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Our teams are going to be hopping around like mad today | 0:00:08 | 0:00:11 | |
in between all these antique shops, | 0:00:11 | 0:00:13 | |
but the big question is, are they going to land upon a decent bargain? | 0:00:13 | 0:00:16 | |
Well, I don't know. Let's go bargain hunting! | 0:00:16 | 0:00:20 | |
Lewes hosts the world championship Toad in the Hole contest, | 0:00:47 | 0:00:52 | |
and I'm not talking about that delicious sausage-y dish. | 0:00:52 | 0:00:56 | |
This Toad in the Hole is a pub game that involves tossing a coin at a table with a hole in the middle. | 0:00:58 | 0:01:03 | |
It certainly is a game of patience and precision, | 0:01:05 | 0:01:08 | |
and let's hope that our teams aim high enough, and achieve those vital results later at auction. | 0:01:08 | 0:01:15 | |
On today's show, both teams leave it oh so late. | 0:01:18 | 0:01:21 | |
I tell you what I think - I think we've got to buy something. | 0:01:22 | 0:01:24 | |
Come on, girls, let's go. We've got hardly any time. OK. | 0:01:25 | 0:01:29 | |
What have we got? 30 seconds? | 0:01:29 | 0:01:31 | |
But rewards at the auction hit a dramatic high. | 0:01:34 | 0:01:37 | |
?75, straight in. | 0:01:38 | 0:01:40 | |
So stay tuned, bargain hunters. | 0:01:40 | 0:01:42 | |
Yes! | 0:01:42 | 0:01:44 | |
First, let's meet the teams. | 0:01:44 | 0:01:46 | |
Well, it's a family affair on Bargain Hunt today for the Reds. | 0:01:49 | 0:01:53 | |
We've got Jane and Georgie, mother and daughter, | 0:01:53 | 0:01:56 | |
and Mike and Tamsin, father and daughter for the Blues. | 0:01:56 | 0:01:59 | |
Hello, everyone. Hello. Lovely to see you. | 0:01:59 | 0:02:01 | |
Now, Janey, what do you do for a job of work? | 0:02:01 | 0:02:04 | |
I'm a psychotherapist for the NHS. | 0:02:04 | 0:02:07 | |
It says here you like potting a ball or two. | 0:02:07 | 0:02:09 | |
I do. I'm a pool player. | 0:02:09 | 0:02:11 | |
Are you? Good for you. | 0:02:11 | 0:02:13 | |
So you're now champion? I got a couple of trophies this year. | 0:02:13 | 0:02:16 | |
Are you very proud of your mum? Do you go watch her? | 0:02:17 | 0:02:20 | |
I have been a couple of times. She's tried to drag me in, get me to play. | 0:02:20 | 0:02:24 | |
I'm rubbish. But actually, you're applying to be another sort of student, aren't you? | 0:02:24 | 0:02:29 | |
I am. I'm applying to go to uni to do special effects make-up. | 0:02:29 | 0:02:33 | |
Hopefully we'll have no call for that on Bargain Hunt today. | 0:02:33 | 0:02:35 | |
OK. Good luck today on Bargain Hunt. Lovely to meet you. | 0:02:36 | 0:02:39 | |
Now, Mike, you're retired, but actually, you're a man of the sea. | 0:02:39 | 0:02:44 | |
I joined the Navy when I was 15. | 0:02:44 | 0:02:46 | |
Very naughty. | 0:02:46 | 0:02:48 | |
You lied about your age. I did, I did. | 0:02:48 | 0:02:50 | |
So did three other people that came with me. | 0:02:50 | 0:02:52 | |
And for the first month it was... Hm! | 0:02:53 | 0:02:56 | |
Not quite what was on the brochures, but I stayed in for 25 years. | 0:02:56 | 0:02:59 | |
It also says here you're a bit of a hoarder. | 0:02:59 | 0:03:01 | |
One person's hoarder is another's avid collection - | 0:03:01 | 0:03:04 | |
How many keyrings have you got? I've got 400 of those. | 0:03:04 | 0:03:07 | |
OK, fine. | 0:03:07 | 0:03:08 | |
What about the comics? | 0:03:08 | 0:03:10 | |
Yeah, yeah, well... What about the helmets? | 0:03:10 | 0:03:12 | |
Yeah, yeah, I suppose... | 0:03:12 | 0:03:15 | |
1914 and 18, medieval, all that kind of lark. I got into that a bit. | 0:03:15 | 0:03:20 | |
I think we've got the message. You're not a hoarder at all. | 0:03:20 | 0:03:22 | |
That's fine. Very good. | 0:03:22 | 0:03:24 | |
Reliable Naval officer. | 0:03:24 | 0:03:26 | |
OK, fine. Now, Tams... | 0:03:26 | 0:03:29 | |
Would you say you've inherited your father's collecting genes? | 0:03:29 | 0:03:33 | |
I don't think anybody has those genes! | 0:03:33 | 0:03:36 | |
I do like to collect a few bits. | 0:03:36 | 0:03:38 | |
Like what? | 0:03:38 | 0:03:40 | |
Vintage clothes and hats. What about the perfume bottles? | 0:03:40 | 0:03:43 | |
And I do like... Yes. | 0:03:43 | 0:03:45 | |
And books? | 0:03:45 | 0:03:47 | |
I do like certain books. | 0:03:47 | 0:03:49 | |
OK, we're getting the message. These Reds are quaking in their boots | 0:03:49 | 0:03:53 | |
watching you lot not describing what you don't collect. | 0:03:53 | 0:03:57 | |
There are going to be sparks, I can tell. | 0:03:57 | 0:03:59 | |
OK, fine, now, ?300 apiece. | 0:04:00 | 0:04:02 | |
?300, yes? ?300, girls. | 0:04:02 | 0:04:04 | |
You know the rules. Your experts await, and off you go. | 0:04:04 | 0:04:07 | |
And very, very, very, very good luck. Gosh, what fun. | 0:04:07 | 0:04:10 | |
He's no puppet. | 0:04:16 | 0:04:18 | |
Thomas Plant will be assisting the Reds. | 0:04:18 | 0:04:20 | |
While helping out the Blues is the Master of Disguise, Philip Serrell. | 0:04:23 | 0:04:26 | |
OK, teams, your 60 minutes starts now. | 0:04:30 | 0:04:33 | |
What ARE we going to buy? | 0:04:34 | 0:04:36 | |
Good question. I know, I just asked you. | 0:04:36 | 0:04:38 | |
Jane, Georgie, are you ready for this? Yeah. | 0:04:38 | 0:04:40 | |
The advice my wife gave me was to buy things that will sell, and make a lot of money. | 0:04:41 | 0:04:46 | |
That's a good tip. Well, let's bear that in mind. | 0:04:46 | 0:04:49 | |
Come on. | 0:04:49 | 0:04:51 | |
What about you and your tactics? | 0:04:52 | 0:04:54 | |
I tend to look for quirky things, things I like, things I'd buy myself. | 0:04:54 | 0:04:57 | |
What do you like? Anything that looks a bit odd. | 0:04:57 | 0:05:00 | |
Bit odd? Right, let's go and find odd things. | 0:05:00 | 0:05:02 | |
Now, if you can't find some stuff in here... | 0:05:07 | 0:05:10 | |
..you won't find stuff anywhere. | 0:05:10 | 0:05:12 | |
Thomas, what are these? | 0:05:17 | 0:05:19 | |
There's two of them. ?5 a pair. | 0:05:19 | 0:05:22 | |
Let's have a look. They're little sort of scents. | 0:05:22 | 0:05:25 | |
They would have pot pourri... They would have sort of a scent in them. | 0:05:25 | 0:05:29 | |
They're probably Middle Eastern, and not the greatest of quality, | 0:05:29 | 0:05:32 | |
but they've got a bit of age. | 0:05:32 | 0:05:34 | |
Only ?5? Are we going to be having a day of... | 0:05:34 | 0:05:37 | |
penny pinching? | 0:05:37 | 0:05:40 | |
Are you a penny pincher? I'm a bit of a penny pincher. Are you?! | 0:05:40 | 0:05:42 | |
These are sweet, but ?5... I think we can do better. OK. | 0:05:42 | 0:05:46 | |
I think we can. No, no, that's good. | 0:05:46 | 0:05:48 | |
Onwards and upwards, Thomas. | 0:05:48 | 0:05:50 | |
