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Today's show is set amidst the neoclassical splendour | 0:00:07 | 0:00:10 | |
of Kedleston Hall in Derbyshire, | 0:00:10 | 0:00:14 | |
amidst its hundreds of acres of splendid park. | 0:00:14 | 0:00:18 | |
So...let's go bargain-hunting! Yeah! | 0:00:18 | 0:00:22 | |
Lord Curzon of Kedleston Hall | 0:00:47 | 0:00:50 | |
loved to collect treasures from the length and breadth | 0:00:50 | 0:00:54 | |
of Asia, as he travelled about when Viceroy of India at the end of the 19th century. | 0:00:54 | 0:01:01 | |
Today's teams get their chance to find three treasures | 0:01:01 | 0:01:06 | |
here in the antiques fair. | 0:01:06 | 0:01:09 | |
Let's take a quick squint at them | 0:01:09 | 0:01:12 | |
as they set about their journey. | 0:01:12 | 0:01:14 | |
On the show today, the Reds play the blame game. | 0:01:14 | 0:01:17 | |
If this goes horribly wrong, you can blame me! | 0:01:17 | 0:01:21 | |
Whilst the Blues get stuck in a time warp. | 0:01:21 | 0:01:24 | |
Are you actually going to get out of the 20th century? | 0:01:24 | 0:01:26 | |
But will auction excitement equal earnings? | 0:01:26 | 0:01:29 | |
-NO! -Yes! | 0:01:29 | 0:01:31 | |
Before all that, let's meet the teams. | 0:01:31 | 0:01:34 | |
On the programme today we've got two teams of mothers and daughters. | 0:01:34 | 0:01:38 | |
Some mothers do 'ave 'em! | 0:01:38 | 0:01:40 | |
Anita and Kate for the Reds | 0:01:40 | 0:01:42 | |
and Angela and Olivia for the Blues. | 0:01:42 | 0:01:45 | |
-Hello, everyone! -ALL: Hello! | 0:01:45 | 0:01:47 | |
-Lovely to see you. Anita, you're no stranger to competition. -No. | 0:01:47 | 0:01:51 | |
-Why would that be? -Because we show cattle. -Do you? | 0:01:51 | 0:01:53 | |
-Any particular type? -British Blondes. -What's the matter with the brunettes? | 0:01:53 | 0:01:57 | |
-Nothing's the matter with the brunettes, but the blondes are better! -Are they? -Yes! | 0:01:57 | 0:02:01 | |
-And because they're special cows, you stay up half the night looking at them. -Yes. | 0:02:01 | 0:02:05 | |
We have CCTV set up so we can watch the cows when they're calving | 0:02:05 | 0:02:09 | |
and if they need help, we can get up. | 0:02:09 | 0:02:12 | |
That's quite something! | 0:02:12 | 0:02:13 | |
-It is. -24 hours a day, you're carrying out surveillance. | 0:02:13 | 0:02:17 | |
-Absolutely. -So you show them, and that is a competitive business. | 0:02:17 | 0:02:20 | |
-Very competitive. -And you get rosettes. -We do. | 0:02:20 | 0:02:23 | |
And trophies. | 0:02:23 | 0:02:25 | |
-Now, Kate, you've also got your own herd. -I have. | 0:02:25 | 0:02:28 | |
It contains six British Blondes. | 0:02:28 | 0:02:31 | |
-They're all blondes too? -They are. | 0:02:31 | 0:02:33 | |
Following in my father's footsteps. | 0:02:33 | 0:02:35 | |
Now, moving on to the Blues. | 0:02:35 | 0:02:37 | |
Is it true you brought Olivia up on a film set? | 0:02:37 | 0:02:40 | |
I think you're referring to the house? | 0:02:40 | 0:02:42 | |
It's just full of memorabilia and collectables and things. | 0:02:42 | 0:02:46 | |
-What are your collections? -Gosh, we've got slot machines. | 0:02:46 | 0:02:49 | |
That's not normal, really, to find... In your front room? | 0:02:49 | 0:02:53 | |
No, we've got those in the dining room. | 0:02:53 | 0:02:54 | |
So the dining room's got the slotties in? | 0:02:54 | 0:02:57 | |
We collect Dinkies and Corgis. | 0:02:57 | 0:02:59 | |
-Autographs? -Yes, autographs. -Pottery? -Yes. | 0:02:59 | 0:03:04 | |
You name it, I think we've got it, really. | 0:03:04 | 0:03:07 | |
Olivia, you're at university. Which one are you at? | 0:03:07 | 0:03:10 | |
Nottingham Trent. | 0:03:10 | 0:03:12 | |
-What are you studying? -Broadcast media, so it's basically TV work, radio work, journalism, | 0:03:12 | 0:03:17 | |
like writing, producing, directing. | 0:03:17 | 0:03:18 | |
How lovely! | 0:03:18 | 0:03:20 | |
Well, you're kind of going to move in with us! | 0:03:20 | 0:03:22 | |
-Are you looking forward to today? -I'll be taking some tips from today! | 0:03:22 | 0:03:26 | |
Well, what sort of things do you like most about your degree course? | 0:03:26 | 0:03:30 | |
Just being able to be creative | 0:03:30 | 0:03:31 | |
and making things that a load of people are hopefully going to enjoy. | 0:03:31 | 0:03:34 | |
Olivia, are you experienced at picking up antiques? | 0:03:34 | 0:03:37 | |
I'd like to think that they've taught me a lot. I've learnt a lot from them. | 0:03:37 | 0:03:41 | |
It's rubbed off from the museum home. | 0:03:41 | 0:03:43 | |
-Yeah! -Exactly. | 0:03:43 | 0:03:44 | |
Well, probably the Reds are quaking in their boots after hearing this. | 0:03:44 | 0:03:48 | |
They should be! | 0:03:48 | 0:03:50 | |
Anyway, I think you're going to be competitive enough. | 0:03:50 | 0:03:53 | |
The money moment - here's your £300. | 0:03:53 | 0:03:55 | |
You know the rules. Your experts await. And off you go! Very, very, very good luck! | 0:03:55 | 0:04:00 | |
Well, I never did! | 0:04:00 | 0:04:02 | |
And hoping to get ahead with the Reds, | 0:04:04 | 0:04:06 | |
it's Catherine Southon. | 0:04:06 | 0:04:09 | |
And for the Blues, it's the multi-talented David Harper. | 0:04:11 | 0:04:14 | |
Now, ladies, I believe you have prize-winning cattle, | 0:04:18 | 0:04:22 | |
so I'm getting a vibe that you're going to be bullish today. | 0:04:22 | 0:04:25 | |
-You're going to be really competitive. -Absolutely! | 0:04:25 | 0:04:27 | |
-Yes? -Yes, we are. | 0:04:27 | 0:04:29 | |
So, come on, then, you two - what about tactics? | 0:04:29 | 0:04:31 | |
Livvy's secret weapon - she's going to do the looking | 0:04:31 | 0:04:34 | |
and I'll do the bargaining. | 0:04:34 | 0:04:36 | |
Do we know what we're going to buy? | 0:04:36 | 0:04:37 | |
-It would be nice to find something farmy. -Farmy. | 0:04:37 | 0:04:40 | |
And what about tactics as in negotiating? You're a black belt. | 0:04:40 | 0:04:44 | |
Yes! | 0:04:44 | 0:04:45 | |
I think I'll be thrown out if I try any karate! | 0:04:45 | 0:04:49 | |
I don't think anyone will be able to throw you out! | 0:04:49 | 0:04:51 | |
Let's go - 60 minutes! | 0:04:51 | 0:04:52 | |
-So something agricultural. -Yes. -Definitely. -OK. | 0:04:52 | 0:04:55 | |
And something pretty as well. | 0:04:55 | 0:04:57 | |
That's a bit of an odd mix. | 0:04:57 | 0:05:00 | |
And a rather small brief, Reds. | 0:05:00 | 0:05:03 | |
There's a cow. | 0:05:03 | 0:05:05 | |
There's a cow. | 0:05:05 | 0:05:07 | |
But you never know what's out there, so keep looking. | 0:05:07 | 0:05:10 | |
Mind you, the Blues are already searching for a sit-down. | 0:05:10 | 0:05:13 | |
I like the chair. | 0:05:13 | 0:05:15 | |
