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We've chosen this stately and splendid setting | 0:00:06 | 0:00:10 | |
to throw down the gauntlet today at the fair, so let's go bargain hunting. Yeah! | 0:00:10 | 0:00:16 | |
London society was shocked when the 7th Earl of Cardigan | 0:00:46 | 0:00:50 | |
fell in love with the beautiful Adeline de Horsey, | 0:00:50 | 0:00:54 | |
27 years his junior. | 0:00:54 | 0:00:56 | |
That did not stop her, though, becoming the Countess of Cardigan, here at Deene Park. | 0:00:56 | 0:01:04 | |
However, will our teams today over at the fair become the talk of the town? | 0:01:04 | 0:01:11 | |
Let's find out. | 0:01:11 | 0:01:13 | |
On the Reds, Mum becomes part of the bargain. | 0:01:14 | 0:01:18 | |
How about I let you kiss my mum? | 0:01:18 | 0:01:21 | |
While the Blues shake things up. | 0:01:21 | 0:01:24 | |
But was it wise to bring King Charles I and Oliver Cromwell under the hammer? | 0:01:26 | 0:01:32 | |
-Stand by. -Oh, no... | 0:01:32 | 0:01:34 | |
We'll find out later. First, let's meet the teams. | 0:01:34 | 0:01:39 | |
Well, as they say, you can't choose your family, | 0:01:39 | 0:01:44 | |
but just as well there's a strong bond going on here. | 0:01:44 | 0:01:48 | |
We have mother and son, Carol and Carl, for the Reds | 0:01:48 | 0:01:53 | |
and we have Carolyn and Kezia for the Blues. Hello, everyone. | 0:01:53 | 0:01:57 | |
Lovely to see you. | 0:01:57 | 0:01:59 | |
Now, Carol, for the last two decades you have looked after others. | 0:01:59 | 0:02:04 | |
-I have. -What have you been up to? | 0:02:04 | 0:02:07 | |
I started as a care assistant, looking after the elderly with mental health problems. | 0:02:07 | 0:02:13 | |
-Then I moved up to managing. -But you're going to change tack, are you? -I am. | 0:02:13 | 0:02:21 | |
-I am now going into fostering. -What sort of age children would you like to foster, ideally? | 0:02:21 | 0:02:27 | |
-Teenagers, really. I don't think they get much of a chance. -Fantastic. | 0:02:27 | 0:02:32 | |
Carl, unlike your mother, you don't make friends in your job. | 0:02:32 | 0:02:37 | |
-No, Tim, I don't make a lot of friends. -What do you get up to? | 0:02:37 | 0:02:41 | |
I work for a repossession company. We visit people who are behind on payments for their vehicles. | 0:02:41 | 0:02:48 | |
-We're making light of it, but it's a very serious business. -Oh, it is, yeah. | 0:02:48 | 0:02:53 | |
-It must be quite distressing. -It can be. | 0:02:53 | 0:02:56 | |
With genuine cases, we try to help. | 0:02:56 | 0:02:59 | |
-So what do you do to relax? -Relaxing, most of the time I spend with my children. | 0:02:59 | 0:03:05 | |
I've got three girls, Rachel, Daisy and Jasmine. | 0:03:05 | 0:03:09 | |
-Do I see those up your arm? -Yes, Rachel, Daisy and Jasmine. | 0:03:09 | 0:03:14 | |
-I've got their birth dates there so I can't forget a birthday. -No excuse! | 0:03:14 | 0:03:19 | |
-You're obviously incredibly close. Do you collect the same things? -We do. -Yes. | 0:03:19 | 0:03:25 | |
We collect a lot of SylvaC. We've managed to bid | 0:03:25 | 0:03:29 | |
on the same item before as well on an internet auction site. | 0:03:29 | 0:03:33 | |
-That's rather clever! -We were the only ones bidding. | 0:03:33 | 0:03:37 | |
-Ah. -Rather unfortunate. -And I won! | 0:03:37 | 0:03:41 | |
-Yeah, and I collect a lot of glass. -I collect a lot of Royal Doulton toby jugs. | 0:03:41 | 0:03:47 | |
I like the sets of three. So I've got about 500. | 0:03:47 | 0:03:52 | |
Gosh. You're supporting the factory! | 0:03:52 | 0:03:56 | |
All right, thank you. Nice to see you. | 0:03:56 | 0:03:58 | |
Now, Carolyn, you're right in the heart of modern developments. | 0:03:58 | 0:04:03 | |
-I am indeed. -Tell us what you do, love. | 0:04:03 | 0:04:07 | |
I am the senior producer in an audiobook company. | 0:04:07 | 0:04:10 | |
And so I work with all sorts of different people who narrate these books | 0:04:10 | 0:04:16 | |
and I look after them and make sure they stay true to the story | 0:04:16 | 0:04:20 | |
-and all the characters are there. -It must be quite fascinating. | 0:04:20 | 0:04:26 | |
If you've got a good reader who is a decent mimic... | 0:04:26 | 0:04:30 | |
Yes. Sometimes you've got one person who is the cast of sometimes thousands. | 0:04:30 | 0:04:35 | |
Their skills have to be vast. | 0:04:35 | 0:04:38 | |
And Kezia, you get involved with teaching little children. | 0:04:38 | 0:04:42 | |
I do, yes. I have the challenge of looking after 2½ to 4-year-olds. | 0:04:42 | 0:04:46 | |
It is very tiring, can be very difficult at times, but is the most rewarding job you can do. | 0:04:46 | 0:04:54 | |
You don't only teach. You tell them stories. | 0:04:54 | 0:04:57 | |
I am attempting to try and write my own books, using the children as my own personal critics. | 0:04:57 | 0:05:03 | |
-That's rather fun. -Yeah. -How will you be with buying a few antiques? | 0:05:03 | 0:05:08 | |
-Well... -Yeah. We were thinking about whether we want to go for value or whether we wanted a story. | 0:05:08 | 0:05:15 | |
-I think the story might win out. -If something has a nice story. | 0:05:15 | 0:05:20 | |
-But you've got to sell it on. -Oh, yes. -Be commercial. -We will. | 0:05:20 | 0:05:24 | |
Do your very best with our £300, which I'm going to give you now. | 0:05:24 | 0:05:29 | |
You know the rules. Your experts await and off you go! | 0:05:29 | 0:05:33 | |
Very, very, very good luck! I like a little story myself. | 0:05:33 | 0:05:37 | |
So who are our experts today? | 0:05:41 | 0:05:44 | |
-'Ello, 'ello, 'ello. -For extra security, we've called in Kate Bateman. | 0:05:44 | 0:05:49 | |
