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Today we're in Hungerford, a historic town in love with antiques. | 0:00:03 | 0:00:10 | |
They're everywhere! So let's go bargain hunting. | 0:00:10 | 0:00:14 | |
Legend has it that Hungerford is so called after one Hingwar, | 0:00:39 | 0:00:44 | |
a vicious Danish warrior, | 0:00:44 | 0:00:47 | |
who invaded these parts and died around here. | 0:00:47 | 0:00:50 | |
He was also a Berserker, | 0:00:50 | 0:00:52 | |
which meant he rushed around roaring his head off, literally going berserk. Get it? | 0:00:52 | 0:00:58 | |
Let's hope that our teams today don't go berserk in all these arcades. | 0:00:58 | 0:01:04 | |
Here's a quick glimpse of their warlike tactics. Oh, yes. | 0:01:04 | 0:01:09 | |
When it comes to haggling, the Reds let their hearts rule their heads. | 0:01:09 | 0:01:13 | |
-Would they go to 19? -I'll have to ring them. -Is it worth it for £1? | 0:01:13 | 0:01:17 | |
Sorry, I want it. | 0:01:17 | 0:01:19 | |
-But the Blues turn the screw to get the best price. -Think we could squeeze it under 20? 19? | 0:01:19 | 0:01:27 | |
Then if it goes for 20, we make £1. | 0:01:27 | 0:01:29 | |
Well, let's meet today's teams. | 0:01:29 | 0:01:32 | |
Lovely jubbly. We've got two cute couples on show today. | 0:01:33 | 0:01:38 | |
For the Reds, we have Melanie and Tom. | 0:01:38 | 0:01:41 | |
-And for the Blues, Tim and Amanda. Hello, everyone? -Hi, Tim. | 0:01:41 | 0:01:46 | |
-Now, Melanie... -Hi. -You have a very rewarding job. Tell us what it is. | 0:01:46 | 0:01:51 | |
-I'm a clinical embryologist in an IVF lab. -You're not! -I am. I've been doing that for 15 years. | 0:01:51 | 0:01:57 | |
-So how many of these embryos do you deal with in a typical month? -In a month? Oh... | 0:01:57 | 0:02:03 | |
-Thousands, probably, in a month. -Do you? -We probably deal with about 800-1,000 cycles in a year. | 0:02:03 | 0:02:10 | |
-And each one producing maybe 10 eggs. -Good Lord! That's a lot. | 0:02:10 | 0:02:15 | |
-There's a lot of this going on. -There certainly are. -It also says you're a bit of a daredevil. | 0:02:15 | 0:02:21 | |
I have been partial in the past to a bit of abseiling, a parachute jump and some acrobatic flying. | 0:02:21 | 0:02:27 | |
I think it'll be wing walking next. | 0:02:27 | 0:02:30 | |
Making a profit on Bargain Hunt might give you an adrenaline rush if we're all really lucky. Good. | 0:02:30 | 0:02:37 | |
-Now, Tom, you're a primary school supply teacher. -Yes. -You have an unusual pastime - stitching. | 0:02:37 | 0:02:44 | |
I have done embroidery for many years. My mother is a textile teacher. | 0:02:44 | 0:02:49 | |
She got me into it. I did some of my own designs. Now I mainly do kits for new-born children in our family. | 0:02:49 | 0:02:56 | |
-How many children have you got? -Two of our own, but we have an extended family across the world. | 0:02:56 | 0:03:02 | |
-I'm about three children behind. Some are six years old that I'm still trying to catch up with. -Good! | 0:03:02 | 0:03:07 | |
-Do you have any tactics in mind? -Spend as much as we can and leave our expert with as little as possible. | 0:03:07 | 0:03:15 | |
You'd like to spend as much as you can. Good. We'll see! Good luck today on Bargain Hunt. | 0:03:15 | 0:03:21 | |
-Meanwhile, Amanda... -Hello. -You met Tim on a most auspicious day. -It was a full eclipse of the Moon. | 0:03:21 | 0:03:28 | |
-A bit dark, then? -It was. We went out for the evening, set up by a mutual friend. | 0:03:28 | 0:03:34 | |
I had a spare room and Tim needed a room to rent. She thought we could possibly work out an arrangement. | 0:03:34 | 0:03:41 | |
-It worked out better than we thought! -You certainly worked out an arrangement! The rest is history. | 0:03:41 | 0:03:47 | |
-You're a champion of real ale. -Yes. -Tell us. | 0:03:47 | 0:03:50 | |
My uncle bought a kit back in 1979 and we've re-used it, passed it down through the family | 0:03:50 | 0:03:57 | |
and brewed some of our own. | 0:03:57 | 0:03:59 | |
-Good. It's good fun and very good for you. -That's what I say! | 0:03:59 | 0:04:05 | |
-Tim, you've had some career changes, haven't you? -I have. | 0:04:05 | 0:04:08 | |
I spent 12 years as a serving police officer until 2010 when I decided I'd like a change of career, | 0:04:08 | 0:04:15 | |
so I left there and I currently do two jobs - I work as a youth worker | 0:04:15 | 0:04:19 | |
and I work for the Dogs Trust charity as a canine carer. I see it as a vocation, | 0:04:19 | 0:04:25 | |
apart from 8am when all the dogs are crying out to be fed. It can get a bit noisy, but I love my job. | 0:04:25 | 0:04:31 | |
-How lovely to be paid doing that. -I do enjoy it. -Great. Brilliant. | 0:04:31 | 0:04:36 | |
What is your joint plan of campaign for today's show? | 0:04:36 | 0:04:40 | |
Tim does a lot of antique collecting. He likes a lot of Japanese or Oriental-type stuff, | 0:04:40 | 0:04:47 | |
-so we might look for that. -Going to spend all your cash or harbour it? -No, we're going to harbour it! -OK. | 0:04:47 | 0:04:54 | |
Anyway, this is the cash moment. £300 apiece, there you go. | 0:04:54 | 0:04:59 | |
You know the rules. Your experts await. And off you go! Very, very good luck. | 0:04:59 | 0:05:04 | |
Guiding our teams today we have two eminent experts. | 0:05:06 | 0:05:10 | |
Steering the course for the Reds, it's Colin Young. | 0:05:10 | 0:05:13 | |
And keeping a handle on the Blues, it's James Braxton. | 0:05:13 | 0:05:17 | |
Right, teams, better get started. You've got just one hour to buy three items with your £300. | 0:05:19 | 0:05:25 | |
-What are we looking for? -I've got a passion for Japanese porcelain. | 0:05:25 | 0:05:29 | |
-And Amanda? -I like small, unusual silver pieces. Something like that. | 0:05:29 | 0:05:35 | |
