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"In my end is my beginning." | 0:00:10 | 0:00:13 | |
That is the phrase embroidered by Mary, Queen of Scots | 0:00:13 | 0:00:17 | |
when she was imprisoned in England. | 0:00:17 | 0:00:19 | |
I don't know what my end might be, | 0:00:19 | 0:00:22 | |
but I can tell you this is the beginning, the beginning of something really special. | 0:00:22 | 0:00:27 | |
Welcome to Edinburgh. Let's go bargain hunting, yeah! | 0:00:27 | 0:00:31 | |
Mary, Queen of Scots was only six days old when her father, James V of Scotland, died | 0:00:57 | 0:01:03 | |
and she inherited the top job. | 0:01:03 | 0:01:05 | |
Today, fortunately, our teams of fathers and daughters have had rather longer to get acquainted. | 0:01:05 | 0:01:11 | |
Let's have a quick paternal peek at what's coming up. | 0:01:11 | 0:01:15 | |
'Coming up, one of the Reds sees red over her team-mate's tactics.' | 0:01:16 | 0:01:20 | |
-I think you need to stop looking at jewellery. -I know. | 0:01:20 | 0:01:23 | |
Stop looking at jewellery and just open up your horizons. | 0:01:23 | 0:01:27 | |
'And the Blues get into a bit of a flap.' | 0:01:27 | 0:01:30 | |
-You've never listened to me before. -Yes. -Would you like to buy it? -Give him a flap. | 0:01:30 | 0:01:36 | |
'But first, let's meet our teams.' | 0:01:36 | 0:01:38 | |
Today, our teams are indeed fathers and daughters. | 0:01:39 | 0:01:43 | |
For the Reds, we've got Renato and Sarah, | 0:01:43 | 0:01:46 | |
and for the Blues, we've got Kevin and Sarah. How lovely to see you! | 0:01:46 | 0:01:50 | |
Now, Renato, Italian by the sound of it? | 0:01:50 | 0:01:53 | |
-My father and mother are Italian, but I was born in Aberdeen. -What do you get up to? | 0:01:53 | 0:01:58 | |
What I do now is I collect Scottish gemstones. | 0:01:58 | 0:02:02 | |
I set up a small business and I've been doing that for 25 years, collecting the stones. | 0:02:02 | 0:02:07 | |
I go all over Scotland looking for them. I once spent two nights in the Cairngorm mountains | 0:02:07 | 0:02:13 | |
in a tent with my brother looking for Cairngorm quartz. | 0:02:13 | 0:02:16 | |
-You make the jewellery from the stones you find? -I do. | 0:02:16 | 0:02:19 | |
I also cut and polish the stones for other jewellers, so they can make it | 0:02:19 | 0:02:23 | |
and also restore old, antique Victorian jewellery. | 0:02:23 | 0:02:26 | |
-Will you buy Scottish jewellery if you can find it for the show? -I'd love to buy Scottish jewellery. | 0:02:26 | 0:02:32 | |
I'm sure there'll be a massive selection today, so I can't wait to get out there and see what there is. | 0:02:32 | 0:02:38 | |
Now, Sarah, jewellery may be on the menu today, but what about owls? | 0:02:38 | 0:02:42 | |
Yeah, I would definitely be looking to get an owl in there on our three items. | 0:02:42 | 0:02:47 | |
-Really? -I am just absolutely obsessed with them. | 0:02:47 | 0:02:50 | |
I have owl pillows, owl posters, owl bunting, owl bed sheets, owl teddies, everything. | 0:02:50 | 0:02:57 | |
-Have you ever kept an owl yourself? -No, I would love to, but my dad wouldn't be happy. | 0:02:57 | 0:03:03 | |
-No, no, not in captivity. -No. | 0:03:03 | 0:03:05 | |
And if you win today, will you be broadcasting the event on your university campus? | 0:03:05 | 0:03:10 | |
Yeah, well, I've got a radio show called The Something Show | 0:03:10 | 0:03:14 | |
with three of my other uni friends, | 0:03:14 | 0:03:16 | |
so yeah, we'll be broadcasting it to all our followers. | 0:03:16 | 0:03:20 | |
-Which university are you at? -University of Liverpool. -What are you reading there? -I study Music. | 0:03:20 | 0:03:26 | |
You're not going to go into broadcasting or anything? | 0:03:26 | 0:03:30 | |
I would love to go into radio production or presenting. That would be a big dream. | 0:03:30 | 0:03:35 | |
Good luck to you and your dad. | 0:03:35 | 0:03:37 | |
Now we move on to another lovely Sarah. That's what they call a brace of Sarahs in one programme. | 0:03:37 | 0:03:43 | |
You'll do some extraordinary messaging that's going to help your performance on Bargain Hunt today? | 0:03:43 | 0:03:50 | |
-Tell us about that. -I'm certainly going to try. | 0:03:50 | 0:03:53 | |
I'm in my final year of Psychology at Napier University here in Edinburgh | 0:03:53 | 0:03:57 | |
and I'm currently writing my dissertation on unconscious advertising, | 0:03:57 | 0:04:02 | |
so, hopefully, use some persuasive techniques to get the bargains today. | 0:04:02 | 0:04:06 | |
You can't do anything when it comes to the stallholders in the fair | 0:04:06 | 0:04:10 | |
like send them a message to reduce the price by £100? | 0:04:10 | 0:04:13 | |
-Is that going to work? Could you try that one on? -Who knows? Who knows? | 0:04:13 | 0:04:18 | |
-And if I knew, I wouldn't tell you. -Of course you wouldn't. | 0:04:18 | 0:04:21 | |
-But you like a bargain, you students. -I do love a bargain. | 0:04:21 | 0:04:24 | |
Now, Kevin, it says here that you're a neighbour to one of Scotland's most mysterious beasts. | 0:04:24 | 0:04:31 | |
Yes, I'm lucky enough to live on the banks of Loch Ness. | 0:04:31 | 0:04:34 | |
Never? Have you ever seen it? | 0:04:34 | 0:04:36 | |
She's made her presence felt once or twice. I have a boat on the loch. | 0:04:36 | 0:04:41 | |
Quite often, I'll go out on to Loch Ness. I quite often sleep on the loch as well. | 0:04:41 | 0:04:46 | |
-You sleep on Loch Ness? -I do. It focuses the mind when at three in the morning, you're woken up, | 0:04:46 | 0:04:51 | |
the boat's banging, you stick your head out and there's nothing, the loch is flat calm. | 0:04:51 | 0:04:56 | |
Will you be looking for nautical items, you being a sailor? | 0:04:56 | 0:04:59 | |
-Yes, but we're close to Culloden as well. There was a famous battle there. -Yes. -I like Jacobean stuff. | 0:04:59 | 0:05:06 | |
Now, the money. Here's your £300 apiece. £300. | 0:05:06 | 0:05:10 | |
-£300. -Thank you. -Well done, Sarahs. | 0:05:10 | 0:05:12 | |
You know the rules, your experts await and off you go and very, very good luck! | 0:05:12 | 0:05:17 | |
I wouldn't go on a boat at night on Loch Ness. | 0:05:17 | 0:05:22 | |
Let's meet our antiques experts. | 0:05:23 | 0:05:26 | |
Heading the Red tribe is Paul Laidlaw. | 0:05:26 | 0:05:29 | |
