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Today we're in the county town of Lewes in East Sussex. | 0:00:06 | 0:00:12 | |
You know what we're here for. Let's go bargain hunting. Yeah. | 0:00:12 | 0:00:17 | |
You know the rules. Each team gets ?300 and an hour to shop for three items which they sell at auction | 0:00:43 | 0:00:49 | |
and hopefully make a profit. | 0:00:49 | 0:00:52 | |
And here's a quick gander of what's coming up. | 0:00:52 | 0:00:57 | |
The Reds know what's best. | 0:00:58 | 0:01:00 | |
Bare breasts sell very well. They do. Yes, they do. | 0:01:00 | 0:01:04 | |
And the Blues test their expert's patience. | 0:01:05 | 0:01:10 | |
I'm going to sit in a darkened corner and I'll be with you. | 0:01:10 | 0:01:13 | |
Sit on the milk churn and cool down. We'll leave you there. Yeah. Yeah. | 0:01:13 | 0:01:19 | |
Ahh! So let's meet today's teams. | 0:01:20 | 0:01:23 | |
Well, it's family ladies day today on Bargain Hunt. | 0:01:24 | 0:01:29 | |
For the Reds we've got sisters Chris and Helen. | 0:01:29 | 0:01:33 | |
And for the Blues, cousins Helen and Di. Hello, everyone. Lovely to see you. | 0:01:33 | 0:01:39 | |
Now, Chris, you have just achieved your lifetime ambition at the age of 68 - I can't believe this. | 0:01:39 | 0:01:45 | |
Don't! It's 65! | 0:01:45 | 0:01:48 | |
Well, that's the first non-deliberate mistake! | 0:01:49 | 0:01:53 | |
So tell us what is this ambition. When I was young, I trained for the stage and never got on with it. | 0:01:53 | 0:02:00 | |
So at the age of 65 I have gone back and got myself an agent. | 0:02:00 | 0:02:05 | |
Have you really? Yeah. What roles have you picked up? I did a film we made in Romania | 0:02:05 | 0:02:11 | |
for American television. What were you playing? An Irish woman. With an accent you can do in America! | 0:02:11 | 0:02:19 | |
So give us an e.g. of the accent, then. | 0:02:19 | 0:02:22 | |
IRISH ACCENT: Well, here you come with your Boston ways and your high-flying notions. | 0:02:22 | 0:02:28 | |
Gosh, all this talent that's been hidden these 65 years. Marvellous. What other roles have you played? | 0:02:28 | 0:02:35 | |
A couple of old prostitutes. Really?! | 0:02:35 | 0:02:38 | |
I take it you're not well qualified for that role. I am a sex therapist. | 0:02:38 | 0:02:42 | |
You're not?! I am. | 0:02:42 | 0:02:45 | |
The day I heard I'd got accepted on the training course... For the sex? Yes. I rang my sister and said, | 0:02:45 | 0:02:51 | |
"I'm going to train as a sex therapist." And she said, "So am I!" And she was on the same course. | 0:02:51 | 0:02:57 | |
And you had no idea before you went on this course? No. | 0:02:57 | 0:03:01 | |
Helen, you've got a knowledge of antiques. Yes, I have. | 0:03:01 | 0:03:05 | |
And I love Art Deco stuff. So I go to auctions and buy little bits to decorate my flat. | 0:03:05 | 0:03:11 | |
Usually things with little chips so I can afford them. Will you buy Art Deco today? Hopefully. | 0:03:11 | 0:03:17 | |
If we find something, yes. Well, good luck with that. Delighted to meet you. Now, girls, | 0:03:17 | 0:03:24 | |
you have both served with the Women's Royal Naval Service. You're both Wrens. Jenny Wrens. | 0:03:24 | 0:03:31 | |
How come you started that, Helen? I was coming up to leaving school and didn't know what I wanted to do. | 0:03:31 | 0:03:38 | |
A friend of mine had had an interview and been accepted. | 0:03:38 | 0:03:41 | |
She said, "I bet I get in before you." ?10. Back in the '70s. When ?10 was ?10. | 0:03:41 | 0:03:48 | |
So I said, "You're on." And I beat her by a week! | 0:03:48 | 0:03:52 | |
That's marvellous, isn't it? So are you the leader of the pack? | 0:03:52 | 0:03:57 | |
No chance! Are you not? Oh, really? | 0:03:57 | 0:04:01 | |
Equal, equal. So, Di, did you enjoy your time as a Wren? Yes, I did. | 0:04:01 | 0:04:06 | |
I didn't stay in very long. Did you marry a sailor? Yes, I did. Is it inevitable? | 0:04:06 | 0:04:13 | |
My father was in the navy. I see. It really was in your blood. And now my son is. Gosh! | 0:04:13 | 0:04:19 | |
It's quite a family affair, really. So what's your tactic going to be? | 0:04:19 | 0:04:24 | |
Spend! Spend, spend, spend. Spend everything? I'd like to! Fabulous. | 0:04:24 | 0:04:29 | |
Now the money moment. ?300 apiece, you girls. You know the rules. | 0:04:29 | 0:04:34 | |
Your experts await. Off you go! And very, very good luck! | 0:04:34 | 0:04:39 | |
Preparing for a punch up is Thomas Plant, who'll be providing the expertise for the Reds today. | 0:04:43 | 0:04:50 | |
While Philip Serrell will be helping out the Blues. | 0:04:50 | 0:04:54 | |
He seems prematurely eager to toast their success. | 0:04:54 | 0:04:58 | |
Sisters today. Lovely to meet you. Thank you. What are your tactics? | 0:05:04 | 0:05:09 | |
Spend all the money. Spend all the money? | 0:05:09 | 0:05:11 | |
Are you two going to be trouble? How much trouble do you want? Oh, no! I always get the dodgy ones. | 0:05:11 | 0:05:18 | |
Who's the bossy one? Me. Really? I can do it, too. | 0:05:18 | 0:05:23 | |
Sibling rivalry. Sibling rivalry! | 0:05:23 | 0:05:26 | |
We want to spend. Spend, spend, spend. Just to leave you a little. | 0:05:26 | 0:05:31 | |
Be prepared to work miracles. | 0:05:31 | 0:05:33 | |
I won't ask who's the eldest. | 0:05:33 | 0:05:35 | |
How tactful! Twins! Come on, girls. Let's go. | 0:05:35 | 0:05:40 | |
Right, girls. In we go. Let's go and see what we can find. | 0:05:44 | 0:05:49 | |