Meanwhile, the Blues are going down with Phil. | 0:05:56 | 0:05:58 | |
Oh, dear, oh, dear, oh, dear. I think there's stuff in here that somebody might like. | 0:06:00 | 0:06:04 | |
MUSIC: "Fashion" by David Bowie | 0:06:04 | 0:06:06 | |
Oh, God. Pretty much my sentiments, actually. | 0:06:07 | 0:06:10 | |
Amazing! Yeah, it's all of that. | 0:06:10 | 0:06:12 | |
# Fashion, turn to the left | 0:06:12 | 0:06:14 | |
# Fashion | 0:06:14 | 0:06:16 | |
Mike, have a seat, cos I've got the distinct feeling | 0:06:16 | 0:06:18 | |
that for the next few minutes you and I are going to be superfluous. | 0:06:18 | 0:06:21 | |
I think you're right there, I think you're right. | 0:06:21 | 0:06:23 | |
# Beep beep... # | 0:06:23 | 0:06:25 | |
How long's this going to last for? It could be hours. | 0:06:27 | 0:06:30 | |
It can't be because we only had an hour when we started. | 0:06:30 | 0:06:32 | |
Eat your heart out, Kate Moss, eh? | 0:06:32 | 0:06:34 | |
Oh, my Lord. | 0:06:38 | 0:06:41 | |
HE LAUGHS | 0:06:41 | 0:06:43 | |
I think it might be a big seller. | 0:06:43 | 0:06:45 | |
Not here. | 0:06:45 | 0:06:47 | |
No? | 0:06:47 | 0:06:48 | |
Bonkers, absolutely... Probably in Bangkok... Stark raving bonkers. | 0:06:48 | 0:06:52 | |
OK, I'll put it back. Good idea. | 0:06:54 | 0:06:56 | |
I'll look forward to it. Oh, my life. | 0:07:01 | 0:07:03 | |
I really like it. I actually really like it. | 0:07:07 | 0:07:09 | |
You look like something out of Cinderella. How much is that? | 0:07:09 | 0:07:11 | |
?50. No! | 0:07:12 | 0:07:14 | |
In fact, the hat was from a stand where everything is marked up half-price, | 0:07:15 | 0:07:19 | |
so time for Tamsin to start haggling. | 0:07:19 | 0:07:22 | |
Right, I've done my best. | 0:07:24 | 0:07:26 | |
What was the best? | 0:07:26 | 0:07:28 | |
They didn't want to go for ?15, but they said they'd do it for ?20. | 0:07:28 | 0:07:32 | |
I'm pleased. You're pleased? I'm pleased. | 0:07:32 | 0:07:34 | |
Oh, good, I'm glad you're pleased. I think actually, it's on my head be it. | 0:07:34 | 0:07:38 | |
You look nice. | 0:07:40 | 0:07:42 | |
See? | 0:07:42 | 0:07:44 | |
Come on, Phil, the girl did good. | 0:07:44 | 0:07:46 | |
That's the first item bought, but how are those Reds getting on | 0:07:46 | 0:07:50 | |
now that they're 20 minutes into the shop? | 0:07:50 | 0:07:52 | |
So, Georgie, I reckon this is your thing. | 0:07:53 | 0:07:56 | |
Definitely. This kind of mirror here. | 0:07:56 | 0:08:00 | |
Shabby chic look to it. ?75. | 0:08:00 | 0:08:04 | |
Quite a lot of money. You won't get your money back. You're not going to get your money back on that. | 0:08:04 | 0:08:08 | |
OK, fair enough, fair enough. Sorry. | 0:08:08 | 0:08:10 | |
You're going to rule that one out. I am. You ruled out mine! | 0:08:10 | 0:08:13 | |
I didn't rule... We haven't ruled that out yet. | 0:08:13 | 0:08:16 | |
Not at all. It's a grudge now. | 0:08:17 | 0:08:19 | |
How about this? This is very smart. | 0:08:20 | 0:08:22 | |
It's a little box to put one's jewellery in, | 0:08:22 | 0:08:25 | |
but it's by Asprey of London. | 0:08:25 | 0:08:27 | |
Shall we have a look at that? Yes. | 0:08:27 | 0:08:29 | |
Can we have a look at something else as well? | 0:08:29 | 0:08:32 | |
We've spotted that little silver one as well down at the bottom. | 0:08:32 | 0:08:35 | |
Let's have a look at the Asprey one first. | 0:08:35 | 0:08:37 | |
So we have the alabaster top, | 0:08:37 | 0:08:41 | |
which has got these lovely striations, hasn't it, | 0:08:41 | 0:08:44 | |
from the natural rock, and then this is all silver. | 0:08:44 | 0:08:46 | |
It's got Asprey there, so this is a mercury-gilded silver. | 0:08:46 | 0:08:50 | |
It would be silver, but it's been gilded to give it that gold look. | 0:08:50 | 0:08:53 | |
You've got hallmarks just there, and it's stamped Asprey. | 0:08:53 | 0:08:56 | |
What's the very best on the box? | 0:08:56 | 0:08:58 | |
Best can be ?85. Oh, that's not bad. | 0:08:58 | 0:09:02 | |
That's not bad. That's a good price. | 0:09:02 | 0:09:04 | |
Right, put that down. Let's have a look. | 0:09:05 | 0:09:07 | |
You'd like ?85 for that. Shall we have a look at this one here as well? | 0:09:07 | 0:09:10 | |
This is filigree, so this is silver filigree in there. | 0:09:11 | 0:09:14 | |
Which is why it's silver. | 0:09:14 | 0:09:17 | |
Patterned to make this beautiful design. | 0:09:17 | 0:09:19 | |
Like that, do you? Yes. It's cute. | 0:09:19 | 0:09:22 | |
Victorian white metal box. | 0:09:22 | 0:09:24 | |
?34. What's the best on that? | 0:09:24 | 0:09:26 | |
It can be ?25. ?25... | 0:09:26 | 0:09:29 | |
I like that. You like that? Do you like them both, or do you...? | 0:09:29 | 0:09:33 | |
I like them. If we could do the two, that would be good. | 0:09:33 | 0:09:36 | |
Would ?100 buy them both? No. | 0:09:36 | 0:09:38 | |
What would buy the both? | 0:09:38 | 0:09:41 | |
?105. | 0:09:41 | 0:09:43 | |
That's ?105, and that means you've got two lots. | 0:09:43 | 0:09:44 | |
You could buy the little scents for a fiver, and you're done, | 0:09:44 | 0:09:48 | |
but I would advise against it. | 0:09:48 | 0:09:50 | |
No. Don't encourage her. | 0:09:50 | 0:09:52 | |
I think we should get them. I really like them. | 0:09:54 | 0:09:57 | |
How can I refuse? | 0:09:57 | 0:09:59 | |
Go on. That's a good deal. | 0:09:59 | 0:10:01 | |
OK. We do it? | 0:10:01 | 0:10:03 | |
Go on, then. | 0:10:03 | 0:10:04 | |
A deal. Thank you very much. | 0:10:04 | 0:10:06 | |
Two items in one shopping experience. | 0:10:06 | 0:10:09 | |
That's the way I like it. | 0:10:09 | 0:10:11 | |
Right. Just to make it crystal-clear, they paid ?85 for the alabaster cigarette box, | 0:10:12 | 0:10:18 | |
and picked up the continental silver-coloured metal pill box for ?20. | 0:10:18 | 0:10:22 | |
Come on, then. | 0:10:23 | 0:10:25 | |
As both teams continue to shop, take a little look at what I've just found. | 0:10:26 | 0:10:30 | |
This is all rather incongruous, isn't it? | 0:10:32 | 0:10:34 | |
What is this thing? | 0:10:34 | 0:10:36 | |
Well, at first glance... | 0:10:36 | 0:10:38 | |
it's weird in appearance. | 0:10:39 | 0:10:41 | |
Pick it up and it's heavy. | 0:10:42 | 0:10:44 | |
Look at it carefully - it's got a wee mark. | 0:10:44 | 0:10:47 | |
And that mark says 830S, | 0:10:47 | 0:10:49 | |
which means it's hallmarked silver. | 0:10:49 | 0:10:52 | |
And it was made to sit on a desk. | 0:10:53 | 0:10:55 | |
This ovoid top feels extremely comfortable in your hand, | 0:10:55 | 0:10:59 | |
and that's the point. | 0:10:59 | 0:11:01 | |
It's split into sections, which taper, and each of those splits | 0:11:01 | 0:11:06 | |
is filled with a trail of foliage. | 0:11:06 | 0:11:08 | |
And that's before you get to the sealed bit at the bottom. | 0:11:08 | 0:11:12 | |