And making a dash for the Blues, it's Charles Hanson. | 0:05:30 | 0:05:33 | |
We've got some specialist expertise in this posse, have we not? | 0:05:43 | 0:05:47 | |
We've got Scottish jewellery and we've got musical expertise. I don't know where that gets us. | 0:05:47 | 0:05:52 | |
-You're a vintage girl? -Yeah, I quite like vintage, anything a bit funky. | 0:05:52 | 0:05:57 | |
Some Scottish jewellery definitely, Art Nouveau possibly. | 0:05:57 | 0:06:01 | |
Yeah, some music or maybe some owls. | 0:06:01 | 0:06:03 | |
-Owls? -Yes. -Owls. -I will look for owls. | 0:06:03 | 0:06:06 | |
I like military stuff, anything nautical or old Scottish. | 0:06:06 | 0:06:10 | |
-We're in the right place for that. -I like your style. Follow me. | 0:06:10 | 0:06:14 | |
-Let's go. -Let's go. | 0:06:14 | 0:06:16 | |
We've barely started and already Renato is trying out his pot luck. | 0:06:18 | 0:06:23 | |
-What about that pot there? -But could it send daughter Sarah potty? | 0:06:23 | 0:06:27 | |
-It's a big pot. -Yeah. | 0:06:27 | 0:06:29 | |
-And it's 30 quid. -It's a big, ugly pot. | 0:06:29 | 0:06:32 | |
-Let's move on. -Daddy didn't get his way then. | 0:06:32 | 0:06:36 | |
Is it happy families with the Blues? | 0:06:36 | 0:06:38 | |
I quite like that brown milk jug. | 0:06:38 | 0:06:41 | |
-That's quite nice. -Do you like it, daughter? -Absolutely not. | 0:06:41 | 0:06:45 | |
Not exactly, but you've got bags of time to start singing from the same hymn sheet. | 0:06:45 | 0:06:50 | |
Back with the Reds, something has caught gem dealer dad Renato's eye. | 0:06:54 | 0:06:59 | |
-This is a Victorian piece, I believe, or it's certainly Edwardian with the "C" clasp. -Yes. | 0:06:59 | 0:07:06 | |
-It's got Iona marble. -That's going to be related to Connemara marble. | 0:07:06 | 0:07:10 | |
Wow! It's your time to shine with this find, Renato. | 0:07:10 | 0:07:14 | |
It's from exactly the same seam. | 0:07:14 | 0:07:16 | |
-It comes up in Iona? -It comes down from Durness on the top of Scotland | 0:07:16 | 0:07:21 | |
and it comes all the way down under Skye and then Iona | 0:07:21 | 0:07:25 | |
and it goes across the Irish Sea, underneath Ireland and it pops up at Connemara. | 0:07:25 | 0:07:31 | |
Team expert Paul will be putting his feet up soon. | 0:07:31 | 0:07:34 | |
-It's certainly an Edwardian piece. -You think we can make a profit on it? | 0:07:34 | 0:07:38 | |
You've sold it to me, but in a cabinet full of jewellery and small silver in an auction room, | 0:07:38 | 0:07:45 | |
in fairness, I don't think it's going to stand out. | 0:07:45 | 0:07:48 | |
-Just put it back. -All right, bossy boots. -Go on, Dad. -He's your father, not your labrador! | 0:07:48 | 0:07:54 | |
-I'll accept that. -I have the final say. | 0:07:54 | 0:07:57 | |
It seems like Daddy's girl Sarah is used to getting her way. | 0:07:57 | 0:08:01 | |
What's that the Blues have homed in on? | 0:08:01 | 0:08:04 | |
-It's a pigeon clock. -You're cooing over this find, Charles. | 0:08:04 | 0:08:08 | |
Chrome-plated, it's boxed as well. | 0:08:08 | 0:08:11 | |
-That's quite cheap. -£34? -Yes, quite cheap, isn't it? -Do you like that? | 0:08:11 | 0:08:15 | |
-Yeah, I like it. Hello, sir. -Hi. | 0:08:15 | 0:08:18 | |
-Is this your clock? -It is. -I'm very ignorant. I'm no pigeon-fancier. | 0:08:18 | 0:08:22 | |
When the pigeons come back, | 0:08:22 | 0:08:24 | |
the guy with the pigeon has to take the rubber ring off the pigeon and drop it in here and post it. | 0:08:24 | 0:08:31 | |
-Voila! -That's so cool. | 0:08:31 | 0:08:33 | |
You could have it for, say, 25? | 0:08:33 | 0:08:36 | |
Do you know what, Dad? We have some time. Why don't we leave it here and come back? | 0:08:36 | 0:08:42 | |
-Would you keep it for us? -Charles obviously thinks this is a bargain. | 0:08:42 | 0:08:46 | |
-(Buy it.) -If you really... -I'd like to buy it. -That's my advice as an expert. | 0:08:46 | 0:08:51 | |
-It's up to you though, Sarah. -Well, no, if Dad and Charles... | 0:08:51 | 0:08:54 | |
-You've never listened to me before. -Yes. -Would you like to buy it? -Give him a flap. | 0:08:54 | 0:08:59 | |
-We'll take it. -Thank you very much. | 0:09:01 | 0:09:04 | |
It looks like your powers of persuasion have worked, Charles. | 0:09:04 | 0:09:08 | |
Well done, Blues. You've clocked up your first buy in only six minutes. | 0:09:09 | 0:09:14 | |
What are the Reds up to? | 0:09:15 | 0:09:17 | |
It looks like they're sniffing out gemstones again. | 0:09:17 | 0:09:20 | |
What about that little brooch with the amethyst? | 0:09:20 | 0:09:23 | |
-This one? -Yeah. -It's about £85. It's French and they're pink sapphires. | 0:09:23 | 0:09:28 | |
It's enamel. | 0:09:28 | 0:09:30 | |
I mean, you're not going to trip over it. It's a tiny wee thing. | 0:09:30 | 0:09:35 | |
-It's delicate. -But it's very smart. -Yeah. | 0:09:35 | 0:09:38 | |
Maybe not the jewellery we were looking for? | 0:09:38 | 0:09:41 | |
It looks like Sarah's not exactly aglow with these gems, though. | 0:09:41 | 0:09:46 | |
Well, it's still early days, but this bit of sparkle could be one to remember. | 0:09:46 | 0:09:52 | |
-So, onwards and onwards, I think. -Yeah, we've got to go. -All right. -Cone on, Sarah. -Thank you. | 0:09:52 | 0:09:58 | |
It seems like the Blues are in the spotlight with their next find. | 0:10:00 | 0:10:04 | |
It's in good, original condition. It hasn't been re-lacquered or messed around with. | 0:10:04 | 0:10:10 | |
It's an original Tilley lamp. | 0:10:10 | 0:10:12 | |
My instinct would be, at auction, it could make anything from, I don't know, £80 to £250. | 0:10:12 | 0:10:18 | |
-Ask him the price. Ask the dealer the price. -OK. Is it that guy there? -Give him a wave. | 0:10:18 | 0:10:23 | |
Hi. What's the price on this? | 0:10:23 | 0:10:25 | |
I'm asking 150. So what we'd say in Scotland is the ball's in your court. | 0:10:25 | 0:10:30 | |
The ball's in my court? | 0:10:30 | 0:10:32 | |
Well, I don't think I'd want to pay 150 for it. | 0:10:32 | 0:10:36 | |
Could you do it any better? What's your best price? | 0:10:36 | 0:10:40 | |
I could knock a little bit off. What if we said 135? | 0:10:40 | 0:10:44 | |
-Would you make it 120? -You're squeezing me to the bone. | 0:10:44 | 0:10:47 | |
