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Today we're at the Kent Showground, | 0:00:07 | 0:00:09 | |
at the former RAF Detling. | 0:00:09 | 0:00:12 | |
From here in WWII spitfires took off to fight for king and country. | 0:00:12 | 0:00:18 | |
Today it's not so much a battle in the air, but a battle at the fair. | 0:00:18 | 0:00:23 | |
Ha! Let's go bargain hunting! Yeah! | 0:00:23 | 0:00:26 | |
During the wars squadrons from RAF Detling provided air cover | 0:00:52 | 0:00:57 | |
for the greatest amphibious landings ever - D-day. | 0:00:57 | 0:01:02 | |
The question is - will it be the day today for our teams, | 0:01:02 | 0:01:07 | |
or will their profits simply nosedive? | 0:01:07 | 0:01:10 | |
Let's have a quick peek as to what's coming up. | 0:01:10 | 0:01:12 | |
Have the Reds forgotten the rules of Bargain Hunt? | 0:01:14 | 0:01:17 | |
We're not allowed to not have three objects. | 0:01:17 | 0:01:19 | |
OK, so we've got to have a third object. | 0:01:19 | 0:01:22 | |
And have the Blues forgotten the name of the game? | 0:01:22 | 0:01:25 | |
I think it's hideous. | 0:01:25 | 0:01:27 | |
-It's apparently Mongolian. -That's the game. | 0:01:27 | 0:01:29 | |
Bargain Hideous Hunt. Am I right? | 0:01:29 | 0:01:32 | |
Ha! So let's meet the teams. | 0:01:32 | 0:01:34 | |
On the show today we've got two married couples. | 0:01:37 | 0:01:40 | |
David and Caroline for the Reds, and Gosia and Louis for the Blues. | 0:01:40 | 0:01:45 | |
-Hello, everyone. -Hello! | 0:01:45 | 0:01:47 | |
Lovely to see you. Now, Caroline, how did you two meet? | 0:01:47 | 0:01:50 | |
Well, we met in a recording studio. | 0:01:50 | 0:01:52 | |
I was recording a jazz album at the time | 0:01:52 | 0:01:55 | |
and the producer who was producing me | 0:01:55 | 0:01:57 | |
then called in David who was a mate and said, "Oh, come down, listen | 0:01:57 | 0:02:01 | |
"to this album," and basically he came in | 0:02:01 | 0:02:03 | |
and checked out all the album. | 0:02:03 | 0:02:05 | |
-Checked you out too. -That's exactly what he did. | 0:02:05 | 0:02:07 | |
-And the rest, as they say... -Is history. -How lovely is that? | 0:02:09 | 0:02:13 | |
-So you have been a professional singer for a while. -A long time. | 0:02:13 | 0:02:18 | |
I had my first major record contract with the first ever | 0:02:18 | 0:02:21 | |
independent record label, which was Major Minor. | 0:02:21 | 0:02:23 | |
-And I was 12 years of age. -You weren't! -I was. | 0:02:23 | 0:02:26 | |
Do you remember what you sang? | 0:02:26 | 0:02:28 | |
I had a song recorded, it was called Dream Boy. | 0:02:28 | 0:02:31 | |
-Have you got a little line of it in your head? -No. -Oh, come on! | 0:02:31 | 0:02:34 | |
-It's too long ago. -Come on, don't be like that. -No. | 0:02:34 | 0:02:37 | |
The first one that you ever had, go on, give us a trill of Dream Boy. | 0:02:37 | 0:02:41 | |
# Cos he's my dream boy and I love him so | 0:02:41 | 0:02:45 | |
# My dream boy, never let him go... # | 0:02:45 | 0:02:47 | |
-See! They never, ever forget their lines. -Something like that! | 0:02:47 | 0:02:51 | |
That is so cool. Anyway. Fantastic. | 0:02:51 | 0:02:55 | |
So, David, you're Caroline's producer. | 0:02:55 | 0:02:57 | |
-Yes, I am. -What are you up to at the moment? | 0:02:57 | 0:02:59 | |
I'm doing Caroline's album at the moment and I'm also doing | 0:02:59 | 0:03:02 | |
an album with a lady called Tayo Hendrix, daughter of Jimi. | 0:03:02 | 0:03:07 | |
And that's enough at the moment. | 0:03:07 | 0:03:09 | |
Now, David, you've had your fair share of brushes with stardom, | 0:03:09 | 0:03:12 | |
-haven't you? -Yeah. Yeah. | 0:03:12 | 0:03:13 | |
Well, I worked with a band called The Foundations for about 12 years. | 0:03:13 | 0:03:17 | |
We worked all over the world. | 0:03:17 | 0:03:18 | |
And you weren't in on that Build Me Up Buttercup, were you? | 0:03:18 | 0:03:21 | |
Yes, that was the group I worked in, | 0:03:21 | 0:03:23 | |
but I didn't play on the original record. | 0:03:23 | 0:03:25 | |
-That was a good record, wasn't it? -Oh, it's a classic. | 0:03:25 | 0:03:28 | |
-Anyway. Very, very good luck today. -Thank you. | 0:03:28 | 0:03:31 | |
-Now, Gosia. You're from Poland originally. -Yes, I am. | 0:03:31 | 0:03:35 | |
And what dragged you to the United Kingdom? | 0:03:35 | 0:03:37 | |
Well, at the beginning it was supposed to be only one year | 0:03:37 | 0:03:40 | |
and kind of polishing my English. But that one year turned into ten. | 0:03:40 | 0:03:45 | |
-You're also frightfully keen on the theatre. -Horribly. Horribly. | 0:03:45 | 0:03:49 | |
That's why I love London. | 0:03:49 | 0:03:51 | |
-It's the capital of the world in terms of theatre. -Brilliant. | 0:03:51 | 0:03:55 | |
Now, Louis, you got hitched in a rather unusual way, didn't you? | 0:03:55 | 0:03:58 | |
Well, we had a football themed wedding | 0:03:58 | 0:04:00 | |
and being an Arsenal fan I went in the Arsenal colours. | 0:04:00 | 0:04:03 | |
I had the red tunic with the white armbands. | 0:04:03 | 0:04:09 | |
It looked just like the 1970s kit, which was always the best kit. | 0:04:09 | 0:04:12 | |
-So the full strip. -The full strip, we had the aisle turfed. | 0:04:12 | 0:04:15 | |
-You didn't... -We did. We had a very understanding priest. | 0:04:15 | 0:04:19 | |
You certainly did. | 0:04:19 | 0:04:20 | |
So you put the turf down the aisle, you go in your strip, | 0:04:20 | 0:04:24 | |
what else happened? | 0:04:24 | 0:04:25 | |
The Fulham Brass Band played us down the aisle | 0:04:25 | 0:04:27 | |
to the theme tune of The Big Match. | 0:04:27 | 0:04:30 | |
-Oh, fantastic! -Do you remember the 1970s programme? | 0:04:30 | 0:04:32 | |
HE HUMS THE THEME TUNE | 0:04:32 | 0:04:34 | |
So we went down the aisle to that | 0:04:34 | 0:04:36 | |
and when we left we went to the music of Match Of The Day. | 0:04:36 | 0:04:39 | |
Because it was Match Of The Day. | 0:04:39 | 0:04:41 | |
Well, it was. It was the wedding of the century, I would've thought. | 0:04:41 | 0:04:44 | |
-It was brilliant. -Brilliant. | 0:04:44 | 0:04:46 | |
Now, £300 apiece, there's your £300. | 0:04:46 | 0:04:49 | |
You know the rules. Your experts await. And off you go! | 0:04:49 | 0:04:52 | |
And very, very, very good luck! | 0:04:52 | 0:04:55 | |
Lovely! | 0:04:55 | 0:04:56 | |
Now, let's meet our experts. | 0:04:58 | 0:05:01 | |
He's a man-akin to all things antique. | 0:05:02 | 0:05:06 | |
For the Reds it's Jonathan Pratt. | 0:05:06 | 0:05:08 | |
For the Blues it's our worldly-wise Kate Bliss. | 0:05:08 | 0:05:12 | |
She's just out of this world. | 0:05:12 | 0:05:13 | |
-Now, you're both in the music industry. -We are. | 0:05:15 | 0:05:17 | |
Is that going to influence what you're going to be buying today, | 0:05:17 | 0:05:19 | |
-do you think? -Of course. It definitely will. -How? | 0:05:19 | 0:05:22 | |
It's got to sing to me. | 0:05:22 | 0:05:23 | |
Now, Louis, you've got interesting footwear on. | 0:05:23 | 0:05:25 | |
-Yeah, yellow socks. It's to go with the Arsenal away kit. -I see. | 0:05:25 | 0:05:28 | |
-Cos you're a major football fan, aren't you? -Absolutely. | 0:05:28 | 0:05:31 | |
-I was mortified when we were the Blue team. -I see. | 0:05:31 | 0:05:34 | |
I love glass, so maybe a nice big piece of glass | 0:05:34 | 0:05:37 | |
that makes a statement. | 0:05:37 | 0:05:38 | |
OK. And you'll just do whatever she says? | 0:05:38 | 0:05:40 | |
-Of course. -No. | 0:05:40 | 0:05:42 | |
Are you out for some fun today? | 0:05:42 | 0:05:43 | |
Obviously I'm going for tacky silly items that put the smile | 0:05:43 | 0:05:48 | |