Girls, I think we'll have an hour of pure fun. Yeah. Let's go. | 0:05:50 | 0:05:54 | |
Thomas, there's a really nice couple of vases. OK. What do you think they are? | 0:06:03 | 0:06:08 | |
I'd say they're a happy amateur. They're pretty, | 0:06:08 | 0:06:13 | |
but if they were professionally done the decoration would have stayed. | 0:06:13 | 0:06:18 | |
At auction, it's not that commercial. Sorry. | 0:06:18 | 0:06:22 | |
Those are nice quality. What's this? You've stumped me there. | 0:06:22 | 0:06:27 | |
I think it's a worm's playground. It is. What a lovely thing. | 0:06:27 | 0:06:32 | |
It is nice, isn't it? There's another one there. Oh! | 0:06:32 | 0:06:36 | |
That looks more like a kind of African head. I know. It's something for food preparation, | 0:06:36 | 0:06:42 | |
grain bashing... Oh, right. Something like that. Certainly for doing something with. | 0:06:42 | 0:06:48 | |
You're doing well. I quite like you picking up everything. I like these clogs as well. Beautiful. | 0:06:48 | 0:06:56 | |
The clogs are quite sweet. I don't think they're the oldest. I don't think they have any age. | 0:06:56 | 0:07:02 | |
Look at that. There's no age in those. No. | 0:07:02 | 0:07:06 | |
Right. Right. Right. Move on, move on, move on. | 0:07:06 | 0:07:10 | |
I tell you what, girls, that's a funky thing. | 0:07:16 | 0:07:20 | |
Oh, my, my! Philip's going to have fun with this pair. I'm clearly talking to myself. | 0:07:20 | 0:07:26 | |
They've gone into the wide blue yonder. Sorry! It would suit you, that little granny chair. | 0:07:26 | 0:07:33 | |
I imagine it's for calling meetings to order or something. Cool thing. | 0:07:33 | 0:07:38 | |
I tell you what, girls. What I think we should do is have a look round the whole shop, | 0:07:38 | 0:07:44 | |
keep our powder dry. Let's go on that way. It reminds me of our school bell. | 0:07:44 | 0:07:50 | |
If we could get him down to 100, that's worth doing. I think so, too. He's lovely. I think he'd sell. | 0:07:55 | 0:08:02 | |
Right, girls. No, come here. What? | 0:08:02 | 0:08:05 | |
The bear. It's a Black Forest carved bear. They are sweet. | 0:08:05 | 0:08:10 | |
How much is he? 150. Oh, no! We thought we'd get him down to 100. | 0:08:10 | 0:08:14 | |
105? Cos he's useful and he's pretty. You don't like it! I do like it, I do! | 0:08:14 | 0:08:21 | |
Sewing is so popular. So what were you going to show us back there? | 0:08:21 | 0:08:25 | |
Well, I was going to show you here this lovely opalescent glass dish. It's lovely. Art Deco. | 0:08:25 | 0:08:31 | |
Yes. And you love Art Deco. I love Art Deco. | 0:08:31 | 0:08:35 | |
That's really attractive. Oh... | 0:08:35 | 0:08:38 | |
Oh! What a hideous green! Yeah. | 0:08:38 | 0:08:42 | |
I don't like the colour. Ghastly. I don't like that at all. It's horrible. What a shame. | 0:08:42 | 0:08:48 | |
What a shame. What a shame. | 0:08:48 | 0:08:51 | |
As ever, time is marching on. We're now 20 minutes into the shop and our teams need some decisions. | 0:08:51 | 0:08:57 | |
Mannequin, girls? I've always fancied a mannequin. | 0:09:01 | 0:09:04 | |
Really?! Well, so many people are buying vintage clothes now, aren't they? | 0:09:04 | 0:09:10 | |
Do you think it's worth anything? It's not attractive. | 0:09:10 | 0:09:14 | |
I've never met an overly attractive mannequin. They all seem a bit wooden to me, really. They are. | 0:09:14 | 0:09:22 | |
"For two weeks, everything on this stand is half-price." Yeah. And the ticket is 75 quid. | 0:09:22 | 0:09:27 | |
So half of 75 is... 37... ?37.50. So if we could perhaps get that for 25 or 30 quid, | 0:09:27 | 0:09:34 | |
that's got to be a steal, isn't it? I'd go for that if you think it would sell. I'm happy to go with that. | 0:09:34 | 0:09:41 | |
What are we going to call her? Oh, Mildred. Are you two safe to be left here? | 0:09:41 | 0:09:46 | |
I'll ask the dealer if we can get the dummy out. I'm not sure how he'll respond. | 0:09:46 | 0:09:52 | |
He'll tell you you've got two out! | 0:09:52 | 0:09:55 | |
Don't do yourselves down, girls. | 0:09:55 | 0:09:57 | |
Those things go for really good money. Yes, the half-dolls. She's quite a racy half-doll. She is. | 0:10:02 | 0:10:10 | |
And bare breasts sell very well. They do. Yes, they do. Oh-er! | 0:10:10 | 0:10:15 | |
This is a continental half-doll. You would do the rest of the doll, embroider it yourself. | 0:10:15 | 0:10:21 | |
Or put it on a tea cosy. But she's quite nice with the flowers in her hair. | 0:10:21 | 0:10:26 | |
How much is she? She's ?35. Oh, get her for 20? She's my definite buy. | 0:10:26 | 0:10:31 | |
I'd agree with that. You want her? Strangely enough, we agree. God, you could have...! | 0:10:31 | 0:10:37 | |
But knock it down a bit. Naturally. Shall we go and make a deal? Who'll do that? Christine's the dealer. | 0:10:37 | 0:10:44 | |
I don't mean dealer! | 0:10:45 | 0:10:47 | |
In you go. Go on. All right. Go on, girls. Work your magic. | 0:10:49 | 0:10:54 | |
Hello. We rather like this. What's your best price on it? | 0:10:54 | 0:11:00 | |
- 30 quid. - We're thinking more 15, 20. | 0:11:00 | 0:11:03 | |
You've been watching too much TV. | 0:11:03 | 0:11:06 | |
- 20. 20. - 25's the best. I'll do 25. | 0:11:06 | 0:11:10 | |
- 23. - No, 25 is cheap enough. | 0:11:10 | 0:11:13 | |
- 24 quid. - Done! - I have been! | 0:11:13 | 0:11:17 | |
That's terrific. Thank you. Stop congratulating yourselves. | 0:11:19 | 0:11:23 | |