I don't know. It might be a risk. | 0:10:47 | 0:10:50 | |
Sarah really doesn't think this will make a profit. | 0:10:50 | 0:10:53 | |
What if we said 125? | 0:10:53 | 0:10:55 | |
I think 125 is a good... | 0:10:55 | 0:10:57 | |
I'm not sure, Dad. I'm really not sure. | 0:10:57 | 0:11:00 | |
I'm just not sure at that price, to be honest. | 0:11:00 | 0:11:04 | |
Now, now, Kevin, listen to daughter. | 0:11:04 | 0:11:06 | |
-120. -That's a very good price. Thank you. | 0:11:06 | 0:11:09 | |
-Can we think about it? Can my dad try and persuade me? -He'll do his best. -We'll be back in five minutes. | 0:11:09 | 0:11:15 | |
15 minutes, we'll hold it for you. | 0:11:15 | 0:11:17 | |
-I'm definitely thinking about it. -Well done. You're thinking. | 0:11:17 | 0:11:21 | |
Looks like you've got your work cut out there, Kevin. | 0:11:21 | 0:11:24 | |
Talking of which, a real sparkler has caught Renato's eye again. | 0:11:26 | 0:11:31 | |
It could be a real Cairngorm or it might just be glass. A lot of them are made with glass. | 0:11:31 | 0:11:36 | |
Time to put your feet up again, Paul. Let Renato do the work, eh? | 0:11:36 | 0:11:40 | |
It's a beautiful, beautiful piece. | 0:11:40 | 0:11:43 | |
One way of testing it is a quick... It feels quite cold on the skin. | 0:11:43 | 0:11:47 | |
It's probably about 1950s. It's made by Robert Allison. It's got an "RA". | 0:11:47 | 0:11:52 | |
He was a Scottish jeweller from the late '40s through to the 1960s. | 0:11:52 | 0:11:56 | |
He made really, really high quality pieces. | 0:11:56 | 0:11:59 | |
-But that's a heavy, heavy piece. -Is it heavy on the wallet? | 0:11:59 | 0:12:03 | |
-That's the question. Is this going to be heavy on the wallet? -It's 75. | 0:12:03 | 0:12:07 | |
Hmm... | 0:12:07 | 0:12:09 | |
-Ouch! -Yeah. | 0:12:09 | 0:12:11 | |
-What's the very best price you could do on that? -60. | 0:12:11 | 0:12:15 | |
-60 would be the very best? -60. | 0:12:15 | 0:12:17 | |
Go on, 55, give you a chance. | 0:12:19 | 0:12:22 | |
50? I know it's taking you to the bottom, but you seem a lovely lady. | 0:12:22 | 0:12:26 | |
Oh, bring out the Italian charm, Renato! | 0:12:26 | 0:12:29 | |
-Go on then. -Thank you. -I should say that more graciously. Of course I'll accept your £50. | 0:12:29 | 0:12:34 | |
That is so nice of you. That is much appreciated. | 0:12:34 | 0:12:37 | |
-So you think we've got a good deal? -I think we've got a good deal. | 0:12:37 | 0:12:41 | |
Your first buy, Reds, even if you're unusually silent, Paul. | 0:12:41 | 0:12:45 | |
It looks like Charles is busy working his Blues, though, | 0:12:45 | 0:12:49 | |
and now we're past halfway, time is of the essence. | 0:12:49 | 0:12:52 | |
-A Bakelite Smiths wall clock. Isn't that really nice? -It's really nice. | 0:12:52 | 0:12:57 | |
Age-wise, it's 1920s. | 0:12:57 | 0:13:00 | |
Remind you of your old school days, Charlie? | 0:13:00 | 0:13:03 | |
If you look at the inside, it's completely original | 0:13:03 | 0:13:06 | |
and here it says the clock is out of St Bridget's School. | 0:13:06 | 0:13:10 | |
-Wow! -A school clock? -It's an old school clock | 0:13:10 | 0:13:13 | |
from Kilbirnie on Main Street. | 0:13:13 | 0:13:15 | |
-Isn't that wonderful? -Yeah, I do like that. -I really, really like it. | 0:13:15 | 0:13:19 | |
-What's the price on it? -85, I think, wasn't it? -85... | 0:13:19 | 0:13:23 | |
- Hello. - Hello. | 0:13:23 | 0:13:25 | |
We quite like your clock here. We think it's really cool. | 0:13:25 | 0:13:28 | |
What would your best price on that be? | 0:13:28 | 0:13:31 | |
- Our very best price? - Very, very best. | 0:13:31 | 0:13:34 | |
Our very best price is 80. | 0:13:34 | 0:13:36 | |
- 80? - 80. Yes. | 0:13:36 | 0:13:39 | |
-You like it? -I do love it, yeah. | 0:13:39 | 0:13:41 | |
75 and it's a deal. | 0:13:41 | 0:13:43 | |
- 80. I have to... - Could you meet in the middle? | 0:13:43 | 0:13:46 | |
-Please? -I like your style. | 0:13:46 | 0:13:48 | |
- Really, honestly... - 77? | 0:13:48 | 0:13:51 | |
Just in case, because it's a gamble? | 0:13:51 | 0:13:54 | |
It seems like no manner of pleading will make him budge, Sarah. | 0:13:54 | 0:13:58 | |
-Time's ticking. -Yes, I think we should. -Shall we do it? -Yes, we shall. -Shall we do it? | 0:13:58 | 0:14:03 | |
-Yes, I would do it. Do it. -OK. | 0:14:03 | 0:14:05 | |
-Shake his hand. -80, a deal. | 0:14:05 | 0:14:07 | |
- 80, a deal. Thanks very much. - Thank you. | 0:14:07 | 0:14:10 | |
So it's full marks for your second purchase, Blues - | 0:14:10 | 0:14:14 | |
this old school clock with 16 minutes to go. | 0:14:14 | 0:14:18 | |
With time running out and two buys still outstanding, it's a question of "could do better" for the Reds. | 0:14:18 | 0:14:24 | |
-You need to stop looking at jewellery. -And tensions are rising. | 0:14:24 | 0:14:28 | |
Stop looking at jewellery. Open up your horizons. | 0:14:28 | 0:14:31 | |
-Paul to the rescue. -That's really cute, isn't it? | 0:14:31 | 0:14:34 | |
I don't know how difficult a sell this will be, | 0:14:34 | 0:14:37 | |
but I might be able to find our way out of a little bit of a problem | 0:14:37 | 0:14:42 | |
with this little doobry. | 0:14:42 | 0:14:44 | |
Verner's patent marching compass | 0:14:44 | 0:14:47 | |
used by the British army during both world wars. | 0:14:47 | 0:14:51 | |
They are very desirable, | 0:14:51 | 0:14:53 | |
particularly when they have got a nice, First World War date like this one has - 1918. | 0:14:53 | 0:14:58 | |
The designer leant on his own real-life experience of battle to make these compasses. | 0:14:58 | 0:15:03 | |
Colonel William WC Verner served during the Boer War. | 0:15:03 | 0:15:08 | |
It's all there. It's working. | 0:15:08 | 0:15:10 | |
There's a little prism here that allows you to actually view your objective | 0:15:10 | 0:15:15 | |
and, at the same time, look down on to the rose and take a bearing. | 0:15:15 | 0:15:19 | |
-A sophisticated little instrument. -Yeah. -You have a look at that. | 0:15:19 | 0:15:24 | |
It's in its original hide case. | 0:15:24 | 0:15:27 | |
We can buy this for £55. | 0:15:27 | 0:15:29 | |
Time's agin us. That's my problem. | 0:15:29 | 0:15:32 | |
-I quite like it. -I think it's nice. | 0:15:32 | 0:15:34 | |
-I like things like that. -Looks like you've found your way again, Reds. | 0:15:34 | 0:15:38 | |
