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It's 12.15 and we're in Derby today, | 0:00:07 | 0:00:11 | |
historic producer of textiles, porcelain | 0:00:11 | 0:00:14 | |
and all sorts of manufactured goods, | 0:00:14 | 0:00:17 | |
so it's an ideal place for us antique lovers. | 0:00:17 | 0:00:20 | |
Let's go bargain hunting, yeah! | 0:00:20 | 0:00:23 | |
Industrial Derby has long spawned famous manufacturers, designers and craftsmen, | 0:00:49 | 0:00:56 | |
but today, we want them to turn out some world-class bargain hunters, | 0:00:56 | 0:01:00 | |
so let's have a quick squint at what's coming up. | 0:01:00 | 0:01:04 | |
In today's programme, the Reds are sending Charlie Ross right round the bend. | 0:01:04 | 0:01:10 | |
Go and buy that chick for 120 quid. If you can, we'll have it. | 0:01:10 | 0:01:14 | |
Whilst the Blues leave Thomas Plant high and dry. | 0:01:15 | 0:01:19 | |
You'll leave me with nothing, but that's great. Go on, off you go. | 0:01:19 | 0:01:23 | |
So, without further ado, it's time to meet the teams. | 0:01:23 | 0:01:27 | |
On today's show, we've got two mothers and two daughters. | 0:01:28 | 0:01:32 | |
For the reds, Diane and Sian, and for the Blues, Jane and Liz. Hello, everyone. Hello. Hello! | 0:01:32 | 0:01:38 | |
Now, Diane, I understand you and the daughter are very close. | 0:01:38 | 0:01:42 | |
Yes, we do lots of things together. We're very similar. | 0:01:42 | 0:01:46 | |
We like to go shopping, we love coffee and we buy similar things. | 0:01:46 | 0:01:51 | |
Since retiring, you've decided to go to space? The University of the Third Age? Sounds galactic to me! | 0:01:51 | 0:01:58 | |
Not quite galactic, but very interesting. I'm a member of Burton upon Trent U3A. | 0:01:58 | 0:02:03 | |
I do several different things with them. I do Line Dancing, I do Crafts and I do History. | 0:02:03 | 0:02:08 | |
It's done for fun and to learn new things and to meet new people. | 0:02:08 | 0:02:13 | |
And stimulate the old grey cells? Yes, keep me going into old age. | 0:02:13 | 0:02:17 | |
Sian, you're an education welfare officer. What does that mean? | 0:02:17 | 0:02:21 | |
I support families and children to go to school. | 0:02:21 | 0:02:24 | |
We deal with the whole spectrum from children who have missed because they've gone on lots of holidays | 0:02:24 | 0:02:30 | |
all the way through to children who refuse to go to school completely. | 0:02:30 | 0:02:33 | |
Does it get upsetting for you sometimes? Sometimes. | 0:02:33 | 0:02:37 | |
You grow quite fond of some of the families and children you work with, | 0:02:37 | 0:02:41 | |
but it's a job and you're there to do a purpose. Absolutely. | 0:02:41 | 0:02:45 | |
And to help people if you can. Absolutely. Good. | 0:02:45 | 0:02:48 | |
It says here you're rather a crafty lady. In my spare time, I like to do lots of different crafts. | 0:02:48 | 0:02:53 | |
I do my knitting, my embroidery, my bracelet making, my cushion cover making, | 0:02:53 | 0:02:58 | |
anything to do in the evenings. | 0:02:58 | 0:03:00 | |
Are you going to be going for crafty things perhaps in Bargain Hunt today? | 0:03:00 | 0:03:05 | |
We've been thinking we might go for a bit of Denby Ware as we were brought up in that area. | 0:03:05 | 0:03:11 | |
The Denby dinner services never break, do they? They do not. They're bullet-proof. They certainly are. | 0:03:11 | 0:03:17 | |
And last for ever. Anyway, very good luck today, girls. Thank you. | 0:03:17 | 0:03:22 | |
Now, moving on, Jane... Yes. It says here your mother is your best friend. Is that really true? | 0:03:22 | 0:03:28 | |
Yes. My parents and I are very close. I'm an only child, so we've always done lots of things together. | 0:03:28 | 0:03:34 | |
I've recently got married, so now it's kind of become a foursome. | 0:03:34 | 0:03:38 | |
We all go out and do lots of things together. | 0:03:38 | 0:03:41 | |
Your hobby has become your full-time passion. Tell us about that. I used to be a secretary. | 0:03:41 | 0:03:46 | |
I decided to give up my job and do acting, which I love. | 0:03:46 | 0:03:49 | |
I went for an audition in London and got the first audition I did. | 0:03:49 | 0:03:53 | |
Also, I've got my own little media company. | 0:03:53 | 0:03:56 | |
We've just finished a film and we've submitted it to all the film festivals. Good. It's a short? Yeah. | 0:03:56 | 0:04:03 | |
Liz, you're a retired nurse. I am. What sort of nursing did you do? | 0:04:03 | 0:04:07 | |
A bit of everything. I always wanted to be a nurse. | 0:04:07 | 0:04:10 | |
I went into hospital when I was four and never wanted to do anything else. | 0:04:10 | 0:04:13 | |
When I was 21 and got my state registration, | 0:04:13 | 0:04:16 | |
I'd achieved my life's ambition and I had to rethink my life. | 0:04:16 | 0:04:20 | |
I did industrial nursing for 14 years and then I had Jane and I went into family planning. | 0:04:20 | 0:04:26 | |
I ended up as a practice nurse doing an odd session of vasectomies. Gosh! That was the fun part of the job. | 0:04:26 | 0:04:32 | |
You've done family planning and vasectomies. That's covering the spectrum. Bit of light relief there. | 0:04:32 | 0:04:38 | |
You might think it's light relief. Not necessarily for everybody! | 0:04:38 | 0:04:42 | |
What sort of things are you going to go with? We'll buy big. | 0:04:42 | 0:04:46 | |
Spend it all? Yes. We want to blow the lot. | 0:04:46 | 0:04:49 | |
I love this fighting talk. Now the money moment. ?300 apiece. There is your ?300. | 0:04:49 | 0:04:54 | |
You know the rules, your experts await and off you go and very, very, very good luck! Snip, snip. | 0:04:54 | 0:05:00 | |
Banging the drum for the Reds, it's that old charmer Charlie Ross. | 0:05:03 | 0:05:08 | |
And taking the Blues on a whistle-stop tour of the fair, | 0:05:08 | 0:05:11 | |