Taking the plunge, but hoping to come out stinking of roses, it's Thomas Plant. | 0:05:49 | 0:05:56 | |
-Tattooed arms. You don't look the kind to be buying... -I know. I also buy a lot of glass flowers. | 0:06:01 | 0:06:08 | |
I want to make as much money as possible, but I also want something I'd like to have in my house. | 0:06:08 | 0:06:15 | |
-Is this something you've encouraged? -Yes! -Really? You're as bad as he is! | 0:06:15 | 0:06:20 | |
Nothing that's too ugly and, em...naff. | 0:06:20 | 0:06:24 | |
I get you. We're going to make a profit. Off we go. | 0:06:24 | 0:06:28 | |
So let's get to it. | 0:06:30 | 0:06:33 | |
-That's cool. -That's good. -How cool is that?! | 0:06:36 | 0:06:41 | |
-Is that SylvaC? -Carlton ware, is it? Is it Carlton ware? | 0:06:41 | 0:06:45 | |
-Oh, look how cute. It's silly. -But it is nice. -It IS Carlton ware. | 0:06:45 | 0:06:51 | |
£18. | 0:06:52 | 0:06:53 | |
-I think we'd need to do quite a bit on that. -Yeah. -But... -It's cute and all in one piece. | 0:06:53 | 0:06:59 | |
-It is. You normally expect... -A little chip. -And it's got its stoppers. | 0:06:59 | 0:07:05 | |
-I collect salts and peppers. -Do you? Would you go for a bean and a carrot? | 0:07:05 | 0:07:11 | |
-I collect Carlton ware as well. -All right. -What's your absolute best? | 0:07:11 | 0:07:16 | |
-12. -Oh, we like round numbers. 10? | 0:07:16 | 0:07:21 | |
-- OK. -Yeah? -- We've got our first buy. | 0:07:21 | 0:07:25 | |
Brilliant! | 0:07:26 | 0:07:28 | |
Less than 10 minutes. I like this team! | 0:07:28 | 0:07:31 | |
Yes, and two of your five a day vegetables, you healthy lot. | 0:07:31 | 0:07:36 | |
Our Blues have gone all regal. | 0:07:36 | 0:07:39 | |
Yeah, Staffordshire's quite fun, isn't it? If you're into Victoriana, | 0:07:39 | 0:07:43 | |
I was looking at it for Kezia. | 0:07:43 | 0:07:45 | |
What does it say on the front? King Charles? | 0:07:45 | 0:07:48 | |
And Oliver Cromwell. | 0:07:48 | 0:07:51 | |
Yes, they were definitely not the best of mates. Cromwell had King Charles I beheaded | 0:07:51 | 0:07:57 | |
and this could be Charles II hiding in an oak tree during the Battle of Worcester. Sort of. | 0:07:57 | 0:08:03 | |
So these traditional flat-back figures were | 0:08:03 | 0:08:08 | |
produced in huge quantities. | 0:08:08 | 0:08:10 | |
The traditional ones are floppy-eared spaniels with yellow eyes. | 0:08:10 | 0:08:16 | |
They were a pottery, very Victorian. | 0:08:16 | 0:08:18 | |
The earlier ones are really worth a lot of money. They're pre-Victorian, William IV. | 0:08:18 | 0:08:24 | |
This one here is probably going to be Victorian. And they were produced to commemorate weddings, | 0:08:24 | 0:08:31 | |
royal anniversaries. This is an extraordinary one. | 0:08:31 | 0:08:35 | |
You've got two arch enemies, haven't you? How much is that? | 0:08:35 | 0:08:40 | |
150. | 0:08:40 | 0:08:41 | |
-I like that historical sort of idea. -There's a story. -The two figures. | 0:08:41 | 0:08:46 | |
At that level, I don't think there's a profit. | 0:08:46 | 0:08:50 | |
-Right, OK. -We're here to make a profit. | 0:08:50 | 0:08:53 | |
So it's a case of seeing if we could get enough profit into it to make it worth it. | 0:08:53 | 0:08:59 | |
-What's your best on it? -I could do 120. | 0:08:59 | 0:09:02 | |
120. It's quite strong for me, but it's something to consider. It's the first thing we've seen. | 0:09:02 | 0:09:09 | |
-Can we think about it? -I don't want to bamboozle you. -Yeah, get it wrong and heads will roll! | 0:09:09 | 0:09:17 | |
-A wise move at this stage. -Oh! | 0:09:17 | 0:09:20 | |
-That's your thing, isn't it? -Yeah, SylvaC money box. | 0:09:20 | 0:09:25 | |
-Do you not think that's really ugly? -It's a bit hideous. | 0:09:25 | 0:09:29 | |
-And yet you still like it. -Only because it's SylvaC. -Oh, right, OK. | 0:09:29 | 0:09:34 | |
You say that now. | 0:09:34 | 0:09:37 | |
-Maracas? -The same to you, too! | 0:09:39 | 0:09:43 | |
These are Trinidad pulses. August, 1965. | 0:09:43 | 0:09:47 | |
-Do you like those? -No! | 0:09:57 | 0:09:59 | |
I just have a feeling that they're not going to shake on that one. | 0:09:59 | 0:10:03 | |
But Carol and Carl may shake things up. They've also spotted the vase of Charles and Cromwell. | 0:10:08 | 0:10:15 | |
It's nice. Sometimes they have more colour. | 0:10:15 | 0:10:18 | |
I don't know which one is King Charles and which one is Cromwell. | 0:10:18 | 0:10:23 | |
-Poor old King Charles. What have you got on that? -150. | 0:10:23 | 0:10:28 | |
150. That's actually quite an interesting thing. A good price. | 0:10:28 | 0:10:32 | |
I'm not sure there'd be a huge profit. The Staffordshire market is a little bit tough at the moment. | 0:10:32 | 0:10:38 | |
Right, teams, we're 15 minutes in. So you now have an even smaller window of opportunity. | 0:10:38 | 0:10:45 | |
-What do you think of that? -I really like that. -But it depends how much it is. -It's beautiful. | 0:10:45 | 0:10:52 | |
Obviously, with the stained-glass panel with a rondelle of a femme fatale. | 0:10:52 | 0:10:58 | |
-Is she holding something in her hand? -Yeah, that's her drape | 0:10:58 | 0:11:03 | |
or her cloak. There's a suggestion of covering one's modesty, | 0:11:03 | 0:11:07 | |
but with the flowers symbolising something else, maybe growing into a woman. | 0:11:07 | 0:11:14 | |
That's what that probably means. You read into these things what you want. | 0:11:14 | 0:11:19 | |
-And it's beautifully hand-painted. -What do you think, girls? | 0:11:19 | 0:11:24 | |
-I think 150, tops, is the most that we could afford. -It's a risky thing. | 0:11:25 | 0:11:30 | |
