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With thousands of stalls and a taste of the continent, where could we be? | 0:00:02 | 0:00:07 | |
Actually, today we're in Nottinghamshire | 0:00:07 | 0:00:09 | |
at the Newark Antiques and Collectors' Fair. | 0:00:09 | 0:00:13 | |
So, what are we waiting for? Let's go Bargain Hunting in a gale. | 0:00:13 | 0:00:17 | |
Did you know that Nottinghamshire was the setting | 0:00:44 | 0:00:47 | |
for the notorious Lady Chatterley's Lover book? | 0:00:47 | 0:00:51 | |
I say, missus. | 0:00:51 | 0:00:52 | |
Let's hope that our contestants today don't have a similar scandal | 0:00:52 | 0:00:56 | |
as they delve deeply into all the stalls that are on offer here. | 0:00:56 | 0:01:01 | |
Here's a quick taster though, of what's coming up. | 0:01:01 | 0:01:03 | |
The Reds don't have time for sitting around. | 0:01:04 | 0:01:07 | |
-Girls, we haven't got time for that nonsense. -Come on then, off we go. | 0:01:07 | 0:01:11 | |
While the Blues try an alternative way to make money. | 0:01:11 | 0:01:14 | |
Let's leave him there. He might make a couple of bob. | 0:01:17 | 0:01:21 | |
So, let's meet the teams. | 0:01:22 | 0:01:23 | |
Well, today on Bargain Hunt we've got two teams of friends. | 0:01:24 | 0:01:27 | |
Well, they're friends at the moment. | 0:01:27 | 0:01:29 | |
For the Reds we've got June and Moira | 0:01:29 | 0:01:33 | |
and for the Blues we've got Martin and Phil. | 0:01:33 | 0:01:35 | |
-Hello, everyone. -ALL: Hello! | 0:01:35 | 0:01:37 | |
Hello, hello. | 0:01:37 | 0:01:38 | |
Now, June, how was it that you two met? | 0:01:38 | 0:01:41 | |
We met about 20 years ago and we met at work. | 0:01:41 | 0:01:43 | |
Like a lot of people do | 0:01:43 | 0:01:45 | |
and eventually I was invited to join the Getaway Girls. | 0:01:45 | 0:01:49 | |
The Getaway Girls? What do they do? | 0:01:49 | 0:01:52 | |
Well, they're a bunch of girls similar to ourselves, | 0:01:52 | 0:01:55 | |
there's 11 of us, and they are ex-staff from the bank where we work. | 0:01:55 | 0:02:00 | |
And we get together every so often. | 0:02:00 | 0:02:01 | |
We save up and we go here, there and everywhere. | 0:02:01 | 0:02:04 | |
We've been to Venice and Paris. | 0:02:04 | 0:02:06 | |
-Now, tell me about your love of the leopard print? -The leopard print. | 0:02:06 | 0:02:10 | |
Cos we can see a bit of leopard printing here. | 0:02:10 | 0:02:13 | |
I mean, I love the boots. | 0:02:13 | 0:02:14 | |
-Now, Moira, you love collecting. -I do, yes. I have themes in my house. | 0:02:14 | 0:02:19 | |
Each room has a theme. | 0:02:19 | 0:02:20 | |
In my bathroom I collect Pear's advertising things. | 0:02:20 | 0:02:23 | |
-The bedroom, red spot things. -Red spot things? | 0:02:23 | 0:02:26 | |
-Yeah, like pottery with red with white spots. -I see. | 0:02:26 | 0:02:30 | |
-In my kitchen I have blue and white stripes. -Yes. | 0:02:30 | 0:02:34 | |
My summer house, china, cups and saucers, teapots and jugs. | 0:02:34 | 0:02:39 | |
-You're not obsessed at all, are you? -No. | 0:02:39 | 0:02:41 | |
-It says here you've got your own private tea shop. -We have. | 0:02:41 | 0:02:44 | |
We have a summer house in the garden | 0:02:44 | 0:02:46 | |
and it ended up a tearoom at the garden end. | 0:02:46 | 0:02:49 | |
But you're not open to the public, it's strictly by private invitation. | 0:02:49 | 0:02:52 | |
-So you don't charge them for a cup of tea? -Oh, no. -How lovely is that. | 0:02:52 | 0:02:56 | |
That's a sweet idea. | 0:02:56 | 0:02:57 | |
I think you're going to do incredibly well today, girls. Good luck. Meanwhile, chaps, | 0:02:57 | 0:03:01 | |
I should think you're quaking in your boots over here, aren't you? | 0:03:01 | 0:03:03 | |
-Absolutely terrified. -We're not wearing boots, but... -That's your first big mistake, I tell you. | 0:03:03 | 0:03:08 | |
Now, Martin, tell me about your love of music. | 0:03:08 | 0:03:10 | |
Well, I'm in a punk band myself. A hardcore punk band. | 0:03:10 | 0:03:12 | |
-Oh, hardcore punk. -Yeah, it's different from a punk band. | 0:03:12 | 0:03:15 | |
-Of course, it would be. -More full-on, more of those. | 0:03:15 | 0:03:18 | |
-You're more vicious, aren't you? -Yes, we are. Full-on. | 0:03:18 | 0:03:20 | |
We encourage a lot of crowd participation. Lots of pogoing. | 0:03:20 | 0:03:25 | |
-Lots of pitting. -Pogoing, fill us in on pogoing. | 0:03:25 | 0:03:28 | |
It used to be at Sex Pistols gigs you used to jump around. | 0:03:28 | 0:03:32 | |
-Like a pogo stick. -But now it's more shove people around. | 0:03:32 | 0:03:36 | |
But everyone takes care of each other. | 0:03:36 | 0:03:38 | |
-You push 'em, but not too hard. -That's it. | 0:03:38 | 0:03:40 | |
So, what's your favourite then? What do you like to sing? | 0:03:40 | 0:03:43 | |
We kind of play our own music. It's all original. | 0:03:43 | 0:03:45 | |
So why don't you just give us a little trill of what you sing, | 0:03:45 | 0:03:48 | |
-typically when standing up there. -I knew this was going to happen. | 0:03:48 | 0:03:51 | |
# You're only happy she said | 0:03:51 | 0:03:53 | |
# When there's a drink in your hand. # | 0:03:53 | 0:03:57 | |
Isn't that fantastic. Give him a little round of applause. | 0:03:57 | 0:04:00 | |
You've got to be brave to do it and you didn't know I was going to ask. | 0:04:00 | 0:04:04 | |
-I was totally unprepared for that. -Well, there we go. | 0:04:04 | 0:04:06 | |
Now, Phil, you're also a hardcore punk fan. | 0:04:06 | 0:04:09 | |
-Most definitely. It's how I met Martin. -Is it? | 0:04:09 | 0:04:12 | |
We met at one of his gigs. | 0:04:12 | 0:04:13 | |
-Ended up me climbing on the stage and pogoing myself. -Did you? -Yes. | 0:04:13 | 0:04:18 | |
And you have a love of antiques? | 0:04:18 | 0:04:19 | |
Yes, it sort of come from an early age where I've been | 0:04:19 | 0:04:23 | |
running around car-boot sales trying to find the best deal. | 0:04:23 | 0:04:26 | |
I'd have £2.50 to spend and see what I could get. | 0:04:26 | 0:04:29 | |
It's amazing what you can buy for £2.50 in a car booty | 0:04:29 | 0:04:32 | |
-type environment. -It's different today. 300 as opposed to 2.50. | 0:04:32 | 0:04:36 | |
-You get £300. -I know, big boys. -300 of our pounds. | 0:04:36 | 0:04:41 | |
I'm going to be intrigued by your performance, chaps. I have to say. | 0:04:41 | 0:04:44 | |
-Anyway, £300. -Thank you very much. -£300. | 0:04:44 | 0:04:47 | |
You know the rules, girls and boys, and off you go. Very good luck. | 0:04:47 | 0:04:51 | |
Leopard prints, eh? | 0:04:53 | 0:04:54 | |
We've got a couple of crackers lined up for you today. | 0:04:55 | 0:04:59 | |
First we have Philip Serrell who is hoping not to flush away all | 0:04:59 | 0:05:02 | |
the profits for the Reds. | 0:05:02 | 0:05:03 | |