-So Tom, Melanie, looking forward to this shopping experience? -Looking forward to getting out of the snow! | 0:05:35 | 0:05:42 | |
Never mind the weather, Reds, it's the antiques we're interested in. | 0:05:42 | 0:05:47 | |
-This is one for you, Tim. Everything Japanese. -Look at that. | 0:05:48 | 0:05:52 | |
-Everything I like in that picture. -So we've got the figures there, the old kimonos | 0:05:52 | 0:05:58 | |
and a lot of Imari or maybe it's Satsuma, the pottery earthenware. | 0:05:58 | 0:06:03 | |
-Yeah, it looks good. Is that signed? -It is. Signed by an Englishman! | 0:06:03 | 0:06:09 | |
-Keep looking. I think we've hit gold here. -Don't speak too soon, James. | 0:06:09 | 0:06:14 | |
-And what's your game, Reds? -Ah...! | 0:06:14 | 0:06:18 | |
-A game of fences. Now I've never heard of Kimbo. -Me, neither. | 0:06:18 | 0:06:24 | |
But it says it's John Waddington, makers of Monopoly. | 0:06:24 | 0:06:29 | |
Yeah. | 0:06:29 | 0:06:30 | |
"The outcome is always uncertain right to the very end." | 0:06:30 | 0:06:34 | |
-We probably ought to be buying it, then! That IS Bargain Hunt. -What is it? | 0:06:34 | 0:06:39 | |
-The magpie Blues have flown straight to the silver. -Vestas there. | 0:06:39 | 0:06:44 | |
-Which one would you be drawn to? -I like the round one. -That's an unusual shape, isn't it? | 0:06:44 | 0:06:50 | |
There's lots of square ones, but the more decorative stand out more. | 0:06:50 | 0:06:55 | |
We need arcade assistant Alex to open up. Go for it. | 0:06:55 | 0:07:00 | |
-That's rather fun, isn't it? -Yeah. -These little vesta cases are for holding matches. Strike a light! | 0:07:00 | 0:07:07 | |
-Cartouche is still blank. -He's got all the lingo, Tim! | 0:07:07 | 0:07:10 | |
-Does it clip shut or not? -It's a bit... -Loose. | 0:07:10 | 0:07:14 | |
-The one I would go for is the novelty shape. -Oh, wow. -It's like a cigar box. | 0:07:14 | 0:07:20 | |
Like a cigar case. £85. George Unite. He was a famous Birmingham maker. | 0:07:20 | 0:07:26 | |
-Is that an unusual shape? -It is a novelty shape. -It's nice with the push-button opening. | 0:07:26 | 0:07:33 | |
-Feel the weight of it as well. -Yeah. | 0:07:33 | 0:07:37 | |
-How does it compare to your one? -I'm not sure about the dents. -That's very light. That's... -Yeah. | 0:07:37 | 0:07:43 | |
-I like this pewter bowl. -That's a big fellow, isn't it? -A good decorative piece, surely. | 0:07:43 | 0:07:49 | |
A sort of big old tazza, isn't it? A standing sort of fruit bowl. | 0:07:49 | 0:07:54 | |
-I like that. -Arts and craftsy. | 0:07:54 | 0:07:57 | |
If you missed that at home, this shape of bowl is called a tazza from the Italian for stemmed cup. | 0:07:57 | 0:08:04 | |
-I think that's really nice. -Some weight to it as well. | 0:08:04 | 0:08:09 | |
-Residual value is what you want. Feel the weight. -Exactly. If in doubt, scrap it! -Exactly. | 0:08:09 | 0:08:15 | |
A man after my own heart. It's 58, but it has taken a knock. | 0:08:15 | 0:08:20 | |
-It's slightly not true. It's got a slight list. -Oh, yeah. | 0:08:20 | 0:08:24 | |
If we can get it for 25, 28, something like that. | 0:08:24 | 0:08:28 | |
-Worth a go. -OK. -If we can ask on the price on that... | 0:08:28 | 0:08:32 | |
- Yeah, no problem at all. - Can we suggest £20? - We can do our best. | 0:08:32 | 0:08:37 | |
While the Blues leave Alex to get prices for the vesta and the tazza, what are those Reds up to? | 0:08:37 | 0:08:44 | |
-How about that? -Quite sweet. | 0:08:44 | 0:08:46 | |
-Nice lady's embroidered hand fan. -And how old would that be? | 0:08:46 | 0:08:51 | |
That would be Regency period. You're looking at 1820, 1830. | 0:08:51 | 0:08:56 | |
The whole combination is good. And priced at £44. | 0:08:56 | 0:09:01 | |
Hang on. We've got an embroidery expert here, haven't we? | 0:09:01 | 0:09:05 | |
-You're the man to be the fan. -Well, yes. -So what do you think, quality-wise? Is it there? | 0:09:05 | 0:09:12 | |
I'm not sure. It's not the sort of thing that I do. Mine is more modern than this. | 0:09:12 | 0:09:18 | |
-But I am taken by it. I like it. -You like it? -I do. | 0:09:18 | 0:09:22 | |
It's down to that price. If we can get that price, then I'd be interested. | 0:09:22 | 0:09:28 | |
-This looks like a lady who can help us. -Hi. It's lovely. | 0:09:28 | 0:09:32 | |
It is. I want to know your best offer. | 0:09:32 | 0:09:36 | |
- My very best. Um... - Would you agree on 30? - 32? | 0:09:36 | 0:09:41 | |
-Oh, halve it at 31. -Go on, then. | 0:09:41 | 0:09:43 | |
-OK. Thank you. -Having done that, do you think we should ask Melanie if we've done the right thing? | 0:09:43 | 0:09:49 | |
That's fine by me. I like that. | 0:09:49 | 0:09:52 | |
That should keep you cool, Reds. You got off to a good start, but have the Blues made any headway? | 0:09:52 | 0:09:58 | |
-I think they're quite nice. I quite like those. -What material? | 0:09:58 | 0:10:02 | |
-They're glass. -Aren't they? -I quite like that. -They're Art Nouveau-y. | 0:10:02 | 0:10:07 | |
-That one's got a hallmark on it. -It's got some marks. -All I can see is a lot of pock marks! | 0:10:07 | 0:10:13 | |
I've got a date letter of M. | 0:10:13 | 0:10:16 | |
-It's around the turn of the century. -But is that silver plate? -No, it's silver. | 0:10:16 | 0:10:21 | |
-But very thin. -Yeah. -There's some damage on this one. | 0:10:21 | 0:10:26 | |
-But pairs always sell well. -Yeah. -I think they're nice. | 0:10:26 | 0:10:31 | |
-OK, have we possibly found our first buy? -I think we have. -See if we can get them for £15? | 0:10:31 | 0:10:38 | |
-Time to call in arcade assistant Rita. -Rita, what could these be? | 0:10:38 | 0:10:43 | |
