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On today's show, | 0:00:08 | 0:00:10 | |
the fair is located in the grounds of the splendid Deene Park, | 0:00:10 | 0:00:15 | |
once the home of Lord Cardigan | 0:00:15 | 0:00:17 | |
of Charge of the Light Brigade fame. | 0:00:17 | 0:00:20 | |
The big question today is, though, | 0:00:20 | 0:00:22 | |
how much are our teams about to be charged | 0:00:22 | 0:00:25 | |
and will we finish up with carnage? | 0:00:25 | 0:00:27 | |
THUNDER CLAP Let's go bargain hunting. Yeah. | 0:00:27 | 0:00:30 | |
Lord Cardigan also led his cavalry | 0:00:56 | 0:00:59 | |
in the Battle of Balaclava. | 0:00:59 | 0:01:02 | |
We've got a right battle on today between husbands and wives. | 0:01:02 | 0:01:05 | |
Here's a quick squint as to what's coming up. | 0:01:05 | 0:01:08 | |
'Today, the reds take on an expensive gamble.' | 0:01:10 | 0:01:14 | |
We've fallen in love with him. | 0:01:14 | 0:01:16 | |
Somebody must want him with lots of money. | 0:01:16 | 0:01:19 | |
It's all going to be my fault! No, we won't blame you. | 0:01:19 | 0:01:22 | |
We could say no. | 0:01:22 | 0:01:24 | |
'And the blues are full of hot air.' | 0:01:25 | 0:01:28 | |
PLAYS JAUNTY TUNE ON HARMONICA | 0:01:28 | 0:01:30 | |
TUNELESS DRONE | 0:01:30 | 0:01:34 | |
'The big question is, will both teams be hitting the right notes at auction? | 0:01:37 | 0:01:43 | |
'Before all that, let's meet the contestants.' | 0:01:45 | 0:01:48 | |
Today, we have a team of two wives battling it out against their husbands. | 0:01:52 | 0:01:58 | |
We have ex teachers Wendy and Sally | 0:01:58 | 0:02:01 | |
versus their long-suffering husbands, Jim and Dave. | 0:02:01 | 0:02:05 | |
Hello, everyone. ALL: Hello. | 0:02:05 | 0:02:07 | |
Now, Sally, how was it that you met Wendy and Dave? | 0:02:07 | 0:02:12 | |
When we moved to Nottingham, er...35 years ago, | 0:02:12 | 0:02:16 | |
we had a daughter who wanted to learn the piano. | 0:02:16 | 0:02:19 | |
Somebody recommended Wendy to us so I started taking her to lessons. | 0:02:19 | 0:02:25 | |
We've known each other ever since. And you hit it off, which is lovely. | 0:02:25 | 0:02:29 | |
Now, you've always enjoyed working with children? Yes, I have. | 0:02:29 | 0:02:33 | |
I worked as a school teacher for, ooh, 24 years. | 0:02:33 | 0:02:38 | |
Wendy, you also spent your career dealing with children. Yes, I did. | 0:02:38 | 0:02:41 | |
Older children, 16 to 18-year-olds, | 0:02:41 | 0:02:44 | |
who I taught in an FE college and in a sixth form college. | 0:02:44 | 0:02:48 | |
How do you think you girls are going to get on with the old bargain hunting? Brilliantly! | 0:02:48 | 0:02:53 | |
Absolutely! Bound to do better than the men! | 0:02:53 | 0:02:56 | |
Oh, really? Oh, yes. I feel a bit of pillow talk coming on. | 0:02:56 | 0:03:00 | |
LAUGHTER Anyway, good luck, girls. | 0:03:00 | 0:03:03 | |
Now, Jim, you, like your wife, used to be a teacher. | 0:03:03 | 0:03:07 | |
I certainly did. Yes, taught over 30 years. | 0:03:07 | 0:03:11 | |
What's your expertise? Modern languages, German and French. | 0:03:11 | 0:03:15 | |
Now, Dave, unlike the other members of the team, | 0:03:15 | 0:03:19 | |
you managed to avoid teaching. | 0:03:19 | 0:03:21 | |
I went into the Probation Service after I left university. | 0:03:21 | 0:03:25 | |
How are you going to get on buying these antiques, you two? | 0:03:25 | 0:03:29 | |
I think we'll do...remarkably well, don't you, Dave? Quietly confident. | 0:03:29 | 0:03:32 | |
You're going to hammer the girls? | 0:03:32 | 0:03:35 | |
LAUGHTER Well... In a manner of speaking! | 0:03:35 | 0:03:38 | |
I didn't say you were going to "beat" them. I said "hammer them". | 0:03:38 | 0:03:42 | |
I think... We think they're slightly over-confident. Yes. | 0:03:42 | 0:03:45 | |
Do you think they're a bit cocky? Just a bit. Just a bit? | 0:03:45 | 0:03:49 | |
See what I mean? There's going to be big trouble here! | 0:03:49 | 0:03:53 | |
Now, £300 apiece. Grab the dosh. You know the rules. | 0:03:53 | 0:03:58 | |
Your experts await and off you go! And very, very, very good luck. | 0:03:58 | 0:04:02 | |
I predict deep, deep trouble. | 0:04:02 | 0:04:06 | |
'Now, let's meet the experts helping the teams today. | 0:04:08 | 0:04:12 | |
'Kate Bateman is on hand to ensure the reds remain pitch perfect. | 0:04:12 | 0:04:16 | |
'And in charge of the blues is Indiana Jones wannabe:' | 0:04:17 | 0:04:22 | |
OK, boys, I hear you brought along your other halves. | 0:04:25 | 0:04:29 | |
Well, "brought along" is a bit of an over-statement. | 0:04:29 | 0:04:33 | |
They're contestants, aren't they? Yeah, opponents. | 0:04:33 | 0:04:36 | |
Against you? Are we going to beat them? We're quietly confident. | 0:04:36 | 0:04:40 | |
The aim is not only to beat Thomas Plant but to beat your husbands. Oh, yes! | 0:04:40 | 0:04:45 | |
The honour of womanhood is at stake? Absolutely. No pressure(!) | 0:04:45 | 0:04:49 | |
We've only got an hour. Yes. Are we going to buy well? We are. Let's go! | 0:04:49 | 0:04:54 | |
Get in the tent. | 0:04:54 | 0:04:56 | |
'So, armed with £300, | 0:04:56 | 0:04:58 | |
'both teams must find three items in under an hour to take to auction. | 0:04:58 | 0:05:03 | |
'First to spot a potential item is Kate.' | 0:05:08 | 0:05:12 | |
Look, look, tiles. You like tiles. | 0:05:14 | 0:05:17 | |
I do. Sally likes tiles. What do we think? They are a bit modern. | 0:05:17 | 0:05:21 | |
Yeah. I'm not that desperate, really. They don't speak to me. | 0:05:21 | 0:05:26 | |
They have to speak to you? Yes. | 0:05:26 | 0:05:28 | |
There's a little Art Nouveau... I guess that's an ashtray. | 0:05:28 | 0:05:33 | |
That's really cute. It's probably WMF or something. | 0:05:33 | 0:05:36 | |
Who is it? | 0:05:36 | 0:05:38 | |
Oh, Liberty's Tudric! Ooh! Hey! | 0:05:38 | 0:05:43 | |
That's a good idea. It is a bit damaged. | 0:05:43 | 0:05:46 | |
Nothing a bit of spit and polish wouldn't get rid of. Pretty good. | 0:05:46 | 0:05:50 | |
54's quite a lot of money. It's worth haggling. | 0:05:50 | 0:05:53 | |
It is. I would have put that at 30 to 60 in a sale. | 0:05:53 | 0:05:58 | |
I think that's right at the top end. | 0:05:58 | 0:06:00 | |
It's a great name, circa 1920. | 0:06:00 | 0:06:03 | |