it's tuneful Thomas Plant. | 0:05:11 | 0:05:13 | |
Girls, who's the expert? Both of you? Absolutely. | 0:05:16 | 0:05:19 | |
Now, are we excited? Yes, we are. We are indeed. | 0:05:19 | 0:05:23 | |
What will we be looking for? I'm going to look for furniture. | 0:05:23 | 0:05:27 | |
Pottery. Old-fashioned things, pretty things. | 0:05:27 | 0:05:30 | |
A little table or something, but I've seen so many other things, I think I'll just let it rip. | 0:05:30 | 0:05:35 | |
Old-fashioned things? Yes. What about me? Do you think you'll make much profit at auction? | 0:05:35 | 0:05:41 | |
I love your comment, "Let it rip." Let's go. Let's tear it up. Come on. Ooh-er! | 0:05:41 | 0:05:47 | |
Let's head off somewhere and have a look. Off we go. | 0:05:47 | 0:05:55 | |
Isn't that fabulous? Yeah. That's a necessaire or an etui. | 0:05:59 | 0:06:03 | |
It's for ladies to carry around all their necessary bits | 0:06:03 | 0:06:07 | |
that ladies need when they're going out. | 0:06:07 | 0:06:10 | |
I think my necessaire would have to be bigger. Your necessaire would have to be truly enormous. | 0:06:10 | 0:06:16 | |
More like a golf trolley. That's the one. Steady on, Charlie! They've got wonderful repousse decoration. | 0:06:16 | 0:06:22 | |
I'm not surprised to see that this is ?850. | 0:06:22 | 0:06:25 | |
We have rather expensive tastes. You do have expensive tastes. | 0:06:25 | 0:06:29 | |
I'm quite good at negotiation, but that's a step too far. | 0:06:29 | 0:06:34 | |
If you started negotiating this down to our budget, this lady would have every right in kicking us out. | 0:06:34 | 0:06:40 | |
OK, we'll leave it at that. It's a beautiful, beautiful thing. | 0:06:40 | 0:06:44 | |
And it's well outside your price range for sure. | 0:06:44 | 0:06:52 | |
What a good-looking thing! Do people still use them to divide their rooms up now? Yeah, they do. | 0:06:52 | 0:06:59 | |
I think somebody would. It's a good thing. | 0:06:59 | 0:07:06 | |
The ticket says it's Edwardian mahogany, so you're looking at 1900s, 1920s. | 0:07:06 | 0:07:10 | |
Look at... I like it. There are no chips. It's been re-waxed, probably just polished up a little bit. | 0:07:10 | 0:07:17 | |
And you've got these lovely hinges on the back here. | 0:07:17 | 0:07:20 | |
I do like this, actually. | 0:07:20 | 0:07:22 | |
I think the quality is really nice. I think we're going to go for it, but let's get a deal. | 0:07:22 | 0:07:28 | |
I'm going to go, "Do you know what? Slight scuffing..." | 0:07:28 | 0:07:32 | |
Come on then. What would be a price? It's 125. 125. | 0:07:32 | 0:07:36 | |
Just see what the best is and then work at it. Yeah, then I shall offer a tenner. | 0:07:36 | 0:07:41 | |
Are you going to do this? I love the fact that you're off... Off you go. | 0:07:41 | 0:07:45 | |
I'm not sure a tenner will go down too well with the dealer. | 0:07:45 | 0:07:49 | |
Meanwhile, Charlie is trying to tempt the Reds with some Tartanware. | 0:07:49 | 0:07:53 | |
Have you found something over there? It's not for me. This is not for you? Oh, no. | 0:07:53 | 0:07:58 | |
That's such a shame because I love a bit of Tartanware, being originally from Scotland. Or Mauchline Ware? | 0:07:58 | 0:08:04 | |
No, no, not my thing at all, Mr Ross. | 0:08:04 | 0:08:17 | |
What would be... What have we got on it? 125. | 0:08:17 | 0:08:27 | |
Hmm... | 0:08:27 | 0:08:29 | |
Well, all right. | 0:08:29 | 0:08:36 | |
We'll go for it. Come on. I think we should go for it. We'll go for it. | 0:08:36 | 0:08:41 | |
Thank you very much. Thank you very much. | 0:08:41 | 0:08:44 | |
Thank you. Thank you. | 0:08:44 | 0:08:48 | |
Oh, Thomas is sharing the love as ever. | 0:08:48 | 0:08:52 | |
Meanwhile, the Reds are falling in love with some Art Deco. Or is it? | 0:08:52 | 0:08:56 | |
Sian, what do you think about that cabinet? I really like it. It's very stylish. You haven't seen a price? | 0:08:56 | 0:09:03 | |
195. I think we do need to check it's of the period. | 0:09:03 | 0:09:07 | |
Yes. Because if it isn't and it's a reproduction one, | 0:09:07 | 0:09:10 | |
then I think we have to dismiss it. | 0:09:10 | 0:09:13 | |
If it is Deco, it's actually even at 195 worth the money. Yeah. OK. | 0:09:13 | 0:09:17 | |
It's extraordinary. It is veneered absolutely everywhere. | 0:09:17 | 0:09:21 | |
Mint condition. It's definitely of the period. | 0:09:21 | 0:09:24 | |
Why didn't the old man spot that? | 0:09:24 | 0:09:27 | |
Young eyes. | 0:09:27 | 0:09:29 | |
It's a good chunk of our money, but we're here for a bit of fun. | 0:09:29 | 0:09:33 | |
Yes. Let's get it for 150, Charlie. | 0:09:33 | 0:09:35 | |
Don't tell them we've fallen in love with it. I think she knows. | 0:09:35 | 0:09:39 | |
We were so busy looking at that, then your clock, do you know what we didn't look at? | 0:09:39 | 0:09:44 | |
Your cabinet. We love the way it's mirrored along the bottom. It's lovely. | 0:09:44 | 0:09:49 | |
You must be fed up with the sight of it. I am. You don't have to take that tone. | 0:09:49 | 0:09:54 | |
I'm pulling your leg! I lure you into a false sense of security about getting it cheap. | 0:09:54 | 0:09:59 | |
So, um... Have you got a nice, chunky profit left in that? | 0:10:00 | 0:10:04 | |
Um... 170 is... | 0:10:04 | 0:10:07 | |
Oh, we were looking closer to the 150 for it. | 0:10:07 | 0:10:11 | |
Well, let's split it - 160. | 0:10:11 | 0:10:13 | |
155? Go on then. | 0:10:13 | 0:10:16 | |
Happy, girls? Happy. Very happy. | 0:10:16 | 0:10:19 | |
My dear, you're wonderful. Thank you. Thank you very much. | 0:10:19 | 0:10:22 | |
We're thrilled with our purchase. Absolutely. I like a happy customer. | 0:10:22 | 0:10:26 | |
You've got three happy customers in one easy move. | 0:10:26 | 0:10:30 | |
No kiss for Charlie then. | 0:10:30 | 0:10:39 | |
Life is extraordinary. You spend half a lifetime looking for one old bird | 0:10:39 | 0:10:43 | |
