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Today our teams are in Scotland | 0:00:05 | 0:00:08 | |
to seek their fortune in the great capital city of Edinburgh. | 0:00:08 | 0:00:12 | |
So let's go bargain-hunting! Yeah. | 0:00:12 | 0:00:14 | |
In 1786, the impoverished Scottish poet Robbie Burns borrowed a pony | 0:00:42 | 0:00:47 | |
and headed out to make his fortune. | 0:00:47 | 0:00:50 | |
Within a week he'd sold a hundred poems, | 0:00:50 | 0:00:52 | |
and shortly he'd cleared a ?400 profit. | 0:00:52 | 0:00:56 | |
The big question today is, | 0:00:56 | 0:00:58 | |
will such poetic justice be "metre'd" out to our teams? | 0:00:58 | 0:01:03 | |
Here's a quick peek as to what's coming up. | 0:01:03 | 0:01:05 | |
On today's show, the Reds try a sob story to seal the deal, but... | 0:01:06 | 0:01:11 | |
My heart's bleeding, too! HE LAUGHS | 0:01:11 | 0:01:14 | |
..the Blues refuse to let romance get in their way. | 0:01:14 | 0:01:19 | |
I'll try again. Would your girlfriend love this? No, definitely not! | 0:01:19 | 0:01:22 | |
So, let's meet those teams! | 0:01:22 | 0:01:25 | |
On our teams today, | 0:01:25 | 0:01:27 | |
we have a father-and-son relationship of sorts. | 0:01:27 | 0:01:31 | |
For the Reds, we've got Rohan and Tony, | 0:01:31 | 0:01:34 | |
and for the Blues, we've got David and Dave. Hello, everyone. | 0:01:34 | 0:01:38 | |
ALL: Hello! Very nice to see you. | 0:01:38 | 0:01:40 | |
Now, Rohan, you've brought your father along with you. | 0:01:40 | 0:01:43 | |
Got your dad. Do you get along with him in every respect? | 0:01:43 | 0:01:47 | |
Most of the time. People say we're cut from the same cloth. | 0:01:47 | 0:01:50 | |
I look like my mother and have the personality of my father. | 0:01:50 | 0:01:53 | |
But we get on pretty well. And have you both kissed the Blarney Stone, | 0:01:53 | 0:01:57 | |
would you say? Um... Yes. | 0:01:57 | 0:01:59 | |
Yes! That's a man of few words. | 0:01:59 | 0:02:02 | |
THEY LAUGH No, no. Perfect. | 0:02:02 | 0:02:04 | |
What are you doing over here? You clearly come from over there. | 0:02:04 | 0:02:07 | |
Yes, I do. Well, I'm based in Scotland. | 0:02:07 | 0:02:10 | |
I'm a marine biologist who does a bit of environmental consultancy, | 0:02:10 | 0:02:14 | |
and I'm based in Fife. Anything to do with the sea, | 0:02:14 | 0:02:17 | |
and it needs permissions to actually work with it, | 0:02:17 | 0:02:20 | |
and I'm involved in the consultancy side of things. Brilliant! | 0:02:20 | 0:02:23 | |
Now, Toto, you do something completely different. | 0:02:23 | 0:02:27 | |
You're a concert promoter, an agent. Yes, I was indeed, Tim. | 0:02:27 | 0:02:31 | |
I opened my first nightclub at 19 years of age. Did you really? | 0:02:31 | 0:02:34 | |
Yes, I did. It lasted six months, but it was a good experience. | 0:02:34 | 0:02:38 | |
It taught me that there was a cashflow situation there. | 0:02:38 | 0:02:41 | |
And you were booking artists? Yes, absolutely. | 0:02:41 | 0:02:43 | |
We used to tour people. We would buy acts from the UK. | 0:02:43 | 0:02:46 | |
I toured Ronnie Corbett in southern Ireland. | 0:02:46 | 0:02:49 | |
I have worked with Johnny Logan, who was the second Irishman | 0:02:49 | 0:02:52 | |
to win the Eurovision Song Contest, in 1980. | 0:02:52 | 0:02:55 | |
Well, that's good, isn't it? What sort of things will you be going for | 0:02:55 | 0:02:59 | |
for Bargain Hunt today? I also have an interest in classic cars. | 0:02:59 | 0:03:02 | |
I might look for something in the... Automobilia? Yeah. | 0:03:02 | 0:03:06 | |
What about you, Rohan? I'd say marine, natural history, | 0:03:06 | 0:03:10 | |
sort of shipping, navigation sort of stuff. | 0:03:10 | 0:03:13 | |
Quite different to your dad! | 0:03:13 | 0:03:15 | |
It's going to be interesting to see what these two finally alight on. | 0:03:15 | 0:03:18 | |
Anyway, very good luck. Now, brilliant! So, David and Dave, | 0:03:18 | 0:03:23 | |
how do you get to know this man Dave, David? | 0:03:23 | 0:03:28 | |
Um, well, Dave is actually my girlfriend's father. Ah! | 0:03:28 | 0:03:31 | |
Hence the sort-of father-and-son relationship. | 0:03:31 | 0:03:35 | |
And you get on all right, do you? | 0:03:35 | 0:03:37 | |
Um, I suppose so! HE LAUGHS | 0:03:37 | 0:03:41 | |
He forces me to like him, so... Oh, I see. | 0:03:41 | 0:03:43 | |
Don't be too fulsome in your praise of your potential father-in-law. | 0:03:43 | 0:03:48 | |
David, I understand you work with wood. | 0:03:48 | 0:03:50 | |
I do. I work for the Community Payback team at a local authority. | 0:03:50 | 0:03:54 | |
I run a wood workshop, and we build mostly huts and Wendy houses | 0:03:54 | 0:04:00 | |
from recycled wood, | 0:04:00 | 0:04:02 | |
and we build it for the local community, | 0:04:02 | 0:04:04 | |
and we sell it to the local community | 0:04:04 | 0:04:07 | |
where all profits go to local charities. | 0:04:07 | 0:04:09 | |
And, David, you also work with wood? | 0:04:09 | 0:04:12 | |
I work with my dad. He owns his own business, | 0:04:12 | 0:04:15 | |
so it's just me and my dad, and... | 0:04:15 | 0:04:17 | |
He's not called David too, is he? He is, actually! | 0:04:17 | 0:04:21 | |
THEY LAUGH He is. | 0:04:21 | 0:04:23 | |
You're called David. You work with wood. | 0:04:23 | 0:04:25 | |
Your father's called David. He works with wood. | 0:04:25 | 0:04:29 | |
Your prospective father-in-law is called Dave, and he works with wood. | 0:04:29 | 0:04:33 | |
And my son's called David, as well. I don't believe this. | 0:04:33 | 0:04:36 | |
It's true. Now, your ?300 moment! | 0:04:36 | 0:04:38 | |
?300 apiece. You know the rules. | 0:04:38 | 0:04:40 | |
Your experts await, and off you go! | 0:04:40 | 0:04:42 | |
And very, very, very good luck. | 0:04:42 | 0:04:45 | |
For the Reds, our very own Scottish specimen, Paul Laidlaw. | 0:04:47 | 0:04:51 | |
And getting into the Scottish spirit for the Blues is Charles Hanson. | 0:04:52 | 0:04:56 | |
What's the plan today in Edinburgh? We're going to look for something... | 0:04:58 | 0:05:01 | |
made out of wood, something that's made well out of wood. | 0:05:01 | 0:05:04 | |
You're a classic-car man, I believe. I'm very interested in classic cars. | 0:05:04 | 0:05:08 | |
Is this going to steer our buying tactics today? | 0:05:08 | 0:05:11 | |
It might be, if I see anything suitable. | 0:05:11 | 0:05:13 | |
Something a bit crazy, weird. Weird? | 0:05:13 | 0:05:16 | |
Yeah. Quirky, you mean? Definitely. | 0:05:16 | 0:05:19 | |
I'll be chasing the marine and navigational stuff. Ah, sounds good! | 0:05:19 | 0:05:23 | |
Well, you seem to know what you want, teams, so let's get going! | 0:05:23 | 0:05:27 | |
