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Today, we're at the Newark Antiques Fair in Nottinghamshire, | 0:00:02 | 0:00:04 | |
the largest in Europe. It is massive. | 0:00:04 | 0:00:08 | |
So, no mucking about, let's go bargain hunting. Yeah. | 0:00:08 | 0:00:12 | |
4,000 stalls, 84 acres, two experts, | 0:00:35 | 0:00:38 | |
two teams, coupled with 60 minutes of bliss shopping. | 0:00:38 | 0:00:42 | |
This is an endurance race. But will our teams turn up any decent items? | 0:00:42 | 0:00:49 | |
Stay tuned to find out. | 0:00:49 | 0:00:50 | |
Our expert desperately tries to keep the Reds under control. | 0:00:50 | 0:00:54 | |
Don't start looking at anything else. | 0:00:54 | 0:00:56 | |
While the other is run into the ground by the Blues. | 0:00:56 | 0:01:00 | |
-Steady. -Steady. -Steady. -Poor old boy. | 0:01:00 | 0:01:03 | |
Let's get out of the cold and meet the teams. | 0:01:03 | 0:01:05 | |
So on the Red team today, we have partners Fran and Pete | 0:01:05 | 0:01:09 | |
and for the Blues, Lindsay and Hannah, a mother and daughter combo. | 0:01:09 | 0:01:13 | |
The big question is which is the mother and which is the daughter? | 0:01:13 | 0:01:18 | |
-Hello, everyone. -BOTH: Hello. | 0:01:18 | 0:01:20 | |
Lovely to see you. So, Fran, what sort of job of work do you have? | 0:01:20 | 0:01:24 | |
I'm a customer service agent for a well-known DIY company | 0:01:24 | 0:01:27 | |
and I absolutely love my job. | 0:01:27 | 0:01:29 | |
My family have always said I'm in the best job. | 0:01:29 | 0:01:31 | |
You don't stop talking for eight hours a day. | 0:01:31 | 0:01:34 | |
It says here you're frightfully keen on swimming | 0:01:34 | 0:01:36 | |
-but you don't like the sea. -I love swimming. | 0:01:36 | 0:01:39 | |
I can swim, well, about five miles, done all my badges, everything, | 0:01:39 | 0:01:42 | |
but I always said I would drown in a boating lake | 0:01:42 | 0:01:45 | |
because I'm absolutely petrified of being in the same vicinity as fish. | 0:01:45 | 0:01:49 | |
Oh, right. | 0:01:49 | 0:01:50 | |
If I was to put my toe in the sea I could probably go up to my shin | 0:01:50 | 0:01:53 | |
and if I see a bit of seaweed, anything, I scream and I'm out. | 0:01:53 | 0:01:56 | |
Did something happen to you as a child in the water? | 0:01:56 | 0:01:59 | |
Yeah, yeah, I was showing off. | 0:01:59 | 0:02:00 | |
I had a face mask on, so I swam underwater | 0:02:00 | 0:02:02 | |
-and I came face to face with a pike. -Really? | 0:02:02 | 0:02:04 | |
I was out of that water, out, dressed and ran up the road. | 0:02:04 | 0:02:07 | |
-Put you right off? -Oh, yes. | 0:02:07 | 0:02:09 | |
-Now Pete, you're an electrician. -Yes. | 0:02:09 | 0:02:11 | |
What do you do in your spare time? | 0:02:11 | 0:02:13 | |
I coach football. I'm a qualified football coach | 0:02:13 | 0:02:15 | |
and I work for at the moment a semi-pro team called Woodford United. | 0:02:15 | 0:02:19 | |
-What about collections? -Vinyl records, that's my passion. | 0:02:19 | 0:02:22 | |
So how many records have you got? | 0:02:22 | 0:02:24 | |
-Roughly about at the moment about 14,500. -You never have? -Yes, yes. | 0:02:24 | 0:02:28 | |
-14,500? -Yes, I have. -Where do you keep them all? | 0:02:28 | 0:02:32 | |
-In storage, in my house. -I mean, 14,000 records is a lot of records. | 0:02:32 | 0:02:37 | |
-Yes. -Dear, oh dear. So what are your tactics going to be today? | 0:02:37 | 0:02:40 | |
-Not buy records, I hope. -I'm not allowed. -You're not allowed. | 0:02:40 | 0:02:43 | |
-I'm not allowed to. -What are your tactics then? | 0:02:43 | 0:02:45 | |
Our goal today is if we make a pound profit on everything, | 0:02:45 | 0:02:48 | |
-we get the golden gavel. That's our goal today. -That is perfectly true. | 0:02:48 | 0:02:51 | |
Not a lot of money, just want a golden gavel. | 0:02:51 | 0:02:53 | |
All right, fine, that's your strategy. | 0:02:53 | 0:02:55 | |
I wish you very, very good luck with that. Now, Lindsay, hi, darling. | 0:02:55 | 0:02:59 | |
What sort of job of work do you have? | 0:02:59 | 0:03:01 | |
I work in a local Church of England secondary school | 0:03:01 | 0:03:03 | |
and I think it's the best job in the school | 0:03:03 | 0:03:06 | |
because all I do, all day, every day, is organise their school trips. | 0:03:06 | 0:03:10 | |
Where do they go, these kiddiewinks? | 0:03:10 | 0:03:11 | |
They go down the road and then as far afield as Australia | 0:03:11 | 0:03:15 | |
and the Far East, which I have helped to organise | 0:03:15 | 0:03:18 | |
but the best one I've been on is to Hawaii and San Francisco and Los Angeles. | 0:03:18 | 0:03:23 | |
Somehow the school pays you to go to Hawaii and San Francisco? | 0:03:23 | 0:03:27 | |
It was fab, to look at a volcano. | 0:03:27 | 0:03:29 | |
Get away. That's a jammy do, isn't it? | 0:03:29 | 0:03:31 | |
-It was very jammy. -Well, how lovely. | 0:03:31 | 0:03:34 | |
-So you haven't always enjoyed your job, have you? -No, I haven't. | 0:03:34 | 0:03:38 | |
On my 19th birthday I decided to join the British Army | 0:03:38 | 0:03:41 | |
-and I lasted six weeks. -Did you? Were you just so unhappy? | 0:03:41 | 0:03:46 | |
-It was hard work. -Was it? -And the shoes were awful. | 0:03:46 | 0:03:50 | |
-Were they, those big old boots? -I love shoes. -No heels? -No. -No. | 0:03:50 | 0:03:54 | |
-Now, Hannah, you have an interest in history and collections. -I do. | 0:03:54 | 0:03:58 | |
For my first degree I studied history, | 0:03:58 | 0:04:01 | |
to my Masters which was in museum and heritage management. | 0:04:01 | 0:04:04 | |
-Always been interested in history. -And what do you do now? | 0:04:04 | 0:04:07 | |
-I'm the custodian for Lamport Hall in Northamptonshire. -You never are? | 0:04:07 | 0:04:10 | |
I am indeed. I absolutely love my job. I've been really, really lucky. | 0:04:10 | 0:04:14 | |
I've worked in some beautiful houses, | 0:04:14 | 0:04:15 | |
including Burghley House, Harewood House. | 0:04:15 | 0:04:17 | |
If you could be custodian of any stately home, which one would it be? | 0:04:17 | 0:04:21 | |
-Without a doubt, it would be Chatsworth. -Would it? | 0:04:21 | 0:04:24 | |
It's just such an incredible, the whole estate is just an incredible | 0:04:24 | 0:04:27 | |
and inspiring place. | 0:04:27 | 0:04:29 | |
The first time my mum ever took me to Chatsworth, I went with my mum | 0:04:29 | 0:04:32 | |
and my best friend, and when we walked in, it just made me cry | 0:04:32 | 0:04:35 | |
because it's just so beautiful and so inspiring | 0:04:35 | 0:04:37 | |
for somebody who enjoys looking after places like that. | 0:04:37 | 0:04:40 | |
Yes, so what sort of thing will you two birds be looking out for today? | 0:04:40 | 0:04:44 | |
-Something with some shoes on it. -For you, definitely. We've definitely... | 0:04:44 | 0:04:48 | |
-Shoes! -I love shoes. -Not boots. And what about you, Hannah? | 0:04:48 | 0:04:52 | |
Something to do with military, preferably women's military. | 0:04:52 | 0:04:55 | |
I did my dissertation on the WAFS. | 0:04:55 | 0:04:57 | |
You didn't do your dissertation on your mother's | 0:04:57 | 0:04:59 | |