And trying to play the blues for the Blues, it's Anita Manning. | 0:05:04 | 0:05:08 | |
I'd stick to the day job. | 0:05:09 | 0:05:11 | |
-Here she comes. Come on. -Come on. -Go, girl, go. | 0:05:16 | 0:05:20 | |
I think you boys are fast workers. | 0:05:20 | 0:05:22 | |
Phil, before you go another step you've got to wear this because | 0:05:26 | 0:05:30 | |
you've got to be an honorary member of Leopardskin Tours today. | 0:05:30 | 0:05:34 | |
-Gosh, I'm moved. I really am. -You look fabulous, old fruit. | 0:05:36 | 0:05:41 | |
Now, start shopping, teams. | 0:05:41 | 0:05:43 | |
Remember, you've got £300 to spend on three items in 60 minutes. | 0:05:43 | 0:05:46 | |
Are we going to look for musical instruments today? | 0:05:48 | 0:05:50 | |
-That sounds good to me. -Is it good? | 0:05:50 | 0:05:53 | |
OK, guys, let's harmonise and let's bargainise. | 0:05:53 | 0:05:57 | |
-Let's hit the high notes. -It's lovely having two big, strong laddies to do it. | 0:05:57 | 0:06:00 | |
SHE SCREAMS | 0:06:00 | 0:06:01 | |
So, whilst Anita gets carried away, it's full steam ahead for Phil. | 0:06:03 | 0:06:07 | |
I'll tell you what I saw out here. | 0:06:07 | 0:06:09 | |
It's not really a girly thing, but people collect railwayana. | 0:06:11 | 0:06:15 | |
That's a carriage door from the Staffordshire Railway. | 0:06:15 | 0:06:17 | |
And it's the sort of thing that you could see a railway buff | 0:06:17 | 0:06:20 | |
buying that. How much is that railway door? That door, that panel? | 0:06:20 | 0:06:25 | |
65. Don't be embarrassed because it's too cheap. | 0:06:25 | 0:06:28 | |
-What's the best on it? -Better for me or better for you? | 0:06:30 | 0:06:34 | |
-Better for us, really. -50. -Can we have a look at it? | 0:06:34 | 0:06:37 | |
Well, unless I'm wrong, is that off a railway door carriage? | 0:06:38 | 0:06:43 | |
-I would think so, yeah. -What would this be, 1920s? | 0:06:43 | 0:06:48 | |
-It's like Oh, Mr Porter, isn't it? -Yeah. | 0:06:48 | 0:06:50 | |
-And that would have fitted onto the carriage door. -That's right. | 0:06:50 | 0:06:55 | |
You have to show a hint of enthusiasm when I go, | 0:06:55 | 0:06:58 | |
"What do you think to that then?" | 0:06:58 | 0:06:59 | |
What you do is go, "Gosh, that's fantastic." You don't go... | 0:06:59 | 0:07:04 | |
-But if it isn't, I can't lie. -I've done it for years. | 0:07:04 | 0:07:08 | |
-What do you think to that? -It's quite nice. -Let's put that back then. | 0:07:08 | 0:07:11 | |
That's right, Reds. You tell Phil exactly what you think. | 0:07:12 | 0:07:16 | |
Are you cold, guys? Keep warm. Keep warm. | 0:07:16 | 0:07:21 | |
You should be doing some pogoing to keep warm, Blues. | 0:07:21 | 0:07:24 | |
-What are those Reds up to? -Girls, we haven't got time for that nonsense. | 0:07:24 | 0:07:28 | |
-Come on then, off we go. -You tell them, Phil. | 0:07:28 | 0:07:30 | |
-Have your hands warmed up? -Definitely. -There's lots in here. | 0:07:34 | 0:07:37 | |
There's lots in here. | 0:07:37 | 0:07:39 | |
So, as the Blues head inside and out of the cold, | 0:07:39 | 0:07:42 | |
the Reds are getting all excited. | 0:07:42 | 0:07:45 | |
-I like this. -Oh, yeah, I like that. It's a proper posing stool. | 0:07:45 | 0:07:51 | |
It's got a lot of wear, hasn't it? | 0:07:51 | 0:07:53 | |
-What is it, anyway? -It's a butcher's block. -Oh, fantastic. | 0:07:53 | 0:07:57 | |
What is nice, I love the social history of this stuff. | 0:07:57 | 0:08:00 | |
These blocks here have like their own antiseptic quality. | 0:08:00 | 0:08:04 | |
-It's almost like self cleaning. And this is probably French. -Do you think so? | 0:08:04 | 0:08:07 | |
-If we're interested in this it's going to cost us under... -100. -Yeah. | 0:08:07 | 0:08:13 | |
Excuse me, my love, would I be right in thinking this is probably French? | 0:08:13 | 0:08:18 | |
-Might be. 200. -200, is that the death finish? -That is the death. | 0:08:18 | 0:08:24 | |
Too much for us, my love. I think it's really cool. Don't dismiss it. | 0:08:24 | 0:08:28 | |
-No. -I think at auction this is going to make 120, 180. | 0:08:28 | 0:08:33 | |
-OK. -Let's have a think about it. Come on, let's go have a look around. | 0:08:33 | 0:08:37 | |
Thank you very much. Thank you. | 0:08:37 | 0:08:38 | |
So, the block is on hold for the Reds, | 0:08:38 | 0:08:41 | |
but meantime, what have the Blues plucked out from all this stuff? | 0:08:41 | 0:08:44 | |
Can you play that one? | 0:08:44 | 0:08:46 | |
I can't play banjo, especially as it has two strings on it. | 0:08:46 | 0:08:50 | |
Oh, that's got quite a lot of weight to it. | 0:08:50 | 0:08:53 | |
What I like is this lovely mother of pearl inlay around here. | 0:08:53 | 0:08:57 | |
-It's in very good condition. -How much is this? -About £2,000. -£2,000? | 0:08:57 | 0:09:04 | |
-£2,000? -I like it. I would love to have a banjo in my punk band. | 0:09:04 | 0:09:09 | |
-That would be awesome. -It would add a folky twang to it. | 0:09:09 | 0:09:14 | |
Can you tell us a wee bit about this banjo? | 0:09:14 | 0:09:16 | |
It's what they call a long stem one and it's made of rosewood | 0:09:16 | 0:09:19 | |
and mother of pearl inlay and it's signed, this one, you know. | 0:09:19 | 0:09:22 | |
-Can you see it? -W Dennis. | 0:09:22 | 0:09:24 | |
And it's got registration number which will make it Victorian, | 0:09:24 | 0:09:28 | |
-at least, I would imagine. -How much is that? -125. -110? -I can't. | 0:09:28 | 0:09:34 | |
Would you take 100 for it? | 0:09:34 | 0:09:36 | |
The best on it would be 120. | 0:09:38 | 0:09:40 | |
What do you think? Let's do it. Come on, let's do that. | 0:09:41 | 0:09:44 | |
Thank you, very much. | 0:09:44 | 0:09:46 | |
Well done, Blues, | 0:09:46 | 0:09:48 | |
that's one down and you're working in perfect harmony. | 0:09:48 | 0:09:50 | |
But, how are the Reds getting on? | 0:09:50 | 0:09:52 | |
We've been here for 20 minutes and we've not bought a shilling. | 0:09:54 | 0:09:57 | |
I beg your pardon? It's pounds you want to spend, not minutes. Come on. | 0:09:57 | 0:10:02 | |
-We should crank that through a guitar pedal. That would be it. Let's see you move. -All right. | 0:10:06 | 0:10:11 | |
-That's it. -Oh, I can see you at one of Martin's gigs, Anita. You go, girl. | 0:10:12 | 0:10:17 | |
Such a raver. | 0:10:17 | 0:10:18 | |
Phil, what do you think of the blowtorch? Not a lot. | 0:10:22 | 0:10:27 | |
See, you got to lie about it, you told me. | 0:10:28 | 0:10:30 | |
-That's really, really lovely. I like that. -What on earth is it? | 0:10:30 | 0:10:36 | |
Well, what it is, is a doofer. | 0:10:36 | 0:10:40 | |
-It's a blowtorch. -It will do for this and do for that. | 0:10:40 | 0:10:43 | |
It's a gubbins pot. | 0:10:43 | 0:10:45 | |
