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We're in Derby today, | 0:00:07 | 0:00:09 | |
having pulled into the world's oldest surviving railway roundhouse. | 0:00:09 | 0:00:15 | |
Now all we've got to do is to stay on track. | 0:00:15 | 0:00:19 | |
Let's go bargain hunting! Yeah! | 0:00:19 | 0:00:22 | |
This magnificent railway roundhouse was once filled with steam locomotives, | 0:00:45 | 0:00:51 | |
chuffing in and out. | 0:00:51 | 0:00:53 | |
Let's hope that our teams today | 0:00:53 | 0:00:56 | |
are well oiled and spick and span and prepared to proceed at full steam ahead. | 0:00:56 | 0:01:02 | |
Here's a quick squint as to what's coming up. | 0:01:02 | 0:01:06 | |
There's a lesson or two to be learnt today, but will the Reds cut the mustard? | 0:01:08 | 0:01:13 | |
-Salt. -Oh, pepper! | 0:01:13 | 0:01:15 | |
-Mustard. -Oh. -How would you get pepper out of that?! | 0:01:15 | 0:01:20 | |
And who knows about steam pumps, eh? | 0:01:21 | 0:01:23 | |
Why haven't I heard of steam pumps? | 0:01:23 | 0:01:26 | |
-I leave it to the Blues to educate their expert. -It's a look like a Goth. | 0:01:26 | 0:01:31 | |
Before all that, let's meet the teams. | 0:01:31 | 0:01:35 | |
For the Reds, we've got Ella and Rachel. And for the Blues, Sammy and Chloe. Hello! | 0:01:37 | 0:01:42 | |
-Hello! -Now, Ella, you have been mates for ages. -Yes. We met at Brownies when we were about seven years old, | 0:01:42 | 0:01:50 | |
-but we didn't get on at all well. -Didn't you? -No. I was quite naughty when I was in Brownies. | 0:01:50 | 0:01:55 | |
-Rachel was very well behaved... -Oil and water. -Absolutely. | 0:01:55 | 0:02:00 | |
-Tell us about your job. -I'm a trainee journalist at the Derby Telegraph. | 0:02:00 | 0:02:05 | |
I've been there about seven months. Every day is completely different. | 0:02:05 | 0:02:10 | |
I'm meeting new people all the time and covering stories of any variety. | 0:02:10 | 0:02:14 | |
-It's fascinating. -Are you a cub reporter? -I am! I am a cub reporter, yes. | 0:02:14 | 0:02:20 | |
-Rach, you work for the same paper. -I do. -Same role? Out poking around? -I used to. | 0:02:20 | 0:02:26 | |
-I'm now a content editor. -Ah! -So I help design the layout of the paper, write headlines | 0:02:26 | 0:02:32 | |
-and proofread copy. -Do you? | 0:02:32 | 0:02:35 | |
-You're a very modest person. You've won a journalistic award. -Yes. | 0:02:35 | 0:02:40 | |
I won Best Trainee Reporter in the country in 2011. | 0:02:40 | 0:02:45 | |
-In the country? -Yes. -That's not mucking about, is it? | 0:02:45 | 0:02:50 | |
-How many cubs were up with you? -I don't know exactly. | 0:02:50 | 0:02:53 | |
I bet there were several thousand. | 0:02:53 | 0:02:56 | |
What are you going to buy today? | 0:02:56 | 0:02:58 | |
We love anything with a story behind it. Anything with a history. | 0:02:58 | 0:03:03 | |
And something that, when you look at it, you can see where it's been. | 0:03:03 | 0:03:07 | |
That fascinates us both. | 0:03:07 | 0:03:10 | |
The story thing is important. We're naturally very nosy. | 0:03:10 | 0:03:14 | |
We want to find out the history of everything. | 0:03:14 | 0:03:18 | |
-Well, good luck. I hope you come up with some nice stories. -Thank you. | 0:03:18 | 0:03:22 | |
Excellent. Now Sammy, you met Chloe when you were very young. | 0:03:22 | 0:03:27 | |
-We were only four. It was our first day of school. -Was it? -We just bonded from there. | 0:03:27 | 0:03:34 | |
-You've just graduated from university. -Yeah, I did Media and Communications Studies. | 0:03:34 | 0:03:39 | |
I did a bit of everything in it. Print-based media, online media, even the psychology side, | 0:03:39 | 0:03:45 | |
looking at how the media affects people when they watch programmes. | 0:03:45 | 0:03:49 | |
Did you do anything on the press? | 0:03:49 | 0:03:51 | |
-We did! -That's good. You'll be able to understand them. | 0:03:51 | 0:03:56 | |
Yeah, I'm onto their tricks. | 0:03:56 | 0:03:59 | |
Well, let's not know about that! | 0:03:59 | 0:04:02 | |
-Chloe, you're still studying? -Yes, I am. -What are you studying? -Commercial photography. | 0:04:02 | 0:04:08 | |
-Enjoying it? -Yes, I am. I'm in my last year now. | 0:04:08 | 0:04:13 | |
-You see yourself as an entrepreneur. -I have an online vintage shop. | 0:04:13 | 0:04:17 | |
-Was this frocks or...? -It ranges from clothing to vintage cameras. | 0:04:17 | 0:04:22 | |
-Anything eclectic, anything retro. -And where do you go to get this gear? | 0:04:22 | 0:04:27 | |
-Well, I kind of buy in bulk from either the auctions... -Yes. | 0:04:27 | 0:04:33 | |
I bet you buy those big cardboard box lots under the table. | 0:04:33 | 0:04:38 | |
-The things I have an eye on. No one else sees them but me. -And you hope nobody's spotted it. | 0:04:38 | 0:04:45 | |
-Exciting, isn't it? -Yes. I'm a rooter. -A rooter! | 0:04:45 | 0:04:49 | |
-What will you be looking out for today? -We said something quirky. | 0:04:49 | 0:04:53 | |
-Something different that nobody else would pick up. -I mean, we're both into our retro, vintage. | 0:04:53 | 0:05:00 | |
I think something... Maybe something a bit girlie. | 0:05:00 | 0:05:04 | |
Yeah? Well, there's a large population of you out there so that might be the right strategy. | 0:05:04 | 0:05:11 | |
Well done, girls. Anyway, now the money moment. £300 apiece. You know the rules. | 0:05:11 | 0:05:16 | |
Your experts await. Off you go! And very, very, very good luck. | 0:05:16 | 0:05:21 | |
Well, you know what they say. The pen is mightier than the sword. | 0:05:21 | 0:05:26 | |
Weighing up the Red team's chances of winning today, we have the unforgettable Charlie Ross. | 0:05:30 | 0:05:37 | |
