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PERRY COMO: # Papa loves mambo... | 0:00:08 | 0:00:10 | |
Two teams of celebrities from Strictly Come Dancing | 0:00:10 | 0:00:13 | |
will be swapping their ballroom for this grand setting | 0:00:13 | 0:00:17 | |
at Kedleston Hall in Derbyshire. | 0:00:17 | 0:00:20 | |
The other difference being that their winnings today | 0:00:20 | 0:00:23 | |
will go to Children In Need. | 0:00:23 | 0:00:25 | |
So let's go... Strictly Bargain Hunting! | 0:00:25 | 0:00:29 | |
MUSIC: "A Little Samba" by Ugly Duckling | 0:00:50 | 0:00:53 | |
# One, two, three | 0:00:53 | 0:00:54 | |
# This is just a little summer... | 0:00:54 | 0:00:58 | |
Now, both of our teams of Strictly celebrities | 0:00:59 | 0:01:03 | |
are professional dance duos in real life | 0:01:03 | 0:01:06 | |
and they've all won championships | 0:01:06 | 0:01:10 | |
on the dance floor. | 0:01:10 | 0:01:12 | |
But the big question today on Bargain Hunt is - | 0:01:12 | 0:01:15 | |
who will be making the right moves? | 0:01:15 | 0:01:18 | |
Let's take a glimpse of our celebrity contestants | 0:01:18 | 0:01:21 | |
and cha-cha-cha. | 0:01:21 | 0:01:24 | |
'Gracing our presence on the red team, | 0:01:24 | 0:01:27 | |
'we have Erin Boag and Anton du Beke | 0:01:27 | 0:01:30 | |
'and they certainly ke-eep dancing!' Around the top! | 0:01:30 | 0:01:34 | |
'Even at the auction!' | 0:01:34 | 0:01:37 | |
CHEERING | 0:01:37 | 0:01:39 | |
'But the blues are hot on their heels.' | 0:01:39 | 0:01:42 | |
Come close to me. Ooh, hello. | 0:01:42 | 0:01:44 | |
'They are former Strictly champions Lilia Kopylova and Darren Bennett.' | 0:01:44 | 0:01:50 | |
Here they are! How lovely is this? | 0:01:52 | 0:01:55 | |
For the reds, we've got Erin Boag and Anton du Beke | 0:01:55 | 0:01:59 | |
and for the blues, we have Lilia Kopylova | 0:01:59 | 0:02:02 | |
and Darren Bennett! Hello, everyone! | 0:02:02 | 0:02:04 | |
ALL: Hello! Lovely to see you. | 0:02:04 | 0:02:06 | |
Now, Erin, you started your dancing career many years ago - | 0:02:06 | 0:02:10 | |
actually, a few years ago! - in New Zealand! Is that right? | 0:02:10 | 0:02:14 | |
Yes, the land down under. The style of dance that you have developed - | 0:02:14 | 0:02:19 | |
any favourites? | 0:02:19 | 0:02:22 | |
My favourite dance is the quickstep. I love the quickstep. | 0:02:22 | 0:02:25 | |
Would you like to give it a go? Right now, in this field? | 0:02:25 | 0:02:28 | |
Why not? I haven't got my shoes polished! Come on. | 0:02:28 | 0:02:32 | |
Where's the music?! | 0:02:32 | 0:02:34 | |
These guys could sing, we could dance. We could do it later? | 0:02:34 | 0:02:38 | |
All right. OK, Superb. | 0:02:38 | 0:02:40 | |
You've got out of that one. She must be going soft. | 0:02:40 | 0:02:44 | |
Well, I don't know. Have you got any backstage or onstage mishaps | 0:02:44 | 0:02:48 | |
that you might reveal to us, Erin?! | 0:02:48 | 0:02:51 | |
Well, I think once we were on tour | 0:02:51 | 0:02:54 | |
and my dress came undone. Never. | 0:02:54 | 0:02:57 | |
Almost everything came out, but we were dancing a little jiggly here... | 0:02:57 | 0:03:01 | |
Why have I become the woman in this?! | 0:03:01 | 0:03:05 | |
We were jiggly-jiggly here | 0:03:05 | 0:03:07 | |
and then the dress came undone and we actually carried on dancing | 0:03:07 | 0:03:10 | |
as Anton did it up. You never did. | 0:03:10 | 0:03:13 | |
With your hand behind her back? With my hand behind her back. | 0:03:13 | 0:03:16 | |
Of all your partners on Strictly, have you got any favourites? | 0:03:16 | 0:03:20 | |
Oh, they've all been tremendous, I've been very lucky over the years. | 0:03:20 | 0:03:24 | |
I've had wonderful, charismatic ladies... You've had some variety. | 0:03:24 | 0:03:28 | |
Ann Widdecombe and Jerry Hall. Ann was such a character. | 0:03:28 | 0:03:31 | |
And Jerry was elegant and sophisticated. | 0:03:31 | 0:03:34 | |
It's a miracle you're in the condition you are. I'm very fit. | 0:03:34 | 0:03:38 | |
And you're no stranger to antiques. No, I used to sell furniture | 0:03:38 | 0:03:42 | |
that had been bought and needed a bit of tender, loving care. | 0:03:42 | 0:03:45 | |
Will you be buying furniture today? | 0:03:45 | 0:03:48 | |
I'd like to buy something that needs a bit of tickling up! | 0:03:48 | 0:03:52 | |
Anyway, good luck. Lovely to have you on the show. Lovely to be here. | 0:03:52 | 0:03:56 | |
You'll have a battle on with the blues though | 0:03:56 | 0:03:59 | |
because this couple are amazing. | 0:03:59 | 0:04:01 | |
Darren, you met each other before Strictly. | 0:04:01 | 0:04:04 | |
Yes, we were married a good four and a half years before Strictly, | 0:04:04 | 0:04:10 | |
so, no, we didn't meet on the show. | 0:04:10 | 0:04:12 | |
No, but you have, independently of each other, both won the show. | 0:04:12 | 0:04:16 | |
Yes, I won series two with the delightful Jill Halfpenny. | 0:04:16 | 0:04:21 | |
And Darren Gough was... Darren Gough my winning partner, yes, | 0:04:21 | 0:04:25 | |
which is still incredible to this day. I can't believe he did! | 0:04:25 | 0:04:28 | |
But it's a partnership, isn't it? Absolutely. All in the teaching! | 0:04:28 | 0:04:33 | |
It's bravo to both of you. That's what it is. | 0:04:33 | 0:04:36 | |
Now, you're no longer doing the UK version of the show, Darren, | 0:04:36 | 0:04:39 | |
but it's opened up opportunities... Yes, we've been to the Middle East, | 0:04:39 | 0:04:43 | |
done their first series... Is that belly dancing?! | 0:04:43 | 0:04:46 | |
No, we do a lot of different styles, | 0:04:46 | 0:04:49 | |
but mainly we stick to the ballroom and Latin, which works well. | 0:04:49 | 0:04:54 | |
The other two countries we have done the setup in | 0:04:54 | 0:04:57 | |
is the Turkish version, where I was also a judge! | 0:04:57 | 0:05:01 | |
I was a kind judge. I bet you were. | 0:05:01 | 0:05:05 | |
And also we've recently done the setup in Thailand. | 0:05:05 | 0:05:08 | |
And how do you think you'll get on against your... Oh, we'll beat them. | 0:05:08 | 0:05:13 | |
They don't stand a chance, really. Competition. All about competition. | 0:05:13 | 0:05:17 | |
Of course it is. The money moment - ?300 apiece. | 0:05:17 | 0:05:20 | |
Do we get a glitter ball at the end? You get what you like. | 0:05:20 | 0:05:24 | |
You know the rules, your experts await and off you go! | 0:05:24 | 0:05:28 | |
Wahey! Oh, it's Pudsey! Come on, Pudsey. | 0:05:28 | 0:05:31 | |
