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Whether we be here or whether we be there, we be going bargain hunting! Yeah! | 0:00:07 | 0:00:14 | |
We're under starter's orders and the rules are quite clear. | 0:00:41 | 0:00:45 | |
We've got two teams, each with £300, buying three items, | 0:00:45 | 0:00:49 | |
which hopefully they sell later to make a profit. So let's have a nosy at what's coming up. | 0:00:49 | 0:00:55 | |
The Reds get the party started. | 0:00:55 | 0:00:59 | |
-This is Mickey P. -It's like being back on the radio. | 0:00:59 | 0:01:02 | |
-And, Blues, will you buy it or won't you? -We'll buy it. | 0:01:02 | 0:01:06 | |
-Get in there! -Well, that settles that, then. That's all to come. | 0:01:06 | 0:01:12 | |
First, let's go and meet the teams. | 0:01:12 | 0:01:14 | |
Well, on today's programme we have a pair of mates, Mick and Chris, | 0:01:14 | 0:01:18 | |
and a couple, Alex and Kelly. Hello, everyone. Lovely to see you. | 0:01:18 | 0:01:24 | |
-Mick, in your job you have one or two shocks. -I do. | 0:01:24 | 0:01:27 | |
I do maintenance for the Inland Revenue and Customs. | 0:01:27 | 0:01:31 | |
-Ooh. -I know, I know. | 0:01:31 | 0:01:33 | |
-It's not good. -Electrics, is it? -Yes. -Very good. And you're keen on doing a bit of radio presenting? | 0:01:33 | 0:01:41 | |
-Yes. -You've got the voice for it. -Do you think so? -I do. -I haven't got the face for it! | 0:01:41 | 0:01:48 | |
-I don't know. What do you do? -Two shows. The Love Lounge. I'm the love guru of the station. | 0:01:48 | 0:01:55 | |
Listen, there is a very lovely timbre to your voice, I must say. | 0:01:55 | 0:02:00 | |
I do The Time Tunnel as well, three hours of every genre. | 0:02:00 | 0:02:05 | |
-So have you got an eclectic knowledge of music, then? -Yeah. | 0:02:05 | 0:02:09 | |
-Chris, you're aspiring in the same department. -Absolutely, yes. -Is that how you met? -It is indeed. | 0:02:09 | 0:02:16 | |
-We met through the radio station. -You do football commentating? | 0:02:16 | 0:02:20 | |
-That's for a different community radio station in Bradford. -You've clearly got the voice for radio, | 0:02:20 | 0:02:27 | |
-but can you find a few bargains? -Hope so. -You reckon? -I reckon so. | 0:02:27 | 0:02:32 | |
-What are you going to buy? -I'm ex-military, so I'll be looking for military stuff. -OK. | 0:02:32 | 0:02:38 | |
And my interest in sport leads me to hopefully some memorabilia. And there's music and radio stuff. | 0:02:38 | 0:02:45 | |
-Good luck. -Thank you. -Now, Kelly, you left your Australian roots to be with Alex? | 0:02:45 | 0:02:51 | |
-True? -Yeah, I did. -Did you? -Yeah. | 0:02:51 | 0:02:55 | |
-You used to work for the super-rich. -I was a superyacht stewardess doing the interiors of superyachts, | 0:02:55 | 0:03:01 | |
taking care of them, cleaning, service, things like that. | 0:03:01 | 0:03:05 | |
-A lot of these rich people are really picky. -Very much so. | 0:03:05 | 0:03:09 | |
We had an owner at one stage who decided the toilet paper didn't match the marble in the bathroom. | 0:03:09 | 0:03:16 | |
So he had us order some black toilet paper which we had imported from America | 0:03:16 | 0:03:23 | |
into Barcelona, where we were. | 0:03:23 | 0:03:25 | |
And he had us change all the black marble-coated toilets and bathrooms to black toilet paper, | 0:03:25 | 0:03:32 | |
which was an interesting task. | 0:03:32 | 0:03:35 | |
-Do you do a job now you're here? -Yes, I do. I work at a hospital in laboratory medicine. | 0:03:35 | 0:03:41 | |
-Do you? -Yes. -And you're connected with this medic business, too? -I am. | 0:03:41 | 0:03:45 | |
I'm at a separate hospital in Sheffield, the children's hospital, | 0:03:45 | 0:03:49 | |
but Kelly's involved with clinical chemistry and I'm more involved with genetics. | 0:03:49 | 0:03:54 | |
-And you're accustomed to getting into a few scrummages. -I am. | 0:03:54 | 0:03:58 | |
-As well as the lab work, I play for a rugby league side in Sheffield. -Are they doing any good? | 0:03:58 | 0:04:05 | |
We're top of the league and defending champions. | 0:04:05 | 0:04:08 | |
-Get away! -Yes, we're doing really well. -Pretty good, isn't it? Good fun. | 0:04:08 | 0:04:13 | |
So what is the sort of thing you're going to go for today? Something sporting? Foreign? | 0:04:13 | 0:04:19 | |
I like a bit of chunky furniture, something you could use again. | 0:04:19 | 0:04:24 | |
-Something practical. How do you feel? -No, I like shiny, sparkly, glittery jewellery. -Do you? -Yes. | 0:04:24 | 0:04:30 | |
-Something expensive? -Yes. | 0:04:30 | 0:04:32 | |
Anyway, now the money moment. £300 each. There we go. £300. | 0:04:32 | 0:04:37 | |
Your experts await. Off you go! Very good luck! | 0:04:37 | 0:04:41 | |
Gosh, what lovely couples today. | 0:04:41 | 0:04:43 | |
So, who are our experts today? | 0:04:46 | 0:04:49 | |
Hoping to be a faithful friend to the Reds is Caroline Hawley. | 0:04:49 | 0:04:54 | |
Keeping his beady eye on the Blues is the playful Paul Laidlaw. | 0:04:55 | 0:05:00 | |
Eyes forward, tunnel vision, boys. | 0:05:04 | 0:05:06 | |
-Reds, battle stations, please. -That might interest you. | 0:05:06 | 0:05:10 | |
-You don't mind if I...? -No. -Watch your hair. -Takes me back. Yeah, watch my hair! | 0:05:10 | 0:05:16 | |
-This fella was small, wasn't he? -Yeah. -There you go, you see. | 0:05:16 | 0:05:21 | |
-Oh, that's nice. -Look at that. -Yes. | 0:05:21 | 0:05:24 | |
-It's heavy! -I bet it is. -It wouldn't save you. | 0:05:24 | 0:05:28 | |
-French Para. -40 quid. -40 quid. -Do you think this would sell? | 0:05:28 | 0:05:32 | |
-It looks great on you, but it's a really limited market... -Right. -..to be honest. | 0:05:32 | 0:05:38 | |