and all of a sudden, you come across three. | 0:10:43 | 0:10:46 | |
Actually, a family of three cranes, | 0:10:46 | 0:10:50 | |
except they're not just ordinary cranes, they're Japanese cranes, | 0:10:50 | 0:10:55 | |
made of cast bronze | 0:10:55 | 0:10:57 | |
and I guess probably cast around about 1880, | 0:10:57 | 0:11:01 | |
so Meiji period. | 0:11:01 | 0:11:03 | |
Now, for the Japanese, the crane occupies a special mythological significance in their lives. | 0:11:03 | 0:11:11 | |
They believe, for example, that every crane lives for 1,000 years. | 0:11:11 | 0:11:16 | |
It's therefore an emblem of longevity, | 0:11:16 | 0:11:19 | |
also fidelity and good luck. | 0:11:19 | 0:11:22 | |
What I like about these | 0:11:22 | 0:11:24 | |
is how beautifully they're made | 0:11:24 | 0:11:27 | |
and the very, very good condition. | 0:11:27 | 0:11:29 | |
As you look carefully at each of them, the colour is special. | 0:11:29 | 0:11:33 | |
These have been outside in all weathers | 0:11:33 | 0:11:36 | |
and this greenish oxidisation has taken place over the last 80 to 120 years. | 0:11:36 | 0:11:43 | |
I think they're drop-dead gorgeous. | 0:11:43 | 0:11:45 | |
What are they worth? | 0:11:45 | 0:11:49 | |
Well, this family could have been yours in an auction down the road for ?700. | 0:11:49 | 0:11:53 | |
Is that expensive for all three? | 0:11:53 | 0:11:56 | |
In this condition? I don't think so. | 0:11:56 | 0:12:00 | |
What do you think, Beaky? | 0:12:00 | 0:12:03 | |
Back to the Reds and the Blues, two teams who really seem to know what they want. How very refreshing! | 0:12:03 | 0:12:10 | |
Have we satisfied you? Yes. You feel sated on the furniture front? | 0:12:10 | 0:12:13 | |
I think Mum has been satisfied now and I want to find some silver. OK. | 0:12:13 | 0:12:18 | |
Tell me why you love Denby. I was brought up where Denby Pottery is. | 0:12:18 | 0:12:23 | |
Let's have a look then. Any type of silver? | 0:12:23 | 0:12:26 | |
I was thinking of silver jewellery because it always sells quite well. | 0:12:26 | 0:12:30 | |
Come on, Denby. We're off to Denby. | 0:12:30 | 0:12:32 | |
They will be sterling silver. | 0:12:33 | 0:12:36 | |
You haven't got any Denby, young man? | 0:12:36 | 0:12:38 | |
They're very pretty. They're silver. | 0:12:38 | 0:12:41 | |
These two girls love Denby Ware. You can't have everything. | 0:12:41 | 0:12:44 | |
But you can have this silver bracelet. That is, if you like your silver modern. | 0:12:44 | 0:12:50 | |
That is quite nice, actually. Love knots. Good, solid bit of silver. Love knots. Let's have a look. | 0:12:50 | 0:12:56 | |
I quite like that. It's attractive, isn't it? | 0:12:56 | 0:12:59 | |
People either buy them because they love the design and everything or they use the metal, don't they? | 0:12:59 | 0:13:06 | |
It's got an imported hallmark on it, so that means it's been imported into this country. | 0:13:06 | 0:13:11 | |
Does that make any difference? No, not really. It's solid silver. | 0:13:11 | 0:13:15 | |
It's been tested that it's assayed in this country. | 0:13:15 | 0:13:17 | |
Somebody's liked it, bought it, had it hallmarked, retailed it. It's attractive. | 0:13:17 | 0:13:23 | |
What's the very best on this one here? | 0:13:23 | 0:13:25 | |
I'll take 45 for that one. You wouldn't take 40 for it? | 0:13:25 | 0:13:29 | |
Or would you? I'll do 43 for you. | 0:13:29 | 0:13:31 | |
Oh... 43? That's an odd number. We don't like odd numbers. | 0:13:31 | 0:13:35 | |
I couldn't come down any more. Oh, please! | 0:13:35 | 0:13:38 | |
- ?40 then. Go on. - Yes, definitely. | 0:13:38 | 0:13:41 | |
You're welcome. Thank you very much. Thank you. | 0:13:41 | 0:13:44 | |
Thank you. I feel like I've bought it myself. This is bad. I'm not going home with it. | 0:13:44 | 0:13:49 | |
No, you're not. It's going off to the auction. Well done, Thomas. That's two bargains bought. | 0:13:49 | 0:13:55 | |
We've got jewellery which is what I wanted and a piece of furniture which you wanted. | 0:13:55 | 0:14:00 | |
We're both happy. Now it's a joint decision. | 0:14:00 | 0:14:02 | |
Charlie has found a quality piece by a quality maker, but it's still not that bit of Denby. | 0:14:02 | 0:14:08 | |
Oh, a pin cushion. Aw! | 0:14:09 | 0:14:11 | |
Now, that is as collectable an item as you will probably see anywhere today. OK. | 0:14:11 | 0:14:17 | |
Is it a little duck? It's a pin cushion. It's a bird. A little chick and it's just hatching. | 0:14:17 | 0:14:23 | |
The thing to check are the marks which are as crisp as you like. Aren't they clear? | 0:14:23 | 0:14:28 | |
And Sampson Mordan adds an extra premium because they're wonderful makers. Yeah. | 0:14:28 | 0:14:33 | |
It's beautifully detailed. It is fabulously detailed and I love it. | 0:14:33 | 0:14:38 | |
Look at the price, Charlie. I think it will be out of our price range. | 0:14:38 | 0:14:42 | |
The price tag's 200. It is. It's a nice piece. | 0:14:42 | 0:14:45 | |
I have to own up. We don't have 200, do we, girls? We do not. | 0:14:45 | 0:14:49 | |
What is the best price on it? We'll tell you how much we've got. | 0:14:49 | 0:14:53 | |
We've got to buy a few more items yet, Mr Ross. | 0:14:53 | 0:14:57 | |
"Mr Ross." We've gone all formal now. It was "Charlie" when things were going well. Now it's "Mr Ross". | 0:14:57 | 0:15:03 | |
What's the trade...? I think for you... For me. ..I would do 160. | 0:15:03 | 0:15:08 | |
We're nearly there. Nearly there. Definitely worth considering, perhaps looking for our third item. | 0:15:08 | 0:15:14 | |
I love it. I'm going to put it down if I may. Yes, we may come back. | 0:15:14 | 0:15:18 | |
We've got to buy three things. OK. If we buy that, we'd have to buy something for nothing. | 0:15:18 | 0:15:24 | |