-hopefully on yours, Louis' and my face. -Fantastic. Let's get to it. | 0:05:48 | 0:05:51 | |
Excellent. Let's go. | 0:05:51 | 0:05:52 | |
So, off you go, teams. | 0:05:52 | 0:05:54 | |
Hold on. Is David about to strum his stuff? | 0:05:54 | 0:05:58 | |
That's quite cool, isn't it? | 0:05:58 | 0:05:59 | |
-Isn't it?. -Is that someone's just done some decoupage on it? | 0:05:59 | 0:06:02 | |
It looks like it. | 0:06:02 | 0:06:03 | |
-Do you play? -A little bit. | 0:06:03 | 0:06:06 | |
Oh, it's way out of tune. | 0:06:06 | 0:06:09 | |
Oh, David, you musicians should be in tune with one another. | 0:06:09 | 0:06:13 | |
How are our other married couple doing? | 0:06:13 | 0:06:15 | |
Seems like they're going to go tribal. | 0:06:15 | 0:06:17 | |
I said that tribal art was something that we'd look for, | 0:06:19 | 0:06:23 | |
and these look, er... | 0:06:23 | 0:06:25 | |
-..pretty tribal to me. -They do, very tribal. | 0:06:27 | 0:06:29 | |
You've got three graduated heads there. | 0:06:29 | 0:06:31 | |
Now, I have to say, tribal art is a very specialised subject. | 0:06:31 | 0:06:33 | |
It's not my field, | 0:06:33 | 0:06:35 | |
in fact it couldn't be further from my field actually. | 0:06:35 | 0:06:37 | |
Difficult to tell with really hard woods like this | 0:06:37 | 0:06:40 | |
the age, cos they don't wear like English woods | 0:06:40 | 0:06:44 | |
-or they don't distress. -Right. | 0:06:44 | 0:06:45 | |
Also, there's a lot of modern pieces on the market. | 0:06:45 | 0:06:48 | |
There's a flood of imports of this sort of thing. | 0:06:48 | 0:06:51 | |
So we've got to be careful to find something perhaps a little bit | 0:06:51 | 0:06:53 | |
-special rather than something that's been mass produced. -Indeed. | 0:06:53 | 0:06:57 | |
Wise words from our Kate. | 0:06:57 | 0:06:58 | |
And it does look fairly generic. | 0:06:58 | 0:07:00 | |
Um, that's the only problem. It's not something that really grabs me. | 0:07:00 | 0:07:05 | |
Shall we keep going? Perhaps we could always come back. | 0:07:05 | 0:07:07 | |
Yeah, sure. | 0:07:07 | 0:07:09 | |
So, you wisely left your tribal art alone, Blues. | 0:07:09 | 0:07:12 | |
# When two tribes go to war | 0:07:12 | 0:07:14 | |
# A point is all you can score... # | 0:07:14 | 0:07:17 | |
Talking of tribes, how are our Red tribe doing? | 0:07:17 | 0:07:21 | |
-Jonathan? -Oh, yeah, yeah. | 0:07:21 | 0:07:23 | |
-You're back onto guitars again, are you? -No, got a banjo. | 0:07:23 | 0:07:26 | |
Do you play the banjo? | 0:07:26 | 0:07:28 | |
-I do, I play the banjo. -Do you play the banjo, officer? | 0:07:28 | 0:07:31 | |
I actually do play the banjo. | 0:07:33 | 0:07:34 | |
-I couldn't play that cos it's really badly out of tune. -Oh, is it? | 0:07:34 | 0:07:37 | |
-Well, then, guitar. -No, it's really out of tune. | 0:07:37 | 0:07:40 | |
-With my little ukelele in my hand. -Would you buy a musical instrument? | 0:07:40 | 0:07:43 | |
-No. Cos we've got loads. -Have you? -Yeah, we're full of... | 0:07:43 | 0:07:46 | |
-Yeah, but it isn't for you to keep. -It's not for us, is it? | 0:07:46 | 0:07:49 | |
It's to sell, darling. | 0:07:49 | 0:07:50 | |
-If you've got loads of them you might know about them. -Yeah, I know. | 0:07:50 | 0:07:53 | |
This is Bargain Hunt. It's called Bargain Hunt. | 0:07:53 | 0:07:56 | |
In case you'd forgotten. | 0:07:56 | 0:07:57 | |
I know that, all I'm saying is... | 0:07:57 | 0:07:59 | |
Do you think you're going to take... Told you. Give a woman money... | 0:07:59 | 0:08:04 | |
You can't have this! I'm not selling it. | 0:08:04 | 0:08:06 | |
Told you. | 0:08:07 | 0:08:08 | |
Oh, dear. Better brush up on the rules of the game, Caroline, | 0:08:08 | 0:08:11 | |
and how are your opponents doing? | 0:08:11 | 0:08:14 | |
Looks like the Blues have clocked something. | 0:08:14 | 0:08:16 | |
Who writes this? | 0:08:16 | 0:08:17 | |
-It's quite striking, isn't it? -Yeah. | 0:08:17 | 0:08:19 | |
Get it? | 0:08:19 | 0:08:21 | |
Oh! I'm in stitches, Kate(!) | 0:08:21 | 0:08:23 | |
Antiquite de Paris literally means Antique Of Paris, | 0:08:23 | 0:08:26 | |
-I'm right in saying, which rings alarm bells. -Yeah. | 0:08:26 | 0:08:30 | |
Cos although it's quite distressed, | 0:08:30 | 0:08:33 | |
if you look at the dial here that's been printed, | 0:08:33 | 0:08:37 | |
and all the distressing is within the print so it's made to look old. | 0:08:37 | 0:08:42 | |
But, you know, it's a nice decorative piece. | 0:08:42 | 0:08:45 | |
I quite like the little fleur de lis on the hands there. | 0:08:45 | 0:08:48 | |
And I can easily see that on someone's wall in the modern | 0:08:48 | 0:08:51 | |
type of flat or house. | 0:08:51 | 0:08:54 | |
I think it's too conservative. | 0:08:54 | 0:08:56 | |
Shall we just see how much it is? Just out of interest. | 0:08:56 | 0:08:58 | |
-Hi, there, how much is your clock? -140. -140. | 0:08:58 | 0:09:01 | |
How old did you say it is? | 0:09:01 | 0:09:03 | |
-It's a fairly modern piece. It is within the last 10-15 years. -Yeah. | 0:09:04 | 0:09:10 | |
Very decorative but not an antique. | 0:09:10 | 0:09:12 | |
And antiques are what we are after, Blues, so keep on hunting. | 0:09:12 | 0:09:16 | |
Meanwhile, could the Reds have sniffed out something special? | 0:09:16 | 0:09:19 | |
It's domed, it's leather covered. | 0:09:20 | 0:09:23 | |
It's late 19th century, so circa 1880, 1890 or thereabouts. | 0:09:23 | 0:09:27 | |
This metal work is sort of reminiscent... | 0:09:27 | 0:09:29 | |
In fact it's probably a bit earlier than that, it might be | 0:09:29 | 0:09:32 | |
more 1880 than anything else. | 0:09:32 | 0:09:33 | |
It has that sort of ecclesiastical feel about it. | 0:09:33 | 0:09:35 | |
-You often see little caddies in this sort of shape too. -Yeah, absolutely. | 0:09:35 | 0:09:39 | |
Which is a nice little thing, you know, | 0:09:39 | 0:09:41 | |
I mean at the very worst-case scenario, someone would have | 0:09:41 | 0:09:44 | |
to refit the interior and just make it a long box for something else. | 0:09:44 | 0:09:47 | |
The reason I'm selling that is I've been looking for the bottles | 0:09:47 | 0:09:50 | |
to look in it but I haven't found them yet. | 0:09:50 | 0:09:52 | |
The other thing is he's got nothing to put in it, | 0:09:52 | 0:09:54 | |
so he's now selling it cos he's spent all his life | 0:09:54 | 0:09:56 | |
trying to find four bottles that fit in there. | 0:09:56 | 0:09:58 | |
He'd be happy to let that go... | 0:09:58 | 0:09:59 | |
He'd be happy to let that go cos quite honestly he'd just | 0:09:59 | 0:10:02 | |
rather see the back of it now, he's sick of it. | 0:10:02 | 0:10:04 | |
-Erm... -He's good. He is good. | 0:10:04 | 0:10:07 | |
You know, you put it into auction | 0:10:07 | 0:10:09 | |
and on the internet you've got the normal sort of 10,000 viewers | 0:10:09 | 0:10:12 | |
that are looking on the website, blah, blah, blah... | 0:10:12 | 0:10:15 | |
Right. How much is it? | 0:10:16 | 0:10:17 | |
I've got 50 on that. | 0:10:17 | 0:10:19 | |
Hmm. I wouldn't pay that for it. | 0:10:19 | 0:10:22 | |
20? | 0:10:22 | 0:10:23 | |
SELLER LAUGHS | 0:10:23 | 0:10:25 | |
20 quid? | 0:10:25 | 0:10:26 | |
Nah, I paid a lot more than that for it. | 0:10:28 | 0:10:31 | |
He was hoping to find the bottles, you see. | 0:10:31 | 0:10:33 | |
But you can't find the bottles and we've got plenty of bottle, | 0:10:33 | 0:10:36 | |
so 20 quid. | 0:10:36 | 0:10:37 | |
The absolute death on that would be £30. I could let you... | 0:10:37 | 0:10:41 | |
- 25. | 0:10:41 | 0:10:43 | |
-Meet you halfway. -We'll meet halfway. | 0:10:43 | 0:10:45 | |