-It's in great condition. -But no profit? -I don't think so. | 0:05:38 | 0:05:43 | |
-A no-no, then? -Sadly. -I think so. Do you agree? -Yeah. | 0:05:43 | 0:05:47 | |
-Shame. Thanks a lot. -That's put a lid on that. | 0:05:47 | 0:05:50 | |
-What have you got there, Paul? -A steel casket. We could just about call it a burnished steel box. | 0:05:50 | 0:05:57 | |
Very simple. I do like this bell handle. Perfectly elegant. | 0:05:57 | 0:06:01 | |
-It feels as though it's got some age to it. Label on the inside. French. -What would it be used for? | 0:06:01 | 0:06:08 | |
I think it's a domestic strongbox. | 0:06:08 | 0:06:10 | |
-Like a household safe? -Well, it is. | 0:06:10 | 0:06:14 | |
-What age is it? -Just on feel alone, | 0:06:14 | 0:06:18 | |
and look at the quality of that key - tail end of the 19th century. | 0:06:18 | 0:06:22 | |
-That could be 100 years old without any trouble. -Right. -That mechanism gives added security. | 0:06:22 | 0:06:28 | |
It's closed. I'm going to open that. It's still closed. | 0:06:28 | 0:06:32 | |
-I've gone too far. Turn it again the other way. -It's difficult. -Yeah. | 0:06:32 | 0:06:37 | |
It's forever closed. You've just got to get it at the right point and then you're in. | 0:06:37 | 0:06:43 | |
-Another little security measure. Am I wasting my breath? -I quite like it. Kel, what do you think? | 0:06:43 | 0:06:49 | |
I like it cos it's solid. | 0:06:49 | 0:06:52 | |
I've got a thought here. Can we get a bulk purchase discount on a bunch of keys and the box? | 0:06:52 | 0:06:59 | |
They'd really work well. Grab that bunch of keys, Kelly. | 0:06:59 | 0:07:04 | |
I've got it. There you go, Kel. | 0:07:04 | 0:07:07 | |
Jailer's keys. Bags of character. | 0:07:09 | 0:07:12 | |
Look at that in a saleroom. That will look magic. | 0:07:12 | 0:07:16 | |
-But can we...? -30 for the pair. | 0:07:16 | 0:07:19 | |
Give us the pair of those for 25 quid. | 0:07:19 | 0:07:22 | |
-26. -I think we shake the man's hand. That's pretty fair. -Yeah. | 0:07:22 | 0:07:27 | |
-I think we go with that. -It's a seductive little lot. Deal? -Deal. -Yeah. -Shake hands. | 0:07:27 | 0:07:33 | |
And who knows? That could be the key to your success. Well done, Blues. | 0:07:33 | 0:07:38 | |
Only ten minutes in and that's your first item sorted. | 0:07:38 | 0:07:42 | |
You Reds had better start shelling out some cash. | 0:07:42 | 0:07:46 | |
Come and look at this. We were talking about silver. It's a good price at the moment. | 0:07:46 | 0:07:52 | |
I've seen a couple of things. There's that caddy spoon. | 0:07:52 | 0:07:55 | |
And this thing here is much later, a little bonbon dish. | 0:07:55 | 0:08:00 | |
Can we have a look at this one, please? | 0:08:00 | 0:08:03 | |
-There's that. -Thank you. | 0:08:03 | 0:08:06 | |
Oh, brilliant, thank you. | 0:08:06 | 0:08:09 | |
Now this, the marks here, the maker's mark, | 0:08:09 | 0:08:13 | |
your crown for Sheffield, your lion passant, a walking lion, which means British sterling silver. | 0:08:13 | 0:08:20 | |
It's only 20th century, but that's nice quality. | 0:08:20 | 0:08:24 | |
-What do you think? -I do like it. | 0:08:25 | 0:08:29 | |
-Would he do two for one? -Two for one? | 0:08:29 | 0:08:32 | |
-What would you do on this? -I'd do eight. -Eight. Would you squeeze to five? | 0:08:32 | 0:08:38 | |
- Six? - Eight's definitely the best price. | 0:08:38 | 0:08:42 | |
-I think for that it's worth... -Let's have a look. | 0:08:42 | 0:08:46 | |
-There you go, Caroline. -This is a tea-caddy spoon. 1804. | 0:08:46 | 0:08:51 | |
It's a fabulous thing. Bone handle. In very, very good condition. | 0:08:51 | 0:08:56 | |
And all this decoration could easily have worn away. | 0:08:56 | 0:09:00 | |
We've got a good set of hallmarks here. Tea was a very valuable commodity at this time. | 0:09:00 | 0:09:06 | |
And anything to do with tea was of quality. | 0:09:06 | 0:09:10 | |
This is a beautiful little object. There's no shortage of people that want beautiful little objects. | 0:09:10 | 0:09:17 | |
-I think it's all the money, really. What's your best on that? -I could do them both for 50. | 0:09:17 | 0:09:23 | |
-And that's your absolute best? -I think I like that, Caroline, yeah. -For the money... | 0:09:23 | 0:09:30 | |
-It's for nowt. -Yeah. -Yeah. -OK, we'll have that and put this on the back burner. It's a possibility. | 0:09:30 | 0:09:37 | |
-I'm sure the gentleman will hold that offer, that very kind offer. -I will. | 0:09:37 | 0:09:42 | |
-First one bought! -Yes! -One down. -Making it even-stevens at the 20-minute mark. | 0:09:42 | 0:09:49 | |
Now, Paul, has this got any scope? | 0:09:49 | 0:09:51 | |
We've got a four-lens turret monocular microscope. | 0:09:51 | 0:09:56 | |
Coarse and fine, is it? Oh, and a sub-stage lamp. | 0:09:56 | 0:10:00 | |
It's a little bit older than the ones I use, but I can see the aesthetic properties of it. | 0:10:00 | 0:10:06 | |
I'd be attracted to it. Whether a wider audience would, I'm not sure. We'd have to see on that. | 0:10:06 | 0:10:14 | |
The money in microscopes is in fine early instruments. | 0:10:14 | 0:10:18 | |
-I think it's worth 20 to 40 quid. -It's on at 65. -65. | 0:10:18 | 0:10:23 | |
-We'd need a decent chunk off. -I think we should move on. -Not sure? Talked yourself out of it? -Yeah. | 0:10:23 | 0:10:29 | |
-OK. -All right. -No chemistry with that, then. OK, let's move on. | 0:10:29 | 0:10:34 | |
-Chris, do you know what this is? -No. -OK. Mick? -Not a clue. | 0:10:36 | 0:10:40 | |
It's actually a wonderful piece of treen. Beautifully polished brass. | 0:10:40 | 0:10:46 | |
And it's to do with snooker. It's a snooker cue tipper. | 0:10:46 | 0:10:50 | |
