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Today we're at the Staffordshire County Showgrounds | 0:00:05 | 0:00:08 | |
with two teams dying to dive in and find their bargain - | 0:00:08 | 0:00:13 | |
well, three bargains each, hopefully - | 0:00:13 | 0:00:15 | |
out of the hundreds of stalls that we've got here. | 0:00:15 | 0:00:19 | |
You know the rules - so, let's go bargain hunting. Yeah! | 0:00:19 | 0:00:24 | |
Did you know that Staffordshire has more miles of canals in it, | 0:00:47 | 0:00:51 | |
than any other county in England? | 0:00:51 | 0:00:54 | |
Well, let's hope that our teams' waterworks are in perfect working condition | 0:00:55 | 0:01:01 | |
and that they come up with gushloads of profits later at the auction. | 0:01:01 | 0:01:06 | |
Let's have a wee peek...at what's coming up. | 0:01:06 | 0:01:08 | |
In today's programme, the Reds are planning a pub crawl. | 0:01:10 | 0:01:13 | |
-Here's a picture for the album - way-hey! -Definitely. | 0:01:13 | 0:01:17 | |
While the Blues are feeling fruity. Or should that be flirty? | 0:01:17 | 0:01:21 | |
-Come and have a feel of my apple. -LAUGHTER | 0:01:21 | 0:01:25 | |
So, it's time to meet the teams. | 0:01:25 | 0:01:27 | |
So, for the Reds today we have Jan and Marie, | 0:01:27 | 0:01:31 | |
-and for the Blues we have Joan and Diane. Hello, everyone. -ALL: -Hello. | 0:01:31 | 0:01:35 | |
Lovely to see you. So, Jan, how did you meet? | 0:01:35 | 0:01:38 | |
We met at a drama group in Stratford-upon-Avon called Second Thoughts | 0:01:38 | 0:01:44 | |
and we were in a Spanish play called The House Of Bernarda Alba, | 0:01:44 | 0:01:48 | |
and I was playing a 90-year-old, very crazy grandmother, | 0:01:48 | 0:01:53 | |
and Marie was a peasant. | 0:01:53 | 0:01:55 | |
-This was a play that took off, I take it. -Yes, it's a Spanish classic. | 0:01:55 | 0:01:59 | |
-It's a classic? -Yes, you do wonder. | 0:01:59 | 0:02:01 | |
Anyway, no, I'm not wondering about that. | 0:02:01 | 0:02:04 | |
I bow to the superior knowledge. | 0:02:04 | 0:02:07 | |
Now, Jan, you've got a knowledge of antiques. Where does that come from? | 0:02:07 | 0:02:11 | |
-Bargain Hunt. -Is it? -Yes. | 0:02:11 | 0:02:13 | |
Because 13 years ago I was registered blind | 0:02:13 | 0:02:16 | |
and found myself housebound somewhat and you turn to daytime TV. | 0:02:16 | 0:02:22 | |
Yes, nothing the matter with that. Daytime is the new prime time! | 0:02:22 | 0:02:26 | |
Well, yes! | 0:02:26 | 0:02:27 | |
And then Bargain Hunt came on the scene and you changed everything. | 0:02:27 | 0:02:31 | |
-Good. -Now when I watch it, I say, "I wouldn't buy that, it's rubbish!" | 0:02:31 | 0:02:35 | |
Marie, you've got a love of antiques, too. | 0:02:35 | 0:02:38 | |
Yes, I was brought up in the '50s going up and down Portobello Road | 0:02:38 | 0:02:41 | |
-with my dad in the days before Portobello Road was trendy. -Yes. | 0:02:41 | 0:02:45 | |
And he'd buy things that were black, take them home and clean them up | 0:02:45 | 0:02:49 | |
and they'd turn into Davy lamps and copper coal scuttles, and all the rest. | 0:02:49 | 0:02:53 | |
So, I learnt from him. | 0:02:53 | 0:02:56 | |
Now, you've also got an interest in history? | 0:02:56 | 0:02:59 | |
Yes, my degree was in medieval history | 0:02:59 | 0:03:01 | |
and my career until I retired was as an archivist. | 0:03:01 | 0:03:04 | |
So, essentially, I was a local historian, but being based in Stratford - | 0:03:04 | 0:03:08 | |
still am based in Stratford-upon-Avon - there's an element of Shakespeare as well. | 0:03:08 | 0:03:12 | |
-So, local history, Shakespeare... -Yes. -All that sort of stuff was my thing. | 0:03:12 | 0:03:16 | |
-To be or not... -Or not to be. Indeed. Yes. | 0:03:16 | 0:03:18 | |
So, what will you be looking out for today? | 0:03:18 | 0:03:20 | |
-Ooh. -Ooh. -Oooh. -Quirky? -Yeah, for me, definitely quirky. | 0:03:20 | 0:03:23 | |
-Is it? Quirkier of the better? -Yes. -Yes. Definitely. | 0:03:23 | 0:03:26 | |
Will you stoop to any depths to get hold of your quirkiness? | 0:03:26 | 0:03:30 | |
Well, I've got no pride. No pride, Tim. I will stoop. | 0:03:30 | 0:03:33 | |
Do you know, I think you girls will do incredibly well on Bargain Hunt. | 0:03:33 | 0:03:37 | |
-Thank you. -You've got ALL the best qualifications! | 0:03:37 | 0:03:39 | |
-Now, Diane, where did you two girls meet? -We met in our local pub. | 0:03:39 | 0:03:44 | |
Because our husbands both like karaoke. They are karaoke freaks. | 0:03:44 | 0:03:47 | |
-Are they? -Yes. | 0:03:47 | 0:03:49 | |
So how many nights a week do they go off doing the karaoke? | 0:03:49 | 0:03:52 | |
Well, both of them can go three times a week, can't they? | 0:03:52 | 0:03:55 | |
We only go once, Joan and I. | 0:03:55 | 0:03:58 | |
-To support them? -Once is enough, yeah! | 0:03:58 | 0:04:01 | |
Well, there we go. Now, you've also got a love of antiques. | 0:04:02 | 0:04:05 | |
-I have, yeah. Victorian. -Oh, you like Victorian? | 0:04:05 | 0:04:09 | |
We've got a Victorian, big, terraced house | 0:04:09 | 0:04:11 | |
and I would like to bring it back to Victorian. | 0:04:11 | 0:04:14 | |
-But it's not easy, and it's not cheap, is it? -No. | 0:04:14 | 0:04:17 | |
-Now, Joan, you're no stranger to the cameras, are you? -No, I'm not. | 0:04:17 | 0:04:21 | |
Tell us about your career. | 0:04:21 | 0:04:23 | |
In the '80s I appeared on a cookery programme called Farmhouse Kitchen. | 0:04:23 | 0:04:29 | |
-And I was the microwave expert. -Oh, were you? Very modern! -It was then! | 0:04:29 | 0:04:34 | |
Have you got any terrible stories about your souffle going flat, and all that? | 0:04:34 | 0:04:38 | |
No, but I did, on my first programme, make 13 breakfasts, | 0:04:38 | 0:04:41 | |
because the sound guys couldn't get the sound coinciding with the picture. | 0:04:41 | 0:04:45 | |
And I got fed up of saying this is going in for one and a half minutes. | 0:04:45 | 0:04:50 | |
-Yes, and do that 13 times. -Yeah, you lose the sparkle. | 0:04:50 | 0:04:53 | |
And to stick it in 13 times. I can see are sound men all wincing. | 0:04:53 | 0:04:57 | |
They're shaking their heads - "It'd never happen on Bargain Hunt!" | 0:04:57 | 0:05:00 | |
-And was it good fun, though? -Loved it. | 0:05:00 | 0:05:03 | |
Do people come up and ask you for your autograph? | 0:05:03 | 0:05:05 | |
-It has been known, yes. -Isn't that sweet! | 0:05:05 | 0:05:08 | |
Now, what are you going to buy today when you go shopping on Bargain Hunt, you two? | 0:05:08 | 0:05:11 | |
-Something that makes a profit? -Something that makes a profit. | 0:05:11 | 0:05:15 | |
-You're joking. -Probably! | 0:05:15 | 0:05:18 | |
Now, there's your £300 apiece. | 0:05:18 | 0:05:21 | |
