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During World War II, | 0:00:05 | 0:00:07 | |
the skies above Kent featured largely in the Battle of Britain, | 0:00:07 | 0:00:11 | |
but today we're up for a different sort of dogfight | 0:00:11 | 0:00:16 | |
here at the fair. | 0:00:16 | 0:00:17 | |
So, let's go bargain-hunting...yeah! | 0:00:17 | 0:00:20 | |
We're at the Kent County Showground, | 0:00:44 | 0:00:46 | |
close to the village of Detling. | 0:00:46 | 0:00:49 | |
There are at the top end of several hundreds dealers here, | 0:00:49 | 0:00:52 | |
longing to do battle with our teams, | 0:00:52 | 0:00:54 | |
each of which have got ?300 to buy three items in under an hour. | 0:00:54 | 0:00:59 | |
Let's have a quick peek as to what's coming up. | 0:00:59 | 0:01:01 | |
The stakes are running high for the Reds... | 0:01:05 | 0:01:07 | |
I don't know! Would you consider selling...? Aaargh! | 0:01:07 | 0:01:11 | |
..and the pressure is on for the Blues. | 0:01:11 | 0:01:14 | |
Ten minutes to go and we've got to buy another two items. No... | 0:01:14 | 0:01:16 | |
Yeah, two items, and we've got a lot of money to play with. | 0:01:16 | 0:01:20 | |
But at the auction, will divine intervention be on their side? | 0:01:20 | 0:01:24 | |
Look at him saying his prayers! This is JP at prayer. | 0:01:24 | 0:01:27 | |
Right, let's meet today's teams. | 0:01:28 | 0:01:30 | |
Well, on Bargain Hunt today, we've got two teams of friends. | 0:01:31 | 0:01:34 | |
We've got Amy and Susan for the Reds | 0:01:34 | 0:01:37 | |
and Charlie and Martin for the Blues. Hello, everyone. | 0:01:37 | 0:01:39 | |
ALL: Hello! | 0:01:39 | 0:01:41 | |
Lovely to see you. Amy, tell me a bit about yourself, darling. | 0:01:41 | 0:01:44 | |
I'm a mum of two. I've got two daughters, Charlotte and Sophie, | 0:01:44 | 0:01:48 | |
and I'm married to Dan and he's in the Army. | 0:01:48 | 0:01:50 | |
Is he? Yes. | 0:01:50 | 0:01:52 | |
So would you describe yourself as a pretty chirpy, friendly person? | 0:01:52 | 0:01:55 | |
Yeah, I think so. I'd like to think so! | 0:01:55 | 0:01:58 | |
I think I can tell that. That's the vibe I'm getting. | 0:01:58 | 0:02:01 | |
What do you do for a living? I'm a fundraising officer for a charity. | 0:02:01 | 0:02:05 | |
Right. The charity works to support families | 0:02:05 | 0:02:08 | |
caring for people with severe learning disabilities | 0:02:08 | 0:02:10 | |
and behaviour described as challenging. | 0:02:10 | 0:02:13 | |
And it's the charity work, or through that, that you met your mate Susan. | 0:02:13 | 0:02:17 | |
Yes, I did. Susan bravely did a sky dive for the charity. | 0:02:17 | 0:02:21 | |
Did she? Yes. | 0:02:21 | 0:02:22 | |
And I helped her with her sponsorship and supported her through her journey | 0:02:22 | 0:02:28 | |
and I was there when she did the sky dive. Were you? Yes. | 0:02:28 | 0:02:30 | |
So was it a fantastic sky dive? Yeah, it was amazing! | 0:02:30 | 0:02:34 | |
It took six attempts, though, because the weather was quite bad. | 0:02:34 | 0:02:37 | |
I see - not to push you out? No, no! | 0:02:37 | 0:02:39 | |
On the sixth go, it was really, really sunny | 0:02:39 | 0:02:42 | |
and it was amazing. Really, really good. | 0:02:42 | 0:02:45 | |
So when you're not flopping out of aeroplanes, what do you get up to? | 0:02:45 | 0:02:48 | |
I'm a full-time student in Canterbury Christ Church University. | 0:02:48 | 0:02:51 | |
Are you? Yeah, I'm in my final year in occupational therapy. | 0:02:51 | 0:02:54 | |
I'm also an advocate for the charity Amy works for, | 0:02:54 | 0:02:57 | |
so I'm an independent advocate for a guy with learning disabilities. | 0:02:57 | 0:03:01 | |
You ARE a busy girl! Yes, I am! | 0:03:01 | 0:03:03 | |
How will you two get on when it comes to making profits today? | 0:03:03 | 0:03:06 | |
Well, use a bit of charm, I think. | 0:03:06 | 0:03:08 | |
Would there be a bit of Blarney in there? | 0:03:08 | 0:03:11 | |
Well, I've kissed the stone! | 0:03:11 | 0:03:13 | |
I rather thought I could tell that. | 0:03:13 | 0:03:16 | |
So we've got a little bit of Blarney and a lot of effervescence. | 0:03:16 | 0:03:18 | |
That should make a very interesting cake. | 0:03:18 | 0:03:20 | |
Anyway, very good luck, girls. | 0:03:20 | 0:03:22 | |
Well, well, well, that's quite something, all that charity stuff. | 0:03:22 | 0:03:26 | |
Charlie, how did you two become mates? | 0:03:26 | 0:03:27 | |
Well, me and Martin are both musicians | 0:03:27 | 0:03:30 | |
and we met through mutual friends who were also musicians. | 0:03:30 | 0:03:34 | |
And what sort of music do you play? | 0:03:34 | 0:03:36 | |
Currently, we do a little bit of folk music together. | 0:03:36 | 0:03:39 | |
We're also in a rock band together. Do you get paid for this? | 0:03:39 | 0:03:42 | |
Sadly, not as much as you'd hope! | 0:03:42 | 0:03:44 | |
Sometimes, if we're lucky. | 0:03:44 | 0:03:46 | |
But there's an ambition there. And when you're not making music, | 0:03:46 | 0:03:49 | |
what do you do to earn a crust? | 0:03:49 | 0:03:51 | |
I work for a swimming retail company, | 0:03:51 | 0:03:54 | |
selling swimsuits and other swimming items. | 0:03:54 | 0:03:57 | |
Do you? Yes. | 0:03:57 | 0:03:59 | |
And tell me, Martin, what do you do? | 0:03:59 | 0:04:01 | |
I'm a hire manager for a construction company. | 0:04:01 | 0:04:03 | |
I'm in charge of the drivers and the staff and the day-to-day running of the whole building. | 0:04:03 | 0:04:07 | |
And they're all answering to you. They are. I'm the one under pressure! | 0:04:07 | 0:04:11 | |
What's all this about skirts? | 0:04:11 | 0:04:13 | |
Skirts? Yes. | 0:04:13 | 0:04:14 | |
Don't you wear skirts a lot? | 0:04:14 | 0:04:16 | |
He does. Thank you! | 0:04:16 | 0:04:18 | |
Excuse me, Charlie! Tell me about these skirts, then. | 0:04:20 | 0:04:23 | |
Martin likes to dress up as women if we ever go to a fancy dress party. | 0:04:23 | 0:04:28 | |
Does he keep the growth? | 0:04:28 | 0:04:30 | |
He does, yes! | 0:04:30 | 0:04:31 | |
Of course, that is an attractive feature, isn't it, | 0:04:31 | 0:04:34 | |
when you're in the dress-up mode! | 0:04:34 | 0:04:36 | |
And you're obviously very, very close - what you might call bosom pals. Yes. Yes. | 0:04:36 | 0:04:40 | |
So that's going to enable you to bond up OK today? | 0:04:40 | 0:04:44 | |
Yeah, well, hopefully we won't fall out over any decisions. | 0:04:44 | 0:04:48 | |
Any old knick-knacks. Life is bigger than that. | 0:04:48 | 0:04:50 | |
Exactly. | 0:04:50 | 0:04:52 | |
In fact, it's so big, I'm about to give you ?300 apiece. | 0:04:52 | 0:04:55 | |
How about that, girls? ?300. | 0:04:55 | 0:04:57 | |
You know the rules. Your experts await...and off you go! | 0:04:57 | 0:05:00 | |
Very, very, very good luck. | 0:05:00 | 0:05:02 | |
is Jonathan Pratt. | 0:05:07 | 0:05:08 | |
Biggles! | 0:05:08 | 0:05:10 | |
And providing vintage expertise for the Blues | 0:05:11 | 0:05:13 | |
is Kate Bliss. | 0:05:13 | 0:05:15 | |
Beautiful! | 0:05:15 | 0:05:16 | |
Ladies, here we are - Detling Fair. | 0:05:18 | 0:05:19 | |
So, fellas, are we up for this? Yeah! | 0:05:21 | 0:05:22 | |
Have you got any ideas of what you want to buy? | 0:05:22 | 0:05:25 | |
Something small and quirky, maybe. | 0:05:25 | 0:05:27 | |
Music collectables or some memorabilia. | 0:05:27 | 0:05:29 | |
That little oddity, like a collectable animal or ceramics. | 0:05:29 | 0:05:32 | |