-Should I go and hand over the money? -Yes. -That's two down. You keep looking. -OK. | 0:15:38 | 0:15:43 | |
At last, you've got your second buy, but what are the Blues deliberating about? | 0:15:43 | 0:15:48 | |
-I'd like to go back and see the Tilley again. -Sure. -I think my daughter's almost persuaded. -Almost. | 0:15:48 | 0:15:54 | |
OK, fine. We can either take a gamble and go for a circuit really quick | 0:15:54 | 0:15:59 | |
or we can just cement ourselves with the Tilley and do a deal. | 0:15:59 | 0:16:04 | |
I think we should always go for the gamble - a quick runaround and I can sprint back and buy it. | 0:16:04 | 0:16:09 | |
At last, Kevin, I think she may have seen the light. | 0:16:09 | 0:16:13 | |
But over with the Reds, owl lover Sarah seems determined to get her way with their last buy. | 0:16:13 | 0:16:19 | |
Still no signs of any owls? | 0:16:19 | 0:16:21 | |
No, the owl eluded us, did it not? | 0:16:21 | 0:16:25 | |
Don't let her see it. | 0:16:25 | 0:16:27 | |
Yes, don't mention the owls! | 0:16:27 | 0:16:29 | |
-The owls! -It doesn't really matter. You don't really want that. | 0:16:29 | 0:16:33 | |
-I think they'll make more money than your piece of jewellery. -They might do. | 0:16:33 | 0:16:38 | |
It seems like Daddy doesn't give a hoot, Sarah, but I've got something I found at the fair just for you. | 0:16:38 | 0:16:45 | |
I'm told the thick end of two million people watch this programme every day | 0:16:46 | 0:16:51 | |
and every day you see me reveal something | 0:16:51 | 0:16:55 | |
that I've found around and about in the fair or the auction. | 0:16:55 | 0:16:59 | |
Does this owl remind you of anything? | 0:16:59 | 0:17:02 | |
'The last time I was in Peterborough, this caught my eye.' | 0:17:03 | 0:17:07 | |
Look at that! | 0:17:07 | 0:17:09 | |
This is the mask of an owl. | 0:17:09 | 0:17:13 | |
When did you ever see such a handsome, large baluster stick stand as this, | 0:17:13 | 0:17:19 | |
modelled with an owl's mask? | 0:17:19 | 0:17:22 | |
The owl is the trademark of an obscure Arts and Crafts Surrey pottery in Farnham. | 0:17:22 | 0:17:29 | |
Isn't that amazing? | 0:17:30 | 0:17:32 | |
The face of all of these Farnham owls is nearly identical. | 0:17:32 | 0:17:37 | |
Same beady eyes, | 0:17:37 | 0:17:40 | |
same curious-shaped beak | 0:17:40 | 0:17:43 | |
and, of course, | 0:17:43 | 0:17:45 | |
the use of comb in the wet clay | 0:17:45 | 0:17:48 | |
which has formed the wing shape. | 0:17:48 | 0:17:51 | |
What are they worth? | 0:17:51 | 0:17:53 | |
Well, in Surrey, these things are typically marked up | 0:17:53 | 0:17:56 | |
at between £140 and £180 each. | 0:17:56 | 0:18:00 | |
So, say, £280-worth in Surrey. | 0:18:00 | 0:18:04 | |
In Scotland, though, if you're canny and keep your eye open, | 0:18:04 | 0:18:08 | |
you could find them for £60 for the two. | 0:18:08 | 0:18:12 | |
To buy or not to buy, | 0:18:12 | 0:18:15 | |
I fancy you would be a tu-wit not tu-woo! | 0:18:15 | 0:18:20 | |
But back with the Blues and they're back to see that Tilley lamp. | 0:18:24 | 0:18:28 | |
The price was 120. | 0:18:28 | 0:18:31 | |
- Would you consider even a scrape off that? - No. | 0:18:31 | 0:18:34 | |
- 110? - No. | 0:18:34 | 0:18:36 | |
- 115? - No. | 0:18:36 | 0:18:38 | |
Psychologist Sarah is trying out her powers of persuasion again. | 0:18:38 | 0:18:43 | |
-120. -120. -Kevin, you've taken it. That's awesome. | 0:18:43 | 0:18:47 | |
Father's put his foot down. | 0:18:47 | 0:18:49 | |
-So we've got the Tilley. -We've got it. -We've got it. | 0:18:49 | 0:18:52 | |
And your last buy. Well done, Blues. | 0:18:52 | 0:18:55 | |
But with only three minutes to go for the Reds, it seems Paul has got his money on something. | 0:18:55 | 0:19:01 | |
See those money boxes in that distinctive, marbled blue-green and buff glaze? | 0:19:01 | 0:19:06 | |
-That's lovely. -They're utterly charming. | 0:19:06 | 0:19:09 | |
Is it something to set the auction room on fire? | 0:19:09 | 0:19:12 | |
It should be a safe bet at 50 to 80. | 0:19:12 | 0:19:15 | |
Right, so how much do you think? | 0:19:15 | 0:19:17 | |
I can do the smaller one for 60. > | 0:19:17 | 0:19:19 | |
What if we take an extra fiver off, the fact we're locals from Leven? | 0:19:19 | 0:19:23 | |
Now he's using the "local" ticket. | 0:19:23 | 0:19:26 | |
OK, seeing as you're from the area, I'll do it for 55. > | 0:19:26 | 0:19:29 | |
-< That's great. -That's a deal then. | 0:19:29 | 0:19:31 | |
- OK, no problem. - Thank you very much. | 0:19:31 | 0:19:34 | |
-Sigh of relief! Well done. -We are done. | 0:19:34 | 0:19:38 | |
Old Father Time has ticked on and time's up. | 0:19:38 | 0:19:42 | |
Why don't we find out how the dads and daughters teams have got on? What do you think? | 0:19:42 | 0:19:48 | |
Rubbish! | 0:19:48 | 0:19:50 | |
First, the Reds got a real sparkler of a Scottish brooch at £50. | 0:19:50 | 0:19:55 | |
After going off-piste, they found their way again | 0:19:56 | 0:19:59 | |
with this Verner World War One compass at £55. | 0:19:59 | 0:20:03 | |
And finally, they put their money | 0:20:03 | 0:20:05 | |
in this late 19th century money box at £55. | 0:20:05 | 0:20:08 | |
-I was nervous to start with, but you get into it. It was just really tight at the end. -Yeah. | 0:20:09 | 0:20:15 | |
I love these international shows with our Italian friends. | 0:20:15 | 0:20:19 | |
Did you buy anything Italian? | 0:20:19 | 0:20:21 | |
-No. -No. -No Italian. -No Italian gear. -No. | 0:20:21 | 0:20:25 | |
-Did you find any owls? -No! -No owls? -We found them, but we just didn't buy one. | 0:20:25 | 0:20:31 | |
-They hid them from me. -Yeah. | 0:20:31 | 0:20:33 | |
-Which was your favourite piece, Sarah? -I quite like the compass. | 0:20:33 | 0:20:37 | |
-I think that's one of my favourites. -That's your favourite. | 0:20:37 | 0:20:40 | |
-What about your dad? -I like the brooch. Quality, heavy piece. I think we'll do well. | 0:20:40 | 0:20:46 | |
-Will it bring the biggest profit? -No, I think the compass will. | 0:20:46 | 0:20:50 | |
That's very nice. What did you spend all told? | 0:20:50 | 0:20:53 | |
-160. -160. I'd like 140 of leftover lolly, please. | 0:20:53 | 0:20:57 | |
Very good. All of that coming across to you then, Paul Laidlaw. | 0:20:57 | 0:21:01 | |
