performance artist? -I am indeed. | 0:02:31 | 0:02:35 | |
Tell us about your stuff. | 0:02:35 | 0:02:36 | |
My work is based around social interaction, so I do performances | 0:02:36 | 0:02:41 | |
within a space, with numbers of the public, quite a lot of the time. | 0:02:41 | 0:02:45 | |
So, I'll be acting as a character | 0:02:45 | 0:02:47 | |
within something like a swap shop type themed room | 0:02:47 | 0:02:52 | |
and then people will come in, unknowingly, | 0:02:52 | 0:02:55 | |
into my performance piece, and then they will get performed at. | 0:02:55 | 0:02:58 | |
-Will they? -Yeah. -Where does this mainly happen? | 0:02:58 | 0:03:01 | |
At the moment it's happening a lot in my hometown, in Romford. | 0:03:01 | 0:03:04 | |
Right, so look out, Romford! If they haven't discovered you. | 0:03:04 | 0:03:09 | |
I think they've seen me coming! | 0:03:09 | 0:03:10 | |
I say, this is going to be fun. | 0:03:10 | 0:03:13 | |
Now, have you ever heard of any of this performance lark lark, you two? | 0:03:13 | 0:03:17 | |
-Yes, I have. -Do you know about it, Victoria? | 0:03:17 | 0:03:19 | |
Yeah, I'm a big theatre fan. | 0:03:19 | 0:03:21 | |
Ah, you're with it! Well, that's brilliant. | 0:03:21 | 0:03:23 | |
Tell us about your line of work then, darling. | 0:03:23 | 0:03:25 | |
Well, I work full-time in modelling and promotions. | 0:03:25 | 0:03:27 | |
I work for a bunch of agencies and they send me on different jobs. | 0:03:27 | 0:03:31 | |
It might be promoting a new product or working at an event to launch. | 0:03:31 | 0:03:35 | |
I'm quite tall, so that helps with a lot of the... | 0:03:35 | 0:03:39 | |
Fortunately, I'm quite tall too! And what do you get up to outside work? | 0:03:39 | 0:03:42 | |
I'm very sporty, I quite like hip-hop dancing | 0:03:42 | 0:03:45 | |
and the whole hip-hop scene but, before that, | 0:03:45 | 0:03:47 | |
I did martial arts for a very long time, since I was ten years old. | 0:03:47 | 0:03:51 | |
When I was 18 I got my first-hand black belt... | 0:03:51 | 0:03:53 | |
-Gosh! -..before both my brothers did, so that's quite nice! | 0:03:53 | 0:03:56 | |
-Would you say that you're a competitive person? -Yes. | 0:03:56 | 0:03:59 | |
Ah, good, came back very quickly with that! | 0:03:59 | 0:04:01 | |
Right, you'd better stand to then, Reds. | 0:04:01 | 0:04:04 | |
This is going to be a competition! | 0:04:04 | 0:04:05 | |
OK, Alex, now, tell me about your job. | 0:04:05 | 0:04:07 | |
I work on the development of mobile applications for mobile phones | 0:04:07 | 0:04:12 | |
and other such portable devices. | 0:04:12 | 0:04:15 | |
Alex, tell us about the World Cyber Games in Seoul. | 0:04:15 | 0:04:19 | |
This happened back in 2003. | 0:04:19 | 0:04:21 | |
I was, er, had a bit of free time to practise a lot of games | 0:04:21 | 0:04:26 | |
and qualified in Great Britain to represent them | 0:04:26 | 0:04:30 | |
at the World Cyber Games in Seoul, Korea. | 0:04:30 | 0:04:32 | |
-What an honour! How did you get on? -Did very well, actually. | 0:04:32 | 0:04:36 | |
I came back with one of the only silver medals for Team GB | 0:04:36 | 0:04:38 | |
-at the World Cyber Games. -Hey! | 0:04:38 | 0:04:41 | |
That is quite an accolade. | 0:04:41 | 0:04:42 | |
You're going to get on all right, are you, you two? | 0:04:42 | 0:04:44 | |
You're closely bonded, you're welded from the hip, you're going | 0:04:44 | 0:04:47 | |
to look after each other and have fun, which is great | 0:04:47 | 0:04:50 | |
because that's what it's all about. £300 apiece. | 0:04:50 | 0:04:52 | |
There's your £300. | 0:04:52 | 0:04:53 | |
You know the rules, your experts await and off you go! | 0:04:53 | 0:04:57 | |
Very, very, very, very good luck. | 0:04:57 | 0:05:00 | |
So, who are our experts today? | 0:05:00 | 0:05:02 | |
Already helping himself to the spoils of victory, | 0:05:02 | 0:05:05 | |
it's Charlie Ross. | 0:05:05 | 0:05:07 | |
But he's up against the winner of many bargain hunt Derbys, | 0:05:07 | 0:05:10 | |
it's the one and only Catherine Southon. | 0:05:10 | 0:05:12 | |
What are you going to be looking for? | 0:05:14 | 0:05:16 | |
We're just going to go on what we find. | 0:05:16 | 0:05:18 | |
I think we'll go for, maybe, multipurpose, kind of, items. | 0:05:18 | 0:05:22 | |
You know, something practical | 0:05:22 | 0:05:23 | |
but I really want to buy something pretty as well. | 0:05:23 | 0:05:26 | |
-Something quirky. -Something quirky? | 0:05:26 | 0:05:27 | |
-Something you've never seen before? -Yeah. | 0:05:27 | 0:05:29 | |
I'm open to any options, really. Whatever we like. | 0:05:29 | 0:05:32 | |
You're my kind of guy! Come on then, let's go shopping! | 0:05:32 | 0:05:35 | |
And the Blues don't waste any time getting stuck in. | 0:05:36 | 0:05:39 | |
What makes an interesting walking stick? | 0:05:39 | 0:05:41 | |
I think something unusual on the actual top, the pommel, | 0:05:41 | 0:05:44 | |
if that's something a little bit different. | 0:05:44 | 0:05:46 | |
You get people who do collect walking sticks. | 0:05:46 | 0:05:49 | |
-This one, here, I think is probably the best. -Oh, with a little frog! | 0:05:49 | 0:05:53 | |
-On the top, there. -What do you think about that? | 0:05:53 | 0:05:55 | |
-It's got little eyes as well! -Little glass eyes. | 0:05:55 | 0:05:58 | |
-I presume they are glass, they look glass. -Yes, yeah. | 0:05:58 | 0:06:00 | |
-And then a silver collar, there. Is that... -It's hallmarked as well. | 0:06:00 | 0:06:04 | |
Let's have a look. It's London. | 0:06:04 | 0:06:07 | |
Oh, gosh, I can't even see the letters, it's quite badly rubbed. | 0:06:07 | 0:06:11 | |
But is definitely going to be, I would say, late Victorian, isn't it? | 0:06:11 | 0:06:15 | |
I think the eyes are a really nice detail on it, definitely, | 0:06:15 | 0:06:18 | |
-and I do like the little silver... -It's the way he, sort of... | 0:06:18 | 0:06:21 | |
-How does it feel? This feels very nice. -Nice and straight? | 0:06:21 | 0:06:24 | |
What about the height of it? That's quite important | 0:06:24 | 0:06:26 | |
cos sometimes they can be chopped off a bit at the bottom. | 0:06:26 | 0:06:29 | |
How much is that? 125. Could you go to 80 for it? | 0:06:29 | 0:06:34 | |
No, it would be too low, 80. If I said 90... | 0:06:34 | 0:06:38 | |
How about we do little dance for you? | 0:06:38 | 0:06:41 | |
90, really would be the bottom. | 0:06:44 | 0:06:47 | |
90 would be the absolute bottom? | 0:06:47 | 0:06:49 | |
OK, all right. Would you mind holding it for us for a while? | 0:06:49 | 0:06:52 | |
Shall we hold on to that for a bit? Shall we, sort of, keep it by? | 0:06:52 | 0:06:55 | |
-I'm happy to do that, yeah. -Or did you want to...? | 0:06:55 | 0:06:58 | |