Right, off we go, Pudsey. Dance away, Pudsey. | 0:05:31 | 0:05:35 | |
I missed my opportunity for a dance there. I could come back! | 0:05:35 | 0:05:38 | |
'First, let's meet our experts.' | 0:05:39 | 0:05:42 | |
'Waving the flag for the reds, it's Catherine Southon.' | 0:05:42 | 0:05:46 | |
'And bringing out the dancing girls for the blues, it's David Harper.' | 0:05:47 | 0:05:51 | |
Erin and Anton, this is very exciting. | 0:05:53 | 0:05:56 | |
I like the skip! She's getting into the dancing already! I am! | 0:05:56 | 0:06:00 | |
Right, what are we going to do to beat those reds? | 0:06:00 | 0:06:03 | |
Well, I think we have to use and abuse my dance prowess. | 0:06:03 | 0:06:06 | |
How are we going to do that?! I'm going to sell Darren. | 0:06:06 | 0:06:09 | |
Really? Whatever it takes, he's to be sold. | 0:06:09 | 0:06:12 | |
Any ideas on what we're going to buy? Oh, yes. | 0:06:12 | 0:06:16 | |
Furniture? Silver? Yes, furniture, silver, that is a good idea. | 0:06:16 | 0:06:20 | |
Do you like colour and... sparkly things? | 0:06:20 | 0:06:23 | |
Well, looking at us today, obviously. Turn round, let's look. | 0:06:23 | 0:06:27 | |
Keep turning, keep turning. | 0:06:27 | 0:06:29 | |
Oh, yeah, we're going bling. I think so. | 0:06:29 | 0:06:32 | |
Right, so we now have 60 minutes of bling hunting, | 0:06:32 | 0:06:35 | |
starting... now. Go! | 0:06:35 | 0:06:38 | |
I shall lead you off. Lead on, lead on. | 0:06:39 | 0:06:43 | |
She's good. Not bad. | 0:06:43 | 0:06:45 | |
NAT KING COLE: # There may be trouble ahead | 0:06:45 | 0:06:50 | |
# But while there's moonlight... | 0:06:50 | 0:06:52 | |
It's quite soothing and refreshing. | 0:06:52 | 0:06:54 | |
'So our Strictly dance duos are off, | 0:06:54 | 0:06:57 | |
'making their moves to make some money for Children In Need.' | 0:06:57 | 0:07:01 | |
Now, have you done this sort of thing before? Honestly, no. | 0:07:02 | 0:07:05 | |
Really? We can teach you how to dance, you carry on... | 0:07:05 | 0:07:09 | |
OK, you make me into a whizzy dancer and I'll make you an antique expert. | 0:07:09 | 0:07:14 | |
I've never made someone into a whizzy one before. | 0:07:14 | 0:07:17 | |
What have you made them into, then? Well, just good... | 0:07:17 | 0:07:20 | |
Singularly elegant! | 0:07:20 | 0:07:23 | |
Nice. Wow. I think these are very you. | 0:07:27 | 0:07:31 | |
Do you think they're me? | 0:07:31 | 0:07:33 | |
We've never met, have we? No. | 0:07:33 | 0:07:36 | |
'Uh-huh, Anton.' | 0:07:36 | 0:07:38 | |
'Never mind your blue suede shoes, | 0:07:38 | 0:07:40 | |
'your opponents are already a step ahead of you with their first find.' | 0:07:40 | 0:07:44 | |
This might be... A little powder... | 0:07:44 | 0:07:47 | |
Yes, a little powder. Darren uses them more than me. | 0:07:47 | 0:07:50 | |
Ah! There's the truth! But it's a cracked mirror. | 0:07:50 | 0:07:53 | |
We'd need to get that at a tenner to make sure of some profit, | 0:07:53 | 0:07:57 | |
but that's a hard bid, a very, very hard bid. | 0:07:57 | 0:08:01 | |
OK, let's put that aside for now. Let's think about that. | 0:08:01 | 0:08:04 | |
'And it seems that wild horses | 0:08:04 | 0:08:07 | |
'can't take Anton and Erin away from their beloved Strictly.' | 0:08:07 | 0:08:12 | |
That's Brendan Cole. | 0:08:12 | 0:08:14 | |
Len Goodman. Asleep in the back. | 0:08:14 | 0:08:17 | |
Oh, look, it's Craig Revel Horwood. At the front, yeah. | 0:08:17 | 0:08:20 | |
And there's a couple of my old partners. | 0:08:20 | 0:08:23 | |
'Meanwhile, Darren and Lilia seem to be burning a candle for something.' | 0:08:23 | 0:08:28 | |
Is that an anchor? Yeah, anchor. Made in Birmingham. Silver. | 0:08:28 | 0:08:31 | |
Yeah, so that's good. Good shape. | 0:08:31 | 0:08:34 | |
Is that an elegant, flamboyant shape or what? | 0:08:34 | 0:08:37 | |
I quite like that. It's nice.. | 0:08:37 | 0:08:39 | |
Curvy. Yes. You like curvy, you like flamboyant. | 0:08:39 | 0:08:42 | |
I like both. What sort of money? | 0:08:42 | 0:08:45 | |
130. 120 to you. | 0:08:45 | 0:08:47 | |
That would be above our budget. Yeah, if we want three items. | 0:08:47 | 0:08:51 | |
We're doing it for charity, so it's a very important cause. | 0:08:51 | 0:08:55 | |
Why have you got one of those? I don't have one of those. | 0:09:00 | 0:09:04 | |
Why can't I get one of those things? Have it. As a present. | 0:09:04 | 0:09:08 | |
Thanks. Let me check the nose. | 0:09:08 | 0:09:10 | |
No, it wasn't the nose. It was the hallmark! | 0:09:10 | 0:09:14 | |
Is it not too late to change teams? | 0:09:14 | 0:09:16 | |
Yeah, you can... Doesn't even work. He's impossible. Does it for effect. | 0:09:16 | 0:09:20 | |
Can you do it for 40? Go on. | 0:09:20 | 0:09:23 | |
Look, they can perform for you. What am I, a monkey? | 0:09:23 | 0:09:26 | |
Yes! She can perform for you, | 0:09:26 | 0:09:28 | |
look at that... She can do the upside-down step! | 0:09:28 | 0:09:32 | |
Got to be worth a fiver. | 0:09:32 | 0:09:34 | |
God, you gave me a heart attack. You should've been where I was standing. | 0:09:34 | 0:09:38 | |
I have to keep him under control. | 0:09:40 | 0:09:42 | |
I think fresh air might do Anton good. Yep, might calm him down. | 0:09:42 | 0:09:46 | |
'Catherine, I don't think you were ready for Anton's latest moves.' | 0:09:46 | 0:09:51 | |
'Meanwhile, Lilia's trying out some sneaky steps of her own.' | 0:09:51 | 0:09:56 | |
So how would you like me teaching you a little cheeky cha-cha-cha | 0:09:56 | 0:09:59 | |
and walking away with the candlestick for a tenner? | 0:09:59 | 0:10:02 | |
I'll spin a coin, double or nothing. | 0:10:02 | 0:10:05 | |
Nothing or six... ?80. | 0:10:05 | 0:10:08 | |
How about nothing or 60? | 0:10:08 | 0:10:10 | |
Nothing or 70. Go on. Nothing or 70. | 0:10:10 | 0:10:13 | |
If we get them for nothing,... That would be good. | 0:10:13 | 0:10:17 | |
..we're in profit. | 0:10:17 | 0:10:19 | |
'Sounds dicey to me.' | 0:10:19 | 0:10:21 | |
OK, who's going to call? | 0:10:21 | 0:10:24 | |
You're going to call. Nothing or ?70. | 0:10:24 | 0:10:27 | |
Happy? Call. Tails, tails, tails. | 0:10:27 | 0:10:30 | |
'Ooh, no! That's what happens when you dance with danger, blues.' | 0:10:30 | 0:10:36 | |
It hit my foot. It could've worked our way, guys. | 0:10:36 | 0:10:39 | |
She's not very happy. No. | 0:10:39 | 0:10:41 | |
?70! I'm relying on you two that they're going to sell. | 0:10:41 | 0:10:46 | |
Ooh, we're going to be in trouble. I'll get the Brasso out. | 0:10:46 | 0:10:49 | |