Nobody better qualified to spend £140, I'd say! | 0:21:01 | 0:21:05 | |
What are you going to go for, boy? | 0:21:05 | 0:21:07 | |
-Oh, you know me, I want to find something interesting that you've not seen before. -Right. | 0:21:07 | 0:21:14 | |
And I want a banker at the same time. I want more profit for you. I'm never satisfied. | 0:21:14 | 0:21:20 | |
There we are. That's your quest and good luck with it. Meanwhile, we'll check out what the Blue Team bought. | 0:21:20 | 0:21:27 | |
First, the Blues homed in on this racing pigeon clock at £25. | 0:21:27 | 0:21:32 | |
Then it was back to school with the Bakelite school clock at £80. | 0:21:32 | 0:21:37 | |
And finally, they banked on the lacquered tin Tilley lamp at £120. | 0:21:37 | 0:21:43 | |
I'm really pleased. It was tough, but it's all about the family, keeping you guys together and happy. | 0:21:43 | 0:21:50 | |
-Yeah, yeah... -Happy families? Have we got happy families? | 0:21:50 | 0:21:53 | |
-Almost, yes. I survived. -Were you worried about it, seriously? | 0:21:53 | 0:21:58 | |
It was touch and go there for a while, a bit of an argument over a Tilley lamp, but I won. | 0:21:58 | 0:22:05 | |
-But families would not be families without the odd "how's your father", would they? -Indeed. -Good. | 0:22:05 | 0:22:11 | |
-We've got over that. Everybody's calm now. All right, Sarah, you're calm? -Yeah, really calm. | 0:22:11 | 0:22:17 | |
You'll not be predicting the Tilley lamp will bring the biggest profit? | 0:22:17 | 0:22:21 | |
No, I think it is a bit of a gamble, but we'll see. I'm hoping for the best. | 0:22:21 | 0:22:27 | |
-Good. How much did you spend overall? -£225. | 0:22:27 | 0:22:30 | |
-That's a very good amount. Please may I have £75 of leftover lolly? -You may. -Thank you. -There you go. | 0:22:30 | 0:22:36 | |
Good. I won't count it. I trust you. Straight over to our man... | 0:22:36 | 0:22:40 | |
-Our man Charles Hanson, a legend. -Thank you, Tim. | 0:22:40 | 0:22:44 | |
I want to buy something which is a complete one-off that you will never have seen before. | 0:22:44 | 0:22:50 | |
-OK. -It will make your eyes water. -OK. In a good way? -We trust you. | 0:22:50 | 0:22:55 | |
Have a good time, you Blues, and Charles. | 0:22:55 | 0:22:58 | |
Meanwhile, we're heading off south-east to somewhere absolutely entrancing, | 0:22:58 | 0:23:03 | |
absolutely Abbotsford. | 0:23:03 | 0:23:06 | |
This extraordinary example of Victorian, neo-Gothic architecture | 0:23:09 | 0:23:13 | |
was designed to exact specifications | 0:23:13 | 0:23:16 | |
by its owner, Sir Walter Scott. | 0:23:16 | 0:23:19 | |
And here at Abbotsford or, as Scott called it, "My Conundrum Castle," | 0:23:19 | 0:23:25 | |
he wrote absolutely reams of fiction and poetry | 0:23:25 | 0:23:30 | |
that encapsulated everything that was chivalrous and noble | 0:23:30 | 0:23:35 | |
about Scotland's past. | 0:23:35 | 0:23:37 | |
He was so successful, they even named the whole country after him. | 0:23:37 | 0:23:41 | |
Only joking! | 0:23:41 | 0:23:43 | |
But his passion for the past was not confined to the page. | 0:23:45 | 0:23:50 | |
Sir Walter Scott had an absolute, tangible thrill | 0:23:50 | 0:23:55 | |
every time he handled a historic object. | 0:23:55 | 0:23:59 | |
He loved them. | 0:23:59 | 0:24:01 | |
So do I and that's why I've come here. | 0:24:01 | 0:24:05 | |
So let's go and take a gander. | 0:24:05 | 0:24:08 | |
Leaving aside his staggering collection of literature, | 0:24:16 | 0:24:21 | |
one of Sir Walter's principal interests was arms and armour and militaria | 0:24:21 | 0:24:29 | |
and this space was particularly adapted to display it. | 0:24:29 | 0:24:33 | |
There are literally hundreds of pieces that he's acquired. | 0:24:33 | 0:24:38 | |
What I love is the breadth and variety. | 0:24:38 | 0:24:42 | |
He doesn't restrict himself to a particular period or country. | 0:24:42 | 0:24:46 | |
He just loved having these things about him. | 0:24:46 | 0:24:50 | |
Even oddball things | 0:24:50 | 0:24:52 | |
like this greenstone club | 0:24:52 | 0:24:55 | |
which is Maori. | 0:24:55 | 0:24:57 | |
Can you contemplate early in the 19th century sending pieces back from New Zealand | 0:24:57 | 0:25:03 | |
that would finish up in a collection like this? | 0:25:03 | 0:25:07 | |
Well, the truth of the matter is that people donated things | 0:25:07 | 0:25:11 | |
that were of interest to their hero, Sir Walter Scott, just on the basis that he might be interested in them. | 0:25:11 | 0:25:18 | |
He acquired things that had a resonance for his historic novels, | 0:25:18 | 0:25:24 | |
for example, this flask. | 0:25:24 | 0:25:26 | |
He records in a footnote in his book The Fortunes Of Nigel | 0:25:26 | 0:25:31 | |
that the author owns a leather flask | 0:25:31 | 0:25:35 | |
and goes on to describe this precise flask. | 0:25:35 | 0:25:39 | |
It has an old paper label on it that says "King James VI's hunting bottle". | 0:25:39 | 0:25:47 | |
Well, in his footnote, | 0:25:47 | 0:25:49 | |
he says he owns it, but at the same time, he says its exact provenance cannot be certain. | 0:25:49 | 0:25:55 | |
Well, it didn't matter to Sir Walter Scott and, frankly, it doesn't matter to me. | 0:25:55 | 0:26:00 | |
What does matter today, though, which is the truth? | 0:26:00 | 0:26:04 | |
Will it be the Reds or the Blues that win today over at the auction? | 0:26:04 | 0:26:09 | |
60. 70. 80. | 0:26:14 | 0:26:17 | |
90... | 0:26:17 | 0:26:19 | |
We've staggered across Scotland to Glasgow to be at Great Western Auctions with Anita Manning. | 0:26:19 | 0:26:24 | |
-Anita, hello. -Welcome, Tim. | 0:26:24 | 0:26:27 | |
-First up, the Reds' Scottish brooch. -This is a wonderful brooch, Tim. | 0:26:27 | 0:26:31 | |
This was made by Robert Allison | 0:26:31 | 0:26:34 | |
who is a contemporary Scottish jeweller, | 0:26:34 | 0:26:37 | |
who makes these wonderful, wonderful things | 0:26:37 | 0:26:40 | |
in much the same fashion as Alexander Ritchie and Iain MacCormick, | 0:26:40 | 0:26:46 | |
so we have that Celtic tradition there | 0:26:46 | 0:26:48 | |
and this brooch here is beautifully made. | 0:26:48 | 0:26:52 | |
OK, £50 was paid by Renato who is a particular fan of this stuff. Did he do well? | 0:26:52 | 0:26:57 | |