You know the rules, your experts await, off you go | 0:05:21 | 0:05:25 | |
and very, very, very good luck! | 0:05:25 | 0:05:27 | |
Fully focused and ready to snap up a bargain for the Reds, it's... | 0:05:30 | 0:05:34 | |
And ready to make a clean sweep for the Blues, it's... | 0:05:36 | 0:05:40 | |
And with experts like this, what could possibly go wrong? | 0:05:40 | 0:05:43 | |
-Well, let's find out. -Marie and Jan, do you share a common taste? | 0:05:43 | 0:05:48 | |
-Will we be looking for similar things? -Yes. -I think so. | 0:05:48 | 0:05:51 | |
Yeah, I'd say so. | 0:05:51 | 0:05:53 | |
Joan, Diane, a little bargain Hunt birdie told me | 0:05:53 | 0:05:57 | |
you've had a little rehearsal. Now, what's all this about? | 0:05:57 | 0:06:01 | |
-We have got £300. -Right. -One-hour. -Yeah. -And three things to buy. | 0:06:01 | 0:06:05 | |
We had a little practice run, didn't we, Joan? | 0:06:05 | 0:06:07 | |
-We did. -Maybe I should've tried it. -It'd be a good idea! | 0:06:07 | 0:06:11 | |
-Your eyes and your well tuned sense of touch. -Absolutely. | 0:06:11 | 0:06:16 | |
-We'll be a good team. -Perfect team. -Perfect team, yes. -Magic! | 0:06:16 | 0:06:19 | |
-What happened? Tell me. -Well, we bought five items... | 0:06:19 | 0:06:23 | |
-Five?! -..in 60 minutes - | 0:06:23 | 0:06:26 | |
-..we timed ourselves and we agreed on everything. -We did! | 0:06:26 | 0:06:30 | |
Rehearsals? That's not in the rules! Come along! Let's get cracking! | 0:06:30 | 0:06:34 | |
I'm looking at a strange object over there | 0:06:36 | 0:06:38 | |
and the lady is mouthing at me "I don't know what it is!" | 0:06:38 | 0:06:42 | |
-It is very odd. -Could you possibly bring it round to us? -Yes! | 0:06:42 | 0:06:46 | |
Thank you. | 0:06:46 | 0:06:47 | |
-So... -Oh! Oh, I like that! What do you think, Marie? | 0:06:49 | 0:06:54 | |
It's absolutely... It looks like a wee safe to me. | 0:06:54 | 0:06:57 | |
-Oh, I'd love that! -A copper box with a door... | 0:06:57 | 0:07:00 | |
and little latch, you can feel the wee turned wooden knob there. | 0:07:00 | 0:07:05 | |
-And then, that's a little vent. -Oh, is it? -What are these? | 0:07:05 | 0:07:09 | |
-These are inlet and outlet pipes. -So what do they think it was for? | 0:07:09 | 0:07:14 | |
The lady has no idea, and I'm not so sure I'm going to change that. | 0:07:14 | 0:07:18 | |
There's a jacket... It could be an oven, or an autoclave. | 0:07:18 | 0:07:24 | |
I think it's great. I don't know what it is, but it's absolutely gorgeous. | 0:07:24 | 0:07:27 | |
-How much is it? -£80. -ALL: Oh. | 0:07:27 | 0:07:30 | |
-I think it's too big a punt at that. -At that price, no. | 0:07:30 | 0:07:34 | |
-It's a strange object... -I think we'll leave it. -'No, go on!' | 0:07:34 | 0:07:37 | |
'Make an offer.' | 0:07:37 | 0:07:38 | |
-Are we sure we're doing the right thing, walking away? -Um... | 0:07:43 | 0:07:47 | |
I'm going to make a silly bid. I'm going to offer her 25. | 0:07:47 | 0:07:51 | |
-Well, go for it. -OK. -Are you happy with that, Jan? -What? What's that? | 0:07:51 | 0:07:55 | |
-I'll offer her 25. -Go on, then. -'If you don't ask, you don't get.' | 0:07:55 | 0:07:59 | |
-25? -That's not enough for it. | 0:07:59 | 0:08:01 | |
When nobody knows what it is... | 0:08:01 | 0:08:02 | |
It might make a fortune at auction for you. You may treble your money. | 0:08:02 | 0:08:08 | |
-Ah... Don't know. -You won't see another one. | 0:08:08 | 0:08:12 | |
-We'll go up to 35. -35, yeah, OK. -LAUGHTER | 0:08:12 | 0:08:16 | |
-Wonderful! -Thank you. | 0:08:16 | 0:08:18 | |
I was determined to buy something quirky! | 0:08:19 | 0:08:23 | |
You've ticked that box! | 0:08:23 | 0:08:26 | |
But what is this intriguing little copper box? | 0:08:26 | 0:08:30 | |
Perhaps the auctioneer will know. Let's hope so. | 0:08:30 | 0:08:32 | |
That's quite fun. | 0:08:34 | 0:08:36 | |
A fruitwood turned apple tea caddy. | 0:08:37 | 0:08:40 | |
-Have a feel. -It looks nice, doesn't it? What wood is it? | 0:08:40 | 0:08:43 | |
Joan, come and have a feel of my apple. | 0:08:43 | 0:08:45 | |
-'Cor, that Mark's feeling fruity.' -Fruitwood? -Fruitwood. | 0:08:45 | 0:08:49 | |
It means any tree that bears fruit. Don't ask me which trees. | 0:08:49 | 0:08:53 | |
-But I know it's not plums. -I reckon it might be apple. -Apple! | 0:08:53 | 0:08:56 | |
What gave you that idea? | 0:08:56 | 0:08:59 | |
-It's nice, that. -Do you like it, Joan? -Yeah. | 0:08:59 | 0:09:03 | |
-How much is it? -£18. -Look at that. | 0:09:03 | 0:09:05 | |
-Lovely grain inside. -It's worth thinking about, I suppose. | 0:09:05 | 0:09:09 | |
-How much? Best price? -We're not thinking, Joan. We need to buy. | 0:09:09 | 0:09:12 | |
It's not Think About Bargain Hunting! | 0:09:12 | 0:09:17 | |
-It says 18. -I can do 15. -Oh, we need it a bit cheaper than that. ten? | 0:09:17 | 0:09:22 | |
-No, I can't do 10. I'll do it 12 and that's the best price. -12? | 0:09:22 | 0:09:27 | |
-Would you be happy with 12? -Yes. | 0:09:27 | 0:09:29 | |
It's quite an expensive apple. | 0:09:29 | 0:09:32 | |
Don't start now! | 0:09:32 | 0:09:34 | |
I do think we should grab that. | 0:09:34 | 0:09:38 | |
Yeah, I do. 12, OK. OK, thank you. | 0:09:38 | 0:09:42 | |
-Our first buy. -Our first buy. | 0:09:42 | 0:09:44 | |
Now, with nearly 20 minutes gone, it's level-pegging. | 0:09:44 | 0:09:47 | |
One buy each for each team. | 0:09:47 | 0:09:50 | |
I'm feeling all fruity now. | 0:09:50 | 0:09:51 | |
Don't get giddy! | 0:09:52 | 0:09:56 | |
So, back to the Reds, then. | 0:09:56 | 0:09:58 | |
Who are quite literally, feeling their way. | 0:09:58 | 0:10:01 | |
Now, you will find this a sensory delight, I should think. | 0:10:01 | 0:10:05 | |
-Oh, yes. -How do they feel? | 0:10:05 | 0:10:08 | |
There's some very, very deep incise in here. | 0:10:08 | 0:10:10 | |
I can get my nice Bargain Hunt nail right in there. | 0:10:10 | 0:10:13 | |
Which I didn't realise. | 0:10:13 | 0:10:16 | |
Feel the rim and feel the foot and tell us if there are any chips. | 0:10:16 | 0:10:19 | |
-Any cracks? -There's something there. | 0:10:19 | 0:10:22 | |
-Oh, let me... Sorry. -No, no. -There's been a chunk out of the foot. | 0:10:22 | 0:10:26 | |
-Someone's put it down too heavy, and it's popped. You felt that? -Yeah. | 0:10:26 | 0:10:32 | |
-I think they are fatally flawed, to be honest with you. -OK. | 0:10:32 | 0:10:35 | |
I think we've gone a long way down this route, and it was all positive, | 0:10:35 | 0:10:39 | |
-then at the final hurdle, we fell. Interesting things. -Yeah, very interesting. | 0:10:39 | 0:10:42 | |
-Thank you very much for your time. -Thank you. -Wonderful. | 0:10:42 | 0:10:46 | |
