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Today, we're in Hungerford, the only town in Britain | 0:00:03 | 0:00:07 | |
that celebrates the annual Hocktide Festival | 0:00:07 | 0:00:11 | |
which marks the end of the financial year. | 0:00:11 | 0:00:15 | |
Now, talking about finances, let's go bargain hunting, yeah! | 0:00:15 | 0:00:19 | |
The medieval Hocktide Festival is also known as Tutti-Day. | 0:00:43 | 0:00:48 | |
Nowadays, though, Tutti-Men don't collect a penny from every household. | 0:00:48 | 0:00:53 | |
They collect kisses in exchange for an orange. | 0:00:53 | 0:00:56 | |
Hmm, that doesn't sound like a bad rate of exchange. I wonder if they're looking for recruits? | 0:00:56 | 0:01:02 | |
Fancy an orange? | 0:01:02 | 0:01:05 | |
On today's show, the Reds get lost in reminiscence. | 0:01:06 | 0:01:10 | |
-Which is your favourite album? -Fireball. -Right. I just bought Machine Head recently. -Impossible! | 0:01:10 | 0:01:17 | |
-Whilst the Blues go a-bickering. -You should stop saying "no" to everything. | 0:01:17 | 0:01:21 | |
-Stop picking up rubbish! -LAUGHTER | 0:01:21 | 0:01:25 | |
-That's the simple answer. -Be more diplomatic! -Stop picking up rubbish! | 0:01:25 | 0:01:29 | |
I say! Let's meet the teams. | 0:01:30 | 0:01:33 | |
On today's programme, we've got teams of couples. | 0:01:33 | 0:01:36 | |
For the Reds, we've got Enid and Roger, and for the Blues, we've got Ann and Ash. | 0:01:36 | 0:01:41 | |
-Hello, everybody. -Hi, Tim. -Hello. | 0:01:41 | 0:01:43 | |
Enid, it says here you've got green fingers. | 0:01:43 | 0:01:46 | |
I have, Tim. I'm a flower arranger. I'm very fortunate to be a member of the Salisbury Cathedral flower team. | 0:01:46 | 0:01:52 | |
-The cathedral is a beautiful place. -It's a wonderful place to work. We are volunteers. -Good. | 0:01:52 | 0:01:57 | |
What do you do, Roger? | 0:01:57 | 0:01:59 | |
-A bit of this and that, Tim. -Shrug your shoulders? | 0:01:59 | 0:02:03 | |
Yes, and spend my time listening to music and volunteering for the Salisbury Festival. | 0:02:03 | 0:02:08 | |
-Tell us about your love of music. -I spend a lot of my time collecting music, | 0:02:08 | 0:02:13 | |
particularly 1960s psychedelia. It was a very interesting period of music, I think. | 0:02:13 | 0:02:18 | |
Things were getting very creative. To use a Salisbury example, | 0:02:18 | 0:02:22 | |
Dave Dee, Dozy, Beaky, Mick & Tich had a very good run of very commercial records | 0:02:22 | 0:02:27 | |
which were written for them. | 0:02:27 | 0:02:29 | |
They'd be told to make the B-side in a few hours in the studio and you'd get something interesting | 0:02:29 | 0:02:34 | |
which would amaze people who only knew their commercial sides. | 0:02:34 | 0:02:38 | |
Loads of vinyl in your collection? | 0:02:38 | 0:02:40 | |
Quite a bit. Vinyl's making a comeback. You can't beat the vinyl, particularly with the LPs. | 0:02:40 | 0:02:46 | |
By jingo, haven't the values gone up in the last ten years? | 0:02:46 | 0:02:50 | |
-Yes. Everybody was throwing the stuff away a few years ago when CDs were coming in. -Yes. | 0:02:50 | 0:02:55 | |
-Now they wish they hadn't. -What are your tactics? Will you spend all your cash and go for broke? | 0:02:55 | 0:03:01 | |
-Yes, we're going to spend big. -You're excited. -Yes, looking forward to it. | 0:03:01 | 0:03:05 | |
Bubbling over. I wish you good luck. | 0:03:05 | 0:03:08 | |
Now, Ann, I understand, like Enid, you too have green fingers. | 0:03:08 | 0:03:12 | |
I do, but I help people grow plants, rather than do flower-arranging. | 0:03:12 | 0:03:16 | |
I'm a gardener and I help people in the village that I live in keep their gardens looking spick-and-span. | 0:03:16 | 0:03:22 | |
I can tell that you're a colourful character. | 0:03:22 | 0:03:26 | |
I'm quite fond of the old bright colours. Give us a revolution of your trousers. | 0:03:26 | 0:03:31 | |
-I'm scared of getting lost and you won't lose me wearing this. -You won't get run over in those, darling. | 0:03:31 | 0:03:37 | |
So, Ash, you've had many careers over the years. | 0:03:37 | 0:03:40 | |
Absolutely, yes. I spent six years in the army as a surveyor. | 0:03:40 | 0:03:44 | |
I spent a year also as a dispatch rider before spending 12 years in IT. | 0:03:44 | 0:03:49 | |
Then about six, seven years ago, I stopped that and I joined the ambulance service. | 0:03:49 | 0:03:55 | |
And I'm now a registered paramedic. | 0:03:55 | 0:03:57 | |
-That is some shifting about! -Absolutely. | 0:03:57 | 0:04:00 | |
Tell me about this Mensa business. | 0:04:00 | 0:04:02 | |
Ah, Mensa, yes, yes. | 0:04:02 | 0:04:04 | |
About 20-odd years ago, I joined Mensa. It was whilst I was in the army. | 0:04:04 | 0:04:09 | |
About the same time, Ann joined, although I didn't know her at the time, but it was... | 0:04:09 | 0:04:14 | |
-Great minds think alike. -Absolutely. Part of the reason we got together was at Mensa meetings in Newbury. | 0:04:14 | 0:04:20 | |
Good. And now the money moment... You don't need a Mensa qualification to count that lot. | 0:04:20 | 0:04:25 | |
It's £300 apiece. You know the rules, your experts await | 0:04:25 | 0:04:28 | |
and off you go and very, very, very good luck! | 0:04:28 | 0:04:32 | |
Gosh, whatever is going to happen today? | 0:04:32 | 0:04:35 | |
Today, the Reds have a man always sporting the best antiques know-how. | 0:04:36 | 0:04:40 | |
It's Colin Young. And the Blues get bright, brainy Braxton. | 0:04:40 | 0:04:44 | |
Now, what are we looking for, you two? | 0:04:46 | 0:04:49 | |
We'd like something really useful. | 0:04:49 | 0:04:51 | |
-OK. -We quite like useful things, so that would be quite good. Or something pink and sparkly. | 0:04:51 | 0:04:56 | |
I like purple. That's the thing. I shall be drawn to things purple. | 0:04:56 | 0:05:00 | |
-Right. Any reason for that? -It's a spiritual colour. | 0:05:00 | 0:05:04 | |
-Is it? -Hmm. -Right. What spirits do you drink that are purple? | 0:05:04 | 0:05:08 | |
I'm more a wine man, actually. | 0:05:08 | 0:05:10 | |
No, Colin, we're talking divine presence, not distilled tipples. | 0:05:10 | 0:05:15 | |
Oh, look! Are the Blues in the pink already? | 0:05:16 | 0:05:19 | |
-It's pink and sparkly and it's useful. -And it's very expensive. | 0:05:19 | 0:05:23 | |
-£285. -So how are you going to make a profit out of that? | 0:05:23 | 0:05:26 | |