-60 to 80. -Is it? -Yes. -So you're predicting a profit. He will be relieved. | 0:26:57 | 0:27:02 | |
In case we lose our way, we've got the nice, hand-bearing compass next. | 0:27:02 | 0:27:06 | |
It's still in wonderful condition with the original leather case. All these things will help. | 0:27:06 | 0:27:12 | |
-£40 to £60. -Paul Laidlaw loves this stuff. He paid £55. He rates it. | 0:27:12 | 0:27:17 | |
-Anything could happen. -Yeah. | 0:27:17 | 0:27:19 | |
Whether he'll have any money to put in the money box is another matter because this has been smashed. | 0:27:19 | 0:27:25 | |
Yes, the base has been restored, but it is a wonderful piece of pottery. | 0:27:25 | 0:27:30 | |
Now, this Morrison & Crawford was a Kirkcaldy pottery. | 0:27:30 | 0:27:34 | |
Same place as Wemyss. | 0:27:34 | 0:27:37 | |
And I love that wonderful, mottled green and blue. | 0:27:37 | 0:27:41 | |
It's a charming item. | 0:27:41 | 0:27:43 | |
-It should appeal to your Scottish audience, shouldn't it? -Yes. | 0:27:43 | 0:27:47 | |
-Even with a smashed base, what's your estimate? -50 to 80. | 0:27:47 | 0:27:51 | |
OK, £55 paid. I have a funny feeling that we're going to be all right, but you never can be cocky, | 0:27:51 | 0:27:56 | |
so we'd better go and have a look at the bonus buy. | 0:27:56 | 0:28:00 | |
Now, Renato, Sarah, this is the bonus buy, yes? | 0:28:00 | 0:28:03 | |
You gave the man £140. Paul, what did you spend it on? | 0:28:03 | 0:28:07 | |
-OK, I've got this little jewel here. -That's absolutely beautiful. -It is rather, isn't it? | 0:28:07 | 0:28:12 | |
-It is pretty. -And it is... | 0:28:12 | 0:28:14 | |
-A seal? -It is, a wee desk seal. -Wow! | 0:28:14 | 0:28:17 | |
Continental in 800 or 900 standard silver. | 0:28:17 | 0:28:22 | |
How old do you think it is? | 0:28:22 | 0:28:24 | |
I want that to be late 19th century and I'm happy it is. | 0:28:24 | 0:28:27 | |
There's a lot of silver there, Rococo-inspired, | 0:28:27 | 0:28:31 | |
a rather nice armorial crest. | 0:28:31 | 0:28:33 | |
That was the property of a lady or a gentleman. | 0:28:33 | 0:28:36 | |
-I really like it. It's pretty. -I hope the price was good as well. | 0:28:36 | 0:28:40 | |
-I think the price was good. -Right. -Well? -£65. -£65. | 0:28:40 | 0:28:44 | |
And what do you think we could make? | 0:28:44 | 0:28:46 | |
£80, £120? | 0:28:46 | 0:28:48 | |
Yeah, I like it. I'm happy with it. | 0:28:48 | 0:28:51 | |
There's your prediction. You've seen what the man's bought you. | 0:28:51 | 0:28:54 | |
For the audience at home, let's see what the auctioneer thinks about it. | 0:28:54 | 0:28:59 | |
Anita, does this object get the seal of approval? | 0:28:59 | 0:29:02 | |
It's certainly over the top and this will appeal to the buyers who like extravagant decoration. | 0:29:02 | 0:29:08 | |
-I guess dating it is a bit of a problem? -It's difficult. | 0:29:08 | 0:29:11 | |
-It's very, very crisp. Probably 20th century. -Yes. | 0:29:11 | 0:29:15 | |
Paul reckons late 19th, early 20th century, so we're not poles apart. | 0:29:15 | 0:29:20 | |
-So what's the estimate? -50 to 80? | 0:29:20 | 0:29:22 | |
OK, he paid £65, so he's pretty well spot-on. | 0:29:22 | 0:29:25 | |
That's it for the Reds. Now for the Blues... | 0:29:25 | 0:29:28 | |
We've got the racing pigeon clock. Are you a fancier yourself, Anita? | 0:29:28 | 0:29:32 | |
I quite like pigeons, but what I do know is that there are plenty of pigeon fanciers | 0:29:32 | 0:29:38 | |
in the west of Scotland. I've estimated it at 25 to 40. | 0:29:38 | 0:29:42 | |
It will probably still be in working order and still able to be used. | 0:29:42 | 0:29:46 | |
Yeah, absolutely. £25 is all they paid, so that should be OK. | 0:29:46 | 0:29:50 | |
I have to say I rather like the look of the next lot, | 0:29:50 | 0:29:53 | |
not because it's Bakelite, | 0:29:53 | 0:29:55 | |
but it's that high '30s look, you know? | 0:29:55 | 0:30:00 | |
They had that sort of thing in RAF mess rooms. It's very much of the '30s and early '40s. | 0:30:00 | 0:30:06 | |
One of the things that I like most about this clock is the little label on the back | 0:30:06 | 0:30:12 | |
which tells us that it has come from St Bridget's Primary School in Kilbirnie. | 0:30:12 | 0:30:17 | |
Little children would have sat at their desk and wished time from that clock to go forward. | 0:30:19 | 0:30:26 | |
What I like is you don't have to have a battery or wire it up to the mains cos it's eight-day, one wind. | 0:30:26 | 0:30:32 | |
-OK, they paid £80. -I know. I've only estimated it at 25 to 40 which might be a bit mean. | 0:30:32 | 0:30:39 | |
Lastly and something completely different is this massive Tilley lamp. | 0:30:39 | 0:30:44 | |
This is the daddy of all Tilley lamps. | 0:30:44 | 0:30:46 | |
This lamp could have lit up Hampden Park. | 0:30:46 | 0:30:50 | |
Yeah, it could easily have done. | 0:30:50 | 0:30:52 | |
-It doesn't turn me on especially. -Oh, doesn't it? -Yeah... -No. | 0:30:52 | 0:30:56 | |
-But it's a big, cracking thing. -Yeah. | 0:30:56 | 0:30:59 | |
But to put an estimate on it and say this thing is going to make £50, £30 or £200... What do you think? | 0:30:59 | 0:31:06 | |
It's difficult. I've estimated 30 to 40 and I might have been a wee bitty mean on that. | 0:31:06 | 0:31:11 | |
-£120 they paid. -Let's hope that it's a "come and buy me" estimate. -Exactly. | 0:31:11 | 0:31:17 | |
But in case not, let's check out the bonus buy. Here it comes. | 0:31:17 | 0:31:21 | |
Now, kids, this is the moment, eh? | 0:31:21 | 0:31:23 | |
What did Charles Hanson spend your £75 of leftover lolly on? | 0:31:23 | 0:31:27 | |
Tim, sometimes you can't resist something if it speaks history. | 0:31:27 | 0:31:31 | |
Sometimes it might say, "Charles, if I could talk, what could I tell you?" I don't know. | 0:31:31 | 0:31:37 | |
-I bought this and I believe it's very, very old. -Wow! -Isn't it wonderful? | 0:31:37 | 0:31:42 | |
It could be from 1680, it could be from 1750. | 0:31:42 | 0:31:45 | |
I don't think it's much later than that. It's leather. It's some sort of wrought ironwork. | 0:31:45 | 0:31:51 | |
Could it be a stirrup? I can't work it out, but I just had to have it. | 0:31:51 | 0:31:56 | |
-It's very dainty, so it's probably a lady's...? -Yeah. | 0:31:56 | 0:31:59 | |