-Thanks for that. -Very good. -All the best. | 0:10:46 | 0:10:48 | |
I am seriously impressed that Jan can feel the damage in a flash. | 0:10:48 | 0:10:52 | |
-You've got to think about what a general sale wants. -Yeah. | 0:10:55 | 0:10:57 | |
It wants things that are going to be reasonable. | 0:10:57 | 0:11:00 | |
What's that box over there, Mark? | 0:11:00 | 0:11:02 | |
Could we have a look? Would you mind? | 0:11:02 | 0:11:05 | |
-This is probably a tea caddy. -That's nice. | 0:11:05 | 0:11:08 | |
Do you want to open it up for me? It's probably a cigar box, actually. | 0:11:08 | 0:11:12 | |
-Yeah. -Although the style, again, is very Victorian. -Yes. | 0:11:12 | 0:11:15 | |
-With all this brasswork. -I love that. I really, really like that. | 0:11:15 | 0:11:19 | |
-It's mahogany veneered, I think. How much is it? -65. -65. | 0:11:19 | 0:11:24 | |
-It's not unreasonable to ask £65 for that, actually. -No. | 0:11:24 | 0:11:28 | |
Because it's quite a pretty... Do you like it, Joan? | 0:11:28 | 0:11:30 | |
-I do like it, yes. -And it's got a key. -Yeah. Don't always find the key. -And it locks. | 0:11:30 | 0:11:36 | |
I like that. I really like that. | 0:11:36 | 0:11:38 | |
-Do you really like it, Joan? -I like it. I think it's quite nice. | 0:11:38 | 0:11:43 | |
-Shall we see what we can get it for? -I think it's a bit top-heavy. | 0:11:43 | 0:11:46 | |
May we ask what the best price would be? | 0:11:46 | 0:11:49 | |
-£45. -£45. -That's OK. -Quite a nice discount. -Yes, yes. | 0:11:49 | 0:11:55 | |
They're doing you a third. | 0:11:55 | 0:11:57 | |
-I really like that. -OK. Agreed. -Happy with 45? -Yes. Yes. | 0:11:57 | 0:12:00 | |
-Shall we call that our second purchase? -Yes. -Call it our second purchase. | 0:12:00 | 0:12:04 | |
So, the Blues have shelled out only £57 on two items so far, | 0:12:04 | 0:12:08 | |
so why not make the third purchase a whopper, eh? | 0:12:08 | 0:12:12 | |
-He's looking at a picture. -Ladies... | 0:12:12 | 0:12:15 | |
-What's that? -Is it an original? | 0:12:15 | 0:12:17 | |
-This is an original. It's a great question. It's a print. -Yeah! | 0:12:17 | 0:12:22 | |
-It's dated 1851. -Right. | 0:12:22 | 0:12:25 | |
-Oh, The Great Exhibition. -It is... It's a hunt meeting. | 0:12:25 | 0:12:29 | |
This is a mezzotint. | 0:12:29 | 0:12:32 | |
What mezzotint, as opposed to line engraving, introduces | 0:12:32 | 0:12:36 | |
are softness and gradation of tones. | 0:12:36 | 0:12:41 | |
Now, mid-19th century, 150-year-old, there are two of these. | 0:12:41 | 0:12:46 | |
-Is it on paper? -It is printed on paper, laid on card. -Right. | 0:12:46 | 0:12:50 | |
-The colour is all hand applied. It is hand-tinted. -Oh! | 0:12:50 | 0:12:55 | |
-It's beautifully soft. -Is it? -Lovely soft shades. -I can see it's soft shades. | 0:12:55 | 0:13:00 | |
And the horses particularly. That horse is lovely. | 0:13:00 | 0:13:03 | |
So, for a pair, what would I expect to pay? Probably... | 0:13:03 | 0:13:06 | |
£30, £40 each? | 0:13:09 | 0:13:11 | |
How's about £30 the pair? | 0:13:11 | 0:13:13 | |
-Really? -That's amazing! -Not a lot of money, is it? -No. | 0:13:13 | 0:13:17 | |
But as a matter of principle, we have to offer less. | 0:13:17 | 0:13:20 | |
-I so love the way you think! -'Liking your style, Reds.' | 0:13:20 | 0:13:25 | |
-20 for the pair? -I can do 25 for the pair. -25? 25? Yeah? | 0:13:25 | 0:13:30 | |
-Yeah, go on then. -25 for the pair? | 0:13:30 | 0:13:32 | |
-25 offered. -Yeah. I'm just a pushover now. | 0:13:32 | 0:13:35 | |
No, we'll take them at 25. | 0:13:35 | 0:13:38 | |
-We've done another deal. Thank you, my man. -Thank you very much. -Thank you. | 0:13:38 | 0:13:42 | |
Thank you, people. | 0:13:42 | 0:13:43 | |
Great. Thanks very much. | 0:13:43 | 0:13:45 | |
Now, viewers take note. The Reds just bought two pictures, did they not? | 0:13:45 | 0:13:49 | |
Well, therein lies a tale. Stay tuned to find out more. | 0:13:49 | 0:13:54 | |
They do say that good things can come in small packages. | 0:13:54 | 0:13:58 | |
Like this. | 0:13:58 | 0:14:00 | |
On the face of it, this is a pretty insignificant little stoneware pot. | 0:14:00 | 0:14:06 | |
Now this little pot, you'd walk by any day in a fair like this, | 0:14:06 | 0:14:10 | |
where there are hundreds of thousands of bits of pot, | 0:14:10 | 0:14:14 | |
and you wouldn't think twice about it. | 0:14:14 | 0:14:17 | |
Except, you should turn it upside down and see what it says on its little bottom. | 0:14:17 | 0:14:23 | |
And on its little bottom, | 0:14:23 | 0:14:25 | |
we've got scratched into the wet clay a signature, | 0:14:25 | 0:14:29 | |
which is RW Martin, London. | 0:14:29 | 0:14:32 | |
And that is a name to conjure with. | 0:14:32 | 0:14:35 | |
Because you may have heard of the Martin Brothers stoneware, | 0:14:35 | 0:14:40 | |
which is extremely collectable, and extremely valuable. | 0:14:40 | 0:14:46 | |
A big pot by the Martin Brothers of a bird, for example - | 0:14:46 | 0:14:50 | |
an eccentric bird with its head turning around - | 0:14:50 | 0:14:53 | |
something about yay high, | 0:14:53 | 0:14:56 | |
will sell at auction today for £50,000. | 0:14:56 | 0:15:00 | |
So on the face of it, | 0:15:00 | 0:15:01 | |
it's an insignificant miserable little thing. | 0:15:01 | 0:15:05 | |
Actually, it's an little bit of a treasure. | 0:15:05 | 0:15:08 | |
And it's an inspiration to all those folk | 0:15:08 | 0:15:10 | |
who come to antique fairs like this one at Stafford, | 0:15:10 | 0:15:14 | |
to poke about and pick stuff up. | 0:15:14 | 0:15:17 | |
Actually, the dealer here knew all about this pot. | 0:15:17 | 0:15:21 | |
And he is charging £100 for it. | 0:15:21 | 0:15:24 | |
But what might it make elsewhere, | 0:15:24 | 0:15:27 | |
in a specialist Martin Brothers Arts and Crafts sale? | 0:15:27 | 0:15:32 | |
Well, I reckon it could make the top end of £250. | 0:15:32 | 0:15:36 | |
So, there's a profit in it. | 0:15:36 | 0:15:38 | |
In fact, there's a profit in it for all of us. | 0:15:38 | 0:15:42 | |
If you take the trouble to pick it up and have a look. | 0:15:42 | 0:15:45 | |
20 minutes left on the clock | 0:15:45 | 0:15:47 | |
and the Blues are trying to sniff out their third and final buy. | 0:15:47 | 0:15:51 | |
-I like that. -Yes. -Yeah, you were both taken by that. | 0:15:51 | 0:15:55 | |
-Tell me why you like that, ladies. -I like the colour, a nice blue. | 0:15:55 | 0:15:59 | |
-Very pretty, isn't it? -Yeah. | 0:15:59 | 0:16:01 | |
-And what is it? -It's a scent bottle, isn't it? -Scent bottle. | 0:16:01 | 0:16:03 | |
You're quite right. I like the faceted design. | 0:16:03 | 0:16:06 | |
-The faceted body with the flash. -Do you want my spyglass? -Oh! | 0:16:06 | 0:16:09 | |