Anything, really - anything that takes our fancy. | 0:05:32 | 0:05:35 | |
There's plenty to look at, so let's get bargain-hunting! | 0:05:35 | 0:05:39 | |
Good advice, Jonathan. Go to it, teams! | 0:05:39 | 0:05:43 | |
Let's head inside to start with. | 0:05:43 | 0:05:45 | |
Crikey, look at that colour - | 0:05:46 | 0:05:48 | |
it's like shopping on a gigantic snooker table! | 0:05:48 | 0:05:50 | |
So we've got furniture here. We've got to be a little bit careful of furniture, | 0:05:50 | 0:05:55 | |
because the market's a little bit unpredictable. | 0:05:55 | 0:05:57 | |
I like the Russian dolls. I like the Russian dolls, yeah. | 0:06:01 | 0:06:04 | |
I love Russian dolls. Do you? | 0:06:04 | 0:06:05 | |
Yeah, she does. Oh, right! | 0:06:05 | 0:06:07 | |
OK, well, we're straight off here. | 0:06:07 | 0:06:09 | |
Who's on there? Looks like Russian politicians. | 0:06:09 | 0:06:11 | |
Yeah, I like it because it's men. | 0:06:11 | 0:06:13 | |
How much do you want for those? | 0:06:13 | 0:06:15 | |
I've got 48 on them. OK. | 0:06:15 | 0:06:17 | |
This is Gorbachev...and who's he? | 0:06:17 | 0:06:19 | |
He's...Yeltsin. | 0:06:19 | 0:06:22 | |
That's it. I really like them. | 0:06:22 | 0:06:24 | |
Yeah. A bit of a giggle. | 0:06:24 | 0:06:26 | |
Yeah. It's a fairly... | 0:06:26 | 0:06:29 | |
select market, of course. | 0:06:29 | 0:06:31 | |
Yes. Yeah. And we need to go through the motions of... | 0:06:31 | 0:06:34 | |
We're not really thinking with market in mind. | 0:06:34 | 0:06:36 | |
We're just thinking what we like. Yeah, that's it. | 0:06:36 | 0:06:39 | |
The good thing about this is it gives me an idea of what you might be interested in. | 0:06:39 | 0:06:43 | |
Then we've got something we can come back to. OK. | 0:06:43 | 0:06:45 | |
Let's carry on looking, and we can always come back and get these. | 0:06:45 | 0:06:48 | |
Yeah. OK. | 0:06:48 | 0:06:50 | |
Yes, of course you can think about it, Reds. | 0:06:50 | 0:06:52 | |
But don't dilly-dally, eh? | 0:06:52 | 0:06:54 | |
This is a scent bottle. Quite girly for you guys. | 0:06:58 | 0:07:01 | |
There's a little bit of damage around the lid. | 0:07:01 | 0:07:03 | |
Yeah. I like these watches. You like the watches? Yeah. | 0:07:03 | 0:07:06 | |
Excuse me, sir, could we have a little look at the watches, please? | 0:07:06 | 0:07:09 | |
I've got Waltham, I've got English Lever. There's all sorts there. | 0:07:09 | 0:07:13 | |
They're all pretty standard ones. | 0:07:13 | 0:07:15 | |
There's nothing there that's special or outstanding. | 0:07:15 | 0:07:17 | |
We'll have a look along here. Thank you very much. | 0:07:17 | 0:07:20 | |
Let's keep going. | 0:07:20 | 0:07:25 | |
Tick-tock. Keep your eye on the clock. | 0:07:25 | 0:07:27 | |
Be warned - shopping time flies by on this show. | 0:07:27 | 0:07:30 | |
That was straight off, wasn't it? | 0:07:30 | 0:07:32 | |
Yeah! We know what we like. | 0:07:32 | 0:07:35 | |
They look great, but in a saleroom you'd be surprised. | 0:07:37 | 0:07:40 | |
When they're in amongst antiques, | 0:07:40 | 0:07:42 | |
they'll really stand out as being new. | 0:07:42 | 0:07:44 | |
Let's keep going. | 0:07:44 | 0:07:45 | |
I like this, Susan. What do you think? What is it? | 0:07:48 | 0:07:52 | |
I don't know. Is it for...butter? | 0:07:52 | 0:07:54 | |
I suppose it could be - round butter. | 0:07:54 | 0:07:57 | |
Is it Cornishware? Yes. | 0:07:57 | 0:07:59 | |
TG Green. TG Green, OK. | 0:07:59 | 0:08:00 | |
Very popular today in retro kitchens. People are buying these sorts of things. | 0:08:00 | 0:08:04 | |
Generally speaking, at auction you would buy a quantity together. | 0:08:04 | 0:08:07 | |
Yeah, let's move on! For the moment. | 0:08:07 | 0:08:10 | |
Did you know that Cornishware was first produced | 0:08:10 | 0:08:13 | |
in 1926 by Derbyshire-based TG Green? | 0:08:13 | 0:08:17 | |
The design owes its name to an employee | 0:08:17 | 0:08:20 | |
who thought the colours were like the blue skies | 0:08:20 | 0:08:22 | |
and white-crested waves of Cornwall. | 0:08:22 | 0:08:24 | |
Oh, yeah. | 0:08:26 | 0:08:27 | |
Now, these are quite interesting. | 0:08:27 | 0:08:30 | |
This is called a Meerschaum pipe. | 0:08:30 | 0:08:32 | |
And the word "Meerschaum" comes from the German, | 0:08:32 | 0:08:36 | |
which literally means "sea foam", | 0:08:36 | 0:08:40 | |
and can be carved quite intricately. | 0:08:40 | 0:08:42 | |
This is carved quite nicely in a claw, there. | 0:08:42 | 0:08:45 | |
It's like a claw holding an egg, almost. It is. | 0:08:45 | 0:08:48 | |
Exactly right. | 0:08:48 | 0:08:49 | |
Now, because it's quite white, | 0:08:49 | 0:08:52 | |
Some of them date from the 19th century, from the Victorian period. | 0:08:52 | 0:08:55 | |
So, the important thing is, we need to know what the price is. | 0:08:55 | 0:08:59 | |
Where's our stallholder? Here he is. Hi there! | 0:08:59 | 0:09:02 | |
How much is on your pipe? 35. 35. | 0:09:02 | 0:09:04 | |
OK. | 0:09:04 | 0:09:06 | |
What do you think? | 0:09:06 | 0:09:07 | |
Maybe we should see if we can find anything else first. | 0:09:07 | 0:09:10 | |
Maybe come back to it? Yeah. | 0:09:10 | 0:09:11 | |
There's nothing to stop us coming back. | 0:09:11 | 0:09:13 | |
But I like your thinking. | 0:09:13 | 0:09:15 | |
And I like it too, Blues. | 0:09:15 | 0:09:17 | |
But soon you'll need to start making some decisions. | 0:09:17 | 0:09:20 | |
What do you want to do? We've had about 20 minutes. | 0:09:20 | 0:09:22 | |
I think we should buy the Russian dolls. Yeah. | 0:09:22 | 0:09:25 | |
You really like those. We need to commit. Yes. | 0:09:25 | 0:09:26 | |
OK, ready? | 0:09:30 | 0:09:32 | |
So, tell us about this, sir. How old? 1944. | 0:09:36 | 0:09:40 | |
That's a lot of money! | 0:09:44 | 0:09:46 | |
Yeah! Too much dosh for us, eh, Kate? | 0:09:46 | 0:09:50 | |
But nice to see our teams aiming for the jackpot. | 0:09:50 | 0:09:52 | |
What's your best price on these? | 0:09:54 | 0:09:56 | |
I'll take a tenner off. I'm come down to 38 on them. | 0:09:58 | 0:10:00 | |
What do you think? Nearer 30, I think. | 0:10:00 | 0:10:03 | |
Really? Yeah. | 0:10:03 | 0:10:04 | |
The only thing I'm a bit kind of... This paint on top. | 0:10:04 | 0:10:08 | |
The paint on top? That's a birthmark. Ah! | 0:10:10 | 0:10:12 | |
VENDOR: That's how he is. | 0:10:12 | 0:10:14 | |
Really?! Oh! | 0:10:14 | 0:10:18 | |
No! | 0:10:18 | 0:10:24 | |
Not terribly old. No, they're not old. | 0:10:24 | 0:10:26 | |
They have such a novelty value | 0:10:26 | 0:10:28 | |
and there have to be some collectors out there. | 0:10:28 | 0:10:30 | |
It's not my thing. No? | 0:10:30 | 0:10:33 | |
But then, it's your thing and that's what it's about. | 0:10:33 | 0:10:38 | |
Is that your way of saying, "I really don't like these"? | 0:10:38 | 0:10:40 | |
You know, I do rather like them. | 0:10:40 | 0:10:43 | |
I'm really drawn to them. I think we should buy them. | 0:10:43 | 0:10:46 | |
We said Russian dolls, didn't we? Yeah. Did you really? Yeah. | 0:10:46 | 0:10:51 | |
We said we liked Russian dolls. | 0:10:51 | 0:10:53 | |
Would you take 35? | 0:10:53 | 0:10:54 | |
Er, yeah, I'll do 35 on them. | 0:10:54 | 0:10:57 | |
What do you think? You want to pay less, don't you? | 0:10:57 | 0:11:00 | |
32? | 0:11:00 | 0:11:01 | |
Go on, then, 32. | 0:11:01 | 0:11:03 | |
32, yeah. Shake the man's hand. | 0:11:03 | 0:11:06 | |