So, you put your gubbins in there | 0:10:45 | 0:10:47 | |
and what you do is start pumping the pressure up like that. | 0:10:47 | 0:10:50 | |
I think that would look nice on the sideboard, don't you? | 0:10:50 | 0:10:53 | |
Can't wait to see your sideboard. | 0:10:53 | 0:10:55 | |
Fill it with coffee. That would be nice in your teashop, Moira. | 0:10:56 | 0:10:59 | |
-It's a very early milk frother. -Is it? -Yeah, it is. -What's the T for? | 0:10:59 | 0:11:05 | |
THEY LAUGH | 0:11:05 | 0:11:07 | |
For the avoidance of doubt, | 0:11:07 | 0:11:08 | |
this is NOT to be used anywhere near milk, tea or coffee. | 0:11:08 | 0:11:11 | |
But it's like a garden spray. That's what it originally was. | 0:11:11 | 0:11:15 | |
-Go on, buy it. -Do you think we should get that? -It's £28. | 0:11:15 | 0:11:19 | |
£28 for it, see if you can get it for 20 quid. I think | 0:11:19 | 0:11:23 | |
you'll make a profit. I feel one of me headaches coming on. Off you go. | 0:11:23 | 0:11:26 | |
Stop confusing us, Phil. | 0:11:26 | 0:11:28 | |
And if you missed that at home, | 0:11:30 | 0:11:32 | |
it's an early 20th century brass garden spray. Handy. | 0:11:32 | 0:11:36 | |
This for 20. We'll shake on that then. | 0:11:36 | 0:11:39 | |
Thank you very much, indeed. Thank you, thank you. | 0:11:39 | 0:11:42 | |
Come on, girls, on to the next. | 0:11:42 | 0:11:44 | |
Jolly well done, girls. | 0:11:45 | 0:11:47 | |
You've got a taste for this bargain hunting now and so do the Blues. | 0:11:47 | 0:11:51 | |
-I'm just seeing this over here. -All right, cool. | 0:11:51 | 0:11:54 | |
Early 19th century meat plate. What do you think, Anita? | 0:11:54 | 0:11:57 | |
Blue and white is always popular. Tell me why you like it? | 0:11:57 | 0:12:01 | |
It's really jumped out at me. | 0:12:01 | 0:12:03 | |
I like the design, the flower and the birds, as well. | 0:12:03 | 0:12:05 | |
It's literally caught my eye there and then. | 0:12:05 | 0:12:07 | |
-Can you imagine a big roast beef or a turkey? -Gammon. | 0:12:07 | 0:12:12 | |
You're teasing me now. | 0:12:12 | 0:12:14 | |
Let's have a look on the back and see if we have a maker's name. | 0:12:14 | 0:12:18 | |
-Ironstone China. -For £98. -It's transfer printed there. | 0:12:21 | 0:12:27 | |
-It's not hand painted. -Right, OK. -Can you explain how you know that? | 0:12:27 | 0:12:31 | |
OK. It was to produce things much quicker and easier. | 0:12:31 | 0:12:35 | |
And if you look at the seam, it's not nice and tight. | 0:12:35 | 0:12:39 | |
It's not hand painted, it doesn't have the flow of hand painted | 0:12:39 | 0:12:43 | |
but transfer print is absolutely fine for that time. | 0:12:43 | 0:12:48 | |
But you'd be wanting to get it for a lot lower. | 0:12:48 | 0:12:50 | |
Probably half, about £50-60. | 0:12:50 | 0:12:53 | |
-You all right there, sir? -Hello. The boys fancied this big platter. | 0:12:53 | 0:12:59 | |
They like it because it's big. They like it because it's useful. | 0:12:59 | 0:13:03 | |
But it's maybe a wee bit dear for us to sell in auction so, | 0:13:03 | 0:13:06 | |
-maybe the boys could persuade you to... -You can back us up. | 0:13:06 | 0:13:11 | |
We're Blue, the plate is blue. | 0:13:11 | 0:13:12 | |
Obviously you've got to get behind us on this. | 0:13:12 | 0:13:14 | |
I can't take that much off it, cos it's under-priced already. | 0:13:14 | 0:13:17 | |
85 is about the best I can do. | 0:13:17 | 0:13:20 | |
-80. -Could you squeeze 80? You are a true gent. You really are. | 0:13:23 | 0:13:28 | |
Thank you very much. | 0:13:28 | 0:13:31 | |
Anita said £50, chaps. You don't mess about, do you? | 0:13:31 | 0:13:35 | |
You like to buy it, whatever the price. | 0:13:35 | 0:13:37 | |
-What about...have a look at these spoons. -By all means do. | 0:13:39 | 0:13:42 | |
-These are Lincoln Imp. -What is the Lincoln Imp? | 0:13:42 | 0:13:46 | |
It's the Imp up in Lincoln Cathedral. | 0:13:46 | 0:13:48 | |
Just tell me about this Lincoln Imp thing again. | 0:13:48 | 0:13:50 | |
It's the symbol for Lincoln and it's in a lot of churches. | 0:13:50 | 0:13:53 | |
We have it in our church at Grimsby. | 0:13:53 | 0:13:55 | |
So why is he not the Grimsby Imp then? | 0:13:55 | 0:13:57 | |
-He's the Lincoln Imp. That's what he's known as. -He gets out a bit. | 0:13:57 | 0:14:00 | |
-He goes to Grimsby for his holidays. -OK. What date are they? | 0:14:00 | 0:14:04 | |
It doesn't say the date. But they're hallmarked silver from Sheffield. | 0:14:04 | 0:14:08 | |
Even better. | 0:14:08 | 0:14:10 | |
It's quite nice that the retailer's mark is on here, which is | 0:14:10 | 0:14:13 | |
James Usher & Son, who are jewellers and silversmiths of Lincoln. | 0:14:13 | 0:14:18 | |
-Of Lincoln, yes. -The auction is in Lincoln... -I like it in the box, as well. -Quite clever, really. | 0:14:18 | 0:14:23 | |
They are rat tail spoons, because that looks like a rat tail. | 0:14:23 | 0:14:27 | |
What do you think to do? | 0:14:28 | 0:14:30 | |
As a pair of cased spoons they're probably 40 quid at the most. | 0:14:30 | 0:14:35 | |
-Do you like those? -I do like them. -I like those. | 0:14:35 | 0:14:37 | |
-Let me have a word with the lady. -OK, thank you. | 0:14:37 | 0:14:40 | |
So, whilst Phil checks out the price of the spoons, | 0:14:40 | 0:14:43 | |
Martin finds time for a little musical interlude. | 0:14:43 | 0:14:46 | |
-Want a wee dance, darling? -Pogo. -How do you do that? -You rock, Anita. | 0:14:46 | 0:14:51 | |
Hats off for giving it a go. Oops! | 0:14:51 | 0:14:53 | |
-OK. That was exhausting. -That was fun. | 0:14:58 | 0:15:00 | |
-We've still got one more antique to buy. -That's true. | 0:15:00 | 0:15:03 | |
Tell you what, let's leave him there. | 0:15:03 | 0:15:06 | |
He might make a couple of bob. | 0:15:06 | 0:15:08 | |
He's earned £2. | 0:15:08 | 0:15:10 | |
SHE LAUGHS | 0:15:10 | 0:15:11 | |
I don't think that's what he was planning but a profit's a profit. | 0:15:13 | 0:15:16 | |
And talking of profits, how are the Reds doing? | 0:15:18 | 0:15:20 | |
It's like this. | 0:15:21 | 0:15:23 | |
I've had a word with the dealer and they've offered | 0:15:23 | 0:15:25 | |
these for 50 quid, which is a really good discount. | 0:15:25 | 0:15:27 | |
-So, I think you should buy them, personally. -Yeah, we do. | 0:15:27 | 0:15:30 | |
-We like those. Brilliant. -I'll keep looking. | 0:15:30 | 0:15:34 | |
That's two very happy shoppers. | 0:15:34 | 0:15:37 | |
Now, the Blues have nipped outside in their quest to find | 0:15:37 | 0:15:40 | |
their final purchase. | 0:15:40 | 0:15:41 | |
Would that fit you? | 0:15:41 | 0:15:43 | |
-I would love to go down a hill on that. -I wouldn't, personally. | 0:15:44 | 0:15:48 | |
I do want you to buy something that you like. | 0:15:54 | 0:15:57 | |