Yeah. I think it'll either do really well or it won't do well at all. | 0:11:30 | 0:11:34 | |
-I would accept 160. -Halfway - 155. | 0:11:34 | 0:11:38 | |
155? | 0:11:38 | 0:11:40 | |
-155. -Yes, definitely. -Good man! | 0:11:40 | 0:11:43 | |
-Are you happy with that? -Really happy. -But we have just spent half of our budget in one go! | 0:11:43 | 0:11:50 | |
-Yeah, you have done. -It's what we do to make the most of what's remaining now. | 0:11:50 | 0:11:55 | |
Remember my advice - be commercial. | 0:11:55 | 0:11:58 | |
Let's hope we find a buyer with the perfect square window frame to fit it in. | 0:11:58 | 0:12:03 | |
You've stuck your neck out, but that makes it one-all. | 0:12:03 | 0:12:09 | |
Now, Carol, Carl, maybe it's time to get some support around this fair. | 0:12:09 | 0:12:14 | |
Walking sticks. Have you ever considered? There's a lot of them here. Do you like walking sticks? | 0:12:14 | 0:12:20 | |
-I like them. -You do? -I like this one with the three horse heads on it. It's unusual. | 0:12:20 | 0:12:26 | |
-It's got an 800 mark. -Which means a continental mark. What about the dog? That's amazing. | 0:12:26 | 0:12:33 | |
-It is nice. -It is also...£800! | 0:12:33 | 0:12:36 | |
-How do I manage to do that?! -Is this the bargain bin? -Hopefully! | 0:12:36 | 0:12:42 | |
-What's the price on this one? -200. -Oh, how can we do it? | 0:12:42 | 0:12:46 | |
It's relatively modern. Continental. Do you know where? | 0:12:46 | 0:12:50 | |
-Danish? -Austrian, German... -I was pretty close. It's quite fun. | 0:12:50 | 0:12:55 | |
-You like it? -I do like it. -Equestrian stuff does have quite a good following. | 0:12:55 | 0:13:01 | |
-What would be the best price on it? -I like the rabbit! -150? | 0:13:01 | 0:13:05 | |
-I could do 150 on that. -Oh, look, though. Rabbit. | 0:13:05 | 0:13:09 | |
-That's cute. -It's really girly. | 0:13:09 | 0:13:12 | |
I still prefer the horse. | 0:13:12 | 0:13:15 | |
-150? -150. | 0:13:15 | 0:13:18 | |
I think that would be the mid-estimate. I'd have put 120-180. | 0:13:18 | 0:13:22 | |
So you might be able to do something. Let's think about it. | 0:13:22 | 0:13:27 | |
But not too long. It may not stick around. | 0:13:27 | 0:13:30 | |
We're coming up to the halfway mark, so we could do with a find to raise our spirits. | 0:13:30 | 0:13:36 | |
-Girls, what have you spotted? -Well, it's really unusual. It's a communion set. | 0:13:36 | 0:13:41 | |
A portable communion set. I go to church, I'm really interested in all aspects of the Eucharist | 0:13:41 | 0:13:48 | |
-and I've never seen anything like this before. -What interests you? -I don't know. It's the simplicity. | 0:13:48 | 0:13:54 | |
Lots of churchy things tend to be very fancy and ornate | 0:13:54 | 0:13:58 | |
and the simple lines of the glasses and the bottle and the silver... | 0:13:58 | 0:14:03 | |
-I wonder who had it and where they took it. -What's confusing me is | 0:14:03 | 0:14:08 | |
there's no symbolisation on any of these things. There's no cross, | 0:14:08 | 0:14:12 | |
there's no IHS, there's absolutely diddly on here. It is a mystery. | 0:14:12 | 0:14:19 | |
-I think you might struggle on that. I like it, though. -Yes. | 0:14:19 | 0:14:24 | |
I could convince you to buy it, but I don't think you'll do yourselves any favours. All right? | 0:14:24 | 0:14:30 | |
-Yes. -Let's move on. -Thank you. | 0:14:30 | 0:14:32 | |
Look at the bear! Oh, now that's cool. | 0:14:38 | 0:14:42 | |
-That's lovely. -Is that a match holder? What would your very, very, very best be on that? | 0:14:42 | 0:14:48 | |
-I could do 50 on it. -You'd do 50? -Yeah... | 0:14:48 | 0:14:51 | |
50 quid. OK. That's one on the back burner. | 0:14:51 | 0:14:55 | |
-Thank you. -Thank you. | 0:14:55 | 0:14:57 | |
Can this be... | 0:15:05 | 0:15:07 | |
..really...cheap? | 0:15:07 | 0:15:09 | |
I'm being really honest. Really honest with you. | 0:15:11 | 0:15:15 | |
-I like it. -It's Dutch silver, isn't it? -Well... | 0:15:15 | 0:15:19 | |
-It's a little cup. With a bamboo handle. It's in silver. -Yeah. | 0:15:19 | 0:15:24 | |
-Quite decorative. -Really pretty. -With a scene. -A little scene of palm trees, et cetera. | 0:15:24 | 0:15:30 | |
-What would it be used for? -Sweet coffee. -Oh, sweet coffee! | 0:15:30 | 0:15:34 | |
-Yeah, a really strong, black... -Can I smell it? -You'll smell polish! | 0:15:34 | 0:15:39 | |
You never know! | 0:15:39 | 0:15:42 | |
-You've got £42 on it. What can you do it for? -£30. | 0:15:42 | 0:15:47 | |
-Not 25? -Yeah, go on. | 0:15:47 | 0:15:49 | |
-- 25 for us. - Go on, then. -Thank you! | 0:15:49 | 0:15:53 | |
-£25? -Yes. -Thank you very much. That's your second item. Well done. | 0:15:53 | 0:15:58 | |
-Best of luck. -I think that's what you wanted, something sweet like this. | 0:15:58 | 0:16:02 | |
-Yes. -It's a good thing. -I like that. | 0:16:02 | 0:16:04 | |
-Happy? -Yes! | 0:16:04 | 0:16:06 | |
Very sweet indeed. So that's your second item sorted. | 0:16:06 | 0:16:11 | |
-You Reds better get a shifty on. -This little Chepstow... -It's a lovely thing. | 0:16:11 | 0:16:18 | |
-Very cute. -Nice serpentine...shape. -Wow. Look at this. | 0:16:18 | 0:16:23 | |
-There is slight damage, but I've seen a lot more. -A lot worse. | 0:16:23 | 0:16:28 | |
You've got a little chip here. It says, "Present fro..." And then Chepstow. | 0:16:28 | 0:16:34 | |
But that's 200 years old. That's looking pretty good. | 0:16:34 | 0:16:38 | |
Plus...there are lots of collectors for this, | 0:16:38 | 0:16:42 | |
especially this style of box. | 0:16:42 | 0:16:45 | |