'Never mind, blues. Your gamble didn't pay off, | 0:10:49 | 0:10:52 | |
'but, as Brucie would say, | 0:10:52 | 0:10:54 | |
'you can "play your cards right" on your second buy.' | 0:10:54 | 0:10:58 | |
'Time's ticking though and the reds haven't even got their first.' | 0:10:58 | 0:11:03 | |
We've had about 20 minutes. That's not bad. | 0:11:03 | 0:11:06 | |
20 minutes to go? We've got another two hours yet. We've got nothing. | 0:11:06 | 0:11:10 | |
Speak for yourself, I've got my life in front of me. | 0:11:10 | 0:11:14 | |
'But time won't stand still for you, Anton.' | 0:11:14 | 0:11:17 | |
'You're nearly halfway through your shop, so make a quick step.' | 0:11:17 | 0:11:21 | |
Come on, you. Is that silver? Yeah. Do you want to have a look? | 0:11:21 | 0:11:24 | |
It's ?75. What have you found? Give the kids a chance. | 0:11:24 | 0:11:28 | |
It's for baby toast. Oh, that's nice. I like that. | 0:11:28 | 0:11:32 | |
It's a novelty piece, that's essentially what it is. | 0:11:32 | 0:11:35 | |
If we look underneath, we can see that it should be Birmingham. | 0:11:35 | 0:11:40 | |
Yep, that's Birmingham. With a letter A, so that's 1900 in date. | 0:11:42 | 0:11:46 | |
I'll do you that for ?60. 60? How about 10? | 0:11:46 | 0:11:49 | |
Nice go. I like that, Erin. | 0:11:49 | 0:11:52 | |
We've got to make some money. Absolute bottom and nothing else - | 0:11:52 | 0:11:56 | |
?50. That's very expensive. | 0:11:56 | 0:11:59 | |
We won't make any money on it. No, we've got to make some money. | 0:11:59 | 0:12:03 | |
He probably paid that for it. I paid 43 for it. | 0:12:03 | 0:12:06 | |
We'll give you what you paid. 43. Go on, Children In Need. 43. | 0:12:06 | 0:12:11 | |
That's very generous of you. Take it. | 0:12:11 | 0:12:14 | |
It's a deal. Thank you. I'm a little emotional. | 0:12:14 | 0:12:18 | |
'No time to get emotional, Anton.' | 0:12:18 | 0:12:20 | |
'With 33 minutes left, you'd better foxtrot off | 0:12:20 | 0:12:23 | |
'and find your next purchase.' | 0:12:23 | 0:12:25 | |
'Seems the blues have run out of steam too though.' | 0:12:25 | 0:12:29 | |
'Time to talk strategy.' | 0:12:29 | 0:12:32 | |
We've got to employ your talents. We need to find someone that wants... | 0:12:32 | 0:12:36 | |
It would cost a fortune for a dancing lesson with you two. | 0:12:36 | 0:12:39 | |
'Yes, show us your moves, blues.' | 0:12:39 | 0:12:42 | |
They're magnificent creatures. | 0:12:42 | 0:12:45 | |
Are they book ends? I would say so. | 0:12:45 | 0:12:48 | |
They're not happy though, because happy elephants' trunks go up. | 0:12:48 | 0:12:51 | |
Oh, they're happy enough. Circa 1930. Indian. | 0:12:51 | 0:12:55 | |
They've got style and what they are is different. | 0:12:55 | 0:12:58 | |
They are, definitely. So different. | 0:12:58 | 0:13:01 | |
What's happening on the elephants? 120. | 0:13:01 | 0:13:04 | |
120! Yeah, 1930s. | 0:13:04 | 0:13:06 | |
We cannot afford 130. This is for Children In Need. | 0:13:06 | 0:13:10 | |
?50 for the pair plus a little cha-cha lesson. | 0:13:10 | 0:13:13 | |
The best I can do is ?90. | 0:13:13 | 0:13:16 | |
?90. Now, how about that little bit of cha-cha lesson? Cha-cha? | 0:13:16 | 0:13:20 | |
No, no, I don't do dancing. | 0:13:20 | 0:13:23 | |
'No cha-cha-cha with Lilia?' | 0:13:23 | 0:13:25 | |
'Looks like David wants to strut his stuff though. Look out.' | 0:13:25 | 0:13:28 | |
Just embrace. What do I do? Just come close to me. | 0:13:28 | 0:13:31 | |
Ooh, hello. Now move your hips. Darren, turn around. | 0:13:31 | 0:13:36 | |
'Wow. Swing those hips, Harper.' | 0:13:36 | 0:13:38 | |
What am I doing? Back with your right. | 0:13:38 | 0:13:41 | |
Am I doing it badly? Forward with your left, back with your right. | 0:13:41 | 0:13:45 | |
Are those elephants coming down in price yet? | 0:13:45 | 0:13:48 | |
I think they've just closed their eyes! | 0:13:48 | 0:13:51 | |
'You've had your fun, blues, but what about the heffalumps?' | 0:13:51 | 0:13:55 | |
Maybe, on this one, that's going to blow the rest of our budget. | 0:13:55 | 0:13:59 | |
Too much of a chance. Yeah, for now, it's too risky. | 0:13:59 | 0:14:02 | |
All right, well, really appreciate it. Thank you. Thank you. | 0:14:02 | 0:14:07 | |
'Seems the blues are dancing to the same tune.' | 0:14:07 | 0:14:10 | |
'But are the reds out of step?' | 0:14:10 | 0:14:13 | |
Mr Cameraman, I would like to say - Catherine has run off without us. | 0:14:13 | 0:14:17 | |
Catherine, are you ditching us? I'm not. I've found you something. | 0:14:20 | 0:14:25 | |
What is it? It looks kind of painful. | 0:14:25 | 0:14:28 | |
Come on, you two. | 0:14:29 | 0:14:31 | |
Oh, hello there. Have you been that way? | 0:14:31 | 0:14:34 | |
You're welcome to go that way. Oh, really? | 0:14:34 | 0:14:37 | |
I think we're going there. No, that's our way. | 0:14:37 | 0:14:40 | |
No, that's our way. We were here first. Let's go, quick. | 0:14:40 | 0:14:45 | |
'Stop sashaying around, teams.' | 0:14:45 | 0:14:47 | |
'You're over halfway through and you haven't even got your second buys.' | 0:14:47 | 0:14:51 | |
'But could the blues' little nellies be back on the cards?' | 0:14:51 | 0:14:55 | |
Do you want me to - while you pet the dog - ask him if he'll take ?60? | 0:14:55 | 0:14:58 | |
One-time offer. Lucky, what do you think? | 0:14:58 | 0:15:01 | |
Pair of elephants? "Yeah, go on." | 0:15:01 | 0:15:04 | |
Right, I'll go and try, OK? Are you happy if I get them for 60? | 0:15:04 | 0:15:08 | |
"Get 'em for 50!" | 0:15:08 | 0:15:10 | |
'Yes, off you go, Dr Dolittle.' | 0:15:10 | 0:15:13 | |
Our last-chance offer. 60 quid and that's it. We're done. | 0:15:14 | 0:15:18 | |
Can we do it? Because it's charity. | 0:15:18 | 0:15:21 | |
Good man. Thank you very much indeed. Be back in a second. | 0:15:21 | 0:15:24 | |
Ha-ha-ha! Right, never mind doggies. | 0:15:25 | 0:15:28 | |
We own a pair of elephants! | 0:15:28 | 0:15:31 | |
Yes! How much did you get them for? 50? 60. | 0:15:31 | 0:15:34 | |
Oh. She's disappointed again. | 0:15:34 | 0:15:36 | |
What does it take to please her? Er... Quite a lot. | 0:15:36 | 0:15:39 | |
A pair of elephants for 60 quid. Come on. | 0:15:39 | 0:15:43 | |
'Blues, that's a bargain you'll never forget.' | 0:15:43 | 0:15:46 | |
'And it's your second buy, so you're one step ahead of the reds.' | 0:15:46 | 0:15:49 | |
'Talking of which...' | 0:15:49 | 0:15:51 | |
That's it. That's it, there you go. And you go back, like that. | 0:15:52 | 0:15:56 | |