-What's he got on them? -Tatty old fellows. -£28. -The chancer, eh? | 0:10:43 | 0:10:48 | |
-But it's really quite knocked around the top. -He had a good weekend, I know, didn't he? | 0:10:48 | 0:10:54 | |
-Did he? -I don't know! | 0:10:54 | 0:10:57 | |
-I'll go and see. So you want 15. -That's really kind. We'll hover around here, Rita. | 0:10:57 | 0:11:03 | |
While Rita goes to check the prices, Colin has found something for Tom the teacher. | 0:11:04 | 0:11:11 | |
This is ideal for you. You can take that to work as the naughty chair. | 0:11:11 | 0:11:15 | |
That's too good for a naughty chair! | 0:11:15 | 0:11:18 | |
Victorian. Priced at £75. Very sweet-looking thing. | 0:11:18 | 0:11:23 | |
-French cabriole legs on it. -But what's this Colin's spotted? | 0:11:23 | 0:11:27 | |
-That's definitely not a good thing. -Oh, no, a wonky leg! This chair has certainly seen a lot of action. | 0:11:27 | 0:11:34 | |
-So the children will be saved from the naughty chair. -Yes. | 0:11:34 | 0:11:39 | |
-Well, this time round. -Keep going, Reds. 20 minutes and two items still to find. | 0:11:39 | 0:11:45 | |
And have the Blues found the Asian artefact they were after? | 0:11:45 | 0:11:50 | |
-Oh, wow! -Just the work involved in that. | 0:11:50 | 0:11:54 | |
-That's incredible. -And the fact that that has come by ship. | 0:11:54 | 0:11:58 | |
That's a find. A sculpture of a Japanese pagoda and garden. Intricately carved in cork. | 0:11:58 | 0:12:04 | |
That is a fabulous object. I think these will make a lot one day. | 0:12:04 | 0:12:09 | |
One day...as in now? | 0:12:09 | 0:12:12 | |
Well, I just think they're lovely, really lovely objects. | 0:12:12 | 0:12:18 | |
-The time and effort to carve that is just amazing. -The fact that it's travelled so far. | 0:12:18 | 0:12:23 | |
-But just you've got this pine tree and the needles there. -Yeah. -It's all carved of cork. -Amazing. | 0:12:23 | 0:12:30 | |
-Anything Chinese is interesting. You could put this on a table... -In the middle of the room. -Great. | 0:12:30 | 0:12:37 | |
We'd have to get it much cheaper than 145 to stand a chance. | 0:12:37 | 0:12:41 | |
-Yeah. -I know it's beautiful. It is beautiful. -Rita, is this one of your items? | 0:12:41 | 0:12:48 | |
-It is, yes. -Would £70 be squeezing you? -What about 85? | 0:12:48 | 0:12:53 | |
-85... -75? -I like it at 70. | 0:12:53 | 0:12:56 | |
-75, would that do it? -Meet you in the middle - 75. | 0:12:56 | 0:13:00 | |
-Go on, then. -75. Who's going to grab this lady's hand? | 0:13:00 | 0:13:04 | |
Well, whatever pops your cork, Blues. It's now one all | 0:13:04 | 0:13:09 | |
-and the Reds have found a curious item of their own. -Very nice. It's a cigarette box. | 0:13:09 | 0:13:15 | |
-A cigarette box? -Yeah. It probably dates from 1920s, 1930s. | 0:13:15 | 0:13:20 | |
Very much a sort of novelty piece. | 0:13:20 | 0:13:22 | |
It's really just to expose the art of the craftsman, putting different woods into it. | 0:13:22 | 0:13:29 | |
This is sometimes known as Tunbridge ware, but it's just parquet work. | 0:13:29 | 0:13:34 | |
If you think of parquet floors, it's just like that, a variety of woods. | 0:13:34 | 0:13:39 | |
You'd keep your stock of cigarettes in there and the bird would dip in and bring them out one at a time. | 0:13:39 | 0:13:45 | |
-I think he's quite sweet. £35? -Is painful. £15-£20 is what I would expect it to be. | 0:13:45 | 0:13:51 | |
It's never going to make £30 in a sale. | 0:13:51 | 0:13:55 | |
So the bird in the box goes back on the shelf. And the Blues have news on their glass vases. | 0:13:55 | 0:14:02 | |
-Hi, Rita. -The very, very best on the vases is £20. | 0:14:02 | 0:14:07 | |
-£20? What do you think? -£20... | 0:14:07 | 0:14:10 | |
Could we squeeze it just under 20 just to give us a chance? 19? | 0:14:10 | 0:14:14 | |
- Even 19. Then we could make £1. - Wouldn't that be lovely? | 0:14:14 | 0:14:19 | |
-Let me go and try again for £1. -OK. Well done, Rita. You're earning your money. | 0:14:19 | 0:14:25 | |
Time's ticking on, teams. The Reds want their second item, so can Colin jazz things up? | 0:14:25 | 0:14:31 | |
That's the sort of thing I like. Susie Cooper, Art Deco. Jazz-type pattern, Moon and Mountains. | 0:14:31 | 0:14:37 | |
-It's got a lot going for it. -Nice piece, but have you seen the price? -No. | 0:14:37 | 0:14:43 | |
-200. -200? OK. That seems keen. | 0:14:43 | 0:14:47 | |
-If you can get that for... It's £100-£150 in an auction. -OK. | 0:14:47 | 0:14:52 | |
So that's perhaps just a little too much on this occasion. | 0:14:52 | 0:14:56 | |
I can tell you don't want to let that go, Colin. Never mind. What news has Rita for the Blues? | 0:14:56 | 0:15:02 | |
-Hello. -Hi. -Bad news, I'm afraid. He's sticking at 20. | 0:15:02 | 0:15:08 | |
-20? -I tell you what, I've got some good news. Do I speak for you all? -Go on. -We'll have them at 20. | 0:15:08 | 0:15:14 | |
-OK. -I'd say so, yeah. -Give him the good news. Thank you. | 0:15:14 | 0:15:18 | |
-Well done. -Thank you. -Well done, Blues. | 0:15:18 | 0:15:22 | |
Now what's caught Tom's eye? | 0:15:22 | 0:15:24 | |
-It's just a box. -25 quid? -If that's 25 quid, just buy it, even though the top tray is missing. | 0:15:24 | 0:15:32 | |
Looks to be in reasonable condition. | 0:15:32 | 0:15:35 | |
It's not fabulous, but we're running out of time. That's a decent buy. | 0:15:35 | 0:15:39 | |
-I think that's good. -So how old is that? -A late-Victorian, Edwardian, ladies jewellery casket. | 0:15:39 | 0:15:47 | |
Or table box. Lovely leather finish on it. Gilt and tooled. | 0:15:47 | 0:15:53 | |
You've got the mixture of this sort of lovely velvet interior to it. It's a bit scuffed, | 0:15:53 | 0:15:59 | |
but do you know what? At £25... | 0:15:59 | 0:16:02 | |