-Nowadays you have the tips on them. -Yeah. | 0:10:50 | 0:10:53 | |
This, you would file the tip with this and the cue goes in the end. | 0:10:53 | 0:10:58 | |
And then you pull that collar down, which would secure the cue, | 0:10:58 | 0:11:04 | |
-and you can hang it up. -Yeah. | 0:11:04 | 0:11:06 | |
It's not expensive. It's a nice thing with a registered number here. | 0:11:06 | 0:11:10 | |
I think that might be a replacement chain and tipper here. | 0:11:10 | 0:11:15 | |
But, nonetheless, for somebody that plays snooker, collects snooker things, that's a nice present. | 0:11:15 | 0:11:23 | |
I like that. Nice bit of sporting memorabilia. | 0:11:23 | 0:11:27 | |
What is your absolute best price on that, please, sir? | 0:11:27 | 0:11:31 | |
-Would you take 12? -Oh, no, no. | 0:11:31 | 0:11:34 | |
15, fine. £15. | 0:11:34 | 0:11:37 | |
-14. -14. -Thank you. -You're an absolute star. | 0:11:37 | 0:11:41 | |
What a good tip, Caroline, but you Reds aren't exactly splashing the cash. That's your second item. | 0:11:41 | 0:11:47 | |
Now the Blues need to sharpen up. | 0:11:47 | 0:11:50 | |
-That's a belter, that. Holy Moses! -I like that. | 0:11:50 | 0:11:54 | |
-It's got some weight behind it. -So, this tool is specifically designed | 0:11:54 | 0:12:00 | |
for introducing plain faces to worked wood. OK? | 0:12:00 | 0:12:05 | |
You're looking at a socket. We could call this an eye | 0:12:05 | 0:12:08 | |
and on every other axe you'll ever see, that will be symmetrical. OK? | 0:12:08 | 0:12:13 | |
But on this we've got a flat face here with all the work projecting to one side. | 0:12:13 | 0:12:20 | |
-It's a tool and a decorative object, but it's enough money at £85. -You'd need a decent chunk off. | 0:12:20 | 0:12:27 | |
-I don't know if you'll get it. -No. -It'll be here when we get back. | 0:12:27 | 0:12:31 | |
-OK, we can have a quick look. -Amazing thing. Good tool. | 0:12:31 | 0:12:35 | |
-I thought Kelly liked small and sparkly. -Get that back in the box, Kelly! | 0:12:36 | 0:12:43 | |
-Never to come out again. -But we're seeing her fiery side today. | 0:12:43 | 0:12:49 | |
Why, Kelly, are you directing us towards replica or model artillery? | 0:12:49 | 0:12:55 | |
-You surprise me. Is this normal? -She's surprising me, actually. | 0:12:55 | 0:12:59 | |
-It's revealing a dark side I didn't know anything about. -Axes, cannons... What's next? | 0:12:59 | 0:13:06 | |
So, this is a reasonably faithful replica | 0:13:07 | 0:13:11 | |
of an 18th-century naval deck gun. | 0:13:11 | 0:13:15 | |
But he's insisting that you buy this pair of 19th-century field guns. | 0:13:15 | 0:13:21 | |
-They look like American Civil War style. -Don't they? -Yeah. | 0:13:21 | 0:13:25 | |
-What was the price? 65? -65. -For the three. | 0:13:25 | 0:13:29 | |
That's a belting good model. I'm not enamoured with the glitzy brass. They're a bit blingy for me, | 0:13:29 | 0:13:35 | |
albeit quite accurate little models. | 0:13:35 | 0:13:38 | |
I'd be tempted to find out if he'd just sell you... Or do you want the three? Two questions. | 0:13:38 | 0:13:44 | |
One, what's the absolute bottom line on the three? | 0:13:44 | 0:13:49 | |
-I'd say you need something off. -Yeah. | 0:13:49 | 0:13:51 | |
Or what's the bottom line if you sell us the big one on its own? | 0:13:51 | 0:13:56 | |
-And then weigh the whole thing up. What do you reckon? -I like it. | 0:13:56 | 0:14:00 | |
-Why? Why? -I don't know. It's nice. -This is your malfunction, Kelly! | 0:14:00 | 0:14:04 | |
-It's not a malfunction. It's just... -Kelly, look, | 0:14:04 | 0:14:08 | |
I'm loving it. I love a piece that stands out. | 0:14:08 | 0:14:12 | |
The thing isn't the price. The thing is the time. | 0:14:12 | 0:14:16 | |
-Kelly, get in there. Sort them out. Let's buy something. -OK. -Go on, go on, go on. | 0:14:16 | 0:14:23 | |
-Good advice, Paul. -Would you be able to split them? Would you sell us just the big one? | 0:14:23 | 0:14:29 | |
-- Yes. I'll have 45. -45. -- For just the big one. | 0:14:29 | 0:14:33 | |
-It's a gamble, but if you like it... -Do you like it? -Honestly, I don't. | 0:14:33 | 0:14:38 | |
All right. I like it. Do you want to do rock, paper, scissors for it? | 0:14:38 | 0:14:42 | |
If I win, we buy it. If you win, then we don't buy it. | 0:14:42 | 0:14:47 | |
-OK, I'm up for that. -I hope you win. | 0:14:47 | 0:14:50 | |
-I'm rooting for you! Come on. -On three. -I can't look. | 0:14:52 | 0:14:56 | |
-We buy it. -Let's buy it. -Get in! | 0:14:57 | 0:15:00 | |
Well, that's one way to sort it. Let's hope it goes off with a bang. | 0:15:00 | 0:15:04 | |
That's two-all as we enter the final 15 minutes. Mick, what can you say to keep us in the mood? | 0:15:04 | 0:15:11 | |
-Well, this is Mickey P, The Love Lounge. -It's just like being on the radio. -Yeah, absolutely. | 0:15:11 | 0:15:17 | |
It would be a bit more crackly. | 0:15:17 | 0:15:20 | |
-I think we better get Caroline in. -Where is she? -I don't know. | 0:15:20 | 0:15:24 | |
-Here she is. -Oh, she's here. -Hi! -Good morning. | 0:15:24 | 0:15:28 | |
-We're back to the musical... -Look at this. | 0:15:28 | 0:15:32 | |
-Yes. -Put it on for you? -Yes, please. | 0:15:32 | 0:15:36 | |
Is it Cliff Richard? | 0:15:36 | 0:15:38 | |
It's hard with these sunglasses. | 0:15:38 | 0:15:41 | |
Right, that one. | 0:15:41 | 0:15:43 | |
-I'll name that tune in one! -I'll take your word for it. -Oh, wow. | 0:15:47 | 0:15:52 | |
JAZZ PLAYS | 0:15:52 | 0:15:53 | |
It's mint. That's mint, that. | 0:15:56 | 0:15:59 | |
-I love that. -Take it off now. It's great. | 0:15:59 | 0:16:03 | |
If we can...stop it. Thank you. | 0:16:03 | 0:16:05 | |
So, it's made of oak, 1920s, '30s. | 0:16:05 | 0:16:09 | |