If you could get it for around £35, there's probably a chance of profit. | 0:06:03 | 0:06:08 | |
It might be one to think about. Go and ask the lady how much. | 0:06:08 | 0:06:12 | |
OK. I can try that. Think "tough"! | 0:06:12 | 0:06:15 | |
Imagine the look on your husband's face when we beat him. Oh, yes! | 0:06:15 | 0:06:19 | |
LAUGHTER | 0:06:19 | 0:06:21 | |
'Remember, all's fair in love and war, Sally. | 0:06:21 | 0:06:24 | |
'What are those blues up to?' | 0:06:24 | 0:06:26 | |
What is it about locks? I just like the sense of a key. | 0:06:26 | 0:06:30 | |
I like the different sizes of key. | 0:06:30 | 0:06:33 | |
Do you think there's been a change in locks recently? | 0:06:33 | 0:06:36 | |
Are you disappointed by a Yale? | 0:06:36 | 0:06:38 | |
LAUGHING: Very disappointed by a Yale! | 0:06:38 | 0:06:41 | |
This has got style, but I don't know if it's got any age. | 0:06:41 | 0:06:44 | |
No. This looks very modern to me. They've got no age to them. | 0:06:44 | 0:06:49 | |
They're sweet. Shame. | 0:06:49 | 0:06:51 | |
If you are restoring a property, they are ideal. Yeah. | 0:06:51 | 0:06:54 | |
But I think for the purpose of an antiques show, | 0:06:54 | 0:06:57 | |
they have to be a little bit older. | 0:06:57 | 0:07:00 | |
'Locks might not be the key to your success, blues. | 0:07:00 | 0:07:05 | |
'Back to the reds, and what news on a price for the Tudric dish?' | 0:07:07 | 0:07:12 | |
She says she'll do it for 35, which she thinks is quite fair. 35? | 0:07:12 | 0:07:16 | |
It is a very good price drop from 50-odd. | 0:07:16 | 0:07:20 | |
I would say leave it. You can always come back to it and think about it. | 0:07:20 | 0:07:24 | |
It's a nice thing. At 35 you might have a chance. | 0:07:24 | 0:07:27 | |
Let's hope no-one buys it in the meantime. OK. Carry on. | 0:07:27 | 0:07:32 | |
'Outside the main marquee, | 0:07:35 | 0:07:37 | |
'it looks like Thomas's team have spotted a Moorcroft candle holder.' | 0:07:37 | 0:07:41 | |
How do you know it's Moorcroft? Good point. | 0:07:41 | 0:07:43 | |
I could be facetious and say you just do. | 0:07:43 | 0:07:47 | |
It's just the traditional tube-line design. | 0:07:47 | 0:07:51 | |
These cells get filled with the colours, then they get glazed. | 0:07:51 | 0:07:54 | |
The glaze goes over this and the cells encase the colours. | 0:07:54 | 0:07:59 | |
It's a stoneware, instead of a porcelain. | 0:07:59 | 0:08:03 | |
Therefore, fired at a lower temperature. | 0:08:03 | 0:08:06 | |
This is a more modern piece of Moorcroft. That's very pretty. | 0:08:06 | 0:08:10 | |
You like that one? Yeah. A more modern piece of Moorcroft. | 0:08:10 | 0:08:13 | |
This one, I would suggest, would be 1970s, 1980s. | 0:08:13 | 0:08:17 | |
You can tell that by the colour, the pattern, with the cream glaze. | 0:08:17 | 0:08:21 | |
And the red. Is there a special price for that? | 0:08:21 | 0:08:24 | |
We can always ask. Can you do a special price for two? There's always a special price for two. | 0:08:24 | 0:08:30 | |
Well, I was asking 65 each. | 0:08:30 | 0:08:32 | |
I will do the two for...95. | 0:08:32 | 0:08:35 | |
95. That's a good offer. Now, I'm going to ask... | 0:08:35 | 0:08:39 | |
How about £80? | 0:08:39 | 0:08:41 | |
How about 90? That would have to be it. | 0:08:42 | 0:08:45 | |
I'm afraid. £90, that's £45 each. Um... | 0:08:45 | 0:08:49 | |
85? | 0:08:49 | 0:08:50 | |
OK, you can have them for 85. I think, yeah. | 0:08:51 | 0:08:55 | |
We're happy with that. Yeah? | 0:08:55 | 0:08:57 | |
Yes. I like it myself and it feels as though it's marketable. | 0:08:57 | 0:09:01 | |
Absolutely. We'll do that. Thank you very much. | 0:09:01 | 0:09:04 | |
'Good bit of haggling, boys. That's the first purchase for the blues.' | 0:09:04 | 0:09:09 | |
Hello. We're looking at this chair and wondering what you thought. | 0:09:18 | 0:09:22 | |
It's very pretty. I'll love it a lot more if they say it's only ten quid. | 0:09:22 | 0:09:27 | |
LAUGHING: It's 85. | 0:09:27 | 0:09:29 | |
I think it's a LOT of money. Yes, I think so, too. | 0:09:29 | 0:09:32 | |
You're not going to make a profit and that's the whole point. | 0:09:32 | 0:09:35 | |
I'm about to throw a spanner in the works. I've found something. Ooh. | 0:09:35 | 0:09:39 | |
Something tiny. Right! Now, first impressions? Isn't that lovely? | 0:09:39 | 0:09:44 | |
I really like that. He's got character. Look at his feet! | 0:09:44 | 0:09:48 | |
He's a little boy. Yeah. | 0:09:48 | 0:09:50 | |
You wanted quality. His toes! He's gorgeous! | 0:09:50 | 0:09:53 | |
Is he brass? He's bronze. | 0:09:53 | 0:09:55 | |
And he is a very, very, very good find. Ooh, bronze. | 0:09:55 | 0:09:59 | |
This mark tells me he's by Franz Bergman, | 0:09:59 | 0:10:02 | |
who is the pinnacle of Austrian cold-painted bronzes. | 0:10:02 | 0:10:09 | |
'Bergman was a Viennese foundry producing bronze sculpture. | 0:10:09 | 0:10:12 | |
'They had distinctive marks, sometimes including Namgreb, | 0:10:12 | 0:10:16 | |
'which is Bergman in reverse, | 0:10:16 | 0:10:18 | |
'and often used it on their more erotic pieces. Cor! Fancy that!' | 0:10:18 | 0:10:22 | |
I literally just found it in a cabinet over there. | 0:10:22 | 0:10:25 | |
Wow! The detail of his toes and his hair. How much is he? Yeah. | 0:10:25 | 0:10:29 | |
This is the... The rub. This is the bad news. | 0:10:29 | 0:10:33 | |
We haven't bought anything. No. | 0:10:33 | 0:10:35 | |
Bearing in mind you have a whole £300 to spend... | 0:10:35 | 0:10:38 | |
It's on at... It's on at 250. BOTH: Gosh! | 0:10:38 | 0:10:42 | |
I know! But this has a fantastic chance of a profit. | 0:10:42 | 0:10:46 | |
Really? Even at 250? Yeah. If we could haggle them down? | 0:10:46 | 0:10:51 | |
I would estimate that, no problem, at...200 to 400. Wow! | 0:10:51 | 0:10:56 | |
There's a real chance you could get 100 quid profit. I love his feet. | 0:10:56 | 0:11:01 | |
If you could get down to 200, 180, you've really got a chance. | 0:11:01 | 0:11:05 | |
It's going to be on the internet, this sale. | 0:11:05 | 0:11:07 | |
That is the best you could buy. He's in good condition. | 0:11:07 | 0:11:10 | |
You probably said, but how old...? He's going to be about, oh, crikey! | 0:11:10 | 0:11:15 | |