I'm falling more in love with it as the time is ebbing away on the watch! | 0:16:02 | 0:16:07 | |
-Do you need any help? -We do indeed. | 0:16:07 | 0:16:11 | |
I see on here it's priced up at 25. | 0:16:11 | 0:16:15 | |
They would do that for £20. | 0:16:15 | 0:16:17 | |
£20? | 0:16:17 | 0:16:19 | |
-18? -No, I don't think they'd go to 18. -Would they go to 19? | 0:16:19 | 0:16:23 | |
-I'll have to ring them for that. -Is it worth it for a pound? Bearing in mind we haven't a lot of time. | 0:16:23 | 0:16:30 | |
-I saw it, I want it. -We'll have it then. -I'm happy to accept the 20. | 0:16:30 | 0:16:35 | |
-£20 it is, then. -Thank you. -Excellent. | 0:16:35 | 0:16:39 | |
Well done, Reds. A bargain of a box. | 0:16:39 | 0:16:41 | |
Now you've got eight minutes left and so have the Blues, but is there good news about the tazza and vesta? | 0:16:41 | 0:16:49 | |
-Alex, what have you got? -I've found out some prices. | 0:16:49 | 0:16:53 | |
-Go on. -OK. 25 for the pewter. | 0:16:53 | 0:16:56 | |
-25 for the pewter. That's workable. -I think that's OK. | 0:16:56 | 0:17:00 | |
-65 is the lowest we can go... -On the vesta. -65 on the vesta. | 0:17:00 | 0:17:05 | |
I mean £25, I think that's a bargain for a big piece of pewter. | 0:17:05 | 0:17:10 | |
-What do you think, Tim? -I'm not 100% convinced. | 0:17:10 | 0:17:14 | |
-So we're thinking. -Could you hold it? -Lovely. -Cheers, Alex. | 0:17:14 | 0:17:19 | |
While the Blues dither over their last item, Colin's trying to sell Asian enamel ware to the Reds. | 0:17:19 | 0:17:26 | |
Right, in here the bits that have taken my eye are the actual Japanese cloisonne wares, | 0:17:26 | 0:17:32 | |
which is this wire work laid over the vase and then applied with enamel. I can pass one to you. | 0:17:32 | 0:17:39 | |
And, hopefully, I can get hold of the other one and pass that to you. | 0:17:39 | 0:17:45 | |
-Thank you. -Very nice. -Now I can actually see some pricing in there. -So are these a pair? | 0:17:45 | 0:17:51 | |
Well, they're two with two separate prices. | 0:17:51 | 0:17:55 | |
They're marked up at £85 each. What I want you to do is keep the skin of your hand round one | 0:17:55 | 0:18:01 | |
and just roll it round and make sure there's no rough edges, damages, imperfections. | 0:18:01 | 0:18:08 | |
If there's anything on these, we do not want to even look at them. | 0:18:08 | 0:18:12 | |
Price-wise, they're £85. | 0:18:12 | 0:18:15 | |
That's each. So it's a bit of money. | 0:18:15 | 0:18:19 | |
They're not the finest quality, the silver-wired examples, but they do date from probably 1900. | 0:18:19 | 0:18:25 | |
I can see why they have been marked separately because there is a slightly different pattern on them. | 0:18:25 | 0:18:31 | |
-This one here has got the start... -I saw that. -Just the start of some damage. | 0:18:31 | 0:18:37 | |
It's not going to be a problem, but you'd have to negotiate the price down a little bit heavier. | 0:18:37 | 0:18:44 | |
I think they are good decorative lots and they do work as a pair. | 0:18:44 | 0:18:49 | |
-So, money-wise, on them, where would you hope to be? -I would say below 100 for that. | 0:18:49 | 0:18:55 | |
-Yeah, 100. -Really? I'll ask one final question of Rita cos she is waiting in the wings. | 0:18:55 | 0:19:02 | |
- The cloisonne vases, the best price is 120. - These are warming in my hands. | 0:19:02 | 0:19:09 | |
-Do you want to go for this? -Yes, I do. -120? -Sounds good to me. | 0:19:09 | 0:19:14 | |
-Let's take the money and run. -OK, 120. -Thank you very much. | 0:19:14 | 0:19:19 | |
Well, actually, Rita takes the money and runs. | 0:19:19 | 0:19:23 | |
-Done. -That's it. It's a hat-trick! -Yay! | 0:19:23 | 0:19:26 | |
-A cup of tea, I think. -I think we need a lot more than a cup of tea! | 0:19:26 | 0:19:31 | |
The Reds have made it - all their items chosen. Congratulations. | 0:19:31 | 0:19:35 | |
But the Blues are still strolling about as if they've got all the time in the world. | 0:19:35 | 0:19:41 | |
Amanda, come in here. There's lots of brewing stuff. | 0:19:41 | 0:19:45 | |
-Yes, look at that. -Ale al fresco. Get in there. -Yeah, get in there, Amanda. | 0:19:45 | 0:19:52 | |
-That's quite fun, isn't it? -There's only one minute left, Blues. | 0:19:52 | 0:19:57 | |
There's simply not enough time to find another item. Focus your minds and make a decision, Blues. | 0:20:00 | 0:20:06 | |
-We really are out of time. -I think we should go for the pewter. | 0:20:06 | 0:20:11 | |
-I really like it. It's great. -If you like it... It's handsome. | 0:20:11 | 0:20:16 | |
-Yeah, and £25. You can't go wrong, surely. -It would look great on furniture. -Absolutely. | 0:20:16 | 0:20:22 | |
-Shall we do that? -Well done. You've done really well. Let's go for it. -Thank you. | 0:20:22 | 0:20:27 | |
That's it. 60 minutes are up. Let's check out what the Reds bought. | 0:20:27 | 0:20:32 | |
The Reds paid a cool £31 for this embroidered face screen. | 0:20:32 | 0:20:38 | |
The late-Victorian leather jewellery box was snapped up for £20. | 0:20:40 | 0:20:44 | |
And £120 was paid for a pair of Japanese cloisonne vases. | 0:20:45 | 0:20:50 | |
-Well done, Tom, Mel. Very good. What did you spend overall? -171. | 0:20:53 | 0:20:58 | |
-That's not a bad total. Can I have £129 of leftover lolly? -You may. -Thank you. Quite a handful. | 0:20:58 | 0:21:04 | |
-Now, Mels, which is your favourite piece? -That sad, lonely box. | 0:21:04 | 0:21:09 | |
-It needs to be loved again. -One sad box. | 0:21:09 | 0:21:12 | |
-Do you agree? -Same box. It just touched our heartstrings. | 0:21:12 | 0:21:16 | |
Yes, it's obviously been loved at some point and left alone and needs to be loved again. | 0:21:16 | 0:21:23 | |