What did you buy her for? 24 quid. Well done. First item in half an hour. That's all right. | 0:11:23 | 0:11:30 | |
She's going to go for 60 at least. | 0:11:30 | 0:11:32 | |
Brilliant! That's the first item bought by the Reds. | 0:11:32 | 0:11:37 | |
As the teams continue shopping, take a quick peek at what I've found. | 0:11:37 | 0:11:42 | |
Well, as they say, you learn something every day. | 0:11:42 | 0:11:46 | |
Here we've got something that looks like a tatty cardboard box. | 0:11:46 | 0:11:50 | |
Take the top off the cardboard box and it reveals... | 0:11:50 | 0:11:54 | |
..a perfect blob of glass. | 0:11:54 | 0:11:57 | |
It's a strange blob of glass, don't you think? | 0:11:57 | 0:12:01 | |
It's got this rounded top. And what would its purpose be? | 0:12:01 | 0:12:06 | |
Well, it could sit on my desk as a paperweight and do a job, but if you stick your pinkie underneath | 0:12:06 | 0:12:13 | |
you can see actually it's a super-duper magnifying glass. | 0:12:13 | 0:12:17 | |
But its true purpose is revealed if you use it to examine cloth. | 0:12:17 | 0:12:24 | |
If we take my scarf, spread it out as you would do, | 0:12:24 | 0:12:28 | |
actually this blob of glass is not only a magnifying glass, it's a scientific instrument. | 0:12:28 | 0:12:34 | |
Because to assess the quality and price, often, of cloth, | 0:12:34 | 0:12:40 | |
you need to count up the number of warp and weft strands there are in the make-up | 0:12:40 | 0:12:47 | |
of that piece of cloth. And that gives you a thread count. From that you can calculate price. | 0:12:47 | 0:12:54 | |
You hear about percale sheets. | 0:12:54 | 0:12:56 | |
A percale sheet is a sheet that's got a total thread count of more than 100, | 0:12:56 | 0:13:03 | |
indicating that it is super-luxurious and soft and lovely to sleep in. | 0:13:03 | 0:13:08 | |
Don't you think that's amazing? Well, I do. | 0:13:08 | 0:13:12 | |
What's a little blob of glass like this worth, beautifully finished? | 0:13:12 | 0:13:17 | |
Well, if you count your pennies and sharpen up your eyeball, | 0:13:17 | 0:13:21 | |
you might be able to buy this little fellow in the box for ?20. | 0:13:21 | 0:13:26 | |
That's not many pence per square inch. | 0:13:26 | 0:13:29 | |
After a great deal of effort, the mannequin is brought upstairs. | 0:13:37 | 0:13:42 | |
No, thanks, not for us. Come on. | 0:13:43 | 0:13:46 | |
No! We're having her! Mildred's coming home. | 0:13:46 | 0:13:50 | |
Brilliant. Let's have it. She's mad. Mad. Proper crackers. I think she's fine, actually. | 0:13:50 | 0:13:57 | |
She's destined to come home with us. I think so. | 0:13:57 | 0:14:00 | |
I quite like this cabinet. It's made out of oak. It's got these Gothic-y brass straps there. | 0:14:00 | 0:14:07 | |
Yeah. Really good quality thing. How old do you reckon this is? | 0:14:07 | 0:14:12 | |
I think it's probably between about 1890 and about 1915. | 0:14:12 | 0:14:16 | |
No great age, but there's some timber in there. | 0:14:16 | 0:14:20 | |
Nice to see something made of proper wood. Tree wood, this is. Or dogwood. | 0:14:20 | 0:14:26 | |
Do you know how you can tell it's dogwood? No. By the bark. | 0:14:26 | 0:14:30 | |
Boom, boom! Boom, boom! Why did we fall for that? | 0:14:30 | 0:14:34 | |
The old ones are the best. It's priced at ?80. I think it's going to make ?60-?90. | 0:14:34 | 0:14:41 | |
If you could buy the two for somewhere between 70 and 80 quid, that would be tidy. Steve? | 0:14:41 | 0:14:48 | |
She's ?37.50, isn't she? Yeah. And that's ?80. Can you do 30 and 70? | 0:14:48 | 0:14:53 | |
Go on, 100 quid. Wow! Yes. Do you like those two? Yes. Job's a good un. | 0:14:53 | 0:14:58 | |
Excellent. I think you've done really well. | 0:14:58 | 0:15:01 | |
Right, girls, let's wander on. See what else we can find. We need one more, Di. | 0:15:01 | 0:15:07 | |
Well done. That's two purchases in the bag for the Blues. | 0:15:07 | 0:15:12 | |
Mirror, mirror, on the wall, who's the fairest Red team of them all? | 0:15:15 | 0:15:21 | |
Oh, what's the mirror? The mirror is wonderful. It's what we call the Aesthetic Period. | 0:15:21 | 0:15:27 | |
The Aesthetic Period dates from the 1860s, influenced heavily by the art of Japan. | 0:15:27 | 0:15:33 | |
You see it with the black and gold. | 0:15:33 | 0:15:35 | |
45. It's not bad. It's not bad, is it? | 0:15:35 | 0:15:39 | |
But it's missing something here. But it's shabby chic. Someone will love the damage. | 0:15:39 | 0:15:45 | |
They will. You have got that, that shabbiness about it. Shall we find a price for it? Yes. | 0:15:45 | 0:15:50 | |
Forty. It couldn't be 35? I'll go and ring her. Do you mind? I need to get the code off it. | 0:15:50 | 0:15:57 | |
Ambrosia. | 0:16:02 | 0:16:04 | |
That is the creamed rice of all milk churns. It is. Shall we get it out? I wonder how much it is. | 0:16:04 | 0:16:11 | |
All right? | 0:16:11 | 0:16:13 | |
Gordon Bennett! | 0:16:13 | 0:16:15 | |
Let's plunk that down there. Can you get the lid off? You could use it for plants or something. | 0:16:16 | 0:16:22 | |
I can feel something going any minute now. That is wedged. Painted on. Let's have a look. | 0:16:22 | 0:16:29 | |
I was wondering if it was new, but that... Definitely not new. | 0:16:29 | 0:16:34 | |
That's old, isn't it? Pretty old. | 0:16:34 | 0:16:37 | |
OK, so what someone's done is get a five quid milk churn, | 0:16:37 | 0:16:42 | |
they've painted it pink... What do you think we could sell it for? | 0:16:42 | 0:16:48 | |