I would have thought perhaps some sort of shoe, mount, stirrup mount. | 0:31:59 | 0:32:05 | |
I just can't quite put it into context. | 0:32:05 | 0:32:07 | |
-I wonder why a lady would need a metal shoe? -Let's ask a lady. | 0:32:07 | 0:32:12 | |
It's not a fashion thing, that's for sure. | 0:32:12 | 0:32:16 | |
Probably... It looks like a horse-riding thing. | 0:32:17 | 0:32:20 | |
Yeah. Did you spend much, Charles? | 0:32:20 | 0:32:22 | |
I spent our entirety of £75. | 0:32:22 | 0:32:25 | |
-Yeah. -It's something which, if two buyers really wanted it because of its historical status, | 0:32:25 | 0:32:31 | |
it could make a lot of money. However, it could make £25. | 0:32:31 | 0:32:35 | |
-What do you think, Sarah? -I think it's cool. | 0:32:35 | 0:32:38 | |
I don't really know much about it right now, but it does look old. | 0:32:38 | 0:32:42 | |
It's in line with the quirky stuff we have, so I think it's perfect. | 0:32:42 | 0:32:46 | |
Could it have been Catherine of Braganza riding through a forest? | 0:32:46 | 0:32:50 | |
Could it have been Queen Charlotte of the late 18th century? Tim, what do you think? | 0:32:50 | 0:32:55 | |
What I have to say about this object has to be shared between me and Anita. | 0:32:55 | 0:33:01 | |
And on that happy note, why don't we find out what Anita thinks about it? | 0:33:01 | 0:33:05 | |
OK, Anita, here is what I think is a completely riveting object. | 0:33:05 | 0:33:11 | |
It's very interesting and very, very early and beautifully made. | 0:33:11 | 0:33:16 | |
I can't quite work out | 0:33:17 | 0:33:19 | |
the mechanics of the stirrup, | 0:33:19 | 0:33:24 | |
so I'm not sure about it. | 0:33:24 | 0:33:26 | |
-Do you think it's horsey at all? Do you think it's anything to do with equestrianism? -I don't know. | 0:33:26 | 0:33:33 | |
For my money, instead of it going on the back of a horse, | 0:33:33 | 0:33:36 | |
it has something to do with a domestic use for a girl with perhaps a withered foot. | 0:33:36 | 0:33:42 | |
And you'd use that | 0:33:42 | 0:33:45 | |
as an aid to raise the withered foot when walking, | 0:33:45 | 0:33:51 | |
in a rather ungainly way, get yourself around a domestic interior. | 0:33:51 | 0:33:55 | |
-That's where I come from. -That certainly makes sense. | 0:33:55 | 0:33:58 | |
-It's a very difficult thing to value. -It is. | 0:33:58 | 0:34:01 | |
I've put it at 30 to 40 which is probably a wee bit conservative, | 0:34:01 | 0:34:07 | |
but I'm hoping that the buyers will recognise the age. | 0:34:07 | 0:34:11 | |
-Yes. -And the interest involved in this little object. | 0:34:11 | 0:34:15 | |
Yes. It's going to be fascinating. | 0:34:15 | 0:34:18 | |
I can't think of a better place to bring it, quite frankly, | 0:34:18 | 0:34:22 | |
to determine the big question of what exactly it's worth. | 0:34:22 | 0:34:25 | |
-You're taking the auction? -I am. -Thank goodness for that! | 0:34:25 | 0:34:29 | |
90... | 0:34:32 | 0:34:34 | |
On the phone at 90... | 0:34:34 | 0:34:37 | |
-Renato, Sarah, here we are. This is exciting, isn't it? -Very exciting. | 0:34:37 | 0:34:41 | |
-How many auctions do you get to go to, Sarah? -Not a lot. | 0:34:41 | 0:34:44 | |
-Do you buy a lot for your business at auction? -I do buy quite a bit. Mainly pieces to restore. -Yes. | 0:34:44 | 0:34:50 | |
They're great hunting grounds. You never know what you'll pick up. | 0:34:50 | 0:34:54 | |
-That's half the fun. -It certainly is. Now, your silver brooch, you rate that. -Yeah. | 0:34:54 | 0:34:59 | |
You paid £50 for it and here it comes. | 0:34:59 | 0:35:02 | |
Start me at £100 for the Robert Allison? | 0:35:02 | 0:35:04 | |
£80 then? 80 bid. | 0:35:04 | 0:35:06 | |
90 with me. | 0:35:06 | 0:35:09 | |
100. 110. | 0:35:09 | 0:35:11 | |
120. 130. 140. | 0:35:11 | 0:35:14 | |
150. 150 on the books for the Robert Allison... | 0:35:14 | 0:35:20 | |
160. 170 with me. | 0:35:20 | 0:35:23 | |
-Renato! -170. 180. 190. -Hey! | 0:35:23 | 0:35:27 | |
£190. | 0:35:27 | 0:35:30 | |
Any advance on 190? All done at 190? | 0:35:30 | 0:35:33 | |
-190... -Yes! | 0:35:33 | 0:35:36 | |
-Well done! -Congratulations, Renato. | 0:35:37 | 0:35:40 | |
Anyway, you are plus £140. | 0:35:40 | 0:35:44 | |
-Perfect. -A leather case. -Now, the compass. | 0:35:44 | 0:35:48 | |
Start me at £40? 40 bid. 40. 50? | 0:35:48 | 0:35:51 | |
£50. 60? 60. On the floor at 60. | 0:35:51 | 0:35:55 | |
-You're in profit. Great. -Any advance on £60? Any advance on £60? | 0:35:55 | 0:35:59 | |
£60... | 0:35:59 | 0:36:01 | |
£60 is plus £5. There's nothing the matter with that. | 0:36:01 | 0:36:05 | |
Thank you. Now, the money bank. | 0:36:05 | 0:36:07 | |
Nice thing. 19th century, east coast pottery, our own Scottish pottery. | 0:36:07 | 0:36:12 | |
Start me at £20? 20 bid. | 0:36:12 | 0:36:14 | |
30. 40. | 0:36:14 | 0:36:17 | |
Any advance on £40? Any advance on £40? | 0:36:17 | 0:36:21 | |
£40... | 0:36:21 | 0:36:23 | |
That's it, I'm afraid - £40. Bad luck. That's minus £15. | 0:36:23 | 0:36:28 | |
-You can afford it, though! -145 means... -I'm not complaining. | 0:36:28 | 0:36:32 | |
-It means that you are plus 130. -Plus 130? -Yes. | 0:36:32 | 0:36:35 | |
-So it's eroded you slightly, but not by very much. -Not too much. | 0:36:35 | 0:36:39 | |
-That's great. £130 you have. What are you going to do about the seal? -What do you think? -£65-worth? | 0:36:39 | 0:36:45 | |
-I think we should go for it. -You agree, Dad? -Yeah. | 0:36:45 | 0:36:48 | |
Here we go then. Here it comes. | 0:36:48 | 0:36:50 | |
Start me at £50 for the desk seal? 50 on the phone. | 0:36:50 | 0:36:54 | |
At 50. Any advance on 50? 60. | 0:36:54 | 0:36:57 | |
70. 80. 90. | 0:36:57 | 0:37:00 | |
The phone at 90. | 0:37:00 | 0:37:02 | |
All done at £90? £90... | 0:37:02 | 0:37:05 | |
100. 110. | 0:37:05 | 0:37:07 | |
The phone has it at £110. 110... | 0:37:09 | 0:37:12 | |
-£110. -Yes, well done! -70, 30, 45... | 0:37:12 | 0:37:16 | |
That's plus £45. Well done, my friend. Plus £45. | 0:37:16 | 0:37:20 | |
Which means you are plus 175 as a team. | 0:37:20 | 0:37:24 | |
-Oh, my God! -That's for you. -That's for me! | 0:37:24 | 0:37:27 | |
-Imagine that! -That's pretty cool, isn't it? -That's excellent. | 0:37:27 | 0:37:31 | |
-Are you happy with that? -Well done, guys. | 0:37:31 | 0:37:34 | |