Probably 1920s. I think if you could get that at 200 or below, | 0:11:15 | 0:11:19 | |
you've got a really good chance of at least a 50 quid profit. | 0:11:19 | 0:11:23 | |
It'd be really hard to lose money. Ooh, yes! Go for it. Go on! | 0:11:23 | 0:11:27 | |
Now you're going to make me do all the work? Yes. | 0:11:27 | 0:11:30 | |
Right. You found it. You've got to do two more items. | 0:11:30 | 0:11:34 | |
And leave me more than £1 for a bonus buy in 100 quid. Is that do-able? Yes. Course it is. | 0:11:34 | 0:11:40 | |
I'll try. Anything's possible. | 0:11:40 | 0:11:42 | |
BOTH LAUGH Keep looking at your £85 chair! | 0:11:42 | 0:11:45 | |
'Oh, Kate, go and see what you can do. | 0:11:45 | 0:11:48 | |
'Now, why don't you take a look at what I found here at the fair?' | 0:11:48 | 0:11:52 | |
This looks like rather a dull black box, doesn't it? | 0:11:52 | 0:11:56 | |
Those who watch Bargain Hunt a lot know I like these dull black boxes. | 0:11:56 | 0:12:01 | |
If you get hold of a good one, it has high-quality brass hasps | 0:12:01 | 0:12:06 | |
which open like this, to reveal a special interior. | 0:12:06 | 0:12:11 | |
Ha! How magnificent are these? | 0:12:11 | 0:12:14 | |
A pair of Georgian buckles, but no ordinary buckles. | 0:12:14 | 0:12:19 | |
Firstly, these are encrusted in fake diamonds known as paste. | 0:12:19 | 0:12:25 | |
And paste is nothing but glass, | 0:12:25 | 0:12:28 | |
high-quality glass, that's cut and faceted like a precious stone | 0:12:28 | 0:12:33 | |
and then mounted in a way, with silver foil behind, | 0:12:33 | 0:12:37 | |
that allows the light | 0:12:37 | 0:12:39 | |
to glisten and refract through the glass, just like a diamond. | 0:12:39 | 0:12:44 | |
The fact that all the stones are of a different size and shape, | 0:12:44 | 0:12:48 | |
they have to be fitted on a curve like this, which is complicated, | 0:12:48 | 0:12:52 | |
goes to make these a particularly special pair. | 0:12:52 | 0:12:56 | |
They were probably made between 1770 and 1780, | 0:12:56 | 0:13:00 | |
when this particular style of extremely arched and flashy buckles | 0:13:00 | 0:13:06 | |
was first produced. | 0:13:06 | 0:13:08 | |
For a collector, what's really nice about these flashy buckles | 0:13:08 | 0:13:12 | |
is that it has got the original case. | 0:13:12 | 0:13:15 | |
Believe it or not, there's an international community | 0:13:15 | 0:13:17 | |
of collectors of this sort of Georgian artefact. | 0:13:17 | 0:13:21 | |
As a result, I think these D'Artois buckles could bring | 0:13:21 | 0:13:25 | |
as much as £400 to £600 or 500 to 700 in a specialist sale. | 0:13:25 | 0:13:31 | |
What might you buy them for? | 0:13:31 | 0:13:33 | |
Well, if you're lucky, | 0:13:33 | 0:13:35 | |
they might come your way for a dazzling couple of hundred. | 0:13:35 | 0:13:39 | |
Right. Oooh! I have a result. And? | 0:13:46 | 0:13:49 | |
It was on at 250. I did try very, very hard. | 0:13:49 | 0:13:53 | |
The best death she'll do is 200. | 0:13:53 | 0:13:57 | |
It's a massive gamble. She will not go below 200. I have tried. | 0:13:57 | 0:14:02 | |
But he's so gorgeous! His little fingers, his little feet. | 0:14:02 | 0:14:06 | |
We've fallen in love with him and we think somebody must want him, with lots of money. | 0:14:06 | 0:14:11 | |
Are you pleased? I think that's a great buy. He's got weight as well. | 0:14:11 | 0:14:16 | |
Oh, you sweetheart. He's got weight. | 0:14:16 | 0:14:19 | |
It's all going to be my fault if you fail miserably. We won't blame you. | 0:14:19 | 0:14:23 | |
We could say no. It's our choice to say no. | 0:14:23 | 0:14:26 | |
I'm saying yes. And I'm saying yes. That's a great quality piece. | 0:14:26 | 0:14:30 | |
You can't take him home. We've got to sell him! | 0:14:30 | 0:14:33 | |
He'd just fit in my pocket! Don't! | 0:14:33 | 0:14:36 | |
We've got to pay the woman first! Let's go pay. Give her some money. | 0:14:36 | 0:14:42 | |
'Great. It's a lot of money, but worth a gamble | 0:14:42 | 0:14:45 | |
'and the first purchase made by the reds.' | 0:14:45 | 0:14:47 | |
What about the accordion? That looks quite new. | 0:14:56 | 0:14:59 | |
It isn't. It's a Diana Accordeon. That one's 75. | 0:14:59 | 0:15:03 | |
It's got the original box. | 0:15:03 | 0:15:05 | |
It's in amazing condition. I don't play the accordion. | 0:15:05 | 0:15:08 | |
I play the harmonica. You've got it there? | 0:15:08 | 0:15:11 | |
Look! You can knock out a tune now, can you? I can. Go on, then. | 0:15:13 | 0:15:17 | |
OK, right. | 0:15:17 | 0:15:19 | |
PLAYS A JAUNTY TUNE | 0:15:22 | 0:15:25 | |
'Well played, Jim.' | 0:15:27 | 0:15:29 | |
Can you play that at the same time? No, I wish I could. I'd ruin that. | 0:15:29 | 0:15:34 | |
He's good, isn't he? Yeah, he's good. | 0:15:34 | 0:15:36 | |
That's fabulous. Well done! But that did interest me. | 0:15:36 | 0:15:41 | |
It must be THE most difficult instrument to play. | 0:15:41 | 0:15:45 | |
TUNELESS DRONING | 0:15:45 | 0:15:48 | |
It's all there, isn't it? | 0:15:48 | 0:15:51 | |
Marvellous condition. | 0:15:53 | 0:15:55 | |
What's the very best on this? What about 70? | 0:15:57 | 0:16:00 | |
I can do 70, yeah, but that's about there. | 0:16:00 | 0:16:04 | |
I couldn't put much on it. | 0:16:04 | 0:16:06 | |
I paid a lot, but I really wanted it because of the condition. | 0:16:06 | 0:16:10 | |
Could we...? We've got a bit of time. Could we come back to it? | 0:16:10 | 0:16:14 | |
65. 65, best offer? Yes. | 0:16:14 | 0:16:17 | |
Thank you very much. We may well come back. | 0:16:17 | 0:16:20 | |
We'll give it some thought. We'll have a look round. | 0:16:20 | 0:16:25 | |
'Have a wee think, gents, but don't leave it that long. | 0:16:25 | 0:16:28 | |
'We're halfway through the shop. How are those reds getting on?' | 0:16:28 | 0:16:32 | |
That's very pretty. London 1901. I've got 49 on that. | 0:16:32 | 0:16:36 | |
Do you like that, ladies? I like it. It's the simplicity. | 0:16:36 | 0:16:39 | |
It's a lovely hobnail cut. | 0:16:39 | 0:16:42 | |
1901, the last year of Queen Victoria's reign. | 0:16:42 | 0:16:46 | |
It is pretty, isn't it? | 0:16:46 | 0:16:48 | |
It's lovely. Have a sniff. | 0:16:48 | 0:16:50 | |
Oh, it still smells! Smell it! Ooh, yes. That's great. | 0:16:50 | 0:16:54 | |