-It's cute, easy to sell. The auctioneer will thank you. What do you think? -It's lovely. | 0:16:45 | 0:16:51 | |
-Want a little look? -What do you think, Carl? -It's a proper antique, unlike Carl's walking stick! | 0:16:51 | 0:16:58 | |
Yeah. | 0:16:58 | 0:16:59 | |
-It's not my cup of tea. It's your sort of thing. -I think it's lovely. | 0:16:59 | 0:17:03 | |
-If that's what you want. -I think there's a profit in it. -What's your best price? 90? | 0:17:03 | 0:17:10 | |
-120. -Oh... | 0:17:10 | 0:17:12 | |
Could you do it for 100? | 0:17:12 | 0:17:14 | |
How about if I let you kiss my mum? | 0:17:14 | 0:17:17 | |
-Priceless! -Well, in that case, how can I refuse? -I'd say shameless! | 0:17:18 | 0:17:23 | |
Thank you very much. That's brilliant. | 0:17:23 | 0:17:27 | |
Carl, I can't believe you'd use your mum like that to haggle the price down. Anyway, it worked. | 0:17:27 | 0:17:33 | |
Now both teams have bought two items. | 0:17:33 | 0:17:36 | |
We now enter the final 15 minutes, so no time for a tea break. | 0:17:36 | 0:17:42 | |
-Shall we have a look in here? -Oh, clothes! -Yeah, vintage clothes. | 0:17:43 | 0:17:47 | |
-It's like Sherlock Holmes's cape. -That tea set's pretty. -Which one? | 0:17:49 | 0:17:53 | |
-The peach. -It's what we would call a cabaret set. | 0:17:53 | 0:17:57 | |
You've got the tray and the sugar, the milk and the tea pot. | 0:17:57 | 0:18:03 | |
-Yeah. -What do you think, Carolyn? -I think it's very ladylike. | 0:18:03 | 0:18:09 | |
-Nice to bring out if your best friend was coming round for tea. -It looks all right. | 0:18:09 | 0:18:15 | |
-What's the best on this? -55 would be my very best on it. | 0:18:15 | 0:18:19 | |
It's quite attractive and a good maker, Limoges. French porcelain. | 0:18:19 | 0:18:24 | |
-It's extremely high-fired. -Right. -Like icing sugar on a Christmas cake. -Yeah. | 0:18:24 | 0:18:30 | |
-Em, and it's probably 1960s. -Mm. | 0:18:31 | 0:18:35 | |
Yeah, 1960s. | 0:18:35 | 0:18:37 | |
And it's all there. A tea for two cabaret set. | 0:18:37 | 0:18:42 | |
-Why don't we walk round the stall and have a look? -Have a think. -Shall we do that? | 0:18:42 | 0:18:47 | |
-Oh, now look! Carl, what do you think? How about this egg timer? Do you like that? -Yeah. | 0:18:56 | 0:19:02 | |
That's really cool. I've never seen one that big. That's really cool. | 0:19:02 | 0:19:07 | |
-Is there a name on it? -England. | 0:19:07 | 0:19:11 | |
Can you see how it's worn on the edges? Turn it this way. | 0:19:11 | 0:19:15 | |
Can you see how you've got wear on the feet here? A nice sign of age. I quite like that. | 0:19:15 | 0:19:21 | |
Brass timer. 20 minutes. What do you need to time that's 20 minutes? | 0:19:21 | 0:19:27 | |
-Well, that's 10 minutes more than you have to play with. -Trouble is, that's not going to make a profit. | 0:19:27 | 0:19:34 | |
-So I'll reject it. -Time's running out fast, so a good time, perhaps, to rethink the strategy. | 0:19:34 | 0:19:40 | |
What is your instinct telling you? | 0:19:40 | 0:19:42 | |
-So you like... -The walking stick. -Even though it's modern. | 0:19:42 | 0:19:47 | |
-I think that you really like that Charles I and Cromwell. -I'm intrigued by it. | 0:19:47 | 0:19:53 | |
-You wanted silver. -Looks nice. | 0:19:53 | 0:19:56 | |
-So you've discounted the tea set? -I think so. It's attractive, | 0:19:56 | 0:20:01 | |
but I thought it was a little bit earlier than the 1960s, which puts me off a little bit. | 0:20:01 | 0:20:07 | |
-You've got a good chance. If you can beat him down on price. -I will. | 0:20:07 | 0:20:12 | |
Quite scary, actually! | 0:20:12 | 0:20:15 | |
Come on. | 0:20:16 | 0:20:18 | |
Here it is. Still here, thankfully. Is that a good or a bad sign? | 0:20:18 | 0:20:23 | |
-I don't know. -I really do like it. I like it a lot. | 0:20:23 | 0:20:28 | |
I mean, we said 150 earlier, but do you think you could go to 120? | 0:20:30 | 0:20:35 | |
Please? | 0:20:35 | 0:20:37 | |
- Please? - 120. | 0:20:37 | 0:20:40 | |
-Thank you very much. Cheers. -Thank you very much. | 0:20:40 | 0:20:44 | |
-Brilliant. -That's fantastic. We've done it! Group hug! | 0:20:44 | 0:20:48 | |
We've done it! | 0:20:48 | 0:20:50 | |
That Carl, he's such a softie. Well done. Now will the Blues go for that Staffordshire spill vase? | 0:20:52 | 0:20:58 | |
So, negotiation time. Who's going to do that? | 0:20:58 | 0:21:02 | |
-Shall I have a whack at it? -Yeah, Kezia. -Go on. Ask the gentleman. | 0:21:02 | 0:21:07 | |
Hello. It's us again, I'm afraid. | 0:21:07 | 0:21:10 | |
We've been thinking about that the entire time and we just wondered what's the best price you could do? | 0:21:10 | 0:21:17 | |
Eh...110. | 0:21:17 | 0:21:19 | |
Would you do it for £100? | 0:21:20 | 0:21:23 | |
-Yes, OK. -Oh, brilliant. Thank you. | 0:21:23 | 0:21:27 | |
Good luck. | 0:21:27 | 0:21:29 | |
Well done! Really good negotiating. You did really well. Nervous? | 0:21:29 | 0:21:33 | |
I'm nervous about how it will do, but I think it's so interesting and I'd kick myself later. | 0:21:33 | 0:21:40 | |
-Good! Thank you very much. Very kind of you. Third and final item done. -Done! | 0:21:40 | 0:21:46 | |
Kezia, Carolyn, you were sold on the story after all. | 0:21:46 | 0:21:51 | |
That's it. The bare truth is time's up. Let's check out what the Red team bought, eh? | 0:21:51 | 0:21:57 | |
Carol and Carl had a healthy start with this carrot and pea pod condiment set. | 0:21:57 | 0:22:03 | |
They got it for a wholesome £10. | 0:22:03 | 0:22:05 | |
They then secured the Staffordshire enamel box | 0:22:05 | 0:22:09 | |
for £100. And, finally, they raced to the finish | 0:22:09 | 0:22:13 | |