I think it would make anywhere between 20 and 50 quid, | 0:16:48 | 0:16:53 | |
but it falls into the category of something you can't put a price on. | 0:16:53 | 0:16:56 | |
I can't see anyone else rushing in to buy it. Let's see what else... | 0:16:56 | 0:17:01 | |
What about that doll's house? How much is it? How much? ?48. | 0:17:01 | 0:17:07 | |
Do you like it? I'm not against it. That's a no, then. "I'm not against it" is not a convincing argument. | 0:17:07 | 0:17:13 | |
Hold on. Weren't you in the navy? | 0:17:13 | 0:17:16 | |
Our rucksack! Kit bag! Kit bag, yay! | 0:17:16 | 0:17:19 | |
That's never 50 quid, is it?! Yeah. Oh, never. I've got one in my loft! | 0:17:19 | 0:17:24 | |
It's a French canvas leather military bag. Which do you prefer? That or the milk churn? Let's look. | 0:17:24 | 0:17:31 | |
Good idea. Leave that for a minute. I'll sit in a darkened corner and I'll be with you. Sit on this. | 0:17:31 | 0:17:37 | |
Bonkers. It'll cool you down. Absolutely bonkers. Sit on the milk churn and cool down. | 0:17:37 | 0:17:43 | |
We'll leave you there. Yeah. Yeah. | 0:17:43 | 0:17:46 | |
38. I knew it! What did I say? | 0:17:54 | 0:17:57 | |
Yes, you did. What do you want to do? Yeah. Thank you. We'll go for it. ?38, that's done. | 0:17:57 | 0:18:05 | |
Lovely. So, two items down. One more. Let's take a walk. Thank you, Tina, very much. | 0:18:05 | 0:18:11 | |
Great. That's the second purchase made for the Reds. | 0:18:11 | 0:18:15 | |
Now it's decision time for the Blues. | 0:18:15 | 0:18:18 | |
Come on, girls. We've got five minutes left. | 0:18:18 | 0:18:21 | |
Might be an idea to find out what this lady can do for the cheapest out of the three. | 0:18:21 | 0:18:27 | |
We've got a doll's house that we're looking at, | 0:18:27 | 0:18:32 | |
a milk churn and a French leather jobby whatsit thingy. OK. 45 on the military bag. | 0:18:32 | 0:18:38 | |
The churn's 48. And how much would the doll's house be? That's 48. | 0:18:38 | 0:18:45 | |
Which do you like the best? I like that one better. Could you find out the absolute finito on it? | 0:18:45 | 0:18:52 | |
I will. You're an angel. Thank you. | 0:18:52 | 0:18:55 | |
Come on, girls! Quickly! No time, no time. | 0:18:56 | 0:19:00 | |
Quickly! Meanwhile, the Reds race against time and head back to see if they can buy the bear cotton reel. | 0:19:00 | 0:19:06 | |
You like the bear. Yes. If we can get it for the right price. | 0:19:06 | 0:19:12 | |
What you've got is a Black Forest carved bear. There we are. | 0:19:12 | 0:19:16 | |
Probably carved in Switzerland. Interlaken. That's where they're normally from. | 0:19:16 | 0:19:22 | |
Sewing is quite popular I have to admit. Yes. I don't think we'll get 150, though. No. | 0:19:22 | 0:19:29 | |
Can we see if we can beat him down? On the bear. | 0:19:29 | 0:19:32 | |
I promise this will be our last thing. We've only got five minutes. | 0:19:32 | 0:19:37 | |
There's 150 on that. Yeah, I know. | 0:19:38 | 0:19:41 | |
120's the best, really. It's good stuff. I'm reluctant to take less. | 0:19:41 | 0:19:46 | |
If you don't buy it, someone else will. That's a good sign. | 0:19:46 | 0:19:50 | |
We'll go for that for 120? Yes. We've no time. Happy? | 0:19:50 | 0:19:54 | |
Deal. 120, OK. | 0:19:54 | 0:19:56 | |
We did it! We've done it. | 0:19:56 | 0:20:00 | |
Well done, Reds. That's all three items bought. | 0:20:00 | 0:20:04 | |
And in the nick of time, the Blues also buy their third and final item. | 0:20:04 | 0:20:10 | |
She's tried to phone the seller, but he's abroad. She says ?40. Are you going to buy it? Yeah. | 0:20:10 | 0:20:17 | |
Great stuff, great stuff. Done! Quick! Take a seat, Phil. | 0:20:17 | 0:20:22 | |
Have a drink. | 0:20:22 | 0:20:25 | |
Oooh! | 0:20:25 | 0:20:26 | |
I'm going to have a drink. | 0:20:26 | 0:20:28 | |
Well, those 60 minutes have just sailed by. | 0:20:33 | 0:20:37 | |
Just what gems have the Reds bought? | 0:20:37 | 0:20:40 | |
For ?24 of lolly, they bought an Art Deco porcelain half-dolly! | 0:20:42 | 0:20:46 | |
Now time to reflect on the ?38 they forked out for this Aesthetic-framed oval mirror. | 0:20:48 | 0:20:56 | |
And, finally, they picked up a Black Forest carved fruitwood cotton reel stand | 0:20:56 | 0:21:02 | |
for a cotton-picking ?120. | 0:21:02 | 0:21:05 | |
182. Not as much as we wanted to spend. Did I hear ?182? You did. | 0:21:05 | 0:21:10 | |
Is that what you spent? Yep. A thoroughly mature amount of money. | 0:21:10 | 0:21:14 | |
I'm rather proud of you. Thank you. | 0:21:14 | 0:21:16 | |
?118 I'd like, please, of leftover lolly. You can have ?118. | 0:21:16 | 0:21:21 | |
Thank you very much. Secreted in my pocket. | 0:21:21 | 0:21:26 | |
There's the three. Good. Straight over to Thomas Plant. | 0:21:26 | 0:21:30 | |
I can but try. So, Thomas, what are you going to spend it on? | 0:21:30 | 0:21:35 | |
I'll spend most of it on something you will love and you'll like it if you see it in a different light. | 0:21:35 | 0:21:41 | |
Right(!) | 0:21:43 | 0:21:44 | |
Good luck with that, Thomas. Meanwhile, why don't we check out what the Blue team bought? | 0:21:44 | 0:21:50 | |
The Blues fashioned ?30 of their budget on this vintage shop display mannequin. Nice. | 0:21:50 | 0:21:57 | |
They picked up an Arts and Crafts oak wall-hanging cabinet for ?70. | 0:21:58 | 0:22:03 | |
And, finally, for a possible stomach-churning ?40, they picked up this painted metal milk churn. | 0:22:03 | 0:22:10 | |
That was a close-run thing. Yeah. What are you trying to do to me?! | 0:22:12 | 0:22:16 | |