Thank you! | 0:11:06 | 0:11:07 | |
Thank you very much. | 0:11:07 | 0:11:09 | |
One down, two to go. | 0:11:09 | 0:11:11 | |
Great bit of haggling, Reds. Well done. | 0:11:11 | 0:11:13 | |
Item number one bought. | 0:11:13 | 0:11:15 | |
As you say, one down, two to go. | 0:11:15 | 0:11:16 | |
Nothing musical... | 0:11:16 | 0:11:18 | |
I like the little teddy bear duo. | 0:11:20 | 0:11:21 | |
They're pretty well-loved, aren't they? Yeah. | 0:11:21 | 0:11:23 | |
There's just nothing that's grabbing us in here, is there? No. | 0:11:25 | 0:11:28 | |
Let's head out. OK. | 0:11:28 | 0:11:29 | |
Let's brave the cold. | 0:11:29 | 0:11:30 | |
Come on, guys, let's step it up. | 0:11:32 | 0:11:33 | |
Who does it remind you of? Martin. | 0:11:33 | 0:11:36 | |
Oh, these are cool. Police badges? | 0:11:37 | 0:11:39 | |
They're not old, unfortunately. That's the problem. | 0:11:39 | 0:11:43 | |
Being a bit negative, aren't I? Sorry, guys! | 0:11:43 | 0:11:46 | |
I have the impression | 0:11:46 | 0:11:48 | |
these chaps are finding this tough. | 0:11:48 | 0:11:50 | |
At times, this shopping lark is a lot harder than it looks. | 0:11:50 | 0:11:53 | |
"We supply Hunters' hot cross buns." It's what you call ephemera - | 0:11:53 | 0:11:57 | |
the sort of thing that was often chucked away. | 0:11:57 | 0:11:59 | |
It's got the price written on the back. | 0:11:59 | 0:12:02 | |
Six quid. | 0:12:02 | 0:12:04 | |
It's quite fun. | 0:12:06 | 0:12:07 | |
The interest for the 1930s, 1940s, | 0:12:07 | 0:12:10 | |
people are putting on their walls objects from that period. | 0:12:10 | 0:12:13 | |
?6? We're bound to make... | 0:12:13 | 0:12:15 | |
That's just the starting price! | 0:12:15 | 0:12:17 | |
I quite like this. Do you like it? I like it. | 0:12:19 | 0:12:22 | |
Shall we go for it? I think we should commit to this. | 0:12:22 | 0:12:24 | |
I'm going to step back and leave you... OK. | 0:12:24 | 0:12:27 | |
Negotiate with this lady. | 0:12:27 | 0:12:29 | |
What can you do? | 0:12:29 | 0:12:32 | |
What is the price on there? ?6. | 0:12:32 | 0:12:34 | |
You can have it for 4. | 0:12:34 | 0:12:36 | |
4? Yes. | 0:12:36 | 0:12:37 | |
4. I think we should. | 0:12:37 | 0:12:39 | |
Yeah. | 0:12:39 | 0:12:40 | |
Thank you very much! | 0:12:40 | 0:12:42 | |
Thank you very much. | 0:12:42 | 0:12:44 | |
Second purchase in the bag for the Reds. | 0:12:44 | 0:12:47 | |
It's now 2-0 up to them. | 0:12:47 | 0:12:49 | |
But our Blues seem to be struggling. | 0:12:49 | 0:12:51 | |
What do you want to do - head back in and explore a bit more inside? | 0:12:51 | 0:12:54 | |
Back inside. Do you reckon? Yeah. | 0:12:54 | 0:12:57 | |
We need to make a buy. We do need to make a buy. | 0:12:57 | 0:12:59 | |
You certainly do, Blues. | 0:12:59 | 0:13:01 | |
We'll go over here. OK. | 0:13:03 | 0:13:04 | |
A little whistle there, | 0:13:09 | 0:13:11 | |
which is by Sampson Mordan. Now, he's a silversmith | 0:13:11 | 0:13:14 | |
that's really collectable, so people buy his silver | 0:13:14 | 0:13:17 | |
just because it's by Sampson Mordan. OK. | 0:13:17 | 0:13:19 | |
That's quite a lot of money - ?125. | 0:13:19 | 0:13:22 | |
Could we have a little look at the whistle? | 0:13:22 | 0:13:25 | |
That's neat, isn't it? | 0:13:30 | 0:13:32 | |
Here we go, guys. So we've got the English hallmarks here. | 0:13:32 | 0:13:35 | |
Which is great. | 0:13:35 | 0:13:36 | |
Do you want to give it a go? Yeah. | 0:13:36 | 0:13:38 | |
Go for it. | 0:13:38 | 0:13:40 | |
WHISTLE PEEPS SHRILLY | 0:13:40 | 0:13:41 | |
Crikey! It's quite loud. | 0:13:41 | 0:13:42 | |
You're going to hear that, aren't you? | 0:13:42 | 0:13:44 | |
I haven't seen one like it, I have to say, by Mordan. | 0:13:44 | 0:13:48 | |
I'd be up for buying it, but do you think it's worth the ?100? | 0:13:48 | 0:13:52 | |
Can we try and see if the lady would be nice enough to take...? | 0:13:52 | 0:13:56 | |
Come on! Seeing as you've got a beautiful smile, I'll do 90. | 0:13:56 | 0:14:00 | |
Could you do it for 80? | 0:14:00 | 0:14:02 | |
Yeah, I'm sure I can. That'll be fine. | 0:14:02 | 0:14:05 | |
Fantastic! Let's do it! | 0:14:05 | 0:14:06 | |
Come on! Come on, then! | 0:14:08 | 0:14:10 | |
Brilliant! Let's motor. Two more to go. | 0:14:10 | 0:14:13 | |
Well done, boys. First purchase made. | 0:14:13 | 0:14:16 | |
Whilst the shopping continues, I have a question for you. | 0:14:16 | 0:14:20 | |
Do you remember the 1960s? | 0:14:20 | 0:14:22 | |
Well, if you remember the 1960s, | 0:14:22 | 0:14:24 | |
you're sure to remember one of these. | 0:14:24 | 0:14:26 | |
Look at her! | 0:14:26 | 0:14:27 | |
She's holding a glass of wine. | 0:14:27 | 0:14:29 | |
But no ordinary glass of wine, | 0:14:29 | 0:14:32 | |
because this is a gilde glas, | 0:14:32 | 0:14:34 | |
which of course is Danish for a neck glass. | 0:14:34 | 0:14:38 | |
Take the top off the original packaging | 0:14:38 | 0:14:41 | |
and reveal the neck glass itself | 0:14:41 | 0:14:44 | |
in virgin condition. | 0:14:44 | 0:14:46 | |
Complete with leather thong. | 0:14:46 | 0:14:48 | |
The leather thong around the neck provides the support. | 0:14:48 | 0:14:52 | |
Shove it round your neck like that, look. | 0:14:52 | 0:14:54 | |
And hey presto, the neck glass is in operation. | 0:14:54 | 0:14:58 | |
I love the back cover. | 0:14:58 | 0:15:00 | |
Here's the party in 1965, | 0:15:00 | 0:15:01 | |
where boys in Beatle haircuts | 0:15:01 | 0:15:04 | |
are dancing with girls. | 0:15:04 | 0:15:06 | |
And that girl is doing the Twist, | 0:15:06 | 0:15:09 | |
but as she does the Twist, | 0:15:09 | 0:15:10 | |
none of the wine is spilling out of her neck glass | 0:15:10 | 0:15:13 | |
because it's suspended so beautifully | 0:15:13 | 0:15:16 | |
by her thong. | 0:15:16 | 0:15:17 | |
I have never seen one before in my long life, | 0:15:17 | 0:15:21 | |
and therefore, I think we can safely assume | 0:15:21 | 0:15:23 | |
that the Holmegaard neck glass | 0:15:23 | 0:15:26 | |
did not take off. | 0:15:26 | 0:15:28 | |
Anyway, | 0:15:28 | 0:15:30 | |
good fun. | 0:15:30 | 0:15:32 | |
How much would it cost you? | 0:15:32 | 0:15:33 | |
Complete with box and virgin, | 0:15:33 | 0:15:35 | |
it could be yours for 25 good old English pounds. | 0:15:35 | 0:15:38 | |
Cheers! | 0:15:38 | 0:15:40 | |
Now, time to catch up with those Reds. | 0:15:42 | 0:15:44 | |
How's it going, girls? | 0:15:44 | 0:15:46 | |
It's going really well. We're pleased. Yeah. | 0:15:46 | 0:15:48 | |
We're buying things we didn't think we'd buy. The Russian dolls were a bit unexpected. | 0:15:48 | 0:15:52 | |
One more item to go, and I think this one's really going to count now. | 0:15:52 | 0:15:55 | |
They're really in the spirit. | 0:15:55 | 0:15:56 | |
We have an idea of what we want next...I think. | 0:15:56 | 0:15:59 | |
Hopefully! | 0:15:59 | 0:16:00 | |
Great stuff, Reds, | 0:16:02 | 0:16:03 | |
but the Blues have lost someone. | 0:16:03 | 0:16:06 | |
Where's Charlie? | 0:16:06 | 0:16:07 | |
We've lost him. Charlie! | 0:16:07 | 0:16:10 | |
Chas! | 0:16:10 | 0:16:11 | |
Sorry there, mate. | 0:16:11 | 0:16:12 | |
Have you found anything? | 0:16:12 | 0:16:14 | |
Er, just like a bell, like a kind of... | 0:16:14 | 0:16:18 | |
DING! | 0:16:18 | 0:16:19 | |
It looks like it ought to be Victorian. | 0:16:19 | 0:16:22 | |
But it isn't. | 0:16:22 | 0:16:23 | |
Bad times! | 0:16:23 | 0:16:25 | |