with this walking stick with three silver horses' heads to form the handle. £120 paid. | 0:22:13 | 0:22:20 | |
-Well, you two birds. How did you get on? -Pretty well. -Enjoyed it? -Really good. | 0:22:20 | 0:22:25 | |
-How much did you spend? -We spent 230. -That's very good. | 0:22:25 | 0:22:30 | |
-Can I have £70 of leftover lolly? -You can. -Thank you very much. | 0:22:30 | 0:22:34 | |
That's great. Which is your favourite piece, Carol? | 0:22:34 | 0:22:39 | |
-My favourite is a very small pill box. -Do you agree, Carl? -Er...no. | 0:22:39 | 0:22:43 | |
My favourite is the walking stick. | 0:22:43 | 0:22:46 | |
-Will it bring the biggest profit? -I think it will. -Agree, Mum? | 0:22:46 | 0:22:51 | |
-No. -Not really. | 0:22:51 | 0:22:53 | |
I can tell, Kate, this has been a difficult experience. | 0:22:53 | 0:22:57 | |
-It's been, yes, family... -Tensions. -Yes. But they've come to agreement. | 0:22:57 | 0:23:03 | |
Good. And you've got your £70 and now you do your favourite thing - | 0:23:03 | 0:23:08 | |
-spend, spend, spend. -Spend and shop! -Good luck with that, anyway. | 0:23:08 | 0:23:12 | |
Meanwhile, here's what the Blues bought. | 0:23:12 | 0:23:16 | |
They fell for the style of this stained-glass panel, paying £155 for it. | 0:23:16 | 0:23:22 | |
Then they were swayed by the small silver mug and got it for £25. | 0:23:22 | 0:23:27 | |
And, finally, this Staffordshire spill vase with King Charles and Oliver Cromwell had the history, | 0:23:28 | 0:23:35 | |
but at a high price of £100. | 0:23:35 | 0:23:38 | |
-Well, you happy campers, had a good time? -Yes! -How much did you spend? | 0:23:39 | 0:23:44 | |
-£280. -I love it! Who's got the £20? -Here. -Good girl. | 0:23:44 | 0:23:49 | |
-Which is your favourite piece? -Definitely the stained-glass window. | 0:23:49 | 0:23:54 | |
It's beautiful, it's got age, I love the romance of the woman inside. | 0:23:54 | 0:23:58 | |
-That's lovely to have such enthusiasm. Agree, Ma? -Absolutely. If we could take it home, we would! | 0:23:58 | 0:24:05 | |
-We don't want to take it to auction. -I'm afraid you've got to sell it. | 0:24:05 | 0:24:09 | |
-Will it bring you the biggest profit? -I'm not sure. -If somebody has the same reaction we do. | 0:24:09 | 0:24:16 | |
And if they don't, what will crack it for the profit? | 0:24:16 | 0:24:19 | |
The Staffordshire ware. | 0:24:19 | 0:24:22 | |
-I'm glad you've enjoyed your shop. It's always a treat wandering round with Thomas Plant. -Absolutely! | 0:24:22 | 0:24:28 | |
-I have £20! -£20 to shove off with. | 0:24:28 | 0:24:31 | |
Good luck with that, Tom. Meanwhile, I'm going to show you a little something | 0:24:31 | 0:24:36 | |
you might like to use over the weekend. | 0:24:36 | 0:24:40 | |
Are you about to head off for a weekend's pleasure and leisure? | 0:24:44 | 0:24:49 | |
Well, between 1930 and 1940, you might well have taken one of these babies with you. | 0:24:49 | 0:24:56 | |
It's a bit of an oddball object, though, when you look at it. | 0:24:56 | 0:25:01 | |
A suitcase with a curvy top like this. And all the angles are peculiar. | 0:25:01 | 0:25:07 | |
Look at it from this end on and the whole angle at the back here is oddball. | 0:25:07 | 0:25:13 | |
Then we've got four rubber feet, but if you stood it up on those feet | 0:25:13 | 0:25:19 | |
the angle of the top is oddball, too. | 0:25:19 | 0:25:23 | |
So what's going on? | 0:25:23 | 0:25:25 | |
Well, partly, the answer to this thing is revealed in the use of materials. | 0:25:25 | 0:25:31 | |
Because this is called oil cloth. The outer surface looks like leather, | 0:25:31 | 0:25:37 | |
but actually it's a canvas that's been treated to make it waterproof. | 0:25:37 | 0:25:42 | |
And the other wee hint is these protectors all round, | 0:25:42 | 0:25:47 | |
which are in chromium plate, including a piece of angled bar here | 0:25:47 | 0:25:52 | |
strategically placed to stop wear. | 0:25:52 | 0:25:55 | |
Because this thing is the most wonderful example of a piece of automobilia. | 0:25:55 | 0:26:01 | |
This is a suitcase that's been made specifically to go on the back of a sports car. | 0:26:01 | 0:26:08 | |
The trick to enhancing its value, though, is discovering which motor car it was made to go on. | 0:26:08 | 0:26:14 | |
Was it an Alvis? Was it a Morgan? | 0:26:14 | 0:26:17 | |
Which motor car had a rack that precisely took | 0:26:17 | 0:26:21 | |
the dimensions and angles of this particular case? | 0:26:21 | 0:26:25 | |
The idea being that leather straps would come up over the top here. | 0:26:25 | 0:26:30 | |
This bar of chromium plate, when you do up the leather buckle, won't scrape the corner and rub it | 0:26:30 | 0:26:37 | |
when it's bouncing around. | 0:26:37 | 0:26:39 | |
It's still got sturdy, lockable locks. Look. Which work. | 0:26:39 | 0:26:44 | |
Open up to reveal the original canvas-lined interior. Needs a bit of work, | 0:26:44 | 0:26:49 | |
but it's all there. That's the point. It's in original condition and for a motor car buff, | 0:26:49 | 0:26:55 | |
they will absolutely love it. | 0:26:55 | 0:26:59 | |
Will they pay £300 for the right case, slightly tickled? I fancy they would. | 0:26:59 | 0:27:04 | |
But the price here today in this field is modest. | 0:27:04 | 0:27:08 | |
And how much would that be? £20. | 0:27:08 | 0:27:12 | |
That's about five gallons of petrol. | 0:27:12 | 0:27:15 | |
Not a lot. | 0:27:15 | 0:27:17 | |
Now let's pop off to Leicestershire for the auction. | 0:27:19 | 0:27:23 | |
What about this? We're in Market Harborough at Gildings with Mark Gilding, | 0:27:24 | 0:27:31 | |