-You were nervous, Sarah. You thought you weren't going to make any money. -Because we didn't have the owls. | 0:37:34 | 0:37:40 | |
No owls! Never mind about the owls, girl. You got the cash. | 0:37:40 | 0:37:44 | |
-Don't say a word to the Blues, all right? -OK. -Stay shtoom. -Yeah. -Congratulations. | 0:37:44 | 0:37:49 | |
-Sarah, Kevin, do you know how the Reds got on? -No, we haven't a clue. -Not at all. | 0:37:54 | 0:37:59 | |
-You're clueless? -Yeah. -About how the Reds got on. | 0:37:59 | 0:38:02 | |
No, seriously, first up, you've got your oak-cased, chrome, racing pigeon clock. | 0:38:02 | 0:38:08 | |
-Here it comes. -Good luck, team. | 0:38:08 | 0:38:10 | |
Start me at £20? £20 for the clock? | 0:38:10 | 0:38:13 | |
20? 20 bid. Any advance on 20? £30. | 0:38:13 | 0:38:17 | |
-Yes, £30, profit! -You're in profit. It hasn't even taken off, this. -No. | 0:38:17 | 0:38:22 | |
-All done at £30? £30... -£30. | 0:38:22 | 0:38:25 | |
-That's OK. -It's plus £5. -OK. | 0:38:25 | 0:38:28 | |
-That's OK. -Now, here comes the Bakelite job. | 0:38:28 | 0:38:31 | |
Start me at 50? 50 on the books. | 0:38:31 | 0:38:35 | |
-60. -Yes! -70 on the books. -Break even, one more. | 0:38:35 | 0:38:39 | |
-80. -Yes, we've broken even. | 0:38:39 | 0:38:41 | |
All done at 80? | 0:38:41 | 0:38:43 | |
-85. -Yes, you're in profit. | 0:38:43 | 0:38:45 | |
-85. -Yes, we're in. -85... | 0:38:45 | 0:38:49 | |
Any advance on 85? 85... | 0:38:49 | 0:38:53 | |
You got a profit of a fiver on the first item and on the second item. | 0:38:53 | 0:38:57 | |
-What will happen with the Tilley lamp? -Oh, no, here we go! | 0:38:57 | 0:39:01 | |
Start me at 50? 50 bid. 50 bid. | 0:39:01 | 0:39:03 | |
Any advance on 50? 60. 70. 80. | 0:39:03 | 0:39:06 | |
90. £100. | 0:39:06 | 0:39:09 | |
-One more. -Go on. | 0:39:09 | 0:39:11 | |
£100. | 0:39:11 | 0:39:13 | |
-110. -Yes! One more. -One more. | 0:39:13 | 0:39:16 | |
-120. -Yes, we've done it! | 0:39:16 | 0:39:19 | |
-£120. -One more. | 0:39:19 | 0:39:21 | |
130. | 0:39:21 | 0:39:23 | |
Yes! You were right, you were right. | 0:39:23 | 0:39:26 | |
Any advance on 130? All done at 130? | 0:39:26 | 0:39:30 | |
-Yes. -Well done. Well done. -Plus £10. | 0:39:30 | 0:39:34 | |
When you think she said £30 to £40 and you've made £130, it's gone some distance, that lamp. | 0:39:34 | 0:39:41 | |
-Superb. -Well done. So £5, £5 and £10 equals £20. | 0:39:41 | 0:39:45 | |
I've done the maths and, a miracle, you don't need the bonus buy. | 0:39:45 | 0:39:49 | |
Will you go with it and risk your £20? | 0:39:49 | 0:39:52 | |
We've been lucky so far. There's nothing left to lose, apart from dignity. | 0:39:52 | 0:39:56 | |
-Well, £20 you've got to lose. -Oh, yeah. -We'll go for it. -OK. -Brilliant. -Cool, cool. | 0:39:56 | 0:40:02 | |
-Here it comes. -It is a rare, rare item. | 0:40:02 | 0:40:06 | |
400 years old. Beautifully made. | 0:40:06 | 0:40:09 | |
£50? 50 bid. | 0:40:09 | 0:40:11 | |
-It's a really rare thing. -Any advance on 50? 60. | 0:40:11 | 0:40:15 | |
-Any advance on 60? -It's a really rare thing. -70, fresh bidder. -Come on. | 0:40:15 | 0:40:20 | |
£70. Any advance on 70? | 0:40:20 | 0:40:23 | |
-So early. -Any advance on £70? | 0:40:23 | 0:40:26 | |
-Come on. -It's so rare. It's so rare. | 0:40:26 | 0:40:29 | |
70. £70... | 0:40:29 | 0:40:32 | |
Oh, we've sold it for £70. | 0:40:32 | 0:40:34 | |
There you go. Well, the punt finished there. | 0:40:34 | 0:40:37 | |
-That's history. -That was close. -I would have bought it. | 0:40:37 | 0:40:41 | |
-Minus £5. Bad luck, Charles. -That's OK. | 0:40:41 | 0:40:44 | |
That will live to see another day and on another day, that will do quite well, I predict. | 0:40:44 | 0:40:49 | |
You're minus £5. Overall, you have plus £15 and there's nothing the matter with that. | 0:40:49 | 0:40:54 | |
To walk away with a profit on this programme is a record-breaking experience, so well done. | 0:40:54 | 0:41:00 | |
Well, teams, what fun this has been! A glorious day with a brace of Sarahs. | 0:41:06 | 0:41:11 | |
What could be nicer than that? | 0:41:11 | 0:41:13 | |
We have two teams of winners. Both teams are going home with profits which is really great. | 0:41:13 | 0:41:19 | |
And which is ahead and which is behind? Do you know? | 0:41:19 | 0:41:23 | |
-Has anybody intimated anything at all? -No. | 0:41:23 | 0:41:26 | |
It is my duty to reveal that, sadly, the runners-up today are the Blues. | 0:41:26 | 0:41:31 | |
The Blues, sadly, have only made £15 of profits. | 0:41:32 | 0:41:36 | |
There's nothing shameful in that. £15 would normally be a winning score, but not today. | 0:41:36 | 0:41:41 | |
Not when compared with the tidal wave that is about to engulf us from the Reds. | 0:41:41 | 0:41:47 | |
But such is the joy of the programme, you made a profit on all of your items that you shopped for, | 0:41:47 | 0:41:53 | |
all three, and therefore you're entitled to the golden gavel. | 0:41:53 | 0:41:57 | |
-APPLAUSE -There is your golden gavel. | 0:41:57 | 0:42:00 | |
Charles takes his own because he's got so many at home in his bottom drawer. | 0:42:00 | 0:42:05 | |
Wear it with pride because to make a profit on each item, | 0:42:05 | 0:42:09 | |
it's only £5, £5 and £10, making up your £20, but that doesn't matter. | 0:42:09 | 0:42:13 | |
Size isn't everything, is it? | 0:42:13 | 0:42:15 | |
No. LAUGHTER | 0:42:15 | 0:42:17 | |
Anyway, congratulations. Jolly nice profits and well done. | 0:42:17 | 0:42:21 | |
But the Reds are going home with £175. | 0:42:21 | 0:42:25 | |
-Thank you. -So there is a welter of difference between you, | 0:42:25 | 0:42:29 | |
largely made up by that extraordinary brooch for £140-worth of profits. That is a lot. | 0:42:29 | 0:42:35 | |
There's no recovery from that and then the Laidlaw comes forward | 0:42:35 | 0:42:39 | |
with the £45 profit for the bonus buy which is just the icing on the cake. | 0:42:39 | 0:42:44 | |
-Thanks for that, Paul. Had a nice time, Sarah? -I've had a great time. | 0:42:44 | 0:42:48 | |
-Renato? -I've thoroughly enjoyed it. Tremendous. -We've loved having you. Congratulations. | 0:42:48 | 0:42:53 | |
Join us soon for some more bargain hunting, yes? Yeah! | 0:42:53 | 0:42:57 | |
Subtitles by Red Bee Media Ltd | 0:43:17 | 0:43:20 |