I think it's quite a lot of cash to part with without... | 0:06:58 | 0:07:01 | |
I'll go with your gut instinct, then. We can always come back to it. | 0:07:01 | 0:07:03 | |
I think, shall we have a little look and reserve it for, sort of, £90? | 0:07:03 | 0:07:07 | |
Would you mind doing that for us? For about, sort of, an hour or so? | 0:07:07 | 0:07:10 | |
Yeah. | 0:07:10 | 0:07:12 | |
Huh, they didn't take the leap this time but that's a good reserve item. | 0:07:12 | 0:07:16 | |
Hey, Reds, are you taking this game seriously? | 0:07:16 | 0:07:18 | |
I can see this is going to be one heck of a buying trip! This is... | 0:07:18 | 0:07:24 | |
We know it's not English. Do you know why this is not English? | 0:07:25 | 0:07:28 | |
Because on the bottom of it it says "Foreign"! | 0:07:28 | 0:07:31 | |
That's always a good clue! | 0:07:31 | 0:07:33 | |
I think it's great fun, I think it's probably German...possibly French. | 0:07:33 | 0:07:39 | |
Its 20th century but the real problem I have with it, | 0:07:39 | 0:07:43 | |
-other than his jolly face, is this chip. -Oh, yeah. | 0:07:43 | 0:07:46 | |
-My view would be steer away from something that is damaged. -Yes. | 0:07:46 | 0:07:50 | |
-Unless it's 18th century or earlier. -OK. | 0:07:50 | 0:07:53 | |
-20th century damaged, not good news. -OK, all right. | 0:07:53 | 0:07:56 | |
-Rather jolly, though! -So, not the scary face then! | 0:07:56 | 0:07:59 | |
Is quite scary, isn't it? | 0:07:59 | 0:08:00 | |
Yes, a bit too creepy for my tea. | 0:08:00 | 0:08:02 | |
Meanwhile, how are the Blues doing on the pretty and practical front? | 0:08:02 | 0:08:07 | |
If I had by way, I'd have this little bag for myself. | 0:08:07 | 0:08:10 | |
-Isn't that lovely? -I just thought it was a lovely detail and... | 0:08:10 | 0:08:12 | |
This is all enamel around the top. | 0:08:12 | 0:08:14 | |
There's a tiny little bit missing. That's so pretty. | 0:08:14 | 0:08:17 | |
How old you think this is, then? | 0:08:17 | 0:08:19 | |
-Probably late 19th century, do you think? -Yes. | 0:08:19 | 0:08:22 | |
-How much are we talking here? -It's very precious. -£85 is on it. | 0:08:22 | 0:08:26 | |
-That's a lot. -It is very precious. What would be your best price on it? | 0:08:26 | 0:08:30 | |
I'll take £20 off, if that helps. | 0:08:30 | 0:08:32 | |
So, 60? | 0:08:32 | 0:08:34 | |
65. | 0:08:34 | 0:08:36 | |
-Your maths is not very good! -Sorry, I heard 80, I didn't hear 85. | 0:08:36 | 0:08:40 | |
-Your maths is as bad as mine! -I know how the game goes. | 0:08:40 | 0:08:45 | |
Do you know what I can see at auction? | 0:08:45 | 0:08:47 | |
-I can see it with an estimate of £40-£60, at auction. -OK. | 0:08:47 | 0:08:51 | |
So, the bottom price was 60? 60? | 0:08:51 | 0:08:54 | |
-Yes. -Would you do 57? | 0:08:54 | 0:08:57 | |
You look at the ticket. | 0:08:57 | 0:08:58 | |
-The ticket says 85. -I know. | 0:08:58 | 0:09:01 | |
-Sorry, I'm meant to go down, aren't I? -That is not enough! | 0:09:01 | 0:09:05 | |
-55 is what I meant. -It's not enough to pay for the table here. | 0:09:05 | 0:09:08 | |
"I meant to go down!" | 0:09:08 | 0:09:09 | |
-Let's just get it for £60 and be done, OK? -Let's do it. | 0:09:09 | 0:09:12 | |
-Let's get it for £60. -Yes. | 0:09:12 | 0:09:15 | |
-We will take it for 60, please. -I love you! | 0:09:15 | 0:09:18 | |
We got there in the end, well done. That's one up to the Blues. | 0:09:18 | 0:09:22 | |
We're now 15 minutes in | 0:09:23 | 0:09:24 | |
and the Reds seem to be hankering for a tea break. | 0:09:24 | 0:09:28 | |
I think we both really like this cup and saucer, Charlie, | 0:09:28 | 0:09:31 | |
-what do you think of it? -Well, it's English. | 0:09:31 | 0:09:34 | |
It's got a Chinese influence to the pattern, there, | 0:09:34 | 0:09:38 | |
which, of course, happened in the 1920s, 1930s. | 0:09:38 | 0:09:42 | |
It's got a registration number on there, | 0:09:42 | 0:09:44 | |
so I think it's probably a little bit earlier than we thought. | 0:09:44 | 0:09:47 | |
-Is got a wonderful simulated bamboo handle... -Yeah. | 0:09:47 | 0:09:51 | |
-..and it's got a very... -It's ten pounds. | 0:09:53 | 0:09:56 | |
And it is no money. | 0:09:56 | 0:09:59 | |
-No. -You know, no money at all. | 0:09:59 | 0:10:02 | |
Do you want put something into a sale that is a few pounds or not? | 0:10:02 | 0:10:06 | |
And it's not for me to judge that. | 0:10:06 | 0:10:08 | |
-But you both, I mean, you both love it. -I really like it. | 0:10:10 | 0:10:13 | |
-I really like it. -You both love it, don't you? -Yeah, I think it's great. | 0:10:13 | 0:10:17 | |
A food for thought here. | 0:10:17 | 0:10:18 | |
It looks like a flower and it's got flowers on it! | 0:10:18 | 0:10:21 | |
I'm not going to steer you away from it | 0:10:23 | 0:10:25 | |
because I think it's a great thing, of its type, it is cheap | 0:10:25 | 0:10:31 | |
but one might carry on looking around the stall | 0:10:31 | 0:10:33 | |
because I spotted something over here... | 0:10:33 | 0:10:37 | |
which is... | 0:10:37 | 0:10:38 | |
..English, Doulton. | 0:10:39 | 0:10:41 | |
The Doulton factory started in the 19th century by making drainpipes! | 0:10:41 | 0:10:45 | |
-Hence the stoneware. -Which you can tell from that! -Yeah, yeah. | 0:10:47 | 0:10:50 | |
But this is Harvest Ware, earthenware, the Doulton mark. | 0:10:50 | 0:10:56 | |
Two things caught my eye, here. One, is that there is a pair... | 0:10:56 | 0:11:01 | |
-..a pair of anything is good. -Yeah. -Two... -Silver. | 0:11:02 | 0:11:06 | |
Exactly, they're not silver plated, these are hallmarked silver. | 0:11:06 | 0:11:11 | |
-The gentleman may have dated them. -1904. -190...? -1904. -1904! | 0:11:11 | 0:11:17 | |
Jolly nearly Victorian. | 0:11:17 | 0:11:19 | |
-And we have a pair but I don't think you like them, do you? -Not really. | 0:11:19 | 0:11:22 | |
-No, fine. I would buy those. -I think they're jolly disgusting. | 0:11:22 | 0:11:27 | |
-They're disgusting. -Ha-ha-ha! -Sorry about that, sir, I did my very best! | 0:11:27 | 0:11:32 | |
We have great taste! | 0:11:32 | 0:11:34 | |
In the immortal words of my team, "They are disgusting." | 0:11:34 | 0:11:36 | |
Thank you very much, team. | 0:11:36 | 0:11:38 | |
-So, it's that cup and saucer you're liking, isn't it? -Yeah. | 0:11:38 | 0:11:41 | |
I would go with you on that cup and saucer if the gentleman said, | 0:11:41 | 0:11:44 | |
"Oh, for goodness sake, look, it came in a house clearance, | 0:11:44 | 0:11:47 | |
"you can have it for two or three quid," but he might not, | 0:11:47 | 0:11:50 | |
it may have cost him six or seven quid, it may have cost him nothing. | 0:11:50 | 0:11:53 | |
-I mean, who knows? So, what...? -It can be yours for a five pound note. | 0:11:53 | 0:11:56 | |