I like the butcher's block and I like the train door. | 0:15:57 | 0:15:59 | |
Didn't like the train door when we started. | 0:15:59 | 0:16:01 | |
-You didn't like the train door at all. -These things grow on you. | 0:16:01 | 0:16:04 | |
Go on, get out of here. | 0:16:04 | 0:16:07 | |
Now, now, Philip, give the girls a break. | 0:16:08 | 0:16:11 | |
They're in it to win it, you know. | 0:16:11 | 0:16:13 | |
-I don't think Reds stand a chance. -We're going to smoke the Reds. | 0:16:13 | 0:16:16 | |
-Definitely. -They won't see us coming. -That's fighting talk, boys. | 0:16:16 | 0:16:20 | |
Now, the girls are on a mission. | 0:16:20 | 0:16:23 | |
I think that butcher's block is very unusual. | 0:16:24 | 0:16:26 | |
I've never seen one before in an auction. | 0:16:26 | 0:16:29 | |
I think as I said it's 100, 150 quid. | 0:16:29 | 0:16:34 | |
-Do you think she might come down 20? -Don't know. You can only ask. | 0:16:34 | 0:16:38 | |
You can only, only ask. The good news is it's still there. | 0:16:38 | 0:16:41 | |
-Should we see if she'll just come down a little bit? -See what you can do. | 0:16:41 | 0:16:44 | |
-See if you can get a tenner off. -Hello, we're back again. | 0:16:44 | 0:16:50 | |
We really like your butcher's block and we just wondered | 0:16:50 | 0:16:53 | |
-if you could come a teeny bit just to bring us under the 200. -190 then. | 0:16:53 | 0:16:58 | |
-That's it, I'm afraid. -Are you going to buy it? -Oh, yes. We love it. | 0:16:58 | 0:17:02 | |
-Thank you very much. -That's brilliant. | 0:17:02 | 0:17:05 | |
You didn't listen to Phil's valuation, girls. | 0:17:05 | 0:17:08 | |
That's a lot of beef for your block. | 0:17:08 | 0:17:11 | |
Let's hope your bravery surprises us later on. | 0:17:11 | 0:17:13 | |
Now, is Anita making the boys go all gaga? | 0:17:13 | 0:17:16 | |
What do you think about this, guys? | 0:17:16 | 0:17:19 | |
-Yeah, it's good that. -Transistor Six Fleetwood. | 0:17:19 | 0:17:22 | |
A little radio in the form of a globe of the world. | 0:17:24 | 0:17:27 | |
And look, you change the station by this mechanism here. | 0:17:27 | 0:17:30 | |
Do you like that? | 0:17:30 | 0:17:31 | |
-I like that a lot. -It's quite weighty, as well. -Yep. | 0:17:31 | 0:17:34 | |
It looks quite modernish. Do you know what kind of... | 0:17:34 | 0:17:37 | |
-That would be '50s, '60s. -'50s, '60s. That would be quite cool. | 0:17:37 | 0:17:43 | |
-Anything to do with music, really. -If you get some hardcore punk through there, then that would be cool. | 0:17:43 | 0:17:48 | |
SHE LAUGHS | 0:17:48 | 0:17:49 | |
-Well, I'm sure it can be arranged. -The design is really good. | 0:17:49 | 0:17:52 | |
-I like the colours, as well. -Most importantly, does it work? -I hope so. | 0:17:52 | 0:17:57 | |
Cos otherwise it will just be a novelty. | 0:17:57 | 0:17:59 | |
-It looks in fairly good condition. -It looks like it would still work. | 0:17:59 | 0:18:03 | |
I'm sure that these things can be repaired, but it's the look of that. | 0:18:03 | 0:18:07 | |
-It's just so... -Can you imagine on your mantelpiece, right there. | 0:18:07 | 0:18:11 | |
What it's doing is it's saying, "style." | 0:18:13 | 0:18:16 | |
-Now, are you interested, guys? -Yeah, definitely. -I would say so. | 0:18:16 | 0:18:20 | |
-OK, I'll see what I can do. -Work your magic, Anita. | 0:18:21 | 0:18:24 | |
-How much do you reckon we could get for that? -I don't know. | 0:18:24 | 0:18:27 | |
-We've only got 100 left, so... -We want to leave some money. -60 or 70. -Yeah. | 0:18:27 | 0:18:33 | |
-He said he wants £85 on it. -You know, it just completes the set. | 0:18:33 | 0:18:38 | |
It's exactly what we've been going for today. | 0:18:38 | 0:18:40 | |
-It's musically themed. It's a statement, it's bold. -It's decorative. | 0:18:40 | 0:18:44 | |
-It's in a good condition, we're done. -£85. -£85, sealed. | 0:18:44 | 0:18:50 | |
Time's up, teams. | 0:18:55 | 0:18:56 | |
Let's remind ourselves what the Red Team bought, eh? | 0:18:56 | 0:18:59 | |
The Reds paid £20 for the old brass garden sprayer. | 0:19:00 | 0:19:04 | |
£50 was spent on this pair of Victorian silver gilt | 0:19:06 | 0:19:10 | |
teaspoons featuring a rat's tail and a Lincoln Imp. | 0:19:10 | 0:19:14 | |
And £190 was stumped up for the butcher's block. | 0:19:14 | 0:19:18 | |
Crikey. | 0:19:18 | 0:19:20 | |
-Have we got our neck on that block? -Yes. -Maybe at the auction. | 0:19:21 | 0:19:25 | |
What's all this about this block? | 0:19:25 | 0:19:27 | |
-You haven't bought a butcher's block, have you? -We have. | 0:19:27 | 0:19:29 | |
-You haven't. How lovely. -Butcher's block-cum-posing stool. | 0:19:29 | 0:19:34 | |
Which is going to bring the biggest profit, your old block? | 0:19:34 | 0:19:37 | |
No, we don't think so but we loved it so much. | 0:19:37 | 0:19:40 | |
We think it is going to be the garden spray. | 0:19:40 | 0:19:42 | |
-Lovely, how much did you spend all round? -£260. | 0:19:42 | 0:19:45 | |
That is a cracking amount of money. Well done, girls. | 0:19:45 | 0:19:48 | |
£40 of leftover lolly, please. Straight across to PS. | 0:19:48 | 0:19:52 | |
-I'm going to blow the lot. -Oh, fantastic. -Every single penny spent. | 0:19:52 | 0:19:57 | |
But don't tell us what it is till later. | 0:19:57 | 0:20:00 | |
Meanwhile, why don't we check out what the Blue Team bought, eh? | 0:20:00 | 0:20:03 | |
The Blues paid £120 for this five string banjo. | 0:20:03 | 0:20:07 | |
That's nearly £25 a string. | 0:20:07 | 0:20:09 | |
They lashed out £80 on this 19th century Masons serving dish. | 0:20:09 | 0:20:13 | |
And the 1960s transistor radio in the form of a globe | 0:20:14 | 0:20:18 | |
cost the team £85. | 0:20:18 | 0:20:19 | |
We wanted to invest big. That's was our main target. | 0:20:23 | 0:20:25 | |
-Little birdie tells me you spent a lot. Is that right? -285. | 0:20:25 | 0:20:29 | |
285, I'm proud of you, team. | 0:20:29 | 0:20:32 | |
-Well, we said we'd spend big from the start so we kept true to our word. -You've cracked it. | 0:20:32 | 0:20:36 | |
OK, now £15 of leftover lolly. Well done, Phil. I give that to Anita. | 0:20:36 | 0:20:40 | |
Not much, Anita, but it is a lovely fair this, isn't it? | 0:20:40 | 0:20:43 | |
It's wonderful and I know that the boys go to lots of festivals | 0:20:43 | 0:20:47 | |
-so they should be used to the outdoors. -Yes. | 0:20:47 | 0:20:51 | |
I've seen something which might make your time at the festivals | 0:20:51 | 0:20:55 | |
even nicer. | 0:20:55 | 0:20:57 | |
-Oh! -That does sound... | 0:20:57 | 0:20:59 | |
That's a good tease. Good luck with that. | 0:20:59 | 0:21:01 | |
You've been bargain hunting frantically. | 0:21:01 | 0:21:04 | |
I've been off a bit myself and I've come up with a marvel in marble. | 0:21:04 | 0:21:08 | |