I like anything sort of, I don't know... | 0:05:15 | 0:05:18 | |
-What age would you say that was? -That is screaming 20th-century design, | 0:05:18 | 0:05:22 | |
which is absolutely today's market. | 0:05:22 | 0:05:24 | |
-It's young, it's funky. -Yeah, I think I'd probably have that at home. | 0:05:24 | 0:05:28 | |
Well, let's have a look at it. | 0:05:28 | 0:05:30 | |
Let's remove the very tasteful doll. | 0:05:30 | 0:05:33 | |
I quite like that! | 0:05:33 | 0:05:34 | |
And the rug. | 0:05:34 | 0:05:37 | |
OK, so, we can date it more accurately now we look on the base, | 0:05:37 | 0:05:42 | |
and we see the staples. | 0:05:42 | 0:05:43 | |
So staples were really introduced in upholstery manufacturing | 0:05:43 | 0:05:46 | |
-in a big way in the '60s. -Yeah. | 0:05:46 | 0:05:49 | |
So it isn't a '50s one, it's a '60s one. | 0:05:49 | 0:05:52 | |
It's not the best quality, but it doesn't matter - it's got the look. | 0:05:52 | 0:05:55 | |
I like it. | 0:05:55 | 0:05:56 | |
Sit in it - let's have a look. | 0:05:56 | 0:05:58 | |
Olivia, let's get you to model it. | 0:05:58 | 0:06:00 | |
Come on - look gorgeous! | 0:06:00 | 0:06:02 | |
-It's quite comfy, actually. -Is it a child's? | 0:06:04 | 0:06:07 | |
No, I don't think it's a child's. | 0:06:07 | 0:06:09 | |
Let's have a go, then. | 0:06:09 | 0:06:10 | |
You've had your turn. | 0:06:10 | 0:06:12 | |
Yeah, get out! | 0:06:12 | 0:06:14 | |
It's cool. | 0:06:14 | 0:06:16 | |
You could mix this with period antique furniture | 0:06:16 | 0:06:20 | |
and it would look the business. | 0:06:20 | 0:06:22 | |
And it wouldn't cost much to recover. | 0:06:22 | 0:06:24 | |
That's just plastic, not leather. | 0:06:24 | 0:06:25 | |
No, I didn't think so. | 0:06:25 | 0:06:27 | |
Can I put those down there? | 0:06:27 | 0:06:29 | |
Oh, actually, it is really comfy. I like that. | 0:06:30 | 0:06:33 | |
Let's leave the Blues to play musical chairs and catch up with the Reds. | 0:06:33 | 0:06:37 | |
Come and have a little word. Come and have a little word. | 0:06:37 | 0:06:40 | |
What do you think of that? | 0:06:40 | 0:06:41 | |
Hmm. | 0:06:43 | 0:06:45 | |
-Intriguing. -Yeah. | 0:06:45 | 0:06:47 | |
Is it a lens? Something from an old camera? | 0:06:49 | 0:06:52 | |
-What do you think? -It looks like something to do with fishing to me. | 0:06:52 | 0:06:56 | |
You couldn't be further from the truth! | 0:06:56 | 0:06:58 | |
But it looks exactly like that because of the winding thing at the top. | 0:06:58 | 0:07:01 | |
It's actually a very early calculator. | 0:07:01 | 0:07:03 | |
Really? | 0:07:03 | 0:07:05 | |
And it's made by a company called Curta in Liechtenstein | 0:07:05 | 0:07:08 | |
and it's made in the 1940s. | 0:07:08 | 0:07:10 | |
There's two different types. There's a type 1 | 0:07:10 | 0:07:12 | |
and a type 2. | 0:07:12 | 0:07:14 | |
This is the type 1. | 0:07:14 | 0:07:16 | |
And then the type 2 is slightly bigger, | 0:07:16 | 0:07:18 | |
fatter. | 0:07:18 | 0:07:19 | |
Now I've just found this. It's in quite a worn state. | 0:07:19 | 0:07:23 | |
They can fetch good money. | 0:07:23 | 0:07:25 | |
I'm not sure if it's the type 1 or the type 2 that fetches the higher price, | 0:07:25 | 0:07:30 | |
but I know once upon a time I was selling these for £300. | 0:07:30 | 0:07:33 | |
I've had a word with him and we can get it for £70. | 0:07:33 | 0:07:37 | |
That all adds up to me! | 0:07:37 | 0:07:40 | |
I know it's not attractive at all. | 0:07:40 | 0:07:42 | |
-But the name of the game is to make money. -Definitely. | 0:07:42 | 0:07:45 | |
-And I think we should get something for it. -The more I look at it, the more I like it. -Yes. | 0:07:45 | 0:07:49 | |
-I think we should go for it. -I sold one recently, | 0:07:49 | 0:07:52 | |
which was a type 2, | 0:07:52 | 0:07:54 | |
in perfect condition and in its original box, and that made, I think, about £320. | 0:07:54 | 0:07:59 | |
-Well, you're selling it to me. -Am I? -Yes. | 0:07:59 | 0:08:03 | |
If this goes horribly wrong, you can blame me. | 0:08:03 | 0:08:07 | |
-I will accept everything. -We will do! | 0:08:07 | 0:08:10 | |
Don't you love it? An expert with real conviction. | 0:08:10 | 0:08:13 | |
Not that you haven't, David, you understand. | 0:08:13 | 0:08:16 | |
Hi there. Can we ask you the price on the chair? | 0:08:16 | 0:08:19 | |
I've got 55 on it. | 0:08:19 | 0:08:21 | |
OK. | 0:08:21 | 0:08:23 | |
What would you say to 35? | 0:08:23 | 0:08:25 | |
I'd say no! | 0:08:25 | 0:08:26 | |
That was a bit quick, wasn't it? | 0:08:26 | 0:08:29 | |
Oh, come on! | 0:08:29 | 0:08:31 | |
Could I twist your arm to 40? | 0:08:31 | 0:08:32 | |
I'd prefer 45. | 0:08:32 | 0:08:34 | |
Can we split the difference - 42? | 0:08:34 | 0:08:37 | |
-Yeah. -Deal done. | 0:08:37 | 0:08:39 | |
-Thank you very much. -Thank you very much indeed. | 0:08:39 | 0:08:43 | |
-Thank you. -Hey! | 0:08:43 | 0:08:44 | |
-Well done, you two. First purchase! -And I love it! | 0:08:44 | 0:08:47 | |
Quick time too. | 0:08:47 | 0:08:49 | |
Eight minutes, to be precise. | 0:08:49 | 0:08:50 | |
So that's one for the Blues, | 0:08:50 | 0:08:52 | |
but have the Reds added to their tally with the calculator? | 0:08:52 | 0:08:55 | |
-What's your best price on this? -75. | 0:08:55 | 0:08:57 | |
-Can we go any lower? -Really, 70's the death. | 0:08:57 | 0:09:02 | |
-What do you think? -I think we should go with it. | 0:09:02 | 0:09:05 | |
I'd love to help you, really I would, but I can't. | 0:09:05 | 0:09:07 | |
-I think we should. -Shall we do that? -Definitely. | 0:09:07 | 0:09:09 | |
OK, first item done. | 0:09:09 | 0:09:11 | |
Thank you very much. Wonderful. Thank you very much indeed. | 0:09:11 | 0:09:15 | |
Phew! I feel more relaxed now. | 0:09:15 | 0:09:17 | |
Let's go and have a cup of tea! | 0:09:17 | 0:09:19 | |
Let's go and mooch! | 0:09:19 | 0:09:21 | |
Hang on, Catherine - there's a small matter of two other purchases first. | 0:09:22 | 0:09:26 | |
And it seems that those Blues have really bonded. | 0:09:30 | 0:09:33 | |
Olivia was covering a premiere of the new Skyfall last year. | 0:09:33 | 0:09:38 | |
So who did you meet? | 0:09:38 | 0:09:39 | |
Daniel Craig at that one, | 0:09:39 | 0:09:41 | |
then we went to Piers Morgan's show | 0:09:41 | 0:09:43 | |
and we ended up mixing in with Roger Moore's family. | 0:09:43 | 0:09:46 | |
And now you're with me! | 0:09:46 | 0:09:48 | |
Oh, my lord, life is great! | 0:09:48 | 0:09:50 | |
Well, I'd take one Harper over two Bonds any day. | 0:09:50 | 0:09:55 | |
-That radio. -Well, I never! Here we go. | 0:09:56 | 0:09:59 | |
Are you actually going to get out of the 20th century? | 0:09:59 | 0:10:02 | |
Are we going to go a little further back in time? | 0:10:02 | 0:10:04 | |