Yeah, but nice thing. Well done for picking it out. | 0:16:25 | 0:16:28 | |
So, tell us how you're feeling, Blues. | 0:16:28 | 0:16:30 | |
Time is flying | 0:16:30 | 0:16:32 | |
and we just have to make some sort of sale. We have to buy something. | 0:16:32 | 0:16:36 | |
We're under pressure, and I'm really finding it hard to find something where we'll really make a profit. | 0:16:36 | 0:16:41 | |
Ten minutes to go and we've got to buy another two items. No... | 0:16:41 | 0:16:44 | |
Yeah, two items. And we've got a lot of money to play with. | 0:16:44 | 0:16:47 | |
It's too much! | 0:16:47 | 0:16:48 | |
But hey-ho, we've got ten minutes. | 0:16:48 | 0:16:50 | |
And I'm sure something will turn up. | 0:16:50 | 0:16:53 | |
Go on, get to it, boys! Talk about cutting a fine line. | 0:16:53 | 0:16:55 | |
Meanwhile, the Reds are still outside, | 0:16:55 | 0:16:57 | |
and something has taken their interest. | 0:16:57 | 0:16:59 | |
Do you like Clarice Cliff? I do, yeah. | 0:16:59 | 0:17:01 | |
That tea service down there... | 0:17:01 | 0:17:02 | |
That's gorgeous! OK. | 0:17:02 | 0:17:04 | |
I don't know how much we've spent. | 0:17:04 | 0:17:06 | |
I said maybe we could spend everything bar a pound | 0:17:06 | 0:17:09 | |
and go for it. | 0:17:09 | 0:17:10 | |
That's a gamble. | 0:17:10 | 0:17:12 | |
That's a massive gamble. | 0:17:12 | 0:17:13 | |
264. | 0:17:13 | 0:17:15 | |
So it'd be 263 quid. | 0:17:15 | 0:17:17 | |
It's such a cool thing to do. Really? | 0:17:17 | 0:17:20 | |
I just... It's a good name, it's a good shape. | 0:17:20 | 0:17:23 | |
How much do you think it would go for at auction? | 0:17:23 | 0:17:26 | |
I don't know. I'd quote ?200 to ?300. | 0:17:26 | 0:17:29 | |
I don't know. | 0:17:31 | 0:17:32 | |
Would you consider selling it at ?263? | 0:17:32 | 0:17:35 | |
Reluctantly, yes. | 0:17:35 | 0:17:37 | |
Reluctantly, yes?! | 0:17:37 | 0:17:38 | |
I mean...they're coming down a bit. | 0:17:38 | 0:17:41 | |
Quite a bit. Starting at 400. | 0:17:41 | 0:17:43 | |
I think we need to look at it. We do need to see it. | 0:17:43 | 0:17:46 | |
Do you mind if we look at a few pieces? We need to look at it. | 0:17:46 | 0:17:48 | |
Whilst you get the coffee set out, | 0:17:48 | 0:17:50 | |
let's see how the last-minute Blues are faring. | 0:17:50 | 0:17:52 | |
It's nice that it's got the brush. | 0:17:52 | 0:17:55 | |
Used for dusting down the bottle | 0:17:55 | 0:17:57 | |
before you put the worm in, as it's called. | 0:17:57 | 0:17:59 | |
You've got to be careful of these, | 0:17:59 | 0:18:01 | |
because so often, the very end is broken off, | 0:18:01 | 0:18:03 | |
because they're quite vulnerable. That one certainly looks intact. | 0:18:03 | 0:18:06 | |
It does. Which is quite nice. | 0:18:06 | 0:18:08 | |
Nice bit of turning on there. | 0:18:08 | 0:18:10 | |
There are collectors of them. | 0:18:10 | 0:18:12 | |
The ones that make the most money | 0:18:12 | 0:18:13 | |
are the ones that have fancy mechanisms | 0:18:13 | 0:18:15 | |
and particular names on them. | 0:18:15 | 0:18:18 | |
This hasn't got either of those, | 0:18:18 | 0:18:20 | |
but it's still collectable. | 0:18:20 | 0:18:22 | |
?45 is... That's a bit much. | 0:18:22 | 0:18:24 | |
We're probably going to be looking at ?10, ?15 at auction. | 0:18:24 | 0:18:28 | |
Let's just do some asking here. | 0:18:28 | 0:18:30 | |
Yeah. | 0:18:30 | 0:18:31 | |
Excuse me, madam. We really like this, but unfortunately, | 0:18:31 | 0:18:34 | |
?45 is way too much for us. ?30. | 0:18:34 | 0:18:37 | |
Ooh...we've got to put it into auction. | 0:18:37 | 0:18:39 | |
We can do this. Can we? | 0:18:39 | 0:18:40 | |
We're running out of time, Martin. | 0:18:40 | 0:18:43 | |
It's just nicely made. Decoration's nice. | 0:18:44 | 0:18:47 | |
You've got six cups, six saucers, | 0:18:47 | 0:18:49 | |
a little cream jug, sugar bowl, | 0:18:49 | 0:18:52 | |
and then the coffee pot. | 0:18:52 | 0:18:54 | |
What do you think? | 0:18:54 | 0:18:56 | |
I'm really tempted. | 0:18:56 | 0:18:57 | |
Well, boys, I've had a little chat with the stallholder. | 0:18:57 | 0:19:00 | |
She's very kindly said we can have it for 20. | 0:19:00 | 0:19:04 | |
Do you think it's worth it? We're running out of time | 0:19:04 | 0:19:07 | |
and it could make a tiny little profit. | 0:19:07 | 0:19:11 | |
20 quid? I'll go with you on this one. OK. 20 quid. | 0:19:11 | 0:19:17 | |
but still one more to go | 0:19:17 | 0:19:19 | |
and now there's just five minutes left. | 0:19:19 | 0:19:21 | |
I'm really tempted. I think we should do it. | 0:19:23 | 0:19:25 | |
I think we should as well. | 0:19:25 | 0:19:27 | |
If you'll take it, then they'll take it. I'll take all your money. | 0:19:27 | 0:19:30 | |
LAUGHTER | 0:19:30 | 0:19:31 | |
Aargh! | 0:19:31 | 0:19:32 | |
Panic! | 0:19:32 | 0:19:34 | |
That's ?299 spent. | 0:19:34 | 0:19:37 | |
I know! Very well done! | 0:19:37 | 0:19:39 | |
Great! That's the shopping done for the Reds. | 0:19:40 | 0:19:42 | |
The lady with the whistle... | 0:19:45 | 0:19:46 | |
There was nothing else on there, was there? | 0:19:46 | 0:19:48 | |
The modern chair. | 0:19:48 | 0:19:50 | |
There was a man with silver up there. | 0:19:50 | 0:19:51 | |
Was there anything through there? We didn't go down here, did we? No. | 0:19:53 | 0:19:56 | |
How much would a massive leather-bound Bible go for? Ooh... | 0:19:58 | 0:20:01 | |
Shall we go with the pipe? What do you think? | 0:20:03 | 0:20:06 | |
I'm happy to go with the pipe if we can barter it down a little. | 0:20:06 | 0:20:09 | |
One minute left, I think. 30 seconds. | 0:20:09 | 0:20:11 | |
Go on, boys. I'll catch you up. OK, let's go! Go! | 0:20:11 | 0:20:15 | |
And back to the pipe, I see. | 0:20:21 | 0:20:23 | |
What was the best, did you say? | 0:20:24 | 0:20:26 | |
I'll squeeze another fiver off. | 0:20:26 | 0:20:28 | |
So what's that? | 0:20:28 | 0:20:30 | |
We'll say 30. 30. | 0:20:30 | 0:20:31 | |
I thought you said 30 before? | 0:20:31 | 0:20:33 | |
OK, 25, then! | 0:20:33 | 0:20:34 | |
I've got to try! | 0:20:34 | 0:20:36 | |
The thing that concerns me is I'm not sure how old it is, exactly. | 0:20:36 | 0:20:45 | |
You can't do 20? | 0:20:45 | 0:20:47 | |
Go on, then! We'll take it off your hands. | 0:20:47 | 0:20:48 | |
Oh, thank you(!) | 0:20:48 | 0:20:50 | |
?20. Thank you very much. That's great! | 0:20:50 | 0:20:53 | |
Thanks a lot. You're welcome. | 0:20:53 | 0:20:56 | |
Great! Three items, guys. That's it, and we're just about out of time. | 0:20:56 | 0:20:59 | |
That's it. Time's up. | 0:20:59 | 0:21:02 | |
Why don't we remind ourselves what the Red team bought, eh? | 0:21:02 | 0:21:08 | |
set them back a cool ?32. | 0:21:08 | 0:21:10 | |
And finally, this Clarice Cliff coffee service | 0:21:20 | 0:21:26 | |
Wow! | 0:21:26 | 0:21:27 | |
Aaargh! | 0:21:27 | 0:21:29 | |
This is a very jolly party, isn't it? | 0:21:29 | 0:21:31 | |
You clearly had a whale of a time with JP. Yes. | 0:21:31 | 0:21:35 | |
Was he good fun? Really good fun. | 0:21:35 | 0:21:37 | |
Which is your favourite piece? | 0:21:37 | 0:21:38 | |
I like the poster. | 0:21:38 | 0:21:41 | |
That's your favourite, the poster? Yes. | 0:21:41 | 0:21:43 | |
Do you agree with that? I like the Russian dolls, actually. | 0:21:43 | 0:21:46 | |
OK, stupendo. | 0:21:46 | 0:21:48 | |
Now, tell me, how much did you spend? | 0:21:48 | 0:21:50 | |
?299. | 0:21:50 | 0:21:52 | |