-experiences in the Army? -No, I didn't! -Just as well. | 0:04:59 | 0:05:02 | |
You're really looking forward to this shopping, you two? | 0:05:02 | 0:05:05 | |
Definitely, it's going to be fun. | 0:05:05 | 0:05:06 | |
Well, you need not wait much longer because here comes the £300. | 0:05:06 | 0:05:09 | |
-Thank you. -You know the rules. Your experts await. | 0:05:09 | 0:05:13 | |
And off you go and very, very, very good luck. | 0:05:13 | 0:05:16 | |
Dressed for the cold and always trendy, | 0:05:18 | 0:05:20 | |
Anita Manning will be helping out the Reds. | 0:05:20 | 0:05:24 | |
And rarely thrown when finding a bargain, | 0:05:24 | 0:05:26 | |
the majestic David Barby will be advising the Blues. | 0:05:26 | 0:05:29 | |
It's brass monkeys in Newark today, | 0:05:31 | 0:05:33 | |
so that should keep our teams on their frozen little toes. | 0:05:33 | 0:05:37 | |
This is exciting. We've got 300 quid to spend. | 0:05:37 | 0:05:40 | |
With so many stalls here, what are you going to look for? | 0:05:40 | 0:05:43 | |
-Who's good at bargaining? -I'm not too bad. Not too bad. | 0:05:43 | 0:05:46 | |
A little bit of silver. | 0:05:46 | 0:05:48 | |
I'd like a bit of militaria, preferably women's militaria. | 0:05:48 | 0:05:51 | |
That'll get us a bargain, let's go. | 0:05:51 | 0:05:54 | |
OK, that's the clock started. | 0:05:56 | 0:05:58 | |
We've only got an hour and it's a short, short time. | 0:05:58 | 0:06:02 | |
It certainly is, Anita. | 0:06:02 | 0:06:03 | |
The goal today, the golden gavel. | 0:06:05 | 0:06:07 | |
-A golden gavel. -We need a golden gavel. -Three wins in a row. | 0:06:07 | 0:06:10 | |
-Three profits. -Three wins, OK. It's all up to you guys. -OK. | 0:06:10 | 0:06:14 | |
We don't part with the golden gavels lightly, Pete, | 0:06:14 | 0:06:17 | |
but I like your ambition. | 0:06:17 | 0:06:19 | |
We've get tons of wee boxes here. | 0:06:19 | 0:06:21 | |
TUNE PLAYS IN BOX | 0:06:22 | 0:06:24 | |
-How old do you reckon that is, Anita? -Hm? | 0:06:24 | 0:06:26 | |
-How old do you reckon that is? -I don't particularly like it. | 0:06:26 | 0:06:29 | |
It's maybe from about the 1930s or 1940s | 0:06:29 | 0:06:32 | |
-and it's made up to look like an old rug box. -Yeah. | 0:06:32 | 0:06:35 | |
It's a nice wee thing but it's not an item of any great quality. | 0:06:35 | 0:06:38 | |
-No. -No. -But it's a tricky wee item. Can you make out the tune? | 0:06:38 | 0:06:43 | |
It sounds like Little Donkey. It sounds like Little Donkey. | 0:06:43 | 0:06:47 | |
I haven't got it on vinyl. I know that. | 0:06:47 | 0:06:50 | |
-# Da da da. # -Is it...? | 0:06:50 | 0:06:53 | |
-Singing isn't our strength. -No, no. | 0:06:53 | 0:06:55 | |
Anyway, it's a nice wee thing and it's only £10. | 0:06:55 | 0:06:58 | |
Do you think we could make a small profit on that? | 0:06:58 | 0:07:01 | |
-You certainly could. -Golden gavel, remember. | 0:07:01 | 0:07:03 | |
-Golden gavel. -Golden gavel, golden gavel. | 0:07:03 | 0:07:05 | |
-It's not dear, we might come back. -If we haven't found anything. -We've only been here 30 seconds. | 0:07:05 | 0:07:09 | |
-Yeah, I just want to spend some money. -We're going to. | 0:07:09 | 0:07:12 | |
Don't you worry, girl, | 0:07:12 | 0:07:13 | |
there's plenty of opportunity to part with your cash here. | 0:07:13 | 0:07:16 | |
This is nice. It's punch decoration and just look at it. | 0:07:23 | 0:07:27 | |
Do you know the sort of medieval drawings of the Pre-Raphaelites? | 0:07:27 | 0:07:31 | |
Yeah. | 0:07:31 | 0:07:32 | |
-Or Wee Willie Winkie. -That's extraordinary, isn't it? | 0:07:32 | 0:07:36 | |
Wee Willie Winkie, yes. | 0:07:36 | 0:07:37 | |
I love it and it's the sort of thing I would have. | 0:07:37 | 0:07:39 | |
In fact, in one of my previous houses I had a few Wee Willie Winkie | 0:07:39 | 0:07:42 | |
-candlestick holders. -Is that what you call them? Wee Willie Winkie? | 0:07:42 | 0:07:45 | |
-Yeah, that's what we call them. -That's what they are, aren't they? | 0:07:45 | 0:07:48 | |
-That is what they are, isn't it? -Little chamber sticks. | 0:07:48 | 0:07:50 | |
-That's the correct term. -Wee Willie Winkies! | 0:07:50 | 0:07:53 | |
-It's beautiful, you handle it. -I do like that. | 0:07:53 | 0:07:56 | |
It is something you would have in your house, definitely. | 0:07:56 | 0:08:00 | |
-I think that's very good. -So how much? -I was going to say, yeah. 45. | 0:08:00 | 0:08:04 | |
-Well, 45, I think we could probably negotiate. -Yeah. How much negotiate? | 0:08:04 | 0:08:08 | |
I think we might get it down to around about 37, 35. | 0:08:08 | 0:08:11 | |
-Do you think we'll make a profit on it? -Yeah. -Do you? -Yes. | 0:08:11 | 0:08:15 | |
Famous last words, David. Hm. | 0:08:15 | 0:08:17 | |
I'll ask 30 for a start. | 0:08:17 | 0:08:19 | |
-You're good at the bargaining. -I do like that. | 0:08:19 | 0:08:21 | |
It gives is a very good margin to start with. | 0:08:21 | 0:08:24 | |
-You're buying one object. -Or do we come back in a minute? | 0:08:24 | 0:08:27 | |
-Make your decision now. -Shall we go for it? -Something that's different. | 0:08:27 | 0:08:31 | |
-Shall we see what he says? -See what he says. | 0:08:31 | 0:08:34 | |
You get on with it, Lindsay. Time's passing by. | 0:08:34 | 0:08:37 | |
-We're now five minutes in. -There's no maker's name. | 0:08:37 | 0:08:41 | |
-No maker's name? -No. -Not Boosey and Hawkes? -No. | 0:08:41 | 0:08:43 | |
-Do you play a musical instrument? -No, I can blow a trumpet. | 0:08:43 | 0:08:46 | |
-I can blow it. -Can you blow your own trumpet? -All the time, all the time. | 0:08:46 | 0:08:50 | |
Has he rejected it, has he? Bless him. | 0:08:50 | 0:08:52 | |
You're quite happy about that, aren't you? | 0:08:52 | 0:08:54 | |
He's got trumpets at home and bugles, and he blows my ears off. | 0:08:54 | 0:08:58 | |
She doesn't mince her words, does she, Pete? | 0:08:58 | 0:09:00 | |
She's very good. | 0:09:00 | 0:09:03 | |
-How much? -37. | 0:09:03 | 0:09:05 | |
-I would be inclined to go for it at 37. -Go on, we'll go for it. | 0:09:05 | 0:09:09 | |
-Thank you. -Yeah! -I do like that. | 0:09:09 | 0:09:11 | |
-I think it's stunning, I really think that's stunning. -It is lovely. | 0:09:11 | 0:09:15 | |
-It's nice, you like it. -I do like that. | 0:09:15 | 0:09:17 | |
Well done, Mum. David's shown them the light. | 0:09:17 | 0:09:20 | |
Will the Blues' first purchase illuminate the sale room | 0:09:20 | 0:09:23 | |
and bring a profit? | 0:09:23 | 0:09:25 | |
Now, I like those, Anita. What do you reckon to those? | 0:09:25 | 0:09:29 | |
-Those are a big statement. -They are, aren't they? | 0:09:29 | 0:09:33 | |
Tell me why you like them. Let's go over and have a look. | 0:09:33 | 0:09:35 | |
I like the colour, the shape. | 0:09:35 | 0:09:37 | |
They've got little bits of gold in them, haven't they? | 0:09:37 | 0:09:40 | |
-What age do you think they are? -Let's have a wee look. | 0:09:40 | 0:09:45 | |
They look quite new. | 0:09:45 | 0:09:46 | |
Well, they do have a wee bit of quality, a wee bit. They are big. | 0:09:46 | 0:09:52 | |
-They are colourful and I love these colours. -Vibrant. | 0:09:53 | 0:09:57 | |