'Careful, Anton. She's not a rag doll, you know.' | 0:15:56 | 0:16:00 | |
Round the top! Anton, don't kill the girl. | 0:16:00 | 0:16:04 | |
Oh, my good God. My life has just flashed in front of me. | 0:16:04 | 0:16:08 | |
'Barely ten minutes left, you reds, | 0:16:08 | 0:16:11 | |
'and you haven't even bought your second buy.' | 0:16:11 | 0:16:14 | |
'It could be your last tango if you don't keep your heads.' | 0:16:14 | 0:16:17 | |
Elegant at all times! Elegant! That's it... | 0:16:17 | 0:16:21 | |
I like those. Yeah, it's a rosary. | 0:16:22 | 0:16:25 | |
They're like little heads. Do you like those or not? | 0:16:25 | 0:16:29 | |
I do like them. 16 beads, which is a complete rosary. | 0:16:29 | 0:16:32 | |
I think it's a bit weird. It's... too tribal. | 0:16:32 | 0:16:36 | |
Nine minutes, we've got. Nine? | 0:16:36 | 0:16:39 | |
'Don't lose your head, reds. What's happening with the blues?' | 0:16:39 | 0:16:43 | |
So it's like a serving tray? | 0:16:43 | 0:16:45 | |
Yeah. It's nice. But there's a lot going on here. | 0:16:45 | 0:16:48 | |
Oh, it's very clever. You can put it in your handbag... | 0:16:48 | 0:16:52 | |
Yeah. Out of handbag it goes, snacks on the plate... Yeah. | 0:16:52 | 0:16:55 | |
It's really good. But price... | 0:16:55 | 0:16:58 | |
It's expensive. Come on, we're going to have to move it now. Shame. | 0:16:58 | 0:17:02 | |
'Eight minutes left and a second buy seems to be eluding the reds.' | 0:17:04 | 0:17:08 | |
'Could this be the writing on the wall?' | 0:17:08 | 0:17:11 | |
What do you think about this? Lovely. Black lacquer. | 0:17:11 | 0:17:14 | |
Waterman. Good name. Fountain pen. | 0:17:14 | 0:17:17 | |
18-carat gold nib. | 0:17:17 | 0:17:19 | |
Nice. I think it's nice. It's a nice little pen. | 0:17:19 | 0:17:22 | |
If you get that at a good price, you'd make some money on that. | 0:17:22 | 0:17:26 | |
Do you think? Yeah. Let's try. | 0:17:26 | 0:17:28 | |
How much do you reckon we could sell that for? | 0:17:28 | 0:17:31 | |
100 quid? I think you could get 50-ish. | 0:17:31 | 0:17:34 | |
I'll do that for ?40. | 0:17:34 | 0:17:36 | |
?30? | 0:17:36 | 0:17:38 | |
Go on. I think we should go for that. What do you think? | 0:17:38 | 0:17:41 | |
Yeah, I'll have that. Done. Sold. | 0:17:41 | 0:17:44 | |
I hope you make something for charity. Thank you. | 0:17:44 | 0:17:47 | |
You're an angel. Sold to Children In Need. | 0:17:47 | 0:17:50 | |
'Your second buy at last, reds.' | 0:17:50 | 0:17:52 | |
'And it seems our stallholder's got something else sweet up his sleeve.' | 0:17:52 | 0:17:57 | |
How about that? | 0:17:57 | 0:17:59 | |
Unmarked. It's Indian? | 0:17:59 | 0:18:02 | |
Yep. It's a little bonbon dish. | 0:18:02 | 0:18:04 | |
Bonbon dish? And here you've got a little cartouche | 0:18:04 | 0:18:08 | |
so you can put your family initials. | 0:18:08 | 0:18:11 | |
And right the way around, embossed in silver, | 0:18:11 | 0:18:14 | |
is this lovely decoration, so you've got the trees and houses. | 0:18:14 | 0:18:18 | |
Very pretty. It's a lovely thing. It's nice, isn't it? | 0:18:18 | 0:18:21 | |
What's the date? The end of the 19th century? | 0:18:21 | 0:18:24 | |
Yeah, towards the end. So about 1870s, 1880s. | 0:18:24 | 0:18:28 | |
Maybe even a bit later - 1900, 1910. | 0:18:28 | 0:18:31 | |
I've done quite well with Indian silver. What do you want on it? | 0:18:31 | 0:18:35 | |
Because it's for charity, I'll do it for ?40. | 0:18:35 | 0:18:38 | |
Fantastic. He's a lovely man. | 0:18:38 | 0:18:41 | |
Is that our last thing? Our last item. Thank you very much. | 0:18:41 | 0:18:44 | |
Thank you. That is amazing. Woo-hoo! | 0:18:44 | 0:18:47 | |
Three items, you've done it. Well done. Well done. | 0:18:47 | 0:18:51 | |
Well done. Well done, you. | 0:18:51 | 0:18:54 | |
'Phew! Your final buy, reds.' | 0:18:54 | 0:18:57 | |
'I was worried you were heading for your last dance.' | 0:18:57 | 0:19:00 | |
'Talking of which, what's Darren up to?' | 0:19:00 | 0:19:03 | |
Very good. You're not quite as good as me, but you're all right. | 0:19:04 | 0:19:08 | |
'Seems like their plan to woo the stallholders with their dance moves | 0:19:08 | 0:19:12 | |
'could finally pay off.' | 0:19:12 | 0:19:14 | |
Are we drawn to that? I thought it looked interesting. 1907. | 0:19:14 | 0:19:18 | |
But what style is it? So is it Arts and Crafts, Art Nouveau, | 0:19:18 | 0:19:22 | |
Art Deco - what is it? | 0:19:22 | 0:19:24 | |
It's... Arts and Crafts. | 0:19:24 | 0:19:26 | |
No! It's not Art Deco. Must be the other one. | 0:19:26 | 0:19:29 | |
What do you think? Art Nouveau. Brilliant. | 0:19:29 | 0:19:32 | |
'I think that's favouritism.' | 0:19:32 | 0:19:34 | |
Well done. I like that. How much is it? | 0:19:34 | 0:19:37 | |
I was asking 85 for it. | 0:19:37 | 0:19:40 | |
To make a profit for Children In Need, that would need to be 30. | 0:19:40 | 0:19:45 | |
35. I'm actually losing. | 0:19:45 | 0:19:47 | |
You know, I think you probably are... | 0:19:47 | 0:19:50 | |
We can't stop the ticking hands and we have, literally, a minute left. | 0:19:50 | 0:19:55 | |
I think we've got a deal, then. | 0:19:55 | 0:19:57 | |
Done it? Thank you very much. | 0:19:57 | 0:19:59 | |
Thank you. Thank you. | 0:19:59 | 0:20:01 | |
And I'll come back for a dance later. | 0:20:01 | 0:20:05 | |
'Cor, he thinks he's John Travolta now.' | 0:20:05 | 0:20:08 | |
'Well done, blues, you've just about stayed alive, | 0:20:08 | 0:20:11 | |
'bagging your last buy with three minutes left to go.' | 0:20:11 | 0:20:15 | |
Well done, you two. We are done. We are done. | 0:20:15 | 0:20:18 | |
Thank you, Darren. That was quite stressful, I felt. | 0:20:18 | 0:20:21 | |
It was very stressful. I'd rather dance in front of 11 million people. | 0:20:21 | 0:20:26 | |
Time's up! And time to judge | 0:20:27 | 0:20:31 | |
how the red team got on. | 0:20:31 | 0:20:34 | |
Sev-en! | 0:20:34 | 0:20:35 | |
'First, the reds tangoed up to this 1900 silver toast rack | 0:20:35 | 0:20:40 | |
'that they bought for ?43.' | 0:20:40 | 0:20:42 | |
'Next they picked up a pen, a Waterman's in fact, | 0:20:43 | 0:20:46 | |
'from gay Paris for ?30.' | 0:20:46 | 0:20:49 | |
'And finally, an 18th-century bonbon dish for ?40.' | 0:20:50 | 0:20:55 | |
You were outstanding, by the way. You're so knowledegable. | 0:20:57 | 0:21:01 | |
I do love these words of praise. | 0:21:01 | 0:21:03 | |
When he means them. Which is your favourite bit? I liked all three. | 0:21:03 | 0:21:07 | |
But your favourite favourite? | 0:21:07 | 0:21:09 | |