Thomas Plant does some old school detective work for the Blues. | 0:05:37 | 0:05:42 | |
-What are we going to do today? -I think something vintage. -What about you? -Something quirky. | 0:05:46 | 0:05:52 | |
Anything with a good story behind it. And something a little quirky. | 0:05:52 | 0:05:57 | |
-Are you going to spot things? -I think so. I've got a good eye. -Good! | 0:05:57 | 0:06:02 | |
-A bit of jewellery would be nice. -Silver would be good. -Silver and jewellery. Come on, lead the way! | 0:06:02 | 0:06:08 | |
Come on, girls. Off you go. | 0:06:08 | 0:06:10 | |
-How about some jewellery? -Right. It looks like the Reds are going to stick to the plan. | 0:06:10 | 0:06:17 | |
-I'm not sure about jewellery. -Oh, dear. I can see trouble ahead! | 0:06:17 | 0:06:21 | |
We've barely started and the Blues are thinking about a cup of tea! | 0:06:21 | 0:06:26 | |
-Lots of silver. -Those pretty little cups. What's it for? | 0:06:26 | 0:06:31 | |
-Espresso? -Is it a little coffee cup? -Aren't you a modern girl! | 0:06:31 | 0:06:36 | |
A girl of the 21st century. Are you a double or a single shot? | 0:06:36 | 0:06:40 | |
This is silver. These are made by Ainsley in Staffordshire. The silver collar is made in Birmingham. | 0:06:40 | 0:06:47 | |
-There's a green one there. -It's cute. -Oh, wow! I like that. | 0:06:47 | 0:06:52 | |
We've got a collection of them. And you've got a pair. | 0:06:52 | 0:06:57 | |
-Talking of pairs... -Look at those! Imagine wearing those, girls. -Oh, wow. | 0:06:57 | 0:07:04 | |
George II. Silver buckles. | 0:07:04 | 0:07:07 | |
And one of the few pieces of 18th-century jewellery to be worn by men and women. | 0:07:07 | 0:07:13 | |
-Do you like those? -I like those. -They're nearly always made out of polished steel and these are silver. | 0:07:13 | 0:07:19 | |
So these would have been worn by really quite someone. | 0:07:19 | 0:07:23 | |
Just fabulous. And they, I can tell you, are rare. They won't be within your price range. | 0:07:23 | 0:07:30 | |
-But it's worth just looking. -Out of interest, how much are they? | 0:07:30 | 0:07:34 | |
Those could be yours for 120, the pair, which is... | 0:07:34 | 0:07:38 | |
-120? -120. | 0:07:38 | 0:07:41 | |
You probably think, "What is this silly old man doing, looking at a pair of silver buckles?" | 0:07:41 | 0:07:47 | |
-There we are. There's a good, crisp lion. See the lion? -Oh, well, that shows they're sterling silver. | 0:07:50 | 0:07:57 | |
-You wanted something with history. -Yeah. I like these. -I like them. -Fabulous. They are fantastic. | 0:07:57 | 0:08:03 | |
-It is a silver sale, so... -We need to start talking about price. | 0:08:03 | 0:08:07 | |
What did you say? 120? | 0:08:07 | 0:08:10 | |
-120. -The very best? -Who's the negotiator among you two? -Is that me?! | 0:08:10 | 0:08:16 | |
Can you do 110? Please? | 0:08:16 | 0:08:19 | |
-- I'll do them for 110. - Oh, thank you! -Are you happy? | 0:08:19 | 0:08:23 | |
-I'm not happy with it, no! -I want to leave you happy! | 0:08:23 | 0:08:28 | |
I think they're worth the money, girls. They're fabulous things. | 0:08:28 | 0:08:32 | |
-And if you're happy with it, shake the gentleman's hand. -Thank you so much. -You hate us now! | 0:08:32 | 0:08:38 | |
Thanks very much indeed. That's a great deal. They're wonderful. | 0:08:38 | 0:08:42 | |
Well done, Reds. You've bought something. Now have the Blues sniffed anything out yet? | 0:08:42 | 0:08:49 | |
This is like a simulation of malachite glass. The hard stone. | 0:08:49 | 0:08:54 | |
-I like that one with the... -Cherubs? -What, this one here? | 0:08:54 | 0:08:58 | |
-I like the stopper in it. -The atomiser with the chromed top. | 0:08:58 | 0:09:03 | |
It's got Czechoslovakia on it, so that's quite easy to date. | 0:09:03 | 0:09:08 | |
You've got a chip to the glass, which is a great shame. | 0:09:08 | 0:09:12 | |
Again, these things don't come up very often. This one is similar. | 0:09:12 | 0:09:17 | |
-With the flowers. -That's nice. -That is attractive. | 0:09:17 | 0:09:23 | |
This one works. | 0:09:23 | 0:09:25 | |
-Oh, yeah! -Oh! | 0:09:25 | 0:09:28 | |
Your favourite perfume goes in there. | 0:09:28 | 0:09:31 | |
And it actually is a working thing. That is rather wonderful. | 0:09:31 | 0:09:35 | |
-On your dressing table... -It would look really pretty. -What's the best on that one? -120. | 0:09:35 | 0:09:41 | |
I was thinking of offering you 90. | 0:09:41 | 0:09:45 | |
-99 sounds better. -99! | 0:09:45 | 0:09:48 | |
-I like it. Do you like it? -Yeah. I'd go for it. | 0:09:48 | 0:09:53 | |
-Yeah? -Yeah, we could come back to it or... -What do you want to do? | 0:09:54 | 0:09:59 | |
-Come on, don't dither. Be decisive. -Do you want to make a decision? | 0:09:59 | 0:10:04 | |
- 95, then. We'll do a deal. - I think that's a deal. | 0:10:04 | 0:10:08 | |
-That's so far away from what I paid, it's not true, Thomas. -Thank you. | 0:10:08 | 0:10:13 | |
-First item down. -Well done. You've bought your first item. That makes it one all. | 0:10:13 | 0:10:20 | |
-What's that? -Sugar. Getting warm, getting warm. | 0:10:21 | 0:10:25 | |
-Salt. -Oh, pepper! | 0:10:25 | 0:10:27 | |
-Mustard! -Oh. -Pepper! How would you get pepper out of that?! | 0:10:27 | 0:10:32 | |
Look at the lid. That's where the spoon goes. | 0:10:32 | 0:10:36 | |
-Pepper! -Don't you worry. Just take Charles with a pinch of salt. | 0:10:36 | 0:10:41 | |
-Now look at this for bijoux. -Is that a Stanhope? -It is, yeah. | 0:10:41 | 0:10:46 | |
-You don't know what a Stanhope is. -You look through the wee glass. If you hold it in the right manner... | 0:10:46 | 0:10:53 | |
Stanhopes are novelty optical devices that were mounted in jewellery or trinkets. | 0:10:53 | 0:10:58 | |