It's come back round. It's really trendy for younger people | 0:10:04 | 0:10:07 | |
-to have on display now in their houses. -It is. | 0:10:07 | 0:10:09 | |
-Years ago, people would think that was uncool. -How old, do you think? | 0:10:09 | 0:10:13 | |
I think it's 1930s. | 0:10:13 | 0:10:15 | |
So you can imagine, can't you, hearing reports from France, | 0:10:15 | 0:10:18 | |
Churchill giving his speeches in the Houses of Parliament. | 0:10:18 | 0:10:21 | |
Even potentially the Second World War, 1939, | 0:10:21 | 0:10:24 | |
being announced on that radio. | 0:10:24 | 0:10:27 | |
-Can you imagine? Sends shivers up my spine. -That would be in the centre of a room. | 0:10:27 | 0:10:30 | |
You'd have all the family sitting round that little box. | 0:10:30 | 0:10:33 | |
Look at that decoration. What does it remind you of? | 0:10:33 | 0:10:36 | |
Does it remind you of anything on the high street today | 0:10:36 | 0:10:38 | |
that you will still see? | 0:10:38 | 0:10:40 | |
-An Odeon. You know the old Odeon cinemas? -Ah, yes! | 0:10:40 | 0:10:44 | |
Built in that stepped Art Deco architectural design. | 0:10:44 | 0:10:47 | |
-There it is right there. -I do like it. | 0:10:47 | 0:10:50 | |
It's down to price. Shall we get a price? | 0:10:50 | 0:10:53 | |
-If we can knock it down a little. -Hi there. | 0:10:53 | 0:10:55 | |
You probably heard us waxing lyrical about your 1930s radio here. | 0:10:55 | 0:11:01 | |
I think it's going to be 20 to 30 at auction as an estimate, | 0:11:01 | 0:11:04 | |
and we're attempting to make... | 0:11:04 | 0:11:06 | |
I'm nowhere near there. 45. | 0:11:06 | 0:11:08 | |
Olivia, what do you feel? You were drawn into it. | 0:11:08 | 0:11:11 | |
Yeah, but... | 0:11:11 | 0:11:13 | |
I think it's still a bit... | 0:11:13 | 0:11:15 | |
I like the theme we've got. I do like the theme. | 0:11:15 | 0:11:18 | |
You wouldn't take 40, would you? | 0:11:18 | 0:11:19 | |
Take pity on me! | 0:11:19 | 0:11:21 | |
Before he answers, let me just tell you something. | 0:11:21 | 0:11:25 | |
If he says yes, you know that you've done the deal? | 0:11:25 | 0:11:28 | |
Yes. | 0:11:30 | 0:11:32 | |
Olivia, come on - do you love it or not? | 0:11:34 | 0:11:37 | |
Yeah, I do. | 0:11:37 | 0:11:39 | |
-Angela, do you love it? -I do. I love it. | 0:11:39 | 0:11:41 | |
Well, then, put your money where your mouth is | 0:11:41 | 0:11:44 | |
-and let's have a go at it. -Let's do it! -Do it! | 0:11:44 | 0:11:46 | |
-Shake his hand. -£40. | 0:11:46 | 0:11:48 | |
-Thank you. -Thank you. | 0:11:48 | 0:11:50 | |
Thanks a lot. | 0:11:50 | 0:11:52 | |
Great job, Blues! | 0:11:52 | 0:11:53 | |
That's item number two, | 0:11:53 | 0:11:55 | |
and a definite theme developing, I think. | 0:11:55 | 0:11:57 | |
Now, are those Reds going to harp on about these sugar tongs? | 0:11:57 | 0:12:01 | |
I like those, Catherine. | 0:12:01 | 0:12:03 | |
That's really nice. | 0:12:03 | 0:12:04 | |
Oh, they're quite nice. | 0:12:04 | 0:12:06 | |
I like the fact that they've got the harp on them. That's quite unusual. | 0:12:06 | 0:12:10 | |
And they are silver. Let's have a look. | 0:12:10 | 0:12:12 | |
I think it's 1880 in date and it's Sheffield. | 0:12:13 | 0:12:17 | |
-Close to home. -Yes. | 0:12:17 | 0:12:19 | |
And we've got the lion passant mark there. | 0:12:19 | 0:12:22 | |
They're nice, unusual tongs, I would say. | 0:12:22 | 0:12:25 | |
-They are. They're lovely. -I probably wouldn't go too mad on them. I would say around £30, £40 for those. | 0:12:25 | 0:12:30 | |
But shall we see what we can do? | 0:12:30 | 0:12:33 | |
What's on this? | 0:12:33 | 0:12:35 | |
I've got 45 on those. | 0:12:35 | 0:12:37 | |
You wanted something pretty. Not agricultural, but something very pretty, for sure. | 0:12:37 | 0:12:42 | |
35? | 0:12:42 | 0:12:44 | |
I tell you what, I'll go for 38. | 0:12:44 | 0:12:46 | |
What do you think? | 0:12:46 | 0:12:48 | |
They're lovely. They're unusual, those ones, | 0:12:48 | 0:12:50 | |
and you won't come across them very often. | 0:12:50 | 0:12:52 | |
Can we just split it? | 0:12:52 | 0:12:54 | |
-Split it up? -35. | 0:12:54 | 0:12:56 | |
35? We're getting desperate now! | 0:12:56 | 0:12:59 | |
Desperate to get a deal, aren't you? | 0:12:59 | 0:13:01 | |
Go on, then! | 0:13:01 | 0:13:03 | |
-Thank you very much. -Thank you. | 0:13:03 | 0:13:05 | |
Thank you very much indeed. | 0:13:05 | 0:13:07 | |
That's jolly kind. | 0:13:07 | 0:13:09 | |
-I think they're super. -I really like them. | 0:13:09 | 0:13:11 | |
-Well spotted, Mum. -Well spotted, Mum. | 0:13:11 | 0:13:13 | |
That's another bullish deal for the Reds. | 0:13:13 | 0:13:17 | |
Well done indeed, Mum! | 0:13:17 | 0:13:18 | |
Oh, my lord, OK, well, we really are on a theme, aren't we? | 0:13:18 | 0:13:21 | |
-Yeah! -OK. | 0:13:21 | 0:13:23 | |
I just spotted that underneath... | 0:13:23 | 0:13:25 | |
Olivia, what are your feelings? | 0:13:25 | 0:13:26 | |
-I know you're going to love it. -No. -What?! | 0:13:26 | 0:13:28 | |
Not really. I think it's the colour of it. | 0:13:28 | 0:13:31 | |
-I don't know. -Can we take the...? -Let's do it. Let's have a look. | 0:13:31 | 0:13:35 | |
-I think it's the colour. -Don't you like the colour? | 0:13:37 | 0:13:39 | |
No. | 0:13:39 | 0:13:40 | |
-I think there's too much white. -Let's have a look. | 0:13:40 | 0:13:43 | |
So what date is it, then? | 0:13:43 | 0:13:45 | |
Shall I guess...'65? | 0:13:45 | 0:13:49 | |
OK. You don't have to be that precise! | 0:13:49 | 0:13:52 | |
A decade would do! | 0:13:52 | 0:13:53 | |
'60s is fine. It could be '50s. | 0:13:53 | 0:13:55 | |
This reminds me very much of our first purchase - the chair. | 0:13:55 | 0:13:59 | |
-Yeah. -It's not great quality, but it's all about the design. | 0:13:59 | 0:14:02 | |
You are now transported back to probably 1957, 1960. | 0:14:02 | 0:14:07 | |
Different time altogether. Elvis Presley. Pre-Beatles. | 0:14:07 | 0:14:12 | |
This is 20th-century design screaming in your face. | 0:14:12 | 0:14:16 | |
-And you don't like it? -No. | 0:14:16 | 0:14:18 | |
-Not really. -I am absolutely amazed! | 0:14:18 | 0:14:22 | |
-Do you think it'd be popular? -Yes, it is popular. | 0:14:22 | 0:14:25 | |
It might be continental. It reminds me of a French or Belgian design. | 0:14:25 | 0:14:29 | |
But it doesn't really matter where it was made. | 0:14:29 | 0:14:31 | |
It's the period it was made in - | 0:14:31 | 0:14:33 | |
it's absolutely bang-on trend, and we've got a theme going here. | 0:14:33 | 0:14:36 | |
Were we going for this theme? | 0:14:36 | 0:14:39 | |
-Not at all. -Not really. -No. -Shall I go and get a price? | 0:14:39 | 0:14:42 | |
-Yeah. -Yes, please. | 0:14:42 | 0:14:44 | |
I reckon a good price should make up their minds. | 0:14:44 | 0:14:47 | |