Yes, the first bit that we bought, which was a baby toast holder. | 0:21:09 | 0:21:14 | |
Do you agree with that, Anton? | 0:21:14 | 0:21:16 | |
It was all right. | 0:21:16 | 0:21:18 | |
Pointless bit of rubbish. But you liked it, didn't you? | 0:21:18 | 0:21:21 | |
Rubbish! Which is your favourite? I liked the Indian bonbon dish. | 0:21:21 | 0:21:26 | |
Did you? Bargain. An absolute steal. | 0:21:26 | 0:21:28 | |
So bonbon dish for maximum profit? Yes. | 0:21:28 | 0:21:31 | |
OK, well, I watched your lips there, as did millions, we hope. | 0:21:31 | 0:21:35 | |
Anyway, you spent how much in total? | 0:21:35 | 0:21:38 | |
We spent ?113. ?113. | 0:21:38 | 0:21:41 | |
I would like ?187 of leftover lolly, please. | 0:21:41 | 0:21:47 | |
Come on. How about... 187. | 0:21:47 | 0:21:50 | |
Come on, let's be having you. And the extra. | 0:21:50 | 0:21:54 | |
That is a wodge of cash, Catherine. What are you going to spend it on? | 0:21:54 | 0:21:57 | |
Something sparkly. Yes! | 0:21:57 | 0:21:59 | |
Something dazzling. Absolutely. Like our team. | 0:21:59 | 0:22:02 | |
Yes, it's going to move heaven and earth. I like that. | 0:22:02 | 0:22:06 | |
That's excellent. You'd better put your best foot forward. | 0:22:06 | 0:22:10 | |
Did you see what she did? And let's see what the blue team bought. | 0:22:10 | 0:22:15 | |
'First, the blues' luck burnt out | 0:22:15 | 0:22:17 | |
'when they lost the toss on these Edwardian silver candlesticks, | 0:22:17 | 0:22:21 | |
'for which they paid ?70.' | 0:22:21 | 0:22:24 | |
'Then they bagged the hardwood Art-Deco-style elephants for ?60.' | 0:22:24 | 0:22:29 | |
'And finally, they stepped in time | 0:22:31 | 0:22:33 | |
'towards this Art Nouveau clock and bought it for ?35.' | 0:22:33 | 0:22:37 | |
Have you had a lovely time? | 0:22:39 | 0:22:41 | |
Yes, it's been harder than we thought it would be. | 0:22:41 | 0:22:44 | |
Really? Yeah, a big challenge. | 0:22:44 | 0:22:46 | |
Has it? I would've thought... Working with two boys! | 0:22:46 | 0:22:49 | |
Oh, I see, yes... | 0:22:49 | 0:22:51 | |
Anyway, so which is your favourite piece, Lilia? | 0:22:51 | 0:22:54 | |
The piece I chose last was the clock. And you love it? I like it. | 0:22:54 | 0:22:59 | |
What about you, Darren? | 0:22:59 | 0:23:01 | |
We've got a couple of nice, shapely candelabras that are quite nice. | 0:23:01 | 0:23:06 | |
And do you reckon they'll bring the biggest price? | 0:23:06 | 0:23:09 | |
Of the three pieces, they're the ones that stand out to me. | 0:23:09 | 0:23:14 | |
How much did you spend? We spent ?165. | 0:23:14 | 0:23:17 | |
You spent ?165. I'd like ?135 of leftover lolly, please. | 0:23:17 | 0:23:21 | |
OK. Here we go. | 0:23:21 | 0:23:23 | |
What I do now is hand the money to D Harper - | 0:23:23 | 0:23:27 | |
who is going to convert that into something profitable, right, Dave? | 0:23:27 | 0:23:31 | |
Yes, please! Yes. | 0:23:31 | 0:23:33 | |
And I'm going to do it for Lilia. No, we're doing it for charity. | 0:23:33 | 0:23:37 | |
You're doing it for charity. I'm doing it for Lilia! | 0:23:37 | 0:23:40 | |
He's got his head screwed on. Anyway, good luck with that, team. | 0:23:40 | 0:23:43 | |
Meanwhile, we're going to shimmy over straight to the auction. | 0:23:43 | 0:23:48 | |
Well, well, well. We've come from Kedleston Hall, | 0:24:00 | 0:24:03 | |
round the corner to Charles Hanson's saleroom in Etwall. Hello, Charles. | 0:24:03 | 0:24:07 | |
Hello, Tim. Now, this get-up - is it a lot coming up in one of your sales | 0:24:07 | 0:24:12 | |
or are you practising for Strictly? If I was not an auctioneer, | 0:24:12 | 0:24:16 | |
I have one dream - to be a dancer. I love Strictly Come Dancing, | 0:24:16 | 0:24:19 | |
I have the straight arms and the whole... You've got the moves. | 0:24:19 | 0:24:23 | |
..movement of dancing. I love to dance. | 0:24:23 | 0:24:25 | |
So, with these great people with you as well, let's go for it. | 0:24:25 | 0:24:29 | |
Well, I take my hat off to you. You look very much the part. | 0:24:29 | 0:24:33 | |
Anyway, let's go through Erin and Anton's lots. | 0:24:33 | 0:24:36 | |
First up, found by Erin, | 0:24:36 | 0:24:39 | |
is this sweet little breakfast tea-tray toast roack. | 0:24:39 | 0:24:43 | |
Isn't that lovely? It has great form, great posture, good lines... | 0:24:43 | 0:24:47 | |
Sorry, yes, the object! | 0:24:47 | 0:24:49 | |
We're not talking about Erin here! I give it a seven! | 0:24:49 | 0:24:52 | |
Birmingham, 1900, it has a heart shape in the four divisions. | 0:24:52 | 0:24:57 | |
On-the-bum feet. It's solid silver, it's hallmarked, it's 1900. | 0:24:57 | 0:25:01 | |
What's it worth? I would say between ?30 and ?50. | 0:25:01 | 0:25:04 | |
OK. ?43 paid by Erin. And it must make a profit! | 0:25:04 | 0:25:07 | |
Oh, Tim, absolutely. Should do. | 0:25:07 | 0:25:09 | |
The Waterman's fountain pen. Yes. | 0:25:09 | 0:25:12 | |
How collectable are these Watermans? 1960s, is it? | 0:25:12 | 0:25:16 | |
There's a huge market for pens and it's competitive | 0:25:16 | 0:25:19 | |
and you're right, 1960s, a stylish pen. | 0:25:19 | 0:25:22 | |
What's it worth? The guide price is between ?30 and ?40. | 0:25:22 | 0:25:26 | |
Brilliant. ?30 paid, so they paid the right price. | 0:25:26 | 0:25:28 | |
Now, the last item is the silver metal bonbon dish, | 0:25:28 | 0:25:32 | |
which has quite a lot of interesting decoration around the outside, | 0:25:32 | 0:25:37 | |
low-grade silver. Where do you think that was made? | 0:25:37 | 0:25:40 | |
I think it's full of Eastern promise, but it's Indian. | 0:25:40 | 0:25:43 | |
Made for the Europeans, but with Indian decorations. | 0:25:43 | 0:25:47 | |
And it looks well. We've been quite keen on guide price. | 0:25:47 | 0:25:50 | |
Between ?60 and ?100. OK, fine. ?40 paid by Anton. | 0:25:50 | 0:25:54 | |
Do you know, I don't think they'll need their bonus buy. | 0:25:54 | 0:25:57 | |
But let's look at it anyway. | 0:25:57 | 0:25:59 | |
Now, you spent ?113, you gave the lovely Catherine ?187. | 0:26:00 | 0:26:05 | |
What did she spend it on? What did you spend it on? | 0:26:05 | 0:26:08 | |
Look at that. Ooh! Ooh, lovely. | 0:26:08 | 0:26:12 | |
A little pendant. | 0:26:12 | 0:26:14 | |
Isn't that lovely? That is beautiful. Silver and enamel. | 0:26:14 | 0:26:18 | |
How about that? Charles Horner is the name on the back. | 0:26:18 | 0:26:21 | |
How much did you spend on that? Straight in with the cash. | 0:26:21 | 0:26:24 | |