-A five pound note! -Well... -Four pounds. | 0:11:56 | 0:12:00 | |
THEY LAUGH | 0:12:00 | 0:12:02 | |
£4.50. | 0:12:02 | 0:12:04 | |
No, four pounds. | 0:12:04 | 0:12:06 | |
-I'm not responsible for these two! -Four quid, go on. -Do you want it? | 0:12:08 | 0:12:11 | |
Well done! | 0:12:11 | 0:12:12 | |
-Yeah, I do, yeah! -That's a bargain! -Of course we do, yeah. | 0:12:12 | 0:12:15 | |
Sir, I'd prefer your £100 Doulton silver but at four pounds... | 0:12:15 | 0:12:20 | |
Thank you, that's very kind. | 0:12:20 | 0:12:22 | |
..to coin a phrase, there's not a lot of downside. | 0:12:22 | 0:12:25 | |
Charlie, you can lead a horse to water | 0:12:25 | 0:12:28 | |
but you can't make him drink it. | 0:12:28 | 0:12:30 | |
On the plus side, the Reds have made their first purchase. | 0:12:30 | 0:12:34 | |
Now, Blues, you'd better shake a leg... | 0:12:34 | 0:12:36 | |
A bit like this. | 0:12:36 | 0:12:37 | |
..or not. | 0:12:37 | 0:12:38 | |
Oh! | 0:12:38 | 0:12:39 | |
You go. | 0:12:39 | 0:12:40 | |
-No! -No. Ha-ha-ha. -Not going to happen. | 0:12:42 | 0:12:45 | |
There you go. Ha-ha! | 0:12:47 | 0:12:48 | |
-I've really... I've seriously hurt my neck! -Oh, no! | 0:12:48 | 0:12:51 | |
I've really hurt my shoulder! | 0:12:51 | 0:12:53 | |
Yes, Catherine, be careful, we don't want you to damage yourself. | 0:12:53 | 0:12:57 | |
That's definitely not very hip! But now the Reds have gone into a hop. | 0:12:57 | 0:13:02 | |
Pa-rum an and kick, kick, kick. Pa-rum and kick, kick, kick. | 0:13:02 | 0:13:08 | |
Oh, I'm feeling an antique coming on here! | 0:13:08 | 0:13:11 | |
Come on, let's go and do some shopping. | 0:13:11 | 0:13:13 | |
Yeah, get on with it you Reds! | 0:13:13 | 0:13:14 | |
But now you've thoroughly warmed up your body, Charles, | 0:13:14 | 0:13:16 | |
it's time to test your mind. | 0:13:16 | 0:13:19 | |
Well, guys, this is when you come to the moment | 0:13:19 | 0:13:22 | |
to challenge your expert to give us the answer about something | 0:13:22 | 0:13:27 | |
that is really rare and very, very strange. | 0:13:27 | 0:13:32 | |
Oh, my goodness, gracious me! | 0:13:32 | 0:13:34 | |
So, just to explain, | 0:13:34 | 0:13:35 | |
what we've got here is a jockey's cap | 0:13:35 | 0:13:39 | |
that happens to have an open sided tube underneath it | 0:13:39 | 0:13:43 | |
and when you invert it, like that, that's tube is empty... | 0:13:43 | 0:13:47 | |
Yeah. | 0:13:47 | 0:13:48 | |
..and when you turn it the right way up, give it a little shake, | 0:13:48 | 0:13:52 | |
all these balls come out in a little, kind of, shape. | 0:13:52 | 0:13:56 | |
Turn it in there, give it a little shake up, | 0:13:56 | 0:13:58 | |
-turn it round that way and they all come out in a different order. -Oh! | 0:13:58 | 0:14:02 | |
So, why have we got, Charlie Ross, this is your challenge? | 0:14:03 | 0:14:10 | |
-I think... -Here we go! | 0:14:11 | 0:14:13 | |
-Now, this is, guesswork! -Have you seen this ever before? | 0:14:13 | 0:14:16 | |
No, I can promise you, I've never seen this. | 0:14:16 | 0:14:19 | |
He's never seen it, this is absolutely genuine. | 0:14:19 | 0:14:21 | |
I'm liking the fact that there is... | 0:14:21 | 0:14:23 | |
-I'm going to go with the fact that that's a jockey's cap. -Yes. | 0:14:23 | 0:14:26 | |
In which case, I am going to say that each of your silks, | 0:14:26 | 0:14:31 | |
-your colours that you wear, are denoted by these... -Yes. | 0:14:31 | 0:14:37 | |
..and, therefore, you do that | 0:14:37 | 0:14:40 | |
and one of your balls is on the stand side, | 0:14:40 | 0:14:43 | |
and one is on the other side, and when they shake it down | 0:14:43 | 0:14:47 | |
that is where you will be in the order at the beginning of the race. | 0:14:47 | 0:14:50 | |
Tell me that's complete nonsense! | 0:14:50 | 0:14:52 | |
THEY LAUGH | 0:14:52 | 0:14:54 | |
Well, if I'm being perfectly honest with you, Charlie, | 0:14:54 | 0:14:57 | |
I haven't got the faintest idea what it is! | 0:14:57 | 0:15:00 | |
Well, that's one plausible explanation, I suppose, | 0:15:00 | 0:15:04 | |
but is it the right one? | 0:15:04 | 0:15:06 | |
While I try and sniff out some more clues, | 0:15:06 | 0:15:08 | |
the Blues need to get focused. | 0:15:08 | 0:15:10 | |
This is apparently a calculator but I don't know how that works. | 0:15:10 | 0:15:13 | |
-Yes, they're not very saleable though. -No. | 0:15:13 | 0:15:16 | |
I quite like this tankard, actually, but I don't know... | 0:15:16 | 0:15:19 | |
That's all pewter. | 0:15:19 | 0:15:21 | |
This is interesting, for a World War I compass. | 0:15:21 | 0:15:25 | |
We'll put that one down. | 0:15:25 | 0:15:27 | |
Come on, Catherine, help Alexander out, | 0:15:27 | 0:15:30 | |
we're almost at the halfway mark, with two items left to find. | 0:15:30 | 0:15:34 | |
At least the Reds are receiving me loud and clear! | 0:15:34 | 0:15:38 | |
And here is Alvar Lidell reading the news! | 0:15:38 | 0:15:42 | |
The bombers over the Channel... Oh, my! | 0:15:42 | 0:15:44 | |
HE WHISTLES | 0:15:44 | 0:15:47 | |
That's wonderful, can you hear that? | 0:15:47 | 0:15:49 | |
-SIREN BEING IMITATED -Can you hear that? | 0:15:49 | 0:15:51 | |
HE IMITATES A REVVING ENGINE | 0:15:51 | 0:15:53 | |
Sir, tell me about the "Bijou" Crystal Receiver - | 0:15:53 | 0:15:55 | |
what a great name! "Bijou"! | 0:15:55 | 0:15:57 | |
British Thomson-Houston. | 0:15:57 | 0:16:00 | |
British Thomson-Houston? So, it's got an American element. | 0:16:00 | 0:16:03 | |
It's the original Metropolitan-Vickers company. | 0:16:03 | 0:16:06 | |
Metropolitan-Vickers company? Not the one that made aircraft engines? | 0:16:07 | 0:16:11 | |
-Yeah, yeah. -Really?! -So, what would it be used for? | 0:16:11 | 0:16:15 | |
Well, listening to the BBC. Listening to the BBC Home Service! | 0:16:15 | 0:16:20 | |
-What do I see on the front there? -Yeah, what's that? | 0:16:20 | 0:16:22 | |
It's actually got "BBC"! | 0:16:22 | 0:16:24 | |
-Oh! -It has! | 0:16:24 | 0:16:26 | |
Look, "BBC - type approved by the Postmaster General", | 0:16:26 | 0:16:30 | |
-in a walnut case... -Wow! -It is a very nice piece, actually. | 0:16:30 | 0:16:34 | |
-What a fantastic thing. -Is it £2,000? | 0:16:34 | 0:16:38 | |
No, it's 120. | 0:16:38 | 0:16:40 | |
What, volts? | 0:16:40 | 0:16:42 | |
THEY LAUGH | 0:16:42 | 0:16:43 | |
Volts when you touch it? | 0:16:43 | 0:16:45 | |
-I love it. -You love it? I love it. | 0:16:45 | 0:16:47 | |
-I think it's great. -I think it's a SERIOUS gamble though. | 0:16:47 | 0:16:50 | |
Yeah, so we need to think about price. | 0:16:50 | 0:16:53 | |
Well, the gentleman knows his business, that's the... | 0:16:53 | 0:16:56 | |
-Which is an advantage or a disadvantage. -For us, yes! | 0:16:56 | 0:16:59 | |