Go on, David - use your charm! | 0:14:47 | 0:14:49 | |
This is it. It's at one price only. | 0:14:54 | 0:14:56 | |
So you have it at the price or you don't. | 0:14:56 | 0:14:59 | |
-Right. -£22. | 0:14:59 | 0:15:00 | |
That's quite good, I think. I thought it was going to be more than that. | 0:15:02 | 0:15:05 | |
Hearing the price has made me grow fond of it. | 0:15:05 | 0:15:08 | |
That's good antique-dealing mentality, | 0:15:08 | 0:15:10 | |
because in this business you've got to think... | 0:15:10 | 0:15:13 | |
You've got to go with your heart, love things, but also they've got to make you some money. | 0:15:13 | 0:15:17 | |
-This is it. -So if it feels good, if it feels like you're going to make a profit, | 0:15:17 | 0:15:20 | |
-then go with it. -I think it feels good now. | 0:15:20 | 0:15:22 | |
Well, I liked it straight away, but it was convincing you! | 0:15:22 | 0:15:26 | |
-Shall we say yes or not? -I think so. -Yes. -OK. | 0:15:26 | 0:15:29 | |
-Girls, that's our third item. -Oh, God, yes! -That's it. | 0:15:29 | 0:15:32 | |
You've done it! Well done! | 0:15:32 | 0:15:34 | |
-Well done! -Yeah! | 0:15:34 | 0:15:36 | |
-How do you feel? -Good. -Ecstatic. | 0:15:36 | 0:15:38 | |
Well done, Blues. That's your lot. | 0:15:40 | 0:15:42 | |
Now, has the Red team's early focus faded? | 0:15:42 | 0:15:45 | |
Do you get a lot of trophies, then? | 0:15:45 | 0:15:48 | |
-Yes, we do. -What, in the shape of a cow? | 0:15:48 | 0:15:52 | |
No, the shape of a trophy! | 0:15:52 | 0:15:54 | |
-I thought it might be the shape of a cow or something. -No. | 0:15:54 | 0:15:57 | |
And I thought we'd HEARD the last of the cows, eh? | 0:15:57 | 0:16:00 | |
Can you find us something that's going to make a lot of profit at auction that's not too expensive? | 0:16:00 | 0:16:05 | |
Do you want a bit of silver? | 0:16:05 | 0:16:07 | |
We just bought silver. | 0:16:07 | 0:16:09 | |
That's OK, ladies. Nothing in the rules to say you can't buy two pieces of silver, | 0:16:09 | 0:16:13 | |
but there is a rule for that time, though, | 0:16:13 | 0:16:16 | |
and you've eight minutes left. | 0:16:16 | 0:16:17 | |
-So what have we got - a musical...? -A musical compact. | 0:16:17 | 0:16:20 | |
That's nice. By Stratton. It's a well-known maker. | 0:16:20 | 0:16:23 | |
MUSIC PLAYS | 0:16:23 | 0:16:25 | |
-VENDOR: It's 1950s. -'50s. | 0:16:25 | 0:16:28 | |
It's got the original box. | 0:16:28 | 0:16:31 | |
How much is on that? | 0:16:31 | 0:16:32 | |
150. | 0:16:32 | 0:16:34 | |
I think we'll really struggle on that. | 0:16:34 | 0:16:35 | |
I really do. I think that would have to be a lot lower. What do you think, Anita? | 0:16:35 | 0:16:40 | |
-I do, yes. -I think it's lovely, | 0:16:40 | 0:16:42 | |
and you can imagine a lady using that in the '50s, | 0:16:42 | 0:16:44 | |
having that in her handbag. | 0:16:44 | 0:16:45 | |
It's very glamorous. | 0:16:45 | 0:16:47 | |
But there's no precious materials here. | 0:16:47 | 0:16:50 | |
-I mean, it's, I think, a lot of money. I really do. -OK. | 0:16:50 | 0:16:54 | |
What's the very best you can do on that? | 0:16:54 | 0:16:57 | |
Um... | 0:16:57 | 0:16:58 | |
I mean, it is in excellent condition. | 0:16:58 | 0:17:01 | |
As you can see, it's even got the original puff in. | 0:17:01 | 0:17:04 | |
125 would be my bottom, very bottom line. | 0:17:04 | 0:17:10 | |
-Could you not come down a little bit more? -120. | 0:17:10 | 0:17:14 | |
What do you want to do, ladies? | 0:17:14 | 0:17:16 | |
-It's your choice. -I like it at 120. -Do you? -Mmm. | 0:17:16 | 0:17:19 | |
-What's your gut saying? -I like it. | 0:17:19 | 0:17:22 | |
There's something about it because I can remember those. | 0:17:22 | 0:17:25 | |
Don't give the age away! | 0:17:25 | 0:17:27 | |
It is beautiful. | 0:17:27 | 0:17:29 | |
And the thing is, it has got... | 0:17:29 | 0:17:31 | |
everything going for it in terms of condition. | 0:17:31 | 0:17:33 | |
It's just whether people are going to pick up on it on the internet. | 0:17:33 | 0:17:37 | |
-Well, if it's wrong, we'll blame Kate! -Blame Kate. | 0:17:37 | 0:17:40 | |
-OK! -I like the sound of that! Shall we do it? -Yes. | 0:17:40 | 0:17:42 | |
Thank you. | 0:17:42 | 0:17:44 | |
Thank you very much. | 0:17:44 | 0:17:45 | |
-Thank you. -Thank you. | 0:17:45 | 0:17:47 | |
-Thank you very much indeed. -Thank you. | 0:17:47 | 0:17:50 | |
TIM WHISTLES | 0:17:50 | 0:17:52 | |
Great last-minute work, Reds. | 0:17:52 | 0:17:54 | |
No time left to powder your noses, though. | 0:17:54 | 0:17:56 | |
First up, they bought the Liechtenstein calculator | 0:17:56 | 0:18:00 | |
for only £70. | 0:18:00 | 0:18:01 | |
Next were the Victorian silver sugar tongs picked up | 0:18:01 | 0:18:04 | |
for a tasty £35. | 0:18:04 | 0:18:06 | |
To finish, they danced off with the Stratton musical compact | 0:18:07 | 0:18:10 | |
for £120. | 0:18:10 | 0:18:12 | |
-Isn't it lovely down here by the water? -It's beautiful. | 0:18:13 | 0:18:16 | |
Marvellous! Almost as beautiful as your favourite object, which was? | 0:18:16 | 0:18:20 | |
-I liked the compact mirror. -That's your favourite? | 0:18:20 | 0:18:22 | |
-Lovely. What about you, Mum? -I like the tongs. -The tongs. | 0:18:22 | 0:18:25 | |
-OK. And are they going to bring the biggest profit? -No. | 0:18:25 | 0:18:28 | |
-The Curta calculator will bring the biggest profit. -Will it? | 0:18:28 | 0:18:31 | |
That's because you have every confidence in your lovely expert! | 0:18:31 | 0:18:34 | |
-And what is the total that you spent? -£225. | 0:18:34 | 0:18:39 | |
That is such a magnificent amount of money. You're so good, you girls. | 0:18:39 | 0:18:42 | |
Now, 225. I've like £75 of left-over lolly. | 0:18:42 | 0:18:45 | |
Thank you, Anita, that's great. | 0:18:45 | 0:18:47 | |
-Over to you, Catherine. -Thank you. | 0:18:47 | 0:18:48 | |
Now, the big calculation for you is to spend the lot or not? | 0:18:48 | 0:18:53 | |
I don't think I'm going to spend the lot. | 0:18:53 | 0:18:55 | |
I'm going to spend a fair wodge. | 0:18:55 | 0:18:57 | |
I'm going to buy you something agricultural. | 0:18:57 | 0:19:00 | |
Ooh, we're liking that. | 0:19:00 | 0:19:02 | |
I feel a plough coming on! | 0:19:02 | 0:19:04 | |
While we're ploughing that furrow, though, why don't we check out what the Blue team bought, eh? | 0:19:05 | 0:19:10 | |
Their themed purchases began with the 20th-century chair | 0:19:10 | 0:19:12 | |
at £42. | 0:19:12 | 0:19:14 | |
The 1930s Bakelite radio was in tune for a sound £40. | 0:19:16 | 0:19:20 | |
And finally, the 1960s coffee table, for a tiny £22. | 0:19:20 | 0:19:24 | |
So, you happy pair... | 0:19:26 | 0:19:27 | |
I mean, the triple aspect in blue here is marvellous! | 0:19:27 | 0:19:30 | |