They are gorgeous looking. You like them, someone else will like them. | 0:09:57 | 0:10:01 | |
You could put these in a house with lots of dark wood, | 0:10:01 | 0:10:04 | |
the brown wood, and you could also put this in a minimalist house, couldn't you? | 0:10:04 | 0:10:07 | |
-She loves it, doesn't she? I -like them. -She's getting all, er... | 0:10:07 | 0:10:11 | |
-I can't stop talking, I like them, they're mine now. -Well, that's it. | 0:10:11 | 0:10:14 | |
-Now, they are priced at 55 each, so they're priced individually. -OK. | 0:10:14 | 0:10:18 | |
Golden gavel. | 0:10:18 | 0:10:19 | |
-Well... -Discount for bulk buying. | 0:10:19 | 0:10:21 | |
Disc... Well, I think we'd better get the... | 0:10:21 | 0:10:23 | |
-Shall we have a word with the... -..the dealer. | 0:10:23 | 0:10:26 | |
-Yeah. -The dealer. | 0:10:26 | 0:10:27 | |
-What do you want to do? -Shall we zoom round the outside? | 0:10:33 | 0:10:36 | |
You can do that by all means. | 0:10:36 | 0:10:37 | |
You mentioned kitchenalia. | 0:10:37 | 0:10:39 | |
We're standing by a stall with kitchenalia. | 0:10:39 | 0:10:41 | |
-Do you want to have a look at this first? -A quick look first, yeah. | 0:10:41 | 0:10:44 | |
-OK. -Yeah. -Right. | 0:10:44 | 0:10:45 | |
See, something like that is a nice piece. | 0:10:45 | 0:10:49 | |
For hats. | 0:10:51 | 0:10:53 | |
No, right. | 0:10:53 | 0:10:55 | |
I know you want them to hang on to your every word, David, | 0:10:55 | 0:10:58 | |
but they don't look impressed. Now, have the Reds found the dealer? | 0:10:58 | 0:11:01 | |
This woman has been waxing poetical about these fabulous big vases | 0:11:01 | 0:11:06 | |
-and they'd like to buy the pair. -Yeah. Bulk buying. | 0:11:06 | 0:11:09 | |
Discount for bulk buying, that's what we want. | 0:11:09 | 0:11:12 | |
What would be your best price on these? | 0:11:12 | 0:11:14 | |
Er...95. | 0:11:14 | 0:11:16 | |
-Could you go 80? -85. | 0:11:18 | 0:11:21 | |
85 and that's as far as I can go. | 0:11:23 | 0:11:26 | |
-PETE: -85? -Yeah. -Go on. -I'll do the deal. | 0:11:26 | 0:11:29 | |
-Right. -Shake on it. Thank you. -Thank you very much. Thank you. | 0:11:29 | 0:11:33 | |
Well, they're big and they're beautiful and you deserve them. | 0:11:33 | 0:11:36 | |
Hurray. | 0:11:36 | 0:11:37 | |
That's a colourful start for the Reds. | 0:11:37 | 0:11:40 | |
They've made their first purchase. | 0:11:40 | 0:11:42 | |
Do you like the feel of the fair? | 0:11:44 | 0:11:45 | |
Yeah, first time I've ever been to something like this. | 0:11:45 | 0:11:48 | |
-You've got the weird and the wonderful and the beautiful. -Yeah. | 0:11:48 | 0:11:51 | |
-Match holder. You put matches in his hat. -In his head. Yeah. | 0:11:53 | 0:11:56 | |
Yes. The little thing next door to it is militaria. | 0:11:56 | 0:12:01 | |
It's a dugout from the First World War. | 0:12:01 | 0:12:03 | |
It represents a period of history, that's why it's so good. | 0:12:03 | 0:12:07 | |
-How much is that? You've got 48 on the bottom. -40. -Oh, no. | 0:12:07 | 0:12:12 | |
-Lower, can you please? -Can you smile, real nice? | 0:12:12 | 0:12:14 | |
-We are really nice. -60. -Oh, I did my dissertation on the First World War. | 0:12:14 | 0:12:21 | |
-Are you really serious? -I promise I did, my degree's in history. -35. | 0:12:21 | 0:12:25 | |
I can't go any less. That's a good buy at 35. | 0:12:25 | 0:12:29 | |
Is it one of the ones that they made over there, so that afterwards...? | 0:12:29 | 0:12:33 | |
No, these were made in Carltonware china during the First World War | 0:12:33 | 0:12:37 | |
and they were sold as sort of | 0:12:37 | 0:12:39 | |
commemorative things of the First World War. | 0:12:39 | 0:12:42 | |
It's the bottom bit I like. | 0:12:42 | 0:12:44 | |
"Tommies dugout somewhere in France." | 0:12:44 | 0:12:46 | |
I think it's a very nice little piece. | 0:12:46 | 0:12:48 | |
This is where I come from, this is where you... | 0:12:48 | 0:12:51 | |
-It's almost 100 years old, nearly as old as David. -Cheeky. | 0:12:51 | 0:12:55 | |
Do you know, you're so right. | 0:12:55 | 0:12:56 | |
-Put it back, we're not buying from this stand. -Could you go to 30? | 0:12:56 | 0:13:00 | |
-No. 35. No. -32. -No, no. | 0:13:00 | 0:13:03 | |
-At 32, we'll buy. -Is that all you want from me, 32, is it? | 0:13:03 | 0:13:06 | |
-Yeah. -Are you offering as well? | 0:13:06 | 0:13:08 | |
32 then, yes, because you're such beautiful young ladies. | 0:13:08 | 0:13:11 | |
-Shall we take it? -Yes, please. Thank you. | 0:13:11 | 0:13:14 | |
-Well, I'm amazed, I'm absolutely amazed at that. -Thank you. | 0:13:14 | 0:13:18 | |
I'm really pleased with that. | 0:13:18 | 0:13:20 | |
So, that's the second purchase made for the Blues | 0:13:20 | 0:13:23 | |
but will they prove victorious in the saleroom battle? | 0:13:23 | 0:13:27 | |
Only time will tell. | 0:13:27 | 0:13:28 | |
Talking of which, we're now half way through the shop. | 0:13:28 | 0:13:31 | |
-That would play vinyl. -Yeah, plays the old shellac, the old 78s. | 0:13:31 | 0:13:34 | |
-Have you got one? -Yeah. -Not like this, just the old portable ones. | 0:13:34 | 0:13:38 | |
-Does he DJ at home? -Oh, yeah. | 0:13:38 | 0:13:40 | |
When it's nice and hot on the patio, out comes the DJ equipment | 0:13:40 | 0:13:43 | |
and there he is doing his little bit. There's only me. | 0:13:43 | 0:13:45 | |
Sounds like he leaves you in a flat spin, Fran. Woof. | 0:13:45 | 0:13:49 | |
Right, how's it going for those Blues? | 0:13:49 | 0:13:51 | |
We're still looking for you, aren't we? | 0:13:51 | 0:13:53 | |
Yeah, Hannah's found her militaria, | 0:13:53 | 0:13:56 | |
so I need to find something that I like now. | 0:13:56 | 0:13:59 | |
Their tactics so far, a little bit haphazard. | 0:13:59 | 0:14:04 | |
There is no direct plan in mind. | 0:14:04 | 0:14:06 | |
I think David's really sweet. He reminds me of Grandad. | 0:14:06 | 0:14:09 | |
Yeah, we've called him Grandad already, haven't we? | 0:14:09 | 0:14:12 | |
-Where is he? -Grandad? -Is he down there? What have you spotted? | 0:14:12 | 0:14:16 | |
You what? | 0:14:16 | 0:14:17 | |
LAUGHTER | 0:14:17 | 0:14:18 | |
Come on, Gramps, jump to it. | 0:14:18 | 0:14:20 | |
Right, we're going outside. | 0:14:20 | 0:14:21 | |
-Are we going outside? OK. -OK, right. | 0:14:21 | 0:14:24 | |
A breath of fresh air before it gets dark. | 0:14:24 | 0:14:26 | |
And the air certainly is fresh outside. Take my word for it. | 0:14:26 | 0:14:29 | |
I was just looking at the old wooden box. | 0:14:29 | 0:14:31 | |
You're getting right into this, aren't you? | 0:14:31 | 0:14:33 | |
-I could be here for hours, honestly. -I know. | 0:14:33 | 0:14:36 | |
I'm absolutely loving it, absolutely loving it. | 0:14:36 | 0:14:38 | |
There's just too much, I need about four hours just to buy one item. | 0:14:38 | 0:14:42 | |
-Although we have bought one. -Me too, me too. | 0:14:42 | 0:14:44 | |
It's excellent, excellent, I'm having a really good time, | 0:14:44 | 0:14:47 | |
-a really good time, and Anita, top drawer. -Oh, yeah. -Top drawer. | 0:14:47 | 0:14:50 | |
I'm getting panicky now, I'm getting panicky. I'm getting panicky, guys. | 0:14:50 | 0:14:54 | |