The lens can magnify a tiny image up to 300 times. | 0:10:58 | 0:11:03 | |
What's Stanhope? | 0:11:03 | 0:11:05 | |
-That's the name given to these. -And he was the name. | 0:11:05 | 0:11:09 | |
He made the lens that enabled you to do that. | 0:11:09 | 0:11:13 | |
-That's big enough to wear on a pendant. -Oh, yeah. | 0:11:13 | 0:11:17 | |
Get it up to the light and focus and eventually you'll squiggle it around and see the Lord's Prayer. | 0:11:17 | 0:11:23 | |
-Isn't that fabulous? -Oh, my goodness. -It is tricky. Once you've mastered it, you get it. | 0:11:23 | 0:11:30 | |
What's the cheapest... What's the cheapest price you'd do this for? | 0:11:33 | 0:11:38 | |
29. | 0:11:38 | 0:11:40 | |
What do you think? | 0:11:40 | 0:11:42 | |
That's amazing. | 0:11:42 | 0:11:44 | |
It is pretty. I really like it. Rachel doesn't seem that keen. | 0:11:44 | 0:11:48 | |
-No, it's not that. It's the price. -That's what I like to hear. | 0:11:48 | 0:11:53 | |
This game's about making a profit. | 0:11:53 | 0:11:56 | |
What are these?! | 0:12:06 | 0:12:08 | |
-That's the sort of thing that we buy! -Do you think it's a good look? | 0:12:08 | 0:12:13 | |
-I love them. -My eyes are too... I thought I had quite narrow eyes, but these are pushing inward. | 0:12:13 | 0:12:20 | |
-They are! -Oh! | 0:12:20 | 0:12:21 | |
-They look steampunk, if you know what I mean. -Steampunk, yeah. | 0:12:21 | 0:12:26 | |
-It's what?! -Steampunk. -You know, that retro lot that dresses up like the Victorian era. | 0:12:26 | 0:12:33 | |
Steampunks take modern technology like computers, but power them by steam. | 0:12:33 | 0:12:39 | |
- It's a trend, a look like a Goth. - This is an education for you! | 0:12:39 | 0:12:43 | |
-I'm being educated about steam punks! -Gosh, Thomas, do keep up. | 0:12:43 | 0:12:48 | |
-It's the kind of thing we'd pick up. -I love them. I love them. | 0:12:48 | 0:12:53 | |
Now time has flown by and we're in our last 15 minutes with both teams still needing two more items. | 0:12:54 | 0:13:01 | |
-You're waiting for that one thing... -Pow! | 0:13:01 | 0:13:04 | |
-I'll know it when I see it. -Well, let's wait and see, shall we? But you haven't got all day, girls. | 0:13:04 | 0:13:10 | |
-We have whiled away about 50 minutes. -I know. -We've got 10 minutes and we've bought one item. | 0:13:10 | 0:13:16 | |
-What about that? -Oh. More silver. | 0:13:16 | 0:13:19 | |
-1775. -Wow. | 0:13:19 | 0:13:21 | |
-It's almost mint condition. -Wow. | 0:13:21 | 0:13:25 | |
It's £110. | 0:13:25 | 0:13:27 | |
-And the shape of it is so elegant. -You like that, don't you? Call Gary over. | 0:13:27 | 0:13:33 | |
-Yes, sir? -What's it going to make at auction? 75 quid? | 0:13:33 | 0:13:38 | |
-If I said £80, how's that? -That would only lose a fiver. | 0:13:38 | 0:13:42 | |
-We don't want to lose! -No. | 0:13:42 | 0:13:44 | |
75. How is that? | 0:13:44 | 0:13:47 | |
It's a fabulous thing, girls. We've got about 5 minutes left. | 0:13:47 | 0:13:51 | |
-75. -It's a wonderful deal. | 0:13:51 | 0:13:54 | |
-Thank you very much indeed, Gary. -Thank you. -Thank you, Gary. | 0:13:54 | 0:13:58 | |
-Marvellous. -You'd definitely get a head start in life with a silver ladle as your christening gift. | 0:13:58 | 0:14:05 | |
-Anyway, no time to celebrate. You need to find your final item and quickly. -Four minutes! Come on! | 0:14:05 | 0:14:12 | |
Thank you. | 0:14:12 | 0:14:14 | |
# The heat is on... # | 0:14:15 | 0:14:17 | |
-This is you. This is you two. -This is very me. -All about you. | 0:14:19 | 0:14:24 | |
Is that kind of a Bakelite? | 0:14:24 | 0:14:26 | |
This would be...yes. An ivorine. Not ivory, but ivorine. | 0:14:26 | 0:14:32 | |
-A sweet '30s bag, isn't it? -Oh, I do like that, yeah. | 0:14:32 | 0:14:37 | |
-With the Chinese pattern on it. -Suits you, sir! | 0:14:37 | 0:14:40 | |
-That's a sweet bag. -I like that. -You like something! Quick! | 0:14:40 | 0:14:45 | |
Can we ask you about this? | 0:14:45 | 0:14:48 | |
-You've got £43.50 on it. -Yep. I'll do it for 32. | 0:14:48 | 0:14:53 | |
That is the best. | 0:14:53 | 0:14:56 | |
-I like it. -Let's go for it. | 0:14:56 | 0:14:58 | |
I would say it would be Japanese, 1920s. | 0:14:58 | 0:15:03 | |
-And this is ivorine - a simulant of ivory. -OK. -Simulated. Made to look like it. | 0:15:03 | 0:15:09 | |
-It's completely fine to buy it. -OK. -No problem. You can tell that it is ivorine | 0:15:09 | 0:15:14 | |
because of the uniformity of the bands in the design. | 0:15:14 | 0:15:18 | |
Can you see that? In ivory, it's cross-hatched. | 0:15:18 | 0:15:23 | |
In ivorine, it's a very uniform, straight line. And then you've got the mauve background to it. | 0:15:23 | 0:15:30 | |
-And this scene on there is rather fun. -Yeah. | 0:15:30 | 0:15:34 | |
-Are we all done with this? Buy it? -Go for it. -Yeah. | 0:15:34 | 0:15:38 | |
-She's made a decision! -Yes! | 0:15:38 | 0:15:41 | |
Well, you Blues bagged that one quite quickly. Well done. | 0:15:42 | 0:15:46 | |
With just a few minutes left, it's time for both teams to focus. | 0:15:46 | 0:15:50 | |
-Let's go to a different stall. -A different stall. | 0:15:50 | 0:15:54 | |
-Oh, blimey...! -Really quickly. -We've got to be quick. -I know. | 0:15:54 | 0:15:59 | |
We'll get down to the last minute... | 0:15:59 | 0:16:01 | |
-Have you seen these before? -No. -Know what it stands for? | 0:16:01 | 0:16:05 | |
-It's all mixed stones, but it spells something. -Really? | 0:16:05 | 0:16:09 | |
-It looks like a mixed message. -It spells "dearest". -Aww. | 0:16:09 | 0:16:14 | |
Oh, that's so sweet. | 0:16:14 | 0:16:16 | |
Dearest. D for diamond. E for an emerald. A for amethyst. | 0:16:16 | 0:16:20 | |