Crikey, these two don't mess about. | 0:10:45 | 0:10:46 | |
25 quid? Meet you halfway? | 0:10:46 | 0:10:48 | |
25. | 0:10:48 | 0:10:49 | |
- Good man. | 0:10:49 | 0:10:50 | |
Good deal. Thank you very much. | 0:10:50 | 0:10:52 | |
-Are you happy with that? -Yeah. | 0:10:52 | 0:10:55 | |
You two drive a hard bargain! | 0:10:55 | 0:10:57 | |
I can't believe I just did that. | 0:10:57 | 0:10:59 | |
Neither can I, sorry. | 0:11:00 | 0:11:04 | |
Took the words right out of my mouth, JP. | 0:11:04 | 0:11:06 | |
You two certainly have got a lot of bottle and your first buy. | 0:11:06 | 0:11:09 | |
Meanwhile, seems like Louis is banging the drum for tribal art | 0:11:10 | 0:11:13 | |
once again. | 0:11:13 | 0:11:15 | |
These fellas here... | 0:11:15 | 0:11:16 | |
They are much more modern. | 0:11:17 | 0:11:19 | |
More modern, yeah, you can see, I think... | 0:11:19 | 0:11:22 | |
And the quality of the carving is just... | 0:11:22 | 0:11:24 | |
I don't know, you can see the face in that. You know, you've got to... | 0:11:24 | 0:11:27 | |
You can see more features, although it does look a lot more modern. | 0:11:27 | 0:11:31 | |
-I don't think the market's quite as good. -I don't like them. | 0:11:31 | 0:11:35 | |
I completely don't like them. | 0:11:35 | 0:11:37 | |
-OK. Gosia says no. -OK, that's fine. | 0:11:37 | 0:11:40 | |
Gosh, Gosia has spoken. | 0:11:41 | 0:11:43 | |
But you're over halfway and you haven't even got your first buy. | 0:11:43 | 0:11:46 | |
Hold on, what's that you've found? Looks familiar. | 0:11:48 | 0:11:52 | |
Oh, that's heavy. | 0:11:52 | 0:11:53 | |
-What do you think of that? -That's brilliant. I love it. | 0:11:54 | 0:11:58 | |
So, it's thumbs up from Louis. | 0:11:58 | 0:12:00 | |
There's a little bit of patina on it. | 0:12:00 | 0:12:02 | |
But age again is so difficult to tell. | 0:12:02 | 0:12:04 | |
I'd certainly say it's 20th century, but probably early 20th century. | 0:12:04 | 0:12:08 | |
What can you tell us? | 0:12:08 | 0:12:09 | |
I think it's about 1920s. | 0:12:09 | 0:12:12 | |
1920s, yeah. | 0:12:12 | 0:12:13 | |
It's probably East African and that's about as much as I know. | 0:12:13 | 0:12:18 | |
Probably what, sorry? | 0:12:18 | 0:12:19 | |
-East African. -East African. Yeah. | 0:12:19 | 0:12:22 | |
That's as much as I know about it. | 0:12:22 | 0:12:24 | |
But it's a nice piece. | 0:12:24 | 0:12:26 | |
-How much is it? -£40 | 0:12:26 | 0:12:27 | |
£40. | 0:12:27 | 0:12:29 | |
Any possible way down? Kind of 30? | 0:12:31 | 0:12:35 | |
I'll come down to 35. | 0:12:35 | 0:12:37 | |
-Not even 30? -All right, £30. | 0:12:37 | 0:12:40 | |
-30 for cash. -Would you like to? | 0:12:40 | 0:12:43 | |
Yeah, I think time's pushing on and I really like that one. | 0:12:43 | 0:12:45 | |
-I think it's got character as well. -It has got character. | 0:12:45 | 0:12:49 | |
It's certainly really heavy, | 0:12:49 | 0:12:50 | |
I mean that's a really dense African wood you've got there. | 0:12:50 | 0:12:53 | |
-It reminds me of a mortar. -Yeah. | 0:12:53 | 0:12:57 | |
Obviously Africans used mortars and pestles and it reminds me | 0:12:57 | 0:13:01 | |
of that the way it's carved out in the top there. | 0:13:01 | 0:13:04 | |
Gosia, what do you think about this? | 0:13:04 | 0:13:05 | |
For £30 or even 29 I would be more than happy to go for that. £30, yeah. | 0:13:05 | 0:13:12 | |
£30 is the price. | 0:13:12 | 0:13:15 | |
Well, you seem to be quite happy and as time's ticking I think | 0:13:15 | 0:13:18 | |
-we ought to make a purchase. -Yeah. | 0:13:18 | 0:13:20 | |
-That looks like a perfect one. -Great. | 0:13:20 | 0:13:21 | |
-Thank you very much. -Thank you. -Thank you. | 0:13:21 | 0:13:24 | |
I'm going to give that to you...Louis, cos it's really heavy. | 0:13:24 | 0:13:29 | |
Blimey. | 0:13:29 | 0:13:31 | |
Yes, you've got to suffer for your art, Louis. | 0:13:31 | 0:13:34 | |
Your first in the bag, Blues. | 0:13:34 | 0:13:36 | |
But you've had nearly 42 minutes on the clock | 0:13:36 | 0:13:38 | |
so you'd better get bagging some more - smartish. | 0:13:38 | 0:13:42 | |
Now, could the Reds have struck lucky with their next find? | 0:13:42 | 0:13:45 | |
When you go to auction things that you can guarantee to get | 0:13:45 | 0:13:48 | |
people interested in is silver. | 0:13:48 | 0:13:50 | |
It has an intrinsic value | 0:13:50 | 0:13:51 | |
and you can find something that can be used. It's quite a big box. | 0:13:51 | 0:13:54 | |
It caught my eye cos the style is very Victorian. | 0:13:54 | 0:13:56 | |
You've got a decorative edge. | 0:13:56 | 0:13:57 | |
-Matches. -Yeah, it's for matches. | 0:13:57 | 0:14:00 | |
-So the whole box... -Oh, look at that. | 0:14:00 | 0:14:02 | |
And so you've got that, | 0:14:02 | 0:14:03 | |
so popping that on the scales you've got an ounce of silver or something. | 0:14:03 | 0:14:07 | |
The thing with these are it's all about condition. | 0:14:07 | 0:14:09 | |
OK, the marks are a downside, but it's a good size. | 0:14:09 | 0:14:12 | |
He says he'll do it for £30, which doesn't strike me... | 0:14:12 | 0:14:18 | |
Oh, JP! | 0:14:18 | 0:14:19 | |
..as particularly expensive. But he might move a touch more on that. | 0:14:19 | 0:14:25 | |
You never know. I think £20-25. | 0:14:25 | 0:14:28 | |
If you got that for 20, I'd say a profit every day of the week. | 0:14:28 | 0:14:31 | |
We don't have an enormous amount of time | 0:14:31 | 0:14:32 | |
and if I can influence you on one item then... | 0:14:32 | 0:14:34 | |
-Man with the orange hat. -Yeah, where is the man with the orange hat? | 0:14:34 | 0:14:37 | |
I do like the hat, actually. | 0:14:37 | 0:14:38 | |
-You're liking it more now. -Oh, hello. | 0:14:38 | 0:14:41 | |
I can do 30 squids. | 0:14:41 | 0:14:42 | |
How about 20? Come on, east end. You've got to be an east end boy. | 0:14:42 | 0:14:45 | |
Yeah. Come on, 20. I... | 0:14:45 | 0:14:48 | |
Scraps alone are more than 30. | 0:14:48 | 0:14:50 | |
I was doing you a tickle at 30. | 0:14:50 | 0:14:51 | |
What you wearing? | 0:14:51 | 0:14:53 | |
-What you got on? -Do you want to go and get a room?! | 0:14:53 | 0:14:57 | |
-Is it the hat? It's the hat, isn't it? -It's the hat. | 0:14:57 | 0:15:00 | |
Bit of a colour clash! | 0:15:00 | 0:15:01 | |
-See you later! -Charming, David. | 0:15:01 | 0:15:04 | |
Honestly, 30 quid. | 0:15:04 | 0:15:05 | |
25. Do it at 25. | 0:15:07 | 0:15:09 | |
Go on, give you a chance. | 0:15:09 | 0:15:10 | |
Thank you very much. | 0:15:11 | 0:15:12 | |
East end boy, deal done. | 0:15:12 | 0:15:14 | |
Right, me east end boy, better get a Bob Murray on cos you're | 0:15:14 | 0:15:17 | |
running out of time to make your final purchase, like. | 0:15:17 | 0:15:22 | |
Do you want to carry on in here or go outside? | 0:15:22 | 0:15:24 | |
-I need to get some air. -The decision will be made outside. We have to buy outside. | 0:15:24 | 0:15:27 | |
I don't think we'll have time to come back in again. | 0:15:27 | 0:15:30 | |
Five minutes to go and the blues have still got one buy. | 0:15:30 | 0:15:33 | |
They need to ride like the wind to get their next two, | 0:15:33 | 0:15:36 | |
so what's this they've found? | 0:15:36 | 0:15:38 | |
Oh-oh! | 0:15:38 | 0:15:40 | |
Can I ask how much for the saddle - the wooden saddle? | 0:15:40 | 0:15:43 | |
£90. | 0:15:43 | 0:15:45 | |
£90 on it? Thank you very much. | 0:15:45 | 0:15:47 | |
-Can you tell us something about it? -It's Mongolian. | 0:15:47 | 0:15:50 | |
-It's Mongolian? -Yes. | 0:15:50 | 0:15:52 | |
And the age of the piece? | 0:15:52 | 0:15:55 | |