We've got to get another one. | 0:14:54 | 0:14:55 | |
-She's flapping, she's definitely flapping now. -We've got 20 minutes. | 0:14:55 | 0:14:59 | |
-Have a quick march down here. -We'll have a quick march down here. | 0:14:59 | 0:15:02 | |
We're all sort of wandering and separating all over the place, | 0:15:03 | 0:15:06 | |
so I've got to go now. | 0:15:06 | 0:15:07 | |
We've got a lot of work to do and we don't have much time to do it. | 0:15:07 | 0:15:11 | |
There are some extraordinary things, you know, in some of these fairs. | 0:15:16 | 0:15:20 | |
Take this little fellow. What does it look like? | 0:15:20 | 0:15:24 | |
If I give it a spin you can see that this padded top is adjustable. | 0:15:24 | 0:15:28 | |
It comes up. Look how beautifully engineered that rising thread is. | 0:15:28 | 0:15:34 | |
It comes out of a bell metal collar, that sits on top of an alloy shaft. | 0:15:34 | 0:15:39 | |
That's all perfectly straightforward. | 0:15:39 | 0:15:41 | |
Looks on that basis to be a bit of a bar stool. | 0:15:41 | 0:15:45 | |
But if you were sitting on this at a cocktail bar, | 0:15:45 | 0:15:48 | |
you'd find that the whole of this column moves | 0:15:48 | 0:15:52 | |
because the column is flexibly mounted | 0:15:52 | 0:15:56 | |
to a socking great chromium plated spring on the bottom. | 0:15:56 | 0:15:59 | |
But why the flexible base? | 0:15:59 | 0:16:03 | |
Let's give it a demo, shall we? Ooh, that is heavy. | 0:16:03 | 0:16:06 | |
There we go. Safely applied to the ground. | 0:16:06 | 0:16:09 | |
Now, one bottom applied to the seat. | 0:16:09 | 0:16:13 | |
You can see it in action mode, which means that when you're seated | 0:16:13 | 0:16:17 | |
on this stool, you can move smoothly in practically any direction at all. | 0:16:17 | 0:16:24 | |
Which is extraordinary. | 0:16:24 | 0:16:26 | |
And the person who'd need to have all this movement is a dentist. | 0:16:26 | 0:16:31 | |
In front of the dentist would be the patient, that's you and me, | 0:16:31 | 0:16:35 | |
mouth open, receiving the drill. | 0:16:35 | 0:16:38 | |
The dentist imperceptibly moves | 0:16:38 | 0:16:41 | |
when he's going about his professional practice and work | 0:16:41 | 0:16:44 | |
and he needs a little stool like this to do it off. | 0:16:44 | 0:16:48 | |
So it's kind of a redundant piece of dental surgery equipment. | 0:16:48 | 0:16:52 | |
And according to the dealer, | 0:16:52 | 0:16:54 | |
it came from a dentist's surgery in Merthyr Tydfil. | 0:16:54 | 0:16:57 | |
So it's a Welsh dentist's chair. | 0:16:57 | 0:17:00 | |
HE CHUCKLES | 0:17:00 | 0:17:01 | |
That must be why he was asking £100 for it. Ouch! | 0:17:01 | 0:17:06 | |
That's just 15 minutes to go, then. Both teams need to get a move on. | 0:17:06 | 0:17:11 | |
The Reds need to make two more purchases. Yikes! | 0:17:11 | 0:17:14 | |
It's a nice little item. It is hallmarked here. | 0:17:15 | 0:17:19 | |
You see Birmingham hallmark. It's very tidy. | 0:17:19 | 0:17:22 | |
That's machined silver, which is good | 0:17:22 | 0:17:25 | |
and it's in very good condition. | 0:17:25 | 0:17:28 | |
-It's a sweet little item. -OK. | 0:17:28 | 0:17:30 | |
So I think that if you can't get something in ten seconds, | 0:17:30 | 0:17:34 | |
then we've got a chance of making a little bit on that. | 0:17:34 | 0:17:37 | |
-What do you think it would fetch? -It could do 45, 50. | 0:17:37 | 0:17:44 | |
-So we just could make a pound or so. -You could just make... -To get our golden gavel. | 0:17:44 | 0:17:47 | |
-Yeah, right! -Pete's insistent. | 0:17:47 | 0:17:49 | |
That's what he wants. Nothing else, as long as he gets his gavel. | 0:17:49 | 0:17:52 | |
-I know, but we were awful slow. Here he is. -What do you reckon to this? | 0:17:52 | 0:17:57 | |
Price, what's the price? | 0:17:57 | 0:17:58 | |
Well, it was marked up at 45 and I'm not sure if he'll go | 0:17:58 | 0:18:03 | |
-much lower than that. -Do you want me to try? -40, 40. | 0:18:03 | 0:18:07 | |
-You can try. -Do you want to do it? | 0:18:07 | 0:18:09 | |
You can do it. The box is still there. The music box is still there. | 0:18:09 | 0:18:13 | |
-And what can we get? -I've not asked yet. -All right, OK. | 0:18:13 | 0:18:16 | |
-Do you want to haggle, do you want me to do it? -Do you want to do it? | 0:18:16 | 0:18:20 | |
You do it, go on, you do it. You're the man. | 0:18:20 | 0:18:23 | |
Time's running out. We're all feeling the pressure. | 0:18:28 | 0:18:32 | |
-Hey, ladies, deal's done. -Well done. -No discount though. | 0:18:33 | 0:18:36 | |
I know, but I didn't think there would be. | 0:18:36 | 0:18:39 | |
Run. | 0:18:40 | 0:18:41 | |
-Last item. -OK. -Cheap and cheerful. -Cheap and cheerful. | 0:18:41 | 0:18:45 | |
-That's no way to treat Grandpa. -Steady, steady. | 0:18:45 | 0:18:48 | |
-I'm not really that old. Ha-ha-ha. -No, Grandad. -Oh! | 0:18:48 | 0:18:53 | |
Now, what's Imelda Marcos spotted here? | 0:18:56 | 0:19:00 | |
I like that shoe, is it a pincushion? | 0:19:00 | 0:19:02 | |
-Yes. -I love that. -I must admit, Mum, it does... | 0:19:02 | 0:19:05 | |
-That is me, to a T. -It shouts you. | 0:19:05 | 0:19:08 | |
-I absolutely love that. DEALER: -That is 160. | 0:19:11 | 0:19:14 | |
What's the very, very, very, best, please, madam? | 0:19:14 | 0:19:19 | |
You know, I know you're sort of... I'll say 140, but that has to be it. | 0:19:20 | 0:19:24 | |
It fulfils two purposes, doesn't it? First of all, mummies want silver. | 0:19:24 | 0:19:29 | |
If I bought that, it means I've got 255 pairs of shoes instead of 254. | 0:19:29 | 0:19:35 | |
-But it's not a pair. -Oh, no. -It's 254 and a half! | 0:19:35 | 0:19:38 | |
-What are you going to do about that? -I'd buy that, myself. | 0:19:38 | 0:19:42 | |
-Would you really? -I would, yeah. -You would, wouldn't you? | 0:19:42 | 0:19:44 | |
-I've got a pincushion. -I'd say there's no great profit in this. | 0:19:44 | 0:19:47 | |
-No, there's not, is there? -No great profit margin on it. | 0:19:47 | 0:19:49 | |
-Is there anything else you can do at all? -A teeny bit more? -A fiver? | 0:19:49 | 0:19:55 | |
-DEALER: -A fiver, a fiver, by all means. -I was going to ask for ten. -No, no. No, no, no. | 0:19:55 | 0:19:59 | |
-A fiver, I will. -That's 135. -The condition is superb. -There you are. | 0:19:59 | 0:20:04 | |
-Do you want it? -It's your choice, I've chosen mine. | 0:20:04 | 0:20:07 | |
-Please may we take that? DEALER: -Of course you may. | 0:20:07 | 0:20:09 | |
-HANNAH: -Thank you. | 0:20:09 | 0:20:10 | |
-DEALER: -Thank you very much indeed. I wish you every success. | 0:20:10 | 0:20:13 | |
-Are you happy with that? -I love it. -You do like it, don't you? | 0:20:13 | 0:20:16 | |
-Do you want to have a look? -Oh, my. | 0:20:16 | 0:20:19 | |
A well-heeled deal sealed with a loving kiss. Aw! | 0:20:19 | 0:20:23 | |
-DEALER: -That's why you do it, isn't it, David? | 0:20:23 | 0:20:25 | |
-We've got four minutes to go. -I quite like this, Anita. | 0:20:25 | 0:20:30 | |
-35. -Mm-hm. Yeah. | 0:20:30 | 0:20:33 | |
This would have been made by a cooper and it's functional. | 0:20:34 | 0:20:39 | |