I thought you'd like it. | 0:21:52 | 0:21:55 | |
?299?! | 0:21:55 | 0:21:57 | |
How great is that? | 0:21:57 | 0:22:02 | |
So, one smacker. | 0:22:02 | 0:22:04 | |
Thank you. | 0:22:04 | 0:22:07 | |
Matches your tie. It does! | 0:22:07 | 0:22:09 | |
Definitely polychrome. | 0:22:10 | 0:22:12 | |
You're such a...smartie! | 0:22:12 | 0:22:14 | |
Almost as smartie as JP. | 0:22:14 | 0:22:18 | |
Good luck! | 0:22:18 | 0:22:19 | |
That's not a cup of tea in this place. It's not. | 0:22:19 | 0:22:22 | |
Anyway, huge fun. | 0:22:22 | 0:22:24 | |
Go and have a cup of tea. Not you, JP. | 0:22:24 | 0:22:26 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:22:26 | 0:22:29 | |
During a shop which was not exactly a whistle-stop tour, | 0:22:29 | 0:22:33 | |
they managed to acquire this George V | 0:22:33 | 0:22:35 | |
silver whistle for ?80. | 0:22:35 | 0:22:37 | |
A late 18th-century, early 19th-century corkscrew | 0:22:37 | 0:22:40 | |
was uncorked for ?20. | 0:22:40 | 0:22:42 | |
And lastly, this Meerschaum pipe | 0:22:45 | 0:22:47 | |
was also picked up for a smoking ?20. | 0:22:47 | 0:22:51 | |
I think these boys look ecstatic. | 0:22:54 | 0:22:56 | |
We are. After all, who wouldn't, if you'd had a whole hour with Kate Bliss to go shopping? | 0:22:56 | 0:23:01 | |
Was it a good experience? It was lovely. | 0:23:01 | 0:23:03 | |
Said with feeling, Charlie. | 0:23:03 | 0:23:04 | |
Which is your favourite piece? | 0:23:04 | 0:23:06 | |
Probably the whistle. | 0:23:06 | 0:23:08 | |
Do you agree with that? I agree. You do. | 0:23:08 | 0:23:11 | |
That's my favourite too. Best to agree with Charlie. | 0:23:11 | 0:23:13 | |
Which piece is going to bring the biggest profit? | 0:23:13 | 0:23:15 | |
Probably the whistle too. Probably the whistle. | 0:23:15 | 0:23:18 | |
That's probably why we like it! You just play one tune, you boys! | 0:23:18 | 0:23:21 | |
Amazing. How much did you spend? | 0:23:21 | 0:23:22 | |
?120. | 0:23:22 | 0:23:24 | |
In total? Is that all? | 0:23:24 | 0:23:26 | |
OK, ?180 of left-over lolly, please. | 0:23:26 | 0:23:28 | |
Thank you very much. You've got it, Charlie. Good. | 0:23:28 | 0:23:31 | |
That's marvellous. Well, it's been quite an experience for you, Kate. | 0:23:31 | 0:23:35 | |
It certainly has, | 0:23:35 | 0:23:36 | |
and I've learned a lot from the boys, actually. Great, isn't it? | 0:23:36 | 0:23:39 | |
Bringing on the younger generation of bargain-hunters - I love it. | 0:23:39 | 0:23:42 | |
What are you going to go and find with all that cash? | 0:23:42 | 0:23:45 | |
Well, there were a number of things the boys spotted which we didn't buy, | 0:23:45 | 0:23:48 | |
so I might take another look. | 0:23:48 | 0:23:50 | |
Oh, it could be a re-run, you think? | 0:23:50 | 0:23:52 | |
Maybe. Maybe? | 0:23:52 | 0:23:53 | |
Oh, you're such a tease! | 0:23:53 | 0:23:55 | |
Anyway, good luck, chaps! | 0:23:55 | 0:23:56 | |
Meanwhile, we're heading off to Surrey. To Charterhouse, no less. | 0:23:56 | 0:24:00 | |
I could be going back to school. | 0:24:00 | 0:24:02 | |
Charterhouse is an independent boarding school | 0:24:06 | 0:24:08 | |
with a history that stretches back hundreds of years. | 0:24:08 | 0:24:11 | |
Today, the school sits here | 0:24:11 | 0:24:13 | |
on this 250-acre site at Godalming in Surrey. | 0:24:13 | 0:24:16 | |
School's out at the moment, | 0:24:18 | 0:24:20 | |
but ordinarily, this place is home to the top end of 700 boys | 0:24:20 | 0:24:25 | |
and 100 girls. | 0:24:25 | 0:24:26 | |
And like all schools, | 0:24:26 | 0:24:28 | |
its job is to nurture talent. | 0:24:28 | 0:24:31 | |
And Charterhouse has done exactly that, | 0:24:31 | 0:24:35 | |
nurturing some of Britain's finest. | 0:24:35 | 0:24:39 | |
During the 1920s, | 0:24:40 | 0:24:41 | |
while Charterhouse was at its original London site, | 0:24:41 | 0:24:44 | |
two young boys who were showing signs of promise | 0:24:44 | 0:24:48 | |
met at school and went on to become lifelong friends. | 0:24:48 | 0:24:51 | |
The first of our duo of school chums | 0:24:52 | 0:24:55 | |
is no less a personage than William Makepeace Thackeray, | 0:24:55 | 0:25:00 | |
who you can see here | 0:25:00 | 0:25:02 | |
in this plaster cast of a bust. | 0:25:02 | 0:25:05 | |
It's a cast of a bust commissioned by Thackeray's mother | 0:25:05 | 0:25:08 | |
when he was about 11 years old. | 0:25:08 | 0:25:11 | |
The artist is James Deville | 0:25:11 | 0:25:14 | |
and it shows Thackeray as he was in 1822. | 0:25:14 | 0:25:19 | |
The most outstanding characteristic, I think, | 0:25:19 | 0:25:21 | |
is his hooter, | 0:25:21 | 0:25:23 | |
which quite clearly has been broken, | 0:25:23 | 0:25:25 | |
thanks to a scrap here at school. | 0:25:25 | 0:25:28 | |
Thackeray was not a sporty boy. | 0:25:28 | 0:25:31 | |
And I think possibly as a result of that, | 0:25:31 | 0:25:34 | |
he may have been bullied. | 0:25:34 | 0:25:36 | |
But he became incredibly important as a writer. | 0:25:36 | 0:25:40 | |
Thackeray's master work for which he's best remembered | 0:25:40 | 0:25:44 | |
is of course Vanity Fair. | 0:25:44 | 0:25:46 | |
But he was also a substantial contributor | 0:25:46 | 0:25:49 | |
to the magazine Punch. | 0:25:49 | 0:25:52 | |
And that gives us a perfect and seamless link | 0:25:52 | 0:25:55 | |
to his school mate, John Leech, | 0:25:55 | 0:25:58 | |
who also contributed to the Punch magazine. | 0:25:58 | 0:26:02 | |
But when he was at school at Charterhouse, | 0:26:02 | 0:26:05 | |
one of the essential parts of his education | 0:26:05 | 0:26:08 | |
would have been Latin. | 0:26:08 | 0:26:09 | |
Charterhouse have the original Latin primer | 0:26:09 | 0:26:13 | |
which Leech used when he was at school here, | 0:26:13 | 0:26:16 | |
and typically in a primer like this, | 0:26:16 | 0:26:19 | |
you have a line of script in English and your task as a student | 0:26:19 | 0:26:22 | |
is to translate it into Latin. | 0:26:22 | 0:26:24 | |
This Leech did, | 0:26:24 | 0:26:26 | |
but he pimped up his Latin book. | 0:26:26 | 0:26:28 | |
He added little caricatures | 0:26:28 | 0:26:31 | |
and drawings on almost every page. | 0:26:31 | 0:26:34 | |
I supposed it relieved the boredom. | 0:26:34 | 0:26:37 | |
Anyway, on this page, we've got one that relates to line number 135, | 0:26:37 | 0:26:41 | |
and 135 says, "Pity a mind bearing things not deserved". | 0:26:41 | 0:26:46 | |
In other words, pity somebody who is suffering | 0:26:46 | 0:26:50 | |
as a result of something they didn't do. | 0:26:50 | 0:26:53 | |
So, he did a little pen and ink sketch | 0:26:53 | 0:26:55 | |
and he's probably no more than 12 or 13 at the time. | 0:26:55 | 0:27:00 | |
Here we've got a little boy bending over, | 0:27:00 | 0:27:03 | |
about to be thrashed with a birch | 0:27:03 | 0:27:05 | |
by a great big schoolmaster. | 0:27:05 | 0:27:07 | |
And while this is happening, he is saying, | 0:27:07 | 0:27:10 | |
" 'Pon my soul, I didn't do it!" | 0:27:10 | 0:27:12 | |
In other words, he is the innocent party. | 0:27:12 | 0:27:15 | |
And Leech is having a laugh. | 0:27:15 | 0:27:17 | |
But such talent so early in life. | 0:27:17 | 0:27:20 | |
And of course Leech, after he left school, | 0:27:20 | 0:27:24 | |
developed his artistic skills | 0:27:24 | 0:27:26 | |
and we've got an example here of one of his watercolours. | 0:27:26 | 0:27:29 | |
And it shows a beautiful woman | 0:27:29 | 0:27:32 | |