Look at the mix of items here. Is anything going to rock your boat? | 0:05:27 | 0:05:31 | |
Er, salt-and-pepper Guinness. Irish quality. | 0:05:31 | 0:05:34 | |
Just like you, Reds. Well, let's hope so. | 0:05:34 | 0:05:37 | |
Onwards! | 0:05:37 | 0:05:40 | |
It's a nice tactile piece of oak, isn't it? | 0:05:44 | 0:05:46 | |
MV Devonshire. Any idea what this is? | 0:05:46 | 0:05:49 | |
Haven't got a clue. Haven't got a clue? | 0:05:49 | 0:05:51 | |
Thanks for coming. It's off a ship. | 0:05:51 | 0:05:54 | |
Off a ship. MV? It's "merchant vessel". | 0:05:54 | 0:05:57 | |
Merchant vessel? Thank you. | 0:05:57 | 0:05:59 | |
Obviously it's got an old hook on, so it's been hung. | 0:05:59 | 0:06:02 | |
What I can't work out is why it's got two holes just underneath there. | 0:06:02 | 0:06:06 | |
What would they serve? That hooks onto a wall. | 0:06:06 | 0:06:09 | |
Yeah. Pieces of cord coming down through there? | 0:06:09 | 0:06:12 | |
Some sort of light switch? A bell? Yes, you're right. | 0:06:12 | 0:06:16 | |
Well, at least someone's switched on! | 0:06:16 | 0:06:18 | |
He's got it. It was a light switch, we think. | 0:06:18 | 0:06:20 | |
Thank you very much. Do you want a job? | 0:06:20 | 0:06:23 | |
Look out, Charles! | 0:06:23 | 0:06:25 | |
What's it worth, madam? 20. What's your very best price? | 0:06:25 | 0:06:29 | |
18. | 0:06:29 | 0:06:30 | |
Is it a mental note? Can we have a wee think? Thank you. | 0:06:30 | 0:06:34 | |
Yes, have a wee think, Blues. | 0:06:34 | 0:06:37 | |
Meanwhile, what are the Reds driving at? | 0:06:37 | 0:06:40 | |
Cars. Here we go. Here we go. It was inevitable. | 0:06:40 | 0:06:43 | |
Has Paul found the classic-car memorabilia that Tony was after? | 0:06:43 | 0:06:46 | |
What, you mean toy cars, as opposed to the real McCoy? | 0:06:46 | 0:06:49 | |
No, not my speciality. Not on toys. | 0:06:49 | 0:06:52 | |
Are they from, like, some TV programmes? Yes. | 0:06:52 | 0:06:55 | |
Lady Penelope, isn't it? FAB 1. | 0:06:55 | 0:06:58 | |
You're giving me a flashback to my youth. I appreciate that. | 0:06:58 | 0:07:01 | |
The Blues are still knocking on wood. | 0:07:01 | 0:07:04 | |
OK. Bring it round over here, Dave. | 0:07:04 | 0:07:08 | |
What do you think of it? Er, it's really nice. | 0:07:08 | 0:07:10 | |
It's definitely oak. | 0:07:10 | 0:07:12 | |
Some old lock off an old door? Yeah. | 0:07:12 | 0:07:15 | |
Do you know what? If you were going to be, I suppose, | 0:07:15 | 0:07:18 | |
living in that ultimate high-quality Victorian, almost neo-Gothic house | 0:07:18 | 0:07:23 | |
of the 1870s, 1880s, you might want a lock plate | 0:07:23 | 0:07:29 | |
with this wonderful Gothic strapwork detail in iron | 0:07:29 | 0:07:33 | |
on this beautiful oak panel. | 0:07:33 | 0:07:36 | |
We were in Glasgow at the auction, | 0:07:36 | 0:07:38 | |
and in Glasgow there's old tenement buildings with huge-type doors. | 0:07:38 | 0:07:42 | |
I like your style. I could see that on. | 0:07:42 | 0:07:45 | |
I like his style, too. The man's on fire. | 0:07:45 | 0:07:48 | |
And it's only, like, 35. Yeah. | 0:07:48 | 0:07:50 | |
Let me get it to 25. I think it's a nice object. | 0:07:50 | 0:07:53 | |
I think it's a nice object. Do you think it's period? | 0:07:53 | 0:07:56 | |
Oh, yeah. I'm happy. That is almost certainly, in my estimation, | 0:07:56 | 0:08:00 | |
late Victorian. The colour is nice. Look at the colour. | 0:08:00 | 0:08:05 | |
Yeah. It's warm, isn't it? Patina's there. | 0:08:05 | 0:08:07 | |
The patination is there. Madam, how are you? Not bad. | 0:08:07 | 0:08:11 | |
We're admiring your ware here, which is a lovely lock plate. It is. | 0:08:11 | 0:08:15 | |
Good old one. We don't want to obviously lose you any money, | 0:08:15 | 0:08:18 | |
but would we be cheeky in saying a tenner? | 0:08:18 | 0:08:21 | |
Oh, that's a bit cheap. What's your best price? 20. | 0:08:21 | 0:08:24 | |
20. Could we meet you halfway at 15? Yeah, go on, then. | 0:08:24 | 0:08:27 | |
Oh, shake her hand. Thanks very much. | 0:08:27 | 0:08:30 | |
You see? Cheeky gets you everywhere. | 0:08:30 | 0:08:32 | |
Thank you. THEY LAUGH | 0:08:32 | 0:08:35 | |
Well, that could be the key to your success, Blues. | 0:08:35 | 0:08:40 | |
Now, what have the Reds got their eye on? | 0:08:40 | 0:08:43 | |
Very smart, very fashionable ladies' buttons. | 0:08:43 | 0:08:47 | |
They'll no' be waistcoat buttons. They'll be ladies' buttons. | 0:08:47 | 0:08:51 | |
Um, assayed silver? Yes. | 0:08:51 | 0:08:54 | |
Yeah. We can date them. They're Edwardian, | 0:08:54 | 0:08:57 | |
and they depict... Are they the Muses? | 0:08:57 | 0:09:00 | |
I've got some sort of goddess there with a lyre. | 0:09:00 | 0:09:02 | |
What have you got? The same lady? The same all the way through. | 0:09:02 | 0:09:06 | |
They'll no' be cheap, though. I had 110 on them. | 0:09:06 | 0:09:09 | |
They're rather smart. They're worth about ?80 at auction, | 0:09:09 | 0:09:13 | |
so they're a wee bit dear for us. Are they doing anything for you? | 0:09:13 | 0:09:18 | |
Well, the fact that, as you say, they have a market, | 0:09:18 | 0:09:21 | |
you feel it has a market... They're novel, in a sense, aren't they? | 0:09:21 | 0:09:24 | |
Very smart. That was rather a smart lady, | 0:09:24 | 0:09:27 | |
wearing hallmarked silver buttons. Absolutely. | 0:09:27 | 0:09:31 | |
I like them. I like the quality. | 0:09:31 | 0:09:34 | |
I like the fact that we've got a nice complete set there. | 0:09:34 | 0:09:37 | |
I think they're quite pretty. I like them. | 0:09:37 | 0:09:40 | |
It just comes down to the price. You said it, Rohan! | 0:09:40 | 0:09:43 | |
He could do them for about 65. Would they be worth 50? | 0:09:43 | 0:09:46 | |
I think at 50, you're not going to go far wrong. | 0:09:46 | 0:09:49 | |
If the gentleman's prepared to accept 50 on it, we have a deal. | 0:09:49 | 0:09:54 | |
I can do it for ?50, and I hope that leaves you a small profit at auction. | 0:09:54 | 0:09:58 | |
Thank you very much, sir. Thanks a lot. That's brilliant. | 0:09:58 | 0:10:01 | |
Well done, Reds! You buttoned up your first bargain | 0:10:01 | 0:10:04 | |
for less than half the ticket price. | 0:10:04 | 0:10:07 | |
If you want real history and education, isn't that wonderful? | 0:10:08 | 0:10:12 | |
You know, it's like Dave and David, | 0:10:14 | 0:10:16 | |
but this is a picture of the Blue Team from about 240 years ago. | 0:10:16 | 0:10:21 | |
So, this is actually Dutch Delftware, | 0:10:21 | 0:10:24 | |
made in circa 1770, 1780. | 0:10:24 | 0:10:28 | |
This is tin-glazed earthenware, | 0:10:28 | 0:10:30 | |
with probably a 19th-century plated collar on top. | 0:10:30 | 0:10:33 | |