-Talk me through that one. -I'll get him to knock the price down a lot. | 0:05:26 | 0:05:31 | |
-Good luck with that, Ash. Ann's got faith in you. -How much would it be worth at auction? -About £70. | 0:05:31 | 0:05:37 | |
-Really? -Really? -I think even Ann's faith would be tested there. | 0:05:37 | 0:05:41 | |
-Probably not a goer then. -No, I wouldn't go for it. -Cool. | 0:05:41 | 0:05:44 | |
Think smaller. Think smaller. | 0:05:44 | 0:05:47 | |
How does etched cranberry glass sell? You'll say "no". I know you'll say "no". | 0:05:47 | 0:05:52 | |
-Very well if it's old. -Ah! | 0:05:52 | 0:05:55 | |
-And that is...? -New. -New. | 0:05:55 | 0:05:57 | |
-I'm a Deep Purple fan as well. -Which is your favourite album? -Fireball. | 0:06:01 | 0:06:05 | |
Right. I just bought Machine Head recently because they re-did that one. That's quite a good album. | 0:06:05 | 0:06:11 | |
-Impossible! -Forget Deep Purple. You'll be in deep trouble if you don't get a move on! | 0:06:11 | 0:06:16 | |
-Do you like Black Sabbath? -Yes, yes. I saw them last year at Download. | 0:06:16 | 0:06:20 | |
-Oh, did you? I saw them back in the day. -Yeah. -Oxford Town Hall. | 0:06:20 | 0:06:26 | |
-How long have we got? -One of the loudest... -Sorry. Are we boring you with our interest in music? | 0:06:26 | 0:06:31 | |
Quite right, Enid. How about some bargain hunting, chaps? Rock on, Reds! | 0:06:31 | 0:06:37 | |
Instead of pink and sparkly, how about blue and twinkly? | 0:06:39 | 0:06:43 | |
-It matches your fleeces. -It's a beautiful colour. | 0:06:43 | 0:06:46 | |
£300. | 0:06:46 | 0:06:48 | |
-Would it achieve that sort of price in an auction? -It wouldn't be far off. | 0:06:48 | 0:06:53 | |
Hello, hello, hello. Ding! | 0:06:53 | 0:06:56 | |
-That could be useful. -Marvellous. -Here we are. Where are we, team? Look at that. | 0:06:56 | 0:07:01 | |
-That's just beautiful. -Really good. -It is lovely, isn't it? -Yeah. -Very, very beautiful. | 0:07:01 | 0:07:07 | |
And very, very expensive. | 0:07:07 | 0:07:09 | |
JAMES MAKES BUZZING SOUND | 0:07:09 | 0:07:11 | |
LAUGHTER | 0:07:11 | 0:07:13 | |
We don't want to kill our expert yet. We've got a couple of things to buy first. | 0:07:13 | 0:07:18 | |
-Don't worry, I'm hanging on to the rubber. -You can stop doing that now. | 0:07:18 | 0:07:22 | |
-Yes, James, an electrifying performance! -Isn't that lovely? | 0:07:22 | 0:07:26 | |
-All these things come alive when you introduce light. -Yeah. | 0:07:26 | 0:07:30 | |
Yeah, I think that was generally the idea. | 0:07:30 | 0:07:33 | |
"Customers, each and every item displayed in this cabinet is priced at only £5.50. | 0:07:33 | 0:07:38 | |
"So go grab the key and bag yourself a bargain." | 0:07:38 | 0:07:42 | |
-Oh! -Well, at £5.50... -Might be able to build up a bit of a group lot there. -A trio of items. | 0:07:42 | 0:07:48 | |
-There's got to be something we can buy in there for £5.50 and make a profit. -What about this blue glass? | 0:07:48 | 0:07:54 | |
-It's a flower vase table centre. -OK. | 0:07:54 | 0:07:56 | |
-This is a really interesting cabinet all of a sudden. -That price makes so much difference. | 0:07:56 | 0:08:02 | |
At those prices, it's got "bargain" written all over it, surely! | 0:08:02 | 0:08:06 | |
Meanwhile, it's not pink, but can the Blues lighten the price with dealer Stuart? | 0:08:06 | 0:08:11 | |
The best price I'd do it for is £150. | 0:08:11 | 0:08:14 | |
-Really? -Is that good for you or not? I think it's a beauty. | 0:08:14 | 0:08:18 | |
-I think it's a beauty. -That sounds pretty good. Is it all perfect? | 0:08:18 | 0:08:22 | |
-We'll get it down and have a look. It should be. -Shall I do it? | 0:08:22 | 0:08:26 | |
-If you can reach it, that's good, yeah. -Are you OK there? -Mind the weight. | 0:08:26 | 0:08:31 | |
Careful, James. You haven't bought it yet! | 0:08:31 | 0:08:34 | |
OK... | 0:08:34 | 0:08:36 | |
It's the points you need to look at, really. | 0:08:37 | 0:08:39 | |
Yeah, feel... Sometimes the eyes can lie. | 0:08:40 | 0:08:44 | |
-Yeah, I think it's good. -When would this have been made? -I'd say 1920s. | 0:08:44 | 0:08:48 | |
-I'd say Edwardian. -The thing is, it was made for electricity. | 0:08:48 | 0:08:52 | |
Electricity was generally not widespread for lighting until the '20s, but houses had it... | 0:08:52 | 0:08:58 | |
-This is a beautiful item. It would have been made for a good house. -They'd have had their own generators. | 0:08:58 | 0:09:04 | |
-Decision? -I would go for it. | 0:09:04 | 0:09:06 | |
-It's great fun. -Well done. | 0:09:06 | 0:09:09 | |
-Yeah, well done. Really kind. Thanks a lot, Stuart. -Thank you. -Thanks. -Well done too. | 0:09:09 | 0:09:14 | |
Thank goodness the only thing that dropped there was the price, to half price! | 0:09:14 | 0:09:19 | |
-Over with the Reds, presentation is everything. -It just says, "Eye-catching blue vase." | 0:09:19 | 0:09:25 | |
-Well, it caught your eye. There's no problem with trade descriptions there. -It is eye-catching. | 0:09:25 | 0:09:30 | |
Go on then, your turn. | 0:09:30 | 0:09:32 | |
-As a flower arranger, I think... -You'd like that to go with it. -What about you, Colin? -I'll go for this. | 0:09:32 | 0:09:38 | |
-That's nice. -Yes, that's good. -A nice chunk of glass. | 0:09:38 | 0:09:42 | |
Isn't it? OK, a nice little turtle. | 0:09:42 | 0:09:44 | |
I think that's going to be a sweet little lot for auction. | 0:09:44 | 0:09:49 | |
-That's £17.50... -It's not as much as that. It's 16.50. | 0:09:49 | 0:09:53 | |
-16.50. -16.50. -I just saved a pound! | 0:09:53 | 0:09:56 | |
-Are we agreed? -I think... -Teamwork? | 0:09:56 | 0:09:58 | |
-We've made a start, a good start. -Excellent. First purchase done. | 0:09:58 | 0:10:02 | |
OK, three bits of modern glass, Reds. Maybe there's safety in numbers here. We'll see. | 0:10:02 | 0:10:08 | |
20 minutes gone. Now, can the Blues find something to bring a twinkle to James's eye for a second time? | 0:10:08 | 0:10:14 | |
-"Silver-plated gallery tray." -You're going for shiny things. | 0:10:17 | 0:10:21 | |
It is shiny, but it is silver plate. I don't know whether silver plate is a good thing or a bad thing. | 0:10:21 | 0:10:27 | |
-It's a bad thing, yeah. -LAUGHTER | 0:10:27 | 0:10:30 | |
Next question. | 0:10:30 | 0:10:32 | |
That'll be another rejection. | 0:10:32 | 0:10:34 | |
-And what price have you got on that? -It says £66.50, but... | 0:10:34 | 0:10:38 | |