Oh! Isn't that lovely? | 0:16:54 | 0:16:56 | |
Can you do it down as far as 32? 32, yes. | 0:16:56 | 0:17:00 | |
Do you think that would be a good buy? That's a great buy for 32. | 0:17:00 | 0:17:05 | |
Thank you. Thank you very, very much. | 0:17:05 | 0:17:08 | |
You've saved my bacon because they were going to leave me £1. | 0:17:08 | 0:17:12 | |
LAUGHTER We still might! You still might! | 0:17:12 | 0:17:15 | |
That is a good buy, ladies. | 0:17:15 | 0:17:17 | |
'The reds have now made their second purchase. Well done, team.' | 0:17:17 | 0:17:22 | |
You like your glass. I do, yes. | 0:17:26 | 0:17:29 | |
What do you think of that? | 0:17:29 | 0:17:30 | |
Er...intriguing. | 0:17:30 | 0:17:33 | |
It's Georgian, Victorian. | 0:17:33 | 0:17:35 | |
Early Victorian, late Georgian, I would say. | 0:17:35 | 0:17:38 | |
Right. Cut bodied. What is it for? Very good. What IS it for? | 0:17:38 | 0:17:42 | |
It's got two lips, hasn't it? What do you think it's for? | 0:17:42 | 0:17:46 | |
Juicing. It's not a shaving thing? | 0:17:46 | 0:17:48 | |
It's obviously for pouring. No. | 0:17:48 | 0:17:51 | |
Alcohol. | 0:17:51 | 0:17:52 | |
Oh, right. Think of what we drink alcohol out of. | 0:17:52 | 0:17:57 | |
You put your wine glasses in there. Wine glass coolers. Oh, right! | 0:17:57 | 0:18:01 | |
Water and a wine glass each side. | 0:18:01 | 0:18:04 | |
The bowls were smaller, not like these great big buckets we get for your Sauvignon Blanc. | 0:18:04 | 0:18:09 | |
Would you like to try a glass? Oh, have you got a glass? | 0:18:09 | 0:18:12 | |
So that would have gone in. Bowls would have been smaller. Yes. | 0:18:12 | 0:18:16 | |
Oh, I see, yeah. Cool your glass. How much is this? | 0:18:20 | 0:18:24 | |
I've got 32 on it. I'll do it for 20. | 0:18:24 | 0:18:26 | |
£20. £20! | 0:18:26 | 0:18:29 | |
I think 20's a good deal, don't you? It does sound... | 0:18:29 | 0:18:33 | |
But I've also got a pair. A pair? One of these? | 0:18:33 | 0:18:36 | |
Exactly the same? For 20? That's good. | 0:18:36 | 0:18:39 | |
Nicer pair here. YOU think nicer pair? I think more useful. | 0:18:39 | 0:18:43 | |
More useful? Slightly later in date cos of the shape. | 0:18:43 | 0:18:46 | |
They could be 35 for the pair. | 0:18:46 | 0:18:48 | |
35 for the pair? Would you do a deal on all three? | 0:18:48 | 0:18:51 | |
50. | 0:18:51 | 0:18:53 | |
45? I can do that. | 0:18:53 | 0:18:55 | |
What do you reckon? I don't think we can go wrong. | 0:18:56 | 0:19:00 | |
45? 45, the three. | 0:19:00 | 0:19:02 | |
Good deal. Thank you very much. Thank you. | 0:19:02 | 0:19:05 | |
'It's now two-all, as the blues make their second purchase. | 0:19:05 | 0:19:10 | |
'But, as ever, time is ticking away. Both teams have just 15 minutes.' | 0:19:10 | 0:19:15 | |
Can I ask you what those are? | 0:19:15 | 0:19:17 | |
Have they got a texture? Oh, yes, they have. An oat roller! | 0:19:17 | 0:19:22 | |
As if you didn't know it was an oat roller! I do it all the time(!) | 0:19:22 | 0:19:26 | |
What are you doing if you're not rolling your oats? | 0:19:26 | 0:19:29 | |
If you're playing this off against the Liberty, it's a lot less chance of a profit. | 0:19:29 | 0:19:35 | |
I'm moving more towards the Tudric. That's our plan, is it? | 0:19:35 | 0:19:39 | |
What do you think? What's to lose? | 0:19:39 | 0:19:41 | |
It may not be there. It's miles away. | 0:19:41 | 0:19:45 | |
Right down the far end of the... | 0:19:45 | 0:19:47 | |
We've got to hurry, because if it's gone, that's it. | 0:19:47 | 0:19:50 | |
Shall we go? Yes. Come on. I'm not running, not for anyone! | 0:19:50 | 0:19:53 | |
We will. We'll just walk fast. Walk very fast! | 0:19:53 | 0:19:57 | |
What have you found? It's a nice little filing cabinet. | 0:20:04 | 0:20:07 | |
I thought it might be '50s. I think you're being generous. | 0:20:07 | 0:20:11 | |
It's a bit earlier than you think. | 0:20:11 | 0:20:13 | |
I was looking to see how well made it was. '30s, perhaps? | 0:20:13 | 0:20:16 | |
I'm not sure about the... Those were the original fittings? | 0:20:16 | 0:20:20 | |
I don't think it started life like that. Things have been added. | 0:20:20 | 0:20:24 | |
Is it definitely oak? It is oak. | 0:20:24 | 0:20:28 | |
There's another one over there which looks more... Expensive. | 0:20:28 | 0:20:31 | |
Yes, but original. Right. Do you see what I mean? | 0:20:31 | 0:20:35 | |
It's always stayed as a piece of office furniture. | 0:20:35 | 0:20:40 | |
From the '30s, '40s. It's a lot more expensive, but we've got the money. | 0:20:40 | 0:20:46 | |
Hm. And it's a good buy. | 0:20:46 | 0:20:48 | |
Oak-lined drawers, aren't they? Oak-lined drawers, yeah. | 0:20:48 | 0:20:52 | |
Look at that dove-tailing. It's better than the other one. | 0:20:52 | 0:20:55 | |
I think it is, yeah. It's a good decorator's piece. | 0:20:55 | 0:20:59 | |
It's got that retro vintage look. | 0:20:59 | 0:21:01 | |
I just feel that we need to get the price down. That's fine. | 0:21:01 | 0:21:04 | |
What is the best on that one? | 0:21:04 | 0:21:06 | |
Um... What's on that? 180. | 0:21:06 | 0:21:09 | |
I could do 135. | 0:21:09 | 0:21:12 | |
Now, thank you very much. That's very kind. | 0:21:12 | 0:21:16 | |
How about we... | 0:21:16 | 0:21:19 | |
we just ignore the 1 and it's 80 quid, and we'll have it? | 0:21:19 | 0:21:24 | |
95? Don't ever say a figure! | 0:21:25 | 0:21:28 | |
95? | 0:21:30 | 0:21:32 | |
Yeah? I'll do it for 95. Steep learning curve, this. | 0:21:32 | 0:21:35 | |
You always say a figure. I started at 80. Could have got to 90. | 0:21:35 | 0:21:39 | |
You've already said 95. Deal. | 0:21:39 | 0:21:41 | |
Done. All right? That's fine. Happy with that? I am at that price. | 0:21:41 | 0:21:45 | |
Good. I think that's it. Thank you very much. | 0:21:45 | 0:21:48 | |
STALL HOLDER: Not a problem. You can't bid for it? | 0:21:48 | 0:21:51 | |
You can't, but we've got a very good chance of making a profit | 0:21:51 | 0:21:54 | |
and also conquering... conquering the fairer sex. | 0:21:54 | 0:21:58 | |
BOTH: Indeed. | 0:21:58 | 0:22:00 | |
Right, I want a cup of tea. To dream the impossible dream. | 0:22:00 | 0:22:05 | |
'That's it! The blues have purchased all three items. | 0:22:05 | 0:22:08 | |