It's had some restorations, but it's ?110. | 0:10:33 | 0:10:37 | |
Do you like it, Dave? Yeah, I think it's - | 0:10:37 | 0:10:40 | |
Why do you like it? It's a nice piece. | 0:10:40 | 0:10:42 | |
It's not made of wood. It's lovely. | 0:10:42 | 0:10:45 | |
THEY LAUGH No. | 0:10:45 | 0:10:47 | |
We've been knocking on wood for the last 20 minutes. We're doing well. | 0:10:47 | 0:10:51 | |
We'll have a serious think about it, | 0:10:51 | 0:10:53 | |
but I think we'll move on and have a look at something else. | 0:10:53 | 0:10:57 | |
Now, has Paul shed any light on this item? | 0:10:58 | 0:11:01 | |
Oil lamp. Oh, yeah. Very attractive. | 0:11:01 | 0:11:04 | |
I would say dull as ditchwater, so why am I pointing it out to you? | 0:11:04 | 0:11:08 | |
Have a look at the shade. That's the Forth Bridge, isn't it? | 0:11:08 | 0:11:11 | |
It is. You're absolutely right. | 0:11:11 | 0:11:14 | |
You're a brave man. You see, that there, perfectly splendid, | 0:11:15 | 0:11:19 | |
but an etched shade, the Forth Bridge. | 0:11:19 | 0:11:23 | |
There's its dimensions. Length over 8,000 feet, | 0:11:23 | 0:11:27 | |
da-da-da-da-da, big span there. | 0:11:27 | 0:11:29 | |
The Forth Bridge was completed in about 1885... | 0:11:29 | 0:11:35 | |
..and, of course, is an engineering wonder of the world. Absolutely. | 0:11:36 | 0:11:40 | |
And this was clearly... Is it part of the original, Paul? | 0:11:40 | 0:11:44 | |
I have no doubt. That will date to the 1880s. This clearly does. | 0:11:44 | 0:11:48 | |
Er, etched. This is acid-etched. | 0:11:48 | 0:11:51 | |
No wheel-cutting, no handwork element to it. | 0:11:51 | 0:11:55 | |
Mass-produced, I daresay, as a commemorative, but, my word... | 0:11:55 | 0:12:00 | |
It's in good condition. It is. There's no damage. | 0:12:00 | 0:12:02 | |
There's no chips or marks. It would'nae bounce! | 0:12:02 | 0:12:05 | |
HE LAUGHS Shall we do some negotiation, | 0:12:05 | 0:12:08 | |
check it out? We're going to have to. | 0:12:08 | 0:12:10 | |
May we ask what price is this? It's ?280, that one. | 0:12:10 | 0:12:13 | |
Oh! It's an expensive one. Sorry. | 0:12:13 | 0:12:16 | |
Yeah, OK. It's a nice bit. | 0:12:16 | 0:12:19 | |
What would be your very best on it? My very best on it would be 220. | 0:12:19 | 0:12:24 | |
Leaves me a little profit. | 0:12:24 | 0:12:26 | |
Appreciate it. Right, I think we're out of our league, aren't we? | 0:12:26 | 0:12:29 | |
Little bit. Little bit. | 0:12:29 | 0:12:32 | |
Ah! 220 would leave only ?30 for the last item and the bonus buy, | 0:12:32 | 0:12:37 | |
so keep looking, Reds. | 0:12:37 | 0:12:39 | |
Yeah. Keep that stride looking buoyant, OK? Yeah. Yeah. | 0:12:39 | 0:12:43 | |
Yep, step up the pace, Blues. Two items still to buy, | 0:12:43 | 0:12:47 | |
and 30 minutes left on the clock. | 0:12:47 | 0:12:50 | |
Paul's found coffee spoons with something special for Tony. | 0:12:51 | 0:12:55 | |
What's that? What is that? | 0:12:55 | 0:12:57 | |
You tell me, Mr Classic Car! That's a grille of a car. | 0:12:57 | 0:13:01 | |
It's a radiator grille! If you look underneath the enamel... | 0:13:01 | 0:13:05 | |
Yeah. I see. It's a grille. That's a grille. | 0:13:05 | 0:13:07 | |
Yeah, it's a grille. You see it? I do indeed. | 0:13:07 | 0:13:11 | |
Decadence! Inter-war years. | 0:13:11 | 0:13:14 | |
This is Bentley-owner territory. How much do you like them, now, Tony? | 0:13:14 | 0:13:19 | |
They're very nice. You'd prefer it if there was oil and grease on them? | 0:13:19 | 0:13:23 | |
THEY LAUGH Yeah. | 0:13:23 | 0:13:26 | |
You'd prefer it if it WAS a radiator grille off an old Wolseley. | 0:13:26 | 0:13:30 | |
Well, it's colourful and so forth, but we're very tight on our budget. | 0:13:30 | 0:13:34 | |
45, we could shake on it. Under the hammer, | 0:13:34 | 0:13:36 | |
60 quid is going to nail it, and that's my top estimate. | 0:13:36 | 0:13:40 | |
At 40 we'll buy. If we can't, we'll look elsewhere. | 0:13:40 | 0:13:43 | |
I need 45. Can we split the difference? | 0:13:43 | 0:13:45 | |
Is it 42, and the deal's done? 43, and it's done. | 0:13:47 | 0:13:50 | |
Right. HE LAUGHS | 0:13:50 | 0:13:53 | |
That old Blarney Stone's good for business, you know. Good stuff! | 0:13:53 | 0:13:56 | |
Well done, Reds. Two items in the old bag. | 0:13:56 | 0:13:59 | |
Charles has also spotted spoons. Look at that tablespoon there! | 0:13:59 | 0:14:03 | |
Dumfries. James and Archibald Dalziel, 750. | 0:14:03 | 0:14:07 | |
It's out of our price range. | 0:14:07 | 0:14:10 | |
And the Reds have come up with a plan. | 0:14:10 | 0:14:13 | |
I'd be interested in finding something Scottish, | 0:14:13 | 0:14:16 | |
uniquely Scottish, with good Scottish tradition and heritage | 0:14:16 | 0:14:19 | |
and something that's going to make people go, | 0:14:19 | 0:14:22 | |
"I want a part of that." There's me! | 0:14:22 | 0:14:24 | |
No, Rohan, selling your expert is not an option. | 0:14:24 | 0:14:28 | |
The Blues, though, are hot on the heels of the Reds at the same stall, | 0:14:28 | 0:14:32 | |
but this time it's Art Nouveau jewellery they're after. | 0:14:32 | 0:14:35 | |
Oh, that's gorgeous. Nine-carat gold, Edwardian pendant, | 0:14:35 | 0:14:39 | |
aquamarine, | 0:14:39 | 0:14:41 | |
with tiny seed pearls. | 0:14:41 | 0:14:44 | |
The sinuous lines of the Art Nouveau. Let it talk to you. | 0:14:44 | 0:14:49 | |
It's speaking, and it's speaking ?140. | 0:14:49 | 0:14:52 | |
What's the best price? To yourself, I could do it for 130. | 0:14:52 | 0:14:56 | |
130? No, no. No. 110. | 0:14:56 | 0:14:58 | |
110. Keep going. 110. Sorry, no. No. | 0:14:58 | 0:15:01 | |
I'm cutting my throat here. 110. | 0:15:01 | 0:15:04 | |
110. Don't cut your throat for 110. | 0:15:04 | 0:15:06 | |
Cut your throat for 90. 90? Yeah. OK. | 0:15:06 | 0:15:09 | |
What about 100? How about 95? Meet in the middle. 95. | 0:15:09 | 0:15:12 | |
Hold on. Hold on, please. Just next door to it, | 0:15:12 | 0:15:16 | |
I love that photo frame. | 0:15:16 | 0:15:18 | |
Ooh! Is Charles after a double deal? | 0:15:18 | 0:15:21 | |
It first of all has got the enamel inlay, | 0:15:21 | 0:15:24 | |
second, it's got those sinuous lines again of the Art Nouveau. | 0:15:24 | 0:15:29 | |
Wouldn't your girlfriend love this? No. | 0:15:29 | 0:15:32 | |
David, let me try it again. Wouldn't your girlfriend love this? | 0:15:32 | 0:15:35 | |
No. Definitely not. Can I just stop you there, Charles? | 0:15:35 | 0:15:39 | |
As his girlfriend is my daughter... Oh, yeah. | 0:15:39 | 0:15:41 | |
..I'm seeing Amy and David. They're together forever, eh? | 0:15:41 | 0:15:46 | |
It's silver. It's a sheet metal. | 0:15:46 | 0:15:48 | |