-What would it be at auction? -Very accurate pricing on this stand! | 0:10:38 | 0:10:42 | |
-What would it be likely to fetch at auction? -Seriously? -Hmm. | 0:10:42 | 0:10:47 | |
-50? -£10 to £20. | 0:10:47 | 0:10:49 | |
-£10 to £20? -Yeah. -So we would reject that then. -Probably lose something on that one, I would have thought. | 0:10:49 | 0:10:55 | |
Never mind, Blues. Keep trying. James is a hard man to please. | 0:10:55 | 0:11:00 | |
-I like that wooden bowl. -It's a little whisky taster or a quaich. | 0:11:00 | 0:11:04 | |
-A quaich, that's it. -A quaich. -Good morning. | 0:11:04 | 0:11:07 | |
We just need that cabinet opening, please. | 0:11:07 | 0:11:10 | |
Shop manager Adrian is the man to awake the quaich. | 0:11:10 | 0:11:14 | |
-It's taken your eye, so you may as well... -You grab it. | 0:11:14 | 0:11:18 | |
-Oh, that's really pretty. -Yeah. | 0:11:18 | 0:11:20 | |
-Is that Scottish silver-rimmed then? -I don't know. Can you see a hallmark on it, Enid? | 0:11:20 | 0:11:25 | |
-No. I do love it though. The wood's so beautifully smooth. -It's nicely aged, actually. | 0:11:25 | 0:11:30 | |
It is. You can see it has been used. | 0:11:30 | 0:11:34 | |
Yeah, it's a nice piece of treen, in effect, turned wood, but no hallmark which will be a bit of a downer. | 0:11:34 | 0:11:40 | |
-That's a shame. -It's interesting because it's priced at 39 euros. -Looks like a £-sign to me! | 0:11:40 | 0:11:46 | |
-What's that in real money? -What's that in real money? -£25? -About £25. | 0:11:46 | 0:11:50 | |
-I think so, yes. -About £25? | 0:11:50 | 0:11:52 | |
-So what would be the very best on that one? -I'll find out. -In GB-pounds. -GB-pounds. | 0:11:52 | 0:11:58 | |
Yeah, we know that 39 euros is what's being asked, but... | 0:11:58 | 0:12:02 | |
-We'll find out. -That would be great. | 0:12:02 | 0:12:05 | |
- I won't be a second. - Thank you very much. | 0:12:05 | 0:12:08 | |
-Are you sure that says "euros", chaps? -I think that's actually their £-sign, by the way. | 0:12:08 | 0:12:13 | |
-No, I think... -No, they don't mean that. -They've misled you. | 0:12:13 | 0:12:17 | |
-£25 I think they meant. -Yeah, that's right. That's our story and we're sticking to it. | 0:12:17 | 0:12:22 | |
-If we stick together on this, we'll be fine. -Yeah. | 0:12:22 | 0:12:25 | |
Nice try, boys. Even if it did say 39 euros, that's more like £33, not £25. | 0:12:25 | 0:12:31 | |
This looks a good old jumble of goodies. Get in there and bring me out a bargain. | 0:12:33 | 0:12:38 | |
-What should I be bringing? -Something that will make lots of money and is cheap. -A guitar? | 0:12:38 | 0:12:43 | |
-No. -No? -I don't want to say "no" any more, but you keep giving me these questions. | 0:12:43 | 0:12:49 | |
You have said "no" quite a lot. | 0:12:49 | 0:12:51 | |
What did I say? He's a tough man to please. | 0:12:51 | 0:12:54 | |
Does Murano do anything for you? | 0:12:54 | 0:12:56 | |
-Is that Murano glass? -It says it is. | 0:12:56 | 0:12:59 | |
Whether it is or not is another matter. | 0:12:59 | 0:13:02 | |
Spatterware... | 0:13:02 | 0:13:04 | |
Spatterware. | 0:13:04 | 0:13:06 | |
That looks like end-of-pier glass, rather than Murano. | 0:13:06 | 0:13:10 | |
-Murano is generally quite fine glass. -I can only go with what it says on the label. | 0:13:10 | 0:13:16 | |
-An allegedly Victorian candlestick. -Yeah, I'd concur with that. | 0:13:16 | 0:13:19 | |
-OK, he agrees. -How much has he got on it? | 0:13:19 | 0:13:22 | |
I don't think it's a huge amount. | 0:13:22 | 0:13:25 | |
What, £2...? £12. | 0:13:25 | 0:13:28 | |
It's got a bit of age, but at auction, that would be dismissed, really. | 0:13:29 | 0:13:34 | |
Yeah. | 0:13:34 | 0:13:35 | |
I think Ash knows the feeling, James! | 0:13:35 | 0:13:38 | |
Adrian has wisely handed the quaich negotiation over to Colin. | 0:13:41 | 0:13:46 | |
Yes, a pretty little example, it is. | 0:13:46 | 0:13:49 | |
What sort of, um...you know, figure can you bring it down to? | 0:13:49 | 0:13:54 | |
£28? | 0:13:54 | 0:13:56 | |
-And, um... -(Yes.) -They're looking very concerned and very worried at that price(!) | 0:13:56 | 0:14:01 | |
-Far more than I thought it was going to be! -Thank you. It's a deal. | 0:14:01 | 0:14:06 | |
OK. Bye now. | 0:14:06 | 0:14:08 | |
-Well done. -Lovely. -£28. | 0:14:09 | 0:14:11 | |
-Lovely. -You liked it, didn't you? -I love it. I do love it. -That's good. | 0:14:11 | 0:14:16 | |
-Colin, we need to spend big now. -We do. -We do. | 0:14:16 | 0:14:19 | |
Quite right, Reds. Whether you're spending euros or pounds, you're not spending big. | 0:14:19 | 0:14:24 | |
Let's see who splashed the cash on item three. | 0:14:24 | 0:14:27 | |
-How does a chestnut roaster grab you? -I don't want it to grab me anywhere! | 0:14:27 | 0:14:31 | |
Would that have any value at auction? | 0:14:31 | 0:14:34 | |
Go on, say those two letters you know you love saying to me! | 0:14:34 | 0:14:38 | |
Is the second one "O" by any chance? | 0:14:38 | 0:14:41 | |
It's... | 0:14:41 | 0:14:42 | |
But as a decorative item, would that have much value? | 0:14:45 | 0:14:48 | |
-Just... -I think you've answered your own question, haven't you? | 0:14:49 | 0:14:54 | |
-Yes, obviously, I have. -Yeah, well done. | 0:14:54 | 0:14:58 | |
You've got to hand it to Ann. She's still laughing. For James's sake, let's hope she stays that way. | 0:14:58 | 0:15:04 | |
-He is being a bit negative. -He has a different form of taste. | 0:15:04 | 0:15:07 | |
Yes. | 0:15:08 | 0:15:10 | |
Panicking, panicking. We've bought the most fabulous light, though, so I'm nourished by that. | 0:15:10 | 0:15:16 | |
The light's not something I would have thought about getting, but it is beautiful. | 0:15:16 | 0:15:21 | |
-Yeah, it is good. Yeah. -No room in our house for it, but it's very nice. We're not buying it. | 0:15:21 | 0:15:27 | |
No, we don't have anything suspended from the ceiling, apart from the people that upset us. | 0:15:27 | 0:15:32 | |
Mr Braxton, are you listening to this? Colin is steering a much more harmonious ship. | 0:15:32 | 0:15:37 | |
What about a bit of Shelley? | 0:15:37 | 0:15:40 | |
£39.75. | 0:15:40 | 0:15:42 | |
-It's not big money. -It's not big money, so you want to avoid it? -Yeah. -Yeah. | 0:15:42 | 0:15:46 | |
-It's quite nice, but I don't think I could face Tim if we've only spent about £60. -No. | 0:15:46 | 0:15:52 | |