-I think I'm going to burst into tears. Will it bring the biggest profit? -I think it will, yes. | 0:21:23 | 0:21:29 | |
You're obsessed with this box. Is this normal in your married life? | 0:21:29 | 0:21:34 | |
-No, no. -That's all right. -We don't agree on anything! -Well, what a wonderful first. | 0:21:34 | 0:21:40 | |
-Was that good fun? -It was. A nice, interesting...selection, I suppose. -Yeah, a bit odd. | 0:21:40 | 0:21:47 | |
-A bit odd and erratic, but it was good. -Will you find something soulful for this sensitive couple? | 0:21:47 | 0:21:54 | |
-No, I'll try to find something loud and proud... -Oh, please! -Completely opposite to what we've bought. | 0:21:54 | 0:22:01 | |
There's your challenge, Colin. Meanwhile, we'll find out about what the Blue team bought. | 0:22:01 | 0:22:07 | |
The Blues bought this Chinese cork sculpture for £75. | 0:22:07 | 0:22:12 | |
They spent just £20 on this pair of Art Nouveau glass vases. | 0:22:15 | 0:22:20 | |
And they invested £25 in this Arts and Crafts pewter tazza. | 0:22:22 | 0:22:27 | |
-Was that a good shop? -Really good. Really enjoyed it. Great morning. | 0:22:31 | 0:22:35 | |
-Which is your favourite piece? -I really like the two vases. -Do you agree, Tim? Great name. | 0:22:35 | 0:22:41 | |
Very good name. I do like the vases and think they'll bring the most profit. I'll go along with Amanda. | 0:22:41 | 0:22:47 | |
-And they'll bring the biggest profit? Do you think so? -I do, I do. | 0:22:47 | 0:22:51 | |
-But you never know with the cork sculpture. If someone really likes it... -It could be a corker! | 0:22:51 | 0:22:58 | |
-..a massive profit. Fingers crossed. -OK, so how much did you spend? -120. -Is that all?! -Yes, sorry. | 0:22:58 | 0:23:04 | |
-'Fraid so. We tried. -I thought you were big spenders. | 0:23:04 | 0:23:08 | |
-OK, fine. 180 of leftover lolly, please. -I've got that. | 0:23:08 | 0:23:12 | |
-There's a nice big wodge for James Braxton. Spend the lot, Jimmy! -Thank you! | 0:23:12 | 0:23:17 | |
-Going to spend it all? -I'll endeavour to. | 0:23:17 | 0:23:21 | |
While James goes off to find his Bonus Buy, I want to show you something rather sweet | 0:23:21 | 0:23:27 | |
I found earlier here in Hungerford. | 0:23:27 | 0:23:29 | |
You're going to love her. | 0:23:33 | 0:23:35 | |
Look at this. This is a doll with a difference. | 0:23:35 | 0:23:40 | |
Actually, the thing to look for if you're buying a doll is the material used in the head. | 0:23:41 | 0:23:48 | |
And for a late-Victorian doll, the material you want is biscuit or bisque porcelain, | 0:23:48 | 0:23:54 | |
which is what this doll has. It's hard paste. | 0:23:54 | 0:23:58 | |
It's baked in a kiln, but it's not glazed. | 0:23:58 | 0:24:02 | |
And then that porcelain, for a doll manufacturer, is treated to give the image sometimes character. | 0:24:02 | 0:24:10 | |
Hence the term "character dolls". | 0:24:10 | 0:24:13 | |
And this girl's got character. She's got high colour in her cheeks, | 0:24:13 | 0:24:19 | |
which has been an applied colouring on the white biscuit porcelain. | 0:24:19 | 0:24:24 | |
And also she's got beautifully painted eyebrows and eyelashes | 0:24:24 | 0:24:29 | |
which contain her glass eyes, which are a particularly divine dark blue. | 0:24:29 | 0:24:36 | |
Who made this doll? | 0:24:36 | 0:24:39 | |
Well, the secret to that is impressed on the back of her neck, | 0:24:39 | 0:24:44 | |
where it says Made in Germany. | 0:24:44 | 0:24:47 | |
AM is the manufacturer. That's Armand Marseille, | 0:24:47 | 0:24:51 | |
who established a doll's head manufacturers in Thuringia in Germany | 0:24:51 | 0:24:58 | |
around about 1870 or so. And he became phenomenally successful, | 0:24:58 | 0:25:05 | |
producing these dolls heads for all sorts of manufacturers across Europe and the world | 0:25:05 | 0:25:11 | |
for the next 30 or 40 years. | 0:25:11 | 0:25:14 | |
One of the most popular moulds was the 390 and that's what this particular doll's head has | 0:25:14 | 0:25:21 | |
impressed on its neck. | 0:25:21 | 0:25:24 | |
So it's not a rare doll by any means. If you're buying one of these things, | 0:25:24 | 0:25:29 | |
you had to be careful about condition. No chips or cracks to the porcelain, please, at all. | 0:25:29 | 0:25:36 | |
The other factor when valuing a doll is the original nature of the clothes. | 0:25:36 | 0:25:41 | |
And these clothes most certainly aren't original. Because what we've got here is | 0:25:41 | 0:25:47 | |
a charming child's interpretation of how to dress the proverbial angel | 0:25:47 | 0:25:53 | |
to go on top of the Christmas tree. | 0:25:53 | 0:25:55 | |
This child's taken some cream crepe paper | 0:25:55 | 0:25:59 | |
and has simply folded it to make a skirt. She's then constructed a couple of wings. | 0:25:59 | 0:26:05 | |
And trimmed those with some silver Christmas decoration. | 0:26:05 | 0:26:09 | |
And the idea is that this doll sat on the top of the Christmas tree for a family, | 0:26:09 | 0:26:15 | |
perfectly happily, perhaps for as long as 50 years. | 0:26:15 | 0:26:19 | |
And at various times this doll got into the wars. | 0:26:19 | 0:26:24 | |
For example, this is the wooden doll's leg, which sadly got detached | 0:26:24 | 0:26:29 | |
when she was shoved on the top of the Christmas tree. | 0:26:29 | 0:26:33 | |
And in the box that comes with this doll are the remnants of other dressing up escapades. | 0:26:33 | 0:26:40 | |
Things made of felt and old bits of corduroy that a child had a lot of fun with this doll, | 0:26:40 | 0:26:47 | |
messing about with. | 0:26:47 | 0:26:49 | |
What's it worth? Well, you don't have to use it at the top of the Christmas tree. | 0:26:49 | 0:26:55 | |
What you could do is to re-dress her and have her re-strung, | 0:26:55 | 0:27:00 | |