-Did you have fun with Dave? -Brilliant, yes. | 0:19:30 | 0:19:32 | |
He's a great expert, isn't he? Which is your favourite piece? | 0:19:32 | 0:19:36 | |
-The chair. -The chair. | 0:19:36 | 0:19:37 | |
Yeah, the chair that we bought. | 0:19:37 | 0:19:39 | |
Do you agree with that? | 0:19:39 | 0:19:40 | |
No, I say the Bakelite radio. | 0:19:40 | 0:19:42 | |
That's your favourite. And is that going to bring the biggest profit? | 0:19:42 | 0:19:45 | |
I think it is, yes. | 0:19:45 | 0:19:47 | |
-Do you agree with that? -No, of course not! | 0:19:47 | 0:19:49 | |
-It's because I picked it, isn't it? -No, it's the table. | 0:19:51 | 0:19:53 | |
All right, fine. Now, a little birdie told me that you spent practically nothing. | 0:19:53 | 0:19:58 | |
Actually a small deposit. What was your small deposit? | 0:19:58 | 0:20:01 | |
£104. | 0:20:01 | 0:20:03 | |
-£104. I want £196 back then, please. -You do. | 0:20:03 | 0:20:05 | |
So there you go. | 0:20:05 | 0:20:07 | |
196, | 0:20:07 | 0:20:09 | |
-which is a good day's wages for you, David! -It certainly is! | 0:20:09 | 0:20:13 | |
More than I've ever earned in a day, that's for sure. | 0:20:13 | 0:20:16 | |
What are you going to do with that lot? | 0:20:16 | 0:20:18 | |
I might stay with the 20th-century theme, you never know. | 0:20:18 | 0:20:20 | |
I will surprise you. | 0:20:20 | 0:20:22 | |
Well, there you go. | 0:20:22 | 0:20:24 | |
I can't wait to find out what you find! | 0:20:24 | 0:20:26 | |
Anyway, good luck with that. | 0:20:26 | 0:20:28 | |
Let's high-tail it to the auction. | 0:20:30 | 0:20:33 | |
I'm out. 60. | 0:20:35 | 0:20:37 | |
60 I'm bid. Do I see five? No, you're all out. | 0:20:37 | 0:20:41 | |
Fair warning. Yours. | 0:20:41 | 0:20:43 | |
Well, how lovely. We've come down the road to Hansons saleroom in Etwall to be with Charles Hanson. | 0:20:43 | 0:20:48 | |
Good morning, Tim. | 0:20:48 | 0:20:50 | |
Now, first up for the Reds is this rather intriguing calculator. | 0:20:50 | 0:20:53 | |
Tim, it's a real work of art | 0:20:53 | 0:20:56 | |
and it's scientific and it's not something I really have a mind for, | 0:20:56 | 0:20:59 | |
but homework would suggest it was invented in 1938 | 0:20:59 | 0:21:02 | |
and was only replaced by the electronic calculator in the '70s. | 0:21:02 | 0:21:05 | |
-How much is it worth? -It's going to appeal to the internet audience, | 0:21:05 | 0:21:09 | |
-so we've been quite ballsy. -Have you? -We have. | 0:21:09 | 0:21:12 | |
We've gone in between £200 and £300. | 0:21:12 | 0:21:15 | |
Good lord, Charles! That really is pushing the old boat out! | 0:21:15 | 0:21:18 | |
Our lot only paid £70. | 0:21:18 | 0:21:20 | |
-Yeah, well... -Shows they can do the sums, doesn't it? | 0:21:20 | 0:21:23 | |
-That's very good. -And add it up. | 0:21:23 | 0:21:24 | |
Well, that's exciting. Next up | 0:21:24 | 0:21:26 | |
are these very ordinary and rather boring-looking, I think, | 0:21:26 | 0:21:29 | |
-sugar tongs. -They are Sheffield, they're 1890, | 0:21:29 | 0:21:32 | |
but nips go to auction | 0:21:32 | 0:21:34 | |
and will make, if we're lucky, £25. | 0:21:34 | 0:21:37 | |
£35 they paid. Now, stand by, Charles, because we have THE superior musical lady's compact | 0:21:37 | 0:21:45 | |
in its box and its outer case. | 0:21:45 | 0:21:48 | |
-Do you rate it? -Tim, it's a bygone, | 0:21:48 | 0:21:49 | |
and these bygones which are socially interesting, | 0:21:49 | 0:21:52 | |
they do appeal at auction. | 0:21:52 | 0:21:54 | |
Obviously, the great Stratton name. They began in 1923 | 0:21:54 | 0:21:57 | |
in Birmingham, and they kept on rolling | 0:21:57 | 0:22:00 | |
until the '90s. | 0:22:00 | 0:22:01 | |
Personally, Tim, I'm a bit concerned. | 0:22:01 | 0:22:04 | |
It might struggle at auction. | 0:22:04 | 0:22:06 | |
Well, our team - I have to tell you this - | 0:22:06 | 0:22:07 | |
paid £120. | 0:22:07 | 0:22:09 | |
Oh, dear! | 0:22:09 | 0:22:11 | |
They clearly rate it. | 0:22:11 | 0:22:12 | |
And of its type, it is very, very, very good. | 0:22:12 | 0:22:15 | |
But will it make it? | 0:22:15 | 0:22:16 | |
It's in pristine condition, Tim. | 0:22:16 | 0:22:18 | |
On a really good day, I'd be very surprised if it made more than £80. | 0:22:18 | 0:22:22 | |
-Sorry. -What's your estimate? | 0:22:22 | 0:22:24 | |
-Between 40 to 60. -£40 to £60. Fine. Well, if it doesn't go well, | 0:22:24 | 0:22:28 | |
they're definitely going to need their bonus buy, | 0:22:28 | 0:22:30 | |
so let's have a look at it. | 0:22:30 | 0:22:32 | |
-Now, Anita, Kate, this is a moment, isn't it? -It is. | 0:22:32 | 0:22:35 | |
You spent £225. | 0:22:35 | 0:22:38 | |
I'm so proud of you, girls. | 0:22:38 | 0:22:39 | |
And you gave £75 to Catherine Southon. | 0:22:39 | 0:22:41 | |
So, Catherine, show us what you bought. Is it a nice little table? | 0:22:41 | 0:22:44 | |
Well, not quite. | 0:22:44 | 0:22:46 | |
-I wanted to buy you something agricultural. -OK. | 0:22:46 | 0:22:49 | |
I didn't quite get there, but I was along the right lines. You ready? | 0:22:49 | 0:22:52 | |
Yep. | 0:22:52 | 0:22:53 | |
-Right! -OK. -Yes. | 0:22:57 | 0:22:58 | |
Very good. | 0:22:58 | 0:23:00 | |
Well, there's not a lot you can say about it, | 0:23:00 | 0:23:03 | |
but it's a cast iron sign | 0:23:03 | 0:23:06 | |
and it does exactly what it says on the tin. | 0:23:06 | 0:23:08 | |
We do need them on farms. | 0:23:08 | 0:23:10 | |
But this might be for a railway. | 0:23:10 | 0:23:14 | |
-Do you think? -It does look like that. -Yeah. | 0:23:14 | 0:23:17 | |
People love a bit of railwayana, | 0:23:17 | 0:23:18 | |
and £43 I paid for this. | 0:23:18 | 0:23:21 | |
-How much? -£43. | 0:23:21 | 0:23:23 | |
-Is that all? -I think this has got a bit of... -Oh, it's heavy. | 0:23:23 | 0:23:26 | |
..a bit of movement in that. | 0:23:26 | 0:23:27 | |
I really do. | 0:23:27 | 0:23:29 | |
OK, well, we've got the message there. | 0:23:29 | 0:23:30 | |
We're going to have to trust that the railwayana people are around | 0:23:30 | 0:23:34 | |
and you don't pick now - you choose after the sale of your first three items. | 0:23:34 | 0:23:37 | |
Right now, for the audience at home, let's find out | 0:23:37 | 0:23:39 | |
whether the auctioneer likes the old sign. | 0:23:39 | 0:23:42 | |
Right then, Charles, bit of cast iron for you. | 0:23:42 | 0:23:45 | |
The joy is, we've got quite a big railwayana collection in this sale. | 0:23:45 | 0:23:48 | |
-This one clearly is period. -Absolutely period. | 0:23:48 | 0:23:51 | |
What are we talking - 1930s? | 0:23:51 | 0:23:53 | |
-What's your estimate? -Between £50 and £80. | 0:23:53 | 0:23:56 | |
Catherine will be delighted. £43 she paid. | 0:23:56 | 0:23:58 | |