We thought we'd give you a run for your money. Did you ever do that! | 0:22:16 | 0:22:20 | |
Talking about running, Phil, | 0:22:20 | 0:22:22 | |
we know about this stuff, don't we? Well, girls, how much did you spend in total? | 0:22:22 | 0:22:28 | |
140. I'd like 160 of leftover lolly, please. Thank you very much, Di. | 0:22:28 | 0:22:33 | |
I'll trust you. Over it goes. | 0:22:33 | 0:22:36 | |
They have driven me to drink. Have they? You'll be off for a stiff one, then. Mm. Good. | 0:22:36 | 0:22:42 | |
Good luck, girls. Meanwhile, I'm heading off to a Jacobean wonder. | 0:22:42 | 0:22:48 | |
In the heart of the sprawling city of Birmingham lies an elegant, 17th-century Jacobean mansion. | 0:22:53 | 0:23:00 | |
Set in rolling parkland, Aston Hall was the vision and passion of a wealthy baronet, | 0:23:06 | 0:23:12 | |
Sir Thomas Holte. | 0:23:12 | 0:23:14 | |
Aston Hall, for the magistrate, really was a labour of love. | 0:23:16 | 0:23:22 | |
It took 17 years to complete following the laying of the first brick in 1618. | 0:23:22 | 0:23:29 | |
The hall was designed by John Thorpe, one of the most sought-after architects of the Jacobean era. | 0:23:30 | 0:23:38 | |
Other than the odd bit of internal remodelling, Thorpe's original design is pretty much preserved | 0:23:39 | 0:23:46 | |
as you see it today. | 0:23:46 | 0:23:48 | |
As you would imagine, for a wealthy 17th-century baronet, | 0:23:52 | 0:23:58 | |
he wanted the very grandest of entrance halls | 0:23:58 | 0:24:02 | |
and that's what he got. The original features that are still here include | 0:24:02 | 0:24:08 | |
the plaster strapwork ceiling in coffers | 0:24:08 | 0:24:11 | |
and also the magnificent door surrounds. The front door surround is made of wood | 0:24:11 | 0:24:16 | |
and painted to imitate stone, | 0:24:16 | 0:24:19 | |
but the rest of the door surrounds are extremely high quality, carved with coffering, | 0:24:19 | 0:24:25 | |
filled with geometric designs and what I particularly like | 0:24:25 | 0:24:29 | |
are these very unusual cut-stone curlicues that go to make up | 0:24:29 | 0:24:34 | |
almost an armorial design above each of the doors themselves. | 0:24:34 | 0:24:40 | |
Aston Hall retains a few items of furniture that originally belonged to Sir Thomas | 0:24:41 | 0:24:47 | |
and it has some other fine pieces of the period. | 0:24:47 | 0:24:52 | |
One of the all-time treasures at Aston Hall for me | 0:24:52 | 0:24:56 | |
has to be this chair. It's one of a pair. | 0:24:56 | 0:25:00 | |
One on its own is called a sgabello, | 0:25:00 | 0:25:04 | |
which is Italian for side or hall chair. | 0:25:04 | 0:25:08 | |
Most of the chairs of this type are relatively plain and unadorned, | 0:25:08 | 0:25:14 | |
but this one is absolutely plastered in rich carving. | 0:25:14 | 0:25:18 | |
This front panel is beautifully carved with these outset scrolls, | 0:25:18 | 0:25:23 | |
centred by the mask of a woman, | 0:25:23 | 0:25:26 | |
and in turn, between her and the scrolls, we've got boldly-carved swags of foliage. | 0:25:26 | 0:25:32 | |
When does it date from? Well, I would date it at around about 1580 to 1600. | 0:25:32 | 0:25:39 | |
Where does it come from? Italy for certain, | 0:25:39 | 0:25:43 | |
but where? Not Venice. Not flamboyant enough for Venice. | 0:25:43 | 0:25:49 | |
Probably somewhere solid and reliable like Tuscany. | 0:25:49 | 0:25:53 | |
And around the corner are what they call the Great Stairs | 0:25:55 | 0:25:59 | |
and, by jingo, these ARE great stairs. | 0:25:59 | 0:26:04 | |
Just look at the profusion of early-17th century carving. | 0:26:04 | 0:26:08 | |
Snuggling at the back is otherwise a rather undistinguished-looking | 0:26:08 | 0:26:13 | |
piece of wainscot-panelled furniture. Here it sits, | 0:26:13 | 0:26:18 | |
at the bottom of the stairs, but... | 0:26:18 | 0:26:22 | |
Very unusually, it acts as the cover or doorway to a secret closet. | 0:26:26 | 0:26:32 | |
How amazing is that? | 0:26:32 | 0:26:35 | |
The big question today is how many of our team members are going to appear out of a closet | 0:26:35 | 0:26:41 | |
over at the auction? | 0:26:41 | 0:26:43 | |
At 28. 30 do I see? 32. | 0:26:43 | 0:26:46 | |
35. 38. | 0:26:46 | 0:26:48 | |
At ?42 only. All done and selling. | 0:26:48 | 0:26:53 | |
We've popped down the coast to the Eastbourne Auction Rooms to be with Paul Achilleous. | 0:26:53 | 0:26:58 | |
Paul, good morning. It's a pleasure to have you here. | 0:26:58 | 0:27:02 | |
First up for our team, the Reds, is this German, porcelain-headed girl. | 0:27:02 | 0:27:08 | |
She's a nice example. Maybe you could put pins or hat pins in it. | 0:27:08 | 0:27:14 | |
Hand-painted. A nice example. Possibly ?20-?30 we've got in mind on this one. | 0:27:14 | 0:27:19 | |
OK. ?24 paid. They're in the frame. They stand a chance. | 0:27:19 | 0:27:24 | |
Next is the so-called Aesthetic Movement mirror, | 0:27:24 | 0:27:28 | |
which is kind of on the black side, don't you find? I do, yes. | 0:27:28 | 0:27:32 | |
Late-19th century. Nice painting with the flowers there. | 0:27:32 | 0:27:36 | |
I think it would have had a shelf. | 0:27:36 | 0:27:39 | |
It's seen better days. What sort of price? I think we're being quite generous. ?50-?60. | 0:27:39 | 0:27:45 | |
Really? Super. They only paid ?38. | 0:27:45 | 0:27:48 | |
They are fashionable. Yeah, well, could be a sure-fire profit. | 0:27:48 | 0:27:52 | |