-I'm not sure about that. -A saddle. | 0:15:55 | 0:15:57 | |
Ah! | 0:15:57 | 0:15:59 | |
Gosh has spotted it, I think it's hideous. | 0:15:59 | 0:16:01 | |
That's the name of the game. | 0:16:01 | 0:16:04 | |
Bargain "hideous" Hunt. | 0:16:04 | 0:16:05 | |
Not quite, Gosia. | 0:16:05 | 0:16:07 | |
Are you into Mongolian saddles? | 0:16:07 | 0:16:09 | |
No, I used to do horse riding, but I like the piece. | 0:16:09 | 0:16:12 | |
As we've got five minutes, I'm going to leave you to look at that | 0:16:12 | 0:16:16 | |
while I'm whizzing round. | 0:16:16 | 0:16:18 | |
-Thank you. -You buck up, Kate! | 0:16:18 | 0:16:21 | |
Meanwhile, with the Reds, | 0:16:21 | 0:16:23 | |
could Caroline finally get the glass she wanted? | 0:16:23 | 0:16:25 | |
Selling this stuff is a bit of a punt at auction, in the sense | 0:16:25 | 0:16:28 | |
it's all about the people in the room and what they like. | 0:16:28 | 0:16:30 | |
-Would you have it at home? -I would have something like that at home, yeah. | 0:16:30 | 0:16:33 | |
- How much you asking? - £55 on that one and 55 on the green one as well. | 0:16:33 | 0:16:39 | |
The thing is, we have to get things cheap so that we beat the Blue team. | 0:16:39 | 0:16:43 | |
-And we need one more item. -We've bought two items... | 0:16:43 | 0:16:45 | |
-One more. -..we need one more. | 0:16:45 | 0:16:47 | |
Do 45 on one. | 0:16:47 | 0:16:48 | |
But with minutes to go and two buys still to make, | 0:16:49 | 0:16:52 | |
the Blues seem stuck on this 'ere saddle. | 0:16:52 | 0:16:56 | |
-Kate. -Hi, you two. | 0:16:56 | 0:16:58 | |
That one - we had a quick chat with the lady | 0:16:58 | 0:17:02 | |
and the very best price she can offer is £80. | 0:17:02 | 0:17:04 | |
-I know it sounds ridiculous. -Yes. | 0:17:04 | 0:17:06 | |
I know it's a piece of wood, which is | 0:17:06 | 0:17:08 | |
called saddle which doesn't even look like a saddle. | 0:17:08 | 0:17:11 | |
It does look like a saddle, I have to say. | 0:17:11 | 0:17:13 | |
It's £80, but we've got two minutes. | 0:17:13 | 0:17:16 | |
I have to tell you, my gut feeling is, I would put an estimate of... | 0:17:16 | 0:17:21 | |
-£40? -Probably. | 0:17:21 | 0:17:22 | |
£40-£60. | 0:17:22 | 0:17:24 | |
It's totally up to you. | 0:17:24 | 0:17:26 | |
I'm just telling you what my gut instinct is. | 0:17:26 | 0:17:28 | |
If there's a Mongolian saddle collector who spots it, | 0:17:28 | 0:17:31 | |
you never know. | 0:17:31 | 0:17:32 | |
You never, never, never, never know. | 0:17:32 | 0:17:35 | |
Can you just do a tiny bit more, madam, for auction? | 0:17:35 | 0:17:38 | |
Do you do 70 for us? | 0:17:38 | 0:17:39 | |
- £70? | 0:17:39 | 0:17:42 | |
I suppose so, yes. | 0:17:42 | 0:17:43 | |
Fantastic. You're and angel. Thank you. | 0:17:43 | 0:17:45 | |
That's slightly better. | 0:17:45 | 0:17:46 | |
The price thing's worrying me slightly... | 0:17:46 | 0:17:49 | |
Let's not worry, let's not worry. | 0:17:49 | 0:17:51 | |
-Stress-free. -OK. -Stress-free, you know? | 0:17:51 | 0:17:53 | |
-We're spending money. -Are we going to go for this? -Yes. | 0:17:53 | 0:17:56 | |
We're going to do it. We are going to do it. | 0:17:56 | 0:17:58 | |
Thank you so much. | 0:17:58 | 0:18:00 | |
At last. | 0:18:00 | 0:18:01 | |
You might be worried, Kate, but at least you've finally scored your second buy. | 0:18:01 | 0:18:05 | |
You've under two minutes to make your last, | 0:18:05 | 0:18:07 | |
so you'd better trot off, or rather, make that a gallop. | 0:18:07 | 0:18:10 | |
Reds are feeling the pressure too. | 0:18:10 | 0:18:13 | |
I only want to pay 35 quid, basically. | 0:18:13 | 0:18:15 | |
But he won't take 35 quid? | 0:18:15 | 0:18:17 | |
And we're not allowed not to have three objects. | 0:18:17 | 0:18:19 | |
So we've got to have a third object. | 0:18:19 | 0:18:21 | |
-Do you want to carry on walking in the next two minutes? -Yeah. Come on. Quick let's go. Sorry! | 0:18:21 | 0:18:25 | |
We'll get something. | 0:18:25 | 0:18:26 | |
Guys, we have literally a minute. | 0:18:27 | 0:18:29 | |
I've seen two things that are a potential, | 0:18:29 | 0:18:31 | |
-do you want to have a look? -Yes, please. | 0:18:31 | 0:18:32 | |
One minute. You've got to make a decision. | 0:18:32 | 0:18:34 | |
-Is it silver? -No, it's plated. | 0:18:34 | 0:18:37 | |
The price is on the bottom and it's very cheap. | 0:18:37 | 0:18:39 | |
Is it £40? | 0:18:42 | 0:18:44 | |
- This one I can't go less than £80. | 0:18:44 | 0:18:47 | |
- Or there's £80 on a little period which is quite sweet. | 0:18:47 | 0:18:51 | |
-Right. -Heart-shaped trinket box. | 0:18:51 | 0:18:53 | |
Have to say, I prefer the inkwell as well. | 0:18:53 | 0:18:56 | |
-You like the inkwell? -How old is the inkwell? | 0:18:56 | 0:18:58 | |
1925, I think. | 0:18:58 | 0:19:00 | |
So, teams it's the final countdown. | 0:19:00 | 0:19:02 | |
-Wrong show. -No. -25 seconds. | 0:19:02 | 0:19:05 | |
-25 seconds. -You have to buy something. | 0:19:05 | 0:19:07 | |
Let's just go back and get one of those vases. | 0:19:07 | 0:19:10 | |
OK. | 0:19:10 | 0:19:12 | |
I think we'll buy it then, guys. | 0:19:12 | 0:19:14 | |
If you're happy with that, cos we're out of time. | 0:19:14 | 0:19:16 | |
-OK. -£40? | 0:19:16 | 0:19:19 | |
Thank you very much. | 0:19:19 | 0:19:20 | |
-Right, we're going to buy that vase cos we're running out of time. -How much is that, darling? | 0:19:20 | 0:19:25 | |
-I want the green one. -That one there? -Yep. | 0:19:25 | 0:19:27 | |
-Think I'm right? -No time to change your mind. | 0:19:28 | 0:19:30 | |
Instinct is always right. | 0:19:30 | 0:19:33 | |
That's it - your time is up! | 0:19:33 | 0:19:35 | |
Fantastic! We made it! | 0:19:35 | 0:19:37 | |
My goodness, I'm going to have a heart attack. Well done. | 0:19:37 | 0:19:41 | |
Please, don't! | 0:19:41 | 0:19:42 | |
But in their haste, the Reds don't know a thing about their last buy. | 0:19:42 | 0:19:46 | |
-Let's have a look at what we've bought. -Absolutely. | 0:19:46 | 0:19:49 | |
Normally, we do this the other way round, but we ran out of time. | 0:19:49 | 0:19:52 | |
£45 for a 1970s, late '70s probably, nice colour green, | 0:19:52 | 0:19:58 | |
glass bowl. | 0:19:58 | 0:20:00 | |
It's Italian. | 0:20:00 | 0:20:01 | |
You won't lose very much if you lose anything at all. | 0:20:01 | 0:20:04 | |
It's around the right sort of money for it. | 0:20:04 | 0:20:06 | |
So, hopefully, we'll come along and squeeze a fiver or tenner out of it. | 0:20:06 | 0:20:11 | |
-Yeah, whatever. -Three good objects. | 0:20:11 | 0:20:13 | |
-Three good objects. -I thought we done very well. -Yeah, we did. | 0:20:13 | 0:20:16 | |
So let's remind ourselves what the Red team bought. | 0:20:16 | 0:20:19 | |
Could it be the sweet smell of success with this Victorian | 0:20:19 | 0:20:22 | |
scent casket for £25? | 0:20:22 | 0:20:24 | |
With no bottles. | 0:20:24 | 0:20:26 | |
Could they strike gold with a Victorian matchbox holder, | 0:20:26 | 0:20:30 | |
also at £25? | 0:20:30 | 0:20:31 | |
Strike a light! | 0:20:31 | 0:20:34 | |
Finally, they bagged this 1970s glass bowl for £45. | 0:20:34 | 0:20:37 | |
I'm just a bit worried about the last item. | 0:20:39 | 0:20:42 | |
I'm a bit worried about that as well. | 0:20:42 | 0:20:43 | |
I don't like to hear anybody's worried about anything. | 0:20:43 | 0:20:47 | |
Are you really worried? | 0:20:47 | 0:20:48 | |
-It was a really quick, rapid buy. -Was it? | 0:20:48 | 0:20:50 | |
-Very quick. -We had about two seconds left. | 0:20:50 | 0:20:52 | |
You didn't spend much, did you? | 0:20:52 | 0:20:54 | |
-Nah. -How much did you spend? -95 quid. | 0:20:54 | 0:20:56 | |