'Well done. But what news on the Tudric dish and the reds?' | 0:22:08 | 0:22:12 | |
You're SO lucky! It's moved. | 0:22:12 | 0:22:15 | |
Yeah, it was over there. | 0:22:15 | 0:22:17 | |
Is this the one you want to go for? Yeah. I think so. Yes. | 0:22:17 | 0:22:21 | |
She's agreed to go down to 34. That is even better. | 0:22:21 | 0:22:25 | |
Well done. That's item number three. Well done, Sally. | 0:22:25 | 0:22:27 | |
Are we going to beat the men? Yes! | 0:22:27 | 0:22:30 | |
They're so confident. BOTH LAUGH | 0:22:30 | 0:22:32 | |
I know I'm supposed to be confident, but, you know! Go for it! | 0:22:32 | 0:22:36 | |
'Fighting talk, reds. Congratulations, that's your last item in the bag.' | 0:22:36 | 0:22:40 | |
Our teams have charged around the fair and time's up. | 0:22:47 | 0:22:50 | |
Why don't we check out what the red wives have bought? | 0:22:50 | 0:22:54 | |
'The small cold-painted figure of a boy smoking a pipe was picked up | 0:22:57 | 0:23:01 | |
'for a stonking £200. | 0:23:01 | 0:23:04 | |
'The Edwardian silver-topped scent bottle set them back a fragrant £32. | 0:23:05 | 0:23:10 | |
'And finally, they dished out £34 for this Tudric pewter dish.' | 0:23:12 | 0:23:17 | |
Look at them, smiling like Cheshire cheeses! | 0:23:18 | 0:23:21 | |
I don't know what Kate Bateman's doing but you're giving them the right treatment. | 0:23:21 | 0:23:25 | |
I encourage spending! | 0:23:25 | 0:23:27 | |
So what did you totally spend? £266. | 0:23:27 | 0:23:31 | |
That is magnificent, isn't it? | 0:23:31 | 0:23:33 | |
So, we'd like to have £34. | 0:23:33 | 0:23:36 | |
Not a tremendous fortune, but something to get your teeth into. | 0:23:36 | 0:23:40 | |
I can cope with that. OK. Well, go away and cope and have a good time. | 0:23:40 | 0:23:44 | |
Meanwhile, why don't we check out what the blues bought? | 0:23:44 | 0:23:47 | |
'The Moorcroft dwarf candlestick and bowl cost them £85. | 0:23:48 | 0:23:52 | |
'The trio of antique wine glass coolers cost them a cool £45. | 0:23:54 | 0:23:59 | |
'Finally, they filed away £95 into the oak five-drawer filing cabinet.' | 0:24:00 | 0:24:06 | |
We're quietly confident. Good. What did you spend all-round? | 0:24:07 | 0:24:11 | |
225. That is a good sum. | 0:24:11 | 0:24:13 | |
I'd like £75 of leftover lolly. | 0:24:13 | 0:24:16 | |
Thank you very much, which goes straight to Tom-Tom. Thank you. | 0:24:16 | 0:24:20 | |
Are you going to navigate your way to a decent profit? I really hope so! | 0:24:20 | 0:24:24 | |
'It's back to school for me, as I make my way | 0:24:28 | 0:24:30 | |
'through the Surrey countryside to visit Charterhouse school. | 0:24:30 | 0:24:35 | |
'Charterhouse has a history going back 400 years. | 0:24:35 | 0:24:38 | |
'John Wesley, who founded the Methodist Church, | 0:24:41 | 0:24:44 | |
'and the novelist William Thackeray were former pupils, | 0:24:44 | 0:24:47 | |
'or Old Carthusians, as they're known.' | 0:24:47 | 0:24:50 | |
If only these buildings could talk. | 0:24:52 | 0:24:55 | |
My gosh! They'd have a story or two to tell. | 0:24:55 | 0:24:59 | |
Imagine turning up here on the first day of term. | 0:24:59 | 0:25:03 | |
You're a 12-year-old. You're clutching your tuckbox. | 0:25:03 | 0:25:08 | |
Ooh, you wouldn't half feel nervous. | 0:25:08 | 0:25:11 | |
So, what was life like at Charterhouse? | 0:25:17 | 0:25:20 | |
Well, this is a typical room for a superior person. | 0:25:20 | 0:25:24 | |
This is a monitor's room, effectively a senior prefect's room, | 0:25:24 | 0:25:29 | |
where you get your individual bed and perhaps a splendido view. | 0:25:29 | 0:25:34 | |
In the old days, the ordinary pupils would have slept in a dormitory, | 0:25:34 | 0:25:39 | |
perhaps the top end of 20 pupils per dorm. | 0:25:39 | 0:25:44 | |
And if you were academically talented | 0:25:44 | 0:25:48 | |
and perhaps your parents didn't have the money to pay the fees, | 0:25:48 | 0:25:53 | |
you might apply for a scholarship. | 0:25:53 | 0:25:55 | |
If you were awarded it, you would become a gown boy, | 0:25:55 | 0:25:59 | |
simply because you were a scholar and were entitled to wear this gown | 0:25:59 | 0:26:03 | |
together with the mortarboard - all extremely smart. | 0:26:03 | 0:26:07 | |
'Charterhouse isn't only famous for its educational prowess. | 0:26:09 | 0:26:13 | |
'It also prides itself on its sporting associations, | 0:26:13 | 0:26:17 | |
'with football playing a major role in school activities. | 0:26:17 | 0:26:21 | |
'But if you took any bumps or bruises on the playing field | 0:26:21 | 0:26:24 | |
'or felt under the weather, there was only one place to go.' | 0:26:24 | 0:26:29 | |
If you had a medical problem between about 1880 and 1920, | 0:26:29 | 0:26:33 | |
you consult Dr Haig-Brown, | 0:26:33 | 0:26:36 | |
who spent almost his entire career as a medic as the school's doctor. | 0:26:36 | 0:26:43 | |
He travelled around with this tin box, so he was ready for all eventualities. | 0:26:43 | 0:26:48 | |
If you had a problem with your hooter, | 0:26:48 | 0:26:51 | |
he'd give you a nice nasal douche, | 0:26:51 | 0:26:53 | |
using this little contraption. | 0:26:53 | 0:26:56 | |
If you'd been knocked out playing soccer or in a boxing match, | 0:26:56 | 0:27:01 | |
he would administer this stuff, Sal Volatile - smelling salts. | 0:27:01 | 0:27:06 | |
Essentially, a concentrated ammonia mix | 0:27:06 | 0:27:10 | |
which, with one whiff up your nostril, | 0:27:10 | 0:27:14 | |
provides such a shock to the system | 0:27:14 | 0:27:17 | |
that it snaps you out of the unconscious state. | 0:27:17 | 0:27:20 | |
Let's hope he didn't have to use that too often. | 0:27:20 | 0:27:23 | |
'Of course, the big question today is | 0:27:23 | 0:27:26 | |
'will our teams be in need of first aid over at the auction?' | 0:27:26 | 0:27:30 | |
It's not taken us long to go from Deene Park to Market Harborough, | 0:27:39 | 0:27:43 | |
where we've come to a new saleroom, Gildings in Market Harborough. | 0:27:43 | 0:27:47 | |
Mark. Hello, Tim. How lovely to see you. | 0:27:47 | 0:27:49 | |
First up is the cold-painted bronze, but is it Bergman? | 0:27:49 | 0:27:53 | |
No, it isn't. It's not? No. OK. | 0:27:53 | 0:27:56 | |