Oh, do you know, she's a right show-off, I'll tell you! | 0:16:09 | 0:16:14 | |
'I like a woman who comes well equipped!' | 0:16:15 | 0:16:18 | |
Looks generally in good condition. A little nibble or two. | 0:16:18 | 0:16:21 | |
This one... It looks gilt, but it's marked sterling. | 0:16:21 | 0:16:26 | |
So, it might be American, if it's sterling. | 0:16:26 | 0:16:29 | |
-I knew that'd come in handy. -Yeah. -Told you. | 0:16:31 | 0:16:34 | |
What would you let us have both of them for? | 0:16:34 | 0:16:36 | |
-Bear in mind, we have to make a profit. -130. -130. | 0:16:36 | 0:16:41 | |
70, 60. | 0:16:41 | 0:16:42 | |
-I think there's still time. -OK. -I love them. | 0:16:44 | 0:16:47 | |
I do think they're nice quality. You pick very good items. | 0:16:47 | 0:16:50 | |
-OK, we'll have a think. -We'll have a think, shall we, OK. -Yes, thank you. | 0:16:50 | 0:16:55 | |
Make your minds up, Blues! Time's running out. | 0:16:55 | 0:16:57 | |
Meanwhile, it looks like the Reds are lining up for a lager. | 0:16:57 | 0:17:01 | |
This purports to be German... | 0:17:01 | 0:17:06 | |
-an Imperial German... -Yeah. | 0:17:06 | 0:17:07 | |
-..military... -Yeah. | 0:17:08 | 0:17:10 | |
..commemorative stein. | 0:17:10 | 0:17:11 | |
Beer tankard. Yeah? | 0:17:11 | 0:17:13 | |
We have got little soldiers here round a camp kettle. | 0:17:13 | 0:17:17 | |
Another chap here marching with his rifle. | 0:17:17 | 0:17:20 | |
We have the crest of Bavaria - the lion rampant. | 0:17:21 | 0:17:26 | |
We even personalise it with some hand-work here... | 0:17:26 | 0:17:30 | |
It's saying the 3rd Hessian regiment, Number 82, I think, | 0:17:30 | 0:17:35 | |
fourth company in Basel, 1894 to 1896. | 0:17:35 | 0:17:40 | |
There's another feature to this, and it's a lithophane base, | 0:17:40 | 0:17:43 | |
which I will explain in a moment. | 0:17:43 | 0:17:44 | |
I'm sorry, Jan's going to be so frustrating for you because it's a visual feature. | 0:17:44 | 0:17:49 | |
-Can't touch it? No. -If we hold that up to the light... | 0:17:49 | 0:17:51 | |
Oh, I see. It's got a face. | 0:17:51 | 0:17:54 | |
-Kaiser Bill's up there... -On the bottom. | 0:17:54 | 0:17:55 | |
..peering at you from the bottom of your pint pot. | 0:17:55 | 0:17:58 | |
-I've heard of things like that. -German stein 65 quid. | 0:17:58 | 0:18:02 | |
Could be 50 quid, but that's the best it will do. | 0:18:02 | 0:18:05 | |
Guys, have a feel of that. | 0:18:05 | 0:18:08 | |
-Now you did say ceramics. -It's heavy! | 0:18:08 | 0:18:10 | |
I may have steered you from the decorative to the historical. | 0:18:10 | 0:18:13 | |
Oh, no, I can... I can just see my lager in there. | 0:18:13 | 0:18:16 | |
HE LAUGHS | 0:18:16 | 0:18:18 | |
-You think I'm joking, don't you? -She's not! Believe me, she's not! | 0:18:18 | 0:18:21 | |
Oh, let's go for it. Where's he gone? | 0:18:21 | 0:18:23 | |
He's disappeared. Oh, there he is. | 0:18:23 | 0:18:24 | |
-Hello. -Hello. -Hello, hello. | 0:18:24 | 0:18:26 | |
-It's us again. -Yes! -50? -50, yes. I can do 50. -50, good? | 0:18:26 | 0:18:31 | |
-Shake his hand. -'Bottoms up, Reds! Good work.' | 0:18:31 | 0:18:35 | |
Here's a picture for the album. Way-hey! | 0:18:35 | 0:18:38 | |
Meanwhile, the Blues are finally on the scent of their third buy. | 0:18:41 | 0:18:45 | |
Oh, that's pretty, isn't it? This is quite interesting. | 0:18:45 | 0:18:48 | |
There is a period known at the end of the Victorian period | 0:18:48 | 0:18:51 | |
-called the Aesthetic Movement... -Right. | 0:18:51 | 0:18:53 | |
..where a lot of influence in the design came from Japan. | 0:18:53 | 0:18:56 | |
So you get a lot of natural foliage and animals, birds, moths, insects. | 0:18:56 | 0:19:01 | |
Have a little look at that, Joan. | 0:19:01 | 0:19:04 | |
-And if you smell it, it still smells of cologne in there. -Can you? | 0:19:04 | 0:19:07 | |
Really? Does it unscrew or... | 0:19:07 | 0:19:10 | |
No, it just pours out. | 0:19:10 | 0:19:13 | |
-That's nice, isn't it? -What do you think of that? -I like it. | 0:19:13 | 0:19:16 | |
It's silver gilt inside, as well. | 0:19:16 | 0:19:18 | |
Well, you had those other scent bottles, do you remember? | 0:19:18 | 0:19:21 | |
-BOTH: -Yes. | 0:19:21 | 0:19:22 | |
Well, one didn't have a silver top and one had a small silver top. | 0:19:22 | 0:19:25 | |
And this is all silver with a glass inside. | 0:19:25 | 0:19:28 | |
I mean, if I was being me, I might put 100 to 150 on it. | 0:19:28 | 0:19:34 | |
Do you want to ask the price, Joan? | 0:19:34 | 0:19:37 | |
I have just bought it and I would take a small profit from 175 on it. | 0:19:37 | 0:19:41 | |
DIANE: 175... | 0:19:41 | 0:19:43 | |
'A bit over Mark's estimate, then.' | 0:19:43 | 0:19:46 | |
You've got £200-odd left. | 0:19:46 | 0:19:48 | |
-This is well within your budget. -BOTH: Yeah. | 0:19:48 | 0:19:51 | |
-And it's a really nice object. -I think it's a nice one, too. -I like it. | 0:19:51 | 0:19:54 | |
And it will be hallmarked inside. | 0:19:54 | 0:19:56 | |
Would you be kind, and take 170? | 0:19:56 | 0:19:58 | |
Because we do need to make a bit of a profit. | 0:19:58 | 0:20:02 | |
-Go on, then. -Thank you! | 0:20:02 | 0:20:03 | |
VENDOR: It is a really nice piece. | 0:20:03 | 0:20:05 | |
Yeah. If you're happy with that, I'm happy with that. | 0:20:05 | 0:20:07 | |
-Yes, I'm happy with that. -Are you sure, Joan? -Yes, I'm sure. | 0:20:07 | 0:20:10 | |
-Well, it does make up for the two rather... -Hey! | 0:20:10 | 0:20:13 | |
..charming items we've bought. | 0:20:13 | 0:20:16 | |
-Cheap. Cheap things. -Did I get out of that all right? | 0:20:16 | 0:20:18 | |
-He's pushin' his luck! -Did I get out of that? -Yeah, you got out of that. | 0:20:18 | 0:20:22 | |
Whether you're charming or cheap, you chaps should be chuffed. | 0:20:22 | 0:20:25 | |
All three items bought and that's the shop shut for another day. | 0:20:25 | 0:20:29 | |
Well, our teams certainly have spent a penny or two, haven't they? | 0:20:29 | 0:20:33 | |
Let's check out what the Red team bought. | 0:20:33 | 0:20:36 | |
For this intriguing copper box, perhaps a bit of militaria | 0:20:37 | 0:20:41 | |
or even something to do with the railways, the Reds paid £35. | 0:20:41 | 0:20:45 | |
For the pair of hand-coloured pictures, they paid £25. | 0:20:45 | 0:20:51 | |
That was for two pictures, remember. | 0:20:51 | 0:20:53 | |
And for the German beer stein, they paid £50. Cheers! | 0:20:53 | 0:20:58 | |
-Here's some happy looking faces. Have you just finished? -We have. | 0:20:58 | 0:21:02 | |
Lucky old you. And that's your final purchase and what did you pay for that? | 0:21:02 | 0:21:06 | |