R for ruby. E for emerald. | 0:16:20 | 0:16:23 | |
S for sapphire. And T for a stone you might not have heard of - Tourmaline. | 0:16:23 | 0:16:28 | |
-Isn't that sweet? -Really sweet. -How did you spot that? -I saw it immediately, all the stones. | 0:16:28 | 0:16:34 | |
-£75. Do you like it? -I love that and the symbolism. | 0:16:34 | 0:16:39 | |
-All real. Set in nine carat. -65. | 0:16:39 | 0:16:43 | |
65... | 0:16:44 | 0:16:45 | |
-And that's it. -Really? -Yes, really. -Promise me? -I promise you, yeah. | 0:16:45 | 0:16:50 | |
-£65. I think you should go for it. You both like it. -I do. -It's really sweet. -It's found you. | 0:16:50 | 0:16:56 | |
-You've waited and it's come to you. -It's the thing we've waited for! | 0:16:56 | 0:17:01 | |
-Thank you very much. -There we are. Three items now. -We've got them! | 0:17:01 | 0:17:06 | |
That's your three items done, then. | 0:17:06 | 0:17:08 | |
-# The heat is on... # -If there isn't anything that grabs you, girls... | 0:17:08 | 0:17:13 | |
Now you two journos probably know a thing or two about deadlines and taking it up to the wire. | 0:17:13 | 0:17:19 | |
Two minutes. | 0:17:19 | 0:17:22 | |
Yeah, I know... | 0:17:22 | 0:17:24 | |
-Something. -OK! -Is there anything here you like? | 0:17:25 | 0:17:30 | |
Think of your budget, what you like. | 0:17:30 | 0:17:32 | |
-What's that? -How old is it? | 0:17:32 | 0:17:35 | |
-Blue John. -Yes, it's a rare mineral that can only be found in one location in the world - Derbyshire. | 0:17:35 | 0:17:42 | |
Two different Blue Johns. | 0:17:42 | 0:17:45 | |
-30 seconds. Do you like it? -I've got 65 quid on it. -How much? | 0:17:45 | 0:17:50 | |
-I'll do 40 quid. -40 quid. -Yes. -Sold! | 0:17:50 | 0:17:54 | |
Phew! Time's up. Let's check out what the Red team bought. | 0:17:55 | 0:17:59 | |
The story behind these silver shoe buckles took their fancy | 0:17:59 | 0:18:03 | |
and they sealed the deal at £110. | 0:18:03 | 0:18:06 | |
Next, they scooped up this silver ladle for £75. | 0:18:07 | 0:18:11 | |
And in the final throes they dug up this silver Blue John pendant for £40. | 0:18:11 | 0:18:17 | |
-Hey! Had a nice morning? -Yeah, it was really fun. | 0:18:18 | 0:18:22 | |
-How much did you spend all round? -We spent 225. | 0:18:22 | 0:18:26 | |
-£75 of leftover lolly, please. Who's got it? -We split it. -Just to be awkward. | 0:18:26 | 0:18:31 | |
-Don't you trust each other? -No! -I bet you've got some stories to tell after today. -Well, yes! | 0:18:31 | 0:18:38 | |
I hope you're going to keep it quiet. Especially about him. | 0:18:38 | 0:18:42 | |
225 you spent. Which is your favourite bit, Rach? | 0:18:42 | 0:18:46 | |
-The buckles. -You like them the best? -We love them. We had a good find there. | 0:18:46 | 0:18:52 | |
-And are they your favourites, too? -I really like them. They're very, very stylish. | 0:18:52 | 0:18:58 | |
They seem to have a story behind them, which we love. | 0:18:58 | 0:19:02 | |
So £75 for you to spend, Charles. What are you going to do? | 0:19:02 | 0:19:06 | |
We're going to a silver and jewellery sale, so more silver. | 0:19:06 | 0:19:10 | |
Thank you very much. Meanwhile, here's what the Blue team bought. | 0:19:10 | 0:19:14 | |
The Art Deco perfume atomiser got the ball rolling and cost them £95. | 0:19:14 | 0:19:19 | |
Then they thought this ivorine and silk handbag looked the part and could make them a profit at £32. | 0:19:22 | 0:19:28 | |
And, finally, the gold "Dearest" ring had everything they were looking for and cost them £65. | 0:19:28 | 0:19:35 | |
Well, well, well, you're in clover, Tom. | 0:19:35 | 0:19:39 | |
-I'm in clover. -You have had a lovely morning. Girls, did you enjoy it? | 0:19:39 | 0:19:44 | |
-Yes. -It was so much fun. -You didn't fall out at all? -Not at all. | 0:19:44 | 0:19:49 | |
Not a cross word? | 0:19:49 | 0:19:51 | |
-So tell me, Chlo-Chlo, which is your favourite piece? -I think it's got to be the bag. | 0:19:51 | 0:19:57 | |
-What about you, Sam-Sam? -I like the scent bottle. | 0:19:57 | 0:20:01 | |
-Will that bring the biggest profit? -I think the ring might do that. -You agree? -Yeah. | 0:20:01 | 0:20:06 | |
It's the ring of confidence between you two. Great. | 0:20:06 | 0:20:10 | |
-OK, how much did you spend? -192. -Did you? Who's got the £108 leftover lolly? | 0:20:10 | 0:20:16 | |
Here it comes. That is a tidy amount. There we go. | 0:20:16 | 0:20:21 | |
-108. There's a £5 note underneath, lurking somewhere. -Look at that! | 0:20:21 | 0:20:25 | |
-OK, Thomas, what are you going to do? -I'm going to spend it all. Spoff the lot, on something quality. | 0:20:25 | 0:20:31 | |
-OK. -I've got something in mind. One of you is going to hate it, one is going to love it. | 0:20:31 | 0:20:38 | |
Thomas, you're a tease. Off you go. Very, very good luck. | 0:20:38 | 0:20:42 | |
Next, I've got my sights on something that's on the edge of being miniature. | 0:20:42 | 0:20:48 | |
Cor, this thing's a little treasure. | 0:20:54 | 0:20:56 | |
Look at that. | 0:20:56 | 0:20:58 | |
On the face of it, perhaps not terribly exciting, but just look at the detail. | 0:20:58 | 0:21:04 | |
Because this oval case is covered in sharkskin, | 0:21:04 | 0:21:08 | |
or manta ray skin. | 0:21:08 | 0:21:11 | |
It's been applied on some thin wooden boards | 0:21:11 | 0:21:15 | |
to create a little oval case to protect the precious object inside. | 0:21:15 | 0:21:20 | |
And if I open it up, you can see it's velvet-lined | 0:21:20 | 0:21:24 | |
to protect this precious portrait miniature. | 0:21:24 | 0:21:28 | |
Portrait miniatures are interesting things because not only are they miniature works of art, | 0:21:28 | 0:21:35 | |