This is smooth, it's never been engraved. It's simply waiting for somebody's initials, | 0:11:12 | 0:11:17 | |
their cipher, or even their crest, the idea being | 0:11:17 | 0:11:21 | |
you'd have this on a desk, you'd have some sealing wax, | 0:11:21 | 0:11:24 | |
you'd seal an envelope with sealing wax, | 0:11:24 | 0:11:27 | |
and apply your personal ID stamp or seal to the outside. | 0:11:27 | 0:11:32 | |
Where does it come from? | 0:11:32 | 0:11:35 | |
Well, the stamp 830S | 0:11:35 | 0:11:38 | |
is an indication that the silver was hallmarked in Norway. | 0:11:38 | 0:11:42 | |
What's it worth? Well, it could be yours for ?60. | 0:11:42 | 0:11:46 | |
Now, would you like to see the absolute polar opposite | 0:11:46 | 0:11:50 | |
in the way of silversmithing? | 0:11:50 | 0:11:52 | |
Also available here in Lewes. | 0:11:52 | 0:11:54 | |
There she is - one little Indian cow. | 0:11:56 | 0:11:59 | |
An utterly unsophisticated piece of silver - | 0:12:00 | 0:12:04 | |
crude, made of low-grade silver-coloured metal. | 0:12:04 | 0:12:08 | |
So low-grade it doesn't have a hallmark at all, BUT... | 0:12:08 | 0:12:13 | |
utterly and completely charming, and that for me makes it as desirable as the object from Scandinavia | 0:12:13 | 0:12:20 | |
that's supremely sophisticated. | 0:12:20 | 0:12:22 | |
What's our little Indian fellow worth? | 0:12:23 | 0:12:26 | |
Well, you could buy him today here is Lewes for ?20. | 0:12:26 | 0:12:30 | |
I'd milk it for all it's worth. | 0:12:30 | 0:12:33 | |
These things in here, that's a box. Yes. | 0:12:42 | 0:12:45 | |
It's got a Penny Red on the top of it. | 0:12:45 | 0:12:48 | |
This is Tunbridge Ware, and Tunbridge Ware strangely enough is made in Tunbridge. | 0:12:48 | 0:12:53 | |
If you can imagine, lots of little matchsticks, all different colours, | 0:12:53 | 0:12:56 | |
and they just slice the tops off. | 0:12:56 | 0:12:58 | |
They lay it round, and that was Tunbridge Ware. | 0:12:58 | 0:13:00 | |
98 quid. Next? | 0:13:00 | 0:13:02 | |
Is that a no, then? I'll tell you what bothers me a bit. | 0:13:03 | 0:13:06 | |
Is that you've got half an hour gone, and one item. | 0:13:06 | 0:13:09 | |
They way we're going, we're going to end up spending - | 0:13:09 | 0:13:11 | |
We can always come back at the last minute. | 0:13:11 | 0:13:13 | |
If we've got a last minute. If we've got a last minute. | 0:13:13 | 0:13:15 | |
OK, well, perhaps we'll come back if we're in a last-minute panic. | 0:13:15 | 0:13:20 | |
But thanks for pointing it out. No, my pleasure. | 0:13:20 | 0:13:23 | |
I think I'm in a last-minute panic, really. | 0:13:23 | 0:13:25 | |
Phil's right - with half the shopping time gone | 0:13:26 | 0:13:29 | |
the Blues need to make some decisions. | 0:13:29 | 0:13:31 | |
Meanwhile, what has Thomas found here? | 0:13:31 | 0:13:33 | |
Variation on boxes... | 0:13:35 | 0:13:37 | |
What do you think of that one there? | 0:13:41 | 0:13:43 | |
A continental... Oh, look, it's got a name on it. | 0:13:43 | 0:13:46 | |
Can't even pronounce that. | 0:13:46 | 0:13:48 | |
ATTEMPTS PRONUNCIATION | 0:13:48 | 0:13:50 | |
This is Felix Diller. | 0:13:50 | 0:13:52 | |
From Barmen. | 0:13:52 | 0:13:54 | |
And it's a painted chest. Do you like that? | 0:13:55 | 0:13:57 | |
I like it. | 0:13:58 | 0:14:00 | |
It's complete silence from Jane. It's quite damaged on top. | 0:14:00 | 0:14:03 | |
That's the charm. | 0:14:03 | 0:14:06 | |
It's charm! | 0:14:06 | 0:14:08 | |
I quite like that. I like these sort of...yellows. | 0:14:08 | 0:14:11 | |
Very fashionable, very cool, and this red here... | 0:14:11 | 0:14:15 | |
No? Just as a variation. | 0:14:15 | 0:14:17 | |
You want to spend some money? I do, but on something that... | 0:14:17 | 0:14:20 | |
Right, OK. It just doesn't float my boat. | 0:14:20 | 0:14:23 | |
Doesn't float your boat? OK, carry on. | 0:14:23 | 0:14:25 | |
I quite like that. | 0:14:25 | 0:14:27 | |
We're now 40 minutes into the shop. | 0:14:33 | 0:14:36 | |
Blues, you seriously need to start buying more items. | 0:14:36 | 0:14:39 | |
It's a stamp viewer. Little concertina... | 0:14:39 | 0:14:41 | |
So you'd look at your stamp like that. So, is it old? | 0:14:41 | 0:14:46 | |
It doesn't look like it's too old to me. It's probably...'50s. | 0:14:46 | 0:14:51 | |
What do you reckon? You look positively underwhelmed. | 0:14:52 | 0:14:55 | |
I am positively underwhelmed. I quite like it. | 0:14:55 | 0:14:57 | |
It's neat. | 0:14:57 | 0:14:59 | |
I don't think many people would get that. | 0:14:59 | 0:15:01 | |
No. No. | 0:15:01 | 0:15:03 | |
That's a no, then? That's a no. | 0:15:03 | 0:15:05 | |
That's very kind. | 0:15:05 | 0:15:07 | |
That accordion... What about it? | 0:15:07 | 0:15:09 | |
A walnut demi loom cabinet. | 0:15:18 | 0:15:20 | |
Very practical for one's drinks. | 0:15:20 | 0:15:22 | |
1930s. | 0:15:23 | 0:15:25 | |
What do you like about it? | 0:15:25 | 0:15:27 | |
I like the shape of it, and I like the simplicity with this little detail on the front. | 0:15:28 | 0:15:33 | |
It's classy as well. Yeah, it's a good-looking thing. | 0:15:33 | 0:15:37 | |
You can't like it, can you? It's against all the things you like. | 0:15:37 | 0:15:41 | |
It's boring. OK, OK. | 0:15:41 | 0:15:43 | |
?125. Do you know what that is at auction? | 0:15:43 | 0:15:46 | |
?50 to ?80. Back of the net. | 0:15:46 | 0:15:48 | |
There we are. That's just decided that, then. | 0:15:49 | 0:15:51 | |
What do you think about that hydraulic... Hydrometer. | 0:15:58 | 0:16:01 | |
They measure alcohol, don't they? Specific value of alcohol. | 0:16:01 | 0:16:06 | |
They're interesting things, and they make between 20 and 40 quid. | 0:16:06 | 0:16:09 | |
OK. But we have got to buy something. | 0:16:09 | 0:16:13 | |
I like that, but I also like that little thing you found. | 0:16:13 | 0:16:15 | |
What little thing? Oh, this one over here. | 0:16:15 | 0:16:17 | |
Let's show Phil. Hear what he thinks about this. | 0:16:17 | 0:16:20 | |
That little lady's compact? I would see that making ?10, something like that. | 0:16:20 | 0:16:26 | |
Oh, well, that's that then. | 0:16:26 | 0:16:28 | |
I'll tell you what I think - I think we've got to buy something. | 0:16:28 | 0:16:31 | |
I am beginning to think that we're going to go and see Mr Tim Wonnacott very shortly with a top hat. | 0:16:31 | 0:16:37 | |
That cost 20 quid. Let's go for that eye glass for 15 quid, then. | 0:16:37 | 0:16:41 | |
That's a bit of a U-turn, Mike. | 0:16:41 | 0:16:43 | |
At least we've got a fallback there anyway, haven't we? | 0:16:43 | 0:16:47 | |
Two fallbacks now. Are you saying you've bought that? | 0:16:47 | 0:16:49 | |