I found this marvellous marble with a curious | 0:21:17 | 0:21:20 | |
history on a trip to the antique shops of Lewes in West Sussex. | 0:21:20 | 0:21:25 | |
Well, some days is average days and some days are very, very good days. | 0:21:26 | 0:21:31 | |
And today is a very, very good day. | 0:21:31 | 0:21:33 | |
Largely as a result of this little fellow. | 0:21:33 | 0:21:36 | |
OK, it's a socking great lump of white Carrara marble. | 0:21:36 | 0:21:41 | |
But don't forget to always look at the back of a bust | 0:21:41 | 0:21:45 | |
to see if it's signed. | 0:21:45 | 0:21:47 | |
And this one is. Fiamingo, don't forget that. | 0:21:47 | 0:21:51 | |
Fiamingo. | 0:21:51 | 0:21:53 | |
Looking at the carved bust as I am from above, | 0:21:53 | 0:21:57 | |
I can see that the top of this child's head is most | 0:21:57 | 0:22:01 | |
exquisitely carved with waves of hair by the sculptor in marble. | 0:22:01 | 0:22:08 | |
Which is no mean feat. | 0:22:08 | 0:22:10 | |
But actually, we're looking at this bust from the wrong angle. | 0:22:10 | 0:22:14 | |
To look at this properly, I need to pick this up, and it's extremely | 0:22:14 | 0:22:18 | |
heavy, and put it on a high shelf because that is the angle | 0:22:18 | 0:22:23 | |
that this piece of sculpture was designed to be viewed. | 0:22:23 | 0:22:28 | |
It would have been carved about 1620 and mounted on a block on a wall, | 0:22:28 | 0:22:35 | |
above head height so that when you're parading in a grand house | 0:22:35 | 0:22:40 | |
and you look up you get to see the beauty of the child's face. | 0:22:40 | 0:22:46 | |
Look at how exquisitely the eyes have been carved. | 0:22:46 | 0:22:50 | |
And its pudgy little nose and mouth. And those tremendous fat cheeks. | 0:22:50 | 0:22:57 | |
Because in the early part of the 17th century children were | 0:22:57 | 0:23:00 | |
dying left and right of all sorts of disease and malnutrition. | 0:23:00 | 0:23:05 | |
So producing healthy children was incredibly important. | 0:23:05 | 0:23:09 | |
And the sculptor that has produced this has captured that chubby, | 0:23:09 | 0:23:14 | |
healthy child perfectly. | 0:23:14 | 0:23:16 | |
So who exactly was the sculptor of this baroque bust? | 0:23:16 | 0:23:21 | |
Well, I pointed out Fiamingo before I picked it up. | 0:23:21 | 0:23:26 | |
But actually the name you want to grasp is Francois Duquesnoy. | 0:23:26 | 0:23:31 | |
Duquesnoy came from the Low Countries. | 0:23:31 | 0:23:33 | |
He was Flemish and was a contemporary | 0:23:33 | 0:23:36 | |
and worked with Peter Paul Rubens. | 0:23:36 | 0:23:39 | |
Rubens, famed for his baroque paintings of fleshy women and children. | 0:23:39 | 0:23:45 | |
Surprise, surprise, Duquesnoy with this fleshy bust was equally | 0:23:45 | 0:23:51 | |
renowned for his chubby cherubs. But something happened to Duquesnoy, | 0:23:51 | 0:23:56 | |
because he moved to France. | 0:23:56 | 0:24:00 | |
And he renamed himself in France, Francois Flamand. | 0:24:00 | 0:24:05 | |
And than he left France and he headed for Italy, | 0:24:05 | 0:24:08 | |
where he became Fiamingo. And this is where he created this bust. | 0:24:08 | 0:24:14 | |
Why did he chip and change across these European countries? | 0:24:14 | 0:24:19 | |
I haven't got the faintest idea. Perhaps he was being chased | 0:24:19 | 0:24:23 | |
by his creditors. | 0:24:23 | 0:24:24 | |
Either way, it's made the research and identification | 0:24:24 | 0:24:28 | |
of the sculptor Duquesnoy something of a quest. | 0:24:28 | 0:24:32 | |
And for that reason, | 0:24:32 | 0:24:34 | |
I guess it was possible to find this bust in Lewes for sale for £200. | 0:24:34 | 0:24:42 | |
What might it be worth? | 0:24:42 | 0:24:44 | |
Properly attributed to Francois Duquesnoy, in a baroque sculpture sale, | 0:24:44 | 0:24:49 | |
I would say between £5-7,000. | 0:24:49 | 0:24:54 | |
That's why today is a very, very good day. | 0:24:54 | 0:24:57 | |
Is it boom...or bust? | 0:24:58 | 0:25:00 | |
And we're just about to find out as we head off to Lincoln | 0:25:05 | 0:25:07 | |
for today's auction. | 0:25:07 | 0:25:09 | |
Well, it's lovely to be at Golding Young and Mawer's | 0:25:14 | 0:25:17 | |
sale room in Lincoln with our old mate Colin Young. | 0:25:17 | 0:25:21 | |
-Colin, good morning. -Good morning. Delightful to have you back with us. | 0:25:21 | 0:25:24 | |
What a mixture we've got today for these teams. | 0:25:24 | 0:25:26 | |
First off, insects beware | 0:25:26 | 0:25:28 | |
because here comes the insect killer of all insect killers. | 0:25:28 | 0:25:32 | |
-I mean, it's a magnificent object, isn't it? -It is. | 0:25:32 | 0:25:34 | |
It's a really interesting thing. You can give them plenty of spraying. | 0:25:34 | 0:25:37 | |
But if they're that big you could hit them over the head, the size of it. | 0:25:37 | 0:25:40 | |
Anyway, what's a thing like that in terms of garden collectibles worth? | 0:25:40 | 0:25:45 | |
Well, I suppose £25-40. | 0:25:45 | 0:25:46 | |
Well, £20 paid so that's the right price. That's fair enough. | 0:25:46 | 0:25:50 | |
Now, if I was buying something to bring to a Lincoln sale room | 0:25:50 | 0:25:54 | |
I would bring something with a Lincoln Imp on the end. | 0:25:54 | 0:25:57 | |
Cos this is the symbol of Lincoln, isn't it? | 0:25:57 | 0:26:00 | |
Isn't it just. It is a really, really delightful little lot, this one. | 0:26:00 | 0:26:04 | |
Isn't it? We've got this Usher connection. | 0:26:04 | 0:26:07 | |
James Usher was the silversmith that made these as a souvenir. | 0:26:07 | 0:26:11 | |
Indeed, as a silversmith it really is the name everybody wants to have | 0:26:11 | 0:26:15 | |
-in their cabinet. -Yes. | 0:26:15 | 0:26:17 | |
We put an estimate of 40-60 and it might be a little bit more | 0:26:17 | 0:26:20 | |
-than that because this really is such a sweet little lot. -Absolutely right. Well, £50 paid. | 0:26:20 | 0:26:25 | |
Lastly and something completely different. | 0:26:25 | 0:26:27 | |
It's coarse, it's crude, it's full of character, too. | 0:26:27 | 0:26:31 | |
It's great, isn't it? A good sort of decorator's piece, really. | 0:26:31 | 0:26:35 | |
Yes. What somebody's done is to cover the surface in polish, | 0:26:35 | 0:26:39 | |
which is a big mistake cos | 0:26:39 | 0:26:40 | |
if you were making pastry you could use that as a chopping block. | 0:26:40 | 0:26:45 | |
-If it was bleached back without the polish on it. -Yeah. | 0:26:45 | 0:26:47 | |
Something as small as that I would put an estimate of 50-80 | 0:26:47 | 0:26:50 | |
and fingers crossed that we get up to about £100 for it. | 0:26:50 | 0:26:54 | |
Nobody's going to bite your hand off on our team. They paid £190. | 0:26:54 | 0:26:58 | |
I'd be very, very surprised if we get near on that. | 0:26:58 | 0:27:01 | |