often by distinguished and famous artists, | 0:21:35 | 0:21:39 | |
but they record characters in history who are often important. | 0:21:39 | 0:21:44 | |
The miniature typically was produced as a love token. Hence, as with this one, a little suspension loop | 0:21:45 | 0:21:52 | |
that would take a chain and a woman could wear this around her neck | 0:21:52 | 0:21:56 | |
with, effectively, an image of her loved one close to her heart. | 0:21:56 | 0:22:01 | |
This particular style of small, modest miniature was produced | 0:22:01 | 0:22:06 | |
between about 1730 and 1750. | 0:22:06 | 0:22:10 | |
You can see just how finely painted the details are, | 0:22:10 | 0:22:14 | |
including his neckwear, which is a jabot, or type of cravat. | 0:22:15 | 0:22:21 | |
This sort of flowing, lacy jabot is often associated with members of the legal profession. | 0:22:21 | 0:22:29 | |
The indications that it's a good one are also in the case | 0:22:29 | 0:22:33 | |
because this is made of silver that's been covered in a thin layer of gold. It's silver gilt. | 0:22:33 | 0:22:39 | |
Unfortunately, because it's got a corroded seam between the front and the back of the case, | 0:22:39 | 0:22:45 | |
I can't get it open. And that's a vital thing to do because evidence to help in its valuation | 0:22:45 | 0:22:51 | |
might be scrawled on the back of the image. Who's the artist? And who's the sitter? | 0:22:51 | 0:22:57 | |
All of those greatly affect what you might get for the thing at the end of the day. | 0:22:57 | 0:23:03 | |
What's it worth, though? Well, the other day at a fair, | 0:23:03 | 0:23:07 | |
I saw one of these sharkskin-covered cases on its own | 0:23:07 | 0:23:13 | |
and they were asking £150 for it. | 0:23:13 | 0:23:16 | |
This, complete with miniature, you might be able to buy for £300. | 0:23:16 | 0:23:21 | |
Who is the artist that I'd like this to be? | 0:23:21 | 0:23:26 | |
Well, a name to conjure with would be John Singleton Copley. | 0:23:26 | 0:23:31 | |
He was an artist who was painting in this period and he was known to paint on copper plates. | 0:23:31 | 0:23:37 | |
The other interesting thing was he was doing it in America. | 0:23:38 | 0:23:42 | |
What if this thing was by Singleton Copley? | 0:23:42 | 0:23:46 | |
What if that mid-18th century face is a recognisable American character | 0:23:46 | 0:23:53 | |
from the legal profession? | 0:23:53 | 0:23:56 | |
Someone who drafted, perhaps, the Declaration of Independence in the 1770s? | 0:23:56 | 0:24:02 | |
Last year, a little miniature of this sort of size with a not dissimilar subject | 0:24:02 | 0:24:08 | |
was estimated in an auction in New York at 30,000-40,000. | 0:24:08 | 0:24:13 | |
What did it sell for? | 0:24:15 | 0:24:17 | |
Top end of 200,000. | 0:24:17 | 0:24:20 | |
£300? | 0:24:20 | 0:24:23 | |
200,000? | 0:24:23 | 0:24:25 | |
I'd say that's no miniature profit. | 0:24:26 | 0:24:29 | |
Now let's shove off to the auction to see if our teams are in with a chance of making some profits. | 0:24:32 | 0:24:38 | |
Well, how lovely is this? Really snug in your saleroom, Charles, on the outskirts of Derby. | 0:24:44 | 0:24:50 | |
-Yes, welcome, Tim. -Great to be here. Ella and Rachel are excited. | 0:24:50 | 0:24:54 | |
-They've gone with Charlie down the silvery, jewellery route. -Yes. | 0:24:54 | 0:24:59 | |
-First off are these silver buckles. -Tim, they're just wonderful. They're silver, London, 1750. | 0:24:59 | 0:25:06 | |
To me, Tim, you just wonder where have they walked and what steps have they walked upon? | 0:25:06 | 0:25:11 | |
-That's so exciting. -How excited are you, Charles, estimate-wise? | 0:25:11 | 0:25:15 | |
I'm hoping the might make between 150 and 250. | 0:25:15 | 0:25:20 | |
-Really? As much as that? Well, the team paid £110. -Great. | 0:25:20 | 0:25:25 | |
Everybody's rated them, so good luck with that, Charles. Next is the Old English pattern sauce ladle. | 0:25:25 | 0:25:31 | |
The hallmark is for William Tuite of London of circa 1764. | 0:25:31 | 0:25:37 | |
To me, the feel of it, whilst the buckles have that tactile feel of age, | 0:25:37 | 0:25:44 | |
this just feels as though it's had a big wash and whether it's had some alterations, I don't quite know. | 0:25:44 | 0:25:50 | |
-What do you think it's worth? -£40-£60. -OK, £75 paid. | 0:25:50 | 0:25:54 | |
Moving on to the little tad of Blue John. Where is Blue John sourced? | 0:25:54 | 0:26:00 | |
-The only mine in the world for Blue John is in Derbyshire. -Welcome home, Tim. | 0:26:00 | 0:26:06 | |
In Castleton. Probably about 12 miles north of here. The great mines. | 0:26:06 | 0:26:11 | |
It's a wonderful little pendant in that neo-classical oval form and it's just decorative. | 0:26:11 | 0:26:17 | |
-What's it worth, Charles? -It's Blue John, good value. | 0:26:17 | 0:26:20 | |
-We've put a guide price on it of £40-£60. -Brilliant. They paid £40. | 0:26:20 | 0:26:25 | |
It just depends slightly on the buckle and the spoon. They may need their Bonus Buy. Let's look at it. | 0:26:25 | 0:26:32 | |
So, girls, this is exciting. £225 you spent and £75 you gave to Carlos the Rosso. | 0:26:32 | 0:26:39 | |
-So Carlos the Rosso, what did you spend it on? -Something very small | 0:26:39 | 0:26:45 | |
-but absolutely delightful. -Oh. -With age and... | 0:26:45 | 0:26:50 | |
BOTH: Oh! | 0:26:50 | 0:26:51 | |
I like that reaction! Didn't you? | 0:26:51 | 0:26:55 | |
It's a little gold compass. | 0:26:55 | 0:26:58 | |
Now it's probably Edwardian. It might be just Victorian, 1900, 1910. | 0:26:58 | 0:27:03 | |
But it has a solid, 10-carat gold mount round it. | 0:27:03 | 0:27:08 | |