I would love to buy it for 75 quid | 0:16:59 | 0:17:01 | |
but you won't sell it for 75 quid, would you? Oh, he flickered! | 0:17:01 | 0:17:04 | |
THEY LAUGH | 0:17:04 | 0:17:06 | |
Is that being too rude? | 0:17:06 | 0:17:08 | |
I'm thinking, if it's estimated at auction, | 0:17:08 | 0:17:11 | |
it will be estimated 80 to 120. | 0:17:11 | 0:17:14 | |
-I think 75. -Sorry? | 0:17:14 | 0:17:17 | |
-75. -You could do 75? | 0:17:17 | 0:17:19 | |
75, yeah. | 0:17:19 | 0:17:20 | |
-I think we'll go for it. -I think that's it. | 0:17:21 | 0:17:23 | |
-Well, we've been talking each other into it. -We have! | 0:17:23 | 0:17:27 | |
Thank you very much indeed. Thank you, sir. | 0:17:27 | 0:17:29 | |
That'll be the nicest thing we've bought. | 0:17:29 | 0:17:31 | |
Only time will tell but well done, that's two down for the Reds. | 0:17:31 | 0:17:35 | |
Now, what will Catherine make of my mystery thingamajig? | 0:17:36 | 0:17:40 | |
Now, Catherine, your turn in this guessing game. What do you think? | 0:17:40 | 0:17:44 | |
Oh, so, what is it? One, two, three, four, five, six beads. | 0:17:44 | 0:17:49 | |
-Six balls! -Six balls and then it's in a, in a racing, sort of, hat, | 0:17:49 | 0:17:54 | |
-and then you... -Shuffle it. | 0:17:54 | 0:17:57 | |
Shake them. Some sort of gambling thing? I don't know. | 0:17:57 | 0:18:01 | |
-Do you think it's gambling? -I love it! | 0:18:01 | 0:18:03 | |
-I don't know. What's the answer? -I don't know. -Oh! | 0:18:03 | 0:18:05 | |
-But you're into gambling. -Am I?! -Aren't you? -Why not? | 0:18:05 | 0:18:09 | |
-I tell you what, I love a flutter on the horses. -I bet you do! | 0:18:09 | 0:18:13 | |
Well, time's a-ticking, you'd better canter off, Catherine, | 0:18:13 | 0:18:16 | |
whilst I do some more digging. | 0:18:16 | 0:18:18 | |
It's the final ten minutes and, in the face of a challenge, | 0:18:18 | 0:18:21 | |
you Blues need to decide whether or not to take a shot or not. | 0:18:21 | 0:18:25 | |
We've got a lovely lined case | 0:18:25 | 0:18:28 | |
and this is Finnegan's Ltd of New Bond Street. | 0:18:28 | 0:18:31 | |
So we've got the cocktail shaker, that's chrome. | 0:18:31 | 0:18:34 | |
-And it's got inscribed on it, "The Dickies". -19... That's 1934. | 0:18:34 | 0:18:40 | |
So...right bang smack in the Art Deco period. | 0:18:40 | 0:18:45 | |
What's your cocktail? | 0:18:45 | 0:18:47 | |
-Something like Southern Comfort and anything? -Anything, oh, right! | 0:18:47 | 0:18:50 | |
-Ice, on the rocks! -Just ice! | 0:18:50 | 0:18:53 | |
-And then these glasses which... -Oh, no! -Small chip. | 0:18:53 | 0:18:57 | |
Small chip, yeah. | 0:18:57 | 0:18:59 | |
Do you think she'd knock another fiver off for that? | 0:18:59 | 0:19:02 | |
I think you need a lot more off for that. | 0:19:02 | 0:19:04 | |
And they are beautifully hand-painted. I mean, they are... | 0:19:04 | 0:19:06 | |
Did you know it's chipped? | 0:19:08 | 0:19:10 | |
Must have just happened. | 0:19:10 | 0:19:12 | |
-Were they perfect? -They were. | 0:19:12 | 0:19:15 | |
Can you do anything about the price on that because... | 0:19:16 | 0:19:19 | |
-95, I said. -Yeah, but with the chip? | 0:19:20 | 0:19:23 | |
Yeah, because it was at 150. | 0:19:23 | 0:19:26 | |
-I don't know, guys, it's your call. -My instinct is yes at 95. | 0:19:27 | 0:19:33 | |
-Yeah? -Yours? -Yeah, I support you. -I think yes at 95. | 0:19:33 | 0:19:36 | |
I think the fact that it's got the chip, though, | 0:19:36 | 0:19:38 | |
it's going to be, you know, hard to sell. That's the only thing. | 0:19:38 | 0:19:41 | |
I just need a yes from Catherine, really, to go ahead with it... | 0:19:41 | 0:19:43 | |
Oh, don't ask me! | 0:19:43 | 0:19:46 | |
-..or not... -Go on, just go with it! | 0:19:46 | 0:19:48 | |
So, there we are, done. See? Happy. | 0:19:48 | 0:19:51 | |
The dithering is over and the deal's done but get a move on, Blues, | 0:19:51 | 0:19:55 | |
you've only got five more minutes to find your final item. | 0:19:55 | 0:19:57 | |
Let's hope the Reds have found their swing, though. | 0:19:57 | 0:20:01 | |
Talking of the Charleston, now that is pure Charleston. | 0:20:01 | 0:20:04 | |
Yeah, lovely. | 0:20:04 | 0:20:05 | |
I suspect that they're... | 0:20:05 | 0:20:07 | |
They're very nice. | 0:20:07 | 0:20:08 | |
There's no reason why they should be cheap because they're lovely. | 0:20:08 | 0:20:11 | |
How much are they, sir? | 0:20:11 | 0:20:13 | |
The trade on them is 90. There's 110 on them. | 0:20:13 | 0:20:16 | |
I bought them at a reasonable price so they can be sold | 0:20:16 | 0:20:19 | |
at a reasonable price. | 0:20:19 | 0:20:20 | |
-I would imagine they're approximately 1920-something. -Yeah. | 0:20:20 | 0:20:23 | |
If you look at that one, can you see it's a slightly different colour? | 0:20:23 | 0:20:27 | |
Yeah. | 0:20:27 | 0:20:28 | |
These bowls would've been gilded. Are we liking these? | 0:20:28 | 0:20:31 | |
Very much so. | 0:20:31 | 0:20:32 | |
Can we buy these in four minutes? | 0:20:32 | 0:20:34 | |
-I think they're beautiful. They're so elegant. -They are. | 0:20:34 | 0:20:38 | |
We've found something we all like! | 0:20:38 | 0:20:41 | |
I think they'll probably be estimated at the sale room | 0:20:41 | 0:20:45 | |
at 80 to 120. | 0:20:45 | 0:20:46 | |
Could we ask for 80? | 0:20:46 | 0:20:48 | |
We could always ask. | 0:20:48 | 0:20:50 | |
The gentleman can say yes, he can tell you to get lost. | 0:20:50 | 0:20:53 | |
I can come down another fiver for you. | 0:20:53 | 0:20:56 | |
You can have them for 85 if that helps. | 0:20:56 | 0:21:00 | |
Well, guys, I think at £85... | 0:21:00 | 0:21:03 | |
-We could make some money. -We like them. | 0:21:03 | 0:21:05 | |
I think we could make some money. | 0:21:05 | 0:21:06 | |
And I think frankly we haven't got time to go anywhere else! | 0:21:06 | 0:21:09 | |
Sold! | 0:21:09 | 0:21:11 | |
I hope he's not listening to this! | 0:21:11 | 0:21:12 | |
Sir, we'll have your spoons. Thank you so much, sir. | 0:21:12 | 0:21:15 | |
£85 and if they sell for 30 quid, we'll come back! | 0:21:15 | 0:21:20 | |
We've been to the Charleston era. Let's go back to the Charleston era. | 0:21:20 | 0:21:24 | |
That's you done. Now, best hotfoot it out of there, Charlie. | 0:21:24 | 0:21:28 | |
I'm a bit behind you but I've got it. | 0:21:29 | 0:21:32 | |
OK, Blues. Decision time. | 0:21:32 | 0:21:34 | |
Come on! Come on! | 0:21:34 | 0:21:36 | |
-Hello! -Back again? | 0:21:36 | 0:21:37 | |
We're back. | 0:21:37 | 0:21:39 | |
Can we, please, have another look at that walking stick, please? | 0:21:39 | 0:21:42 | |
-There it is, reserved for us. -Thank you. | 0:21:42 | 0:21:44 | |
Ribbit. | 0:21:45 | 0:21:47 | |