£95! | 0:20:56 | 0:20:58 | |
-Who's got the £205? -I have. | 0:20:58 | 0:21:00 | |
-Please, may I have it? -I've got to part with it? -You do. | 0:21:00 | 0:21:03 | |
You give it to me and then I give it, like the Inland Revenue, | 0:21:03 | 0:21:06 | |
to somebody else. | 0:21:06 | 0:21:07 | |
-And we've got the five coming, have we? -Delve deep down in my pocket. Yes. | 0:21:07 | 0:21:11 | |
Oh. Lovely, look, bit of shrapnel. | 0:21:11 | 0:21:13 | |
Now, tell me, darling, what's your favourite? | 0:21:13 | 0:21:16 | |
It's the silver matchbox holder. | 0:21:16 | 0:21:18 | |
-That's your favourite-favourite? -I quite like the little box... -The perfume box. | 0:21:18 | 0:21:22 | |
-I thought that was quite nice. -That's your favourite-favourite? | 0:21:22 | 0:21:25 | |
Is it going to bring the biggest profit? | 0:21:25 | 0:21:28 | |
-Silver matchbox. -Is it? -Yeah. | 0:21:28 | 0:21:30 | |
-Definitely. -The silver matchbox, yeah. -Cos we got it so cheap. -Yeah. | 0:21:30 | 0:21:33 | |
Best to agree with the wife, I find. That's fine. That's that sorted. | 0:21:33 | 0:21:36 | |
Now, talking about the handover, here we go - look, JP, | 0:21:36 | 0:21:39 | |
that's a lot of money, isn't it? | 0:21:39 | 0:21:40 | |
It's a lot of money... | 0:21:40 | 0:21:42 | |
You could buy most of the fur with that lot. | 0:21:42 | 0:21:44 | |
Yeah, what am I going to buy? | 0:21:44 | 0:21:45 | |
I really don't know. The world is my oyster with this, Tim. | 0:21:45 | 0:21:48 | |
It's great, isn't it? | 0:21:48 | 0:21:49 | |
It's the passport to riches | 0:21:49 | 0:21:50 | |
and I hope you spend the whole lot, old friend. | 0:21:50 | 0:21:53 | |
-Anyway, have a nice cup of tea, team. -We will. | 0:21:53 | 0:21:55 | |
Meanwhile, we're going to check out | 0:21:55 | 0:21:57 | |
what the Blue team bought, aren't we? | 0:21:57 | 0:21:59 | |
The Blues went for this African hardwood bowl for £30 - | 0:21:59 | 0:22:02 | |
straight from the airport. | 0:22:02 | 0:22:05 | |
Next they reigned in the Mongolian wooden saddle. | 0:22:05 | 0:22:08 | |
Finally they signed up to this 1920s silver inkwell for £40. | 0:22:10 | 0:22:14 | |
What is recovery required for, pray? It was all fun, wasn't it? | 0:22:16 | 0:22:20 | |
-Brilliant. -Absolutely delightful fun. -And hard work. | 0:22:20 | 0:22:24 | |
Spending somebody else's money. | 0:22:24 | 0:22:25 | |
Anyway, which is your favourite piece? | 0:22:25 | 0:22:28 | |
I would stick with mine which is a wooden saddle. | 0:22:28 | 0:22:32 | |
-Saddle? -Yes. | 0:22:32 | 0:22:34 | |
-That's your favourite? -Yes. | 0:22:34 | 0:22:35 | |
-Good. -Mine's definitely my tribal art. | 0:22:35 | 0:22:37 | |
-Is it, Louis? -Indeed. -OK. Is that going to bring the biggest profit? | 0:22:37 | 0:22:40 | |
-Uh, by far. -By far? -Absolutely. | 0:22:40 | 0:22:43 | |
-How much did you spend all told? -£140. | 0:22:43 | 0:22:45 | |
£140, which is an awful lot of zloty, isn't it? | 0:22:45 | 0:22:49 | |
It is an awful lot of zloty. | 0:22:49 | 0:22:50 | |
Thank you very much. Good, nice move. | 0:22:50 | 0:22:52 | |
Straight over to you, Kate. | 0:22:52 | 0:22:53 | |
What have you learned about European history during your tour today? | 0:22:53 | 0:22:58 | |
Well, I've learnt that people tend to do their own thing, | 0:22:58 | 0:23:01 | |
I think, here. | 0:23:01 | 0:23:03 | |
Certainly, Gosia and Louis have gone for what they love, which is | 0:23:03 | 0:23:07 | |
actually very different. | 0:23:07 | 0:23:08 | |
You've had nothing much to do with it? | 0:23:08 | 0:23:11 | |
Well, you might say that. | 0:23:11 | 0:23:12 | |
-I've been an onlooker. -Yeah, but your looking comes now, right? | 0:23:12 | 0:23:15 | |
-Yeah, it's my go. -With your bonus-buy money. | 0:23:15 | 0:23:18 | |
I'm going to do my thing. | 0:23:18 | 0:23:19 | |
You don't have to buy tribal art nor wooden saddles. | 0:23:19 | 0:23:23 | |
Really? | 0:23:23 | 0:23:25 | |
I think you've got the patience of a saint, really. | 0:23:25 | 0:23:28 | |
That is true. St Catherine, go forth and multiply. | 0:23:28 | 0:23:32 | |
Meanwhile, I feel a bit of a Chinese coming on! | 0:23:32 | 0:23:35 | |
Have we been transported from Kent to Canton? | 0:23:41 | 0:23:46 | |
Hoo-hoo-hoo! | 0:23:46 | 0:23:47 | |
Look at this extraordinary bench! | 0:23:47 | 0:23:50 | |
Isn't it fantastic? | 0:23:50 | 0:23:52 | |
Well, hideous? | 0:23:52 | 0:23:55 | |
No! Surely not. | 0:23:55 | 0:23:57 | |
This thing is made of an extraordinary material called | 0:23:57 | 0:24:01 | |
katsura wood, which is a bit like balsa wood. | 0:24:01 | 0:24:05 | |
It's softish but it's easy to carve | 0:24:05 | 0:24:09 | |
and it takes an incredible carved detail - as you can see. | 0:24:09 | 0:24:14 | |
You then cover it in a special reddish polish and this thing, | 0:24:14 | 0:24:18 | |
if it was tickled up, could look absolutely spectacular. | 0:24:18 | 0:24:23 | |
What we've got in the middle is a big panel, | 0:24:23 | 0:24:26 | |
and that panel is full of figures and emblems. | 0:24:26 | 0:24:29 | |
Two bats, look, flying through the sky. | 0:24:29 | 0:24:32 | |
Emblematic of longevity. | 0:24:32 | 0:24:36 | |
We've got some dome-headed immortals, | 0:24:36 | 0:24:39 | |
a courtesan lying on the ground playing some mood music, | 0:24:39 | 0:24:45 | |
and a fisherman appearing with an enormous carp which he wants | 0:24:45 | 0:24:49 | |
to sell for somebody's supper. | 0:24:49 | 0:24:52 | |
All that detail carved out of single lump of katsura wood. | 0:24:52 | 0:24:57 | |
And that doesn't include the frame. | 0:24:57 | 0:25:00 | |
Look at this frame - have you ever seen more vigorously carved, | 0:25:00 | 0:25:04 | |
scaly, snarling dragons, all about to consume themselves, | 0:25:04 | 0:25:09 | |
ever before in your life? | 0:25:09 | 0:25:11 | |
Well, I bet you ain't, | 0:25:11 | 0:25:13 | |
cos this is an extraordinary tour de force of the carver's art. | 0:25:13 | 0:25:18 | |
I'm particularly fond of these scaly, standard end supports. | 0:25:18 | 0:25:24 | |
The loose seat cushion - that has seen better days. | 0:25:24 | 0:25:29 | |
In France, they call this sort of distressed look de chaville, yeah, | 0:25:29 | 0:25:35 | |
we call it clapped out. | 0:25:35 | 0:25:38 | |
Underneath that, look, there's a hinged surface | 0:25:38 | 0:25:41 | |
and a cavernous space inside in which you could store, | 0:25:41 | 0:25:45 | |
in China, your rolled-up bed, or here, a few cushions. | 0:25:45 | 0:25:49 | |
I think this is an extraordinary find. | 0:25:51 | 0:25:54 | |
Priced up, here in Kent for £1,200. | 0:25:54 | 0:25:58 | |
But I promise you, if you polished it, repaired the seat, put it | 0:25:58 | 0:26:03 | |
into a London sale, this bench would make the top end of five grand. | 0:26:03 | 0:26:09 | |
And that's an awful lot of yen. | 0:26:09 | 0:26:11 | |
£45 and standing... | 0:26:15 | 0:26:16 | |
Well, what a treat it is to be in the cathedral city | 0:26:21 | 0:26:24 | |
of Canterbury at Canterbury Auction Rooms with Michael Roberts. | 0:26:24 | 0:26:29 | |
-Michael, good morning. -Hello, Tim. | 0:26:29 | 0:26:30 | |
-What a treat to be back. -Good to see you. | 0:26:30 | 0:26:32 | |
Such an attractive place. | 0:26:32 | 0:26:34 | |
-Now, first up for the Reds is the leather-covered scent casket. -Yes. | 0:26:34 | 0:26:40 | |
Generally, not so good to sell a scent casket with no bottles. | 0:26:40 | 0:26:44 | |
This is true. | 0:26:44 | 0:26:45 | |
It is a slight defect, but it is a nice box - good quality, | 0:26:45 | 0:26:49 | |
and I suppose you could use it for something else. | 0:26:49 | 0:26:52 | |