I mean, you've got plenty of money to spend. | 0:20:39 | 0:20:41 | |
-I quite like that, I quite like that. What's this one? -It was here. | 0:20:41 | 0:20:44 | |
Oh, that's an urn. Put your ashes in that. | 0:20:44 | 0:20:47 | |
-What's this? -That's a metronome. | 0:20:47 | 0:20:50 | |
-What's that, tick tick tick? -Tick tick tick tick. | 0:20:50 | 0:20:53 | |
Tick tick, tock tock, watch that clock. You've got two minutes left. | 0:20:53 | 0:20:57 | |
-The box, or the planter. I'll get the dealer over. -Or... | 0:20:57 | 0:21:02 | |
Two minutes... Don't start looking at anything else! | 0:21:02 | 0:21:04 | |
-Don't start looking at anything else. -That's a cooler, isn't it? | 0:21:04 | 0:21:07 | |
Can you take something off the wee box? | 0:21:07 | 0:21:09 | |
Don't start looking at anything else! | 0:21:09 | 0:21:12 | |
Right, he can give you that for 30 and he can take | 0:21:12 | 0:21:16 | |
a couple of quid off that wee box, so it's your own choice. | 0:21:16 | 0:21:20 | |
I'll bring the wee box. | 0:21:20 | 0:21:22 | |
We're about to be going ten, nine, eight, seven, six, five, | 0:21:22 | 0:21:25 | |
-four, three, two, one second. -Do you want to buy that? | 0:21:25 | 0:21:27 | |
We can make an actual pound on that, | 0:21:27 | 0:21:29 | |
as long as we make a profit, go for that. | 0:21:29 | 0:21:32 | |
Go for that, OK, OK. | 0:21:32 | 0:21:33 | |
-OK, OK. -Keeping her fit! | 0:21:33 | 0:21:35 | |
Go on, Anita. A fiver. | 0:21:35 | 0:21:37 | |
We're two seconds over time, but don't tell anybody. | 0:21:37 | 0:21:41 | |
Finally, the Reds have all three purchases. As do the Blues. | 0:21:42 | 0:21:46 | |
-Yes! -Yes! Yes! | 0:21:48 | 0:21:50 | |
That was the closest one that I've had for a long time. | 0:21:50 | 0:21:54 | |
-At least you enjoyed yourself and had a laugh on the way. -Yes, we did. | 0:21:54 | 0:21:58 | |
-And the deal's done. -The deal's done, let's go and get a cup of tea. | 0:21:58 | 0:22:01 | |
So with shopping time over, | 0:22:01 | 0:22:02 | |
let's remind ourselves what the Red team bought. | 0:22:02 | 0:22:05 | |
£85 of the Reds' budget went on a pair of Italian multicoloured vases. | 0:22:05 | 0:22:10 | |
£45 on the nose was spent on a 1930s silver powder compact. | 0:22:12 | 0:22:17 | |
The oak musical box was acquired for the very limited tune | 0:22:17 | 0:22:21 | |
of just eight notes. | 0:22:21 | 0:22:23 | |
Been happy, yeah, but no sporting memorabilia. | 0:22:26 | 0:22:28 | |
I don't know, I think you've got a sporting chance here. | 0:22:28 | 0:22:31 | |
-Did you have a good shop? -Excellent, excellent. Good fun. | 0:22:31 | 0:22:34 | |
-So what was the grand total of expenditure? -£138. | 0:22:34 | 0:22:37 | |
-Is that all? -I tried. | 0:22:37 | 0:22:39 | |
-Does that mean I want £162 of leftover lolly? -You can have it. | 0:22:39 | 0:22:43 | |
All right, £162 of leftover lolly. | 0:22:43 | 0:22:45 | |
Which is your favourite piece, by the way? | 0:22:45 | 0:22:47 | |
I do like the glass that I bought, however the wooden box that | 0:22:47 | 0:22:51 | |
I bought, because I wanted to buy something wooden. | 0:22:51 | 0:22:53 | |
-So you like both of them, really. -Yeah, but I do like the wooden box. | 0:22:53 | 0:22:56 | |
What do you like? | 0:22:56 | 0:22:57 | |
I like the vases, but I think what Fran's trying to say is | 0:22:57 | 0:23:00 | |
we're going for the golden gavel and we've got more chance of making | 0:23:00 | 0:23:04 | |
a profit with the box than we have with the vases. | 0:23:04 | 0:23:07 | |
OK, brilliant. Anita, there you go, darling. | 0:23:07 | 0:23:09 | |
-That's a wodge of cash. -It is. | 0:23:09 | 0:23:11 | |
What are you going to spend all that cash on, Anita? | 0:23:11 | 0:23:13 | |
I don't know, but I'll try and spend as much as I possibly can because | 0:23:13 | 0:23:16 | |
that's what Fran wants me to do. | 0:23:16 | 0:23:18 | |
All right, fine, very good. | 0:23:18 | 0:23:20 | |
Well, good luck, teams, good luck, Anita. | 0:23:20 | 0:23:22 | |
Why don't we check out what the Blue team bought, eh? | 0:23:22 | 0:23:25 | |
They saw the light and paid £37 for a Victorian chamber stick. | 0:23:25 | 0:23:29 | |
They spent £32 on a porcelain model of a World War I bunker. | 0:23:30 | 0:23:34 | |
And finally, they walked away with a shoe pincushion for £135. | 0:23:36 | 0:23:41 | |
It's a man's shoe, it's not a lady's shoe for a change. | 0:23:42 | 0:23:45 | |
It's an unusual one, a little court shoe. | 0:23:45 | 0:23:47 | |
Let's not get sexist about this, girls, come on. | 0:23:47 | 0:23:49 | |
Man's shoes - a shoe's a shoe. | 0:23:49 | 0:23:51 | |
A spade's a spade when it's not a shovel. | 0:23:51 | 0:23:54 | |
-Anyway, did you have a lovely time? -We did, it was brilliant. -It was. | 0:23:54 | 0:23:57 | |
Do you feel even more bonded with your mother than you felt before? | 0:23:57 | 0:24:01 | |
-Oh, yes. -Oh, I love all that. | 0:24:01 | 0:24:02 | |
I have to ask you, which is your favourite piece? | 0:24:02 | 0:24:05 | |
Mine is the little tommie dugout that we bought. | 0:24:05 | 0:24:08 | |
-OK, which is your favourite piece, Ma? -The shoe. | 0:24:08 | 0:24:10 | |
The shoe is your favourite. How much did you spend all round? | 0:24:10 | 0:24:13 | |
-BOTH: £204. -£204. | 0:24:13 | 0:24:17 | |
-Right. Please may I have £96? -95, thank you very much. | 0:24:17 | 0:24:21 | |
I won't bother counting it because I trust you, Hannah. | 0:24:21 | 0:24:23 | |
-That's quite a lot of money to hand over. -It is a lot. | 0:24:23 | 0:24:27 | |
My main problem, Tim, is I'm going to try | 0:24:27 | 0:24:29 | |
and emulate this couple by keep arguing with myself. | 0:24:29 | 0:24:31 | |
What are you going to buy us? | 0:24:31 | 0:24:33 | |
Well, you've got a split personality so that's OK. | 0:24:33 | 0:24:36 | |
One half can argue with the other. | 0:24:36 | 0:24:38 | |
Thank you. | 0:24:38 | 0:24:39 | |
Anyway, good luck with your cash, David, and good luck, teams. | 0:24:39 | 0:24:42 | |
Meanwhile, we're heading off to the wild, | 0:24:42 | 0:24:45 | |
hairy haggis country up in the Borders. | 0:24:45 | 0:24:47 | |
Nestling in the Selkirk countryside is Bowhill House, | 0:24:50 | 0:24:53 | |
a family home to the Dukes of Buccleuch. | 0:24:53 | 0:24:57 | |
This great house boasts many fine interiors and treasured heirlooms, | 0:24:57 | 0:25:01 | |
but today, I want to look at the fascinating masterpieces | 0:25:01 | 0:25:04 | |
assembled by one particular family member, Walter Francis, | 0:25:04 | 0:25:09 | |
the fifth Duke. | 0:25:09 | 0:25:11 | |
One of the great Victorian philanthropists, | 0:25:11 | 0:25:14 | |
Walter Francis was also the family's principal collector. | 0:25:14 | 0:25:19 | |
He formed the most important and largest collection | 0:25:19 | 0:25:24 | |
after that in the Royal family of... | 0:25:24 | 0:25:27 | |
portrait miniatures... of which we see | 0:25:27 | 0:25:32 | |
a small selection about us, | 0:25:32 | 0:25:34 | |
because there are over 700 portrait miniatures, | 0:25:34 | 0:25:39 | |
included in the collection, and this is just a tiny selection. | 0:25:39 | 0:25:44 | |