So that's the right price to pay. | 0:23:58 | 0:24:00 | |
OK, First up, then, for the Blues | 0:24:00 | 0:24:03 | |
is the 20th-century design chair. | 0:24:03 | 0:24:05 | |
This is the emerging market. | 0:24:05 | 0:24:07 | |
At auction now, we're really taking into account Ercol, | 0:24:07 | 0:24:12 | |
and we are looking at these great Swedish, Scandinavian forms | 0:24:12 | 0:24:15 | |
and it's a nice piece of furniture. | 0:24:15 | 0:24:17 | |
And I bet it's comfy. | 0:24:17 | 0:24:18 | |
Absolutely. | 0:24:18 | 0:24:20 | |
And it doesn't take up much space, all of which are important features. | 0:24:20 | 0:24:24 | |
-What's your estimate? -It's retro, Tim. | 0:24:24 | 0:24:26 | |
It's going to appeal to a young audience and we hope it'll make between £40 and £60. | 0:24:26 | 0:24:29 | |
Brilliant. £42 paid. So they paid the right price. | 0:24:29 | 0:24:32 | |
Now, continuing the theme, | 0:24:32 | 0:24:34 | |
-we've got this Bakelite mains radio. -Yes. | 0:24:34 | 0:24:37 | |
I have a difficulty with these, because they don't really do it for me. | 0:24:37 | 0:24:40 | |
Doesn't it give you that retro feel? | 0:24:40 | 0:24:42 | |
I feel a retro feel, but if you gave me a green one... | 0:24:42 | 0:24:45 | |
If you gave me any other colour than that dark brown, | 0:24:45 | 0:24:48 | |
I think I might start getting a bit excited. | 0:24:48 | 0:24:50 | |
-But it is the most ordinary colour of Bakelite, isn't it? -It is. | 0:24:50 | 0:24:53 | |
-'40s, early '50s. -If you think back to the war years | 0:24:53 | 0:24:56 | |
and what was blaring out of this radio, | 0:24:56 | 0:24:58 | |
-and to me, that's a bit of history. -Yeah, yeah. | 0:24:58 | 0:25:01 | |
-You feel a bit of Vera Lynn coming on, don't you? -You do. | 0:25:01 | 0:25:04 | |
White Cliffs Of Dover, Tim. We did it! | 0:25:04 | 0:25:06 | |
-Yes. -Important the Bakelite is in good condition - no cracks, | 0:25:06 | 0:25:09 | |
no problems at all with it, Tim. We hope it'll make | 0:25:09 | 0:25:11 | |
probably between £30 and £50 | 0:25:11 | 0:25:13 | |
-and it might have some legs to move a bit more. -That's good. | 0:25:13 | 0:25:16 | |
£40 was paid, actually. | 0:25:16 | 0:25:18 | |
So that's OK. | 0:25:18 | 0:25:19 | |
Lastly, they've gone back to the '60s again - | 0:25:19 | 0:25:22 | |
the designer coffee table | 0:25:22 | 0:25:24 | |
with a glass jazzy top. | 0:25:24 | 0:25:26 | |
It's swinging, Tim. | 0:25:26 | 0:25:28 | |
I wasn't around in the Swinging '60s - were you? | 0:25:28 | 0:25:30 | |
No! | 0:25:30 | 0:25:32 | |
No, no. | 0:25:32 | 0:25:33 | |
Tim, it just has a look | 0:25:33 | 0:25:35 | |
and it's got a nostalgia for many of our clients who come to our sales. | 0:25:35 | 0:25:39 | |
How much, then? | 0:25:39 | 0:25:40 | |
The snooker cue legs... It just is an iconic piece of furniture. | 0:25:40 | 0:25:44 | |
-Between £30 and £50. -Very nice. | 0:25:44 | 0:25:47 | |
-£22 paid. -Good. | 0:25:47 | 0:25:48 | |
So overall, I would day this team have done extremely well. | 0:25:48 | 0:25:52 | |
They may not need their bonus buy, | 0:25:52 | 0:25:54 | |
but let's have a look at it anyway. | 0:25:54 | 0:25:55 | |
-Ange, Olivia - happy? -Yes. -Ecstatic. | 0:25:57 | 0:25:59 | |
Well, you were so tight, you only spent £104. | 0:25:59 | 0:26:03 | |
You gave your man £196. | 0:26:03 | 0:26:05 | |
David Harper is known to be a big spender. | 0:26:05 | 0:26:07 | |
He just loves to take a lump of money | 0:26:07 | 0:26:10 | |
and go out there and convert it into a really expensive object. | 0:26:10 | 0:26:12 | |
So, let's see what the maestro really found out there | 0:26:12 | 0:26:15 | |
to cream up the profits by spending it all! | 0:26:15 | 0:26:19 | |
Thanks, Tim! Fabulous! | 0:26:19 | 0:26:20 | |
Well, it's teamwork. | 0:26:20 | 0:26:22 | |
These two are really tight, hard negotiators. | 0:26:22 | 0:26:25 | |
-I did the same. I hardly spent anything. -Really? | 0:26:25 | 0:26:27 | |
But I've stayed with the 20th-century theme... | 0:26:27 | 0:26:30 | |
HE HUMS A FANFARE | 0:26:30 | 0:26:31 | |
It's 20th century! | 0:26:33 | 0:26:35 | |
I'm surprised! | 0:26:35 | 0:26:37 | |
Thank you! Is that a good thing? | 0:26:37 | 0:26:39 | |
I quite like it. | 0:26:39 | 0:26:41 | |
What normally goes up the back there, Dave? | 0:26:41 | 0:26:43 | |
Some kind of lighting apparatus. | 0:26:43 | 0:26:44 | |
Would that be with it, then? | 0:26:44 | 0:26:46 | |
I think I might have lost that, Tim. | 0:26:46 | 0:26:48 | |
So we've got no lighting apparatus, | 0:26:48 | 0:26:51 | |
-we've got no chimney... -No, nothing at all. | 0:26:51 | 0:26:53 | |
That's it. | 0:26:53 | 0:26:55 | |
We've got a bit of film. | 0:26:55 | 0:26:56 | |
-Does that make the difference? -Yes. | 0:26:56 | 0:26:58 | |
King George VI | 0:26:58 | 0:26:59 | |
on an outing with the Queen Mum | 0:26:59 | 0:27:02 | |
and our current Queen, | 0:27:02 | 0:27:04 | |
wandering around the crowds, I think in Scotland. | 0:27:04 | 0:27:06 | |
Genuine film footage. | 0:27:06 | 0:27:08 | |
-How much did you pay? -I think absolutely a ridiculous amount - 20 quid. | 0:27:08 | 0:27:12 | |
-20. -Really? | 0:27:12 | 0:27:14 | |
Yeah, it's very different. | 0:27:14 | 0:27:15 | |
It probably wouldn't have been my first choice, | 0:27:15 | 0:27:18 | |
but I think when you say about the history of it... | 0:27:18 | 0:27:21 | |
What he said was... What you really like is the £20! | 0:27:21 | 0:27:27 | |
-Be honest about it! -Yes! | 0:27:27 | 0:27:29 | |
Anyway, I think we all love it. | 0:27:29 | 0:27:31 | |
Why don't we find out whether the auctioneer, for the audience at home, loves it or not? | 0:27:31 | 0:27:35 | |
There we go, Charles. | 0:27:35 | 0:27:37 | |
This is entertainment for you. | 0:27:37 | 0:27:39 | |
It looks to be early 20th century. | 0:27:39 | 0:27:41 | |
Nice ebonised turning handle there, | 0:27:41 | 0:27:43 | |
but in no way would you really be able to view this film | 0:27:43 | 0:27:46 | |
using this kit as it is at the moment. | 0:27:46 | 0:27:48 | |
There's nothing there to view with. | 0:27:48 | 0:27:50 | |
We've been quite generous. | 0:27:50 | 0:27:51 | |
We've put £30 to £50, but frankly, because it's so incomplete, | 0:27:51 | 0:27:54 | |
-it could make £10. -Yes. | 0:27:54 | 0:27:56 | |
OK, well, David Harper paid £20. | 0:27:56 | 0:27:59 | |
So he's paid the right price for something that is interesting, | 0:27:59 | 0:28:03 | |
but it ain't going to bring a big profit | 0:28:03 | 0:28:05 | |
if the team decide to go with it. | 0:28:05 | 0:28:06 | |
-Are you taking the sale today? -I am, Tim. -Thank goodness we're in safe hands! | 0:28:06 | 0:28:10 | |
I'm asking 100 now. | 0:28:12 | 0:28:13 | |
Going at 90 and gone at £90. | 0:28:13 | 0:28:17 | |