-It's a good quality thing. -OK. | 0:26:52 | 0:26:54 | |
Well, there it is. It's a pretty little box, missing its interior. | 0:26:54 | 0:26:58 | |
They only paid £25. What's your estimate? | 0:26:58 | 0:27:01 | |
-20-30. -I'd say that's spot-on, Mike. | 0:27:01 | 0:27:04 | |
Next is the engine-turned matchbox holder. | 0:27:04 | 0:27:07 | |
-These are handy things, aren't they? -It's a good thing - nice quality. | 0:27:07 | 0:27:11 | |
It's jollies up a cheap box of matches no end. | 0:27:11 | 0:27:14 | |
Absolutely. I would have though between £30 and £50, thereabouts. | 0:27:14 | 0:27:17 | |
OK. That's fantastic. | 0:27:17 | 0:27:19 | |
-You're going to ignite something here with that cos £25 is what they spent. -Wonderful. | 0:27:19 | 0:27:24 | |
Which is red-hot. Thank you. | 0:27:24 | 0:27:27 | |
What about this green job? Is it Murano, do you think? | 0:27:27 | 0:27:30 | |
There's no markings on it and it's difficult to tell. | 0:27:30 | 0:27:32 | |
Got a great big air bubble in it. | 0:27:32 | 0:27:34 | |
-Absolutely, so quality isn't fantastic. -No. | 0:27:34 | 0:27:37 | |
They can be quite difficult to date, but it's a decorative | 0:27:37 | 0:27:39 | |
-piece of glassware and you could use it for fruit or something. -How much? | 0:27:39 | 0:27:43 | |
-Erm, £20-£30. -OK. £45 paid, so that could be a bit of a problem. | 0:27:43 | 0:27:47 | |
In fact, it could eat up all the projected | 0:27:47 | 0:27:49 | |
profit on the matchbox holder, which means they're going to | 0:27:49 | 0:27:52 | |
need their bonus buy, so let's go have a look at it. | 0:27:52 | 0:27:55 | |
Now, CD - Caroline and David, you gave Jonathan £205, | 0:27:55 | 0:28:01 | |
which is a small fortune. | 0:28:01 | 0:28:03 | |
JP, what did you spend it on? | 0:28:03 | 0:28:06 | |
-Wow! -Now, you know about rugs...ish. | 0:28:06 | 0:28:09 | |
"Ish". | 0:28:09 | 0:28:11 | |
-Yeah. -Give us the ish then Caro'. | 0:28:11 | 0:28:13 | |
the ish is, it's Moroccan-Persian? | 0:28:13 | 0:28:16 | |
Caucasian. It's not a very nice colour. | 0:28:16 | 0:28:18 | |
It's about 90 years old. | 0:28:18 | 0:28:21 | |
You can tell that cos the pile's fairly low, evenly worn | 0:28:21 | 0:28:24 | |
and it's not faked in any way. | 0:28:24 | 0:28:26 | |
-I love it. -How much did I pay for it? | 0:28:26 | 0:28:28 | |
How much was I left? I was left a lot of money. | 0:28:28 | 0:28:31 | |
£205, actually. | 0:28:31 | 0:28:32 | |
£40. | 0:28:32 | 0:28:33 | |
Really? | 0:28:33 | 0:28:35 | |
I'll buy it off of you now. | 0:28:35 | 0:28:37 | |
I'll stick my neck out and say that on a good day it could make over £100. | 0:28:37 | 0:28:40 | |
Bearing in mind it might not be the day for selling rugs, | 0:28:40 | 0:28:43 | |
but I can still see a profit in it, for sure. | 0:28:43 | 0:28:45 | |
On £40, yeah. | 0:28:45 | 0:28:46 | |
-It's all hand-knotted... -Did you tell me to get knotted? | 0:28:46 | 0:28:49 | |
-THEY LAUGH -Anyway, very good. | 0:28:49 | 0:28:52 | |
-Lovely, well, we got the gen' on that, haven't we? -I love it. -We happy with that? | 0:28:52 | 0:28:55 | |
-Yeah. -I love it. -Is the boy a genius or not? | 0:28:55 | 0:28:58 | |
Yes, he is. Definitely. | 0:28:58 | 0:28:59 | |
-What was the pause there for? -They're going to wait till after the sale. | 0:28:59 | 0:29:03 | |
We will wait to say that. | 0:29:03 | 0:29:04 | |
You don't choose now, you choose later. | 0:29:04 | 0:29:06 | |
But for the audience at home, let's find out | 0:29:06 | 0:29:08 | |
if the auctioneer thinks he is a genius. | 0:29:08 | 0:29:12 | |
Well, there's your magic carpet - look. | 0:29:12 | 0:29:16 | |
I think it might stay on the ground a bit, really. | 0:29:16 | 0:29:19 | |
It's a Caucasian carpet but it isn't particularly exciting. | 0:29:19 | 0:29:22 | |
It's fairly late - we're into the 20th century here | 0:29:22 | 0:29:24 | |
and it is quite faded and it is quite worn. | 0:29:24 | 0:29:27 | |
It's good even wear, there's no holes in it, which is good. | 0:29:27 | 0:29:31 | |
It has got a bit of even wear | 0:29:31 | 0:29:33 | |
and generally the carpets market isn't fantastic. | 0:29:33 | 0:29:37 | |
So, as a consequence, I'd see it being worth about £30. | 0:29:37 | 0:29:40 | |
That's perfectly all right, he only paid £40 and, quite frankly, | 0:29:40 | 0:29:45 | |
there isn't going to be a huge loss there. | 0:29:45 | 0:29:47 | |
Anyway, that's it for the Reds. | 0:29:47 | 0:29:48 | |
Now, for the Blues. | 0:29:48 | 0:29:50 | |
Their first item is the African bowl with that fella squatted down. | 0:29:50 | 0:29:55 | |
The big question with this stuff is - how old is it? | 0:29:55 | 0:29:58 | |
Not especially in the case of this one. | 0:29:58 | 0:30:00 | |
And, of course, there is a tremendous amount of interest | 0:30:00 | 0:30:03 | |
in early African souvenirs, | 0:30:03 | 0:30:04 | |
so if you're before the 1930s then you're on to a bit of money, really. | 0:30:04 | 0:30:08 | |
But, of course, this is later than that, and it's a souvenir piece. | 0:30:08 | 0:30:11 | |
-It's got the look, hasn't it? -It does, it does. | 0:30:11 | 0:30:13 | |
OK, as a good looker, but not very old, what's it worth? | 0:30:13 | 0:30:16 | |
I would say, sort of, £30-40. | 0:30:16 | 0:30:17 | |
£30-40 is fine, £30 is what was paid, so that's fair enough. | 0:30:17 | 0:30:22 | |
-OK, next is the hardwood saddle. -Yes, indeed. | 0:30:22 | 0:30:27 | |
-Well, I am a keen horse rider. -Are you? | 0:30:27 | 0:30:29 | |
I am, and I was a bit shocked when I saw that, | 0:30:29 | 0:30:31 | |
because I thought, "Crikey, that's a bit unfair, isn't it? | 0:30:31 | 0:30:34 | |
-"On the poor old horse." -What about the rider?! | 0:30:34 | 0:30:36 | |
Well, absolutely, but the Tradition in this part of the world, | 0:30:36 | 0:30:39 | |
Mongolia, is that they use wooden saddles, but of course they would | 0:30:39 | 0:30:41 | |
-be covered in cloths and trappings and pads and bits and bobs. -Yes. | 0:30:41 | 0:30:45 | |
-So, we have none of that, here. -This is the core. | 0:30:45 | 0:30:47 | |
The core, the husk, | 0:30:47 | 0:30:48 | |
the remnant of what was once possibly a nice saddle. | 0:30:48 | 0:30:51 | |
So, as such, it's incomplete. | 0:30:51 | 0:30:54 | |
-But maybe it's worth £30, that sort of money, perhaps. -OK, £70 paid. | 0:30:54 | 0:30:58 | |
-Right, a bit of loss. -So, it is an uncomfortable thing. | 0:30:58 | 0:31:01 | |
-Yes! -And lastly, and completely differently, | 0:31:01 | 0:31:05 | |
-is the silver capstan inkwell. -Yes. | 0:31:05 | 0:31:07 | |
Have you ever seen such a titch? | 0:31:07 | 0:31:09 | |
Well, it's absolutely minute, isn't it? | 0:31:09 | 0:31:11 | |
-You wouldn't be able to write many letters using that. -No. | 0:31:11 | 0:31:13 | |
Interestingly, the silversmith's mark | 0:31:13 | 0:31:15 | |
-is for the Boots Pure Drug Company. -Really? | 0:31:15 | 0:31:18 | |
So that was back in the era | 0:31:18 | 0:31:20 | |
when Boots were doing a variety of different things. | 0:31:20 | 0:31:22 | |
So, that makes it interesting, and capstan inkwells always have | 0:31:22 | 0:31:26 | |
-a little bit of an interest about them, don't they? -Yeah. | 0:31:26 | 0:31:29 | |
Anyway, it's silver, it comes from Boots, how much? | 0:31:29 | 0:31:32 | |
I would say £20-30. | 0:31:32 | 0:31:34 | |
-OK. Well, they paid £40. -Oh, dear! -So, there we are. | 0:31:34 | 0:31:37 | |
Well, there may be one or two holes there, I'm afraid. | 0:31:37 | 0:31:39 | |
In which case, they're going to need their bonus buy, | 0:31:39 | 0:31:41 | |