I don't mind because you two stand nearest to him and I'm the one that has the furthest distance to run. | 0:15:52 | 0:15:58 | |
But I've got long arms, Colin. | 0:15:59 | 0:16:01 | |
Well said, Enid. Spend big. | 0:16:01 | 0:16:04 | |
The amount of time left, however, is getting rapidly smaller. | 0:16:04 | 0:16:08 | |
-So, fire dogs? -Fire dogs. | 0:16:08 | 0:16:11 | |
-Good for a general sale? -They would be good for a general sale. They'd withstand some heat. | 0:16:11 | 0:16:17 | |
Put a nice log on it, get some air under them, they're away, aren't they? | 0:16:17 | 0:16:22 | |
-Crikey! Does he like them? -Quite a reasonable price at £28. | 0:16:22 | 0:16:26 | |
-It's not bad, is it? They're just wrought iron. -Yeah. -Nothing negative so far. | 0:16:26 | 0:16:32 | |
But we're not in a position of strength with ten minutes to go and two items to find. | 0:16:32 | 0:16:37 | |
You should stop saying "no" to everything. | 0:16:37 | 0:16:39 | |
Well, stop picking up rubbish. | 0:16:39 | 0:16:42 | |
-That's the simple answer, Ann. -Be more diplomatic! -Stop picking up rubbish. | 0:16:42 | 0:16:47 | |
Come on, Blues, play nicely. | 0:16:47 | 0:16:50 | |
Adrian, what, £15 for these? | 0:16:50 | 0:16:52 | |
-Lovely things. -Lovely? -Yeah. -It's not the first adjective I'd use for them, but they're lovely and black. | 0:16:52 | 0:16:58 | |
-Practical. -Practical. -Lovely. | 0:16:58 | 0:17:00 | |
- Practical is useful. - Why don't I just say 18? | 0:17:00 | 0:17:03 | |
-OK. -Fantastic. -18. -Thank you. | 0:17:03 | 0:17:07 | |
Well, thank goodness! We have agreement amidst the tension and item number two is bagged. | 0:17:07 | 0:17:13 | |
# It's oh, so quiet | 0:17:14 | 0:17:17 | |
# Ssh, ssh | 0:17:17 | 0:17:20 | |
# It's oh, so still | 0:17:20 | 0:17:23 | |
# Ssh, ssh... # | 0:17:23 | 0:17:26 | |
The Blues' bickering contrasts sharply with the Reds' reticence. | 0:17:26 | 0:17:30 | |
Does this mean that everybody is struggling now because there's this element of silence? | 0:17:30 | 0:17:36 | |
-It's gone very quiet. -It has, hasn't it? -Yes. | 0:17:36 | 0:17:39 | |
-Do you want to try the shop across the road? -Yes, that'd be lovely. -Come on. -Let's go over the road. | 0:17:39 | 0:17:45 | |
-In a last, desperate bid for glory. -Yeah. | 0:17:45 | 0:17:48 | |
Now, why did the Red Team cross the road? Punchlines on a postcard, please. | 0:17:49 | 0:17:55 | |
-The Emporium. -Ah! -See what bargains behold. -Oh, yes. | 0:17:55 | 0:17:58 | |
Blues, if you can't agree on a third item, you can kiss goodbye to any chance of winning. | 0:17:58 | 0:18:04 | |
We've just seen this bottle-stopper. We're not having you saying "no". | 0:18:04 | 0:18:08 | |
I don't care if you hate it. | 0:18:08 | 0:18:10 | |
It's even nastier in action, isn't it? | 0:18:10 | 0:18:13 | |
Good. I love it. If you hate it, do you know what? I don't care! | 0:18:13 | 0:18:17 | |
Mutiny? | 0:18:17 | 0:18:18 | |
Lovely. | 0:18:18 | 0:18:20 | |
That is... That is...lovely. | 0:18:20 | 0:18:23 | |
We are going to need every ounce of help with these - £48. | 0:18:23 | 0:18:27 | |
-I'll try my best. What are you thinking of? -20, 25? -I'll go and ring the dealer for you. | 0:18:27 | 0:18:32 | |
Marvellous. | 0:18:32 | 0:18:33 | |
£48 down to £25? | 0:18:33 | 0:18:36 | |
He's brazen, our Brackers, isn't he? | 0:18:36 | 0:18:39 | |
-I'm getting worried. Time is short. -Colin, what about this? -That's all right. | 0:18:39 | 0:18:44 | |
-A bit glitzy. -Yeah, quite nice. -What do you think, Roger? | 0:18:44 | 0:18:47 | |
-Is that wood, Colin? -It's wood, it's been gilded. I'm not sure what the wood base is. | 0:18:47 | 0:18:52 | |
Interesting combination, though. Rococo design scrolling, all of that, C-scrolls and S-scrolls on it. | 0:18:52 | 0:18:58 | |
Yeah, got a bit of a good look about that. I just wonder whether that's the original plate. | 0:18:58 | 0:19:03 | |
But it all works together well. | 0:19:03 | 0:19:05 | |
It's that sort of French Revival, late 19th century thing. | 0:19:05 | 0:19:10 | |
-What about price, Colin? -£70 doesn't seem too bad, actually. | 0:19:10 | 0:19:14 | |
-Is the back OK? -Yeah, that's all right. I like that. | 0:19:14 | 0:19:18 | |
It certainly shows its age. | 0:19:18 | 0:19:20 | |
Yeah, it's fine. We'll have to make a decision. Let's see if we can get the manager. | 0:19:20 | 0:19:26 | |
-Do you want to go and fetch him, Roger? -Yeah, I'll see if I can find him. -And hurry up! -Yeah, run! | 0:19:26 | 0:19:32 | |
I should "Rococo", Reds. You've got less than three minutes. | 0:19:32 | 0:19:37 | |
-PHONE RINGS -The kissing bottle-stopper's dealer is ready for a Braxton haggle. | 0:19:37 | 0:19:42 | |
Hello, it's James Braxton here. | 0:19:42 | 0:19:45 | |
-Thanks for calling. -'James, how are you doing?' -Very well. | 0:19:45 | 0:19:48 | |
I've got the Blue Team who are doing very well, then they alighted on your kissing couple. | 0:19:48 | 0:19:54 | |
'What are they at the moment, James?' | 0:19:54 | 0:19:56 | |
A very high, chancy price of £48, sir. | 0:19:56 | 0:20:00 | |
-'£48...' -I was thinking about 20. | 0:20:00 | 0:20:03 | |
'Oh, James! | 0:20:03 | 0:20:07 | |
'If you could do 25, I think we've got a deal.' | 0:20:07 | 0:20:10 | |
25? Yeah, brilliant. That's really kind of you. I think they're really delighted. | 0:20:10 | 0:20:15 | |
-Brilliant. Thank you. -We all are. | 0:20:15 | 0:20:17 | |
-'It's been a pleasure, James. I hope you do well.' -Thanks a lot. Bye. | 0:20:17 | 0:20:22 | |
-Bye. -'All the best.' -Bye. -'Bye.' | 0:20:22 | 0:20:24 | |
-Fantastic. -Everything in life is negotiable, from 48 to 25. | 0:20:26 | 0:20:30 | |
-Do you like it better now it's only 25? -I do. | 0:20:30 | 0:20:33 | |
-LAUGHTER -Ann, I love it. | 0:20:33 | 0:20:35 | |
-How I didn't spot this, I do not know. -You really must practise the honesty, you know. | 0:20:37 | 0:20:43 | |
Thank goodness for that! The Blues' shop ends with laughs all round. | 0:20:43 | 0:20:49 | |
The Reds aren't smiling yet. Can they do a deal with David over the mirror? | 0:20:49 | 0:20:53 | |
-Can you do anything to help us on this one? -70... It should be a minimum of 60. | 0:20:53 | 0:20:59 | |
-Yeah. -It should be. -It should be. Do you think we might get another few quid out of it? | 0:20:59 | 0:21:04 | |
Is there a profit, a bit of a gamble for you? | 0:21:04 | 0:21:07 | |
-It was a pair. -It was a pair? | 0:21:07 | 0:21:10 | |
And we sold the last one at 60. | 0:21:10 | 0:21:12 | |