So what was the big interest for the fifth Duke | 0:25:44 | 0:25:48 | |
in collecting portrait miniatures? | 0:25:48 | 0:25:50 | |
Well, of course, they do represent | 0:25:50 | 0:25:52 | |
British history through the centuries. | 0:25:52 | 0:25:55 | |
The tradition of collecting miniatures goes back to Charles I, | 0:25:55 | 0:26:00 | |
and therefore, for the fifth Duke to be able to buy | 0:26:00 | 0:26:03 | |
this group of eight miniatures, | 0:26:03 | 0:26:06 | |
all enclosed in an ebony frame which originally | 0:26:06 | 0:26:10 | |
was in the collection of Charles I, would have been a big thrill. | 0:26:10 | 0:26:14 | |
The eight images all relate to the Tudor dynasty. | 0:26:14 | 0:26:19 | |
Indeed, the central image of Henry VIII is instantly recognisable, | 0:26:19 | 0:26:24 | |
with Anne Boleyn to his right and Elizabeth I underneath. | 0:26:24 | 0:26:29 | |
What's fun though is if we take | 0:26:30 | 0:26:33 | |
another example of an image of Henry VIII. | 0:26:33 | 0:26:36 | |
You can hardly believe that it is indeed the same man, but it is. | 0:26:36 | 0:26:41 | |
On the back it says it was painted by Hans Holbein, | 0:26:41 | 0:26:46 | |
a truly great 16th-century miniaturist, | 0:26:46 | 0:26:49 | |
an image which he recorded of Henry VIII in 1526. | 0:26:49 | 0:26:54 | |
The beauty of the thing though only really comes to light | 0:26:54 | 0:26:58 | |
when you look at it under a glass. | 0:26:58 | 0:27:00 | |
Here, we can see his sallow complexion, | 0:27:00 | 0:27:05 | |
but look at his clothes. | 0:27:05 | 0:27:08 | |
His vestment, a sort of grey brocade, but beautifully detailed. | 0:27:08 | 0:27:14 | |
And his cloak, trimmed with fur. | 0:27:14 | 0:27:17 | |
He's even wearing a gold necklace | 0:27:17 | 0:27:20 | |
and you can make out almost every link of that. | 0:27:20 | 0:27:24 | |
This, in effect, is a tour de force created in an early period. | 0:27:24 | 0:27:30 | |
If we scroll forward a century, | 0:27:30 | 0:27:33 | |
we come to the hand of a famous 17th-century artist, Samuel Cooper. | 0:27:33 | 0:27:38 | |
In the middle we've got Oliver Cromwell, literally warts and all. | 0:27:38 | 0:27:44 | |
Not the most attractive of men. | 0:27:44 | 0:27:46 | |
And he's flanked by his family. | 0:27:46 | 0:27:48 | |
On the left, it's Mrs Cromwell and on the right, his daughter. | 0:27:48 | 0:27:53 | |
And these three miniatures were painted between 1651 and 1653. | 0:27:53 | 0:27:58 | |
Condition with miniatures is as important as it is | 0:27:59 | 0:28:03 | |
with other works of art | 0:28:03 | 0:28:05 | |
and because this group have been kept so perfectly, | 0:28:05 | 0:28:08 | |
we're able to enjoy the brilliant colour | 0:28:08 | 0:28:12 | |
and vibrancy of the painting even to this day. | 0:28:12 | 0:28:15 | |
The big question is, of course, for our teams over at the auction, | 0:28:15 | 0:28:19 | |
is their profit to be a miniature one or to be ginormous? | 0:28:19 | 0:28:24 | |
Well, I can't tell you how lovely it is to be in Market Harborough, | 0:28:32 | 0:28:36 | |
Gildings sale room is where we're at with Mark Gilding, | 0:28:36 | 0:28:39 | |
-our auctioneer today. Mark. -Good morning, Tim. | 0:28:39 | 0:28:41 | |
-First up, we've got a pair of these babies. -Another one, have you? | 0:28:41 | 0:28:45 | |
Yes, there's another one. | 0:28:45 | 0:28:46 | |
When do you think these date from? | 0:28:46 | 0:28:48 | |
-They're pretty modern these ones, I think. -'60s? | 0:28:48 | 0:28:50 | |
Maybe a bit later, the '70s, maybe. | 0:28:50 | 0:28:52 | |
Anyway, they're in good condition. There's a pair of them. | 0:28:52 | 0:28:56 | |
-They're here to go. What might they bring? -70 to 100. | 0:28:56 | 0:28:59 | |
-Brilliant man, £85 paid. -OK. -OK, so we're very happy with that. | 0:28:59 | 0:29:03 | |
Next is the engine-turned powder compact. | 0:29:03 | 0:29:07 | |
These are quite a serious collectible these days, aren't they? | 0:29:07 | 0:29:10 | |
They are. The fact that they're silver for a start, | 0:29:10 | 0:29:12 | |
they've got some intrinsic value. | 0:29:12 | 0:29:14 | |
And when you get something that's a nice shape, | 0:29:14 | 0:29:17 | |
such as this one, and good-quality engine turning... | 0:29:17 | 0:29:19 | |
-So what's it worth then, do you think? -I think 40-60. | 0:29:19 | 0:29:22 | |
Brilliant. £45 paid. | 0:29:22 | 0:29:24 | |
That's a good estimate. | 0:29:24 | 0:29:25 | |
And then lastly, we've got what I call a piece of shed work, right? | 0:29:25 | 0:29:29 | |
This is made by a man who has sat for hours in his shed with | 0:29:29 | 0:29:32 | |
a little bit of oak and this and that and he made this chest. | 0:29:32 | 0:29:37 | |
Play it again, Sam. | 0:29:37 | 0:29:38 | |
TUNE PLAYS HALTINGLY | 0:29:38 | 0:29:41 | |
Well, there we've got a clockwork movement at its best! | 0:29:47 | 0:29:51 | |
Anyway, there we are. | 0:29:51 | 0:29:52 | |
It's certainly a novelty. What's it worth, do you think? | 0:29:52 | 0:29:55 | |
Well, I'm trying to be positive and said 20 to 30. | 0:29:55 | 0:29:58 | |
Look at you, you're a lovely man. They only paid £8 for it. | 0:29:58 | 0:30:03 | |
That is brilliant, Mark. It's a perfectly nicely-made little thing. | 0:30:03 | 0:30:07 | |
-Got a bit of history to it. -Bit of a tune-up and it'll be fine. | 0:30:07 | 0:30:10 | |
On that happy note...! Why don't we check out the Bonus Buy? | 0:30:10 | 0:30:15 | |
-Now...ha-ha! Have you any idea what's underneath there? -A boat? | 0:30:15 | 0:30:20 | |
A boat? Looks like a bit of a boat. | 0:30:20 | 0:30:22 | |
Anyway, you spent 138, which was pretty miserable. | 0:30:22 | 0:30:25 | |
You gave Anita 162, and Anita, | 0:30:25 | 0:30:27 | |
I'm going to reveal what you bought, darling. Woof! | 0:30:27 | 0:30:30 | |
Wow! That's so nice! | 0:30:30 | 0:30:33 | |
-You like it? -Yeah. | 0:30:33 | 0:30:35 | |
It's a 1930s art deco figure ornament. | 0:30:35 | 0:30:40 | |
We have this sort of relatively scantily-clad maiden | 0:30:40 | 0:30:44 | |
holding two doves and she's sitting on this marble base. | 0:30:44 | 0:30:49 | |
Fran'll like this. This is the sort of stuff you like. | 0:30:49 | 0:30:51 | |
That's me all over. What's she made of? | 0:30:51 | 0:30:53 | |
Well, she's spelter, which is a base metal, patinated or painted. | 0:30:53 | 0:30:58 | |
-I know you like the art deco... -I do. | 0:30:58 | 0:31:00 | |
-I thought that would appeal to you. -Beautiful. I'd have that in my home. | 0:31:00 | 0:31:03 | |
-What did it cost you, Anita? -It cost...£110. -Ohh. -It's not bad. | 0:31:03 | 0:31:10 | |
-It's not bad. -And what do you think it will fetch in the auction? | 0:31:10 | 0:31:15 | |
Well, let's hope it makes over £110! | 0:31:15 | 0:31:17 | |
Now, that is a very canny reply, Anita Manning! | 0:31:19 | 0:31:22 | |
OK, on that happy note, I think we'd better move on, don't you? | 0:31:22 | 0:31:26 | |
But for the audience at home, let's find out | 0:31:26 | 0:31:28 | |
what the auctioneer thinks about Anita's deco figure. | 0:31:28 | 0:31:31 | |
Well, here it is, look. There she is in all her glory. | 0:31:32 | 0:31:36 | |