I would do that for 150 to give you a bit more... We're getting closer, we're getting closer. | 0:15:24 | 0:15:30 | |
We'll see you later. Thank you very much. Thank you. | 0:15:30 | 0:15:33 | |
Good tactics by the Reds. The price has fallen from ?200 to ?150. | 0:15:33 | 0:15:38 | |
Could it fall further if they come back? Well, we'll see. | 0:15:38 | 0:15:42 | |
Is that a bit of Troika the Blues have spotted? | 0:15:42 | 0:15:45 | |
Obviously, Troika, an interesting factory from St Ives in Cornwall. | 0:15:45 | 0:15:49 | |
This one here or the smaller one? Yeah, I like that one as well. It's a name to conjure up with. | 0:15:49 | 0:15:55 | |
I... I like that one because on the other side it has the lighter colour as well. | 0:15:55 | 0:15:59 | |
Two different colours. Does it make a difference who actually made it? | 0:15:59 | 0:16:04 | |
Yes, it makes a huge difference. | 0:16:04 | 0:16:07 | |
This one... I don't know who "EW" is. It won't take you a huge amount of time to find out who that is. | 0:16:07 | 0:16:13 | |
Troika did have its day. | 0:16:13 | 0:16:15 | |
It had a really, really exciting time when it was making huge amounts of money | 0:16:15 | 0:16:21 | |
and it was being widely collected. | 0:16:21 | 0:16:23 | |
You know it because you've seen it... We've seen it on Bargain Hunt! | 0:16:23 | 0:16:27 | |
What have we spent? We've spent 95 on the screen. 95 on the screen. And 40. And 40. | 0:16:27 | 0:16:33 | |
That means we've got 165 left, doesn't it? Yes. Yes. Yeah? Yes. | 0:16:33 | 0:16:37 | |
And how much is that? 185. | 0:16:37 | 0:16:39 | |
You've got to leave me something. Yes. | 0:16:39 | 0:16:42 | |
A penny will do, won't it? It will do. Shall we ask? | 0:16:42 | 0:16:45 | |
Yeah. What can be done? 160? | 0:16:45 | 0:16:48 | |
160... We can do it. We can do it just. | 0:16:48 | 0:16:51 | |
Is there any... | 0:16:51 | 0:16:54 | |
Anything we could do like 150...possibly? | 0:16:54 | 0:16:58 | |
For the Blue Team, bearing in mind I'm a Manchester United Reds supporter, I couldn't do 150, | 0:16:58 | 0:17:04 | |
but I could do 155 and that would be the end of it. | 0:17:04 | 0:17:08 | |
What do you think? Shall we go for it? | 0:17:08 | 0:17:11 | |
You have got... You can look for another ten minutes if you want. | 0:17:11 | 0:17:16 | |
Do you want to look for ten minutes, then come back? OK. I really like that. Ten minutes. | 0:17:16 | 0:17:21 | |
Right, go on, off you go. Stop thinking about it. Come on. Where are we going? | 0:17:21 | 0:17:26 | |
Both teams are dithering. Thomas and Charlie really need to take charge. | 0:17:26 | 0:17:31 | |
We've got 145 quid left. We have seen the Sampson Mordan pin cushion which is a fabulous thing. | 0:17:31 | 0:17:37 | |
So, it's this or the Troika. Troika has a name, it has a following. | 0:17:37 | 0:17:41 | |
This has no following. We don't know what it is. Right. It's ?48. | 0:17:41 | 0:17:45 | |
Decisions. Decisions. The little chick is too expensive. I think so. | 0:17:45 | 0:17:50 | |
You'd have to buy the little chick for 120 quid. Yes. Go and try and buy it. I'll stay here. | 0:17:50 | 0:17:55 | |
Go and buy that chick for 120 quid. If you can, we'll have it. | 0:17:55 | 0:17:59 | |
Yes? We'll go for the Troika and leave you a fiver to spend. | 0:18:01 | 0:18:05 | |
You'll leave me with nothing, but that's great. Off you go! | 0:18:05 | 0:18:09 | |
I'm terribly sorry. | 0:18:09 | 0:18:11 | |
If you really were sorry, Thomas, you'd make that your bonus buy. Three minutes to go, Reds! | 0:18:11 | 0:18:21 | |
It's probably one of our favourite things we've seen. OK. | 0:18:21 | 0:18:25 | |
We're a little bit struggling for money and we're going to be asking for about 110 to buy it with. | 0:18:25 | 0:18:31 | |
Right. No, I can't do that, I'm afraid. | 0:18:31 | 0:18:34 | |
Now the Blues are struggling to find the Troika. | 0:18:34 | 0:18:37 | |
Two minutes, teams. | 0:18:37 | 0:18:44 | |
Yes? ..could we have it for 150? | 0:18:44 | 0:18:47 | |
No, because you're wearing blue. | 0:18:47 | 0:18:50 | |
I'm sure I've got red somewhere. | 0:18:50 | 0:18:53 | |
For being so cheeky, how about 153? | 0:18:53 | 0:18:57 | |
Well done. Done. Go on then. Done. Thank you very much. | 0:18:57 | 0:19:01 | |
Thank you very much. He's got a nice handshake. | 0:19:01 | 0:19:04 | |
Good. That's job done for the Blues, but the Reds still need to find two more items. | 0:19:04 | 0:19:09 | |
Girls, that is not Denby. No. No, but it is something that we do know quite well. | 0:19:09 | 0:19:20 | |
Yes. Yeah. Yes. | 0:19:20 | 0:19:22 | |
What's the price? | 0:19:22 | 0:19:24 | |
The lady has said she's going to do us a deal with the little chick and this | 0:19:24 | 0:19:29 | |
for an amazing amount of ?144. | 0:19:29 | 0:19:32 | |
Fantastic. So, that's leaving me with a pound? Yes. Yes. | 0:19:32 | 0:19:36 | |
That's great. It might make a tenner which would be a really good profit. If it makes a fiver, it's a profit. | 0:19:36 | 0:19:43 | |
Yeah. But you have bought that chick which is fabulous. | 0:19:43 | 0:19:46 | |
Yes. Go for it, girls. | 0:19:46 | 0:19:53 | |
Thank you so much. That's sweet of you. Thank you. | 0:19:53 | 0:19:56 | |
So, that's ?4 for the Homemaker trio and ?140 for the pin cushion. Phew! | 0:19:56 | 0:19:59 | |
How tight was that, girls? Very. Very close. | 0:19:59 | 0:20:03 | |
30 seconds. Yes. Yes, just done. We spent all that money. | 0:20:03 | 0:20:17 | |
Our family drama is now done. Time's up. Let's remind ourselves what the Red Team bought. | 0:20:17 | 0:20:23 | |
All right, girls? "Nyah." | 0:20:23 | 0:20:25 | |
For the Art Deco style cocktail cabinet, the Reds shelled out ?155. | 0:20:25 | 0:20:30 | |
The Edwardian Sampson Mordan pin cushion cost a cool ?140, | 0:20:32 | 0:20:38 | |
and for the Homemaker cup, saucer and plate, they dished out ?4. | 0:20:38 | 0:20:43 | |