I bought that one. You bought the little eyeglass stamp thing for ?15. | 0:16:49 | 0:16:53 | |
So we've got 35 quid spent, and 15 minutes left. | 0:16:53 | 0:16:57 | |
Yes. | 0:16:57 | 0:16:58 | |
Right. We can do it. OK. | 0:16:58 | 0:17:00 | |
We can do it. We can do this. | 0:17:00 | 0:17:02 | |
Can we? We haven't got any option, really. | 0:17:02 | 0:17:05 | |
Good. At last the Blues buy item number two. | 0:17:05 | 0:17:09 | |
Come on, girls, let's go. We've got hardly any time. | 0:17:10 | 0:17:13 | |
OK. Next shop. | 0:17:13 | 0:17:15 | |
Come have a look. | 0:17:16 | 0:17:17 | |
And it seems Thomas and the Red Team are feeling the pressure too. | 0:17:17 | 0:17:20 | |
Anything here? | 0:17:20 | 0:17:22 | |
Do nutcrackers tend to sell? | 0:17:24 | 0:17:26 | |
They're grape scissors. Grape scissors? | 0:17:26 | 0:17:28 | |
Oh. I quite like it. | 0:17:28 | 0:17:30 | |
Some sort of plate, is it? Yeah, yeah. | 0:17:30 | 0:17:33 | |
If that was silver, you could sell it with knobs on. | 0:17:33 | 0:17:35 | |
You could, couldn't you? Which do you like the best? | 0:17:35 | 0:17:38 | |
You've got to buy something. | 0:17:38 | 0:17:40 | |
The clock is ticking. | 0:17:41 | 0:17:43 | |
I think it's ticked, actually. | 0:17:43 | 0:17:45 | |
You've got to buy something. | 0:17:45 | 0:17:47 | |
Why don't we give that a whirl, | 0:17:47 | 0:17:49 | |
and try and see what we get this for? | 0:17:49 | 0:17:51 | |
Especially as they're priced at ?39. | 0:17:51 | 0:17:53 | |
You're going to see if you can have a deal? Definitely. | 0:17:53 | 0:17:55 | |
I'll see if I can get him down? OK. | 0:17:55 | 0:17:59 | |
Well, that was ever a close-run thing that, wasn't it? | 0:17:59 | 0:18:02 | |
Dear me. | 0:18:02 | 0:18:03 | |
There's no decision like indecision. | 0:18:03 | 0:18:05 | |
Now, with your sense of flamboyancy, your drama, | 0:18:12 | 0:18:16 | |
your sense of class... | 0:18:16 | 0:18:18 | |
..a ceiling light, a lantern. | 0:18:21 | 0:18:23 | |
Look at that blue. Continental, so you've got everything there, and you've got colour, | 0:18:23 | 0:18:28 | |
you've got vibrancy, you've got pizzazz and wow. | 0:18:28 | 0:18:31 | |
?110. | 0:18:31 | 0:18:33 | |
A witch's ball lamp, so you could put a light in there, | 0:18:33 | 0:18:36 | |
and it would look fabulous, or you just hang it in the hallway, and let the light catch it. | 0:18:36 | 0:18:41 | |
I really like that. I thought you'd love that. | 0:18:41 | 0:18:43 | |
It's just your type of thing, isn't it? | 0:18:43 | 0:18:45 | |
Definitely. It's still classy for me. | 0:18:46 | 0:18:48 | |
It's still got some real class about it. | 0:18:48 | 0:18:51 | |
It's so decorative. Shall we see what we can do on that price? Yes. | 0:18:51 | 0:18:56 | |
Hello. What's the best price on that, please? | 0:18:56 | 0:18:59 | |
?95. | 0:18:59 | 0:19:01 | |
?85...? | 0:19:02 | 0:19:04 | |
Have we got a nod at ?85? ?85's fine. | 0:19:04 | 0:19:06 | |
?85. | 0:19:06 | 0:19:08 | |
What do you think? Third and final? | 0:19:08 | 0:19:11 | |
Go on. Is it done? It's done. | 0:19:11 | 0:19:13 | |
You've got a deal. Thank you very much. Thank you. | 0:19:13 | 0:19:15 | |
We'll have that for ?85. Well done. I think you're done. | 0:19:15 | 0:19:18 | |
Three items. That third item took some time. | 0:19:18 | 0:19:21 | |
It was worth it. Hopefully. I think so. | 0:19:22 | 0:19:25 | |
I hope so. Oh, no! | 0:19:25 | 0:19:27 | |
Come on. Let's go for a cup of tea. | 0:19:27 | 0:19:29 | |
Ooh, yes. | 0:19:29 | 0:19:31 | |
The Reds have seen the light, and that's the third and final item in the bag. | 0:19:31 | 0:19:35 | |
Time is running out for the Blues. Will the grape scissor set complete their haul? | 0:19:37 | 0:19:42 | |
The best he can do is ?35, but I'm concerned about the box. It's a bit weather-beaten. | 0:19:42 | 0:19:48 | |
So am I. The box, or yourself? | 0:19:48 | 0:19:53 | |
OK. I don't think it's going to make much. | 0:19:53 | 0:19:56 | |
Let me tell you something - you're not going to to lose more than 70 quid | 0:19:56 | 0:20:00 | |
if you bomb on everything you bought, | 0:20:00 | 0:20:02 | |
because all you spent - 70 quid. | 0:20:02 | 0:20:05 | |
Look at the money you've got. We'll be looking forward to your contribution, Phil. | 0:20:05 | 0:20:10 | |
Let me tell you, I was looking forward to yours. | 0:20:10 | 0:20:12 | |
OK, all right. We'll go for that, then. | 0:20:13 | 0:20:15 | |
What have we got? 30 seconds? | 0:20:16 | 0:20:18 | |
Well, hats off to the teams. Time's up. | 0:20:25 | 0:20:28 | |
Let's check out what the Red Team bought. | 0:20:28 | 0:20:30 | |
They paid ?85 for | 0:20:31 | 0:20:33 | |
an Asprey's white alabaster and silver gilt cigarette box. | 0:20:33 | 0:20:38 | |
A Victorian continental, silver-coloured metal pill box | 0:20:38 | 0:20:42 | |
set them back a pill-popping ?20. | 0:20:42 | 0:20:44 | |
And finally, the Edwardian blue glass light shade turned them on for ?85. | 0:20:46 | 0:20:51 | |
How much did you spend all round? ?190. | 0:20:52 | 0:20:55 | |
?190. Who's got the ?110 of leftover lolly? I have here. | 0:20:55 | 0:20:58 | |
Thank you very much. | 0:20:58 | 0:21:00 | |
There you go, Tom. That's a nice amount of money. ?110. | 0:21:00 | 0:21:03 | |
I plan not to spend it all. But you know how you love to blow it, Tom. | 0:21:03 | 0:21:06 | |
I do. | 0:21:06 | 0:21:08 | |
Good luck with that. Meanwhile, we're going to check out what the Blue Team bought. | 0:21:08 | 0:21:11 | |
A topping ?20 bought this vintage black silk gentleman's top hat. | 0:21:13 | 0:21:17 | |
They focused ?15 of their budget on a concertina stamp magnifying glass. | 0:21:19 | 0:21:24 | |
And finally, a box set of silver-plated grape scissors, | 0:21:26 | 0:21:30 | |
nutcrackers, and two bone-handled picks cost them ?35. | 0:21:30 | 0:21:34 | |
Do you know, if I didn't have ulcers before, I've probably got them now. | 0:21:36 | 0:21:40 | |
OK, Tamsin, that's enough of this giggling, love. | 0:21:41 | 0:21:44 | |
It's time to own up. Did you have a good shop? | 0:21:44 | 0:21:46 | |
We had a great shop. So give us the good news. | 0:21:46 | 0:21:49 | |
How much did you spend? ?70. | 0:21:49 | 0:21:51 | |
On the first item? On all three items. | 0:21:51 | 0:21:54 | |
On all three items...? | 0:21:54 | 0:21:56 | |
Yes. | 0:21:56 | 0:21:57 | |
Dear, oh dear, oh dear. | 0:21:57 | 0:22:00 | |
Quality pieces. | 0:22:00 | 0:22:01 | |
OK! | 0:22:01 | 0:22:03 | |
We wanted to give Phil a chance anyway. | 0:22:03 | 0:22:05 | |
You're going to give him a chance all right. ?230 worth of chance. | 0:22:05 | 0:22:08 | |
Yes. That is quite a little bonus buy. | 0:22:08 | 0:22:11 | |
Good, good. Well, on that happy note, over to you. | 0:22:11 | 0:22:14 | |
It's hats off, Phil Serrell. | 0:22:14 | 0:22:16 | |