OK, well, if you don't they're going to need their bonus buy. So, let's go and have a look at it. | 0:27:01 | 0:27:05 | |
OK, June, Moira, this is your bonus buy moment. | 0:27:06 | 0:27:10 | |
£40 only of leftover lolly went to Philip Serrell. | 0:27:10 | 0:27:12 | |
-What did you spend it on, Phil? -Very unusual. What can this be then? | 0:27:12 | 0:27:18 | |
-Have we seen it before somewhere? -We might have done. | 0:27:18 | 0:27:20 | |
Well, what did he ask us when we went there before? Was it £50 or something? | 0:27:20 | 0:27:24 | |
-It was 65. -Well, the girls ummed and ahhed about buying it. -Ah! | 0:27:24 | 0:27:28 | |
They ummed and ahhed about buying it. It was priced up at 65. | 0:27:28 | 0:27:32 | |
I eventually got it for all of the 40 quid that we had left. | 0:27:32 | 0:27:35 | |
It's a carriage panel off a door on a railway carriage. | 0:27:35 | 0:27:39 | |
Of the North Staffordshire Railway Company. | 0:27:39 | 0:27:42 | |
-Do you think that would make a profit? -Is it leather? | 0:27:42 | 0:27:45 | |
No, it's just painted wood. But I think it's a nice thing. | 0:27:45 | 0:27:48 | |
You like it, don't you? | 0:27:48 | 0:27:49 | |
Yeah, and the thing about it is railway memorabilia is | 0:27:49 | 0:27:53 | |
massively collectible. | 0:27:53 | 0:27:54 | |
I'd like to see it estimated at £40-60, £50-80, that sort of area. | 0:27:54 | 0:27:59 | |
-But who knows. -And then on the internet, right? | 0:27:59 | 0:28:02 | |
So that might be a bonus buy that will bring us up there. | 0:28:02 | 0:28:06 | |
Lovely. OK, thank you very much for that, Phil. Thanks, girls. | 0:28:06 | 0:28:09 | |
Meanwhile, why don't we check out for the audience at home | 0:28:09 | 0:28:11 | |
what the auctioneer thinks about Phil's railway panel. | 0:28:11 | 0:28:15 | |
Well, that's a great bit of railway history, isn't it? | 0:28:15 | 0:28:19 | |
Isn't it a wonderful thing. Interesting finish. | 0:28:19 | 0:28:22 | |
A little bit of scuffing we can see. | 0:28:22 | 0:28:24 | |
But I think it's quite an exciting little lot. | 0:28:24 | 0:28:26 | |
I think it's fantastically detailed... Almost like a transfer really. | 0:28:26 | 0:28:32 | |
Because in the 19th century some of these railway carriages were | 0:28:32 | 0:28:35 | |
made of papier-mache and the papier-mache panels were cut out. | 0:28:35 | 0:28:39 | |
I don't know that this is papier-mache. | 0:28:39 | 0:28:40 | |
I think it's a wooden board. | 0:28:40 | 0:28:42 | |
For my money, this could have come off a carriage | 0:28:42 | 0:28:45 | |
and for a railwayana collector this is an exciting object. | 0:28:45 | 0:28:50 | |
Yeah, it has got the age. | 0:28:50 | 0:28:51 | |
I don't think it's 19th century, so where do we go estimate wise? | 0:28:51 | 0:28:55 | |
Again, 25-40, it's got to be worth those sort of figures. | 0:28:55 | 0:28:59 | |
But you could easily see this racing on at £70, 80, 90. | 0:28:59 | 0:29:03 | |
Full steam ahead, I'd say. Old Serrell paid £40 for it. | 0:29:03 | 0:29:07 | |
-I think that was a good buy at 40, without a doubt. -Yeah, me too. | 0:29:07 | 0:29:10 | |
Good. Anyway, that's it for Phil Serrell and his Red Team. | 0:29:10 | 0:29:13 | |
Now for the Blues and wee Anita Manning. | 0:29:13 | 0:29:16 | |
-And first up is the banjo. -Interesting little banjo this one. | 0:29:16 | 0:29:20 | |
The first thing I thought when I saw it was the unusual | 0:29:20 | 0:29:22 | |
-nature of the number of strings that are on it. -Oh, yes. -Five strings. | 0:29:22 | 0:29:27 | |
And I was convinced it wasn't called a banjo | 0:29:27 | 0:29:30 | |
-so I thought I'd better just find out the real name of it. -Yes. | 0:29:30 | 0:29:33 | |
And you'll be very surprised to know that these are called | 0:29:33 | 0:29:35 | |
five string banjos. | 0:29:35 | 0:29:37 | |
HE LAUGHS Well done for doing your research. | 0:29:37 | 0:29:40 | |
Well, my hope in there was that having that extra string would | 0:29:40 | 0:29:44 | |
have added a lot more value to them because generally they're £25-40. | 0:29:44 | 0:29:47 | |
-That sort of range. -What sort of money? | 0:29:47 | 0:29:50 | |
It's not really going to add anything more to my 25-40, I'm afraid. | 0:29:50 | 0:29:54 | |
-Is that where you're at? -That's where we're at. -They paid £120. | 0:29:54 | 0:29:58 | |
-It's a big number, that. -It is a big number. | 0:29:59 | 0:30:01 | |
It could be such a big number they don't recover from it. | 0:30:01 | 0:30:03 | |
Let's hope that they do cos their next item | 0:30:03 | 0:30:05 | |
is the blue and white transfer printed Masons serving dish. | 0:30:05 | 0:30:10 | |
Yeah, good 19th century example. | 0:30:10 | 0:30:12 | |
Values have gone down a little bit in recent times. | 0:30:12 | 0:30:16 | |
-£50-80 is what we look at now. -Really, well, £80 paid. | 0:30:16 | 0:30:20 | |
So we're predicting possibly a small loss on that. | 0:30:20 | 0:30:23 | |
How about this trendy radio set? | 0:30:23 | 0:30:25 | |
Did you have one of these when you were a nipper, Colin? | 0:30:25 | 0:30:27 | |
-Too posh for you? -No, just a little before my time. -Really? | 0:30:27 | 0:30:31 | |
-Yeah. -Well, there we are. | 0:30:31 | 0:30:34 | |
-When do you date it from? Is it '60s? -Yes, it is. -What's it worth? | 0:30:34 | 0:30:38 | |
I would have thought a good £25-40 investment from any | 0:30:38 | 0:30:42 | |
-buyer would be good. -£85. -85? -Yep. | 0:30:42 | 0:30:46 | |
They've overpaid on the banjo, | 0:30:46 | 0:30:47 | |
they've overpaid on the meat dish, | 0:30:47 | 0:30:49 | |
they overpaid on the radio which means they'll pay | 0:30:49 | 0:30:52 | |
the price later at the auction and they'll need their bonus buy. | 0:30:52 | 0:30:54 | |
Let's go and have a look at it. | 0:30:54 | 0:30:57 | |
Phil, Marty, this is a special moment. | 0:30:57 | 0:31:00 | |
But actually, Phil, this is a special day for you, isn't it? | 0:31:00 | 0:31:04 | |
-It's my 21st birthday today. -I don't believe it. -It genuinely is. | 0:31:04 | 0:31:08 | |
Very many happy returns from all of us. It's a special moment. | 0:31:08 | 0:31:13 | |
And a special moment for Anita | 0:31:13 | 0:31:14 | |
because she had £15 of leftover lolly to go off | 0:31:14 | 0:31:17 | |
and find you something special with which is not a lot. | 0:31:17 | 0:31:20 | |
It looks enormous so I'm going to flip it off. | 0:31:20 | 0:31:23 | |
-Very nice. -£15? | 0:31:24 | 0:31:26 | |
£15, well, the boys like to go to music festivals and I thought if | 0:31:26 | 0:31:31 | |
the boys took something like that along it would bring a bit of style. | 0:31:31 | 0:31:35 | |
-Do you like it, boys? -That's classic. I love it. -Have a hold. -Go on. | 0:31:35 | 0:31:39 | |