-our auctioneer and general hero. How are you? -Very well, Tim. | 0:27:31 | 0:27:35 | |
-Now the Carlton novelty ware condiment, which is pretty weird, isn't it? -It is. | 0:27:35 | 0:27:40 | |
-A good internet lot, though. -True. | 0:27:40 | 0:27:42 | |
-What's your estimate? -£10-£15. -£10 paid. That's the way to do it. | 0:27:42 | 0:27:47 | |
Now Carol went with the Staffordshire enamel box. | 0:27:47 | 0:27:52 | |
-The funny thing about Staffordshire enamels is that they are often oddball like this. -They are. | 0:27:52 | 0:27:58 | |
-With curious little designs. On the internet, anything could happen. -It could. -OK. | 0:27:58 | 0:28:03 | |
-Putting on your most optimistic hat, what's your estimate? -40-60. -£100 paid. Dear, oh, dear. | 0:28:03 | 0:28:09 | |
We'll need them to buck up on the internet. And, lastly, is the handsome walking stick | 0:28:09 | 0:28:15 | |
with the silver handle. Kate Bateman's got great expectations for this. Tell us about it. | 0:28:15 | 0:28:22 | |
Well, in my opinion it's a relatively modern version of a Russian original. | 0:28:22 | 0:28:28 | |
This is a version made in Germany and quite an interesting example for a collector. | 0:28:28 | 0:28:34 | |
And if you happened to be into the racing scene, what a spiffy thing to take to the Derby | 0:28:34 | 0:28:40 | |
-or wherever you're going. -Condition is very good as well. -Worth a lot? | 0:28:40 | 0:28:44 | |
-70-100. -£120 paid. My gosh, they're going to need their bonus buy. Let's go and have a look at it. | 0:28:44 | 0:28:51 | |
£70 of leftover lolly went to Kate. Kate, what did you spend it on? | 0:28:52 | 0:28:57 | |
-Ta-da! -Oh, yes. -A little bear. -I think I recognise him. | 0:28:57 | 0:29:02 | |
We did see him and I thought you were quite taken with him. He's a 19th century, maybe early 20th, | 0:29:02 | 0:29:08 | |
-Black Forest bear from Germany. And he's a match holder. He's quite sweet. -He's very light. | 0:29:08 | 0:29:14 | |
-You think he'd be a lot heavier. That's lovely. He's nice. -How much did he cost? | 0:29:14 | 0:29:20 | |
He was £50, but I think there's a profit there. Not a huge amount, | 0:29:20 | 0:29:25 | |
-but maybe £5, £10. Every little helps. -Would you pay £50 for it? You clearly saw it and didn't! | 0:29:25 | 0:29:31 | |
-I don't know whether I'd pay 50 for him. -What do you think, Mum? -I'm not sure. A teeny weeny profit, | 0:29:31 | 0:29:38 | |
-but not a lot. -But it is cute. -It is. -And he's not damaged. It would have been nice in silver. | 0:29:38 | 0:29:44 | |
-That would have made it a little bit better. -It'll depend where you are after your first three items, | 0:29:44 | 0:29:51 | |
but right now let's find out what the auctioneer thinks about Kate's little bear. | 0:29:51 | 0:29:57 | |
-That's nicely finished, Mark. -Yeah, it's quite well carved. | 0:29:57 | 0:30:02 | |
I wouldn't like to sit down with a chisel in the Black Forest in 1890 | 0:30:02 | 0:30:07 | |
and hack out this thing. It's nicely done. | 0:30:07 | 0:30:11 | |
-He's got a bit of character. -OK. Kate Bateman bought it. She rates it. | 0:30:11 | 0:30:16 | |
-What's your estimate? -£30-£50. -Fair enough. She paid £50. | 0:30:16 | 0:30:20 | |
In the swing of the auction, Mark, anything could happen. | 0:30:20 | 0:30:25 | |
That's it for the Reds. Now for the Blues. First up for them is the leaded and stained glass window. | 0:30:25 | 0:30:31 | |
This is a relatively well-constructed version, | 0:30:31 | 0:30:36 | |
but, as you say, it's not a mass market object. | 0:30:36 | 0:30:40 | |
What's good about that is not so much the leaded bit, but the stained glass. | 0:30:40 | 0:30:45 | |
-That's hand-painted. So how much? -I'm saying 60-90. -Are you? I'm saying 155. | 0:30:45 | 0:30:51 | |
I've a horrible feeling you're right! | 0:30:51 | 0:30:54 | |
Moving on, I have to say I'm rather fond of this little mug. It's got a mark. Do you like it? | 0:30:54 | 0:31:00 | |
-I think it's a sweet little thing. -A cracking little thing. Is there much call for it? | 0:31:00 | 0:31:07 | |
-I'm saying £20-£30. -Are you? Not much of a call. £25 paid. | 0:31:07 | 0:31:11 | |
And, lastly, Kezia went very strongly on the Staffordshire. | 0:31:11 | 0:31:15 | |
-I suppose she thought it's big and chunky, so worth a lot of money. You're going to shoot us down. -Yeah. | 0:31:15 | 0:31:22 | |
-So what's the estimate? -£20-£30 only. -Oh, dear, oh, dear! £100 paid. This is such a disaster, | 0:31:22 | 0:31:29 | |
we're moving into bonus buy territory, so let's look at it. | 0:31:29 | 0:31:34 | |
-OK, girls, this is exciting. -It is. -You spent the 280, you gave Tom Tom £20. | 0:31:35 | 0:31:42 | |
-Did he navigate us to a good place? -I hope so. | 0:31:42 | 0:31:45 | |
Very small, but beautiful things come in small packages. | 0:31:46 | 0:31:50 | |
It's by Rabone and Sons and it's a rule. | 0:31:50 | 0:31:55 | |
If you want to constantly measure a piece of wood you're cutting, | 0:31:55 | 0:31:59 | |
you can slide this out and that rule stays at that level of millimetres. | 0:31:59 | 0:32:04 | |
It's such a sweet thing. Such a good package and it works. | 0:32:04 | 0:32:09 | |
-And do people collect these rules? -Yes, they do. I'm not predicting the biggest profit in the world. | 0:32:09 | 0:32:14 | |
-Did you spend the whole £20? -Yes, I did my best for you, Kezia. I tried hard. | 0:32:14 | 0:32:21 | |
So there's no hard and fast rule as to how much profit it'll bring. | 0:32:21 | 0:32:25 | |
-It's quite flexible. -Yeah. I imagine a collector of this type of thing would be quite attracted to it. | 0:32:25 | 0:32:31 | |
-Ideal for online trading, I'd say. -Online! -The thing is, Tom, | 0:32:31 | 0:32:36 | |