so that the leg is at least replaced. In which case, | 0:27:00 | 0:27:04 | |
in some decent period clothes, this doll would be worth the top end of a couple of hundred pounds. | 0:27:04 | 0:27:11 | |
What might you buy her for today in Hungerford? | 0:27:12 | 0:27:15 | |
This little joker could be yours for £75. | 0:27:15 | 0:27:19 | |
What do you think about that, dollface? "Not much." | 0:27:19 | 0:27:23 | |
The big question is who will be top of the tree when we're all back together at the auction. Nice coat. | 0:27:23 | 0:27:30 | |
Well, what a treat to be at Lawrences in Crewkerne with Richard Kay. | 0:27:34 | 0:27:39 | |
-Very nice to have you back, Tim. -Now this Red team are incredibly enthusiastic. | 0:27:39 | 0:27:45 | |
First up is their face screen. I suppose, in its day, when that needlework was bright and fresh, | 0:27:45 | 0:27:51 | |
-it was a sort of opportunity to show off your handicraft. -I think it was. | 0:27:51 | 0:27:56 | |
And you'd personalise it with your own family's logo there, but it's got so dirty. | 0:27:56 | 0:28:02 | |
-It has. That is a shame. It will put people off because it's not worth cleaning it. -No. | 0:28:02 | 0:28:08 | |
-So what's a piece of dirty old kit worth? -Let's talk it up, eh? -Yes! | 0:28:08 | 0:28:13 | |
-£20-£40. -Really? £31 they paid. On the other hand, their next item is a very useful thing. | 0:28:13 | 0:28:20 | |
-It is. And although it's showing signs of its age and it's incomplete, lacking its tray... -And key. | 0:28:20 | 0:28:27 | |
Nonetheless, it has that kind of country house charm about it. | 0:28:27 | 0:28:32 | |
-It could have come off the set of Downton Abbey. -Very easily. | 0:28:32 | 0:28:36 | |
-They paid £20. Will they make a profit? -I think that's a bargain. | 0:28:36 | 0:28:41 | |
-I think we'd get £30-£40. -OK. Super duper. And their last item | 0:28:41 | 0:28:46 | |
is this classic of collectability, the cloisonne vases. | 0:28:46 | 0:28:51 | |
The problem with cloisonne is that when it's 20th century or early 20th century, as these are, | 0:28:51 | 0:28:57 | |
people mistake craftsmanship for value. There's a lot of skill in making that | 0:28:57 | 0:29:03 | |
-and it just isn't reflected in what they'll make at auction. -What do you think, then? | 0:29:03 | 0:29:08 | |
I think they might be worth £30-£40. | 0:29:08 | 0:29:11 | |
Dear, oh, dear. They paid 120. That is going to be their comeuppance, I feel. | 0:29:11 | 0:29:16 | |
-I don't think they'll get close. -They'll need their Bonus Buy. Let's have a look at it. | 0:29:16 | 0:29:22 | |
So, team, you spent 171, you gave Colin Young £129. Colin, what did you spend it on? | 0:29:22 | 0:29:28 | |
I spent it on something bright, decorative and hopefully that is going to make you smile. | 0:29:28 | 0:29:35 | |
-We saw that! -We did. -We did, yeah. | 0:29:35 | 0:29:38 | |
It's a Susie Cooper design. Gray's Pottery, probably late 1920s, early 1930s. | 0:29:38 | 0:29:45 | |
-Yeah. -Can you remember what that was priced at? | 0:29:45 | 0:29:48 | |
-Something tells me 130? -A lot more. It was knocking on for £200, what they were asking for it. | 0:29:48 | 0:29:55 | |
So you're going to be quite surprised that with a budget of £129 | 0:29:55 | 0:30:00 | |
-I did manage to buy it. -Well done. -Guess how much for. | 0:30:00 | 0:30:04 | |
-129. -129. -OK, well done! | 0:30:04 | 0:30:07 | |
It's reasonably heavy money for it, but it's one of those things, if you get a couple of collectors, | 0:30:07 | 0:30:13 | |
-there should be profit in it. -Pounds or tens of pounds? -Probably pounds. -OK. | 0:30:13 | 0:30:18 | |
But a reasonable gamble. | 0:30:18 | 0:30:21 | |
I like it. Ordinarily, I wear ties like this to school. | 0:30:21 | 0:30:25 | |
-Do you? -Yes. They are very bright. -With matching socks. -Do they upset the children much? -They like it! | 0:30:25 | 0:30:32 | |
-They respond. -They say, "I like your tie." | 0:30:32 | 0:30:35 | |
-They'll say all sorts of nice things, small children. -Yes! | 0:30:35 | 0:30:40 | |
On that happy note, why don't we find out what the auctioneer thinks about Colin's jazzy jug? | 0:30:40 | 0:30:46 | |
-What about this Clarice Cliff lookalike? -That's the trouble. If it had the Clarice Cliff name, | 0:30:46 | 0:30:53 | |
we'd be on safer ground. | 0:30:53 | 0:30:55 | |
But it isn't. It's Susie Cooper, a good enough name. But it's Gray's. | 0:30:55 | 0:31:01 | |
-And that, I think, will reduce its appeal a little. -OK. They're certainly dense colours. -They are. | 0:31:01 | 0:31:07 | |
-Well, how do you rate it, then? -I think that might be £25-£40. | 0:31:07 | 0:31:12 | |
Oh, lordy. Colin Young paid £129. He rates it. That's it for the Reds. | 0:31:12 | 0:31:17 | |
Now for the Blues. | 0:31:17 | 0:31:19 | |
-First up for them, this carved Chinese cork picture. -There's a huge amount of work in that, | 0:31:19 | 0:31:25 | |
as in most Asian craftsmanship. | 0:31:25 | 0:31:28 | |
They've gone, "Look at all that detail, the time it must have taken. It must be worth £75 at least." | 0:31:28 | 0:31:35 | |
Yeah. The sad truth is that people don't pay just for quality any more. They want a bit more than that. | 0:31:35 | 0:31:42 | |
So I'm not surprised if it doesn't make quite what they did pay, £75. But what do you think? | 0:31:42 | 0:31:47 | |
We'd do well to get more than 40. They might get half their money back. | 0:31:47 | 0:31:52 | |
Oh, dear. That is a bit tough. | 0:31:52 | 0:31:54 | |
-Silver-rimmed mauve glass vases. -They're hallmarked silver mounts, | 0:31:54 | 0:32:00 | |
-so that's reassuring at least that there's some quality. -Yes. -Good condition, a matched pair. | 0:32:00 | 0:32:07 | |
-I think the pair should make £20-£40. -OK, £20 paid. Should be an earner. | 0:32:07 | 0:32:11 | |