And, lastly, what about the Black Forest bobbin holder? | 0:27:52 | 0:27:58 | |
Do you like that? It's a nice thing. Brought back as a tourist piece. | 0:27:58 | 0:28:02 | |
It will appeal to people who collect sewing implements, sewing items. | 0:28:02 | 0:28:07 | |
A bit of Black Forest interest, bit of sewing interest. How much money interest? | 0:28:07 | 0:28:13 | |
We hope it'll do 100, maybe 150. Marvellous. ?120 they paid. | 0:28:13 | 0:28:17 | |
On your estimates, Paul, this team won't need their bonus buy, but let's look at it anyway. | 0:28:17 | 0:28:23 | |
OK, girls, you spent ?182. You gave ?118 to Tom. | 0:28:23 | 0:28:28 | |
What did you spend it on? Well, girls, I bought... Oh! | 0:28:28 | 0:28:32 | |
That reaction! I never get that! | 0:28:33 | 0:28:36 | |
So, yes, it's a very smart Art Deco lamp. Beautiful. How much was it? ?100. | 0:28:38 | 0:28:44 | |
Yeah. That's not bad, is it? ?100. Alabaster, 1930s. With a spelter figure. | 0:28:44 | 0:28:50 | |
She's lost her little finger. Oh, so she has. We can't be perfect. | 0:28:50 | 0:28:56 | |
Tim, you look disappointed. Well, is that a crack up her armpit? | 0:28:56 | 0:29:00 | |
It is, but that's where the join is. It just needs some restoration. | 0:29:00 | 0:29:04 | |
Have we got the shade, Tom? No, but you can find a shade. OK. Ask him how much it will bring. | 0:29:04 | 0:29:10 | |
Yeah, how much? I see this making between 120 and 140. | 0:29:10 | 0:29:14 | |
Do you? I do. OK, you've done what you've done. | 0:29:14 | 0:29:18 | |
You're predicting a profit. Let's find out what the auctioneer thinks about Tom's little lamp. | 0:29:18 | 0:29:25 | |
OK, Paul, do you fancy a bit of Art Deco? Well, I like Art Deco, | 0:29:25 | 0:29:30 | |
but it would be very nice if this was a bronze figure on a marble base, perhaps. | 0:29:30 | 0:29:35 | |
Unfortunately, this has an alabaster base. It's a gilt spelter one. | 0:29:35 | 0:29:39 | |
We've estimated it at ?40-?60. Really? | 0:29:39 | 0:29:43 | |
?100 was paid by Thomas Plant and he rates it as his bonus buy. | 0:29:43 | 0:29:48 | |
We better hope that the team don't go for it. That's it for the Reds. Now for the Blues. | 0:29:48 | 0:29:55 | |
First up for them is the rather attractive shop mannequin. | 0:29:55 | 0:29:59 | |
What sort of demand will you have for this in your saleroom, Paul? | 0:29:59 | 0:30:03 | |
They're very popular, normally. How old do you think it is? 1960s, 1970s perhaps. | 0:30:03 | 0:30:08 | |
Very popular because people will buy them, put them in their front room and hang clothes. | 0:30:08 | 0:30:14 | |
Military people buy them. What's your estimate? 50-80. | 0:30:14 | 0:30:18 | |
OK, ?30 paid. A dead cert winner. | 0:30:18 | 0:30:21 | |
And found by that silver fox Philip Serrell. | 0:30:21 | 0:30:26 | |
Next is the most solid looking oak wall cupboard I think I've ever seen! A lovely quality piece. | 0:30:26 | 0:30:33 | |
You can see by the strapping. Very well made. It's taken a whole tree to make this. I know! | 0:30:33 | 0:30:39 | |
Amazing. What's your estimate? | 0:30:39 | 0:30:41 | |
We've put 80-120 on this one. The silver fox has done it again. He paid ?70. That's pretty cool. | 0:30:41 | 0:30:48 | |
And, lastly, and suitably agricultural for Philip Serrell is the milk churn. | 0:30:48 | 0:30:52 | |
Yes, this one's been overpainted, very lately, been made to look a lot older than it is, I believe. | 0:30:52 | 0:30:59 | |
We've put an estimate of 40-60. | 0:30:59 | 0:31:01 | |
That's all right. He only paid ?40. On the face of it, we have three winners here, | 0:31:01 | 0:31:07 | |
courtesy of P Serrell and the Blues. Of course, it can go horribly wrong, | 0:31:07 | 0:31:12 | |
in which case they may need their bonus buy, so let's have a look. | 0:31:12 | 0:31:17 | |
Di, Hels, you ready for this? Always ready! Philip Serrell is yours for five minutes. Really?! | 0:31:17 | 0:31:24 | |
You spent ?140. You gave him ?160. What did you spend it on, Phil? | 0:31:24 | 0:31:30 | |
I didn't spend it all. You know you drove me to drink? We did. | 0:31:30 | 0:31:34 | |
Ooh! | 0:31:34 | 0:31:36 | |
My favourite! There you are, then. | 0:31:36 | 0:31:39 | |
Does it matter what it's worth? It's alcohol. I get silly on port! | 0:31:39 | 0:31:44 | |
Vintage port. Sought after. Wow. Fonseca, 1997. A good year. It cost me ?45. | 0:31:44 | 0:31:50 | |
So what sort of price do you think we might get for it? | 0:31:50 | 0:31:55 | |
If we get somewhere between 40 and 60 quid, that would be lovely. Wow. | 0:31:55 | 0:31:59 | |
What you might get is gout! We're not old enough for that yet. No, quite. | 0:31:59 | 0:32:05 | |
There we go. You clearly like it. Absolutely. We do. You're fond of a drop yourselves. | 0:32:05 | 0:32:11 | |
So why don't we find out if the auctioneer's keen on a drop? | 0:32:11 | 0:32:15 | |
Well, here we go. Mr Serrell comes up with his bottle of 1997 vintage port. | 0:32:15 | 0:32:21 | |
Are you a port drinker? I'm not, I'm afraid. Are you? | 0:32:21 | 0:32:27 | |
I have been known to touch a drop, but I'm not the expert. But it seems to be fully sealed. | 0:32:27 | 0:32:33 | |
It hasn't been tampered with. What's your estimate? | 0:32:33 | 0:32:36 | |
We've put 20-30 on this one. OK, ?45 he paid. | 0:32:36 | 0:32:40 | |
That could be Mr Serrell's loser if the team decides to go with it. | 0:32:40 | 0:32:45 | |
Are you taking the sale today? I am, Tim. | 0:32:45 | 0:32:48 | |
Good. We're in safe hands. | 0:32:48 | 0:32:50 | |