The enamel is in good condition. | 0:15:48 | 0:15:51 | |
The easel back, the strut back, is fine. It's original. | 0:15:51 | 0:15:54 | |
It's ebonised pine back. | 0:15:54 | 0:15:56 | |
But...it needs to be the right money. | 0:15:56 | 0:16:00 | |
Because I love it, but we mustn't get carried away, must we? No. | 0:16:00 | 0:16:03 | |
Love can get us carried away, can't it, love can. Definitely. | 0:16:03 | 0:16:06 | |
We need to think price. 240 on the tag. | 0:16:06 | 0:16:09 | |
That's a lot of money. I tell you what I could do it for. | 0:16:09 | 0:16:12 | |
Go on. I could do it for 170. | 0:16:12 | 0:16:15 | |
In the perfect world, if that came into my saleroom, | 0:16:15 | 0:16:19 | |
I would guide it one to 150. Right? | 0:16:19 | 0:16:22 | |
So it just about kills it at 170. | 0:16:22 | 0:16:25 | |
The absolute death, please. Absolute death... | 0:16:25 | 0:16:28 | |
Look at me. 145. Oh, my God! Don't. That's too close. | 0:16:28 | 0:16:32 | |
I can understand the hesitation. | 0:16:32 | 0:16:34 | |
It's a lot of money for a little frame. | 0:16:34 | 0:16:37 | |
The Reds are also on the fence with their Victorian brass oil lamp. | 0:16:37 | 0:16:42 | |
It's a big gamble. Yeah. | 0:16:42 | 0:16:44 | |
At 150, I'd be saying you're there or thereabouts. | 0:16:44 | 0:16:47 | |
Is it worth having a go for 120? I'll be pleasantly surprised if he does. | 0:16:47 | 0:16:51 | |
Well, we'll try and surprise him. HE LAUGHS | 0:16:51 | 0:16:53 | |
It's crunch time for the Blues. Ten minutes to go, two items to buy. | 0:16:53 | 0:16:58 | |
Let's hope Charles has a plan. | 0:16:58 | 0:17:00 | |
If I said to you, "What's the absolute best price | 0:17:00 | 0:17:03 | |
if I bought the two together"... | 0:17:03 | 0:17:06 | |
Hmm... 220. | 0:17:06 | 0:17:08 | |
If he was to go in at ?200, I would almost snap his hand off. But... | 0:17:08 | 0:17:14 | |
We'll both snap your hand off for ?200. | 0:17:14 | 0:17:17 | |
Seriously, I couldn't. I need the 220. | 0:17:17 | 0:17:20 | |
How's about 210? And it's... Meet you halfway. | 0:17:20 | 0:17:24 | |
Here to be sold. 210. | 0:17:24 | 0:17:27 | |
Sounds like a good deal to me. What you going to do, Blues? | 0:17:27 | 0:17:30 | |
I think... 210. We're agreed. | 0:17:30 | 0:17:33 | |
Shake his hand, and I'll say, "Going once, going twice. Sold!" | 0:17:33 | 0:17:37 | |
Now, has Rohan managed to get the lamp down from ?220? | 0:17:37 | 0:17:42 | |
We'll do 180 for you, to try and give you a break. | 0:17:44 | 0:17:48 | |
I think we'll leave it. It probably would be a little bit too much. | 0:17:48 | 0:17:51 | |
I think he's playing hard to get! This is nail-biting stuff. | 0:17:51 | 0:17:56 | |
Definitely can't twist your arm? 170, and I'm losing... | 0:17:56 | 0:18:00 | |
Shall we go 150, and if I can persuade the father... | 0:18:00 | 0:18:03 | |
That's the price. That's the right price. | 0:18:03 | 0:18:05 | |
It's killing me at 170. My heart's bleeding, too! | 0:18:05 | 0:18:08 | |
HE LAUGHS | 0:18:08 | 0:18:10 | |
I tell you what - 150, and I'd be delighted to shake your hand. | 0:18:10 | 0:18:14 | |
165. Split the difference. Take it away. | 0:18:14 | 0:18:17 | |
OK. 160 is the deal, and the deal is done. | 0:18:17 | 0:18:19 | |
165. 160 and we're away. We're out. | 0:18:19 | 0:18:22 | |
160. We have a deal at 160? | 0:18:22 | 0:18:24 | |
OK. OK. You're a very, very decent man. | 0:18:24 | 0:18:27 | |
That's brilliant. Thank you. Appreciate it. | 0:18:27 | 0:18:29 | |
That's it! The story's over. | 0:18:30 | 0:18:33 | |
Time's up. Let's check out what the Red Team bought, eh? | 0:18:33 | 0:18:36 | |
The set of six Edwardian silver buttons were a bargain | 0:18:36 | 0:18:40 | |
at less than half price. ?50 paid. | 0:18:40 | 0:18:43 | |
Rohan made his dad's day, splashing out ?43 on six silver coffee spoons | 0:18:43 | 0:18:47 | |
in the style of a car-radiator grille. | 0:18:47 | 0:18:50 | |
And hard haggling won them a Victorian brass oil lamp | 0:18:50 | 0:18:55 | |
for just ?160. | 0:18:55 | 0:18:57 | |
How much did you spend? ?253. | 0:18:57 | 0:19:00 | |
Yes! That's a proper amount. 253... I'd like 47, please, | 0:19:00 | 0:19:04 | |
leftover lolly. There you go. All there. | 0:19:04 | 0:19:06 | |
47 smackers. So, Paul, something Scottish you're going to go for? | 0:19:06 | 0:19:11 | |
Yeah, well, I think we've done the Scots proud | 0:19:11 | 0:19:14 | |
with our purchases thus far. I think so too. | 0:19:14 | 0:19:17 | |
So could be finishing up with something Scottish in the bonus buy? | 0:19:17 | 0:19:21 | |
I would love to. OK, fine. | 0:19:21 | 0:19:23 | |
We'll find out about that in a moment. You guys enjoy yourselves. | 0:19:23 | 0:19:26 | |
We're going to check out what the Blue Team bought, aren't we? | 0:19:26 | 0:19:30 | |
The Blues opened the door with a Victorian oak and bronzed iron lock, | 0:19:30 | 0:19:34 | |
with key, for ?15. | 0:19:34 | 0:19:36 | |
They traded ?210 for two examples of Art Nouveau, | 0:19:36 | 0:19:40 | |
a classic drop pendant with gemstones and seed pearls for ?90, | 0:19:40 | 0:19:44 | |
and a silver-and-enamel photo frame for ?120. | 0:19:44 | 0:19:50 | |
What did you spend between you? We spent 225. | 0:19:50 | 0:19:54 | |
That is a monster amount of money. I'm very pleased about that. | 0:19:54 | 0:19:58 | |
?75 of leftover lolly, then, please. Who's got that? There you go. | 0:19:58 | 0:20:02 | |
Thank you. Hand that straight over to Carlos. Thank you, Tim. | 0:20:02 | 0:20:05 | |
The big question on the tip of the nation's tongue is, | 0:20:05 | 0:20:08 | |
what is the man going to go and buy? Got any ideas? | 0:20:08 | 0:20:11 | |
Tim, I want to go historical. I want to go unique, | 0:20:11 | 0:20:15 | |
and I want to take away one big memory for the whole lot. | 0:20:15 | 0:20:19 | |
Well, with that big mission I leave you to it, mate, | 0:20:19 | 0:20:22 | |
and have a nice cup of tea, chaps. | 0:20:22 | 0:20:24 | |
And now I'm leaving Edinburgh behind for border country, | 0:20:26 | 0:20:30 | |
and one of Scotland's architectural gems. | 0:20:30 | 0:20:33 | |
If you didn't already know, you'd be forgiven for believing | 0:20:33 | 0:20:36 | |
that this glorious neo-Gothic mansion | 0:20:36 | 0:20:38 | |
was built on the fortune of a noble aristocrat, | 0:20:38 | 0:20:42 | |
or a tycoon of trade and industry. It might surprise you to discover | 0:20:42 | 0:20:46 | |
that it was all paid for by the powerful imagination | 0:20:46 | 0:20:50 | |
of one poet and novelist. | 0:20:50 | 0:20:52 | |
It was, of course, the home of Sir Walter Scott, | 0:20:52 | 0:20:56 | |
the most popular writer of the entire 19th century, worldwide, | 0:20:56 | 0:21:03 | |