It's quite a heavy lump, isn't it? So, it's by somebody called Sirram. | 0:31:40 | 0:31:45 | |
Have you ever heard do Sirram? I don't think I ever have. | 0:31:45 | 0:31:47 | |
No, it's new to me. | 0:31:47 | 0:31:49 | |
Probably from the 1940s and we have two flasks, | 0:31:49 | 0:31:53 | |
we have our sandwich boxes and cutlery so it's all there. | 0:31:53 | 0:31:57 | |
All you need - cucumber sandwiches which is the perfect thing | 0:31:57 | 0:32:01 | |
to eat at a music festival. | 0:32:01 | 0:32:04 | |
-But do you think it will sell in the auction? -I think at £15, it's cheap. | 0:32:04 | 0:32:09 | |
-OK, chaps, you've got the message there. Lovely. -Lovely. | 0:32:09 | 0:32:13 | |
Ask how much bubbly it's going to make. | 0:32:13 | 0:32:16 | |
How much bubbly is it going to make? | 0:32:16 | 0:32:18 | |
I think on a good day we could double up on this one. | 0:32:18 | 0:32:20 | |
-That sounds good. -That is the right answer, Anita Manning. | 0:32:20 | 0:32:25 | |
Right, for the audience at home let's find out what the | 0:32:25 | 0:32:28 | |
auctioneer thinks about Anita's picnic set. | 0:32:28 | 0:32:30 | |
Here we go, Colin. | 0:32:31 | 0:32:33 | |
What you're always needed, a nice Sirram picnic set. | 0:32:33 | 0:32:36 | |
-Isn't that blue? -Very blue. | 0:32:36 | 0:32:40 | |
So, we got two picnic boxes, a couple of thermoses, four plates, | 0:32:40 | 0:32:44 | |
-four saucers. -Looks like we're sorted out for lunch on sale day. | 0:32:44 | 0:32:47 | |
How do you rate this thing, Col? | 0:32:47 | 0:32:49 | |
-Well, not very highly it has to be said. -All right then, how much? | 0:32:49 | 0:32:53 | |
Well, in good order they generally make £10-30. | 0:32:53 | 0:32:56 | |
This one sort of isn't so I'll keep the estimate of 10-30 | 0:32:56 | 0:33:00 | |
-but I think it's not going to be good. -OK, £15 paid by Anita. | 0:33:00 | 0:33:04 | |
She only had £15 to spend, bless her. | 0:33:04 | 0:33:07 | |
I think for £15 it's not too bad and it will perform its function again. | 0:33:07 | 0:33:13 | |
Anyway, talk about performing functions, | 0:33:13 | 0:33:15 | |
are you taking the sale today? | 0:33:15 | 0:33:17 | |
I am indeed. | 0:33:17 | 0:33:18 | |
50 I'm bid, five surely. | 0:33:20 | 0:33:23 | |
OK, June, Moira, we're at the edge of the auction | 0:33:24 | 0:33:26 | |
and what have you got there, you naughty girl. | 0:33:26 | 0:33:28 | |
This is our mascot and we call him Leopardskin Tim. | 0:33:28 | 0:33:31 | |
-I can't imagine who he's like. -You've heard then? | 0:33:31 | 0:33:34 | |
-Oh, how sweet. -He's here for luck. -I think that's absolutely fab. | 0:33:35 | 0:33:39 | |
I hope it brings you good luck. Your first item is the garden sprayer. | 0:33:39 | 0:33:44 | |
Paid £20, he's estimated £25-40 so that's good. Look out aphids. | 0:33:44 | 0:33:49 | |
The 20th century brass garden sprayer. | 0:33:49 | 0:33:52 | |
Very nice thing, who is going to start me at 40? 30, anyone? | 0:33:52 | 0:33:57 | |
32 now surely? 35, 38. | 0:33:57 | 0:34:00 | |
Bid 40, 42, 45 now. | 0:34:00 | 0:34:04 | |
You doubled your money, I don't believe it. | 0:34:04 | 0:34:07 | |
42 here, 45 there, 48 who is going to be first with their arm? 48, 50. | 0:34:07 | 0:34:13 | |
-£50? -Bid 60. -£60? | 0:34:13 | 0:34:18 | |
65 bid. At 70 now, there's a last call. Going this time at £65. | 0:34:20 | 0:34:25 | |
GAVEL BANGS | 0:34:25 | 0:34:27 | |
£65, that's brilliant. Which means you are + £45. Good girls. | 0:34:27 | 0:34:31 | |
Now, next up are the teaspoons. | 0:34:31 | 0:34:33 | |
A pair of Victorian silver gilt teaspoons this time. | 0:34:33 | 0:34:36 | |
Rat tail but also topped with a Lincoln Imp. | 0:34:36 | 0:34:40 | |
What a wonderful pair of spoons. Start me at £80. 80. | 0:34:40 | 0:34:44 | |
£80 anybody? 50 to go then. Good local interest, as well. | 0:34:44 | 0:34:47 | |
-Terrible hush. -Who is going to start me at £40? 40 straight in. | 0:34:47 | 0:34:52 | |
45, bid 50. Who is first out of 50? | 0:34:52 | 0:34:54 | |
-I've got 45 already. 50 and 5 now. -You're in profit. | 0:34:54 | 0:35:00 | |
-You're in profit with 55. -At 50 any more now? | 0:35:00 | 0:35:03 | |
I'll take two, let's roll on if you're unsure who is in. 52. | 0:35:03 | 0:35:07 | |
-55, 58 bid. Bid 60. 62. -That's better. | 0:35:07 | 0:35:14 | |
62 now and surely 65 on the net. You were bidding away earlier. | 0:35:14 | 0:35:19 | |
65 on the net 68 bid. 68. 70 now. | 0:35:19 | 0:35:23 | |
Surely 70 now. I have £68 in the room. Are we all done? | 0:35:23 | 0:35:26 | |
Certainly are then. Selling than at £68. | 0:35:26 | 0:35:30 | |
68 is +18. You were 45 before. | 0:35:30 | 0:35:35 | |
-+63. -Up now is a pine and metal bound butcher's block. | 0:35:35 | 0:35:39 | |
A wonderful piece of furnishing. Could also use it as well. | 0:35:39 | 0:35:43 | |
Who is going to start me at a couple hundred? 200, anyone? | 0:35:43 | 0:35:46 | |
150. £100, bid. 100 obviously scared you off. At £100. | 0:35:46 | 0:35:51 | |
£100 bid. 10 now, chop-chop. | 0:35:51 | 0:35:54 | |
Let's get on 110, 120 now. | 0:35:54 | 0:35:58 | |
110 in the room. 20 surely. At 110 bid. 120, 130, sir? At 120. 125, sir? | 0:35:58 | 0:36:05 | |
You know you want to but not that much. | 0:36:05 | 0:36:08 | |
At 120 bid, five now surely. At 120 done and finished at £120. | 0:36:08 | 0:36:15 | |
That's -£70. You were +63 which means now you're -7. | 0:36:15 | 0:36:21 | |
-That's a result. -Phil is going to make that up on the bonus, isn't he? | 0:36:21 | 0:36:25 | |
-Oh, dear. Are you going to go with the carriage? -I think so. | 0:36:25 | 0:36:28 | |
-We're going for the thrill of the chase now. -Are you? | 0:36:28 | 0:36:31 | |
-The Phil of the chase. -Absolutely bonkers, the pair of them. | 0:36:31 | 0:36:33 | |
We do our best. | 0:36:33 | 0:36:36 | |
-Anyway, that is your decision, Moira? -Definitely. | 0:36:36 | 0:36:40 | |
We got the decision. Going with the bonus buy. | 0:36:40 | 0:36:42 | |
The railway carriage panel for the North Staffordshire Railway Company. | 0:36:42 | 0:36:47 | |
Who is going to start me at £50 for this one? 50. 30 to go then. | 0:36:47 | 0:36:53 | |
20 I'm bid. 30 on the net. 40 now. 50 if you like? 50 bid. 60 now? Nope. | 0:36:53 | 0:37:01 | |
I'll take five if it's going to help. Got to move on. | 0:37:01 | 0:37:05 | |
-At £50, 55, 60 in the front and five now. -We're out of trouble, Philip. | 0:37:05 | 0:37:12 | |
75 now, do I see 75? Not coming in now. 75, bid 80. | 0:37:12 | 0:37:17 | |
You doubled your money, Philip. | 0:37:17 | 0:37:19 | |
Anywhere else at £80. It's in the front row at 80. | 0:37:19 | 0:37:23 | |
-Last call sold at £80. -That is a bonus buy. -That's all right. | 0:37:23 | 0:37:28 | |
What do you mean it's all right? It's brilliant, boy. | 0:37:28 | 0:37:30 | |