It's quite a good model, but the casting isn't quite right | 0:27:56 | 0:28:00 | |
and a reproduction, in my opinion. | 0:28:00 | 0:28:03 | |
That's not going to help it, value-wise, is it? | 0:28:03 | 0:28:06 | |
Kate Bateman went £200 very, very strongly on this. | 0:28:06 | 0:28:10 | |
I'm at the completely opposite end of the value spectrum. | 0:28:10 | 0:28:14 | |
I thought you might be. £20 to £30. | 0:28:14 | 0:28:17 | |
Yeah. Well, that is a body blow. | 0:28:17 | 0:28:19 | |
The next item is this very nicely cut | 0:28:19 | 0:28:23 | |
glass Edwardian scent bottle with its silver stopper. | 0:28:23 | 0:28:27 | |
But slightly yesterday's antiques. | 0:28:27 | 0:28:30 | |
Fashions and lifestyles change and people move on to other things. | 0:28:30 | 0:28:34 | |
On any other day, this would have been part of a group lot, | 0:28:34 | 0:28:37 | |
rather than an individual lot. | 0:28:37 | 0:28:39 | |
So you've done us a favour making it an individual lot? Yes. How much of a favour, price-wise? | 0:28:39 | 0:28:45 | |
£10 to £20. Not much of a favour, then! £32 was paid. | 0:28:45 | 0:28:49 | |
Lastly, we have got a bit of pewter which is, at least, real. It is. | 0:28:49 | 0:28:54 | |
Tudric stuff is sought after. | 0:28:54 | 0:28:57 | |
It's got this slight cast poppy in it, which is nice. | 0:28:57 | 0:29:02 | |
Otherwise, it's quite corroded. How do you rate it? | 0:29:02 | 0:29:05 | |
I've said £20 to £30. £34 paid, so we've got a problem. | 0:29:05 | 0:29:09 | |
They're going to need their bonus buy, so let's have a look at it. | 0:29:09 | 0:29:13 | |
Wendy and Sally, a legend, you spent £266. | 0:29:13 | 0:29:18 | |
Crafty couple! £34 of leftover lolly went to Kate Bateman. | 0:29:18 | 0:29:22 | |
Kate, what did you spend it on? Something very pretty. | 0:29:22 | 0:29:26 | |
BOTH: Ooh! What do we think of that? Ooh! | 0:29:26 | 0:29:29 | |
It's lovely. It is prett... Ooh, it's quite light. | 0:29:29 | 0:29:33 | |
Does that mean it's delicate? Can I ring it? You give it a chink. | 0:29:33 | 0:29:37 | |
RINGS CLEAR Oh! It's sound as a bell! | 0:29:37 | 0:29:41 | |
That is the ring of confidence! It's very pretty. I paid £18 for it. | 0:29:41 | 0:29:46 | |
No? Which I thought was a bargain. 18? Yeah. Oh, wow! | 0:29:46 | 0:29:49 | |
It's a 19th-century wine glass. | 0:29:49 | 0:29:51 | |
It's got a twist stem. I think that's really pretty. | 0:29:51 | 0:29:54 | |
It has got a chip. Does that reduce the value? | 0:29:54 | 0:29:57 | |
That's why I got it for 18. Right, OK. | 0:29:57 | 0:29:59 | |
There probably is a little profit. | 0:29:59 | 0:30:02 | |
If you turn it the right way, you can't see it. | 0:30:02 | 0:30:05 | |
I think there's a chance on that. It's really pretty. | 0:30:05 | 0:30:08 | |
What sort of profit are you thinking? Not a huge amount. | 0:30:08 | 0:30:11 | |
It might make up to £30. It's very girly. I thought you'd like it. | 0:30:11 | 0:30:15 | |
Anyway, you're happy with that? BOTH: Yes. | 0:30:15 | 0:30:18 | |
Very good. Treasure those thoughts and those pearls of wisdom. | 0:30:18 | 0:30:22 | |
We're going to check out, for the audience at home, | 0:30:22 | 0:30:25 | |
what the auctioneer thinks about Kate's glass. | 0:30:25 | 0:30:28 | |
Here we go, look. That's a handsome looking glass. | 0:30:28 | 0:30:31 | |
Lovely spiral trumpety type stem. | 0:30:31 | 0:30:34 | |
Yes, it is, and some nice engraving round the top. | 0:30:34 | 0:30:37 | |
A set of 12 of those, once upon a time, | 0:30:37 | 0:30:40 | |
went around a handsome Victorian dining table? | 0:30:40 | 0:30:42 | |
Yes. Would have been good, wouldn't it? | 0:30:42 | 0:30:45 | |
We've just got the one now. Yeah, one on its own. OK. | 0:30:45 | 0:30:48 | |
Stand by. Estimate? | 0:30:48 | 0:30:50 | |
£10 to £20. OK, £18 paid. | 0:30:50 | 0:30:53 | |
So, that may just scrape away with a profit for the team, | 0:30:53 | 0:30:56 | |
if they decide to go with it. | 0:30:56 | 0:30:59 | |
Moving on to the blues, | 0:30:59 | 0:31:01 | |
we've got the Moorcroft dwarf candlestick base and the bowl. | 0:31:01 | 0:31:04 | |
Moorcroft is always fought after at auction. | 0:31:04 | 0:31:07 | |
It is, yeah. A great name and very collectable. What's your estimate? | 0:31:07 | 0:31:11 | |
My estimate for the two is £40 to £60. £85 paid. | 0:31:11 | 0:31:14 | |
So that's a bit light. | 0:31:14 | 0:31:16 | |
Now, we've got a pair of wine glass rinsers and another. | 0:31:16 | 0:31:20 | |
Probably a late Georgian one and a couple of Victorian ones. Yes. | 0:31:20 | 0:31:24 | |
Never easy things to sell, are they, wine glass rinsers? | 0:31:24 | 0:31:27 | |
No. The single one would make good use in the middle of a tea caddy. | 0:31:27 | 0:31:31 | |
Replace an old mixing bowl. That would do, wouldn't it? | 0:31:31 | 0:31:34 | |
Struggling to make more than £15 to £25 of these. | 0:31:34 | 0:31:37 | |
Gosh, £45 paid, so that's a bit over the top. | 0:31:37 | 0:31:40 | |
But lastly, we've got this lovely golden oak English filing cabinet. | 0:31:40 | 0:31:46 | |
That takes you back to a late-Victorian office. I think it's great. | 0:31:46 | 0:31:50 | |
When filing furniture was properly made, as opposed to being in tin. | 0:31:50 | 0:31:54 | |
Ha! I think it's a really good bit of furniture | 0:31:54 | 0:31:57 | |
that fits what people want to buy today. Exactly. | 0:31:57 | 0:32:00 | |
So, it does the business. How much is the business? | 0:32:00 | 0:32:03 | |
80 to 120. £95 paid, so they paid the right price. | 0:32:03 | 0:32:07 | |
And who knows? It could take off. | 0:32:07 | 0:32:09 | |
In which case, they're not going to need the bonus buy, but let's have a look at it, anyway. | 0:32:09 | 0:32:14 | |
Now, chaps, Jim, Dave, this is exciting, isn't it? | 0:32:14 | 0:32:17 | |
Because you gave Thomas Plant the whole £75. | 0:32:17 | 0:32:21 | |
The big deal is, has he spent the lot? | 0:32:21 | 0:32:24 | |
Tom, over to you. I didn't quite spend the lot, gentlemen. | 0:32:24 | 0:32:28 | |
I bought this very smart mahogany box | 0:32:28 | 0:32:32 | |
with The People's Physician, all beautifully cased. | 0:32:32 | 0:32:35 | |
There you are. Have a look. Right. Actually, it's the whole package. | 0:32:37 | 0:32:41 | |
It's the books, which are, I have to say, pretty sort of... Interesting. | 0:32:41 | 0:32:46 | |