Well, you happy, smiling girls, having a whole hour with Charlie must be a thrill. | 0:20:43 | 0:20:48 | |
Wonderful. Wonderful. Which is your favourite piece, Sian? | 0:20:48 | 0:20:52 | |
A very small pin cushion, a silver little chicken. Do you agree with that, Diane? | 0:20:52 | 0:20:57 | |
No. This is one of the things we don't agree with. | 0:20:57 | 0:21:00 | |
Yes. My favourite piece was the cabinet that we bought. The "cabinette"? It's very stylish. | 0:21:00 | 0:21:07 | |
Is it going to bring the biggest profit? I think so. Do you agree? | 0:21:07 | 0:21:11 | |
No, I think the pin cushion will bring the biggest profit. | 0:21:11 | 0:21:14 | |
I can see you have had some problems. Anyway, a little birdie told me you spent a lot of money. | 0:21:14 | 0:21:21 | |
We did. ?299. | 0:21:21 | 0:21:23 | |
Yes, this hasn't happened for years! Right, who's got the pound? I have. | 0:21:23 | 0:21:28 | |
About your person? Yes. Perfect. Just there. Lovely. That's the one then. Now, Carlos... | 0:21:28 | 0:21:34 | |
What are you going to do with that? | 0:21:34 | 0:21:37 | |
Buy a newspaper? | 0:21:37 | 0:21:39 | |
Very good luck with that, Charlie. Good luck, girls. Meanwhile, we'll check out what the Blue Team bought. | 0:21:39 | 0:21:45 | |
The Blues spent ?95 on the Edwardian-style folding screen. | 0:21:45 | 0:21:49 | |
They lavished ?40 on the modern silver bracelet with no less than seven love knots. | 0:21:50 | 0:21:57 | |
And, finally, ?153 was paid for the Troika rectangular vase. | 0:21:57 | 0:22:02 | |
It was easy! Easy spending money. Always easy spending someone else's. | 0:22:02 | 0:22:06 | |
# It's so easy... # | 0:22:06 | 0:22:08 | |
Was it a good time? Lovely. Which is the best bit for you? | 0:22:08 | 0:22:13 | |
Favourite piece is the silver bracelet. OK, that's good. With the little knots. | 0:22:13 | 0:22:19 | |
Favourite? Mine was the screen. The screen. Yes. Is that going to bring the biggest profit? No. | 0:22:19 | 0:22:26 | |
I think the bracelet may. How much did you spend? ?288. | 0:22:26 | 0:22:31 | |
I love that. That's a really surprising number. | 0:22:31 | 0:22:35 | |
Who's got the ?12? Me. This will be a challenge for your expert. | 0:22:35 | 0:22:40 | |
This is a quality fair. There cannot be many profitable things in this space to buy with ?12. | 0:22:40 | 0:22:47 | |
You said it - profitable. Yes. You could easily spend ?12. | 0:22:47 | 0:22:52 | |
I want you to put a zero on the end of that ?12, please. | 0:22:52 | 0:22:56 | |
I will do my best! Good luck, girls. Meanwhile, I'm going to dash off to the auction | 0:22:56 | 0:23:02 | |
to find something special there myself. | 0:23:02 | 0:23:05 | |
And who's our auctioneer today? It's our old friend, our old mucker Charlie Hanson. | 0:23:12 | 0:23:18 | |
I've snuck out of the saleroom to get a bit of peace and quiet and to share this one with you privately. | 0:23:18 | 0:23:25 | |
What we've got here actually is rather special. | 0:23:25 | 0:23:28 | |
The title on the outer cover is The Speaking Picture Book. | 0:23:28 | 0:23:33 | |
It looks like a typical chromolithic graphic printed children's Victorian book. You've got the child, | 0:23:33 | 0:23:39 | |
holding her doll, reading a book, enjoying herself. All right and proper, you might think for a cover. | 0:23:39 | 0:23:46 | |
Except this is no normal book. If I open it up and show you the inside cover, | 0:23:46 | 0:23:52 | |
it says, "The Speaking Picture Book, reproducing the voices of the cock, the donkey, the lamb, the birds, | 0:23:52 | 0:23:58 | |
"the cow, the cuckoo, the goat and the baby. | 0:23:58 | 0:24:02 | |
"In order to produce the sound, gently pull out the cord underneath the arrow | 0:24:02 | 0:24:08 | |
"on the text accompanying each picture." So here we have the cock. | 0:24:08 | 0:24:12 | |
And down here at the bottom is an arrow. Coming up the spine of the book | 0:24:12 | 0:24:18 | |
are a series of little leather-ended tabs and if I pull the one opposite the arrow, it goes... | 0:24:18 | 0:24:25 | |
SQUEAKY "Cock-a-doodle-doo!" Cock-a-doodle-doo! | 0:24:25 | 0:24:29 | |
Next page, the donkey. Yank the tab. | 0:24:29 | 0:24:33 | |
SQUEAKY "Hee-haw!" Ooh! Hee-haw! | 0:24:33 | 0:24:36 | |
The goat. "Me-e-eh!" | 0:24:36 | 0:24:40 | |
How good is that? The miracle is, of course, that despite multiple children yanking on these cords, | 0:24:40 | 0:24:47 | |
this thing is still in remarkably good condition. Importantly, | 0:24:47 | 0:24:52 | |
the mechanical pieces all work. | 0:24:52 | 0:24:55 | |
There's nothing electrical about this. Inside the box itself is a soundbox, | 0:24:55 | 0:25:00 | |
which releases the noise through these pierced ends. | 0:25:00 | 0:25:04 | |
So the survival of these books is very, very rare so when you come across one, you get a bit excited. | 0:25:04 | 0:25:11 | |
Now the auction estimate here today on this is ?20-?30. | 0:25:11 | 0:25:16 | |
What might it bring? | 0:25:16 | 0:25:18 | |
Well, if you look on some of the American sites that deal with speaking books | 0:25:18 | 0:25:25 | |
and what they call "movables", where you pull bits of string and sheets of paper move, | 0:25:25 | 0:25:31 | |
then this thing is likely to be worth in excess of $1,000-$1,500. | 0:25:31 | 0:25:35 | |
So that's maybe ?700-?1,000. | 0:25:35 | 0:25:39 | |
The estimate is ?20-?30. We're going to watch it being sold | 0:25:39 | 0:25:44 | |
and find out whether this book will truly break into song. | 0:25:44 | 0:25:48 | |
Well, Charles, this is bliss to be back here in the new saleroom. How's it going? Really well. | 0:25:53 | 0:26:00 | |
Well, it's lovely to be here. So first up is this extraordinarily nice Deco-style vitrine. | 0:26:00 | 0:26:07 | |
Isn't that fantastic? Tim, it has a look, so it has a value. | 0:26:07 | 0:26:12 | |