-£50. -£50. -£50 for that. -Is that your favourite piece? | 0:21:06 | 0:21:10 | |
-Which is your favourite piece? -I know what mine is. -What's yours? | 0:21:10 | 0:21:13 | |
Mine's this copper box that they didn't want me to buy. | 0:21:13 | 0:21:16 | |
-It's awesome. -Is it? -Oh, it is. -Awesome! I love that! | 0:21:16 | 0:21:20 | |
-You wait till you see it. You'll think I've gone mad! -Well, OK. | 0:21:20 | 0:21:24 | |
-She has, but never mind! -I won't say a word. What about you, Maria? | 0:21:24 | 0:21:28 | |
I think mine are the two Mezzotints that we bought. The more I look at them, the more I see in them. | 0:21:28 | 0:21:32 | |
Now, how much did you spend in total? | 0:21:32 | 0:21:35 | |
-110, I think. -Is that all? -Yes. -That's pretty miserable! | 0:21:35 | 0:21:40 | |
-OK, £190 of leftover lolly. Who's got that? -I have. -Have you? | 0:21:40 | 0:21:44 | |
-OK, lovely. I won't count it. I trust you. -Good. | 0:21:44 | 0:21:47 | |
Going straight over to our stein-holding friend here. | 0:21:47 | 0:21:50 | |
Now, £190, what are you going to buy, Paul? | 0:21:50 | 0:21:52 | |
Well, I'm not going to buy a round of drinks, that's for sure! | 0:21:52 | 0:21:56 | |
-I won't say anything. -Spoilsport. -Seriously, have you got anything in mind? Bit of furniture? | 0:21:56 | 0:22:00 | |
I've been totally focused on this exercise. It's been such a riot. | 0:22:00 | 0:22:04 | |
I have no idea where I'm going after this. I'm in a tizz. | 0:22:04 | 0:22:08 | |
OK, the nation's waiting to find out what you go and buy. | 0:22:08 | 0:22:11 | |
Meanwhile, good luck, girls. I'm going to shove off and look at what the Blue team bought. | 0:22:11 | 0:22:17 | |
The Blues paid just £12 for the fruitwood tea caddy. | 0:22:17 | 0:22:21 | |
£45 for the late 19th century mahogany and brass box. | 0:22:24 | 0:22:27 | |
And finally, they gave £170 | 0:22:29 | 0:22:31 | |
for the aesthetic period silver perfume flask. | 0:22:31 | 0:22:34 | |
Now, Diane, Joan, how was that shopping experience? Was it good? | 0:22:37 | 0:22:41 | |
It was very good. Really enjoyed it, yes. | 0:22:41 | 0:22:43 | |
-I bet you liked running around with Mark Stacey. -It were lovely. | 0:22:43 | 0:22:47 | |
-I love that, don't you? -Yeah. -Now, Joan, tell me, which is your favourite piece? -The silver perfume. | 0:22:47 | 0:22:52 | |
-And what about you? -The box. Mine is the box, yes. -OK, perfect. | 0:22:52 | 0:22:57 | |
-Which is going to bring the biggest profit? -The box. -The box? -The box. | 0:22:57 | 0:23:01 | |
The box. | 0:23:01 | 0:23:03 | |
-It's all in the box, isn't it? How much did you spend? -£227. | 0:23:03 | 0:23:07 | |
-I would like £73, please. -There you go. | 0:23:07 | 0:23:11 | |
Thank you. There's £73. £73 goes straight to Mark Stacey. | 0:23:11 | 0:23:15 | |
What are you going to spend that on? | 0:23:15 | 0:23:17 | |
It's a decent sum of money, isn't it? | 0:23:17 | 0:23:19 | |
I think because they bought certain items, | 0:23:19 | 0:23:22 | |
I want to get a pair cos these two are a right pair. | 0:23:22 | 0:23:25 | |
-So I want to get a pair to match. -Would they be a matching pair? | 0:23:25 | 0:23:28 | |
-They'd be matching! -LAUGHTER | 0:23:28 | 0:23:31 | |
Anyway, there's enough of that. Now, why don't we go | 0:23:31 | 0:23:34 | |
and have a look at something that I found earlier today? | 0:23:34 | 0:23:37 | |
This very ordinary cardboard box contained all these slides. | 0:23:43 | 0:23:49 | |
Magic lantern slides, | 0:23:49 | 0:23:51 | |
the ultimate entertainment in the 19th century, before any movies. | 0:23:51 | 0:23:56 | |
So, you get your box of slides, slip one into the magic lantern, | 0:23:58 | 0:24:01 | |
which is an early form of projector, and hey presto, for people | 0:24:01 | 0:24:05 | |
who'd never viewed moving pictures before, this really was magical. | 0:24:05 | 0:24:09 | |
The problem with these things is sorting out what you've got | 0:24:12 | 0:24:15 | |
and if the dealer can't be bothered to do it, | 0:24:15 | 0:24:17 | |
all he does is to stick the lot in a cardboard box like that | 0:24:17 | 0:24:21 | |
and ask a price for it, then it's up to you to have a bit of a sort out. | 0:24:21 | 0:24:25 | |
Actually, I spotted on the top two quite rare magic lantern slides. | 0:24:25 | 0:24:30 | |
The first one is this, which is called a panorama slide. | 0:24:30 | 0:24:35 | |
And the idea with a panorama slide is that bit is shown | 0:24:35 | 0:24:40 | |
first on the screen through the projector | 0:24:40 | 0:24:44 | |
and as you tell the story, so you reveal more of the characters. | 0:24:44 | 0:24:49 | |
A man in a blue coat, a dog, a person in a red coat. Fun, isn't it? | 0:24:49 | 0:24:55 | |
Even more fun is this fellow. And these are called movement slides. | 0:24:55 | 0:25:01 | |
Imagine you've never seen a moving picture in your life | 0:25:01 | 0:25:04 | |
and all of a sudden, when the projectionist puts this slide up, | 0:25:04 | 0:25:09 | |
that mouse on the counterpane starts to move towards the geezer | 0:25:09 | 0:25:16 | |
who is in bed with his mouth open. | 0:25:16 | 0:25:19 | |
Lo and behold, the mouse finishes up by going down his throat. | 0:25:19 | 0:25:26 | |
Oh! Shock, horror! | 0:25:26 | 0:25:30 | |
And the movement slides are particularly avidly collected. | 0:25:30 | 0:25:34 | |
So why don't we have a little magic lantern slideshow? | 0:25:34 | 0:25:37 | |
This lot are fascinating. | 0:25:42 | 0:25:44 | |
Slides from all over the world. | 0:25:44 | 0:25:47 | |
The late Victorians were incredibly keen on travel | 0:25:50 | 0:25:54 | |
and set off on elaborate journeys across Europe. | 0:25:54 | 0:25:58 | |
If you were to take such a journey, why not purchase a group of slides | 0:25:58 | 0:26:04 | |
of the views along the railway journey that you'd be taking? | 0:26:04 | 0:26:08 | |
Tinted black and white slides, | 0:26:08 | 0:26:11 | |
but brought to life by this very professional shot. | 0:26:11 | 0:26:15 | |
If you were travelling further afield, perhaps to the Empire | 0:26:15 | 0:26:18 | |
in India, slides like this would be a memento of your trip. | 0:26:18 | 0:26:24 | |
Here we've got the snake charmer, squatting, | 0:26:24 | 0:26:27 | |
playing his little pipe, as a cobra comes out of the basket. | 0:26:27 | 0:26:33 | |
And also, whilst in India, why not go for a big game hunt? | 0:26:33 | 0:26:37 | |
There is the most enormous leopard I have ever seen. | 0:26:37 | 0:26:42 | |
Dead as a doornail. | 0:26:42 | 0:26:43 | |
Strung up on a pole | 0:26:43 | 0:26:46 | |
and with the surrounding crowd longing to have the cat | 0:26:46 | 0:26:49 | |
killed probably because the cat had been eating them up to that point. | 0:26:49 | 0:26:55 | |