so let's go and have a look at it. | 0:31:41 | 0:31:43 | |
-Well, this is exciting, isn't it? -Indeed. | 0:31:44 | 0:31:47 | |
You spent the 140, you gave Kate Bliss the 160. | 0:31:47 | 0:31:50 | |
Kate, what did you spend it on? | 0:31:50 | 0:31:52 | |
Well, I've gone very different from what you bought, guys. | 0:31:52 | 0:31:57 | |
Because you went quite big and wooden and heavy and clumpy, | 0:31:57 | 0:32:00 | |
-did you not? -Yeah, we did. -Yes. | 0:32:00 | 0:32:03 | |
-So I've gone small and shiny... -Right. | 0:32:03 | 0:32:07 | |
-Oh! -Right! | 0:32:07 | 0:32:09 | |
-1970s dinner party regalia. -Well, you got the date right. | 0:32:09 | 0:32:14 | |
They're from the 20th century, they are hallmarked, | 0:32:14 | 0:32:18 | |
every single one of them, for 1973... | 0:32:18 | 0:32:21 | |
-Oh, right, OK. -But what are they? | 0:32:21 | 0:32:23 | |
-Aren't they dinner party menus... Menu holders? -Or name holders. | 0:32:23 | 0:32:27 | |
Exactly that. Little place name holders or menu holders. | 0:32:27 | 0:32:31 | |
-I love them. -I love them, absolutely. Fantastic. | 0:32:31 | 0:32:33 | |
-Such a lovely, tiny little item. -So delicate. | 0:32:33 | 0:32:35 | |
-So, how much did you pay? -If you feel them, they're fairly weighty. | 0:32:35 | 0:32:38 | |
Obviously, they're English silver, I paid £50. | 0:32:38 | 0:32:42 | |
Now, they have got a maker's mark, it's for Freeman & Sons, London. | 0:32:42 | 0:32:46 | |
They're London hallmarked, | 0:32:46 | 0:32:49 | |
and I think the scallop shell is a lovely shape, actually. | 0:32:49 | 0:32:52 | |
Of course, it refers back to the rococo period in history, | 0:32:52 | 0:32:55 | |
the 18th century. | 0:32:55 | 0:32:56 | |
-Lovely scallop shells, and I think they're rather stylish. -Absolutely. | 0:32:56 | 0:33:00 | |
-Yeah, yeah. -So, any profit? -I would hope so, you know. | 0:33:00 | 0:33:04 | |
I would really hope so. | 0:33:04 | 0:33:05 | |
I don't think they're going to double their money, | 0:33:05 | 0:33:07 | |
but I think they might make you maybe ten or 20, roughly. | 0:33:07 | 0:33:10 | |
Shouldn't there be six? | 0:33:10 | 0:33:11 | |
-There are six. -Oh, there are six! Sorry, sorry. | 0:33:11 | 0:33:14 | |
I didn't see you nick that one. | 0:33:14 | 0:33:15 | |
Well, having got that perfectly clear, | 0:33:15 | 0:33:17 | |
why don't we find out from the auctioneer, | 0:33:17 | 0:33:19 | |
for the viewers at home, | 0:33:19 | 0:33:20 | |
what he thinks about the menu, place name, photograph holders. | 0:33:20 | 0:33:25 | |
There you go, Michael. Just what you need for a dinner party. | 0:33:25 | 0:33:27 | |
-Wonderful. -Take one. -Take one. Thank you. -Take two. | 0:33:27 | 0:33:31 | |
I'll hang on to four. | 0:33:31 | 0:33:33 | |
-They're good quality, these, aren't they? -Yeah, heavy. | 0:33:33 | 0:33:37 | |
Heavy, and they're made by a silversmith | 0:33:37 | 0:33:39 | |
called Israel Freeman & Co, who were established in the '30s. | 0:33:39 | 0:33:42 | |
And they've got quite a nice look about them, really, haven't they? | 0:33:42 | 0:33:45 | |
Scallop-themed, Deco look. | 0:33:45 | 0:33:47 | |
And there has been a bit of interest in them already, | 0:33:47 | 0:33:50 | |
during the viewing and some bids left, which is good. | 0:33:50 | 0:33:53 | |
What do you think they're worth? | 0:33:53 | 0:33:55 | |
-£30-50. -Do you? Well, she paid £50. -OK. | 0:33:55 | 0:33:58 | |
And, who knows, at the end of the day, it could get to 80 or 90. | 0:33:58 | 0:34:00 | |
-Possibly. -With any luck. -Yes! | 0:34:00 | 0:34:02 | |
And we need all the luck. Thank you very much, Michael. | 0:34:02 | 0:34:04 | |
Pleasure. | 0:34:04 | 0:34:06 | |
Selling on commission, and it's £70. | 0:34:09 | 0:34:12 | |
Now, Caroline, David, this is exciting, isn't it? | 0:34:12 | 0:34:15 | |
-I'm nervous. -Are you? -Yeah. | 0:34:15 | 0:34:17 | |
-Well, you're a performer, you can't be nervous. -This is different. | 0:34:17 | 0:34:19 | |
-Is it? -I want to win, I'm a winner. | 0:34:19 | 0:34:21 | |
Well, you only spent the £95, all right, | 0:34:21 | 0:34:23 | |
-so you can't lose more than £95. -No. | 0:34:23 | 0:34:25 | |
That's a very nice number to have in mind. | 0:34:25 | 0:34:27 | |
In fact, according to these estimates, | 0:34:27 | 0:34:29 | |
you're not going to lose anything, | 0:34:29 | 0:34:31 | |
because the scent casket with the domed top, | 0:34:31 | 0:34:34 | |
he's estimated it to £20-30, then the matchbox holder, | 0:34:34 | 0:34:38 | |
which you paid £25 for, he's estimated it at £30-50. | 0:34:38 | 0:34:42 | |
Then you've got the oval bowl, £45 you paid for that, | 0:34:42 | 0:34:45 | |
£20-30 is his estimate, but by the time this lot get organised, | 0:34:45 | 0:34:48 | |
and he's appealed to them, it's nicely displayed, | 0:34:48 | 0:34:51 | |
the internet, you'll be all right on that too. OK? | 0:34:51 | 0:34:53 | |
And then you've got the rug to fall back on. | 0:34:53 | 0:34:56 | |
-And you love that rug, don't you? -I love it. -Yeah, good. | 0:34:56 | 0:34:59 | |
OK, super duper. | 0:34:59 | 0:35:00 | |
Anyway, first up then is the leather-covered scent bottle casket | 0:35:00 | 0:35:04 | |
and there it is. | 0:35:04 | 0:35:05 | |
OK, lot 94 is the Victorian brown leather covered dome top | 0:35:05 | 0:35:09 | |
scent casket. | 0:35:09 | 0:35:11 | |
And we'll start at £20 on commission, the dome casket here, | 0:35:11 | 0:35:15 | |
£25 where? 25, 25, thank you. 30. 25 with you. £30 where? | 0:35:15 | 0:35:22 | |
On the internet. 35. £40 internet? | 0:35:22 | 0:35:25 | |
No. Any further bid? | 0:35:25 | 0:35:26 | |
You're in profit, kid. That's all that matters. | 0:35:26 | 0:35:28 | |
-At £35 and selling then... -That's £10 profit. | 0:35:28 | 0:35:32 | |
Just like that. Good. Liking it. | 0:35:32 | 0:35:34 | |
Now, this is going to be the banker, if there is a banker, I reckon. | 0:35:34 | 0:35:39 | |
It's a silver rectangular matchbox cover by Thomas Bradbury & Sons. | 0:35:39 | 0:35:42 | |
And lot number 95. | 0:35:42 | 0:35:43 | |
£30 where? 30 I'm bid, straight in. | 0:35:43 | 0:35:45 | |
Who's 35? 35, 40, 45. 50. | 0:35:45 | 0:35:50 | |
Look at this, Jimmy. You've covered your cash. | 0:35:50 | 0:35:53 | |
I can't see any more so I'm going to sell at £55. | 0:35:53 | 0:35:56 | |
Yes! That's marvellous. £55. That's plus £30. Well done, JP. | 0:35:56 | 0:36:02 | |
Now...here comes this bowl. | 0:36:02 | 0:36:06 | |
You're plus 40. | 0:36:06 | 0:36:08 | |
£20 on commission I'm bid. | 0:36:08 | 0:36:10 | |
Lot number 96, £20 on commission, who's 25? | 0:36:10 | 0:36:14 | |
25, 30 and five, 40, 35, £40 where? The green bowl. | 0:36:14 | 0:36:19 | |
Any further bids at £40? No? Any more? At £35 I'm selling, done. | 0:36:19 | 0:36:24 | |
-Oh, no, no. -Selling. -Told you. -It's just a fiver. A fiver. -Minus £10. | 0:36:24 | 0:36:30 | |
-Just lost a tenner. -Yeah. You're plus 30. Yeah, sorry. | 0:36:30 | 0:36:34 | |
It was £45, it sold for 35. | 0:36:34 | 0:36:36 | |
You're minus £10 which means overall you are plus £30. | 0:36:36 | 0:36:40 | |
-Now, are you going to risk it for a biscuit? -Definitely. -You are? | 0:36:40 | 0:36:45 | |
-You're going to go with the Caucasian? -I love it. | 0:36:45 | 0:36:48 | |
So, we carry on with lot 100 which is the Caucasian rug, | 0:36:48 | 0:36:52 | |
shown on your screen here, lot number 100. | 0:36:52 | 0:36:55 | |
And a good-quality thing. Who's starting me, then at £20? | 0:36:55 | 0:36:58 | |
Useful carpet. 20 right at the back of the room. 25 standing, thank you. | 0:36:58 | 0:37:02 | |