-I would say a 1920s or '30s flapper. -Yes, quite a good spelter model. | 0:31:36 | 0:31:42 | |
She's got the look. She certainly has. What's it worth? | 0:31:42 | 0:31:45 | |
I've put 100 to 150. | 0:31:45 | 0:31:47 | |
Well, if you get anything like the top, | 0:31:47 | 0:31:48 | |
you'll be Anita's best friend - she paid £110 for it, and why not? | 0:31:48 | 0:31:52 | |
It's a good thing. That's it for the Reds, now for the Blues. | 0:31:52 | 0:31:55 | |
Bit of a mixture here. | 0:31:55 | 0:31:56 | |
We've got the Arts and Crafts-y looking chamber candlestick... | 0:31:56 | 0:32:01 | |
Yes, Arts and Crafts style, late 19th century. | 0:32:01 | 0:32:04 | |
It's certainly got the look to it. | 0:32:04 | 0:32:05 | |
Perhaps not the quality that it would need to be a really good one. | 0:32:05 | 0:32:08 | |
I think it's quite a good thing. What's your estimate? | 0:32:08 | 0:32:10 | |
-I think it's good as well, 50 to 70. -Good. £37 paid. | 0:32:10 | 0:32:13 | |
-So there may be a profit in there. -I think so. -That would be lovely. | 0:32:13 | 0:32:17 | |
Next is the Goss, but actually made by Carltonware, | 0:32:17 | 0:32:20 | |
little novelty piece of ceramics. Don't you love that? | 0:32:20 | 0:32:23 | |
Well, they're fun little things, | 0:32:23 | 0:32:25 | |
especially this one with a Tommie's bunker. | 0:32:25 | 0:32:27 | |
I know! There he is, look. | 0:32:27 | 0:32:29 | |
All lonely in his dugout somewhere in Flanders in 1915. | 0:32:29 | 0:32:36 | |
-Very, very nice piece of social history. What's it worth? -20 to 30. | 0:32:36 | 0:32:40 | |
£32 paid. They may have got slightly carried away there, perhaps. | 0:32:40 | 0:32:45 | |
Next is the old boot, or should I say shoe? | 0:32:45 | 0:32:48 | |
Beautifully made, isn't it? | 0:32:48 | 0:32:50 | |
Yes, it is nice, of the period and good silver mounts. | 0:32:50 | 0:32:52 | |
In great condition. Really quite collectable, these are. | 0:32:52 | 0:32:56 | |
-What do you think it's worth? -I've put 80 to 120. | 0:32:56 | 0:32:58 | |
-Are you being a bit mean there? -As mean as I can! | 0:32:58 | 0:33:02 | |
No, I think the estimate is perfectly fair. | 0:33:02 | 0:33:05 | |
They paid £135, actually. | 0:33:05 | 0:33:07 | |
-There's a chance we could get that. -Yeah, well... | 0:33:07 | 0:33:10 | |
There are lots of reproductions, aren't there? | 0:33:10 | 0:33:12 | |
But that's a genuine thing. | 0:33:12 | 0:33:13 | |
But if it doesn't go well, they'll need their Bonus Buy, | 0:33:13 | 0:33:17 | |
so let's go and have a look at it. | 0:33:17 | 0:33:19 | |
-Hannah, Lindsay, are you excited about this? -Nervous! | 0:33:19 | 0:33:21 | |
What did David Barby spend the £96 of leftover lolly on? | 0:33:21 | 0:33:26 | |
Watch very carefully... for this quality object. | 0:33:26 | 0:33:30 | |
-Oh, that's pretty! -Oh, I like that! | 0:33:30 | 0:33:32 | |
-Do you know what it is? -No, what is it? -Let me open it up for you. | 0:33:32 | 0:33:36 | |
This is a gentleman's, or a lady's, for that matter, soap container. | 0:33:36 | 0:33:41 | |
-I love that. -Today you could put jewellery, rings, | 0:33:41 | 0:33:43 | |
or anything like that in it. | 0:33:43 | 0:33:45 | |
Or just use it as a collector's item. | 0:33:45 | 0:33:47 | |
Made by a guy called William Cummings in 1894. | 0:33:47 | 0:33:51 | |
I wanted to buy something that reflected your personality. | 0:33:51 | 0:33:53 | |
This is quality. | 0:33:53 | 0:33:56 | |
Only if you use coal tar, you can't get your fingers in! | 0:33:56 | 0:34:00 | |
That is lovely. How much did you buy it for? | 0:34:00 | 0:34:02 | |
-Mmmm, £96. -How much? -£96. But isn't it beautiful? | 0:34:02 | 0:34:08 | |
-Just handle it. Ooh! The feel of it is lovely. -I love that. | 0:34:08 | 0:34:11 | |
-Is it going to make us any money? -I'd like to see it do about 120. | 0:34:11 | 0:34:16 | |
-I love that. Do you like that, Hannah? -I'd buy it FOR you! | 0:34:16 | 0:34:19 | |
-You can't! -Your chance will come in a moment. | 0:34:19 | 0:34:22 | |
Now, let's check out what the auctioneer thinks | 0:34:22 | 0:34:25 | |
about David Barby's soapbox. | 0:34:25 | 0:34:27 | |
That's quite rare, isn't it? | 0:34:27 | 0:34:29 | |
-Yes, it is. It's quite a nice box, this one. -Nicely made. Who's the maker? | 0:34:29 | 0:34:33 | |
The maker is William Cummins, hallmarked 1894. | 0:34:33 | 0:34:37 | |
A well-regarded maker and collected in his own right. | 0:34:37 | 0:34:39 | |
-Absolutely. -A good collector's lot, this one. -OK. | 0:34:39 | 0:34:42 | |
Well, David Barby obviously rates it - what do you think it's worth? | 0:34:42 | 0:34:46 | |
I've put 50 to 70. | 0:34:46 | 0:34:48 | |
He paid £96. Anyway, he might get out of trouble if he's lucky, right? | 0:34:48 | 0:34:52 | |
-On a good day. -Is this going to be a good day? | 0:34:52 | 0:34:56 | |
Let's hope so! | 0:34:56 | 0:34:57 | |
I quite agree! Thanks very much, Mark. | 0:34:57 | 0:34:59 | |
Now, Pietro, Fran. Excited? It's a lovely moment, isn't it? | 0:35:07 | 0:35:12 | |
You see a very crowded saleroom like this, stuffed up with people | 0:35:12 | 0:35:15 | |
and they're all here to buy your lots. Maybe! | 0:35:15 | 0:35:19 | |
This pair of very large and impressive | 0:35:19 | 0:35:21 | |
mottled and aventurine-flecked vases. | 0:35:21 | 0:35:24 | |
Bids on the book with me here at £40. | 0:35:24 | 0:35:27 | |
£40 I'm bid here, at 40. At 40 I'm bid here, at £40, 40. | 0:35:28 | 0:35:32 | |
-At 45, do I see? At £40, I'm bid. 45, 50. -I can't bear this. -55, 60. | 0:35:32 | 0:35:39 | |
65. In the room now at 65. At 65, my bids are out then, at 65. | 0:35:39 | 0:35:45 | |
Standing at the back at 65. | 0:35:45 | 0:35:48 | |
Ah! | 0:35:48 | 0:35:49 | |
-£65. -That's the Golden Gavel gone. -Minus 20. | 0:35:49 | 0:35:53 | |
Can't believe that. | 0:35:53 | 0:35:55 | |
-Now, here comes the compact. -And bids on the book open here at £20. | 0:35:55 | 0:36:00 | |
20 I'm bid for the compact. | 0:36:00 | 0:36:03 | |
22, 25, 28... 30. 32... | 0:36:03 | 0:36:06 | |
Your turn, internet. In the room, then. At 32, I'm bid at 35. | 0:36:08 | 0:36:12 | |
38. 40. 42. | 0:36:12 | 0:36:16 | |
Bid now at 42. | 0:36:16 | 0:36:17 | |
Still against you, Internet, at £42 I'm bid. I will sell at £42... | 0:36:17 | 0:36:22 | |
-£42 is minus three. -I thought you were going to put your hand up! | 0:36:24 | 0:36:27 | |
Minus 23. | 0:36:27 | 0:36:30 | |
-Now, here comes your music box. -And bidding opens here at £20. | 0:36:30 | 0:36:35 | |
Yes! | 0:36:35 | 0:36:36 | |
£20 I'm bid, at 20. | 0:36:36 | 0:36:38 | |
£20, I can't believe it myself. At £20, I'm bid here at 20. | 0:36:40 | 0:36:43 | |
At 20 bid on the book, and it will be sold... Away at £20. | 0:36:43 | 0:36:48 | |
-Oh! -Well! Shed art! | 0:36:48 | 0:36:52 | |
There we go! Never be snarky. | 0:36:52 | 0:36:54 | |
Here we go - plus twelve on that. I love it. | 0:36:54 | 0:36:57 | |
So overall, you're minus eleven. | 0:36:57 | 0:36:59 | |
What are you going to do? Will you go for the art deco figure? | 0:36:59 | 0:37:02 | |
-You love it, you want it... -We may as well. -Go for it. Go on. | 0:37:02 | 0:37:07 | |