?60. You spent ?60 on it. And do you think we'll make a profit? | 0:26:24 | 0:26:29 | |
We will make a profit on that, Erin. | 0:26:29 | 0:26:32 | |
I think we'll make a bit of money on this - ?30? ?40? | 0:26:32 | 0:26:36 | |
So we could make 100 on it. That's good. | 0:26:36 | 0:26:39 | |
It might sell for 100. Nice. Yes. | 0:26:39 | 0:26:42 | |
It's very pretty. Anyway, you don't pick now, | 0:26:42 | 0:26:45 | |
you pick after the sale of your first three items. | 0:26:45 | 0:26:48 | |
But, for the audience at home, | 0:26:48 | 0:26:50 | |
why don't we check out what the auctioneer thinks about the pendant? | 0:26:50 | 0:26:55 | |
Well, Charles, there we go. Charles Horner, look. | 0:26:56 | 0:26:59 | |
Chester. 1912. It's gorgeous, Tim. | 0:26:59 | 0:27:02 | |
Gorgeous. It's stunning. But what's the matter with its bottom? | 0:27:02 | 0:27:05 | |
Exactly. It's just had some awful attachment placed on | 0:27:05 | 0:27:11 | |
and the chain is later as well. | 0:27:11 | 0:27:14 | |
The chain is ugly. Modern. It's not silver even. No. | 0:27:14 | 0:27:18 | |
That's going to affect the value. It's either going to make ?80 | 0:27:18 | 0:27:22 | |
or it'll make 30. No in-between. | 0:27:22 | 0:27:24 | |
Oh, Lord. ?60 paid by Catherine. | 0:27:24 | 0:27:27 | |
Well, it'll all depend, as usual, | 0:27:27 | 0:27:29 | |
as to whether the teams go with it or not. | 0:27:29 | 0:27:32 | |
I'll drop it there and hope for the best. That's it for the reds. | 0:27:32 | 0:27:36 | |
Now for the blues. And what a different lot this is. | 0:27:36 | 0:27:40 | |
First up are these candlesticks. | 0:27:40 | 0:27:42 | |
And I am very, very, very disappointed | 0:27:42 | 0:27:45 | |
that they bought one of a pair that's so badly repaired. | 0:27:45 | 0:27:48 | |
That's really killed them. | 0:27:48 | 0:27:51 | |
Yeah. Sorry. OK. ?70 was paid. | 0:27:51 | 0:27:54 | |
How much do you think? I'm sure they'll create interest, | 0:27:54 | 0:27:57 | |
but my guide price between ?30 and ?50. | 0:27:57 | 0:28:00 | |
I don't blame you because of that break. But they are a match. | 0:28:00 | 0:28:03 | |
They might dance well. They might. | 0:28:03 | 0:28:06 | |
Now, the so-called book ends - I don't think these are book ends. | 0:28:06 | 0:28:10 | |
There are two drill holes in each head. | 0:28:10 | 0:28:13 | |
Mm. Perhaps to take a bar to suspend a gong. | 0:28:13 | 0:28:18 | |
Exactly. Quite right, Tim. | 0:28:18 | 0:28:20 | |
We'll all go down to the Tollygunge Club in Calcutta. You've got it. | 0:28:20 | 0:28:24 | |
That's it. Table gong. | 0:28:24 | 0:28:26 | |
Not book ends at all. We like them, they've got presence. | 0:28:26 | 0:28:30 | |
They could make ?200-300? I'm really excited by these. | 0:28:30 | 0:28:33 | |
I'd put a guide price of 80, 120. | 0:28:33 | 0:28:35 | |
My mind says 100-150, but if we get the herd out there bidding hard... | 0:28:35 | 0:28:40 | |
Yes, well, that cunning monkey David Harper only paid ?60. | 0:28:40 | 0:28:44 | |
That's ?30 per heffalump, which is not a lot. Bargain. | 0:28:44 | 0:28:47 | |
Now, lastly, it's this silver enclosed timepiece. | 0:28:47 | 0:28:53 | |
There's something queer about that. | 0:28:53 | 0:28:55 | |
I think it started as a photo frame. | 0:28:55 | 0:28:57 | |
It has a wonderful sheet-metal Nouveau design to the front, | 0:28:57 | 0:29:01 | |
which is in keeping to its period. | 0:29:01 | 0:29:03 | |
?35 is all Lilia paid for it, so I think she's got a good eye. | 0:29:03 | 0:29:07 | |
She knows the right price. I think it'll make between ?40 and ?60. | 0:29:07 | 0:29:12 | |
Marvellous. What with that and the potential for the heffalumps, | 0:29:12 | 0:29:16 | |
never going to need their bonus buy, but let's look at it. | 0:29:16 | 0:29:19 | |
You gave him ?135. David Harper, what did you spend it on? | 0:29:20 | 0:29:24 | |
OK. A fantastic mahogany box. | 0:29:24 | 0:29:27 | |
What's inside? Ah, very good question. | 0:29:27 | 0:29:30 | |
Da-da da-da! What do you think? | 0:29:30 | 0:29:33 | |
Makeup brushes for Darren! Darren's makeup box! Ah, excellent! | 0:29:33 | 0:29:37 | |
Look at this. If in doubt... | 0:29:37 | 0:29:40 | |
Just pile it on, Darren. | 0:29:40 | 0:29:42 | |
How much? How much would you spend on something so exquisite? | 0:29:42 | 0:29:47 | |
Full of paint. But look at that. | 0:29:47 | 0:29:50 | |
That's the star. Handle that, Lilia. | 0:29:50 | 0:29:52 | |
What you've got is this thin, thin sliver of mahogany | 0:29:52 | 0:29:56 | |
and you splash a bit of paint on and suddenly you're Van Gogh. | 0:29:56 | 0:30:00 | |
Absolutely. | 0:30:00 | 0:30:02 | |
So how much did you actually pay for this wonderful box? | 0:30:02 | 0:30:05 | |
Would you pay ?35? I would. | 0:30:05 | 0:30:07 | |
Well, so did I. It's a stonking buy. ?35 for the whole thing? | 0:30:07 | 0:30:11 | |
Yes. That will make a profit | 0:30:11 | 0:30:13 | |
because these things can do incredibly well. | 0:30:13 | 0:30:16 | |
In the region of what? Oh, gosh, if we get double bubble... | 0:30:16 | 0:30:20 | |
Double your money, you're doing marvellously. | 0:30:20 | 0:30:24 | |
I've never seen anything like it. You are a pair of artistes. | 0:30:24 | 0:30:27 | |
Yes, allegedly! | 0:30:27 | 0:30:29 | |
Almost everything but oils, I'd say. | 0:30:29 | 0:30:32 | |
You don't pick now, you pick after the sale of your first three items. | 0:30:32 | 0:30:36 | |
But now, for the audience at home, | 0:30:36 | 0:30:39 | |
let's find out what the auctioneer thinks about the paint box. | 0:30:39 | 0:30:43 | |
Right, Charles, stand by for this. | 0:30:44 | 0:30:46 | |
Da-daa! Oh, Tim, that's wonderful, isn't it? | 0:30:46 | 0:30:49 | |
Look at that veneer of mahogany. | 0:30:49 | 0:30:51 | |
And don't you feel that this belonged to a serious artist? | 0:30:51 | 0:30:55 | |
The brushes are there, there's been lots of use. | 0:30:55 | 0:30:59 | |
Looking at the box and the depth of the mahogany and the case, | 0:30:59 | 0:31:02 | |
to me, it would suggest it's second quarter 19th century, | 0:31:02 | 0:31:07 | |
1830, 1840. So what's the whole job worth? | 0:31:07 | 0:31:10 | |
It ought to make between ?50 and ?80. | 0:31:10 | 0:31:13 | |
OK, ?35 paid by David Harper. | 0:31:13 | 0:31:16 | |
It all depends on whether Darren and Lilia are going to go with it. | 0:31:16 | 0:31:20 | |
Now, Charles, are you sure you'll be all right in this get-up? | 0:31:20 | 0:31:23 | |
Tim, I'm raring to go. Shall we say "Keep dancing!"? | 0:31:23 | 0:31:27 | |