riding side-saddle. | 0:27:32 | 0:27:34 | |
The whole of the watercolour is frightfully sketchy | 0:27:34 | 0:27:37 | |
until you get to her face. | 0:27:37 | 0:27:39 | |
And this is where Leech has put the effort in. | 0:27:39 | 0:27:42 | |
Just look at the way he's delineated her eyes | 0:27:42 | 0:27:45 | |
and her lips and her nose | 0:27:45 | 0:27:47 | |
and those crinkles of bespoke hairdo. | 0:27:47 | 0:27:51 | |
Genius. | 0:27:51 | 0:27:53 | |
The big question today is of course for our teams over at the auction - | 0:27:53 | 0:27:56 | |
are they going to be similarly as clever? | 0:27:56 | 0:28:00 | |
Well, we've remained in the same county. | 0:28:07 | 0:28:09 | |
We've simply cantered from Detling to Canterbury | 0:28:09 | 0:28:13 | |
to be at the Canterbury Auction Galleries | 0:28:13 | 0:28:15 | |
with Michael Roberts. Michael, good morning. Hello, Tim. | 0:28:15 | 0:28:18 | |
Very nice to see you. | 0:28:18 | 0:28:19 | |
Now, what a colourful collection the Reds have got. Indeed. | 0:28:19 | 0:28:23 | |
So how do Russian works of art work out in your saleroom? | 0:28:23 | 0:28:26 | |
Brand-new ones like this? | 0:28:26 | 0:28:27 | |
Well, I think it may be a little bit troublesome, perhaps. | 0:28:27 | 0:28:30 | |
But they're good souvenirs. Someone's had to paint the things, | 0:28:30 | 0:28:34 | |
so the effort's gone into them. | 0:28:34 | 0:28:35 | |
?40 to ?60 is our estimate. You're being bullish! | 0:28:35 | 0:28:38 | |
Well, they're a bit of fun, aren't they? | 0:28:38 | 0:28:41 | |
They are. ?32 paid. | 0:28:41 | 0:28:42 | |
Maybe they'll make their money, maybe they won't. | 0:28:42 | 0:28:45 | |
Next up is my least favourite object out of the three, I have to say, | 0:28:45 | 0:28:48 | |
which is this bun cardboard sign. | 0:28:48 | 0:28:51 | |
Now, I understand how people love enamelled advertising signs, | 0:28:51 | 0:28:54 | |
because there's something about enamel. | 0:28:54 | 0:28:56 | |
But these things must have been produced | 0:28:56 | 0:28:58 | |
by the bun shop by the million. | 0:28:58 | 0:29:00 | |
Absolutely. So is it worth a ?5 note? | 0:29:00 | 0:29:03 | |
Barely. Our estimate is ?2 to ?5. | 0:29:03 | 0:29:06 | |
Which is the lowest estimate | 0:29:06 | 0:29:08 | |
you have ever put on any object in this saleroom in all your life. | 0:29:08 | 0:29:12 | |
Yes, indeed. Good. I got the message there. | 0:29:12 | 0:29:14 | |
Anyway, they paid ?4 and loved it. | 0:29:14 | 0:29:17 | |
It's a minor investment in relation to their last item, | 0:29:17 | 0:29:20 | |
which is the coffee service. | 0:29:20 | 0:29:22 | |
Stylish. It is. | 0:29:22 | 0:29:25 | |
The sort of Art Deco shape with these angular handles, | 0:29:25 | 0:29:27 | |
conical tapered bodies. | 0:29:27 | 0:29:29 | |
Traditionally, though, the biggest money | 0:29:29 | 0:29:31 | |
will be for the Bizarre designs | 0:29:31 | 0:29:33 | |
with the multi colours and the abstract shapes. | 0:29:33 | 0:29:36 | |
Because we have just got green and brown bands on here, | 0:29:36 | 0:29:39 | |
there may be a bit of a struggle, | 0:29:39 | 0:29:41 | |
but perhaps ?150 to ?200, that sort of money. Really? | 0:29:41 | 0:29:43 | |
I have to say - is that all? Because they paid 263. | 0:29:43 | 0:29:46 | |
Oh, dear! | 0:29:46 | 0:29:47 | |
I suppose everything's complete - | 0:29:47 | 0:29:49 | |
you've got the six, you've got the pot. And it has got the look. | 0:29:49 | 0:29:52 | |
Yes, indeed. | 0:29:52 | 0:29:54 | |
But is it ?263 worth of look? | 0:29:54 | 0:29:56 | |
That is the big question. | 0:29:56 | 0:29:58 | |
I fancy not, in which case, they're going to need the Bonus Buy, | 0:29:58 | 0:30:00 | |
so let's go and have a look at it. | 0:30:00 | 0:30:02 | |
Now, Amy, Suze, you cheeky ones! | 0:30:02 | 0:30:05 | |
You gave poor old JP ?1 for the Bonus Buy. | 0:30:05 | 0:30:08 | |
Jonathan, what did you find? | 0:30:08 | 0:30:10 | |
Something very suitable for the ladies, I thought. | 0:30:10 | 0:30:13 | |
It's a little powder compact. | 0:30:13 | 0:30:15 | |
It is not silver - it's nickel-plated. | 0:30:15 | 0:30:18 | |
There's a hint of styling which gives a '30s flavour to it, | 0:30:18 | 0:30:21 | |
but it's sort of mid-century, I suppose. | 0:30:21 | 0:30:24 | |
This little crest here on the top | 0:30:24 | 0:30:26 | |
belies the maker, and the maker is Dubarry. | 0:30:26 | 0:30:28 | |
If you've got a pair of leather wellies, your very posh wellies, | 0:30:28 | 0:30:32 | |
that's the same company. Ah! | 0:30:32 | 0:30:34 | |
It's called a vani-jack | 0:30:34 | 0:30:36 | |
and I guess you'd probably have your rouge or something on there | 0:30:36 | 0:30:39 | |
and you can powder your nose. | 0:30:39 | 0:30:40 | |
And there we are. It cost me ?1. | 0:30:40 | 0:30:43 | |
So what do you think it will sell for? | 0:30:43 | 0:30:45 | |
I reckon a tenner, maybe. Really? | 0:30:45 | 0:30:49 | |
You sound surprised! | 0:30:49 | 0:30:50 | |
LAUGHTER | 0:30:50 | 0:30:56 | |
Oh, it's heavy. You can't complain about that. | 0:30:56 | 0:30:58 | |
OK, fine. So your prediction is potentially ?9 of profit in that, | 0:30:58 | 0:31:03 | |
should you decide to take it after the sale of your first three items. | 0:31:03 | 0:31:11 | |
Right, then, Michael, draw yourself up to your full height. | 0:31:11 | 0:31:15 | |
Jonathan Pratt had ?1 to spend and that's what he bought. | 0:31:15 | 0:31:19 | |
Well, for ?1, it's not bad, really. | 0:31:19 | 0:31:21 | |
1935. Stylish, with its engine-turned ornaments. | 0:31:21 | 0:31:25 | |
A cheap one like that for ?1 - what might you get for it? | 0:31:25 | 0:31:28 | |
?20-ish, maybe. Might you? | 0:31:28 | 0:31:30 | |
Maybe. | 0:31:30 | 0:31:31 | |
Well, that's delightfully optimistic and rather exciting for us. | 0:31:33 | 0:31:36 | |
Thank you very much. | 0:31:36 | 0:31:37 | |
That's it for the Reds. Now for the Blues. | 0:31:37 | 0:31:40 | |
Completely different look. | 0:31:40 | 0:31:42 | |
Much more traditional, and kicking in with the little whistle. | 0:31:42 | 0:31:45 | |
Absolutely. | 0:31:45 | 0:31:47 | |
Now, perhaps I was a bit conservative | 0:31:47 | 0:31:49 | |
when I initially valued this, but it is by a good maker, Sampson Mordan, | 0:31:49 | 0:31:53 | |
well known for, particularly, pencils. | 0:31:53 | 0:31:55 | |
And you know, I've estimated it at ?10 to ?15. | 0:31:55 | 0:31:58 | |
Perhaps it was a little conservative. | 0:31:58 | 0:32:01 | |
But I would see it no more than 20. | 0:32:01 | 0:32:04 | |
Really? Bullish is 20, conservative is 10 to 20. | 0:32:04 | 0:32:07 | |
Our lot paid ?80 for that. | 0:32:07 | 0:32:09 | |
?80 is a lot of money for a plain thing. It is a lot of money. | 0:32:09 | 0:32:12 | |
Anyway, we shall see. | 0:32:12 | 0:32:14 | |
Now, you've got wine in this sale, I noticed. We do. | 0:32:14 | 0:32:17 | |
And every decent wine collector, drinker, likes an old corkscrew. | 0:32:17 | 0:32:23 | |
Absolutely. It's a fairly plain example. It's 19th-century. | 0:32:23 | 0:32:26 | |
The handle has got a bit of a crack to it, sadly. | 0:32:26 | 0:32:28 | |
I suppose around about ?20, ?30-ish, that sort of money. | 0:32:28 | 0:32:32 | |
Fair enough. ?20 they paid. | 0:32:32 | 0:32:34 | |
Anyway, moving on. | 0:32:34 | 0:32:36 | |
Having had your glass of wine, you'd want a smoke. Indeed. | 0:32:36 | 0:32:39 | |
What nicer object than a Meerschaum pipe? | 0:32:39 | 0:32:42 | |