?230 worth, eh? Well, they sort of set the trend, really. | 0:22:16 | 0:22:19 | |
Doesn't mean you're going to spend nothing, does it? | 0:22:19 | 0:22:22 | |
Off you go, old fruit. | 0:22:22 | 0:22:24 | |
Meanwhile, we're heading off to the most splendid Jacobean mansion. | 0:22:24 | 0:22:28 | |
Ooh-ah. | 0:22:28 | 0:22:30 | |
Just a short hop from the centre of Birmingham | 0:22:34 | 0:22:37 | |
lies a 17th century Jacobean wonder - Aston Hall. | 0:22:37 | 0:22:40 | |
It was built by local landowner and Justice of the Peace, one Sir Thomas Holte. | 0:22:42 | 0:22:47 | |
It was completed in 1635. | 0:22:47 | 0:22:49 | |
As you would imagine, for a wealthy 17th Century baronet, | 0:22:51 | 0:22:55 | |
he wanted the very grandest of entrance halls, | 0:22:55 | 0:23:00 | |
and that's what he got. | 0:23:00 | 0:23:02 | |
The Great Hall contains a delightful array of continental and English furniture | 0:23:05 | 0:23:09 | |
from across the 17th Century, | 0:23:09 | 0:23:11 | |
some of which was made long after Sir Thomas Holte's day. | 0:23:15 | 0:23:19 | |
But the fixtures and fittings reveal more about the man who conceived Aston Hall. | 0:23:20 | 0:23:25 | |
The focal point in the room, as per usual, | 0:23:28 | 0:23:31 | |
is the fireplace. | 0:23:31 | 0:23:33 | |
Of course, this is centred by the most enormous hearth. | 0:23:34 | 0:23:38 | |
What I like is that the cast-iron fireback | 0:23:39 | 0:23:42 | |
respects the history of the house. | 0:23:42 | 0:23:44 | |
It's cast with the initials WH for William Holte, | 0:23:44 | 0:23:47 | |
and because Holte in Old English means woodland or grove, | 0:23:47 | 0:23:54 | |
it's appropriate that the family symbol | 0:23:54 | 0:23:57 | |
the squirrel is also included in that cast back, | 0:23:57 | 0:24:01 | |
which is rather nice. | 0:24:01 | 0:24:03 | |
But to appreciate the fireplace fully | 0:24:03 | 0:24:06 | |
you have to stand back, because that way you get this extraordinary stone overmantle. | 0:24:06 | 0:24:12 | |
Here the thing is truly architectural. It fits beautifully with the stone overdoors. | 0:24:12 | 0:24:20 | |
BUT this one acts as a frame for a stone plaque | 0:24:20 | 0:24:24 | |
that's been engraved with a message. | 0:24:24 | 0:24:26 | |
Most people, if they were greeting their visitors at the front door, | 0:24:27 | 0:24:32 | |
in a grand entrance hall, would not have a message that says this - | 0:24:32 | 0:24:36 | |
effectively, a message to the staff. | 0:24:36 | 0:24:38 | |
He's saying, "If service be thy meane to thrive..." | 0:24:40 | 0:24:45 | |
In other words, if you want to be a servant, and get on, | 0:24:45 | 0:24:49 | |
"..thou must therein remaine | 0:24:49 | 0:24:52 | |
both silent faithfull just and true | 0:24:52 | 0:24:55 | |
content to take some pain." | 0:24:55 | 0:24:58 | |
I mean, how weird is that?! | 0:24:59 | 0:25:01 | |
In the front hall, where you're welcoming your guests. | 0:25:02 | 0:25:04 | |
Very strange. | 0:25:05 | 0:25:07 | |
As a Knight of the Realm, and former Sheriff of Warwickshire, | 0:25:08 | 0:25:12 | |
Sir Thomas Holte was a pillar of the establishment. | 0:25:12 | 0:25:15 | |
But this rather mean-spirited warning to his servants | 0:25:16 | 0:25:18 | |
may reveal a dark secret held by Sir Thomas. | 0:25:18 | 0:25:22 | |
In December 1605, | 0:25:23 | 0:25:25 | |
he was accused of killing his cook, | 0:25:25 | 0:25:29 | |
and he killed him by splitting open his head with a meat cleaver. | 0:25:29 | 0:25:34 | |
He hit him so hard in the middle of his head, that his head - poor old cookie - | 0:25:34 | 0:25:38 | |
fell in two parts on his shoulders. | 0:25:38 | 0:25:41 | |
This was apparently hushed up a bit, but one neighbour - a person called Ascrick - | 0:25:42 | 0:25:49 | |
went about telling the tale of this murder, and he got sued by Sir Thomas, | 0:25:49 | 0:25:53 | |
and the Court held that Sir Thomas didn't do it, and awarded damages | 0:25:53 | 0:25:58 | |
of ?30 against Ascrick. | 0:25:58 | 0:26:01 | |
Except, later, Ascrick appealed against this decision, | 0:26:01 | 0:26:06 | |
and he won, and ultimately Sir Thomas only got punitive damages | 0:26:06 | 0:26:11 | |
of one penny, insinuating that Thomas Holte did in fact do it. | 0:26:11 | 0:26:17 | |
But as they never buried the cook, and nobody can remember what the cook's name is, | 0:26:17 | 0:26:22 | |
personally I think it's a bit of a tall tale. | 0:26:22 | 0:26:25 | |
The big question today, of course, over at the auction - | 0:26:25 | 0:26:29 | |
what sort of a tale are we about to encounter with our teams? | 0:26:29 | 0:26:33 | |
No murder, I hope. | 0:26:33 | 0:26:35 | |
?32, ?35, ?48... | 0:26:37 | 0:26:40 | |
At ?42 only, all done and selling. | 0:26:41 | 0:26:43 | |
Well, Paul Achilleous is the auctioneer of the moment for us today | 0:26:45 | 0:26:49 | |
at the Eastbourne Auction Rooms, | 0:26:49 | 0:26:52 | |
and how very nice it is to be here, Paul. Hello. | 0:26:52 | 0:26:54 | |
Hello, Tim. Nice to have you here. | 0:26:54 | 0:26:56 | |
Well, we've got a spectacular first item for the Reds, | 0:26:56 | 0:26:59 | |
which is the Asprey's silver gilt-mounted onyx box. | 0:26:59 | 0:27:03 | |
That's pretty precious, isn't it? Nice example. | 0:27:03 | 0:27:05 | |
The gilding on the hinge is still all there, so nice. | 0:27:06 | 0:27:08 | |
Nice thing. How much? Could do quite well. We've estimated it at ?80 to ?120. | 0:27:08 | 0:27:13 | |
Quite right too. ?85 they paid, and I think that's inexpensive. | 0:27:13 | 0:27:17 | |
Good. Now, next is the little filigree box. | 0:27:17 | 0:27:21 | |
How do you rate that? | 0:27:21 | 0:27:23 | |
Nice quality one, there, even though it's possibly continental. | 0:27:23 | 0:27:26 | |
Slight bit of a damage to the bottom there. | 0:27:26 | 0:27:28 | |
It's got a good weight to it. The estimate? On that one is ?20 to ?30. | 0:27:28 | 0:27:32 | |
OK. ?20 they paid, but do you not see that maybe making ?40 or ?60? Maybe. | 0:27:32 | 0:27:37 | |
It's got good weight, so it could do quite well. It's nice quality. | 0:27:37 | 0:27:40 | |
Talking about quality, how do you rate this hideous...I mean, this lovely blue thing | 0:27:40 | 0:27:44 | |
hanging beside me? | 0:27:44 | 0:27:46 | |
Um, it's... | 0:27:46 | 0:27:48 | |
quite a decorative item, isn't it? | 0:27:48 | 0:27:50 | |
Lighting is very popular if it's of the right design. | 0:27:50 | 0:27:53 | |
It would send you green, though, wouldn't it, if it had a lightbulb in it, and you had it in your hall? | 0:27:53 | 0:27:58 | |
Certainly would. It's not the best quality piece. | 0:27:58 | 0:28:00 | |
It's got a look about it, hasn't it? Sort of brand-new look to me. | 0:28:00 | 0:28:04 | |