It's all original. It's got the bobbin turned legs at the front. | 0:16:09 | 0:16:15 | |
In good condition. The mark here. | 0:16:15 | 0:16:17 | |
-Sheffield, England. Yeah, so it's a good Yorkshire make. -A nice Yorkshire piece. 125 on it. | 0:16:17 | 0:16:24 | |
-Where do you see that? -It's awful to say, but it almost wants to be half that to guarantee a profit. | 0:16:24 | 0:16:31 | |
-It's a lovely thing. -Mm. -And really interesting. You can have a lot of fun. | 0:16:31 | 0:16:36 | |
-I think we're looking at that case again. -Ten minutes. -We're back to that. -That's a shame. | 0:16:36 | 0:16:42 | |
-Thank you so much. -Have a think. No problem at all. | 0:16:42 | 0:16:46 | |
I'm proud of you because you're thinking about the profit, | 0:16:47 | 0:16:51 | |
but now you have to think more about the time. | 0:16:51 | 0:16:55 | |
-Right, up here. -Yeah. Over towards the mannequin. | 0:16:55 | 0:16:59 | |
-Here's the mannequin. -In hindsight, no. -Do you not like him? -Not especially. | 0:16:59 | 0:17:05 | |
Do you get the feeling Paul's getting his own way with these two? | 0:17:05 | 0:17:09 | |
-A bullet... -I'm back. Sorry, guys. -How are you doing? We're looking at... -More cannons! | 0:17:09 | 0:17:15 | |
-This is First World War trench art. -Really? -Yeah. | 0:17:15 | 0:17:19 | |
This, I'll wager, was made perhaps during the First World War or in the 1920s, | 0:17:19 | 0:17:25 | |
in France or Flanders | 0:17:25 | 0:17:27 | |
-for sale as a tourist souvenir. -Right. -These wheels may have been made from brass salvaged | 0:17:27 | 0:17:35 | |
from brass shell cases. The bullets are from the battlefields | 0:17:35 | 0:17:39 | |
-and some have been fired. -What's this underneath? There's writing. | 0:17:39 | 0:17:44 | |
Yeah, yeah, yeah. | 0:17:44 | 0:17:46 | |
So that's French script. "De la". That's "of the". | 0:17:46 | 0:17:50 | |
Hall of Drapes. That'll be the Cloth Hall. | 0:17:50 | 0:17:55 | |
"Cathedral a Ypres, 1918." So that's Ypres. | 0:17:55 | 0:17:59 | |
Ypres was levelled during the First World War | 0:17:59 | 0:18:04 | |
and they rebuilt it in the 1920s. And I think they're saying... | 0:18:04 | 0:18:09 | |
-Is that where they made it? -Or where it's from? -The wood's from the Cloth Hall! You've nailed it! | 0:18:09 | 0:18:15 | |
The plinth is made from timber | 0:18:15 | 0:18:19 | |
from Ypres' medieval Cloth Hall. These other elements | 0:18:19 | 0:18:24 | |
-are cut from shell cases, salvaged bullets... -So everything of it is from the wars? | 0:18:24 | 0:18:31 | |
You grab the medical kit, a pair of pliers and get that for a tenner! | 0:18:31 | 0:18:37 | |
-What if I pull a few teeth? -Whatever it takes. -It's worth a chat. | 0:18:37 | 0:18:43 | |
-Let's see if he'll move. -It's 65 at the moment. | 0:18:43 | 0:18:47 | |
-You may not get anything off it. If you like it, take a punt. -Shall I have a go? -I'll send you in. | 0:18:47 | 0:18:53 | |
What's potentially the lowest? | 0:18:53 | 0:18:56 | |
- It would have to be 60. - What if we went 55? | 0:18:56 | 0:19:00 | |
-Fine. I'll do 55. -Thank you. -Good deal. -I'll shake your hand. | 0:19:00 | 0:19:04 | |
-Lovely. -Thanks for that. Good man. Good man. | 0:19:04 | 0:19:09 | |
And some cool negotiating, Kelly. Well done. That's you two sorted. | 0:19:09 | 0:19:13 | |
Now what can these Reds dig up with just a few minutes left? | 0:19:13 | 0:19:18 | |
-It's still there. -Yes! Get in! | 0:19:18 | 0:19:21 | |
-In the nick of! -We said 50, didn't we? | 0:19:22 | 0:19:25 | |
-Because we're regular customers... -At the very last second as well. | 0:19:25 | 0:19:30 | |
-40. -Go on, then. -Yeah? Are we going to shake? -Yeah. -Brilliant. | 0:19:30 | 0:19:34 | |
-£40. Caroline? -Fantastic! | 0:19:34 | 0:19:37 | |
-- Actual happiness! - Have you finished? -Yes! | 0:19:38 | 0:19:42 | |
With two minutes to go. | 0:19:42 | 0:19:45 | |
As they say, don't let the grass grow under your feet. Time's up! Let's check what the Reds bought. | 0:19:45 | 0:19:51 | |
They took a crack at this shell-shape butter dish | 0:19:51 | 0:19:55 | |
and paid a meagre £8 for it. | 0:19:55 | 0:19:57 | |
Then they made a break for this snooker-cue tipping clamp | 0:19:58 | 0:20:03 | |
and pocketed it for £14. | 0:20:03 | 0:20:05 | |
Finally, they dug up the silver shovel caddy spoon | 0:20:06 | 0:20:11 | |
and raked it in for £40. | 0:20:11 | 0:20:13 | |
I don't fancy him as much as you do. | 0:20:13 | 0:20:15 | |
Hey! What's this doing? A coven of Yorkshire folk. | 0:20:15 | 0:20:19 | |
-Is that the collective whatnot? -A tight! -A tight of Yorkshire folk! | 0:20:19 | 0:20:24 | |
-Why not? Tell me, how much did you spend? -Erm...£62. | 0:20:24 | 0:20:29 | |
£62? It IS a tight of Yorkshire folk. We give you 300 notes and you only spend the 62! | 0:20:29 | 0:20:36 | |
I'm taking back £238. What's so special about your favourite piece? | 0:20:36 | 0:20:41 | |
It's like a little paddle. No, it's a tea scooper! | 0:20:41 | 0:20:45 | |
You're a wind-up, you are, Mick. Chris, what's your favourite piece? | 0:20:46 | 0:20:51 | |
-The snooker tip replace... -Gadget. -Yeah. | 0:20:51 | 0:20:55 | |
-Just because it's so quirky. -Will that bring the biggest profit? | 0:20:55 | 0:21:00 | |
Probably not. I think the caddy spoon. I think it's a real bargain. | 0:21:00 | 0:21:05 | |
Well, this is your big test, Caroline. Here comes all this money. | 0:21:05 | 0:21:09 | |
I've got two or three things I'm possibly keen on buying. I'll have a look. | 0:21:09 | 0:21:14 | |
I do hope you spend all that cash. | 0:21:14 | 0:21:16 | |
-I'll try. -All right, fine. Good luck. Meanwhile, we'll check out what the Blue team bought. | 0:21:16 | 0:21:23 | |
They were taken with this steel strongbox with a set of old keys | 0:21:23 | 0:21:28 | |