How do you rate that? Not very highly. | 0:32:42 | 0:32:44 | |
Oh! It looks fine from the outside, | 0:32:44 | 0:32:48 | |
but it is a reproduction one, sadly. | 0:32:48 | 0:32:50 | |
This is purely plastic. | 0:32:50 | 0:32:52 | |
Looks like it ought to be 19th-century | 0:32:52 | 0:32:54 | |
and I think actually it's fairly modern. | 0:32:54 | 0:32:56 | |
Anyway, ?20 our team paid. | 0:32:56 | 0:32:57 | |
I guess if it was proper Meerschaum, old, | 0:32:57 | 0:33:01 | |
and white and creamy like that, it might be ?60 or ?80. | 0:33:01 | 0:33:03 | |
Absolutely. In a good quality case. What's your estimate? | 0:33:03 | 0:33:07 | |
?10 to ?15. OK. | 0:33:07 | 0:33:09 | |
I don't blame you. The whole thing will hinge | 0:33:09 | 0:33:10 | |
on the whistle. If the whistle does badly, | 0:33:10 | 0:33:13 | |
they're going to need to whistle up their Bonus Buy. | 0:33:13 | 0:33:16 | |
Let's go and have a look at it. | 0:33:16 | 0:33:20 | |
you spent ?120. You gave ?180 to your girl. What did you buy? | 0:33:20 | 0:33:25 | |
Well, much though I tried to spend that ?180 very hard, | 0:33:25 | 0:33:28 | |
and I looked at lots of things which we'd looked at and you decided not to buy, | 0:33:28 | 0:33:33 | |
I thought, "What do boys like?" | 0:33:33 | 0:33:37 | |
So I came up with a boys' toy. | 0:33:37 | 0:33:40 | |
A Dinky boys' toy. | 0:33:40 | 0:33:43 | |
Not only the box, | 0:33:43 | 0:33:45 | |
but...a lovely fire engine. | 0:33:45 | 0:33:48 | |
All as it should be. | 0:33:48 | 0:33:50 | |
I'll pass it over to you, Martin. | 0:33:50 | 0:33:52 | |
The great thing about it | 0:33:52 | 0:33:54 | |
is the condition of it, | 0:33:54 | 0:33:55 | |
which is hugely important with Dinky toys, | 0:33:55 | 0:33:57 | |
and the fact that it's got its box. | 0:33:57 | 0:33:59 | |
How much did you pay for it? | 0:33:59 | 0:34:01 | |
I paid... | 0:34:01 | 0:34:02 | |
35. | 0:34:02 | 0:34:04 | |
Not bad! | 0:34:04 | 0:34:06 | |
How much do they usually go for in auction? | 0:34:06 | 0:34:08 | |
Well, I would say anything from ?25 to ?50. | 0:34:08 | 0:34:12 | |
So I think it's got a chance of making a little profit. | 0:34:12 | 0:34:14 | |
Do you like it? Yes, it's quite cool. I quite like it. | 0:34:14 | 0:34:17 | |
Anyway, there's your prediction. | 0:34:17 | 0:34:19 | |
Let's find out from the auctioneer | 0:34:19 | 0:34:20 | |
what he thinks about Kate's toy. | 0:34:20 | 0:34:23 | |
Right then, Mike, here's something for you to play with. Thank you. | 0:34:24 | 0:34:27 | |
Bit before your time, that one. It is, actually. | 0:34:27 | 0:34:30 | |
Just a bit. | 0:34:30 | 0:34:31 | |
There's a good market for these Dinky toys. | 0:34:31 | 0:34:33 | |
Not the best condition - bit of chipping to the paintwork. | 0:34:33 | 0:34:36 | |
But it isn't too bad either. | 0:34:36 | 0:34:38 | |
But overall, it's a fair example. | 0:34:38 | 0:34:41 | |
I think it's going to be about ?40 to ?60. | 0:34:41 | 0:34:43 | |
The brilliant Kate Bliss only paid ?35. | 0:34:43 | 0:34:45 | |
Perfect. If the team decide to go with it, | 0:34:45 | 0:34:47 | |
it could get them out of a bit of a hole. It could well do. | 0:34:47 | 0:34:49 | |
Are you taking the sale today? I am indeed. We're in safe hands! | 0:34:49 | 0:34:53 | |
Now, Amy, Susan, how are you feeling? | 0:35:03 | 0:35:06 | |
Bit nervous. Are you a bit nervous? | 0:35:06 | 0:35:07 | |
Yeah. We're looking forward to it. | 0:35:07 | 0:35:09 | |
Looking forward to it, but there's a little bit of anticipation? Yes. | 0:35:09 | 0:35:13 | |
Bit of butterflies. Yes. | 0:35:13 | 0:35:14 | |
First lot up are the Russian dolls, and let's go for it! | 0:35:14 | 0:35:18 | |
Set of seven modern Russian painted graduated dolls | 0:35:18 | 0:35:21 | |
with all the Russian presidents there. | 0:35:21 | 0:35:23 | |
Who's going to start me at ?30? | 0:35:23 | 0:35:26 | |
20 to start, then? | 0:35:26 | 0:35:27 | |
?20, the Russian dolls? | 0:35:27 | 0:35:29 | |
Right at the back of the room, ?20. | 0:35:29 | 0:35:31 | |
Aww! ?20 I'm bid. Thank you. | 0:35:31 | 0:35:34 | |
25? 25 I'm bid. 30 at the back. Thank you. | 0:35:34 | 0:35:36 | |
35. | 0:35:36 | 0:35:38 | |
40 right at the back. | 0:35:38 | 0:35:39 | |
Any further bids at 45? | 0:35:39 | 0:35:41 | |
Well done! | 0:35:41 | 0:35:42 | |
Any more bids? Come on! | 0:35:42 | 0:35:43 | |
Back in, 45? Yes. Thank you. | 0:35:43 | 0:35:45 | |
50 at the back? You sure? | 0:35:45 | 0:35:47 | |
At ?45, standing in the blue, madam, with you at ?45. | 0:35:47 | 0:35:50 | |
Thank you very much at ?45. | 0:35:50 | 0:35:52 | |
?45 is plus ?13. | 0:35:52 | 0:35:54 | |
We're right chuffed with that! | 0:35:54 | 0:35:56 | |
Good. Moving on, here comes the hot cross. | 0:35:56 | 0:35:59 | |
Cardboard advertising sign for the hot cross buns. | 0:35:59 | 0:36:02 | |
And who's going to start me at a humble couple of pounds? | 0:36:02 | 0:36:05 | |
?2? | 0:36:05 | 0:36:06 | |
?2 I'm bid. | 0:36:06 | 0:36:08 | |
Who's ?3? Come on, one more pound! | 0:36:08 | 0:36:10 | |
On the internet at ?3. | 0:36:10 | 0:36:12 | |
Come to you in a moment at the back of the room. 4. | 0:36:12 | 0:36:15 | |
?5. | 0:36:15 | 0:36:17 | |
Right at the back of the room, ?5. Thank you. | 0:36:19 | 0:36:21 | |
6? Good auctioneer! | 0:36:21 | 0:36:23 | |
?5 right at the back. Back in at 6. | 0:36:23 | 0:36:25 | |
7, back of the room. | 0:36:25 | 0:36:27 | |
Very generous ?7. Selling it at 7 whole pounds! | 0:36:27 | 0:36:29 | |
Is that ?8? ?7. ?7. | 0:36:29 | 0:36:31 | |
Well, that's marvellous. You've made ?3 on that. | 0:36:31 | 0:36:34 | |
Now, you're going to need every squid | 0:36:34 | 0:36:36 | |
you've got in the bank, you girls. Here it comes. | 0:36:36 | 0:36:39 | |
It's the Clarice Cliff Bonjour coffee service. | 0:36:39 | 0:36:41 | |
Who's going to start me at ?100? | 0:36:41 | 0:36:44 | |
?100. Better thing here. | 0:36:44 | 0:36:46 | |
?100 straight away on the internet. | 0:36:46 | 0:36:48 | |
110, thank you. | 0:36:48 | 0:36:50 | |
120, internet, please? | 0:36:50 | 0:36:51 | |
120 on the internet. | 0:36:51 | 0:36:53 | |
130. Thank you. | 0:36:53 | 0:36:55 | |
140, internet. | 0:36:55 | 0:36:56 | |
150. 160, internet. | 0:36:56 | 0:36:58 | |
170. 180, internet. | 0:36:58 | 0:37:01 | |
Come on! | 0:37:01 | 0:37:02 | |
190. Thank you. ?200 online, please? | 0:37:02 | 0:37:05 | |
Against the bidder in the room. 210. | 0:37:05 | 0:37:08 | |
220, internet. | 0:37:08 | 0:37:09 | |
Look at him saying his prayers! | 0:37:09 | 0:37:12 | |
This is JP at prayer! | 0:37:12 | 0:37:14 | |
250. | 0:37:14 | 0:37:16 | |
Thank you. 260, internet. | 0:37:16 | 0:37:17 | |
Any further bid at 270? | 0:37:17 | 0:37:20 | |
Any more? Come on! | 0:37:20 | 0:37:21 | |
One more bid. No? | 0:37:21 | 0:37:23 | |
At 260 on the internet and selling at 260. | 0:37:23 | 0:37:26 | |
No! No! | 0:37:26 | 0:37:28 | |
Oh, 260! | 0:37:28 | 0:37:29 | |
You're minus ?3! | 0:37:29 | 0:37:31 | |
Oh, no! | 0:37:31 | 0:37:32 | |
Well done, though. | 0:37:32 | 0:37:34 | |
Isn't that brilliant? | 0:37:34 | 0:37:36 | |
Have you seen such a result? | 0:37:36 | 0:37:38 | |
You have got there, girls. | 0:37:38 | 0:37:40 | |
You had ?16. You've now got plus ?13. | 0:37:40 | 0:37:43 | |
Nobody would have predicted that. | 0:37:43 | 0:37:44 | |
That is a fantastic result. Brilliant auctioneering. | 0:37:44 | 0:37:47 | |