I mean, if you look at the quality of these stones, | 0:28:04 | 0:28:07 | |
the way they've been mounted like that, it came out of a Christmas cracker, didn't it? | 0:28:07 | 0:28:11 | |
I think you're being cruel, Tim. Oh, do you? I don't think so. | 0:28:11 | 0:28:14 | |
What's your estimate? We've applied a pre-sale estimate of ?40 to ?60 on it. | 0:28:14 | 0:28:18 | |
Told you so. ?85 they paid. | 0:28:18 | 0:28:21 | |
And you could be struggling with a ?10 bid on this, I reckon. | 0:28:21 | 0:28:24 | |
You never know. I hope not, but I fancy it's going to be difficult to make ?85 of, anyway. | 0:28:24 | 0:28:30 | |
And on that basis, they'll need their bonus buy, | 0:28:30 | 0:28:32 | |
so let's go and have a look at it. | 0:28:32 | 0:28:35 | |
OK, Jane, Georgie, this is your moment. You spent ?190, which is magnificent. | 0:28:35 | 0:28:39 | |
You gave ?110 to Tom, | 0:28:39 | 0:28:41 | |
who's known for going out and blowing the lot, so... | 0:28:41 | 0:28:44 | |
Tom, what have you bought? | 0:28:44 | 0:28:46 | |
Well, I reflected your personality, and your colours, and your choices you made, | 0:28:46 | 0:28:53 | |
and I saw this fabulous jardiniere. | 0:28:53 | 0:28:55 | |
What do you think of that? Don't you think that is THE most vile thing you've ever seen? | 0:28:55 | 0:28:59 | |
No... Tom! | 0:28:59 | 0:29:01 | |
You can't say it's vile! There are collectors of this stuff that watch the show. | 0:29:01 | 0:29:05 | |
Well, it is so bright, isn't it? | 0:29:05 | 0:29:08 | |
Don't adjust your set, that's all I can say, at home. Absolutely. | 0:29:08 | 0:29:11 | |
It's by Burleigh Ware, so a really good, 20th Century British potter. | 0:29:11 | 0:29:18 | |
Fabulous, 1920s... Have a look. | 0:29:18 | 0:29:20 | |
A 20th Century British potter on drugs, right? | 0:29:20 | 0:29:23 | |
Abs... You wouldn't want a hangover looking at this. | 0:29:23 | 0:29:26 | |
No. I really like it. | 0:29:26 | 0:29:28 | |
I thought you would, because you're into your bright colours. | 0:29:28 | 0:29:31 | |
It's zany, isn't it? It is. | 0:29:31 | 0:29:33 | |
OK, Tom, you'd better tell us what you paid. | 0:29:34 | 0:29:36 | |
?15. How much? Wow! | 0:29:36 | 0:29:38 | |
Now I love it. Now I'm loving it. I'm definitely loving it. | 0:29:38 | 0:29:42 | |
Happy, girls? Very. | 0:29:42 | 0:29:44 | |
Brilliant. Well done. We're liking what we see, Tom. | 0:29:44 | 0:29:46 | |
Now, though, let's find out whether the auctioneer | 0:29:46 | 0:29:49 | |
is quite so enthusiastic about our dignified jardiniere. | 0:29:49 | 0:29:51 | |
So, we give the man ?110, and he brings us back that. | 0:29:53 | 0:29:57 | |
Oh, dear. Pretty cool, isn't it? | 0:29:57 | 0:29:59 | |
Very nice. Is that your favourite? No. | 0:29:59 | 0:30:02 | |
How do you rate it, then? | 0:30:02 | 0:30:04 | |
It's not the sort of thing that I would buy, Tim, but there are people that like lusterware. | 0:30:04 | 0:30:08 | |
It's a jardiniere, so a useful piece. | 0:30:08 | 0:30:10 | |
So think hard - push up the estimate as far as you can go. | 0:30:10 | 0:30:13 | |
What number do you come up with? ?20 to ?30 with a strong wind. | 0:30:13 | 0:30:17 | |
OK, well, let's hope it's gale force, because Tom Plant paid ?15 for it. | 0:30:17 | 0:30:22 | |
He really rates it. That's it for the Reds. Now for the rather eccentric Blues. | 0:30:22 | 0:30:28 | |
Their first item is the silk top hat. | 0:30:28 | 0:30:30 | |
Looks like it's been to Ascot many times, Tim. | 0:30:30 | 0:30:33 | |
Yeah. Plenty of wear on it. Not the best example we've ever seen, I'm afraid. | 0:30:33 | 0:30:36 | |
Would you want to wear that out to a smart do in that condition? | 0:30:36 | 0:30:40 | |
Um, only if I was going out in fancy dress, I'm afraid. | 0:30:40 | 0:30:43 | |
Well, you're quite right. The condition is very poor. | 0:30:44 | 0:30:47 | |
So what's your estimate, Paul? Being generous at ?10 to ?20. | 0:30:47 | 0:30:50 | |
OK, ?20 paid, so that may be a non-starter. | 0:30:50 | 0:30:54 | |
Um, next is that telescopic stamp magnifier, which is quite a handy gadget if you're a philatelist. | 0:30:54 | 0:31:01 | |
Yes, it's useful for counting the perforations. | 0:31:01 | 0:31:04 | |
Useful thing. Got some collectible appeal. How much? | 0:31:04 | 0:31:07 | |
?10 to ?20 is our estimate on this one. | 0:31:07 | 0:31:10 | |
?15 paid, so we're slightly light with that. | 0:31:10 | 0:31:13 | |
And lastly, the piece of kit that you cannot afford to be without | 0:31:13 | 0:31:18 | |
in the 21st Century, which is your nutcracks, nut picks, and grape scissors. | 0:31:18 | 0:31:24 | |
That takes you back. It certainly does. | 0:31:24 | 0:31:26 | |
Um, it's a bit of a marriage, this one. It's been put together. | 0:31:26 | 0:31:29 | |
I don't think the scissors are part of the original set there. | 0:31:29 | 0:31:32 | |
But it is what it is, and we've applied a pre-sale estimate of ?20 to ?30. | 0:31:32 | 0:31:36 | |
?35 paid. | 0:31:36 | 0:31:38 | |
OK, I fancy there are going to be some problems, so let's have a look at the bonus buy. | 0:31:38 | 0:31:42 | |
Well, this is wide open, isn't it? | 0:31:43 | 0:31:45 | |
Only spending ?70, and giving Philip Serrell ?230 of leftover lolly. | 0:31:45 | 0:31:50 | |
I don't know, Phil. What have you found? I failed miserably. | 0:31:50 | 0:31:53 | |
I love what I bought. | 0:31:53 | 0:31:55 | |
I bought a little autograph book. Oh, OK. Oh, you did? | 0:31:55 | 0:31:59 | |
It's 1920s. It's got all sorts of little amateur drawings. | 0:31:59 | 0:32:03 | |
I just think that... Have a look. I just love that. | 0:32:03 | 0:32:06 | |
It cost me the princely sum of ?20. | 0:32:06 | 0:32:08 | |
That's very good, isn't it? | 0:32:08 | 0:32:10 | |
These would have been, you know... | 0:32:10 | 0:32:13 | |
Between the wars, done by the next-door neighbour, or whoever was the talented amateur. | 0:32:13 | 0:32:17 | |
But I just think they're all lovely, and they tell a story. I like it. | 0:32:17 | 0:32:20 | |
I do think it's a good deal for ?20. | 0:32:20 | 0:32:23 | |
What did you do with the rest of the money, then? | 0:32:23 | 0:32:25 | |
It's in my back pocket. | 0:32:25 | 0:32:27 | |
Oh, no, it isn't. Comes back to us, thank you very much. | 0:32:27 | 0:32:30 | |
OK, so happy about that? Yes. | 0:32:30 | 0:32:32 | |
Pleased. Yes. | 0:32:32 | 0:32:34 | |
For the audience at home, let's find out whether the auctioneer thinks you'll double your money. | 0:32:34 | 0:32:38 | |
So, there we go. Nice album, look. | 0:32:38 | 0:32:40 | |
Full of the most charming, charming autographs and illustrations. | 0:32:41 | 0:32:45 | |
Certainly is. Are you finding there's increasing interest in First World War - | 0:32:45 | 0:32:50 | |