and author of such popular classics as Ivanhoe, Waverley and Rob Roy. | 0:21:03 | 0:21:10 | |
Scott was in his 20s | 0:21:10 | 0:21:12 | |
when he began penning popular romantic poetry | 0:21:12 | 0:21:14 | |
about Scotland's past, | 0:21:14 | 0:21:17 | |
so popular it sold hundreds upon thousands of copies, | 0:21:17 | 0:21:21 | |
and Scott soon had enough money to build his own dream home, | 0:21:21 | 0:21:25 | |
Abbotsford. He called it "a romance in stone and lime", | 0:21:25 | 0:21:29 | |
and you'll see why. Like one of his historical novels, | 0:21:29 | 0:21:33 | |
Scott's castle is part fact and part fiction. | 0:21:33 | 0:21:36 | |
Abbotsford is the most extraordinary mixture | 0:21:36 | 0:21:40 | |
of architectural salvage and artifice, | 0:21:40 | 0:21:45 | |
and this entrance hall, for me, basically says it all. | 0:21:45 | 0:21:50 | |
Where's the artifice? Well, for a kick-off, | 0:21:50 | 0:21:53 | |
if you look up to the ceiling, | 0:21:53 | 0:21:55 | |
are all these beautiful moulded oak beams | 0:21:55 | 0:21:59 | |
with attached hammers and shields not 14th century? | 0:21:59 | 0:22:05 | |
Well, if you were suspicious, you'd be right, | 0:22:05 | 0:22:07 | |
because actually they're made of plaster of Paris | 0:22:07 | 0:22:10 | |
and horsehair and metal filaments, | 0:22:10 | 0:22:13 | |
which have been crafted and then painted with brown paint | 0:22:13 | 0:22:17 | |
and a graining tool. Then you add on a couple of hundred years | 0:22:17 | 0:22:21 | |
of candle-smoke and homemade gas lighting, | 0:22:21 | 0:22:25 | |
and that is the effect that we see today. | 0:22:25 | 0:22:28 | |
The oak panelling that surrounds the hall is salvage. | 0:22:28 | 0:22:32 | |
It came from the old kirk at Dunfermline. | 0:22:32 | 0:22:35 | |
Similarly, these two demilune protuberances here - | 0:22:35 | 0:22:39 | |
they are the precentor's desk from Dunfermline, | 0:22:39 | 0:22:43 | |
which has been chopped in half, | 0:22:43 | 0:22:45 | |
and then a socking slab of oak on the top | 0:22:45 | 0:22:48 | |
which now provides a suitable support | 0:22:48 | 0:22:51 | |
for a two-and-a-half-thousand-year- old lump of Roman Carrara marble. | 0:22:51 | 0:22:57 | |
The fireplace looks old, but it was made by Scott's stonemason | 0:22:57 | 0:23:02 | |
for this spot, and it's based on the abbot's seat at Melrose Abbey. | 0:23:02 | 0:23:07 | |
Inspired by his new fantastical surroundings at Abbotsford, | 0:23:08 | 0:23:13 | |
Scott began writing novels. | 0:23:13 | 0:23:15 | |
They were such a success, each one sold out | 0:23:15 | 0:23:19 | |
as soon as it hit the shelves. | 0:23:19 | 0:23:21 | |
As his fortune grew, so did Abbotsford. | 0:23:21 | 0:23:23 | |
In fact, over a decade, | 0:23:23 | 0:23:25 | |
the house was ten times its original size, | 0:23:25 | 0:23:29 | |
and filled to the brim with books, beautiful objects and curios. | 0:23:29 | 0:23:34 | |
The more you look around this extraordinary place, | 0:23:34 | 0:23:38 | |
the more you appreciate how expensive it must have been | 0:23:38 | 0:23:42 | |
to build with all these fancy fittings, and then maintain. | 0:23:42 | 0:23:46 | |
Indeed, as a result of the general crash in 1825, | 0:23:46 | 0:23:52 | |
Scott went bankrupt in 1826, | 0:23:52 | 0:23:55 | |
no doubt aggravated by the drain that Abbotsford had had | 0:23:55 | 0:24:00 | |
on his finances. | 0:24:00 | 0:24:02 | |
He resolved to wipe out his debts by writing - | 0:24:02 | 0:24:05 | |
by writing like crazy, and by writing at this desk. | 0:24:05 | 0:24:09 | |
Well, at least the chair looks comfy. | 0:24:09 | 0:24:12 | |
The hours that he must have spent at this Gillows desk, | 0:24:12 | 0:24:16 | |
churning out all those novels! | 0:24:16 | 0:24:19 | |
And on his desk, to this day, the Coutts chequebook, | 0:24:19 | 0:24:23 | |
a pair of silver spectacles, a pen wipe, | 0:24:23 | 0:24:26 | |
his quill, and even a wee penknife to sharpen the quill. | 0:24:26 | 0:24:31 | |
How brilliant is that? | 0:24:31 | 0:24:33 | |
Not half as sharp, I expect, | 0:24:33 | 0:24:36 | |
as our teams are going to prove to be today over at the auction. | 0:24:36 | 0:24:40 | |
Can you imagine a more delightful thing | 0:24:49 | 0:24:52 | |
than to visit Anita Manning at Great Western Auctions in Glasgow? | 0:24:52 | 0:24:55 | |
It's a treat, Anita. Welcome, Tim. It's lovely to have you here again. | 0:24:55 | 0:24:59 | |
Great to be back. Now, we've got some great gear today. | 0:24:59 | 0:25:02 | |
For the Reds, rather silvery, starting off with their buttons. | 0:25:02 | 0:25:06 | |
There are six of them, nicely hallmarked, in that later case, | 0:25:06 | 0:25:09 | |
and they paid ?50. ?50. That's not bad at all, | 0:25:09 | 0:25:13 | |
because these are beautiful quality, nice little things, | 0:25:13 | 0:25:17 | |
wonderful image, complete - six of them... Yeah. | 0:25:17 | 0:25:21 | |
..and in a nice little fitted box. | 0:25:21 | 0:25:23 | |
Don't you love the crispness of the casting? | 0:25:23 | 0:25:26 | |
That rococo casting is great, isn't it? | 0:25:26 | 0:25:29 | |
We have quality here. So, what's your estimate? | 0:25:29 | 0:25:32 | |
80 to 120. That's my girl! | 0:25:32 | 0:25:34 | |
You spotted it. Marvellous. | 0:25:34 | 0:25:37 | |
Next, six wee tea or coffee spoons, really Deco things, | 0:25:37 | 0:25:42 | |
and I don't go bonkers often about these cased sets of six spoons, | 0:25:42 | 0:25:46 | |
but these I think are really nice. They're absolutely lovely, | 0:25:46 | 0:25:50 | |
and I particularly love the enamelwork here on the end, | 0:25:50 | 0:25:53 | |
which looks like a little radiator grille! Yes. | 0:25:53 | 0:25:56 | |
So it's a delightful little set. | 0:25:56 | 0:26:00 | |
It's just the sort of thing you'd expect to find made in 1930 or '35, | 0:26:00 | 0:26:04 | |
isn't it? Very stylish. Bit like you. | 0:26:04 | 0:26:07 | |
How much? 40 to 80. | 0:26:07 | 0:26:09 | |
Good. ?43 paid. | 0:26:09 | 0:26:11 | |
And then back to something very traditional, | 0:26:11 | 0:26:14 | |
the oil table lamp. | 0:26:14 | 0:26:16 | |
What we see etched on the ball is the Forth Bridge, | 0:26:16 | 0:26:20 | |
and this is one of the iconic constructions, | 0:26:20 | 0:26:25 | |
one of the first cantilever bridges, first steel bridge... | 0:26:25 | 0:26:29 | |
It's a wonderful sight, | 0:26:29 | 0:26:31 | |
and I'm sure it will appeal to our Scottish buyers. | 0:26:31 | 0:26:34 | |
What's your estimate on that? Estimate, one to 150. | 0:26:34 | 0:26:38 | |
OK. ?160 paid, | 0:26:38 | 0:26:40 | |
so if there's anything that's going to make them crash and burn, | 0:26:40 | 0:26:43 | |