-Is that a decision? -Yes. -OK, we're going with it. | 0:37:07 | 0:37:10 | |
Now you've made your decision, | 0:37:10 | 0:37:12 | |
I can tell you the auctioneer's estimate is £100-£150. | 0:37:12 | 0:37:15 | |
You paid 110, Anita. | 0:37:15 | 0:37:17 | |
This is exciting, here it comes. | 0:37:17 | 0:37:19 | |
The figure of a lady, on that black marble navette-shaped base. | 0:37:19 | 0:37:23 | |
-10, 20, 30, 40, 50, 60, 70, 80, 90, 100, 110. -Yes! | 0:37:23 | 0:37:29 | |
110 I'm bid now, at 110. | 0:37:29 | 0:37:31 | |
PETE: That's nice! | 0:37:31 | 0:37:32 | |
At £110 I'm bid, at 110. 120, 130. | 0:37:32 | 0:37:36 | |
Yes. | 0:37:36 | 0:37:37 | |
Your turn, it's 130 there. 130. 140. | 0:37:37 | 0:37:41 | |
-150. -140, 150... Look at this! | 0:37:41 | 0:37:44 | |
-Clever woman, Anita Manning! -Telephone, what about you? £150. | 0:37:44 | 0:37:49 | |
-160, new bidding. -Yes! -You're both out then, at 160 I'm bid on my left. | 0:37:51 | 0:37:58 | |
The telephone wins. | 0:37:58 | 0:37:59 | |
Away at £160... | 0:37:59 | 0:38:02 | |
-Yes! -Well done, Anita! -£160. | 0:38:02 | 0:38:05 | |
-Thank you so much! -That is plus £50. | 0:38:05 | 0:38:07 | |
-Smashing job. -Chuffed as monkeys! | 0:38:07 | 0:38:09 | |
-You didn't want to go with it! -I did in the end, though! | 0:38:09 | 0:38:12 | |
Listened to the boss, didn't he? | 0:38:12 | 0:38:14 | |
So you are overall plus £39. That's no mucking about. | 0:38:14 | 0:38:17 | |
That's a proper score. | 0:38:17 | 0:38:20 | |
You were well and truly out of it until you got to that little kist, | 0:38:20 | 0:38:23 | |
anyway, there we go. | 0:38:23 | 0:38:25 | |
-Lovely. Plus 39. Don't tell the Blues a thing. -Not at all. -No way! | 0:38:25 | 0:38:28 | |
-So, girls - excited? -Very! -Do you know how the Reds got on? | 0:38:37 | 0:38:41 | |
-We don't. -Right. First up is a bit of brass. Here it comes. | 0:38:41 | 0:38:45 | |
The arts and crafts brass chamber stick with die-stamped decoration. | 0:38:45 | 0:38:49 | |
£20, opening bid. £20 I'm bid for the chamber stick. | 0:38:49 | 0:38:54 | |
At 20 bid now, 20. | 0:38:54 | 0:38:56 | |
22, 25... 25 I'm bid now, at 25. | 0:38:56 | 0:38:59 | |
At 25, here to be sold at 25. | 0:38:59 | 0:39:03 | |
My bid at 25, on the book here and selling... | 0:39:03 | 0:39:05 | |
Make no mistake, ladies and gentlemen. 28 - new bidding at 28. | 0:39:05 | 0:39:09 | |
At 28, bid at 28. Away at 28. | 0:39:09 | 0:39:14 | |
-Oh, dear, £28. -I'm so disappointed. | 0:39:14 | 0:39:17 | |
That's minus £9. | 0:39:17 | 0:39:20 | |
-Nine. Not too bad. -Now, here comes the bunker. | 0:39:20 | 0:39:24 | |
"Tommie's dugout, somewhere in France." | 0:39:24 | 0:39:27 | |
And £5 only bid here, at five. 8, 10, 12, 15, 18... | 0:39:28 | 0:39:33 | |
£18 I'm bid. 20. Are you bidding? | 0:39:35 | 0:39:38 | |
22. You're out now, it's 22 there. | 0:39:38 | 0:39:42 | |
-At 22, 25? 25. 28? -28 on the internet. | 0:39:42 | 0:39:45 | |
Are you both out in the room? | 0:39:45 | 0:39:47 | |
The internet is in at 28, I'm bid at 28. | 0:39:47 | 0:39:50 | |
Bit more, bit more! | 0:39:50 | 0:39:51 | |
-Selling away at £28... -£28. | 0:39:51 | 0:39:55 | |
-£28 is minus £4, which means you're minus £13. -Oh! | 0:39:55 | 0:40:00 | |
-David, it's all on the shoe! -This is the million-dollar question! | 0:40:00 | 0:40:04 | |
Come on, Hannah - be brave here, girl. Grip hard. | 0:40:04 | 0:40:07 | |
Bidding on my book starts at 35, | 0:40:07 | 0:40:09 | |
45, 55, 65, 75, 80...five, 90. | 0:40:09 | 0:40:16 | |
-90 bid now, at 90. -Come on! -Five. New bidding. | 0:40:17 | 0:40:21 | |
95, I'm bid at 95. | 0:40:21 | 0:40:23 | |
You're all out over here. £95, I'm bid at 95. | 0:40:23 | 0:40:27 | |
Selling away at £95. 100. | 0:40:27 | 0:40:31 | |
-100. He's come back again. -Your turn now, internet. It's 100 in the room. | 0:40:31 | 0:40:35 | |
At 100 I'm bid. Fair warning, internet. | 0:40:35 | 0:40:38 | |
It's against you, selling away for £100. | 0:40:38 | 0:40:41 | |
£100, it's minus 35. | 0:40:42 | 0:40:44 | |
35, 45, 48. Minus 48. OK? | 0:40:44 | 0:40:48 | |
-Are you going with the soap container? -Well, I want to. | 0:40:48 | 0:40:51 | |
We'll go with it. Mum wants to go with it. | 0:40:51 | 0:40:53 | |
-Is it going to make a profit, David? -I can't tell at this stage. | 0:40:53 | 0:40:56 | |
-Shall we go for it? -On what we just sold... -Yes. | 0:40:56 | 0:40:59 | |
-But David doesn't think so. -No, we won't, then. | 0:40:59 | 0:41:03 | |
So the decision is we're not going with it, but we're going to sell it | 0:41:03 | 0:41:06 | |
anyway, just for the fun of seeing what it brings, and here it comes. | 0:41:06 | 0:41:09 | |
William Cummings... | 0:41:09 | 0:41:10 | |
Bidding opens with me here at 35, | 0:41:10 | 0:41:12 | |
45, 50, 5, 60, 5, 70... | 0:41:12 | 0:41:16 | |
..5, 80, 90, 100. 110. | 0:41:18 | 0:41:22 | |
110 now, all my bids are out. | 0:41:24 | 0:41:28 | |
We're in the room now. At £110... | 0:41:28 | 0:41:30 | |
Uh-oh! £110 would have been plus £14. | 0:41:30 | 0:41:35 | |
But as it is, we remain at minus 48. | 0:41:35 | 0:41:39 | |
-That's not that bad. -Anyway, minus £48 could be a winning score, | 0:41:39 | 0:41:44 | |
so don't say a word to the Reds, all right? | 0:41:44 | 0:41:46 | |
-Everybody happy? -ALL: Yes! -You bet your life we are! | 0:41:51 | 0:41:54 | |
Well, we've had a great show, haven't we? | 0:41:54 | 0:41:56 | |
-Any idea who's ahead or behind? Been chatting? -ALL: No! -Suspicious! | 0:41:56 | 0:42:01 | |
-Very! -Well, I have to say there is a chasm between our two teams today. | 0:42:01 | 0:42:05 | |
As we don't have losers any more, | 0:42:05 | 0:42:07 | |
-the runners-up most definitely are the Blues. -ALL: Aaah! | 0:42:07 | 0:42:10 | |
I mean, it just wasn't your day, was it? | 0:42:10 | 0:42:13 | |
That shoe pincushion thing I maintain to my dying day | 0:42:13 | 0:42:17 | |
was a splendid object. You shouldn't be minus 35 for that. | 0:42:17 | 0:42:20 | |
-But you had a good time? -It's been lovely. -Thank you very much. | 0:42:20 | 0:42:23 | |
You've been a great mother-and-daughter combo, | 0:42:23 | 0:42:26 | |
we've loved having you, but the victors today, | 0:42:26 | 0:42:28 | |
who are going home with cash - with £39! | 0:42:28 | 0:42:31 | |
-APPLAUSE -Look at Fran's face here! | 0:42:31 | 0:42:34 | |
-She hasn't been so pleased in years, have you, darling? -No! | 0:42:34 | 0:42:39 | |
-I've got coins coming out here! -One more, Tim - come on! | 0:42:39 | 0:42:42 | |
No finish, I tell you. Brilliant. | 0:42:42 | 0:42:44 | |
But of course your bacon was nearly entirely saved | 0:42:44 | 0:42:48 | |
by the great Anita Manning's deco figure. | 0:42:48 | 0:42:51 | |
Without that, you would have been well and truly up a gum tree. | 0:42:51 | 0:42:54 | |
-Well done, Anita, for that. -Thanks, Anita. -You've had a good day? | 0:42:54 | 0:42:57 | |
-I've a fantastic day. -Excellent. -Very nice to see you, Pete. Very good. | 0:42:57 | 0:43:01 | |
-In fact, it's been such fun, join us soon for some more bargain hunting, yes? -ALL: Yes! | 0:43:01 | 0:43:05 | |
Subtitles by Red Bee Media Ltd | 0:43:25 | 0:43:29 |