And last, but not least, is this pewter Arts and Crafts cup. | 0:32:11 | 0:32:16 | |
It lacks that vital name of Liberty that would have made it desirable pewter. Despite that hammered finish | 0:32:16 | 0:32:24 | |
to make it look hand-done, that's all been done by a machine. | 0:32:24 | 0:32:28 | |
-Anyway, they only paid £25, which is the right price to pay... -It is. | 0:32:28 | 0:32:33 | |
They might actually get just a little bit more than that. | 0:32:33 | 0:32:38 | |
-They certainly stand a chance. -It all depends for them on whether this cork thing floats or not. | 0:32:38 | 0:32:44 | |
-If it doesn't... -Cork will sink in Crewkerne today! -I can see the headline. | 0:32:44 | 0:32:50 | |
Let's hope not, but if it does, they'll need their Bonus Buy. | 0:32:50 | 0:32:55 | |
-Marvellous. I bet you're longing to know what James Braxton's got under his little rag. -We are. | 0:32:55 | 0:33:01 | |
Well, you gave him £180, which is a good old wodge of money. | 0:33:01 | 0:33:06 | |
-Put us out of our agony, James, and reveal all. -You'll recognise this. | 0:33:06 | 0:33:10 | |
-Ah! -It's something that we admired... -We did, yeah. -..in that cabinet. | 0:33:11 | 0:33:17 | |
It's a very nice little vesta case, but modelled as a cigar case. | 0:33:17 | 0:33:22 | |
-How much did you pay for it? -£60. -Can you see a profit? What might we get? | 0:33:22 | 0:33:28 | |
-A vesta should be worth, you know, £30. -Bog standard. | 0:33:28 | 0:33:33 | |
A bog standard one. That's by a very famous maker with a novelty shape. | 0:33:33 | 0:33:37 | |
-Those two things are strings to your bow. -And it's from Birmingham, like my good self. | 0:33:37 | 0:33:43 | |
-Exactly. -Perfect. -Seems like a natural to me. | 0:33:43 | 0:33:47 | |
All these elements coming together. That's quite spooky. OK, fine, | 0:33:47 | 0:33:53 | |
for the audience at home, let's find out what the auctioneer thinks about the vesta case. | 0:33:53 | 0:33:58 | |
-OK, nice and shiny. -It's a nice little piece of silver, | 0:33:58 | 0:34:02 | |
modelled as a cigar case. Made by George Unite, who specialised in small pieces of silverware | 0:34:02 | 0:34:08 | |
in Birmingham at the turn of the century. People like novelty pieces, but I'm not sure it's novelty enough. | 0:34:08 | 0:34:16 | |
-No. How much? -In the shape of a cigar holder, it might puff up to £10 or £20. -Fair enough. | 0:34:16 | 0:34:22 | |
-You'll need to inhale to get it to 60. -We'll breathe hard! | 0:34:22 | 0:34:26 | |
OK, fine. Let's see if it goes up in smoke. Thank you, Richard. | 0:34:26 | 0:34:31 | |
-Melanie and Tom, this is exciting. -It is. -It is. -A bit nervous. | 0:34:39 | 0:34:44 | |
-Absolutely crammed in this room. -It is. | 0:34:44 | 0:34:47 | |
First will be the hand screen. Tom, you found it. You paid £31 for it. | 0:34:47 | 0:34:52 | |
-You spent £20 on the jewellery box. No one can believe that. He's put £30-£40. -Has he really? | 0:34:52 | 0:34:58 | |
-Oh, fantastic. -I wouldn't be surprised if it made £50. If it had a key, it'd make £100. | 0:34:58 | 0:35:04 | |
-She lost the key. -I know. That's what always happens. But it's a jolly nice box. | 0:35:04 | 0:35:10 | |
The enamel vases, you paid £120. He thinks they're worth £30-£40. | 0:35:10 | 0:35:14 | |
He knows they're in good condition, he knows they're colourful, | 0:35:14 | 0:35:19 | |
-but they're not silver wire. -No. -They're not signed. | 0:35:19 | 0:35:23 | |
They have, he thinks, little to make them get to £100, in his opinion. | 0:35:23 | 0:35:30 | |
-OK... -But, you know, it's a difficult one. | 0:35:30 | 0:35:34 | |
-Otherwise, you've got the Art Deco milk jug to fall back on, if you need to. -Yes. | 0:35:34 | 0:35:39 | |
I think it's a bit overpriced. | 0:35:39 | 0:35:42 | |
OK, then. Let's kick off with the hand screen. | 0:35:42 | 0:35:45 | |
£15 for that? £15 for it? | 0:35:45 | 0:35:48 | |
£10, then? £10 is bid. | 0:35:48 | 0:35:50 | |
12 now. 15. 18. | 0:35:50 | 0:35:53 | |
20. 5. | 0:35:53 | 0:35:55 | |
£25. It's on my left. I'm selling at £25. All done elsewhere? | 0:35:55 | 0:36:00 | |
He's sold it. £25 is minus 6. Could have been a lot worse, that. | 0:36:00 | 0:36:05 | |
Now the jewellery box. | 0:36:05 | 0:36:07 | |
£30 for that? £30 somewhere? 20 then. 20? | 0:36:07 | 0:36:11 | |
-Come on... -£20 is bid. 25. | 0:36:11 | 0:36:14 | |
Yes! | 0:36:14 | 0:36:15 | |
-30. I'm selling at £30, then. Are we done at 30? -Disappointing. | 0:36:15 | 0:36:20 | |
£30, OK. It just made his low estimate, which is plus 10. | 0:36:20 | 0:36:24 | |
Overall, you're plus 4. Now stand by for the vases. | 0:36:24 | 0:36:29 | |
Start me here at £25 on these? | 0:36:29 | 0:36:31 | |
30. 35. 40 now. | 0:36:31 | 0:36:34 | |
£40. 45. 50. | 0:36:34 | 0:36:36 | |
5. £55, lady's bid. | 0:36:36 | 0:36:39 | |
-60. 5. -Fresh bidder, that's good. | 0:36:39 | 0:36:42 | |
70. £70. It's in the door. Far right at £70. | 0:36:42 | 0:36:46 | |
And I'll sell. Last time at £70. | 0:36:46 | 0:36:49 | |
-Not good. -£70 is minus 50. -Better than the estimate. -Yeah, it is, | 0:36:49 | 0:36:55 | |
but still minus 50, I'm afraid. So you are minus £46 as a result of that. What about this jug? | 0:36:55 | 0:37:01 | |
-It's beautiful, but I think no. -OK. On your head be it, dear. -Yeah? -I think no. -OK. | 0:37:01 | 0:37:07 | |
-OK. -Sorry. -Sorry! -I'm absolutely relieved! | 0:37:07 | 0:37:12 | |
Well, anyway, we'll see it sold just for the fun of it. Here it comes. | 0:37:12 | 0:37:17 | |
Bids start me here at...£35. 35 I have. | 0:37:17 | 0:37:20 | |
It's on commission. | 0:37:20 | 0:37:22 | |
40. 45. 50. | 0:37:22 | 0:37:25 | |
55. 60. At £60. | 0:37:25 | 0:37:27 | |
-I'm out. £60 is bid. -£60. -In the room. | 0:37:27 | 0:37:31 | |