Keep dancing?! Oh, Charles! | 0:31:27 | 0:31:30 | |
70... Bid me 280. | 0:31:30 | 0:31:32 | |
I'm bid 260. And the hands go up! | 0:31:32 | 0:31:35 | |
280. Sold! | 0:31:37 | 0:31:39 | |
Look, hundreds of people, all here to buy your Children In Need lots. | 0:31:39 | 0:31:44 | |
First up is the five-bar toast rack. Here it comes. | 0:31:44 | 0:31:47 | |
Lot one. A wonderful toast rack. | 0:31:47 | 0:31:50 | |
60 I'm bid, I'll take 5 now. | 0:31:50 | 0:31:52 | |
It's a beautiful thing! It is! 5, 70, 5... | 0:31:52 | 0:31:56 | |
One more, sir. I know he'll go one more. | 0:31:56 | 0:31:59 | |
Tell him it's silver! | 0:31:59 | 0:32:01 | |
I'll give you a fiver. 5, 80, | 0:32:01 | 0:32:03 | |
I know he'll go one more. 90. | 0:32:03 | 0:32:05 | |
Come on! We've got ?90. | 0:32:05 | 0:32:08 | |
90. ?100 I'm bid, thank you, sir. | 0:32:08 | 0:32:12 | |
Well done. ?100. I'm asking 110 now. | 0:32:12 | 0:32:15 | |
?100. And I can say going, going, | 0:32:15 | 0:32:19 | |
gone to you, sir. | 0:32:19 | 0:32:21 | |
That is plus ?57. | 0:32:25 | 0:32:27 | |
Number two is a wonderful Waterman's fountain pen. | 0:32:27 | 0:32:31 | |
It's fluid, it has great movement, | 0:32:31 | 0:32:34 | |
there we are. 90 I'm bid. | 0:32:34 | 0:32:36 | |
Bid me 5. | 0:32:36 | 0:32:38 | |
Gold nib. Tell them about the nib! | 0:32:38 | 0:32:40 | |
The nib's wonderful. It's 18 carat, it's 750 marked. | 0:32:40 | 0:32:44 | |
It's a seriously good... Nib. ..pen. And nib. | 0:32:44 | 0:32:47 | |
90 I'm bid. Thank you for coming. | 0:32:47 | 0:32:49 | |
90. 5. ?100, I've got you! ?100! Thank you so much. | 0:32:49 | 0:32:54 | |
At ?100. Can we get 110? | 0:32:54 | 0:32:56 | |
No, they say. They're sitting pretty. | 0:32:56 | 0:32:59 | |
They're sitting pretty. Fair warning, sir, in the centre. | 0:32:59 | 0:33:02 | |
Once, twice, three times. Sold to you, sir. | 0:33:02 | 0:33:05 | |
Many thanks. Well done. | 0:33:05 | 0:33:07 | |
Well, ?70. That's very good. | 0:33:07 | 0:33:10 | |
Number three, showing for you there. | 0:33:10 | 0:33:12 | |
It's strictly non-expensive. | 0:33:12 | 0:33:14 | |
75, 80, great man. I've got 80, 90. | 0:33:14 | 0:33:18 | |
Take it away, sir. ?100. | 0:33:18 | 0:33:20 | |
Take it away! ?100 I'm bid. | 0:33:20 | 0:33:22 | |
Do I see 110 now? | 0:33:22 | 0:33:25 | |
At ?100. I'll supply the bonbons. | 0:33:25 | 0:33:27 | |
Thank you. You can come again. ?100. | 0:33:27 | 0:33:30 | |
Sir, many thanks indeed. You have got it! | 0:33:30 | 0:33:34 | |
Thank you very much. | 0:33:34 | 0:33:36 | |
Well done! That's ?60. That means overall you are plus ?187, | 0:33:36 | 0:33:40 | |
which is just fantastic. | 0:33:40 | 0:33:42 | |
Are you going to risk ?60 on the pendant? What do you say? | 0:33:42 | 0:33:46 | |
Do you trust Catherine? Yeah, I trust Catherine. | 0:33:46 | 0:33:49 | |
Absolutely. You're going with it? We're going with the bonus buy! | 0:33:49 | 0:33:53 | |
This is Charles Horner and it's pretty serious. | 0:33:53 | 0:33:56 | |
For a great cause. 130, 140, | 0:33:56 | 0:33:58 | |
150, Miss Hornblower. You look gorgeous. | 0:33:58 | 0:34:02 | |
160. | 0:34:02 | 0:34:04 | |
160. You clever thing, Catherine. | 0:34:04 | 0:34:07 | |
You should be in antiques, you're marvellous at this! | 0:34:07 | 0:34:11 | |
Going once... 170, sir! | 0:34:11 | 0:34:13 | |
What a man. At 170. Don't miss it for one, sir. | 0:34:15 | 0:34:19 | |
180... | 0:34:19 | 0:34:21 | |
I'll lend you the tenner myself! There we are, you heard that. | 0:34:21 | 0:34:25 | |
180... I'm bid 190! | 0:34:25 | 0:34:28 | |
I was only kidding! | 0:34:30 | 0:34:32 | |
195! Yes! I've got you! | 0:34:33 | 0:34:35 | |
?200... | 0:34:35 | 0:34:37 | |
I've got online ?200 here! | 0:34:37 | 0:34:40 | |
?200. Thank you, Bargain Hunt. | 0:34:40 | 0:34:43 | |
Fair warning. Sold! | 0:34:43 | 0:34:46 | |
Well done, Catherine. | 0:34:48 | 0:34:50 | |
?327. How's that? It's amazing. | 0:34:50 | 0:34:53 | |
That's got to be a record. World-breaking record. | 0:34:53 | 0:34:56 | |
But are you going to beat the blues? Yes, easy. | 0:34:56 | 0:34:59 | |
Have you seen what they picked? The trick now is don't tell the blues. | 0:34:59 | 0:35:03 | |
We'll sell their objects next and all will be revealed in a moment. | 0:35:03 | 0:35:07 | |
Cross your legs,... Oh, yes. ..oink up your tutu and get ready. | 0:35:17 | 0:35:21 | |
Because here comes the silver candlesticks. OK. | 0:35:21 | 0:35:25 | |
We have got 140. We are bid 140. | 0:35:25 | 0:35:28 | |
Go on. I'm asking now 150. | 0:35:28 | 0:35:31 | |
These are silver sticks. 150, I've got you! | 0:35:31 | 0:35:34 | |
I'm asking 160. It's 170. | 0:35:34 | 0:35:37 | |
Yes. 200! I've got you. I hope so, Lilia! | 0:35:37 | 0:35:41 | |
170. Online 180. | 0:35:41 | 0:35:43 | |
Bid 180. | 0:35:43 | 0:35:45 | |
All out. I ask 180. | 0:35:45 | 0:35:48 | |
Going once, going twice... | 0:35:48 | 0:35:50 | |
You're out online. We sell. | 0:35:50 | 0:35:52 | |
180! I know they'll go one more! | 0:35:52 | 0:35:56 | |
I know they will! Bid 190! | 0:35:56 | 0:35:59 | |
Go on! 190! I've got you at 190! | 0:35:59 | 0:36:02 | |
Internet, I might give you a tenner! | 0:36:02 | 0:36:04 | |
Good girl, isn't she? | 0:36:04 | 0:36:06 | |
Isn't that marvellous? 190 I'm bid. | 0:36:06 | 0:36:09 | |
We've got ?200! Yes, we've got 200! I told you! | 0:36:09 | 0:36:14 | |
I can say going, going, | 0:36:14 | 0:36:17 | |
gone! | 0:36:17 | 0:36:19 | |
That is plus ?130. That's a great start. | 0:36:19 | 0:36:24 | |
Carved elephants. There we are. | 0:36:24 | 0:36:27 | |
?100 bid. ?100 bid online. | 0:36:27 | 0:36:30 | |
In the room, do we see 110? | 0:36:30 | 0:36:32 | |
110, thank you, sir. | 0:36:32 | 0:36:34 | |
110, 120, 130, | 0:36:34 | 0:36:37 | |
140, 150, | 0:36:37 | 0:36:40 | |
160... I know he'll go one more, sir. Make it 180. | 0:36:40 | 0:36:43 | |
I know he'll go one more! | 0:36:43 | 0:36:46 | |
I know it. 180! | 0:36:46 | 0:36:48 | |
Yes! ?200 I'm bid, sir! | 0:36:48 | 0:36:51 | |
Thank you! We sell at ?200. | 0:36:51 | 0:36:54 | |
Going, going, gone. | 0:36:54 | 0:36:57 | |
That's 140. Here comes the timepiece. | 0:36:59 | 0:37:03 | |
Time's ticking and I can go ?200. It's solid silver. What? | 0:37:03 | 0:37:08 | |
Oh, my God. I'm asking 210 now. | 0:37:08 | 0:37:10 | |
210, 220, 230, | 0:37:10 | 0:37:13 | |
240, 250, | 0:37:13 | 0:37:15 | |
260, 270. Yes, yes! Take it away at 280. | 0:37:15 | 0:37:19 | |