Lovely stuff, eh? Oh, my God, my heart! | 0:37:47 | 0:37:49 | |
You have ?13. | 0:37:49 | 0:37:50 | |
Now, are you going to risk it for ?1? Of course you are! Yes! | 0:37:50 | 0:37:53 | |
You're in profit, you've got money in the bank | 0:37:53 | 0:37:56 | |
and you're going to play with the pound. Here it comes. | 0:37:56 | 0:37:58 | |
Art Deco look, any lady's must-have. | 0:37:58 | 0:38:00 | |
Who'll start me then at ?10? | 0:38:00 | 0:38:03 | |
Lot number 56. A tenner? | 0:38:03 | 0:38:05 | |
Right at the back, thank you. ?10. | 0:38:05 | 0:38:07 | |
It's already made a tenner! | 0:38:07 | 0:38:08 | |
?12? | 0:38:08 | 0:38:10 | |
He's just made you a tenner! | 0:38:10 | 0:38:12 | |
Any more? I will sell it at ?10. | 0:38:12 | 0:38:14 | |
?12? Any more bids? At ?10, then, and selling. | 0:38:14 | 0:38:17 | |
?10. That is plus ?9. | 0:38:17 | 0:38:19 | |
Frankly, it couldn't do better. | 0:38:19 | 0:38:21 | |
I mean, the man is a genius. | 0:38:21 | 0:38:23 | |
I told you so. | 0:38:23 | 0:38:24 | |
That's plus ?9. 9 and 3 is 12...you're plus ?22. | 0:38:24 | 0:38:28 | |
Look at that. | 0:38:28 | 0:38:30 | |
That's ?11 each if you don't split it with Jonathan. | 0:38:30 | 0:38:33 | |
I advise that you hang on to the dosh, and well done! | 0:38:33 | 0:38:36 | |
Now, Charles, Martino... | 0:38:44 | 0:38:46 | |
Do you know how the Reds got on? | 0:38:46 | 0:38:49 | |
No. You have no idea? | 0:38:49 | 0:38:51 | |
We don't want you to know either. | 0:38:51 | 0:38:53 | |
Your big number is the little whistle, isn't it? | 0:38:53 | 0:38:55 | |
Yes. Sampson Mordan - good maker, | 0:38:55 | 0:38:57 | |
very plain, etc, etc. | 0:38:57 | 0:38:59 | |
He's put ?10 to ?15 on it, and he knows he's being cheap at that. | 0:38:59 | 0:39:03 | |
I know he's cheap at that. | 0:39:03 | 0:39:05 | |
The world will know he's cheap at that. | 0:39:05 | 0:39:07 | |
But the whistle is the first item up, and here it comes. | 0:39:07 | 0:39:10 | |
The George V silver whistle | 0:39:10 | 0:39:13 | |
of plain, flattened form by Sampson Mordan. | 0:39:13 | 0:39:16 | |
Who's going to start me at ?5 on the whistle? | 0:39:16 | 0:39:18 | |
Cheap silver whistle. ?5?! | 0:39:18 | 0:39:20 | |
Where's 10? Several places. I'll take 10 first I saw there. | 0:39:20 | 0:39:24 | |
15 in the blue T-shirt. | 0:39:24 | 0:39:26 | |
20. | 0:39:26 | 0:39:27 | |
25. | 0:39:27 | 0:39:28 | |
Go on! | 0:39:28 | 0:39:31 | |
No? 25? | 0:39:32 | 0:39:34 | |
Yes? Sorry? | 0:39:34 | 0:39:36 | |
Yeah, 25. | 0:39:36 | 0:39:37 | |
30? Fighting over it. | 0:39:37 | 0:39:39 | |
So cheap! 40. | 0:39:39 | 0:39:41 | |
45. | 0:39:41 | 0:39:42 | |
45 back in. 50? | 0:39:42 | 0:39:44 | |
Any more bids? Aww! | 0:39:44 | 0:39:45 | |
A quality thing. I will sell. | 0:39:45 | 0:39:47 | |
?45! | 0:39:49 | 0:39:52 | |
Well, that's what they call a bummer. | 0:39:52 | 0:39:54 | |
Anyway, minus ?35. | 0:39:54 | 0:39:56 | |
Ouch! Now, are we going to win it back on this? Yeah. | 0:39:56 | 0:39:59 | |
Come on, be positive! | 0:39:59 | 0:40:01 | |
Who's ?10 on the corkscrew? | 0:40:01 | 0:40:03 | |
?10 for the corkscrew? | 0:40:03 | 0:40:05 | |
Thank you very much. ?10. | 0:40:05 | 0:40:07 | |
?15 for the corkscrew, anyone? | 0:40:07 | 0:40:09 | |
Right at the back, 15. | 0:40:09 | 0:40:10 | |
20? 15 right at the back. | 0:40:10 | 0:40:12 | |
Come on! | 0:40:12 | 0:40:14 | |
Any further bid? | 0:40:14 | 0:40:15 | |
15 and selling. | 0:40:15 | 0:40:17 | |
Oh, that is so disappointing, chaps! | 0:40:17 | 0:40:19 | |
Minus ?5. Now, the Meerschaum. | 0:40:19 | 0:40:21 | |
The reproduction pipe there. Still an attractive thing. | 0:40:21 | 0:40:24 | |
Who's ?10 on the pipe? | 0:40:24 | 0:40:26 | |
?10? | 0:40:26 | 0:40:27 | |
Several places. | 0:40:27 | 0:40:29 | |
?10 there. ?15? | 0:40:29 | 0:40:30 | |
Thank you. 20 standing? | 0:40:30 | 0:40:32 | |
No? 15 with you. | 0:40:32 | 0:40:34 | |
Who's ?20 on the pipe here? | 0:40:34 | 0:40:36 | |
?20? Come on! | 0:40:36 | 0:40:38 | |
?20? | 0:40:38 | 0:40:39 | |
I will sell at ?15. | 0:40:39 | 0:40:41 | |
I can't bear it! ?15. | 0:40:41 | 0:40:44 | |
This is not...this is going down the gutter, this. | 0:40:44 | 0:40:46 | |
15, OK. 35... | 0:40:46 | 0:40:48 | |
That's minus ?40...45... | 0:40:48 | 0:40:50 | |
minus ?45. | 0:40:50 | 0:40:53 | |
OK, so what are we going to do about the Dinky? | 0:40:53 | 0:40:55 | |
Do you fancy a play? | 0:40:55 | 0:40:57 | |
Why not? | 0:40:57 | 0:40:59 | |
Nothing to lose. | 0:40:59 | 0:41:00 | |
We're going with the Dinky, and here it comes. | 0:41:00 | 0:41:02 | |
Die-cast model of the fire tender. | 0:41:02 | 0:41:05 | |
Lot 78. 30? | 0:41:05 | 0:41:07 | |
?30? OK, who'll start me at 20? The Dinky toy here. | 0:41:07 | 0:41:11 | |
Come on! | 0:41:11 | 0:41:13 | |
10, then? Must be cheap at a tenner. | 0:41:13 | 0:41:14 | |
Who's ten quid? | 0:41:14 | 0:41:16 | |
TIM SOBS | 0:41:16 | 0:41:18 | |
?10 I'm bid. Thank you. | 0:41:18 | 0:41:19 | |
Someone with some sense. 15. | 0:41:19 | 0:41:21 | |
20. Thank you. | 0:41:21 | 0:41:23 | |
25. | 0:41:23 | 0:41:24 | |
It's worth 25. 30? | 0:41:24 | 0:41:26 | |
You sure? | 0:41:26 | 0:41:27 | |
Still cheap, but I will sell it at ?25. | 0:41:27 | 0:41:30 | |
Are we all done? At ?25 and selling. | 0:41:30 | 0:41:32 | |
Minus ?55. | 0:41:32 | 0:41:35 | |
I think we're all going to burst into tears! I think we are! | 0:41:35 | 0:41:38 | |
You could do with a drink. | 0:41:38 | 0:41:39 | |
A cup of tea is probably what's on offer. | 0:41:39 | 0:41:41 | |
That's the strongest. | 0:41:41 | 0:41:42 | |
Don't say a word to the Reds. We won't, promise. | 0:41:42 | 0:41:45 | |
Well, well, well, what an extraordinary day! | 0:41:52 | 0:41:54 | |
There has been a needle match between these two teams today | 0:41:54 | 0:41:57 | |
and it is my...sadness | 0:41:57 | 0:42:01 | |
to reveal there is a chasm between them, | 0:42:01 | 0:42:04 | |
and the runners-up today by a long chalk are the Blues. | 0:42:04 | 0:42:07 | |
In fact, minus ?55 is where the Blues are. | 0:42:07 | 0:42:11 | |
And I don't think, as all the scores are minus throughout the whole process, we'll dwell, do you? No. | 0:42:11 | 0:42:17 | |
No! No! But have you had a nice time? Absolutely. Brilliant. | 0:42:17 | 0:42:21 | |
Well done, Charlie. Good for you. | 0:42:21 | 0:42:23 | |
It's been lovely. | 0:42:23 | 0:42:24 | |
Good. We've loved having you on the programme and you've been real sports. | 0:42:24 | 0:42:28 | |
But today I'm going to be giving out profits - ?22 worth of profits. | 0:42:28 | 0:42:32 | |
There we go. ?22 worth. | 0:42:32 | 0:42:34 | |
Look at that. Now, what are you girls going to do with your ?22? | 0:42:34 | 0:42:37 | |
We're going to give it to the charity that we're both involved in, that I work for. | 0:42:37 | 0:42:42 | |
Very good. A worthwhile cause and a generous donation. | 0:42:42 | 0:42:42 | |
Thank you very much for that. | 0:42:42 | 0:42:51 | |
and that horrid hot cross bun jobby for ?3! | 0:42:51 | 0:42:55 | |
And a profit on the ?1 purchase at the end of ?9. | 0:42:55 | 0:43:00 | |
That's the way to do it, JP! | 0:43:00 | 0:43:02 | |
Anyway, splendid result - plus ?22. Congratulations. | 0:43:02 | 0:43:05 | |
In fact, join us soon for some more bargain-hunting, yes? | 0:43:05 | 0:43:08 | |
ALL: YES! | 0:43:08 | 0:43:10 | |
Subtitles by Red Bee Media Ltd | 0:43:22 | 0:43:24 |