I spent the whole of the £75 on this because I think the gold content alone is probably the best part. | 0:27:08 | 0:27:15 | |
I was very pleased to buy it and I would like to think there's a little profit in it. | 0:27:15 | 0:27:21 | |
-How much do you think it'll make? -Well, I played 75. I suppose 76 would be a result. | 0:27:21 | 0:27:27 | |
Anyway, we'll see what happens at auction, | 0:27:27 | 0:27:31 | |
but for the audience at home let's find out what the auctioneer thinks of Charles's pendant compass. | 0:27:31 | 0:27:37 | |
OK, Charles, it's apparently gold. It's got "10 carat" stamped on it. | 0:27:37 | 0:27:42 | |
-That's a nice object, Tim. -Isn't it? -10 carat? -Might be American? -OK. | 0:27:42 | 0:27:47 | |
It's just a nice object. It's marked, it's neat, it's tidy. | 0:27:47 | 0:27:53 | |
It's compact. And I suppose at auction today it's something I would guide at £60-£90. | 0:27:53 | 0:27:59 | |
-OK, £75 paid. -OK. -I think it should find its way home. -Yes, Tim. Absolutely. | 0:27:59 | 0:28:05 | |
Now for the Blues. First up is the Czechoslovakian green glass malachite lookalike | 0:28:05 | 0:28:12 | |
-scent bottle. -With that chrome collar and lovely oval stopper with the atomiser here. | 0:28:12 | 0:28:17 | |
-It's probably 1940s. -Estimate? -I could see it making about £40. | 0:28:17 | 0:28:21 | |
-Could you? £95 paid. -OK. -You'll have to have a bit of a spray-up to get it up to £95, I fancy. | 0:28:21 | 0:28:29 | |
Now the Japanese ivorine-framed handbag. Is that a goodie or a baddie? | 0:28:29 | 0:28:35 | |
It's a peculiar thing. I've had a couple of comments from people | 0:28:35 | 0:28:40 | |
-who feel that maybe the frame is earlier than the actual... -I quite agree. -..upholstered... | 0:28:40 | 0:28:45 | |
-Someone's done all that crochet work and knotted up. -Correct. | 0:28:45 | 0:28:49 | |
I think it's striking and for a good night out it's a bag to impress your friends, | 0:28:49 | 0:28:55 | |
-but I think it's a marriage. -How much? -We're guiding it between £25 and £35. | 0:28:55 | 0:29:01 | |
£32 paid, so that's OK. They're in the frame. Now, lastly, | 0:29:01 | 0:29:06 | |
-the "Dearest" ring. -Yes. -Is that going to appeal? -Yeah, it's that sentiment. | 0:29:06 | 0:29:11 | |
With these objects, often they were love tokens | 0:29:11 | 0:29:15 | |
and they were given as a sign of love in a period when love was love. | 0:29:15 | 0:29:21 | |
-Mm. True love. -It's just a pretty ring. We're going to guide it... | 0:29:21 | 0:29:26 | |
The gold content alone ought to make £50-£80. I'm a cautious man. | 0:29:26 | 0:29:31 | |
That's why you're so successful. £65 paid. | 0:29:31 | 0:29:35 | |
-Right. -So that should be all right. | 0:29:35 | 0:29:37 | |
So it just depends on the perfume atomiser jobby. If it goes wrong, they'll need their Bonus Buy. | 0:29:37 | 0:29:44 | |
Let's go and have a look at it. | 0:29:44 | 0:29:46 | |
-OK, girls, this is exciting. -Yes. -What do you suppose Thomas Plant has spent your £108 on? | 0:29:46 | 0:29:52 | |
-Got any ideas? -No idea. -No idea at all. | 0:29:52 | 0:29:56 | |
We've kept the secret pretty well. Tom, show us what you bought. | 0:29:56 | 0:30:00 | |
One of you will hate it, one will love it. Or you might both hate it! I said it was quality... | 0:30:00 | 0:30:07 | |
-What's that face for?! -It's that "Chlo-Chlo's not happy" face! | 0:30:07 | 0:30:11 | |
I told you! I knew you'd hate it. Let me tell you what this is. | 0:30:11 | 0:30:16 | |
This is a piece of seminal glassware from Britain, 1967. Made by a factory called Whitefriars. | 0:30:16 | 0:30:22 | |
Designed by somebody called Geoffrey Baxter. | 0:30:22 | 0:30:26 | |
This is called a hoop vase. Many different colours, from the 1960s. This is cinnamon. | 0:30:26 | 0:30:31 | |
Not brown. Cinnamon. This is vintage. This is now very now. | 0:30:31 | 0:30:36 | |
It's a good piece of glass from a collector's point of view. And it's been hand blown. | 0:30:36 | 0:30:43 | |
You're liking this, aren't you? You're warming to this. I can see it all over your faces. | 0:30:43 | 0:30:49 | |
I think this is a good piece. This should make £120-£180 today. | 0:30:49 | 0:30:54 | |
-Great. -OK. -I spent £100 on it. | 0:30:54 | 0:30:57 | |
-It's growing on me. -You paid £100. The prediction normally is £120-£180, | 0:30:57 | 0:31:04 | |
so there seems to be some money in that, girls, if you need it. | 0:31:04 | 0:31:09 | |
But right now let's find out whether our auctioneer, Charles Hanson, will go with it or not. | 0:31:09 | 0:31:15 | |
-Charles, this is exciting. -Golly, Tim. It is. The colour isn't great. | 0:31:15 | 0:31:20 | |
It's quite dull, but it is what it is. It's from the '60s. Baxter joined in '54. | 0:31:20 | 0:31:26 | |
He began his textured grounds in this style from '67. | 0:31:26 | 0:31:31 | |
And it's something which today the younger generation love to acquire. | 0:31:31 | 0:31:35 | |
-Might it make the ton? -Tim, it could make a ton, | 0:31:35 | 0:31:40 | |
but again to get the roar of the saleroom behind the object, | 0:31:40 | 0:31:45 | |
-we've put a wide guide to give it some girth. £60-£100. -OK, fine. | 0:31:45 | 0:31:51 | |
-£100 is what Thomas paid. -Good. | 0:31:51 | 0:31:54 | |
-Mark you, Charles, we've learnt to rely on you a bit here. -The Great Escape! -No pressure. Thank you. | 0:31:54 | 0:32:00 | |
12. 15. 20. 5. 30! | 0:32:03 | 0:32:06 | |
-How excited are you on the excited scale? -I don't know. -I'm a good 10. | 0:32:09 | 0:32:13 | |
You're a good 10? Look at this crowd. We could not get more folk crammed into this large space. | 0:32:13 | 0:32:21 | |
-No! -Seeing all these people means some may be bidding on your lots. | 0:32:21 | 0:32:25 | |