and secured it for £26. | 0:21:28 | 0:21:30 | |
Then Kelly went in with all guns blazing | 0:21:31 | 0:21:35 | |
and got the model deck gun for £45. | 0:21:35 | 0:21:38 | |
And finally they felt the trench art desk piece | 0:21:39 | 0:21:44 | |
with two field guns could fire up some profits at £55. | 0:21:44 | 0:21:48 | |
-Listen, you two seem very happy. What about your expert? Happy? -I'm shocked. | 0:21:50 | 0:21:56 | |
-Why? -All will become clear in a moment, but there's a thread that could never have been scripted | 0:21:56 | 0:22:02 | |
that came about involving artillery. | 0:22:02 | 0:22:05 | |
-Now listen, you lot. What did you spend? -126. -That's all right. | 0:22:05 | 0:22:10 | |
-That would be 173 of leftover lolly, please. -174. | 0:22:10 | 0:22:15 | |
Hey, she's quite right. Put me in my place. Lovely. | 0:22:15 | 0:22:20 | |
-Which is your favourite piece? -The bunker art. -The bunker art. The trench art! | 0:22:20 | 0:22:26 | |
-Bunker art! -Trench art, bunker art. Same difference! As long as it makes money! -Yes! | 0:22:26 | 0:22:33 | |
That's the attitude. OK, that's great. Which is your favourite piece? | 0:22:33 | 0:22:38 | |
I quite like the first piece, the lock box. And the set of keys. | 0:22:38 | 0:22:43 | |
I quite like how that looks, but I think the third piece will do best. | 0:22:43 | 0:22:48 | |
This goes to the man who is best able to spend it. | 0:22:48 | 0:22:52 | |
-What are you going to do, boy? -Desperately avoid the artillery theme. And yet, knowing me, | 0:22:52 | 0:22:59 | |
I fear that may be difficult! | 0:22:59 | 0:23:01 | |
All right, fine. We'll stand by. Good luck. | 0:23:01 | 0:23:05 | |
Meanwhile, why don't we flutter off and find something interesting? Coo. | 0:23:05 | 0:23:10 | |
Nice afternoon for it, isn't it? | 0:23:15 | 0:23:18 | |
Well, as they say, you can never tell a book by its cover or a box from its contents. | 0:23:18 | 0:23:23 | |
This is quite surprising. | 0:23:23 | 0:23:26 | |
Two dead pigeons. | 0:23:26 | 0:23:29 | |
Of course, they're not real dead pigeons. They're carved wooden pigeon decoys, | 0:23:30 | 0:23:37 | |
but naturalistically carved and painted. | 0:23:37 | 0:23:40 | |
Look at that paint job. Now, the wood pigeon, in Britain, is an Olympian bird. | 0:23:40 | 0:23:47 | |
It has prospered alongside agriculture and mankind in this country | 0:23:47 | 0:23:53 | |
because it loves to scoff grain. | 0:23:53 | 0:23:57 | |
The problem is that for the farmers, these things in huge flocks | 0:23:57 | 0:24:02 | |
consume huge amounts of food. | 0:24:02 | 0:24:06 | |
And to control them by shooting, you have to be an extremely good shot | 0:24:06 | 0:24:11 | |
or you have to be mighty cunning. That's why things like this, | 0:24:11 | 0:24:15 | |
naturalistically painted wooden pigeons, | 0:24:15 | 0:24:19 | |
were made to act as decoys. | 0:24:19 | 0:24:22 | |
If you turn it upside down, there's a cunning hidden compartment. | 0:24:23 | 0:24:27 | |
And that contains one clever gadget - a metal spike with a crutch on it. | 0:24:28 | 0:24:34 | |
That metal spike and crutch fit into the aluminium plate and it went something like this. | 0:24:34 | 0:24:41 | |
Shove the metal spike into the ground like that, | 0:24:41 | 0:24:45 | |
set this bloke on top, Old Pidge, | 0:24:45 | 0:24:48 | |
and - hey, presto! - you've got something that, | 0:24:48 | 0:24:51 | |
to a pigeon X hundred feet up, | 0:24:51 | 0:24:54 | |
looks like a friend. | 0:24:54 | 0:24:56 | |
In fact, out of this wooden box you can set up two friends. | 0:24:56 | 0:25:02 | |
Doubly attractive for that wild pigeon circling up above us. | 0:25:02 | 0:25:08 | |
These are set up with the iron bar on the fulcrum point, which means the point of balance. | 0:25:08 | 0:25:14 | |
And just where they balance, they move slightly in the wind, | 0:25:14 | 0:25:18 | |
which makes them even more realistic for the birds out there circling that you want to land nearby these. | 0:25:18 | 0:25:25 | |
The other thing that you might do to attract a pigeon is to use one of these jokers, | 0:25:25 | 0:25:32 | |
which is called a pigeon caller. You're in a hide or behind a tree. | 0:25:32 | 0:25:37 | |
You set the decoys out in front of you and give one of these things a blow. | 0:25:37 | 0:25:42 | |
It works like this. Sexy. | 0:25:42 | 0:25:44 | |
PIGEON CALL | 0:25:44 | 0:25:46 | |
That is pigeon speak for, "Come and land somewhere near me." | 0:25:49 | 0:25:55 | |
The pigeon hunter then has a 12-bore shotgun and when the wild pigeon comes down, | 0:25:55 | 0:26:01 | |
he shoots it and he takes it home and his missus plucks it. | 0:26:01 | 0:26:05 | |
Hey, presto, there's a pigeon pie on the table for supper that night. | 0:26:05 | 0:26:09 | |
What might they cost you? If you keep your eyes peeled, | 0:26:09 | 0:26:13 | |
you might be lucky and get the two for £40. | 0:26:13 | 0:26:17 | |
And that, in pigeon speak, is... | 0:26:17 | 0:26:19 | |
Coo, coo. | 0:26:22 | 0:26:24 | |
All finished at £20? Finished at £20. | 0:26:27 | 0:26:32 | |
Well, today we're with auctioneer Peter Robinson at Thomas Watson Auctioneers in Darlington | 0:26:32 | 0:26:38 | |
-and it's a treat to be here, Peter. -That's good. Hi there. | 0:26:38 | 0:26:43 | |
We've got a real bargain coming to hit you, which is this solid silver butter dish. | 0:26:43 | 0:26:49 | |
Well, that's a good little piece of silver. Fully hallmarked. | 0:26:49 | 0:26:53 | |
Little used. It's not as thin as some pieces can be. It's on ball feet, | 0:26:53 | 0:26:58 | |
-scallop shape. -It's a classic. -A classic little bonbon dish. | 0:26:58 | 0:27:03 | |
You must see, in a year, hundreds. | 0:27:03 | 0:27:06 | |