That's a relief! No, seriously, | 0:26:12 | 0:26:15 | |
because it's chunky, it's not very old, but haven't they reproduced the '30s style nicely? | 0:26:15 | 0:26:22 | |
We have high hopes for it, Tim. How high are your hopes? We put a guide price of 80-120. | 0:26:22 | 0:26:28 | |
They paid ?155. Yes. I pin my faith in you. Thank you. | 0:26:28 | 0:26:33 | |
Secondly, Charles, we've got this hatching little chick. | 0:26:33 | 0:26:37 | |
They say small is beautiful and it is a sweet object. A tiny one. It is. | 0:26:37 | 0:26:43 | |
That great name, Sampson Mordan, a renowned designer name in the late 19th and early 20th century. | 0:26:43 | 0:26:50 | |
And is a man who is collectable in his own right. Hugely. | 0:26:50 | 0:26:54 | |
So what's this going to make? Hopefully, up to ?100. Is that all? | 0:26:54 | 0:26:58 | |
?140 our lads paid. Right, OK. They thought they were up to hijinks. | 0:26:58 | 0:27:04 | |
Hmm. Now what about the trio at the end here? Homemaker. There's a crucial word now, | 0:27:04 | 0:27:10 | |
a word which describes that. Vintage. | 0:27:10 | 0:27:13 | |
It's 1957, it's Enid Seeney, it's her design and it's retro. | 0:27:13 | 0:27:17 | |
So what's just a trio worth? Imagine back in Woolworths in the day, | 0:27:17 | 0:27:22 | |
it would have been 2? pence. Today it's something which I hope will make ?30. Really? Yes. | 0:27:22 | 0:27:29 | |
They only paid ?4. If you achieve that, Charles, you're everybody's hero. Mind you, you are anyway. | 0:27:29 | 0:27:36 | |
Anyway, on that happy note, why don't we trot off and have a look at the Bonus Buy? | 0:27:36 | 0:27:41 | |
Well, girls, this is exciting. You gave one solitary pound to Charlie to do something with. | 0:27:41 | 0:27:48 | |
What did you do with it? There's not much you can do with a quid! | 0:27:48 | 0:27:52 | |
I thought I'd buy a newspaper, but I didn't... Whoo! | 0:27:52 | 0:27:56 | |
A little advertising tray. Oh! Avon advertising tray. Big enough for a sandwich. | 0:27:56 | 0:28:02 | |
A Deco scene on it there. You got no change, then? No change at all! | 0:28:02 | 0:28:07 | |
You spend the whole pound(?) On this. Fantastic. And what do you think that will make here today? | 0:28:07 | 0:28:13 | |
I'm hoping that the minimum bid will be ?5! | 0:28:13 | 0:28:18 | |
On that happy note, let's find out at home what Charles Hanson thinks about Charlie Ross' tin tray. | 0:28:18 | 0:28:24 | |
Well, here we go. Charlie Ross at his best. Give him a pound. | 0:28:25 | 0:28:29 | |
Yeah. It's got the look. It's got that Art Deco feel. | 0:28:29 | 0:28:34 | |
And, of course, it's Avon. It's not overly spectacular. | 0:28:34 | 0:28:39 | |
But that name Avon has a history. What's it worth, do you think? I hope on a good day | 0:28:39 | 0:28:44 | |
it might make between ?10 and ?20. Might it really? Because that cunning monkey Charlie Ross paid ?1. | 0:28:44 | 0:28:50 | |
Anyway, that's it for the Reds. Now the Blues. Looking a bit lonely over here. | 0:28:50 | 0:28:56 | |
Their principal purchase is that screen. Tim, when I saw it, I thought it was Edwardian. | 0:28:56 | 0:29:02 | |
On handling it, on understanding its weight, | 0:29:02 | 0:29:06 | |
it's probably Far Eastern, cheap timber. | 0:29:06 | 0:29:09 | |
Lacquered and glossed up to give the impression of something of the period, but it isn't. | 0:29:09 | 0:29:16 | |
Yes, quite. What's your best estimate? On a really good day, I think it'll make ?30-?40. | 0:29:16 | 0:29:23 | |
A degree of undressing yet to be done. They paid ?95. | 0:29:23 | 0:29:27 | |
Crikey. Moving on... what about the bracelet? Silver? | 0:29:27 | 0:29:30 | |
It is silver. Stamped 925. You've got the striking love knots. | 0:29:30 | 0:29:36 | |
What's it worth? It's under an ounce and the weight is probably around ?18... Of silver. ..scrap. | 0:29:36 | 0:29:42 | |
But it's a pretty object. Between ?30 and ?40. | 0:29:42 | 0:29:46 | |
?40 paid. We're in the frame. Good. | 0:29:46 | 0:29:49 | |
Lastly is the Troika pot. Yes. Now I have to say, I admit I rather like this stuff. | 0:29:49 | 0:29:56 | |
I like the simple geometry of it. I own not a piece of it, I have to say, | 0:29:56 | 0:30:06 | |
Tim, I do like it. It's different. Right. We haven't been able to identify the initials, EW. | 0:30:06 | 0:30:12 | |
We know it's the Newlyn period of the '70s, but, importantly, Tim, it's in wonderful condition. | 0:30:12 | 0:30:18 | |
With all that build-up, what sort of level do you think it'll find? | 0:30:18 | 0:30:23 | |
Tim, I really rate it and I hope it'll make probably ?100 plus. | 0:30:23 | 0:30:28 | |
I've put the guide price a bit less to create drama, theatre and romance for it. OK. ?153 they paid. | 0:30:28 | 0:30:35 | |
Right. There is an uphill struggle. I think it's a tad too much and they'll need their Bonus Buy, | 0:30:35 | 0:30:42 | |
so let's have a look at it. | 0:30:42 | 0:30:50 | |
Tom, I'll give you a hand and whoop off the rag. Oh! | 0:30:50 | 0:30:55 | |
I didn't expect that! | 0:30:55 | 0:30:57 | |
So this is the most hideous, the most ghastly... Magazine. ..magazine rack. | 0:30:57 | 0:31:02 | |
You said it! It IS ghastly! | 0:31:02 | 0:31:05 | |
The thing is, I saw it from this end. Of course. I thought that looks quite nice, sort of '50s Deco. | 0:31:05 | 0:31:16 | |
You do. You could do so many things - paint it, make it modern. | 0:31:16 | 0:31:20 | |
You could burn it. Burn it. | 0:31:20 | 0:31:23 | |
That was simultaneous, Liz! That was good. | 0:31:23 | 0:31:40 | |
Let's find out whether the auctioneer would pick it or not. | 0:31:40 | 0:31:44 | |
OK, Charles. Yes. A little something to stick your magazine in. | 0:31:44 | 0:31:48 | |
Crikey me. En route to the bonfire. | 0:31:48 | 0:31:51 | |
I suppose, period-wise, what are we talking? 1930s? Yeah. '20s? Something like that. | 0:31:51 | 0:31:57 | |