Oh! Of course, that means it's now no longer a part of a pair, so the values have dropped. | 0:21:12 | 0:21:18 | |
-The value's gone right down. -It has. 58? | 0:21:18 | 0:21:21 | |
-58, I can probably do. -Right. | 0:21:21 | 0:21:23 | |
-Ann's happy with... Yeah? -Let's go with it. -Let's go with it. | 0:21:23 | 0:21:27 | |
-Thank you very much. You've saved our bacon with seconds to go. -Thank you, David. | 0:21:27 | 0:21:32 | |
-Phew! -And relax! | 0:21:32 | 0:21:35 | |
Tut-tut, teams! Time's up. | 0:21:36 | 0:21:40 | |
Let's remind ourselves what the Red Team bought, eh? | 0:21:40 | 0:21:43 | |
'They started off with the job lot - | 0:21:43 | 0:21:45 | |
'three bits of modern glass for £16.50. | 0:21:45 | 0:21:49 | |
'Next they bought a whisky quaich for £28. | 0:21:49 | 0:21:52 | |
'Finally, they saw a profit in this Rococo-style wall mirror at £58.' | 0:21:52 | 0:21:57 | |
You have finished shopping now, haven't you? | 0:21:57 | 0:22:00 | |
-Yeah, just about. -What did you spend in total? | 0:22:00 | 0:22:03 | |
£102.50, I think. | 0:22:03 | 0:22:05 | |
Can I have £197.50 then? Who's got that? | 0:22:05 | 0:22:09 | |
-You can. I'm ashamed to give you that. -You're not happy with that. We've got the small change there. | 0:22:09 | 0:22:14 | |
There's a bundle of money there. Colin, what will you go and find? | 0:22:14 | 0:22:19 | |
I really don't know. There's so much money there, so much stock out there. I'll be spoilt for choice. | 0:22:19 | 0:22:25 | |
-That's nice. -Yes, that's lovely. | 0:22:25 | 0:22:27 | |
You go and relax while we check out what the Blue Team bought. | 0:22:27 | 0:22:31 | |
'The Blues spent big on the cut-glass light bowl - £150 paid. | 0:22:33 | 0:22:37 | |
'They then bought these wartime fire dogs for £18. | 0:22:37 | 0:22:40 | |
'Finally, they kissed and made up with James | 0:22:40 | 0:22:43 | |
'as they bought this Austrian bottle-stopper for £25.' | 0:22:43 | 0:22:47 | |
They do like a chat, don't they, these Blues? | 0:22:47 | 0:22:50 | |
-You're very chatty. -Very chatty. We did stop a little bit, but not much. | 0:22:50 | 0:22:54 | |
Not much. OK, was that fun? | 0:22:54 | 0:22:56 | |
Absolutely, yes. | 0:22:56 | 0:22:58 | |
-Which is your favourite bit, Ash? -My favourite bit was the blue light. | 0:22:58 | 0:23:03 | |
-The blue light. Do you agree with that? -No, the bottle-stopper is my favourite item. | 0:23:03 | 0:23:08 | |
-Will that bring the biggest profit? -No. The blue light will. | 0:23:08 | 0:23:11 | |
-LAUGHTER -Not a blue flashing light? | 0:23:11 | 0:23:15 | |
-No, no. -Maybe. -Not something you nicked off an emergency vehicle? | 0:23:15 | 0:23:18 | |
That's made that prediction. How much did you spend? | 0:23:18 | 0:23:22 | |
£193. | 0:23:22 | 0:23:23 | |
Who's got £107 about their person? | 0:23:23 | 0:23:26 | |
-I have. -Well done. -There you go. -Thank you very much. | 0:23:26 | 0:23:29 | |
£107. I won't count it. I trust you implicitly. | 0:23:29 | 0:23:33 | |
-I'll hand it straight over to Brackers. -Thank you. | 0:23:33 | 0:23:36 | |
-What are you going to do with that, James Braxton? -I'll complement our already very fine purchases. | 0:23:36 | 0:23:42 | |
-LAUGHTER -Absolutely. -And that is the right answer. Thank you very much. | 0:23:42 | 0:23:47 | |
Meanwhile, we're heading off somewhere absolutely dazzling and it's in South Wales. | 0:23:47 | 0:23:52 | |
This is Tredegar House near Newport in Wales. | 0:23:58 | 0:24:02 | |
Originally built some time before 1540, its owners, the Morgan family, | 0:24:02 | 0:24:06 | |
went on to improve and embellish it down the centuries in spectacular style. | 0:24:06 | 0:24:11 | |
Its story can be told from three sides. | 0:24:11 | 0:24:15 | |
Basically, the core of this house dates to the late medieval or Tudor period. | 0:24:15 | 0:24:21 | |
And it existed perfectly happily until the great modernisation, | 0:24:21 | 0:24:25 | |
that happened here between about 1664 and 1674, | 0:24:25 | 0:24:32 | |
led to the creation of the restoration bits that embellish the house as we see it today. | 0:24:32 | 0:24:39 | |
But around the corner, wow! | 0:24:39 | 0:24:41 | |
See what I mean? | 0:24:46 | 0:24:48 | |
Now, this is what I call impressive! | 0:24:48 | 0:24:52 | |
William Morgan decided to improve the existing building dramatically | 0:24:52 | 0:24:57 | |
by joining up building this new front, | 0:24:57 | 0:25:01 | |
the open medieval structure within. | 0:25:01 | 0:25:05 | |
And he did it in the new-fangled Restoration style | 0:25:05 | 0:25:10 | |
with a quality of build and symmetry that fair takes your breath away. | 0:25:10 | 0:25:15 | |
If you look at the detail around this entrance, it's extraordinary. | 0:25:15 | 0:25:21 | |
The Morgan family are making their statement in the coat of arms within a shield at the very top, | 0:25:21 | 0:25:27 | |
symmetrically placed between the broken arch pediment, | 0:25:27 | 0:25:33 | |
and underneath, the flanking Corinthian-capped columns | 0:25:33 | 0:25:38 | |
which are twisted and wrapped with olive fronds. | 0:25:38 | 0:25:43 | |
And what I think is so nice about this stone | 0:25:43 | 0:25:46 | |
after X-hundred years of being weathered like this | 0:25:46 | 0:25:50 | |
is that it takes on a sort of crusted antique quality, | 0:25:50 | 0:25:56 | |
which is very, very special. | 0:25:56 | 0:25:58 | |
And around the next corner, more of the same. Or is it? | 0:26:00 | 0:26:05 | |
Here on the north-east side, what about this exquisite stone porch | 0:26:05 | 0:26:10 | |
that looks so authentic? | 0:26:10 | 0:26:13 | |
Well, it isn't | 0:26:13 | 0:26:15 | |
because Sir Godfrey Morgan, in the 19th century, added it on. | 0:26:15 | 0:26:19 | |
But didn't he do a good job, eh? | 0:26:19 | 0:26:22 | |
Any house as grand as this needs an equally grand set of gates | 0:26:26 | 0:26:30 | |
through which visitors could pass and be suitably impressed. | 0:26:30 | 0:26:34 | |
In the 18th century, Tredegar was gated by its owner, John Morgan. | 0:26:34 | 0:26:39 | |
The inspiration for this type of screen comes from France | 0:26:39 | 0:26:43 | |
where it's called a "claire-voie", | 0:26:43 | 0:26:46 | |
meaning a clear view or a gap between two places | 0:26:46 | 0:26:51 | |
which is joined by something that lets light through | 0:26:51 | 0:26:56 | |
and the Morgan that was living here spent £1,000, | 0:26:56 | 0:27:00 | |