-You're probably right. Over a lifetime, thousands. -Yes. | 0:27:06 | 0:27:11 | |
-Putting on your best value hat, how much is it worth? -£30 to £40. | 0:27:11 | 0:27:16 | |
-Lovely. £8 paid. -Wow. -That's what you call a bargain. -That is! | 0:27:16 | 0:27:20 | |
Next is the snooker tip replacing gadget. Very, very important if you've got a snooker table. | 0:27:20 | 0:27:26 | |
Well, boxwood and brass. It's a properly made implement. I can't say I've ever seen one | 0:27:26 | 0:27:32 | |
and I have been here a long time. | 0:27:32 | 0:27:35 | |
15 to 25 is the estimate that I've put on it, but I don't know. | 0:27:35 | 0:27:41 | |
£15 to £25. It's bound to be a profit. Marvellous. | 0:27:41 | 0:27:45 | |
-And lastly is this shovel-shaped tea caddy. -It's got some nice, engraved decoration. | 0:27:45 | 0:27:52 | |
The hallmarks are quite good, but the maker's mark is quite rubbed, so you can't really attribute it. | 0:27:52 | 0:27:59 | |
But it's 1804. A nice handle, not too worn. | 0:27:59 | 0:28:04 | |
-It should be worth a lot of money. -So what do you think? -We put 30 to 60. | 0:28:04 | 0:28:09 | |
Our lot paid £40. Who knows? Somebody might take a shine to it. | 0:28:09 | 0:28:13 | |
-A little object of virtue for a cabinet. -£60, £80 maybe. -Yeah. | 0:28:13 | 0:28:18 | |
Well, on that basis I fancy this team won't need their bonus buy, but let's have a look at it anyway. | 0:28:18 | 0:28:25 | |
-Now, Mick and Chris, £238 of leftover lolly went to Caroline. -Fantastic, that. | 0:28:25 | 0:28:31 | |
Yeah, fantastic. What did you buy, Caroline? | 0:28:31 | 0:28:35 | |
-Are you ready? -Go on. | 0:28:35 | 0:28:38 | |
What on earth...?! | 0:28:38 | 0:28:41 | |
-What do you think it is? Have a look. -It looks like a pen lid. | 0:28:41 | 0:28:46 | |
No. Mick? | 0:28:46 | 0:28:48 | |
-I ain't got a clue. It's hallmarked. -It is. | 0:28:48 | 0:28:52 | |
-It's Walker and Hall, 1903. -Is it a pen holder or something? | 0:28:52 | 0:28:57 | |
-No, it's not. -For a flower? -Oh, you're getting too near, Mick. | 0:28:57 | 0:29:01 | |
This goes into here | 0:29:01 | 0:29:05 | |
and for my very own love DJ... | 0:29:05 | 0:29:08 | |
-it fits into your shirt. -Very good. -And you'd wear it like that as a little... -I'm liking that. | 0:29:08 | 0:29:14 | |
-..posy holder. -It's different. -How much will it make? | 0:29:14 | 0:29:18 | |
I spent £50 on that. | 0:29:18 | 0:29:21 | |
-Wow. -It's silver, it's lovely, it's classic. | 0:29:21 | 0:29:24 | |
I don't think it'll make a huge profit, but it'll wash its face | 0:29:24 | 0:29:29 | |
-and it might squeeze 70, 75. -Well, that's cracking, isn't it? | 0:29:29 | 0:29:34 | |
Rest with those thoughts. Meanwhile, let's find out what the auctioneer thinks about it. | 0:29:34 | 0:29:41 | |
-This is handy, isn't it? So, when does it date from? -It's an Edwardian piece of silver, | 0:29:42 | 0:29:48 | |
dating from 1903. Again, over 100 years old. | 0:29:48 | 0:29:52 | |
It's in great condition, Walker and Hall. A nice piece. | 0:29:52 | 0:29:55 | |
We've put a modest estimate of £20 to £40 on it. | 0:29:55 | 0:29:59 | |
-Caroline thought it was worth £50. -I have seen a few over the years | 0:29:59 | 0:30:03 | |
-and that's quite a strong price. -I think you're right. | 0:30:03 | 0:30:08 | |
That's it for the Reds. Now for the Blues, we move into the militaria department big time. | 0:30:08 | 0:30:13 | |
First off is this strongbox. | 0:30:13 | 0:30:15 | |
A nice piece of steel. A solid strongbox. | 0:30:15 | 0:30:19 | |
Late 19th century, possibly French. | 0:30:19 | 0:30:23 | |
It's a nice box, but what you'd do with it... Keep money in it. | 0:30:23 | 0:30:27 | |
-All your ill-gotten gains. -Yeah. | 0:30:27 | 0:30:29 | |
-Or your jewels. It's not ornamental, but it is a nice piece... -Functional. -..of metal. Functional, yeah. | 0:30:29 | 0:30:36 | |
-People do collect these. -Indeed. -How much? | 0:30:36 | 0:30:40 | |
-We've put an estimate of £30 to £50 on this, together with the bunch of old keys. -£26 paid. | 0:30:40 | 0:30:46 | |
-They didn't pay a huge amount. The right price, I think. -Probably. | 0:30:46 | 0:30:51 | |
Now, the naval cannon had nothing to do with the Napoleonic Era, did it? | 0:30:51 | 0:30:56 | |
I personally think it's hideous. | 0:30:56 | 0:30:59 | |
Well, it's a cheap replica. It could have even been a holiday item in the '50s or '60s. | 0:30:59 | 0:31:06 | |
-If you want a big piece making this sort of statement, there it is. -OK, well, we've dissed that. | 0:31:06 | 0:31:12 | |
-What's it likely to bring? -We've put 20 to 40. I don't feel we'll have a great queue for it. | 0:31:12 | 0:31:18 | |
£45 paid. That could be their comeuppance. | 0:31:18 | 0:31:22 | |
-The last lot I do rate. -Yes, indeed. It's First World War, | 0:31:22 | 0:31:28 | |
it's militaire, it's social history. | 0:31:28 | 0:31:31 | |
All the components are there. For a collector, it's got some attraction. | 0:31:31 | 0:31:35 | |
-I bet you put a pretty cagey estimate on this. -Well... | 0:31:35 | 0:31:40 | |
a fairly wide estimate of 40 to 80. | 0:31:40 | 0:31:43 | |
-Our lot only paid £55. -Well, it's reasonable for that sort of money. | 0:31:43 | 0:31:49 | |
Anyway, there we are. Three items. It slightly depends on how the cannon are going to perform | 0:31:49 | 0:31:54 | |
as to whether they need their bonus buy or not. Let's look at it. | 0:31:54 | 0:31:58 | |
Kelly, Alex, this is exciting. | 0:31:58 | 0:32:01 | |
What did Paul Laidlaw spend your £174 of leftover lolly on? Paul... | 0:32:01 | 0:32:06 | |
You guys are into your sports. This is better than it looks. | 0:32:06 | 0:32:11 | |
-You know what that is. -It's a stopwatch. | 0:32:11 | 0:32:15 | |