It's not a barrel of laughs in its form, but it's something which has a function. For ?12, | 0:31:57 | 0:32:05 | |
as a little icon of the 1950s mass-produced furniture market, which is what this is, | 0:32:05 | 0:32:11 | |
it has something about it. | 0:32:11 | 0:32:14 | |
If you go back to that kitsch time with your magazines in a '50s rack, this is the rack to have. | 0:32:14 | 0:32:19 | |
We feel it's going to make ?15-?25. Do you? That's very fair. | 0:32:19 | 0:32:24 | |
He paid ?12 and I think good old Tom, he's done rather well. Hear, hear. Are you taking the sale? Yes. | 0:32:24 | 0:32:31 | |
A-ha! We're in safe hands! | 0:32:31 | 0:32:33 | |
Are you excited? Very! We're going to pay off the mortgage today. I feel it in my bones! Really? | 0:32:42 | 0:32:48 | |
I hope you haven't got a big advance. Whopping! Oh, dear. If we make a cup of coffee, I'll be happy. | 0:32:48 | 0:32:54 | |
Well, you have more modest expectation and you might be right. | 0:32:54 | 0:32:59 | |
The Deco cabinet, I think, is F.A.B. Charles' estimate is ?80-?120, which it definitely is, | 0:32:59 | 0:33:05 | |
but he's got a crowd of people here and anybody with any taste will recognise it for what it is. | 0:33:05 | 0:33:11 | |
And if all else fails, you've got the ?1 advertising tin tray. We don't know whether to take it yet. | 0:33:11 | 0:33:18 | |
It's a high-risk strategy. Very. We might make whopping losses on it. | 0:33:18 | 0:33:23 | |
We'll pick the vibes up. The first lot up is your big risk item, the Deco cabinet, | 0:33:23 | 0:33:28 | |
so let's all cross our legs. Oh, no! | 0:33:28 | 0:33:31 | |
Now it's being shown for you. Look at this. And I am only bid | 0:33:31 | 0:33:36 | |
for this wonderful object...45. Oh. | 0:33:36 | 0:33:39 | |
55. | 0:33:39 | 0:33:41 | |
65. 75. | 0:33:41 | 0:33:43 | |
I look for 80 now. | 0:33:43 | 0:33:46 | |
80 I'll take. Come on. ?80. 85. 90. | 0:33:46 | 0:33:49 | |
Five. And 100. I'm out. At ?100. | 0:33:49 | 0:33:52 | |
I'll take 105. Are you bidding, sir? No, you're not. At ?100. | 0:33:52 | 0:33:56 | |
That's a shame. All done? | 0:33:56 | 0:33:59 | |
Very disappointing. Well, it was high risk. It was. | 0:33:59 | 0:34:03 | |
I don't understand it. ?100 is so cheap. Anyway, ?55 down the drain. Next is the pincushion. | 0:34:03 | 0:34:10 | |
Being shown for you there. On the screen as well. I have got four bids on my book. | 0:34:10 | 0:34:16 | |
I will start at ?75. 80. 90. Five. | 0:34:16 | 0:34:21 | |
100. And five. I'm out. | 0:34:21 | 0:34:24 | |
At ?105 in the room. 110. | 0:34:24 | 0:34:26 | |
120. Come on! One for the road. | 0:34:26 | 0:34:30 | |
Fair warning. We sell at 120. | 0:34:30 | 0:34:33 | |
Someone's got a bargain. 120 is minus ?20. Could have been worse. | 0:34:33 | 0:34:37 | |
And he is trying. Yes. Now your ?4 plate, cup and saucer. | 0:34:37 | 0:34:43 | |
Circa 1950s or around 1957. | 0:34:43 | 0:34:46 | |
Ridgway Homemaker pattern trio. And I've got a number of bids. | 0:34:46 | 0:34:50 | |
I must start at two, three, four, five, six, seven, eight, nine, ten. | 0:34:50 | 0:34:56 | |
12. 15. 18. 20. Two. Five. I look for six now. | 0:34:56 | 0:35:01 | |
Fantastic. Six I'll take. Do I see ?26? Come on. | 0:35:01 | 0:35:04 | |
?26 I will take. One more. | 0:35:04 | 0:35:07 | |
You're all out. At ?25. | 0:35:07 | 0:35:10 | |
A commission buyer will take it. | 0:35:10 | 0:35:13 | |
Brilliant! Well, well, well. Isn't that extraordinary? | 0:35:13 | 0:35:17 | |
Spend ?4 and all of a sudden, you turn it into ?25. Just like that. | 0:35:17 | 0:35:22 | |
Just a pity it didn't work with the first two items! Anyway... Don't buy quality. | 0:35:22 | 0:35:28 | |
It's a struggle, isn't it? Anyway, overall, you are minus ?54. | 0:35:28 | 0:35:32 | |
Is that all? Are you going to take the tin tray? Will it make ?54? | 0:35:32 | 0:35:36 | |
It can't fail! I think we'll definitely take it. | 0:35:36 | 0:35:40 | |
We'll take it. The ?1 tray. Why not? And here it comes. | 0:35:40 | 0:35:44 | |
Number 66 is a very interesting Art Deco-style Avon chrome advertising tray. | 0:35:44 | 0:35:51 | |
Do I see ?5? It really... ?5 there. | 0:35:51 | 0:35:54 | |
I'll take six now. I'll take 600 pence. | 0:35:54 | 0:35:57 | |
At ?5. I look for six. | 0:35:57 | 0:35:59 | |
Six! Seven. Eight. Nine. One for the road. Ten. | 0:35:59 | 0:36:03 | |
- We've made a profit. - 11. 12. 13. 14. | 0:36:03 | 0:36:07 | |
Are you sure, sir? It might make 54 yet! | 0:36:07 | 0:36:12 | |
One more do I see? Come on! 14. 15. 16. | 0:36:12 | 0:36:16 | |
17. 18. 19. | 0:36:16 | 0:36:19 | |
20? No more? ?19. | 0:36:19 | 0:36:22 | |
Fair warning. All done? Yours. | 0:36:22 | 0:36:25 | |
There is ?19. That's plus ?18. | 0:36:25 | 0:36:28 | |
So take 20 off 54 is 34... | 0:36:28 | 0:36:31 | |
Make that minus 36. That doesn't sound so bad. | 0:36:31 | 0:36:35 | |
It's remarkable how you've clawed back out of nothing. | 0:36:35 | 0:36:39 | |
Fantastic tin tray, Charlie. Well done, girls. Minus ?36 could be a winning score. Yes. | 0:36:39 | 0:36:45 | |
So don't say a word to the Blues. OK. Well done, Charles. Well done. Thank you, sir. Thank you, girls. | 0:36:45 | 0:36:51 | |
So, Liz... Yes. Jane, do you know how the Reds got on? No! | 0:36:58 | 0:37:03 | |
You don't? Good. We don't want you to. Listen, your first object is the three-fold screen. | 0:37:03 | 0:37:09 | |
Right? And there it is. | 0:37:09 | 0:37:11 | |
The auctioneer thinks it's worth ?30-?40. Oh, rubbish! ?95 paid. | 0:37:11 | 0:37:17 | |
Well, it's got the look. It's not a huge amount of money to pay for what you get. If all else fails, | 0:37:17 | 0:37:23 | |
you've got your magazine rack. Your rack! We have the rack. Which is an attractive prospect. | 0:37:23 | 0:37:29 | |
I can't wait. You can't wait! | 0:37:29 | 0:37:32 | |