So, we have an incredible variety of slides here. | 0:26:55 | 0:26:58 | |
An unusual cross-section of magic lantern slides, I would suggest. | 0:26:58 | 0:27:04 | |
What are they worth then? Well, you could easily have £350 worth here sitting on the table. | 0:27:04 | 0:27:10 | |
What would they cost you? | 0:27:10 | 0:27:12 | |
The lot in that tatty cardboard box could be yours for £40. | 0:27:12 | 0:27:16 | |
Now that IS magic. | 0:27:16 | 0:27:19 | |
Just like the magic we hope we're about to experience | 0:27:19 | 0:27:23 | |
over at the auction. | 0:27:23 | 0:27:25 | |
Well, we've trotted roughly 25 miles, roughly east, | 0:27:33 | 0:27:37 | |
from Stafford to the glorious town of Burton upon Trent to be | 0:27:37 | 0:27:41 | |
with Richard Winterton at Richard Winterton Auctioneers. | 0:27:41 | 0:27:45 | |
-Richard, good morning. -Welcome! -It's grand to be here. | 0:27:45 | 0:27:49 | |
-The first item is this copper box. -We've had a good look at it. | 0:27:49 | 0:27:53 | |
Military, we're a bit unsure on. | 0:27:53 | 0:27:56 | |
I think we're not too far away from it in Derby where the trains | 0:27:56 | 0:27:59 | |
were built and a lot of machinery done over that way, | 0:27:59 | 0:28:03 | |
I think that's more railway, I think. | 0:28:03 | 0:28:05 | |
Yeah. It looks like a sort of portable oven. | 0:28:05 | 0:28:09 | |
And all these different ways in and out for something which is | 0:28:09 | 0:28:12 | |
-likely to be steam or water. -Yeah, it's a nice looking thing. | 0:28:12 | 0:28:16 | |
-It's got some appeal. -What's your estimate. -We've gone 30 to 40. | 0:28:16 | 0:28:19 | |
-They paid £35. -Yeah, we're fine on that. -Good. | 0:28:19 | 0:28:22 | |
We've got a bit of a problem with the two pictures that they bought. | 0:28:22 | 0:28:26 | |
Sadly, one of them has gone AWOL. Don't know where it's gone. | 0:28:26 | 0:28:30 | |
-Hasn't disappeared from your saleroom. -No. | 0:28:30 | 0:28:33 | |
It left the fair and it didn't arrive here. | 0:28:33 | 0:28:36 | |
So I can't explain it, but we only have the one | 0:28:36 | 0:28:39 | |
and we're going to sell the one. So, I have to ask you the question, | 0:28:39 | 0:28:42 | |
what is your estimate on this single print? | 0:28:42 | 0:28:45 | |
The colour's a bit dying on it really, when you look at it from here, but a lot going on | 0:28:45 | 0:28:48 | |
and we do have a good following for these hunting pictures. | 0:28:48 | 0:28:52 | |
We've put 20 to 30 on it and we should get that quite easily. | 0:28:52 | 0:28:55 | |
OK, that's for the single one. The team of course bought two, | 0:28:55 | 0:28:58 | |
so I think it's perfectly fair to pay them double what you get for one | 0:28:58 | 0:29:04 | |
-to put them in the same position as they were before they had the loss. -Yeah. | 0:29:04 | 0:29:08 | |
OK, Richard. Thank you. Now, their last item is this most interesting porcelain stein. | 0:29:08 | 0:29:14 | |
-Isn't that fantastic? -I think this is one of the most interesting things we've had for a bit. | 0:29:14 | 0:29:20 | |
-Do you? -I love it. I do. | 0:29:20 | 0:29:22 | |
Well, for a kick-off, it's porcelain, not that stoneware stuff. | 0:29:22 | 0:29:27 | |
-So how do you rate that? -We've gone a bit conservative. | 0:29:27 | 0:29:31 | |
-We've gone 40 to 60. -Is that all? -It is, but I think it's one of those that grows on you. | 0:29:31 | 0:29:35 | |
You look at it and you find a bit more on it every time. | 0:29:35 | 0:29:39 | |
-I can see us getting top end, towards the hundred. -Really? | 0:29:39 | 0:29:43 | |
-It's got potential. -Laidlaw found it. He paid £50. | 0:29:43 | 0:29:46 | |
-I think he's done the right thing. -He's done very well. | 0:29:46 | 0:29:48 | |
And on that basis, they may not need their bonus buy, for a change. | 0:29:48 | 0:29:51 | |
But let's go and have a look at it anyway. | 0:29:51 | 0:29:54 | |
I love a leftover lolly moment, don't you? 110 miserable pounds you spent. | 0:29:54 | 0:29:59 | |
£190 went to your man. What did you spend it on, Paul? | 0:29:59 | 0:30:03 | |
I spent it on that strange beast. | 0:30:03 | 0:30:06 | |
-It's a candelabrum. -It's a candle stick. | 0:30:06 | 0:30:10 | |
-It's a table one, not a wall one. -It is. | 0:30:10 | 0:30:13 | |
It's a mad counterweighted copper and brass candlestick. | 0:30:13 | 0:30:18 | |
-Oh, it's heavy! -That is attributable. | 0:30:18 | 0:30:21 | |
-We know who designed that. -Really? | 0:30:21 | 0:30:22 | |
A chap by the name of Carl Deffner, who owned Metallwarenfabrik and | 0:30:22 | 0:30:28 | |
was a talented designer of modernist jugenstil, youth style, designs. | 0:30:28 | 0:30:34 | |
And this, for me, is his masterpiece. | 0:30:34 | 0:30:36 | |
-It's really funky! -Isn't it? -It's fabulous! | 0:30:36 | 0:30:39 | |
-So how much did you spend on it? -I spent £55 on that. | 0:30:39 | 0:30:44 | |
You got a steal on that! | 0:30:44 | 0:30:46 | |
-What do you think it will get? -Pairs of those at auction make 200-250. | 0:30:46 | 0:30:53 | |
And I think we can just do the maths and it's £100. | 0:30:53 | 0:30:59 | |
-It's a delight, isn't it? -I think so. -So well done, Paul. | 0:30:59 | 0:31:02 | |
Thanks for educating us. Now let's find out what the auctioneer thinks about Paul's candlestick. | 0:31:02 | 0:31:08 | |
Lovely, look at that. Cor, isn't that lovely? | 0:31:08 | 0:31:11 | |
-I think that's another great piece. -It sits well, doesn't it? -Yeah. | 0:31:11 | 0:31:16 | |
Clever old Paul Laidlaw. | 0:31:16 | 0:31:19 | |
He has an eye for the unusual and he has an eye for design. | 0:31:19 | 0:31:24 | |
And this thing, where it's set up properly, | 0:31:24 | 0:31:27 | |
which should be on a mantelpiece, if this was on a mantelpiece, | 0:31:27 | 0:31:31 | |
the mantelpiece stops there, the thing sits like that. | 0:31:31 | 0:31:35 | |
All the weight's on the back end of it here. | 0:31:35 | 0:31:38 | |
You've got your candle set up there and they're extremely attractive. | 0:31:38 | 0:31:42 | |
-This team have got a good three. -I think they've got a good expert. | 0:31:42 | 0:31:46 | |
That's the truth of the matter! | 0:31:46 | 0:31:49 | |
-Anyway, so how do you rate this thing? -We've gone 40 to 60. | 0:31:49 | 0:31:52 | |
-I think it'll be top end of that. -It needs to be cos Laidlaw paid £55. | 0:31:52 | 0:31:56 | |
Oh, yes. We'll get that. | 0:31:56 | 0:31:57 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:31:57 | 0:32:00 | |
-Now, we all know about fruitwood tea caddies. -We certainly do. | 0:32:00 | 0:32:04 | |
People who can't afford the originals, they do buy these | 0:32:04 | 0:32:07 | |
and they are popular. | 0:32:07 | 0:32:09 | |