-You've never seen one calibrated thus, though. -Not at all. | 0:32:15 | 0:32:19 | |
-I don't see 0-60. -I can see seconds and that's about it. -And...? | 0:32:19 | 0:32:24 | |
Yards. | 0:32:24 | 0:32:25 | |
-How does that work, then? -On the back, a big broad arrow tells us it's a military object. | 0:32:25 | 0:32:33 | |
And that is an Admiralty or Royal Navy number six pattern stopwatch for use with ASDIC. | 0:32:33 | 0:32:41 | |
Remember the war movies? The guys sitting in those wee chambers with dials and their headphones on, | 0:32:41 | 0:32:47 | |
listening for submarines. He's timing the interval between pings with this. | 0:32:47 | 0:32:53 | |
And that's where we get the distance. We can go ping. | 0:32:53 | 0:32:58 | |
Ping. "Oh, my word, Captain! It's only 200 yards and closing!" | 0:32:59 | 0:33:03 | |
It wasn't a lot of money. | 0:33:03 | 0:33:06 | |
-If I said £20, would you be interested? -I think so. -That's no money. -It's nothing. | 0:33:06 | 0:33:12 | |
It is worth, on a good day, £40 to £70. | 0:33:12 | 0:33:16 | |
-It ain't going to make us a fortune. -There's something in it. | 0:33:16 | 0:33:20 | |
You'll see an unhappy bunny if there's no profit! A good thing. | 0:33:20 | 0:33:24 | |
Why don't we find out what the auctioneer thinks about it? | 0:33:24 | 0:33:29 | |
Right, then. Over to you, squire. | 0:33:30 | 0:33:32 | |
This Waltham stopwatch. Obviously, American made, | 0:33:32 | 0:33:38 | |
but it's an Admiralty pattern number six, graduated in yards and six seconds. | 0:33:38 | 0:33:45 | |
So it's got a military use, perhaps. | 0:33:45 | 0:33:48 | |
We put an estimate of £30 to £50 on it. | 0:33:48 | 0:33:51 | |
-Paul Laidlaw's obsessed by this stuff. He's paid £20 for it. -Let's hope it leaves him a profit. | 0:33:51 | 0:33:57 | |
We hope we'll get an explosion at the end of the day. | 0:33:57 | 0:34:01 | |
Very good luck, Peter. Thank you. | 0:34:01 | 0:34:04 | |
£50 is the next bid. Thank you. | 0:34:04 | 0:34:06 | |
55. 60, sir? | 0:34:06 | 0:34:08 | |
No. At £50. | 0:34:08 | 0:34:10 | |
-Now, Mick, Chris, how are you feeling? -Warmish. Nervous-ish. | 0:34:10 | 0:34:15 | |
-What are you nervous about? -Nowt. -Nothing? Just overall unease? | 0:34:15 | 0:34:19 | |
-It's the excitement. -Like grabbing that microphone for the first time. | 0:34:19 | 0:34:24 | |
-Oh, indeed. -Never quite knowing. Same for you, mate? -Yeah. I'm feeling quite good, though. | 0:34:24 | 0:34:30 | |
-Any piece you wish you hadn't bought? -No regrets. -Yeah, I'm relatively pleased, actually. | 0:34:30 | 0:34:37 | |
Then we'll start off with the butter dish. | 0:34:37 | 0:34:40 | |
124. A little Victorian silver shell-shaped butter dish. | 0:34:40 | 0:34:44 | |
A nice little piece of silver. 1893. | 0:34:44 | 0:34:49 | |
£20, a low start. At £20. 25. 30. | 0:34:49 | 0:34:52 | |
35? At £30, with me, the bid. £30 for the little silver dish. | 0:34:52 | 0:34:57 | |
Are we all finished at £30? Victorian silver. | 0:34:57 | 0:35:00 | |
Plus £22. Very good show. Caroline, well done, darling. | 0:35:00 | 0:35:05 | |
That's excellent. Here comes the snooker clamp. | 0:35:05 | 0:35:08 | |
125, the snooker cue tipping clamp. | 0:35:08 | 0:35:14 | |
A vintage brass and boxwood item. I have £10 bid. | 0:35:14 | 0:35:17 | |
A low starter. At 15. 20. | 0:35:17 | 0:35:20 | |
25. £25 in the second row. It's being sold for £25. | 0:35:20 | 0:35:25 | |
£25! There's another £11. | 0:35:25 | 0:35:28 | |
-This is the big one. -Dear, oh, dear. Here we go. | 0:35:28 | 0:35:31 | |
126, another little piece of silver. | 0:35:31 | 0:35:34 | |
George III. Over 200 years old. A caddy spoon with horned handle. | 0:35:34 | 0:35:40 | |
At 20 bid. A low start. Over 200 years old. | 0:35:40 | 0:35:45 | |
25. 30. 5. 40. 5. | 0:35:45 | 0:35:47 | |
50. 55. 60. | 0:35:47 | 0:35:49 | |
65. 70. 75? | 0:35:49 | 0:35:52 | |
£70, still in the front row. At £70. Selling now. | 0:35:52 | 0:35:57 | |
At £70, all finished. At £70. | 0:35:57 | 0:36:00 | |
That's another £30 for that. You are £63 up. | 0:36:00 | 0:36:04 | |
-Plus 63. How good is that? -Fantastic. | 0:36:04 | 0:36:09 | |
-Thrifty. -Eh? -Thrifty. -That's what it is. | 0:36:09 | 0:36:13 | |
I'm snarky about you spending £62. | 0:36:13 | 0:36:16 | |
How snarky have I been? | 0:36:16 | 0:36:19 | |
-Incredibly. -Quite snarky. And you've made £63 | 0:36:19 | 0:36:24 | |
-out of the £62 that you spent. -That's just over 100%. | 0:36:24 | 0:36:29 | |
Exactly. She can do the maths. | 0:36:29 | 0:36:31 | |
Seriously, it's an achievement. What about the bonus buy? | 0:36:31 | 0:36:35 | |
-I'm tempted to not risk it. -No. -Not going to risk it? -No. | 0:36:35 | 0:36:39 | |
-I think our luck will run out. -You reckon? -Yeah. -OK, fine. | 0:36:39 | 0:36:44 | |
No pressure. You're not going with the bonus buy. | 0:36:44 | 0:36:48 | |
-The auctioneer's estimate on it is £20 to £40. -Ooh! -If he's right, you've done the right decision. | 0:36:48 | 0:36:54 | |
But, Caroline, you never know. Here it comes. | 0:36:54 | 0:36:58 | |
130. A little Edwardian silver buttonhole posy holder. | 0:36:58 | 0:37:02 | |
Walker and Hall, Birmingham, 1903, this little item. | 0:37:02 | 0:37:06 | |
At £30. At £30. The silver posy holder. | 0:37:06 | 0:37:10 | |
At £30. 35 can I say? | 0:37:10 | 0:37:13 | |
At £30. Not often you see these. Walker and Hall posy holder. | 0:37:13 | 0:37:17 | |
At £30. Here to be sold. At £30. | 0:37:17 | 0:37:20 | |
35, thank you, madam. Second row. | 0:37:20 | 0:37:22 | |
At £35, being sold at £35. All done? | 0:37:22 | 0:37:27 | |
-£35. You made the right decision. -A good choice. -£35. | 0:37:27 | 0:37:31 | |