Well, there we go. Your first item is the three-panel screen. And let's see what happens. | 0:37:32 | 0:37:39 | |
It's an Edwardian-style, mahogany, three-panel, fold-up screen. | 0:37:39 | 0:37:44 | |
Over here! Thank you very much! Showing over there. | 0:37:44 | 0:37:48 | |
And I'm bid 30. Two. Five. Do I see eight now? | 0:37:48 | 0:37:53 | |
?35. Come on. Do I see eight? A wonderful furnishing piece. | 0:37:53 | 0:37:57 | |
Miss Hornblower? 38. 40. Two. | 0:37:57 | 0:38:00 | |
Five. 48. I've got 50. | 0:38:00 | 0:38:03 | |
Five. I'm out. ?55. I look for 60 now. | 0:38:03 | 0:38:07 | |
Come on. I look for 60. | 0:38:07 | 0:38:10 | |
Fair warning. I'll take one more bid. Or we sell to the lady. All out? | 0:38:10 | 0:38:15 | |
It's yours at ?55. Sold! | 0:38:15 | 0:38:18 | |
?55, was it? ?55, then, is minus ?40. | 0:38:18 | 0:38:22 | |
Oh, dear, oh, dear. He was right. Here comes the bracelet. | 0:38:22 | 0:38:27 | |
Hallmarked 925. I'm bid nothing. Start me off. Sorry. | 0:38:27 | 0:38:32 | |
Start me off. Do I see ?20 for a solid silver bracelet? 20. I'm out. | 0:38:32 | 0:38:38 | |
?20 down there. I'll take two. 20. | 0:38:38 | 0:38:41 | |
It's a maiden bid. Two. Five. Eight? Are you sure? 25, ma'am? | 0:38:41 | 0:38:46 | |
25. I look for eight now. It's a wonderful thing. One more? | 0:38:46 | 0:38:51 | |
What a shame, but it goes at ?25. All done. Sold. | 0:38:51 | 0:38:57 | |
That is not a lot of money. ?25 is minus ?15. | 0:38:57 | 0:39:00 | |
Overall, you're minus ?55. Now the big number. Here comes Troika. Cross everything. I have. | 0:39:00 | 0:39:08 | |
A wonderful Troika stoneware rectangular vase or flask. I will start at ?75. | 0:39:08 | 0:39:14 | |
80 I look for now. | 0:39:14 | 0:39:16 | |
?75 I'm bid. 80. Five. | 0:39:16 | 0:39:18 | |
90? 85 I'm bid. | 0:39:18 | 0:39:20 | |
I've got 95. And 100. | 0:39:20 | 0:39:23 | |
105. 110. 115. | 0:39:23 | 0:39:25 | |
120. 125. 130. | 0:39:25 | 0:39:28 | |
Do I please now see 135? 135. | 0:39:28 | 0:39:31 | |
140. 145. | 0:39:31 | 0:39:34 | |
I'm out. One more! 145. | 0:39:34 | 0:39:37 | |
One more do I see? I look for 150. | 0:39:37 | 0:39:39 | |
Fair warning. We'll sell it. I look for 150. | 0:39:39 | 0:39:43 | |
Going, going, gone to the lady. | 0:39:43 | 0:39:46 | |
That's minus ?8, | 0:39:46 | 0:39:48 | |
which means, overall, you are minus ?63, | 0:39:48 | 0:39:52 | |
which, when you say it quickly and consider how bad it might have been, is not so bad. | 0:39:52 | 0:39:57 | |
And that could be a winning score. Now what about the magazine rack? | 0:39:57 | 0:40:02 | |
You fancy it, Janey. I love it. Are you going to have a go at it? We're going with the Bonus Buy. | 0:40:02 | 0:40:08 | |
Here it comes. Well done, girls. The number now we go to is 88. | 0:40:08 | 0:40:13 | |
Interesting object. Do I see ?5 for it? Wonderful thing. | 0:40:13 | 0:40:17 | |
Iconic. All the hands! Five. Eight. Ten. | 0:40:17 | 0:40:20 | |
12. 15. 18. You're in profit. Well done, Tom. | 0:40:20 | 0:40:24 | |
Five. Eight. So ghastly, it's going to make a lot of money! | 0:40:24 | 0:40:28 | |
30. 32. Five? | 0:40:28 | 0:40:40 | |
All the kisses for Tom, eh? Plus ?20 there. Absolutely super. | 0:40:40 | 0:40:45 | |
It takes you down to minus ?43. That could be a winning score in the rollercoaster of today's auction! | 0:40:45 | 0:40:51 | |
We will reveal all in a moment. Thank you very much. | 0:40:51 | 0:40:55 | |
But before we announce the final scores for the teams, | 0:40:57 | 0:41:02 | |
there's one more lot to go under the hammer. | 0:41:02 | 0:41:06 | |
Next up is the Speaking Picture Book, estimated ?20-?30. | 0:41:06 | 0:41:11 | |
Potential value - well, let's say at least ?500. | 0:41:11 | 0:41:17 | |
What's going to happen? Is this book going to sing or not? Here it comes. | 0:41:17 | 0:41:22 | |
I will start this Edwardian animal noise book with a bid here at ?50. | 0:41:22 | 0:41:28 | |
I'll take five. Five. 60. Five. 70. Five. | 0:41:28 | 0:41:32 | |
80. Five. 90. Five. I've got you. 100. 110. | 0:41:32 | 0:41:36 | |
120. 130. 140. 150. Keep smiling. | 0:41:36 | 0:41:40 | |
160. 170. | 0:41:40 | 0:41:42 | |
180. 190. I've got 195. Take it away at ?200. | 0:41:42 | 0:41:51 | |
260? Look at me. I'll take 250, then. He's out. | 0:41:54 | 0:41:58 | |
At 240. I look now for 250. Fair warning. | 0:41:58 | 0:42:01 | |
Sold! So that went well over the estimate, but there's still plenty of room for a profit. | 0:42:01 | 0:42:08 | |
Well, teams, been chatting? No, no. | 0:42:08 | 0:42:12 | |
Well, I'm proud to reveal that there is only ?7 between our teams today. | 0:42:12 | 0:42:19 | |
Ohh! | 0:42:19 | 0:42:20 | |
?7 between the winners and the runners-up and the runners-up today, by ?7, | 0:42:20 | 0:42:26 | |
are...the Blues. | 0:42:26 | 0:42:28 | |
Which is bad luck, isn't it? Your total is minus ?43. | 0:42:30 | 0:42:35 | |
They shouldn't chortle too much because your total is minus ?36! | 0:42:35 | 0:42:40 | |
So it is as close as close can be. | 0:42:41 | 0:42:45 | |
You had some monstrous losses throughout, didn't you? It didn't just go your way. | 0:42:45 | 0:42:50 | |
But the victors today who go home with nothing and who win by only losing ?36... | 0:42:50 | 0:42:56 | |
Once again, the Bonus Buy came storming through. | 0:42:56 | 0:43:01 | |
Who could spend ?1 and go home with ?18 of profit? Nobody but Rossco. | 0:43:01 | 0:43:22 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:22 | 0:43:27 | |
It'll be splendid to see you. | 0:43:27 | 0:43:29 | |
Subtitles by Red Bee Media Ltd | 0:43:35 | 0:43:37 | |
MUSIC: Wonderwall by Oasis | 0:43:43 | 0:43:44 | |
All these great memories and, you know, it absolutely shaped me. | 0:43:44 | 0:43:48 | |
It just takes me back to that time. | 0:43:48 | 0:43:50 | |
# Jitterbug... # | 0:43:50 | 0:43:51 |