It's Toad of Toad Hall. | 0:21:47 | 0:21:48 | |
Remind us, what was the best price again? | 0:21:48 | 0:21:51 | |
LAUGHS | 0:21:51 | 0:21:53 | |
We started at 125, then it was 100. We came down to 90. | 0:21:53 | 0:21:57 | |
Right. | 0:21:57 | 0:21:59 | |
We are quite desperate. | 0:21:59 | 0:22:01 | |
We're very poor and we're very desperate. | 0:22:01 | 0:22:05 | |
Can you give us a bit more of a chance? | 0:22:07 | 0:22:09 | |
How much more of a chance?! | 0:22:09 | 0:22:12 | |
Anything you can offer us would be very gratefully received. | 0:22:12 | 0:22:15 | |
I couldn't do 80. What about 85? I'm really not making a lot anyway. | 0:22:15 | 0:22:20 | |
I think 80 would be really good, if we could. | 0:22:20 | 0:22:24 | |
Could we do 80? | 0:22:24 | 0:22:25 | |
What about 82? That really is... | 0:22:27 | 0:22:30 | |
I don't think we can squeeze this poor man any more. | 0:22:31 | 0:22:34 | |
-We've given him enough. -Are we happy with that? | 0:22:34 | 0:22:37 | |
We haven't got a choice actually! Thank you very much indeed. | 0:22:37 | 0:22:41 | |
Thank you so much! | 0:22:41 | 0:22:43 | |
LAUGHTER | 0:22:43 | 0:22:44 | |
That's enough of this huffing and puffing about. Time's up. | 0:22:48 | 0:22:52 | |
Let's check out what the Red team bought. All right, girls? | 0:22:52 | 0:22:55 | |
It wasn't Charlie's cup of tea but Tim and Natalie | 0:22:57 | 0:23:00 | |
could not be swayed away from this china teacup and saucer, | 0:23:00 | 0:23:04 | |
bought for a measly £4. | 0:23:04 | 0:23:05 | |
Then they tuned into this crystal radio receiver, | 0:23:07 | 0:23:11 | |
which set them back £75. | 0:23:11 | 0:23:14 | |
Last but not least, they scooped up a set of six enamel coffee spoons, | 0:23:16 | 0:23:21 | |
paying £85 for the privilege. | 0:23:21 | 0:23:23 | |
-And what we might have bought? -All sorts of stuff. | 0:23:25 | 0:23:27 | |
Timbo, what did you get up to there, you and Nat? | 0:23:27 | 0:23:31 | |
We had a great time. | 0:23:31 | 0:23:33 | |
You were acting it up there? | 0:23:33 | 0:23:35 | |
We did act a bit. | 0:23:35 | 0:23:37 | |
Just a bit! Anyway, good fun. | 0:23:37 | 0:23:39 | |
Crystal receiver. | 0:23:39 | 0:23:40 | |
-That's it. -Brilliant. | 0:23:40 | 0:23:42 | |
What did you spend in total? | 0:23:42 | 0:23:44 | |
We spent £164. | 0:23:44 | 0:23:46 | |
£164. I would like £136 of leftover lolly, please. | 0:23:46 | 0:23:51 | |
You got that? | 0:23:51 | 0:23:52 | |
135, and the one, sir. Good. | 0:23:52 | 0:23:56 | |
Which goes straight over to Ross. | 0:23:56 | 0:23:58 | |
What are you going to do with that heap? | 0:23:58 | 0:24:00 | |
I know exactly what I'm going to buy but I'm not allowed to tell you | 0:24:00 | 0:24:03 | |
because I don't want to let them know. Little secret. | 0:24:03 | 0:24:07 | |
You are so coy! Like the carp! Anyway, good luck. | 0:24:07 | 0:24:11 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:24:11 | 0:24:14 | |
Victoria thought there could be a pretty penny in this Chinese | 0:24:14 | 0:24:18 | |
silk purse and bagged it for £60. | 0:24:18 | 0:24:22 | |
The boxed cocktail set added something to the mix | 0:24:22 | 0:24:26 | |
but will it cause a stir at the auction? | 0:24:26 | 0:24:29 | |
And finally, Alexander strolled out with this George V walking cane, | 0:24:29 | 0:24:34 | |
£82 paid. Stroll on. | 0:24:34 | 0:24:36 | |
So how did our glamour team get on? All right? | 0:24:37 | 0:24:40 | |
-Very well, thank you, Tim. -"Very well, thank you, Tim!" Silly beast. | 0:24:40 | 0:24:45 | |
Now, how much did you spend all round? | 0:24:45 | 0:24:48 | |
-237. -£237. | 0:24:48 | 0:24:50 | |
I would like £63 of leftover lolly, please. | 0:24:50 | 0:24:53 | |
Thank you. £63. | 0:24:53 | 0:24:55 | |
Got anything in mind? | 0:24:55 | 0:24:57 | |
I don't think I'm going to go quirky. | 0:24:57 | 0:24:59 | |
I'm going to go plain old fabulous. | 0:24:59 | 0:25:02 | |
Oh. Well, there we are. | 0:25:02 | 0:25:05 | |
That's intriguing. Good luck with that. | 0:25:05 | 0:25:08 | |
Meanwhile we're heading off to Petworth House in West Sussex, | 0:25:08 | 0:25:11 | |
which is just so fabulous. | 0:25:11 | 0:25:14 | |
When the main part of Petworth House was rebuilt between 1684 and 1702, | 0:25:23 | 0:25:29 | |
the gardens out front were extremely formal. | 0:25:29 | 0:25:33 | |
However the second Lord Egremont in the middle of the 18th century | 0:25:33 | 0:25:38 | |
changed all that. | 0:25:38 | 0:25:39 | |
He moved vast amounts of earth, | 0:25:39 | 0:25:42 | |
creating these mounds and the lake beyond. | 0:25:42 | 0:25:46 | |
In fact, it could be said that he sculpted the landscape. | 0:25:46 | 0:25:51 | |
And if you think that's some piece of sculpture, | 0:25:52 | 0:25:55 | |
come and have a look at this lot. | 0:25:55 | 0:25:56 | |
Here in the North Gallery is the most perfect place to observe | 0:26:00 | 0:26:05 | |
the family's collection of sculpture because this is a very rare | 0:26:05 | 0:26:10 | |
survival of a 19th century top-lit purpose-built sculpture gallery. | 0:26:10 | 0:26:16 | |
In the 18th century, the second Earl, out of the south corridor, | 0:26:16 | 0:26:21 | |
created that bit, the first part of the sculpture display space. | 0:26:21 | 0:26:26 | |
He had the eight niches constructed, into which he could insert | 0:26:26 | 0:26:30 | |
his collection of standing figures. | 0:26:30 | 0:26:33 | |
The third earl, however, had the central part built | 0:26:33 | 0:26:36 | |
to display his ever-growing collection. | 0:26:36 | 0:26:40 | |
If you wanted to collect sculpture, | 0:26:40 | 0:26:42 | |
you basically had two choices in the 18th and 19th centuries. | 0:26:42 | 0:26:46 | |
Either you scoured Europe for ancient pieces | 0:26:46 | 0:26:50 | |
or you commissioned a modern-day sculptor | 0:26:50 | 0:26:53 | |
to sculpt you something that might have a neoclassical feel. | 0:26:53 | 0:26:59 | |
But some of these sculptures that we see in the gallery | 0:26:59 | 0:27:02 | |
that look so perfect and complete | 0:27:02 | 0:27:05 | |
are in fact only made up out of bits and pieces. | 0:27:05 | 0:27:08 | |
Now this statue is genuine and old. | 0:27:11 | 0:27:15 | |
In fact, some 2,000 years old. | 0:27:15 | 0:27:18 | |
And if you were a wealthy English m'lordy visiting Rome in the 1750s, | 0:27:18 | 0:27:24 | |
you'd almost certainly go to a man called | 0:27:24 | 0:27:27 | |
Bartolomeo Cavaceppi, he was a sculptor in his own right, | 0:27:27 | 0:27:31 | |
and he also restored ancient pieces, which is what he did here. | 0:27:31 | 0:27:36 | |
Because what Cavaceppi did was to re-carve a brand-new head, | 0:27:36 | 0:27:41 | |
a brand-new right arm and bowl, | 0:27:41 | 0:27:45 | |