Fair warning now. At 120. | 0:32:50 | 0:32:53 | |
Room bidder has it again at 120. | 0:32:53 | 0:32:56 | |
OK, girls. Are you excited? Yes. Good. Lovely. We're glad you're excited about it. | 0:32:57 | 0:33:03 | |
We're on the edge, as they say. Firs up is the porcelain half-figure. | 0:33:03 | 0:33:08 | |
And here she comes. We now move to Lot 50, | 0:33:08 | 0:33:13 | |
the Art Deco continental porcelain half-doll with hand-painted decoration. How about 20 to start? | 0:33:13 | 0:33:19 | |
20 I'm bid. I'll take two again. At 22. Bid in the seat there. | 0:33:19 | 0:33:23 | |
Take five. At ?22 in the seat there. | 0:33:23 | 0:33:25 | |
At ?22. 25. 28. | 0:33:25 | 0:33:28 | |
You're in profit. In profit. 32. 35. 38? | 0:33:28 | 0:33:32 | |
35 is the gentleman standing. I'll take eight elsewhere. I'm selling it to you, sir, at 35. | 0:33:32 | 0:33:38 | |
That is plus ?11. You are a dream. Isn't she good? | 0:33:38 | 0:33:43 | |
We now move to Lot number 51, the Aesthetic-framed oval mirror. | 0:33:43 | 0:33:49 | |
Due to conflicting bids, we start this at ?40 only. At ?40. | 0:33:49 | 0:33:53 | |
I'll take two from you. At ?40. | 0:33:53 | 0:33:56 | |
42 bid. 45. 48. 50. | 0:33:56 | 0:33:59 | |
Just wait until we get to mine! 50. At ?50 only. | 0:33:59 | 0:34:02 | |
Who'll go five? At ?50. Anybody else coming in, then? | 0:34:02 | 0:34:07 | |
At ?50, then. All done? ?50 is splendido. | 0:34:07 | 0:34:10 | |
That's plus ?12. So plus 11, | 0:34:10 | 0:34:14 | |
plus 12. Is this going to be plus 14? | 0:34:14 | 0:34:18 | |
And Lot number 52 now is the Black Forest carved fruitwood cotton reel stand. | 0:34:18 | 0:34:24 | |
Again conflicting bids. We start this at 75. | 0:34:24 | 0:34:28 | |
I'll take 80 from you. 85. | 0:34:28 | 0:34:30 | |
90. Five. 100. 110. | 0:34:30 | 0:34:32 | |
120. I'm out. At 120. | 0:34:32 | 0:34:35 | |
You've wiped your face at 120. | 0:34:35 | 0:34:37 | |
At ?120. At 120. You're out on the 'net as well. | 0:34:37 | 0:34:42 | |
130 on the internet now. 130, you're in profit. Yes! | 0:34:42 | 0:34:47 | |
140 in the room now. Take 50 next. | 0:34:47 | 0:34:49 | |
At 140. Look at it go! Room bidder has it at 140. All done and selling. | 0:34:49 | 0:34:55 | |
That is plus ?20. You have a profit on all three items. Do we get the golden gavel? | 0:34:55 | 0:35:01 | |
That is 23...plus 43. I shall decide later. | 0:35:01 | 0:35:05 | |
No, seriously, girls. You're ?43 up. What about the Deco spelter figure? | 0:35:05 | 0:35:10 | |
Are you going to trust Tom? What did you pay? ?100. Or stick? | 0:35:10 | 0:35:15 | |
I think we should, but I'll let you. What are you going to do? I think your sister is sensible on this. | 0:35:15 | 0:35:23 | |
What are you going to do? I'll protest, but go along with it. | 0:35:23 | 0:35:27 | |
I want it minuted. You have cash in your hand right now. | 0:35:27 | 0:35:31 | |
So this is it then, kids. We're not going with the bonus buy. | 0:35:31 | 0:35:36 | |
Reluctantly. You'll be mighty relieved, Tom, I fancy. We're not going with the bonus buy. | 0:35:36 | 0:35:42 | |
But we'll sell it anyway, just for the heck of it. Here it comes. | 0:35:42 | 0:35:46 | |
Due to conflicting bids, we're straight in here at ?70. | 0:35:46 | 0:35:51 | |
Five on the 'net straight away. At 75. I'll take 80 with you, sir. | 0:35:51 | 0:35:55 | |
At 80. And five. And 90. And five. 100, is it? | 0:35:55 | 0:35:59 | |
- 110, is it? It's going to make it. - Oh, I told you! | 0:35:59 | 0:36:03 | |
120, back in. At 120. 130 is it next? | 0:36:03 | 0:36:07 | |
Look at it! I did say 140. | 0:36:07 | 0:36:09 | |
At ?120, then. I just had no faith. ?120. | 0:36:09 | 0:36:14 | |
- Selling on this bid, then. - So much for sensible! Oh, ye of little faith. | 0:36:14 | 0:36:20 | |
I must admit, I had no faith. Anyway, that made ?20 profit. | 0:36:20 | 0:36:25 | |
It was a bit risky. Don't let's get snarky about this. | 0:36:25 | 0:36:29 | |
If I had a fancy in this, it would have made half that amount. | 0:36:29 | 0:36:33 | |
So I'm completely wrong. Just wait 'til I get her home. | 0:36:33 | 0:36:37 | |
You shouldn't doubt Thomas. But I doubted myself. | 0:36:37 | 0:36:41 | |
I'm a doubter. You shouldn't be a doubting Thomas, Thomas. | 0:36:41 | 0:36:46 | |
There we go, kids. You made a profit on each lot. Don't say a word. In fact, go out looking gloomy. | 0:36:46 | 0:36:53 | |
Look gloomy. Is that possible? | 0:36:53 | 0:36:55 | |
I don't think so! | 0:36:55 | 0:36:58 | |
OK, Hels, who does that remind you of? Well, who do you think? | 0:37:05 | 0:37:09 | |
Frankly, my dear... How are you, kids? Great. Excited. | 0:37:09 | 0:37:13 | |
First up is your mannequin. And here it comes. | 0:37:13 | 0:37:17 | |
Where are we here? Lot number 72. | 0:37:17 | 0:37:20 | |
The life-size vintage shop display. | 0:37:20 | 0:37:23 | |
It's a female mannequin. Again, conflicting bids mean | 0:37:23 | 0:37:27 | |
we start this at ?40. I'll take two. | 0:37:27 | 0:37:31 | |
You're in profit, girls. Five. Eight? At 45. | 0:37:31 | 0:37:35 | |
I'll take eight elsewhere. | 0:37:35 | 0:37:37 | |
- Come on! - Would normally make 70 or 80. | 0:37:37 | 0:37:41 | |
At ?45. Is there eight elsewhere? | 0:37:41 | 0:37:44 | |
At ?45, then. Letting it go on that bid at 45. | 0:37:44 | 0:37:49 | |
?45. I'm not complaining. That's plus ?15. | 0:37:50 | 0:37:54 | |
And Lot 73. We have the oak Arts and Crafts wall-hanging cabinet. Good quality one there. | 0:37:54 | 0:38:00 | |