Very much so, and we're quite hopeful for this. How much? | 0:32:50 | 0:32:54 | |
Well, we put ?20 to ?30, but I think that's a little light. It could do quite well. | 0:32:54 | 0:32:59 | |
They're very popular at the moment. What's quite well? ?50? | 0:32:59 | 0:33:02 | |
Yes, we're hoping for ?50 or ?60. | 0:33:02 | 0:33:04 | |
Brilliant. Well, Philip Serrell cunningly paid ?20. | 0:33:04 | 0:33:08 | |
Let's hope that the team go with it. | 0:33:08 | 0:33:10 | |
Anyway, we'll find out in a minute, yes? We certainly will. Certainly will. | 0:33:10 | 0:33:14 | |
Fair warning, at ?120, room has it again. | 0:33:14 | 0:33:18 | |
At ?120... | 0:33:18 | 0:33:20 | |
Georgie, Jane, happy? | 0:33:21 | 0:33:23 | |
Excited? Yes. Nervous. Good, isn't it? | 0:33:23 | 0:33:25 | |
Look at all these people here. Marvellous. | 0:33:25 | 0:33:28 | |
Right, then, first up is your Asprey's box. | 0:33:28 | 0:33:30 | |
This is the business. | 0:33:30 | 0:33:32 | |
Lot number 138, the Asprey's white onyx cigarette box there | 0:33:32 | 0:33:36 | |
with the malachite mount, and double conflicting bids here. | 0:33:36 | 0:33:40 | |
We're straight in here at ?130. | 0:33:40 | 0:33:42 | |
Yes! Not so bad. | 0:33:42 | 0:33:44 | |
You paid... | 0:33:44 | 0:33:46 | |
At ?130, sounds cheap to me. | 0:33:46 | 0:33:48 | |
Good quality box this, at ?130. | 0:33:48 | 0:33:50 | |
The Asprey mark as well, at ?130. | 0:33:50 | 0:33:53 | |
I'll take ?40 elsewhere. At ?130 only. | 0:33:53 | 0:33:55 | |
Who'll bid me ?40? | 0:33:55 | 0:33:57 | |
At ?130, then? Are we all done at ?130? | 0:33:57 | 0:34:00 | |
?130. That's marvellous. | 0:34:00 | 0:34:02 | |
That is plus ?45. | 0:34:02 | 0:34:04 | |
This never happens. | 0:34:04 | 0:34:07 | |
Now, look out - here comes your filigree box. | 0:34:07 | 0:34:09 | |
The Victorian continental | 0:34:09 | 0:34:11 | |
oval silver-coloured metal filigree box there. | 0:34:11 | 0:34:14 | |
We're straight in here at ?20. | 0:34:14 | 0:34:16 | |
At ?20. It should make more. | 0:34:16 | 0:34:18 | |
At ?20 only. At ?20 and ?2. Bid ?5. | 0:34:18 | 0:34:21 | |
?8 is it? At ?25. Still on commission at ?25. | 0:34:21 | 0:34:24 | |
I'll take ?8 now. ?28 on the Net. | 0:34:24 | 0:34:26 | |
At ?28. Take ?30 from you. | 0:34:26 | 0:34:28 | |
At ?28, then. Are we all done? I'm letting it go at this bid, then. | 0:34:28 | 0:34:32 | |
?28. It's a profit. | 0:34:32 | 0:34:34 | |
That's plus ?8. Thank you very much. | 0:34:34 | 0:34:37 | |
Now, your light shade... | 0:34:37 | 0:34:39 | |
Plus ?53 you've got to lose. | 0:34:40 | 0:34:42 | |
Lot number 140 - the globular blue glass ceiling light | 0:34:42 | 0:34:46 | |
and shade with gilded and jewel decoration, | 0:34:46 | 0:34:48 | |
metal mounts, and hanging chain. | 0:34:48 | 0:34:50 | |
Been plenty of interest in this, plenty of interest, | 0:34:50 | 0:34:52 | |
and we start this at ?70 on commission. | 0:34:52 | 0:34:56 | |
Straight in at ?130 on the Net. | 0:34:56 | 0:34:58 | |
?140 on commission. | 0:34:58 | 0:35:00 | |
?150, ?160. | 0:35:00 | 0:35:02 | |
?160's bid. Come on. ?170. | 0:35:03 | 0:35:05 | |
?180 on commission. ?190. | 0:35:05 | 0:35:08 | |
?200 on commission. At ?210. ?220 on the phone. | 0:35:08 | 0:35:12 | |
?230. ?240. | 0:35:12 | 0:35:14 | |
?250 on the Net. ?260. | 0:35:14 | 0:35:17 | |
Tim, Tim... | 0:35:17 | 0:35:19 | |
?290 we're up to. | 0:35:19 | 0:35:21 | |
This is history being made! | 0:35:21 | 0:35:23 | |
?310 is bid. | 0:35:24 | 0:35:26 | |
At ?310. Internet bidding at ?310. | 0:35:27 | 0:35:29 | |
It's that Middle Eastern look we're going for. | 0:35:29 | 0:35:31 | |
I always thought it was a good thing. | 0:35:32 | 0:35:34 | |
At ?330. ?330's bid. | 0:35:34 | 0:35:37 | |
At ?330. | 0:35:37 | 0:35:39 | |
?350 bid. | 0:35:39 | 0:35:41 | |
He's still going on! | 0:35:41 | 0:35:43 | |
?350! | 0:35:43 | 0:35:44 | |
It's ?360! | 0:35:44 | 0:35:46 | |
At ?360. | 0:35:46 | 0:35:48 | |
At ?360 only. Thomas is a genius. | 0:35:48 | 0:35:51 | |
I'm a genius. | 0:35:51 | 0:35:53 | |
Is there ?70 elsewhere now? | 0:35:53 | 0:35:55 | |
At ?360. Make no mistake. We're selling this at ?360 on the Net. | 0:35:55 | 0:35:59 | |
?360. Oh, my God. | 0:35:59 | 0:36:01 | |
?360... | 0:36:01 | 0:36:03 | |
Yes! | 0:36:03 | 0:36:05 | |
?360, ?360! | 0:36:05 | 0:36:08 | |
This is just so extraordinary. | 0:36:09 | 0:36:11 | |
?85... That's ?360. | 0:36:12 | 0:36:14 | |
That is phenomenal. ?275 profit! | 0:36:14 | 0:36:19 | |
On that wretched lamp. Well done, girls. | 0:36:19 | 0:36:22 | |
Show's what I know. Anyway, plus the ?53 profit which you had before, | 0:36:22 | 0:36:27 | |
takes you to ?328. | 0:36:27 | 0:36:29 | |
Wow. Which is... | 0:36:29 | 0:36:31 | |
That is phenomenal. I told you to have faith in my lamp. | 0:36:31 | 0:36:34 | |
So, what are you going to do about the bonus buy? | 0:36:34 | 0:36:36 | |
You have this phenomenal profit. Are you going to go with the pot? | 0:36:36 | 0:36:39 | |
We trust Tom. Yes. And it's ?15, isn't it? | 0:36:39 | 0:36:41 | |
Yes. Going to do it? Yes. | 0:36:41 | 0:36:43 | |
OK, we're going with the Burleigh Ware, and here it comes. | 0:36:44 | 0:36:46 | |
We're straight in here at ?15. | 0:36:46 | 0:36:50 | |
?18, ?20. ?2, sir. ?22. | 0:36:50 | 0:36:53 | |
Here it goes. Add ?2. | 0:36:53 | 0:36:55 | |
?8, ?30... | 0:36:55 | 0:36:57 | |
?32? ?30 here. | 0:36:58 | 0:37:00 | |
?32 new place. ?35, madam. ?38, sir. | 0:37:00 | 0:37:03 | |
Gentleman at the back, then, at ?38. | 0:37:03 | 0:37:05 | |
We're all done at ?38. | 0:37:05 | 0:37:07 | |
That is plus ?23. Well done, Tom. Super. | 0:37:07 | 0:37:10 | |
That gives you a grand total of ?351, | 0:37:10 | 0:37:14 | |
which means we have to go to the cash machine. | 0:37:14 | 0:37:16 | |
Don't say a word to the Blues, right? | 0:37:16 | 0:37:18 | |
No. Absolutely not. Well done. | 0:37:18 | 0:37:21 | |
Right, now, Mike, Tamsin, do you know how the Reds got on? | 0:37:29 | 0:37:31 | |
No. You won't want to know. | 0:37:31 | 0:37:33 | |
OK, fine. | 0:37:33 | 0:37:35 | |
Now, the silk top hat... | 0:37:35 | 0:37:37 | |
?20 you paid for that. It's a seriously tatty example. | 0:37:37 | 0:37:41 | |
According to the auctioneer. I know you love it. He's put ?10 to ?20 on it. | 0:37:41 | 0:37:45 | |
Anyway, first one up is the tatty silk hat. Here it comes. | 0:37:45 | 0:37:48 | |
Due to conflicting bids, we start this at ?15. | 0:37:49 | 0:37:52 | |
I'll take ?18 from you. At ?18, and ?20 with me. | 0:37:52 | 0:37:55 | |
At ?20. I'll take ?2 again. | 0:37:55 | 0:37:57 | |
Do you want ?2 on the Net? On the phone I'm bid ?22. | 0:37:57 | 0:38:00 | |
I'll take ?5 now. At ?22, ?25, ?28... | 0:38:00 | 0:38:03 | |
?28, and ?30 may I say? | 0:38:04 | 0:38:06 | |