a brand-new beak on the eagle, | 0:27:45 | 0:27:48 | |
and that's just for starters. | 0:27:48 | 0:27:50 | |
And then to disguise the fact that all this new work had been done, | 0:27:50 | 0:27:54 | |
he bleached with chlorine the whole thing so that the colour | 0:27:54 | 0:27:58 | |
became uniform, and then he waited for somebody to pitch up and buy it. | 0:27:58 | 0:28:03 | |
Which is what the second earl did. | 0:28:03 | 0:28:05 | |
Next door, we've got the polar opposite - | 0:28:05 | 0:28:08 | |
a piece of sculpture that's relatively modern. | 0:28:08 | 0:28:11 | |
In fact, 1821 is the date of this piece by a sculptor called | 0:28:11 | 0:28:17 | |
Charles Rossi, acquired by the third earl for his collection. | 0:28:17 | 0:28:23 | |
This is a sculpture that's full of incredible drama and movement. | 0:28:23 | 0:28:29 | |
Look at the way the young man is shielding his lover. | 0:28:29 | 0:28:33 | |
She is about to be struck by a bolt of lightning. | 0:28:33 | 0:28:38 | |
And according to the poem, just before she is struck | 0:28:38 | 0:28:42 | |
by lightning, they're trying to enter the door of a cottage. | 0:28:42 | 0:28:46 | |
It's appropriately placed here in the gallery in front of this | 0:28:46 | 0:28:49 | |
dummy door because it is as if they're trying to get through | 0:28:49 | 0:28:54 | |
that door before she met her untimely end. | 0:28:54 | 0:28:58 | |
The big question today of course | 0:28:58 | 0:29:00 | |
for our teams over at the auction is, | 0:29:00 | 0:29:02 | |
just who is about to be struck by a thunderbolt? Ah! | 0:29:02 | 0:29:05 | |
Well, we have toured all the way to West Sussex from Epsom, | 0:29:12 | 0:29:16 | |
and a very nice journey it was too. | 0:29:16 | 0:29:18 | |
Even nicer though to be with Rupert Toovey at Toovey's Auctioneers | 0:29:18 | 0:29:22 | |
here at Washington. | 0:29:22 | 0:29:23 | |
Tim, it's lovely to see you. I'm glad you cantered down! | 0:29:23 | 0:29:27 | |
I know. Down the long last furlong. | 0:29:27 | 0:29:30 | |
It's great to be here. | 0:29:30 | 0:29:31 | |
For the Red team, Tim and Natalie, their first item is this cup, | 0:29:31 | 0:29:37 | |
of the Derby type but not Derby, is it? | 0:29:37 | 0:29:39 | |
It really probably is the most modest cup you've ever brought me. | 0:29:39 | 0:29:42 | |
Yes. | 0:29:42 | 0:29:43 | |
-My cup is not all full. -This one isn't! | 0:29:43 | 0:29:47 | |
We rather generously put £10 to £20 on it | 0:29:47 | 0:29:50 | |
-but I think we'll be amazed if it made that. -Really? | 0:29:50 | 0:29:53 | |
Our lot paid £4. | 0:29:53 | 0:29:55 | |
It's almost still too dear really, isn't it? | 0:29:55 | 0:29:57 | |
However, the next item is a bit better. The crystal set. | 0:29:57 | 0:30:01 | |
They usually make about £40 to £60. | 0:30:01 | 0:30:04 | |
£75 paid, so they paid a tad over the odds. | 0:30:04 | 0:30:08 | |
It's dear but nice. | 0:30:08 | 0:30:09 | |
And lastly the very nice silver and enamel bean-ended coffee spoons. | 0:30:09 | 0:30:16 | |
We really need a coffee spoon revival, don't we, Tim? | 0:30:16 | 0:30:20 | |
We do. | 0:30:20 | 0:30:21 | |
How many of these sets have you seen in your long | 0:30:21 | 0:30:24 | |
and illustrious career, Rupert? | 0:30:24 | 0:30:25 | |
More than is possible to count! | 0:30:25 | 0:30:28 | |
I love them as a set but whatever are they going to bring? | 0:30:28 | 0:30:31 | |
-50 to 80, Tim. -OK, £85 paid. | 0:30:31 | 0:30:34 | |
So they paid just a tad too much for the spoons probably, | 0:30:34 | 0:30:37 | |
and a tad too much for the crystal receiver, in which case | 0:30:37 | 0:30:40 | |
they'll need their bonus buy, so let's go and have a look at it. | 0:30:40 | 0:30:44 | |
Well, you two naughty ones. This is exciting, isn't it? | 0:30:44 | 0:30:48 | |
£164, you spent. | 0:30:48 | 0:30:50 | |
You gave Charlie Ross £136. Charlie old fruit, what did you buy? | 0:30:50 | 0:30:56 | |
I had absolutely no problem in buying this lot. | 0:30:56 | 0:30:59 | |
I bought this lot within 30 seconds of leaving you, | 0:30:59 | 0:31:02 | |
because I knew what I was going to buy. | 0:31:02 | 0:31:05 | |
-Ah! -Ah! | 0:31:05 | 0:31:07 | |
-These are old friends? -They're lovely(!) | 0:31:07 | 0:31:11 | |
They're lovely now, are they? | 0:31:11 | 0:31:12 | |
When you saw them, you said they were absolutely ghastly! | 0:31:12 | 0:31:15 | |
-And that's why I bought them! -Thanks for that. | 0:31:15 | 0:31:18 | |
Can you remember how much was on them? | 0:31:18 | 0:31:21 | |
It was over 100, wasn't it? | 0:31:21 | 0:31:22 | |
-120? -Something like that. | 0:31:22 | 0:31:24 | |
Did you knock 'em down? | 0:31:24 | 0:31:26 | |
I did, ruthlessly! | 0:31:26 | 0:31:28 | |
-£85. -85? | 0:31:28 | 0:31:30 | |
And I'm happy with that. | 0:31:30 | 0:31:32 | |
That is pretty good. | 0:31:32 | 0:31:33 | |
They are in good nick, that's all I can say in a positive vein. | 0:31:33 | 0:31:36 | |
Despite being hideously disgusting. | 0:31:36 | 0:31:38 | |
Yeah. | 0:31:38 | 0:31:39 | |
So let's hope they make some money. | 0:31:39 | 0:31:42 | |
You think about that. You don't have to take them. | 0:31:42 | 0:31:44 | |
Your choice comes after the sale of the first three items, | 0:31:44 | 0:31:47 | |
but for the audience at home, let's find out what the auctioneer | 0:31:47 | 0:31:50 | |
thinks of Charlie's jugs - I mean, mugs. | 0:31:50 | 0:31:53 | |
Good. Look at that, Rup. | 0:31:54 | 0:31:56 | |
Aren't they lovely? Have they got silver collars? | 0:31:56 | 0:31:59 | |
They have. | 0:31:59 | 0:32:00 | |
I think they'll be somewhere between 60 and 100 quid. | 0:32:00 | 0:32:03 | |
He'll be delighted. He paid £85. | 0:32:03 | 0:32:05 | |
Not bad. Cheers. | 0:32:05 | 0:32:07 | |
We'd better not do that in case we crack one. What fun! | 0:32:07 | 0:32:11 | |
That's it for the Reds. Now for the Blues. | 0:32:11 | 0:32:13 | |
What about that Chinese purse? | 0:32:13 | 0:32:15 | |
It's a bit done-in. | 0:32:15 | 0:32:16 | |
What sort of amount in pounds rather than yuan? | 0:32:16 | 0:32:21 | |
I think we've been a bit mean at 20 to 30. I can see it making 40 to 50. | 0:32:21 | 0:32:25 | |
OK. It needs to make 60. | 0:32:25 | 0:32:27 | |
That is too dear. | 0:32:27 | 0:32:28 | |
Next is the Art Deco cocktail set, which is a handsome box, isn't it. | 0:32:28 | 0:32:33 | |
Great fun really, but rather small glasses for a party | 0:32:33 | 0:32:37 | |
and one's rather chipped in the rim. | 0:32:37 | 0:32:41 | |
OK. So a bit of damage. How much? | 0:32:41 | 0:32:43 | |
-50 to 80 on a good day. -£95 paid. | 0:32:43 | 0:32:46 | |
So we're more or less in party mode again. | 0:32:46 | 0:32:49 | |
And their last item, just in case | 0:32:49 | 0:32:51 | |
you have too many drinks, is a stick. | 0:32:51 | 0:32:53 | |