Straight in here at ?70. I'll take five. At 70. Five. 80. | 0:38:00 | 0:38:05 | |
Five? 80 has it. This is no money, Phil. | 0:38:05 | 0:38:09 | |
I thought this would make more. I'll take a fiver. At ?80 only. Anybody else, then, at ?80? | 0:38:09 | 0:38:16 | |
I'll take another five quickly. Letting it go. At ?80. | 0:38:16 | 0:38:21 | |
Don't be greedy, girls. ?80 is plus ?10. Still plus ?10. There's a lot of mileage in that. | 0:38:21 | 0:38:27 | |
And Lot number 74 now. The large, painted metal Ambrosia milk churn. | 0:38:27 | 0:38:32 | |
There it is. It's 63cm high there. | 0:38:32 | 0:38:35 | |
We're in commission here at 28. 30 I've got. | 0:38:35 | 0:38:39 | |
At ?30. Commission bid at 30. I'll take twos. At 30. And two. Five. | 0:38:39 | 0:38:44 | |
Eight, sir? 38. 40 with me. And two, may I say? At ?40 only. | 0:38:44 | 0:38:49 | |
Still on commission at 40. | 0:38:49 | 0:38:51 | |
At ?40, then. Absentee bidder at ?40. Out on the 'net, out in the room. | 0:38:51 | 0:38:56 | |
Anybody else, then? Come on! | 0:38:56 | 0:38:58 | |
42. Yes! Yes! | 0:38:58 | 0:39:00 | |
I'll take five. At ?42. | 0:39:00 | 0:39:03 | |
Anybody else at 42? 45 if you like. | 0:39:03 | 0:39:06 | |
At ?42 only. Anyone else at 42? | 0:39:06 | 0:39:09 | |
Well done, girls. Well done, Phil. | 0:39:09 | 0:39:12 | |
Settle down. Quiet and reserved. OK, girls, you are now plus ?27. | 0:39:15 | 0:39:20 | |
You have a profit on all three items. You have made ?27 profit. | 0:39:20 | 0:39:26 | |
That's amazing. What about the port? Are you going to go with the port? | 0:39:26 | 0:39:30 | |
Or are you going to park it? Yeah! Yeah. | 0:39:30 | 0:39:34 | |
The sale of alcohol at auction is legal and certain fortified wines have become collectable | 0:39:34 | 0:39:40 | |
in recent years. Vintage port is often bought as a gift and regarded as a good investment opportunity. | 0:39:40 | 0:39:46 | |
Consequently, Phil may well be onto a real winner with this one. | 0:39:46 | 0:39:51 | |
The decision's made. Here it comes. Lot number 78. | 0:39:51 | 0:39:55 | |
The bottle of Fonseca 1997 vintage port. ?20 to start? | 0:39:55 | 0:40:00 | |
Who's in at ?20 for it? 20 on the internet. At 22. Take five. 25. | 0:40:00 | 0:40:05 | |
Eight, is it? Eight. And 30? 30 is bid. I'll take two. I'll take five. | 0:40:05 | 0:40:11 | |
35 is bid. I'll take eight now. 38. 40. 42 now. | 0:40:11 | 0:40:15 | |
Yes! At 42. Take five. | 0:40:15 | 0:40:17 | |
At 42. 45 is bid. 48. | 0:40:17 | 0:40:20 | |
And 50? You're in profit. Well done, boy. At ?48. | 0:40:20 | 0:40:25 | |
On the internet at 48. Take 50. | 0:40:25 | 0:40:28 | |
At 48. Come on, round it off at 50. Who's in at 50? | 0:40:28 | 0:40:31 | |
Well done, girls. At ?48, then. Fair warning. The gavel is up at ?48 now. | 0:40:31 | 0:40:37 | |
?48 is plus ?3. | 0:40:37 | 0:40:40 | |
Yay! Thank you, Phil! Oh, lord! | 0:40:40 | 0:40:43 | |
Quiet and reserved. I like people like that. | 0:40:44 | 0:40:48 | |
You are plus ?30, OK? Wow! You made a profit on all three items and the bonus buy. | 0:40:48 | 0:40:54 | |
Don't say a word to the Reds. Absolutely not. Keep this mum. | 0:40:54 | 0:40:59 | |
Well, well, well. Some days is good days and some days is bad days, but today happens to be a good day. | 0:41:07 | 0:41:13 | |
Both of these teams are looking as pleased as punch. | 0:41:13 | 0:41:17 | |
They know that they've all made profits. | 0:41:17 | 0:41:21 | |
And they know that they've done very well making profits. | 0:41:21 | 0:41:26 | |
But they don't know how well each team has done. | 0:41:26 | 0:41:31 | |
And I have to reveal today that, exceptionally on Bargain Hunt, | 0:41:31 | 0:41:35 | |
not only have both teams made profits, but both teams are entitled to the golden gavel! | 0:41:35 | 0:41:42 | |
Not just one team, but both teams have made profits on every single item that they've sold, | 0:41:43 | 0:41:50 | |
which is very unusual to happen once. To happen twice in the same programme is exceptional. | 0:41:50 | 0:41:56 | |
So there is a degree of anticipation as to who is ahead and who's behind here. | 0:41:56 | 0:42:02 | |
I have to reveal that the team slightly behind today are the Blues. | 0:42:02 | 0:42:07 | |
Oh! Never mind! Which is bad luck. | 0:42:07 | 0:42:11 | |
Well done. You have managed to come second today by winning ?30. Thank you. | 0:42:11 | 0:42:18 | |
The other team, marginally ahead as I say. | 0:42:18 | 0:42:21 | |
?43 of profits. | 0:42:21 | 0:42:24 | |
Good. Well done. So 43 coming across just like that. Thank you, Tim. Very nice. | 0:42:24 | 0:42:30 | |
Now for the golden gavel presentation. | 0:42:30 | 0:42:34 | |
The admittance to the Ancient Order of Golden Gavel winners. | 0:42:34 | 0:42:39 | |
Take one, darling, and pin it on. Thank you! Take one, darling. Take one, darling, and pin it on. | 0:42:39 | 0:42:46 | |
Take one, darling, and pin it on. I feel like the Duke of Edinburgh! | 0:42:46 | 0:42:50 | |
Take one, darling, and pin it on. | 0:42:50 | 0:42:53 | |
So it is pure joy all round on today's programme. | 0:42:53 | 0:42:58 | |
So you should join us for some more bargain hunting. Yes? YES! | 0:42:58 | 0:43:03 | |
I know you're sitting thinking, "I could have done better than that!" | 0:43:04 | 0:43:09 | |
Well, what's stopping you? If you think you can spot a bargain, | 0:43:09 | 0:43:13 | |
go to our BBC website and apply. It'll be splendid to see you. | 0:43:13 | 0:43:18 | |
Subtitles by Red Bee Media Ltd | 0:43:21 | 0:43:24 |