But, you know dated. But it's the package, the lovely case it's in. | 0:32:46 | 0:32:50 | |
If I had my time again, I'd be a doctor. | 0:32:50 | 0:32:53 | |
Would you? Hm. Dr Plant! Dr Plant. Has a sort of ring to it. | 0:32:53 | 0:32:57 | |
Well, I'm impressed. What is it made of? | 0:32:57 | 0:33:00 | |
It's beautifully crafted mahogany. Oh, right. With a glass door. | 0:33:00 | 0:33:05 | |
It was £50. £50? | 0:33:05 | 0:33:07 | |
I think it's a lot of money. | 0:33:07 | 0:33:09 | |
It was 75 marked up and they weren't really budging but I spent 50 on it. | 0:33:09 | 0:33:13 | |
I think we've got a small chance of making a small amount of money. | 0:33:13 | 0:33:17 | |
It's never going to fly, unless there's a couple of doctors in the room. | 0:33:17 | 0:33:21 | |
Is there a doctor in the house? Could be a hypochondriac's dream! Exactly! | 0:33:21 | 0:33:25 | |
Are you a hypochondriac? I wasn't until I looked at this. | 0:33:25 | 0:33:28 | |
I'm rather glad you didn't become a doctor, Tom. | 0:33:28 | 0:33:32 | |
I think you're rather better as a furniture expert than a doctor, don't you? | 0:33:32 | 0:33:36 | |
Anyway, for the audience at home, | 0:33:36 | 0:33:39 | |
let's find out whether the auctioneer agrees. | 0:33:39 | 0:33:43 | |
Cor, look at this, Mark. That's handsome, isn't it? | 0:33:43 | 0:33:46 | |
Your answer to home-diagnosis. | 0:33:46 | 0:33:49 | |
All ailments. Yeah. Several volumes of it. | 0:33:49 | 0:33:53 | |
To be honest, in my opinion, the best thing is the cabinet. Really? | 0:33:53 | 0:33:57 | |
What's your estimate on The People's Physician? | 0:33:57 | 0:34:01 | |
£20 to £30. Is that all? It is. | 0:34:01 | 0:34:03 | |
Thomas Plant, Dr Plant, paid £50 for this lot. | 0:34:03 | 0:34:07 | |
CHUCKLING: And he's supposed to know what he's doing. | 0:34:07 | 0:34:10 | |
Anyway, don't take his diagnosis as read. | 0:34:10 | 0:34:13 | |
Very good luck, Mark. Thank you. | 0:34:13 | 0:34:16 | |
Wendy and Sally, how are you feeling? Oooh! | 0:34:23 | 0:34:26 | |
Yes. Quite excited. Very excited. Just for the fun of it. | 0:34:26 | 0:34:29 | |
First up, we've got the Bergman bronze. | 0:34:29 | 0:34:32 | |
Which sits in a category which is subject to debate, really. | 0:34:32 | 0:34:37 | |
Ooh. The auctioneer doesn't think it's old. He's put £20 to £30 on it. | 0:34:37 | 0:34:41 | |
The word "reproduction" in the catalogue gives a very hard sell. | 0:34:41 | 0:34:46 | |
It doesn't let other people make their minds up. | 0:34:46 | 0:34:49 | |
So, I think... I still like it. | 0:34:49 | 0:34:52 | |
I thought it was lovely. I thought it was beautiful. | 0:34:52 | 0:34:54 | |
I've seen much, much worse reproductions. | 0:34:54 | 0:34:58 | |
It was exciting when we bought it. Good. We've all had an excitement. | 0:34:58 | 0:35:02 | |
Who knows? When the hammer drops, in just a few moments, | 0:35:02 | 0:35:05 | |
it could be in a very different place to the £20 to £30 estimate. | 0:35:05 | 0:35:09 | |
Let's find out what the bronze is about to make. Here it comes. | 0:35:09 | 0:35:14 | |
Lot 192, a reproduction cold-painted model of a boy smoking a pipe, | 0:35:14 | 0:35:18 | |
after Bergman, and bidding opens with me at £10. | 0:35:18 | 0:35:22 | |
Oh, no. £10 I'm bid. | 0:35:22 | 0:35:24 | |
£10, £12, £15. 15 I'm bid. | 0:35:24 | 0:35:27 | |
£18. £20? £20 I have. 22? | 0:35:27 | 0:35:32 | |
At 22 bid. At 22. We're online bidding. You're all out in the room? | 0:35:32 | 0:35:36 | |
Fair warning, then, at £22. Uh-oh! Oh, no. | 0:35:36 | 0:35:40 | |
BANGS GAVEL £22. I'm so sorry! | 0:35:40 | 0:35:43 | |
That's OK. It's OK. That's minus 178. | 0:35:43 | 0:35:46 | |
The worst is over, surely? | 0:35:46 | 0:35:48 | |
Not necessarily. Here comes the scent bottle. | 0:35:48 | 0:35:51 | |
Edwardian cut-glass silver-topped scent bottle. | 0:35:51 | 0:35:54 | |
London 1901. Lovely quality this. | 0:35:54 | 0:35:57 | |
Starts with me at £10 only. 12 I'm bid in the room. 15. | 0:35:57 | 0:36:01 | |
18. 20. 22. 25. | 0:36:01 | 0:36:05 | |
28. 30. | 0:36:05 | 0:36:08 | |
£30. 32. 35. | 0:36:08 | 0:36:11 | |
38, it's in the room, not online. | 0:36:11 | 0:36:14 | |
Come on, online. Go 40! | 0:36:14 | 0:36:16 | |
At 38, fair... £40 online. At 40. | 0:36:16 | 0:36:20 | |
Your turn, then, at 42. Thank you. | 0:36:20 | 0:36:22 | |
Waiting for you, internet. 45. 45. Online. Fair warning... | 0:36:22 | 0:36:27 | |
BANGS GAVEL | 0:36:27 | 0:36:30 | |
Well done, you! £45 is brilliant. That's plus £13. | 0:36:30 | 0:36:33 | |
Plus 13. Super. Now, the shallow dish. | 0:36:33 | 0:36:37 | |
Lot 194 is the Tudric pewter | 0:36:37 | 0:36:39 | |
lozenge shaped shallow dish and £12 is my opening bid. | 0:36:39 | 0:36:42 | |
- £12 I'm bid here. At 12. £15. £18. - It's going up! | 0:36:42 | 0:36:46 | |
22. 25. | 0:36:46 | 0:36:48 | |
28. 30. Come on! | 0:36:48 | 0:36:50 | |
- 32. 35. 38. - We're in profit! | 0:36:50 | 0:36:53 | |
40. 42. All out on the right with 42 here. 42. | 0:36:53 | 0:36:57 | |
That is £8 profit. | 0:36:58 | 0:37:00 | |
These are solid profits. | 0:37:00 | 0:37:02 | |
Nothing to be ashamed of. | 0:37:02 | 0:37:05 | |
You're now minus 157. Oh...golly! | 0:37:05 | 0:37:07 | |
It's that body-blow of the wretched smoking boy. | 0:37:07 | 0:37:11 | |
It's like the smoking gun! Yeah. | 0:37:11 | 0:37:14 | |
What are we doing about the glass? Are you going for it? I think we will. I don't blame you. | 0:37:14 | 0:37:19 | |
Why not? There's a chance it might make a profit. £18 paid. | 0:37:19 | 0:37:24 | |
Let's see what happens. Yeah. | 0:37:24 | 0:37:26 | |
Bids open at £10. £10 I'm bid now. Oh, come on! | 0:37:26 | 0:37:29 | |
£10 for the continental wine glass. £10 I'm bid. | 0:37:29 | 0:37:32 | |
Ten only here. £12 do I see? Oh, come on! | 0:37:32 | 0:37:35 | |
£10. Are you bidding online? You're flashing, not bidding. £12. | 0:37:35 | 0:37:39 | |
Thank you! We've got a bid at 12. We're online. | 0:37:39 | 0:37:43 | |
All out in the room and selling at 12... | 0:37:43 | 0:37:46 | |
BANGS GAVEL Oh! £12 is minus six. | 0:37:46 | 0:37:49 | |
LAUGHING: Which takes you back up | 0:37:49 | 0:37:52 | |
to minus 163. | 0:37:52 | 0:37:55 | |