-So, Anita, Kate, this is exciting, isn't it? -Yes. | 0:28:17 | 0:28:20 | |
You could not get a sheet of Bronco between people in this room. | 0:28:20 | 0:28:23 | |
It is jam-packed. | 0:28:23 | 0:28:25 | |
They know that they're here to buy your items! | 0:28:25 | 0:28:28 | |
Anyway, your calculator, | 0:28:28 | 0:28:31 | |
-which Catherine found... -Yes, she did. | 0:28:31 | 0:28:34 | |
We know it's in brilliant condition, | 0:28:34 | 0:28:37 | |
because this is estimated at £200 to £300. | 0:28:37 | 0:28:40 | |
Wow! | 0:28:40 | 0:28:41 | |
Then we've got the musical compact. | 0:28:41 | 0:28:43 | |
He cannot understand in any way shape or form, my friend Kate... | 0:28:43 | 0:28:48 | |
-No, seriously, you paid £120 for it. -We did. | 0:28:48 | 0:28:51 | |
Why did you pay £120 for it? | 0:28:51 | 0:28:53 | |
Because we'd run out of time! | 0:28:53 | 0:28:55 | |
In which case, you're going to need to shut and fasten the gate! | 0:28:55 | 0:28:58 | |
OK. Anyway, all of that is later. | 0:28:58 | 0:29:01 | |
First up is Catherine's brilliant calculator. | 0:29:01 | 0:29:04 | |
Look out - here it comes. | 0:29:04 | 0:29:06 | |
Number 64 is a really interesting lot. | 0:29:06 | 0:29:08 | |
-Lots and lots of interest in this lot. -Good. | 0:29:08 | 0:29:12 | |
If my maths is correct, | 0:29:12 | 0:29:14 | |
70, 80, 90, 100. | 0:29:14 | 0:29:17 | |
120, 150, 180. | 0:29:17 | 0:29:19 | |
200. | 0:29:19 | 0:29:21 | |
220, 240, 260, 280... | 0:29:21 | 0:29:25 | |
-NO! -Yes! | 0:29:25 | 0:29:27 | |
And I've got 280. | 0:29:27 | 0:29:29 | |
290, 300 I'm bid. | 0:29:29 | 0:29:31 | |
-I don't believe it! -I'm asking 310 now. | 0:29:31 | 0:29:34 | |
310. | 0:29:34 | 0:29:35 | |
320, 330. I'm out to you, sir. | 0:29:35 | 0:29:38 | |
-Oh, well done! -330 is a wonderful thing. At 330. | 0:29:38 | 0:29:42 | |
In the room now. Bid me 340, surely. | 0:29:42 | 0:29:45 | |
Going once, we sell at 300... 340! | 0:29:45 | 0:29:49 | |
340 on the net! | 0:29:49 | 0:29:51 | |
345 in the saleroom. | 0:29:51 | 0:29:52 | |
350. 355? Are you sure? | 0:29:52 | 0:29:55 | |
We go on the net at £350. | 0:29:55 | 0:29:59 | |
Going...going... | 0:29:59 | 0:30:01 | |
gone! | 0:30:01 | 0:30:02 | |
That is amazing! | 0:30:02 | 0:30:04 | |
Well done! | 0:30:04 | 0:30:05 | |
Phew! | 0:30:05 | 0:30:06 | |
£280! | 0:30:06 | 0:30:08 | |
£280 profit! | 0:30:08 | 0:30:11 | |
-£280 profit! -Ooh, I've gone all goosey! | 0:30:11 | 0:30:13 | |
How good is that?! | 0:30:13 | 0:30:15 | |
280. | 0:30:15 | 0:30:17 | |
It's a good job I've got a strong heart! | 0:30:17 | 0:30:19 | |
Hallmarked tongs, Sheffield 1890. They are solid silver. | 0:30:19 | 0:30:23 | |
And they've got a lovely Dublin-style harp. | 0:30:23 | 0:30:26 | |
And I'm only bid here £18. | 0:30:26 | 0:30:28 | |
20 I'll take now. | 0:30:28 | 0:30:30 | |
22... 5. | 0:30:30 | 0:30:31 | |
25 online. | 0:30:31 | 0:30:33 | |
28. 30. | 0:30:33 | 0:30:34 | |
2. 5. | 0:30:34 | 0:30:35 | |
Yes! Well done! | 0:30:35 | 0:30:37 | |
8. 40. | 0:30:37 | 0:30:38 | |
42. 45. | 0:30:38 | 0:30:39 | |
48. | 0:30:39 | 0:30:41 | |
One more, sir? 48? | 0:30:41 | 0:30:43 | |
No, he says. At £45. | 0:30:43 | 0:30:45 | |
Gavel's up. | 0:30:45 | 0:30:47 | |
That's £10. You're building here | 0:30:47 | 0:30:50 | |
to £290! | 0:30:50 | 0:30:53 | |
Now, coming up, your compact. | 0:30:53 | 0:30:55 | |
Be positive! | 0:30:58 | 0:30:59 | |
It's a musical compact | 0:30:59 | 0:31:01 | |
and I've got £55. Bid me 60 now. | 0:31:01 | 0:31:04 | |
55 I am bid. | 0:31:04 | 0:31:06 | |
65. 70. | 0:31:06 | 0:31:07 | |
80. 90. | 0:31:07 | 0:31:09 | |
5 online. 100, madam? | 0:31:09 | 0:31:11 | |
100. Online, 110. | 0:31:11 | 0:31:13 | |
115. | 0:31:13 | 0:31:15 | |
At £115, you're out online. | 0:31:15 | 0:31:18 | |
We sell to a lady. | 0:31:18 | 0:31:20 | |
-Aw! -Well done. -Minus £5. | 0:31:20 | 0:31:22 | |
I know. Very, very close for that. | 0:31:22 | 0:31:25 | |
But it made 115. He said 40 to 60. | 0:31:25 | 0:31:28 | |
You were really there, weren't you? | 0:31:28 | 0:31:31 | |
You knew! | 0:31:31 | 0:31:33 | |
Listen, minus £5 means you are plus £285. | 0:31:33 | 0:31:37 | |
We'll have to go down to the cash machine for that lot! | 0:31:37 | 0:31:40 | |
I tell you. This is brilliant. | 0:31:40 | 0:31:42 | |
Now, what are you going to do about the shut and fasten gate sign? | 0:31:42 | 0:31:45 | |
-Are you going to risk £43? -Absolutely. | 0:31:45 | 0:31:48 | |
We trust you. | 0:31:48 | 0:31:50 | |
What do you think? | 0:31:50 | 0:31:52 | |
SHE MOUTHS | 0:31:52 | 0:31:54 | |
I'm not saying anything. | 0:31:54 | 0:31:55 | |
She can't say a scrap, poor love. | 0:31:55 | 0:31:57 | |
You have to decide yourselves. | 0:31:57 | 0:31:58 | |
Yes. | 0:31:58 | 0:32:00 | |
Let's take a risk. | 0:32:00 | 0:32:02 | |
-You've got a nice feeling about it, Anita, haven't you? -I think it's all right, yes. | 0:32:02 | 0:32:06 | |
-It's an open and shut case. -It is! | 0:32:06 | 0:32:08 | |
Anyway, here comes the sign. | 0:32:09 | 0:32:11 | |
It's a shut and fasten gate sign | 0:32:11 | 0:32:13 | |
and I'm bid here only £35. | 0:32:13 | 0:32:15 | |
40 online. Lots of hands. | 0:32:15 | 0:32:17 | |
-45. 50. -Yes! | 0:32:17 | 0:32:19 | |
Well done. | 0:32:19 | 0:32:21 | |
You're in profit, darling. | 0:32:21 | 0:32:22 | |
Online, bid me 60. | 0:32:22 | 0:32:24 | |
60. 5. Online, bid me 70 now. | 0:32:24 | 0:32:26 | |
Look at that! | 0:32:26 | 0:32:28 | |
70 I'm bid. Bid me 5. | 0:32:28 | 0:32:29 | |
Going, going... | 0:32:29 | 0:32:31 | |
on the net at 70. | 0:32:31 | 0:32:33 | |
That's plus £27. | 0:32:33 | 0:32:35 | |
-That's a very good number. -Well done. | 0:32:35 | 0:32:37 | |
Well done to you. | 0:32:37 | 0:32:39 | |
-Well done, my girls. -2 and 8 is 10... | 0:32:39 | 0:32:41 | |
That's 11. | 0:32:41 | 0:32:42 | |
That is 312 smackers! | 0:32:42 | 0:32:45 | |
Brilliant! | 0:32:45 | 0:32:46 | |
312 smackers! | 0:32:46 | 0:32:48 | |
That is so mature. That's so good. | 0:32:48 | 0:32:50 | |
Well done, Catherine. | 0:32:50 | 0:32:52 | |
OK, Ange, Ollie. | 0:33:00 | 0:33:02 | |
-Do you know how the Reds got on? -No. | 0:33:02 | 0:33:04 | |
-No idea. -That's good. | 0:33:04 | 0:33:06 | |
Now, first up is your 20th-century design chair. | 0:33:06 | 0:33:09 | |
You paid £42 for that vinyl-covered job. | 0:33:09 | 0:33:12 | |
The auctioneer's put £40 to £60 on it, | 0:33:12 | 0:33:15 | |
so he thinks it'll make more than £42, so that's pretty good. | 0:33:15 | 0:33:18 | |
-Good. -What more do you want? -Hope so. | 0:33:18 | 0:33:20 | |
The coffee table I think is really beautiful and terribly good fun. | 0:33:20 | 0:33:24 | |
I think the same. | 0:33:24 | 0:33:26 | |