-Let's hope so! -Anyway, we've got a lot of silver in today's sale. | 0:32:25 | 0:32:29 | |
You've got a lot of silvery things, so that's lucky. First up for you | 0:32:29 | 0:32:35 | |
is going to be the shoe buckles. | 0:32:35 | 0:32:37 | |
In all my time on the rostrum, you see objects you really like. | 0:32:37 | 0:32:42 | |
These are what I really like. These are mid-18th century, | 0:32:42 | 0:32:46 | |
maybe a pair of gentleman's silver shoe buckles. Clearly a wealthy man. | 0:32:46 | 0:32:51 | |
Made in London in around 1750. And you just wonder | 0:32:51 | 0:32:57 | |
where those buckles have trod and how that landscape has changed. That's history. | 0:32:57 | 0:33:03 | |
I have got interest here at £100. In the room, do I see 110 now? | 0:33:03 | 0:33:08 | |
110. 120. 130. | 0:33:08 | 0:33:11 | |
-I've got 140. 150. I'm out. -Gosh. You paid £110. That is brilliant. | 0:33:11 | 0:33:18 | |
Made for a dandy. Who would like them? At 150. | 0:33:18 | 0:33:22 | |
I'm not referring to you, though! 150 I'm bid. 150 I'm bid. | 0:33:22 | 0:33:26 | |
Do I see 155? These are wonderful things. Remember where you saw them. | 0:33:26 | 0:33:31 | |
150. I'll take 155 now. Fair warning. I'll take 155 | 0:33:31 | 0:33:36 | |
or they're down. At £150. | 0:33:36 | 0:33:40 | |
Fair warning. | 0:33:40 | 0:33:42 | |
Well, that's marvellous, isn't it? Plus £40. Straight up. | 0:33:42 | 0:33:46 | |
Straight in with a £40 profit. Now the sauce ladle. | 0:33:46 | 0:33:50 | |
Let's hope it doesn't drag you back. | 0:33:50 | 0:33:53 | |
There we are. Possibly by William Tuite of London of perhaps circa 1764. | 0:33:53 | 0:33:59 | |
Where are you? This is history. It's 1.45 ounces. A wonderful object. | 0:33:59 | 0:34:04 | |
Here to be sold. And I'm bid 22. 25. | 0:34:04 | 0:34:09 | |
28. 30. 2. 5. 8. 40. 2. 5. 8. 50! | 0:34:09 | 0:34:13 | |
-Gosh. -5. I've got you. 5. 60. | 0:34:13 | 0:34:17 | |
-65. 70. -Yes! | 0:34:17 | 0:34:19 | |
Go, Charles, go, Charles! | 0:34:19 | 0:34:22 | |
Who would like it at £80? Or it goes. We sell at £75. | 0:34:22 | 0:34:27 | |
£75. It wiped its face. No profit, no loss. No pain, no gain. | 0:34:27 | 0:34:32 | |
Now the Blue John pendant. | 0:34:32 | 0:34:34 | |
There we are. Being sold in Derbyshire and made in Castleton. | 0:34:34 | 0:34:38 | |
A wonderful neo-classical style oval Blue John pendant | 0:34:38 | 0:34:43 | |
on a silver chain, in silver. What a wonderful object. | 0:34:43 | 0:34:46 | |
I'm only bid for this piece of Blue John 22. 25. 28. | 0:34:46 | 0:34:51 | |
30. I'll take 2 now for Blue John. | 0:34:51 | 0:34:54 | |
-2. 5. 8. 40. 2. -You're in profit. I don't believe this. | 0:34:54 | 0:34:59 | |
-£42. -£42. 5. | 0:34:59 | 0:35:02 | |
48? Are you sure? On the front row, 45. | 0:35:02 | 0:35:05 | |
-8. 50. -50. Good boy. That's what makes him a great auctioneer. | 0:35:05 | 0:35:11 | |
One more, sir? No? I'll take 8. 58? | 0:35:11 | 0:35:14 | |
58! 60. 2? No, he says. Thank you. It helps. | 0:35:14 | 0:35:18 | |
-Wringing blood out of a stone! -The lady is in, the gent is out. | 0:35:18 | 0:35:23 | |
We'll sell at £60. | 0:35:23 | 0:35:25 | |
-And we say fair warning. All done. -That is a remarkable performance. | 0:35:25 | 0:35:30 | |
I feel like bursting into tears. Plus £20. | 0:35:30 | 0:35:33 | |
£20, £40 and a wiped face means you are plus £60. | 0:35:33 | 0:35:37 | |
Now what about the compass? | 0:35:37 | 0:35:40 | |
-Oh... -This is really hard. -You're going home with folding money. | 0:35:40 | 0:35:44 | |
-Yeah. -I think we said we wouldn't go for it if we were in profit. -Yeah. | 0:35:44 | 0:35:49 | |
-Did you? Is that what you said? -We've agreed. -I mean I like it... | 0:35:49 | 0:35:54 | |
-He's just going to sell it now. Going or not? -No. -OK. | 0:35:54 | 0:35:59 | |
The decision is made. The die is cast. But we'll sell it anyway. | 0:35:59 | 0:36:04 | |
I'm bid £35. 45. 50. | 0:36:04 | 0:36:07 | |
5. 60. | 0:36:07 | 0:36:09 | |
-I'll take 5 now. 60. 5? Come on. -Uh-oh. -£60 I am bid. -I think you could be right, girls. | 0:36:09 | 0:36:16 | |
5. 70. | 0:36:16 | 0:36:18 | |
5. One more. 5. 80. | 0:36:18 | 0:36:21 | |
-You're in profit. Well done, Charles. -One for the road, sir? | 0:36:21 | 0:36:26 | |
-Are you sure? -Pure bliss on Ross's face. | 0:36:26 | 0:36:30 | |
Who wants it or we sell it? | 0:36:30 | 0:36:32 | |
Well done. £5 profit on that. You've denied yourselves £5, but it could have been different. | 0:36:32 | 0:36:38 | |
It did stick at 60, but very exciting. Well done, Rossco. | 0:36:38 | 0:36:42 | |
So, overall then, your score is plus 60. Don't say a word to those naughty Blues. | 0:36:42 | 0:36:48 | |
Now, girls, here we are, on the edge and first up is the perfume bottle. | 0:36:54 | 0:36:59 | |
-Here it comes. -Art Deco style, Czechoslovakian, green malachite glass perfume atomiser. | 0:36:59 | 0:37:05 | |
And it's from the roaring '40s. It has so much style about it. In great condition. | 0:37:05 | 0:37:11 | |
Do I see £30? For a wonderful '40s... | 0:37:11 | 0:37:15 | |
-..scent bottle. -Tumbleweed. Silence. -Atomiser. Start me at £20, then. | 0:37:17 | 0:37:22 | |
£20. It seems cheap. All the hands. 2. 5. 8. | 0:37:22 | 0:37:26 | |
30. 5. 40. | 0:37:26 | 0:37:29 | |
-5. 50. 5. This is a good thing. -Come on! -50 I'm bid. | 0:37:29 | 0:37:33 | |
-I'll take 5 now. -Goodness sake! -One more? -Go on! | 0:37:33 | 0:37:38 | |
£50, standing. This is a wonderful thing. It's iconic. I'll take 5. No? You're all out. | 0:37:38 | 0:37:44 | |
I'll take 5 or we sell to a gent standing at £50. | 0:37:44 | 0:37:49 | |
Fair warning. We sell at £50. | 0:37:49 | 0:37:52 | |
£50. Well, Charles thought it was worth 40. He sold it for 50. | 0:37:52 | 0:37:56 | |