It would have been minus 15, but you've preserved plus £63, | 0:37:31 | 0:37:36 | |
-which is extremely good, chaps. -Thank you. -Thank you. | 0:37:36 | 0:37:40 | |
-Don't say a word to the Blues. -Of course not. -All will be revealed in a moment. | 0:37:40 | 0:37:46 | |
-Kelly, Alex, been talking to the Reds? -A little bit. They're not giving anything away. | 0:37:51 | 0:37:57 | |
Let me run through your items. The strongbox. £26 paid, he's estimated 30 to 50. | 0:37:57 | 0:38:03 | |
You've got the naval deck gun. £45 paid. He thought it was hideous. He put 20 to 40 on it. | 0:38:03 | 0:38:10 | |
Then the trench art piece. He put 40 to 80 on that. You paid £55. | 0:38:10 | 0:38:14 | |
Personally, the trench art piece does it. If that's not £100 worth... It's a very nice thing. | 0:38:14 | 0:38:20 | |
100 to 150. Anything could happen. Anyway, those are your three items. | 0:38:20 | 0:38:24 | |
The first is the strongbox. | 0:38:24 | 0:38:27 | |
136, there we are. | 0:38:27 | 0:38:29 | |
It's the steel moneybox with a bundle of antique keys to go with it. | 0:38:29 | 0:38:34 | |
Can I have £30 bid? At £30. | 0:38:34 | 0:38:37 | |
35 can I say for the antique box? | 0:38:37 | 0:38:39 | |
35 on the net. £40 with me. | 0:38:39 | 0:38:42 | |
45. £50 with me. | 0:38:42 | 0:38:44 | |
At £50. Selling now. Commission bid. | 0:38:44 | 0:38:47 | |
55 for it anywhere? Being sold at £50. A commission bid. All done? | 0:38:47 | 0:38:53 | |
£50 is four off thirty. | 0:38:53 | 0:38:56 | |
So that is...24. Plus 24. | 0:38:56 | 0:39:00 | |
-It looks great. -It does. -It looks good. | 0:39:01 | 0:39:05 | |
137, there we are, is the large model of the 18th-century deck gun. | 0:39:05 | 0:39:11 | |
£15 for it. At £15. 20 can I say? | 0:39:11 | 0:39:14 | |
£20 I'm bid upstairs. £25. £30. At £30. | 0:39:14 | 0:39:18 | |
Gentleman in the balcony now. £30. | 0:39:18 | 0:39:22 | |
35 on the net. 40, sir. £40, thank you. | 0:39:22 | 0:39:26 | |
-Keep going, keep going. -You're out on the internet. | 0:39:26 | 0:39:30 | |
A room bid in the balcony for £40. | 0:39:30 | 0:39:32 | |
Well, that's brilliant. £40 is only minus £5. | 0:39:32 | 0:39:36 | |
Could have been a lot worse! Minus 19 that is. Sorry, plus 19. | 0:39:36 | 0:39:41 | |
You're plus 19. | 0:39:41 | 0:39:42 | |
Lot 138. An interesting lot. First World War trench art desk piece. | 0:39:42 | 0:39:49 | |
At £35. At £35. | 0:39:49 | 0:39:52 | |
40. 5. 50. 5. 60. | 0:39:52 | 0:39:54 | |
At £60. At the back at £65. 70. | 0:39:54 | 0:39:59 | |
We're in profit. | 0:39:59 | 0:40:01 | |
90. Five? | 0:40:01 | 0:40:03 | |
£90, standing at the back. | 0:40:03 | 0:40:05 | |
-95 anywhere? At £90. Gentleman's bid taking it at £90. -Go on. -All done. | 0:40:05 | 0:40:12 | |
£90. It's no money. Nevertheless, it's a lovely profit. | 0:40:12 | 0:40:15 | |
That is plus £35. Plus 35. Plus the 20 is 55. | 0:40:15 | 0:40:21 | |
-It's plus £54. -Excellent. -That's all right. 54 smackers. | 0:40:21 | 0:40:25 | |
You only spent 126! | 0:40:25 | 0:40:28 | |
-Good. Now, what about the number six stopwatch? -We'll go for it. -Yeah, we'll go for it. | 0:40:28 | 0:40:35 | |
-Here it comes. -142, the Second World War Waltham Admiralty stopwatch. | 0:40:35 | 0:40:43 | |
£15 to start. At £15. At 20 on my right. At £20 now. | 0:40:43 | 0:40:47 | |
£25. 30. At £30 on my right. | 0:40:47 | 0:40:51 | |
-Standing in the room at £30. -More than that would be nice. | 0:40:51 | 0:40:55 | |
Are we all finished at £30? 35, thank you, madam. | 0:40:55 | 0:40:59 | |
40, sir? 40, thank you. | 0:40:59 | 0:41:01 | |
45, madam? Yep. 45. | 0:41:01 | 0:41:04 | |
£50, sir? You sure? | 0:41:04 | 0:41:06 | |
-£45, the lady's bid. £50 is the next bid. -Great value. | 0:41:06 | 0:41:11 | |
50. 55. 60, sir? | 0:41:11 | 0:41:14 | |
No, at £55. The lady's bid at £55. | 0:41:14 | 0:41:17 | |
Well done, guys. | 0:41:17 | 0:41:19 | |
Did he sell it for 55? He sold it for 55. | 0:41:19 | 0:41:23 | |
That's plus 35. That's 89. | 0:41:23 | 0:41:25 | |
Plus 89 smackers. | 0:41:25 | 0:41:29 | |
I tell you, you are the golden couple. | 0:41:29 | 0:41:32 | |
Well, well, well. I cannot remember so much fun. Have you been chatting? | 0:41:37 | 0:41:41 | |
-No. -Because both teams, of course, know | 0:41:41 | 0:41:45 | |
that they've got major profits coming their way. Both teams are seriously into the do-re-mi. | 0:41:45 | 0:41:53 | |
We can only have one team of winners and one team of runners-up. | 0:41:53 | 0:41:57 | |
And the runners-up today... | 0:41:57 | 0:41:59 | |
are the Reds. | 0:41:59 | 0:42:01 | |
Oh! | 0:42:01 | 0:42:02 | |
The Reds have managed to lose today by only taking home £63. | 0:42:02 | 0:42:08 | |
But, unusually, you've made a profit on each of your items | 0:42:08 | 0:42:12 | |
and therefore you get the ancient and noble award of the Golden Gavel. | 0:42:12 | 0:42:19 | |
-Thank you. -One for your mate and one for your expert. -Thank you. | 0:42:19 | 0:42:24 | |
The only unfortunate element was the posy holder. That took the gilt off the gingerbread. | 0:42:24 | 0:42:30 | |
But even had that made a marginal amount of money, | 0:42:30 | 0:42:35 | |
-you would be unlikely to have beaten the Blues today, who are going home with £89! -Well done! | 0:42:35 | 0:42:42 | |
Here you go, kids. £89. | 0:42:42 | 0:42:44 | |
-Have you had fun? -Loads. -Yes. -You've been really great, too. | 0:42:44 | 0:42:48 | |
-Join us soon for some more bargain hunting. Yes? -YES! | 0:42:48 | 0:42:54 | |
I know you're thinking, "I could have done better than that." | 0:42:54 | 0:42:59 | |
Well, what's stopping you? | 0:42:59 | 0:43:02 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:02 | 0:43:06 | |
It'll be splendid to see you. | 0:43:06 | 0:43:08 |