a fortune at the time. | 0:27:00 | 0:27:02 | |
And the craftsmen, they weren't Welsh, they came from Bristol. | 0:27:02 | 0:27:06 | |
They were called the Edney Brothers | 0:27:06 | 0:27:09 | |
and to this day, this gate is known behind me as the Edney Gate. | 0:27:09 | 0:27:13 | |
The big question today is, of course, are the floodgates of profit about to pour forth | 0:27:13 | 0:27:18 | |
on our teams over at the auction? | 0:27:18 | 0:27:21 | |
It's lovely to be in the heart of Somerset in Crewkerne | 0:27:34 | 0:27:38 | |
at Lawrences Auctioneers with Richard Kay, our man of the moment. | 0:27:38 | 0:27:42 | |
-Hello, Tim. Welcome back. -Thank you. | 0:27:42 | 0:27:44 | |
-First up, three little pieces of glass. Quite contrasting? -Yes. -But apparently, all in good nick. | 0:27:44 | 0:27:50 | |
What collectors want more than anything else with modern glass is a name or a factory or something | 0:27:50 | 0:27:56 | |
that makes them sufficiently recognisable to be obviously the work of a particular maker. | 0:27:56 | 0:28:02 | |
-Are these recognisable? -They're not signed, put it that way, and that's off-putting. -It is. | 0:28:02 | 0:28:07 | |
Mark you, our lot only paid £16.50 for the three pieces. | 0:28:07 | 0:28:10 | |
-That's not £6 a bit. -It's £5.50 each, isn't it? | 0:28:10 | 0:28:15 | |
-All right. -So we're looking at... | 0:28:15 | 0:28:17 | |
-They might get £20 to £30 for them. -Might they? -Yeah, I think that's fair enough. | 0:28:17 | 0:28:22 | |
What about the quaich or "quaish"? | 0:28:22 | 0:28:25 | |
Yes, these are traditionally christening gifts to young Scottish lads. | 0:28:25 | 0:28:30 | |
This is a very small one. It's quite nicely made. | 0:28:30 | 0:28:34 | |
The little silver collar on it is unmarked, so it's probably made in someone's workshop | 0:28:34 | 0:28:39 | |
and never formally assayed, so we don't quite know the date of it. 1930s probably, 1940s at a push? | 0:28:39 | 0:28:45 | |
-That slightly home-made feel is off-putting. -Yeah. How much then? | 0:28:45 | 0:28:49 | |
-£15 to £20. -OK, they paid £28. | 0:28:49 | 0:28:51 | |
Lastly, this splendid wall mirror. You very often see them as a pair. | 0:28:51 | 0:28:56 | |
Yes, it's a shame it's missing its partner, but it is at least carved | 0:28:56 | 0:29:00 | |
and although the plate is original and last quarter of the 19th century, | 0:29:00 | 0:29:05 | |
the gilding on the frame is a little bit brassy. | 0:29:05 | 0:29:09 | |
It's got a sort of greeny-yellow colour about it | 0:29:09 | 0:29:12 | |
which I think puts it well into the 20th century, | 0:29:12 | 0:29:15 | |
so it's had a lick of gold paint, as opposed to gilding. | 0:29:15 | 0:29:19 | |
If it was in its original gilding, at least the frame would have some integrity in its own right. | 0:29:19 | 0:29:24 | |
-Do you think it'll make the ton? -I don't think it'll make the ton, no. | 0:29:24 | 0:29:28 | |
-But it should make £50 to £70. -Half a ton. -Half a ton. -They paid 58. | 0:29:28 | 0:29:33 | |
-So, it's in the frame. -We're on the way there. | 0:29:33 | 0:29:36 | |
-In the FRAME. -In the frame, very good. -On that happy note, let's go and have a look at their bonus buy. | 0:29:36 | 0:29:42 | |
Now, Roger, Enid, you spent a miserable £102.50. | 0:29:42 | 0:29:46 | |
You gave the £197.50 to Colin Young. Did he blow the lot? | 0:29:46 | 0:29:50 | |
-I'll help you here. -Thank you, Tim. | 0:29:50 | 0:29:52 | |
-Ah! -And did I blow the lot? Oh, yes. | 0:29:53 | 0:29:57 | |
Absolutely. Just have a look at this cracking pair of chestnut baskets. | 0:29:57 | 0:30:02 | |
Oh, yes. It's lovely. | 0:30:02 | 0:30:04 | |
-Yes, beautiful. They feel gorgeous. -They are. They're a really good example. | 0:30:04 | 0:30:09 | |
Early 19th century, English earthenware, transfer-printed decoration. | 0:30:09 | 0:30:14 | |
-Really nice. -No maker's name? | 0:30:14 | 0:30:16 | |
-No. -Does it matter? -It doesn't. | 0:30:16 | 0:30:18 | |
It's one of those areas that collectors of good, old, proper antiques would just die for these. | 0:30:18 | 0:30:25 | |
Beautiful. How much did you pay? | 0:30:25 | 0:30:27 | |
-£197.50. -The lot! -Oh, lord, he did blow the lot! | 0:30:27 | 0:30:31 | |
-How much do you think we'll get for them? -It really would be a great shame if they made a loss. | 0:30:31 | 0:30:36 | |
They're lovely objects, Colin. I think they'll do well. Definitely worth a punt. | 0:30:36 | 0:30:41 | |
Your opportunity to decide will come in a moment, | 0:30:41 | 0:30:44 | |
but let's see what the auctioneer thinks about Colin's baskets. | 0:30:44 | 0:30:48 | |
Here we go, Richard. You don't want to be butter fingers with these because they're in ace order. | 0:30:48 | 0:30:53 | |
They are in ace order and that's very nice to see. | 0:30:53 | 0:30:57 | |
Not just a pair, but a pair that don't seem to have suffered any damages which is remarkable, | 0:30:57 | 0:31:02 | |
bearing in mind how finely cut this trellis pattern on the side is. | 0:31:02 | 0:31:06 | |
-Perfect diamond shapes. -But all done by hand. | 0:31:06 | 0:31:09 | |
-There is a slight difference between each of them. -Yeah. | 0:31:09 | 0:31:12 | |
You can tell that these were not done by a machine | 0:31:12 | 0:31:15 | |
and the transfer is a little uneven, but that's part of the appeal. | 0:31:15 | 0:31:20 | |
-You couldn't find a better pair. -A very good pair and nice and original in every sense. | 0:31:20 | 0:31:24 | |
So Colin Young's done very well, really. | 0:31:24 | 0:31:27 | |
I don't know what he paid for them, but £100, maybe £120? | 0:31:27 | 0:31:31 | |
He paid a bit more. In fact, he paid £197.50. | 0:31:31 | 0:31:34 | |
He's paid the retail price. Will you get anything close to the retail price? | 0:31:34 | 0:31:38 | |
People might spend a bit more money on something that good. That's how people spend money at the moment. | 0:31:38 | 0:31:44 | |
That's it for the Reds. Now for the Blues with their blue, flashed glass ceiling light. | 0:31:44 | 0:31:49 | |
-Unusual in blue, isn't it? -Yes, and probably not the sort of item that people are looking to buy. | 0:31:49 | 0:31:55 | |
You're right because the only house that this would fit in has to have a ceiling height of about eight feet. | 0:31:55 | 0:32:01 | |
-Anything less than that, it starts to look ridiculous. -Far too low. | 0:32:01 | 0:32:05 | |
So, a substantial house with eight-foot ceiling heights | 0:32:05 | 0:32:08 | |