You paid 95. That's minus £45. Look out. Here's the old handbag. | 0:37:56 | 0:38:01 | |
A nice object. Full of glamour. I'm only bid £10. | 0:38:01 | 0:38:06 | |
It seems very cheap at 10. Do I see 12? I'm out. | 0:38:06 | 0:38:10 | |
The lady on the settee at 12. 15. 18. 20. | 0:38:10 | 0:38:14 | |
22. 5. | 0:38:14 | 0:38:16 | |
25. 8. 30. 2. | 0:38:16 | 0:38:19 | |
-35. -Come on. -38. -Made a profit. | 0:38:19 | 0:38:22 | |
40. This is a good thing. | 0:38:22 | 0:38:24 | |
5. 50. One for the road. 50. | 0:38:24 | 0:38:28 | |
5? Look at me. Are you sure? | 0:38:28 | 0:38:31 | |
-I love that. "Look at me." -You're out. | 0:38:31 | 0:38:35 | |
It's 50 over there. I'll take 5. | 0:38:35 | 0:38:37 | |
Fair warning. We sell on my right. Fair warning. | 0:38:37 | 0:38:41 | |
We go at £50. | 0:38:41 | 0:38:43 | |
That's plus 18. | 0:38:43 | 0:38:45 | |
Well done. We were so sniffy about your bag and it made £18, | 0:38:45 | 0:38:50 | |
which is super. Which takes you down to only minus £27. | 0:38:50 | 0:38:56 | |
Now... | 0:38:56 | 0:38:57 | |
-Here comes "Dearest" ring. -I'm bid £25. | 0:38:57 | 0:39:01 | |
28 do I see now? 25. 8. 30. And 2. | 0:39:01 | 0:39:05 | |
5. 8. I'm out. 38. | 0:39:05 | 0:39:08 | |
This is a good thing. Nine carat gold. Do I see 40? | 0:39:08 | 0:39:11 | |
38. At 40. | 0:39:11 | 0:39:14 | |
-5. 50. 5? -It's still going. | 0:39:14 | 0:39:18 | |
One for the road? 55? No, he says. | 0:39:18 | 0:39:21 | |
I'll take 5. Or we sell at £50. | 0:39:21 | 0:39:25 | |
-Sold. -Ah! £50. | 0:39:25 | 0:39:27 | |
Is minus £15. | 0:39:27 | 0:39:30 | |
-Back where we started. -Bad luck. | 0:39:30 | 0:39:33 | |
27...37... | 0:39:33 | 0:39:35 | |
Minus 42. | 0:39:35 | 0:39:38 | |
OK, minus £42. What about this Whitefriars job? | 0:39:38 | 0:39:41 | |
-I think... -We've got nothing to lose. | 0:39:41 | 0:39:45 | |
-You know what you're talking about. -Well, I don't know...! | 0:39:45 | 0:39:49 | |
-You're going to go with it? -Yes. -You're going to trust Thomas? -Yes. | 0:39:49 | 0:39:55 | |
Now you've decided all that, the auctioneer's estimate is £60-£100. | 0:39:55 | 0:39:59 | |
-Oh, no. -On that happy note, here it comes. | 0:39:59 | 0:40:03 | |
Where do we start this? I've got one, two, three, four, five bids on this. | 0:40:03 | 0:40:07 | |
-Ooh! -And I will start this at... Oh, dear. | 0:40:07 | 0:40:11 | |
70. 5. 80. 5. 90. 5. 100. And 5. | 0:40:11 | 0:40:14 | |
-110. 15. 120. -You genius! Look out! | 0:40:14 | 0:40:20 | |
Do I see 130? Look at it. | 0:40:20 | 0:40:22 | |
-125 I'm bid. -Go on, Charles. Go! -125 I'm bid. Come on. -Let's not get carried away. | 0:40:22 | 0:40:29 | |
125. Take a look. A second glance before we sell it. | 0:40:29 | 0:40:33 | |
Selling at 125. | 0:40:33 | 0:40:36 | |
Going, going, going. Gone. | 0:40:36 | 0:40:38 | |
Well done. Plus £25. I think Tom deserves a kiss. | 0:40:38 | 0:40:42 | |
-Well done. -£25. Isn't that good? | 0:40:42 | 0:40:46 | |
Well done, Tom. That reduces your losses to only £17. | 0:40:46 | 0:40:51 | |
Minus 17. That is insignificant, isn't it? | 0:40:51 | 0:40:55 | |
-Nothing. -Was that good? -It was good. -A really good pick. Congratulations. | 0:40:55 | 0:40:59 | |
Don't say a word to the Reds. All will be revealed in a moment. | 0:40:59 | 0:41:04 | |
-Well, teams, anybody been chatting about the results? -No. | 0:41:08 | 0:41:12 | |
It's what you call poles apart. Sadly, the runners-up today by a long chalk are the Blues. | 0:41:12 | 0:41:19 | |
£45 down on that Czechoslovakian perfume jobby. | 0:41:19 | 0:41:23 | |
That was a bad smell. Then you made a little gift out of that bag, | 0:41:23 | 0:41:28 | |
which was marvellous and unpredicted. You went with the cinnamon vase and got £25 profit | 0:41:28 | 0:41:34 | |
out of your lovely expert. But still it totalled only minus £17, | 0:41:34 | 0:41:39 | |
-which is not enough. -No. -"No!" | 0:41:39 | 0:41:42 | |
But what we've loved about having you on the show is you've been such fun. Thank you very much. | 0:41:42 | 0:41:49 | |
But the victors today are going to go home both with cash. They go home with real money. | 0:41:49 | 0:41:55 | |
Like 60 notes' worth of real money. You made a profit. | 0:41:55 | 0:42:00 | |
You made a profit on your buckles. Marvellous. | 0:42:00 | 0:42:03 | |
And on your Blue John pendant. And on your Bonus Buy, a fiver. | 0:42:03 | 0:42:07 | |
And you wiped your face with the silver ladle. | 0:42:07 | 0:42:11 | |
Now, using my privileged position on this programme, you should really get three profits for a Golden Gavel | 0:42:11 | 0:42:18 | |
but you did make three profits and got a wiped face, | 0:42:18 | 0:42:24 | |
so I'm using my discretionary powers to enter you into the ancient and noble order of the Golden Gavellers. | 0:42:24 | 0:42:30 | |
Oh, look at this! Hang on. | 0:42:30 | 0:42:32 | |
I'll just blow the...dust off these. | 0:42:32 | 0:42:35 | |
This doesn't happen so often. All right? Ella, ditto. | 0:42:35 | 0:42:40 | |
-And Charles, add this to your collection. -Thank you, sir. | 0:42:40 | 0:42:44 | |
-Wear your badge with pride. -I will. -A profit, nearly, on every lot is an achievement. | 0:42:44 | 0:42:50 | |
It's been lovely having you on. Congratulations. | 0:42:50 | 0:42:53 | |
-In fact, join us soon for some more bargain hunting! Yes? -Yes! | 0:42:53 | 0:42:58 | |
I know you're sitting there thinking, "I could have done better than that!" | 0:42:58 | 0:43:03 | |
Well, what's stopping you? | 0:43:03 | 0:43:06 | |
If you can spot a bargain, go to our BBC website and apply. It will be splendid to see you! | 0:43:06 | 0:43:12 | |
Subtitles by Red Bee Media Ltd | 0:43:13 | 0:43:16 |