it'll be the lamp, so we'd better go and have a look at the bonus buy. | 0:26:43 | 0:26:48 | |
Now, Ro, Toto, this is the bonus-buy moment. OK. | 0:26:48 | 0:26:51 | |
I think I've bought you some obscure pieces here... OK. | 0:26:51 | 0:26:54 | |
..but profitable. OK? OK. | 0:26:54 | 0:26:57 | |
A goggle mask, | 0:26:57 | 0:26:59 | |
and it dates to 1910, 1920. OK. | 0:26:59 | 0:27:02 | |
And many a Royal Naval Air Service or RFC pilot wore such in the air, | 0:27:02 | 0:27:07 | |
called the Mark One goggle mask. OK. It's a great thing, | 0:27:07 | 0:27:11 | |
and it's worth ?30 to ?50 anywhere, any day. | 0:27:11 | 0:27:14 | |
On its own? OK. | 0:27:14 | 0:27:17 | |
However, this piece of old iron is a cosh, | 0:27:17 | 0:27:21 | |
a highly rare and evocative piece, | 0:27:21 | 0:27:24 | |
because this was issued to an SOE agent. | 0:27:24 | 0:27:29 | |
What's an SOE agent? Special Operations Executive. OK! | 0:27:29 | 0:27:32 | |
Yeah? These are British and Allied... | 0:27:32 | 0:27:36 | |
We can call them, you could term, "spies"... | 0:27:36 | 0:27:39 | |
Espionage. And they operate as espionage agents. | 0:27:39 | 0:27:43 | |
Right. They're reconnoitring and sabotaging enemy activity | 0:27:43 | 0:27:49 | |
in occupied and enemy territory. Extremely brave individuals | 0:27:49 | 0:27:54 | |
who put everything on the line for the Allied cause. | 0:27:54 | 0:27:59 | |
Including their lives. Indeed, and that's where this comes into play, | 0:27:59 | 0:28:03 | |
because this is a defensive weapon. | 0:28:03 | 0:28:05 | |
I'm blown away by the historical significance of it, | 0:28:05 | 0:28:08 | |
and I can imagine that would be of interest to buyers. | 0:28:08 | 0:28:11 | |
In any general sale, those have got to be worth ?100 to ?200. | 0:28:11 | 0:28:15 | |
Put them in a specialist environment, | 0:28:15 | 0:28:17 | |
or ask me to buy them, and I'm going to need a lot more than that. | 0:28:17 | 0:28:20 | |
It's obscure. Just got to hope the audiences out there recognises what we're looking at. | 0:28:20 | 0:28:24 | |
We don't normally feature weapons on Bargain Hunt, | 0:28:26 | 0:28:29 | |
but this was a unique and unusual find. | 0:28:29 | 0:28:31 | |
However, the items together cost ?50, | 0:28:31 | 0:28:34 | |
which was ?3 over the Red Team's leftover lolly, | 0:28:34 | 0:28:37 | |
so, after the auction, we'll take ?3 off the Red Team's final total. | 0:28:37 | 0:28:43 | |
Well, here we have a piece of aviation history. | 0:28:43 | 0:28:46 | |
Quite appealing, but they're not my style. | 0:28:46 | 0:28:50 | |
But the story behind this amazing Second World War cosh | 0:28:50 | 0:28:54 | |
is the Special Operations Executive, | 0:28:54 | 0:28:57 | |
and is it not supposed to be a bit of standard equipment | 0:28:57 | 0:29:01 | |
that a female spy would be issued with | 0:29:01 | 0:29:03 | |
when she's dropped behind lines? I believe that these are very rare. | 0:29:03 | 0:29:07 | |
I haven't seen one before. But isn't it extraordinary | 0:29:07 | 0:29:10 | |
that these brave men and women | 0:29:10 | 0:29:14 | |
would only have that as a form of defence? | 0:29:14 | 0:29:17 | |
Oh! I think it's amazing. And the hackneyed phrase, | 0:29:17 | 0:29:21 | |
"If only this object could talk"... | 0:29:21 | 0:29:23 | |
I know. ..is no more apt, really, | 0:29:23 | 0:29:26 | |
than with something of this type. | 0:29:26 | 0:29:28 | |
How easy do you think it will be to translate into cash? | 0:29:28 | 0:29:32 | |
I'd put ?60 to ?80. Well, we'll live in hope for that, Anita. | 0:29:32 | 0:29:35 | |
That's it now for the Reds. | 0:29:35 | 0:29:38 | |
Let's move on to the Blues, who have got something completely different. | 0:29:38 | 0:29:42 | |
And first of all is the oak and iron-bound lock plate. | 0:29:42 | 0:29:46 | |
It's rather attractive to look at. | 0:29:46 | 0:29:48 | |
One might even call it a little piece of sculpture. | 0:29:48 | 0:29:52 | |
You might do, mightn't you? It's evocative of the Victorian Gothic, | 0:29:52 | 0:29:56 | |
and you've got a key. That's the big thing for me. | 0:29:56 | 0:29:59 | |
So, what's your estimate, Anita? 40 to 80. Is it really? | 0:29:59 | 0:30:01 | |
Yes. Well, that's marvellous! Only paid the ?15. | 0:30:01 | 0:30:05 | |
A good buy. It certainly is. | 0:30:05 | 0:30:08 | |
And from the sublime to the ridiculous, size-wise anyway, | 0:30:08 | 0:30:11 | |
is the little pendant. You need a microscope to spot that one! | 0:30:11 | 0:30:15 | |
Yeah, but it's very typical | 0:30:15 | 0:30:17 | |
of these lovely turn-of-the-century Art Nouveau pendants, | 0:30:17 | 0:30:22 | |
and I think that they're very, very pretty. | 0:30:22 | 0:30:25 | |
With the seed pearls and other gemstones, this little one... | 0:30:25 | 0:30:28 | |
It's not an aquamarine but it's trying to be an aquamarine, | 0:30:28 | 0:30:32 | |
but it's a nice enough wee thing, | 0:30:32 | 0:30:34 | |
and I've found that this type of pendant | 0:30:34 | 0:30:37 | |
has become quite popular again. | 0:30:37 | 0:30:40 | |
Really? Oh, well, that's good. That's a nice tip. Yeah. | 0:30:40 | 0:30:43 | |
What is your estimate? 50 to 80. | 0:30:43 | 0:30:46 | |
?90 they paid, but you never know. | 0:30:46 | 0:30:48 | |
And lastly is this little duet frame. | 0:30:48 | 0:30:51 | |
It has a Glasgow-style look about it, and the buyers will like that. | 0:30:51 | 0:30:55 | |
But it may not be all that old. No. | 0:30:55 | 0:30:58 | |
Estimate-wise, what do you think? 60 to 80? OK. | 0:30:58 | 0:31:01 | |
Actually they paid ?120. It may be their comeuppance, | 0:31:01 | 0:31:04 | |
in which case they're going to need their bonus buy, | 0:31:04 | 0:31:07 | |
so let's go and have a look at it! | 0:31:07 | 0:31:10 | |
So, Dave, Dave, this is the moment! | 0:31:10 | 0:31:13 | |
You spent 225. You gave Charles ?75. Charles, what did you buy? | 0:31:13 | 0:31:17 | |
I spent the whole lot, Dave and Dave. I found this. | 0:31:17 | 0:31:21 | |
It's a very pretty embossed cigarette case | 0:31:21 | 0:31:23 | |
with these hounds on, but it's more the interior, Tim, | 0:31:23 | 0:31:26 | |
the inscription, which gives it a certain uniqueness, | 0:31:26 | 0:31:29 | |
because this is celebrating a ride on RMS Carmania in circa 1908. | 0:31:29 | 0:31:36 | |
It was to New York that this inscriber inscribed what's within, | 0:31:36 | 0:31:41 | |
and it's just got pedigree. It's got history. | 0:31:41 | 0:31:45 | |
It's got fascination, and it's rich. It's certainly got detail. | 0:31:45 | 0:31:49 | |
It's got dogs on, as well. It's got dogs on, yeah. | 0:31:49 | 0:31:52 | |
This man who scratched this on, Charles, | 0:31:52 | 0:31:54 | |