I do. And if you need to, you can risk it for a biscuit | 0:33:26 | 0:33:30 | |
with the little projector with its film. | 0:33:30 | 0:33:35 | |
First up then is your 20th-century design chair. | 0:33:35 | 0:33:39 | |
Gosh, what a chair, and I kid you not, it's very comfy. | 0:33:39 | 0:33:43 | |
And if you buy it now, you're welcome to sit on it. | 0:33:43 | 0:33:46 | |
I've got two bids here. I will start this lot at £45. | 0:33:46 | 0:33:50 | |
Bid me 50 now | 0:33:50 | 0:33:52 | |
for a really comfortable chair. | 0:33:52 | 0:33:54 | |
55. | 0:33:54 | 0:33:56 | |
5. 60. | 0:33:56 | 0:33:57 | |
One for the road, madam? It's a really nice chair. | 0:33:57 | 0:34:00 | |
-60. -Yes! -Yes! | 0:34:00 | 0:34:03 | |
Do I see 5? You're all out. | 0:34:03 | 0:34:05 | |
Fair warning. | 0:34:05 | 0:34:06 | |
You just made £18. | 0:34:06 | 0:34:09 | |
Just like that. You are amazing. | 0:34:09 | 0:34:11 | |
-Thank you. -Now, Bakelite. | 0:34:11 | 0:34:13 | |
The veneer of Bakelite is in great condition. | 0:34:13 | 0:34:17 | |
I'm only bid for this wonderful radio £22. | 0:34:17 | 0:34:21 | |
Bid 5. I'm out. | 0:34:21 | 0:34:23 | |
All out we are at £25. | 0:34:23 | 0:34:25 | |
Gavel is up and selling. | 0:34:25 | 0:34:28 | |
£25 is minus £15. | 0:34:28 | 0:34:31 | |
You had £18. You've now got £3. | 0:34:31 | 0:34:33 | |
-At least we're in profit. -That's true. | 0:34:33 | 0:34:35 | |
And you are such a lovely optimist! | 0:34:35 | 0:34:38 | |
Now, here we go. Here comes your coffee table. | 0:34:38 | 0:34:40 | |
Oh, please! | 0:34:40 | 0:34:41 | |
This is cool. | 0:34:41 | 0:34:43 | |
It really captures the essence of the Swinging '60s | 0:34:43 | 0:34:47 | |
and I'm only bid here £15. | 0:34:47 | 0:34:50 | |
It's iconic. 15 I'm bid. | 0:34:50 | 0:34:52 | |
Do I see 18 now? | 0:34:52 | 0:34:54 | |
-£15. -Come on! Lift it up! | 0:34:54 | 0:34:56 | |
£15. Just look at it! | 0:34:56 | 0:34:58 | |
18, do I see now? | 0:34:58 | 0:34:59 | |
-18. 20. -Yes! | 0:34:59 | 0:35:01 | |
Go on! | 0:35:01 | 0:35:02 | |
At £20. | 0:35:02 | 0:35:04 | |
Surely one more. 25? | 0:35:04 | 0:35:06 | |
ALL CHEER | 0:35:06 | 0:35:08 | |
25. Fair warning. All out. | 0:35:08 | 0:35:10 | |
Sold. | 0:35:10 | 0:35:11 | |
There we go, kids. Look - we're plus £6. | 0:35:11 | 0:35:15 | |
That's a nice number, isn't it? | 0:35:15 | 0:35:16 | |
-Yes. -It's got "plus" in front of it. | 0:35:16 | 0:35:18 | |
-We like the plus. -We like the plus. | 0:35:18 | 0:35:20 | |
What are you going to do about this projector business, then? | 0:35:20 | 0:35:23 | |
Oh, yeah, we're going to go for it, aren't we? | 0:35:23 | 0:35:25 | |
We really like it. It's really unique. | 0:35:25 | 0:35:27 | |
People love the Royals. People go mad for them. | 0:35:27 | 0:35:29 | |
OK, fine, you're going with the bonus buy for £20. | 0:35:29 | 0:35:33 | |
Here it comes. | 0:35:33 | 0:35:34 | |
There we are. Carrying a film reel from George VI. | 0:35:34 | 0:35:37 | |
An interesting bygone. | 0:35:37 | 0:35:39 | |
-Number 92, and I'm only bid...nothing. -What?! | 0:35:39 | 0:35:43 | |
-Oh, come on! -I'm sorry. | 0:35:43 | 0:35:46 | |
This is a wonderful lot for a tenner and I'm out. | 0:35:46 | 0:35:49 | |
Straight in at 10. Come on! | 0:35:49 | 0:35:50 | |
At £10. I'm asking 12 now. | 0:35:50 | 0:35:53 | |
10. 12. 15. | 0:35:53 | 0:35:54 | |
18. 20. | 0:35:54 | 0:35:56 | |
22. | 0:35:56 | 0:35:58 | |
-5? -Yes! -Come on, come on! | 0:35:58 | 0:36:00 | |
-Please! -Go on! | 0:36:00 | 0:36:02 | |
25. 30. | 0:36:02 | 0:36:04 | |
ALL: YES! | 0:36:04 | 0:36:05 | |
Go on! | 0:36:05 | 0:36:06 | |
Yes, yes, 30! | 0:36:06 | 0:36:08 | |
One more. 5. 40. | 0:36:08 | 0:36:10 | |
45. | 0:36:10 | 0:36:12 | |
Are you sure, sir? | 0:36:12 | 0:36:14 | |
-At £40. -Come on - a bit more! | 0:36:14 | 0:36:16 | |
At £40, I will say fair warning. | 0:36:16 | 0:36:18 | |
David Harper! | 0:36:18 | 0:36:20 | |
-Thank you! -Plus £20 on that. | 0:36:23 | 0:36:25 | |
So overall, you're plus £26. | 0:36:25 | 0:36:27 | |
Nothing the matter with that. | 0:36:27 | 0:36:28 | |
That was a struggle, but it got there. | 0:36:28 | 0:36:31 | |
Didn't he do well? | 0:36:31 | 0:36:32 | |
So, £20 on that, £26 overall. | 0:36:32 | 0:36:34 | |
We're going home with folding money, which is lovely. | 0:36:34 | 0:36:37 | |
But we will reveal the end score in just a moment. | 0:36:37 | 0:36:42 | |
-Thank you very much. -Thank you. | 0:36:42 | 0:36:44 | |
Now...well, what a great show we've had today, haven't we? | 0:36:53 | 0:36:55 | |
-Have you been chatting, you Reds and Blues? -No. | 0:36:55 | 0:36:58 | |
-Communicating numbers, for example? -ALL: No. | 0:36:58 | 0:37:01 | |
Well, it's no secret that we have both teams in credit, | 0:37:01 | 0:37:04 | |
taking home money, | 0:37:04 | 0:37:06 | |
which is what it's all about, which is very, very nice. | 0:37:06 | 0:37:09 | |
But there is a chasm of cash | 0:37:09 | 0:37:11 | |
between the two teams, and the team that is running up today, | 0:37:11 | 0:37:14 | |
irrespective of taking home money, | 0:37:14 | 0:37:17 | |
-just happens to be the Blues. -Oh! | 0:37:17 | 0:37:19 | |
-Sorry, team. -It's all right. -You're runners-up, | 0:37:19 | 0:37:22 | |
but by gosh, you did it in style. | 0:37:22 | 0:37:24 | |
There you go. £25, plus a oneser, makes you £26. | 0:37:24 | 0:37:28 | |
Now, you weren't really going anywhere until Harper came along with his projector. | 0:37:28 | 0:37:32 | |
Yeah! | 0:37:32 | 0:37:34 | |
And he coughed a whole £20 on that projector, | 0:37:34 | 0:37:37 | |
which everybody was very sniffy about. | 0:37:37 | 0:37:39 | |
-So you got that one right! -Thank you! | 0:37:39 | 0:37:41 | |
But the victors today go home with £312. | 0:37:41 | 0:37:44 | |
Woo! | 0:37:44 | 0:37:46 | |
Now, we're getting up there with the record-breakers on Bargain Hunt with this. | 0:37:46 | 0:37:50 | |
£312. | 0:37:50 | 0:37:53 | |
Largely because that clever Catherine got £280 profit | 0:37:53 | 0:37:57 | |
on her calculator. | 0:37:57 | 0:37:59 | |
Thank you! | 0:37:59 | 0:38:01 | |
She knows how to add it up, don't you, Catherine? | 0:38:01 | 0:38:03 | |
-Anyway, are you pleased with that? -Absolutely. | 0:38:03 | 0:38:06 | |
-You've had a nice time? -We've loved it. -Super. | 0:38:06 | 0:38:08 | |
We've loved having you on the show. | 0:38:08 | 0:38:09 | |
-In fact, join us soon for some more bargain-hunting, yes? -ALL: YES! | 0:38:09 | 0:38:14 | |
I know you're sitting there thinking, | 0:38:14 | 0:38:17 | |
"I could have done better than that!" | 0:38:17 | 0:38:19 | |
Well, what's stopping you? | 0:38:19 | 0:38:21 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:38:21 | 0:38:26 | |
It'll be splendid to see you! | 0:38:26 | 0:38:28 |