Minus 163. | 0:37:55 | 0:37:57 | |
That's quite a big number, isn't it? | 0:37:57 | 0:38:00 | |
There should be an award for bombing so spectacularly. | 0:38:00 | 0:38:04 | |
You're remarkably perky, you two. That's all I can say. | 0:38:04 | 0:38:07 | |
Well! Keep taking the tablets. | 0:38:07 | 0:38:09 | |
LAUGHTER We have to. | 0:38:09 | 0:38:12 | |
Don't go saying a word to the blues. | 0:38:12 | 0:38:14 | |
Not a word. Keep a smile on your face. | 0:38:14 | 0:38:17 | |
Now, Jim, Dave, how are you feeling? We feel good, yes. Confident. | 0:38:23 | 0:38:28 | |
Very good. I'm glad you feel good. | 0:38:28 | 0:38:31 | |
That's good you feel good. Do you know how the other team fared? | 0:38:31 | 0:38:35 | |
N-n-no. We don't. They... Look a bit moody? | 0:38:35 | 0:38:38 | |
They seemed good-moody, but they didn't say anything to us. | 0:38:38 | 0:38:42 | |
Perfect, I think we've got it cracked. First up is the Moorcroft. | 0:38:42 | 0:38:46 | |
Two pieces of Moorcroft. Here it comes. | 0:38:46 | 0:38:48 | |
The Moorcroft dwarf candlestick, light blue ground, | 0:38:48 | 0:38:51 | |
and a small Moorcroft bowl in good condition. | 0:38:51 | 0:38:54 | |
Bidding opens here with me at £40. £42 I'm bid now. At 42. | 0:38:54 | 0:38:59 | |
At 42 in the room. All my bids are out at 42. | 0:38:59 | 0:39:02 | |
45. 48. | 0:39:02 | 0:39:04 | |
£50, I'm bid. At 55. At 55. 60. | 0:39:04 | 0:39:08 | |
£65. At 65. 65. | 0:39:08 | 0:39:11 | |
£70. At 75. 75 bid. | 0:39:11 | 0:39:14 | |
Go on! £80. At 85 now. 85. £90, I'm bid. | 0:39:14 | 0:39:17 | |
Well done, chaps. Profit. £95 bid. | 0:39:17 | 0:39:21 | |
That was better. | 0:39:21 | 0:39:23 | |
Here at 95. You're all out online? Front row. | 0:39:23 | 0:39:26 | |
Fair warning, then, selling at £95... | 0:39:26 | 0:39:29 | |
£95 is plus £10. | 0:39:29 | 0:39:31 | |
That is brilliant. That's the first hurdle overcome. | 0:39:31 | 0:39:35 | |
Promising start. The second are these glass rinsers. | 0:39:35 | 0:39:39 | |
215 is the Regency cut-glass rinser and a pair of others. | 0:39:39 | 0:39:44 | |
£10 for the three? £10 only I'm bid. | 0:39:44 | 0:39:47 | |
Antiques - £10! At £10, £10. | 0:39:47 | 0:39:51 | |
£12, I've got. 15, I'm looking for. | 0:39:51 | 0:39:54 | |
Who's bidding then? At £12... Yesterday's antiques. | 0:39:54 | 0:39:57 | |
BANGS GAVEL | 0:39:57 | 0:39:58 | |
£12. I'm afraid that is minus 33. I'm sorry, gentlemen. | 0:39:58 | 0:40:03 | |
Lot number 216. I like this. Oak five-drawer filing cabinet. | 0:40:03 | 0:40:09 | |
I have to start the bidding at £70. | 0:40:09 | 0:40:11 | |
£70 I'm bid here, at £70. | 0:40:11 | 0:40:14 | |
At £70. 75. 80 here. At £80. 85, now. At 85. | 0:40:14 | 0:40:19 | |
£90 in a fresh place. 95. | 0:40:19 | 0:40:21 | |
100 at the front. £100. Yes! Yes! | 0:40:21 | 0:40:25 | |
Thank you very much. At 100, front row and selling at 100... | 0:40:25 | 0:40:28 | |
BANGS GAVEL Uh-oh. £100 is plus £5. | 0:40:28 | 0:40:31 | |
Which, I'm afraid, reduces you... | 0:40:31 | 0:40:35 | |
to minus 18. | 0:40:35 | 0:40:37 | |
What are you going to do? Go with the bonus buy? You can't ask Tom. | 0:40:37 | 0:40:42 | |
We're definitely going with the bonus buy. We'll go with it. Definitely? Yes. | 0:40:42 | 0:40:46 | |
Without a shadow of a doubt? Absolutely. | 0:40:46 | 0:40:48 | |
OK, fine. And here it comes. | 0:40:48 | 0:40:51 | |
Bidding on the books start here at £12 with me. | 0:40:51 | 0:40:54 | |
£12. 15. 18. 20. 22. 25. 28. | 0:40:54 | 0:40:58 | |
30. 32. 35. 38. | 0:40:58 | 0:41:02 | |
40. 42. | 0:41:02 | 0:41:04 | |
42 behind, then. You're out at 42. | 0:41:04 | 0:41:08 | |
45, fresh bidder. 45. Well done! | 0:41:08 | 0:41:10 | |
You're at 48. 50. £50. Still at the back at £50. | 0:41:10 | 0:41:15 | |
One more. You clever old fruit. BANGS GAVEL | 0:41:15 | 0:41:17 | |
Dr Plant has done it again. | 0:41:17 | 0:41:20 | |
£50. £50 paid. | 0:41:20 | 0:41:22 | |
Wiped its face. No shame, no gain. TOM LAUGHING | 0:41:22 | 0:41:26 | |
Well done, Tom. That means, overall, you're minus 18. | 0:41:26 | 0:41:30 | |
That was exciting. There we go, minus 18. Could be a winning score. | 0:41:30 | 0:41:34 | |
Don't say a word to the reds. We won't. Perfect. | 0:41:34 | 0:41:37 | |
Well, teams, how are we all? | 0:41:45 | 0:41:48 | |
JIM: Very good. | 0:41:48 | 0:41:50 | |
Not been comparing scores? ALL: No, no. | 0:41:50 | 0:41:52 | |
It's no secret that nobody's going home with money in their pockets. | 0:41:52 | 0:41:56 | |
It's just a question of the scale of the losses between the teams. | 0:41:56 | 0:42:01 | |
LAUGHTER And there is a chasm between them. | 0:42:01 | 0:42:04 | |
In fact, there is £145 worth of losses | 0:42:04 | 0:42:09 | |
between the teams today! | 0:42:09 | 0:42:12 | |
Sadly, the runners-up by a long mark happen to be the reds. | 0:42:12 | 0:42:15 | |
Hooray! Which is not right, actually. | 0:42:15 | 0:42:18 | |
There was no stopping that big old £178 initial loss, was there? | 0:42:18 | 0:42:23 | |
Anyway, you couldn't recover from it, but you were very, very womanly about it. | 0:42:23 | 0:42:28 | |
LAUGHTER What does that mean? You linked arms. | 0:42:28 | 0:42:33 | |
You were forthright. You took it on the chin. | 0:42:33 | 0:42:36 | |
You displayed all the British values that we love and endear so much. | 0:42:36 | 0:42:42 | |
So, there you go. Thank you. | 0:42:42 | 0:42:44 | |
Did you have a nice time? We had a lovely time. A great time. | 0:42:44 | 0:42:47 | |
I'm sorry about the end result, but the men haven't done much better. | 0:42:47 | 0:42:52 | |
They managed to reduce the losses to only minus £18. | 0:42:52 | 0:42:56 | |
WOMEN GROAN Which is... Almost respectable. | 0:42:56 | 0:42:59 | |
LAUGHTER ..a respectable loss. | 0:42:59 | 0:43:02 | |
But there we go. Minus £18 is a winning score. | 0:43:02 | 0:43:05 | |
So I congratulate you, Jim and Dave and Thomas. Thank you. | 0:43:05 | 0:43:09 | |
I hope you enjoyed the experience. It's been great. | 0:43:09 | 0:43:11 | |
It's been a lovely experience. | 0:43:11 | 0:43:13 | |
Join us soon for another experience. Yes? | 0:43:13 | 0:43:17 | |
ALL: Yes! | 0:43:17 | 0:43:19 | |
Subtitles by Red Bee Media Ltd | 0:43:22 | 0:43:25 | |
E-mail [email protected] | 0:43:25 | 0:43:28 |