that happens this week to want a blue one. | 0:32:08 | 0:32:11 | |
-Yes. -When the bulb's in that, the light that that gives off is blue. | 0:32:11 | 0:32:16 | |
That's an extra consideration perhaps that somebody buying this might not be aware of until they hang it up. | 0:32:16 | 0:32:23 | |
-You're wearing a red dress and you turn purple. -I never wear a red dress for that very reason! | 0:32:23 | 0:32:28 | |
I can see you in that off-the-shoulder number. It'd be rather fetching. | 0:32:28 | 0:32:33 | |
-Anyway, probably a bit impractical for today's buyer. -I think so. It's probably £60 to £70. | 0:32:33 | 0:32:39 | |
OK, £150 they paid which is probably going to be their comeuppance, I have to say. | 0:32:39 | 0:32:44 | |
The wrought-iron fire dogs are terribly ordinary. | 0:32:44 | 0:32:47 | |
-They are very plain. They have a sort of ironmonger's functionality about them. -Yeah. | 0:32:47 | 0:32:53 | |
-Yes, they do. -There's no decoration on them. | 0:32:53 | 0:32:56 | |
-They're honest. -They're honest and they are what they are. -How much? | 0:32:56 | 0:33:00 | |
-£20 to £30? -Perfect. They paid £18, the right price for that. | 0:33:00 | 0:33:04 | |
Now, the bottle-stopper which I guess is sort of Black Forest. | 0:33:04 | 0:33:08 | |
I suppose so. Most of these things come from that part of Germany. | 0:33:08 | 0:33:12 | |
-A bit of carved pine... -It's quite fun, but there's a very small market for these. | 0:33:12 | 0:33:17 | |
-I hope they haven't paid a lot for it because I don't see much potential in that. -How much? -£5 or £10? | 0:33:17 | 0:33:24 | |
-£25 they paid. -Oh, dear. | 0:33:24 | 0:33:26 | |
On that happy note, let's check out their bonus buy because I think they'll need it. | 0:33:26 | 0:33:31 | |
Now, A, A... | 0:33:31 | 0:33:33 | |
You spent 193. | 0:33:33 | 0:33:35 | |
You gave James Braxton 107. James, what did you spend it on? | 0:33:35 | 0:33:39 | |
Well, I got an idea of what they wanted to buy during our period | 0:33:39 | 0:33:44 | |
and I thought I'd match them like for like and here it is. | 0:33:44 | 0:33:48 | |
LAUGHTER | 0:33:48 | 0:33:50 | |
So, they managed to alight on the most horrendous bottle-stopper. | 0:33:50 | 0:33:55 | |
I was lured into somebody's back stock room and I suddenly saw this Black Forest bear stopper. | 0:33:55 | 0:34:01 | |
-Yeah. -And I thought, "They would not be able to resist that." | 0:34:01 | 0:34:05 | |
-How much of our fantastic amount of money did you spend on it? -Lots of money. -Really? | 0:34:05 | 0:34:10 | |
No, 25 quid. LAUGHTER | 0:34:10 | 0:34:12 | |
-So we're going head-to-head. -We are. | 0:34:12 | 0:34:15 | |
-I still think mine will make more money. -Well, we'll see. | 0:34:15 | 0:34:19 | |
-Brilliant. -We'll call him James. | 0:34:19 | 0:34:21 | |
That's rather sweet. | 0:34:21 | 0:34:23 | |
-OK... -Very sweet. -You don't pick it now, you pick it later. | 0:34:25 | 0:34:28 | |
But let's find out, for the audience at home, whether the auctioneer thinks he would pick it or not. | 0:34:28 | 0:34:34 | |
-Well, would you believe it? -There we are. -It's another bottle-stopper. | 0:34:34 | 0:34:39 | |
I hope they have a little bit more luck with that. | 0:34:39 | 0:34:42 | |
It's a bear which is more associated with the Black Forest for carving, so I think we're on better ground here. | 0:34:42 | 0:34:48 | |
It is quite nicely done and thankfully in good condition, ears intact. | 0:34:48 | 0:34:53 | |
But not of great value. I hope high hopes aren't riding on this bear. | 0:34:53 | 0:34:57 | |
-What is your estimate? -£5 to £10. | 0:34:57 | 0:34:59 | |
-Double what the last one was? -About the same. | 0:34:59 | 0:35:02 | |
-But not much money still. -Well, James Braxton managed to pay £25. | 0:35:02 | 0:35:07 | |
-Good luck to him with that. I can't see him making a profit. -All I can say is good luck to you! | 0:35:07 | 0:35:12 | |
-We'll do our best. We'll do our best. -Thank you, Richard. | 0:35:12 | 0:35:16 | |
-How are you feeling? -I'm quite excited, Tim. -Are you? -Yeah, I'm looking forward to this. | 0:35:25 | 0:35:31 | |
-I've not done an auction before. -Never? -No, this is the first time. | 0:35:31 | 0:35:35 | |
-Enid, have you ever been to an auction? -Yes, but I didn't bid. The person I was with bought some ducks. | 0:35:35 | 0:35:41 | |
-Did they? -Yes. -Going up a wall? -No, proper live ducks. | 0:35:41 | 0:35:46 | |
-Proper ducks? A livestock auction? -Yes. -Oh, I see. How very funny! | 0:35:46 | 0:35:50 | |
-We've got no ducks today, but we hope you'll be lining up your ducks. -I hope so too. | 0:35:50 | 0:35:55 | |
First item up are the three pieces of glass. | 0:35:55 | 0:35:58 | |
I don't like to stick my neck out, but it's got to be a dead cert to make a profit on £16.50. | 0:35:58 | 0:36:03 | |
Lot 264, three pieces of modern glass. £15 for them? | 0:36:03 | 0:36:07 | |
At 15 anywhere? £10 then? | 0:36:07 | 0:36:10 | |
10 is bid. Selling at 10... It's 12 now. 15. | 0:36:10 | 0:36:13 | |
It's £15, gentleman's bid. | 0:36:15 | 0:36:17 | |
I'll sell at 15. All done at £15 then, last time...? | 0:36:17 | 0:36:21 | |
-"You're bound to make a profit." You just made a loss! -That £1.50. -Yes. | 0:36:21 | 0:36:25 | |
Lot 265 is the small silver and wooden whisky quaich. | 0:36:25 | 0:36:30 | |
Start me on this at 15 if you will? £15. 18. | 0:36:30 | 0:36:34 | |
20. 5. | 0:36:34 | 0:36:36 | |
30. At £30. I'll sell at £30 then, last time... | 0:36:36 | 0:36:42 | |
£30 is plus £2 which means, overall, you are plus 50p! | 0:36:42 | 0:36:46 | |
Right, here we go then. Here's the wall mirror. | 0:36:46 | 0:36:49 | |
Lot 266, a Rococo-style wall mirror with engraved plate. | 0:36:49 | 0:36:54 | |
Shall we say 30 for that? £30? | 0:36:54 | 0:36:57 | |
20 then? 20 anywhere? 20 is bid. 25. | 0:36:57 | 0:36:59 | |
30. 5... | 0:36:59 | 0:37:01 | |
It's starting to creep up. | 0:37:01 | 0:37:04 | |
At £35, I'll sell... | 0:37:04 | 0:37:06 | |
-It's not creeping very far though. -Oh, dear. | 0:37:06 | 0:37:09 | |
Last time at £35... | 0:37:09 | 0:37:11 | |
I don't believe that. That's five off 40, that's 18... | 0:37:11 | 0:37:16 | |
Minus 22.50. What are you going to do? | 0:37:16 | 0:37:19 | |
Well, they are lovely objects. | 0:37:19 | 0:37:22 | |
Enid loves them. It might be the wrong day, but let's go with it. | 0:37:22 | 0:37:26 | |