-are you going to measure up today? -This is the big question. | 0:32:36 | 0:32:40 | |
On that happy note, for the audience at home, let's find out | 0:32:40 | 0:32:45 | |
whether the auctioneer has got the mark of Tom. | 0:32:45 | 0:32:50 | |
There we go, all for you. | 0:32:50 | 0:32:52 | |
-Thank you. -Handy if you only want to measure something three inches long. -It is. -A quality maker. | 0:32:52 | 0:32:58 | |
-Quality maker. -The metalwork's lovely. -Yeah, super quality. | 0:32:58 | 0:33:02 | |
Condition's good. All the scale is visible. | 0:33:02 | 0:33:06 | |
-So is it going to measure up? -£30-£50. -Yeah, it does. £20 paid. | 0:33:06 | 0:33:10 | |
-OK. -So good on Tom. Tom's done the right thing. | 0:33:10 | 0:33:15 | |
But will the team go for it? We'll find out in a moment. Thanks. | 0:33:15 | 0:33:19 | |
10 I'm bid in the room now. At 10. | 0:33:21 | 0:33:24 | |
-We've got four jolly nice lots. -Yeah. -So let us be confident. | 0:33:24 | 0:33:29 | |
Let's be bold. Let's go forward! And the first lot coming up is the condiment. Here it comes. | 0:33:29 | 0:33:35 | |
Lot number 148. The Carlton ware novelty condiment set. | 0:33:35 | 0:33:40 | |
What do we say for this, then? Opening bid, £5 only. A fiver. | 0:33:40 | 0:33:45 | |
Novelty condiment at £5. | 0:33:45 | 0:33:48 | |
£8 I'm bid online. 10 now. £10 I'm bid here. | 0:33:48 | 0:33:52 | |
Straight ahead at £10. 12? At £10 I'm bid. | 0:33:52 | 0:33:56 | |
No! Come on. | 0:33:56 | 0:33:58 | |
-I have to sell. And now at £10. -Gosh! | 0:33:58 | 0:34:02 | |
-Wiped its face. £10. -We didn't lose money. -Now... | 0:34:02 | 0:34:08 | |
Bidding here at £22. At 22. | 0:34:08 | 0:34:10 | |
25. 28. 30. 32. 35 I'm bid at the back. | 0:34:10 | 0:34:15 | |
-At 35. 38 online. -Come on, online. | 0:34:15 | 0:34:19 | |
At £40. At 40. Do I see 42? 45. | 0:34:19 | 0:34:23 | |
- 48. 50. - It's got a long way to go. | 0:34:23 | 0:34:28 | |
At £50. Five I'll take. 55. | 0:34:28 | 0:34:30 | |
55. You're shaking your head. It's 55 online. | 0:34:30 | 0:34:34 | |
£55 I'm bid, then. Fair warning. And selling... 60. 65. | 0:34:34 | 0:34:38 | |
-New bidding. -Oh, come on! -At 65. | 0:34:38 | 0:34:42 | |
All the bidders out in the room. At £65. | 0:34:42 | 0:34:45 | |
- Yes, it's going up. - 70 bid. Do we have any more? | 0:34:45 | 0:34:49 | |
75, thank you. At 75. Still online bidding. I'll wait for you again. | 0:34:49 | 0:34:55 | |
I don't mind. At 75. Internet wins at 75. | 0:34:55 | 0:35:00 | |
Two internet bidders at £75. | 0:35:00 | 0:35:03 | |
-Anyway, sold for £75. Minus £25. Now... -The walking stick. | 0:35:03 | 0:35:07 | |
With me on the book at £80. | 0:35:07 | 0:35:10 | |
£80 I'm bid for the stick. £80. Quite a stylish thing. 85. | 0:35:10 | 0:35:14 | |
90, new bid. 90. 95. 100. | 0:35:14 | 0:35:17 | |
110. 120. | 0:35:17 | 0:35:19 | |
130. 140. | 0:35:19 | 0:35:21 | |
-Come on! -At 140. Are you sure? | 0:35:21 | 0:35:24 | |
At 140. 140. | 0:35:24 | 0:35:26 | |
-Keep going. -150 I have now with the internet. 150. | 0:35:26 | 0:35:30 | |
And 160. Thank you, sir. At 160. | 0:35:30 | 0:35:33 | |
170 online. 180 in the room. | 0:35:33 | 0:35:36 | |
190 on the internet. 200 in the room. At 200. | 0:35:36 | 0:35:41 | |
I'll stay in tens. At 210 online. Now at 210. | 0:35:41 | 0:35:44 | |
A big shake of the head. It's 210. | 0:35:44 | 0:35:47 | |
220, thank you. At 220. | 0:35:47 | 0:35:50 | |
-At 220. We're on the front row now at 220. -Come on, internet. | 0:35:50 | 0:35:54 | |
Fair warning. Selling it away at £220. | 0:35:54 | 0:35:59 | |
-Yes! -Plus £100! Now that's a proper amount! | 0:35:59 | 0:36:04 | |
-Wow! -So that's very good. | 0:36:04 | 0:36:06 | |
Very satisfactory. I told you it was a good stick. | 0:36:06 | 0:36:10 | |
Plus £75. Thank goodness for that. Now what about the bear? Twist or stick? | 0:36:10 | 0:36:16 | |
-Shall we stick? -What do you think? -I can't influence you. | 0:36:16 | 0:36:20 | |
-Stick. -We're going to stick. -Are you? You've got your £75. -Yeah, we've got the 75. | 0:36:20 | 0:36:26 | |
-We need the petrol money. -But we're going to sell it anyway. | 0:36:26 | 0:36:31 | |
On to 154, then. German Black Forest carved wood match holder. | 0:36:31 | 0:36:36 | |
Quite a bit of interest, actually. | 0:36:36 | 0:36:38 | |
Bidding opens at £20. | 0:36:38 | 0:36:40 | |
The bid's on the book at £20. 22. 25. | 0:36:40 | 0:36:44 | |
25 here. Still with me. | 0:36:44 | 0:36:47 | |
28. 30. At £30 I'm bid. You're out online. 32. 35. | 0:36:47 | 0:36:51 | |
-At 35, I'm bid. On the book, then. -You made the right choice. | 0:36:51 | 0:36:57 | |
-38. 40. -40. Hang on. | 0:36:57 | 0:37:00 | |
At £40. | 0:37:00 | 0:37:02 | |
-Yes! -That is £40. -You've saved a tenner there. | 0:37:03 | 0:37:07 | |
It could have gone either way. It happened to be minus 10. | 0:37:07 | 0:37:12 | |
-You park your £75 and say not a word to the Blues. -No. -Profit, Tim! | 0:37:12 | 0:37:17 | |
Sad faces. Sad faces. Just... | 0:37:17 | 0:37:20 | |
Yeah. | 0:37:20 | 0:37:22 | |
In the room at 45. | 0:37:25 | 0:37:27 | |
-Now, Carolyn, Kezia, do you know how the Reds got on? -Not at all. | 0:37:32 | 0:37:36 | |
Good. Now that glass panel, the Arts and Crafts panel. | 0:37:36 | 0:37:40 | |
-They have always been dodgy things to sell. -Oh, no, don't tell us that! | 0:37:40 | 0:37:45 | |
-Yes and no. -It's such a difficult market. If you've got two people doing a house | 0:37:45 | 0:37:50 | |
and they need an Aesthetic Movement panel like that, beautiful thing, they'll pay a lot of money for it. | 0:37:50 | 0:37:57 | |