-It's going to make 10 or £20 all day long. -£12 paid. | 0:32:09 | 0:32:14 | |
They should get away with that. What about that folding box, Rich? | 0:32:14 | 0:32:17 | |
This is great. Good quality all the way round. | 0:32:17 | 0:32:20 | |
-Been a bit scrubbed. -You're going to be when you get on a bit. | 0:32:20 | 0:32:25 | |
You're going to get a bit scrubbed! | 0:32:25 | 0:32:27 | |
-All right. How much? -We've put 30 to 40. -£45 paid. -Yeah, again, good. | 0:32:27 | 0:32:32 | |
Sort of on the money. Now their last item is the investment. | 0:32:32 | 0:32:35 | |
-£170 was paid for that scent bottle. -Which has ruined it, for me. | 0:32:35 | 0:32:40 | |
-What do you mean "ruined it"? -It's too expensive. -Is it? -Yeah. -What's your estimate? | 0:32:40 | 0:32:44 | |
-We've gone 50 to 80. -As a bit of a tease. -Might get a hundred. | 0:32:44 | 0:32:47 | |
-If we get 170, I think you might need the bargain... -Do you reckon? -Yeah. | 0:32:47 | 0:32:52 | |
Do you want to do this job then? Why don't you introduce the bonus buy? | 0:32:52 | 0:32:56 | |
Go on, you have a go. | 0:32:56 | 0:32:58 | |
We'll have the bonus buy because I think they'll need it. | 0:32:58 | 0:33:01 | |
Here you go! | 0:33:01 | 0:33:02 | |
-Diane, Joan, this is the moment. You spent a magnificent 227. -We did. | 0:33:04 | 0:33:08 | |
And you gave the boy £73. Let's see, Mark. I'll help you with that. | 0:33:08 | 0:33:14 | |
-There we go. £73. -Ooh! -Right. | 0:33:14 | 0:33:17 | |
Now, I had a bit of a pair on the day, Tim. | 0:33:17 | 0:33:20 | |
-I thought I ought to really try and get a pair for you. -Thank you. -They're Royal Worcester porcelain. | 0:33:20 | 0:33:25 | |
They're 20th century, but they've been drilled as well, | 0:33:25 | 0:33:28 | |
so you can actually convert them into lamps. | 0:33:28 | 0:33:31 | |
-So, how much did you pay for them? -I spent the entire £73. -Did you? | 0:33:31 | 0:33:36 | |
Yeah, I've got nothing left. | 0:33:36 | 0:33:38 | |
-Really? -Are you shocked? -Yes. -Yes, we are. | 0:33:38 | 0:33:41 | |
-They look classy though. They do look classy. -They look classy. | 0:33:41 | 0:33:44 | |
I think you've hit it on the head there, Diane. I really do. | 0:33:44 | 0:33:47 | |
-They look classy. -Yeah, they do. -And that's cos they're Adam style. | 0:33:47 | 0:33:51 | |
So they've taken the Adam style and repeated it like 100 years after it | 0:33:51 | 0:33:55 | |
first came out and then here we are, 100 years later, | 0:33:55 | 0:33:58 | |
-looking at the same thing. -I do like those. -You like them? | 0:33:58 | 0:34:00 | |
Well, we've got a classy pair for a classy pair. | 0:34:00 | 0:34:04 | |
OK, it seems to be a great hit here, Mark. | 0:34:04 | 0:34:06 | |
Let's find out from the auctioneer whether he's | 0:34:06 | 0:34:09 | |
so struck by these candlesticks. Thank you. | 0:34:09 | 0:34:12 | |
Well, they don't come whiter than that, Rich! | 0:34:12 | 0:34:16 | |
These are great. 110, 115, 120 years old. | 0:34:16 | 0:34:19 | |
And they're as modern now as they were when they were made. | 0:34:19 | 0:34:22 | |
-Exactly. -That's what they want now is that kind of modern look. | 0:34:22 | 0:34:24 | |
-Fantastic. -What is your estimate? -We've gone 50 to 80, make top end all day long. | 0:34:24 | 0:34:30 | |
Well, they need to cos Mark Stacey paid £73. | 0:34:30 | 0:34:32 | |
That's a good buy, that's fine. | 0:34:32 | 0:34:34 | |
-You'll get him a profit on that? -I think they might need them. -Yes. | 0:34:34 | 0:34:40 | |
-What we need next is you... -Yeah. Looking forward to it. | 0:34:40 | 0:34:44 | |
..on the rostrum. Thank you very much, Richard. | 0:34:44 | 0:34:47 | |
Well, I can tell you this sale room's absolutely jam-packed with folk, which is a good sign. | 0:34:53 | 0:34:58 | |
Now, your first item, we don't really know what it is, if I'm being perfectly frank. | 0:34:58 | 0:35:02 | |
But some cunning monkey on our staff has found a similar | 0:35:02 | 0:35:06 | |
one on site in America, | 0:35:06 | 0:35:08 | |
which is described as being a bacteriological cabinet. | 0:35:08 | 0:35:13 | |
And it's an oddball thing. | 0:35:13 | 0:35:15 | |
With its jacket of hot water around it. | 0:35:15 | 0:35:19 | |
It's a mystery piece. | 0:35:19 | 0:35:21 | |
Anyway, you paid £35. His estimate is £30-£40. | 0:35:21 | 0:35:24 | |
He doesn't really know what it is either, so anything could happen. | 0:35:24 | 0:35:28 | |
Anyway, hand-tinted aquatint, sadly, one of which went AWOL. | 0:35:28 | 0:35:34 | |
Yes, we have a loss there. | 0:35:34 | 0:35:36 | |
His estimate is £20-£30 on one picture, | 0:35:36 | 0:35:39 | |
so what we're proposing to do is to sell that, | 0:35:39 | 0:35:42 | |
and double whatever it made. | 0:35:42 | 0:35:45 | |
And your last item is the porcelain stein. | 0:35:45 | 0:35:49 | |
Such interesting scenes, Paul. | 0:35:49 | 0:35:51 | |
Great thing, that. I love it. | 0:35:51 | 0:35:54 | |
Anyway, your first item | 0:35:54 | 0:35:55 | |
is the copper warmer, whatever it is, and here it comes. | 0:35:55 | 0:35:58 | |
Commissioned bids with me, I'm £20 bid. | 0:35:58 | 0:36:01 | |
And £25, £30, £35, £40, | 0:36:01 | 0:36:04 | |
£45, £50, 55, £60 in the room. | 0:36:04 | 0:36:08 | |
£60 in the room. 65. | 0:36:08 | 0:36:11 | |
They don't know what it is, but they want it. | 0:36:11 | 0:36:14 | |
-£70, sir? -Look at that. -Yep, £70. | 0:36:14 | 0:36:17 | |
On my left at £70. | 0:36:17 | 0:36:19 | |
Sold, at 70! | 0:36:19 | 0:36:21 | |
£70, you double your money. Plus £35. | 0:36:21 | 0:36:25 | |
Well done, Paul, that is so good. | 0:36:25 | 0:36:27 | |
Now, the surviving print. | 0:36:27 | 0:36:29 | |
A bit of interest on this. We're £5, £8, | 0:36:29 | 0:36:32 | |
£8 I'm bid, sitting on my own here at £8, | 0:36:32 | 0:36:35 | |
-needs a little commission at £8. -No? | 0:36:35 | 0:36:37 | |
Anyone want to give me £10? | 0:36:37 | 0:36:39 | |
£10 in the room at the back. Back of the room at £10. | 0:36:39 | 0:36:42 | |
Are we all finished? It's sold. | 0:36:42 | 0:36:45 | |
Sold for £10, we're going to double it, | 0:36:45 | 0:36:49 | |
so we've sold it for £10, we pay the compensation. | 0:36:49 | 0:36:52 | |
That means you have sold for £20. | 0:36:52 | 0:36:56 | |
£20. You are minus £5. | 0:36:56 | 0:36:57 | |
Now, here comes the porcelain stein. | 0:36:57 | 0:36:59 | |
Quite a lot of interest is on the book. We start at £70. | 0:36:59 | 0:37:03 | |
70, 80, 90, 100, 10, 20, 30. | 0:37:03 | 0:37:07 | |
On my book at 130. | 0:37:08 | 0:37:10 | |
130, 130. | 0:37:10 | 0:37:13 | |
At £130, that means you are plus 80. | 0:37:13 | 0:37:17 | |
-You have £80 profit on the stein! -That's amazing. | 0:37:17 | 0:37:22 | |