-We're in trouble already. Let's just have some fun. -That's right. | 0:37:26 | 0:37:30 | |
-We're going to do the bonus buy. -Very good. I don't blame you. | 0:37:30 | 0:37:34 | |
-They are magnificent objects. -They are beautiful. | 0:37:34 | 0:37:37 | |
Lot 270 is a pair of Pearlware porcelain chestnut baskets. | 0:37:37 | 0:37:43 | |
45. £48 I'm bid. 50 now. | 0:37:43 | 0:37:46 | |
55. 60. | 0:37:46 | 0:37:48 | |
5. 65. | 0:37:48 | 0:37:50 | |
-It's in the corner at £65. -My goodness! -70, new bidder. | 0:37:50 | 0:37:53 | |
75. 80. 85. | 0:37:53 | 0:37:56 | |
90. 95. 100. | 0:37:56 | 0:37:58 | |
-The interest is continuing. -By the door at £110. | 0:37:58 | 0:38:01 | |
-At £110, I'll sell... -It could have been worse. -Could have been worse. | 0:38:01 | 0:38:06 | |
All done at 110... | 0:38:06 | 0:38:08 | |
The theme continues. | 0:38:08 | 0:38:10 | |
That's a pound, eight, nine, ten. | 0:38:10 | 0:38:13 | |
Eight, nine, ten. Is that £110 on the nail? | 0:38:13 | 0:38:17 | |
-Minus score. -Yes, that's not bad, really. -Well, it's pretty poor. | 0:38:17 | 0:38:21 | |
-Yeah, it is, Tim. -But quite frankly, it is not your fault. | 0:38:21 | 0:38:24 | |
-You had good goods. It just wasn't your day. -No, they were good objects. -They were good objects. | 0:38:24 | 0:38:30 | |
-Colin did well. -All four of them. -We lost more than we bought. | 0:38:30 | 0:38:34 | |
It's a bitter pill to have to swallow, but swallow it we must. | 0:38:34 | 0:38:38 | |
-Yeah. -You never know, minus £110 might be a winning score. -It could be. | 0:38:38 | 0:38:43 | |
-Now, kids, do you know how the Reds got on? -No, they wouldn't tell us. They were so mean. | 0:38:55 | 0:39:00 | |
They were so mean. Were they crying or did they look quite happy? | 0:39:00 | 0:39:04 | |
-Quite happy. -They looked quite happy? -They were bluffing. | 0:39:04 | 0:39:07 | |
They could be bluffing. There is that to it. | 0:39:07 | 0:39:10 | |
Anyway, first up is the overlaid glass ceiling light shade. And here it comes. | 0:39:10 | 0:39:15 | |
Lot 285 is a blue and white, glass light bowl. | 0:39:15 | 0:39:19 | |
Start me on this at £20, if you will? £20 for this? | 0:39:19 | 0:39:23 | |
£20 is bid. 25 now. 30. | 0:39:23 | 0:39:26 | |
5. 40. | 0:39:26 | 0:39:28 | |
-5. -Uh-oh! -50. 5. 60. | 0:39:28 | 0:39:31 | |
5. 70. | 0:39:31 | 0:39:33 | |
5. 75. | 0:39:33 | 0:39:35 | |
-Thank you anyway. 75 on my left... -Half-price! | 0:39:35 | 0:39:39 | |
At 75. All done elsewhere at £75... | 0:39:39 | 0:39:43 | |
£75 is minus 75. | 0:39:43 | 0:39:45 | |
-That was a lovely lot. -A big hit. Now, the wrought-iron dogs. | 0:39:45 | 0:39:49 | |
Wrought-iron fire dogs. £12 will start me on these. £12 is bid. | 0:39:49 | 0:39:53 | |
At £12, I'll sell. Are we done elsewhere at £12 then? | 0:39:53 | 0:39:57 | |
-Last time... -£12 is minus £6. It's getting worse. | 0:39:57 | 0:40:01 | |
Minus 81. | 0:40:01 | 0:40:03 | |
Lot 287 is a novelty bottle-stopper in the form of a kissing couple. | 0:40:03 | 0:40:07 | |
£15 for this? £10 then? | 0:40:07 | 0:40:10 | |
£10 if you will? £5 anywhere? | 0:40:10 | 0:40:13 | |
£5 is bid. Quickly, at 5. | 0:40:13 | 0:40:16 | |
I'll sell at 5 if you're done. £5. 8 now. | 0:40:16 | 0:40:18 | |
No? £8 near the cabinet. I'll sell at 8. At £8. Last time at 8... | 0:40:18 | 0:40:23 | |
Bad luck, team. That's £8. That's two short of ten. | 0:40:23 | 0:40:27 | |
That's minus 17, 81, 91, 98... | 0:40:27 | 0:40:31 | |
-That's quite impressive! -Minus £98. | 0:40:31 | 0:40:33 | |
-Are we going to compound the error and go with another bottle-stopper? -Absolutely. -That's the spirit. | 0:40:33 | 0:40:40 | |
Lot 291 is a small bottle-stopper, a Black Forest bear. | 0:40:40 | 0:40:45 | |
Lot 291 and bids start me here at 12. | 0:40:45 | 0:40:48 | |
£15, I have. | 0:40:48 | 0:40:51 | |
At £15. 18 now. 20. 22. | 0:40:51 | 0:40:53 | |
25 and I'm out. At 25, it's in the room. I'll sell at £25. | 0:40:53 | 0:40:57 | |
Against you all elsewhere? | 0:40:57 | 0:40:59 | |
Well done, James Braxton. You've been vindicated again. | 0:40:59 | 0:41:03 | |
You win the bottle-stopper war. | 0:41:03 | 0:41:05 | |
Yes, you do. No profit, no loss. No pain, no gain on the bear stopper. | 0:41:05 | 0:41:09 | |
The overall score remains as minus 98. That could be a winning score. | 0:41:09 | 0:41:13 | |
Don't say a word to the Reds and all will be revealed in a moment. Well done, James. | 0:41:13 | 0:41:19 | |
Well, well, well! There are similarities between our teams today. | 0:41:29 | 0:41:34 | |
Both teams went with the bonus buy, both of which didn't do terribly well. | 0:41:34 | 0:41:39 | |
There is only £12 between the teams' scores today | 0:41:39 | 0:41:44 | |
which are substantially in the minus department. | 0:41:44 | 0:41:48 | |
-£12 between you. Been chatting at all? -Chatting... -Not about the money. | 0:41:48 | 0:41:53 | |
Not about the money! | 0:41:53 | 0:41:55 | |
Well, I have to reveal that the team that is running up today | 0:41:55 | 0:41:59 | |
-are the Reds. -Oh! -Oh! | 0:41:59 | 0:42:01 | |
Oh, dear. | 0:42:01 | 0:42:03 | |
-Oh, dear. -Mainly because of the chestnut baskets, of course. | 0:42:03 | 0:42:07 | |
-Well, yes. -You were minus £22.50 at one point. | 0:42:07 | 0:42:11 | |
You had your punt with those very nice things and I don't blame you. | 0:42:11 | 0:42:15 | |
They just didn't sell well. I admire you for having a go and regret that the strategy didn't work. | 0:42:15 | 0:42:21 | |
-Had a nice time? -Wonderful time. -It's been brilliant, fantastic. -We've loved having you on the show. | 0:42:21 | 0:42:27 | |
But the victors today who win by only losing £98 are Ann and Ash! | 0:42:27 | 0:42:31 | |
The only ray of sunshine was James Braxton's wiped face with the Black Forest bear stopper. | 0:42:31 | 0:42:38 | |
-I took on their stopper. -Yes, you did. -And won. -You have won. | 0:42:38 | 0:42:43 | |
-Your bung was better. -Yeah. | 0:42:43 | 0:42:45 | |
On that happy note, join us soon for some more bargain hunting, yes? | 0:42:45 | 0:42:49 | |
ALL: Yes! | 0:42:49 | 0:42:51 | |
I know, you're sitting there thinking, | 0:42:51 | 0:42:54 | |
"I could have done better than that!" | 0:42:54 | 0:42:57 | |
Well, what's stopping you? | 0:42:57 | 0:42:59 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:42:59 | 0:43:03 | |
It'll be splendid to see you. | 0:43:03 | 0:43:06 | |
Subtitles by Red Bee Media Ltd | 0:43:11 | 0:43:14 |