-Come on. -30 behind you in the corner, 35, 40. 45. 50. | 0:37:02 | 0:37:09 | |
-45 standing in front of you. -90 years old. -Thank you, 55. 60. | 0:37:09 | 0:37:14 | |
No? 55 still with the lady. £60 where? I will sell at £55. | 0:37:14 | 0:37:19 | |
-Got yourself a bargain at £55. -Money in that, Jonathan, still. | 0:37:19 | 0:37:23 | |
There's a profit, it's plus £15. | 0:37:23 | 0:37:25 | |
But that thing is going to go somewhere | 0:37:25 | 0:37:27 | |
-and make a different price one day, I tell you. -Of course. | 0:37:27 | 0:37:30 | |
Nevertheless, you have got a profit on it, well done, JP. Plus £45. | 0:37:30 | 0:37:34 | |
Plus £45 should be a winning score, | 0:37:34 | 0:37:37 | |
could easily be a winning score, | 0:37:37 | 0:37:39 | |
it's an amazing number at the end of this saga | 0:37:39 | 0:37:42 | |
so, well done for that, just don't say a word to the Blues. | 0:37:42 | 0:37:45 | |
-I'll keep shtoom. -Won't say a word. -Shtoom? | 0:37:45 | 0:37:47 | |
-Now, Louis, Gosia, have you found out what the Reds did? -No idea. | 0:37:54 | 0:37:58 | |
-Nope, no idea. -We don't want you to know. That's excellent. | 0:37:58 | 0:38:01 | |
So, how are you feeling, are you all right? | 0:38:01 | 0:38:03 | |
Strongly and probably huge, huge profit. We will retire after that. | 0:38:03 | 0:38:07 | |
-Will you? -Easily, easily. -What? | 0:38:07 | 0:38:09 | |
On £2.50 probably... and breadcrumbs. | 0:38:09 | 0:38:12 | |
-Is she always like this? -Always, always, you can't shut her up(!) | 0:38:12 | 0:38:15 | |
-This positive? -Yeah. Totally. Totally. -Which is lovely, isn't it? | 0:38:15 | 0:38:19 | |
Yeah, fine. | 0:38:19 | 0:38:20 | |
Well, I won't ask you if you're nervous about any item because you're obviously not. | 0:38:20 | 0:38:24 | |
No, no, no, no, just, just a huge profit straightaway. | 0:38:24 | 0:38:27 | |
OK, so, first up is the African bowl and here it comes. | 0:38:27 | 0:38:30 | |
And Lot 116 is the African carved hardwood bowl, number 116 | 0:38:30 | 0:38:35 | |
and who'll start me at £20? | 0:38:35 | 0:38:37 | |
Lot number 116, the African carvings here, £20 someone? | 0:38:37 | 0:38:41 | |
£20 I'm bid, thank you, right at the back of the room. Who's 25? | 0:38:41 | 0:38:45 | |
-The African carved bowl, 25, 30? At £30 where? -Go on. Somebody else. | 0:38:45 | 0:38:50 | |
-Come on, one more! -No? 30 and selling then. | 0:38:50 | 0:38:54 | |
Wiped its face. | 0:38:54 | 0:38:55 | |
That's very good. Now, here we go. | 0:38:57 | 0:39:00 | |
Lot number 117 is the Mongolian stained wood saddle here. | 0:39:00 | 0:39:04 | |
Lot number 117, the, er, wooden saddle. | 0:39:04 | 0:39:07 | |
So, who's going to start me at £10? | 0:39:07 | 0:39:10 | |
£10? £10, straight up there. £10 I'm bid. | 0:39:10 | 0:39:13 | |
Someone at £15, right at the back, 15, thank you. | 0:39:13 | 0:39:16 | |
-20 by the table, £25, any further bids? -Can I bid? Can I bid? -No. | 0:39:16 | 0:39:21 | |
-Why not? -It's illegal. -Any further interest at £25? | 0:39:21 | 0:39:25 | |
I've got you at 20 but you can bid again at 25. | 0:39:27 | 0:39:30 | |
I'll take you at 25. | 0:39:30 | 0:39:33 | |
£30, where, any more? | 0:39:33 | 0:39:36 | |
-At 25 because you are so generous, at £25 it's selling. 25. -£25? | 0:39:36 | 0:39:41 | |
That's the pits, isn't it? That's five off 30, that's minus 45. | 0:39:41 | 0:39:46 | |
Never mind. | 0:39:46 | 0:39:47 | |
Now look out, here comes the Capstan. | 0:39:47 | 0:39:49 | |
Teeny-weeny inkwell here made by the Boots Pure Drug Company | 0:39:49 | 0:39:53 | |
and who's going to start me at £10? £20 on the live auctioneers terminal. | 0:39:53 | 0:39:57 | |
All the way from America. At 20. 25, sir, thank you. 30. 35, sir? | 0:39:57 | 0:40:03 | |
Thank you though. 35 at the back of the room? Thank you. | 0:40:03 | 0:40:06 | |
-40 on the internet. No? £40 away. -Yes! -Yes. -Good girl. -No? | 0:40:06 | 0:40:11 | |
£40 right in the middle of the room at the front here. Any more, 45? | 0:40:11 | 0:40:15 | |
-Thank you very much at £40. -40, wiped its face. | 0:40:15 | 0:40:18 | |
Look, we've got two wiped faces and minus 45. OK. | 0:40:18 | 0:40:23 | |
We're going to go with these menu holders. | 0:40:23 | 0:40:25 | |
-Going to do the menu holders? -I think so. -Got to. | 0:40:25 | 0:40:27 | |
We'll do it. We like them. | 0:40:27 | 0:40:29 | |
Don't worry, everything will be fine. It's just here. | 0:40:29 | 0:40:32 | |
OK, very positive here. Then we're going with the bonus buy | 0:40:32 | 0:40:35 | |
and here it comes. | 0:40:35 | 0:40:36 | |
Lot number 122 is a set of six Elizabeth II scallop patterned | 0:40:36 | 0:40:41 | |
menu holders. Starting at £50 on these. They're good-quality things. | 0:40:41 | 0:40:45 | |
-Straight in at 50. -Yes! -Lot number 122. -Straight in at 50! | 0:40:45 | 0:40:49 | |
60, with you at 55. Who's £60? The menu holders here, £60 where? | 0:40:49 | 0:40:54 | |
You can use them for other purposes too. 60 and five. 70 and five. 80? | 0:40:54 | 0:41:02 | |
-And five. 90. -Yes. -And five? -Yes! -100? 110, 120. -Look at that! | 0:41:02 | 0:41:09 | |
110, who's £120? | 0:41:09 | 0:41:11 | |
Good quality these. Looking for 120. I will sell for £110 in the room. | 0:41:11 | 0:41:17 | |
That is plus £60. Halleluiah. | 0:41:17 | 0:41:22 | |
Now listen, you've got to revel in this. | 0:41:22 | 0:41:25 | |
Because the expert has saved your bacon. You were £45 down. | 0:41:25 | 0:41:29 | |
She's just made you £60 which means you are plus £15. | 0:41:29 | 0:41:32 | |
Now, £15 could be a winning score. | 0:41:32 | 0:41:35 | |
And it's pound notes to go home with, so well done. | 0:41:35 | 0:41:37 | |
Well, how lovely is this? To be able to hand out cash to both teams! | 0:41:46 | 0:41:51 | |
So exciting! Been chatting about the scale of the winnings today? | 0:41:51 | 0:41:56 | |
-All the time. -All the time? But not to each other? -No. | 0:41:56 | 0:41:58 | |
OK, well, that's good then. | 0:41:58 | 0:42:00 | |
Because, sadly, we can only have one team of winners | 0:42:00 | 0:42:02 | |
and we have no losers any more, we only have runners up. | 0:42:02 | 0:42:05 | |
And the runners up today just happened to be the Blues. | 0:42:05 | 0:42:08 | |
-Ooh! -Hey! -Heh, heh, heh, well, there we are. | 0:42:08 | 0:42:12 | |
The runners up would have gone away with absolutely nothing today, | 0:42:12 | 0:42:16 | |
mark this, were it not for the supreme effort of their expert | 0:42:16 | 0:42:20 | |
who produced an object | 0:42:20 | 0:42:21 | |
that made £110, that was £60 profit, well done, Kate Bliss. | 0:42:21 | 0:42:26 | |
That was a blissful result. | 0:42:26 | 0:42:28 | |
-Anyway, it gives you an end result of £15. There we go. -Thank you. | 0:42:28 | 0:42:32 | |
There's the £10 note and there is the five pounds in shrapnel. | 0:42:32 | 0:42:36 | |
-Three of them and two more. There you go. 15. -Cheers. | 0:42:36 | 0:42:39 | |
And congratulations. I hope you've had a nice time. | 0:42:39 | 0:42:41 | |
-But the victors today, going home with £45. -Yay. -How lovely is that? | 0:42:41 | 0:42:44 | |
Well done, Caroline. Well done, David. That's very good. | 0:42:44 | 0:42:47 | |
That's your total cash there. | 0:42:47 | 0:42:49 | |
You nearly, so nearly, got a golden gavel and you got | 0:42:49 | 0:42:53 | |
profits on absolutely everything bar one lot which is extremely bad luck. | 0:42:53 | 0:42:57 | |
Anyway, we hope you've loved it at home | 0:42:57 | 0:43:00 | |
and join us soon for some more bargain hunting. | 0:43:00 | 0:43:02 | |
Yes? Yes! | 0:43:02 | 0:43:04 | |
Subtitles by Red Bee Media Ltd | 0:43:09 | 0:43:12 |