I'm selling at £60. Last time at 60. All done? | 0:37:31 | 0:37:35 | |
That was a good decision. That is minus £69. | 0:37:35 | 0:37:40 | |
But you didn't go with it, so you are minus 46. | 0:37:40 | 0:37:44 | |
-I think you're a wise bird. -I think so! -Could be a winning score. | 0:37:44 | 0:37:49 | |
-Don't say a word to the Blues. -We won't. -Lovely. Thank you. | 0:37:49 | 0:37:53 | |
-Amanda, Tim, do you know how the Red team got on? -No. -Not at all. | 0:38:01 | 0:38:05 | |
We don't want you to. Good. Let's run through your items. | 0:38:05 | 0:38:09 | |
-Tim, you went with the Chinese carved cork ornament. -Yep. | 0:38:09 | 0:38:14 | |
As a type, it's a jolly nice thing. | 0:38:14 | 0:38:16 | |
-I think you should make £80. I think it's worth £80. -Let's hope so! | 0:38:16 | 0:38:22 | |
-The mauve glass vases. £20 you paid. He's put £20-£40. -Brilliant. | 0:38:22 | 0:38:27 | |
The tazza. You've got to be all right at £25. Otherwise, | 0:38:27 | 0:38:31 | |
you've got the George Unite little vesta to go for as your Bonus Buy. | 0:38:31 | 0:38:37 | |
First up is the carved cork diorama and here it comes. | 0:38:37 | 0:38:42 | |
Oriental cork sculpture. Lot 243. | 0:38:42 | 0:38:45 | |
Bids start me here straight in at 20. At £20. It's on commission. | 0:38:45 | 0:38:50 | |
-25 and I'm out. -Dear, oh, dear. | 0:38:50 | 0:38:52 | |
At 25 and I'll sell. 30, new bidder. 35. 40. 45. | 0:38:52 | 0:38:58 | |
-By the door and I'm selling for £45. -£45(!) -Are we done? | 0:38:58 | 0:39:02 | |
At £45. | 0:39:02 | 0:39:04 | |
-£45 is minus 30. -Oh, dear. | 0:39:04 | 0:39:07 | |
-Anyway, let's make it all back on the vases. -Fingers crossed. -Let's be positive. | 0:39:07 | 0:39:13 | |
£10, I must. £10 is bid. | 0:39:13 | 0:39:15 | |
12. 15. 18 now. At £18. Lady's bid, seated. | 0:39:15 | 0:39:19 | |
Come on. One more. | 0:39:19 | 0:39:21 | |
-25. 30. -In profit. | 0:39:21 | 0:39:23 | |
-5. 35 seated. -Go on! -Selling at £35. | 0:39:23 | 0:39:27 | |
-Lady's bid at 35. Selling. Last time. 40, just in time. -Well done, £40. -£40. | 0:39:27 | 0:39:34 | |
Gentleman's bid. £40. I'm selling. | 0:39:34 | 0:39:37 | |
Last time at 40. | 0:39:37 | 0:39:39 | |
Well done. Plus £20. So overall you're minus 10. | 0:39:39 | 0:39:43 | |
OK, here comes the tazza. | 0:39:43 | 0:39:47 | |
And start me on this at £20, if you will. | 0:39:47 | 0:39:50 | |
20 is bid. 25 now. 30. | 0:39:50 | 0:39:53 | |
5. 35 nearer me now. | 0:39:53 | 0:39:55 | |
-Go on! Absolute zero! -It's £35 and I'll sell. | 0:39:55 | 0:39:59 | |
-Last time. -I don't believe this. £35 is plus £10. | 0:39:59 | 0:40:04 | |
You've sold three items and got absolutely nowhere. | 0:40:04 | 0:40:08 | |
-You are on zero. -Oh, dear. -You've wiped your face big time. | 0:40:08 | 0:40:12 | |
-This is the big wipe. -Now what do we do? -It's a rocky old road. | 0:40:12 | 0:40:17 | |
Do you go with the vesta case? Or do you stick at zero? | 0:40:17 | 0:40:22 | |
We had a plan that if we were in profit or if we were in negative. We didn't have a plan for zero. | 0:40:22 | 0:40:28 | |
-That's tough. -Stick. -Stick? -Yeah. -You're going to stick? -We love it, but it's a bit... | 0:40:28 | 0:40:34 | |
-It's all the money, we think. -We're normally chancers, but zero might be a winning score! | 0:40:34 | 0:40:40 | |
-Wouldn't it be amusing to win by making nothing? -Win by zero. -Anyway, you're not taking it. | 0:40:40 | 0:40:46 | |
-Here it comes. -Small novelty silver vesta case by George Unite | 0:40:46 | 0:40:50 | |
in the form of a cigar case. | 0:40:50 | 0:40:53 | |
I'm bid £18 for it. 20. | 0:40:53 | 0:40:55 | |
22. 25. 28. | 0:40:55 | 0:40:59 | |
30. I'm out. £30. 35. 40. | 0:40:59 | 0:41:01 | |
5. £45. It's on my left. 50 now. | 0:41:01 | 0:41:04 | |
55. 60. No? 60. It's in the doorway. | 0:41:04 | 0:41:09 | |
I don't believe this! James Braxton, you're a genius. | 0:41:09 | 0:41:13 | |
All done? At £60. | 0:41:13 | 0:41:16 | |
Everybody was sniffy about your... Look at his face. | 0:41:16 | 0:41:21 | |
That is a happy man. | 0:41:21 | 0:41:23 | |
Vindication for Braxton. He said it was worth 60. What does it make? £60. OK. | 0:41:23 | 0:41:29 | |
Sadly, no profit in it. What an extraordinary coincidence. | 0:41:29 | 0:41:34 | |
Two wiped faces on the trot. | 0:41:34 | 0:41:37 | |
OK, super. Listen, don't say a word to the Reds because nothing might be a winning score today. | 0:41:37 | 0:41:43 | |
-Have you been chatting, you lot? -No! | 0:41:51 | 0:41:54 | |
It's no secret that there's not exactly a dazzling total of cash to go home with for either team. | 0:41:54 | 0:42:02 | |
It's just a question of scale, really. The runners up today by quite a big old chalk | 0:42:02 | 0:42:08 | |
just happen to be the Reds. | 0:42:08 | 0:42:11 | |
Which is not so good. Minus £46. | 0:42:11 | 0:42:15 | |
But you ring-fenced your losses, which was very clever. Anyway, there we are. | 0:42:15 | 0:42:21 | |
But the victors today, who win by going home with nothing... They have a wiped face. In fact, two. | 0:42:21 | 0:42:28 | |
We had a James Braxton wiped face for his Bonus Buy. And a team's wiped face, too. Amazing. | 0:42:28 | 0:42:35 | |
What's the odds on that? Overall, the victors go home with nothing except our congratulations. | 0:42:35 | 0:42:42 | |
-Anyway, join us soon for some more bargain hunting! Yes? -Yes! | 0:42:42 | 0:42:46 | |
Ha ha ha! You got it, Braxton! | 0:42:46 | 0:42:49 | |
I know you're sitting thinking, "I could have done better than that." | 0:42:52 | 0:42:57 | |
Well, what's stopping you? If you think you can spot a bargain, go to our BBC website and apply. | 0:42:57 | 0:43:03 | |
It'll be splendid to see you. | 0:43:03 | 0:43:06 | |
Subtitles by Red Bee Media Ltd | 0:43:08 | 0:43:11 |