Anyway, that's +40. Which means overall you are +33. | 0:37:30 | 0:37:36 | |
-Well, 33, yes. -Is it your favourite number? -It is now. | 0:37:36 | 0:37:40 | |
It could be your lucky number. That could be a winning score. | 0:37:40 | 0:37:42 | |
Just don't say a word to those Blues, all right? | 0:37:42 | 0:37:44 | |
Got to have another one, surely. | 0:37:46 | 0:37:48 | |
-Do you know how the Reds got on? -No. -No idea. -Just as well. | 0:37:55 | 0:38:00 | |
Your banjo, you paid £120 for that. | 0:38:00 | 0:38:03 | |
-It's hit a bit of a bad note, I'm afraid. £25-40 is his estimate. -OK. | 0:38:03 | 0:38:09 | |
-That's fine. -Let's hope it goes well. Here it comes. | 0:38:09 | 0:38:12 | |
This is the rosewood and mother of pearl inlaid five string banjo. | 0:38:12 | 0:38:16 | |
Who is going to start me at 80? £80 for it? | 0:38:16 | 0:38:19 | |
-50 to go then. -Come on. -30. | 0:38:19 | 0:38:24 | |
20 to go then. 20 over there. | 0:38:24 | 0:38:27 | |
I'll take two, if it's going to help anybody. It is. 22 bid, | 0:38:27 | 0:38:30 | |
25. 25, 28, 30, 32, 35, 38, 40. | 0:38:30 | 0:38:36 | |
40 and two now. At 40, two is the last call. Selling at £40. | 0:38:36 | 0:38:44 | |
42 the excitement. Late bid on the internet at 42. | 0:38:44 | 0:38:48 | |
All done and finished and selling at £42. | 0:38:48 | 0:38:52 | |
Minus 78. Oh, dear. Minus 78. | 0:38:52 | 0:38:56 | |
Settle down, boys. | 0:38:56 | 0:38:58 | |
An early 19th century blue-printed Masons Ironstone dish. | 0:38:58 | 0:39:02 | |
Who's going to start me at £100. 100. 80 to go then. 80. | 0:39:02 | 0:39:05 | |
Big sizeable dish. £80. | 0:39:05 | 0:39:07 | |
Imagine how much meat you could get on that plate. | 0:39:07 | 0:39:09 | |
Who is first in at 50? Come on, 50 bid. Five surely. | 0:39:09 | 0:39:12 | |
At 50 five again now. 55, bid 60, 65, 70? | 0:39:12 | 0:39:18 | |
65 bid, 70 surely. Any more bids now? At 65, eight is the last call. | 0:39:18 | 0:39:23 | |
-Done and finished at £65. -No. | 0:39:23 | 0:39:27 | |
That's -£15, 78, 88, -93. | 0:39:27 | 0:39:32 | |
-OK, moving along. Now the radio. -1960s Fleetwood Six Transistor Radio, | 0:39:34 | 0:39:39 | |
in the form of a globe. Who is going to start me at £80 for it? 80. | 0:39:39 | 0:39:43 | |
50 will do then. 50? | 0:39:43 | 0:39:45 | |
-40 if you like. £40 bid. -That's it. We're in. | 0:39:45 | 0:39:50 | |
At £40 bid, I'll take two if it's going to help. 42, 45, 48 now. | 0:39:50 | 0:39:56 | |
-Have another one. -Come on. -50 bid. | 0:39:56 | 0:39:58 | |
Five may I say? At £50. Any more now? Front row has it. 52, 55, 58? | 0:39:58 | 0:40:05 | |
58 bid? No, 55. | 0:40:05 | 0:40:08 | |
Done and finished at £55. | 0:40:08 | 0:40:11 | |
55 is -£30. So that's minus 123. Dear, oh, dear. | 0:40:11 | 0:40:15 | |
What are you going to do with the picnic set? | 0:40:15 | 0:40:18 | |
I think we've got no real choice. | 0:40:18 | 0:40:20 | |
There's the decision, £15 paid for the picnic set. | 0:40:20 | 0:40:24 | |
The auctioneer's put £10-30 on it | 0:40:24 | 0:40:26 | |
-so you're nicely in the middle there, Anita. -There we go. | 0:40:26 | 0:40:28 | |
Very nice piece of vintage kit that you really need to get your hands on. | 0:40:28 | 0:40:31 | |
£30 for it. 20 will do. 20 anybody? | 0:40:31 | 0:40:35 | |
-Come on, you want some sandwiches. -10 on the internet. | 0:40:35 | 0:40:38 | |
12 anywhere else now. 12 bid. 15 now do I see? 18 bid now. | 0:40:38 | 0:40:44 | |
-We're in profit. -No you're not. -No we're not. | 0:40:44 | 0:40:49 | |
-We're up to 18. -Now you are. -Made some money. | 0:40:49 | 0:40:53 | |
Are we all done then? You're out in the room. You're not. | 0:40:53 | 0:40:57 | |
-£20 in the room. -Come on. | 0:40:57 | 0:41:01 | |
-Sold at £20. -That gent has just made my birthday. | 0:41:01 | 0:41:06 | |
Plus £5, I love it, don't you? Which means you are minus 118. | 0:41:06 | 0:41:13 | |
Which means you are minus 118 which is not so bad | 0:41:13 | 0:41:18 | |
if you say it quickly enough. | 0:41:18 | 0:41:20 | |
And the big thing, birthday boy, is don't say a word to the Reds. | 0:41:20 | 0:41:23 | |
All will be revealed in a moment. Thank you very much. | 0:41:23 | 0:41:25 | |
28 now, 30. | 0:41:27 | 0:41:29 | |
Well, well, well, well. This is a first on Bargain Hunt. | 0:41:36 | 0:41:39 | |
Come on, Anita. Wheel it in. | 0:41:39 | 0:41:42 | |
-The 21st birthday party balloon for Phil. -Thank you, guys. That's great. | 0:41:42 | 0:41:48 | |
You had your cake with your bit of lunch, right? | 0:41:48 | 0:41:51 | |
Which is pretty cool and now you've got your own helium balloon. | 0:41:51 | 0:41:54 | |
-How's that? -I'm ecstatic. Thank you so much. | 0:41:54 | 0:41:56 | |
It's been great for you to join us on your special day | 0:41:56 | 0:41:59 | |
and we've loved having you. | 0:41:59 | 0:42:01 | |
Now, the moment of revealing what's actually going on. | 0:42:01 | 0:42:04 | |
The purpose of this programme. Who's ahead and who's behind? | 0:42:04 | 0:42:06 | |
And I have to reveal that the runners-up today just happen | 0:42:06 | 0:42:10 | |
to be the birthday and his mate. | 0:42:10 | 0:42:13 | |
THEY GROAN | 0:42:13 | 0:42:14 | |
So close. | 0:42:14 | 0:42:16 | |
-Well, actually, not so close. Minus 118 was your total. -Yes! | 0:42:16 | 0:42:22 | |
Which is getting up there with the highest minus scores, I have to say. | 0:42:22 | 0:42:27 | |
-Anyway, you've been very sporting. I hope you've had a nice time. -Indeed. | 0:42:27 | 0:42:31 | |
-Excellent time. -I hope you enjoy the rest of your birthday. | 0:42:31 | 0:42:34 | |
Good luck with that. | 0:42:34 | 0:42:35 | |
Now, girls, you're the victors | 0:42:35 | 0:42:37 | |
and you're actually going home with money. £33. | 0:42:37 | 0:42:41 | |
There's your 30 and here comes £3. | 0:42:41 | 0:42:44 | |
Which we know on this programme is a considerable achievement. | 0:42:44 | 0:42:47 | |
-It was a rollercoaster ride, wasn't it? Did you enjoy it? -Thrilling. | 0:42:47 | 0:42:50 | |
-We loved it. -I loved it too. | 0:42:50 | 0:42:52 | |
It shows you're never going to quite know how it's going to | 0:42:52 | 0:42:55 | |
-turn out in the end. -Absolutely not. | 0:42:55 | 0:42:57 | |
In fact we've had so much fun why don't you join us soon | 0:42:57 | 0:42:59 | |
for some more bargain hunting, yes? | 0:42:59 | 0:43:01 | |
ALL: Yes! | 0:43:01 | 0:43:02 | |
I know you're sitting there thinking, | 0:43:02 | 0:43:04 | |
"I could have done better than that." Well, what's stopping you? | 0:43:04 | 0:43:09 | |
If you think you can spot a bargain go to our BBC website and apply. | 0:43:09 | 0:43:13 | |
It will be splendid to see you. | 0:43:13 | 0:43:16 | |
Subtitles by Red Bee Media Ltd | 0:43:16 | 0:43:18 |