It's lovely, isn't it? | 0:32:53 | 0:32:55 | |
It's got this wonderful carved toad on the end. Isn't that lovely? | 0:32:55 | 0:32:59 | |
-It's practical, sturdy and perfectly genuine, I feel. -Yeah. | 0:32:59 | 0:33:04 | |
Collectors' value too here, Tim, I think. | 0:33:04 | 0:33:07 | |
So we've put 50 to 70 on it. | 0:33:07 | 0:33:09 | |
Very good. £82 paid. | 0:33:09 | 0:33:11 | |
That's pretty cool, except they're a bit short on all three | 0:33:11 | 0:33:14 | |
of their items so they're likely to need their bonus buy. | 0:33:14 | 0:33:17 | |
Let's go and have a look at it. | 0:33:17 | 0:33:19 | |
Victoria. Alexander. | 0:33:19 | 0:33:22 | |
You spent 237, you gave £63 to Catherine. | 0:33:22 | 0:33:27 | |
What did you spend it on, Catherine? | 0:33:27 | 0:33:30 | |
There we are! | 0:33:30 | 0:33:31 | |
Oh, my word! I like dogs, you're all right. | 0:33:31 | 0:33:33 | |
Oh, good! That's a good start. Do you know what it is? | 0:33:33 | 0:33:36 | |
-Bracelet? -Is it a napkin ring? | 0:33:36 | 0:33:39 | |
-It is a napkin ring. -Oh, yeah! | 0:33:39 | 0:33:41 | |
Or a bracelet. | 0:33:41 | 0:33:43 | |
It could be a bracelet if you had an exceptionally thin wrist. | 0:33:43 | 0:33:46 | |
1920s, so this is all chrome, and then you've got these applied | 0:33:46 | 0:33:50 | |
little plastic figures of Scottie dogs. | 0:33:50 | 0:33:53 | |
This cost £63 then, did it? | 0:33:53 | 0:33:55 | |
No, don't be silly! | 0:33:55 | 0:33:56 | |
Don't be silly! 25. | 0:33:56 | 0:33:59 | |
£25. I think we should double our money on it. | 0:33:59 | 0:34:02 | |
You don't have to choose now, but for the audience at home, let's find | 0:34:02 | 0:34:06 | |
out what the auctioneer thinks about Catherine's napkin ring, bracelet. | 0:34:06 | 0:34:11 | |
Thank you, Rupert. Just what you've been waiting for all day. | 0:34:12 | 0:34:16 | |
Well, it's... I don't know quite what to say. | 0:34:16 | 0:34:21 | |
Rubbish, I'd say. | 0:34:21 | 0:34:22 | |
They're nice Scottie dogs but that is about as far as it goes, really. | 0:34:22 | 0:34:25 | |
My team put £10 to £20 on this. | 0:34:25 | 0:34:28 | |
I think it will be a miracle if it makes that! | 0:34:28 | 0:34:30 | |
Well, it is Catherine's bonus buy. She paid £25. | 0:34:30 | 0:34:34 | |
You've estimated £10 to £20. | 0:34:34 | 0:34:36 | |
With any luck, our teams won't select their bonus buy | 0:34:36 | 0:34:40 | |
and they'll be safe! We'll see. | 0:34:40 | 0:34:43 | |
Are you taking the sale today, Rupert? | 0:34:43 | 0:34:45 | |
-Yes, I am. -We are in safe hands. | 0:34:45 | 0:34:47 | |
So, Natty, Timbo - great name. | 0:34:52 | 0:34:55 | |
The first lot up is the singular | 0:34:55 | 0:34:57 | |
china teacup and saucer | 0:34:57 | 0:34:59 | |
and here it comes. | 0:34:59 | 0:35:00 | |
We have a multitude of conflicting bids here, all the way up to £10. | 0:35:00 | 0:35:05 | |
Marvellous! | 0:35:05 | 0:35:07 | |
£10 it is at the moment. | 0:35:07 | 0:35:10 | |
Can I see the 12? At £10. 12, can I see? | 0:35:10 | 0:35:13 | |
-That's good, isn't it? -Very good. | 0:35:13 | 0:35:15 | |
£10? £10. | 0:35:15 | 0:35:18 | |
-Yes! -Well done, team. -Plus six. | 0:35:18 | 0:35:21 | |
Put it there. Marvellous. | 0:35:21 | 0:35:25 | |
Crystal receiver. | 0:35:25 | 0:35:26 | |
I'm opening at £55. | 0:35:26 | 0:35:28 | |
Getting there. | 0:35:28 | 0:35:31 | |
At £55. And 60. And five. | 0:35:31 | 0:35:34 | |
And 70. £65 here. At £65. | 0:35:34 | 0:35:37 | |
At £65. | 0:35:37 | 0:35:40 | |
Is there any more? At £65. | 0:35:40 | 0:35:44 | |
Minus ten, which means overall you are minus four. | 0:35:44 | 0:35:49 | |
Could be a win, could be a win. | 0:35:49 | 0:35:52 | |
Could be a winning score. | 0:35:52 | 0:35:53 | |
But let's make a profit on these. Come on. | 0:35:53 | 0:35:56 | |
Aren't they gorgeous! | 0:35:56 | 0:35:58 | |
And we're opening with conflicting bids at £60. At £60. | 0:35:58 | 0:36:01 | |
Can I see 65? 65 I have. | 0:36:01 | 0:36:04 | |
And 70, can I see? | 0:36:04 | 0:36:05 | |
At £65. Are we all done? | 0:36:05 | 0:36:08 | |
£65. | 0:36:08 | 0:36:09 | |
£65 is minus £20, so you were minus 24. | 0:36:09 | 0:36:16 | |
So what about these mugs then? How do you see it with the mugs? | 0:36:16 | 0:36:20 | |
-I think we've got to go for it. -Yeah. | 0:36:20 | 0:36:22 | |
You don't like 'em but they are lovely. | 0:36:22 | 0:36:24 | |
He's the expert. | 0:36:24 | 0:36:25 | |
We like Charlie! | 0:36:25 | 0:36:27 | |
But you hate the mugs! | 0:36:27 | 0:36:28 | |
Let's be bullish about it because they are lovely things | 0:36:28 | 0:36:32 | |
and with any luck, we'll be away. Here it comes. | 0:36:32 | 0:36:35 | |
You're going with the bonus buy. | 0:36:35 | 0:36:36 | |
1480 is a pair of Royal Doulton stoneware mugs | 0:36:36 | 0:36:39 | |
and we're opening at £90. | 0:36:39 | 0:36:41 | |
Yes! | 0:36:41 | 0:36:43 | |
-£90. -That's good. Well done. | 0:36:43 | 0:36:45 | |
At £90. Shall we cheer them up some more? | 0:36:45 | 0:36:48 | |
Is there 95 anywhere? At £90 and 95. | 0:36:48 | 0:36:52 | |
100. 110. 120. 130. | 0:36:52 | 0:36:55 | |
-Look at the maths. -£120 I have. | 0:36:55 | 0:36:57 | |
£120. Is there any advance on £120? | 0:36:57 | 0:37:03 | |
Yes! That's marvellous. | 0:37:03 | 0:37:05 | |
£120. You've earned your beans today, boy. | 0:37:05 | 0:37:09 | |
Right. | 0:37:10 | 0:37:11 | |
You have made a profit on those pots of £35, you were 24 behind. | 0:37:11 | 0:37:17 | |
-You are now plus £11. -Yes! | 0:37:17 | 0:37:22 | |
Now. That is something, isn't it? | 0:37:22 | 0:37:24 | |
That is really good actually. | 0:37:24 | 0:37:25 | |
He told you they were good and he was right. | 0:37:25 | 0:37:28 | |
Wiped out the losses, you're in profit. | 0:37:28 | 0:37:29 | |
Just don't say a word to the Blues. | 0:37:29 | 0:37:31 | |
In fact look a bit gloomy. Do that acting business that you do. | 0:37:31 | 0:37:35 | |
All right. Smashing. Isn't that good? Well done, Charlie. | 0:37:35 | 0:37:39 | |
Now, Victoria, Alexander. Is your cup half full or half empty? | 0:37:44 | 0:37:50 | |
-It's always half full. -What about you, Alex? | 0:37:50 | 0:37:52 | |
I don't have a cup at the moment, I just have lots of hope. | 0:37:52 | 0:37:56 | |
Good. First up is the silk purse and here it comes. | 0:37:56 | 0:37:59 | |
And we have £40 as conflicting bids to open here. Can I see the 42? | 0:37:59 | 0:38:04 | |
£40 and 42. 44, 46. | 0:38:04 | 0:38:07 | |
48. 50. £50 now. | 0:38:07 | 0:38:10 | |
Come on. A bit more. | 0:38:10 | 0:38:12 | |
55. At £50. Is there any advance? £50? | 0:38:12 | 0:38:15 | |
£50. | 0:38:15 | 0:38:17 | |
£50 it is. I'm so sorry, Victoria. You are minus ten. | 0:38:17 | 0:38:21 | |