You are 115 less the five, you are £110 up. | 0:37:22 | 0:37:26 | |
And now, what about the candlestick? What are you going to do? | 0:37:26 | 0:37:30 | |
-We're going for it. -You're going to do it? | 0:37:30 | 0:37:33 | |
£55 paid, yes? You happy for that? | 0:37:33 | 0:37:36 | |
You're going with it, and here it comes. | 0:37:36 | 0:37:39 | |
A lot of interest, again, on this lot. | 0:37:39 | 0:37:41 | |
We are in at £40. | 0:37:41 | 0:37:43 | |
£40, I'm bid. £40, | 0:37:43 | 0:37:45 | |
45, 50, 60, 70, 80, 90, | 0:37:45 | 0:37:48 | |
£90, with me at 90. | 0:37:48 | 0:37:51 | |
-£90, on commission at £90. -Look at that! | 0:37:51 | 0:37:54 | |
We are sold, then, at £90. | 0:37:54 | 0:37:57 | |
£90, that is brilliant, isn't it? | 0:37:57 | 0:38:01 | |
Plus £35 on that. | 0:38:01 | 0:38:04 | |
Plus £35 on that means you are plus £145, girls. | 0:38:05 | 0:38:10 | |
Oh, my God! | 0:38:10 | 0:38:12 | |
That is unbelievable, isn't it? | 0:38:12 | 0:38:14 | |
You are £145 up. | 0:38:14 | 0:38:16 | |
I think that man deserves a hug, don't you? I think he does. | 0:38:16 | 0:38:21 | |
-He does! Well done! -Well done. | 0:38:21 | 0:38:23 | |
I tell you, this saleroom is humming today. | 0:38:32 | 0:38:35 | |
We want to hum along. | 0:38:35 | 0:38:36 | |
Well, it needs to hum along. Listen, anyway, | 0:38:36 | 0:38:38 | |
you paid £12 for your tea caddy. | 0:38:38 | 0:38:40 | |
He thinks it's very nice, about £10-£20, | 0:38:40 | 0:38:42 | |
so that's all right. You paid £45 for your cigar, cigarette box, | 0:38:42 | 0:38:48 | |
he reckons it's worth £30-£40, so you are in the frame, there, | 0:38:48 | 0:38:52 | |
and your perfume bottle, he doesn't think is worth anything like £170. | 0:38:52 | 0:38:59 | |
-Otherwise, you've got the Worcester candlesticks to fall back on, haven't you? -Yes, sure. | 0:38:59 | 0:39:02 | |
Right, which would be painful! Anyway! | 0:39:02 | 0:39:05 | |
First up is the tea caddy. Here we go. | 0:39:05 | 0:39:07 | |
£2. Little tea caddy. Should be, all day long. | 0:39:07 | 0:39:10 | |
£2, £3, £4, £5, 6, 7, 8, 9, 10. | 0:39:10 | 0:39:15 | |
£10 on my right. The lady at £10. | 0:39:15 | 0:39:18 | |
£12. At the very back. | 0:39:18 | 0:39:20 | |
Haven't got you in the middle, madam. At £12, I'm bid. | 0:39:20 | 0:39:23 | |
God, this is a struggle. | 0:39:23 | 0:39:24 | |
Right at the very back at £12, all done, sold, then, at £12. | 0:39:24 | 0:39:29 | |
Yes, wiped its face, that's perfect. | 0:39:29 | 0:39:32 | |
No profit, no loss, no pain, no shame. Now, here comes your box. | 0:39:32 | 0:39:36 | |
Commissioned bids on my book at £20. | 0:39:36 | 0:39:38 | |
£20 I'm bid, at £20 I'm bid, at 22. | 0:39:38 | 0:39:41 | |
24, 26, 28, £30, | 0:39:41 | 0:39:44 | |
35, 35 I'm bid, far right at 35. £40, come back again. At £40. | 0:39:44 | 0:39:50 | |
At £40, on my left at £40, sold, then, at 40. | 0:39:50 | 0:39:55 | |
Oh, bad luck. Just £5 light. Nothing! Barely a sheet of Bronco. | 0:39:55 | 0:40:01 | |
Anyway, £40. Minus five. Now, the perfume bottle. | 0:40:01 | 0:40:06 | |
It is engraved. 1882. Again, a bit of interest on the book. | 0:40:06 | 0:40:11 | |
We're in at £60. 60. 5. 70. 5. | 0:40:11 | 0:40:15 | |
80. 5. 90. 100. | 0:40:15 | 0:40:17 | |
At 100, at 100. At £100, all finished. We are sold, £100. | 0:40:17 | 0:40:24 | |
£100, that's minus 70. That means, girls, overall you're minus £75. | 0:40:24 | 0:40:29 | |
-What are you going to do? Are you going to go with these Worcester candlesticks? -Yes. | 0:40:29 | 0:40:33 | |
You're going to risk it for a biscuit? | 0:40:33 | 0:40:35 | |
-Yes. -Yes. -I mean, you're already well down the Suwannee here. | 0:40:35 | 0:40:38 | |
-With this crowd, maybe, just maybe, you'll get lucky. -Let's hope so. | 0:40:39 | 0:40:43 | |
Anyway, the die is cast, they're coming up now and here we go. | 0:40:43 | 0:40:46 | |
The pair now, the Royal Worcester lamp bases there. | 0:40:46 | 0:40:49 | |
Bit of interest on these. £20, I'm bid. | 0:40:49 | 0:40:51 | |
25. 30. 5. 40. 5. 50. 5. | 0:40:51 | 0:40:56 | |
60. 5. 70. 5. 80. 5. | 0:40:56 | 0:41:01 | |
Go on! | 0:41:01 | 0:41:03 | |
At £80, all done at £80. | 0:41:03 | 0:41:07 | |
-Well done. -Yes. Well done, Mark. -You made a profit of £7. | 0:41:07 | 0:41:10 | |
Well, it's nice to see a profit somewhere, isn't it? | 0:41:10 | 0:41:15 | |
-Anyway, you are minus £68. -Oh, dear. | 0:41:15 | 0:41:20 | |
Minus 68 is quite a big number, but you never know, | 0:41:20 | 0:41:22 | |
-it might be a winning score. Don't say a word to the Reds, all right? -We won't. -Thank you very much. | 0:41:22 | 0:41:26 | |
Well, well, well. | 0:41:34 | 0:41:35 | |
How can two teams who've shopped in the same place with the same | 0:41:35 | 0:41:41 | |
amount of money be so poles apart? | 0:41:41 | 0:41:45 | |
Because the team that's running up by a mile today are the Blues. | 0:41:45 | 0:41:50 | |
-Oh! -Oh! | 0:41:50 | 0:41:51 | |
Minus £68. I mean, that's a number, isn't it? | 0:41:51 | 0:41:55 | |
-It started out all right with a washed face. -Yes. | 0:41:55 | 0:41:59 | |
I thought you stood an average chance until you got | 0:41:59 | 0:42:02 | |
to your perfume flask and then there was a serious smell about. | 0:42:02 | 0:42:05 | |
Anyway, overall, minus 68. It's not so hot. | 0:42:05 | 0:42:09 | |
-We thought that perfume would do well. -I know. Well, it let you down. | 0:42:09 | 0:42:12 | |
-It did. -But the thing is, have you had fun? -We've had fun, yes. | 0:42:12 | 0:42:15 | |
We've had fun having you on the programme. | 0:42:15 | 0:42:18 | |
But today, I'm actually going to dosh out £145 of money. | 0:42:18 | 0:42:23 | |
-THEY ALL GASP -£145! | 0:42:23 | 0:42:26 | |
There you go, Jan. £80 profit on that beer stein. | 0:42:26 | 0:42:31 | |
£35 profit on your temperature humidity testing | 0:42:31 | 0:42:36 | |
microbacteriological gadget, or whatever it was! | 0:42:36 | 0:42:41 | |
Bad luck about the picture, but I've already apologised about that. | 0:42:41 | 0:42:45 | |
And then you get another £35 profit out of Laidlaw on the bonus buy. | 0:42:45 | 0:42:48 | |
-I mean, it's been a dream ticket. -It's been good. -Fantastic. -You enjoyed it? -Absolutely. | 0:42:48 | 0:42:52 | |
Well, we've loved having you on the programme too. | 0:42:52 | 0:42:55 | |
Join us soon for some more bargain hunting, yes? | 0:42:55 | 0:42:57 | |
ALL: Yes! | 0:42:57 | 0:42:59 | |
I know you're sitting there thinking, | 0:43:00 | 0:43:03 | |
"I could have done better than that!" Well, what's stopping you? | 0:43:03 | 0:43:08 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:08 | 0:43:12 | |
It'll be splendid to see you. | 0:43:12 | 0:43:15 | |
Subtitles by Red Bee Media Ltd | 0:43:15 | 0:43:18 |