is a bit of an artist in his own right, isn't he, | 0:31:54 | 0:31:58 | |
cos that scratching's quite naive. | 0:31:58 | 0:32:00 | |
He's sat on deck during the voyage and done this, hasn't he? | 0:32:00 | 0:32:03 | |
Absolutely, Tim. And "Liverpool to New York." | 0:32:03 | 0:32:06 | |
"Distance cannot sever. True friends are linked forever." | 0:32:06 | 0:32:12 | |
Buyers will get emotive, and I would hope, in a wholesale auction, | 0:32:12 | 0:32:16 | |
it's going to make between 80 and 120. | 0:32:16 | 0:32:20 | |
What do you think, Dave Jr? It's beautiful. | 0:32:20 | 0:32:22 | |
It's a great story. It's heartfelt. Well, you don't have to take it. | 0:32:22 | 0:32:26 | |
It all depends on where you are at that moment in the auction. | 0:32:26 | 0:32:30 | |
But now, for the viewers at home, | 0:32:30 | 0:32:32 | |
let's find out whether Anita Manning's going to burst into tears. | 0:32:32 | 0:32:36 | |
Well, this is an unusual cigarette case, isn't it? | 0:32:37 | 0:32:40 | |
I quite like it. On the front we have this hunting scene here, | 0:32:40 | 0:32:43 | |
which is always popular, but what I like most about this | 0:32:43 | 0:32:47 | |
is the inscription. | 0:32:47 | 0:32:49 | |
The engraving was done by an amateur on a voyage. | 0:32:49 | 0:32:53 | |
Well, it looks like that. It doesn't look like a professional engraving. | 0:32:53 | 0:32:56 | |
And I might be a bit soppy, but that endears it to me even more. | 0:32:56 | 0:33:02 | |
Me, too. So, how do you rate it price-wise as Charles's bonus buy? | 0:33:02 | 0:33:06 | |
45 to 60. Do you? He paid ?75. | 0:33:06 | 0:33:09 | |
I fancy you might have been a bit... A wee bit mean? | 0:33:09 | 0:33:12 | |
..unromantic about your estimate, do you think? | 0:33:12 | 0:33:15 | |
I might have, but I'll try hard with this one. | 0:33:15 | 0:33:18 | |
200. 210. 220. | 0:33:18 | 0:33:21 | |
220 at the back. 230. | 0:33:21 | 0:33:23 | |
Now, Ro, Toto, are you excited? Absolutely, yes. | 0:33:23 | 0:33:27 | |
First up are the six buttons, and here they come. | 0:33:27 | 0:33:30 | |
Lot 95 is the cased set of six Art Nouveau silver buttons | 0:33:30 | 0:33:35 | |
made by S Blackensee of Birmingham, and they are 1902, | 0:33:35 | 0:33:40 | |
height of the Art Nouveau movement. | 0:33:40 | 0:33:42 | |
Start me at ?50. 50 bid. | 0:33:42 | 0:33:45 | |
Any advance? 60. | 0:33:45 | 0:33:47 | |
70. Well done. You're in profit. Any advance on 70? | 0:33:47 | 0:33:51 | |
Any advance on ?70? All done at ?70? | 0:33:51 | 0:33:54 | |
?70. That's plus ?20. That'll do us. | 0:33:54 | 0:33:57 | |
We'll bank that, thank you. Now the teaspoons. | 0:33:57 | 0:34:00 | |
Don't you just love this lot? | 0:34:00 | 0:34:02 | |
It's a case set of six Art Deco silvered enamel spoons, | 0:34:02 | 0:34:08 | |
Birmingham 1932. | 0:34:08 | 0:34:10 | |
?100. 100. That would be nice. | 0:34:10 | 0:34:14 | |
?50. She's optimistic. | 0:34:14 | 0:34:16 | |
?50. 50 with the lady. | 0:34:16 | 0:34:18 | |
A lady of style, who likes the Art Deco period. | 0:34:18 | 0:34:22 | |
Any advance on ?50? | 0:34:22 | 0:34:24 | |
60. That's it. Keep going, folks. | 0:34:24 | 0:34:27 | |
?60. 65. | 0:34:27 | 0:34:29 | |
70. 75. | 0:34:29 | 0:34:31 | |
80. 85. | 0:34:31 | 0:34:34 | |
90. | 0:34:34 | 0:34:36 | |
Look at this, boys! A hundred! | 0:34:36 | 0:34:39 | |
THEY LAUGH A hundred for them would be good! | 0:34:39 | 0:34:43 | |
110! You've got competition, madam! | 0:34:43 | 0:34:46 | |
110. | 0:34:46 | 0:34:48 | |
120. They're slugging it out. | 0:34:48 | 0:34:51 | |
Absolutely. 130. It's going on. | 0:34:51 | 0:34:53 | |
Gentleman at 130. Determined at 130. | 0:34:53 | 0:34:56 | |
All done at 130? 130. | 0:34:56 | 0:35:00 | |
Well done, sir. Well done, sir. Well done. | 0:35:00 | 0:35:02 | |
That's 57 plus 30, is ?87 profit. Do you like cars? | 0:35:02 | 0:35:06 | |
That is amazing. You are plus 107. | 0:35:06 | 0:35:10 | |
Now, what about this oil lamp? Here we go. | 0:35:10 | 0:35:13 | |
The Victorian brass oil lamp and the etched-glass shade, | 0:35:13 | 0:35:17 | |
which is commemorating one of the iconic sights of Scotland, | 0:35:17 | 0:35:22 | |
the Forth Bridge. | 0:35:22 | 0:35:24 | |
And I can start the bidding at ?100. | 0:35:24 | 0:35:28 | |
110. 120 with the book. 130. Go on. Keep going. | 0:35:28 | 0:35:33 | |
140. 140. | 0:35:33 | 0:35:36 | |
It's on the books at 140. 150, fresh bidder. | 0:35:36 | 0:35:40 | |
160 with me. Yes! 170, I'm at. | 0:35:40 | 0:35:43 | |
Well... Any advance on 170? | 0:35:43 | 0:35:46 | |
All done at 170? 170... | 0:35:46 | 0:35:50 | |
170! You jammy man. Anyway, that's plus ten. | 0:35:50 | 0:35:54 | |
You made ?117. That's absolutely marvellous. | 0:35:54 | 0:35:56 | |
You got a profit on each item. Absolutely marvellous. | 0:35:56 | 0:35:59 | |
Now, what you going to do? You going to go with the SOE cosh? | 0:35:59 | 0:36:03 | |
I'd say go for it. We'll give it a chance. | 0:36:03 | 0:36:06 | |
We'll give it a go. Your decision's made. | 0:36:06 | 0:36:09 | |
We're going with the bonus buy. Anita's estimate was ?60 to ?80. | 0:36:09 | 0:36:11 | |
Here it comes. | 0:36:11 | 0:36:13 | |
The pair of, er, early flying goggles | 0:36:13 | 0:36:16 | |
and Special Operations Executive's cosh. Can we say ?80? | 0:36:16 | 0:36:22 | |
80? 60? Start me at ?20. 20 bid. | 0:36:22 | 0:36:25 | |
30. 40. 50. | 0:36:25 | 0:36:28 | |
50 with the lady. 60, fresh bidder. | 0:36:28 | 0:36:31 | |
70. 80. 90. | 0:36:31 | 0:36:34 | |
Come on... Lady at ?90. | 0:36:34 | 0:36:36 | |
100, fresh bidder again. Any advance on 100? | 0:36:36 | 0:36:39 | |
All done at 100? 100... | 0:36:39 | 0:36:42 | |
?100, we're sold. That is superb. | 0:36:42 | 0:36:45 | |
Well done, Paul. Thank you, Paul. Thank you, indeed. | 0:36:45 | 0:36:48 | |
Thanks, Paul. Cheers, mate. That could be a winning score. | 0:36:48 | 0:36:51 | |
We can't work it out yet, but don't tell the Blues a thing. | 0:36:51 | 0:36:55 | |
OK. Absolutely. | 0:36:55 | 0:36:57 | |
'So, the Reds made an amazing total of ?167, | 0:36:57 | 0:37:01 | |
'which includes taking off the ?3 that was overspent | 0:37:01 | 0:37:05 | |
'on Paul's bonus buy.' | 0:37:05 | 0:37:07 | |
First up for you guys is your lock plate. You paid ?15 for that. | 0:37:07 | 0:37:11 | |
Anita Manning has reckoned it at ?40 to ?80. Wow! | 0:37:11 | 0:37:14 | |
Which is a pretty good turn on ?15, if she's right. Here we go, then. | 0:37:14 | 0:37:18 | |
Lot 117 is a Victorian oak and bronzed-iron plate door lock, | 0:37:18 | 0:37:25 | |
with key, ladies and gentlemen. | 0:37:25 | 0:37:28 | |
Now, no home should be without one of these. | 0:37:28 | 0:37:32 | |