?30, and ?2... | 0:38:06 | 0:38:08 | |
?32, ?35... No, ?32 it is here. | 0:38:08 | 0:38:10 | |
?35... I was looking for you guys. | 0:38:10 | 0:38:12 | |
At ?35, ?38... | 0:38:12 | 0:38:14 | |
Keep going. ?38, ?40. | 0:38:14 | 0:38:17 | |
?38 is bid. Go ?40. | 0:38:17 | 0:38:19 | |
At ?38 it's over here on the telephone. | 0:38:19 | 0:38:21 | |
I'll go ?40? Yes? No? At ?38. Telephone has it, then, at ?38. | 0:38:21 | 0:38:26 | |
It's plus ?18. Well done, kids. | 0:38:26 | 0:38:28 | |
Now, the magnifying glass. | 0:38:28 | 0:38:31 | |
Again we start on commission here at ?10. | 0:38:31 | 0:38:33 | |
I'll take ?12 from you. | 0:38:33 | 0:38:35 | |
At ?10 only. Come on. | 0:38:35 | 0:38:37 | |
?12 bid. ?15. | 0:38:37 | 0:38:38 | |
?18 if you like. At ?15. It's still on commission at ?15. | 0:38:38 | 0:38:42 | |
I'll take ?18 from you. At ?15 only. | 0:38:42 | 0:38:45 | |
?18 bid on the Internet now. | 0:38:45 | 0:38:47 | |
At ?18 Internet. I'll take ?20 again. | 0:38:47 | 0:38:50 | |
At ?18 then. Internet bidder has it, then, at ?18. | 0:38:50 | 0:38:53 | |
Anyone else, then? Are we all done? | 0:38:53 | 0:38:55 | |
?3. There's nothing the matter with that. You're plus ?21, kids. | 0:38:55 | 0:38:58 | |
Next, the grape scissors. | 0:38:58 | 0:39:00 | |
Etcetera. | 0:39:00 | 0:39:02 | |
Due to conflicting bids, we're straight in here at ?20. | 0:39:02 | 0:39:04 | |
At ?22, ?25, ?28... | 0:39:04 | 0:39:06 | |
?32, ?35... | 0:39:06 | 0:39:09 | |
?38. ?40 on the Net already. | 0:39:09 | 0:39:11 | |
At ?40. ?2 do I see? ?42, ?45. | 0:39:11 | 0:39:14 | |
?48, ?50. | 0:39:14 | 0:39:16 | |
?5... ?50 has it on the Internet now. | 0:39:16 | 0:39:18 | |
At ?50. Internet bidding at ?50. | 0:39:19 | 0:39:21 | |
All done, and selling... | 0:39:21 | 0:39:24 | |
You made a profit on all three items. You had ?21. | 0:39:24 | 0:39:26 | |
?31... You have plus ?36. | 0:39:26 | 0:39:28 | |
I take it all back. This team spent ?70, and they make ?36 profit. | 0:39:28 | 0:39:35 | |
On ?70 that is quite an achievement, so well done. | 0:39:35 | 0:39:38 | |
Surprised me. Well done, kids. | 0:39:38 | 0:39:41 | |
Now, you've got an autograph album. Are you going to go with that? | 0:39:41 | 0:39:44 | |
Yes. Let's go. | 0:39:44 | 0:39:46 | |
OK, coming up next, the bonus buy which you're going with, is the autograph album. | 0:39:46 | 0:39:51 | |
And my commission doubled here at ?75. | 0:39:51 | 0:39:55 | |
Straight in at ?75. I'll take ?80. | 0:39:55 | 0:39:58 | |
At ?75. ?80 I'm out. | 0:39:59 | 0:40:01 | |
At ?80. | 0:40:01 | 0:40:03 | |
At ?80, then. The gavel's up on this bid then at ?80. | 0:40:04 | 0:40:07 | |
?5, ?90. | 0:40:07 | 0:40:08 | |
It's going on. | 0:40:08 | 0:40:10 | |
Very late on the Internet there. | 0:40:10 | 0:40:12 | |
Bid up quickly if you want it. At ?90 it's still in the room, then. | 0:40:12 | 0:40:15 | |
You're out on the Net, make no mistake. ?95. ?100 rounds it off. | 0:40:15 | 0:40:18 | |
At ?100. I'll take ?10 now. | 0:40:18 | 0:40:20 | |
You are amazing. | 0:40:20 | 0:40:22 | |
?100 only. At ?100, then, the gavel's up on this bid. | 0:40:22 | 0:40:25 | |
At ?100 only... | 0:40:25 | 0:40:27 | |
?80 profit. | 0:40:27 | 0:40:29 | |
Give the man a hug. | 0:40:29 | 0:40:32 | |
I mean, that is something else, isn't it? What a star! | 0:40:32 | 0:40:35 | |
That is plus ?116... | 0:40:35 | 0:40:38 | |
I am amazed. Anyway, ?116 could be a winning score. | 0:40:38 | 0:40:42 | |
Don't say a word to the Reds, all right, and all will be revealed in a minute. What fun. | 0:40:42 | 0:40:47 | |
How are you, teams? OK? Good. | 0:40:57 | 0:40:59 | |
Looking a bit tense. | 0:41:00 | 0:41:02 | |
You've been talking to one another at all? No. | 0:41:03 | 0:41:05 | |
You mean, you've managed to park the secret that both of you have made profits | 0:41:06 | 0:41:12 | |
that exceed three figures? | 0:41:12 | 0:41:14 | |
No! | 0:41:14 | 0:41:15 | |
That both teams have made a profit on each of their items, | 0:41:15 | 0:41:19 | |
and each team and every member will get a golden gavel as a result? | 0:41:19 | 0:41:23 | |
The winnings today are of such a scale, | 0:41:24 | 0:41:27 | |
and enormity, that I can hardly get the numbers out, | 0:41:27 | 0:41:31 | |
leave alone do the calculation. | 0:41:31 | 0:41:33 | |
Exciting, this, isn't it? | 0:41:33 | 0:41:35 | |
Who's ahead, and who's behind? | 0:41:36 | 0:41:38 | |
Well, it's all a question of scale, and the runners-up today, | 0:41:38 | 0:41:41 | |
who've done extraordinarily well | 0:41:41 | 0:41:44 | |
by making ?116 of profit are the Blues. | 0:41:44 | 0:41:47 | |
SHE GROANS | 0:41:47 | 0:41:49 | |
And so much cash have I got to hand over that I put it in a brown envelope. | 0:41:49 | 0:41:52 | |
Except it's a white envelope, because I couldn't find a brown one, | 0:41:52 | 0:41:56 | |
for you to unpeel, how about that? | 0:41:56 | 0:41:58 | |
Lovely. You should have ?116 in that envelope. | 0:41:58 | 0:42:02 | |
There'll be a ?1 coin in the bottom, darling, somewhere lurking. I can feel it. | 0:42:02 | 0:42:05 | |
But the victors today, who've won a seriously mature amount of money are the Reds. | 0:42:05 | 0:42:10 | |
Here, my darling, is ?351. | 0:42:10 | 0:42:15 | |
Yes! | 0:42:15 | 0:42:17 | |
I have waited for years to hand out ?351. | 0:42:18 | 0:42:23 | |
Oh, yes. Let me touch. | 0:42:23 | 0:42:26 | |
Oh! | 0:42:26 | 0:42:27 | |
That's extraordinary, isn't it? ?275 profit | 0:42:27 | 0:42:31 | |
out of the most... | 0:42:31 | 0:42:33 | |
..extraordinary, blue, spherical, Turkish-style lamp. | 0:42:34 | 0:42:39 | |
I told you. You did, and I humbly eat my words, | 0:42:39 | 0:42:44 | |
because you cracked it, you girls, and that is an extraordinary achievement. | 0:42:44 | 0:42:47 | |
So well done, but it's not the end of the story, because of course we've got the golden gavels | 0:42:47 | 0:42:51 | |
for everybody today. | 0:42:51 | 0:42:53 | |
You take that one, Tamsin. | 0:42:53 | 0:42:56 | |
There you go, Dad. | 0:42:56 | 0:42:58 | |
There you go, Phil. Lovely job. | 0:42:58 | 0:43:00 | |
Now, there you go. | 0:43:00 | 0:43:02 | |
Fantastic. Well done, darling. | 0:43:02 | 0:43:04 | |
Thomas, the last one for you. Last but not least. | 0:43:04 | 0:43:08 | |
So, congratulations for golden gavels. | 0:43:08 | 0:43:10 | |
Congratulations for massive profits, | 0:43:10 | 0:43:13 | |
and join us soon for some more bargain hunting. | 0:43:13 | 0:43:15 | |
Yes? Yes! | 0:43:15 | 0:43:17 | |
Subtitles by Red Bee Media Ltd | 0:43:18 | 0:43:20 | |
'I'm on a mission to find the world's cutest and weirdest animal friends.' | 0:43:45 | 0:43:51 | |
# Cos that's what friends are supposed to do, oh, yeah... # | 0:43:51 | 0:43:55 |