It's a very speculative thing. | 0:37:57 | 0:37:59 | |
You paid 155. The auctioneer's been a bit down on it - he said 60-90. | 0:37:59 | 0:38:04 | |
-We're going to be optimistic. -It's the only way to be. Here it comes. | 0:38:04 | 0:38:09 | |
170. A really quite nice Arts and Crafts style stained glass panel. | 0:38:09 | 0:38:14 | |
Painted with a centre rondelle. Quite a bit of interest. Starting at 65. | 0:38:14 | 0:38:19 | |
£70. At 70. Five. 80. | 0:38:19 | 0:38:22 | |
Five. 90. Five. 100. | 0:38:22 | 0:38:24 | |
110. 120. 130. 140. | 0:38:24 | 0:38:28 | |
-150. 160. -Hey! | 0:38:28 | 0:38:30 | |
160 I'm bid. Anyone else? | 0:38:31 | 0:38:34 | |
The bid's with me on the book. Are you bidding online? 160. | 0:38:34 | 0:38:39 | |
The bid's here with me and selling at £160. | 0:38:39 | 0:38:44 | |
Well, what a result that is! 160 on his estimate of 60-90 means you're plus £5. That's so good! | 0:38:44 | 0:38:51 | |
A small silver mug, marked M and Co. Bamboo handle. | 0:38:51 | 0:38:56 | |
Quite a nice thing. £20 I'm bid. | 0:38:56 | 0:38:58 | |
The little silver mug at £20. I thought you'd all want this. | 0:38:58 | 0:39:02 | |
22. 25. 25 I'm bid now. 28 online. At 28. | 0:39:02 | 0:39:07 | |
30 in the room. 32. New bidding. 35. | 0:39:07 | 0:39:10 | |
- Standing now. You're out, seated. - Who else wants that? | 0:39:10 | 0:39:15 | |
38. 40, thank you. At £40. 42. | 0:39:15 | 0:39:18 | |
-Online. -45. | 0:39:18 | 0:39:21 | |
At 45 bid. 48. | 0:39:21 | 0:39:23 | |
-50 now. -You've doubled your money. -55 online. | 0:39:23 | 0:39:28 | |
-At 55. -Worth 100. -All out in the room? 55. 60! | 0:39:28 | 0:39:32 | |
-He's back in. At £60. -Quite right, too. Go on! | 0:39:32 | 0:39:36 | |
£65. | 0:39:36 | 0:39:37 | |
Smiling, but shaking his head. | 0:39:37 | 0:39:40 | |
-65 online. -Go on! -You know you want it. | 0:39:40 | 0:39:43 | |
-65. With the internet now. £65. -Don't let it go. | 0:39:43 | 0:39:47 | |
£65 online is plus £40. You are so cool, you lot. | 0:39:47 | 0:39:52 | |
Now stand by for the spill vase. | 0:39:52 | 0:39:55 | |
King Charles and Cromwell. A big piece of Staffordshire. | 0:39:55 | 0:39:59 | |
-£12 I'm bid. -£12?! -£12 only for the Staffordshire. At £12. At 12. | 0:39:59 | 0:40:05 | |
At £12 I'm bid here. 15 online. 18 with me. | 0:40:05 | 0:40:09 | |
£20 online bidding now. At 20. | 0:40:09 | 0:40:12 | |
At £20 I'm bid. Fresh bidder online. At 25 now. At 25. | 0:40:12 | 0:40:17 | |
-At £25. -No, no, no. -Fair warning, internet. 25 and away. | 0:40:17 | 0:40:21 | |
£25. Oh, my lord. | 0:40:23 | 0:40:25 | |
£25. | 0:40:25 | 0:40:27 | |
That's minus £75. | 0:40:27 | 0:40:29 | |
Team, I could burst into tears. You've done so well and then to have your dream shattered so rudely. | 0:40:29 | 0:40:36 | |
-Smashed, ruined. -What about the rule? -We've got nothing to lose. | 0:40:36 | 0:40:42 | |
-Go for it. -You're going with the bonus buy. Here it comes. | 0:40:42 | 0:40:45 | |
A boxwood three-inch rule by Rabone and Sons. | 0:40:45 | 0:40:49 | |
Bidding here starts at £10 only. £10 I'm bid. | 0:40:49 | 0:40:52 | |
For the £10, the little tool. £12. | 0:40:52 | 0:40:55 | |
15 I'm bid. Bid at 15. | 0:40:55 | 0:40:59 | |
I thought this would do much better. Nevertheless, here to sell. | 0:40:59 | 0:41:02 | |
-And selling at £15. -Go on... | 0:41:02 | 0:41:06 | |
£15 is minus five, which means that overall you are minus £35. | 0:41:06 | 0:41:10 | |
-Oh... -Oh, kids. | 0:41:10 | 0:41:13 | |
-Never mind. -So well and then just to be shattered! | 0:41:13 | 0:41:17 | |
Don't say a word to the Reds. That could be a winning score. | 0:41:17 | 0:41:21 | |
Back in, thank you. At £60. | 0:41:21 | 0:41:23 | |
-So, teams, been chatting at all? -No. | 0:41:28 | 0:41:31 | |
-You haven't been comparing scores? -No. -OK, that's just as well | 0:41:31 | 0:41:36 | |
because today's programme is a tale of two "haves". | 0:41:36 | 0:41:40 | |
That is the haves and the have nots. | 0:41:40 | 0:41:43 | |
Sadly, today the have nots by a good old slice are the Blues. | 0:41:43 | 0:41:47 | |
Oh! | 0:41:47 | 0:41:48 | |
Yes! | 0:41:48 | 0:41:50 | |
-You made a profit on the Arts and Crafts glass window. -I know! | 0:41:51 | 0:41:56 | |
Which nobody predicted. Brilliant. | 0:41:56 | 0:41:58 | |
You made a profit on the silver mug, which I loved to bits! | 0:41:58 | 0:42:02 | |
-Which nobody predicted! But the spill vase was a disaster. -Absolute disaster. | 0:42:02 | 0:42:09 | |
-And it dragged you down. Anyway, it was very exciting. -Very. -It was. | 0:42:09 | 0:42:15 | |
You deserved to do so much better. There you go. The luck of the game. | 0:42:15 | 0:42:19 | |
-But you had a good time? -Brilliant. | 0:42:19 | 0:42:22 | |
And Tom is always beside you, smiling happily. | 0:42:22 | 0:42:26 | |
But the victors today are going home with cash. Going home with £75. | 0:42:26 | 0:42:31 | |
Oooh! | 0:42:31 | 0:42:33 | |
£75! | 0:42:35 | 0:42:36 | |
-Essentially because of one splendiferous object... -Which was mine! | 0:42:37 | 0:42:42 | |
Everybody dissed it, but it was great and made 220. | 0:42:42 | 0:42:46 | |
And you finish up with £75, which is lovely. | 0:42:47 | 0:42:52 | |
-Kate, you enjoyed it, I hope. -Excellent. -I congratulate you. | 0:42:52 | 0:42:57 | |
-Join us soon for some more bargain hunting! Yes? -Yes! | 0:42:57 | 0:43:01 | |
I know you're sitting thinking, "I could have done better than that!" Well, what's stopping you? | 0:43:01 | 0:43:07 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:07 | 0:43:11 | |
It'll be splendid to see you! | 0:43:11 | 0:43:14 | |
Subtitles by Red Bee Media Ltd | 0:43:17 | 0:43:20 |