Will you start me at ?50? Start me at 30. | 0:37:32 | 0:37:35 | |
30 bid. Double your money. Got it. | 0:37:35 | 0:37:37 | |
Doubled your money. 40. 50. | 0:37:37 | 0:37:40 | |
?50. Good lad! | 0:37:40 | 0:37:43 | |
?50. 55, fresh bidder, and the book's out as well. | 0:37:43 | 0:37:48 | |
Any advance on 55? It's good, this! | 0:37:48 | 0:37:52 | |
All done at 55. 55... | 0:37:52 | 0:37:56 | |
Marvellous! Well done! Superb. | 0:37:56 | 0:37:59 | |
You just made ?40. ?40, just like that! | 0:37:59 | 0:38:03 | |
You've unlocked ?40. Fantastic, Tim. | 0:38:03 | 0:38:06 | |
118, ladies and gentlemen, | 0:38:06 | 0:38:08 | |
is this classic gold Art Nouveau pendant with drop. | 0:38:08 | 0:38:13 | |
Can we say 100? | 0:38:13 | 0:38:16 | |
?100? Come on! | 0:38:16 | 0:38:18 | |
Start me at ?50, then. 50 bid. | 0:38:18 | 0:38:20 | |
60. 70. | 0:38:20 | 0:38:22 | |
80. 90. Yes! | 0:38:22 | 0:38:24 | |
100. We're in business. Yes, we're in profit. | 0:38:24 | 0:38:27 | |
Any advance on 100? All done at 100? 100... | 0:38:27 | 0:38:33 | |
Yes! ?100 is plus ?10. | 0:38:33 | 0:38:35 | |
Plus 50. That's good. ?50 up. Now the photo frame. | 0:38:35 | 0:38:40 | |
It's the Art Nouveau sterling- silver-and-enamel duet frame. | 0:38:40 | 0:38:45 | |
You can put your husband in one side and your boyfriend in the other side. | 0:38:45 | 0:38:49 | |
THEY LAUGH | 0:38:49 | 0:38:51 | |
It's a lovely wee piece, in Glasgow style, ladies and gentlemen. | 0:38:52 | 0:38:56 | |
Start me at ?50. No. Come on. 50 bid. | 0:38:56 | 0:38:59 | |
It's with you, sir, at 50. Come on. Let's go. | 0:38:59 | 0:39:01 | |
Any advance on 50? 60. 70. 80. | 0:39:01 | 0:39:04 | |
One more. 90. 100. | 0:39:04 | 0:39:07 | |
One more! ?100. | 0:39:07 | 0:39:09 | |
110 on the phone. Come on! On the phone bid! | 0:39:09 | 0:39:13 | |
120, still in. 130. | 0:39:13 | 0:39:15 | |
You're in profit. Well done, Dave. Well done. | 0:39:15 | 0:39:19 | |
140. 150. | 0:39:19 | 0:39:22 | |
Any advance on 150? Yes! Over there! 160, fresh bidder. | 0:39:22 | 0:39:26 | |
?160. | 0:39:26 | 0:39:28 | |
The phone's out. Any advance on ?160? | 0:39:29 | 0:39:34 | |
Well, I'm blowed! All done at 160. | 0:39:34 | 0:39:36 | |
160... | 0:39:36 | 0:39:38 | |
Plus ?40. That is fantastic. No trouble, boys. | 0:39:38 | 0:39:41 | |
Overall, you are plus ?90, no trouble at all. | 0:39:41 | 0:39:45 | |
What about the fag case? Are you going to go with it? | 0:39:45 | 0:39:48 | |
My head says no. My heart says yes, but the head overrules the heart. | 0:39:48 | 0:39:52 | |
We're in profit. What do you think, Dave? | 0:39:52 | 0:39:54 | |
Yes or no? Everything else sold well, so... | 0:39:54 | 0:39:56 | |
Let's go for it. Let's go for it. We're going to go for it. | 0:39:56 | 0:39:59 | |
We're going to go for it. Yes? Yes. | 0:39:59 | 0:40:02 | |
It's the continental white-metal cigarette case, | 0:40:02 | 0:40:06 | |
and inside, you have this beautiful motto - | 0:40:06 | 0:40:09 | |
"Distance cannot sever. True friends are linked forever." | 0:40:09 | 0:40:14 | |
Now, isn't that beautiful? Do I have you bursting into floods of tears? | 0:40:14 | 0:40:18 | |
TIM SOBS | 0:40:18 | 0:40:21 | |
Fallen in love. Fallen in love, and exchanged gifts. | 0:40:21 | 0:40:26 | |
TIM SOBS LOUDLY | 0:40:26 | 0:40:29 | |
THEY LAUGH | 0:40:29 | 0:40:31 | |
What can we say? Will you start me at ?50? | 0:40:31 | 0:40:35 | |
50 bid. 60. | 0:40:35 | 0:40:37 | |
Keep going, sir. One more. 60 on the floor. | 0:40:37 | 0:40:40 | |
70. | 0:40:40 | 0:40:41 | |
80. 90. | 0:40:41 | 0:40:43 | |
You're in profit, Charles. Well done, Charles. Well done. | 0:40:43 | 0:40:47 | |
100 with me. 100. | 0:40:47 | 0:40:50 | |
110. Yes! | 0:40:50 | 0:40:52 | |
110, fresh bidder. 120 on the books. | 0:40:52 | 0:40:56 | |
Any advance on 120? All done at 120? | 0:40:56 | 0:41:01 | |
120... | 0:41:01 | 0:41:03 | |
Yes! 120. Well done, Charles. | 0:41:03 | 0:41:06 | |
Well done, Charles. Had faith in the man! | 0:41:06 | 0:41:10 | |
Your faith was not misplaced. | 0:41:10 | 0:41:12 | |
You are plus ?135, just like that. Plus 135. Amazing. | 0:41:12 | 0:41:18 | |
That's pretty cool, isn't it? | 0:41:18 | 0:41:20 | |
Well, I don't know when I've seen such a group of lads | 0:41:27 | 0:41:30 | |
all looking so incredibly happy, | 0:41:30 | 0:41:33 | |
because each of our players and experts | 0:41:33 | 0:41:35 | |
think that they're going to win today. | 0:41:35 | 0:41:37 | |
Well, I can tell you that both teams have done extraordinarily well! | 0:41:37 | 0:41:41 | |
Both teams have made profits in excess of ?100. | 0:41:41 | 0:41:45 | |
Both teams are going to be entitled to golden gavels, | 0:41:45 | 0:41:50 | |
because they've made profits on all three of the items | 0:41:50 | 0:41:53 | |
they shopped for. | 0:41:53 | 0:41:56 | |
And the team that are the runners-up today are the Blues. | 0:41:56 | 0:41:59 | |
THEY GROAN | 0:41:59 | 0:42:02 | |
Oh, no! Bad luck, Blues. | 0:42:02 | 0:42:04 | |
You're going to have ?135 to go home with, | 0:42:04 | 0:42:07 | |
which is really, really hot, Dave and Dave, | 0:42:07 | 0:42:11 | |
and you're going to get your golden gavel to go with it. | 0:42:11 | 0:42:14 | |
There's your golden gavel. Well done, Dave. Thank you. | 0:42:14 | 0:42:17 | |
There we go. That's marvellous. Have you had a good time? | 0:42:17 | 0:42:20 | |
Brilliant. Absolutely magic. We have loved having you on the show. | 0:42:20 | 0:42:23 | |
Well done, chaps. Thanks very much, Tim. | 0:42:23 | 0:42:25 | |
But the victors today, the Red Team. You must be pleased with that. | 0:42:25 | 0:42:30 | |
I am indeed, very much so. I think to make ?87 | 0:42:30 | 0:42:33 | |
on those Art Deco colourful coffee spoons was extraordinary. | 0:42:33 | 0:42:36 | |
I have to say, it was down to Paul. Paul noticed them, and he gave us great advice. | 0:42:36 | 0:42:40 | |
Here's your golden gavel. Thank you very much. | 0:42:40 | 0:42:42 | |
Thank you, Tim. Well done. Excellent. | 0:42:42 | 0:42:46 | |
So, everybody's happy, yes? Absolutely. | 0:42:46 | 0:42:48 | |
We've had a great time. In fact, it's been so great, | 0:42:48 | 0:42:50 | |
why don't you join us soon for some more bargain-hunting, yes? | 0:42:50 | 0:42:54 | |
ALL: Yes! | 0:42:54 | 0:42:55 | |
I know you're thinking, "I could have done better than that!" | 0:42:55 | 0:43:00 | |
Well, what's stopping you? | 0:43:00 | 0:43:02 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:02 | 0:43:06 | |
It'll be splendid to see you. | 0:43:06 | 0:43:09 | |
Subtitles by Red Bee Media Ltd | 0:43:09 | 0:43:13 | |
E-mail [email protected] | 0:43:13 | 0:43:17 | |
. | 0:43:17 | 0:43:17 |