Yes, let's go! We've got it. 280, I'm out. | 0:37:19 | 0:37:23 | |
280 I'm bid. I ask now 290. | 0:37:23 | 0:37:26 | |
At ?280, | 0:37:26 | 0:37:28 | |
going, going, going, | 0:37:28 | 0:37:30 | |
sold! Well done! | 0:37:30 | 0:37:33 | |
My goodness me! | 0:37:33 | 0:37:35 | |
What a team! I can't believe it! | 0:37:35 | 0:37:37 | |
That is ?515 profit. | 0:37:37 | 0:37:40 | |
Now, very quickly, the bonus buy. | 0:37:40 | 0:37:43 | |
I think we might as well go for it. You're going with it? Yes. | 0:37:43 | 0:37:46 | |
The decision is made - we're going with the bonus buy. | 0:37:46 | 0:37:49 | |
I can start this lot with bids at 25, 35, | 0:37:49 | 0:37:53 | |
45, 50 I'm bid. | 0:37:53 | 0:37:56 | |
Yes! 50 I'm bid. 5, 60, 70, 80, | 0:37:56 | 0:38:00 | |
90... I've got 95, sir. | 0:38:00 | 0:38:03 | |
?100! I've got you, sir! | 0:38:03 | 0:38:05 | |
Well done, Dave. Do I see 110 now? | 0:38:05 | 0:38:09 | |
At ?100, sir, | 0:38:09 | 0:38:11 | |
thank you, for a wonderful cause. | 0:38:11 | 0:38:13 | |
You've got it, it's yours. | 0:38:13 | 0:38:15 | |
Wow! My goodness me. Thank you... | 0:38:15 | 0:38:19 | |
Plus ?580. | 0:38:19 | 0:38:23 | |
Wow. 580 big ones. There you go, try and beat that, Anton and Erin. | 0:38:23 | 0:38:27 | |
Well, don't say a word to those reds, all right? | 0:38:27 | 0:38:30 | |
We will reveal all in a moment. | 0:38:30 | 0:38:33 | |
But congratulations. For Children In Need. Aren't they a great team? | 0:38:33 | 0:38:38 | |
Sold to you! Well done! | 0:38:39 | 0:38:41 | |
Well, we've dragged you together to sell four special lots, | 0:38:47 | 0:38:51 | |
all for Children In Need. | 0:38:51 | 0:38:53 | |
'First up, we had two of our fleeces, signed by me | 0:38:53 | 0:38:58 | |
'and Bargain Hunt's team of experts.' | 0:38:58 | 0:39:01 | |
130, 140... | 0:39:01 | 0:39:03 | |
I ask you 140. I say going once, going twice, | 0:39:03 | 0:39:07 | |
all out... Well done, Charles! | 0:39:07 | 0:39:10 | |
'Next we had a Bargain Hunt banner, | 0:39:10 | 0:39:12 | |
'again signed by me and our experts.' | 0:39:12 | 0:39:15 | |
Third bidder, ?500! Thank you! | 0:39:15 | 0:39:18 | |
We're all out. Sold to you! Well done. | 0:39:18 | 0:39:21 | |
Well done, that man. | 0:39:21 | 0:39:24 | |
'And now a day out behind the scenes here on Bargain Hunt, | 0:39:26 | 0:39:30 | |
'watching us film a fair.' | 0:39:30 | 0:39:32 | |
?500! We've got it! | 0:39:32 | 0:39:35 | |
Going, | 0:39:35 | 0:39:37 | |
going, | 0:39:37 | 0:39:39 | |
gone! Sold! | 0:39:39 | 0:39:41 | |
?500! | 0:39:41 | 0:39:42 | |
'And finally, to dance off into the sunset, | 0:39:42 | 0:39:46 | |
'a set of tailor-made fleeces, worn by our Strictly celebrities.' | 0:39:46 | 0:39:51 | |
350 I'm bid. I see 355... | 0:39:51 | 0:39:54 | |
I'll have a dance with you as well. If somebody will bid 355, | 0:39:54 | 0:39:58 | |
we'll get him down here... I've got 355 down here! | 0:39:58 | 0:40:01 | |
We are in Northamptonshire... | 0:40:01 | 0:40:04 | |
Is it a fella? Ohh... | 0:40:04 | 0:40:06 | |
Come on, Keith! Erin, come on down! | 0:40:08 | 0:40:12 | |
To the theme of I've Got You Under My Skin... | 0:40:12 | 0:40:16 | |
ALL: # I've got you under my skin | 0:40:16 | 0:40:20 | |
# I've got you deep in the heart of me... | 0:40:20 | 0:40:26 | |
It is ?355, | 0:40:26 | 0:40:29 | |
going, going, gone. Thank you! | 0:40:29 | 0:40:32 | |
# Under my skin! | 0:40:32 | 0:40:34 | |
Well, well. Have you teams been chatting to one another? | 0:40:39 | 0:40:42 | |
ALL: No! | 0:40:42 | 0:40:43 | |
It's no secret between you guys that you are both majorly in profit. | 0:40:43 | 0:40:49 | |
With such huge profits, the like of which we never see on this show. | 0:40:49 | 0:40:54 | |
So it's a big congrats all round. | 0:40:54 | 0:40:58 | |
And the runners up today, because they haven't done quite so well, | 0:40:58 | 0:41:02 | |
but they've still done brilliantly, are the reds. | 0:41:02 | 0:41:05 | |
Good effort though, Anton. Never mind, Anton. | 0:41:06 | 0:41:09 | |
Ohh. I can't believe it! | 0:41:09 | 0:41:12 | |
I am going to hand you ?327. How special is that? | 0:41:12 | 0:41:17 | |
Beautiful. Absolutely marvellous. | 0:41:17 | 0:41:19 | |
And the victors today, the blues, | 0:41:19 | 0:41:21 | |
go home with ?580. | 0:41:21 | 0:41:24 | |
There is your ?580. | 0:41:24 | 0:41:27 | |
And because you guys made a profit on every single item, | 0:41:27 | 0:41:31 | |
you get admitted to the ancient and noble Order of the Golden Gavel. | 0:41:31 | 0:41:36 | |
Really? Yes. Which is represented by a little pin. | 0:41:36 | 0:41:40 | |
Take that one, Erin. Well done. | 0:41:40 | 0:41:42 | |
You can wear it with pride. | 0:41:42 | 0:41:44 | |
Catherine, that's to go with your collection. | 0:41:44 | 0:41:47 | |
Thank you. And the victors get a victory pin too. | 0:41:47 | 0:41:50 | |
How lovely is that? That goes with your collection, David. Thank you. | 0:41:50 | 0:41:54 | |
Anyway, you've got your Golden Gavels, | 0:41:54 | 0:41:57 | |
you have contributed this substantial addition | 0:41:57 | 0:42:00 | |
to the Children In Need coffers | 0:42:00 | 0:42:02 | |
and let's have Pudsey in to receive your cash! | 0:42:02 | 0:42:06 | |
Hello, Puds. Hi, Pudsey! | 0:42:06 | 0:42:08 | |
Thank you, Pudsey. That's very kind. | 0:42:08 | 0:42:11 | |
Look, empty. But now to be filled. | 0:42:11 | 0:42:14 | |
Thank you very much for that, thank you very much for that. | 0:42:14 | 0:42:17 | |
And, of course, we've got the additional amount | 0:42:17 | 0:42:21 | |
from the additional items that we sold at auction, | 0:42:21 | 0:42:24 | |
which is a massive wodge of cash. | 0:42:24 | 0:42:27 | |
Look at that! ?1,485 extra! | 0:42:27 | 0:42:32 | |
Which goes in on the top, | 0:42:32 | 0:42:34 | |
giving us a grand total in here | 0:42:34 | 0:42:37 | |
of ?2,392 total profit. | 0:42:37 | 0:42:41 | |
Anyway, I congratulate you, our heroes and heroines. | 0:42:42 | 0:42:46 | |
Now, a little traditional last kick. | 0:42:46 | 0:42:48 | |
I'm nervous about this because this is a Strictly kick. | 0:42:48 | 0:42:51 | |
On the second beat. Join us soon for some more Bargain Hunting. Yes? | 0:42:51 | 0:42:55 | |
ALL: Yes! | 0:42:55 | 0:42:57 | |
'For more information about Children In Need | 0:42:57 | 0:43:00 | |
'or to make a donation, go to...' | 0:43:00 | 0:43:05 | |
'..or call...' | 0:43:05 | 0:43:09 | |
'..to change children's lives right here in the UK.' | 0:43:09 | 0:43:13 | |
Subtitles by Red Bee Media Ltd | 0:43:34 | 0:43:37 |