Now the cocktail set. | 0:38:21 | 0:38:23 | |
What shall we say, £100? | 0:38:23 | 0:38:25 | |
40? 30? | 0:38:26 | 0:38:29 | |
20? | 0:38:29 | 0:38:30 | |
Oh, God. | 0:38:30 | 0:38:32 | |
20 I'm bid. 22 can I see? | 0:38:32 | 0:38:34 | |
At £20. 22 can I see? | 0:38:34 | 0:38:37 | |
At £20, is there any advance? | 0:38:37 | 0:38:39 | |
-At £20. £20. -Oh, no. | 0:38:39 | 0:38:42 | |
£20. That's minus 75, that's minus 85 all round. Oh, dear. | 0:38:42 | 0:38:48 | |
Now, here comes the walking stick. | 0:38:48 | 0:38:51 | |
We have to open this lot at £100. | 0:38:51 | 0:38:53 | |
Yeah! | 0:38:53 | 0:38:54 | |
£100 here. 110, can I see? £100. | 0:38:54 | 0:38:59 | |
Can I see the 110? Is there any more than £100? | 0:38:59 | 0:39:03 | |
£100? 100. | 0:39:03 | 0:39:06 | |
Well, that's very good, you've made a profit of £18. | 0:39:06 | 0:39:09 | |
Straight up, £18. You're minus 67. | 0:39:09 | 0:39:12 | |
What are we going to do about the napkin ring? | 0:39:12 | 0:39:15 | |
Are we going to go with the bonus buy or park it at minus £67? | 0:39:15 | 0:39:19 | |
-We may as well go for it. -Do you want to go for the risk? | 0:39:19 | 0:39:21 | |
We risked on your glass set! | 0:39:21 | 0:39:24 | |
No, we didn't. We thought that would be the best one! | 0:39:24 | 0:39:26 | |
This is always the best argument in a family. That's what we like, | 0:39:26 | 0:39:29 | |
it's a family argument. No, it's not an argument. | 0:39:29 | 0:39:33 | |
What are you going to do? Yes or no? | 0:39:33 | 0:39:34 | |
-Yes? -Yes? -Yeah, all right then. | 0:39:34 | 0:39:37 | |
What do you mean, "Yeah, all right"? | 0:39:37 | 0:39:39 | |
Yes wholeheartedly or not? With guts and energy? | 0:39:39 | 0:39:42 | |
I don't know. I don't want to! | 0:39:42 | 0:39:45 | |
We haven't had a split decision like this in years. | 0:39:45 | 0:39:49 | |
Can we do a tie-break? | 0:39:49 | 0:39:50 | |
-The thing is, will you go with it or not? Yes or no? -I said yes. | 0:39:50 | 0:39:54 | |
-You say yes. -I say no. | 0:39:54 | 0:39:56 | |
We're not going with the bonus buy, and here it comes. | 0:39:56 | 0:39:59 | |
-The collar's inscribed "Bill and Bull". -Thank you! | 0:39:59 | 0:40:02 | |
I must say they remind me of my little dog actually. | 0:40:02 | 0:40:05 | |
We're opening this lot at £50. | 0:40:05 | 0:40:07 | |
No! | 0:40:07 | 0:40:08 | |
At £50! | 0:40:08 | 0:40:10 | |
-No! No! -55? | 0:40:10 | 0:40:12 | |
At £50. 55 to see. | 0:40:12 | 0:40:14 | |
At £50, is there any more? | 0:40:14 | 0:40:17 | |
-At £50. -I said yes! I said yes! -You did. -You said yes! | 0:40:17 | 0:40:20 | |
At £50 then, and it's fair warning. | 0:40:20 | 0:40:22 | |
£50. | 0:40:22 | 0:40:24 | |
£50! | 0:40:24 | 0:40:26 | |
-What can I say? -We said yes, didn't we, Catherine? | 0:40:26 | 0:40:29 | |
We did. | 0:40:29 | 0:40:30 | |
-You picked it, I said yes. What more could we do? -What can we do? | 0:40:30 | 0:40:34 | |
I know. | 0:40:34 | 0:40:35 | |
That is £25 but it doesn't help you and you're minus 67, | 0:40:35 | 0:40:39 | |
and I feel really small about this. | 0:40:39 | 0:40:42 | |
The fact that I personally loathed it is another matter, | 0:40:42 | 0:40:45 | |
it just shows what I know about Art Deco napkin rings. | 0:40:45 | 0:40:48 | |
OK. Trusty experts. Did we have a struggle with this? | 0:40:53 | 0:40:57 | |
-We did. -We did a bit. | 0:40:57 | 0:40:59 | |
We didn't get to the precise proper description, did we? | 0:40:59 | 0:41:03 | |
-No. -No. | 0:41:03 | 0:41:05 | |
But I came across a bright spark in an auction in Canterbury, | 0:41:05 | 0:41:09 | |
and I showed it to her and she said, | 0:41:09 | 0:41:11 | |
"You don't know very much about board games, do you?" | 0:41:11 | 0:41:14 | |
She said, "This came from an early Escalado game." | 0:41:14 | 0:41:18 | |
Oh! | 0:41:18 | 0:41:20 | |
And in the game of Escalado, you will remember, | 0:41:20 | 0:41:22 | |
-you have the racetrack which shakes and the horses progress. -Yes. | 0:41:22 | 0:41:26 | |
And there are six horses. | 0:41:26 | 0:41:28 | |
-There are six coloured balls in this. -Ah! | 0:41:28 | 0:41:31 | |
And the order in which the horses would go up the table would be | 0:41:31 | 0:41:36 | |
determined by the colour of the ball that falls in this gadget. | 0:41:36 | 0:41:41 | |
Escalado, invented in 1927, | 0:41:41 | 0:41:43 | |
and this probably dates from an early set. | 0:41:43 | 0:41:46 | |
-That's very smart. -Wonderful! | 0:41:46 | 0:41:48 | |
At £20. | 0:41:49 | 0:41:51 | |
Well, teams. What joy and what sorrow! | 0:41:52 | 0:41:55 | |
Been chatting about the scores? | 0:41:55 | 0:41:57 | |
ALL: No. | 0:41:57 | 0:41:58 | |
Good. Well, we don't want you to. | 0:41:58 | 0:42:00 | |
Actually, sadly, we can't have two teams of winners, we always | 0:42:00 | 0:42:04 | |
have to have a runner-up, and the runners-up today are the Blues. | 0:42:04 | 0:42:08 | |
I don't believe it. | 0:42:08 | 0:42:10 | |
Who were ably assisted by me in their choice of bonus buy, | 0:42:10 | 0:42:14 | |
which I got completely wrong, so that's why I don't | 0:42:14 | 0:42:17 | |
do this normally in the programme, because I didn't have faith | 0:42:17 | 0:42:20 | |
in Catherine, who made £25 profit on her bonus buy, which is splendid. | 0:42:20 | 0:42:24 | |
Overall, your score at the end of the day is minus £67, | 0:42:24 | 0:42:28 | |
which doesn't sound too bad if you say it very quickly. | 0:42:28 | 0:42:31 | |
If I hadn't got involved, who knows, it might have been only minus £42, | 0:42:31 | 0:42:34 | |
but actually it would not have made any difference | 0:42:34 | 0:42:37 | |
-in the scale of the result. -Oh, OK. -Merely the numerical outcome. | 0:42:37 | 0:42:43 | |
So I can feel some justification now. | 0:42:43 | 0:42:45 | |
But the victors today are going home with money, folding money. | 0:42:45 | 0:42:49 | |
Just £11. | 0:42:49 | 0:42:51 | |
There you go, Tim. Great name. | 0:42:51 | 0:42:53 | |
£6 on your teacup, which everybody was very rude about. | 0:42:53 | 0:42:58 | |
Massive profit. | 0:42:58 | 0:42:59 | |
And £35 from the maestro with his bonus buy, so that bailed you out. | 0:42:59 | 0:43:03 | |
It did. He did it. | 0:43:03 | 0:43:05 | |
Well done, Charlie. | 0:43:05 | 0:43:06 | |
Anyway, we've had such fun. | 0:43:06 | 0:43:09 | |
-Join us soon for some more bargain hunting. Yes? -ALL: Yes! | 0:43:09 | 0:43:12 | |
I know you're sitting there thinking, | 0:43:12 | 0:43:15 | |
"I could have done better than that!" | 0:43:15 | 0:43:17 | |
Well, what's stopping you? | 0:43:17 | 0:43:19 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:19 | 0:43:23 | |
It'll be splendid to see you. | 0:43:23 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:29 | 0:43:32 |